The World War II photographer turned Hollywood insider had incredible access to the uber rich, from the pools of Palm Beach to the ski slopes of Gstaad. But he was so much more, shooting war orphans in Rome to tailgaters in Aiken, South Carolina. This hefty career-spanning collection has meaty text and includes more than 100 previously unpublished photos. Getty Images purchased his archive in 1997.
(Abrams, $175.)
‘The Christmas Book,’ by Phaidon editors. (Phaidon Press)
The Christmas Book, by Phaidon editors, with essays by David Trigg, Sam Bilton and Dolph Gotelli.
The holiday, in festive cultural imagery. This is a jolly look at Christmas via design and artifacts. There’s a history of Christmas pudding charms, to be hidden within the holiday treat. And there’s an angel made of beads by an artisan in the Woza Moya collective of South Africa. Picasso’s Dove of Peace is included along with a Lego Santa’s Visit set.
Sponsored
(Phaidon, $49.95.)
‘Lena Horne: Goddess Reclaimed,’ by Donald Bogle. (Running Press Adult)
The authority on Black representation in film and entertainment history based this biography on decades of research. Bogle dug deep into Horne’s chaotic childhood, which took her from Brooklyn to the Deep South and beyond. He spells out in detail her Cotton Club start as a teen and her years as a racial justice activist. He doesn’t smooth over the star’s bitter disappointments. Plenty of photos included.
(Running Press, $35.)
‘The Color of Dance,’ by TaKiyah Wallace-McMillian. (Black Dog & Leventhal)
The photographer behind the Instagram account Brown Girls Do Ballet has put together a celebratory essay in images of just that. Filled with insights from inside the dance world and hopeful girls in training, her portraits are set indoors and out with her subjects speaking for themselves. One young ballerina, Kailyn Scales, says of her craft: “I am small but mighty. When I dance, I feel powerful. I don’t feel like the smallest person in the room.”
(Black Dog & Leventhal, $30.)
‘Yellowstone: The Official Dutton Ranch Family Cookbook,’ by Chef Gabriel ‘Gator’ Guilbeau with Kim Laidlaw. (Insight Editions)
Guilbeau was the set caterer for Yellowstone and played the Dutton family’s cook on the hit series. This book is filled with more than 55 recipes beloved by the cast and featured on screen, some inspired by Guilbeau’s Cajun roots. Showrunner Taylor Sheridan is a fan of his Louisiana fried shrimp. Anybody remember that octopus Gator set in front of John, Kayce and Beth in Season 2? It didn’t go over well, but it looks delicious with lemon and roasted potatoes.
(Insight Editions, $34.99.)
‘Dressing the Part: Television’s Most Stylish Shows,’ by Hal Rubenstein. (Harper)
In interviews, images and commentary, this frank, veteran fashion expert takes readers through the cultural significance of clothes in 50 top TV shows dating to the dawn of the medium. There’s the predictable period dramas. And there’s Mary Tyler Moore’s black capris pants as Laura Petrie. On The Dick Van Dyke Show, Moore insisted on dumping the TV practice of wearing cocktail attire to vacuum, and met 1960s network pushback. Within a month, Rubenstein writes, there was a nationwide run on capris. Within two years, Dawn Wells was wearing second-skin short shorts as Mary Ann on Gilligan’s Island. The network for both? CBS.
(HarperCollins, $40.)
‘Birding for a Better World,’ by Molly Adams and Sydney Golden Anderson. (Princeton Architectural Press)
Adams, founder of the Feminist Bird Club, and Golden Anderson, a habitat coordinator for the National Wildlife Federation, have produced a helpful primer on birding for all. It includes basic vocabulary and equipment use, and ways to make birding safer and more inclusive. They’ve included journal prompts and blank pages to record observations.
(Princeton Architectural Press, $22.95.)
‘Thom Browne,’ by Thom Browne and Andrew Bolton. (Phaidon Press)
Marking the 20th anniversary of the designer’s eponymous brand, this 420-page tome lets his clothes speak for themselves. Set against white backgrounds, images in this comprehensive book include commissioned photography by Johnny Dufort that was curated by the Met’s Bolton, Browne’s husband. It also includes glimpses of Browne’s conceptual fashion shows.
(Phaidon, $150.)
‘The New Brownies’ Book: A Love Letter to Black Families,’ by Karida L. Brown and Charly Palmer. (Chronicle Books)
This husband-and-wife team have created an homage to the monthly children’s magazine founded by W.E.B. Du Bois in 1920. They’ve mixed poems of Langston Hughes and other works that ran in The Brownies’ Book with stunning new short stories, art, poetry and plays of leading Black artists today. The mission then and now: To serve and inspire Black youth.
(Chronicle Books, $40.)
‘Dressing the Part: Television’s Most Stylish Shows,’ by Hal Rubenstein. (Viking)
This lecturer in English at Exeter College has investigated dictionaries, manuals, poems, letters and more to lend an exacting analysis to today’s conversation over the words used to discuss and perceive the female experience. What surprised her most? “For every sexist idea which leaves its traces in our vocabulary, you can usually find a contemporary voice in the past challenging or even making fun of the extremes of misogyny.”
(Viking, $29.)
‘Vanity Fair: Oscar Night Sessions,’ photos by Mark Seliger. (Harry N. Abrams)
For a decade, Seliger has set up a pop-up studio inside the Vanity Fair after-party on Oscar night. This stunning collection of his A-list portraits over the years is telling and bittersweet. Couples have split (Joe Jonas and Sophie Turner). Stars have passed (Chadwick Boseman). Controversies later unfolded (Will Smith and Jada Pinkett Smith). Others have carried on (Robert De Niro). “Everything captured by a camera is ephemeral,” Seliger writes in an introduction. “It’s the art that lives on.”
(Abrams, $80.)
‘Art in Flower,’ by Lindsey Taylor. (The Monacelli Press)
The floral and garden designer behind the Wall Street Journal column “Flower School” has collected 40 of her floral arrangements with the art that inspired them. And they’re all wonders. Her column ran from 2014 to 2019. She takes readers through her thoughtful process for choosing vessels, along with flower gathering. On foraging, for instance, Taylor writes: “Try not to be greedy. The shrub or tree we’re cutting from is more important than our fleeting arrangement.”
(Monacelli, $60.)
