Clockwise from left: Sinéad O'Connor, Tina Turner, Matthew Perry, Wayne Shorter, Paul Reubens and Harry Belafonte. (Getty Images; Brian Rasic/Getty Images; Getty Images; Christophe Simon/AFP via Getty Images; Danny Moloshok/AP; AFP via Getty Images)
The worlds of art, music, literature, film and more lost some of their most notable giants and geniuses in 2023. Here are just a few of the actors, writers, producers, artists and musicians who died in the past year, listed chronologically below by the dates of their deaths.
Free-spirited icon of American rock David Crosby
Crosby was a prominent figure of the 1970s Laurel Canyon scene who helped bring folk-rock mainstream with both The Byrds and Crosby, Stills & Nash. He developed a harmony-rich vocal approach and kaleidoscopic sound, which incorporated psychedelic rock, jazz and twangy folk. As a songwriter, Crosby’s canon included the stormy classic “Eight Miles High” and “Almost Cut My Hair” from the hit album Déjà Vu. He died Jan. 18 at age 81. Read Annie Zaleski and Eric Westervelt’s remembrance.
Burt Bacharach, who composed an astonishing number of hits
Burt Bacharach circa 1970. (Michael Ochs Archives/Getty Images)
The visionary pop composer wrote music that sounded simple. But there was nothing simple about the songs now seared in the memories of generations of listeners. They include “I Say a Little Prayer,” “Walk on By,” “What the World Needs Now” and “Raindrops Keep Fallin’ on My Head.” He died on Feb. 8 at age 94. Read Elizabeth Blair’s remembrance.
Sage of the saxophone and visionary jazz composer Wayne Shorter
Wayne Shorter performing July 18, 1986 in Nice, France. (Christophe Simon/AFP via Getty Images)
The 12-time Grammy-winning saxophonist and composer created some of the most singular sounds in contemporary jazz over more than half a century. From the hard bop of the late 1950s to genre-defying small-group jazz in the ’60s all the way through the birth of rock-influenced jazz in the ’70s, Shorter’s soprano and tenor saxophones offered sonic clarion calls for change and innovation. He died on March 2 at age 89. Read Felix Contreras’ remembrance.
Ryuichi Sakamoto, trailblazing godfather of electronic pop
Ryuichi Sakamoto on June 6, 1996 in Paris, France. (Thomas Coex/AFP via Getty Images)
The Japanese composer was one of the first musicians to bring electronic production into popular songcraft though his band Yellow Magic Orchestra. As a solo artist, he collaborated with the likes of David Bowie and Iggy Pop. Sakamoto also scored such movies as Pedro Almodóvar’s High Heels and Bernardo Bertolucci’s The Last Emperor, which earned him an Oscar, a Golden Globe and a Grammy. He died March 28 at age 71. Read Anastasia Tsioulcas’ remembrance.
Raghavan Iyer, an icon of accessible Indian cooking in the U.S.
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The chef and author did much to popularize Indian cooking in non-South Asian kitchens through an approachable series of books that encouraged straying from traditional preparations. He also created a line of frozen dinners sold at Target. Iyer’s final book, On the Curry Trail, was published just a few months before his death. He died March 31 at age 61. Listen back to Iyer’s 2023 interview with Ari Shapiro.
Designer Mary Quant, who styled London’s Swinging ’60s
Mary Quant getting her hair cut by Vidal Sassoon on Nov. 10, 1964 (Ronald Dumont/Getty Images)
One of the most influential designers of her era, Dame Mary Quant is credited with spreading the gospel of hot pants, miniskirts, colorful tights, waterproof mascara, baby wale corduroy, dresses with pockets, shiny PVC raincoats and Vidal Sassoon bobs. While only in her 20s, Quant opened a shop on Kings Road that evolved into a global fashion brand. She died April 13 at age 93. Read Neda Ulaby’s remembrance.
Ahmad Jamal, who helped define American jazz for nearly a century
Ahmad Jamal at the Marciac Jazz Festival on Aug. 3, 2016. (Rémy Gabalda/AFP via Getty Images)
Over eight decades of performance, jazz pianist Ahmad Jamal influenced everyone from Miles Davis to MacArthur Award-winning pianist Jason Moran. He recorded scores of records, including his 1963 crossover hit “Poinciana,” which stayed on the charts for 108 weeks. He died April 16 at age 92. Read Martin Johnson’s remembrance.
Harry Belafonte: singer, actor, activist and an EGOT for the ages
Harry Belafonte photographed in November 1969. (AFP via Getty Images)
Easily one of the 20th century’s most charismatic performers, Belafonte won an Emmy, Grammy, Oscar and Tony award. In the 1950s, he set off a craze for calypso music with his chart-topping recording of “Day-O” (also known as “The Banana Boat Song”). Among other achievements, Belafonte helped organize the 1963 Freedom March on Washington. He died April 25 at age 96. Read Elizabeth Blair’s remembrance.
Incomparable soul and rock powerhouse Tina Turner
Tina Turner in 1985. (Brian Rasic/Getty Images)
An eight-time Grammy winner, Turner was known for her octave-defying voice and mesmerizing stage moves. In a recording career that spanned six decades, she found fame both as a solo artist and in a duo with her first husband, Ike Turner. Her story of surviving his abuse became the basis of the 1993 biopic What’s Love Got to Do with It. She died May 24 at age 83. Read Annie Zaleski’s remembrance.
NPR correspondent Wade Goodwyn, known for keen storytelling
Wade Goodwyn at NPR headquarters in Washington, D.C. on Sept. 27, 2018. (Allison Shelley/NPR)
Coco Lee performs during a June 21, 2019 concert at the Taipei Arena. (Visual China Group via Getty Images)
She was the Mandarin voice of the title character in Disney’s animated movie Mulan and a hitmaker in three languages. The Hong Kong-born singer was a huge star in Asia. Lee recorded 18 studio albums and became the first person of Chinese descent to perform at the Academy Awards with her rendition of “A Love Before Time” in 2001 from the movie Crouching Tiger, Hidden Dragon. She died July 5 at age 48. Read Chloe Veltman’s remembrance.
Tony Bennett, whose silky voice epitomized the American Songbook
Tony Bennett in 1988 after a concert in Stockholm. (Bernt Claesson/Pressens Bild/AFP via Getty Images)
Bennett began as a suave crooner in the 1950s and quickly established himself as one of radio’s most popular hit makers. He was a showman, with an intimate nightclub sensibility. Bennett used his celebrity on behalf of civil rights and later in life replenished his fandom through collaborations with musicians ranging from k.d. lang to Lady Gaga. He died July 21 at age 96. Read Walter Ray Watson’s remembrance here.
Irish singer Sinéad O’Connor, whose music was loved globally
Sinead O’Connor at a concert on Jan. 18, 2003 at The Point Theatre in Dublin, Ireland. (Getty Images)
Sinéad O’Connor was known for her intense and beautiful voice, her political convictions, and the personal tumult that overtook her later years. Her album, I Do Not Want What I Haven’t Got, went double platinum in 1990. At the height of her fame, she elicited howls of outrage for her prescient warnings against sexual abuse in the Catholic Church. She died July 26 at age 56. Read Neda Ulaby and Anastasia Tsioulcas’ remembrance here.
Paul Reubens, the actor better known as Pee-wee Herman
Paul Reubens portraying Pee-wee Herman on Dec. 7, 2009 in Los Angeles. (Danny Moloshok/AP)
Joyful, odd and subversive, Paul Reubens’ character rode his bicycle through 1980s pop culture in a red bow tie and tight gray suit, shouting, “I know you are but what am I?” First created in the sketch comedy group The Groundlings, Pee-wee found a devoted fandom through TV shows and in movies. He died July 30 at age 70. Read Glen Weldon’s remembrance.
Writer and activist Roberto Rodríguez, who chronicled Chicano life
Roberto Rodríguez in an undated photo. (Special Collections at the University of Arizona Libraries)
In 1979, reporter Roberto Rodríguez witnessed police brutality in Los Angeles. While trying to document it, he was attacked by L.A. County Sheriff’s deputies, ending up hospitalized for days. That led him to write Justice: A Question of Race. Over the years, he also wrote poems and articles, taught at the University of Arizona and became one of the most prominent Chicano writers. He died July 31 at age 69. Hear A Martínez’s remembrance.
Trop rock king Jimmy Buffett, who lived life like one of his songs
Jimmy Buffett takes a bow on March 15, 2018 at the opening night of ‘Escape to Margaritavilla’ a Broadway musical at the Marquis Theatre, New York City. (Noam Galai/Getty Images for Escape To Margaritaville)
Even though “Margaritaville” was his only top 10 hit, Jimmy Buffett sold out venues for decades. His fans, known as Parrotheads, developed their own subculture. Over the years, Buffett built that laid-back island brand into a sprawling business empire — restaurants, hotels, merchandise, even retirement communities. He died Sept. 1 at age 76. Hear Scott Detrow’s remembrance here.
