Prior to the pandemic, First Fridays were some of Oakland's most popular events. The street fair missed its summer season due to high police fees. Now, event organizers, city leaders and artists are calling on the city to change its system. (Oakland First Fridays/Alicia Rodriguez)
Preserving the Plant was set to debut this July as the first cannabis fair of its kind in Oakland. Event organizer Edward Brown, an advocate for making the cannabis industry equitable for Black and brown communities harmed by the War on Drugs, worked for two years to ensure his vendor market and festival would have the proper permits, insurance, security and COVID protocols to make it a success.
Greg Minor, head of Oakland’s Special Activity Permit Division, had been in communication with Brown throughout the planning process. But Minor didn’t forewarn him that he’d owe the Oakland Police Department money for security fees, Brown says. Three nights before Preserving the Plant was supposed to take place on July 24, Brown recalls getting a surprise email at around 11pm stating that he’d have to pay OPD $6,634 to get his permit.
“There was no way we [could have] come up with that money without somebody taking out a loan,” says Brown. He postponed the event to later this fall because of the high OPD fee; COVID concerns also played a role. “It was extremely frustrating. It felt like we were sabotaged. I followed every single rule that the city asked me to, and the state as well, being compliant and turning in things [on time].”
Now, Brown has joined dozens of event presenters calling on the city of Oakland to change its special events policy to eliminate some of these high costs and bureaucratic hurdles. In 2020, the city council unanimously approved a resolution to put the city administrator’s office in charge of special event permits and hiring security instead of police. But city staff, who say they were waylaid by the more pressing needs of the pandemic, still haven’t changed the policy.
Critics of the current policy are frustrated: In the years prior to the pandemic, Oakland used as much as 84% of its festivals and fairs fund to pay the police department for security instead of directly supporting artists and cultural institutions. This police-led permitting system is cost-prohibitive and inequitable, critics say. They argue it hurts opportunities for artists and small businesses, hampers Oakland’s tourism industry and slows recovery from pandemic restrictions. Now, government leaders, artists and promoters alike are calling for a more transparent, affordable system for throwing festivals, fairs and block parties, all of which are vital for the city’s culture, economy and community relationships.
Preserving the Plant isn’t the only recent event organizers canceled because of high OPD fees. Oakland’s First Fridays art walk had to skip its entire summer season because OPD wanted to charge presenters $24,000 per event.
“It’s just disappointing,” says First Friday organizer Shari Godinez, who serves as the executive director of neighborhood merchants association Koreatown Northgate Community Benefit District. “If the city does want to support the arts and culture and revitalizing business in the city, they would support First Friday.”
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First Fridays are a big economic driver for Oakland. The street fair typically draws tens of thousands of attendees and boosts revenues in the area by as much as 250%, Godinez says. After its cancellation generated media attention and public outcry, event organizers were able to secure a comeback date in October. Godinez says she met with Oakland Police Chief LeRonne Armstrong, and Armstrong agreed to reduce OPD’s security fees to around $10,000. With the help of City Councilmember At-Large Rebecca Kaplan, Godinez found a corporate sponsor, DoorDash, to cover the cost for October.
But this isn’t a sustainable strategy for the long term, nor is it an accessible pathway for less-established event organizers with no connections in city government. “We can’t take that expense on every month, it just isn’t feasible,” Godinez says.
Festival-goers attend First Friday in January 2020. (Oakland First Fridays/Alicia Rodriguez)
A Dysfunctional System Shuts Down Community Events
Event presenters and city officials have long argued that Oakland’s current system for special events isn’t working. The Oakland Police Department decides how many officers to send to an event and sets its own price for security fees. It’s impossible for a festival organizer to obtain a permit without paying whatever amount OPD determines, sometimes with only a day’s notice. That means the costs to presenters can seem arbitrary and unpredictable, ranging anywhere from hundreds of dollars to the $24,000 initially required of First Fridays.
Many Oakland street fairs and block parties are free to the public and don’t have major corporate sponsors, so surprise fees can force organizers to cancel their events or make difficult decisions, such as not paying performers or taking on debt. Short of reaching out to city councilmembers to intervene, there’s no formal process for appealing OPD’s decisions.
For Brown, postponing Preserving the Plant meant losing hundreds of dollars on top of dealing with complicated logistics. “We had to pay off the band,” says Brown, adding that he had to find a new headliner because the original act couldn’t reschedule.
OPD has no publicly available policy that explains how security fees are determined, and did not return KQED’s request for comment.
“In order to not reduce resources needed to respond to critical public safety services (i.e., 911 calls, Ceasefire, violent crimes, etc.), these events are staffed with police officers working overtime,” explains Harry Hamilton of Oakland’s Economic & Workforce Development Department.
But critics say therein lies the problem. “We are wasting very expensive police officers on duties that have nothing to do with fighting guns or fighting violent crime,” says Councilmember Kaplan, who proposed a 2020 resolution to transfer special events permits from OPD to city staff.