‘Milton Glaser: Pop,’ by Steven Heller. (The Monacelli Press)
Glaser, the graphic designer who gave the world the I (Heart) New York logo, was at his best in the 1960s and ‘70s. Amid a revolution in graphic design, Glaser busied himself on book, magazine and album covers. He also created typefaces that endure today. More than 1,100 color images included in this broad overview, Glaser’s wit ever-present.
(Monacelli, $65.)
‘LL Cool J Presents the Streets Win,’ by LL Cool J, Vikki Tobak and Alec Banks. (Rizzoli)
A beautifully illustrated homage to 50 years of hip-hop in the words of the icons who were there at the beginning. Includes rarely seen images and recollections from Salt-N-Pepa, Public Enemy, Run-D.M.C., Mary J. Blige and more. Peep Ludacris as a cutie child on page 288.
Sponsored
(Rizzoli New York, $55.)
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"title": "Reach for a Nonfiction Read When Choosing Holiday Gifts, Pop Art to Ballet",
"headTitle": "Reach for a Nonfiction Read When Choosing Holiday Gifts, Pop Art to Ballet | KQED",
"content": "\u003cp>A good book packs power. A good book thoughtfully chosen as a gift can add a layer of joy.\u003c/p>\n\u003cp>The holidays are a great time to track down just the right coffee table reads for loved ones. There’s a wide array this time of year. Some options:\u003c/p>\n\u003cfigure id=\"attachment_13938293\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938293\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/71CwOiRKZBL._SL1140_.jpg\" alt=\"A book cover featuring people sunbathing on a stark white roof in front of an expanse of blue ocean and trees on the shoreline.\" width=\"900\" height=\"1140\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71CwOiRKZBL._SL1140_.jpg 900w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71CwOiRKZBL._SL1140_-800x1013.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71CwOiRKZBL._SL1140_-160x203.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71CwOiRKZBL._SL1140_-768x973.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003cfigcaption class=\"wp-caption-text\">‘Slim Aarons: The Essential Collection,’ photographs by Slim Aarons \u003ccite>(Abrams Books)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://store.abramsbooks.com/products/slim-aarons\">\u003cem>Slim Aarons: The Essential Collection\u003c/em>\u003c/a>, photographs by Slim Aarons, text by Shawn Waldron.\u003c/h2>\n\u003cp>The World War II photographer turned Hollywood insider had incredible access to the uber rich, from the pools of Palm Beach to the ski slopes of Gstaad. But he was so much more, shooting war orphans in Rome to tailgaters in Aiken, South Carolina. This hefty career-spanning collection has meaty text and includes more than 100 previously unpublished photos. Getty Images purchased his archive in 1997.\u003c/p>\n\u003cp>(Abrams, $175.)\u003c/p>\n\u003cfigure id=\"attachment_13938294\" class=\"wp-caption aligncenter\" style=\"max-width: 1293px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938294\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81y-Dcg5UhL._SL1500_.jpg\" alt=\"A red book cover depicting simple dotted artwork that resembles a Christmas tree covered with gold baubles.\" width=\"1293\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81y-Dcg5UhL._SL1500_.jpg 1293w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81y-Dcg5UhL._SL1500_-800x928.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81y-Dcg5UhL._SL1500_-1020x1183.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81y-Dcg5UhL._SL1500_-160x186.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81y-Dcg5UhL._SL1500_-768x891.jpg 768w\" sizes=\"(max-width: 1293px) 100vw, 1293px\">\u003cfigcaption class=\"wp-caption-text\">‘The Christmas Book,’ by Phaidon editors. \u003ccite>(Phaidon Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.phaidon.com/store/fashion-and-pop-culture/the-christmas-book-9781838665968/\">The Christmas Book\u003c/a>\u003c/em>, by Phaidon editors, with essays by David Trigg, Sam Bilton and Dolph Gotelli.\u003c/h2>\n\u003cp>The holiday, in festive cultural imagery. This is a jolly look at Christmas via design and artifacts. There’s a history of Christmas pudding charms, to be hidden within the holiday treat. And there’s an angel made of beads by an artisan in the Woza Moya collective of South Africa. Picasso’s Dove of Peace is included along with a Lego Santa’s Visit set.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>(Phaidon, $49.95.)\u003c/p>\n\u003cfigure id=\"attachment_13938295\" class=\"wp-caption aligncenter\" style=\"max-width: 1144px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938295\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81ReQ61SWuL._SL1500_.jpg\" alt=\"A book cover depicting an elegant and beautiful Black woman posing on a staircase wearing a white one-shouldered gown.\" width=\"1144\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81ReQ61SWuL._SL1500_.jpg 1144w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81ReQ61SWuL._SL1500_-800x1049.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81ReQ61SWuL._SL1500_-1020x1337.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81ReQ61SWuL._SL1500_-160x210.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81ReQ61SWuL._SL1500_-768x1007.jpg 768w\" sizes=\"(max-width: 1144px) 100vw, 1144px\">\u003cfigcaption class=\"wp-caption-text\">‘Lena Horne: Goddess Reclaimed,’ by Donald Bogle. \u003ccite>(Running Press Adult)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.hachettebookgroup.com/titles/donald-bogle/lena-horne/9780762475209/\">Lena Horne: Goddess Reclaimed\u003c/a>\u003c/em>, by Donald Bogle.\u003c/h2>\n\u003cp>The authority on Black representation in film and entertainment history based this biography on decades of research. Bogle dug deep into Horne’s chaotic childhood, which took her from Brooklyn to the Deep South and beyond. He spells out in detail her Cotton Club start as a teen and her years as a racial justice activist. He doesn’t smooth over the star’s bitter disappointments. Plenty of photos included.\u003c/p>\n\u003cp>(Running Press, $35.)\u003c/p>\n\u003cfigure id=\"attachment_13938297\" class=\"wp-caption aligncenter\" style=\"max-width: 1208px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938297\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81zXGOUjwkL._SL1500_.jpg\" alt=\"A young Black woman stands in side profile, arm raised above her head.\" width=\"1208\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81zXGOUjwkL._SL1500_.jpg 1208w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81zXGOUjwkL._SL1500_-800x993.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81zXGOUjwkL._SL1500_-1020x1267.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81zXGOUjwkL._SL1500_-160x199.