The fall is filled with new releases, live readings, festivals and other events. (Collage by Sarah Hotchkiss; Covers courtesy of Disability Visibility Project, Penguin Random House, Macmillan Publishers and Sandra Cisneros)
In fall, a love for all things literary comes to life in the nighttime. With the smell of crisp autumn leaves and the rustle of fresh pages, September brings a renewed sense of fervor for literature with a series of new releases, live readings, zine festivals and author conversations.
Alice Wong’s debut memoir is a scrapbook of her life. (Photo by Eddie Hernandez; Cover courtesy of Disability Visibility Project)
Embodying the ferocity of the tiger, an animal revered for its strength in her Chinese culture, San Francisco disabled activist and writer Alice Wong shares her bold insights in her debut memoir Year of the Tiger. Described as a “scrapbook,” the book features a collection of personal essays, conversations and commissioned art that provides an intimate glimpse into Wong’s life and her thoughts on power, ableism, access and more. Mirroring her years of experience with community organizing, Wong’s memoir creates space for disabled individuals to be in conversation and community with one another.
Javier Zamora’s new memoir debuts Sept. 6. (Photo by Gerardo Del Valle; Cover courtesy of Penguin Random House)
Born in El Salvador, celebrated poet Javier Zamora is known for braiding together English and Spanish to create work on immigration that is observational, visceral and deeply affecting. In his poem “How I Learned to Walk,” Zamora writes: “I’ve heard / of how I used to run to him. His hair still / smelling of fish, gasoline, and seaweed. It’s how / I learned to walk they say. Calláte.”
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On Sept. 6, his new memoir Solito debuts, recounting his nine-week journey across Guatemala and Mexico towards Arizona. At nine years old, he underwent this exhausting voyage alone, supported by other migrants as he trudged forward, yearning for his mother and father.
Zamora will read from Solito at Book Passage’s Corte Madera location on Sept. 11. Attendants will be among the first to hear Zamora read from this new collection aloud—a collection that, when vocalized, bears the powerful weight of the ways separation and war have shaped the writer.
Jonathan Escoffery’s debut novel centers on a Jamaican family in Miami. (Photo by Cola Greenhill-Casados; Cover courtesy of Macmillan Publishers)
There’s already excitement surrounding fiction writer Jonathan Escoffery’s debut collection of linked stories, If I Survive You, publishing Sept. 6. Oprah Daily says that the book “may well be the buzziest debut of 2022.” It’s not hard to see why—the title alone is alluring and gritty, beckoning a second glance, a moment of pause.
Currently a Wallace Stegner Fellow at Stanford University, Escoffery has a penchant for worldbuilding, with stories that contain characters as rich and exuberant as the real world has to offer. They read like people you could really befriend, with personal histories full of idiosyncrasies and quirks that illustrate lives that are full and expanding.
If I Survive You is a collection of connected stories centered on a Jamaican family trying to survive in Miami as they face racism, financial hardship, natural disasters, bad luck and other tumult.
Naoshi, a Los Angeles based Japanese artist, tables with her prints and crafts at SF Zine Fest in 2020. (SF Zine Fest)
City View at Metreon, San Francisco
Sept. 4, 11am-5pm
After party: Silver Sprocket, San Francisco
Sept. 4, 7-9:30pm
After two years of remote programming, the beloved SF Zine Fest returns in person at a new venue, City View at Metreon. With over 200 exhibiting artists and collectives, the event welcomes zine, comic and art lovers to spend a day perusing work from local favorites like Mixed Rice Zines and Irrelevant Press as well as artists outside the Bay Area. Since its founding in 2001, SF Zine Fest has become the largest and longest running fair in Northern California for DIY artists and publishers.
And there’s nothing quite like preparing for a zine fair: emptying your largest tote bag and bursting with anticipation, wondering what books will fill it at the end of the day. Bracing yourself, you enter the festival and spot your favorite artist tabling at a busy corner, greeting other fans as you consider the least awkward way to approach and say hello. By the end of the day, you’ll be buzzing with leftover adrenaline, holding your bag delicately to prevent scuffing the treasures you collected over the course of the afternoon. Until next year, you think, eager to do it all again.
Sandra Cisneros returns with her first book of poetry in 28 years. (Photo by Diana Solis; Cover courtesy of the author)
When I first read Sandra Cisneros’ 1983 novel The House on Mango Street, I was around the same age as the book’s protagonist, Esperanza Cordero. Even then, as a preteen still naïve to much of the world around me, I was moved by the tenderness and vulnerability of Cisneros’ voice as she moved through vignettes that depicted the complicated intricacies of girlhood.
On Sept. 13, Cisneros returns with Woman Without Shame, her first book of poetry in 28 years. This new work is a culmination of the writer’s voice over the years: sincere and honest, heartfelt and meditative. Her poems reflect on her journey as an artist and her search for home as she contemplates memory, desire and love.
On Sept. 19, Cisneros will read her work at Mrs. Dalloway’s in Berkeley followed by a conversation with author Reyna Grande.