Under the current system, officers are tasked with processing paperwork and directing traffic in addition to doing security. “And we are tripling the costs of community events for no benefit,” Kaplan adds.
Kaplan says police fees almost forced the city to shut down a voting site at the Oakland Coliseum during the November 2020 election. “It came within minutes of not happening because the Oakland Police Department was trying to shake them down for many, many tens of thousands of dollars under the theory that this was a special event,” she says, adding that OPD reduced costs after some “high-level people intervened.”
For years, civil rights advocates, artists and event promoters have accused the Oakland Police Department of deploying its special events policy in racist ways, ramping up costs for events with Black artists and audiences. In 2017, an East Bay Express report described a pattern of OPD using security fees to effectively shut down rap concerts. “OPD knows they’re infringing on these artists’ right to perform,” San Francisco attorney John Hamasaki alleged at the time.
Kaplan says that pattern has persisted, and that organizers have complained OPD is abusing the system. “There have been complaints that it’s been disproportionately used against Black community events,” she says. “And I think there’s a lot of history that supports that claim. … The system is inherently a setup for failure.”
Funding Earmarked for Arts Goes to Police
While Oakland budgets money in each fiscal year to support the arts, most of its festivals and fairs fund ends up going to the police department instead of artists or cultural organizations, city data shows.
A breakdown of Oakland’s festivals and fairs fund, which the Economic & Workforce Development Department provided to KQED, reveals that 84% of the fund went towards covering OPD fees in fiscal year 2017. That figure was 76.1% for fiscal year 2018 and 72.5% in fiscal year 2019.
Meanwhile, at the latest Cultural Affairs Commission meeting in July, the organizers of the 11 festivals the fund supports described working with shoestring budgets that left them unable to pay performers in some cases. “We can’t fund a payment for them because we’ve just got so many other costs,” Shifra de Benedictis-Kessner, organizer of the 40th Street Block Party in Temescal, said at the meeting. She added that for the past four years $2,000 of her $5,000 event budget has gone to OPD and fire department costs. “It limits our ability to have a diversity of programing and really support our artists in the city of Oakland.”
Oakland’s hotel tax typically subsidizes some of the city’s festivals and fairs. But that fund was used to cover other budget shortfalls during the pandemic, which is why the organizers of First Fridays and other events are now responsible for paying Oakland police out of pocket. But even if that fund were flush with cash, critics say the money should be going to artists instead of police.
“It’s a problem because it’s not the intended use of the fund,” says Kaplan. “We need to be supporting our cultural institutions and our artists and these communities that have been incredibly hard hit and are struggling.”
Event-goers gather in Oakland’s Liberation Park, part of the city’s Black Cultural Zone, for Outdoor Play Day + The Town Experience Community Photo Shoot in February 2021. Charlese Banks, founder of The Town Experience, says events like these are vital for Oakland’s community and tourism industry. (Courtesy of The Town Experience)
What’s more, leaders in Oakland’s tourism industry worry that it will be more difficult to replenish Oakland’s hotel tax fund without the attractions that bring people to the city in the first place. “The idea is we get people to fly into Oakland, stay in Oakland. But what are the experiences you give them once they’re here?” asks Charlese Banks of The Town Experience, a marketing firm that promotes Oakland as a “vibrant travel destination.”
“Those are very important to their overall stay,” she says. “It’s not just about putting heads in the beds.”
A New Policy Could Help Future Festivals and Parties
In 2020, the Oakland city council unanimously approved Kaplan’s plan to put the city administration in charge of permits instead of OPD. As outlined in the resolution, deploying city staffers and hired security guards for event duties would be significantly cheaper than having police work overtime.
But the Special Activity Permit Division hasn’t yet implemented this policy, over a year later. Hamilton says that’s because the city council didn’t originally set aside money for the resolution, so there wasn’t enough staffing to implement changes. Oakland’s new budget for fiscal years 2021–2023 provides funding for one new position, which still hasn’t been filled, to support a revised special events process.
“During the last year when gatherings were prohibited by local and state public health orders implemented during the height of the COVID-19 pandemic, city staff focused its limited resources on COVID-19 responses,” Hamilton explains via email, “such as the Flex Streets Initiative to help restaurants and retailers operate outdoors in the public rights-of-way, thereby preventing business closures and keeping workers employed, and the Lake Merritt Vending program to support vendors impacted by the pandemic.”
Kaplan, on the other hand, doesn’t accept this justification for the delay. “The notion that there wasn’t enough money to do the transfer is frankly insulting,” she says. “First of all, this was the direction to the administrator: to work on it and come back to the council if he needed a new budget allocation. There’s been 20 different opportunities to ask for that at numerous budget hearings. … I think it just reflects a lack of desire to do it.”