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81zXGOUjwkL._SL1500_-768x954.jpg 768w\" sizes=\"(max-width: 1208px) 100vw, 1208px\">\u003cfigcaption class=\"wp-caption-text\">‘The Color of Dance,’ by TaKiyah Wallace-McMillian. \u003ccite>(Black Dog & Leventhal)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.hachettebookgroup.com/titles/takiyah-wallace-mcmillian/the-color-of-dance/9780762479559/?lens=black-dog-leventhal\">The Color of Dance\u003c/a>\u003c/em>, by TaKiyah Wallace-McMillian.\u003c/h2>\n\u003cp>The photographer behind the Instagram account \u003ca href=\"https://www.instagram.com/browngirlsdoballet/?hl=en\">Brown Girls Do Ballet\u003c/a> has put together a celebratory essay in images of just that. Filled with insights from inside the dance world and hopeful girls in training, her portraits are set indoors and out with her subjects speaking for themselves. One young ballerina, Kailyn Scales, says of her craft: “I am small but mighty. When I dance, I feel powerful. I don’t feel like the smallest person in the room.”\u003c/p>\n\u003cp>(Black Dog & Leventhal, $30.)\u003c/p>\n\u003cfigure id=\"attachment_13938299\" class=\"wp-caption aligncenter\" style=\"max-width: 1246px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938299\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81fmCdmbAL._SL1500_.jpg\" alt=\"A book cover depicting photos of a variety of fresh foods over a large 'Y.'\" width=\"1246\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81fmCdmbAL._SL1500_.jpg 1246w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81fmCdmbAL._SL1500_-800x963.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81fmCdmbAL._SL1500_-1020x1228.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81fmCdmbAL._SL1500_-160x193.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81fmCdmbAL._SL1500_-768x925.jpg 768w\" sizes=\"(max-width: 1246px) 100vw, 1246px\">\u003cfigcaption class=\"wp-caption-text\">‘Yellowstone: The Official Dutton Ranch Family Cookbook,’ by Chef Gabriel ‘Gator’ Guilbeau with Kim Laidlaw. \u003ccite>(Insight Editions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://insighteditions.com/products/yellowstone-the-official-dutton-ranch-family-cookbook\">Yellowstone: The Official Dutton Ranch Family Cookbook\u003c/a>\u003c/em>, by Chef Gabriel “Gator” Guilbeau with Kim Laidlaw.\u003c/h2>\n\u003cp>Guilbeau was the set caterer for \u003cem>Yellowstone\u003c/em> and played the Dutton family’s cook on the hit series. This book is filled with more than 55 recipes beloved by the cast and featured on screen, some inspired by Guilbeau’s Cajun roots. Showrunner Taylor Sheridan is a fan of his Louisiana fried shrimp. Anybody remember that octopus Gator set in front of John, Kayce and Beth in Season 2? It didn’t go over well, but it looks delicious with lemon and roasted potatoes.\u003c/p>\n\u003cp>(Insight Editions, $34.99.)\u003c/p>\n\u003cfigure id=\"attachment_13938300\" class=\"wp-caption aligncenter\" style=\"max-width: 1104px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938300\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/914Lx18fsOL._SL1500_.jpg\" alt=\"A book cover depicting a woman in 1950s-era clothing. She is wearing yellow heels and a green raincoat. \" width=\"1104\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/914Lx18fsOL._SL1500_.jpg 1104w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/914Lx18fsOL._SL1500_-800x1087.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/914Lx18fsOL._SL1500_-1020x1386.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/914Lx18fsOL._SL1500_-160x217.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/914Lx18fsOL._SL1500_-768x1043.jpg 768w\" sizes=\"(max-width: 1104px) 100vw, 1104px\">\u003cfigcaption class=\"wp-caption-text\">‘Dressing the Part: Television’s Most Stylish Shows,’ by Hal Rubenstein. \u003ccite>(Harper)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.harpercollins.com/products/dressing-the-part-hal-rubenstein?variant=40991772639266\">Dressing the Part: Television’s Most Stylish Shows\u003c/a>\u003c/em>, by Hal Rubenstein.\u003c/h2>\n\u003cp>In interviews, images and commentary, this frank, veteran fashion expert takes readers through the cultural significance of clothes in 50 top TV shows dating to the dawn of the medium. There’s the predictable period dramas. And there’s Mary Tyler Moore’s black capris pants as Laura Petrie. On \u003cem>The Dick Van Dyke Show\u003c/em>, Moore insisted on dumping the TV practice of wearing cocktail attire to vacuum, and met 1960s network pushback. Within a month, Rubenstein writes, there was a nationwide run on capris. Within two years, Dawn Wells was wearing second-skin short shorts as Mary Ann on \u003cem>Gilligan’s Island\u003c/em>. The network for both? CBS.\u003c/p>\n\u003cp>(HarperCollins, $40.)\u003c/p>\n\u003cfigure id=\"attachment_13938302\" class=\"wp-caption aligncenter\" style=\"max-width: 1036px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938302\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81EOruS2TL._SL1500_.jpg\" alt=\"A book cover depicting a yellow bird hanging from a tangled round nest.\" width=\"1036\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81EOruS2TL._SL1500_.jpg 1036w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81EOruS2TL._SL1500_-800x1158.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81EOruS2TL._SL1500_-1020x1477.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81EOruS2TL._SL1500_-160x232.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81EOruS2TL._SL1500_-768x1112.jpg 768w\" sizes=\"(max-width: 1036px) 100vw, 1036px\">\u003cfigcaption class=\"wp-caption-text\">‘Birding for a Better World,’ by Molly Adams and Sydney Golden Anderson. \u003ccite>(Princeton Architectural Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://papress.com/products/birding-for-a-better-world\">Birding for a Better World\u003c/a>\u003c/em>, by Molly Adams and Sydney Golden Anderson.\u003c/h2>\n\u003cp>Adams, founder of the Feminist Bird Club, and Golden Anderson, a habitat coordinator for the National Wildlife Federation, have produced a helpful primer on birding for all. It includes basic vocabulary and equipment use, and ways to make birding safer and more inclusive. They’ve included journal prompts and blank pages to record observations.\u003c/p>\n\u003cp>(Princeton Architectural Press, $22.95.)\u003c/p>\n\u003cfigure id=\"attachment_13938303\" class=\"wp-caption aligncenter\" style=\"max-width: 1121px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938303\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/71Q2WL8Us6L._SL1500_.jpg\" alt=\"A plain grey book cover with the words Thom Browne on it.\" width=\"1121\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71Q2WL8Us6L._SL1500_.jpg 1121w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71Q2WL8Us6L._SL1500_-800x1070.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71Q2WL8Us6L._SL1500_-1020x1365.