School administrator Moses Omolade and educator Maurice Andre San-chez share an embrace inside of Westlake Middle school's library on February 18, 2022-- the day the OUSD school board voted on the planned closure of a number of schools. (Andre Singleton)
They cleaned the site at Westlake Middle School, held a restorative justice circle and planted two avocado trees. They chose the non-messy fruit that yields healthy fat after the duo asked themselves, “What’s a fruit that we both enjoy that can be really beneficial to the community?”
Omolade and San-Chez’s hunger strike lasted 20 days, and left San-Chez hospitalized for a short period and Omolade requiring medical treatment.
“We initially went out on a hunger strike, and there was a deep, deep, deep commitment to death,” Omolade tells me during a phone call. “That shit was, like, really wild, to look at one another in the face—and to look at ourselves individually—and be like: ‘I’m willing to die.'”
But that perspective shifted over time, and for that he’s grateful.
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He credits his changed perspective to community. The students and elders who visited them during the strike spoke words that resonated. “People were coming by,” Omolade says, “being like, ‘Hold up, what ya’ll are doing here is actually important for the longevity of this fight. So, if you can find it within yourselves, take a step back from a commitment to death—because these folks will allow you to die.'”
André San-Chez, Moses Omolade and community members pose for a photo after planting avocado trees in front of West Lake Middle school in Oakland. (Via Moses Omolade.)
Along with San-Chez, Omolade is now recharging and strategizing. The fight is much larger, he says, than the closure of a few schools. It’s about systems of racism, structural oppression, and the privatization of schools and public land.
They’re currently gathering signatures to recall the school board seats of District 1 and District 7, held respectively by Benjamin “Sam” Davis and Clifford Thompson. And on Saturday, March 5, they’ll participate in a protest and march against the proposed East Oakland school closures—gathering at 1390 66th Ave. (the site of Coliseum Prep Academy) at 10am, marching at 11am, and arriving at International Community School with music and performances.
So much for rest.
As of now, the school board plans to close fewer schools than initially suggested, but still closing seven schools. Despite that, I’m intrigued by San-chez and Omolade’s efforts. In effect, they were laying down in front of the machine and willing to die for their cause.
It resonated with me. Finding the fuel to keep fighting is something I had been struggling with for a while.
Artist, educator and friend Venus Morris stands by Lake Merritt at sunset while wearing a jacket with the logo of the Black Panther Party, made by MADOW FUTUR. (Pendarvis Harshaw)
As February flew by, the Oakland school closures, war abroad, COVID’s sustained impact and a few interpersonal issues had been weighing on me.
Somehow, I still took a bunch of photos, from the first day of Black History Month to the Black Joy Parade on its final Sunday. Fly shots. Birthday smiles and nature blossoming. Memories etched in the digital archives.
But there’s one image from February that sticks with me. I have no photo of it, but it paints a picture of my recent mind state.
At about 2pm on Feb. 5, I sat at the light on West Grand Avenue and Northgate Avenue in Oakland. A middle-aged African American man sporting a bomber jacket with “Security” printed across the back and the word “fuck” written above it in Sharpie started to cross the street.
The man halted after a few steps into the crosswalk and turned to square up with a white Tesla that, in its attempt to make a right turn, came too close for comfort.
I watched as the driver, an older white woman, threw her arms up and urged the man to move across the street. The man stood his ground with words I couldn’t hear, but with a posture I definitely recognized: he was daring the driver to do something. The car swerved far enough around him so as to not hit him, but close enough for the man to pull off a textbook right-legged roundhouse kick to the driver-side door as the car sped past.
The mental snapshot has been inside my dome ever since.
He almost get run over by a machine 20 times his size, so he kicks it in protest. Only to see the machine turn and keep rollin’, while he’s left with an injured foot.
Add race and class to that simple synopsis, and it’s a metaphorical breakdown of what I see damn near everyday.
A mural by the Bay Area Mural Program located on 22nd Street, between Broadway and Valley Street, in Oakland. (Pendarvis Harshaw)
The intersection where the punt, pass and kick-a-Tesla competition went down is just around the corner from one of the larger unsheltered encampments in Oakland. For a solid few blocks, tents are strewn down Dr. Martin Luther King Way; a lot of African American folks over there.
How many? Well, we don’t know. But we do know that in 2019 about three out four of the 4,000 unsheltered people in Oakland were Black, according to the Point in Time Count data from that year. The first survey of unhoused individuals since the pandemic started just got underway last month, so we’ll see the current numbers soon enough.
Even without the data, the image is enough to make you want to punch one of the new luxury high-rises casting shadows over people living on the street.
Beyond the issue of finding basic housing for folks, there’s the problem of increased homicides in a number of major cities across the nation, including Oakland. Last week it was announced that firearms are now the leading cause of premature death in America, and that younger Black males are the group most affected by homicide.
A mural of the late Shock G (a.k.a. Humpty Hump) located at Frank Ogawa Plaza, painted by Kufue. (Pendarvis Harshaw)
Add to that a few interpersonal issues of loneliness and detachment that often come during the winter months, plus news of international war and the potential for a third year of a pandemic, and you can see why being an arts writer and covering the latest rapper with a hot mixtape isn’t always inspiring work.
I quit my job like three times since Jan. 1. I’m tired of kicking the machine to keep it from running us over. It always swerves and drives away. The work ain’t working.
So I quit. Well, mentally. I’m not officially part of the great resignation, but similar circumstances. Call it burnout, fatigue, soul-searching or whatever you want, but man, I struggled just sending emails. Gravity got really heavy.
Filmmaker, poet and friend Nijla Mu’min poses for a photo in front of a mural that reads Oakland Dreams, by Trust Your Struggle. (Pendarvis Harshaw)
Trying to kickstart my ambition the day of the great electric car-kick-and-connection, I was on assignment: taking over KQED Arts’ Instagram stories to give a glimpse into “a day in the life” of what it’s like for me running around town. I figured some inspiration might find me.
I posted images of murals and matched them with music from local artists. A shared a quick meeting with a movie maker named Nijla Mu’min, who shared her message about her forthcoming film named after Mosswood. A few shots taken by Lake Merritt at sunset.
And then it was time for the evening’s main event: a retirement celebration for the former head of East Oakland Youth Development Center, Ms. Regina Jackson. I stood in the back of the room, underdressed and hiding behind my camera, as the decadent Rotunda building in Oakland’s Frank Ogawa Plaza swelled with elected officials and community members praising Ms. Regina’s 27 years of fighting against the machine.
Ms. Regina Jackson receives a standing ovation during her retirement party. (Via EOYDC)
I’ve seen Ms. Regina’s work in Deep East Oakland and in the Far East. In 2014, I served as chaperone on a trip where she took a group of young African American men to China. I didn’t get a chance to give her a hug and some appreciation at her retirement celebration, but if I had, I couldn’t have thanked her enough.
I posted a beautiful dance performance by educator and artist Queen Imïnah, and I headed home. There were a bunch of photos left untaken that day, more than just the assault of the battery-charged car.
While en route to Ms. Regina’s celebration, for example, I passed something else that lingered on my mind all month: Westlake Middle School, where Omolade and San-chez held their hunger strike. I saw their tents, and didn’t stop. But I followed their story all month.
When I finally I talked to Omolade earlier this week, the first thing I did was apologize for not covering their story earlier. At the end of our talk, I told him about the interaction at the intersection—the man kicking the Tesla. Omolade knew about tenacity. I asked him: how do you keep fighting the system? I figured that someone who was willing to die for what they believe in might have some guidance for a struggling writer.
His answer?
Maurice André San-Chez and Moses Omolade receive medical attention from community members during their hunger strike. (Via Moses Omolade )
“Love,” said Omolade. “Love was centered, big time. The community really centered love—and it is currently centered. It’s continuously the fire that we use.”
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You know what might be wiser than trying to kick against a machine? Investing in organizing, strategizing and community—specifically community love. Note to self.
lower waypoint
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Prior to joining KQED Science, Sarah worked in a brand new role as Digital Marketing Strategist at WPSU Penn State.","avatar":"https://secure.gravatar.com/avatar/085f65bb82616965f87e3d12f8550931?s=600&d=blank&r=g","twitter":"sarahkmohamad","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"about","roles":["editor"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Sarah Mohamad | KQED","description":"Engagement Producer and Reporter, KQED Science","ogImgSrc":"https://secure.gravatar.com/avatar/085f65bb82616965f87e3d12f8550931?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/085f65bb82616965f87e3d12f8550931?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/smohamad"},"ltsai":{"type":"authors","id":"11743","meta":{"index":"authors_1591205172","id":"11743","found":true},"name":"Luke Tsai","firstName":"Luke","lastName":"Tsai","slug":"ltsai","email":"ltsai@kqed.org","display_author_email":true,"staff_mastheads":["arts"],"title":"Food Editor","bio":"Luke Tsai is KQED's food editor and resident stinky tofu connoisseur. Prior to KQED, he was an editor at Eater SF, \u003cem>San Francisco \u003c/em>magazine, and the \u003cem>East Bay Express\u003c/em>, and his work has also appeared in TASTE, the \u003cem>San Francisco Chronicle\u003c/em>, and the \u003cem>Best Food Writing\u003c/em> anthology. When he isn't writing or editing, you'll find him eating most everything he can get his hands on.","avatar":"https://secure.gravatar.com/avatar/d1ff591a3047b143a0e23cf7f28fcac0?s=600&d=blank&r=g","twitter":"theluketsai","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"","roles":["editor"]},{"site":"arts","roles":["administrator"]},{"site":"bayareabites","roles":["editor"]},{"site":"food","roles":["editor"]}],"headData":{"title":"Luke Tsai | KQED","description":"Food Editor","ogImgSrc":"https://secure.gravatar.com/avatar/d1ff591a3047b143a0e23cf7f28fcac0?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/d1ff591a3047b143a0e23cf7f28fcac0?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ltsai"},"tpham":{"type":"authors","id":"11753","meta":{"index":"authors_1591205172","id":"11753","found":true},"name":"Thien Pham","firstName":"Thien","lastName":"Pham","slug":"tpham","email":"thiendog@gmail.com","display_author_email":false,"staff_mastheads":[],"title":"KQED Contributor","bio":null,"avatar":"https://secure.gravatar.com/avatar/fa68ed7d6a785e5294a7bb79a3f409c3?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["contributor"]}],"headData":{"title":"Thien Pham | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/fa68ed7d6a785e5294a7bb79a3f409c3?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/fa68ed7d6a785e5294a7bb79a3f409c3?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/tpham"},"nkhan":{"type":"authors","id":"11867","meta":{"index":"authors_1591205172","id":"11867","found":true},"name":"Nisa Khan","firstName":"Nisa","lastName":"Khan","slug":"nkhan","email":"nkhan@kqed.org","display_author_email":false,"staff_mastheads":[],"title":"KQED Contributor","bio":"Nisa Khan is a reporter for KQED's Audience News Desk. She was formerly a data reporter at Michigan Radio. She earned a Bachelor of Science in Information from the University of Michigan and a Master of Arts in Communication from Stanford University.","avatar":"https://secure.gravatar.com/avatar/a3bf1efcfbe7658d13a434cc54d0b2e3?s=600&d=blank&r=g","twitter":"mnisakhan","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"forum","roles":["editor"]}],"headData":{"title":"Nisa Khan | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/a3bf1efcfbe7658d13a434cc54d0b2e3?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/a3bf1efcfbe7658d13a434cc54d0b2e3?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/nkhan"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13955884":{"type":"posts","id":"arts_13955884","meta":{"index":"posts_1591205157","site":"arts","id":"13955884","found":true},"guestAuthors":[],"slug":"sunnyvale-late-night-food-24-hour-indian-grocery-apni-mandi-apna-bazar","title":"Sunnyvale’s Hottest Late-Night Food Spot Is the 24-Hour Indian Grocery Store","publishDate":1712884798,"format":"aside","headTitle":"Sunnyvale’s Hottest Late-Night Food Spot Is the 24-Hour Indian Grocery Store | KQED","labelTerm":{},"content":"\u003cfigure id=\"attachment_13955888\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955888\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi.jpg\" alt=\"A spread of Indian food on an outdoor table, including a rice combination tray, two samosas, a mango lassi and a plate of dahi puri. A man puts one of the dahi puri in his mouth.\" width=\"1920\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Near midnight, all of the tables outside of Apni Mandi were occupied by diners feasting on chaat and curry. The Sunnyvale grocery store serves hot food 24 hours. \u003ccite>(Thien Pham)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/the-midnight-diners\">\u003ci>The Midnight Diners\u003c/i>\u003c/a>\u003ci> is a regular collaboration between KQED food editor Luke Tsai and artist Thien Pham. Follow them each week as they explore the hot pot restaurants, taco carts and 24-hour casino buffets that make up the Bay Area’s after-hours dining scene.\u003c/i>\u003c/p>\n\u003cp>One of my personal oddities is that I love going to the grocery store late at night, strolling the fluorescent-lit aisles of my local Safeway a few minutes before closing, when the place resembles a ghost town. There is a sort of Zen-like quietude, I find, to being the only person in the freezer aisle picking out a tub of ice cream, or contemplating the 17 different varieties of instant noodles. In these days of still-mostly-remote work, sometimes it’s the only time I leave the house all day.\u003c/p>\n\u003cp>Not that any of this could have prepared me for the mind-boggling crowd of produce browsers, chai drinkers and late-night snackers; the heaps of bagged spices and upbeat Bhangra music; and, all together, the glorious chaos of an Indian grocery store at midnight. Specifically, the 24-hour \u003ca href=\"https://apnabazar.com/\">Apni Mandi\u003c/a> (formerly \u003ca href=\"https://www.instagram.com/sunnyvale_adda/\">Apna Bazar\u003c/a>) supermarket in Sunnyvale.\u003c/p>\n\u003cp>Of course, it was news to us that there even \u003ci>is \u003c/i>a 24-hour Indian grocery store in the Bay Area, much less one that sells hot vegetarian curries and chaat at all hours of the night. But even knowing that the place existed in theory, we were amazed to see just how many people — all ages, almost exclusively South Asian — had come to the grocery store past 11 o’clock at night. Outside, the eight or nine umbrella-topped tables in front of the store were all occupied by groups of friends making happy conversation over spreads of roti, curry platters and pani puri, devouring the food in the half-darkness. The only light came from the big, neon-yellow “Apni Mandi” sign glowing overhead.\u003c/p>\n\u003cp>Inside, the aisles were jam-packed with shoppers loading their carts with various sundries — a bag of onions, a bunch of half-ripe bananas, some Maggi noodles. More than a few just stood there chatting with a cup of (quite tasty) hot chai in hand, poured from the free chai dispenser at one end of the store. Others stood in line at a kiosk dedicated to selling assorted Indian cakes and sweets.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>If my typical late-night grocery jaunts are more of a soothing, slightly antisocial balm, this felt electric — reminiscent of my favorite night markets in Asia.\u003c/p>\n\u003cfigure id=\"attachment_13955889\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955889\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-inside.jpg\" alt=\"A crowd of people waiting in line to order food inside an Indian grocery store. \" width=\"1920\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-inside.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-inside-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-inside-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-inside-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-inside-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-inside-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The longest line is at the hot food kiosk, where customers can choose from a variety of chaat, flatbreads and vegetarian curries. \u003ccite>(Thien Pham)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>By far the longest of the lines was the one for hot food. For 24 hours a day, customers can choose from an assortment of chaat, flatbreads and vegetarian curries, a \u003ca href=\"https://www.yelp.com/biz_photos/apna-bazar-sunnyvale?select=3570jvAKSEfKa0hWChZlHg\">rotating selection\u003c/a> of which are displayed in Apni Mandi’s steam table setup. There is, I’ll admit, a certain intimidation factor to ordering here if you’re a first-timer not fluent in the vocabulary of kulchas and bhaturas. When you get to the front of the line, none of the curries are labeled, nor is it obvious what anything on the chaat menu even \u003ci>is\u003c/i> if you haven’t had it before, and the long line behind you might add to the pressure.\u003c/p>\n\u003cp>But look: My feeling is that it’s healthy and character-building for every American to experience this mild level of discomfort at least once in a while — and when it’s in the service of procuring delicious food, who can complain? For the record, Apni Mandi’s friendly employees were happy to answer our questions, and, in a pinch, the smile-and-point method works perfectly well.\u003c/p>\n\u003cp>\u003cspan style=\"color: #2b2b2b;font-weight: 400\">\u003cb>\u003cstrong>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13954983,arts_13954112,arts_13954597']\u003c/span>\u003c/strong>\u003c/b>\u003c/span>For just $8.99, the thali platter comes with rice, onions, roti and your choice of two of the day’s curries. The kadhi pakora was savory and tangy, with bits of vegetable fritter that had soaked in the sauce until they were pleasantly soggy. On the other end of the flavor spectrum, the paneer makhani was a chunky tomato-based curry with a wonderful zip of heat. Lunch, dinner, 3 a.m. snack, it doesn’t matter: This thali would make a fantastic meal at any time of day.\u003c/p>\n\u003cp>But really, everything we wound up ordering was delicious (and absurdly reasonable in price). The market’s hallmarks include its fresh, fat samosas, which come two to an order, with an aggressively well-spiced potato filling — the perfect thing to help you sort yourself out if you’ve had a little too much to drink. And the dahi puri are simply a delight: Close cousins to the better-known pani puri, the crispy semolina shells are topped with spices, tamarind chutney, yogurt and little crispy noodles. Try fitting the whole thing in your mouth at once for the ideal tangy-spicy-sweet bite.\u003c/p>\n\u003cp>With apologies, then, to my local Safeway, let us give praise to the 24-hour Indian grocer — to the pleasures of the hot food stand and the prospect of leaving home at midnight for the express purpose of sipping hot chai with friends in the produce aisle. Now that I’ve experienced it in all its glory, I’m afraid there’s no turning back.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/sunnyvale_adda/\">\u003ci>Apni Mandi\u003c/i>\u003c/a>\u003ci> is open 24/7 at 1111 W. El Camino Real Ste. 107 in Sunnyvale.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"In the South Bay, Apni Mandi is the place to be for delicious midnight chaat, thalis and chai.","status":"publish","parent":0,"modified":1712956118,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":965},"headData":{"title":"Sunnyvale’s Best Late-Night Food Is at the 24-Hour Indian Grocery Store | KQED","description":"In the South Bay, Apni Mandi is the place to be for delicious midnight chaat, thalis and chai.","ogTitle":"Sunnyvale’s Hottest Late-Night Food Spot Is the 24-Hour Indian Grocery Store","ogDescription":"","ogImgId":"","twTitle":"Sunnyvale’s Hottest Late-Night Food Spot Is the 24-Hour Indian Grocery Store","twDescription":"","twImgId":"","socialTitle":"Sunnyvale’s Best Late-Night Food Is at the 24-Hour Indian Grocery Store %%page%% %%sep%% KQED"},"source":"The Midnight Diners","sourceUrl":"https://www.kqed.org/arts/tag/the-midnight-diners","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955884/sunnyvale-late-night-food-24-hour-indian-grocery-apni-mandi-apna-bazar","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13955888\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955888\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi.jpg\" alt=\"A spread of Indian food on an outdoor table, including a rice combination tray, two samosas, a mango lassi and a plate of dahi puri. A man puts one of the dahi puri in his mouth.\" width=\"1920\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Near midnight, all of the tables outside of Apni Mandi were occupied by diners feasting on chaat and curry. The Sunnyvale grocery store serves hot food 24 hours. \u003ccite>(Thien Pham)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/the-midnight-diners\">\u003ci>The Midnight Diners\u003c/i>\u003c/a>\u003ci> is a regular collaboration between KQED food editor Luke Tsai and artist Thien Pham. Follow them each week as they explore the hot pot restaurants, taco carts and 24-hour casino buffets that make up the Bay Area’s after-hours dining scene.\u003c/i>\u003c/p>\n\u003cp>One of my personal oddities is that I love going to the grocery store late at night, strolling the fluorescent-lit aisles of my local Safeway a few minutes before closing, when the place resembles a ghost town. There is a sort of Zen-like quietude, I find, to being the only person in the freezer aisle picking out a tub of ice cream, or contemplating the 17 different varieties of instant noodles. In these days of still-mostly-remote work, sometimes it’s the only time I leave the house all day.\u003c/p>\n\u003cp>Not that any of this could have prepared me for the mind-boggling crowd of produce browsers, chai drinkers and late-night snackers; the heaps of bagged spices and upbeat Bhangra music; and, all together, the glorious chaos of an Indian grocery store at midnight. Specifically, the 24-hour \u003ca href=\"https://apnabazar.com/\">Apni Mandi\u003c/a> (formerly \u003ca href=\"https://www.instagram.com/sunnyvale_adda/\">Apna Bazar\u003c/a>) supermarket in Sunnyvale.\u003c/p>\n\u003cp>Of course, it was news to us that there even \u003ci>is \u003c/i>a 24-hour Indian grocery store in the Bay Area, much less one that sells hot vegetarian curries and chaat at all hours of the night. But even knowing that the place existed in theory, we were amazed to see just how many people — all ages, almost exclusively South Asian — had come to the grocery store past 11 o’clock at night. Outside, the eight or nine umbrella-topped tables in front of the store were all occupied by groups of friends making happy conversation over spreads of roti, curry platters and pani puri, devouring the food in the half-darkness. The only light came from the big, neon-yellow “Apni Mandi” sign glowing overhead.\u003c/p>\n\u003cp>Inside, the aisles were jam-packed with shoppers loading their carts with various sundries — a bag of onions, a bunch of half-ripe bananas, some Maggi noodles. More than a few just stood there chatting with a cup of (quite tasty) hot chai in hand, poured from the free chai dispenser at one end of the store. Others stood in line at a kiosk dedicated to selling assorted Indian cakes and sweets.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If my typical late-night grocery jaunts are more of a soothing, slightly antisocial balm, this felt electric — reminiscent of my favorite night markets in Asia.\u003c/p>\n\u003cfigure id=\"attachment_13955889\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955889\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-inside.jpg\" alt=\"A crowd of people waiting in line to order food inside an Indian grocery store. \" width=\"1920\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-inside.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-inside-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-inside-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-inside-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-inside-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/apnimandi-inside-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The longest line is at the hot food kiosk, where customers can choose from a variety of chaat, flatbreads and vegetarian curries. \u003ccite>(Thien Pham)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>By far the longest of the lines was the one for hot food. For 24 hours a day, customers can choose from an assortment of chaat, flatbreads and vegetarian curries, a \u003ca href=\"https://www.yelp.com/biz_photos/apna-bazar-sunnyvale?select=3570jvAKSEfKa0hWChZlHg\">rotating selection\u003c/a> of which are displayed in Apni Mandi’s steam table setup. There is, I’ll admit, a certain intimidation factor to ordering here if you’re a first-timer not fluent in the vocabulary of kulchas and bhaturas. When you get to the front of the line, none of the curries are labeled, nor is it obvious what anything on the chaat menu even \u003ci>is\u003c/i> if you haven’t had it before, and the long line behind you might add to the pressure.\u003c/p>\n\u003cp>But look: My feeling is that it’s healthy and character-building for every American to experience this mild level of discomfort at least once in a while — and when it’s in the service of procuring delicious food, who can complain? For the record, Apni Mandi’s friendly employees were happy to answer our questions, and, in a pinch, the smile-and-point method works perfectly well.\u003c/p>\n\u003cp>\u003cspan style=\"color: #2b2b2b;font-weight: 400\">\u003cb>\u003cstrong>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954983,arts_13954112,arts_13954597","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/strong>\u003c/b>\u003c/span>For just $8.99, the thali platter comes with rice, onions, roti and your choice of two of the day’s curries. The kadhi pakora was savory and tangy, with bits of vegetable fritter that had soaked in the sauce until they were pleasantly soggy. On the other end of the flavor spectrum, the paneer makhani was a chunky tomato-based curry with a wonderful zip of heat. Lunch, dinner, 3 a.m. snack, it doesn’t matter: This thali would make a fantastic meal at any time of day.\u003c/p>\n\u003cp>But really, everything we wound up ordering was delicious (and absurdly reasonable in price). The market’s hallmarks include its fresh, fat samosas, which come two to an order, with an aggressively well-spiced potato filling — the perfect thing to help you sort yourself out if you’ve had a little too much to drink. And the dahi puri are simply a delight: Close cousins to the better-known pani puri, the crispy semolina shells are topped with spices, tamarind chutney, yogurt and little crispy noodles. Try fitting the whole thing in your mouth at once for the ideal tangy-spicy-sweet bite.