Ari Lennox speaks onstage at Black Girls Rock 2019 Hosted By Niecy Nash at NJPAC on August 25, 2019 in Newark, New Jersey. (Paras Griffin/Getty Images for BET)
As summer festival season comes to a close, this fall welcomes highly anticipated pop tours at the newly opened Chase Center, local music showcases, outdoor festivals and the last chance to watch Michael Tilson Thomas conduct the San Francisco Symphony before he retires from his post as music director.
To help you plan your calendar, we’ve rounded up 10 must-see shows in the Bay Area.
KRS-One performs during the YO! MTV Raps 30th Anniversary Live Event at Barclays Center on June 1, 2018 in New York City. (Nicholas Hunt/Getty Images)
KRS-One Sept. 8, Oct. 12–13 Yoshi’s, Oakland; Cornerstone, Berkeley; Mystic Theater, Petaluma Details here, here and here
KRS-One is a name synonymous with the origins of hip-hop. Not only did the Bronx MC perfect the style of rocking the mic in the late ’80s, but his politically outspoken lyrics continue to influence rappers across multiple generations. This September he performs in Oakland at the jazz club Yoshi’s, with additional dates in October at Berkeley’s Cornerstone, a former pool hall-turned-spacious concert venue, and Petaluma’s Mystic Theater, a renovated vaudeville theater from 1911.
Music Director Michael Tilson Thomas leads the San Francisco Symphony in a performance of ‘Symphonie Fantastique’ by Berlioz. (Stefan Cohen/SF Symphony)
San Francisco Symphony: MTT & Mahler 6 Sept. 12–15 Davis Symphony Hall, San Francisco Details here
Sponsored
Fans of the San Francisco Symphony know that Michael Tilson Thomas’ most beloved composer is the modernist Gustav Mahler. Starting in 2001, MTT made Mahler a key focus of the Symphony’s repertoire, and their graceful, dynamic recordings of his works have earned them seven Grammy awards over the years. As MTT prepares to retire from SFS after a 25-year tenure, he conducts the orchestra for Mahler’s Symphony No. 6, an emotional rollercoaster that zig-zags through peril, tragedy, triumph and joy.
H.E.R. performs onstage during the 61st Annual GRAMMY Awards at Staples Center on February 10, 2019 in Los Angeles, California. (Kevin Winter/Getty Images for The Recording Academy))
Lights On Festival Sept. 14 Concord Pavillion, Concord Details here
The antidote to ginormous music festivals that attempt to cater to every taste? Smaller, artist-curated affairs like Lights On, an R&B extravaganza with a lineup handpicked by headliner H.E.R. Known for emotionally intelligent lyricism and an old-school R&B sensibility, the Grammy-winning, Vallejo-raised singer tops the bill, which also includes Dreamville Records breakout star Ari Lennox, pop underdog Jhene Aiko and soulful singer-guitarist Daniel Ceasar. Bay Area up-and-comers Rayana Jay and Marc E. Bassey round out the bill.
Honoree Janet Jackson performs onstage during the 2018 Billboard Music Awards at MGM Grand Garden Arena on May 20, 2018 in Las Vegas. (Kevin Winter/Getty Images)
Janet Jackson Sept. 21 Chase Center, San Francisco Details here
As those who saw her headlining Outside Lands set in 2018 can attest, Janet Jackson puts on one hell of a show. With hits spanning four decades, athletic choreography and a vulnerable stage presence, Jackson’s live set tells a story of self-empowerment. She’s made progressive pop speaking out against racism and misogyny since the ’80s, and with her recent induction into the Rock & Roll Hall of Fame and accolades like the Billboard Icon Award, the world is finally realizing how ahead of her time she’s been all these years.
Bobby McFerrin performs during The Nearness Of You Benefit Concert at Frederick P. Rose Hall, Jazz at Lincoln Center on January 20, 2015 in New York City. (Ilya S. Savenok/Getty Images)
Bobby McFerrin Sept. 19-22 SFJAZZ Center, San Francisco Details here
Those who only know Bobby McFerrin as the one-hit wonder behind “Don’t Worry Be Happy” may not realize that he’s a virtuoso vocal composer who’s just as comfortable beat-boxing as he is singing jazz and even opera. The 10-time Grammy winner comes to SFJAZZ for a series of concerts in September, and will return in April 2020 for the National Endowment for the Arts Jazz Masters Fellowship tribute concert, of which he is an honoree along with saxophone great Roscoe Mitchell.