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71Q2WL8Us6L._SL1500_-160x214.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71Q2WL8Us6L._SL1500_-768x1028.jpg 768w\" sizes=\"(max-width: 1121px) 100vw, 1121px\">\u003cfigcaption class=\"wp-caption-text\">‘Thom Browne,’ by Thom Browne and Andrew Bolton. \u003ccite>(Phaidon Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.phaidon.com/store/signed-editions/thom-browne--9781838667474/\">\u003cem>Thom Browne\u003c/em>\u003c/a>, by Thom Browne and Andrew Bolton.\u003c/h2>\n\u003cp>Marking the 20th anniversary of the designer’s eponymous brand, this 420-page tome lets his clothes speak for themselves. Set against white backgrounds, images in this comprehensive book include commissioned photography by Johnny Dufort that was curated by the Met’s Bolton, Browne’s husband. It also includes glimpses of Browne’s conceptual fashion shows.\u003c/p>\n\u003cp>(Phaidon, $150.)\u003c/p>\n\u003cfigure id=\"attachment_13938304\" class=\"wp-caption aligncenter\" style=\"max-width: 1250px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938304\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81nwXp6lCYL._SL1500_.jpg\" alt=\"A book cover depicting a little Black girl wearing a frilled and lace gown with prominent shoulders. She is standing proudly.\" width=\"1250\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81nwXp6lCYL._SL1500_.jpg 1250w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81nwXp6lCYL._SL1500_-800x960.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81nwXp6lCYL._SL1500_-1020x1224.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81nwXp6lCYL._SL1500_-160x192.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81nwXp6lCYL._SL1500_-768x922.jpg 768w\" sizes=\"(max-width: 1250px) 100vw, 1250px\">\u003cfigcaption class=\"wp-caption-text\">‘The New Brownies’ Book: A Love Letter to Black Families,’ by Karida L. Brown and Charly Palmer. \u003ccite>(Chronicle Books)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.chroniclebooks.com/products/new-brownies-book\">The New Brownies’ Book: A Love Letter to Black Families\u003c/a>\u003c/em>, by Karida L. Brown and Charly Palmer.\u003c/h2>\n\u003cp>This husband-and-wife team have created an homage to the monthly children’s magazine founded by W.E.B. Du Bois in 1920. They’ve mixed poems of Langston Hughes and other works that ran in \u003cem>The Brownies’ Book\u003c/em> with stunning new short stories, art, poetry and plays of leading Black artists today. The mission then and now: To serve and inspire Black youth.\u003c/p>\n\u003cp>(Chronicle Books, $40.)\u003c/p>\n\u003cfigure id=\"attachment_13938305\" class=\"wp-caption aligncenter\" style=\"max-width: 993px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938305\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81LTRFKutkL._SL1500_.jpg\" alt=\"A beige book cover with pink and black lettering.\" width=\"993\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81LTRFKutkL._SL1500_.jpg 993w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81LTRFKutkL._SL1500_-800x1208.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81LTRFKutkL._SL1500_-160x242.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81LTRFKutkL._SL1500_-768x1160.jpg 768w\" sizes=\"(max-width: 993px) 100vw, 993px\">\u003cfigcaption class=\"wp-caption-text\">‘Dressing the Part: Television’s Most Stylish Shows,’ by Hal Rubenstein. \u003ccite>(Viking)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.penguinrandomhouse.com/books/678235/mother-tongue-by-jenni-nuttall/\">Mother Tongue: The Surprising History of Women’s Words\u003c/a>\u003c/em>, by Jenni Nuttall.\u003c/h2>\n\u003cp>This lecturer in English at Exeter College has investigated dictionaries, manuals, poems, letters and more to lend an exacting analysis to today’s conversation over the words used to discuss and perceive the female experience. What surprised her most? “For every sexist idea which leaves its traces in our vocabulary, you can usually find a contemporary voice in the past challenging or even making fun of the extremes of misogyny.”\u003c/p>\n\u003cp>(Viking, $29.)\u003c/p>\n\u003cfigure id=\"attachment_13938307\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938307\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/61GSFZjRSL._SL1159_.jpg\" alt=\"A black cover with gold lettering.\" width=\"900\" height=\"1159\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/61GSFZjRSL._SL1159_.jpg 900w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/61GSFZjRSL._SL1159_-800x1030.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/61GSFZjRSL._SL1159_-160x206.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/61GSFZjRSL._SL1159_-768x989.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003cfigcaption class=\"wp-caption-text\">‘Vanity Fair: Oscar Night Sessions,’ photos by Mark Seliger. \u003ccite>(Harry N. Abrams)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.abramsbooks.com/product/vanity-fair-oscar-night-sessions_9781419754784/\">Vanity Fair: Oscar Night Sessions\u003c/a>\u003c/em>, photos by Mark Seliger.\u003c/h2>\n\u003cp>For a decade, Seliger has set up a pop-up studio inside the \u003cem>Vanity Fair\u003c/em> after-party on Oscar night. This stunning collection of his A-list portraits over the years is telling and bittersweet. Couples have split (Joe Jonas and Sophie Turner). Stars have passed (Chadwick Boseman). Controversies later unfolded (Will Smith and Jada Pinkett Smith). Others have carried on (Robert De Niro). “Everything captured by a camera is ephemeral,” Seliger writes in an introduction. “It’s the art that lives on.”\u003c/p>\n\u003cp>(Abrams, $80.)\u003c/p>\n\u003cfigure id=\"attachment_13938309\" class=\"wp-caption aligncenter\" style=\"max-width: 1224px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938309\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/71uId8H07jL._SL1500_.jpg\" alt=\"A book cover depicting a painting of a glass vase of tulips.\" width=\"1224\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71uId8H07jL._SL1500_.jpg 1224w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71uId8H07jL._SL1500_-800x980.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71uId8H07jL._SL1500_-1020x1250.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71uId8H07jL._SL1500_-160x196.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71uId8H07jL._SL1500_-768x941.jpg 768w\" sizes=\"(max-width: 1224px) 100vw, 1224px\">\u003cfigcaption class=\"wp-caption-text\">‘Art in Flower,’ by Lindsey Taylor. \u003ccite>(The Monacelli Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.phaidon.com/monacelli/art-in-flower-finding-inspiration-in-art-and-nature-9781580936200/\">Art in Flower\u003c/a>\u003c/em>, by Lindsey Taylor.