\u003c/p>\n\u003cp>With apologies, then, to my local Safeway, let us give praise to the 24-hour Indian grocer — to the pleasures of the hot food stand and the prospect of leaving home at midnight for the express purpose of sipping hot chai with friends in the produce aisle. Now that I’ve experienced it in all its glory, I’m afraid there’s no turning back.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/sunnyvale_adda/\">\u003ci>Apni Mandi\u003c/i>\u003c/a>\u003ci> is open 24/7 at 1111 W. El Camino Real Ste. 107 in Sunnyvale.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955884/sunnyvale-late-night-food-24-hour-indian-grocery-apni-mandi-apna-bazar","authors":["11743","11753"],"categories":["arts_1","arts_12276"],"tags":["arts_10278","arts_1297","arts_4670","arts_8805","arts_3001","arts_2475","arts_14954","arts_21928","arts_22075"],"featImg":"arts_13955887","label":"source_arts_13955884"},"arts_13955410":{"type":"posts","id":"arts_13955410","meta":{"index":"posts_1591205157","site":"arts","id":"13955410","found":true},"guestAuthors":[],"slug":"world-naked-bike-ride-2024-where-to-meet-420-dress-code","title":"The World Naked Bike Ride Is Happening on 4/20 in San Francisco","publishDate":1712613910,"format":"standard","headTitle":"The World Naked Bike Ride Is Happening on 4/20 in San Francisco | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Ah, April 20. A hallowed day on the Bay Area calendar that has long been used to celebrate marijuana in all its forms and glory. Well, this year, the very stoned humans of San Francisco can celebrate the day by bearing witness to scores of cyclists who’ll be baring it all on bicycles. That’s right! This year’s World Naked Bike Ride falls on 4/20. Which almost — almost! — makes up for the \u003ca href=\"https://www.kqed.org/news/11980820/san-franciscos-annual-420-celebration-on-hippie-hill-canceled-for-2024\">cancellation of Golden Gate Park’s annual Hippie Hill event\u003c/a>.\u003c/p>\n\u003cp>[aside postid='news_11613510']As usual, the city’s wheelie nude adventure will start at the giant bow and arrow in Rincon Park — Claes Oldenburg and Coosje van Bruggen’s \u003ci>Cupid’s Span\u003c/i>. It will then sojourn past Chase Center and Oracle Park, head up to North Beach, circle back past City Hall, before heading on over to the Haight and ending in the Castro. All told, the ride lasts 16.5 miles and finishes with a naked party at (of all places) Castro Street’s \u003ca href=\"https://www.gyroxpresssf.com/\">Gyro Xpress\u003c/a>. (Careful where you drop that tzatziki, riders!)\u003c/p>\n\u003cp>Naked Bike Ride organizers ask that cyclists keep inside the right lane as much as possible, refrain from throwing objects at passing cars, and make sure bicycles are fully tuned before the ride starts.\u003c/p>\n\u003cfigure id=\"attachment_13955430\" class=\"wp-caption aligncenter\" style=\"max-width: 1868px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955430\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/nipple-be-gone.jpg\" alt=\"A group of naked people riding bicycles, led by two women wearing strategically placed body paint.\" width=\"1868\" height=\"1400\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/nipple-be-gone.jpg 1868w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/nipple-be-gone-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/nipple-be-gone-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/nipple-be-gone-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/nipple-be-gone-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/nipple-be-gone-1536x1151.jpg 1536w\" sizes=\"(max-width: 1868px) 100vw, 1868px\">\u003cfigcaption class=\"wp-caption-text\">Though rain is forecast, sunblock is probably still a wise move for riders. \u003ccite>(Gareth Fuller/PA Images via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For those cyclists thinking about participating, but nervous about going full birthday suit, don’t worry. While full nudity is encouraged, an ethos of “as bare as you dare” is embraced as well. Organizers even suggest bringing transparent ponchos or windbreakers in case of rain, which is currently forecast on the day.\u003c/p>\n\u003cp>This year marks the 20th anniversary of the World Naked Bike Ride, which was started by \u003ca href=\"https://en.wikipedia.org/wiki/Conrad_Schmidt_(social_activist)\">Conrad Schmidt\u003c/a> in Vancouver, Canada. Since then, cyclists in 36 countries around the globe have been taking the annual opportunity to protest climate change and highlight the vulnerability of cyclists and pedestrians. The ride also seeks to endorse body positivity, community building and renewable energy.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The April 20 ride was organized specifically to coincide with Earth Day (April 22). The Northern Hemisphere chapters of World Naked Bike Ride — including San Francisco — will also ride on June 8, 2024. Plenty of time, then, should you need to make an extra cushion for your saddle…\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://wiki.worldnakedbikeride.org/index.php?title=San_Francisco\">San Francisco’s World Naked Bike Ride\u003c/a> leaves Rincon Park (Embarcadero and Folsom) at noon on April 20, 2024. \u003ca href=\"https://ridewithgps.com/routes/46069540\">The full route\u003c/a> is available online now.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The next World Naked Bike Ride is happening on 4/20. Here’s where San Francisco cyclists will be baring it all.","status":"publish","parent":0,"modified":1712613910,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":440},"headData":{"title":"World Naked Bike Ride San Francisco: All You Need to Know | KQED","description":"The next World Naked Bike Ride is happening on 4/20. Here’s where San Francisco cyclists will be baring it all.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","socialTitle":"World Naked Bike Ride San Francisco: All You Need to Know %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955410/world-naked-bike-ride-2024-where-to-meet-420-dress-code","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ah, April 20. A hallowed day on the Bay Area calendar that has long been used to celebrate marijuana in all its forms and glory. Well, this year, the very stoned humans of San Francisco can celebrate the day by bearing witness to scores of cyclists who’ll be baring it all on bicycles. That’s right! This year’s World Naked Bike Ride falls on 4/20. Which almost — almost! — makes up for the \u003ca href=\"https://www.kqed.org/news/11980820/san-franciscos-annual-420-celebration-on-hippie-hill-canceled-for-2024\">cancellation of Golden Gate Park’s annual Hippie Hill event\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11613510","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>As usual, the city’s wheelie nude adventure will start at the giant bow and arrow in Rincon Park — Claes Oldenburg and Coosje van Bruggen’s \u003ci>Cupid’s Span\u003c/i>. It will then sojourn past Chase Center and Oracle Park, head up to North Beach, circle back past City Hall, before heading on over to the Haight and ending in the Castro. All told, the ride lasts 16.5 miles and finishes with a naked party at (of all places) Castro Street’s \u003ca href=\"https://www.gyroxpresssf.com/\">Gyro Xpress\u003c/a>. (Careful where you drop that tzatziki, riders!)\u003c/p>\n\u003cp>Naked Bike Ride organizers ask that cyclists keep inside the right lane as much as possible, refrain from throwing objects at passing cars, and make sure bicycles are fully tuned before the ride starts.\u003c/p>\n\u003cfigure id=\"attachment_13955430\" class=\"wp-caption aligncenter\" style=\"max-width: 1868px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955430\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/nipple-be-gone.jpg\" alt=\"A group of naked people riding bicycles, led by two women wearing strategically placed body paint.\" width=\"1868\" height=\"1400\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/nipple-be-gone.jpg 1868w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/nipple-be-gone-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/nipple-be-gone-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/nipple-be-gone-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/nipple-be-gone-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/nipple-be-gone-1536x1151.jpg 1536w\" sizes=\"(max-width: 1868px) 100vw, 1868px\">\u003cfigcaption class=\"wp-caption-text\">Though rain is forecast, sunblock is probably still a wise move for riders. \u003ccite>(Gareth Fuller/PA Images via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For those cyclists thinking about participating, but nervous about going full birthday suit, don’t worry. While full nudity is encouraged, an ethos of “as bare as you dare” is embraced as well. Organizers even suggest bringing transparent ponchos or windbreakers in case of rain, which is currently forecast on the day.\u003c/p>\n\u003cp>This year marks the 20th anniversary of the World Naked Bike Ride, which was started by \u003ca href=\"https://en.wikipedia.org/wiki/Conrad_Schmidt_(social_activist)\">Conrad Schmidt\u003c/a> in Vancouver, Canada. Since then, cyclists in 36 countries around the globe have been taking the annual opportunity to protest climate change and highlight the vulnerability of cyclists and pedestrians. The ride also seeks to endorse body positivity, community building and renewable energy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The April 20 ride was organized specifically to coincide with Earth Day (April 22). The Northern Hemisphere chapters of World Naked Bike Ride — including San Francisco — will also ride on June 8, 2024. Plenty of time, then, should you need to make an extra cushion for your saddle…\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://wiki.worldnakedbikeride.org/index.php?title=San_Francisco\">San Francisco’s World Naked Bike Ride\u003c/a> leaves Rincon Park (Embarcadero and Folsom) at noon on April 20, 2024. \u003ca href=\"https://ridewithgps.com/routes/46069540\">The full route\u003c/a> is available online now.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955410/world-naked-bike-ride-2024-where-to-meet-420-dress-code","authors":["11242"],"categories":["arts_1","arts_835","arts_11615"],"featImg":"arts_13955596","label":"arts"},"arts_13955656":{"type":"posts","id":"arts_13955656","meta":{"index":"posts_1591205157","site":"arts","id":"13955656","found":true},"guestAuthors":[],"slug":"deftones-system-of-a-down-tickets-presale-code-san-francisco-golden-gate-outside-lands","title":"System of a Down, Deftones to Headline San Francisco Concert After Outside Lands","publishDate":1712691900,"format":"standard","headTitle":"System of a Down, Deftones to Headline San Francisco Concert After Outside Lands | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Deftones, System of a Down and The Mars Volta will play in San Francisco’s Golden Gate Park this August, inaugurating a new annual event on the same site as the Outside Lands music festival.\u003c/p>\n\u003cp>The one-day concert will take place in Golden Gate Park’s Polo Fields on Aug. 17, 2024 for an audience of up to 65,000 people. The lineup also includes Swedish punks \u003ca href=\"https://www.vboysstockholm.com/\">Viagra Boys\u003c/a> and Australian industrial rockers \u003ca href=\"https://www.vowwsband.com/\">VOWWS\u003c/a>. The concert is expected to be the only West Coast date for System of a Down in 2024 outside of this month’s \u003ca href=\"https://www.sicknewworldfest.com/\">Sick New World\u003c/a> festival in Las Vegas.\u003c/p>\n\u003cp>Presented by Another Planet Entertainment, which also produces Outside Lands, the single-stage concert will take place on the weekend following Outside Lands. The concert’s proximity to Outside Lands means it will utilize much of the infrastructure from the weekend before, not unlike the country music-oriented Stagecoach festival, which takes place in Indio on the weekend following Coachella, or Napa’s Latin-music themed Festival La Onda, which this year follows the BottleRock music festival.\u003c/p>\n\u003cp>\u003ca href=\"https://goldengateparkconcerts.com/\">Tickets for the festival\u003c/a> are priced at $169 for general admission and $399 for VIP tickets plus fees. VIP guests will get expedited entry and have access to a closer views of the stage, lounges and upgraded bathrooms. Tickets officially go on sale on April 12, but \u003ca href=\"https://www.ticketmaster.com/event/1C006084BF4C4CF8?camefrom=CFC_ANOTHERPLANET_GGPCWEB&brand=anotherplanet\">Another Planet’s presale\u003c/a> starts on April 11 at 10 a.m. using the presale code \u003cstrong>golden\u003c/strong>.\u003c/p>\n\u003cp>[aside postID='news_11960570']Deftones and VOWWS last appeared in San Francisco together at a sold-out show at Bill Graham Civic Auditorium in April 2022 — a concert that was twice delayed by the COVID pandemic. Though Sacramento heroes Deftones are well-versed in playing for huge crowds at European festivals like Rock Am Ring and Reading/Leeds, this will be their biggest Bay Area concert to date.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The concert is the first to be produced under Another Planet’s newly formed Golden Gate Park Concerts banner. In September of 2023, \u003ca href=\"https://www.kqed.org/news/11960570/sfs-golden-gate-park-may-soon-host-new-concert-series-from-producers-of-outside-lands\">San Francisco’s Board of Supervisors approved additional concerts in Golden Gate Park\u003c/a>, with the stipulation that Another Planet produce three free concerts at the Civic Center, Union Square and the Embarcadero. The city also granted Another Planet exclusive rights to producing ticketed concerts in Golden Gate Park.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are excited to be bringing such an iconic lineup to the city,” Allen Scott, Another Planet’s president of concerts and festivals, said in a statement. “We are expecting fans from not just the Bay Area but from across the US and internationally.”\u003c/p>\n\n","blocks":[],"excerpt":"The one-day concert gets underway in Golden Gate Park's Polo Fields on Aug. 17, 2024.","status":"publish","parent":0,"modified":1712692603,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":444},"headData":{"title":"Ticket Alert: System of a Down, Deftones Concert Presale Code in SF | KQED","description":"How to score tickets before the general onsale for System of a Down and Deftones in San Francisco's Golden Gate Park.","ogTitle":"System of a Down, Deftones to Headline San Francisco Concert After Outside Lands","ogDescription":"","ogImgId":"","twTitle":"System of a Down, Deftones to Headline San Francisco Concert After Outside Lands","twDescription":"","twImgId":"","socialTitle":"Ticket Alert: System of a Down, Deftones Concert Presale Code in SF %%page%% %%sep%% KQED","socialDescription":"How to score tickets before the general onsale for System of a Down and Deftones in San Francisco's Golden Gate Park."},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955656/deftones-system-of-a-down-tickets-presale-code-san-francisco-golden-gate-outside-lands","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Deftones, System of a Down and The Mars Volta will play in San Francisco’s Golden Gate Park this August, inaugurating a new annual event on the same site as the Outside Lands music festival.\u003c/p>\n\u003cp>The one-day concert will take place in Golden Gate Park’s Polo Fields on Aug. 17, 2024 for an audience of up to 65,000 people. The lineup also includes Swedish punks \u003ca href=\"https://www.vboysstockholm.com/\">Viagra Boys\u003c/a> and Australian industrial rockers \u003ca href=\"https://www.vowwsband.com/\">VOWWS\u003c/a>. The concert is expected to be the only West Coast date for System of a Down in 2024 outside of this month’s \u003ca href=\"https://www.sicknewworldfest.com/\">Sick New World\u003c/a> festival in Las Vegas.\u003c/p>\n\u003cp>Presented by Another Planet Entertainment, which also produces Outside Lands, the single-stage concert will take place on the weekend following Outside Lands. The concert’s proximity to Outside Lands means it will utilize much of the infrastructure from the weekend before, not unlike the country music-oriented Stagecoach festival, which takes place in Indio on the weekend following Coachella, or Napa’s Latin-music themed Festival La Onda, which this year follows the BottleRock music festival.\u003c/p>\n\u003cp>\u003ca href=\"https://goldengateparkconcerts.com/\">Tickets for the festival\u003c/a> are priced at $169 for general admission and $399 for VIP tickets plus fees. VIP guests will get expedited entry and have access to a closer views of the stage, lounges and upgraded bathrooms. Tickets officially go on sale on April 12, but \u003ca href=\"https://www.ticketmaster.com/event/1C006084BF4C4CF8?camefrom=CFC_ANOTHERPLANET_GGPCWEB&brand=anotherplanet\">Another Planet’s presale\u003c/a> starts on April 11 at 10 a.m. using the presale code \u003cstrong>golden\u003c/strong>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11960570","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Deftones and VOWWS last appeared in San Francisco together at a sold-out show at Bill Graham Civic Auditorium in April 2022 — a concert that was twice delayed by the COVID pandemic. Though Sacramento heroes Deftones are well-versed in playing for huge crowds at European festivals like Rock Am Ring and Reading/Leeds, this will be their biggest Bay Area concert to date.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The concert is the first to be produced under Another Planet’s newly formed Golden Gate Park Concerts banner. In September of 2023, \u003ca href=\"https://www.kqed.org/news/11960570/sfs-golden-gate-park-may-soon-host-new-concert-series-from-producers-of-outside-lands\">San Francisco’s Board of Supervisors approved additional concerts in Golden Gate Park\u003c/a>, with the stipulation that Another Planet produce three free concerts at the Civic Center, Union Square and the Embarcadero. The city also granted Another Planet exclusive rights to producing ticketed concerts in Golden Gate Park.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are excited to be bringing such an iconic lineup to the city,” Allen Scott, Another Planet’s president of concerts and festivals, said in a statement. “We are expecting fans from not just the Bay Area but from across the US and internationally.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955656/deftones-system-of-a-down-tickets-presale-code-san-francisco-golden-gate-outside-lands","authors":["11242"],"programs":["arts_140"],"categories":["arts_1","arts_11615","arts_69","arts_75"],"tags":["arts_2427","arts_994","arts_1694","arts_905","arts_585","arts_700"],"featImg":"arts_13955665","label":"arts_140"},"arts_13955448":{"type":"posts","id":"arts_13955448","meta":{"index":"posts_1591205157","site":"arts","id":"13955448","found":true},"guestAuthors":[],"slug":"where-to-celebrate-eid-al-fitr-in-the-bay-area-from-buffets-to-food-markets","title":"Where to Celebrate Eid al-Fitr in the Bay Area, From Buffets to Food Markets","publishDate":1712314838,"format":"standard","headTitle":"Where to Celebrate Eid al-Fitr in the Bay Area, From Buffets to Food Markets | KQED","labelTerm":{},"content":"\u003cp>As \u003ca href=\"https://www.kqed.org/news/11978744/were-all-hurting-for-bay-area-muslim-leaders-gaza-is-ever-present-during-ramadan-2024\">the fasting month of Ramadan\u003c/a> comes to an end, Muslims around the world are preparing for Eid al-Fitr: “The feast of breaking the fast.”\u003c/p>\n\u003cp>Whether you’re looking to gather with the community to enjoy delicious food, meet new people or find an Eid party happening near you, keep reading for just some of the events taking place around the Bay Area to mark the occasion.\u003c/p>\n\u003cp>[aside label=\"Related Stories\" postID=\"news_11979258,news_11910408,arts_13954374\"]Since Eid will take place on either Tuesday, April 9 or Wednesday, April 10 — \u003ca href=\"https://www.kqed.org/news/11910408/ramadan-begins-on-a-crescent-moon-ushering-in-a-holy-month-of-fasting-and-kindness\">depending on sightings of the moon\u003c/a> — be extra sure to check the date on the events below. Not all of them will land on Eid, or will adjust for when Eid is.\u003c/p>\n\u003ch2>Eid buffets, dinners, and food markets\u003c/h2>\n\u003cul>\n\u003cli>\u003cb>April 9:\u003c/b> \u003ca href=\"https://allevents.in/newark/grand-eid-al-fitr-chand-raat-at-mehran/200026002192754\">Grand Eid-Al-Fitr Chand Raat in Newark\u003c/a>\u003c/li>\n\u003cli>\u003cb>April 9:\u003c/b> \u003ca href=\"https://www.eventbrite.com/e/chandraat-for-a-cause-tickets-860624790917\">Chandraat for a Cause at Zareen’s in Palo Alto\u003c/a>\u003c/li>\n\u003cli>\u003cb>Eid Day:\u003c/b> Eid brunch buffet at Mangal in Sunnyvale, 9 a.m.–2 p.m. ($30 per person, $15 for kids)\u003c/li>\n\u003cli>\u003cb>Eid Day:\u003c/b> Eid buffet at \u003ca href=\"https://www.facebook.com/groups/346301195453824/posts/7387288408021699/\">Kabab & Curry’s in Cupertino \u003c/a>($35 per person)\u003c/li>\n\u003cli>\u003cb>April 10–14: \u003c/b>Eid lunch and dinner buffets at \u003ca href=\"https://igrill.us/\">IGrill Kababs & Biryani in Santa Clara \u003c/a>($20 per person)\u003c/li>\n\u003cli>\u003cb>April 13:\u003c/b> \u003ca href=\"https://www.instagram.com/p/C5RSFyvxkNk/?igsh=MWQ1ZGUxMzBkMA%3D%3D\">Halalcon’s Eid Bash in Hayward\u003c/a>\u003c/li>\n\u003cli>\u003cb>April 13: \u003c/b>Eid lunch buffet at \u003ca href=\"https://www.curryleavesbistro.com/\">Curry Leaves Bistro\u003c/a> in Pleasanton ($45 per person)\u003c/li>\n\u003cli>\u003cb>April 13: \u003c/b>\u003ca href=\"https://lu.ma/q8r274zq?fbclid=IwAR1lyBN_Vj4cTnnNAQIS9at4TPTbgirDt0hjwCIkXo5Lm79oj7gtRCfTNkc\">Ansar Family & Convert Community Eid Launch\u003c/a> at the Masjid Al-Huda mosque in Union City\u003c/li>\n\u003cli>\u003cb>April 21:\u003c/b> Eid Brunch at \u003ca href=\"https://www.eventbrite.com/e/eid-brunch-at-sandai-tickets-873657381747?utm_experiment=test_share_listing&aff=ebdsshios&fbclid=IwAR0f4xcL9pzUoqd4etlyvrmm0eJul3ZRvaYrxSfRQJmByy2G7TVI7LneIbg_aem_AfBHUyexnIfsnW--oux38otP_qZ2BzydhmkQebudJ3VfH9KzQtnjCi_Jqhj-Rjlrb_WmID4PoYIdEBlundpmx78h\">SanDai in Walnut Creek \u003c/a>11 a.m.–3 p.m. ($65 per person, $35 for kids age 12–18, free for kids under 12; reservations recommended via Eventbrite)\u003c/li>\n\u003c/ul>\n\u003ch2>Night markets and events\u003c/h2>\n\u003cul>\n\u003cli>\u003cb>April 6:\u003c/b> A \u003ca href=\"https://www.instagram.com/p/C5JdNiepSCN/?igsh=MzRlODBiNWFlZA%3D%3D\">Chand Raat Market in Berkeley\u003c/a> selling prints, jewelry, shoes and ceramics from 8 p.m.\u003c/li>\n\u003cli>\u003cb>April 6:\u003c/b> \u003ca href=\"https://www.facebook.com/events/1097205274929600/?ref_source=newsfeed&ref_mechanism=feed_attachment&action_context=%257B%2522action_history%2522%253A%2522null%2522%257D&_rdr\">Pre Chand Raat in Fremont\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>April 6–8:\u003c/strong> \u003ca href=\"https://www.instagram.com/mcayouth/p/C5Us3-vLyuu/\">Henna Nights in Santa Clara\u003c/a>\u003c/li>\n\u003cli>\u003cb>April 9: \u003c/b>\u003ca href=\"https://www.facebook.com/photo/?fbid=1864638540662826&set=gm.1370193643666988&idorvanity=183771485642549\">Chand Raat Eid Bazaar in San José\u003c/a> starting at 8 p.m.\u003c/li>\n\u003c/ul>\n\u003cfigure id=\"attachment_13955468\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955468\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1919393320_qut.jpg\" alt=\"An overhead shot of a delicious-looking array of plated foods on a gray table, including samosas and curry, with a hand reaching in to take some\" width=\"1920\" height=\"1281\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1919393320_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1919393320_qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1919393320_qut-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1919393320_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1919393320_qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1919393320_qut-1536x1025.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Many restaurants around the Bay Area are holding Eid lunch and dinner buffets. \u003ccite>(SolStock)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Eid parties, carnivals, and picnics\u003c/h2>\n\u003cul>\n\u003cli style=\"list-style-type: none\">\n\u003cli>\u003cb>April 10: \u003c/b>\u003ca href=\"https://tockify.com/muslimfomo/detail/3691/1712763000000?startms=1711954800000\">Eid al-Fitr Prayer & Celebration in San José\u003c/a>\u003c/li>\n\u003cli>\u003cb>April 12: \u003c/b>\u003ca href=\"https://www.oaklandlgbtqcenter.org/calendar\">Bay Area Queer Muslims’ 2nd Annual LGBTQ+ Eid Celebration\u003c/a> in Oakland\u003c/li>\n\u003cli>\u003cb>April 13: \u003c/b>\u003ca href=\"https://tockify.com/muslimfomo/detail/3708/1713038400000?startms=1711954800000\">Eid Carnival in Pleasanton\u003c/a> ($30 per person, $15 for ages 6–9, includes food and drink; Free for children under 6)\u003c/li>\n\u003cli>\u003cb>April 13: \u003c/b>\u003ca href=\"https://tockify.com/muslimfomo/detail/3701/1713052800000?startms=1711954800000\">Eid al-Fitr Festival\u003c/a> in Santa Clara\u003c/li>\n\u003cli>\u003cb>April 13: \u003c/b>\u003ca href=\"https://tockify.com/muslimfomo/detail/3692/1713049200000?startms=1711954800000\">Eid Festival in San José\u003c/a>\u003c/li>\n\u003cli>\u003cb>April 14: \u003c/b>\u003ca href=\"https://www.eventbrite.com/e/unity-eid-day-at-the-zoo-ticket-sales-paused-tickets-to-be-added-4324-tickets-871382938827\">Unity Eid Day at the San Francisco Zoo\u003c/a> ($10 per person, free for children under 2)\u003c/li>\n\u003cli>\u003cb>April 20: \u003c/b>\u003ca href=\"https://eidextravaganza24.eventcombo.com/\">Eid Extravaganza in San José\u003c/a>\u003cb>\u003c/b>\u003c/li>\n\u003cli>\u003cb>April 27: \u003c/b>\u003ca href=\"https://lu.ma/7xai478z\">Bay Area Malaysians Eid Picnic\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Looking for ways to celebrate Eid al-Fitr in the Bay Area? From markets to buffets, we have a list of events around the region to mark the end of Ramadan. ","status":"publish","parent":0,"modified":1712692767,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":463},"headData":{"title":"Where to Celebrate Eid al-Fitr in the Bay Area, From Buffets to Food Markets | KQED","description":"Looking for ways to celebrate Eid al-Fitr in the Bay Area? From markets to buffets, we have a list of events around the region to mark the end of Ramadan. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"source":"Food","sourceUrl":"https://www.kqed.org/food","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955448/where-to-celebrate-eid-al-fitr-in-the-bay-area-from-buffets-to-food-markets","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>As \u003ca href=\"https://www.kqed.org/news/11978744/were-all-hurting-for-bay-area-muslim-leaders-gaza-is-ever-present-during-ramadan-2024\">the fasting month of Ramadan\u003c/a> comes to an end, Muslims around the world are preparing for Eid al-Fitr: “The feast of breaking the fast.”\u003c/p>\n\u003cp>Whether you’re looking to gather with the community to enjoy delicious food, meet new people or find an Eid party happening near you, keep reading for just some of the events taking place around the Bay Area to mark the occasion.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Related Stories ","postid":"news_11979258,news_11910408,arts_13954374"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Since Eid will take place on either Tuesday, April 9 or Wednesday, April 10 — \u003ca href=\"https://www.kqed.org/news/11910408/ramadan-begins-on-a-crescent-moon-ushering-in-a-holy-month-of-fasting-and-kindness\">depending on sightings of the moon\u003c/a> — be extra sure to check the date on the events below. Not all of them will land on Eid, or will adjust for when Eid is.\u003c/p>\n\u003ch2>Eid buffets, dinners, and food markets\u003c/h2>\n\u003cul>\n\u003cli>\u003cb>April 9:\u003c/b> \u003ca href=\"https://allevents.in/newark/grand-eid-al-fitr-chand-raat-at-mehran/200026002192754\">Grand Eid-Al-Fitr Chand Raat in Newark\u003c/a>\u003c/li>\n\u003cli>\u003cb>April 9:\u003c/b> \u003ca href=\"https://www.eventbrite.com/e/chandraat-for-a-cause-tickets-860624790917\">Chandraat for a Cause at Zareen’s in Palo Alto\u003c/a>\u003c/li>\n\u003cli>\u003cb>Eid Day:\u003c/b> Eid brunch buffet at Mangal in Sunnyvale, 9 a.m.