San Francisco-based filmmakers Jamal Trulove and Maya Cameron-Gordon pose for a photo while on the set of the film 'What'chu Mixed With?' (Courtesy of Maya Cameron-Gordon)
On Wednesday night, Oakland’s Grand Lake Theater will play host to Bay Area Film Night, an event that features a panel discussion and a screening of two short films that are truly from the soil.
Behind the films What’chu Mixed With? and I Thought You’d Never Ask there’s a slate of actors, producers and directors, as well as extras and notable venues, that are all local. And the stories depicted in the movies are stitched together with the fibers that make up this region’s unique cultural cloth.
Actors Jasmin Corley and Mariah Fields (Alien Mack Kitty) getting sideways in a car on the set of the film ‘What’chu Mixed With?’ (Courtesy of Maya Cameron-Gordon )
What’chu Mixed With? stars Jasmin Corley as a San Francisco mixed-race teenager named Alexis. Struggling to find herself after her father leaves the family, the main character’s identity issues hit an apex as she has a bit of a breakdown while trying to manage her curly hair. Her mother, a white woman with flowing straight hair, has no idea what to do either.
Luckily, Alexis’ mother is a teacher in Hunters Point and a student in her class named Precious is one of the coolest young women on the block.
Mariah Fields, daughter of late San Francisco rapper Cougnut and an MC in her own right (she goes by the moniker Alien Mac Kitty or AMK), plays the role of Precious. A gold grill-wearing, street-savvy mentor to Alexis, Precious is a fly fashionista who knows how to hustle and have a good time while doing so. Precious not only helps Alexis style her hair, she passes her down earrings and fresh kicks. She even shows Alexis how to defend herself when other girls start talking trash.
“I thought about this time in my life when I was about 12 years old,” says filmmaker Maya Cameron-Gordon, who who set the semi-autobiographical short film in the flip phone and Myspace era of the early 2000s.
A mixed-race woman herself, Cameron-Gordon was raised by her white mother after her Black father moved back to Los Angeles for medical reasons. She too struggled with identity issues; she went to a predominantly white middle school and lived in a majority Black neighborhood.
Like Alexis, hairstyles gave a young Cameron-Gordon a hard time, until she met someone who could show her the ropes.
“There was an older girl that my mom introduced me to,” Cameron-Gordon explains. The girl was about four years her senior, popular and from Hunters Point. “She took me under her wing and exposed me to different parts of the city I hadn’t been exposed to.”
Quiet on the set! San Francisco filmmaker Maya Cameron-Gordon chose all the music that went into the film ‘What’chu Mixed With?’ It was her way of honoring the music she grew up slapping. (Courtesy of Maya Cameron-Gordon)
That experience of being put on game both inspired the film and changed Cameron-Gordon’s life.
She’s open about the lifestyle choices that came after, and how they brought about some setbacks — including run-ins with the law. But later in her teens another San Francisco institution provided a second beacon of light for the emerging writer: the San Francisco Black Film Festival.
“That was a huge moment for me,” Cameron-Gordon says of attending the event. It wasn’t one specific film that moved her, but she left the festival with an “inner knowing” that she was supposed to be in circles of storytellers. Cameron-Gordon eventually published a children’s book and earned a graduate degree in filmmaking.
Wednesday night’s screening at the Grand Lake Theater will be her big-screen directorial debut. As a person who was raised in San Francisco and was crafted by the culture of this corner of the world, she’s the reason this film night exists.
“We’ve been deprived,” says Cameron-Gordon about the need for local film events like this. The Bay Area has so much talent, she says, but it doesn’t get recognized nearly as much as other regions.
“A lot of times we see films that are set in Los Angeles. We see ’em in New York, but we have such a unique culture,” Cameron-Gordon attests. “And we have some characters that definitely need to be on the screen, people that the world needs to see.”
Nathan (Titus Vanhook) and Lisa (Keren Southall) sit down for dinner during their courting period in the film ‘I Thought You’d Never Ask.’ (Courtesy of Jamal Trulove)
Inspired by a dream he had while attending the Sundance Film Festival in 2024, Trulove set out to write a piece that explores the idea of a woman facing the “biological clock” and a man eager to find the right one to settle down with.
With insight from lived experiences as well as his production team, he ended up with a sweet love story. The film deals with the pressure of having a baby by a certain age, finding someone to marry and the issue of divorce rates in the Black community.