\u003c/h2>\n\u003cp>The floral and garden designer behind the \u003cem>Wall Street Journal\u003c/em> column “Flower School” has collected 40 of her floral arrangements with the art that inspired them. And they’re all wonders. Her column ran from 2014 to 2019. She takes readers through her thoughtful process for choosing vessels, along with flower gathering. On foraging, for instance, Taylor writes: “Try not to be greedy. The shrub or tree we’re cutting from is more important than our fleeting arrangement.”\u003c/p>\n\u003cp>(Monacelli, $60.)\u003c/p>\n\u003cfigure id=\"attachment_13938311\" class=\"wp-caption aligncenter\" style=\"max-width: 1301px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938311\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81-tTABpxGL._SL1500_.jpg\" alt=\"A pink book cover depicting a colorful and surrealist rendition of a group of people. \" width=\"1301\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81-tTABpxGL._SL1500_.jpg 1301w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81-tTABpxGL._SL1500_-800x922.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81-tTABpxGL._SL1500_-1020x1176.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81-tTABpxGL._SL1500_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81-tTABpxGL._SL1500_-768x885.jpg 768w\" sizes=\"(max-width: 1301px) 100vw, 1301px\">\u003cfigcaption class=\"wp-caption-text\">‘Milton Glaser: Pop,’ by Steven Heller. \u003ccite>(The Monacelli Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.phaidon.com/monacelli/art-and-photography/milton-glaser-pop-9781580936132/\">\u003cem>Milton Glaser: Pop\u003c/em>\u003c/a>, by Steven Heller, Mirko Ilić and Beth Kleber.\u003c/h2>\n\u003cp>Glaser, the graphic designer who gave the world the I (Heart) New York logo, was at his best in the 1960s and ‘70s. Amid a revolution in graphic design, Glaser busied himself on book, magazine and album covers. He also created typefaces that endure today. More than 1,100 color images included in this broad overview, Glaser’s wit ever-present.\u003c/p>\n\u003cp>(Monacelli, $65.)\u003c/p>\n\u003cfigure id=\"attachment_13938313\" class=\"wp-caption aligncenter\" style=\"max-width: 1036px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938313\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/818MspA5HlL._SL1500_.jpg\" alt=\"A book cover depicting a wall of boom boxes.\" width=\"1036\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/818MspA5HlL._SL1500_.jpg 1036w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/818MspA5HlL._SL1500_-800x1158.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/818MspA5HlL._SL1500_-1020x1477.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/818MspA5HlL._SL1500_-160x232.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/818MspA5HlL._SL1500_-768x1112.jpg 768w\" sizes=\"(max-width: 1036px) 100vw, 1036px\">\u003cfigcaption class=\"wp-caption-text\">‘LL Cool J Presents the Streets Win,’ by LL Cool J, Vikki Tobak and Alec Banks. \u003ccite>(Rizzoli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.rizzoliusa.com/book/9780847873166/\">LL Cool J Presents the Streets Win\u003c/a>\u003c/em>, by LL Cool J, Vikki Tobak and Alec Banks.\u003c/h2>\n\u003cp>A beautifully illustrated homage to 50 years of hip-hop in the words of the icons who were there at the beginning. Includes rarely seen images and recollections from Salt-N-Pepa, Public Enemy, Run-D.M.C., Mary J. Blige and more. Peep Ludacris as a cutie child on page 288.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>(Rizzoli New York, $55.)\u003c/p>\n\n",
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"excerpt": "Fourteen coffee table books that could make great presents for loved ones this holiday season.",
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"twTitle": "Reach for a Nonfiction Read When Choosing Holiday Gifts, Pop Art to Ballet",
"socialTitle": "14 Great Coffee Table Books to Gift This Christmas %%page%% %%sep%% KQED",
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"description": "Fourteen coffee table books that could make great presents for loved ones this holiday season.",
"title": "14 Great Coffee Table Books to Gift This Christmas | KQED",
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"headline": "Reach for a Nonfiction Read When Choosing Holiday Gifts, Pop Art to Ballet",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A good book packs power. A good book thoughtfully chosen as a gift can add a layer of joy.\u003c/p>\n\u003cp>The holidays are a great time to track down just the right coffee table reads for loved ones. There’s a wide array this time of year. Some options:\u003c/p>\n\u003cfigure id=\"attachment_13938293\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938293\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/71CwOiRKZBL._SL1140_.jpg\" alt=\"A book cover featuring people sunbathing on a stark white roof in front of an expanse of blue ocean and trees on the shoreline.\" width=\"900\" height=\"1140\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71CwOiRKZBL._SL1140_.jpg 900w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71CwOiRKZBL._SL1140_-800x1013.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71CwOiRKZBL._SL1140_-160x203.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71CwOiRKZBL._SL1140_-768x973.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003cfigcaption class=\"wp-caption-text\">‘Slim Aarons: The Essential Collection,’ photographs by Slim Aarons \u003ccite>(Abrams Books)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://store.abramsbooks.com/products/slim-aarons\">\u003cem>Slim Aarons: The Essential Collection\u003c/em>\u003c/a>, photographs by Slim Aarons, text by Shawn Waldron.\u003c/h2>\n\u003cp>The World War II photographer turned Hollywood insider had incredible access to the uber rich, from the pools of Palm Beach to the ski slopes of Gstaad. But he was so much more, shooting war orphans in Rome to tailgaters in Aiken, South Carolina. This hefty career-spanning collection has meaty text and includes more than 100 previously unpublished photos. Getty Images purchased his archive in 1997.\u003c/p>\n\u003cp>(Abrams, $175.)\u003c/p>\n\u003cfigure id=\"attachment_13938294\" class=\"wp-caption aligncenter\" style=\"max-width: 1293px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938294\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81y-Dcg5UhL._SL1500_.jpg\" alt=\"A red book cover depicting simple dotted artwork that resembles a Christmas tree covered with gold baubles.\" width=\"1293\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81y-Dcg5UhL._SL1500_.jpg 1293w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81y-Dcg5UhL._SL1500_-800x928.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81y-Dcg5UhL._SL1500_-1020x1183.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81y-Dcg5UhL._SL1500_-160x186.