–2 p.m. ($30 per person, $15 for kids)\u003c/li>\n\u003cli>\u003cb>Eid Day:\u003c/b> Eid buffet at \u003ca href=\"https://www.facebook.com/groups/346301195453824/posts/7387288408021699/\">Kabab & Curry’s in Cupertino \u003c/a>($35 per person)\u003c/li>\n\u003cli>\u003cb>April 10–14: \u003c/b>Eid lunch and dinner buffets at \u003ca href=\"https://igrill.us/\">IGrill Kababs & Biryani in Santa Clara \u003c/a>($20 per person)\u003c/li>\n\u003cli>\u003cb>April 13:\u003c/b> \u003ca href=\"https://www.instagram.com/p/C5RSFyvxkNk/?igsh=MWQ1ZGUxMzBkMA%3D%3D\">Halalcon’s Eid Bash in Hayward\u003c/a>\u003c/li>\n\u003cli>\u003cb>April 13: \u003c/b>Eid lunch buffet at \u003ca href=\"https://www.curryleavesbistro.com/\">Curry Leaves Bistro\u003c/a> in Pleasanton ($45 per person)\u003c/li>\n\u003cli>\u003cb>April 13: \u003c/b>\u003ca href=\"https://lu.ma/q8r274zq?fbclid=IwAR1lyBN_Vj4cTnnNAQIS9at4TPTbgirDt0hjwCIkXo5Lm79oj7gtRCfTNkc\">Ansar Family & Convert Community Eid Launch\u003c/a> at the Masjid Al-Huda mosque in Union City\u003c/li>\n\u003cli>\u003cb>April 21:\u003c/b> Eid Brunch at \u003ca href=\"https://www.eventbrite.com/e/eid-brunch-at-sandai-tickets-873657381747?utm_experiment=test_share_listing&aff=ebdsshios&fbclid=IwAR0f4xcL9pzUoqd4etlyvrmm0eJul3ZRvaYrxSfRQJmByy2G7TVI7LneIbg_aem_AfBHUyexnIfsnW--oux38otP_qZ2BzydhmkQebudJ3VfH9KzQtnjCi_Jqhj-Rjlrb_WmID4PoYIdEBlundpmx78h\">SanDai in Walnut Creek \u003c/a>11 a.m.–3 p.m. ($65 per person, $35 for kids age 12–18, free for kids under 12; reservations recommended via Eventbrite)\u003c/li>\n\u003c/ul>\n\u003ch2>Night markets and events\u003c/h2>\n\u003cul>\n\u003cli>\u003cb>April 6:\u003c/b> A \u003ca href=\"https://www.instagram.com/p/C5JdNiepSCN/?igsh=MzRlODBiNWFlZA%3D%3D\">Chand Raat Market in Berkeley\u003c/a> selling prints, jewelry, shoes and ceramics from 8 p.m.\u003c/li>\n\u003cli>\u003cb>April 6:\u003c/b> \u003ca href=\"https://www.facebook.com/events/1097205274929600/?ref_source=newsfeed&ref_mechanism=feed_attachment&action_context=%257B%2522action_history%2522%253A%2522null%2522%257D&_rdr\">Pre Chand Raat in Fremont\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>April 6–8:\u003c/strong> \u003ca href=\"https://www.instagram.com/mcayouth/p/C5Us3-vLyuu/\">Henna Nights in Santa Clara\u003c/a>\u003c/li>\n\u003cli>\u003cb>April 9: \u003c/b>\u003ca href=\"https://www.facebook.com/photo/?fbid=1864638540662826&set=gm.1370193643666988&idorvanity=183771485642549\">Chand Raat Eid Bazaar in San José\u003c/a> starting at 8 p.m.\u003c/li>\n\u003c/ul>\n\u003cfigure id=\"attachment_13955468\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955468\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1919393320_qut.jpg\" alt=\"An overhead shot of a delicious-looking array of plated foods on a gray table, including samosas and curry, with a hand reaching in to take some\" width=\"1920\" height=\"1281\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1919393320_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1919393320_qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1919393320_qut-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1919393320_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1919393320_qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1919393320_qut-1536x1025.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Many restaurants around the Bay Area are holding Eid lunch and dinner buffets. \u003ccite>(SolStock)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Eid parties, carnivals, and picnics\u003c/h2>\n\u003cul>\n\u003cli style=\"list-style-type: none\">\n\u003cli>\u003cb>April 10: \u003c/b>\u003ca href=\"https://tockify.com/muslimfomo/detail/3691/1712763000000?startms=1711954800000\">Eid al-Fitr Prayer & Celebration in San José\u003c/a>\u003c/li>\n\u003cli>\u003cb>April 12: \u003c/b>\u003ca href=\"https://www.oaklandlgbtqcenter.org/calendar\">Bay Area Queer Muslims’ 2nd Annual LGBTQ+ Eid Celebration\u003c/a> in Oakland\u003c/li>\n\u003cli>\u003cb>April 13: \u003c/b>\u003ca href=\"https://tockify.com/muslimfomo/detail/3708/1713038400000?startms=1711954800000\">Eid Carnival in Pleasanton\u003c/a> ($30 per person, $15 for ages 6–9, includes food and drink; Free for children under 6)\u003c/li>\n\u003cli>\u003cb>April 13: \u003c/b>\u003ca href=\"https://tockify.com/muslimfomo/detail/3701/1713052800000?startms=1711954800000\">Eid al-Fitr Festival\u003c/a> in Santa Clara\u003c/li>\n\u003cli>\u003cb>April 13: \u003c/b>\u003ca href=\"https://tockify.com/muslimfomo/detail/3692/1713049200000?startms=1711954800000\">Eid Festival in San José\u003c/a>\u003c/li>\n\u003cli>\u003cb>April 14: \u003c/b>\u003ca href=\"https://www.eventbrite.com/e/unity-eid-day-at-the-zoo-ticket-sales-paused-tickets-to-be-added-4324-tickets-871382938827\">Unity Eid Day at the San Francisco Zoo\u003c/a> ($10 per person, free for children under 2)\u003c/li>\n\u003cli>\u003cb>April 20: \u003c/b>\u003ca href=\"https://eidextravaganza24.eventcombo.com/\">Eid Extravaganza in San José\u003c/a>\u003cb>\u003c/b>\u003c/li>\n\u003cli>\u003cb>April 27: \u003c/b>\u003ca href=\"https://lu.ma/7xai478z\">Bay Area Malaysians Eid Picnic\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955448/where-to-celebrate-eid-al-fitr-in-the-bay-area-from-buffets-to-food-markets","authors":["11867","11631"],"categories":["arts_1","arts_12276"],"tags":["arts_21742","arts_1297","arts_21762","arts_22063"],"featImg":"arts_13955466","label":"source_arts_13955448"},"arts_13955572":{"type":"posts","id":"arts_13955572","meta":{"index":"posts_1591205157","site":"arts","id":"13955572","found":true},"guestAuthors":[],"slug":"missy-elliott-tickets-code-presale-oakland-arena","title":"Ticket Alert: Missy Elliott Is Playing at the Oakland Arena","publishDate":1712593876,"format":"standard","headTitle":"Ticket Alert: Missy Elliott Is Playing at the Oakland Arena | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>This Is Not a Test: Missy Elliott is \u003ca href=\"https://www.missy-elliott.com/tour\">playing the Oakland Arena on July 9\u003c/a>, and tickets go on sale this week.\u003c/p>\n\u003cp>Yes, you read that correctly. Missy Elliott’s first proper tour in 20 years is happening, with openers Busta Rhymes and Ciara and special guest Timbaland. Her July 9 stop in Oakland is sure to sell out faster than you can say “\u003ca href=\"https://www.youtube.com/watch?v=cjIvu7e6Wq8\">flip it and reverse it\u003c/a>.”\u003c/p>\n\u003cp>So: how to get tickets, which go on sale to the general public on Friday, April 12? \u003c/p>\n\u003cp>As is customary for big tours, a handful of presales will open in the next few days. \u003c/p>\n\u003cp>On Tuesday, April 9, at 10 a.m., Verizon customers can buy tickets; \u003ca href=\"https://www.verizon.com/featured/verizon-up/\">details here\u003c/a>. \u003ca href=\"https://www.ticketmaster.com/event/1C006082BD4C61EF\">VIP packages\u003c/a>, typically expensive, also go on sale on Tuesday, April 9. \u003c/p>\n\u003cfigure id=\"attachment_13955575\" class=\"wp-caption aligncenter\" style=\"max-width: 1280px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/MissyElliott_PressPhotoMain_Photo-credit_Derek-Blanks-with-crowdMGMT.jpg\" alt=\"\" width=\"1280\" height=\"1920\" class=\"size-full wp-image-13955575\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/MissyElliott_PressPhotoMain_Photo-credit_Derek-Blanks-with-crowdMGMT.jpg 1280w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/MissyElliott_PressPhotoMain_Photo-credit_Derek-Blanks-with-crowdMGMT-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/MissyElliott_PressPhotoMain_Photo-credit_Derek-Blanks-with-crowdMGMT-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/MissyElliott_PressPhotoMain_Photo-credit_Derek-Blanks-with-crowdMGMT-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/MissyElliott_PressPhotoMain_Photo-credit_Derek-Blanks-with-crowdMGMT-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/MissyElliott_PressPhotoMain_Photo-credit_Derek-Blanks-with-crowdMGMT-1024x1536.jpg 1024w\" sizes=\"(max-width: 1280px) 100vw, 1280px\">\u003cfigcaption class=\"wp-caption-text\">Missy Elliott will perform in Oakland on Tuesday, July 9, 2024. \u003ccite>(Derek Blanks)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On Thursday, April 11, at 10 a.m., use the presale code RIFF for the Live Nation presale. April 11 is also the onsale date for the \u003ca href=\"https://twitter.com/OaklandArena\">venue\u003c/a> presale and \u003ca href=\"https://twitter.com/MissyElliott\">Missy Elliott’s own\u003c/a> presale. (Best to \u003ca href=\"https://twitter.com/OaklandArena\">follow\u003c/a> \u003ca href=\"https://twitter.com/MissyElliott\">both\u003c/a> in case either posts a presale code.) \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Then, on Friday, April 12 at 10 a.m., the general onsale starts. Be forewarned about “dynamic pricing,” resale tickets and other unsavory developments foisted upon music fans by Ticketmaster. \u003c/p>\n\u003cp>But also, it’s worth stating: demand will far outweigh supply. Elliott’s last proper tour was in 2004 with Beyoncé and Alicia Keys (a show that, in Oakland, remarkably \u003ca href=\"https://en.wikipedia.org/wiki/Verizon_Ladies_First_Tour\">did not sell out\u003c/a>). \u003c/p>\n\u003cp>“Fans have been asking me to tour forever,” Elliott said in a statement. “But I wanted to wait until I felt the time was right, because I knew if I was ever going to do it, I had to do it big, and I had to do it with family.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Watch Missy Elliott’s \u003ca href=\"https://www.instagram.com/p/C5f-HvJu9J-/\">tour announcement here\u003c/a>, and good luck this week with tickets. \u003c/p>\n\n","blocks":[],"excerpt":"How to get tickets for Missy Elliott’s show in Oakland on July 9, including presale codes and onsale times.","status":"publish","parent":0,"modified":1712612306,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":333},"headData":{"title":"Missy Elliott Tickets: Presale Code, Onsale Times for Oakland Arena | KQED","description":"How to get tickets for Missy Elliott’s show in Oakland on July 9, including presale codes and onsale times.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","socialTitle":"Missy Elliott Tickets: Presale Code, Onsale Times for Oakland Arena %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955572/missy-elliott-tickets-code-presale-oakland-arena","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This Is Not a Test: Missy Elliott is \u003ca href=\"https://www.missy-elliott.com/tour\">playing the Oakland Arena on July 9\u003c/a>, and tickets go on sale this week.\u003c/p>\n\u003cp>Yes, you read that correctly. Missy Elliott’s first proper tour in 20 years is happening, with openers Busta Rhymes and Ciara and special guest Timbaland. Her July 9 stop in Oakland is sure to sell out faster than you can say “\u003ca href=\"https://www.youtube.com/watch?v=cjIvu7e6Wq8\">flip it and reverse it\u003c/a>.”\u003c/p>\n\u003cp>So: how to get tickets, which go on sale to the general public on Friday, April 12? \u003c/p>\n\u003cp>As is customary for big tours, a handful of presales will open in the next few days. \u003c/p>\n\u003cp>On Tuesday, April 9, at 10 a.m., Verizon customers can buy tickets; \u003ca href=\"https://www.verizon.com/featured/verizon-up/\">details here\u003c/a>. \u003ca href=\"https://www.ticketmaster.com/event/1C006082BD4C61EF\">VIP packages\u003c/a>, typically expensive, also go on sale on Tuesday, April 9. \u003c/p>\n\u003cfigure id=\"attachment_13955575\" class=\"wp-caption aligncenter\" style=\"max-width: 1280px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/MissyElliott_PressPhotoMain_Photo-credit_Derek-Blanks-with-crowdMGMT.jpg\" alt=\"\" width=\"1280\" height=\"1920\" class=\"size-full wp-image-13955575\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/MissyElliott_PressPhotoMain_Photo-credit_Derek-Blanks-with-crowdMGMT.jpg 1280w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/MissyElliott_PressPhotoMain_Photo-credit_Derek-Blanks-with-crowdMGMT-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/MissyElliott_PressPhotoMain_Photo-credit_Derek-Blanks-with-crowdMGMT-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/MissyElliott_PressPhotoMain_Photo-credit_Derek-Blanks-with-crowdMGMT-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/MissyElliott_PressPhotoMain_Photo-credit_Derek-Blanks-with-crowdMGMT-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/MissyElliott_PressPhotoMain_Photo-credit_Derek-Blanks-with-crowdMGMT-1024x1536.jpg 1024w\" sizes=\"(max-width: 1280px) 100vw, 1280px\">\u003cfigcaption class=\"wp-caption-text\">Missy Elliott will perform in Oakland on Tuesday, July 9, 2024. \u003ccite>(Derek Blanks)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On Thursday, April 11, at 10 a.m., use the presale code RIFF for the Live Nation presale. April 11 is also the onsale date for the \u003ca href=\"https://twitter.com/OaklandArena\">venue\u003c/a> presale and \u003ca href=\"https://twitter.com/MissyElliott\">Missy Elliott’s own\u003c/a> presale. (Best to \u003ca href=\"https://twitter.com/OaklandArena\">follow\u003c/a> \u003ca href=\"https://twitter.com/MissyElliott\">both\u003c/a> in case either posts a presale code.) \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Then, on Friday, April 12 at 10 a.m., the general onsale starts. Be forewarned about “dynamic pricing,” resale tickets and other unsavory developments foisted upon music fans by Ticketmaster. \u003c/p>\n\u003cp>But also, it’s worth stating: demand will far outweigh supply. Elliott’s last proper tour was in 2004 with Beyoncé and Alicia Keys (a show that, in Oakland, remarkably \u003ca href=\"https://en.wikipedia.org/wiki/Verizon_Ladies_First_Tour\">did not sell out\u003c/a>). \u003c/p>\n\u003cp>“Fans have been asking me to tour forever,” Elliott said in a statement. “But I wanted to wait until I felt the time was right, because I knew if I was ever going to do it, I had to do it big, and I had to do it with family.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Watch Missy Elliott’s \u003ca href=\"https://www.instagram.com/p/C5f-HvJu9J-/\">tour announcement here\u003c/a>, and good luck this week with tickets. \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955572/missy-elliott-tickets-code-presale-oakland-arena","authors":["185"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_10278","arts_22065","arts_1143","arts_21988","arts_585","arts_700","arts_4798"],"featImg":"arts_13955576","label":"arts_140"},"arts_13955613":{"type":"posts","id":"arts_13955613","meta":{"index":"posts_1591205157","site":"arts","id":"13955613","found":true},"guestAuthors":[],"slug":"pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit","title":"Pro-Palestinian Jewish Artists Withdraw from Contemporary Jewish Museum Exhibit","publishDate":1712622682,"format":"standard","headTitle":"Pro-Palestinian Jewish Artists Withdraw from Contemporary Jewish Museum Exhibit | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>A group of artists who call themselves California Jewish Artists for Palestine have withdrawn their work from a group exhibition opening June 6 at San Francisco’s Contemporary Jewish Museum (CJM).\u003c/p>\n\u003cp>The artists’ decision came after disagreements with CJM leadership over sources of museum funding, as well as how their art would be contextualized in the exhibit \u003ca href=\"https://www.thecjm.org/upcoming_exhibitions\">\u003ci>California Jewish Open\u003c/i>\u003c/a>. The exhibition will now include a blank wall to symbolize the absence of the artists’ perspectives. Their action follows an international wave of pro-Palestinian protests at museums, including one where artists modified their own works at San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13954119/an-embattled-ybca-to-reopen-amid-censorship-accusations-ceos-resignation\">Yerba Buena Center for the Arts\u003c/a>, located directly across the street from CJM. [aside postid='arts_13952460,arts_13954119']\u003c/p>\n\u003cp>During the open call for \u003cem>California Jewish Open \u003c/em>late last year, Jewish artists Micah Bazant, Jules Cowan, Rebekah Erev, Rebecca Maria Goldschmidt, Steph Kudisch, Kate Laster, Ava Sayaka Rosen, Sophia Sobko, Arielle Tonkin and Irina Zadov submitted works with pro-Palestinian messages. They expected to be rejected. Instead, guest curator Elissa Strauss chose five of their works for the show, which centers on the theme of connection.\u003c/p>\n\u003cp>The selected artists then sent museum leadership a list of demands that included a call to join the Palestinian Academic and Cultural Boycott of Israel (PACBI), which aims to discourage international institutions from collaborating with Israeli institutions. PACBI is part of the \u003ca href=\"https://bdsmovement.net/what-is-bds\">Boycott, Divestment, Sanctions movement\u003c/a>, which calls for a boycott of Israel until it ends its occupation of Gaza and the West Bank, gives equal rights to ethnically Palestinian citizens of Israel and allows Palestinian refugees to return to their homelands.\u003c/p>\n\u003cp>In an interview with KQED, Sobko said it would be hypocritical for the museum to feature art criticizing Israel’s bombardment of Gaza “while receiving funding that directly … facilitates the material oppression that we’re trying to raise awareness to stop.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Sobko added, “I wish for some ethical clarity and backbone and courage.”\u003c/p>\n\u003cfigure id=\"attachment_13955608\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955608\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg\" alt='A spray painted background with brown, black and purple, overlaid with white letters that say \"CA Jewish Artists for Palestine.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Kate Laster. ‘CA Jewish Artists for Palestine,’ 8″ x 8″, papercut and spray paint on paper, 2024 \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The photo piece that Sobko withdrew, \u003ci>The Four Mitzvot of the Queer Soviet Jewish Diaspora\u003c/i>, is a collaboration with Zadov and Aravah Berman-Mirkin under the name Krivoy Kolectiv. It features Ukrainian head scarves embroidered with four mitzvahs, or commandments, including one for a free Palestine.\u003c/p>\n\u003cp>CJM’s interim Executive Director Kerry King told artists it would not join PACBI. In a \u003ca href=\"https://bdsmovement.net/what-is-bds\">press release issued April 5\u003c/a>, the California Jewish Artists for Palestine raised the fact that CJM has previously received funding from the Israeli government. (King said CJM hasn’t received funding from the Consulate General of Israel or other Israeli organizations since 2021.)\u003c/p>\n\u003cp>Additionally, another museum funder, the Helen Diller Family Foundation, has been \u003ca href=\"https://forward.com/news/411355/revealed-canary-mission-blacklist-is-secretly-bankrolled-by-major-jewish/\">accused of funneling money into Canary Mission\u003c/a>, an organization known for doxxing anti-Zionist students and professors.\u003c/p>\n\u003cp>King said many of CJM’s donors have a variety of philanthropic projects that are out of CJM’s control. “We have donors who support the arts and support having a Jewish museum in San Francisco,” she told KQED. Because of these donors, added King, “We are able to do what we do. We’re able to continue to operate and have our doors open.”\u003c/p>\n\u003cfigure id=\"attachment_13955610\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955610\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening.jpeg\" alt=\"A photo of people looking into the distance while waving colorful flags.\" width=\"1100\" height=\"733\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening.jpeg 1100w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-768x512.jpeg 768w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Ava Sayaka Rosen, Arielle Tonkin and collaborators. ‘Morocco to the Bay: A diasporic Prayerformance.’ \u003ccite>(M Fields. Albany, California, 2023.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Another point of contention between California Jewish Artists for Palestine and museum leaders arose around the wall text that would have accompanied their artworks. Senior Curator Heidi Rabben told KQED that CJM was open to artists using the phrase “anti-Zionist” to describe their political stance, but the parties disagreed on how to contextualize the term, which means different things to different people.\u003c/p>\n\u003cp>In their list of demands, the artists wanted full control over wall text and the right to modify or withdraw their works at any time, which the museum refused. Rabben and King said they disagree with the artists’ characterization of this as censorship in their press release.\u003c/p>\n\u003cp>“We simply asked that they define what they meant in using [‘anti-Zionist’] and include that as well in the statement so that it was very clear,” Rabben said, noting that she respects the artists’ decision to withdraw their work. “What they meant by it, as we understood their work to be about, was not questioning the right of Israel to exist, but to say that they were envisioning Jewish futures outside of nationalism.”\u003c/p>\n\u003cp>Sobko said abstract debates about terminology distract from the real-life suffering of Palestinians.\u003c/p>\n\u003cp>“Zionism [is enacted] as a Jewish ethno-nation state. And then that creates an apartheid system against Palestinians,” Sobko said. “To me, anti-Zionism is … a refusal to create hierarchies of people within militarized nation states, in this case being Jewish supremacy. But I’m also against it on Turtle Island in the United States just as much.”\u003c/p>\n\u003cp>“This is about our Jewishness bringing us here, ethically, to stand up and say, ‘This is unacceptable,’” said fellow collective member Kate Laster, who withdrew a print reading, “No one is free in apartheid. Free Palestine. Solidarity is essential.”\u003c/p>\n\u003cp>“None of our consent can be manufactured to conflate any justification for apartheid, or genocide [of Palestinians],” Laster added.\u003c/p>\n\u003cfigure id=\"attachment_13955611\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955611\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg\" alt='A print that says \"No one is free in apartheid. Free Palestine. Solidarity is essential.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Kate Laster. ‘Solidarity is Essential,’ 11″ x 17″, collagraph on paper, 2023. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Another artist, Liat Berdugo, separately withdrew from \u003ci>California Jewish Open\u003c/i>, concerned that the exhibit wouldn’t sufficiently address what she describes as the Israeli government weaponizing Jewish grief after the Oct. 7 Hamas attacks to justify the killings and displacement of Palestinians. She said the language in CJM’s contract made her uneasy about whether the message of her work would be lost.\u003c/p>\n\u003cp>The multimedia work Berdugo withdrew, \u003ca href=\"https://www.liatberdugo.com/work/trees\">\u003ci>Seeing It For the Trees\u003c/i>\u003c/a>, examines an Israeli organization that plants trees under the guise of environmentalism. “But really a lot of it is greenwashing,” she said. “Planting forests over the ruins of Palestinian villages strategically to camouflage them … to claim lands that were Palestinian and make them public parks, which then are subject to different legal jurisdictions, and deny the right of return.”\u003c/p>\n\u003cp>The decision to withdraw from the show was difficult for Berdugo, because she specifically wanted a Jewish audience to see her piece. “I think these conversations are necessarily messy,” she said. “Is there a way to have these conversations not on the surface, but on a tectonic level, that identifies structures and systems?”\u003c/p>\n\u003cp>The California Jewish Artists for Palestine are in the early stages of organizing their own exhibition, and say they invite artists, Contemporary Jewish Museum staff and other creative professionals to join them.\u003c/p>\n\u003cp>Sobko describes the collective’s goals with a hopeful vision.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“[We’re] putting our energy toward creating something new, visible-izing our perspectives toward drawing that attention to Israeli settler colonialism, apartheid and, obviously, Palestinian resistance and resilience.”\u003c/p>\n\n","blocks":[],"excerpt":"The artists called for the museum to join the Palestinian Academic and Cultural Boycott of Israel, which leadership refused. ","status":"publish","parent":0,"modified":1712689498,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":25,"wordCount":1215},"headData":{"title":"Pro-Palestinian Artists Pull Out of Contemporary Jewish Museum | KQED","description":"The artists called for the museum to join the Palestinian Academic and Cultural Boycott of Israel, which leadership refused. ","ogTitle":"Pro-Palestinian Jewish Artists Withdraw from Contemporary Jewish Museum Exhibit","ogDescription":"","ogImgId":"","twTitle":"Pro-Palestinian Jewish Artists Pull Out of Contemporary Jewish Museum","twDescription":"","twImgId":"","socialTitle":"Pro-Palestinian Artists Pull Out of Contemporary Jewish Museum %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955613/pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>A group of artists who call themselves California Jewish Artists for Palestine have withdrawn their work from a group exhibition opening June 6 at San Francisco’s Contemporary Jewish Museum (CJM).\u003c/p>\n\u003cp>The artists’ decision came after disagreements with CJM leadership over sources of museum funding, as well as how their art would be contextualized in the exhibit \u003ca href=\"https://www.thecjm.org/upcoming_exhibitions\">\u003ci>California Jewish Open\u003c/i>\u003c/a>. The exhibition will now include a blank wall to symbolize the absence of the artists’ perspectives. Their action follows an international wave of pro-Palestinian protests at museums, including one where artists modified their own works at San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13954119/an-embattled-ybca-to-reopen-amid-censorship-accusations-ceos-resignation\">Yerba Buena Center for the Arts\u003c/a>, located directly across the street from CJM. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13952460,arts_13954119","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>During the open call for \u003cem>California Jewish Open \u003c/em>late last year, Jewish artists Micah Bazant, Jules Cowan, Rebekah Erev, Rebecca Maria Goldschmidt, Steph Kudisch, Kate Laster, Ava Sayaka Rosen, Sophia Sobko, Arielle Tonkin and Irina Zadov submitted works with pro-Palestinian messages. They expected to be rejected. Instead, guest curator Elissa Strauss chose five of their works for the show, which centers on the theme of connection.\u003c/p>\n\u003cp>The selected artists then sent museum leadership a list of demands that included a call to join the Palestinian Academic and Cultural Boycott of Israel (PACBI), which aims to discourage international institutions from collaborating with Israeli institutions. PACBI is part of the \u003ca href=\"https://bdsmovement.net/what-is-bds\">Boycott, Divestment, Sanctions movement\u003c/a>, which calls for a boycott of Israel until it ends its occupation of Gaza and the West Bank, gives equal rights to ethnically Palestinian citizens of Israel and allows Palestinian refugees to return to their homelands.\u003c/p>\n\u003cp>In an interview with KQED, Sobko said it would be hypocritical for the museum to feature art criticizing Israel’s bombardment of Gaza “while receiving funding that directly … facilitates the material oppression that we’re trying to raise awareness to stop.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sobko added, “I wish for some ethical clarity and backbone and courage.”\u003c/p>\n\u003cfigure id=\"attachment_13955608\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955608\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg\" alt='A spray painted background with brown, black and purple, overlaid with white letters that say \"CA Jewish Artists for Palestine.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Kate Laster. ‘CA Jewish Artists for Palestine,’ 8″ x 8″, papercut and spray paint on paper, 2024 \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The photo piece that Sobko withdrew, \u003ci>The Four Mitzvot of the Queer Soviet Jewish Diaspora\u003c/i>, is a collaboration with Zadov and Aravah Berman-Mirkin under the name Krivoy Kolectiv. It features Ukrainian head scarves embroidered with four mitzvahs, or commandments, including one for a free Palestine.