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SF Opera’s New Season: ‘Dead Man Walking,’ ‘The Monkey King’ and More

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An Ancient Greek-inspired opera set in which a performer wields an axe prop.
Richard Strauss’ ‘Elektra’ returns to San Francisco Opera in June 2026.  (Cory Weaver/San Francisco Opera)

The San Francisco Opera on Tuesday announced a dynamic 2025–26 season, the centerpiece of which is a highly anticipated new commission: The Monkey King, an action-adventure opera by composer Huang Ruo and librettist Henry David Hwang.

Premiering Nov. 14, The Monkey King is based on Journey to the West, a 1592 Chinese literary classic that’s inspired countless films, animations and even a massively popular video game, Black Myth: Wukong. The new work, which runs through Nov. 30, promises to push SF Opera to new technical heights, utilizing dance and puppetry to tell the story of the ruler of the monkey kingdom who faces off against gods, demons and his own ego in his quest for immortality.

A digital sketch of colorful costumes inspired by traditional Chinese clothing.
Costume designs by Anita Yavich for Erlang and the gods in Huang Ruo and David Henry Hwang’s ‘The Monkey King.’ (Anita Yavich/Courtesy of SF Opera)

Another season highlight is the return of Dead Man Walking, which premiered at SF Opera 25 years ago and has since become one of the most popular modern operas of this century. Coming to the War Memorial Opera House stage Sept. 14–28, the libretto by Terrence McNally tells the real-life story of Sister Helen Prejean as she undergoes a spiritual journey while ministering to a man facing the death penalty.

The season kicks off with Verdi’s Rigoletto, running Sept. 5–27, with a cast that includes Mongolian baritone Amartuvshin Enkhbat in the title role alongside Adela Zaharia, Giovanni Sala, J’Nai Bridges, Peixin Chen and Aleksey Bogdanov.

From Oct. 25–Nov. 13, SF Opera will present a new production of Richard Wagner’s final work, Parsifal, the story of a knight’s spiritual quest, which — like The Monkey King — is heavily influenced by Buddhism. The opera is part of SF Opera Music Director Eun Sun Kim’s ongoing exploration of the 19th century German composer’s work, and will be directed by Matthew Ozawa. (Kim and SF Opera General Director Matthew Shilvock will appear live at KQED’s Mission District venue, The Commons, on Feb. 4 for a conversation with Forum host Mina Kim.)

An opera set with fences and barbed wire that look like a prison.
Jake Heggie and Terrence McNally’s ‘Dead Man Walking.’ (Andrew Cioffi/Lyric Opera of Chicago)

Other season highlights include a June 2026 staging of Gioachino Rossini’s iconic 19th-century comedy The Barber of Seville and Richard Strauss’ Greek mythology-fueled Elektra. A special concert for Pride month is also slated for June.

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This season, SF Opera will offer new Saturday matinee concerts; some of the season’s productions will also be livestreamed on select dates. SF Opera will also present its annual Opera in the Park, a free concert in Golden Gate Park’s Robin Williams Meadow, on Sept. 7, featuring the SF Opera Orchestra and soloists with Kim at the podium.

The San Francisco Opera’s 103rd season kicks off Sept. 5. A full schedule of events can be found here.

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