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81y-Dcg5UhL._SL1500_-768x891.jpg 768w\" sizes=\"(max-width: 1293px) 100vw, 1293px\">\u003cfigcaption class=\"wp-caption-text\">‘The Christmas Book,’ by Phaidon editors. \u003ccite>(Phaidon Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.phaidon.com/store/fashion-and-pop-culture/the-christmas-book-9781838665968/\">The Christmas Book\u003c/a>\u003c/em>, by Phaidon editors, with essays by David Trigg, Sam Bilton and Dolph Gotelli.\u003c/h2>\n\u003cp>The holiday, in festive cultural imagery. This is a jolly look at Christmas via design and artifacts. There’s a history of Christmas pudding charms, to be hidden within the holiday treat. And there’s an angel made of beads by an artisan in the Woza Moya collective of South Africa. Picasso’s Dove of Peace is included along with a Lego Santa’s Visit set.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>(Phaidon, $49.95.)\u003c/p>\n\u003cfigure id=\"attachment_13938295\" class=\"wp-caption aligncenter\" style=\"max-width: 1144px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938295\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81ReQ61SWuL._SL1500_.jpg\" alt=\"A book cover depicting an elegant and beautiful Black woman posing on a staircase wearing a white one-shouldered gown.\" width=\"1144\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81ReQ61SWuL._SL1500_.jpg 1144w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81ReQ61SWuL._SL1500_-800x1049.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81ReQ61SWuL._SL1500_-1020x1337.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81ReQ61SWuL._SL1500_-160x210.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81ReQ61SWuL._SL1500_-768x1007.jpg 768w\" sizes=\"(max-width: 1144px) 100vw, 1144px\">\u003cfigcaption class=\"wp-caption-text\">‘Lena Horne: Goddess Reclaimed,’ by Donald Bogle. \u003ccite>(Running Press Adult)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.hachettebookgroup.com/titles/donald-bogle/lena-horne/9780762475209/\">Lena Horne: Goddess Reclaimed\u003c/a>\u003c/em>, by Donald Bogle.\u003c/h2>\n\u003cp>The authority on Black representation in film and entertainment history based this biography on decades of research. Bogle dug deep into Horne’s chaotic childhood, which took her from Brooklyn to the Deep South and beyond. He spells out in detail her Cotton Club start as a teen and her years as a racial justice activist. He doesn’t smooth over the star’s bitter disappointments. Plenty of photos included.\u003c/p>\n\u003cp>(Running Press, $35.)\u003c/p>\n\u003cfigure id=\"attachment_13938297\" class=\"wp-caption aligncenter\" style=\"max-width: 1208px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938297\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81zXGOUjwkL._SL1500_.jpg\" alt=\"A young Black woman stands in side profile, arm raised above her head.\" width=\"1208\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81zXGOUjwkL._SL1500_.jpg 1208w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81zXGOUjwkL._SL1500_-800x993.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81zXGOUjwkL._SL1500_-1020x1267.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81zXGOUjwkL._SL1500_-160x199.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81zXGOUjwkL._SL1500_-768x954.jpg 768w\" sizes=\"(max-width: 1208px) 100vw, 1208px\">\u003cfigcaption class=\"wp-caption-text\">‘The Color of Dance,’ by TaKiyah Wallace-McMillian. \u003ccite>(Black Dog & Leventhal)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.hachettebookgroup.com/titles/takiyah-wallace-mcmillian/the-color-of-dance/9780762479559/?lens=black-dog-leventhal\">The Color of Dance\u003c/a>\u003c/em>, by TaKiyah Wallace-McMillian.\u003c/h2>\n\u003cp>The photographer behind the Instagram account \u003ca href=\"https://www.instagram.com/browngirlsdoballet/?hl=en\">Brown Girls Do Ballet\u003c/a> has put together a celebratory essay in images of just that. Filled with insights from inside the dance world and hopeful girls in training, her portraits are set indoors and out with her subjects speaking for themselves. One young ballerina, Kailyn Scales, says of her craft: “I am small but mighty. When I dance, I feel powerful. I don’t feel like the smallest person in the room.”\u003c/p>\n\u003cp>(Black Dog & Leventhal, $30.)\u003c/p>\n\u003cfigure id=\"attachment_13938299\" class=\"wp-caption aligncenter\" style=\"max-width: 1246px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938299\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81fmCdmbAL._SL1500_.jpg\" alt=\"A book cover depicting photos of a variety of fresh foods over a large 'Y.'\" width=\"1246\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81fmCdmbAL._SL1500_.jpg 1246w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81fmCdmbAL._SL1500_-800x963.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81fmCdmbAL._SL1500_-1020x1228.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81fmCdmbAL._SL1500_-160x193.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81fmCdmbAL._SL1500_-768x925.jpg 768w\" sizes=\"(max-width: 1246px) 100vw, 1246px\">\u003cfigcaption class=\"wp-caption-text\">‘Yellowstone: The Official Dutton Ranch Family Cookbook,’ by Chef Gabriel ‘Gator’ Guilbeau with Kim Laidlaw. \u003ccite>(Insight Editions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://insighteditions.com/products/yellowstone-the-official-dutton-ranch-family-cookbook\">Yellowstone: The Official Dutton Ranch Family Cookbook\u003c/a>\u003c/em>, by Chef Gabriel “Gator” Guilbeau with Kim Laidlaw.\u003c/h2>\n\u003cp>Guilbeau was the set caterer for \u003cem>Yellowstone\u003c/em> and played the Dutton family’s cook on the hit series. This book is filled with more than 55 recipes beloved by the cast and featured on screen, some inspired by Guilbeau’s Cajun roots. Showrunner Taylor Sheridan is a fan of his Louisiana fried shrimp. Anybody remember that octopus Gator set in front of John, Kayce and Beth in Season 2? It didn’t go over well, but it looks delicious with lemon and roasted potatoes.\u003c/p>\n\u003cp>(Insight Editions, $34.99.)\u003c/p>\n\u003cfigure id=\"attachment_13938300\" class=\"wp-caption aligncenter\" style=\"max-width: 1104px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938300\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/914Lx18fsOL._SL1500_.jpg\" alt=\"A book cover depicting a woman in 1950s-era clothing. She is wearing yellow heels and a green raincoat. \" width=\"1104\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/914Lx18fsOL._SL1500_.jpg 1104w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/914Lx18fsOL._SL1500_-800x1087.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/914Lx18fsOL._SL1500_-1020x1386.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/914Lx18fsOL._SL1500_-160x217.