J Balvin performs on stage at concert sponsored by Guess at Kucukciftlik Park on July 26, 2019 in Istanbul, Turkey. (Ferhat Zupcevic/Getty Images for Guess)
J Balvin Oct. 17 SAP Center, San Jose Details here
A leader of the new generation of Latin American pop acts reigning the U.S. charts, Colombia’s J Balvin is set to turn San Jose’s SAP Center into one big dance party when he comes to town for his Arcoiris tour. With reggaeton and dancehall rhythms backing sleek pop production, his hip-winding tracks and collaborations with Cardi B, Sean Paul and Bad Bunny have earned him a devoted international audience.
P-Lo plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018. (Estefany Gonzalez )
At the illustrious Fox Theater, where all-time greats and Grammy winners hold court, P-Lo’s first headlining show is a triumph for the East Bay. Local fans have watched the Pinole artist put in years of work, first as a member of local rap crew HBK Gang, then as a producer for the likes of Yo Gotti and Wiz Khalifa, and later as a rapper in his own right. Celebrating his new, self-released album Shine, P-Lo brings his post-hyphy slaps on tour to the Fox’s ornate art deco halls.
Terra Lopez speaks onstage at the “Emerging Artists: We See You” panel during the Billboard And The Hollywood Reporter Pride Summit on August 08, 2019 in West Hollywood, California. (Andrew Toth/Getty Images for Billboard)
Rituals of Mine, The Seshen
Oct. 13
The New Parish, Oakland Details here
Since leaving Oakland for the next phase of her music career in Los Angeles, Rituals of Mine’s Terra Lopez founded Bitchwave Records, which spotlights LGBTQ+ people of color, and made headlines with a touring audio art installation that put men on the receiving end of catcalls. With music partner Adam Pierce, she returns to the New Parish for a headlining set of dark, downtempo electronic pop. Local favorite the Seshen opens with a set of kaleidoscopic neo-soul. Both bands have been on the forefront of the Bay Area’s indie pop scene for years, and the show is bound to feel like a warm reunion of old friends.
Doug Martsch of Built to Spill performs onstage during day 2 of FYF Fest 2017 at Exposition Park on July 22, 2017 in Los Angeles, California. (Timothy Norris/Getty Images for FYF)
Built to Spill
Nov. 5–6, Nov. 23
The Fillmore, San Francisco and Gundlach Bundschu Winery, Sonoma Details here
Pioneering indie rockers Built to Spill emerged from the Northwest’s DIY scene in the early ’90s and quickly rose to major label success. Combining a slackerish charm with serious guitar chops, the band builds pop songs out into elaborate jam sessions; it’s no wonder many consider founding member Doug Martsch a modern-day guitar hero. Built to Spill returns to San Francisco to headline the Fillmore for two nights. If you’d rather see them in a more idyllic, outdoor setting, they play the Gundlach Bundschu Winery in Sonoma in November.
Joanna Newsom performs on stage at the Sydney Opera House as part of the 2008 Sydney Festival on January 25, 2008 in Sydney, Australia. (Mike Flokis/Getty Images)
Joanna Newsom
Nov. 25–26
Herbst Theatre, San Francisco Details here
Sponsored
Joanna Newsom came up during the freak-folk wave of the mid 2000s, and her stellar musicianship and enigmatic, elfin voice quickly elevated her to some of the world’s most prestigious concert halls. Within the marble walls of the Herbst Theatre, which typically hosts classical performances, Newsom offers a highly anticipated performance that will be stripped down to three key elements: harp, piano and voice.
