The San Francisco Symphony announced its 2025–26 season Thursday, with a lineup of programs heavy on well-known, well-loved classics.
Among the pieces in the season: Beethoven’s Fifth. Vivaldi’s Four Seasons. Holst’s The Planets. Mozart’s Requiem. Berlioz’s Symphonie Fantastique. Dvořák’s New World symphony. Tchaikovsky’s Piano Concerto No. 1. Rimsky-Korsakov’s Scheherazade. Respighi’s Pines of Rome.
The season comes during a precarious time financially for the Symphony, which is looking to turn things around as it announces a season of tried-and-true favorites seemingly curated from a Reader’s Digest box set of Classical Music’s Greatest Hits. It also marks the first season since the departure of Music Director Esa-Pekka Salonen, known for his advocacy for more modern works and cross-disciplinary collaborations.
To be clear, the season includes world premieres (by the Symphony’s Principal Trombone Timothy Higgins, and Tyler Taylor, winner of the Emerging Black Composers Project), and lesser-performed composers like Jimmy López, Outi Tarkiainen and Olli Mustonen. The Symphony’s adventurous Soundbox programming — scaled back in 2024 — will be curated by Alexi Kenney and Gabriella Smith.
But the overall tone of the season appears to be: play the hits and sell tickets.


