In 'Superman & Lois,' The Man Of Steel Faces His Biggest Challenge Yet: Fatherhood
A new TV series brings Superman (and Lois) back to the small screen—with a twist. This time, they're small-town parents.
Eric Deggans
Clark Kent has a tense moment with his son Jordan in the CW's new 'Superman & Lois.' (Dean Buscher/The CW)
For comic book fans like me, Superman is the ultimate superhero—able to leap tall buildings in a single bound and stop a nuclear reactor from exploding by dumping a huge, melting block of ice on top of it.
But on The CW’s new series Superman & Lois, our hero’s alter ego Clark Kent is no match for his mopey teenage son, Jordan, struggling with social anxiety disorder and angry that his dad always seems to be elsewhere, chasing a story for The Daily Planet.
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In one exchange, Jordan is playing a video game as a character who is beating up Superman—talk about repressed, unconscious rage—when Clark tries to apologize for missing yet another therapy appointment.
“High school starts tomorrow,” Clark says, trying to commiserate. “I know freshman year was pretty tough for me. Did I ever tell you about the time I was the team manager of the football …?”
“Yeah, everyone duct taped you to a tractor,” Jordan sniffs. “Life’s a little different in Smallville than it is in Metropolis.”
Ouch. Felled by Rude Teenager Syndrome.
This update of the Superman legend features characters from The CW’s superhero universe of shows spun off from Arrow—like The Flash and Supergirl—called the “Arrowverse” in fanspeak. Here, Clark is married to Lois Lane and has twin teenage sons, named Jordan and Jonathan.
But the kids don’t know their dad is the world’s most powerful superhero. And even though Lois thinks fessing up may help Jordan with his anxiety issues, Clark doesn’t want to tell them—a position echoed by Lois’ dad, hard-charging Army general Sam Lane.
To some Superman fans, this may sound like a trap worthy of Lex Luthor; the most legendary superhero in comics stuck with an overbearing father-in-law and a son who embodies every bratty teenager trope on television.
But Superman & Lois actually weaves a compelling story from the efforts of the character to balance his responsibility to the world with the time and attention he owes his family.
Many years ago, I read a quote from a science fiction writer who said that watching a superhuman man confront a problem is boring; he’s going to win. But watching a regular man confront a superhuman problem is where great drama lies.
Superman & Lois has it both ways—contrasting Superman’s struggle to beat a surprisingly powerful mystery villain with Clark Kent’s effort to connect with his family and handle a series of surprising losses.
After one such challenge—I won’t spoil exactly what—Superman prepares to fly off, once again, to catch the guy who is sabotaging nuclear power plants. Lois puts her foot down and tells him to stay for his family, only to get a lecture from Sam Lane.
“When you wanted to get married … I tried warning you,” says Lane, played with appropriate gruffness by Nip/Tuck alum Dylan Walsh. “You may have fallen in love with Clark Kent, but you married Superman. And Superman doesn’t get to have a normal life, no matter how much you want one for him.”
Okay, it sounds a little soap opera-ish. But The CW and executive producer Greg Berlanti have excelled in bringing characters from the DC Comics universe to TV by playing up their humanity through family drama and focusing a little less on how well they punch out bad guys.
That doesn’t mean they don’t make Superman look supercool in this series. In the show’s two-hour pilot, producers do an amazing job of depicting Superman’s powers, with special effects worthy of any big budget movie.
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The show snatches bits of inspiration from several iterations of the character, from Zack Snyder’s Man of Steel to Bryan Singer’s Superman Returns and, of course, Christopher Reeve’s classic performance in Richard Donner’s 1978 film, Superman.
Tyler Hoechlin is particularly impressive as Clark/Superman, nailing the physicality of the Man of Steel while showing a geeky, good-humored appeal as Clark Kent. But the show’s writers will have to be careful about making sure Elizabeth Tulloch’s Lois Lane is more than the smart alecky wife who keeps spoiling Superman’s fun when he wants to go take on the bad guy.