Beloved San Francisco comic artist and creator of Wuvable Oaf, Ed Luce will be featured at Permanent Damage. (Courtesy of the artist)
Tucked away in the Mission District, Silver Sprocket is San Francisco’s hole-in-the-wall comics oasis. It’s a quiet spot during the day—a tranquil haven where indie rock tunes play as you amble towards the back, stopping to touch whatever book covers interest you along the way. In late September, this sense of wonder continues with Silver Sprocket’s Permanent Damage Comics Fest, where the store will become a bustling hub for alternative comic artists to gather, showcase and sell their original work.
Permanent Damage will feature over 20 cartoonists from around the country, including local Oakland “psychedelic nightmare” artist Skinner, Wuvable Oaf creator Ed Luce and San Francisco cartoonist Harry Nordlinger.
First Presbyterian Church of Berkeley
Oct. 19, 7pm
Masterful at crafting mysteries rich with psychological and social tension, writer Celeste Ng is back with new novel Our Missing Hearts this October. Ng’s last book Little Fires Everywhere was lauded globally before making its way onto the silver screen with a star-studded cast. While success may bring intense pressure, Ng sticks to her passion for crafting stories about family, loss and changes from generation to generation.
Our Missing Hearts focuses on the perspective of Bird Gardner, a young boy with a newfound desire to search for his mother, a Chinese American poet who left the family years before. In a world where “American” identity is protected zealously and work from writers like Bird’s mother are removed from libraries, Our Missing Hearts digs into how people are left to grapple with legacies when they are broken through injustice.
On Oct. 19, Ng will discuss her new novel with R.O. Kwon, author of The Incendiaries and editor of the short story collection Kink.
This year’s festival features over 500 writers. (Litquake)
For two weeks, thousands of people will gather for San Francisco’s biggest literary event of the year: Litquake. For literature lovers, the festival presents a varied lineup of readings, panels and performances from over 500 writers. At the end of its run, the festival will build up to Lit Crawl, a one-night journey through numerous bars, cafes, bookstores, barbershops and other staples of the Mission District, where surprise literary events await.
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It’s a chance to be embedded within the diverse and dynamic literary culture of the city: to celebrate in book launches held at museums, learn about queer publishers over cocktails, listen to stories of deception and unreliable narrators at a comics shop, and to embrace the love for reading palpable in the air during Litquake. The festival announces its schedule and lineup on Sept. 6.
lower waypoint
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"title": "8 Highly Anticipated Books and Literary Events For Your Fall Reading Pleasure",
"headTitle": "8 Highly Anticipated Books and Literary Events For Your Fall Reading Pleasure | KQED",
"content": "\u003cp>In fall, a love for all things literary comes to life in the nighttime. With the smell of crisp autumn leaves and the rustle of fresh pages, September brings a renewed sense of fervor for literature with a series of new releases, live readings, zine festivals and author conversations.\u003c/p>\n\u003cfigure id=\"attachment_13918442\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918442\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Alice-Wong_comp.jpg\" alt=\"Portrait of author, Asian American woman in power chair, book cover at right\" width=\"1200\" height=\"724\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Alice-Wong_comp.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Alice-Wong_comp-800x483.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Alice-Wong_comp-1020x615.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Alice-Wong_comp-160x97.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Alice-Wong_comp-768x463.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Alice Wong’s debut memoir is a scrapbook of her life. \u003ccite>(Photo by Eddie Hernandez; Cover courtesy of Disability Visibility Project)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://disabilityvisibilityproject.com/book/tiger/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Year of the Tiger: An Activist’s Life\u003c/em>\u003c/a>\u003c/h2>\n\u003cp>\u003cem>By Alice Wong\u003cbr>\nPublishes Sept. 6\u003c/em>\u003c/p>\n\u003cp>Embodying the ferocity of the tiger, an animal revered for its strength in her Chinese culture, San Francisco disabled activist and writer Alice Wong shares her bold insights in her debut memoir \u003cem>Year of the Tiger\u003c/em>. Described as a “scrapbook,” the book features a collection of personal essays, conversations and commissioned art that provides an intimate glimpse into Wong’s life and her thoughts on power, ableism, access and more. Mirroring her years of experience with community organizing, Wong’s memoir creates space for disabled individuals to be in conversation and community with one another.\u003c/p>\n\u003cfigure id=\"attachment_13918432\" class=\"wp-caption aligncenter\" style=\"max-width: 1178px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918432\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Javier-Zamora_comp.jpg\" alt=\"Portrait of author, man with short dark hair, mustache and beard beside book cover\" width=\"1178\" height=\"821\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Javier-Zamora_comp.jpg 1178w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Javier-Zamora_comp-800x558.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Javier-Zamora_comp-1020x711.