Fernando Botero, one of Latin America’s most celebrated artists
Fernando Botero in Medellín, Colombia on Jan. 30, 2015. (Fredy Builes/Reuters)
Known for his whimsical, rotund figures that poked fun at the upper class of his native Colombia, Botero also explored political themes ranging from drug violence to abuses by U.S. military personal in Abu Ghraib. The artist’s work can be seen at many major museums around the world, including the Museo Botero in Bogotá. He died Sept. 15 at age 91. Read John Otis’ remembrance.
Khaled Khalifa, a titan of contemporary Arabic literature
Khaled Khalifa in Damascus, Syria on June 2, 2020. (Louai Beshara/AFP via Getty Images)
A celebrated poet, screenwriter and novelist, Khalifa was known for his outspoken nature and proclivity to critique Syria’s government, resulting in his work sometimes being banned. His 2016 novel, Death Is Hard Work lays bare the anguish of his country’s brutal civil war. He died Sept. 30 at age 59. Hear a remembrance.
Nobel Prize-winning poet Louise Glück
Louise Gluck at the National Book Awards on Nov. 19, 2014 in New York City. (Robin Marchant/Getty Images)
Her spare, incisive verse won fistfuls of awards, including the Pulitzer Prize, the National Humanities Medal and the National Book Award. Her 2020 Nobel citation praised “her unmistakable poetic voice that with austere beauty makes individual existence universal.” But Glück’s first book was rejected 28 times. She died Oct. 13 at age 80. Read Chloe Veltman’s remembrance.
Richard Roundtree, ‘Shaft’ star and one of the coolest actors ever
Richard Roundtree at the Toronto International Film Festival on Sept. 13, 2022. (Michael Loccisano/Getty Images)
Shaft brought audiences one of the first Black action heroes, embodied by Roundtree in a sweeping leather coat and ineffable style. The 1971 low-budget movie became a smash hit and helped create an entire genre: Blaxploitation. The actor starred in a few Shaft sequels and appeared in more than 150 movie and TV shows, ranging from Roots to Desperate Housewives to Being Mary Jane. He died Oct. 24 at age 81. Read Neda Ulaby’s remembrance.
‘Friends’ star Matthew Perry, who became a spokesperson for recovery
Matthew Perry in 1999. (Getty Images)
The actor achieved extraordinary celebrity as snarky Chandler Bing, an offbeat heartthrob over 10 seasons of one of the most successful TV sitcoms ever. Perry chronicled an epic struggle with addiction to drugs and alcohol in his 2022 memoir, estimating he’d spent half of his life in treatment. He died Oct. 28 at age 54. Read Emma Bowman’s remembrance.
Norman Lear, who made funny sitcoms about serious topics
Norman Lear in his Los Angeles office in March 1979. (AP)
In the 1970s and ’80s, Norman Lear dominated network television with hugely popular hits that included All in the Family, The Jeffersons, Maude and Mary Hartman, Mary Hartman. His shows tackled racial prejudice, addiction, abortion and other social issues. Lear was also a liberal political activist whose causes included free speech and voter registration. He died Dec. 5 at age 101. Read Selena Simmons-Duffin’s remembrance.
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"headTitle": "Actors, Musicians, Writers and Artists We Lost in 2023 | KQED",
"content": "\u003cp>The worlds of art, music, literature, film and more lost some of their most notable giants and geniuses in 2023. Here are just a few of the actors, writers, producers, artists and musicians who died in the past year, listed chronologically below by the dates of their deaths.\u003c/p>\n\u003ch2>Free-spirited icon of American rock David Crosby\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-scaled.jpg\" alt='Black and white photo of man with mustache holding a card that says \"smile\" below his smiling mouth' width=\"2560\" height=\"1440\" class=\"aligncenter size-full wp-image-13939864\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/p>\n\u003cp>Crosby was a prominent figure of the 1970s Laurel Canyon scene who helped bring folk-rock mainstream with both \u003ca href=\"https://www.npr.org/artists/15786738/the-byrds\">The Byrds\u003c/a> and \u003ca href=\"https://www.npr.org/artists/104401754/crosby-stills-nash\">Crosby, Stills & Nash\u003c/a>. He developed a harmony-rich vocal approach and kaleidoscopic sound, which incorporated psychedelic rock, jazz and twangy folk. As a songwriter, Crosby’s canon included the stormy classic “Eight Miles High” and “Almost Cut My Hair” from the hit album \u003cem>Déjà Vu\u003c/em>. He died Jan. 18 at age 81. \u003ca href=\"https://www.npr.org/2023/01/19/750902962/david-crosby-obituary\">Read Annie Zaleski and Eric Westervelt’s remembrance\u003c/a>. \u003c/p>\n\u003ch2>Burt Bacharach, who composed an astonishing number of hits\u003c/h2>\n\u003cfigure id=\"attachment_13939865\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-scaled.jpg\" alt=\"Black and white photo of a man in white button-down shirt and black tee\" width=\"2560\" height=\"1440\" class=\"size-full wp-image-13939865\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Burt Bacharach circa 1970. \u003ccite>(Michael Ochs Archives/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The visionary pop composer wrote music that sounded simple. But there was nothing simple about the songs now seared in the memories of generations of listeners. They include “I Say a Little Prayer,” “Walk on By,” “What the World Needs Now” and “Raindrops Keep Fallin’ on My Head.” He died on Feb. 8 at age 94. \u003ca href=\"https://www.npr.org/2023/02/09/561555285/burt-bacharach-obituary\">Read Elizabeth Blair’s remembrance\u003c/a>. \u003c/p>\n\u003ch2>Sage of the saxophone and visionary jazz composer Wayne Shorter\u003c/h2>\n\u003cfigure id=\"attachment_13939866\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-scaled.jpg\" alt=\"Black and white photo of man with short afro playing sax, eyes closed\" width=\"2560\" height=\"1440\" class=\"size-full wp-image-13939866\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Wayne Shorter performing July 18, 1986 in Nice, France. \u003ccite>(Christophe Simon/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The 12-time Grammy-winning saxophonist and composer created some of the most singular sounds in contemporary jazz over more than half a century. From the hard bop of the late 1950s to genre-defying small-group jazz in the ’60s all the way through the birth of rock-influenced jazz in the ’70s, Shorter’s soprano and tenor saxophones offered sonic clarion calls for change and innovation. He died on March 2 at age 89. \u003ca href=\"https://www.npr.org/2023/03/02/768874324/wayne-shorter-sage-of-the-saxophone-dies-at-89\">Read Felix Contreras’ remembrance\u003c/a>. \u003c/p>\n\u003ch2>Ryuichi Sakamoto, trailblazing godfather of electronic pop\u003c/h2>\n\u003cfigure id=\"attachment_13939867\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-scaled.jpg\" alt=\"Man with bleached hair and red tee leans against bridge railing, hand over mouth\" width=\"2560\" height=\"1440\" class=\"size-full wp-image-13939867\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Ryuichi Sakamoto on June 6, 1996 in Paris, France. \u003ccite>(Thomas Coex/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Japanese composer was one of the first musicians to bring electronic production into popular songcraft though his band Yellow Magic Orchestra. As a solo artist, he collaborated with the likes of David Bowie and Iggy Pop. Sakamoto also scored such movies as Pedro Almodóvar’s \u003cem>High Heels \u003c/em>and Bernardo Bertolucci’s \u003cem>The Last Emperor, \u003c/em>which earned him an Oscar, a Golden Globe and a Grammy. He died March 28 at age 71. \u003ca href=\"https://www.npr.org/2023/04/02/959184720/ryuichi-sakamoto-a-godfather-of-electronic-pop-has-died\">Read Anastasia Tsioulcas’ remembrance\u003c/a>.\u003c/p>\n\u003ch2>Raghavan Iyer, an icon of accessible Indian cooking in the U.S.\u003c/h2>\n\u003cp>https://www.instagram.com/p/Co79Nm3uoKk/\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The chef and author did much to popularize Indian cooking in non-South Asian kitchens through an approachable series of books that encouraged straying from traditional preparations. He also created a line of frozen dinners sold at Target. Iyer’s final book, \u003cem>On the Curry Trail\u003c/em>, was published just a few months before his death. He died March 31 at age 61. \u003ca href=\"https://www.npr.org/2023/03/01/1160396265/iconic-indian-american-chef-reflects-on-his-life-and-the-healing-power-of-food\">Listen back to Iyer’s 2023 interview with Ari Shapiro\u003c/a>.