“The concept of it was to create a conversation about love, marriage, and the reasons why things fall apart,” says Trulove. Another goal was to infuse the film with “our culture.”
A very universal story about love, timing and communication between intimate partners, the film has a distinguished Bay Area flavor. It stars Oakland’s Keren Southall as Lisa and Titus VanHook as Nathan. They’re joined on screen by a chorus of Bay Area faces, including Tia Nomore and Devin “Sauce” Davis.
“Everybody wants to get into this field,” says Trulove, noting how a lack of resources and know-how impedes a lot of folks’ big-screen dreams.
But having a nucleus of talent, community support and the backing of local establishments makes the dream more attainable. “People can identify with it,” he says of the local connections shown in the films. “And that’s what it comes down to.”
Another key component of what’s needed for filmmakers is sustainability, Trulove says. Referencing the rich history of independent musicians making it in the Bay, he imagines the same direct-to-audience approach could be used for filmmakers.
“There’s so many Bay Area stories that are untold,” he says. And when our stories are told, he laments, too often we’re not the ones telling them. His question: What if we created conversation pieces about people really born and raised in the Bay?
“At the same time,” Trulove says about his vision for the local film industry, “we need to celebrate us.”
Bay Area Film Night takes place at Oakland’s Grand Lake Theater on Wednesday, June 11 at 6 p.m. The event is free, and you can sign up for the waitlist.
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"slug": "bay-area-film-night-grand-lake-theater-jamal-trulove-maya-cameron-gordon",
"title": "It’s a Bay Area Film Night, For Real For Real",
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"content": "\u003cp>On Wednesday night, Oakland’s Grand Lake Theater will play host to \u003ca href=\"https://www.eventbrite.com/e/bay-area-film-night-tickets-1376792345969\">Bay Area Film Night\u003c/a>, an event that features a panel discussion and a screening of two short films that are truly from the soil.\u003c/p>\n\u003cp>[aside postID='arts_13961266']Behind the films \u003ci>What’chu Mixed With?\u003c/i> and \u003ci>I Thought You’d Never Ask\u003c/i> there’s a slate of actors, producers and directors, as well as extras and notable venues, that are all local. And the stories depicted in the movies are stitched together with the fibers that make up this region’s unique cultural cloth.\u003c/p>\n\u003cp>The event falls in line with \u003ca href=\"https://www.kqed.org/arts/13971322/black-film-connect-all-star-movie-night-grand-lake-theatre\">the theater’s dedication to highlighting local filmmakers\u003c/a> — Wednesday’s film night is all about bringing more local representation to the big screen and fueling a growing Bay Area film industry.\u003c/p>\n\u003cfigure id=\"attachment_13977404\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13977404\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4510.jpg\" alt=\"Two people in a car, smiling, on a film set.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4510.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4510-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4510-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4510-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Actors Jasmin Corley and Mariah Fields (Alien Mack Kitty) getting sideways in a car on the set of the film ‘What’chu Mixed With?’ \u003ccite>(Courtesy of Maya Cameron-Gordon )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ci>What’chu Mixed With?\u003c/i> stars \u003ca href=\"https://www.instagram.com/jasmincorley/?hl=en\">Jasmin Corley\u003c/a> as a San Francisco mixed-race teenager named Alexis. Struggling to find herself after her father leaves the family, the main character’s identity issues hit an apex as she has a bit of a breakdown while trying to manage her curly hair. Her mother, a white woman with flowing straight hair, has no idea what to do either.\u003c/p>\n\u003cp>Luckily, Alexis’ mother is a teacher in Hunters Point and a student in her class named Precious is one of the coolest young women on the block.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Mariah Fields, daughter of late San Francisco rapper Cougnut and an MC in her own right (she goes by the moniker \u003ca href=\"https://www.kqed.org/arts/13928057/alien-mac-kitty-cougnut-daughter-san-francisco-frisco-rap-legacy\">Alien Mac Kitty\u003c/a> or AMK), plays the role of Precious. A gold grill-wearing, street-savvy mentor to Alexis, Precious is a fly fashionista who knows how to hustle and have a good time while doing so. Precious not only helps Alexis style her hair, she passes her down earrings and fresh kicks. She even shows Alexis how to defend herself when other girls start talking trash.