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Javier-Zamora_comp-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Javier-Zamora_comp-768x535.jpg 768w\" sizes=\"(max-width: 1178px) 100vw, 1178px\">\u003cfigcaption class=\"wp-caption-text\">Javier Zamora’s new memoir debuts Sept. 6. \u003ccite>(Photo by Gerardo Del Valle; Cover courtesy of Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.bookpassage.com/event/javier-zamora-solito-corte-madera-store\" target=\"_blank\" rel=\"noopener noreferrer\">Javier Zamora Reads From New Memoir, \u003cem>Solito\u003c/em>\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Book Passage, Corte Madera\u003cbr>\nSept. 11, 4pm\u003c/em>\u003c/p>\n\u003cp>Born in El Salvador, celebrated poet Javier Zamora is known for braiding together English and Spanish to create work on immigration that is observational, visceral and deeply affecting. In his poem “How I Learned to Walk,” Zamora writes: “I’ve heard / of how I used to run to him. His hair still / smelling of fish, gasoline, and seaweed. It’s how / I learned to walk they say. Calláte.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>On Sept. 6, his new memoir \u003cem>Solito\u003c/em> debuts, recounting his nine-week journey across Guatemala and Mexico towards Arizona. At nine years old, he underwent this exhausting voyage alone, supported by other migrants as he trudged forward, yearning for his mother and father.\u003c/p>\n\u003cp>Zamora will read from \u003cem>Solito\u003c/em> at Book Passage’s Corte Madera location on Sept. 11. Attendants will be among the first to hear Zamora read from this new collection aloud—a collection that, when vocalized, bears the powerful weight of the ways separation and war have shaped the writer.\u003c/p>\n\u003cfigure id=\"attachment_13918437\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918437\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Jonathan-Escoffery_comp.jpg\" alt=\"Portrait of author, man with short curly dark hair, mustache and goatee, beside book cover\" width=\"1200\" height=\"780\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Jonathan-Escoffery_comp.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Jonathan-Escoffery_comp-800x520.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Jonathan-Escoffery_comp-1020x663.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Jonathan-Escoffery_comp-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Jonathan-Escoffery_comp-768x499.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Jonathan Escoffery’s debut novel centers on a Jamaican family in Miami. \u003ccite>(Photo by Cola Greenhill-Casados; Cover courtesy of Macmillan Publishers)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://citylights.com/events/jonathan-escoffery/\" target=\"_blank\" rel=\"noopener noreferrer\">Jonathan Escoffery Reads From \u003cem>If I Survive You\u003c/em>\u003c/a>\u003c/h2>\n\u003cp>\u003cem>City Lights Books, San Francisco\u003cbr>\nOct. 6, 6pm\u003c/em>\u003c/p>\n\u003cp>There’s already excitement surrounding fiction writer Jonathan Escoffery’s debut collection of linked stories, \u003cem>If I Survive You\u003c/em>, publishing Sept. 6. \u003ca href=\"https://www.oprahdaily.com/entertainment/books/a40653557/splashdown-excerpt-if-i-survive-you-jonathan-escoffery/\" target=\"_blank\" rel=\"noopener noreferrer\">Oprah Daily\u003c/a> says that the book “may well be the buzziest debut of 2022.” It’s not hard to see why—the title alone is alluring and gritty, beckoning a second glance, a moment of pause.\u003c/p>\n\u003cp>Currently a Wallace Stegner Fellow at Stanford University, Escoffery has a penchant for worldbuilding, with stories that contain characters as rich and exuberant as the real world has to offer. They read like people you could really befriend, with personal histories full of idiosyncrasies and quirks that illustrate lives that are full and expanding.\u003c/p>\n\u003cp>\u003cem>If I Survive You\u003c/em> is a collection of connected stories centered on a Jamaican family trying to survive in Miami as they face racism, financial hardship, natural disasters, bad luck and other tumult.\u003c/p>\n\u003cfigure id=\"attachment_13918438\" class=\"wp-caption aligncenter\" style=\"max-width: 922px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918438\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Naoshi_SF-Zine-Fest-Photo-.png\" alt=\"Woman smiles behind colorful display of books and zines\" width=\"922\" height=\"686\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Naoshi_SF-Zine-Fest-Photo-.png 922w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Naoshi_SF-Zine-Fest-Photo--800x595.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Naoshi_SF-Zine-Fest-Photo--160x119.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Naoshi_SF-Zine-Fest-Photo--768x571.png 768w\" sizes=\"(max-width: 922px) 100vw, 922px\">\u003cfigcaption class=\"wp-caption-text\">Naoshi, a Los Angeles based Japanese artist, tables with her prints and crafts at SF Zine Fest in 2020. \u003ccite>(SF Zine Fest)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sfzinefest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SF Zine Fest\u003c/a>\u003c/h2>\n\u003cp>\u003cem>City View at Metreon, San Francisco\u003cbr>\nSept. 4, 11am-5pm\u003cbr>\nAfter party: Silver Sprocket, San Francisco\u003cbr>\nSept. 4, 7-9:30pm\u003c/em>\u003c/p>\n\u003cp>After two years of remote programming, the beloved SF Zine Fest returns in person at a new venue, City View at Metreon. With over 200 exhibiting artists and collectives, the event welcomes zine, comic and art lovers to spend a day perusing work from local favorites like Mixed Rice Zines and Irrelevant Press as well as artists outside the Bay Area. Since its founding in 2001, SF Zine Fest has become the largest and longest running fair in Northern California for DIY artists and publishers.\u003c/p>\n\u003cp>And there’s nothing quite like preparing for a zine fair: emptying your largest tote bag and bursting with anticipation, wondering what books will fill it at the end of the day. Bracing yourself, you enter the festival and spot your favorite artist tabling at a busy corner, greeting other fans as you consider the least awkward way to approach and say hello. By the end of the day, you’ll be buzzing with leftover adrenaline, holding your bag delicately to prevent scuffing the treasures you collected over the course of the afternoon. Until next year, you think, eager to do it all again.