Hoechlin and Tulloch have an easy chemistry honed by years of playing these characters on The CW’s other superhero shows; a little reminiscent of Dean Cain and Teri Hatcher on the mid-1990s series Lois and Clark: The New Adventures of Superman.
It’s tough to detail more about the plot without revealing key spoilers. But enough characters show up from the Superman universe that I’m eager to see the next episode—where learning to get along with his kids may be even more challenging for our hero than outracing a speeding bullet.
This story was edited for radio and adapted for the Web by Petra Mayer
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"title": "In 'Superman & Lois,' The Man Of Steel Faces His Biggest Challenge Yet: Fatherhood",
"headTitle": "In ‘Superman & Lois,’ The Man Of Steel Faces His Biggest Challenge Yet: Fatherhood | KQED",
"content": "\u003cp>For comic book fans like me, Superman is the ultimate superhero—able to leap tall buildings in a single bound and stop a nuclear reactor from exploding by dumping a huge, melting block of ice on top of it.\u003c/p>\n\u003cp>But on The CW’s new series \u003cem data-stringify-type=\"italic\">Superman & Lois\u003c/em>, our hero’s alter ego Clark Kent is no match for his mopey teenage son, Jordan, struggling with social anxiety disorder and angry that his dad always seems to be elsewhere, chasing a story for \u003cem data-stringify-type=\"italic\">The Daily Planet\u003c/em>. [aside postid='pop_4778']\u003c/p>\n\u003cp>In one exchange, Jordan is playing a video game as a character who is beating up Superman—talk about repressed, unconscious rage—when Clark tries to apologize for missing yet another therapy appointment.\u003c/p>\n\u003cp>“High school starts tomorrow,” Clark says, trying to commiserate. “I know freshman year was pretty tough for me. Did I ever tell you about the time I was the team manager of the football …?”\u003c/p>\n\u003cp>“Yeah, everyone duct taped you to a tractor,” Jordan sniffs. “Life’s a little different in Smallville than it is in Metropolis.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Ouch. Felled by Rude Teenager Syndrome.\u003c/p>\n\u003cp>This update of the Superman legend features characters from The CW’s superhero universe of shows spun off from \u003cem data-stringify-type=\"italic\">Arrow—\u003c/em>like \u003cem data-stringify-type=\"italic\">The Flash\u003c/em> and \u003cem data-stringify-type=\"italic\">Supergirl\u003c/em>—called the “Arrowverse” in fanspeak. Here, Clark is married to Lois Lane and has twin teenage sons, named Jordan and Jonathan.\u003c/p>\n\u003cp>But the kids don’t know their dad is the world’s most powerful superhero. And even though Lois thinks fessing up may help Jordan with his anxiety issues, Clark doesn’t want to tell them—a position echoed by Lois’ dad, hard-charging Army general Sam Lane.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7xKLq97H-5A\u003c/p>\n\u003cp>To some Superman fans, this may sound like a trap worthy of Lex Luthor; the most legendary superhero in comics stuck with an overbearing father-in-law and a son who embodies every bratty teenager trope on television.\u003c/p>\n\u003cp>But \u003cem data-stringify-type=\"italic\">Superman & Lois\u003c/em> actually weaves a compelling story from the efforts of the character to balance his responsibility to the world with the time and attention he owes his family.\u003c/p>\n\u003cp>Many years ago, I read a quote from a science fiction writer who said that watching a superhuman man confront a problem is boring; he’s going to win. But watching a regular man confront a superhuman problem is where great drama lies.\u003c/p>\n\u003cp>\u003cem data-stringify-type=\"italic\">Superman & Lois\u003c/em> has it both ways—contrasting Superman’s struggle to beat a surprisingly powerful mystery villain with Clark Kent’s effort to connect with his family and handle a series of surprising losses.\u003c/p>\n\u003cp>After one such challenge—I won’t spoil exactly what—Superman prepares to fly off, once again, to catch the guy who is sabotaging nuclear power plants. Lois puts her foot down and tells him to stay for his family, only to get a lecture from Sam Lane.