\u003c/p>\n\u003ch2>Designer Mary Quant, who styled London’s Swinging ’60s\u003c/h2>\n\u003cfigure id=\"attachment_13939869\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-scaled.jpg\" alt=\"Black and white photo of woman with precise bob haircut in mod-style dress\" width=\"2560\" height=\"1439\" class=\"size-full wp-image-13939869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Mary Quant getting her hair cut by Vidal Sassoon on Nov. 10, 1964 \u003ccite>(Ronald Dumont/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of the most influential designers of her era, Dame Mary Quant is credited with spreading the gospel of hot pants, miniskirts, colorful tights, waterproof mascara, baby wale corduroy, dresses with pockets, shiny PVC raincoats and Vidal Sassoon bobs. While only in her 20s, Quant opened a shop on Kings Road that evolved into a global fashion brand. She died April 13 at age 93. \u003ca href=\"https://www.npr.org/2023/04/13/1112008523/mary-quant-obituary\">Read Neda Ulaby’s remembrance\u003c/a>. \u003c/p>\n\u003ch2>Ahmad Jamal, who helped define American jazz for nearly a century\u003c/h2>\n\u003cfigure id=\"attachment_13939870\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-scaled.jpg\" alt=\"Black man in sunglasses and white shirt smiles\" width=\"2560\" height=\"1440\" class=\"size-full wp-image-13939870\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Ahmad Jamal at the Marciac Jazz Festival on Aug. 3, 2016. \u003ccite>(Rémy Gabalda/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Over eight decades of performance, jazz pianist Ahmad Jamal influenced everyone from Miles Davis to MacArthur Award-winning pianist Jason Moran. He recorded scores of records, including his 1963 crossover hit “Poinciana,” which stayed on the charts for 108 weeks. He died April 16 at age 92. \u003ca href=\"https://www.npr.org/2023/04/16/846207919/ahmad-jamal-obituary\">Read Martin Johnson’s remembrance\u003c/a>.\u003c/p>\n\u003ch2>Harry Belafonte: singer, actor, activist and an EGOT for the ages\u003c/h2>\n\u003cfigure id=\"attachment_13939871\" class=\"wp-caption aligncenter\" style=\"max-width: 1738px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-51530022_wide-fca5fc79466424d8dc6bcae074c9e7ec24a49de3.jpg\" alt=\"Man with arms outstretched and mouth open against colorful backdrop\" width=\"1738\" height=\"978\" class=\"size-full wp-image-13939871\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-51530022_wide-fca5fc79466424d8dc6bcae074c9e7ec24a49de3.jpg 1738w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-51530022_wide-fca5fc79466424d8dc6bcae074c9e7ec24a49de3-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-51530022_wide-fca5fc79466424d8dc6bcae074c9e7ec24a49de3-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-51530022_wide-fca5fc79466424d8dc6bcae074c9e7ec24a49de3-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-51530022_wide-fca5fc79466424d8dc6bcae074c9e7ec24a49de3-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-51530022_wide-fca5fc79466424d8dc6bcae074c9e7ec24a49de3-1536x864.jpg 1536w\" sizes=\"(max-width: 1738px) 100vw, 1738px\">\u003cfigcaption class=\"wp-caption-text\">Harry Belafonte photographed in November 1969. \u003ccite>(AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Easily one of the 20th century’s most charismatic performers, Belafonte won an Emmy, Grammy, Oscar and Tony award. In the 1950s, he set off a craze for calypso music with his chart-topping recording of “Day-O” (also known as “The Banana Boat Song”). Among other achievements, Belafonte helped organize the 1963 Freedom March on Washington. He died April 25 at age 96. \u003ca href=\"https://www.npr.org/2023/04/25/516446742/harry-belafonte-dead\">Read Elizabeth Blair’s remembrance\u003c/a>. \u003c/p>\n\u003ch2>Incomparable soul and rock powerhouse Tina Turner\u003c/h2>\n\u003cfigure id=\"attachment_13939872\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-scaled.jpg\" alt=\"Black and white photo of woman singing into mic\" width=\"2560\" height=\"1439\" class=\"size-full wp-image-13939872\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-2048x1151.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-1920x1079.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Tina Turner in 1985. \u003ccite>(Brian Rasic/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>An eight-time Grammy winner, Turner was known for her octave-defying voice and mesmerizing stage moves. In a recording career that spanned six decades, she found fame both as a solo artist and in a duo with her first husband, Ike Turner. Her story of surviving his abuse became the basis of the 1993 biopic \u003cem>What’s Love Got to Do with It\u003c/em>. She died May 24 at age 83. \u003ca href=\"https://www.npr.org/2023/05/24/834507345/tina-turner-rock-and-roll-icon-dead-at-83\">Read Annie Zaleski’s remembrance\u003c/a>.\u003c/p>\n\u003ch2>NPR correspondent Wade Goodwyn, known for keen storytelling\u003c/h2>\n\u003cfigure id=\"attachment_13939873\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1440\" class=\"size-full wp-image-13939873\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Wade Goodwyn at NPR headquarters in Washington, D.C. on Sept. 27, 2018. \u003ccite>(Allison Shelley/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Texas-based radio journalist reported on his home state for the better part of three decades. His top stories included coverage of the Oklahoma City bombing, school shootings,\u003ca href=\"https://www.npr.org/2017/08/30/547373259/rescue-operations-continue-in-houston-as-harvey-makes-landfall-in-louisiana\"> hurricanes\u003c/a>, the \u003ca href=\"https://www.npr.org/2015/02/11/385537402/american-sniper-trial-opens-in-texas\">American Sniper murder trial\u003c/a> and the \u003ca href=\"https://www.npr.org/2020/11/13/933924470/boy-scouts-of-america-sexual-abuse-victims-seek-justice-in-bankruptcy-court\">Boy Scouts sexual abuse scandal\u003c/a>. Known for his soothing bass baritone, Goodwyn was widely admired by his colleagues. He died June 8 at age 63. \u003ca href=\"https://www.npr.org/2023/06/08/1167837454/wade-goodwyn-npr-correspondent-dies\">Read Debbie Elliott’s remembrance\u003c/a>.\u003c/p>\n\u003ch2>‘Crouching Tiger, Hidden Dragon’ singer CoCo Lee\u003c/h2>\n\u003cfigure id=\"attachment_13939887\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1157532076.jpg\" alt=\"Woman in elaborate metal and black costume holds arms up, mic in one hand\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13939887\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1157532076.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1157532076-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1157532076-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1157532076-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1157532076-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1157532076-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Coco Lee performs during a June 21, 2019 concert at the Taipei Arena. \u003ccite>(Visual China Group via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She was the Mandarin voice of the title character in Disney’s animated movie \u003cem>Mulan\u003c/em> and a hitmaker in three languages. The Hong Kong-born singer was a huge star in Asia. Lee recorded 18 studio albums and became the first person of Chinese descent to perform at the Academy Awards with her rendition of “A Love Before Time” in 2001 from the movie \u003cem>Crouching Tiger, Hidden Dragon\u003c/em>. She died July 5 at age 48. \u003ca href=\"https://www.npr.org/2023/07/06/1186186904/coco-lee-singer-dies-crouching-tiger-hidden-dragon-mulan\">Read Chloe Veltman’s remembrance\u003c/a>.\u003c/p>\n\u003ch2>Tony Bennett, whose silky voice epitomized the American Songbook\u003c/h2>\n\u003cfigure id=\"attachment_13939874\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-scaled.jpg\" alt=\"Black and white image of man signing autograph in dressing room\" width=\"2560\" height=\"1440\" class=\"size-full wp-image-13939874\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Tony Bennett in 1988 after a concert in Stockholm. \u003ccite>(Bernt Claesson/Pressens Bild/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bennett began as a suave crooner in the 1950s and quickly established himself as one of radio’s most popular hit makers. He was a showman, with an intimate nightclub sensibility. Bennett used his celebrity on behalf of civil rights and later in life replenished his fandom through collaborations with musicians ranging from k.d. lang to Lady Gaga. He died July 21 at age 96. \u003ca href=\"https://www.npr.org/2023/07/21/260757258/tony-bennett-king-of-the-american-songbook-dead-at-96\">Read Walter Ray Watson’s remembrance here\u003c/a>. \u003c/p>\n\u003ch2>Irish singer Sinéad O’Connor, whose music was loved globally\u003c/h2>\n\u003cfigure id=\"attachment_13939875\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-scaled.jpg\" alt=\"Woman with shaved hair in pink polo shirt sings with eyes closed\" width=\"2560\" height=\"1668\" class=\"size-full wp-image-13939875\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-800x521.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-1020x665.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-768x500.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-1536x1001.