\u003c/p>\n\u003cfigure id=\"attachment_13918440\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918440\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Sandra-Cisneros_comp.jpg\" alt=\"Author photo of woman with dark curly hair in chair, book cover at right\" width=\"1200\" height=\"613\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Sandra-Cisneros_comp.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Sandra-Cisneros_comp-800x409.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Sandra-Cisneros_comp-1020x521.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Sandra-Cisneros_comp-160x82.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Sandra-Cisneros_comp-768x392.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Sandra Cisneros returns with her first book of poetry in 28 years. \u003ccite>(Photo by Diana Solis; Cover courtesy of the author)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.mrsdalloways.com/events/sandra-cisneros-reading-her-new-poetry-collection\" target=\"_blank\" rel=\"noopener noreferrer\">Sandra Cisneros Reads from \u003cem>Woman Without Shame\u003c/em>\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Mrs. Dalloway’s, Berkeley\u003cbr>\nSept. 19, 7pm \u003c/em>\u003c/p>\n\u003cp>When I first read Sandra Cisneros’ 1983 novel \u003cem>The House on Mango Street\u003c/em>, I was around the same age as the book’s protagonist, Esperanza Cordero. Even then, as a preteen still naïve to much of the world around me, I was moved by the tenderness and vulnerability of Cisneros’ voice as she moved through vignettes that depicted the complicated intricacies of girlhood.\u003c/p>\n\u003cp>On Sept. 13, Cisneros returns with \u003cem>Woman Without Shame\u003c/em>, her first book of poetry in 28 years. This new work is a culmination of the writer’s voice over the years: sincere and honest, heartfelt and meditative. Her poems reflect on her journey as an artist and her search for home as she contemplates memory, desire and love.\u003c/p>\n\u003cp>On Sept. 19, Cisneros will read her work at Mrs. Dalloway’s in Berkeley followed by a conversation with author Reyna Grande.\u003c/p>\n\u003cfigure id=\"attachment_13918441\" class=\"wp-caption aligncenter\" style=\"max-width: 1848px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918441\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Ed-Luce-Permanent-Damage-photo-.png\" alt=\"Kaleidoscopic image of burly hairy man in pink speedo bottom\" width=\"1848\" height=\"1088\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Ed-Luce-Permanent-Damage-photo-.png 1848w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Ed-Luce-Permanent-Damage-photo--800x471.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Ed-Luce-Permanent-Damage-photo--1020x601.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Ed-Luce-Permanent-Damage-photo--160x94.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Ed-Luce-Permanent-Damage-photo--768x452.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Ed-Luce-Permanent-Damage-photo--1536x904.png 1536w\" sizes=\"(max-width: 1848px) 100vw, 1848px\">\u003cfigcaption class=\"wp-caption-text\">Beloved San Francisco comic artist and creator of Wuvable Oaf, Ed Luce will be featured at Permanent Damage. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.instagram.com/silversprocket/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Permanent Damage Comics Fest\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Silver Sprocket, San Francisco\u003cbr>\nSept. 24, 11am-6pm\u003c/em>\u003c/p>\n\u003cp>Tucked away in the Mission District, Silver Sprocket is San Francisco’s hole-in-the-wall comics oasis. It’s a quiet spot during the day—a tranquil haven where indie rock tunes play as you amble towards the back, stopping to touch whatever book covers interest you along the way. In late September, this sense of wonder continues with Silver Sprocket’s Permanent Damage Comics Fest, where the store will become a bustling hub for alternative comic artists to gather, showcase and sell their original work.\u003c/p>\n\u003cp>Permanent Damage will feature over 20 cartoonists from around the country, including local Oakland “psychedelic nightmare” artist Skinner, \u003cem>Wuvable Oaf\u003c/em> creator Ed Luce and San Francisco cartoonist Harry Nordlinger.\u003c/p>\n\u003cfigure id=\"attachment_13918443\" class=\"wp-caption aligncenter\" style=\"max-width: 2292px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918443\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Celese-Ng-photo-.png\" alt=\"Portrait of woman with straight dark hair, hands clasped\" width=\"2292\" height=\"1642\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo-.png 2292w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo--800x573.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo--1020x731.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo--160x115.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo--768x550.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo--1536x1100.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo--2048x1467.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo--1920x1375.png 1920w\" sizes=\"(max-width: 2292px) 100vw, 2292px\">\u003cfigcaption class=\"wp-caption-text\">Author Celeste Ng. \u003ccite>(Kieran Kesner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.booksmith.com/event/celeste-ng\" target=\"_blank\" rel=\"noopener noreferrer\">Celeste Ng Talks New Book with R.O. Kwon for Berkeley Arts & Letters\u003c/a>\u003c/h2>\n\u003cp>\u003cem>First Presbyterian Church of Berkeley\u003cbr>\nOct. 19, 7pm\u003c/em>\u003c/p>\n\u003cp>Masterful at crafting mysteries rich with psychological and social tension, writer Celeste Ng is back with new novel \u003cem>Our Missing Hearts\u003c/em> this October. Ng’s last book \u003cem>Little Fires Everywhere\u003c/em> was lauded globally before making its way onto the silver screen with a star-studded cast. While success may bring intense pressure, Ng sticks to her passion for crafting stories about family, loss and changes from generation to generation.