Currently, a task force of interdepartmental city staff is meeting to come up with a new, more streamlined process for special events, and hopes to present it to the city council in October. “One basic concept we’re hoping to implement is a little bit more transparency on the security requirements just so that there’s consistency,” Minor of the Special Activity Permit Division said at the Cultural Affairs Commission meeting in July, where dozens of event organizers spoke out in favor of the change.
It’s unclear whether the final plan will resemble Kaplan and the city council’s original vision; police security fees may still be a factor going forward. “Since the new permitting process is still being developed, the precise roles of each City department (including OPD) has not yet been determined,” Hamilton writes.
For Godinez’ part, she doesn’t mind working with OPD. She just doesn’t think First Fridays and other events should have to pay for it. “We’ve never asked them to reduce the [number of] officers,” she says, adding that she has also reached out to the civilian-led Department of Violence Prevention to support October’s event. “We’ve always asked them to do what they think will keep this event safe.”
The city task force anticipates presenting its new plan for special events later this fall. But until then, event organizers are left to deal with a confusing, expensive process for the rest of the season.
“It’s just unfair,” says Brown of Preserving the Plant. “I think that the city of Oakland can waive the fees. They could have had me pay them later, you know, bill me next year or, ‘OK, you’re doing this for cannabis equity. Well then let’s just figure out a way to wipe the slate.’ Something clever and impactful, because this what you created the equity program for.”
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"content": "\u003cp>Preserving the Plant was set to debut this July as the first cannabis fair of its kind in Oakland. Event organizer Edward Brown, an advocate for making the cannabis industry equitable for Black and brown communities harmed by the War on Drugs, worked for two years to ensure his vendor market and festival would have the proper permits, insurance, security and COVID protocols to make it a success.\u003c/p>\n\u003cp>Greg Minor, head of Oakland’s Special Activity Permit Division, had been in communication with Brown throughout the planning process. But Minor didn’t forewarn him that he’d owe the Oakland Police Department money for security fees, Brown says. Three nights before Preserving the Plant was supposed to take place on July 24, Brown recalls getting a surprise email at around 11pm stating that he’d have to pay OPD $6,634 to get his permit.\u003c/p>\n\u003cp>“There was no way we [could have] come up with that money without somebody taking out a loan,” says Brown. He postponed the event to later this fall because of the high OPD fee; COVID concerns also played a role. “It was extremely frustrating. It felt like we were sabotaged. I followed every single rule that the city asked me to, and the state as well, being compliant and turning in things [on time].”\u003c/p>\n\u003cp>Now, Brown has joined dozens of event presenters calling on the city of Oakland to change its special events policy to eliminate some of these high costs and bureaucratic hurdles. In 2020, the city council unanimously approved a resolution to put the city administrator’s office in charge of special event permits and hiring security instead of police. But city staff, who say they were waylaid by the more pressing needs of the pandemic, still haven’t changed the policy.\u003c/p>\n\u003cp>Critics of the current policy are frustrated: In the years prior to the pandemic, Oakland used as much as 84% of its festivals and fairs fund to pay the police department for security instead of directly supporting artists and cultural institutions. This police-led permitting system is cost-prohibitive and inequitable, critics say. They argue it hurts opportunities for artists and small businesses, hampers Oakland’s tourism industry and slows recovery from pandemic restrictions. Now, government leaders, artists and promoters alike are calling for a more transparent, affordable system for throwing festivals, fairs and block parties, all of which are vital for the city’s culture, economy and community relationships.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Preserving the Plant isn’t the only recent event organizers canceled because of high OPD fees. Oakland’s First Fridays art walk had to skip its entire summer season because OPD wanted to charge presenters $24,000 per event.\u003c/p>\n\u003cp>“It’s just disappointing,” says First Friday organizer Shari Godinez, who serves as the executive director of neighborhood merchants association Koreatown Northgate Community Benefit District. “If the city does want to support the arts and culture and revitalizing business in the city, they would support First Friday.” [aside postid='arts_13899431']\u003c/p>\n\u003cp>First Fridays are a big economic driver for Oakland. The street fair typically draws tens of thousands of attendees and boosts revenues in the area by as much as 250%, Godinez says. After its cancellation generated media attention and public outcry, event organizers were able to secure a comeback date in October. Godinez says she met with Oakland Police Chief LeRonne Armstrong, and Armstrong agreed to reduce OPD’s security fees to around $10,000. With the help of City Councilmember At-Large Rebecca Kaplan, Godinez found a corporate sponsor, DoorDash, to cover the cost for October.\u003c/p>\n\u003cp>But this isn’t a sustainable strategy for the long term, nor is it an accessible pathway for less-established event organizers with no connections in city government. “We can’t take that expense on every month, it just isn’t feasible,” Godinez says.