Bobby Okamura, one of the owners of Benkyodo, still works long hours at the 115-year-old mochi shop. (Anna Mindess)
A
sea of little bottles in aqua, pink and seafoam green line the long bar of On the Bridge in San Francisco Japantown. Chef Mitsuhiro Nakamura is proud of his ability to choose the perfect sake from his collection to match the taste of any diner. But when the shelter in place started last spring, the restaurant Nakamura and his wife Yolanda had run for 30 years immediately lost 90 percent of its business due to its location on the narrow, enclosed bridgeway connecting the Japan Center’s West Mall and Kinokuniya building.
Without direct street access, On the Bridge was literally marooned.
San Francisco’s Japantown, as a whole, has been hit hard by the COVID-19 crisis. Several businesses have permanently closed, and those located in the malls have been in the toughest spots, in part due to a rent dispute with the Japan Center landlords. Still, legacy businesses like On the Bridge and the 115-year-old mochi shop Benkyodo have managed to keep their doors open in spite of the challenges of the pandemic—even as their owners head into their 70s.
More on Japantown
For On the Bridge, the restaurant’s 85 different sakes and 27 Japanese beers (plus people’s pandemic thirst for alcohol) provided a lifeline to allow the Nakamuras to hold on and slowly inch their way back.
Besides describing the restaurant’s physical location in the mall, the name “On the Bridge” also represents the link that its yoshoku style dishes make between Japanese and European cuisines. Chef Nakamura says he was the first Bay Area chef to specialize in this style of fusion cooking, which traces its roots back to 1868, when Emperor Meiji first welcomed Western ideas as helpful for Japan’s progress. Some non-Japanese diners may be unfamiliar with yoshoku’s comforting standbys, but these are the dishes that Japanese mothers often make for their children: curries, cutlets, Japanese-style hamburgers, omu-rice (omelet stuffed with fried rice) and fish roe–studded spaghettis.
Omu-rice is one of On the Bridge’s Japanese-style Western dishes. (Anna Mindess)
At On the Bridge, Yolanda Nakamura says, many first-time customers don’t know what to make of the menu: “They sit down at the long wooden counter and ask ‘Where’s the sushi?’ When I tell them we have none, they say, ‘I thought in Japan everyone eats sushi, tempura and teriyaki—not spaghetti!’ Often, they walk out.”
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Nevertheless, the restaurant’s comforting food has many devoted fans, not all of whom are Japanese. The punk rock icon Patti Smith, for instance, has often waxed rhapsodic about its 23 kinds of pasta and Lenny’s brand wasabi beer.
Curries, in particular, are chef Nakamura’s specialty. “Curry is very hard to make,” Yolanda says. “Chef makes it from scratch, and it takes three to four days of slow cooking. Sometimes younger customers say, ‘I could make that much quicker with a mix.’ If the chef heard that, he would get upset, so I just push my husband away.”
Yolanda (left) and Mitsuhiro Nakamura have run their yoshoku restaurant, On the Bridge, for more than 30 years. (Anna Mindess)
When the pandemic closed the mall, the restaurant’s new reliance on delivery apps and social media presented a big challenge for the Nakamuras. Luckily, their daughter Emi, 29, was able to help hook them up. But a more difficult problem was that since both entrances to the mall were closed, when a delivery app driver arrived, either the chef or Yolanda had to run downstairs—sometimes both of them, one to each entrance. The couple couldn’t leave the restaurant unattended, so eventually they hired back one of their employees to help.
Each of the three times On the Bridge was allowed to reopen for indoor dining, alcohol was one of the bestsellers. Customers would sit down for a drink while waiting for a table at another restaurant. After dinner, they’d return for another round. The Nakamuras are cautiously hopeful now, as business seems to be picking up.
Even in the early weeks of the pandemic, when days went by with no sales, Yolanda says, “My husband was determined not to quit. He does it for the pleasure of cooking, not for the money. He’s 70, but not ready to retire.”
“I’ll be here until my body doesn’t move anymore,” chef Nakamura says. “My job is to spread the love of sake.”
A tray of Benkyodo’s famous mochi. (Anna Mindess)
S
tuff, roll, pinch. That’s the mantra for handmade mochi. Ricky and Bobby Okamura, the owners of Benkyodo, repeat that process over 1,000 times a day, wrapping smooth rice flour skin around dollops of sweet bean paste five days a week for over 30 years now. Benkyodo itself has an even longer history: Open since 1906, the 115-year-old mochi shop is Japantown’s oldest business.
Even the COVID-19 crisis couldn’t completely halt the mochi production line. Like a vintage engine, with fits and starts, it stopped, but eventually started up again.