\u003c/p>\n\u003cp>“I thought about this time in my life when I was about 12 years old,” says filmmaker \u003ca href=\"https://www.instagram.com/maya_mulatta/?hl=en\">Maya Cameron-Gordon\u003c/a>, who who set the semi-autobiographical short film in the flip phone and Myspace era of the early 2000s.\u003c/p>\n\u003cp>A mixed-race woman herself, Cameron-Gordon was raised by her white mother after her Black father moved back to Los Angeles for medical reasons. She too struggled with identity issues; she went to a predominantly white middle school and lived in a majority Black neighborhood.\u003c/p>\n\u003cp>Like Alexis, hairstyles gave a young Cameron-Gordon a hard time, until she met someone who could show her the ropes.\u003c/p>\n\u003cp>“There was an older girl that my mom introduced me to,” Cameron-Gordon explains. The girl was about four years her senior, popular and from Hunters Point. “She took me under her wing and exposed me to different parts of the city I hadn’t been exposed to.”\u003c/p>\n\u003cfigure id=\"attachment_13977405\" class=\"wp-caption aligncenter\" style=\"max-width: 1290px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13977405\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4515.png\" alt=\"A woman in all back clothing, sitting on a set of stairs while holding a printed script for a film.\" width=\"1290\" height=\"2796\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4515.png 1290w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4515-160x347.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4515-768x1665.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4515-709x1536.png 709w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4515-945x2048.png 945w\" sizes=\"auto, (max-width: 1290px) 100vw, 1290px\">\u003cfigcaption class=\"wp-caption-text\">Quiet on the set! San Francisco filmmaker Maya Cameron-Gordon chose all the music that went into the film ‘What’chu Mixed With?’ It was her way of honoring the music she grew up slapping. \u003ccite>(Courtesy of Maya Cameron-Gordon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That experience of being put on game both inspired the film and changed Cameron-Gordon’s life.\u003c/p>\n\u003cp>She’s open about the lifestyle choices that came after, and how they brought about some setbacks — including run-ins with the law. But later in her teens another San Francisco institution provided a second beacon of light for the emerging writer: the \u003ca href=\"https://www.sfbff.org/\">San Francisco Black Film Festival\u003c/a>.\u003c/p>\n\u003cp>“That was a huge moment for me,” Cameron-Gordon says of attending the event. It wasn’t one specific film that moved her, but she left the festival with an “inner knowing” that she was supposed to be in circles of storytellers. Cameron-Gordon eventually \u003ca href=\"https://www.harpercollins.com/products/the-mermaid-princesses-maya-cameron-gordon?variant=40565833433122\">published a children’s book\u003c/a> and earned a graduate degree in filmmaking.\u003c/p>\n\u003cp>Wednesday night’s screening at the Grand Lake Theater will be her big-screen directorial debut. As a person who was raised in San Francisco and was crafted by the culture of this corner of the world, she’s the reason this film night exists.\u003c/p>\n\u003cp>[aside postID='arts_13973907']“We’ve been deprived,” says Cameron-Gordon about the need for local film events like this. The Bay Area has so much talent, she says, but it doesn’t get recognized nearly as much as other regions.\u003c/p>\n\u003cp>“A lot of times we see films that are set in Los Angeles. We see ’em in New York, but we have such a unique culture,” Cameron-Gordon attests. “And we have some characters that definitely need to be on the screen, people that the world needs to see.”\u003c/p>\n\u003cfigure id=\"attachment_13977420\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13977420\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/Untitled_1.151.1-2000x1125.jpeg\" alt=\"A photo of two people at a dimly lit restaurant. \" width=\"2000\" height=\"1125\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/Untitled_1.151.1-2000x1125.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/Untitled_1.151.1-160x90.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/Untitled_1.151.1-768x432.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/Untitled_1.151.1-1536x864.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/Untitled_1.151.1-2048x1152.jpeg 2048w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nathan (Titus Vanhook) and Lisa (Keren Southall) sit down for dinner during their courting period in the film ‘I Thought You’d Never Ask.’ \u003ccite>(Courtesy of Jamal Trulove)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That sentiment is echoed by \u003ca href=\"https://www.instagram.com/jamaltrulove/\">Jamal Trulove\u003c/a>, who co-organized the event with \u003ca href=\"https://www.kqed.org/arts/13856296/from-oakland-high-to-silicon-valley-y-combinators-dominique-fines\" target=\"_blank\" rel=\"noopener\">Domonique Fines\u003c/a> and wrote the night’s second film, \u003ci>\u003ca href=\"https://www.instagram.com/i.thought.youd.never.ask/\">I Thought You’d Never Ask\u003c/a>\u003c/i>.