Bay Area Author Maia Kobabe: Struggling Kids Said My Book Helped Them Talk to Parents
In 2020, ‘Gender Queer’ was given a Stonewall Honor and was headed for a fourth printing. Then it started getting banned...
Maia Kobabe
Author Maia Kobabe wrote ‘Gender Queer,’ which is on the American Library Association’s lists of most banned books. (Kaz Fantone/NPR)
This essay by Maia Kobabe is part of an NPR series of interviews with — and essays by — authors who are finding their books being challenged and banned in the U.S.
In mid-2018 I showed a partial draft of Gender Queer: A Memoir, my first full length book, to my writing group. One fellow cartoonist, Jimmie Robinson, said, “Get ready for this book to be challenged, and take it as a compliment when that happens.” Robinson is the author of a dark political satire series that shows a villainous, mostly nude, main character facing off with heroes and a certain former president. He was very well familiar with people misunderstanding and misinterpreting his work. He added, “Maybe go make some friends at the Comic Book Legal Defense Fund now.”
I was obviously already aware that queer, trans, and nonbinary narratives often receive pushback. I did brace myself, in 2019 when the book was released, for a certain amount of negative attention online, if not a full-on wave of internet hate. But it didn’t come. Instead, Gender Queer was met with a wave of online love.
’Gender Queer’ by Maia Kobabe. (Oni Press)
The first print run (just 5,000 copies) sold out the week the book was released. As I toured six states and numerous bookstores in 2019, I received only positive, often heartwarming and deeply moving, feedback. People told me they related to Gender Queer more than any other book they’d ever read. They told me it made them feel less alone. They told me they had shared the book with a parent, or a partner, or a friend, and it had opened up conversations they’d never been able to have before.
In 2020, Gender Queer was given two awards by the American Library Association (ALA): a Stonewall Honor, and an Alex Award, which recognizes books published for adults that hold crossover appeal for readers “aged 12 to 18.” We headed into a second printing, then a third, then a fourth. By the time COVID shut down my comic convention touring, the book had been out for long enough that it was starting to get assigned in college classes. I spent much of 2020 and 2021 speaking via zoom to literature classes, gender studies classes, comic classes, and once a class on graphic medicine, a study of narratives of health and illness in comic form. I settled into the business of writing my second book, happy that my first one had been so well received.
And then, fall of 2021. A video of a parent railing against Gender Queer in a school board meeting in Fairfax, Virginia went viral and sparked an immediate series of copy-cat challenges elsewhere. Sometimes the challenges were overturned, and the book was returned to the library shelves. Other times the book was banned and removed. Several conservative politicians made book banning a major talking point of their campaigns. There were so many challenges in such quick succession before the end of the year that I literally could not keep track of them all. I was getting so many interview requests that I could easily have turned into a full-time public speaker with no time to write.
In spring of 2022, the ALA announced that Gender Queer was the most challenged book of the previous year, taking the top spot from another book about a trans young person written by a nonbinary author, Alex Gino’s Melissa. Very shortly after this, another Virginia Republican sued Barnes and Noble claiming that my book was “obscene.” I thought, then, of Jimmie Robinson’s advice from four years earlier. The Comic Book Legal Defense Fund is a nonprofit organization dedicated to the protection of the First Amendment rights of the comics art form and its community of retailers, creators, publishers, librarians, and readers. I was incredibly grateful when they reached out to me, and offered to represent my book in the case. They supported me all summer, while the hearing was delayed again and again. Finally, in August, the case was dismissed by a judge as unconstitutional.
I am trying, as Robinson advised, to take all of this as, if not a compliment, at least a kind of testament to the strength of my work. Being the author of a heavily challenged book is stressful, and it wastes a lot of my time — but it puts me in very good company. I never expected my book to sit on lists beside Beloved, To Kill A Mockingbird, The Hate U Give, Speak, and Of Mice and Men. It still feels vaguely surreal, and I’m sure I haven’t processed the ripple effects I will feel for the entire rest of my career. For now, I am strengthening my commitment to continue writing stories centering trans, queer, and nonbinary characters. Certain parts of the country may be fixated on censoring me, but I will not be censoring myself.
Maia Kobabe is the author of the memoir ‘Gender Queer’ and a number of short comics that have been published in ‘The Nib,’ ‘The New Yorker,’ ‘The Washington Post,’ and several anthologies. You can find Maia here.