\u003c/p>\n\u003cfigure id=\"attachment_13902366\" class=\"wp-caption aligncenter\" style=\"max-width: 1560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/202001-Oakff-AliciaRodriguez-082-1.jpg\" alt=\"Women laugh and smile at a street fair in Oakland.\" width=\"1560\" height=\"1067\" class=\"size-full wp-image-13902366\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/202001-Oakff-AliciaRodriguez-082-1.jpg 1560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/202001-Oakff-AliciaRodriguez-082-1-800x547.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/202001-Oakff-AliciaRodriguez-082-1-1020x698.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/202001-Oakff-AliciaRodriguez-082-1-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/202001-Oakff-AliciaRodriguez-082-1-768x525.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/202001-Oakff-AliciaRodriguez-082-1-1536x1051.jpg 1536w\" sizes=\"(max-width: 1560px) 100vw, 1560px\">\u003cfigcaption class=\"wp-caption-text\">Festival-goers attend First Friday in January 2020. \u003ccite>(Oakland First Fridays/\u003ca href=\"https://www.aliciarphoto.com/\" target=\"_blank\">Alicia Rodriguez\u003c/a>)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A Dysfunctional System Shuts Down Community Events\u003c/h2>\n\u003cp>Event presenters and city officials have long argued that Oakland’s current system for special events isn’t working. The Oakland Police Department decides how many officers to send to an event and sets its own price for security fees. It’s impossible for a festival organizer to obtain a permit without paying whatever amount OPD determines, sometimes with only a day’s notice. That means the costs to presenters can seem arbitrary and unpredictable, ranging anywhere from hundreds of dollars to the $24,000 initially required of First Fridays.\u003c/p>\n\u003cp>Many Oakland street fairs and block parties are free to the public and don’t have major corporate sponsors, so surprise fees can force organizers to cancel their events or make difficult decisions, such as not paying performers or taking on debt. Short of reaching out to city councilmembers to intervene, there’s no formal process for appealing OPD’s decisions.\u003c/p>\n\u003cp>[pullquote citation='Shari Godinez, First Fridays organizer' size='large']‘We can’t take that expense on every month, it just isn’t feasible.’[/pullquote]\u003c/p>\n\u003cp>For Brown, postponing Preserving the Plant meant losing hundreds of dollars on top of dealing with complicated logistics. “We had to pay off the band,” says Brown, adding that he had to find a new headliner because the original act couldn’t reschedule.\u003c/p>\n\u003cp>OPD has no publicly available policy that explains how security fees are determined, and did not return KQED’s request for comment.\u003c/p>\n\u003cp>“In order to not reduce resources needed to respond to critical public safety services (i.e., 911 calls, Ceasefire, violent crimes, etc.), these events are staffed with police officers working overtime,” explains Harry Hamilton of Oakland’s Economic & Workforce Development Department.\u003c/p>\n\u003cp>But critics say therein lies the problem. “We are wasting very expensive police officers on duties that have nothing to do with fighting guns or fighting violent crime,” says Councilmember Kaplan, who proposed a 2020 resolution to transfer special events permits from OPD to city staff.\u003c/p>\n\u003cp>Under the current system, officers are tasked with processing paperwork and directing traffic in addition to doing security. “And we are tripling the costs of community events for no benefit,” Kaplan adds.\u003c/p>\n\u003cp>[pullquote citation='Edward Brown, cannabis equity advocate and event organizer' size='large']‘There was no way we [could have] come up with that money without somebody taking out a loan.’[/pullquote]\u003c/p>\n\u003cp>Kaplan says police fees almost forced the city to shut down a voting site at the Oakland Coliseum during the November 2020 election. “It came within minutes of not happening because the Oakland Police Department was trying to shake them down for many, many tens of thousands of dollars under the theory that this was a special event,” she says, adding that OPD reduced costs after some “high-level people intervened.”\u003c/p>\n\u003cp>For years, civil rights advocates, artists and event promoters have accused the Oakland Police Department of deploying its special events policy in racist ways, ramping up costs for events with Black artists and audiences. In 2017, an \u003cem>East Bay Express\u003c/em> report described a pattern of \u003ca href=\"https://eastbayexpress.com/blacklisted-how-the-oakland-police-department-discriminates-against-rappers-and-music-venues-2-1/\" target=\"_blank\" rel=\"noopener noreferrer\">OPD using security fees to effectively shut down rap concerts\u003c/a>. “OPD knows they’re infringing on these artists’ right to perform,” San Francisco attorney John Hamasaki alleged at the time.\u003c/p>\n\u003cp>Kaplan says that pattern has persisted, and that organizers have complained OPD is abusing the system. “There have been complaints that it’s been disproportionately used against Black community events,” she says. “And I think there’s a lot of history that supports that claim. … The system is inherently a setup for failure.”\u003c/p>\n\u003ch2>Funding Earmarked for Arts Goes to Police\u003c/h2>\n\u003cp>While Oakland budgets money in each fiscal year to support the arts, most of its festivals and fairs fund ends up going to the police department instead of artists or cultural organizations, city data shows.\u003c/p>\n\u003cp>A breakdown of Oakland’s festivals and fairs fund, which the Economic & Workforce Development Department provided to KQED, reveals that 84% of the fund went towards covering OPD fees in fiscal year 2017. That figure was 76.1% for fiscal year 2018 and 72.5% in fiscal year 2019.