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"title": "Fall Music Guide 2019: 10 Must-See Concerts in the Bay Area",
"headTitle": "Fall Music Guide 2019: 10 Must-See Concerts in the Bay Area | KQED",
"content": "\u003cp>As summer festival season comes to a close, this fall welcomes highly anticipated pop tours at the newly opened Chase Center, local music showcases, outdoor festivals and the last chance to watch Michael Tilson Thomas conduct the San Francisco Symphony before he retires from his post as music director.\u003c/p>\n\u003cp>To help you plan your calendar, we’ve rounded up 10 must-see shows in the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13865172\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865172\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/GettyImages-965855278-1-800x450.jpg\" alt=\"KRS-One performs during the YO! MTV Raps 30th Anniversary Live Event at Barclays Center on June 1, 2018 in New York City. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-965855278-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-965855278-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-965855278-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-965855278-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-965855278-1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-965855278-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">KRS-One performs during the YO! MTV Raps 30th Anniversary Live Event at Barclays Center on June 1, 2018 in New York City. \u003ccite>(Nicholas Hunt/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>KRS-One\u003c/strong>\u003cbr>\n\u003cem>Sept. 8, Oct. 12–13\u003c/em>\u003cbr>\n\u003cem>Yoshi’s, Oakland; Cornerstone, Berkeley; Mystic Theater, Petaluma\u003c/em>\u003cbr>\n\u003cem>Details \u003ca href=\"https://www.yoshis.com/e/krsone-66619178757/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>, \u003ca href=\"https://www.cornerstoneberkeley.com/e/krs-one-w-dj-aspect-feat-scarub-of-living-legends-and-unlearn-the-world-67054252073/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> and \u003ca href=\"https://www.eventbrite.com/e/krs-one-w-dj-aspect-feat-scarub-of-living-legends-and-unlearn-the-world-tickets-68016141109?aff=odwdwdspacecraft\" target=\"_blank\" rel=\"noopener\">here\u003c/a>\u003c/em>\u003c/p>\n\u003cp>KRS-One is a name synonymous with the origins of hip-hop. Not only did the Bronx MC perfect the style of rocking the mic in the late ’80s, but his politically outspoken lyrics continue to influence rappers across multiple generations. This September he performs in Oakland at the jazz club Yoshi’s, with additional dates in October at Berkeley’s Cornerstone, a former pool hall-turned-spacious concert venue, and Petaluma’s Mystic Theater, a renovated vaudeville theater from 1911.\u003c/p>\n\u003cfigure id=\"attachment_13809716\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13809716\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-800x450.jpg\" alt=\"Music Director Michael Tilson Thomas leads the San Francisco Symphony in a performance of 'Symphonie Fantastique' by Berlioz\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565.jpg 1753w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Music Director Michael Tilson Thomas leads the San Francisco Symphony in a performance of ‘Symphonie Fantastique’ by Berlioz. \u003ccite>(Stefan Cohen/SF Symphony)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Francisco Symphony: MTT & Mahler 6\u003c/strong>\u003cbr>\n\u003cem>Sept. 12–15\u003c/em>\u003cbr>\n\u003cem>Davis Symphony Hall, San Francisco\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2019-20/MTT-Mahler-Mahler-6\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Fans of the San Francisco Symphony know that Michael Tilson Thomas’ most beloved composer is the modernist Gustav Mahler. Starting in 2001, MTT made Mahler a key focus of the Symphony’s repertoire, and their graceful, dynamic recordings of his works have earned them seven Grammy awards over the years. As MTT prepares to retire from SFS after a 25-year tenure, he conducts the orchestra for Mahler’s Symphony No. 6, an emotional rollercoaster that zig-zags through peril, tragedy, triumph and joy.\u003c/p>\n\u003cfigure id=\"attachment_13850489\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13850489\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910-800x450.jpg\" alt=\"H.E.R. performs onstage during the 61st Annual GRAMMY Awards at Staples Center on February 10, 2019 in Los Angeles, California.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">H.E.R. performs onstage during the 61st Annual GRAMMY Awards at Staples Center on February 10, 2019 in Los Angeles, California. \u003ccite>(Kevin Winter/Getty Images for The Recording Academy))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Lights On Festival\u003c/strong>\u003cbr>\n\u003cem>Sept. 14\u003c/em>\u003cbr>\n\u003cem>Concord Pavillion, Concord\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"http://www.concordamp.com/events/lights-on-festival/#.XWRNaJNKit8\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The antidote to ginormous music festivals that attempt to cater to every taste? Smaller, artist-curated affairs like Lights On, an R&B extravaganza with a lineup handpicked by headliner H.E.R. Known for emotionally intelligent lyricism and an old-school R&B sensibility, the Grammy-winning, Vallejo-raised singer tops the bill, which also includes Dreamville Records breakout star Ari Lennox, pop underdog Jhene Aiko and soulful singer-guitarist Daniel Ceasar. Bay Area up-and-comers Rayana Jay and Marc E. Bassey round out the bill.