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-2048x1334.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-1920x1251.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Sinead O’Connor at a concert on Jan. 18, 2003 at The Point Theatre in Dublin, Ireland. \u003ccite>(Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sinéad O’Connor was known for her intense and beautiful voice, her political convictions, and the personal tumult that overtook her later years. Her album, \u003cem>I Do Not Want What I Haven’t Got\u003c/em>, went double platinum in 1990. At the height of her fame, she elicited howls of outrage for her prescient warnings against sexual abuse in the Catholic Church. She died July 26 at age 56. \u003ca href=\"https://www.npr.org/2023/07/26/529671631/irish-singer-sinead-oconnor-has-died-at-56\">Read Neda Ulaby and Anastasia Tsioulcas’ remembrance here\u003c/a>. \u003c/p>\n\u003ch2>Paul Reubens, the actor better known as Pee-wee Herman\u003c/h2>\n\u003cfigure id=\"attachment_13939876\" class=\"wp-caption aligncenter\" style=\"max-width: 1940px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529.jpg\" alt=\"Man with crew cut hair in gray suit and red bow tie holds hands up and mouth open\" width=\"1940\" height=\"1091\" class=\"size-full wp-image-13939876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529.jpg 1940w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529-1920x1080.jpg 1920w\" sizes=\"(max-width: 1940px) 100vw, 1940px\">\u003cfigcaption class=\"wp-caption-text\">Paul Reubens portraying Pee-wee Herman on Dec. 7, 2009 in Los Angeles. \u003ccite>(Danny Moloshok/AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Joyful, odd and subversive, Paul Reubens’ character rode his bicycle through 1980s pop culture in a red bow tie and tight gray suit, shouting, “I know you are but what am I?” First created in the sketch comedy group \u003cem>The Groundlings\u003c/em>, Pee-wee found a devoted fandom through TV shows and in movies. He died July 30 at age 70. \u003ca href=\"https://www.npr.org/2023/07/31/1191104833/pee-wee-herman-dead-paul-reubens\">Read Glen Weldon’s remembrance\u003c/a>. \u003c/p>\n\u003ch2>Writer and activist Roberto Rodríguez, who chronicled Chicano life\u003c/h2>\n\u003cfigure id=\"attachment_13939877\" class=\"wp-caption aligncenter\" style=\"max-width: 1140px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rodriguez-roberto_cropped_wide-f03510ed80d99b2196edcf2f030afea7288bb3c1.jpg\" alt=\"Man in hat stands in front of tiled wall\" width=\"1140\" height=\"641\" class=\"size-full wp-image-13939877\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rodriguez-roberto_cropped_wide-f03510ed80d99b2196edcf2f030afea7288bb3c1.jpg 1140w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rodriguez-roberto_cropped_wide-f03510ed80d99b2196edcf2f030afea7288bb3c1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rodriguez-roberto_cropped_wide-f03510ed80d99b2196edcf2f030afea7288bb3c1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rodriguez-roberto_cropped_wide-f03510ed80d99b2196edcf2f030afea7288bb3c1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rodriguez-roberto_cropped_wide-f03510ed80d99b2196edcf2f030afea7288bb3c1-768x432.jpg 768w\" sizes=\"(max-width: 1140px) 100vw, 1140px\">\u003cfigcaption class=\"wp-caption-text\">Roberto Rodríguez in an undated photo. \u003ccite>(Special Collections at the University of Arizona Libraries)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1979, reporter Roberto Rodríguez witnessed police brutality in Los Angeles. While trying to document it, he was attacked by L.A. County Sheriff’s deputies, ending up hospitalized for days. That led him to write \u003cem>Justice: A Question of Race\u003c/em>. Over the years, he also wrote poems and articles, taught at the University of Arizona and became one of the most prominent Chicano writers. He died July 31 at age 69. \u003ca href=\"https://www.npr.org/2023/08/04/1192070333/prolific-writer-on-chicano-life-roberto-rodriguez-dies-at-69\">Hear A Martínez’s remembrance\u003c/a>.\u003c/p>\n\u003ch2>Trop rock king Jimmy Buffett, who lived life like one of his songs\u003c/h2>\n\u003cfigure id=\"attachment_13939878\" class=\"wp-caption aligncenter\" style=\"max-width: 2405px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84.jpg\" alt=\"Man in hawaiian shirt and flower lei holds guitar in one hand and points finger up, mouth open\" width=\"2405\" height=\"1352\" class=\"size-full wp-image-13939878\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84.jpg 2405w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84-1536x863.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84-2048x1151.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84-1920x1079.jpg 1920w\" sizes=\"(max-width: 2405px) 100vw, 2405px\">\u003cfigcaption class=\"wp-caption-text\">Jimmy Buffett takes a bow on March 15, 2018 at the opening night of ‘Escape to Margaritavilla’ a Broadway musical at the Marquis Theatre, New York City. \u003ccite>(Noam Galai/Getty Images for Escape To Margaritaville)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Even though “Margaritaville” was his only top 10 hit, Jimmy Buffett sold out venues for decades. His fans, known as Parrotheads, developed their own subculture. Over the years, Buffett built that laid-back island brand into a sprawling business empire — restaurants, hotels, merchandise, even retirement communities. He died Sept. 1 at age 76. \u003ca href=\"https://www.npr.org/2023/09/02/1197440754/remembering-jimmy-buffett\">Hear Scott Detrow’s remembrance here\u003c/a>. \u003c/p>\n\u003ch2>Fernando Botero, one of Latin America’s most celebrated artists\u003c/h2>\n\u003cfigure id=\"attachment_13939879\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-scaled.jpg\" alt=\"Man in suit and sunglasses holds a door handle with images of paintings behind him\" width=\"2560\" height=\"1707\" class=\"size-full wp-image-13939879\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Fernando Botero in Medellín, Colombia on Jan. 30, 2015. \u003ccite>(Fredy Builes/Reuters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Known for his whimsical, rotund figures that poked fun at the upper class of his native Colombia, Botero also explored political themes ranging from drug violence to abuses by U.S. military personal in Abu Ghraib. The artist’s work can be seen at many major museums around the world, including the \u003ca href=\"https://artsandculture.google.com/partner/museo-botero-bogota\">Museo Botero\u003c/a> in Bogotá. He died Sept. 15 at age 91. \u003ca href=\"https://www.npr.org/2023/09/15/1199762401/fernando-botero-colombian-artist-dies\">Read John Otis’ remembrance\u003c/a>.\u003c/p>\n\u003ch2>Khaled Khalifa, a titan of contemporary Arabic literature\u003c/h2>\n\u003cfigure id=\"attachment_13939880\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-scaled.jpg\" alt=\"Man with white and gray beard in black shirt sits with one arm raised, talking\" width=\"2560\" height=\"1440\" class=\"size-full wp-image-13939880\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Khaled Khalifa in Damascus, Syria on June 2, 2020. \u003ccite>(Louai Beshara/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A celebrated poet, screenwriter and novelist, Khalifa was known for his outspoken nature and proclivity to critique Syria’s government, resulting in his work sometimes being banned. His 2016 novel, \u003cem>Death Is Hard Work\u003c/em> lays bare the anguish of his country’s brutal civil war. He died Sept. 30 at age 59. \u003ca href=\"https://www.npr.org/2023/10/06/1204349572/syrian-author-khaled-khalifa-a-titan-of-contemporary-arabic-literature-dies-at-5\">Hear a remembrance\u003c/a>. \u003c/p>\n\u003ch2>Nobel Prize-winning poet Louise Glück\u003c/h2>\n\u003cfigure id=\"attachment_13939881\" class=\"wp-caption aligncenter\" style=\"max-width: 2381px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609.jpg\" alt=\"Woman with short hair and glasses stands behind podium, speaking into mic\" width=\"2381\" height=\"1339\" class=\"size-full wp-image-13939881\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609.jpg 2381w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609-1920x1080.jpg 1920w\" sizes=\"(max-width: 2381px) 100vw, 2381px\">\u003cfigcaption class=\"wp-caption-text\">Louise Gluck at the National Book Awards on Nov. 19, 2014 in New York City. \u003ccite>(Robin Marchant/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Her spare, incisive verse won fistfuls of awards, including the Pulitzer Prize, the National Humanities Medal and the National Book Award. Her 2020 \u003ca href=\"https://www.nobelprize.org/prizes/literature/2020/summary/\">Nobel citation\u003c/a> praised “her unmistakable poetic voice that with austere beauty makes individual existence universal.” But Glück’s first book was rejected 28 times. She died Oct. 13 at age 80. \u003ca href=\"https://www.npr.org/2023/10/13/1205851483/louise-gluck-dead\">Read Chloe Veltman’s remembrance\u003c/a>.