\u003c/p>\n\u003cp>Meanwhile, at the latest Cultural Affairs Commission meeting in July, the organizers of the 11 festivals the fund supports described working with shoestring budgets that left them unable to pay performers in some cases. “We can’t fund a payment for them because we’ve just got so many other costs,” Shifra de Benedictis-Kessner, organizer of the 40th Street Block Party in Temescal, said at the meeting. She added that for the past four years $2,000 of her $5,000 event budget has gone to OPD and fire department costs. “It limits our ability to have a diversity of programing and really support our artists in the city of Oakland.”\u003c/p>\n\u003cp>Oakland’s hotel tax typically subsidizes some of the city’s festivals and fairs. But that fund was used to cover other budget shortfalls during the pandemic, which is why the organizers of First Fridays and other events are now responsible for paying Oakland police out of pocket. But even if that fund were flush with cash, critics say the money should be going to artists instead of police.\u003c/p>\n\u003cp>“It’s a problem because it’s not the intended use of the fund,” says Kaplan. “We need to be supporting our cultural institutions and our artists and these communities that have been incredibly hard hit and are struggling.”\u003c/p>\n\u003cfigure id=\"attachment_13902301\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13902301\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/town-experience-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/town-experience-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/town-experience-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/town-experience-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/town-experience-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/town-experience.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Event-goers gather in Oakland’s Liberation Park, part of the city’s Black Cultural Zone, for Outdoor Play Day + The Town Experience Community Photo Shoot in February 2021. Charlese Banks, founder of The Town Experience, says events like these are vital for Oakland’s community and tourism industry. \u003ccite>(Courtesy of The Town Experience)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>What’s more, leaders in Oakland’s tourism industry worry that it will be more difficult to replenish Oakland’s hotel tax fund without the attractions that bring people to the city in the first place. “The idea is we get people to fly into Oakland, stay in Oakland. But what are the experiences you give them once they’re here?” asks Charlese Banks of The Town Experience, a marketing firm that promotes Oakland as a “vibrant travel destination.”\u003c/p>\n\u003cp>“Those are very important to their overall stay,” she says. “It’s not just about putting heads in the beds.”\u003c/p>\n\u003ch2>A New Policy Could Help Future Festivals and Parties\u003c/h2>\n\u003cp>In 2020, the Oakland city council unanimously approved Kaplan’s plan to put the city administration in charge of permits instead of OPD. As outlined in the resolution, deploying city staffers and hired security guards for event duties would be significantly cheaper than having police work overtime.\u003c/p>\n\u003cp>[pullquote citation='Oakland City Councilmember Rebecca Kaplan' size='large']‘We are wasting very expensive police officers on duties that have nothing to do with fighting guns or fighting violent crime.’[/pullquote]\u003c/p>\n\u003cp>But the Special Activity Permit Division hasn’t yet implemented this policy, over a year later. Hamilton says that’s because the city council didn’t originally set aside money for the resolution, so there wasn’t enough staffing to implement changes. Oakland’s new budget for fiscal years 2021–2023 provides funding for one new position, which still hasn’t been filled, to support a revised special events process.\u003c/p>\n\u003cp>“During the last year when gatherings were prohibited by local and state public health orders implemented during the height of the COVID-19 pandemic, city staff focused its limited resources on COVID-19 responses,” Hamilton explains via email, “such as the Flex Streets Initiative to help restaurants and retailers operate outdoors in the public rights-of-way, thereby preventing business closures and keeping workers employed, and the Lake Merritt Vending program to support vendors impacted by the pandemic.”\u003c/p>\n\u003cp>Kaplan, on the other hand, doesn’t accept this justification for the delay. “The notion that there wasn’t enough money to do the transfer is frankly insulting,” she says. “First of all, this was the direction to the administrator: to work on it and come back to the council if he needed a new budget allocation. There’s been 20 different opportunities to ask for that at numerous budget hearings. … I think it just reflects a lack of desire to do it.”\u003c/p>\n\u003cp>Currently, a task force of interdepartmental city staff is meeting to come up with a new, more streamlined process for special events, and hopes to present it to the city council in October. “One basic concept we’re hoping to implement is a little bit more transparency on the security requirements just so that there’s consistency,” Minor of the Special Activity Permit Division said at the Cultural Affairs Commission meeting in July, where dozens of event organizers spoke out in favor of the change. \u003c/p>\n\u003cp>It’s unclear whether the final plan will resemble Kaplan and the city council’s original vision; police security fees may still be a factor going forward. “Since the new permitting process is still being developed, the precise roles of each City department (including OPD) has not yet been determined,” Hamilton writes.\u003c/p>\n\u003cp>For Godinez’ part, she doesn’t mind working with OPD. She just doesn’t think First Fridays and other events should have to pay for it. “We’ve never asked them to reduce the [number of] officers,” she says, adding that she has also reached out to the civilian-led Department of Violence Prevention to support October’s event. “We’ve always asked them to do what they think will keep this event safe.”