\u003c/p>\n\u003cp>\u003cem>Our Missing Hearts\u003c/em> focuses on the perspective of Bird Gardner, a young boy with a newfound desire to search for his mother, a Chinese American poet who left the family years before. In a world where “American” identity is protected zealously and work from writers like Bird’s mother are removed from libraries, \u003cem>Our Missing Hearts\u003c/em> digs into how people are left to grapple with legacies when they are broken through injustice.\u003c/p>\n\u003cp>On Oct. 19, Ng will discuss her new novel with R.O. Kwon, author of \u003cem>The Incendiaries\u003c/em> and editor of the short story collection \u003cem>Kink\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13918444\" class=\"wp-caption aligncenter\" style=\"max-width: 1966px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918444\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/image1.png\" alt=\"Blue graphic of person dancing with book\" width=\"1966\" height=\"1106\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/image1.png 1966w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/image1-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/image1-1020x574.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/image1-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/image1-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/image1-1536x864.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/image1-1920x1080.png 1920w\" sizes=\"(max-width: 1966px) 100vw, 1966px\">\u003cfigcaption class=\"wp-caption-text\">This year’s festival features over 500 writers. \u003ccite>(Litquake)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.litquake.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Litquake/Lit Crawl SF\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Various locations, San Francisco\u003cbr>\nOct. 6-22\u003c/em>\u003c/p>\n\u003cp>For two weeks, thousands of people will gather for San Francisco’s biggest literary event of the year: Litquake. For literature lovers, the festival presents a varied lineup of readings, panels and performances from over 500 writers. At the end of its run, the festival will build up to Lit Crawl, a one-night journey through numerous bars, cafes, bookstores, barbershops and other staples of the Mission District, where surprise literary events await.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>It’s a chance to be embedded within the diverse and dynamic literary culture of the city: to celebrate in book launches held at museums, learn about queer publishers over cocktails, listen to stories of deception and unreliable narrators at a comics shop, and to embrace the love for reading palpable in the air during Litquake. The festival announces its schedule and lineup on Sept. 6.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In fall, a love for all things literary comes to life in the nighttime. With the smell of crisp autumn leaves and the rustle of fresh pages, September brings a renewed sense of fervor for literature with a series of new releases, live readings, zine festivals and author conversations.\u003c/p>\n\u003cfigure id=\"attachment_13918442\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918442\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Alice-Wong_comp.jpg\" alt=\"Portrait of author, Asian American woman in power chair, book cover at right\" width=\"1200\" height=\"724\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Alice-Wong_comp.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Alice-Wong_comp-800x483.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Alice-Wong_comp-1020x615.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Alice-Wong_comp-160x97.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Alice-Wong_comp-768x463.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Alice Wong’s debut memoir is a scrapbook of her life. \u003ccite>(Photo by Eddie Hernandez; Cover courtesy of Disability Visibility Project)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://disabilityvisibilityproject.com/book/tiger/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Year of the Tiger: An Activist’s Life\u003c/em>\u003c/a>\u003c/h2>\n\u003cp>\u003cem>By Alice Wong\u003cbr>\nPublishes Sept. 6\u003c/em>\u003c/p>\n\u003cp>Embodying the ferocity of the tiger, an animal revered for its strength in her Chinese culture, San Francisco disabled activist and writer Alice Wong shares her bold insights in her debut memoir \u003cem>Year of the Tiger\u003c/em>. Described as a “scrapbook,” the book features a collection of personal essays, conversations and commissioned art that provides an intimate glimpse into Wong’s life and her thoughts on power, ableism, access and more. Mirroring her years of experience with community organizing, Wong’s memoir creates space for disabled individuals to be in conversation and community with one another.\u003c/p>\n\u003cfigure id=\"attachment_13918432\" class=\"wp-caption aligncenter\" style=\"max-width: 1178px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918432\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Javier-Zamora_comp.jpg\" alt=\"Portrait of author, man with short dark hair, mustache and beard beside book cover\" width=\"1178\" height=\"821\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Javier-Zamora_comp.jpg 1178w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Javier-Zamora_comp-800x558.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Javier-Zamora_comp-1020x711.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Javier-Zamora_comp-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Javier-Zamora_comp-768x535.jpg 768w\" sizes=\"(max-width: 1178px) 100vw, 1178px\">\u003cfigcaption class=\"wp-caption-text\">Javier Zamora’s new memoir debuts Sept. 6. \u003ccite>(Photo by Gerardo Del Valle; Cover courtesy of Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.bookpassage.com/event/javier-zamora-solito-corte-madera-store\" target=\"_blank\" rel=\"noopener noreferrer\">Javier Zamora Reads From New Memoir, \u003cem>Solito\u003c/em>\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Book Passage, Corte Madera\u003cbr>\nSept. 