\u003c/p>\n\u003cp>Inspired by a dream he had while attending the Sundance Film Festival in 2024, Trulove set out to write a piece that explores the idea of a woman facing the “biological clock” and a man eager to find the right one to settle down with.\u003c/p>\n\u003cp>With insight from lived experiences as well as his production team, he ended up with a sweet love story. The film deals with the pressure of having a baby by a certain age, finding someone to marry and the issue of divorce rates in the Black community.\u003c/p>\n\u003cp>“The concept of it was to create a conversation about love, marriage, and the reasons why things fall apart,” says Trulove. Another goal was to infuse the film with “our culture.”\u003c/p>\n\u003cp>A very universal story about love, timing and communication between intimate partners, the film has a distinguished Bay Area flavor. It stars Oakland’s \u003ca href=\"https://www.instagram.com/kerensouth/\">Keren Southall\u003c/a> as Lisa and \u003ca href=\"https://www.instagram.com/_vanhook_/\">Titus VanHook\u003c/a> as Nathan. They’re joined on screen by a chorus of Bay Area faces, including \u003ca href=\"https://www.instagram.com/tia.nomore/?hl=en\">Tia Nomore\u003c/a> and \u003ca href=\"https://www.instagram.com/iamsaucee/?hl=en\">Devin “Sauce” Davis\u003c/a>.\u003c/p>\n\u003cp>After his role as Kofi in the film \u003cem>\u003ca href=\"https://www.kqed.org/arts/13858829/the-last-black-man-in-san-francisco-hits-home-in-oakland\">The Last Black Man in San Francisco\u003c/a>\u003c/em>, Trulove understood the power of giving screen time to local folks.\u003c/p>\n\u003cp>“Everybody wants to get into this field,” says Trulove, noting how a lack of resources and know-how impedes a lot of folks’ big-screen dreams.\u003c/p>\n\u003cp>But having a nucleus of talent, \u003ca href=\"https://www.spotfund.com/story/438385c0-a8e5-42b1-b837-4f2df9f46b4d\">community support\u003c/a> and the backing of local establishments makes the dream more attainable. “People can identify with it,” he says of the local connections shown in the films. “And that’s what it comes down to.”\u003c/p>\n\u003cp>Another key component of what’s needed for filmmakers is sustainability, Trulove says. Referencing the rich history of independent musicians making it in the Bay, he imagines the same direct-to-audience approach could be used for filmmakers.\u003c/p>\n\u003cp>“There’s so many Bay Area stories that are untold,” he says. And when our stories \u003ci>are\u003c/i> told, he laments, too often we’re not the ones telling them. His question: What if we created conversation pieces about people really born and raised in the Bay?\u003c/p>\n\u003cp>“At the same time,” Trulove says about his vision for the local film industry, “we need to celebrate us.”\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.eventbrite.com/e/bay-area-film-night-tickets-1376792345969\">Bay Area Film Night\u003c/a> takes place at Oakland’s Grand Lake Theater on Wednesday, June 11 at 6 p.m. The event is free, and you can sign up for the waitlist.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Wednesday night, Oakland’s Grand Lake Theater will play host to \u003ca href=\"https://www.eventbrite.com/e/bay-area-film-night-tickets-1376792345969\">Bay Area Film Night\u003c/a>, an event that features a panel discussion and a screening of two short films that are truly from the soil.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Behind the films \u003ci>What’chu Mixed With?\u003c/i> and \u003ci>I Thought You’d Never Ask\u003c/i> there’s a slate of actors, producers and directors, as well as extras and notable venues, that are all local. And the stories depicted in the movies are stitched together with the fibers that make up this region’s unique cultural cloth.\u003c/p>\n\u003cp>The event falls in line with \u003ca href=\"https://www.kqed.org/arts/13971322/black-film-connect-all-star-movie-night-grand-lake-theatre\">the theater’s dedication to highlighting local filmmakers\u003c/a> — Wednesday’s film night is all about bringing more local representation to the big screen and fueling a growing Bay Area film industry.\u003c/p>\n\u003cfigure id=\"attachment_13977404\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13977404\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4510.jpg\" alt=\"Two people in a car, smiling, on a film set.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4510.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4510-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4510-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4510-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Actors Jasmin Corley and Mariah Fields (Alien Mack Kitty) getting sideways in a car on the set of the film ‘What’chu Mixed With?’ \u003ccite>(Courtesy of Maya Cameron-Gordon )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ci>What’chu Mixed With?\u003c/i> stars \u003ca href=\"https://www.instagram.com/jasmincorley/?hl=en\">Jasmin Corley\u003c/a> as a San Francisco mixed-race teenager named Alexis. Struggling to find herself after her father leaves the family, the main character’s identity issues hit an apex as she has a bit of a breakdown while trying to manage her curly hair. Her mother, a white woman with flowing straight hair, has no idea what to do either.\u003c/p>\n\u003cp>Luckily, Alexis’ mother is a teacher in Hunters Point and a student in her class named Precious is one of the coolest young women on the block.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Mariah Fields, daughter of late San Francisco rapper Cougnut and an MC in her own right (she goes by the moniker \u003ca href=\"https://www.kqed.org/arts/13928057/alien-mac-kitty-cougnut-daughter-san-francisco-frisco-rap-legacy\">Alien Mac Kitty\u003c/a> or AMK), plays the role of Precious. A gold grill-wearing, street-savvy mentor to Alexis, Precious is a fly fashionista who knows how to hustle and have a good time while doing so. Precious not only helps Alexis style her hair, she passes her down earrings and fresh kicks. She even shows Alexis how to defend herself when other girls start talking trash.\u003c/p>\n\u003cp>“I thought about this time in my life when I was about 12 years old,” says filmmaker \u003ca href=\"https://www.instagram.com/maya_mulatta/?hl=en\">Maya Cameron-Gordon\u003c/a>, who who set the semi-autobiographical short film in the flip phone and Myspace era of the early 2000s.\u003c/p>\n\u003cp>A mixed-race woman herself, Cameron-Gordon was raised by her white mother after her Black father moved back to Los Angeles for medical reasons. She too struggled with identity issues; she went to a predominantly white middle school and lived in a majority Black neighborhood.\u003c/p>\n\u003cp>Like Alexis, hairstyles gave a young Cameron-Gordon a hard time, until she met someone who could show her the ropes.\u003c/p>\n\u003cp>“There was an older girl that my mom introduced me to,” Cameron-Gordon explains. The girl was about four years her senior, popular and from Hunters Point. “She took me under her wing and exposed me to different parts of the city I hadn’t been exposed to.”\u003c/p>\n\u003cfigure id=\"attachment_13977405\" class=\"wp-caption aligncenter\" style=\"max-width: 1290px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13977405\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4515.png\" alt=\"A woman in all back clothing, sitting on a set of stairs while holding a printed script for a film.\" width=\"1290\" height=\"2796\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4515.png 1290w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4515-160x347.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4515-768x1665.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4515-709x1536.png 709w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/IMG_4515-945x2048.png 945w\" sizes=\"auto, (max-width: 1290px) 100vw, 1290px\">\u003cfigcaption class=\"wp-caption-text\">Quiet on the set! San Francisco filmmaker Maya Cameron-Gordon chose all the music that went into the film ‘What’chu Mixed With?’ It was her way of honoring the music she grew up slapping. \u003ccite>(Courtesy of Maya Cameron-Gordon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That experience of being put on game both inspired the film and changed Cameron-Gordon’s life.\u003c/p>\n\u003cp>She’s open about the lifestyle choices that came after, and how they brought about some setbacks — including run-ins with the law. But later in her teens another San Francisco institution provided a second beacon of light for the emerging writer: the \u003ca href=\"https://www.sfbff.org/\">San Francisco Black Film Festival\u003c/a>.\u003c/p>\n\u003cp>“That was a huge moment for me,” Cameron-Gordon says of attending the event. It wasn’t one specific film that moved her, but she left the festival with an “inner knowing” that she was supposed to be in circles of storytellers. Cameron-Gordon eventually \u003ca href=\"https://www.harpercollins.com/products/the-mermaid-princesses-maya-cameron-gordon?variant=40565833433122\">published a children’s book\u003c/a> and earned a graduate degree in filmmaking.\u003c/p>\n\u003cp>Wednesday night’s screening at the Grand Lake Theater will be her big-screen directorial debut. As a person who was raised in San Francisco and was crafted by the culture of this corner of the world, she’s the reason this film night exists.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“We’ve been deprived,” says Cameron-Gordon about the need for local film events like this. The Bay Area has so much talent, she says, but it doesn’t get recognized nearly as much as other regions.\u003c/p>\n\u003cp>“A lot of times we see films that are set in Los Angeles. We see ’em in New York, but we have such a unique culture,” Cameron-Gordon attests. “And we have some characters that definitely need to be on the screen, people that the world needs to see.”