“The pandemic was hard for us,” Bobby Okamura says. “We had to close for two and a half months.” Pre-COVID, the brothers made about 1,500 pieces of mochi and manju a day in 15 different flavors. Now, that figure is down to around 1,000 pieces in 7 to 10 flavors.
The narrow space on Buchanan Street is about the size of a BART car. Across from the mochi display cases, there’s a low, diner-style lunch counter with red stools that has not changed for 50 years, where regulars would gather daily for coffee and catching up. But no more: With COVID guidelines, only two customers are allowed in the shop at a time—cash only, as has always been the case. Business is way down on weekdays, the Okamuras say, but Fridays and Saturdays often see a line of customers waiting in the plaza.
“We could make [the mochi] by machine,” concedes Bobby, shaking his head. He’s now 66 and works from 7am to 4pm. “But all the pieces would look exactly the same, without the texture from being handmade. Ours have a unique taste, texture and look.”
Ricky, who is 70 and works from 5am to noon, puts it simply: “This is not easy work.”
“Mochi is very important to the community,” explains Alice Kawahatsu, a third-generation Japanese American who has brought visitors to Benkyodo on her Japantown Tasting Tour with Edible Excursions for the past 10 years. “It plays an essential role in several holidays, especially New Year’s. And it’s the perfect gift when visiting someone’s home.”
The sweets are traditionally filled with red or white bean paste, but the Okamuras have added a few innovations, incorporating seasonal fruit such as strawberries, blueberries or mango.
Suyeichi Okamura, Ricky and Bobby’s grandfather, opened the original Benkyodo storefront in 1906, a few blocks away on Geary. Suyeichi is the one who coined the name Benkyodo, Bobby explains. He chose a word that means “affordable” to reassure community members that they could shop there comfortably. Suyeichi also penned the store’s motto: “Confections that win affections.”
In 1942, Bobby and Ricky’s grandparents and father were sent to an internment camp in Amache, Colorado. Suyeichi asked his Chinese neighbor to watch over his store while he was gone—which he did. His son, Hirofumi—Bobby and Ricky’s father—who was a teenager at the time, met his future wife, Sue, in the camp. They lived in that harsh and desolate place for three years, not knowing if their home and business would be there when they returned. Luckily, they were.
That history resonates with Kawahatsu, the Japantown tour guide, whose own mother and grandparents were incarcerated in Tule Lake. “The first and second generation sacrificed so much so that we could be here today to continue to share our rich history, stories and food with our families and others who visit and want to learn more about Japanese arts and food. There is a sense of obligation, but also a pride in our rich heritage.”
The start of the pandemic in 2020 marked only the second time in its 115-year history that Benkyodo has had to close. Internment wasn’t able to kill the business. So far, it doesn’t look like COVID will be able to either.
After rolling mochi for more than 30 years, Ricky (left) and Bobby Okamura are finally getting ready to retire. (Anna Mindess)
For the Okamura brothers, the store has always been part of their lives, as they lived with their family in an apartment upstairs. But their father didn’t force them to take over the store, they point out. (“It was an option,” Bobby says.) Now, after years of speculation swirling around the community about whether Benkyodo will be sold or closed, Bobby and Ricky have finally decided to retire at the end of the year. They are actively negotiating with possible buyers. “Our strong preference would be for a family member,” says Bobby.
If the Okamuras aren’t able to find a buyer, it would be a huge loss to the Bay Area’s Japanese American community, Kawahatsu says. “No other place compares to its delicious confections or its rich history and legacy.”
Despite the long hours and physical demands of their work, Bobby says, “We have been happy to serve our community and glad that people enjoy what we make.”
On the Bridge is open at 1581 Webster Street #206 in San Francisco, Monday–Wednesday noon–7 pm and Friday and Saturday noon–9pm (closed Thursday). 415-922-7765.
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Benkyodo is open at 1747 Buchanan Street inSan Francisco, Tuesday–Saturday 9am–4:00pm. 415-922-1244, cash only.