\u003c/p>\n\u003ch2>Richard Roundtree, ‘Shaft’ star and one of the coolest actors ever\u003c/h2>\n\u003cfigure id=\"attachment_13939888\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000.jpg\" alt=\"Man in hat and pink suit jacket leans on white couch\" width=\"2000\" height=\"1334\" class=\"size-full wp-image-13939888\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Richard Roundtree at the Toronto International Film Festival on Sept. 13, 2022. \u003ccite>(Michael Loccisano/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Shaft\u003c/em> brought audiences one of the first Black action heroes, embodied by Roundtree in a sweeping leather coat and ineffable style. The 1971 low-budget movie became a smash hit and helped create an entire genre: Blaxploitation. The actor starred in a few \u003cem>Shaft\u003c/em> sequels and appeared in more than 150 movie and TV shows, ranging from \u003cem>Roots\u003c/em> to \u003cem>Desperate Housewives\u003c/em> to \u003cem>Being Mary Jane\u003c/em>. He died Oct. 24 at age 81. \u003ca href=\"https://www.npr.org/2023/10/25/1208391418/richard-roundtree-star-of-shaft-dies-at-81\">Read Neda Ulaby’s remembrance\u003c/a>. \u003c/p>\n\u003ch2>‘Friends’ star Matthew Perry, who became a spokesperson for recovery\u003c/h2>\n\u003cfigure id=\"attachment_13939882\" class=\"wp-caption aligncenter\" style=\"max-width: 1577px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-856914_wide-a05a3d721bfc81293204268a8caaa48d8626cb98.jpg\" alt=\"White man in black suit and tie, blue background\" width=\"1577\" height=\"887\" class=\"size-full wp-image-13939882\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-856914_wide-a05a3d721bfc81293204268a8caaa48d8626cb98.jpg 1577w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-856914_wide-a05a3d721bfc81293204268a8caaa48d8626cb98-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-856914_wide-a05a3d721bfc81293204268a8caaa48d8626cb98-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-856914_wide-a05a3d721bfc81293204268a8caaa48d8626cb98-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-856914_wide-a05a3d721bfc81293204268a8caaa48d8626cb98-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-856914_wide-a05a3d721bfc81293204268a8caaa48d8626cb98-1536x864.jpg 1536w\" sizes=\"(max-width: 1577px) 100vw, 1577px\">\u003cfigcaption class=\"wp-caption-text\">Matthew Perry in 1999. \u003ccite>(Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The actor achieved extraordinary celebrity as snarky Chandler Bing, an offbeat heartthrob over 10 seasons of one of the most successful TV sitcoms ever. Perry chronicled an epic struggle with addiction to drugs and alcohol in his 2022 \u003ca href=\"https://us.macmillan.com/books/9781250866448/friendsloversandthebigterriblething\">memoir\u003c/a>, estimating he’d spent half of his life in treatment. He died Oct. 28 at age 54. \u003ca href=\"https://www.npr.org/2023/10/28/1209291002/matthew-perry-dead-friends\">Read Emma Bowman’s remembrance\u003c/a>. \u003c/p>\n\u003ch2>Norman Lear, who made funny sitcoms about serious topics\u003c/h2>\n\u003cfigure id=\"attachment_13939883\" class=\"wp-caption aligncenter\" style=\"max-width: 1488px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap790329037-f1f7c15aae3b8906f7ec52137928633e2f24337b.jpg\" alt=\"Black and white photo of older man in white hat and suit\" width=\"1488\" height=\"1116\" class=\"size-full wp-image-13939883\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap790329037-f1f7c15aae3b8906f7ec52137928633e2f24337b.jpg 1488w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap790329037-f1f7c15aae3b8906f7ec52137928633e2f24337b-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap790329037-f1f7c15aae3b8906f7ec52137928633e2f24337b-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap790329037-f1f7c15aae3b8906f7ec52137928633e2f24337b-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap790329037-f1f7c15aae3b8906f7ec52137928633e2f24337b-768x576.jpg 768w\" sizes=\"(max-width: 1488px) 100vw, 1488px\">\u003cfigcaption class=\"wp-caption-text\">Norman Lear in his Los Angeles office in March 1979. \u003ccite>(AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the 1970s and ’80s, Norman Lear dominated network television with hugely popular hits that included \u003cem>All in the Family\u003c/em>, \u003cem>The Jeffersons\u003c/em>, \u003cem>Maude\u003c/em> and \u003cem>Mary Hartman, Mary Hartman\u003c/em>. His shows tackled racial prejudice, addiction, abortion and other social issues. Lear was also a liberal political activist whose causes included free speech and voter registration. He died Dec. 5 at age 101. \u003ca href=\"https://www.npr.org/2023/12/06/334890639/norman-lear-who-made-funny-sitcoms-about-serious-topics-dies-at-101\">Read Selena Simmons-Duffin’s remembrance\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>Copyright 2023 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/i>\u003c/p>\n\n",
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"excerpt": "Some giants of the arts world left us this year, including Harry Belafonte, Tina Turner and Sinéad O'Connor.",
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"description": "Some giants of the arts world left us this year, including Harry Belafonte, Tina Turner and Sinéad O'Connor.",
"title": "Actors, Musicians, Writers and Artists We Lost in 2023 | KQED",
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"headline": "Actors, Musicians, Writers and Artists We Lost in 2023",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The worlds of art, music, literature, film and more lost some of their most notable giants and geniuses in 2023. Here are just a few of the actors, writers, producers, artists and musicians who died in the past year, listed chronologically below by the dates of their deaths.\u003c/p>\n\u003ch2>Free-spirited icon of American rock David Crosby\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-scaled.jpg\" alt='Black and white photo of man with mustache holding a card that says \"smile\" below his smiling mouth' width=\"2560\" height=\"1440\" class=\"aligncenter size-full wp-image-13939864\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1152157889_wide-92a9eebc3a40a6e614b4e4d0b2b65cd0ababf712-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/p>\n\u003cp>Crosby was a prominent figure of the 1970s Laurel Canyon scene who helped bring folk-rock mainstream with both \u003ca href=\"https://www.npr.org/artists/15786738/the-byrds\">The Byrds\u003c/a> and \u003ca href=\"https://www.npr.org/artists/104401754/crosby-stills-nash\">Crosby, Stills & Nash\u003c/a>. He developed a harmony-rich vocal approach and kaleidoscopic sound, which incorporated psychedelic rock, jazz and twangy folk. As a songwriter, Crosby’s canon included the stormy classic “Eight Miles High” and “Almost Cut My Hair” from the hit album \u003cem>Déjà Vu\u003c/em>. He died Jan. 18 at age 81. \u003ca href=\"https://www.npr.org/2023/01/19/750902962/david-crosby-obituary\">Read Annie Zaleski and Eric Westervelt’s remembrance\u003c/a>. \u003c/p>\n\u003ch2>Burt Bacharach, who composed an astonishing number of hits\u003c/h2>\n\u003cfigure id=\"attachment_13939865\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-scaled.jpg\" alt=\"Black and white photo of a man in white button-down shirt and black tee\" width=\"2560\" height=\"1440\" class=\"size-full wp-image-13939865\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-74253109_wide-542b4d34e60f6187ca433fc1998e1b0e9d5edf8b-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Burt Bacharach circa 1970. \u003ccite>(Michael Ochs Archives/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The visionary pop composer wrote music that sounded simple. But there was nothing simple about the songs now seared in the memories of generations of listeners. They include “I Say a Little Prayer,” “Walk on By,” “What the World Needs Now” and “Raindrops Keep Fallin’ on My Head.” He died on Feb. 8 at age 94. \u003ca href=\"https://www.npr.org/2023/02/09/561555285/burt-bacharach-obituary\">Read Elizabeth Blair’s remembrance\u003c/a>. \u003c/p>\n\u003ch2>Sage of the saxophone and visionary jazz composer Wayne Shorter\u003c/h2>\n\u003cfigure id=\"attachment_13939866\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-scaled.jpg\" alt=\"Black and white photo of man with short afro playing sax, eyes closed\" width=\"2560\" height=\"1440\" class=\"size-full wp-image-13939866\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1229374563_wide-4ff2d47e1e4c4bb3569194c8f61ef74a5bb7e5e7-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Wayne Shorter performing July 18, 1986 in Nice, France. \u003ccite>(Christophe Simon/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The 12-time Grammy-winning saxophonist and composer created some of the most singular sounds in contemporary jazz over more than half a century. From the hard bop of the late 1950s to genre-defying small-group