\u003c/p>\n\u003cp>The city task force anticipates presenting its new plan for special events later this fall. But until then, event organizers are left to deal with a confusing, expensive process for the rest of the season. \u003c/p>\n\u003cp>“It’s just unfair,” says Brown of Preserving the Plant. “I think that the city of Oakland can waive the fees. They could have had me pay them later, you know, bill me next year or, ‘OK, you’re doing this for cannabis equity. Well then let’s just figure out a way to wipe the slate.’ Something clever and impactful, because this what you created the equity program for.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cdiv data-tf-widget=\"Ty3UFwaW\" style=\"width:100%;height:400px;color:#FFFFFF;\">\u003c/div>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cscript src=\"//embed.typeform.com/next/embed.js\">\u003c/script>\u003c/p>\n\n",
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"title": "How Expensive Police Fees Shut Down Oakland Community Events | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Preserving the Plant was set to debut this July as the first cannabis fair of its kind in Oakland. Event organizer Edward Brown, an advocate for making the cannabis industry equitable for Black and brown communities harmed by the War on Drugs, worked for two years to ensure his vendor market and festival would have the proper permits, insurance, security and COVID protocols to make it a success.\u003c/p>\n\u003cp>Greg Minor, head of Oakland’s Special Activity Permit Division, had been in communication with Brown throughout the planning process. But Minor didn’t forewarn him that he’d owe the Oakland Police Department money for security fees, Brown says. Three nights before Preserving the Plant was supposed to take place on July 24, Brown recalls getting a surprise email at around 11pm stating that he’d have to pay OPD $6,634 to get his permit.\u003c/p>\n\u003cp>“There was no way we [could have] come up with that money without somebody taking out a loan,” says Brown. He postponed the event to later this fall because of the high OPD fee; COVID concerns also played a role. “It was extremely frustrating. It felt like we were sabotaged. I followed every single rule that the city asked me to, and the state as well, being compliant and turning in things [on time].”\u003c/p>\n\u003cp>Now, Brown has joined dozens of event presenters calling on the city of Oakland to change its special events policy to eliminate some of these high costs and bureaucratic hurdles. In 2020, the city council unanimously approved a resolution to put the city administrator’s office in charge of special event permits and hiring security instead of police. But city staff, who say they were waylaid by the more pressing needs of the pandemic, still haven’t changed the policy.\u003c/p>\n\u003cp>Critics of the current policy are frustrated: In the years prior to the pandemic, Oakland used as much as 84% of its festivals and fairs fund to pay the police department for security instead of directly supporting artists and cultural institutions. This police-led permitting system is cost-prohibitive and inequitable, critics say. They argue it hurts opportunities for artists and small businesses, hampers Oakland’s tourism industry and slows recovery from pandemic restrictions. Now, government leaders, artists and promoters alike are calling for a more transparent, affordable system for throwing festivals, fairs and block parties, all of which are vital for the city’s culture, economy and community relationships.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Preserving the Plant isn’t the only recent event organizers canceled because of high OPD fees. Oakland’s First Fridays art walk had to skip its entire summer season because OPD wanted to charge presenters $24,000 per event.\u003c/p>\n\u003cp>“It’s just disappointing,” says First Friday organizer Shari Godinez, who serves as the executive director of neighborhood merchants association Koreatown Northgate Community Benefit District. “If the city does want to support the arts and culture and revitalizing business in the city, they would support First Friday.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>First Fridays are a big economic driver for Oakland. The street fair typically draws tens of thousands of attendees and boosts revenues in the area by as much as 250%, Godinez says. After its cancellation generated media attention and public outcry, event organizers were able to secure a comeback date in October. Godinez says she met with Oakland Police Chief LeRonne Armstrong, and Armstrong agreed to reduce OPD’s security fees to around $10,000. With the help of City Councilmember At-Large Rebecca Kaplan, Godinez found a corporate sponsor, DoorDash, to cover the cost for October.\u003c/p>\n\u003cp>But this isn’t a sustainable strategy for the long term, nor is it an accessible pathway for less-established event organizers with no connections in city government. “We can’t take that expense on every month, it just isn’t feasible,” Godinez says.\u003c/p>\n\u003cfigure id=\"attachment_13902366\" class=\"wp-caption aligncenter\" style=\"max-width: 1560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/202001-Oakff-AliciaRodriguez-082-1.jpg\" alt=\"Women laugh and smile at a street fair in Oakland.\" width=\"1560\" height=\"1067\" class=\"size-full wp-image-13902366\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/202001-Oakff-AliciaRodriguez-082-1.jpg 1560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/202001-Oakff-AliciaRodriguez-082-1-800x547.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/202001-Oakff-AliciaRodriguez-082-1-1020x698.