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"title": "At Japantown Legacy Businesses Benkyodo and On the Bridge, Resilience is on the Menu",
"headTitle": "At Japantown Legacy Businesses Benkyodo and On the Bridge, Resilience is on the Menu | KQED",
"content": "\u003cp>\u003cspan style=\"font-weight: 400\">[dropcap]A[/dropcap] sea of little bottles in aqua, pink and seafoam green line the long bar of \u003c/span>\u003ca href=\"http://onthebridgesf.com/?utm_source=gmb&utm_medium=referral\">\u003cspan style=\"font-weight: 400\">On the Bridge\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> in San Francisco\u003c/span>\u003ca href=\"https://www.sfjapantown.org/\">\u003cspan style=\"font-weight: 400\"> Japantown\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. Chef Mitsuhiro Nakamura is proud of his ability to choose the perfect sake from his collection to match the taste of any diner. But when the shelter in place started last spring, the restaurant Nakamura and his wife Yolanda had run for 30 years immediately lost 90 percent of its business due to its location on the narrow, enclosed bridgeway connecting the Japan Center’s West Mall and Kinokuniya building. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Without direct street access, On the Bridge was literally marooned.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">San Francisco’s Japantown, as a whole, has been hit hard by the COVID-19 crisis. Several businesses have \u003ca href=\"https://sf.eater.com/2021/1/29/22254711/takara-sf-japantown-permanent-closure-japan-center-kiss-seafood\">permanently closed\u003c/a>, and those located in the malls have been in the toughest spots, in part due to a rent dispute with the \u003ca href=\"https://www.kqed.org/news/11837511/whats-lost-in-bay-area-asian-culture-when-sf-eviction-moratorium-ends\">Japan Center landlords\u003c/a>. Still, legacy businesses like On the Bridge and the 115-year-old mochi shop Benkyodo have \u003c/span>\u003cspan style=\"font-weight: 400\">managed to keep their doors open in spite of the challenges of the pandemic—even as their owners head into their 70s. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID=news_11846796,news_11837511 label='More on Japantown']For On the Bridge, the restaurant’s 85 different sakes and 27 Japanese beers (plus people’s pandemic thirst for alcohol) provided a lifeline to allow the Nakamuras to hold on and slowly inch their way back.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Besides describing the restaurant’s physical location in the mall, the name “On the Bridge” also represents the link that its yoshoku style dishes make between Japanese and European cuisines. Chef Nakamura says he was the first Bay Area chef to specialize in this style of fusion cooking, which traces its roots back to 1868, when Emperor Meiji first welcomed Western ideas as helpful for Japan’s progress. Some non-Japanese diners may be unfamiliar with yoshoku’s comforting standbys, but these are the dishes that Japanese mothers often make for their children: curries, cutlets, Japanese-style hamburgers, omu-rice (omelet stuffed with fried rice) and fish roe–studded spaghettis. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13896755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13896755\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/05/On-the-Bridge_omurice-800x559.jpg\" alt=\"Omu-rice with squiggles of ketchup and mayonnaise on top. \" width=\"800\" height=\"559\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_omurice-800x559.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_omurice-1020x712.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_omurice-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_omurice-768x536.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_omurice-1536x1073.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_omurice-2048x1430.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_omurice-1920x1341.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Omu-rice is one of On the Bridge’s Japanese-style Western dishes. \u003ccite>(Anna Mindess)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">At On the Bridge, Yolanda Nakamura says, many first-time customers don’t know what to make of the menu: “They sit down at the long wooden counter and ask ‘Where’s the sushi?’ When I tell them we have none, they say, ‘I thought in Japan everyone eats sushi, tempura and teriyaki—not spaghetti!’ Often, they walk out.” \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Nevertheless, the restaurant’s comforting food has many devoted fans, not all of whom are Japanese. The punk rock icon \u003c/span>\u003ca href=\"https://sf.eater.com/2019/1/23/18193157/patti-smith-sf-japantown-restaurant-on-the-bridge\">\u003cspan style=\"font-weight: 400\">Patti Smith, for instance, has often waxed rhapsodic\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> about its 23 kinds of pasta and Lenny’s brand wasabi beer.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Curries, in particular, are chef Nakamura’s specialty. “Curry is very hard to make,” Yolanda says. “Chef makes it from scratch, and it takes three to four days of slow cooking. Sometimes younger customers say, ‘I could make that much quicker with a mix.’ If the chef heard that, he would get upset, so I just push my husband away.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13896756\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13896756\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/05/On-the-Bridge_owners-800x465.jpg\" alt=\"Owners Yolanda (left) and Mitsuhiro Nakamura stand behind the bar at their restaurant On the Bridge. \" width=\"800\" height=\"465\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_owners-800x465.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_owners-1020x593.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_owners-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_owners-768x446.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_owners-1536x893.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_owners-2048x1191.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_owners-1920x1116.