jazz in the ’60s all the way through the birth of rock-influenced jazz in the ’70s, Shorter’s soprano and tenor saxophones offered sonic clarion calls for change and innovation. He died on March 2 at age 89. \u003ca href=\"https://www.npr.org/2023/03/02/768874324/wayne-shorter-sage-of-the-saxophone-dies-at-89\">Read Felix Contreras’ remembrance\u003c/a>. \u003c/p>\n\u003ch2>Ryuichi Sakamoto, trailblazing godfather of electronic pop\u003c/h2>\n\u003cfigure id=\"attachment_13939867\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-scaled.jpg\" alt=\"Man with bleached hair and red tee leans against bridge railing, hand over mouth\" width=\"2560\" height=\"1440\" class=\"size-full wp-image-13939867\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1231059070_wide-84a7d0956b09b0c69a515208f0f6ed66d819106a-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Ryuichi Sakamoto on June 6, 1996 in Paris, France. \u003ccite>(Thomas Coex/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Japanese composer was one of the first musicians to bring electronic production into popular songcraft though his band Yellow Magic Orchestra. As a solo artist, he collaborated with the likes of David Bowie and Iggy Pop. Sakamoto also scored such movies as Pedro Almodóvar’s \u003cem>High Heels \u003c/em>and Bernardo Bertolucci’s \u003cem>The Last Emperor, \u003c/em>which earned him an Oscar, a Golden Globe and a Grammy. He died March 28 at age 71. \u003ca href=\"https://www.npr.org/2023/04/02/959184720/ryuichi-sakamoto-a-godfather-of-electronic-pop-has-died\">Read Anastasia Tsioulcas’ remembrance\u003c/a>.\u003c/p>\n\u003ch2>Raghavan Iyer, an icon of accessible Indian cooking in the U.S.\u003c/h2>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The chef and author did much to popularize Indian cooking in non-South Asian kitchens through an approachable series of books that encouraged straying from traditional preparations. He also created a line of frozen dinners sold at Target. Iyer’s final book, \u003cem>On the Curry Trail\u003c/em>, was published just a few months before his death. He died March 31 at age 61. \u003ca href=\"https://www.npr.org/2023/03/01/1160396265/iconic-indian-american-chef-reflects-on-his-life-and-the-healing-power-of-food\">Listen back to Iyer’s 2023 interview with Ari Shapiro\u003c/a>.\u003c/p>\n\u003ch2>Designer Mary Quant, who styled London’s Swinging ’60s\u003c/h2>\n\u003cfigure id=\"attachment_13939869\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-scaled.jpg\" alt=\"Black and white photo of woman with precise bob haircut in mod-style dress\" width=\"2560\" height=\"1439\" class=\"size-full wp-image-13939869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-3378908_wide-41f59a1d638f1741b44e6c64411c4a23c819fd3e-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Mary Quant getting her hair cut by Vidal Sassoon on Nov. 10, 1964 \u003ccite>(Ronald Dumont/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of the most influential designers of her era, Dame Mary Quant is credited with spreading the gospel of hot pants, miniskirts, colorful tights, waterproof mascara, baby wale corduroy, dresses with pockets, shiny PVC raincoats and Vidal Sassoon bobs. While only in her 20s, Quant opened a shop on Kings Road that evolved into a global fashion brand. She died April 13 at age 93. \u003ca href=\"https://www.npr.org/2023/04/13/1112008523/mary-quant-obituary\">Read Neda Ulaby’s remembrance\u003c/a>. \u003c/p>\n\u003ch2>Ahmad Jamal, who helped define American jazz for nearly a century\u003c/h2>\n\u003cfigure id=\"attachment_13939870\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-scaled.jpg\" alt=\"Black man in sunglasses and white shirt smiles\" width=\"2560\" height=\"1440\" class=\"size-full wp-image-13939870\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-585569840_wide-d7e2b78823dae66a527e13d2e9f973f1378cf99b-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Ahmad Jamal at the Marciac Jazz Festival on Aug. 3, 2016. \u003ccite>(Rémy Gabalda/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Over eight decades of performance, jazz pianist Ahmad Jamal influenced everyone from Miles Davis to MacArthur Award-winning pianist Jason Moran. He recorded scores of records, including his 1963 crossover hit “Poinciana,” which stayed on the charts for 108 weeks. He died April 16 at age 92. \u003ca href=\"https://www.npr.org/2023/04/16/846207919/ahmad-jamal-obituary\">Read Martin Johnson’s remembrance\u003c/a>.\u003c/p>\n\u003ch2>Harry Belafonte: singer, actor, activist and an EGOT for the ages\u003c/h2>\n\u003cfigure id=\"attachment_13939871\" class=\"wp-caption aligncenter\" style=\"max-width: 1738px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-51530022_wide-fca5fc79466424d8dc6bcae074c9e7ec24a49de3.jpg\" alt=\"Man with arms outstretched and mouth open against colorful backdrop\" width=\"1738\" height=\"978\" class=\"size-full wp-image-13939871\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-51530022_wide-fca5fc79466424d8dc6bcae074c9e7ec24a49de3.jpg 1738w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-51530022_wide-fca5fc79466424d8dc6bcae074c9e7ec24a49de3-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-51530022_wide-fca5fc79466424d8dc6bcae074c9e7ec24a49de3-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-51530022_wide-fca5fc79466424d8dc6bcae074c9e7ec24a49de3-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-51530022_wide-fca5fc79466424d8dc6bcae074c9e7ec24a49de3-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-51530022_wide-fca5fc79466424d8dc6bcae074c9e7ec24a49de3-1536x864.jpg 1536w\" sizes=\"(max-width: 1738px) 100vw, 1738px\">\u003cfigcaption class=\"wp-caption-text\">Harry Belafonte photographed in November 1969. \u003ccite>(AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Easily one of the 20th century’s most charismatic performers, Belafonte won an Emmy, Grammy, Oscar and Tony award. In the 1950s, he set off a craze for calypso music with his chart-topping recording of “Day-O” (also known as “The Banana Boat Song”). Among other achievements, Belafonte helped organize the 1963 Freedom March on Washington. He died April 25 at age 96. \u003ca href=\"https://www.npr.org/2023/04/25/516446742/harry-belafonte-dead\">Read Elizabeth Blair’s remembrance\u003c/a>. \u003c/p>\n\u003ch2>Incomparable soul and rock powerhouse Tina Turner\u003c/h2>\n\u003cfigure id=\"attachment_13939872\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-scaled.jpg\" alt=\"Black and white photo of woman singing into mic\" width=\"2560\" height=\"1439\" class=\"size-full wp-image-13939872\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-2048x1151.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-566906851_wide-13dffabcbaa4d1845d540125dc5a99eb1560d8df-1920x1079.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Tina Turner in 1985. \u003ccite>(Brian Rasic/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>An eight-time Grammy winner, Turner was known for her octave-defying voice and mesmerizing stage moves. In a recording career that spanned six decades, she found fame both as a solo artist and in a duo with her first husband, Ike Turner. Her story of surviving his abuse became the basis of the 1993 biopic \u003cem>What’s Love Got to Do with It\u003c/em>. She died May 24 at age 83. \u003ca href=\"https://www.npr.org/2023/05/24/834507345/tina-turner-rock-and-roll-icon-dead-at-83\">Read Annie Zaleski’s remembrance\u003c/a>.\u003c/p>\n\u003ch2>NPR correspondent Wade Goodwyn, known for keen storytelling\u003c/h2>\n\u003cfigure id=\"attachment_13939873\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1440\" class=\"size-full wp-image-13939873\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/npr_wade_goodwin_001_wide-308efbc96848ef15239b45598d164d2f01c90c0c-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Wade Goodwyn at NPR headquarters in Washington, D.C. on Sept. 27, 2018. \u003ccite>(Allison Shelley/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Texas-based radio journalist reported on his home state for the better part of three decades. His top stories included coverage of the Oklahoma City bombing, school shootings,\u003ca href=\"https://www.npr.org/2017/08/30/547373259/rescue-operations-continue-in-houston-as-harvey-makes-landfall-in-louisiana\"> hurricanes\u003c/a>, the \u003ca href=\"https://www.npr.org/2015/02/11/385537402/american-sniper-trial-opens-in-texas\">American Sniper murder trial\u003c/a> and the \u003ca href=\"https://www.npr.org/2020/11/13/933924470/boy-scouts-of-america-sexual-abuse-victims-seek-justice-in-bankruptcy-court\">Boy Scouts sexual abuse scandal\u003c/a>. Known for his soothing bass baritone, Goodwyn was widely admired by his colleagues. He died June 8 at age 63. \u003ca href=\"https://www.npr.org/2023/06/08/1167837454/wade-goodwyn-npr-correspondent-dies\">Read Debbie Elliott’s remembrance\u003c/a>.