\u003c/p>\n\u003cp>“When you wanted to get married … I tried warning you,” says Lane, played with appropriate gruffness by \u003cem data-stringify-type=\"italic\">Nip/Tuck\u003c/em> alum Dylan Walsh. “You may have fallen in love with Clark Kent, but you married Superman. And Superman doesn’t get to have a normal life, no matter how much you want one for him.”\u003c/p>\n\u003cp>Okay, it sounds a little soap opera-ish. But The CW and executive producer Greg Berlanti have excelled in bringing characters from the DC Comics universe to TV by playing up their humanity through family drama and focusing a little less on how well they punch out bad guys.\u003c/p>\n\u003cp>That doesn’t mean they don’t make Superman look supercool in this series. In the show’s two-hour pilot, producers do an amazing job of depicting Superman’s powers, with special effects worthy of any big budget movie. [aside postid='pop_101544']\u003c/p>\n\u003cp>The show snatches bits of inspiration from several iterations of the character, from Zack Snyder’s \u003cem data-stringify-type=\"italic\">Man of Steel\u003c/em> to Bryan Singer’s \u003cem data-stringify-type=\"italic\">Superman Returns\u003c/em> and, of course, Christopher Reeve’s classic performance in Richard Donner’s 1978 film, \u003cem data-stringify-type=\"italic\">Superman\u003c/em>.\u003c/p>\n\u003cp>Tyler Hoechlin is particularly impressive as Clark/Superman, nailing the physicality of the Man of Steel while showing a geeky, good-humored appeal as Clark Kent. But the show’s writers will have to be careful about making sure Elizabeth Tulloch’s Lois Lane is more than the smart alecky wife who keeps spoiling Superman’s fun when he wants to go take on the bad guy.\u003c/p>\n\u003cp>Hoechlin and Tulloch have an easy chemistry honed by years of playing these characters on The CW’s other superhero shows; a little reminiscent of Dean Cain and Teri Hatcher on the mid-1990s series \u003cem data-stringify-type=\"italic\">Lois and Clark: The New Adventures of Superman\u003c/em>.\u003c/p>\n\u003cp>It’s tough to detail more about the plot without revealing key spoilers. But enough characters show up from the Superman universe that I’m eager to see the next episode—where learning to get along with his kids may be even more challenging for our hero than outracing a speeding bullet.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was edited for radio and adapted for the Web by Petra Mayer\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=In+%27Superman+%26+Lois%2C%27+The+Man+Of+Steel+Faces+His+Biggest+Challenge+Yet%3A+Fatherhood&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For comic book fans like me, Superman is the ultimate superhero—able to leap tall buildings in a single bound and stop a nuclear reactor from exploding by dumping a huge, melting block of ice on top of it.\u003c/p>\n\u003cp>But on The CW’s new series \u003cem data-stringify-type=\"italic\">Superman & Lois\u003c/em>, our hero’s alter ego Clark Kent is no match for his mopey teenage son, Jordan, struggling with social anxiety disorder and angry that his dad always seems to be elsewhere, chasing a story for \u003cem data-stringify-type=\"italic\">The Daily Planet\u003c/em>. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In one exchange, Jordan is playing a video game as a character who is beating up Superman—talk about repressed, unconscious rage—when Clark tries to apologize for missing yet another therapy appointment.\u003c/p>\n\u003cp>“High school starts tomorrow,” Clark says, trying to commiserate. “I know freshman year was pretty tough for me. Did I ever tell you about the time I was the team manager of the football …?”\u003c/p>\n\u003cp>“Yeah, everyone duct taped you to a tractor,” Jordan sniffs. “Life’s a little different in Smallville than it is in Metropolis.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Ouch. Felled by Rude Teenager Syndrome.\u003c/p>\n\u003cp>This update of the Superman legend features characters from The CW’s superhero universe of shows spun off from \u003cem data-stringify-type=\"italic\">Arrow—\u003c/em>like \u003cem data-stringify-type=\"italic\">The Flash\u003c/em> and \u003cem data-stringify-type=\"italic\">Supergirl\u003c/em>—called the “Arrowverse” in fanspeak. Here, Clark is married to Lois Lane and has twin teenage sons, named Jordan and Jonathan.