11, 4pm\u003c/em>\u003c/p>\n\u003cp>Born in El Salvador, celebrated poet Javier Zamora is known for braiding together English and Spanish to create work on immigration that is observational, visceral and deeply affecting. In his poem “How I Learned to Walk,” Zamora writes: “I’ve heard / of how I used to run to him. His hair still / smelling of fish, gasoline, and seaweed. It’s how / I learned to walk they say. Calláte.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On Sept. 6, his new memoir \u003cem>Solito\u003c/em> debuts, recounting his nine-week journey across Guatemala and Mexico towards Arizona. At nine years old, he underwent this exhausting voyage alone, supported by other migrants as he trudged forward, yearning for his mother and father.\u003c/p>\n\u003cp>Zamora will read from \u003cem>Solito\u003c/em> at Book Passage’s Corte Madera location on Sept. 11. Attendants will be among the first to hear Zamora read from this new collection aloud—a collection that, when vocalized, bears the powerful weight of the ways separation and war have shaped the writer.\u003c/p>\n\u003cfigure id=\"attachment_13918437\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918437\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Jonathan-Escoffery_comp.jpg\" alt=\"Portrait of author, man with short curly dark hair, mustache and goatee, beside book cover\" width=\"1200\" height=\"780\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Jonathan-Escoffery_comp.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Jonathan-Escoffery_comp-800x520.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Jonathan-Escoffery_comp-1020x663.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Jonathan-Escoffery_comp-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Jonathan-Escoffery_comp-768x499.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Jonathan Escoffery’s debut novel centers on a Jamaican family in Miami. \u003ccite>(Photo by Cola Greenhill-Casados; Cover courtesy of Macmillan Publishers)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://citylights.com/events/jonathan-escoffery/\" target=\"_blank\" rel=\"noopener noreferrer\">Jonathan Escoffery Reads From \u003cem>If I Survive You\u003c/em>\u003c/a>\u003c/h2>\n\u003cp>\u003cem>City Lights Books, San Francisco\u003cbr>\nOct. 6, 6pm\u003c/em>\u003c/p>\n\u003cp>There’s already excitement surrounding fiction writer Jonathan Escoffery’s debut collection of linked stories, \u003cem>If I Survive You\u003c/em>, publishing Sept. 6. \u003ca href=\"https://www.oprahdaily.com/entertainment/books/a40653557/splashdown-excerpt-if-i-survive-you-jonathan-escoffery/\" target=\"_blank\" rel=\"noopener noreferrer\">Oprah Daily\u003c/a> says that the book “may well be the buzziest debut of 2022.” It’s not hard to see why—the title alone is alluring and gritty, beckoning a second glance, a moment of pause.\u003c/p>\n\u003cp>Currently a Wallace Stegner Fellow at Stanford University, Escoffery has a penchant for worldbuilding, with stories that contain characters as rich and exuberant as the real world has to offer. They read like people you could really befriend, with personal histories full of idiosyncrasies and quirks that illustrate lives that are full and expanding.\u003c/p>\n\u003cp>\u003cem>If I Survive You\u003c/em> is a collection of connected stories centered on a Jamaican family trying to survive in Miami as they face racism, financial hardship, natural disasters, bad luck and other tumult.\u003c/p>\n\u003cfigure id=\"attachment_13918438\" class=\"wp-caption aligncenter\" style=\"max-width: 922px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918438\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Naoshi_SF-Zine-Fest-Photo-.png\" alt=\"Woman smiles behind colorful display of books and zines\" width=\"922\" height=\"686\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Naoshi_SF-Zine-Fest-Photo-.png 922w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Naoshi_SF-Zine-Fest-Photo--800x595.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Naoshi_SF-Zine-Fest-Photo--160x119.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Naoshi_SF-Zine-Fest-Photo--768x571.png 768w\" sizes=\"(max-width: 922px) 100vw, 922px\">\u003cfigcaption class=\"wp-caption-text\">Naoshi, a Los Angeles based Japanese artist, tables with her prints and crafts at SF Zine Fest in 2020. \u003ccite>(SF Zine Fest)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sfzinefest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SF Zine Fest\u003c/a>\u003c/h2>\n\u003cp>\u003cem>City View at Metreon, San Francisco\u003cbr>\nSept. 4, 11am-5pm\u003cbr>\nAfter party: Silver Sprocket, San Francisco\u003cbr>\nSept. 4, 7-9:30pm\u003c/em>\u003c/p>\n\u003cp>After two years of remote programming, the beloved SF Zine Fest returns in person at a new venue, City View at Metreon. With over 200 exhibiting artists and collectives, the event welcomes zine, comic and art lovers to spend a day perusing work from local favorites like Mixed Rice Zines and Irrelevant Press as well as artists outside the Bay Area. Since its founding in 2001, SF Zine Fest has become the largest and longest running fair in Northern California for DIY artists and publishers.\u003c/p>\n\u003cp>And there’s nothing quite like preparing for a zine fair: emptying your largest tote bag and bursting with anticipation, wondering what books will fill it at the end of the day. Bracing yourself, you enter the festival and spot your favorite artist tabling at a busy corner, greeting other fans as you consider the least awkward way to approach and say hello. By the end of the day, you’ll be buzzing with leftover adrenaline, holding your bag delicately to prevent scuffing the treasures you collected over the course of the afternoon. Until next year, you think, eager to do it all again.