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In ‘Helina Metaferia: All Put Together,’ Headdresses Reflect Women’s Power

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Helina Metaferia, 'Headdress 34,' 2022, mixed media collage, 42 x 42 inches framed (approximately). (Courtesy of the artist)

Around the world and throughout history, humans have worn headdresses to reflect social status, amplify distinctive characteristics and pay tribute to personal and social history. In Helina Metaferia: All Put Together, the Bolinas Museum exhibits several of the elaborate headdresses the titular artist created to honor women who have dedicated themselves to civil rights causes. Both art and protest, Metaferia’s pieces respect the complicated nature of intersectional identities and systemic oppression while also offering a dazzling feast for the eyes.

From afar, these headdresses look elaborate and magnificent, arrayed in hues of gold, royal blue and purple, and adorned with jewel-like objects and centerpieces. A closer inspection shows them to be collages. Each one is composed of archival texts and images documenting complicated histories in the battle for equal rights, dignity and basic respect.

Since 2018 Metaferia has traveled to various cities, discovering the histories of civil rights struggles that occurred there, then using what she had learned to create her collages. In doing this, Metaferia digs into the archives of each city she visits, then brings this archival material into workshops held with women of color. In these workshops, she creates mixed-media collages that eventually take the shape of grand headdresses adorning photos of workshop participants.

‘Headdress 38,’ Helina Metaferia. (Courtesy of the artist)

Five of Metaferia’s headdresses form the center of the Bolinas Museum’s exhibition, along with a looped video of women who have participated in the series. There’s also an enormous, hand-sewn tapestry and a collection of protest signs that collectively read “We Are More Than the Sum of Our Parts.” These large-form works quietly command the museum’s main gallery, giving Metaferia’s subjects a sense of great strength and endurance for how they so effortlessly balance these gigantic adornments on their heads.

Resilience is also implied through the layers of historical documents and images of activists that are collaged into the headpieces. Aesthetically, the exhibit evokes nobility and timelessness—the works feel almost classical because of the postures of the wearers and the way that the headdresses themselves spread out from the crown of the head in impressive V-like shapes.


With this art, Metaferia is literally and figuratively giving her subjects the crowns they deserve. Covered in tiers of adornments, and often featuring matching accessories, these pieces foreground articles of dress, and as such they partake in the mirth and amusement that is an integral part of female beauty. What makes them so striking is that they also function on a very different level, granting their wearers the justice and triumph that history has denied them. As such, they unite contrasting sides of femininity, hitting notes of vulnerability, solidarity, luxury, kinship, pleasure and resolve.

‘The Woke We Are More,’ Helina Metaferia. (Courtesy of the artist)

With just eight pieces, the more intimate scale of Helina Metaferia: All Put Together gives a visitor time to truly get to know the artwork—always a good thing with museum exhibitions, and especially so in this case. The pieces here reward a viewer who takes time to examine the various texts that Metaferia has placed into her assemblages. Often they are cut off, as in the protestor’s sign in Headdress 34, which reads “What Happened to the City’s Affirmative—”; in other pieces, a newspaper’s reporting on a passionate anti-discrimination protest sits alongside an opinion piece coolly laying out justifications for continued racism. These texts resonate with today’s struggles, drawing viewers into a movement that is at once historical and very much alive and pulsating with contemporary fervor. The sense of being implicated by this artwork is both real and necessary.

One of the joys of Helina Metaferia: All Put Together is its accessibility. The grave, defiant and courageous expressions on the faces of Metaferia’s subjects can evoke curiosity and emotions in anyone who sees them. Likewise, the visually powerful nature of the pieces themselves leaves a deep impression and communicates through iconography that is universal and direct. The exhibit is well worth a trip to Bolinas, and one hopes it is a harbinger of more essential museum shows in this small town on Marin’s outer fringes.

Helina Metaferia: All Put Together is on view through Aug. 6 at the Bolinas Museum.

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