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/914Lx18fsOL._SL1500_-768x1043.jpg 768w\" sizes=\"(max-width: 1104px) 100vw, 1104px\">\u003cfigcaption class=\"wp-caption-text\">‘Dressing the Part: Television’s Most Stylish Shows,’ by Hal Rubenstein. \u003ccite>(Harper)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.harpercollins.com/products/dressing-the-part-hal-rubenstein?variant=40991772639266\">Dressing the Part: Television’s Most Stylish Shows\u003c/a>\u003c/em>, by Hal Rubenstein.\u003c/h2>\n\u003cp>In interviews, images and commentary, this frank, veteran fashion expert takes readers through the cultural significance of clothes in 50 top TV shows dating to the dawn of the medium. There’s the predictable period dramas. And there’s Mary Tyler Moore’s black capris pants as Laura Petrie. On \u003cem>The Dick Van Dyke Show\u003c/em>, Moore insisted on dumping the TV practice of wearing cocktail attire to vacuum, and met 1960s network pushback. Within a month, Rubenstein writes, there was a nationwide run on capris. Within two years, Dawn Wells was wearing second-skin short shorts as Mary Ann on \u003cem>Gilligan’s Island\u003c/em>. The network for both? CBS.\u003c/p>\n\u003cp>(HarperCollins, $40.)\u003c/p>\n\u003cfigure id=\"attachment_13938302\" class=\"wp-caption aligncenter\" style=\"max-width: 1036px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938302\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81EOruS2TL._SL1500_.jpg\" alt=\"A book cover depicting a yellow bird hanging from a tangled round nest.\" width=\"1036\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81EOruS2TL._SL1500_.jpg 1036w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81EOruS2TL._SL1500_-800x1158.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81EOruS2TL._SL1500_-1020x1477.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81EOruS2TL._SL1500_-160x232.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81EOruS2TL._SL1500_-768x1112.jpg 768w\" sizes=\"(max-width: 1036px) 100vw, 1036px\">\u003cfigcaption class=\"wp-caption-text\">‘Birding for a Better World,’ by Molly Adams and Sydney Golden Anderson. \u003ccite>(Princeton Architectural Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://papress.com/products/birding-for-a-better-world\">Birding for a Better World\u003c/a>\u003c/em>, by Molly Adams and Sydney Golden Anderson.\u003c/h2>\n\u003cp>Adams, founder of the Feminist Bird Club, and Golden Anderson, a habitat coordinator for the National Wildlife Federation, have produced a helpful primer on birding for all. It includes basic vocabulary and equipment use, and ways to make birding safer and more inclusive. They’ve included journal prompts and blank pages to record observations.\u003c/p>\n\u003cp>(Princeton Architectural Press, $22.95.)\u003c/p>\n\u003cfigure id=\"attachment_13938303\" class=\"wp-caption aligncenter\" style=\"max-width: 1121px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938303\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/71Q2WL8Us6L._SL1500_.jpg\" alt=\"A plain grey book cover with the words Thom Browne on it.\" width=\"1121\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71Q2WL8Us6L._SL1500_.jpg 1121w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71Q2WL8Us6L._SL1500_-800x1070.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71Q2WL8Us6L._SL1500_-1020x1365.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71Q2WL8Us6L._SL1500_-160x214.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71Q2WL8Us6L._SL1500_-768x1028.jpg 768w\" sizes=\"(max-width: 1121px) 100vw, 1121px\">\u003cfigcaption class=\"wp-caption-text\">‘Thom Browne,’ by Thom Browne and Andrew Bolton. \u003ccite>(Phaidon Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.phaidon.com/store/signed-editions/thom-browne--9781838667474/\">\u003cem>Thom Browne\u003c/em>\u003c/a>, by Thom Browne and Andrew Bolton.\u003c/h2>\n\u003cp>Marking the 20th anniversary of the designer’s eponymous brand, this 420-page tome lets his clothes speak for themselves. Set against white backgrounds, images in this comprehensive book include commissioned photography by Johnny Dufort that was curated by the Met’s Bolton, Browne’s husband. It also includes glimpses of Browne’s conceptual fashion shows.\u003c/p>\n\u003cp>(Phaidon, $150.)\u003c/p>\n\u003cfigure id=\"attachment_13938304\" class=\"wp-caption aligncenter\" style=\"max-width: 1250px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938304\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81nwXp6lCYL._SL1500_.jpg\" alt=\"A book cover depicting a little Black girl wearing a frilled and lace gown with prominent shoulders. She is standing proudly.\" width=\"1250\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81nwXp6lCYL._SL1500_.jpg 1250w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81nwXp6lCYL._SL1500_-800x960.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81nwXp6lCYL._SL1500_-1020x1224.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81nwXp6lCYL._SL1500_-160x192.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81nwXp6lCYL._SL1500_-768x922.jpg 768w\" sizes=\"(max-width: 1250px) 100vw, 1250px\">\u003cfigcaption class=\"wp-caption-text\">‘The New Brownies’ Book: A Love Letter to Black Families,’ by Karida L. Brown and Charly Palmer. \u003ccite>(Chronicle Books)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.chroniclebooks.com/products/new-brownies-book\">The New Brownies’ Book: A Love Letter to Black Families\u003c/a>\u003c/em>, by Karida L. Brown and Charly Palmer.\u003c/h2>\n\u003cp>This husband-and-wife team have created an homage to the monthly children’s magazine founded by W.E.B. Du Bois in 1920. They’ve mixed poems of Langston Hughes and other works that ran in \u003cem>The Brownies’ Book\u003c/em> with stunning new short stories, art, poetry and plays of leading Black artists today. The mission then and now: To serve and inspire Black youth.\u003c/p>\n\u003cp>(Chronicle Books, $40.)\u003c/p>\n\u003cfigure id=\"attachment_13938305\" class=\"wp-caption aligncenter\" style=\"max-width: 993px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938305\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81LTRFKutkL._SL1500_.jpg\" alt=\"A beige book cover with pink and black lettering.\" width=\"993\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81LTRFKutkL._SL1500_.jpg 993w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81LTRFKutkL._SL1500_-800x1208.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81LTRFKutkL._SL1500_-160x242.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81LTRFKutkL._SL1500_-768x1160.jpg 768w\" sizes=\"(max-width: 993px) 100vw, 993px\">\u003cfigcaption class=\"wp-caption-text\">‘Dressing the Part: Television’s Most Stylish Shows,’ by Hal Rubenstein. \u003ccite>(Viking)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.penguinrandomhouse.com/books/678235/mother-tongue-by-jenni-nuttall/\">Mother Tongue: The Surprising History of Women’s Words\u003c/a>\u003c/em>, by Jenni Nuttall.