\u003c/p>\n\u003cfigure id=\"attachment_13977420\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13977420\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/Untitled_1.151.1-2000x1125.jpeg\" alt=\"A photo of two people at a dimly lit restaurant. \" width=\"2000\" height=\"1125\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/Untitled_1.151.1-2000x1125.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/Untitled_1.151.1-160x90.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/Untitled_1.151.1-768x432.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/Untitled_1.151.1-1536x864.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/Untitled_1.151.1-2048x1152.jpeg 2048w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nathan (Titus Vanhook) and Lisa (Keren Southall) sit down for dinner during their courting period in the film ‘I Thought You’d Never Ask.’ \u003ccite>(Courtesy of Jamal Trulove)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That sentiment is echoed by \u003ca href=\"https://www.instagram.com/jamaltrulove/\">Jamal Trulove\u003c/a>, who co-organized the event with \u003ca href=\"https://www.kqed.org/arts/13856296/from-oakland-high-to-silicon-valley-y-combinators-dominique-fines\" target=\"_blank\" rel=\"noopener\">Domonique Fines\u003c/a> and wrote the night’s second film, \u003ci>\u003ca href=\"https://www.instagram.com/i.thought.youd.never.ask/\">I Thought You’d Never Ask\u003c/a>\u003c/i>.\u003c/p>\n\u003cp>Inspired by a dream he had while attending the Sundance Film Festival in 2024, Trulove set out to write a piece that explores the idea of a woman facing the “biological clock” and a man eager to find the right one to settle down with.\u003c/p>\n\u003cp>With insight from lived experiences as well as his production team, he ended up with a sweet love story. The film deals with the pressure of having a baby by a certain age, finding someone to marry and the issue of divorce rates in the Black community.\u003c/p>\n\u003cp>“The concept of it was to create a conversation about love, marriage, and the reasons why things fall apart,” says Trulove. Another goal was to infuse the film with “our culture.”\u003c/p>\n\u003cp>A very universal story about love, timing and communication between intimate partners, the film has a distinguished Bay Area flavor. It stars Oakland’s \u003ca href=\"https://www.instagram.com/kerensouth/\">Keren Southall\u003c/a> as Lisa and \u003ca href=\"https://www.instagram.com/_vanhook_/\">Titus VanHook\u003c/a> as Nathan. They’re joined on screen by a chorus of Bay Area faces, including \u003ca href=\"https://www.instagram.com/tia.nomore/?hl=en\">Tia Nomore\u003c/a> and \u003ca href=\"https://www.instagram.com/iamsaucee/?hl=en\">Devin “Sauce” Davis\u003c/a>.\u003c/p>\n\u003cp>After his role as Kofi in the film \u003cem>\u003ca href=\"https://www.kqed.org/arts/13858829/the-last-black-man-in-san-francisco-hits-home-in-oakland\">The Last Black Man in San Francisco\u003c/a>\u003c/em>, Trulove understood the power of giving screen time to local folks.\u003c/p>\n\u003cp>“Everybody wants to get into this field,” says Trulove, noting how a lack of resources and know-how impedes a lot of folks’ big-screen dreams.\u003c/p>\n\u003cp>But having a nucleus of talent, \u003ca href=\"https://www.spotfund.com/story/438385c0-a8e5-42b1-b837-4f2df9f46b4d\">community support\u003c/a> and the backing of local establishments makes the dream more attainable. “People can identify with it,” he says of the local connections shown in the films. “And that’s what it comes down to.”\u003c/p>\n\u003cp>Another key component of what’s needed for filmmakers is sustainability, Trulove says. Referencing the rich history of independent musicians making it in the Bay, he imagines the same direct-to-audience approach could be used for filmmakers.\u003c/p>\n\u003cp>“There’s so many Bay Area stories that are untold,” he says. And when our stories \u003ci>are\u003c/i> told, he laments, too often we’re not the ones telling them. His question: What if we created conversation pieces about people really born and raised in the Bay?\u003c/p>\n\u003cp>“At the same time,” Trulove says about his vision for the local film industry, “we need to celebrate us.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.eventbrite.com/e/bay-area-film-night-tickets-1376792345969\">Bay Area Film Night\u003c/a> takes place at Oakland’s Grand Lake Theater on Wednesday, June 11 at 6 p.m. The event is free, and you can sign up for the waitlist.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
},
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},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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}
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"id": "fresh-air",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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