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"content": "\u003cp>\u003cem>This essay by Maia Kobabe is part of an NPR series of \u003c/em>\u003cem>interviews\u003c/em>\u003cem> with — and essays by — authors who are finding their books being challenged and banned in the U.S.\u003c/em>\u003c/p>\n\u003cp>In mid-2018 I showed a partial draft of \u003cem>Gender Queer: A Memoir, \u003c/em>my first full length book, to my writing group. One fellow cartoonist, Jimmie Robinson, said, “Get ready for this book to be challenged, and take it as a compliment when that happens.” Robinson is the author of a dark political satire series that shows a villainous, mostly nude, main character facing off with heroes and a certain former president. He was very well familiar with people misunderstanding and misinterpreting his work. He added, “Maybe go make some friends at the Comic Book Legal Defense Fund now.”\u003c/p>\n\u003cp>I was obviously already aware that queer, trans, and nonbinary narratives often receive pushback. I did brace myself, in 2019 when the book was released, for a certain amount of negative attention online, if not a full-on wave of internet hate. But it didn’t come. Instead, \u003cem>Gender Queer \u003c/em>was met with a wave of online love.\u003c/p>\n\u003cfigure id=\"attachment_13923273\" class=\"wp-caption aligncenter\" style=\"max-width: 676px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13923273\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/01/Screen-Shot-2023-01-04-at-11.07.10-AM.png\" alt=\"An illustration showing a person paddling in water. Their reflection is a different version of themselves with longer hair.\" width=\"676\" height=\"974\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Screen-Shot-2023-01-04-at-11.07.10-AM.png 676w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Screen-Shot-2023-01-04-at-11.07.10-AM-160x231.png 160w\" sizes=\"auto, (max-width: 676px) 100vw, 676px\">\u003cfigcaption class=\"wp-caption-text\">’Gender Queer’ by Maia Kobabe. \u003ccite>(Oni Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The first print run (just 5,000 copies) sold out the week the book was released. As I toured six states and numerous bookstores in 2019, I received only positive, often heartwarming and deeply moving, feedback. People told me they related to \u003cem>Gender Queer \u003c/em>more than any other book they’d ever read. They told me it made them feel less alone. They told me they had shared the book with a parent, or a partner, or a friend, and it had opened up conversations they’d never been able to have before.\u003c/p>\n\u003cp>[aside postid='mindshift_59261']In 2020, \u003cem>Gender Queer \u003c/em>was given two awards by the American Library Association (ALA): a Stonewall Honor, and an Alex Award, which recognizes books published for adults that hold crossover appeal for readers “aged 12 to 18.” We headed into a second printing, then a third, then a fourth. By the time COVID shut down my comic convention touring, the book had been out for long enough that it was starting to get assigned in college classes. I spent much of 2020 and 2021 speaking via zoom to literature classes, gender studies classes, comic classes, and once a class on graphic medicine, a study of narratives of health and illness in comic form. I settled into the business of writing my second book, happy that my first one had been so well received.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And then, fall of 2021. A video of a parent railing against \u003cem>Gender Queer \u003c/em>in a school board meeting in Fairfax, Virginia went viral and sparked an immediate series of copy-cat challenges elsewhere. Sometimes the challenges were overturned, and the book was returned to the library shelves. Other times the book was banned and removed. Several conservative politicians made book banning a major talking point of their campaigns. There were so many challenges in such quick succession before the end of the year that I literally could not keep track of them all. I was getting so many interview requests that I could easily have turned into a full-time public speaker with no time to write.\u003c/p>\n\u003cp>In spring of 2022, the ALA announced that \u003cem>Gender Queer \u003c/em>was the most challenged book of the previous year, taking the top spot from another book about a trans young person written by a nonbinary author, Alex Gino’s \u003cem>Melissa. \u003c/em>Very shortly after this, another Virginia Republican sued Barnes and Noble claiming that my book was “obscene.” I thought, then, of Jimmie Robinson’s advice from four years earlier. The Comic Book Legal Defense Fund is a nonprofit organization dedicated to the protection of the First Amendment rights of the comics art form and its community of retailers, creators, publishers, librarians, and readers. I was incredibly grateful when they reached out to me, and offered to represent my book in the case. They supported me all summer, while the hearing was delayed again and again. Finally, in August, the case was dismissed by a judge as unconstitutional.\u003c/p>\n\u003cp>[aside postid='arts_13923036']I am trying, as Robinson advised, to take all of this as, if not a compliment, at least a kind of testament to the strength of my work. Being the author of a heavily challenged book is stressful, and it wastes a lot of my time — but it puts me in very good company. I never expected my book to sit on lists beside \u003cem>Beloved, To Kill A Mockingbird, The Hate U Give, Speak, \u003c/em>and \u003cem>Of Mice and Men. \u003c/em>It still feels vaguely surreal, and I’m sure I haven’t processed the ripple effects I will feel for the entire rest of my career. For now, I am strengthening my commitment to continue writing stories centering trans, queer, and nonbinary characters. Certain parts of the country may be fixated on censoring me, but I will not be censoring myself.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Maia Kobabe is the author of the memoir ‘Gender Queer’ and a number of short comics that have been published in ‘The Nib,’ ‘The New Yorker,’ ‘The Washington Post,’ and several anthologies. You can find Maia \u003ca href=\"https://redgoldsparkspress.com/\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Author+Maia+Kobabe%3A+Struggling+kids+told+me+my+book+helped+them+talk+to+parents&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This essay by Maia Kobabe is part of an NPR series of \u003c/em>\u003cem>interviews\u003c/em>\u003cem> with — and essays by — authors who are finding their books being challenged and banned in the U.S.