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yolanda (left) and Mitsuhiro Nakamura have run their yoshoku restaurant, On the Bridge, for more than 30 years. \u003ccite>(Anna Mindess)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">When the pandemic closed the mall, the restaurant’s new reliance on delivery apps and social media presented a big challenge for the Nakamuras. Luckily, their daughter Emi, 29, was able to help hook them up. But a more difficult problem was that since both entrances to the mall were closed, when a delivery app driver arrived, either the chef or Yolanda had to run downstairs—sometimes both of them, one to each entrance. The couple couldn’t leave the restaurant unattended, so eventually they hired back one of their employees to help.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Each of the three times On the Bridge was allowed to reopen for indoor dining, alcohol was one of the bestsellers. Customers would sit down for a drink while waiting for a table at another restaurant. After dinner, they’d return for another round. The Nakamuras are cautiously hopeful now, as business seems to be picking up. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Even in the early weeks of the pandemic, when days went by with no sales, Yolanda says, “My husband was determined not to quit. He does it for the pleasure of cooking, not for the money. He’s 70, but not ready to retire.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I’ll be here until my body doesn’t move anymore,” chef Nakamura says. “My job is to spread the love of sake.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13896752\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13896752\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/05/Benkyodo_mochi-800x584.jpg\" alt=\"A man holds a tray of green mochi in paper sleeves.\" width=\"800\" height=\"584\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_mochi-800x584.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_mochi-1020x745.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_mochi-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_mochi-768x561.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_mochi-1536x1121.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_mochi-2048x1495.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_mochi-1920x1402.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A tray of Benkyodo’s famous mochi. \u003ccite>(Anna Mindess)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">[dropcap]S[/dropcap]tuff, roll, pinch. That’s the mantra for handmade mochi. Ricky and Bobby Okamura, the owners of \u003c/span>\u003ca href=\"http://www.benkyodocompany.com/\">\u003cspan style=\"font-weight: 400\">Benkyodo\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, repeat that process over 1,000 times a day, wrapping smooth rice flour skin around dollops of sweet bean paste five days a week for over 30 years now. Benkyodo itself has an even longer history: Open since 1906, the 115-year-old mochi shop is Japantown’s oldest business.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Even the COVID-19 crisis couldn’t completely halt the mochi production line. Like a vintage engine, with fits and starts, it stopped, but eventually started up again.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“The pandemic was hard for us,” Bobby Okamura says. “We had to close for two and a half months.” Pre-COVID, the brothers made about 1,500 pieces of mochi and manju a day in 15 different flavors. Now, that figure is down to around 1,000 pieces in 7 to 10 flavors.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The narrow space on Buchanan Street is about the size of a BART car. Across from the mochi display cases, there’s a low, diner-style lunch counter with red stools that has not changed for 50 years, where regulars would gather daily for coffee and catching up. But no more: With COVID guidelines, only two customers are allowed in the shop at a time—cash only, as has always been the case. Business is way down on weekdays, the Okamuras say, but Fridays and Saturdays often see a line of customers waiting in the plaza.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“We could make [the mochi] by machine,” concedes Bobby, shaking his head. He’s now 66 and works from 7am to 4pm. “But all the pieces would look exactly the same, without the texture from being handmade. Ours have a unique taste, texture and look.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ricky, who is 70 and works from 5am to noon, puts it simply: “This is not easy work.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Mochi is very important to the community,” explains Alice Kawahatsu, a third-generation Japanese American who has brought visitors to Benkyodo on her Japantown Tasting Tour with \u003c/span>\u003ca href=\"https://edibleexcursions.net/\">\u003cspan style=\"font-weight: 400\">Edible Excursions\u003c/span>\u003cspan style=\"font-weight: 400\"> for the past 10 years.\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> “It plays an essential role in several holidays, especially New Year’s. And it’s the perfect gift when visiting someone’s home.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The sweets are traditionally filled with red or white bean paste, but the Okamuras have added a few innovations, incorporating seasonal fruit such as strawberries, blueberries or mango.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Suyeichi Okamura, Ricky and Bobby’s grandfather, opened the original Benkyodo storefront in 1906, a few blocks away on Geary. Suyeichi is the one who coined the name Benkyodo, Bobby explains. He chose a word that means “affordable” to reassure community members that they could shop there comfortably. Suyeichi also penned the store’s motto: “Confections that win affections.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In 1942, Bobby and Ricky’s grandparents and father were sent to an \u003c/span>\u003ca href=\"https://amache.org/overview/\">\u003cspan style=\"font-weight: 400\">internment camp in Amache\u003c/span>\u003c/a>,\u003cspan style=\"font-weight: 400\"> Colorado. Suyeichi asked his Chinese neighbor to watch over his store while he was gone—which he did. His son, Hirofumi—Bobby and Ricky’s father—who was a teenager at the time, met his future wife, Sue, in the camp. They lived in that harsh and desolate place for three years, not knowing if their home and business would be there when they returned. Luckily, they were.