\u003c/h2>\n\u003cp>This lecturer in English at Exeter College has investigated dictionaries, manuals, poems, letters and more to lend an exacting analysis to today’s conversation over the words used to discuss and perceive the female experience. What surprised her most? “For every sexist idea which leaves its traces in our vocabulary, you can usually find a contemporary voice in the past challenging or even making fun of the extremes of misogyny.”\u003c/p>\n\u003cp>(Viking, $29.)\u003c/p>\n\u003cfigure id=\"attachment_13938307\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938307\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/61GSFZjRSL._SL1159_.jpg\" alt=\"A black cover with gold lettering.\" width=\"900\" height=\"1159\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/61GSFZjRSL._SL1159_.jpg 900w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/61GSFZjRSL._SL1159_-800x1030.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/61GSFZjRSL._SL1159_-160x206.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/61GSFZjRSL._SL1159_-768x989.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003cfigcaption class=\"wp-caption-text\">‘Vanity Fair: Oscar Night Sessions,’ photos by Mark Seliger. \u003ccite>(Harry N. Abrams)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.abramsbooks.com/product/vanity-fair-oscar-night-sessions_9781419754784/\">Vanity Fair: Oscar Night Sessions\u003c/a>\u003c/em>, photos by Mark Seliger.\u003c/h2>\n\u003cp>For a decade, Seliger has set up a pop-up studio inside the \u003cem>Vanity Fair\u003c/em> after-party on Oscar night. This stunning collection of his A-list portraits over the years is telling and bittersweet. Couples have split (Joe Jonas and Sophie Turner). Stars have passed (Chadwick Boseman). Controversies later unfolded (Will Smith and Jada Pinkett Smith). Others have carried on (Robert De Niro). “Everything captured by a camera is ephemeral,” Seliger writes in an introduction. “It’s the art that lives on.”\u003c/p>\n\u003cp>(Abrams, $80.)\u003c/p>\n\u003cfigure id=\"attachment_13938309\" class=\"wp-caption aligncenter\" style=\"max-width: 1224px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938309\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/71uId8H07jL._SL1500_.jpg\" alt=\"A book cover depicting a painting of a glass vase of tulips.\" width=\"1224\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71uId8H07jL._SL1500_.jpg 1224w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71uId8H07jL._SL1500_-800x980.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71uId8H07jL._SL1500_-1020x1250.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71uId8H07jL._SL1500_-160x196.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71uId8H07jL._SL1500_-768x941.jpg 768w\" sizes=\"(max-width: 1224px) 100vw, 1224px\">\u003cfigcaption class=\"wp-caption-text\">‘Art in Flower,’ by Lindsey Taylor. \u003ccite>(The Monacelli Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.phaidon.com/monacelli/art-in-flower-finding-inspiration-in-art-and-nature-9781580936200/\">Art in Flower\u003c/a>\u003c/em>, by Lindsey Taylor.\u003c/h2>\n\u003cp>The floral and garden designer behind the \u003cem>Wall Street Journal\u003c/em> column “Flower School” has collected 40 of her floral arrangements with the art that inspired them. And they’re all wonders. Her column ran from 2014 to 2019. She takes readers through her thoughtful process for choosing vessels, along with flower gathering. On foraging, for instance, Taylor writes: “Try not to be greedy. The shrub or tree we’re cutting from is more important than our fleeting arrangement.”\u003c/p>\n\u003cp>(Monacelli, $60.)\u003c/p>\n\u003cfigure id=\"attachment_13938311\" class=\"wp-caption aligncenter\" style=\"max-width: 1301px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938311\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/81-tTABpxGL._SL1500_.jpg\" alt=\"A pink book cover depicting a colorful and surrealist rendition of a group of people. \" width=\"1301\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81-tTABpxGL._SL1500_.jpg 1301w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81-tTABpxGL._SL1500_-800x922.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81-tTABpxGL._SL1500_-1020x1176.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81-tTABpxGL._SL1500_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/81-tTABpxGL._SL1500_-768x885.jpg 768w\" sizes=\"(max-width: 1301px) 100vw, 1301px\">\u003cfigcaption class=\"wp-caption-text\">‘Milton Glaser: Pop,’ by Steven Heller. \u003ccite>(The Monacelli Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.phaidon.com/monacelli/art-and-photography/milton-glaser-pop-9781580936132/\">\u003cem>Milton Glaser: Pop\u003c/em>\u003c/a>, by Steven Heller, Mirko Ilić and Beth Kleber.\u003c/h2>\n\u003cp>Glaser, the graphic designer who gave the world the I (Heart) New York logo, was at his best in the 1960s and ‘70s. Amid a revolution in graphic design, Glaser busied himself on book, magazine and album covers. He also created typefaces that endure today. More than 1,100 color images included in this broad overview, Glaser’s wit ever-present.\u003c/p>\n\u003cp>(Monacelli, $65.)\u003c/p>\n\u003cfigure id=\"attachment_13938313\" class=\"wp-caption aligncenter\" style=\"max-width: 1036px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938313\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/818MspA5HlL._SL1500_.jpg\" alt=\"A book cover depicting a wall of boom boxes.\" width=\"1036\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/818MspA5HlL._SL1500_.jpg 1036w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/818MspA5HlL._SL1500_-800x1158.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/818MspA5HlL._SL1500_-1020x1477.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/818MspA5HlL._SL1500_-160x232.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/818MspA5HlL._SL1500_-768x1112.jpg 768w\" sizes=\"(max-width: 1036px) 100vw, 1036px\">\u003cfigcaption class=\"wp-caption-text\">‘LL Cool J Presents the Streets Win,’ by LL Cool J, Vikki Tobak and Alec Banks. \u003ccite>(Rizzoli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cem>\u003ca href=\"https://www.rizzoliusa.com/book/9780847873166/\">LL Cool J Presents the Streets Win\u003c/a>\u003c/em>, by LL Cool J, Vikki Tobak and Alec Banks.\u003c/h2>\n\u003cp>A beautifully illustrated homage to 50 years of hip-hop in the words of the icons who were there at the beginning. Includes rarely seen images and recollections from Salt-N-Pepa, Public Enemy, Run-D.M.C., Mary J. Blige and more. Peep Ludacris as a cutie child on page 288.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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},
"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
"science-friday": {
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