\u003c/p>\n\u003cfigure id=\"attachment_13832804\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832804\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/janet-jackson-800x450.jpg\" alt=\"Honoree Janet Jackson performs onstage during the 2018 Billboard Music Awards at MGM Grand Garden Arena on May 20, 2018 in Las Vegas, Nevada.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Honoree Janet Jackson performs onstage during the 2018 Billboard Music Awards at MGM Grand Garden Arena on May 20, 2018 in Las Vegas. \u003ccite>(Kevin Winter/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Janet Jackson\u003c/strong>\u003cbr>\n\u003cem>Sept. 21\u003c/em>\u003cbr>\n\u003cem>Chase Center, San Francisco\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"https://www.chasecenter.com/events/3S94zQi6ySxQOtFFnwmRfl\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/em>\u003c/p>\n\u003cp>As those who saw her \u003ca href=\"https://www.kqed.org/arts/13838820/jackson-monae-feminist-pop-sunday-outside-lands\" target=\"_blank\" rel=\"noopener\">headlining Outside Lands set\u003c/a> in 2018 can attest, Janet Jackson puts on one hell of a show. With hits spanning four decades, athletic choreography and a vulnerable stage presence, Jackson’s live set tells a story of self-empowerment. She’s made progressive pop speaking out against racism and misogyny since the ’80s, and with her recent induction into the Rock & Roll Hall of Fame and accolades like the Billboard Icon Award, the world is finally realizing how ahead of her time she’s been all these years.\u003c/p>\n\u003cfigure id=\"attachment_13865173\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865173\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/GettyImages-461864018-800x450.jpg\" alt=\"Bobby McFerrin performs during The Nearness Of You Benefit Concert at Frederick P. Rose Hall, Jazz at Lincoln Center on January 20, 2015 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-461864018-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-461864018-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-461864018-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-461864018-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-461864018-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-461864018.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bobby McFerrin performs during The Nearness Of You Benefit Concert at Frederick P. Rose Hall, Jazz at Lincoln Center on January 20, 2015 in New York City. \u003ccite>(Ilya S. Savenok/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Bobby McFerrin\u003c/strong>\u003cbr>\n\u003cem>Sept. 19-22\u003c/em>\u003cbr>\n\u003cem>SFJAZZ Center, San Francisco\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"https://www.sfjazz.org/calendar/?month=9.2019&series=25206\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Those who only know Bobby McFerrin as the one-hit wonder behind “Don’t Worry Be Happy” may not realize that he’s a virtuoso vocal composer who’s just as comfortable beat-boxing as he is singing jazz and even opera. The 10-time Grammy winner comes to SFJAZZ for a series of concerts in September, and will return in April 2020 for the \u003ca href=\"https://www.kqed.org/arts/13857895/nea-jazz-masters-announced-tribute-concert-coming-to-san-francisco\" target=\"_blank\" rel=\"noopener\">National Endowment for the Arts Jazz Masters Fellowship\u003c/a> tribute concert, of which he is an honoree along with saxophone great Roscoe Mitchell.\u003c/p>\n\u003cfigure id=\"attachment_13865169\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865169\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/GettyImages-1164522226-800x520.jpg\" alt=\"J Balvin performs on stage at concert sponsored by Guess at Kucukciftlik Park on July 26, 2019 in Istanbul, Turkey.\" width=\"800\" height=\"520\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1164522226-800x520.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1164522226-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1164522226-768x499.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1164522226-1020x663.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1164522226-1200x780.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1164522226.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">J Balvin performs on stage at concert sponsored by Guess at Kucukciftlik Park on July 26, 2019 in Istanbul, Turkey. \u003ccite>(Ferhat Zupcevic/Getty Images for Guess)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>J Balvin\u003c/strong>\u003cbr>\n\u003cem>Oct. 17\u003c/em>\u003cbr>\n\u003cem>SAP Center, San Jose\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"http://www.sapcenter.com/events/detail/jbalvin\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/em>\u003c/p>\n\u003cp>A leader of the new generation of Latin American pop acts reigning the U.S. charts, Colombia’s J Balvin is set to turn San Jose’s SAP Center into one big dance party when he comes to town for his Arcoiris tour. With reggaeton and dancehall rhythms backing sleek pop production, his hip-winding tracks and collaborations with Cardi B, Sean Paul and Bad Bunny have earned him a devoted international audience.\u003c/p>\n\u003cfigure id=\"attachment_13840860\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840860\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0240-800x533.jpg\" alt=\"P-Lo plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0240.