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That history resonates with Kawahatsu, the Japantown tour guide, whose own mother and grandparents were incarcerated in \u003c/span>\u003ca href=\"https://www.tulelake.org/history\">\u003cspan style=\"font-weight: 400\">Tule Lake\u003c/span>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">“The first and second generation sacrificed so much so that we could be here today to continue to share our rich history, stories and food with our families and others who visit and want to learn more about Japanese arts and food. There is a sense of obligation, but also a pride in our rich heritage.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The start of the pandemic in 2020 marked only the second time in its 115-year history that Benkyodo has had to close. Internment wasn’t able to kill the business. So far, it doesn’t look like COVID will be able to either.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13896751\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13896751\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/05/Benkyodo_owners-800x512.jpg\" alt=\"Benkyodo owners Ricky and Bobby Nakamura stuff pink mochi with white bean paste \" width=\"800\" height=\"512\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_owners-800x512.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_owners-1020x653.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_owners-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_owners-768x492.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_owners-1536x984.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_owners-2048x1312.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_owners-1920x1230.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">After rolling mochi for more than 30 years, Ricky (left) and Bobby Okamura are finally getting ready to retire. \u003ccite>(Anna Mindess)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">For the Okamura brothers, the store has always been part of their lives, as they lived with their family in an apartment upstairs. \u003c/span>\u003cspan style=\"font-weight: 400\">But their father didn’t force them to take over the store, they point out. (“It \u003c/span>\u003cspan style=\"font-weight: 400\">was an option,” Bobby says.) Now, after years of speculation swirling around the community about whether Benkyodo will be sold or closed, Bobby and Ricky have finally decided to retire at the end of the year. They are actively negotiating with possible buyers. “Our strong preference would be for a family member,” says Bobby. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">If the Okamuras aren’t able to find a buyer, it would be a huge loss to the Bay Area’s Japanese American community, Kawahatsu says. “No other place compares to its delicious confections or its rich history and legacy.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Despite the long hours and physical demands of their work, Bobby says, “We have been happy to serve our community and glad that people enjoy what we make.” \u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">On the Bridge is open at \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">1581 Webster Street #206 in San Francisco, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Monday–Wednesday noon–7 pm and Friday and Saturday noon–9pm (closed Thursday). 415-922-7765.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Benkyodo is open at \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">1747 Buchanan Street in\u003c/span>\u003c/i> \u003ci>\u003cspan style=\"font-weight: 400\">San Francisco, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Tuesday–Saturday 9am–4:00pm. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">415-922-1244,\u003c/span>\u003c/i> c\u003ci>\u003cspan style=\"font-weight: 400\">ash only.\u003c/span>\u003c/i>\u003c/p>\n\n",
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"bio": "My passion is exploring the connections between food, travel and culture. I am a regular contributor to AFAR, Edible East Bay Magazine, Oakland Magazine, Berkeleyside's NOSH and other publications. I usually take a route that's slightly off the beaten path, like \u003ca href=\"http://edibleeastbay.com/online-magazine/fall-harvest-2017/fun-with-food-insults/\">collecting food-related insults\u003c/a> around the world or \u003ca href=\"https://www.afar.com/magazine/what-i-learned-hawking-sweet-potatoes-with-a-street-vendor-in-taiwan?email=amindess%40aol.com&utm_source=Sailthru&utm_medium=email&utm_campaign=Doctors%20Without%20Borders&utm_term=Daily%20Wander%20Newsletter\">volunteering with a Sweet Potato Mama\u003c/a> (street food seller) in Tapei.\r\n\r\nCulture is the thread that ties together my several careers. I also work as a sign language interpreter, educator and author. My study of Deaf culture has taken me around the world, where I am always on a quest to find Deaf-owned restaurants. I love making connections between my different worlds, for example in this AFAR story where I share \u003ca href=\"https://www.afar.com/magazine/tips-from-a-sign-language-interpreter-for-overcoming-language-barriers\">tips for communicating across cultures\u003c/a> that I learned from the real experts, Deaf people. Or this \u003ca href=\"http://edibleeastbay.com/online-magazine/fall-harvest-2017/deaf-chefs-compete/\">profile of a Deaf chef and culinary arts instructor\u003c/a> at the California School for the Deaf.\r\n\r\nTo see my visual/edible take on the world, follow me on Instagram: \u003ca href=\"https://www.instagram.com/annamindess/\">annamindess. \u003c/a>\r\n\r\nFor more of my stories: visit Contently \u003ca href=\"http://annamindess.contently.com\">annamindess.contently.com\u003c/a>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">A\u003c/span>\u003c/p>\u003cp> sea of little bottles in aqua, pink and seafoam green line the long bar of \u003c/span>\u003ca href=\"http://onthebridgesf.com/?utm_source=gmb&utm_medium=referral\">\u003cspan style=\"font-weight: 400\">On the Bridge\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> in San Francisco\u003c/span>\u003ca href=\"https://www.sfjapantown.org/\">\u003cspan style=\"font-weight: 400\"> Japantown\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. Chef Mitsuhiro Nakamura is proud of his ability to choose the perfect sake from his collection to match the taste of any diner. But when the shelter in place started last spring, the restaurant Nakamura and his wife Yolanda had run for 30 years immediately lost 90 percent of its business due to its location on the narrow, enclosed bridgeway connecting the Japan Center’s West Mall and Kinokuniya building. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Without direct street access, On the Bridge was literally marooned.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">San Francisco’s Japantown, as a whole, has been hit hard by the COVID-19 crisis. Several businesses have \u003ca href=\"https://sf.eater.com/2021/1/29/22254711/takara-sf-japantown-permanent-closure-japan-center-kiss-seafood\">permanently closed\u003c/a>, and those located in the malls have been in the toughest spots, in part due to a rent dispute with the \u003ca href=\"https://www.kqed.org/news/11837511/whats-lost-in-bay-area-asian-culture-when-sf-eviction-moratorium-ends\">Japan Center landlords\u003c/a>. Still, legacy businesses like On the Bridge and the 115-year-old mochi shop Benkyodo have \u003c/span>\u003cspan style=\"font-weight: 400\">managed to keep their doors open in spite of the challenges of the pandemic—even as their owners head into their 70s. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>For On the Bridge, the restaurant’s 85 different sakes and 27 Japanese beers (plus people’s pandemic thirst for alcohol) provided a lifeline to allow the Nakamuras to hold on and slowly inch their way back.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Besides describing the restaurant’s physical location in the mall, the name “On the Bridge” also represents the link that its yoshoku style dishes make between Japanese and European cuisines. Chef Nakamura says he was the first Bay Area chef to specialize in this style of fusion cooking, which traces its roots back to 1868, when Emperor Meiji first welcomed Western ideas as helpful for Japan’s progress. Some non-Japanese diners may be unfamiliar with yoshoku’s comforting standbys, but these are the dishes that Japanese mothers often make for their children: curries, cutlets, Japanese-style hamburgers, omu-rice (omelet stuffed with fried rice) and fish roe–studded spaghettis. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13896755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13896755\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/05/On-the-Bridge_omurice-800x559.jpg\" alt=\"Omu-rice with squiggles of ketchup and mayonnaise on top. \" width=\"800\" height=\"559\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_omurice-800x559.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_omurice-1020x712.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_omurice-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_omurice-768x536.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_omurice-1536x1073.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_omurice-2048x1430.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_omurice-1920x1341.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Omu-rice is one of On the Bridge’s Japanese-style Western dishes. \u003ccite>(Anna Mindess)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">At On the Bridge, Yolanda Nakamura says, many first-time customers don’t know what to make of the menu: “They sit down at the long wooden counter and ask ‘Where’s the sushi?’ When I tell them we have none, they say, ‘I thought in Japan everyone eats sushi, tempura and teriyaki—not spaghetti!’ Often, they walk out.” \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Nevertheless, the restaurant’s comforting food has many devoted fans, not all of whom are Japanese. The punk rock icon \u003c/span>\u003ca href=\"https://sf.eater.com/2019/1/23/18193157/patti-smith-sf-japantown-restaurant-on-the-bridge\">\u003cspan style=\"font-weight: 400\">Patti Smith, for instance, has often waxed rhapsodic\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> about its 23 kinds of pasta and Lenny’s brand wasabi beer.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Curries, in particular, are chef Nakamura’s specialty. “Curry is very hard to make,” Yolanda says. “Chef makes it from scratch, and it takes three to four days of slow cooking. Sometimes younger customers say, ‘I could make that much quicker with a mix.’ If the chef heard that, he would get upset, so I just push my husband away.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13896756\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13896756\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/05/On-the-Bridge_owners-800x465.jpg\" alt=\"Owners Yolanda (left) and Mitsuhiro Nakamura stand behind the bar at their restaurant On the Bridge. \" width=\"800\" height=\"465\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_owners-800x465.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_owners-1020x593.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_owners-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_owners-768x446.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_owners-1536x893.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_owners-2048x1191.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/On-the-Bridge_owners-1920x1116.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yolanda (left) and Mitsuhiro Nakamura have run their yoshoku restaurant, On the Bridge, for more than 30 years. \u003ccite>(Anna Mindess)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">When the pandemic closed the mall, the restaurant’s new reliance on delivery apps and social media presented a big challenge for the Nakamuras. Luckily, their daughter Emi, 29, was able to help hook them up. But a more difficult problem was that since both entrances to the mall were closed, when a delivery app driver arrived, either the chef or Yolanda had to run downstairs—sometimes both of them, one to each entrance. The couple couldn’t leave the restaurant unattended, so eventually they hired back one of their employees to help.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Each of the three times On the Bridge was allowed to reopen for indoor dining, alcohol was one of the bestsellers. Customers would sit down for a drink while waiting for a table at another restaurant. After dinner, they’d return for another round. The Nakamuras are cautiously hopeful now, as business seems to be picking up. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Even in the early weeks of the pandemic, when days went by with no sales, Yolanda says, “My husband was determined not to quit. He does it for the pleasure of cooking, not for the money. He’s 70, but not ready to retire.