\u003c/p>\n\u003cp>CJM’s interim Executive Director Kerry King told artists it would not join PACBI. In a \u003ca href=\"https://bdsmovement.net/what-is-bds\">press release issued April 5\u003c/a>, the California Jewish Artists for Palestine raised the fact that CJM has previously received funding from the Israeli government. (King said CJM hasn’t received funding from the Consulate General of Israel or other Israeli organizations since 2021.)\u003c/p>\n\u003cp>Additionally, another museum funder, the Helen Diller Family Foundation, has been \u003ca href=\"https://forward.com/news/411355/revealed-canary-mission-blacklist-is-secretly-bankrolled-by-major-jewish/\">accused of funneling money into Canary Mission\u003c/a>, an organization known for doxxing anti-Zionist students and professors.\u003c/p>\n\u003cp>King said many of CJM’s donors have a variety of philanthropic projects that are out of CJM’s control. “We have donors who support the arts and support having a Jewish museum in San Francisco,” she told KQED. Because of these donors, added King, “We are able to do what we do. We’re able to continue to operate and have our doors open.”\u003c/p>\n\u003cfigure id=\"attachment_13955610\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955610\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening.jpeg\" alt=\"A photo of people looking into the distance while waving colorful flags.\" width=\"1100\" height=\"733\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening.jpeg 1100w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-768x512.jpeg 768w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Ava Sayaka Rosen, Arielle Tonkin and collaborators. ‘Morocco to the Bay: A diasporic Prayerformance.’ \u003ccite>(M Fields. Albany, California, 2023.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Another point of contention between California Jewish Artists for Palestine and museum leaders arose around the wall text that would have accompanied their artworks. Senior Curator Heidi Rabben told KQED that CJM was open to artists using the phrase “anti-Zionist” to describe their political stance, but the parties disagreed on how to contextualize the term, which means different things to different people.\u003c/p>\n\u003cp>In their list of demands, the artists wanted full control over wall text and the right to modify or withdraw their works at any time, which the museum refused. Rabben and King said they disagree with the artists’ characterization of this as censorship in their press release.\u003c/p>\n\u003cp>“We simply asked that they define what they meant in using [‘anti-Zionist’] and include that as well in the statement so that it was very clear,” Rabben said, noting that she respects the artists’ decision to withdraw their work. “What they meant by it, as we understood their work to be about, was not questioning the right of Israel to exist, but to say that they were envisioning Jewish futures outside of nationalism.”\u003c/p>\n\u003cp>Sobko said abstract debates about terminology distract from the real-life suffering of Palestinians.\u003c/p>\n\u003cp>“Zionism [is enacted] as a Jewish ethno-nation state. And then that creates an apartheid system against Palestinians,” Sobko said. “To me, anti-Zionism is … a refusal to create hierarchies of people within militarized nation states, in this case being Jewish supremacy. But I’m also against it on Turtle Island in the United States just as much.”\u003c/p>\n\u003cp>“This is about our Jewishness bringing us here, ethically, to stand up and say, ‘This is unacceptable,’” said fellow collective member Kate Laster, who withdrew a print reading, “No one is free in apartheid. Free Palestine. Solidarity is essential.”\u003c/p>\n\u003cp>“None of our consent can be manufactured to conflate any justification for apartheid, or genocide [of Palestinians],” Laster added.\u003c/p>\n\u003cfigure id=\"attachment_13955611\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955611\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg\" alt='A print that says \"No one is free in apartheid. Free Palestine. Solidarity is essential.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Kate Laster. ‘Solidarity is Essential,’ 11″ x 17″, collagraph on paper, 2023. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Another artist, Liat Berdugo, separately withdrew from \u003ci>California Jewish Open\u003c/i>, concerned that the exhibit wouldn’t sufficiently address what she describes as the Israeli government weaponizing Jewish grief after the Oct. 7 Hamas attacks to justify the killings and displacement of Palestinians. She said the language in CJM’s contract made her uneasy about whether the message of her work would be lost.\u003c/p>\n\u003cp>The multimedia work Berdugo withdrew, \u003ca href=\"https://www.liatberdugo.com/work/trees\">\u003ci>Seeing It For the Trees\u003c/i>\u003c/a>, examines an Israeli organization that plants trees under the guise of environmentalism. “But really a lot of it is greenwashing,” she said. “Planting forests over the ruins of Palestinian villages strategically to camouflage them … to claim lands that were Palestinian and make them public parks, which then are subject to different legal jurisdictions, and deny the right of return.”\u003c/p>\n\u003cp>The decision to withdraw from the show was difficult for Berdugo, because she specifically wanted a Jewish audience to see her piece. “I think these conversations are necessarily messy,” she said. “Is there a way to have these conversations not on the surface, but on a tectonic level, that identifies structures and systems?”\u003c/p>\n\u003cp>The California Jewish Artists for Palestine are in the early stages of organizing their own exhibition, and say they invite artists, Contemporary Jewish Museum staff and other creative professionals to join them.\u003c/p>\n\u003cp>Sobko describes the collective’s goals with a hopeful vision.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“[We’re] putting our energy toward creating something new, visible-izing our perspectives toward drawing that attention to Israeli settler colonialism, apartheid and, obviously, Palestinian resistance and resilience.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955613/pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit","authors":["11387"],"categories":["arts_1","arts_235"],"tags":["arts_1787","arts_10342","arts_10278","arts_8838","arts_1146"],"featImg":"arts_13955612","label":"arts"},"arts_13955864":{"type":"posts","id":"arts_13955864","meta":{"index":"posts_1591205157","site":"arts","id":"13955864","found":true},"guestAuthors":[],"slug":"sfmoma-2024-seca-art-award-announcement","title":"Three Local Artists Win SFMOMA’s SECA Art Award","publishDate":1712937619,"format":"standard","headTitle":"Three Local Artists Win SFMOMA’s SECA Art Award | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>The San Francisco Museum of Modern Art has announced the three winners of the 2024 SECA Art Award: Lauren D’Amato, Angela Hennesy and Rupy C. Tut. The artists will have an exhibition at the museum Dec. 14, 2024–May 25, 2025 accompanied by a publication. \u003c/p>\n\u003cp>Curated by Maria Castro, assistant curator of painting and sculpture, and Shana Lopes, assistant curator of photography, this year’s SECA awardees were narrowed down from a list of \u003ca href=\"https://www.kqed.org/arts/13940467/sfmoma-announces-16-finalists-for-the-seca-art-award\">16 finalists\u003c/a> after studio visits and a month of deliberation. The resulting exhibition, on the museum’s second floor, will give each artist an entire gallery for the presentation of new and recent work.\u003c/p>\n\u003cp>And what will that work be? Expect precise paintings, commanding sculptural installations and detailed scenes on paper and linen.\u003c/p>\n\u003cfigure id=\"attachment_13955876\" class=\"wp-caption aligncenter\" style=\"max-width: 2400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1.jpg\" alt='wide painting of diamond shapes with lettering \"star market\" reflected back and forth' width=\"2400\" height=\"1075\" class=\"size-full wp-image-13955876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1.jpg 2400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1-800x358.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1-1020x457.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1-160x72.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1-768x344.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1-1536x688.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1-2048x917.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1-1920x860.jpg 1920w\" sizes=\"(max-width: 2400px) 100vw, 2400px\">\u003cfigcaption class=\"wp-caption-text\">Lauren D’Amato, ‘Star Market,’ 2024. \u003ccite>(Yubo Dong)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.laurendamato.com/\">Lauren D’Amato\u003c/a>, trained as a sign painter and pinstriper, has developed a crisp and text-filled painting style that pays homage to the signage of everyday city life. She renders the ghostly remnants of businesses as if seen through car windows, semi-obscured by shining chrome. A \u003ca href=\"https://houseofseiko.info/complete_machine\">recent show\u003c/a> at San Francisco’s House of Seiko included a mechanized sculpture of rusty metal, painted glass and a slowly spinning hubcap.\u003c/p>\n\u003cp>\u003ca href=\"https://www.angelahennessy.com/\">Angela Hennessy\u003c/a>’s deeply meditative art, often installed in black-walled exhibition spaces, uses the gestures of domestic labor (wrapping, stitching, braiding) to construct somber, intricate sculptures. Her material lists are often long, including elements like the artist’s own hair, gold leaf and twist ties. Her large-scale mourning wreaths, hanging textiles and tall standing sculptures touch on the artist’s personal experience of gun violence (she survived a gunshot wound in 2015) and her work as a hospice volunteer. \u003c/p>\n\u003cfigure id=\"attachment_13955873\" class=\"wp-caption aligncenter\" style=\"max-width: 1766px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024.jpg\" alt=\"painting of white-clad person under greenery covered umbrella perched on globe\" width=\"1766\" height=\"2500\" class=\"size-full wp-image-13955873\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024.jpg 1766w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024-800x1133.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024-1020x1444.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024-160x227.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024-768x1087.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024-1085x1536.jpg 1085w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024-1447x2048.jpg 1447w\" sizes=\"(max-width: 1766px) 100vw, 1766px\">\u003cfigcaption class=\"wp-caption-text\">Rupy C. Tut, ‘A Place Dear to Me,’ 2024. \u003ccite>(Photo by Phillip Maisel; Courtesy of the artist and Jessica Silverman Gallery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.rupyctut.com/\">Rupy C. Tut\u003c/a>’s vibrant paintings on linen and hemp paper borrow from the language of calligraphy and traditional Indian painting to depict women in dense, lush landscapes. In action and in repose, they often blend into their natural surroundings, Tut’s tiny brushstrokes embellishing fabric and foliage with the same lively intensity.\u003c/p>\n\u003chr>\n\u003cp>\u003ci>The 2024 SECA Art Award exhibition will take place at the San Francisco Museum of Modern Art Dec. 14, 2024–May 25, 2025.\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Lauren D’Amato, Angela Hennessy and Rupy C. Tut will open an exhibition at the museum in December.","status":"publish","parent":0,"modified":1712881846,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":404},"headData":{"title":"Three Local Artists Win SFMOMA’s SECA Art Award | KQED","description":"Lauren D’Amato, Angela Hennessy and Rupy C. Tut will open an exhibition at the museum in December.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955864/sfmoma-2024-seca-art-award-announcement","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The San Francisco Museum of Modern Art has announced the three winners of the 2024 SECA Art Award: Lauren D’Amato, Angela Hennesy and Rupy C. Tut. The artists will have an exhibition at the museum Dec. 14, 2024–May 25, 2025 accompanied by a publication. \u003c/p>\n\u003cp>Curated by Maria Castro, assistant curator of painting and sculpture, and Shana Lopes, assistant curator of photography, this year’s SECA awardees were narrowed down from a list of \u003ca href=\"https://www.kqed.org/arts/13940467/sfmoma-announces-16-finalists-for-the-seca-art-award\">16 finalists\u003c/a> after studio visits and a month of deliberation. The resulting exhibition, on the museum’s second floor, will give each artist an entire gallery for the presentation of new and recent work.\u003c/p>\n\u003cp>And what will that work be? Expect precise paintings, commanding sculptural installations and detailed scenes on paper and linen.\u003c/p>\n\u003cfigure id=\"attachment_13955876\" class=\"wp-caption aligncenter\" style=\"max-width: 2400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1.jpg\" alt='wide painting of diamond shapes with lettering \"star market\" reflected back and forth' width=\"2400\" height=\"1075\" class=\"size-full wp-image-13955876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1.jpg 2400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1-800x358.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1-1020x457.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1-160x72.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1-768x344.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1-1536x688.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1-2048x917.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1_Lauren-DAmato-Star-Market-2024-1-1920x860.jpg 1920w\" sizes=\"(max-width: 2400px) 100vw, 2400px\">\u003cfigcaption class=\"wp-caption-text\">Lauren D’Amato, ‘Star Market,’ 2024. \u003ccite>(Yubo Dong)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.laurendamato.com/\">Lauren D’Amato\u003c/a>, trained as a sign painter and pinstriper, has developed a crisp and text-filled painting style that pays homage to the signage of everyday city life. She renders the ghostly remnants of businesses as if seen through car windows, semi-obscured by shining chrome. A \u003ca href=\"https://houseofseiko.info/complete_machine\">recent show\u003c/a> at San Francisco’s House of Seiko included a mechanized sculpture of rusty metal, painted glass and a slowly spinning hubcap.\u003c/p>\n\u003cp>\u003ca href=\"https://www.angelahennessy.com/\">Angela Hennessy\u003c/a>’s deeply meditative art, often installed in black-walled exhibition spaces, uses the gestures of domestic labor (wrapping, stitching, braiding) to construct somber, intricate sculptures. Her material lists are often long, including elements like the artist’s own hair, gold leaf and twist ties. Her large-scale mourning wreaths, hanging textiles and tall standing sculptures touch on the artist’s personal experience of gun violence (she survived a gunshot wound in 2015) and her work as a hospice volunteer. \u003c/p>\n\u003cfigure id=\"attachment_13955873\" class=\"wp-caption aligncenter\" style=\"max-width: 1766px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024.jpg\" alt=\"painting of white-clad person under greenery covered umbrella perched on globe\" width=\"1766\" height=\"2500\" class=\"size-full wp-image-13955873\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024.jpg 1766w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024-800x1133.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024-1020x1444.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024-160x227.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024-768x1087.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024-1085x1536.jpg 1085w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3_Rupy-C.-Tut-A-Place-Dear-to-Me-2024-1447x2048.jpg 1447w\" sizes=\"(max-width: 1766px) 100vw, 1766px\">\u003cfigcaption class=\"wp-caption-text\">Rupy C. Tut, ‘A Place Dear to Me,’ 2024. \u003ccite>(Photo by Phillip Maisel; Courtesy of the artist and Jessica Silverman Gallery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.rupyctut.com/\">Rupy C. Tut\u003c/a>’s vibrant paintings on linen and hemp paper borrow from the language of calligraphy and traditional Indian painting to depict women in dense, lush landscapes. In action and in repose, they often blend into their natural surroundings, Tut’s tiny brushstrokes embellishing fabric and foliage with the same lively intensity.\u003c/p>\n\u003chr>\n\u003cp>\u003ci>The 2024 SECA Art Award exhibition will take place at the San Francisco Museum of Modern Art Dec. 14, 2024–May 25, 2025.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955864/sfmoma-2024-seca-art-award-announcement","authors":["61"],"categories":["arts_1","arts_70"],"featImg":"arts_13955871","label":"arts"},"arts_13955683":{"type":"posts","id":"arts_13955683","meta":{"index":"posts_1591205157","site":"arts","id":"13955683","found":true},"guestAuthors":[],"slug":"rightnowish-akilah-cadet-author-white-supremacy-is-all-around","title":"The Chronic Pain Of White Supremacy","publishDate":1712829616,"format":"audio","headTitle":"The Chronic Pain Of White Supremacy | KQED","labelTerm":{"term":8720,"site":"arts"},"content":"\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>In her book \u003cem>White Supremacy Is All Around: Notes from a Black Disabled Woman in a White World\u003c/em>, \u003ca href=\"https://linktr.ee/changecadet\" target=\"_blank\" rel=\"noopener\">Dr. Akilah Cadet\u003c/a> brings the reader into her life as a Black woman living with a disability who recognizes that oppressive forces are as constant as her chronic pain.\u003c/p>\n\u003cp>With witty anecdotes and painful personal tales, Cadet, founder of the diversity consulting firm \u003ca href=\"https://www.changecadet.com/\" target=\"_blank\" rel=\"noopener\">Change Consulting\u003c/a>, addresses glaring issues like police brutality and racist microaggressions, and identifies the people who play a hand in maintaining them. Simultaneously, she’s extremely clear: although her last name roughly translates to “soldier” in French, this is not her battle to fight.\u003c/p>\n\u003cp>“I’m pissed and proud of writing a book while juggling multiple jobs and health conditions,” says Dr. Cadet, whose work is multilayered. She encounters oppression in her writing, consulting, and personal life — and, with her Haitian and Louisianan roots, in her ancestry.\u003c/p>\n\u003cp>Despite all of this, Dr. Cadet still finds time to enjoy the finer things in life. She has a thing for fly accoutrements and fancies herself a wine aficionado. It makes sense: there has to be some balance to doing this work.\u003c/p>\n\u003cp>Dr. Cadet talked with the Rightnowish team about racism, ableism and ways one can go about fixing a broken system. Listen below.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC3733902808\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet, Guest: \u003c/b>\u003cspan style=\"font-weight: 400\">My name Cadet, it means soldier, so when I started marketing and branding my business, we are soldiers of change. But I had to realize, like, this military language is only adding into upholding values of white supremacy. Because white people don’t have to fight for their existence, but as Black people, we have to constantly do that. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw, Host:\u003c/b>\u003cspan style=\"font-weight: 400\"> What’s up everyone, I’m your host Pendarvis Harshaw. Welcome to Rightnowish. Today our team is talking to Dr. Akilah Cadet. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">She’s one of those people who wears a bunch of hats: she’s the founder and CEO of the diversity, equity, and inclusion consulting firm, Change Cadet. She’s also an author, an advocate for people living with disabilities, and in her free time she’s also a sommelier. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Her book, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">White Supremacy is All Around: Notes from a Black Disabled Woman in a White World\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003cspan style=\"font-weight: 400\">tackles what happened– and what didn’t happen– after “the summer of 2020”. So hang out as we jump into a colorful discussion about her book and what it’s like living with an invisible disability.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">All of that, after this\u003c/span>\u003cb>. \u003c/b>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Dr. Akilah Cadet thank you for joining us. How are you doing? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Great, because I’m here with you. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, yeah. In the building finally.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m so excited. I have been a fan of you for a while. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen:\u003c/b>\u003cspan style=\"font-weight: 400\"> Thank you\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">And so now we get to have this, our time together.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s mutual. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">I understand people are going to listen. But this is for us and so anytime I get to be in the space with another boss Black person, it’s a FUBU moment and I’m happy to have it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">I appreciate that. It resonates. Thank you, thank you, thank you, thank you. Congratulations. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Thank you. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> You’re coming into the studio just days after your book launch. How does it feel to have your personal, intimate, witty, comical stories packaged and shared with the world? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">You know, I am pissed and I’m proud. And the reason why I say I’m proud is because I wrote a whole ass book and there’s no ghostwriter. There’s no co-writer. I wrote this while working full time with my CEO job and then the other million hats I have because I am Caribbean when it comes down to it. And there’s two years of my life that I put in here in talking about stories from, you know, different parts of my life. Like, I had to go find old phones to get receipts because I’m a Virgo, like, do that whole thing. So I’m very proud of myself for doing that while navigating a lot of health stuff. There’s a few ER visits, there’s a lot of other health things that happened while I was writing this book, and some of that is in the book, so I’m very proud of myself. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’m proud to have a book deal with Hachette, like a top five publisher. I’m proud to have received a six figure advance to write this book, as a debut author. That’s not an easy thing to do, so I have a lot to celebrate there. But I’m also pissed because the title of my book is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">White Supremacy Is All Around\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, which is a great title. I love it. Go me! But I’m dealing with that with how this book is going out into the world and so that’s the part that’s really frustrating. I believe in the liberation of oppressed people, and some people do not, and they don’t want to support the book or, you know, white people aren’t necessarily ready to be comfortable being uncomfortable. And we have to remember that a lot of these folks are in positions of power, and they can determine where my book goes, how it’s seen, how it’s celebrated, and what list it’s on. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s meta. It’s you’re writing about something while living it and yeah, navigating it while talking about how to navigate it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet:\u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, yeah. And then I have to talk about it all the time. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b> \u003cspan style=\"font-weight: 400\">In your first answer, you mentioned and it’s all throughout your book, identity. Identity plays a huge role, your Caribbean ancestry as well as you being a soft Black woman, learning that you can’t always be a soft Black woman, your father’s ancestry with Haitian roots, your mother in Sacramento, with roots back to the south. What has your heritage taught you? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet:\u003c/b> \u003cspan style=\"font-weight: 400\">So I’d like to say that I am the transatlantic slave trade, and I think I’m the wonderful, perfect example of how white supremacy is all around with my ancestry, with my culture, with my identity. I am Haitian, French and Black. Being a first generation kid, I sometimes forget I’m like, I’m an American, and I will be disgusted by Americans \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[laughs] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">because I’m like, ‘What are you doing? Why would you do any of this?,’ and that’s because of my first generation upbringing, I was raised like an immigrant. I also know that being first generation Haitian, it’s why I’m this person who has an endless amount of perseverance. I don’t use the word fight because I don’t time for that, but I have that energy and I have that tenacity to show up and speak up and use my voice. That definitely comes from my Haitian heritage. On my mom’s side, my mom, her family is from a tiny town in Louisiana called Donaldsonville. And like, my grandmother could pass and get away with stuff, and, you know, the Great Migration came this way out to California, but my mom was on the COINTELPRO list. So \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[chuckles]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> I get it from my mama, you know what I mean, like legit. And so, the ways in which I show up are directly tied to, you know, my, my ancestry. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In fact, Sacramento being our hometown, my grandfather had the first, Black history museum in Sacramento. But he, prior to that, he had a shoe store and above the shoe store was the Sacramento office for the Black Panthers. My mom was an award winning seamstress, and she would make dashikis and then the Black Panthers would wear her dashikis. They were just like the hot things, right, coming all around. So all of that comes through me. And even though I didn’t start my career, like, dismantling white supremacy, it eventually showed up.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">It’s in you. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Your book is full of just like, the parenthetical thoughts that you have, are just exemplify how your brain works, where language is a thing through and through. And you’re very aware of the evolution of language. You sit at the intersection of culture, diversity, technology and you start the book with a note about how language evolves, almost like apologetically saying like, ay I know some years from now some of these words that I’m using might be outdated. Like why is that important to you?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">So a lot of people don’t know that I’ve been a sensitivity editor for years. So I’ve been editing books for publishers and authors, and I look at the book to be able to make sure that story comes through. So if it’s a BIPOC, Black indigenous person of color author, white people may not understand some of the terminology or the cultural things that are coming up, So how are you breaking that down? If you are a white author, please don’t be racist, homophobic, transphobic or any of those things. So that’s why language is really important. And the more we dismantle white supremacy, and the more we are liberating ourselves from oppression, we’re going to be called something different. Right? Ultimately. So if you just look at the history of the language of Black people, there’s, there’s a lot of to getting to Black people. Like right now, still to this day, it’s like ‘African Amer-African-Ameri-African-American? or can I say Black? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">People don’t know what to do. “Black” a couple of years ago was capitalized, right. Because it’s a culture. “White” is still not capitalized. I don’t know why other people are…I do, White supremacy is all around. But, you know, it’s that type of thing. And so that’s why it’s important to be inclusive. But it also role models behavior people should have with constant learning and unlearning. And so where this book was finished in October of 2023, we’re going to have different language in October 2024, 2632. You know what I mean? And that plants a seed that, it’s like, yeah, I’m aware. And so whatever that is, do the math, and that’s what I’m calling them. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, I love it. And again, it’s throughout, you know, you talk about like, other-abled.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Non-disabled.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Non-disabled.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. Yeah, yeah. So again, I have so many layers of intersectionality. I have Ehlers-Danlos syndrome, so if anyone’s listening, Ehlers-Danlos syndrome is a connective tissue disorder. My body doesn’t know what to do with collagen. My joints subluxate, go in and out or dislocate all the time from my fingers down to my toes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> Your language around your disabilities… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">How has that evolved? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">The Ehlers- Danlos syndrome, I was born this way, in the words of Lady Gaga, but I wasn’t diagnosed until May 2021. And so learning how to understand another complex ableist system, a structure of white supremacy, which is the American Disabilities Act, has been infuriating on so many levels. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So, for example, some airlines will say, “But how are you disabled?” That’s illegal. If I’m informing you I’m disabled, you have to accommodate me by law, no matter what I look like, what assisted device I’m doing. But again, people have to be deemed worthy of that. And for some people, they may feel overwhelmed with what I’m telling in the book, but guess the fuck what? I lived that life, and I have to live through all those different parts of intersectionality. So go on the journey [chuckles] right with me. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so that’s why you see those teaching moments through language and through my experiences of, you can say, non-disabled, because disabled is not a bad word when people are saying they’re able bodied. I have the ability to do the same thing just like you, or maybe differently, but I’m gonna get the shit done. I have the ability, right? And so when people say non-disabled, it brings this word that people are challenged by into the zeitgeist, into the conversation. And it’s a way to create more awareness and also celebration of disability and the dynamic range that disability has. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m learning here, these teaching moments. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\"> [laughs] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">It’s what I do. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">These teaching moments haven’t stopped. The first essay in the book, it centers around a huge teaching moment. The opening starts with a meeting in Bordeaux in France. And it revolves around an interaction that you have with a white woman who essentially wants to have a presentation that uses the words “n-ggas beefin” in the presentation. And you have to explicitly demand that that word no longer be used and it takes a while for that to click. And thereafter, it doesn’t even fully register as to who to central character being impacted by this discussion is. Whereas days after this white woman follows up in an email in saying that she is hurt. And you have to explain that again, this is the issue where you being the person hurt, are not even focused on in this discussion. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">And I’m like, in reading this, right? I’m like, how did you get to this emotional, intellectual point? Because me, I would have been like, ‘man, let’s just step outside.’ So how did you get to that point where you could really break it down like that? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. So the first chapter of my book is called “White Women Are Exhausting.” It’s dramatic pause because they are. They pick and choose with their intersectionality. They pick and choose with how they want to show up. So in this case, I’ll give you a little bit of the backstory, I was asked to speak at a wine conference for women in Napa, like in May. And I went up there and, you know, magic, did my thing. All of a sudden everybody was like, “Who are you? We want you to do all the things for wine.” And so I was invited to be part of, and I’m still to this day part of this think tank where people determine the future state of fine wine. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">They flew me out to Bordeaux. This is the first time in my entire existence of having this company that it was like the private driver and then the sign. It was like, ‘Oh, I, that’s, I’m the white person. I did it!” Right? And so I’m there specifically to bring in more language about diversity and thinking about how diversity is part of wine and fine wine. We have seen the wine landscape change, particularly with athletes, artists who like to buy wine and collect wine. And so younger people are into wine and the consumer is changing of who has wine. Like, the older folks who buy expensive wine, they’re dying. So they have to, it’s what happens, it’s just the natural thing, right? So they have to figure out who’s going to want to keep a sommelier in business, right, and drink this wine. So I go to a chateau. Naturally.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Naturally. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Naturally, you have to go to a chateau in Bordeaux. And there are only two Black people in this group of 60 plus individuals. And it was me and Julia Coney, who is, I’ve dubbed the Beyoncé of wine because she is, and wonderful and great. And and I was just like, ‘This is really white. This is really white.’ And so to go into the situation and be in a room, and I described it in the book, of like in a conversation about diversity, I literally was the only diversity. Everyone else was white. We didn’t even have an AAPI person, Asian American Pacific Islander, no one else. It was just me to represent diversity in a conversation about diversity and then to have her pull up her laptop and have those words so big. I was like, ‘Where are the cameras? Is this, is this like a, this is like a hazing thing, right?’ \u003cem>[laughs]\u003c/em> For me to, like, get into this whole thing. I was like, I can’t believe it. And I distinctly remember and I also talked about in the book, I had to keep pinching myself because I was like, ‘oh, no, I’m triggered.’ But I’m also not in a supportive space because I don’t know these folks. I’m new. I’m new into this whole environment. And there’s bigwigs around the table, including Eric Asimov, who’s the New York Times wine critic, who I was like, oh shit, I did- what? I didn’t fully know what I was getting into. I’m like, this is a big deal, right? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so for all of that to happen, including a white person saying, “Is wiggers better?” I had to pick and choose how I wanted to show up there. I was like, ‘I cannot get into that with you,’ definitely racist, but I don’t have time for that. But I had to use my voice as much as possible so she would stop perpetuating negative stereotypes because it was all about a conversation around Black people and chilled red wine. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So if you don’t know, Lambrusco is a fantastic chilled red wine, I highly recommend. It’s fizzy, it’s bubbly, it’s delicious. But there’s a movement around chilling red wines. And so this consumer wanted to know specifically how Black people thought and we have a culture and they’re looking at hashtags. And those hashtags brought that up. It wasn’t anything for her to do. And so I’m like you can truncate, you can blah, nope nope nope, nothing. But the most important thing is that the white guy had to say something and she’d listen to the white guy, which was Eric Asimov. And he knows, I talk about it all the time. He’s in the book. And that part was infuriating. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But it was the 4th of July. Like, it was 4th of July weekend. So I was thrilled when I didn’t have to be in America. It was 2019. I was thrilled that I didn’t have to be in America and here I am, here I am, the country we bought our freedom from as a Haitian, you know, like here I am and I’m dealing with that. And I had to wait before I could see the one other Black person to feel validated, seen and heard, and then constantly be attacked for the rest of the time there by this white woman.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b> \u003cspan style=\"font-weight: 400\">I’m like, navigating that, all of that, all those elements, all those different…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">All of those things, yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">And then to have the composure, to say you need to go and learn something on your own as opposed to, you know, being vengeful or having some type of big reaction. How do you, how do you reach that point of composure? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Listen, there was a gala later that night and my outfit was f-cking fire, and I needed to focus on people liking my outfit. And I needed to choose myself, quite frankly, because I was already traumatized and triggered. Because anytime someone’s using the N-word, there’s ancestral trauma that comes up. I know, I have enslaved family members, but I also know because of white ancestry, where some of them went. Right, I can, I can figure out my entire life. My parents have done this work. My mom, COINTELPRO, I carry a lot of stuff. But more importantly, there’s so many people in this country, the United States of America, that was the last word they heard before they were lynched, burned alive. These are real things. And so it’s not a word to be played with. There’s too much out there to let you know, to not say the f-cking word. It’s not hard to do it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And this particular woman, who I named Karen. She lives in Atlanta, the land of the A-town stomp. There’s so many things that are happening there, “Real Housewives of Atlanta,” you see all the Black people. You have all the layers of it. You have all the experience and exposure to know what to say and what not to say. And so it was a choice. She chose to harm me because she also called me out, said “Akilah, I would like your feedback on this.” Do you know what I mean? So it’s just like it’s that type of stuff. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">But I will teach someone a lesson because I don’t have the privilege of sitting in that position of harm, she does. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">I don’t have that privilege. So I had to keep moving forward. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">What I’m gathering is like, choose your battles because you’re fighting a bigger war, or you are involved in a bigger war. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet:\u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, but also like my name Cadet, it means soldier. And so when I started marketing and branding my business, we’re soldiers of change, right? Which I love. So great, right, fantastic. But then I was like, I’m no one’s soldier. Am I a survivor like Destiny’s Child? Yes. But I had to realize, like, this military language is only adding into upholding values of white supremacy because white people don’t have to fight for their existence. White people don’t have to go to the battlefield to prove their existence, to get a job or, I don’t know, check in at a hotel or drive their car or whatever. You know, they don’t have to do that. They don’t have to go out into the streets and be like “We need people to stop killing us.” They don’t have to do that. But as Black people, we have to constantly do that. As, as BIPOC people we have to constantly do that. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">But given that given that constant like pressure, that’s part of the reason I don’t fully believe in DEI. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet:\u003c/b> \u003cspan style=\"font-weight: 400\">I don’t either.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">But you do the work. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">I believe in belonging.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">Belonging. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">I believe in belonging. Diversity, equity, inclusion, accountability or accessibility or action, there’s so many acronym soups when it comes to DEI. DEI is just straight up performative. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">It is. You know how I know? Because May 25th, 2020 happened, it was the murder of George Floyd. And it was a holiday, it’s also my mom’s birthday, and then May 26th, all of a sudden, endless amount of emails. All of a sudden people want to hear what I have to say. And I will always do my work as a doctor of leadership and organizational behavior for oppressed people because they’re the ones that have the hardest time in workplaces and spaces for sure. But I don’t just do diversity.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> Restructuring? Got you. Executive coaching for the white guy? Umm hmm I can do that. Strategic planning? Absolutely. But DEI and that performative nature of what I call the “summer of allyship” and there’s a chapter in the book, is a direct response to people not wanting to be viewed as racist. And so we’re seeing that performative behavior that has happened. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“The Summer of Allyship” chapter breaks it down very beautifully, so I highly recommend everyone reads it. But where we are right now with diversity is it’s being attacked. Right? So we’re seeing states and counties removed DEI funding and all this other stuff, which shows you it doesn’t matter, which is why I talk about belonging. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As a Black disabled woman, the only place I feel like I belong is my home because I carry so much intersectionality.\u003c/span> \u003cspan style=\"font-weight: 400\">Once I go out the door, you know, it’s like, okay, where’s a parking spot? Will I be able to make it further or not? Can I park in ADA? Will there be an ADA parking spot? Is someone not going to help me do the thing, or am I just going to get good old fashioned sexism or racism, right, as a result of that. That happens all the time. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> What does success look like for you? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Thank you for asking. So, right now, success looks like the book coming out on February 6th. Checked that off, success, that happened. And then it looks like me making it through 12 stops between February 6th and February 29th. And I had to have really small, little benchmarks of success, because a lot of my time in interviews, on this book, centered around this book. But if I can get that person who feels valued and seen in the book, that’s also the third part of success for me that they have that. If I can get that white person who’s like, “I’ve learned so much and I’m showing up differently because of your book,” that is success for me. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You have a big event coming up at the de Young this spring?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">I do.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Tell me more about it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. So, because I have nothing else to do, I have been filmed for the past five months to have a documentary done on me. And so the interesting thing, I was like, ‘why? I am not interesting,’ but apparently I am, which I still don’t fully understand, but “Represent Collaborative” approached me to do a documentary. I’m also their chief creative officer, but they approached me because they received some funding, and they wanted to tell the story of me in this book. And so, in April, we will be having the California premiere of my documentary called “Sounds About White: The Untold Story of the DEI Expert”. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So it starts with the pandemic and the murder of George Floyd, and we’re following what my life has been like since then, how I’ve given my heart and soul, the ups and downs, the highs, the lows, the Forbes, the magazines, you know, the amounts of money that’s coming in. And you’re seeing how much money I’ve made, how much money I’ve lost. You’re seeing everything. You’re seeing how it affects my mind, body, spirit and soul, because there are stories about DEI consultants, experts, leaders that are written, but we haven’t had a visual display of what it’s been like. You see me in the hospital. You see me on these planes dealing with shit. You see me everywhere of how I, with every right to not have to show up to do this work as a Black disabled woman, still show up to do this work. I get hate from everyone and everywhere. And I would just love to be loved. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Thank you.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">You’re welcome. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Big, big thank you to Dr. Akilah Cadet. Doing the work isn’t easy and I know it takes a toll on you. So thank you. Thank you for your efforts, and hats off for being fly while doing it all. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">If you would like to learn more about Dr. Akilah Cadet and her book, I’d suggest checking out her site: changecadet.com. That’s spelled change C-H-A-N-G-E,Cadet C-A-D-E-T\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">She can also be found on social media, her Instagram handle is also: ChangeCadet. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode was hosted by me, Pendarvis Harshaw. It was produced by Marisol Medina-Cadena and Maya Cueva. Chris Hambrick held it down for the edits on this one. Our engineer is Christopher Beale and Sheree Bishop is the Rightnowish intern. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Rightnowish team is also supported by Jen Chien, Ugur Dursun , Holly Kernan, Xorje Olivares, Cesar Saldaña, and Katie Sprenger. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Thank you all for listening!\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And a quick reminder, KQED is a listener supported station, and getting further support from you would be much appreciated. If you’re financially able, make a donation at donate.kqed.org. \u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>‘Sounds About White: The Untold Story of the DEI Expert’, a documentary on Dr. Akilah “Change” Cadet’s life and work, screens at the de Young Museum in San Francisco on Saturday, April 13, from 2 p.m.–3:30 p.m. \u003ca href=\"https://www.famsf.org/events/akilah-cadet-documentary-screening-book-conversation\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]=\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Dr. Akilah Cadet discusses her book \"White Supremacy Is All Around: Notes from a Black Disabled Woman in a White World.\"","status":"publish","parent":0,"modified":1712803820,"stats":{"hasAudio":true,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":105,"wordCount":5373},"headData":{"title":"The Chronic Pain Of White Supremacy | KQED","description":"In her book White Supremacy is All Around: Notes from a Black Disabled Woman in a White World, Dr. Akilah Cadet brings the reader into her life as a Black woman living with a disability who recognizes that oppressive forces are as constant as her chronic pain.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","socialDescription":"In her book White Supremacy is All Around: Notes from a Black Disabled Woman in a White World, Dr. Akilah Cadet brings the reader into her life as a Black woman living with a disability who recognizes that oppressive forces are as constant as her chronic pain."},"audioUrl":"https://www.podtrac.com/pts/redirect.mp3/chrt.fm/track/G6C7C3/traffic.megaphone.fm/KQINC3733902808.mp3?updated=1712803909","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955683/rightnowish-akilah-cadet-author-white-supremacy-is-all-around","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>In her book \u003cem>White Supremacy Is All Around: Notes from a Black Disabled Woman in a White World\u003c/em>, \u003ca href=\"https://linktr.ee/changecadet\" target=\"_blank\" rel=\"noopener\">Dr. Akilah Cadet\u003c/a> brings the reader into her life as a Black woman living with a disability who recognizes that oppressive forces are as constant as her chronic pain.\u003c/p>\n\u003cp>With witty anecdotes and painful personal tales, Cadet, founder of the diversity consulting firm \u003ca href=\"https://www.changecadet.com/\" target=\"_blank\" rel=\"noopener\">Change Consulting\u003c/a>, addresses glaring issues like police brutality and racist microaggressions, and identifies the people who play a hand in maintaining them. Simultaneously, she’s extremely clear: although her last name roughly translates to “soldier” in French, this is not her battle to fight.\u003c/p>\n\u003cp>“I’m pissed and proud of writing a book while juggling multiple jobs and health conditions,” says Dr. Cadet, whose work is multilayered. She encounters oppression in her writing, consulting, and personal life — and, with her Haitian and Louisianan roots, in her ancestry.\u003c/p>\n\u003cp>Despite all of this, Dr. Cadet still finds time to enjoy the finer things in life. She has a thing for fly accoutrements and fancies herself a wine aficionado. It makes sense: there has to be some balance to doing this work.\u003c/p>\n\u003cp>Dr. Cadet talked with the Rightnowish team about racism, ableism and ways one can go about fixing a broken system. Listen below.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC3733902808\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet, Guest: \u003c/b>\u003cspan style=\"font-weight: 400\">My name Cadet, it means soldier, so when I started marketing and branding my business, we are soldiers of change. But I had to realize, like, this military language is only adding into upholding values of white supremacy. Because white people don’t have to fight for their existence, but as Black people, we have to constantly do that. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw, Host:\u003c/b>\u003cspan style=\"font-weight: 400\"> What’s up everyone, I’m your host Pendarvis Harshaw. Welcome to Rightnowish. Today our team is talking to Dr. Akilah Cadet. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">She’s one of those people who wears a bunch of hats: she’s the founder and CEO of the diversity, equity, and inclusion consulting firm, Change Cadet. She’s also an author, an advocate for people living with disabilities, and in her free time she’s also a sommelier. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Her book, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">White Supremacy is All Around: Notes from a Black Disabled Woman in a White World\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003cspan style=\"font-weight: 400\">tackles what happened– and what didn’t happen– after “the summer of 2020”. So hang out as we jump into a colorful discussion about her book and what it’s like living with an invisible disability.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">All of that, after this\u003c/span>\u003cb>. \u003c/b>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Dr. Akilah Cadet thank you for joining us. How are you doing? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Great, because I’m here with you. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, yeah. In the building finally.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m so excited. I have been a fan of you for a while. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen:\u003c/b>\u003cspan style=\"font-weight: 400\"> Thank you\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">And so now we get to have this, our time together.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s mutual. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">I understand people are going to listen. But this is for us and so anytime I get to be in the space with another boss Black person, it’s a FUBU moment and I’m happy to have it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">I appreciate that. It resonates. Thank you, thank you, thank you, thank you. Congratulations. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Thank you. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> You’re coming into the studio just days after your book launch. How does it feel to have your personal, intimate, witty, comical stories packaged and shared with the world? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">You know, I am pissed and I’m proud. And the reason why I say I’m proud is because I wrote a whole ass book and there’s no ghostwriter. There’s no co-writer. I wrote this while working full time with my CEO job and then the other million hats I have because I am Caribbean when it comes down to it. And there’s two years of my life that I put in here in talking about stories from, you know, different parts of my life. Like, I had to go find old phones to get receipts because I’m a Virgo, like, do that whole thing. So I’m very proud of myself for doing that while navigating a lot of health stuff. There’s a few ER visits, there’s a lot of other health things that happened while I was writing this book, and some of that is in the book, so I’m very proud of myself. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’m proud to have a book deal with Hachette, like a top five publisher. I’m proud to have received a six figure advance to write this book, as a debut author. That’s not an easy thing to do, so I have a lot to celebrate there. But I’m also pissed because the title of my book is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">White Supremacy Is All Around\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, which is a great title. I love it. Go me! But I’m dealing with that with how this book is going out into the world and so that’s the part that’s really frustrating. I believe in the liberation of oppressed people, and some people do not, and they don’t want to support the book or, you know, white people aren’t necessarily ready to be comfortable being uncomfortable. And we have to remember that a lot of these folks are in positions of power, and they can determine where my book goes, how it’s seen, how it’s celebrated, and what list it’s on. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">It’s meta. It’s you’re writing about something while living it and yeah, navigating it while talking about how to navigate it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet:\u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, yeah. And then I have to talk about it all the time. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b> \u003cspan style=\"font-weight: 400\">In your first answer, you mentioned and it’s all throughout your book, identity. Identity plays a huge role, your Caribbean ancestry as well as you being a soft Black woman, learning that you can’t always be a soft Black woman, your father’s ancestry with Haitian roots, your mother in Sacramento, with roots back to the south. What has your heritage taught you? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet:\u003c/b> \u003cspan style=\"font-weight: 400\">So I’d like to say that I am the transatlantic slave trade, and I think I’m the wonderful, perfect example of how white supremacy is all around with my ancestry, with my culture, with my identity. I am Haitian, French and Black. Being a first generation kid, I sometimes forget I’m like, I’m an American, and I will be disgusted by Americans \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[laughs] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">because I’m like, ‘What are you doing? Why would you do any of this?,’ and that’s because of my first generation upbringing, I was raised like an immigrant. I also know that being first generation Haitian, it’s why I’m this person who has an endless amount of perseverance. I don’t use the word fight because I don’t time for that, but I have that energy and I have that tenacity to show up and speak up and use my voice. That definitely comes from my Haitian heritage. On my mom’s side, my mom, her family is from a tiny town in Louisiana called Donaldsonville. And like, my grandmother could pass and get away with stuff, and, you know, the Great Migration came this way out to California, but my mom was on the COINTELPRO list. So \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[chuckles]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> I get it from my mama, you know what I mean, like legit. And so, the ways in which I show up are directly tied to, you know, my, my ancestry. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In fact, Sacramento being our hometown, my grandfather had the first, Black history museum in Sacramento. But he, prior to that, he had a shoe store and above the shoe store was the Sacramento office for the Black Panthers. My mom was an award winning seamstress, and she would make dashikis and then the Black Panthers would wear her dashikis. They were just like the hot things, right, coming all around. So all of that comes through me. And even though I didn’t start my career, like, dismantling white supremacy, it eventually showed up.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">It’s in you. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Your book is full of just like, the parenthetical thoughts that you have, are just exemplify how your brain works, where language is a thing through and through. And you’re very aware of the evolution of language. You sit at the intersection of culture, diversity, technology and you start the book with a note about how language evolves, almost like apologetically saying like, ay I know some years from now some of these words that I’m using might be outdated. Like why is that important to you?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">So a lot of people don’t know that I’ve been a sensitivity editor for years. So I’ve been editing books for publishers and authors, and I look at the book to be able to make sure that story comes through. So if it’s a BIPOC, Black indigenous person of color author, white people may not understand some of the terminology or the cultural things that are coming up, So how are you breaking that down? If you are a white author, please don’t be racist, homophobic, transphobic or any of those things. So that’s why language is really important. And the more we dismantle white supremacy, and the more we are liberating ourselves from oppression, we’re going to be called something different. Right? Ultimately. So if you just look at the history of the language of Black people, there’s, there’s a lot of to getting to Black people. Like right now, still to this day, it’s like ‘African Amer-African-Ameri-African-American? or can I say Black? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">People don’t know what to do. “Black” a couple of years ago was capitalized, right. Because it’s a culture. “White” is still not capitalized. I don’t know why other people are…I do, White supremacy is all around. But, you know, it’s that type of thing. And so that’s why it’s important to be inclusive. But it also role models behavior people should have with constant learning and unlearning. And so where this book was finished in October of 2023, we’re going to have different language in October 2024, 2632. You know what I mean? And that plants a seed that, it’s like, yeah, I’m aware. And so whatever that is, do the math, and that’s what I’m calling them. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, I love it. And again, it’s throughout, you know, you talk about like, other-abled.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Non-disabled.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Non-disabled.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. Yeah, yeah. So again, I have so many layers of intersectionality. I have Ehlers-Danlos syndrome, so if anyone’s listening, Ehlers-Danlos syndrome is a connective tissue disorder. My body doesn’t know what to do with collagen. My joints subluxate, go in and out or dislocate all the time from my fingers down to my toes. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> Your language around your disabilities… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">How has that evolved? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">The Ehlers- Danlos syndrome, I was born this way, in the words of Lady Gaga, but I wasn’t diagnosed until May 2021. And so learning how to understand another complex ableist system, a structure of white supremacy, which is the American Disabilities Act, has been infuriating on so many levels. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So, for example, some airlines will say, “But how are you disabled?” That’s illegal. If I’m informing you I’m disabled, you have to accommodate me by law, no matter what I look like, what assisted device I’m doing. But again, people have to be deemed worthy of that. And for some people, they may feel overwhelmed with what I’m telling in the book, but guess the fuck what? I lived that life, and I have to live through all those different parts of intersectionality. So go on the journey [chuckles] right with me. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so that’s why you see those teaching moments through language and through my experiences of, you can say, non-disabled, because disabled is not a bad word when people are saying they’re able bodied. I have the ability to do the same thing just like you, or maybe differently, but I’m gonna get the shit done. I have the ability, right? And so when people say non-disabled, it brings this word that people are challenged by into the zeitgeist, into the conversation. And it’s a way to create more awareness and also celebration of disability and the dynamic range that disability has. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m learning here, these teaching moments. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\"> [laughs] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">It’s what I do. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">These teaching moments haven’t stopped. The first essay in the book, it centers around a huge teaching moment. The opening starts with a meeting in Bordeaux in France. And it revolves around an interaction that you have with a white woman who essentially wants to have a presentation that uses the words “n-ggas beefin” in the presentation. And you have to explicitly demand that that word no longer be used and it takes a while for that to click. And thereafter, it doesn’t even fully register as to who to central character being impacted by this discussion is. Whereas days after this white woman follows up in an email in saying that she is hurt. And you have to explain that again, this is the issue where you being the person hurt, are not even focused on in this discussion. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">And I’m like, in reading this, right? I’m like, how did you get to this emotional, intellectual point? Because me, I would have been like, ‘man, let’s just step outside.’ So how did you get to that point where you could really break it down like that? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. So the first chapter of my book is called “White Women Are Exhausting.” It’s dramatic pause because they are. They pick and choose with their intersectionality. They pick and choose with how they want to show up. So in this case, I’ll give you a little bit of the backstory, I was asked to speak at a wine conference for women in Napa, like in May. And I went up there and, you know, magic, did my thing. All of a sudden everybody was like, “Who are you? We want you to do all the things for wine.” And so I was invited to be part of, and I’m still to this day part of this think tank where people determine the future state of fine wine. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">They flew me out to Bordeaux. This is the first time in my entire existence of having this company that it was like the private driver and then the sign. It was like, ‘Oh, I, that’s, I’m the white person. I did it!” Right? And so I’m there specifically to bring in more language about diversity and thinking about how diversity is part of wine and fine wine. We have seen the wine landscape change, particularly with athletes, artists who like to buy wine and collect wine. And so younger people are into wine and the consumer is changing of who has wine. Like, the older folks who buy expensive wine, they’re dying. So they have to, it’s what happens, it’s just the natural thing, right? So they have to figure out who’s going to want to keep a sommelier in business, right, and drink this wine. So I go to a chateau. Naturally.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Naturally. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Naturally, you have to go to a chateau in Bordeaux. And there are only two Black people in this group of 60 plus individuals. And it was me and Julia Coney, who is, I’ve dubbed the Beyoncé of wine because she is, and wonderful and great. And and I was just like, ‘This is really white. This is really white.’ And so to go into the situation and be in a room, and I described it in the book, of like in a conversation about diversity, I literally was the only diversity. Everyone else was white. We didn’t even have an AAPI person, Asian American Pacific Islander, no one else. It was just me to represent diversity in a conversation about diversity and then to have her pull up her laptop and have those words so big. I was like, ‘Where are the cameras? Is this, is this like a, this is like a hazing thing, right?’ \u003cem>[laughs]\u003c/em> For me to, like, get into this whole thing. I was like, I can’t believe it. And I distinctly remember and I also talked about in the book, I had to keep pinching myself because I was like, ‘oh, no, I’m triggered.’ But I’m also not in a supportive space because I don’t know these folks. I’m new. I’m new into this whole environment. And there’s bigwigs around the table, including Eric Asimov, who’s the New York Times wine critic, who I was like, oh shit, I did- what? I didn’t fully know what I was getting into. I’m like, this is a big deal, right? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so for all of that to happen, including a white person saying, “Is wiggers better?” I had to pick and choose how I wanted to show up there. I was like, ‘I cannot get into that with you,’ definitely racist, but I don’t have time for that. But I had to use my voice as much as possible so she would stop perpetuating negative stereotypes because it was all about a conversation around Black people and chilled red wine. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So if you don’t know, Lambrusco is a fantastic chilled red wine, I highly recommend. It’s fizzy, it’s bubbly, it’s delicious. But there’s a movement around chilling red wines. And so this consumer wanted to know specifically how Black people thought and we have a culture and they’re looking at hashtags. And those hashtags brought that up. It wasn’t anything for her to do. And so I’m like you can truncate, you can blah, nope nope nope, nothing. But the most important thing is that the white guy had to say something and she’d listen to the white guy, which was Eric Asimov. And he knows, I talk about it all the time. He’s in the book. And that part was infuriating. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But it was the 4th of July. Like, it was 4th of July weekend. So I was thrilled when I didn’t have to be in America. It was 2019. I was thrilled that I didn’t have to be in America and here I am, here I am, the country we bought our freedom from as a Haitian, you know, like here I am and I’m dealing with that. And I had to wait before I could see the one other Black person to feel validated, seen and heard, and then constantly be attacked for the rest of the time there by this white woman.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b> \u003cspan style=\"font-weight: 400\">I’m like, navigating that, all of that, all those elements, all those different…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">All of those things, yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">And then to have the composure, to say you need to go and learn something on your own as opposed to, you know, being vengeful or having some type of big reaction. How do you, how do you reach that point of composure? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Listen, there was a gala later that night and my outfit was f-cking fire, and I needed to focus on people liking my outfit. And I needed to choose myself, quite frankly, because I was already traumatized and triggered. Because anytime someone’s using the N-word, there’s ancestral trauma that comes up. I know, I have enslaved family members, but I also know because of white ancestry, where some of them went. Right, I can, I can figure out my entire life. My parents have done this work. My mom, COINTELPRO, I carry a lot of stuff. But more importantly, there’s so many people in this country, the United States of America, that was the last word they heard before they were lynched, burned alive. These are real things. And so it’s not a word to be played with. There’s too much out there to let you know, to not say the f-cking word. It’s not hard to do it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And this particular woman, who I named Karen. She lives in Atlanta, the land of the A-town stomp. There’s so many things that are happening there, “Real Housewives of Atlanta,” you see all the Black people. You have all the layers of it. You have all the experience and exposure to know what to say and what not to say. And so it was a choice. She chose to harm me because she also called me out, said “Akilah, I would like your feedback on this.” Do you know what I mean? So it’s just like it’s that type of stuff. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">But I will teach someone a lesson because I don’t have the privilege of sitting in that position of harm, she does. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">I don’t have that privilege. So I had to keep moving forward. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">What I’m gathering is like, choose your battles because you’re fighting a bigger war, or you are involved in a bigger war. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet:\u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, but also like my name Cadet, it means soldier. And so when I started marketing and branding my business, we’re soldiers of change, right? Which I love. So great, right, fantastic. But then I was like, I’m no one’s soldier. Am I a survivor like Destiny’s Child? Yes. But I had to realize, like, this military language is only adding into upholding values of white supremacy because white people don’t have to fight for their existence. White people don’t have to go to the battlefield to prove their existence, to get a job or, I don’t know, check in at a hotel or drive their car or whatever. You know, they don’t have to do that. They don’t have to go out into the streets and be like “We need people to stop killing us.” They don’t have to do that. But as Black people, we have to constantly do that. As, as BIPOC people we have to constantly do that. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">But given that given that constant like pressure, that’s part of the reason I don’t fully believe in DEI. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet:\u003c/b> \u003cspan style=\"font-weight: 400\">I don’t either.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">But you do the work. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">I believe in belonging.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">Belonging. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">I believe in belonging. Diversity, equity, inclusion, accountability or accessibility or action, there’s so many acronym soups when it comes to DEI. DEI is just straight up performative. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">It is. You know how I know? Because May 25th, 2020 happened, it was the murder of George Floyd. And it was a holiday, it’s also my mom’s birthday, and then May 26th, all of a sudden, endless amount of emails. All of a sudden people want to hear what I have to say. And I will always do my work as a doctor of leadership and organizational behavior for oppressed people because they’re the ones that have the hardest time in workplaces and spaces for sure. But I don’t just do diversity.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> Restructuring? Got you. Executive coaching for the white guy? Umm hmm I can do that. Strategic planning? Absolutely. But DEI and that performative nature of what I call the “summer of allyship” and there’s a chapter in the book, is a direct response to people not wanting to be viewed as racist. And so we’re seeing that performative behavior that has happened. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“The Summer of Allyship” chapter breaks it down very beautifully, so I highly recommend everyone reads it. But where we are right now with diversity is it’s being attacked. Right? So we’re seeing states and counties removed DEI funding and all this other stuff, which shows you it doesn’t matter, which is why I talk about belonging. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As a Black disabled woman, the only place I feel like I belong is my home because I carry so much intersectionality.\u003c/span> \u003cspan style=\"font-weight: 400\">Once I go out the door, you know, it’s like, okay, where’s a parking spot? Will I be able to make it further or not? Can I park in ADA? Will there be an ADA parking spot? Is someone not going to help me do the thing, or am I just going to get good old fashioned sexism or racism, right, as a result of that. That happens all the time. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> What does success look like for you? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Thank you for asking. So, right now, success looks like the book coming out on February 6th. Checked that off, success, that happened. And then it looks like me making it through 12 stops between February 6th and February 29th. And I had to have really small, little benchmarks of success, because a lot of my time in interviews, on this book, centered around this book. But if I can get that person who feels valued and seen in the book, that’s also the third part of success for me that they have that. If I can get that white person who’s like, “I’ve learned so much and I’m showing up differently because of your book,” that is success for me. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You have a big event coming up at the de Young this spring?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">I do.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Tell me more about it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. So, because I have nothing else to do, I have been filmed for the past five months to have a documentary done on me. And so the interesting thing, I was like, ‘why? I am not interesting,’ but apparently I am, which I still don’t fully understand, but “Represent Collaborative” approached me to do a documentary. I’m also their chief creative officer, but they approached me because they received some funding, and they wanted to tell the story of me in this book. And so, in April, we will be having the California premiere of my documentary called “Sounds About White: The Untold Story of the DEI Expert”. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So it starts with the pandemic and the murder of George Floyd, and we’re following what my life has been like since then, how I’ve given my heart and soul, the ups and downs, the highs, the lows, the Forbes, the magazines, you know, the amounts of money that’s coming in. And you’re seeing how much money I’ve made, how much money I’ve lost. You’re seeing everything. You’re seeing how it affects my mind, body, spirit and soul, because there are stories about DEI consultants, experts, leaders that are written, but we haven’t had a visual display of what it’s been like. You see me in the hospital. You see me on these planes dealing with shit. You see me everywhere of how I, with every right to not have to show up to do this work as a Black disabled woman, still show up to do this work. I get hate from everyone and everywhere. And I would just love to be loved. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Thank you.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Dr. Akilah Cadet: \u003c/b>\u003cspan style=\"font-weight: 400\">You’re welcome. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Big, big thank you to Dr. Akilah Cadet. Doing the work isn’t easy and I know it takes a toll on you. So thank you. Thank you for your efforts, and hats off for being fly while doing it all. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">If you would like to learn more about Dr. Akilah Cadet and her book, I’d suggest checking out her site: changecadet.com. That’s spelled change C-H-A-N-G-E,Cadet C-A-D-E-T\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">She can also be found on social media, her Instagram handle is also: ChangeCadet. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode was hosted by me, Pendarvis Harshaw. It was produced by Marisol Medina-Cadena and Maya Cueva. Chris Hambrick held it down for the edits on this one. Our engineer is Christopher Beale and Sheree Bishop is the Rightnowish intern. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Rightnowish team is also supported by Jen Chien, Ugur Dursun , Holly Kernan, Xorje Olivares, Cesar Saldaña, and Katie Sprenger. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Thank you all for listening!\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And a quick reminder, KQED is a listener supported station, and getting further support from you would be much appreciated. If you’re financially able, make a donation at donate.kqed.org. \u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>‘Sounds About White: The Untold Story of the DEI Expert’, a documentary on Dr. Akilah “Change” Cadet’s life and work, screens at the de Young Museum in San Francisco on Saturday, April 13, from 2 p.m.–3:30 p.m. \u003ca href=\"https://www.famsf.org/events/akilah-cadet-documentary-screening-book-conversation\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>=\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955683/rightnowish-akilah-cadet-author-white-supremacy-is-all-around","authors":["11491","11528"],"programs":["arts_8720"],"categories":["arts_1","arts_73"],"tags":["arts_22070","arts_1210","arts_22071","arts_4027","arts_10278","arts_3652"],"featImg":"arts_13955689","label":"arts_8720"},"arts_13955781":{"type":"posts","id":"arts_13955781","meta":{"index":"posts_1591205157","site":"arts","id":"13955781","found":true},"guestAuthors":[],"slug":"judee-sill-genius-lost-angel-documentary-review","title":"A Judee Sill Documentary Ensures Her Musical Genius Won't Be Forgotten","publishDate":1712859198,"format":"standard","headTitle":"A Judee Sill Documentary Ensures Her Musical Genius Won’t Be Forgotten | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Unlike many of the famous people interviewed in the documentary \u003ci>Lost Angel: The Genius of Judee Sill\u003c/i>, I can’t remember exactly when I first heard Sill’s music.\u003c/p>\n\u003cp>I know it was decades after the 1971 release of her self-titled debut album, released by David Geffen’s brand-new Asylum Records. It was definitely long after her death, in 1979, by overdose. As someone who wasn’t alive in the ’60s and ’70s, I placed Sill’s music into my mental filing cabinet alongside contemporaries and label-mates like Joni Mitchell, Linda Ronstadt and Jackson Browne, as if it had always been there. \u003c/p>\n\u003cp>In fact, she took up far more of my mental space than that crowd. Sill’s “\u003ca href=\"https://youtu.be/kTAesI73E1U?feature=shared\">Jesus Was a Cross Maker\u003c/a>” became my go-to example of a baffling yet perfect breakup song. At low points, I listened to “\u003ca href=\"https://youtu.be/kyPhvHEtRuw?feature=shared\">The Kiss\u003c/a>,” from her 1973 sophomore album, on repeat. Her haunting voice, sliding through strange tempo shifts and baroque-inspired compositions, still sends shivers down my spine.\u003c/p>\n\u003cfigure id=\"attachment_13955794\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000.jpg\" alt=\"Person with eyes closed singing into mic with rose-colored glasses\" width=\"2000\" height=\"1366\" class=\"size-full wp-image-13955794\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000-800x546.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000-1020x697.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000-768x525.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000-1536x1049.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000-1920x1311.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">An undated photo of Judee Sill singing. \u003ccite>(Greenwich Entertainment)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>What I didn’t understand then, and what \u003ci>Lost Angel\u003c/i> explains patiently, admirably, is just how short-lived Sill’s career was, and how far she had fallen from the heights she hoped to achieve as “the world’s greatest living songwriter” before her death at age 35. \u003c/p>\n\u003cp>In the strange landscape of endlessly available streaming music, songs are now often loosed from albums, free-floating from any connection to era or location. This can lead to a transcendent form of time travel, like when \u003ca href=\"https://www.youtube.com/watch?v=UM18Wuw3Tns\">modern artists cover Sill’s work\u003c/a> in front of massive cheering crowds. But it can also obscure significant biographical facts and musical context.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ci>Lost Angel\u003c/i>, directed by Andy Brown and Brian Lindstrom, carefully stitches Judee Sill’s life and music back together. It’s a story that follows a familiar music industry arc, but still holds surprises. We learn that it was in reform school, for instance, that Sill gained her “gospel licks” as the church organist. And that she arrived in reform school after she was arrested, at age 18, as a “teen-age housewife who joined three friends in staging over a dozen robberies ‘just for kicks’” (according to the San Fernando \u003ci>Valley Times\u003c/i>).\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FSYc-cLZUEs\u003c/p>\n\u003cp>Sill showed early musical aptitude, learning to harmonize with herself on a piano as a young girl at her father’s Oakland bar. After his death, Sill’s mother married a Disney animator and moved the family to Los Angeles. By Sill’s accounts, it was a chaotic and abusive household she couldn’t wait to escape.\u003c/p>\n\u003cp>We hear from family, friends, lovers and musicians who came up with Sill in Los Angeles piano bars and folk music haunts. (Many of those musicians found extraordinary success.) We see bits of her songwriting, her drawings and diaries. Animations illustrate some of her more occult and religious themes — she credited divine inspiration for her songs. \u003c/p>\n\u003cp>But the most excellent parts of \u003ci>Lost Angel\u003c/i> arrive in Sill’s own voice. It’s a relief when various star-studded covers melt into Sill’s original versions. Her singing is so crystalline it’s utterly heartbreaking: pure beauty coming out of all that pain, loss and addiction. In the final years of her life she went through numerous surgeries after a car accident; she fell back into hard drugs after doctors wouldn’t prescribe her painkillers.