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0240-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0240-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0240-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0240-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0240-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>P-Lo\u003c/strong>\u003cbr>\n\u003cem>Oct. 31\u003c/em>\u003cbr>\n\u003cem>Fox Theatre, Oakland\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"http://thefoxoakland.com/events/p-lo\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/em>\u003c/p>\n\u003cp>At the illustrious Fox Theater, where all-time greats and Grammy winners hold court, P-Lo’s first headlining show is a triumph for the East Bay. Local fans have watched the Pinole artist put in years of work, first as a member of local rap crew HBK Gang, then as a producer for the likes of Yo Gotti and Wiz Khalifa, and later as a rapper in his own right. Celebrating his new, self-released album \u003cem>Shine\u003c/em>, P-Lo brings his post-hyphy slaps on tour to the Fox’s ornate art deco halls.\u003c/p>\n\u003cfigure id=\"attachment_13865174\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865174\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/GettyImages-1166853509-800x450.jpg\" alt='Terra Lopez speaks onstage at the \"Emerging Artists: We See You\" panel during the Billboard And The Hollywood Reporter Pride Summit on August 08, 2019 in West Hollywood, California. ' width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1166853509-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1166853509-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1166853509-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1166853509-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1166853509-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1166853509.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Terra Lopez speaks onstage at the “Emerging Artists: We See You” panel during the Billboard And The Hollywood Reporter Pride Summit on August 08, 2019 in West Hollywood, California. \u003ccite>(Andrew Toth/Getty Images for Billboard)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Rituals of Mine, The Seshen\u003c/strong>\u003cbr>\nOct. 13\u003cbr>\nThe New Parish, Oakland\u003cbr>\n\u003ca href=\"https://www.thenewparish.com/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/p>\n\u003cp>Since leaving Oakland for the next phase of her music career in Los Angeles, Rituals of Mine’s Terra Lopez founded Bitchwave Records, which spotlights LGBTQ+ people of color, and made headlines with a touring audio art installation that put men on the receiving end of catcalls. With music partner Adam Pierce, she returns to the New Parish for a headlining set of dark, downtempo electronic pop. Local favorite the Seshen opens with a set of kaleidoscopic neo-soul. Both bands have been on the forefront of the Bay Area’s indie pop scene for years, and the show is bound to feel like a warm reunion of old friends.\u003c/p>\n\u003cfigure id=\"attachment_13865170\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865170\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/GettyImages-821089402-800x450.jpg\" alt=\"Doug Martsch of Built to Spill performs onstage during day 2 of FYF Fest 2017 at Exposition Park on July 22, 2017 in Los Angeles, California.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-821089402-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-821089402-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-821089402-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-821089402-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-821089402-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-821089402.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Doug Martsch of Built to Spill performs onstage during day 2 of FYF Fest 2017 at Exposition Park on July 22, 2017 in Los Angeles, California. \u003ccite>(Timothy Norris/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Built to Spill\u003c/strong>\u003cbr>\nNov. 5–6, Nov. 23\u003cbr>\nThe Fillmore, San Francisco and Gundlach Bundschu Winery, Sonoma\u003cbr>\n\u003ca href=\"https://www.eventbrite.com/e/built-to-spill-gundlach-bundschu-winery-sonoma-november-23-2019-tickets-58804904051?aff=ebdshpsearchautocomplete\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/p>\n\u003cp>Pioneering indie rockers Built to Spill emerged from the Northwest’s DIY scene in the early ’90s and quickly rose to major label success. Combining a slackerish charm with serious guitar chops, the band builds pop songs out into elaborate jam sessions; it’s no wonder many consider founding member Doug Martsch a modern-day guitar hero. Built to Spill returns to San Francisco to headline the Fillmore for two nights. If you’d rather see them in a more idyllic, outdoor setting, they play the Gundlach Bundschu Winery in Sonoma in November.\u003c/p>\n\u003cfigure id=\"attachment_13865171\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865171\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/GettyImages-79204042-800x450.jpg\" alt=\"Joanna Newsom performs on stage at the Sydney Opera House as part of the 2008 Sydney Festival on January 25, 2008 in Sydney, Australia. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-79204042-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-79204042-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-79204042-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-79204042-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-79204042-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-79204042.