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/202001-Oakff-AliciaRodriguez-082-1-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/202001-Oakff-AliciaRodriguez-082-1-768x525.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/202001-Oakff-AliciaRodriguez-082-1-1536x1051.jpg 1536w\" sizes=\"(max-width: 1560px) 100vw, 1560px\">\u003cfigcaption class=\"wp-caption-text\">Festival-goers attend First Friday in January 2020. \u003ccite>(Oakland First Fridays/\u003ca href=\"https://www.aliciarphoto.com/\" target=\"_blank\">Alicia Rodriguez\u003c/a>)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A Dysfunctional System Shuts Down Community Events\u003c/h2>\n\u003cp>Event presenters and city officials have long argued that Oakland’s current system for special events isn’t working. The Oakland Police Department decides how many officers to send to an event and sets its own price for security fees. It’s impossible for a festival organizer to obtain a permit without paying whatever amount OPD determines, sometimes with only a day’s notice. That means the costs to presenters can seem arbitrary and unpredictable, ranging anywhere from hundreds of dollars to the $24,000 initially required of First Fridays.\u003c/p>\n\u003cp>Many Oakland street fairs and block parties are free to the public and don’t have major corporate sponsors, so surprise fees can force organizers to cancel their events or make difficult decisions, such as not paying performers or taking on debt. Short of reaching out to city councilmembers to intervene, there’s no formal process for appealing OPD’s decisions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For Brown, postponing Preserving the Plant meant losing hundreds of dollars on top of dealing with complicated logistics. “We had to pay off the band,” says Brown, adding that he had to find a new headliner because the original act couldn’t reschedule.\u003c/p>\n\u003cp>OPD has no publicly available policy that explains how security fees are determined, and did not return KQED’s request for comment.\u003c/p>\n\u003cp>“In order to not reduce resources needed to respond to critical public safety services (i.e., 911 calls, Ceasefire, violent crimes, etc.), these events are staffed with police officers working overtime,” explains Harry Hamilton of Oakland’s Economic & Workforce Development Department.\u003c/p>\n\u003cp>But critics say therein lies the problem. “We are wasting very expensive police officers on duties that have nothing to do with fighting guns or fighting violent crime,” says Councilmember Kaplan, who proposed a 2020 resolution to transfer special events permits from OPD to city staff.\u003c/p>\n\u003cp>Under the current system, officers are tasked with processing paperwork and directing traffic in addition to doing security. “And we are tripling the costs of community events for no benefit,” Kaplan adds.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Kaplan says police fees almost forced the city to shut down a voting site at the Oakland Coliseum during the November 2020 election. “It came within minutes of not happening because the Oakland Police Department was trying to shake them down for many, many tens of thousands of dollars under the theory that this was a special event,” she says, adding that OPD reduced costs after some “high-level people intervened.”\u003c/p>\n\u003cp>For years, civil rights advocates, artists and event promoters have accused the Oakland Police Department of deploying its special events policy in racist ways, ramping up costs for events with Black artists and audiences. In 2017, an \u003cem>East Bay Express\u003c/em> report described a pattern of \u003ca href=\"https://eastbayexpress.com/blacklisted-how-the-oakland-police-department-discriminates-against-rappers-and-music-venues-2-1/\" target=\"_blank\" rel=\"noopener noreferrer\">OPD using security fees to effectively shut down rap concerts\u003c/a>. “OPD knows they’re infringing on these artists’ right to perform,” San Francisco attorney John Hamasaki alleged at the time.\u003c/p>\n\u003cp>Kaplan says that pattern has persisted, and that organizers have complained OPD is abusing the system. “There have been complaints that it’s been disproportionately used against Black community events,” she says. “And I think there’s a lot of history that supports that claim. … The system is inherently a setup for failure.”\u003c/p>\n\u003ch2>Funding Earmarked for Arts Goes to Police\u003c/h2>\n\u003cp>While Oakland budgets money in each fiscal year to support the arts, most of its festivals and fairs fund ends up going to the police department instead of artists or cultural organizations, city data shows.\u003c/p>\n\u003cp>A breakdown of Oakland’s festivals and fairs fund, which the Economic & Workforce Development Department provided to KQED, reveals that 84% of the fund went towards covering OPD fees in fiscal year 2017. That figure was 76.1% for fiscal year 2018 and 72.5% in fiscal year 2019.\u003c/p>\n\u003cp>Meanwhile, at the latest Cultural Affairs Commission meeting in July, the organizers of the 11 festivals the fund supports described working with shoestring budgets that left them unable to pay performers in some cases. “We can’t fund a payment for them because we’ve just got so many other costs,” Shifra de Benedictis-Kessner, organizer of the 40th Street Block Party in Temescal, said at the meeting. She added that for the past four years $2,000 of her $5,000 event budget has gone to OPD and fire department costs. “It limits our ability to have a diversity of programing and really support our artists in the city of Oakland.”\u003c/p>\n\u003cp>Oakland’s hotel tax typically subsidizes some of the city’s festivals and fairs. But that fund was used to cover other budget shortfalls during the pandemic, which is why the organizers of First Fridays and other events are now responsible for paying Oakland police out of pocket. But even if that fund were flush with cash, critics say the money should be going to artists instead of police.