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I’ll be here until my body doesn’t move anymore,” chef Nakamura says. “My job is to spread the love of sake.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13896752\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13896752\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/05/Benkyodo_mochi-800x584.jpg\" alt=\"A man holds a tray of green mochi in paper sleeves.\" width=\"800\" height=\"584\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_mochi-800x584.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_mochi-1020x745.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_mochi-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_mochi-768x561.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_mochi-1536x1121.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_mochi-2048x1495.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_mochi-1920x1402.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A tray of Benkyodo’s famous mochi. \u003ccite>(Anna Mindess)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">S\u003c/span>\u003c/p>\u003cp>tuff, roll, pinch. That’s the mantra for handmade mochi. Ricky and Bobby Okamura, the owners of \u003c/span>\u003ca href=\"http://www.benkyodocompany.com/\">\u003cspan style=\"font-weight: 400\">Benkyodo\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, repeat that process over 1,000 times a day, wrapping smooth rice flour skin around dollops of sweet bean paste five days a week for over 30 years now. Benkyodo itself has an even longer history: Open since 1906, the 115-year-old mochi shop is Japantown’s oldest business.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Even the COVID-19 crisis couldn’t completely halt the mochi production line. Like a vintage engine, with fits and starts, it stopped, but eventually started up again.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“The pandemic was hard for us,” Bobby Okamura says. “We had to close for two and a half months.” Pre-COVID, the brothers made about 1,500 pieces of mochi and manju a day in 15 different flavors. Now, that figure is down to around 1,000 pieces in 7 to 10 flavors.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The narrow space on Buchanan Street is about the size of a BART car. Across from the mochi display cases, there’s a low, diner-style lunch counter with red stools that has not changed for 50 years, where regulars would gather daily for coffee and catching up. But no more: With COVID guidelines, only two customers are allowed in the shop at a time—cash only, as has always been the case. Business is way down on weekdays, the Okamuras say, but Fridays and Saturdays often see a line of customers waiting in the plaza.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“We could make [the mochi] by machine,” concedes Bobby, shaking his head. He’s now 66 and works from 7am to 4pm. “But all the pieces would look exactly the same, without the texture from being handmade. Ours have a unique taste, texture and look.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ricky, who is 70 and works from 5am to noon, puts it simply: “This is not easy work.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Mochi is very important to the community,” explains Alice Kawahatsu, a third-generation Japanese American who has brought visitors to Benkyodo on her Japantown Tasting Tour with \u003c/span>\u003ca href=\"https://edibleexcursions.net/\">\u003cspan style=\"font-weight: 400\">Edible Excursions\u003c/span>\u003cspan style=\"font-weight: 400\"> for the past 10 years.\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> “It plays an essential role in several holidays, especially New Year’s. And it’s the perfect gift when visiting someone’s home.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The sweets are traditionally filled with red or white bean paste, but the Okamuras have added a few innovations, incorporating seasonal fruit such as strawberries, blueberries or mango.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Suyeichi Okamura, Ricky and Bobby’s grandfather, opened the original Benkyodo storefront in 1906, a few blocks away on Geary. Suyeichi is the one who coined the name Benkyodo, Bobby explains. He chose a word that means “affordable” to reassure community members that they could shop there comfortably. Suyeichi also penned the store’s motto: “Confections that win affections.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In 1942, Bobby and Ricky’s grandparents and father were sent to an \u003c/span>\u003ca href=\"https://amache.org/overview/\">\u003cspan style=\"font-weight: 400\">internment camp in Amache\u003c/span>\u003c/a>,\u003cspan style=\"font-weight: 400\"> Colorado. Suyeichi asked his Chinese neighbor to watch over his store while he was gone—which he did. His son, Hirofumi—Bobby and Ricky’s father—who was a teenager at the time, met his future wife, Sue, in the camp. They lived in that harsh and desolate place for three years, not knowing if their home and business would be there when they returned. Luckily, they were.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That history resonates with Kawahatsu, the Japantown tour guide, whose own mother and grandparents were incarcerated in \u003c/span>\u003ca href=\"https://www.tulelake.org/history\">\u003cspan style=\"font-weight: 400\">Tule Lake\u003c/span>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">“The first and second generation sacrificed so much so that we could be here today to continue to share our rich history, stories and food with our families and others who visit and want to learn more about Japanese arts and food. There is a sense of obligation, but also a pride in our rich heritage.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The start of the pandemic in 2020 marked only the second time in its 115-year history that Benkyodo has had to close. Internment wasn’t able to kill the business. So far, it doesn’t look like COVID will be able to either.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13896751\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13896751\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/05/Benkyodo_owners-800x512.jpg\" alt=\"Benkyodo owners Ricky and Bobby Nakamura stuff pink mochi with white bean paste \" width=\"800\" height=\"512\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_owners-800x512.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_owners-1020x653.