\u003c/p>\n\u003cfigure id=\"attachment_13918440\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918440\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Sandra-Cisneros_comp.jpg\" alt=\"Author photo of woman with dark curly hair in chair, book cover at right\" width=\"1200\" height=\"613\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Sandra-Cisneros_comp.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Sandra-Cisneros_comp-800x409.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Sandra-Cisneros_comp-1020x521.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Sandra-Cisneros_comp-160x82.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Sandra-Cisneros_comp-768x392.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Sandra Cisneros returns with her first book of poetry in 28 years. \u003ccite>(Photo by Diana Solis; Cover courtesy of the author)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.mrsdalloways.com/events/sandra-cisneros-reading-her-new-poetry-collection\" target=\"_blank\" rel=\"noopener noreferrer\">Sandra Cisneros Reads from \u003cem>Woman Without Shame\u003c/em>\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Mrs. Dalloway’s, Berkeley\u003cbr>\nSept. 19, 7pm \u003c/em>\u003c/p>\n\u003cp>When I first read Sandra Cisneros’ 1983 novel \u003cem>The House on Mango Street\u003c/em>, I was around the same age as the book’s protagonist, Esperanza Cordero. Even then, as a preteen still naïve to much of the world around me, I was moved by the tenderness and vulnerability of Cisneros’ voice as she moved through vignettes that depicted the complicated intricacies of girlhood.\u003c/p>\n\u003cp>On Sept. 13, Cisneros returns with \u003cem>Woman Without Shame\u003c/em>, her first book of poetry in 28 years. This new work is a culmination of the writer’s voice over the years: sincere and honest, heartfelt and meditative. Her poems reflect on her journey as an artist and her search for home as she contemplates memory, desire and love.\u003c/p>\n\u003cp>On Sept. 19, Cisneros will read her work at Mrs. Dalloway’s in Berkeley followed by a conversation with author Reyna Grande.\u003c/p>\n\u003cfigure id=\"attachment_13918441\" class=\"wp-caption aligncenter\" style=\"max-width: 1848px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918441\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Ed-Luce-Permanent-Damage-photo-.png\" alt=\"Kaleidoscopic image of burly hairy man in pink speedo bottom\" width=\"1848\" height=\"1088\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Ed-Luce-Permanent-Damage-photo-.png 1848w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Ed-Luce-Permanent-Damage-photo--800x471.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Ed-Luce-Permanent-Damage-photo--1020x601.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Ed-Luce-Permanent-Damage-photo--160x94.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Ed-Luce-Permanent-Damage-photo--768x452.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Ed-Luce-Permanent-Damage-photo--1536x904.png 1536w\" sizes=\"(max-width: 1848px) 100vw, 1848px\">\u003cfigcaption class=\"wp-caption-text\">Beloved San Francisco comic artist and creator of Wuvable Oaf, Ed Luce will be featured at Permanent Damage. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.instagram.com/silversprocket/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Permanent Damage Comics Fest\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Silver Sprocket, San Francisco\u003cbr>\nSept. 24, 11am-6pm\u003c/em>\u003c/p>\n\u003cp>Tucked away in the Mission District, Silver Sprocket is San Francisco’s hole-in-the-wall comics oasis. It’s a quiet spot during the day—a tranquil haven where indie rock tunes play as you amble towards the back, stopping to touch whatever book covers interest you along the way. In late September, this sense of wonder continues with Silver Sprocket’s Permanent Damage Comics Fest, where the store will become a bustling hub for alternative comic artists to gather, showcase and sell their original work.\u003c/p>\n\u003cp>Permanent Damage will feature over 20 cartoonists from around the country, including local Oakland “psychedelic nightmare” artist Skinner, \u003cem>Wuvable Oaf\u003c/em> creator Ed Luce and San Francisco cartoonist Harry Nordlinger.\u003c/p>\n\u003cfigure id=\"attachment_13918443\" class=\"wp-caption aligncenter\" style=\"max-width: 2292px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918443\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Celese-Ng-photo-.png\" alt=\"Portrait of woman with straight dark hair, hands clasped\" width=\"2292\" height=\"1642\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo-.png 2292w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo--800x573.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo--1020x731.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo--160x115.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo--768x550.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo--1536x1100.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo--2048x1467.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Celese-Ng-photo--1920x1375.png 1920w\" sizes=\"(max-width: 2292px) 100vw, 2292px\">\u003cfigcaption class=\"wp-caption-text\">Author Celeste Ng. \u003ccite>(Kieran Kesner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.booksmith.com/event/celeste-ng\" target=\"_blank\" rel=\"noopener noreferrer\">Celeste Ng Talks New Book with R.O. Kwon for Berkeley Arts & Letters\u003c/a>\u003c/h2>\n\u003cp>\u003cem>First Presbyterian Church of Berkeley\u003cbr>\nOct. 19, 7pm\u003c/em>\u003c/p>\n\u003cp>Masterful at crafting mysteries rich with psychological and social tension, writer Celeste Ng is back with new novel \u003cem>Our Missing Hearts\u003c/em> this October. Ng’s last book \u003cem>Little Fires Everywhere\u003c/em> was lauded globally before making its way onto the silver screen with a star-studded cast. While success may bring intense pressure, Ng sticks to her passion for crafting stories about family, loss and changes from generation to generation.