\u003c/p>\n\u003cp>“It’s a problem because it’s not the intended use of the fund,” says Kaplan. “We need to be supporting our cultural institutions and our artists and these communities that have been incredibly hard hit and are struggling.”\u003c/p>\n\u003cfigure id=\"attachment_13902301\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13902301\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/town-experience-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/town-experience-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/town-experience-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/town-experience-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/town-experience-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/town-experience.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Event-goers gather in Oakland’s Liberation Park, part of the city’s Black Cultural Zone, for Outdoor Play Day + The Town Experience Community Photo Shoot in February 2021. Charlese Banks, founder of The Town Experience, says events like these are vital for Oakland’s community and tourism industry. \u003ccite>(Courtesy of The Town Experience)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>What’s more, leaders in Oakland’s tourism industry worry that it will be more difficult to replenish Oakland’s hotel tax fund without the attractions that bring people to the city in the first place. “The idea is we get people to fly into Oakland, stay in Oakland. But what are the experiences you give them once they’re here?” asks Charlese Banks of The Town Experience, a marketing firm that promotes Oakland as a “vibrant travel destination.”\u003c/p>\n\u003cp>“Those are very important to their overall stay,” she says. “It’s not just about putting heads in the beds.”\u003c/p>\n\u003ch2>A New Policy Could Help Future Festivals and Parties\u003c/h2>\n\u003cp>In 2020, the Oakland city council unanimously approved Kaplan’s plan to put the city administration in charge of permits instead of OPD. As outlined in the resolution, deploying city staffers and hired security guards for event duties would be significantly cheaper than having police work overtime.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But the Special Activity Permit Division hasn’t yet implemented this policy, over a year later. Hamilton says that’s because the city council didn’t originally set aside money for the resolution, so there wasn’t enough staffing to implement changes. Oakland’s new budget for fiscal years 2021–2023 provides funding for one new position, which still hasn’t been filled, to support a revised special events process.\u003c/p>\n\u003cp>“During the last year when gatherings were prohibited by local and state public health orders implemented during the height of the COVID-19 pandemic, city staff focused its limited resources on COVID-19 responses,” Hamilton explains via email, “such as the Flex Streets Initiative to help restaurants and retailers operate outdoors in the public rights-of-way, thereby preventing business closures and keeping workers employed, and the Lake Merritt Vending program to support vendors impacted by the pandemic.”\u003c/p>\n\u003cp>Kaplan, on the other hand, doesn’t accept this justification for the delay. “The notion that there wasn’t enough money to do the transfer is frankly insulting,” she says. “First of all, this was the direction to the administrator: to work on it and come back to the council if he needed a new budget allocation. There’s been 20 different opportunities to ask for that at numerous budget hearings. … I think it just reflects a lack of desire to do it.”\u003c/p>\n\u003cp>Currently, a task force of interdepartmental city staff is meeting to come up with a new, more streamlined process for special events, and hopes to present it to the city council in October. “One basic concept we’re hoping to implement is a little bit more transparency on the security requirements just so that there’s consistency,” Minor of the Special Activity Permit Division said at the Cultural Affairs Commission meeting in July, where dozens of event organizers spoke out in favor of the change. \u003c/p>\n\u003cp>It’s unclear whether the final plan will resemble Kaplan and the city council’s original vision; police security fees may still be a factor going forward. “Since the new permitting process is still being developed, the precise roles of each City department (including OPD) has not yet been determined,” Hamilton writes.\u003c/p>\n\u003cp>For Godinez’ part, she doesn’t mind working with OPD. She just doesn’t think First Fridays and other events should have to pay for it. “We’ve never asked them to reduce the [number of] officers,” she says, adding that she has also reached out to the civilian-led Department of Violence Prevention to support October’s event. “We’ve always asked them to do what they think will keep this event safe.”\u003c/p>\n\u003cp>The city task force anticipates presenting its new plan for special events later this fall. But until then, event organizers are left to deal with a confusing, expensive process for the rest of the season. \u003c/p>\n\u003cp>“It’s just unfair,” says Brown of Preserving the Plant. “I think that the city of Oakland can waive the fees. They could have had me pay them later, you know, bill me next year or, ‘OK, you’re doing this for cannabis equity. Well then let’s just figure out a way to wipe the slate.’ Something clever and impactful, because this what you created the equity program for.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cdiv data-tf-widget=\"Ty3UFwaW\" style=\"width:100%;height:400px;color:#FFFFFF;\">\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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"link": "/radio/program/reveal",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
},
"link": "/podcasts/rightnowish",
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