\u003c/em>\u003c/p>\n\u003cp>In mid-2018 I showed a partial draft of \u003cem>Gender Queer: A Memoir, \u003c/em>my first full length book, to my writing group. One fellow cartoonist, Jimmie Robinson, said, “Get ready for this book to be challenged, and take it as a compliment when that happens.” Robinson is the author of a dark political satire series that shows a villainous, mostly nude, main character facing off with heroes and a certain former president. He was very well familiar with people misunderstanding and misinterpreting his work. He added, “Maybe go make some friends at the Comic Book Legal Defense Fund now.”\u003c/p>\n\u003cp>I was obviously already aware that queer, trans, and nonbinary narratives often receive pushback. I did brace myself, in 2019 when the book was released, for a certain amount of negative attention online, if not a full-on wave of internet hate. But it didn’t come. Instead, \u003cem>Gender Queer \u003c/em>was met with a wave of online love.\u003c/p>\n\u003cfigure id=\"attachment_13923273\" class=\"wp-caption aligncenter\" style=\"max-width: 676px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13923273\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/01/Screen-Shot-2023-01-04-at-11.07.10-AM.png\" alt=\"An illustration showing a person paddling in water. Their reflection is a different version of themselves with longer hair.\" width=\"676\" height=\"974\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Screen-Shot-2023-01-04-at-11.07.10-AM.png 676w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Screen-Shot-2023-01-04-at-11.07.10-AM-160x231.png 160w\" sizes=\"auto, (max-width: 676px) 100vw, 676px\">\u003cfigcaption class=\"wp-caption-text\">’Gender Queer’ by Maia Kobabe. \u003ccite>(Oni Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The first print run (just 5,000 copies) sold out the week the book was released. As I toured six states and numerous bookstores in 2019, I received only positive, often heartwarming and deeply moving, feedback. People told me they related to \u003cem>Gender Queer \u003c/em>more than any other book they’d ever read. They told me it made them feel less alone. They told me they had shared the book with a parent, or a partner, or a friend, and it had opened up conversations they’d never been able to have before.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In 2020, \u003cem>Gender Queer \u003c/em>was given two awards by the American Library Association (ALA): a Stonewall Honor, and an Alex Award, which recognizes books published for adults that hold crossover appeal for readers “aged 12 to 18.” We headed into a second printing, then a third, then a fourth. By the time COVID shut down my comic convention touring, the book had been out for long enough that it was starting to get assigned in college classes. I spent much of 2020 and 2021 speaking via zoom to literature classes, gender studies classes, comic classes, and once a class on graphic medicine, a study of narratives of health and illness in comic form. I settled into the business of writing my second book, happy that my first one had been so well received.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And then, fall of 2021. A video of a parent railing against \u003cem>Gender Queer \u003c/em>in a school board meeting in Fairfax, Virginia went viral and sparked an immediate series of copy-cat challenges elsewhere. Sometimes the challenges were overturned, and the book was returned to the library shelves. Other times the book was banned and removed. Several conservative politicians made book banning a major talking point of their campaigns. There were so many challenges in such quick succession before the end of the year that I literally could not keep track of them all. I was getting so many interview requests that I could easily have turned into a full-time public speaker with no time to write.\u003c/p>\n\u003cp>In spring of 2022, the ALA announced that \u003cem>Gender Queer \u003c/em>was the most challenged book of the previous year, taking the top spot from another book about a trans young person written by a nonbinary author, Alex Gino’s \u003cem>Melissa. \u003c/em>Very shortly after this, another Virginia Republican sued Barnes and Noble claiming that my book was “obscene.” I thought, then, of Jimmie Robinson’s advice from four years earlier. The Comic Book Legal Defense Fund is a nonprofit organization dedicated to the protection of the First Amendment rights of the comics art form and its community of retailers, creators, publishers, librarians, and readers. I was incredibly grateful when they reached out to me, and offered to represent my book in the case. They supported me all summer, while the hearing was delayed again and again. Finally, in August, the case was dismissed by a judge as unconstitutional.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>I am trying, as Robinson advised, to take all of this as, if not a compliment, at least a kind of testament to the strength of my work. Being the author of a heavily challenged book is stressful, and it wastes a lot of my time — but it puts me in very good company. I never expected my book to sit on lists beside \u003cem>Beloved, To Kill A Mockingbird, The Hate U Give, Speak, \u003c/em>and \u003cem>Of Mice and Men. \u003c/em>It still feels vaguely surreal, and I’m sure I haven’t processed the ripple effects I will feel for the entire rest of my career. For now, I am strengthening my commitment to continue writing stories centering trans, queer, and nonbinary characters. Certain parts of the country may be fixated on censoring me, but I will not be censoring myself.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Maia Kobabe is the author of the memoir ‘Gender Queer’ and a number of short comics that have been published in ‘The Nib,’ ‘The New Yorker,’ ‘The Washington Post,’ and several anthologies. You can find Maia \u003ca href=\"https://redgoldsparkspress.com/\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Author+Maia+Kobabe%3A+Struggling+kids+told+me+my+book+helped+them+talk+to+parents&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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