\u003c/p>\n\u003ch2>‘Crouching Tiger, Hidden Dragon’ singer CoCo Lee\u003c/h2>\n\u003cfigure id=\"attachment_13939887\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1157532076.jpg\" alt=\"Woman in elaborate metal and black costume holds arms up, mic in one hand\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13939887\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1157532076.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1157532076-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1157532076-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1157532076-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1157532076-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1157532076-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Coco Lee performs during a June 21, 2019 concert at the Taipei Arena. \u003ccite>(Visual China Group via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She was the Mandarin voice of the title character in Disney’s animated movie \u003cem>Mulan\u003c/em> and a hitmaker in three languages. The Hong Kong-born singer was a huge star in Asia. Lee recorded 18 studio albums and became the first person of Chinese descent to perform at the Academy Awards with her rendition of “A Love Before Time” in 2001 from the movie \u003cem>Crouching Tiger, Hidden Dragon\u003c/em>. She died July 5 at age 48. \u003ca href=\"https://www.npr.org/2023/07/06/1186186904/coco-lee-singer-dies-crouching-tiger-hidden-dragon-mulan\">Read Chloe Veltman’s remembrance\u003c/a>.\u003c/p>\n\u003ch2>Tony Bennett, whose silky voice epitomized the American Songbook\u003c/h2>\n\u003cfigure id=\"attachment_13939874\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-scaled.jpg\" alt=\"Black and white image of man signing autograph in dressing room\" width=\"2560\" height=\"1440\" class=\"size-full wp-image-13939874\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1124271337_wide-75d0df94c4803121ffca4d235d227c1026ad6a4f-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Tony Bennett in 1988 after a concert in Stockholm. \u003ccite>(Bernt Claesson/Pressens Bild/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bennett began as a suave crooner in the 1950s and quickly established himself as one of radio’s most popular hit makers. He was a showman, with an intimate nightclub sensibility. Bennett used his celebrity on behalf of civil rights and later in life replenished his fandom through collaborations with musicians ranging from k.d. lang to Lady Gaga. He died July 21 at age 96. \u003ca href=\"https://www.npr.org/2023/07/21/260757258/tony-bennett-king-of-the-american-songbook-dead-at-96\">Read Walter Ray Watson’s remembrance here\u003c/a>. \u003c/p>\n\u003ch2>Irish singer Sinéad O’Connor, whose music was loved globally\u003c/h2>\n\u003cfigure id=\"attachment_13939875\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-scaled.jpg\" alt=\"Woman with shaved hair in pink polo shirt sings with eyes closed\" width=\"2560\" height=\"1668\" class=\"size-full wp-image-13939875\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-800x521.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-1020x665.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-768x500.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-1536x1001.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-2048x1334.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1735311_custom-9358203d78965c5d7c58b64adb9f5b3bffe2d105-1920x1251.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Sinead O’Connor at a concert on Jan. 18, 2003 at The Point Theatre in Dublin, Ireland. \u003ccite>(Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sinéad O’Connor was known for her intense and beautiful voice, her political convictions, and the personal tumult that overtook her later years. Her album, \u003cem>I Do Not Want What I Haven’t Got\u003c/em>, went double platinum in 1990. At the height of her fame, she elicited howls of outrage for her prescient warnings against sexual abuse in the Catholic Church. She died July 26 at age 56. \u003ca href=\"https://www.npr.org/2023/07/26/529671631/irish-singer-sinead-oconnor-has-died-at-56\">Read Neda Ulaby and Anastasia Tsioulcas’ remembrance here\u003c/a>. \u003c/p>\n\u003ch2>Paul Reubens, the actor better known as Pee-wee Herman\u003c/h2>\n\u003cfigure id=\"attachment_13939876\" class=\"wp-caption aligncenter\" style=\"max-width: 1940px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529.jpg\" alt=\"Man with crew cut hair in gray suit and red bow tie holds hands up and mouth open\" width=\"1940\" height=\"1091\" class=\"size-full wp-image-13939876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529.jpg 1940w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap091207034728_wide-95aaa31a33d1d692ec9aac6ca45b82795fc27529-1920x1080.jpg 1920w\" sizes=\"(max-width: 1940px) 100vw, 1940px\">\u003cfigcaption class=\"wp-caption-text\">Paul Reubens portraying Pee-wee Herman on Dec. 7, 2009 in Los Angeles. \u003ccite>(Danny Moloshok/AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Joyful, odd and subversive, Paul Reubens’ character rode his bicycle through 1980s pop culture in a red bow tie and tight gray suit, shouting, “I know you are but what am I?” First created in the sketch comedy group \u003cem>The Groundlings\u003c/em>, Pee-wee found a devoted fandom through TV shows and in movies. He died July 30 at age 70. \u003ca href=\"https://www.npr.org/2023/07/31/1191104833/pee-wee-herman-dead-paul-reubens\">Read Glen Weldon’s remembrance\u003c/a>. \u003c/p>\n\u003ch2>Writer and activist Roberto Rodríguez, who chronicled Chicano life\u003c/h2>\n\u003cfigure id=\"attachment_13939877\" class=\"wp-caption aligncenter\" style=\"max-width: 1140px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rodriguez-roberto_cropped_wide-f03510ed80d99b2196edcf2f030afea7288bb3c1.jpg\" alt=\"Man in hat stands in front of tiled wall\" width=\"1140\" height=\"641\" class=\"size-full wp-image-13939877\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rodriguez-roberto_cropped_wide-f03510ed80d99b2196edcf2f030afea7288bb3c1.jpg 1140w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rodriguez-roberto_cropped_wide-f03510ed80d99b2196edcf2f030afea7288bb3c1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rodriguez-roberto_cropped_wide-f03510ed80d99b2196edcf2f030afea7288bb3c1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rodriguez-roberto_cropped_wide-f03510ed80d99b2196edcf2f030afea7288bb3c1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rodriguez-roberto_cropped_wide-f03510ed80d99b2196edcf2f030afea7288bb3c1-768x432.jpg 768w\" sizes=\"(max-width: 1140px) 100vw, 1140px\">\u003cfigcaption class=\"wp-caption-text\">Roberto Rodríguez in an undated photo. \u003ccite>(Special Collections at the University of Arizona Libraries)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1979, reporter Roberto Rodríguez witnessed police brutality in Los Angeles. While trying to document it, he was attacked by L.A. County Sheriff’s deputies, ending up hospitalized for days. That led him to write \u003cem>Justice: A Question of Race\u003c/em>. Over the years, he also wrote poems and articles, taught at the University of Arizona and became one of the most prominent Chicano writers. He died July 31 at age 69. \u003ca href=\"https://www.npr.org/2023/08/04/1192070333/prolific-writer-on-chicano-life-roberto-rodriguez-dies-at-69\">Hear A Martínez’s remembrance\u003c/a>.\u003c/p>\n\u003ch2>Trop rock king Jimmy Buffett, who lived life like one of his songs\u003c/h2>\n\u003cfigure id=\"attachment_13939878\" class=\"wp-caption aligncenter\" style=\"max-width: 2405px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84.jpg\" alt=\"Man in hawaiian shirt and flower lei holds guitar in one hand and points finger up, mouth open\" width=\"2405\" height=\"1352\" class=\"size-full wp-image-13939878\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84.jpg 2405w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84-1536x863.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84-2048x1151.