\u003c/p>\n\u003cp>But the kids don’t know their dad is the world’s most powerful superhero. And even though Lois thinks fessing up may help Jordan with his anxiety issues, Clark doesn’t want to tell them—a position echoed by Lois’ dad, hard-charging Army general Sam Lane.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7xKLq97H-5A'\n title='//www.youtube.com/embed/7xKLq97H-5A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>To some Superman fans, this may sound like a trap worthy of Lex Luthor; the most legendary superhero in comics stuck with an overbearing father-in-law and a son who embodies every bratty teenager trope on television.\u003c/p>\n\u003cp>But \u003cem data-stringify-type=\"italic\">Superman & Lois\u003c/em> actually weaves a compelling story from the efforts of the character to balance his responsibility to the world with the time and attention he owes his family.\u003c/p>\n\u003cp>Many years ago, I read a quote from a science fiction writer who said that watching a superhuman man confront a problem is boring; he’s going to win. But watching a regular man confront a superhuman problem is where great drama lies.\u003c/p>\n\u003cp>\u003cem data-stringify-type=\"italic\">Superman & Lois\u003c/em> has it both ways—contrasting Superman’s struggle to beat a surprisingly powerful mystery villain with Clark Kent’s effort to connect with his family and handle a series of surprising losses.\u003c/p>\n\u003cp>After one such challenge—I won’t spoil exactly what—Superman prepares to fly off, once again, to catch the guy who is sabotaging nuclear power plants. Lois puts her foot down and tells him to stay for his family, only to get a lecture from Sam Lane.\u003c/p>\n\u003cp>“When you wanted to get married … I tried warning you,” says Lane, played with appropriate gruffness by \u003cem data-stringify-type=\"italic\">Nip/Tuck\u003c/em> alum Dylan Walsh. “You may have fallen in love with Clark Kent, but you married Superman. And Superman doesn’t get to have a normal life, no matter how much you want one for him.”\u003c/p>\n\u003cp>Okay, it sounds a little soap opera-ish. But The CW and executive producer Greg Berlanti have excelled in bringing characters from the DC Comics universe to TV by playing up their humanity through family drama and focusing a little less on how well they punch out bad guys.\u003c/p>\n\u003cp>That doesn’t mean they don’t make Superman look supercool in this series. In the show’s two-hour pilot, producers do an amazing job of depicting Superman’s powers, with special effects worthy of any big budget movie. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The show snatches bits of inspiration from several iterations of the character, from Zack Snyder’s \u003cem data-stringify-type=\"italic\">Man of Steel\u003c/em> to Bryan Singer’s \u003cem data-stringify-type=\"italic\">Superman Returns\u003c/em> and, of course, Christopher Reeve’s classic performance in Richard Donner’s 1978 film, \u003cem data-stringify-type=\"italic\">Superman\u003c/em>.\u003c/p>\n\u003cp>Tyler Hoechlin is particularly impressive as Clark/Superman, nailing the physicality of the Man of Steel while showing a geeky, good-humored appeal as Clark Kent. But the show’s writers will have to be careful about making sure Elizabeth Tulloch’s Lois Lane is more than the smart alecky wife who keeps spoiling Superman’s fun when he wants to go take on the bad guy.\u003c/p>\n\u003cp>Hoechlin and Tulloch have an easy chemistry honed by years of playing these characters on The CW’s other superhero shows; a little reminiscent of Dean Cain and Teri Hatcher on the mid-1990s series \u003cem data-stringify-type=\"italic\">Lois and Clark: The New Adventures of Superman\u003c/em>.\u003c/p>\n\u003cp>It’s tough to detail more about the plot without revealing key spoilers. But enough characters show up from the Superman universe that I’m eager to see the next episode—where learning to get along with his kids may be even more challenging for our hero than outracing a speeding bullet.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was edited for radio and adapted for the Web by Petra Mayer\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=In+%27Superman+%26+Lois%2C%27+The+Man+Of+Steel+Faces+His+Biggest+Challenge+Yet%3A+Fatherhood&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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