\u003c/p>\n\u003cfigure id=\"attachment_13955795\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Photo-4-Asylum-Billboard-November-1971-Credit-Greenwich-Entertainment.jpg\" alt=\"Billboard with album cover and information set against blue sky\" width=\"900\" height=\"611\" class=\"size-full wp-image-13955795\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Photo-4-Asylum-Billboard-November-1971-Credit-Greenwich-Entertainment.jpg 900w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Photo-4-Asylum-Billboard-November-1971-Credit-Greenwich-Entertainment-800x543.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Photo-4-Asylum-Billboard-November-1971-Credit-Greenwich-Entertainment-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Photo-4-Asylum-Billboard-November-1971-Credit-Greenwich-Entertainment-768x521.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003cfigcaption class=\"wp-caption-text\">The billboard Asylum Records rented in November 1971 for the release of Judee Sill’s debut album. In the documentary, Sill says she rented a car to sit across the street and just look at it. \u003ccite>(Greenwich Entertainment)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Beyond the songs, we also hear her tell parts of her own story. At one point, a recorded interview shows her striving, thankful for what she has, but restless. Also a treat: her deadpan on-stage banter (when her audience was receptive), in which Sill frames her songs with tidbits of biography I’m sure listeners believed were wildly embellished.\u003c/p>\n\u003cp>\u003ci>Lost Angel\u003c/i> doesn’t bother with the precise dates of performances or arrive at a definitive answer to why Asylum dropped Sill after just two albums. Linda Ronstadt offers perhaps the final word on that matter. “There wasn’t anybody out to get her,” Ronstadt says. “She just didn’t deliver the goods that would have resonated in that culture in that time.” \u003c/p>\n\u003cp>Total precision is not the goal of \u003ci>Lost Angel\u003c/i>, which relies much on 50-year-old memories. But this film does achieve what it ardently sets out to do: introduce Sill to those who are ready to experience the resonance of her music in the present moment. Footage of countless YouTube covers of “The Kiss” scrolls past, and the talking heads offer up an idea of valiantly living on through one’s art. \u003c/p>\n\u003cp>I’m sure Judee Sill would agree. I just wish she was here to tell us so.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘Lost Angel: The Genius of Judee Sill’ begins streaming on Amazon and Apple TV on April 12, 2024. It comes to the \u003ca href=\"https://www.4-star-movies.com/\">4 Star\u003c/a> (2200 Clement St., San Francisco) April 16—17 with live pre-show music from \u003ca href=\"https://www.4-star-movies.com/calendar-of-events/lost-angel-the-genius-of-judee-sill-730-pm-62pdl\">Silverware\u003c/a> and \u003ca href=\"https://www.4-star-movies.com/calendar-of-events/lost-angel-the-genius-of-judee-sill-730-pm\">Free Key Choir\u003c/a>.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"The short life and career of the ’70s singer-songwriter are carefully stitched together in ‘Lost Angel.’","status":"publish","parent":0,"modified":1712859198,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":928},"headData":{"title":"A Judee Sill Documentary Ensures Her Musical Genius Won't Be Forgotten | KQED","description":"The short life and career of the ’70s singer-songwriter are carefully stitched together in ‘Lost Angel.’","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955781/judee-sill-genius-lost-angel-documentary-review","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Unlike many of the famous people interviewed in the documentary \u003ci>Lost Angel: The Genius of Judee Sill\u003c/i>, I can’t remember exactly when I first heard Sill’s music.\u003c/p>\n\u003cp>I know it was decades after the 1971 release of her self-titled debut album, released by David Geffen’s brand-new Asylum Records. It was definitely long after her death, in 1979, by overdose. As someone who wasn’t alive in the ’60s and ’70s, I placed Sill’s music into my mental filing cabinet alongside contemporaries and label-mates like Joni Mitchell, Linda Ronstadt and Jackson Browne, as if it had always been there. \u003c/p>\n\u003cp>In fact, she took up far more of my mental space than that crowd. Sill’s “\u003ca href=\"https://youtu.be/kTAesI73E1U?feature=shared\">Jesus Was a Cross Maker\u003c/a>” became my go-to example of a baffling yet perfect breakup song. At low points, I listened to “\u003ca href=\"https://youtu.be/kyPhvHEtRuw?feature=shared\">The Kiss\u003c/a>,” from her 1973 sophomore album, on repeat. Her haunting voice, sliding through strange tempo shifts and baroque-inspired compositions, still sends shivers down my spine.\u003c/p>\n\u003cfigure id=\"attachment_13955794\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000.jpg\" alt=\"Person with eyes closed singing into mic with rose-colored glasses\" width=\"2000\" height=\"1366\" class=\"size-full wp-image-13955794\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000-800x546.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000-1020x697.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000-768x525.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000-1536x1049.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Judee-Singing-Credit-Greenwich-Entertainment_2000-1920x1311.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">An undated photo of Judee Sill singing. \u003ccite>(Greenwich Entertainment)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>What I didn’t understand then, and what \u003ci>Lost Angel\u003c/i> explains patiently, admirably, is just how short-lived Sill’s career was, and how far she had fallen from the heights she hoped to achieve as “the world’s greatest living songwriter” before her death at age 35. \u003c/p>\n\u003cp>In the strange landscape of endlessly available streaming music, songs are now often loosed from albums, free-floating from any connection to era or location. This can lead to a transcendent form of time travel, like when \u003ca href=\"https://www.youtube.com/watch?v=UM18Wuw3Tns\">modern artists cover Sill’s work\u003c/a> in front of massive cheering crowds. But it can also obscure significant biographical facts and musical context.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>Lost Angel\u003c/i>, directed by Andy Brown and Brian Lindstrom, carefully stitches Judee Sill’s life and music back together. It’s a story that follows a familiar music industry arc, but still holds surprises. We learn that it was in reform school, for instance, that Sill gained her “gospel licks” as the church organist. And that she arrived in reform school after she was arrested, at age 18, as a “teen-age housewife who joined three friends in staging over a dozen robberies ‘just for kicks’” (according to the San Fernando \u003ci>Valley Times\u003c/i>).\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FSYc-cLZUEs'\n title='//www.youtube.com/embed/FSYc-cLZUEs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Sill showed early musical aptitude, learning to harmonize with herself on a piano as a young girl at her father’s Oakland bar. After his death, Sill’s mother married a Disney animator and moved the family to Los Angeles. By Sill’s accounts, it was a chaotic and abusive household she couldn’t wait to escape.\u003c/p>\n\u003cp>We hear from family, friends, lovers and musicians who came up with Sill in Los Angeles piano bars and folk music haunts. (Many of those musicians found extraordinary success.) We see bits of her songwriting, her drawings and diaries. Animations illustrate some of her more occult and religious themes — she credited divine inspiration for her songs. \u003c/p>\n\u003cp>But the most excellent parts of \u003ci>Lost Angel\u003c/i> arrive in Sill’s own voice. It’s a relief when various star-studded covers melt into Sill’s original versions. Her singing is so crystalline it’s utterly heartbreaking: pure beauty coming out of all that pain, loss and addiction. In the final years of her life she went through numerous surgeries after a car accident; she fell back into hard drugs after doctors wouldn’t prescribe her painkillers.\u003c/p>\n\u003cfigure id=\"attachment_13955795\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Photo-4-Asylum-Billboard-November-1971-Credit-Greenwich-Entertainment.jpg\" alt=\"Billboard with album cover and information set against blue sky\" width=\"900\" height=\"611\" class=\"size-full wp-image-13955795\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Photo-4-Asylum-Billboard-November-1971-Credit-Greenwich-Entertainment.jpg 900w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Photo-4-Asylum-Billboard-November-1971-Credit-Greenwich-Entertainment-800x543.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Photo-4-Asylum-Billboard-November-1971-Credit-Greenwich-Entertainment-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Photo-4-Asylum-Billboard-November-1971-Credit-Greenwich-Entertainment-768x521.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003cfigcaption class=\"wp-caption-text\">The billboard Asylum Records rented in November 1971 for the release of Judee Sill’s debut album. In the documentary, Sill says she rented a car to sit across the street and just look at it. \u003ccite>(Greenwich Entertainment)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Beyond the songs, we also hear her tell parts of her own story. At one point, a recorded interview shows her striving, thankful for what she has, but restless. Also a treat: her deadpan on-stage banter (when her audience was receptive), in which Sill frames her songs with tidbits of biography I’m sure listeners believed were wildly embellished.\u003c/p>\n\u003cp>\u003ci>Lost Angel\u003c/i> doesn’t bother with the precise dates of performances or arrive at a definitive answer to why Asylum dropped Sill after just two albums. Linda Ronstadt offers perhaps the final word on that matter. “There wasn’t anybody out to get her,” Ronstadt says. “She just didn’t deliver the goods that would have resonated in that culture in that time.” \u003c/p>\n\u003cp>Total precision is not the goal of \u003ci>Lost Angel\u003c/i>, which relies much on 50-year-old memories. But this film does achieve what it ardently sets out to do: introduce Sill to those who are ready to experience the resonance of her music in the present moment. Footage of countless YouTube covers of “The Kiss” scrolls past, and the talking heads offer up an idea of valiantly living on through one’s art. \u003c/p>\n\u003cp>I’m sure Judee Sill would agree. I just wish she was here to tell us so.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘Lost Angel: The Genius of Judee Sill’ begins streaming on Amazon and Apple TV on April 12, 2024. It comes to the \u003ca href=\"https://www.4-star-movies.com/\">4 Star\u003c/a> (2200 Clement St., San Francisco) April 16—17 with live pre-show music from \u003ca href=\"https://www.4-star-movies.com/calendar-of-events/lost-angel-the-genius-of-judee-sill-730-pm-62pdl\">Silverware\u003c/a> and \u003ca href=\"https://www.4-star-movies.com/calendar-of-events/lost-angel-the-genius-of-judee-sill-730-pm\">Free Key Choir\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955781/judee-sill-genius-lost-angel-documentary-review","authors":["61"],"programs":["arts_140"],"categories":["arts_1","arts_74","arts_69"],"tags":["arts_21958","arts_10278","arts_977","arts_769"],"featImg":"arts_13955793","label":"arts_140"},"arts_13955839":{"type":"posts","id":"arts_13955839","meta":{"index":"posts_1591205157","site":"arts","id":"13955839","found":true},"guestAuthors":[],"slug":"maggie-rogers-in-person-tickets-sale-chase-center","title":"Maggie Rogers’ In-Person Ticket Policy: What’s Not to Love?","publishDate":1712872162,"format":"standard","headTitle":"Maggie Rogers’ In-Person Ticket Policy: What’s Not to Love? | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Maggie Rogers has \u003ca href=\"https://shop.maggierogers.com/pages/tour\">announced a tour\u003c/a> for her new album \u003cem>Don’t Forget Me\u003c/em>, and she’s letting fans have their first crack at tickets the old-fashioned way: by waiting in line, in person. \u003c/p>\n\u003cp>Here in San Francisco, that means \u003ca href=\"https://shop.maggierogers.com/pages/tour-box-office\">tickets ($39.50–$139.50) to Rogers’ Nov. 1, 2024 show at Chase Center will go on sale at the Chase Center box office\u003c/a> on Saturday, April 20, at 10 a.m., before becoming available online the following week.\u003c/p>\n\u003cp>This is a beautiful thing, and not just for old-school nostalgists who romanticize the fun of waiting in line with other fans for tickets.\u003c/p>\n\u003cp>[aside postID='forum_2010101892062'] As you’ve probably noticed, online ticketing for major concerts is completely broken and exploited by opportunists. So much so that any artist who cares about their fans should follow Rogers’ lead and offer early in-person ticket sales.\u003c/p>\n\u003cp>How many times have you gone online and selected tickets, only to have them removed from your cart and then re-offered at a much higher price due to “dynamic pricing”? How many times have you gotten your “verified fan” code and tried to buy tickets right at 10 a.m., and bots and scalpers have already bought 90% of the available seats to re-sell them at three or four times face value? \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I could go on and on. Captchas, pull-down menus, “convenience” fees and “facility” fees that add up to 50% or more onto the face value ticket price, the phasing out of printed tickets, the \u003ca href=\"https://www.kqed.org/arts/13925510/senators-are-calling-on-the-justice-department-to-look-into-ticketmasters-practices\">Department of Justice’s refusal to break up the Ticketmaster-Live Nation monopoly\u003c/a>, the persistent stories of ticket agencies, venues and artists themselves all \u003ca href=\"https://www.kqed.org/arts/13841293/ticketmaster-has-its-own-secret-scalping-program-canadian-journalists-report\">scalping their own tickets\u003c/a>.\u003c/p>\n\u003cp>Maggie Rogers, heroine of the people, said \u003cem>the hell with that — there’s gotta be a better way\u003c/em>. She began selling tickets in person “to combat bots and reduce fees,” as she said in \u003ca href=\"https://www.instagram.com/p/C5oQRo8LY7F/\">an Instagram announcement\u003c/a> today, and “it was so successful and so fun that I decided to do it again.”\u003c/p>\n\u003cp>[aside postID='arts_13831858']Other artists have gone the in-person ticketing route in San Francisco before. \u003ca href=\"https://www.kqed.org/arts/13831858/nine-inch-nails-in-person-ticket-policy-is-beautiful\">Nine Inch Nails did it for their show at the Bill Graham Civic Auditorium\u003c/a> in 2018, and \u003ca href=\"https://www.marketplace.org/2010/08/25/bob-dylan-concert-tickets-cash-only/\">Bob Dylan charged $60 at the door\u003c/a>, cash only, for his show at the Warfield in 2010. \u003c/p>\n\u003cp>Both Pearl Jam and the Cure have famously tried to change the system from within, with \u003ca href=\"https://www.kqed.org/arts/13926475/robert-smith-the-cure-ticketmaster-partial-refunds-lower-fees\">varying success\u003c/a>. Rogers, meanwhile, is showing up to sell tickets in person in New York, Philadelphia, Boston and Chicago — and playing special shows in those cities for what she’s calling “Box Office Week.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Who knows what kind of deal Rogers had to make with Ticketmaster to pull this off — and for an arena tour, no less — but her commitment here constitutes hall-of-fame public service. \u003c/p>\n\n","blocks":[],"excerpt":"Fans will have first crack at tickets the old-fashioned way: by waiting in line, in person. ","status":"publish","parent":0,"modified":1712872162,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":499},"headData":{"title":"Maggie Rogers’ In-Person Ticket Policy: What’s Not to Love? | KQED","description":"Fans will have first crack at tickets the old-fashioned way: by waiting in line, in person. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955839/maggie-rogers-in-person-tickets-sale-chase-center","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Maggie Rogers has \u003ca href=\"https://shop.maggierogers.com/pages/tour\">announced a tour\u003c/a> for her new album \u003cem>Don’t Forget Me\u003c/em>, and she’s letting fans have their first crack at tickets the old-fashioned way: by waiting in line, in person. \u003c/p>\n\u003cp>Here in San Francisco, that means \u003ca href=\"https://shop.maggierogers.com/pages/tour-box-office\">tickets ($39.50–$139.50) to Rogers’ Nov. 1, 2024 show at Chase Center will go on sale at the Chase Center box office\u003c/a> on Saturday, April 20, at 10 a.m., before becoming available online the following week.\u003c/p>\n\u003cp>This is a beautiful thing, and not just for old-school nostalgists who romanticize the fun of waiting in line with other fans for tickets.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"forum_2010101892062","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp> As you’ve probably noticed, online ticketing for major concerts is completely broken and exploited by opportunists. So much so that any artist who cares about their fans should follow Rogers’ lead and offer early in-person ticket sales.\u003c/p>\n\u003cp>How many times have you gone online and selected tickets, only to have them removed from your cart and then re-offered at a much higher price due to “dynamic pricing”? How many times have you gotten your “verified fan” code and tried to buy tickets right at 10 a.m., and bots and scalpers have already bought 90% of the available seats to re-sell them at three or four times face value? \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I could go on and on. Captchas, pull-down menus, “convenience” fees and “facility” fees that add up to 50% or more onto the face value ticket price, the phasing out of printed tickets, the \u003ca href=\"https://www.kqed.org/arts/13925510/senators-are-calling-on-the-justice-department-to-look-into-ticketmasters-practices\">Department of Justice’s refusal to break up the Ticketmaster-Live Nation monopoly\u003c/a>, the persistent stories of ticket agencies, venues and artists themselves all \u003ca href=\"https://www.kqed.org/arts/13841293/ticketmaster-has-its-own-secret-scalping-program-canadian-journalists-report\">scalping their own tickets\u003c/a>.\u003c/p>\n\u003cp>Maggie Rogers, heroine of the people, said \u003cem>the hell with that — there’s gotta be a better way\u003c/em>. She began selling tickets in person “to combat bots and reduce fees,” as she said in \u003ca href=\"https://www.instagram.com/p/C5oQRo8LY7F/\">an Instagram announcement\u003c/a> today, and “it was so successful and so fun that I decided to do it again.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13831858","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Other artists have gone the in-person ticketing route in San Francisco before. \u003ca href=\"https://www.kqed.org/arts/13831858/nine-inch-nails-in-person-ticket-policy-is-beautiful\">Nine Inch Nails did it for their show at the Bill Graham Civic Auditorium\u003c/a> in 2018, and \u003ca href=\"https://www.marketplace.org/2010/08/25/bob-dylan-concert-tickets-cash-only/\">Bob Dylan charged $60 at the door\u003c/a>, cash only, for his show at the Warfield in 2010. \u003c/p>\n\u003cp>Both Pearl Jam and the Cure have famously tried to change the system from within, with \u003ca href=\"https://www.kqed.org/arts/13926475/robert-smith-the-cure-ticketmaster-partial-refunds-lower-fees\">varying success\u003c/a>. Rogers, meanwhile, is showing up to sell tickets in person in New York, Philadelphia, Boston and Chicago — and playing special shows in those cities for what she’s calling “Box Office Week.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Who knows what kind of deal Rogers had to make with Ticketmaster to pull this off — and for an arena tour, no less — but her commitment here constitutes hall-of-fame public service. \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955839/maggie-rogers-in-person-tickets-sale-chase-center","authors":["185"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_6926","arts_10278","arts_585","arts_700","arts_4802"],"featImg":"arts_13955842","label":"arts_140"},"arts_13909645":{"type":"posts","id":"arts_13909645","meta":{"index":"posts_1591205157","site":"arts","id":"13909645","found":true},"guestAuthors":[],"slug":"oakland-community-love","title":"Community Love: The Fuel For Fighting the Machine","publishDate":1646430485,"format":"standard","headTitle":"Community Love: The Fuel For Fighting the Machine | KQED","labelTerm":{},"content":"\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">E\u003c/span>arlier this week, \u003ca href=\"https://www.instagram.com/mx.san_chez/\" target=\"_blank\" rel=\"noopener noreferrer\">Maurice André San-Chez\u003c/a> and \u003ca href=\"https://www.instagram.com/craft_ed._x/\" target=\"_blank\" rel=\"noopener noreferrer\">Moses Omolade\u003c/a>, an educator and school administrator who in February held a hunger strike \u003ca href=\"https://www.kqed.org/news/11904278/teachers-and-families-rally-ahead-of-upcoming-vote-on-oakland-school-closures\" target=\"_blank\" rel=\"noopener noreferrer\">to protest Oakland Unified School District’s proposed school closures\u003c/a> in predominantly Black and brown neighborhoods, returned to the location of their protest.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">They cleaned the site at Westlake Middle School, held a restorative justice circle and planted two avocado trees. They chose the non-messy fruit that yields healthy fat after the duo asked themselves, “What’s a fruit that we both enjoy that can be really beneficial to the community?”\u003c/p>\n\u003cp>Omolade and San-Chez’s hunger strike lasted \u003ca style=\"color: #41a62a\" href=\"https://www.instagram.com/p/CaOMXP9Fcoe/\" target=\"_blank\" rel=\"noopener noreferrer\">20 days\u003c/a>, and left San-Chez hospitalized for a short period and Omolade requiring medical treatment.\u003c/p>\n\u003cp>“We initially went out on a hunger strike, and there was a deep, deep, \u003cem>deep\u003c/em> commitment to death,” Omolade tells me during a phone call. “That shit was, like, really wild, to look at one another in the face—and to look at ourselves individually—and be like: ‘I’m willing to die.'”\u003c/p>\n\u003cp>But that perspective shifted over time, and for that he’s grateful.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He credits his changed perspective to community. The students and elders who visited them during the strike spoke words that resonated. “People were coming by,” Omolade says, “being like, ‘Hold up, what ya’ll are doing here is actually important for the longevity of this fight. So, if you can find it within yourselves, take a step back from a commitment to death—because these folks will allow you to die.'”\u003c/p>\n\u003cfigure id=\"attachment_13910134\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910134\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_3159-800x600.jpeg\" alt=\"André San-Chez, Moses Omolade and community members pose for a photo after planting avocado trees in front of West Lake Middle school in Oakland.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-768x576.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-1536x1152.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-2048x1536.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-1920x1440.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">André San-Chez, Moses Omolade and community members pose for a photo after planting avocado trees in front of West Lake Middle school in Oakland. \u003ccite>(Via Moses Omolade.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Along with San-Chez, Omolade is now recharging and strategizing. The fight is much larger, he says, than the closure of a few schools. It’s about systems of racism, structural oppression, and the privatization of schools and public land.\u003c/p>\n\u003cp>They’re currently gathering signatures to recall the school board seats of District 1 and District 7, held respectively by Benjamin “Sam” Davis and Clifford Thompson. And on \u003ca href=\"https://www.instagram.com/p/CaTM30GJJqY/\" target=\"_blank\" rel=\"noopener noreferrer\">Saturday, March 5\u003c/a>, they’ll participate in a protest and march against the proposed East Oakland school closures—gathering at 1390 66th Ave. (the site of Coliseum Prep Academy) at 10am, marching at 11am, and arriving at International Community School with music and performances.\u003c/p>\n\u003cp>So much for rest.\u003c/p>\n\u003cp>As of now, the school board \u003ca href=\"https://oaklandside.org/2022/02/09/oakland-school-board-votes-to-close-seven-schools-over-the-next-two-years/\" target=\"_blank\" rel=\"noopener noreferrer\">plans to close fewer schools\u003c/a> than initially suggested, but still closing seven schools. Despite that, I’m intrigued by San-chez and Omolade’s efforts. In effect, they were laying down in front of the machine and willing to die for their cause.\u003c/p>\n\u003cp>It resonated with me. Finding the fuel to keep fighting is something I had been struggling with for a while.\u003c/p>\n\u003cfigure id=\"attachment_13910127\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910127\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_7498-800x600.jpg\" alt=\"Artist, educator and friend Venus Morris stands by Lake Merritt at sunset while wearing a jacket with the logo of the Black Panther Party, made by MADOW FUTUR. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artist, educator and friend Venus Morris stands by Lake Merritt at sunset while wearing a jacket with the logo of the Black Panther Party, made by MADOW FUTUR. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span>s February flew by, the Oakland school closures, war abroad, COVID’s sustained impact and a few interpersonal issues had been weighing on me.\u003c/p>\n\u003cp>Somehow, I still took a bunch of photos, from the first day of Black History Month to the \u003ca href=\"https://www.kqed.org/arts/13909853/black-joy-parade-2022-oakland-photos\" target=\"_blank\" rel=\"noopener noreferrer\">Black Joy Parade\u003c/a> on its final Sunday. Fly shots. Birthday smiles and nature blossoming. Memories etched in the digital archives.\u003c/p>\n\u003cp>But there’s one image from February that sticks with me. I have no photo of it, but it paints a picture of my recent mind state.\u003c/p>\n\u003cp>At about 2pm on Feb. 5, I sat at the light on West Grand Avenue and Northgate Avenue in Oakland. A middle-aged African American man sporting a bomber jacket with “Security” printed across the back and the word “fuck” written above it in Sharpie started to cross the street.\u003c/p>\n\u003cp>The man halted after a few steps into the crosswalk and turned to square up with a white Tesla that, in its attempt to make a right turn, came too close for comfort.\u003c/p>\n\u003cp>I watched as the driver, an older white woman, threw her arms up and urged the man to move across the street. The man stood his ground with words I couldn’t hear, but with a posture I definitely recognized: he was daring the driver to do something. The car swerved far enough around him so as to not hit him, but close enough for the man to pull off a textbook right-legged roundhouse kick to the driver-side door as the car sped past.\u003c/p>\n\u003cp>The mental snapshot has been inside my dome ever since.\u003c/p>\n\u003cp>\u003cem>He almost get run over by a machine 20 times his size, so he kicks it in protest. Only to see the machine turn and keep rollin’, while he’s left with an injured foot.\u003c/em>\u003c/p>\n\u003cp>Add race and class to that simple synopsis, and it’s a metaphorical breakdown of what I see damn near everyday.\u003c/p>\n\u003cfigure id=\"attachment_13910128\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910128\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_7455-800x373.jpg\" alt=\"A mural by the Bay Area Mural Program located on 22nd Street, between Broadway and Valley Street in Oakland. \" width=\"800\" height=\"373\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-800x373.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-1020x476.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-160x75.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-768x358.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-1536x716.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-2048x955.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-1920x895.