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-932640872_wide-e610f904e324a05d3c10ed4c24290e0c52cf7e84-1920x1079.jpg 1920w\" sizes=\"(max-width: 2405px) 100vw, 2405px\">\u003cfigcaption class=\"wp-caption-text\">Jimmy Buffett takes a bow on March 15, 2018 at the opening night of ‘Escape to Margaritavilla’ a Broadway musical at the Marquis Theatre, New York City. \u003ccite>(Noam Galai/Getty Images for Escape To Margaritaville)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Even though “Margaritaville” was his only top 10 hit, Jimmy Buffett sold out venues for decades. His fans, known as Parrotheads, developed their own subculture. Over the years, Buffett built that laid-back island brand into a sprawling business empire — restaurants, hotels, merchandise, even retirement communities. He died Sept. 1 at age 76. \u003ca href=\"https://www.npr.org/2023/09/02/1197440754/remembering-jimmy-buffett\">Hear Scott Detrow’s remembrance here\u003c/a>. \u003c/p>\n\u003ch2>Fernando Botero, one of Latin America’s most celebrated artists\u003c/h2>\n\u003cfigure id=\"attachment_13939879\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-scaled.jpg\" alt=\"Man in suit and sunglasses holds a door handle with images of paintings behind him\" width=\"2560\" height=\"1707\" class=\"size-full wp-image-13939879\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/2023-09-15t170041z_637788282_rc2493au5xh9_rtrmadp_3_people-botero_slide-71402ee291ed977f57aa9cee4d6e21fc58677bf3-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Fernando Botero in Medellín, Colombia on Jan. 30, 2015. \u003ccite>(Fredy Builes/Reuters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Known for his whimsical, rotund figures that poked fun at the upper class of his native Colombia, Botero also explored political themes ranging from drug violence to abuses by U.S. military personal in Abu Ghraib. The artist’s work can be seen at many major museums around the world, including the \u003ca href=\"https://artsandculture.google.com/partner/museo-botero-bogota\">Museo Botero\u003c/a> in Bogotá. He died Sept. 15 at age 91. \u003ca href=\"https://www.npr.org/2023/09/15/1199762401/fernando-botero-colombian-artist-dies\">Read John Otis’ remembrance\u003c/a>.\u003c/p>\n\u003ch2>Khaled Khalifa, a titan of contemporary Arabic literature\u003c/h2>\n\u003cfigure id=\"attachment_13939880\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-scaled.jpg\" alt=\"Man with white and gray beard in black shirt sits with one arm raised, talking\" width=\"2560\" height=\"1440\" class=\"size-full wp-image-13939880\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-1219619731_wide-8c6495e9b55dbb11de256aa7e9206f64e11f5e93-1920x1080.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Khaled Khalifa in Damascus, Syria on June 2, 2020. \u003ccite>(Louai Beshara/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A celebrated poet, screenwriter and novelist, Khalifa was known for his outspoken nature and proclivity to critique Syria’s government, resulting in his work sometimes being banned. His 2016 novel, \u003cem>Death Is Hard Work\u003c/em> lays bare the anguish of his country’s brutal civil war. He died Sept. 30 at age 59. \u003ca href=\"https://www.npr.org/2023/10/06/1204349572/syrian-author-khaled-khalifa-a-titan-of-contemporary-arabic-literature-dies-at-5\">Hear a remembrance\u003c/a>. \u003c/p>\n\u003ch2>Nobel Prize-winning poet Louise Glück\u003c/h2>\n\u003cfigure id=\"attachment_13939881\" class=\"wp-caption aligncenter\" style=\"max-width: 2381px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609.jpg\" alt=\"Woman with short hair and glasses stands behind podium, speaking into mic\" width=\"2381\" height=\"1339\" class=\"size-full wp-image-13939881\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609.jpg 2381w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-459274466_wide-c52b9eb4a38a3c1b9f7d6f20db110c9a917c2609-1920x1080.jpg 1920w\" sizes=\"(max-width: 2381px) 100vw, 2381px\">\u003cfigcaption class=\"wp-caption-text\">Louise Gluck at the National Book Awards on Nov. 19, 2014 in New York City. \u003ccite>(Robin Marchant/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Her spare, incisive verse won fistfuls of awards, including the Pulitzer Prize, the National Humanities Medal and the National Book Award. Her 2020 \u003ca href=\"https://www.nobelprize.org/prizes/literature/2020/summary/\">Nobel citation\u003c/a> praised “her unmistakable poetic voice that with austere beauty makes individual existence universal.” But Glück’s first book was rejected 28 times. She died Oct. 13 at age 80. \u003ca href=\"https://www.npr.org/2023/10/13/1205851483/louise-gluck-dead\">Read Chloe Veltman’s remembrance\u003c/a>.\u003c/p>\n\u003ch2>Richard Roundtree, ‘Shaft’ star and one of the coolest actors ever\u003c/h2>\n\u003cfigure id=\"attachment_13939888\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000.jpg\" alt=\"Man in hat and pink suit jacket leans on white couch\" width=\"2000\" height=\"1334\" class=\"size-full wp-image-13939888\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1423493039_2000-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Richard Roundtree at the Toronto International Film Festival on Sept. 13, 2022. \u003ccite>(Michael Loccisano/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Shaft\u003c/em> brought audiences one of the first Black action heroes, embodied by Roundtree in a sweeping leather coat and ineffable style. The 1971 low-budget movie became a smash hit and helped create an entire genre: Blaxploitation. The actor starred in a few \u003cem>Shaft\u003c/em> sequels and appeared in more than 150 movie and TV shows, ranging from \u003cem>Roots\u003c/em> to \u003cem>Desperate Housewives\u003c/em> to \u003cem>Being Mary Jane\u003c/em>. He died Oct. 24 at age 81. \u003ca href=\"https://www.npr.org/2023/10/25/1208391418/richard-roundtree-star-of-shaft-dies-at-81\">Read Neda Ulaby’s remembrance\u003c/a>. \u003c/p>\n\u003ch2>‘Friends’ star Matthew Perry, who became a spokesperson for recovery\u003c/h2>\n\u003cfigure id=\"attachment_13939882\" class=\"wp-caption aligncenter\" style=\"max-width: 1577px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-856914_wide-a05a3d721bfc81293204268a8caaa48d8626cb98.jpg\" alt=\"White man in black suit and tie, blue background\" width=\"1577\" height=\"887\" class=\"size-full wp-image-13939882\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-856914_wide-a05a3d721bfc81293204268a8caaa48d8626cb98.jpg 1577w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-856914_wide-a05a3d721bfc81293204268a8caaa48d8626cb98-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-856914_wide-a05a3d721bfc81293204268a8caaa48d8626cb98-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-856914_wide-a05a3d721bfc81293204268a8caaa48d8626cb98-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-856914_wide-a05a3d721bfc81293204268a8caaa48d8626cb98-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/gettyimages-856914_wide-a05a3d721bfc81293204268a8caaa48d8626cb98-1536x864.jpg 1536w\" sizes=\"(max-width: 1577px) 100vw, 1577px\">\u003cfigcaption class=\"wp-caption-text\">Matthew Perry in 1999. \u003ccite>(Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The actor achieved extraordinary celebrity as snarky Chandler Bing, an offbeat heartthrob over 10 seasons of one of the most successful TV sitcoms ever. Perry chronicled an epic struggle with addiction to drugs and alcohol in his 2022 \u003ca href=\"https://us.macmillan.com/books/9781250866448/friendsloversandthebigterriblething\">memoir\u003c/a>, estimating he’d spent half of his life in treatment. He died Oct. 28 at age 54. \u003ca href=\"https://www.npr.org/2023/10/28/1209291002/matthew-perry-dead-friends\">Read Emma Bowman’s remembrance\u003c/a>. \u003c/p>\n\u003ch2>Norman Lear, who made funny sitcoms about serious topics\u003c/h2>\n\u003cfigure id=\"attachment_13939883\" class=\"wp-caption aligncenter\" style=\"max-width: 1488px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap790329037-f1f7c15aae3b8906f7ec52137928633e2f24337b.jpg\" alt=\"Black and white photo of older man in white hat and suit\" width=\"1488\" height=\"1116\" class=\"size-full wp-image-13939883\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap790329037-f1f7c15aae3b8906f7ec52137928633e2f24337b.jpg 1488w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap790329037-f1f7c15aae3b8906f7ec52137928633e2f24337b-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap790329037-f1f7c15aae3b8906f7ec52137928633e2f24337b-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap790329037-f1f7c15aae3b8906f7ec52137928633e2f24337b-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/ap790329037-f1f7c15aae3b8906f7ec52137928633e2f24337b-768x576.jpg 768w\" sizes=\"(max-width: 1488px) 100vw, 1488px\">\u003cfigcaption class=\"wp-caption-text\">Norman Lear in his Los Angeles office in March 1979. \u003ccite>(AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the 1970s and ’80s, Norman Lear dominated network television with hugely popular hits that included \u003cem>All in the Family\u003c/em>, \u003cem>The Jeffersons\u003c/em>, \u003cem>Maude\u003c/em> and \u003cem>Mary Hartman, Mary Hartman\u003c/em>. His shows tackled racial prejudice, addiction, abortion and other social issues. Lear was also a liberal political activist whose causes included free speech and voter registration. He died Dec. 5 at age 101. \u003ca href=\"https://www.npr.org/2023/12/06/334890639/norman-lear-who-made-funny-sitcoms-about-serious-topics-dies-at-101\">Read Selena Simmons-Duffin’s remembrance\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"radiolab": {
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"reveal": {
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},
"rightnowish": {
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"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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