\u003c/p>\n\u003cp>\u003cem>Our Missing Hearts\u003c/em> focuses on the perspective of Bird Gardner, a young boy with a newfound desire to search for his mother, a Chinese American poet who left the family years before. In a world where “American” identity is protected zealously and work from writers like Bird’s mother are removed from libraries, \u003cem>Our Missing Hearts\u003c/em> digs into how people are left to grapple with legacies when they are broken through injustice.\u003c/p>\n\u003cp>On Oct. 19, Ng will discuss her new novel with R.O. Kwon, author of \u003cem>The Incendiaries\u003c/em> and editor of the short story collection \u003cem>Kink\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13918444\" class=\"wp-caption aligncenter\" style=\"max-width: 1966px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918444\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/image1.png\" alt=\"Blue graphic of person dancing with book\" width=\"1966\" height=\"1106\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/image1.png 1966w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/image1-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/image1-1020x574.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/image1-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/image1-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/image1-1536x864.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/image1-1920x1080.png 1920w\" sizes=\"(max-width: 1966px) 100vw, 1966px\">\u003cfigcaption class=\"wp-caption-text\">This year’s festival features over 500 writers. \u003ccite>(Litquake)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.litquake.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Litquake/Lit Crawl SF\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Various locations, San Francisco\u003cbr>\nOct. 6-22\u003c/em>\u003c/p>\n\u003cp>For two weeks, thousands of people will gather for San Francisco’s biggest literary event of the year: Litquake. For literature lovers, the festival presents a varied lineup of readings, panels and performances from over 500 writers. At the end of its run, the festival will build up to Lit Crawl, a one-night journey through numerous bars, cafes, bookstores, barbershops and other staples of the Mission District, where surprise literary events await.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s a chance to be embedded within the diverse and dynamic literary culture of the city: to celebrate in book launches held at museums, learn about queer publishers over cocktails, listen to stories of deception and unreliable narrators at a comics shop, and to embrace the love for reading palpable in the air during Litquake. The festival announces its schedule and lineup on Sept. 6.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"source": "kqed",
"order": 19
},
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
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}
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"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"order": 4
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"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
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"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"rss": "https://feeds.npr.org/510312/podcast.xml"
}
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"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
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"source": "npr"
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"inside-europe": {
"id": "inside-europe",
"title": "Inside Europe",
"info": "Inside Europe, a one-hour weekly news magazine hosted by Helen Seeney and Keith Walker, explores the topical issues shaping the continent. No other part of the globe has experienced such dynamic political and social change in recent years.",
"airtime": "SAT 3am-4am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Inside-Europe-Podcast-Tile-300x300-1.jpg",
"meta": {
"site": "news",
"source": "Deutsche Welle"
},
"link": "/radio/program/inside-europe",
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"apple": "https://itunes.apple.com/us/podcast/inside-europe/id80106806?mt=2",
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"rss": "https://partner.dw.com/xml/podcast_inside-europe"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"live-from-here-highlights": {
"id": "live-from-here-highlights",
"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
"airtime": "SAT 6pm-8pm, SUN 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Live-From-Here-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.livefromhere.org/",
"meta": {
"site": "arts",
"source": "american public media"
},
"link": "/radio/program/live-from-here-highlights",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1167173941",
"tuneIn": "https://tunein.com/radio/Live-from-Here-Highlights-p921744/",
"rss": "https://feeds.publicradio.org/public_feeds/a-prairie-home-companion-highlights/rss/rss"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/onourwatch",
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"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"our-body-politic": {
"id": "our-body-politic",
"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://our-body-politic.simplecast.com/",
"meta": {
"site": "news",
"source": "kcrw"
},
"link": "/radio/program/our-body-politic",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/our-body-politic/id1533069868",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
"spotify": "https://open.spotify.com/show/4ApAiLT1kV153TttWAmqmc",
"rss": "https://feeds.simplecast.com/_xaPhs1s",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/Our-Body-Politic-p1369211/"
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},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 15
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
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