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mural by the Bay Area Mural Program located on 22nd Street, between Broadway and Valley Street, in Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The intersection where the punt, pass and kick-a-Tesla competition went down is just around the corner from one of the larger unsheltered encampments in Oakland. For a solid few blocks, tents are strewn down Dr. Martin Luther King Way; a lot of African American folks over there.\u003c/p>\n\u003cp>How many? Well, we don’t know. But we do know that in 2019 about three out four of the 4,000 unsheltered people in Oakland were Black, according to the \u003ca href=\"https://cao-94612.s3.amazonaws.com/documents/2019-Oakland-Point-In-Time-Count-2-page-infographic.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Point in Time Count data from that year\u003c/a>. The first survey of unhoused individuals \u003ca href=\"https://www.eastbaytimes.com/2022/02/23/how-bad-is-it-for-first-time-in-3-years-bay-area-counts-homeless-residents/\">since the pandemic started\u003c/a> just got underway last month, so we’ll see the current numbers soon enough.\u003c/p>\n\u003cp>Even without the data, the image is enough to make you want to punch one of the new luxury high-rises casting shadows over people living on the street.\u003c/p>\n\u003cp>Beyond the issue of finding basic housing for folks, there’s the problem of increased homicides in a number of major cities across the nation, including Oakland. Last week it was announced that \u003ca href=\"https://www.npr.org/2022/02/23/1082564685/guns-leading-cause-of-premature-deaths\" target=\"_blank\" rel=\"noopener noreferrer\">firearms\u003c/a> are now the leading cause of premature death in America, and that \u003ca href=\"https://www.npr.org/2022/02/23/1082564685/guns-leading-cause-of-premature-deaths\" target=\"_blank\" rel=\"noopener noreferrer\">younger Black males are the group most affected by homicide\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13910129\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910129\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_7510-800x600.jpg\" alt=\"A mural of the late Shock G (aka Humpty Hump) located at Frank Ogawa Plaza, painted by Kufue. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mural of the late Shock G (a.k.a. Humpty Hump) located at Frank Ogawa Plaza, painted by Kufue. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Add to that a few interpersonal issues of loneliness and detachment that often come during the winter months, plus news of international war and the potential for a third year of a pandemic, and you can see why being an arts writer and covering the latest rapper with a hot mixtape isn’t always inspiring work.\u003c/p>\n\u003cp>I quit my job like three times since Jan. 1. I’m tired of kicking the machine to keep it from running us over. It always swerves and drives away. \u003cem>The work ain’t working.\u003c/em>\u003c/p>\n\u003cp>So I quit. Well, mentally. I’m not officially part of \u003ca href=\"https://www.npr.org/2021/06/24/1007914455/as-the-pandemic-recedes-millions-of-workers-are-saying-i-quit\" target=\"_blank\" rel=\"noopener noreferrer\">the great resignation\u003c/a>, but similar circumstances. Call it burnout, fatigue, soul-searching or whatever you want, but man, I struggled just sending emails. Gravity got really heavy.\u003c/p>\n\u003cfigure id=\"attachment_13910131\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910131\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-800x537.jpg\" alt=\"Filmmaker, poet and friend Nijla Mu'min poses for a photo in front of a mural that reads Oakland Dreams, by Trust Your Struggle. \" width=\"800\" height=\"537\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-800x537.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-1020x685.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-768x516.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Filmmaker, poet and friend Nijla Mu’min poses for a photo in front of a mural that reads Oakland Dreams, by Trust Your Struggle. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>rying to kickstart my ambition the day of the great electric car-kick-and-connection, I was on assignment: taking over KQED Arts’ Instagram stories to give a glimpse into “a day in the life” of what it’s like for me running around town. I figured some inspiration might find me.\u003c/p>\n\u003cp>I posted images of murals and matched them with music from local artists. A shared a quick meeting with a movie maker named \u003ca href=\"https://www.instagram.com/p/CZuxRowBvBh/\" target=\"_blank\" rel=\"noopener noreferrer\">Nijla Mu’min\u003c/a>, who shared her message about her forthcoming film named after Mosswood. A few shots taken by Lake Merritt at sunset.\u003c/p>\n\u003cp>And then it was time for the evening’s main event: a retirement celebration for the former head of East Oakland Youth Development Center, Ms. Regina Jackson. I stood in the back of the room, underdressed and hiding behind my camera, as the decadent Rotunda building in Oakland’s Frank Ogawa Plaza swelled with elected officials and community members praising Ms. Regina’s 27 years of fighting against the machine.\u003c/p>\n\u003cfigure id=\"attachment_13910137\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910137\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/JacksonRetirement_15266-800x532.jpeg\" alt=\"Ms. Regina Jackson receives a standing ovation during her retirement party. \" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-800x532.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-1020x678.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-160x106.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-768x511.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266.jpeg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ms. Regina Jackson receives a standing ovation during her retirement party. \u003ccite>(Via EOYDC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I’ve seen Ms. Regina’s work in Deep East Oakland and in the Far East. In 2014, I served as chaperone on a trip where she took a group of young African American men to China. I didn’t get a chance to give her a hug and some appreciation at her retirement celebration, but if I had, I couldn’t have thanked her enough.\u003c/p>\n\u003cp>I posted a beautiful dance performance by educator and artist \u003ca href=\"https://www.instagram.com/queen_iminah/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Queen Imïnah\u003c/a>, and I headed home. There were a bunch of photos left untaken that day, more than just the assault of the battery-charged car.\u003c/p>\n\u003cp>While en route to Ms. Regina’s celebration, for example, I passed something else that lingered on my mind all month: Westlake Middle School, where Omolade and San-chez held their hunger strike. I saw their tents, and didn’t stop. But I followed their story all month.\u003c/p>\n\u003cp>When I finally I talked to Omolade earlier this week, the first thing I did was apologize for not covering their story earlier. At the end of our talk, I told him about the interaction at the intersection—the man kicking the Tesla. Omolade knew about tenacity. I asked him: how do you \u003cem>keep\u003c/em> fighting the system? I figured that someone who was willing to die for what they believe in might have some guidance for a struggling writer.\u003c/p>\n\u003cp>His answer?\u003c/p>\n\u003cfigure id=\"attachment_13910135\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910135\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-800x1004.png\" alt=\"Maurice André San-Chez and Moses Omolade receive medical attention from community members during their hunger strike. \" width=\"800\" height=\"1004\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-800x1004.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-160x201.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-768x964.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM.png 986w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Maurice André San-Chez and Moses Omolade receive medical attention from community members during their hunger strike. \u003ccite>(Via Moses Omolade )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Love,” said Omolade. “Love was centered, big time. The community really centered love—and it is currently centered. It’s continuously the fire that we use.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>You know what might be wiser than trying to kick against a machine? Investing in organizing, strategizing and community—specifically community love. Note to self.\u003c/p>\n\n","blocks":[],"excerpt":"Ever feel like kicking a Tesla?","status":"publish","parent":0,"modified":1705007124,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":39,"wordCount":1784},"headData":{"title":"Community Love: The Fuel For Fighting the Machine | KQED","description":"Ever feel like kicking a Tesla?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","authorsData":[{"type":"authors","id":"11491","meta":{"index":"authors_1591205172","id":"11491","found":true},"name":"Pendarvis Harshaw","firstName":"Pendarvis","lastName":"Harshaw","slug":"ogpenn","email":"ogpenn@gmail.com","display_author_email":false,"staff_mastheads":["arts"],"title":"Columnist and Host, Rightnowish","bio":"Pendarvis Harshaw is the host of \u003ca href=\"https://www.kqed.org/arts/tag/rightnowish\" rel=\"noopener noreferrer\">\u003cem>Rightnowish\u003c/em>\u003c/a> on KQED-FM, a columnist at KQED Arts, and the author of \u003ci>OG Told Me,\u003c/i> a memoir about growing up in Oakland.","avatar":"https://secure.gravatar.com/avatar/093d33baff5354890e29ad83d58d2c49?s=600&d=blank&r=g","twitter":"ogpenn","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"bayareabites","roles":["author"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Pendarvis Harshaw | KQED","description":"Columnist and Host, Rightnowish","ogImgSrc":"https://secure.gravatar.com/avatar/093d33baff5354890e29ad83d58d2c49?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/093d33baff5354890e29ad83d58d2c49?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ogpenn"}],"imageData":{"ogImageSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_8361-1020x765.jpg","width":1020,"height":765,"mimeType":"image/jpeg"},"twImageSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_8361-1020x765.jpg","width":1020,"height":765,"mimeType":"image/jpeg"},"twitterCard":"summary_large_image"},"tagData":{"tags":["arts-featured","artscommentary","commentary","featured-arts","homelessness","love","Nijla Mu’min","Oakland","OUSD","schools","tesla"]}},"source":"Commentary","sourceUrl":"https://www.kqed.org/artscommentary","sticky":false,"WpOldSlug":"community-love-the-fuel-for-fighting-the-machine","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13909645/oakland-community-love","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">E\u003c/span>arlier this week, \u003ca href=\"https://www.instagram.com/mx.san_chez/\" target=\"_blank\" rel=\"noopener noreferrer\">Maurice André San-Chez\u003c/a> and \u003ca href=\"https://www.instagram.com/craft_ed._x/\" target=\"_blank\" rel=\"noopener noreferrer\">Moses Omolade\u003c/a>, an educator and school administrator who in February held a hunger strike \u003ca href=\"https://www.kqed.org/news/11904278/teachers-and-families-rally-ahead-of-upcoming-vote-on-oakland-school-closures\" target=\"_blank\" rel=\"noopener noreferrer\">to protest Oakland Unified School District’s proposed school closures\u003c/a> in predominantly Black and brown neighborhoods, returned to the location of their protest.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">They cleaned the site at Westlake Middle School, held a restorative justice circle and planted two avocado trees. They chose the non-messy fruit that yields healthy fat after the duo asked themselves, “What’s a fruit that we both enjoy that can be really beneficial to the community?”\u003c/p>\n\u003cp>Omolade and San-Chez’s hunger strike lasted \u003ca style=\"color: #41a62a\" href=\"https://www.instagram.com/p/CaOMXP9Fcoe/\" target=\"_blank\" rel=\"noopener noreferrer\">20 days\u003c/a>, and left San-Chez hospitalized for a short period and Omolade requiring medical treatment.\u003c/p>\n\u003cp>“We initially went out on a hunger strike, and there was a deep, deep, \u003cem>deep\u003c/em> commitment to death,” Omolade tells me during a phone call. “That shit was, like, really wild, to look at one another in the face—and to look at ourselves individually—and be like: ‘I’m willing to die.'”\u003c/p>\n\u003cp>But that perspective shifted over time, and for that he’s grateful.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He credits his changed perspective to community. The students and elders who visited them during the strike spoke words that resonated. “People were coming by,” Omolade says, “being like, ‘Hold up, what ya’ll are doing here is actually important for the longevity of this fight. So, if you can find it within yourselves, take a step back from a commitment to death—because these folks will allow you to die.'”\u003c/p>\n\u003cfigure id=\"attachment_13910134\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910134\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_3159-800x600.jpeg\" alt=\"André San-Chez, Moses Omolade and community members pose for a photo after planting avocado trees in front of West Lake Middle school in Oakland.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-768x576.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-1536x1152.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-2048x1536.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-1920x1440.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">André San-Chez, Moses Omolade and community members pose for a photo after planting avocado trees in front of West Lake Middle school in Oakland. \u003ccite>(Via Moses Omolade.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Along with San-Chez, Omolade is now recharging and strategizing. The fight is much larger, he says, than the closure of a few schools. It’s about systems of racism, structural oppression, and the privatization of schools and public land.\u003c/p>\n\u003cp>They’re currently gathering signatures to recall the school board seats of District 1 and District 7, held respectively by Benjamin “Sam” Davis and Clifford Thompson. And on \u003ca href=\"https://www.instagram.com/p/CaTM30GJJqY/\" target=\"_blank\" rel=\"noopener noreferrer\">Saturday, March 5\u003c/a>, they’ll participate in a protest and march against the proposed East Oakland school closures—gathering at 1390 66th Ave. (the site of Coliseum Prep Academy) at 10am, marching at 11am, and arriving at International Community School with music and performances.\u003c/p>\n\u003cp>So much for rest.\u003c/p>\n\u003cp>As of now, the school board \u003ca href=\"https://oaklandside.org/2022/02/09/oakland-school-board-votes-to-close-seven-schools-over-the-next-two-years/\" target=\"_blank\" rel=\"noopener noreferrer\">plans to close fewer schools\u003c/a> than initially suggested, but still closing seven schools. Despite that, I’m intrigued by San-chez and Omolade’s efforts. In effect, they were laying down in front of the machine and willing to die for their cause.\u003c/p>\n\u003cp>It resonated with me. Finding the fuel to keep fighting is something I had been struggling with for a while.\u003c/p>\n\u003cfigure id=\"attachment_13910127\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910127\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_7498-800x600.jpg\" alt=\"Artist, educator and friend Venus Morris stands by Lake Merritt at sunset while wearing a jacket with the logo of the Black Panther Party, made by MADOW FUTUR. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artist, educator and friend Venus Morris stands by Lake Merritt at sunset while wearing a jacket with the logo of the Black Panther Party, made by MADOW FUTUR. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span>s February flew by, the Oakland school closures, war abroad, COVID’s sustained impact and a few interpersonal issues had been weighing on me.\u003c/p>\n\u003cp>Somehow, I still took a bunch of photos, from the first day of Black History Month to the \u003ca href=\"https://www.kqed.org/arts/13909853/black-joy-parade-2022-oakland-photos\" target=\"_blank\" rel=\"noopener noreferrer\">Black Joy Parade\u003c/a> on its final Sunday. Fly shots. Birthday smiles and nature blossoming. Memories etched in the digital archives.\u003c/p>\n\u003cp>But there’s one image from February that sticks with me. I have no photo of it, but it paints a picture of my recent mind state.\u003c/p>\n\u003cp>At about 2pm on Feb. 5, I sat at the light on West Grand Avenue and Northgate Avenue in Oakland. A middle-aged African American man sporting a bomber jacket with “Security” printed across the back and the word “fuck” written above it in Sharpie started to cross the street.\u003c/p>\n\u003cp>The man halted after a few steps into the crosswalk and turned to square up with a white Tesla that, in its attempt to make a right turn, came too close for comfort.\u003c/p>\n\u003cp>I watched as the driver, an older white woman, threw her arms up and urged the man to move across the street. The man stood his ground with words I couldn’t hear, but with a posture I definitely recognized: he was daring the driver to do something. The car swerved far enough around him so as to not hit him, but close enough for the man to pull off a textbook right-legged roundhouse kick to the driver-side door as the car sped past.\u003c/p>\n\u003cp>The mental snapshot has been inside my dome ever since.\u003c/p>\n\u003cp>\u003cem>He almost get run over by a machine 20 times his size, so he kicks it in protest. Only to see the machine turn and keep rollin’, while he’s left with an injured foot.\u003c/em>\u003c/p>\n\u003cp>Add race and class to that simple synopsis, and it’s a metaphorical breakdown of what I see damn near everyday.\u003c/p>\n\u003cfigure id=\"attachment_13910128\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910128\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_7455-800x373.jpg\" alt=\"A mural by the Bay Area Mural Program located on 22nd Street, between Broadway and Valley Street in Oakland. \" width=\"800\" height=\"373\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-800x373.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-1020x476.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-160x75.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-768x358.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-1536x716.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-2048x955.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-1920x895.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mural by the Bay Area Mural Program located on 22nd Street, between Broadway and Valley Street, in Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The intersection where the punt, pass and kick-a-Tesla competition went down is just around the corner from one of the larger unsheltered encampments in Oakland. For a solid few blocks, tents are strewn down Dr. Martin Luther King Way; a lot of African American folks over there.\u003c/p>\n\u003cp>How many? Well, we don’t know. But we do know that in 2019 about three out four of the 4,000 unsheltered people in Oakland were Black, according to the \u003ca href=\"https://cao-94612.s3.amazonaws.com/documents/2019-Oakland-Point-In-Time-Count-2-page-infographic.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Point in Time Count data from that year\u003c/a>. The first survey of unhoused individuals \u003ca href=\"https://www.eastbaytimes.com/2022/02/23/how-bad-is-it-for-first-time-in-3-years-bay-area-counts-homeless-residents/\">since the pandemic started\u003c/a> just got underway last month, so we’ll see the current numbers soon enough.\u003c/p>\n\u003cp>Even without the data, the image is enough to make you want to punch one of the new luxury high-rises casting shadows over people living on the street.\u003c/p>\n\u003cp>Beyond the issue of finding basic housing for folks, there’s the problem of increased homicides in a number of major cities across the nation, including Oakland. Last week it was announced that \u003ca href=\"https://www.npr.org/2022/02/23/1082564685/guns-leading-cause-of-premature-deaths\" target=\"_blank\" rel=\"noopener noreferrer\">firearms\u003c/a> are now the leading cause of premature death in America, and that \u003ca href=\"https://www.npr.org/2022/02/23/1082564685/guns-leading-cause-of-premature-deaths\" target=\"_blank\" rel=\"noopener noreferrer\">younger Black males are the group most affected by homicide\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13910129\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910129\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_7510-800x600.jpg\" alt=\"A mural of the late Shock G (aka Humpty Hump) located at Frank Ogawa Plaza, painted by Kufue. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mural of the late Shock G (a.k.a. Humpty Hump) located at Frank Ogawa Plaza, painted by Kufue. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Add to that a few interpersonal issues of loneliness and detachment that often come during the winter months, plus news of international war and the potential for a third year of a pandemic, and you can see why being an arts writer and covering the latest rapper with a hot mixtape isn’t always inspiring work.\u003c/p>\n\u003cp>I quit my job like three times since Jan. 1. I’m tired of kicking the machine to keep it from running us over. It always swerves and drives away. \u003cem>The work ain’t working.\u003c/em>\u003c/p>\n\u003cp>So I quit. Well, mentally. I’m not officially part of \u003ca href=\"https://www.npr.org/2021/06/24/1007914455/as-the-pandemic-recedes-millions-of-workers-are-saying-i-quit\" target=\"_blank\" rel=\"noopener noreferrer\">the great resignation\u003c/a>, but similar circumstances. Call it burnout, fatigue, soul-searching or whatever you want, but man, I struggled just sending emails. Gravity got really heavy.\u003c/p>\n\u003cfigure id=\"attachment_13910131\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910131\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-800x537.jpg\" alt=\"Filmmaker, poet and friend Nijla Mu'min poses for a photo in front of a mural that reads Oakland Dreams, by Trust Your Struggle. \" width=\"800\" height=\"537\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-800x537.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-1020x685.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-768x516.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Filmmaker, poet and friend Nijla Mu’min poses for a photo in front of a mural that reads Oakland Dreams, by Trust Your Struggle. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>rying to kickstart my ambition the day of the great electric car-kick-and-connection, I was on assignment: taking over KQED Arts’ Instagram stories to give a glimpse into “a day in the life” of what it’s like for me running around town. I figured some inspiration might find me.\u003c/p>\n\u003cp>I posted images of murals and matched them with music from local artists. A shared a quick meeting with a movie maker named \u003ca href=\"https://www.instagram.com/p/CZuxRowBvBh/\" target=\"_blank\" rel=\"noopener noreferrer\">Nijla Mu’min\u003c/a>, who shared her message about her forthcoming film named after Mosswood. A few shots taken by Lake Merritt at sunset.\u003c/p>\n\u003cp>And then it was time for the evening’s main event: a retirement celebration for the former head of East Oakland Youth Development Center, Ms. Regina Jackson. I stood in the back of the room, underdressed and hiding behind my camera, as the decadent Rotunda building in Oakland’s Frank Ogawa Plaza swelled with elected officials and community members praising Ms. Regina’s 27 years of fighting against the machine.\u003c/p>\n\u003cfigure id=\"attachment_13910137\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910137\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/JacksonRetirement_15266-800x532.jpeg\" alt=\"Ms. Regina Jackson receives a standing ovation during her retirement party. \" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-800x532.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-1020x678.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-160x106.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-768x511.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266.jpeg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ms. Regina Jackson receives a standing ovation during her retirement party. \u003ccite>(Via EOYDC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I’ve seen Ms. Regina’s work in Deep East Oakland and in the Far East. In 2014, I served as chaperone on a trip where she took a group of young African American men to China. I didn’t get a chance to give her a hug and some appreciation at her retirement celebration, but if I had, I couldn’t have thanked her enough.\u003c/p>\n\u003cp>I posted a beautiful dance performance by educator and artist \u003ca href=\"https://www.instagram.com/queen_iminah/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Queen Imïnah\u003c/a>, and I headed home. There were a bunch of photos left untaken that day, more than just the assault of the battery-charged car.\u003c/p>\n\u003cp>While en route to Ms. Regina’s celebration, for example, I passed something else that lingered on my mind all month: Westlake Middle School, where Omolade and San-chez held their hunger strike. I saw their tents, and didn’t stop. But I followed their story all month.\u003c/p>\n\u003cp>When I finally I talked to Omolade earlier this week, the first thing I did was apologize for not covering their story earlier. At the end of our talk, I told him about the interaction at the intersection—the man kicking the Tesla. Omolade knew about tenacity. I asked him: how do you \u003cem>keep\u003c/em> fighting the system? I figured that someone who was willing to die for what they believe in might have some guidance for a struggling writer.\u003c/p>\n\u003cp>His answer?\u003c/p>\n\u003cfigure id=\"attachment_13910135\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910135\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-800x1004.png\" alt=\"Maurice André San-Chez and Moses Omolade receive medical attention from community members during their hunger strike. \" width=\"800\" height=\"1004\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-800x1004.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-160x201.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-768x964.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM.png 986w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Maurice André San-Chez and Moses Omolade receive medical attention from community members during their hunger strike. \u003ccite>(Via Moses Omolade )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Love,” said Omolade. “Love was centered, big time. The community really centered love—and it is currently centered. It’s continuously the fire that we use.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>You know what might be wiser than trying to kick against a machine? Investing in organizing, strategizing and community—specifically community love. Note to self.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13909645/oakland-community-love","authors":["11491"],"categories":["arts_1","arts_2303","arts_835"],"tags":["arts_11374","arts_14452","arts_2767","arts_10278","arts_1355","arts_3931","arts_3851","arts_1143","arts_7292","arts_9159","arts_3901"],"featImg":"arts_13910051","label":"source_arts_13909645","isLoading":false,"hasAllInfo":true}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2023/08/possible-5gxfizEbKOJ-pbF5ASgxrs_.1400x1400.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0017_BayCurious_iTunesTile_01.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/BBC_1400.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/12/CodeSwitchLifeKit_StationGraphics_300x300EmailGraphic.png","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2019/07/commonwealthclub.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2022/02/Consider-This_3000_V3-copy-scaled-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://ww2.kqed.org/app/uploads/2022/06/forum-logo-900x900tile-1.gif","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. 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