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_owners-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_owners-768x492.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_owners-1536x984.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_owners-2048x1312.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Benkyodo_owners-1920x1230.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">After rolling mochi for more than 30 years, Ricky (left) and Bobby Okamura are finally getting ready to retire. \u003ccite>(Anna Mindess)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">For the Okamura brothers, the store has always been part of their lives, as they lived with their family in an apartment upstairs. \u003c/span>\u003cspan style=\"font-weight: 400\">But their father didn’t force them to take over the store, they point out. (“It \u003c/span>\u003cspan style=\"font-weight: 400\">was an option,” Bobby says.) Now, after years of speculation swirling around the community about whether Benkyodo will be sold or closed, Bobby and Ricky have finally decided to retire at the end of the year. They are actively negotiating with possible buyers. “Our strong preference would be for a family member,” says Bobby. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">If the Okamuras aren’t able to find a buyer, it would be a huge loss to the Bay Area’s Japanese American community, Kawahatsu says. “No other place compares to its delicious confections or its rich history and legacy.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Despite the long hours and physical demands of their work, Bobby says, “We have been happy to serve our community and glad that people enjoy what we make.” \u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">On the Bridge is open at \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">1581 Webster Street #206 in San Francisco, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Monday–Wednesday noon–7 pm and Friday and Saturday noon–9pm (closed Thursday). 415-922-7765.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">Benkyodo is open at \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">1747 Buchanan Street in\u003c/span>\u003c/i> \u003ci>\u003cspan style=\"font-weight: 400\">San Francisco, \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">Tuesday–Saturday 9am–4:00pm. \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">415-922-1244,\u003c/span>\u003c/i> c\u003ci>\u003cspan style=\"font-weight: 400\">ash only.\u003c/span>\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"order": 19
},
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
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"id": "baycurious",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
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"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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},
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"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
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"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"meta": {
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
"meta": {
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"link": "/radio/program/how-i-built-this",
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},
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"id": "inside-europe",
"title": "Inside Europe",
"info": "Inside Europe, a one-hour weekly news magazine hosted by Helen Seeney and Keith Walker, explores the topical issues shaping the continent. No other part of the globe has experienced such dynamic political and social change in recent years.",
"airtime": "SAT 3am-4am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Inside-Europe-Podcast-Tile-300x300-1.jpg",
"meta": {
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"source": "Deutsche Welle"
},
"link": "/radio/program/inside-europe",
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"apple": "https://itunes.apple.com/us/podcast/inside-europe/id80106806?mt=2",
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}
},
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"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"live-from-here-highlights": {
"id": "live-from-here-highlights",
"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
"airtime": "SAT 6pm-8pm, SUN 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Live-From-Here-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.livefromhere.org/",
"meta": {
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"source": "american public media"
},
"link": "/radio/program/live-from-here-highlights",
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"apple": "https://itunes.apple.com/us/podcast/id1167173941",
"tuneIn": "https://tunein.com/radio/Live-from-Here-Highlights-p921744/",
"rss": "https://feeds.publicradio.org/public_feeds/a-prairie-home-companion-highlights/rss/rss"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 13
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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},
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"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
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},
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"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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},
"link": "/radio/program/on-the-media",
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"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"our-body-politic": {
"id": "our-body-politic",
"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://our-body-politic.simplecast.com/",
"meta": {
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"source": "kcrw"
},
"link": "/radio/program/our-body-politic",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
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"rss": "https://feeds.simplecast.com/_xaPhs1s",
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},
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"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
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"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
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},
"perspectives": {
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