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Joanna Newsom performs on stage at the Sydney Opera House as part of the 2008 Sydney Festival on January 25, 2008 in Sydney, Australia. \u003ccite>(Mike Flokis/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Joanna Newsom\u003c/strong>\u003cbr>\nNov. 25–26\u003cbr>\nHerbst Theatre, San Francisco\u003cbr>\n\u003ca href=\"https://www.cityboxoffice.com/eventperformances.asp?evt=2595\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Joanna Newsom came up during the freak-folk wave of the mid 2000s, and her stellar musicianship and enigmatic, elfin voice quickly elevated her to some of the world’s most prestigious concert halls. Within the marble walls of the Herbst Theatre, which typically hosts classical performances, Newsom offers a highly anticipated performance that will be stripped down to three key elements: harp, piano and voice.\u003c/p>\n\n",
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"excerpt": "Pop stars, local music showcases, outdoor hip-hop festivals and more fill the Bay Area concert calendar this fall.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As summer festival season comes to a close, this fall welcomes highly anticipated pop tours at the newly opened Chase Center, local music showcases, outdoor festivals and the last chance to watch Michael Tilson Thomas conduct the San Francisco Symphony before he retires from his post as music director.\u003c/p>\n\u003cp>To help you plan your calendar, we’ve rounded up 10 must-see shows in the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13865172\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865172\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/GettyImages-965855278-1-800x450.jpg\" alt=\"KRS-One performs during the YO! MTV Raps 30th Anniversary Live Event at Barclays Center on June 1, 2018 in New York City. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-965855278-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-965855278-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-965855278-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-965855278-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-965855278-1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-965855278-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">KRS-One performs during the YO! MTV Raps 30th Anniversary Live Event at Barclays Center on June 1, 2018 in New York City. \u003ccite>(Nicholas Hunt/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>KRS-One\u003c/strong>\u003cbr>\n\u003cem>Sept. 8, Oct. 12–13\u003c/em>\u003cbr>\n\u003cem>Yoshi’s, Oakland; Cornerstone, Berkeley; Mystic Theater, Petaluma\u003c/em>\u003cbr>\n\u003cem>Details \u003ca href=\"https://www.yoshis.com/e/krsone-66619178757/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>, \u003ca href=\"https://www.cornerstoneberkeley.com/e/krs-one-w-dj-aspect-feat-scarub-of-living-legends-and-unlearn-the-world-67054252073/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> and \u003ca href=\"https://www.eventbrite.com/e/krs-one-w-dj-aspect-feat-scarub-of-living-legends-and-unlearn-the-world-tickets-68016141109?aff=odwdwdspacecraft\" target=\"_blank\" rel=\"noopener\">here\u003c/a>\u003c/em>\u003c/p>\n\u003cp>KRS-One is a name synonymous with the origins of hip-hop. Not only did the Bronx MC perfect the style of rocking the mic in the late ’80s, but his politically outspoken lyrics continue to influence rappers across multiple generations. This September he performs in Oakland at the jazz club Yoshi’s, with additional dates in October at Berkeley’s Cornerstone, a former pool hall-turned-spacious concert venue, and Petaluma’s Mystic Theater, a renovated vaudeville theater from 1911.\u003c/p>\n\u003cfigure id=\"attachment_13809716\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13809716\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-800x450.jpg\" alt=\"Music Director Michael Tilson Thomas leads the San Francisco Symphony in a performance of 'Symphonie Fantastique' by Berlioz\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Michael-Tilson-Thomas-leads-the-San-Francisco-Symphony-in-a-performance-of-Symphonie-Fantastique-by-Berlioz-e1506467682565.jpg 1753w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Music Director Michael Tilson Thomas leads the San Francisco Symphony in a performance of ‘Symphonie Fantastique’ by Berlioz. \u003ccite>(Stefan Cohen/SF Symphony)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Francisco Symphony: MTT & Mahler 6\u003c/strong>\u003cbr>\n\u003cem>Sept. 12–15\u003c/em>\u003cbr>\n\u003cem>Davis Symphony Hall, San Francisco\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2019-20/MTT-Mahler-Mahler-6\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Fans of the San Francisco Symphony know that Michael Tilson Thomas’ most beloved composer is the modernist Gustav Mahler. Starting in 2001, MTT made Mahler a key focus of the Symphony’s repertoire, and their graceful, dynamic recordings of his works have earned them seven Grammy awards over the years. As MTT prepares to retire from SFS after a 25-year tenure, he conducts the orchestra for Mahler’s Symphony No. 6, an emotional rollercoaster that zig-zags through peril, tragedy, triumph and joy.\u003c/p>\n\u003cfigure id=\"attachment_13850489\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13850489\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910-800x450.jpg\" alt=\"H.E.R. performs onstage during the 61st Annual GRAMMY Awards at Staples Center on February 10, 2019 in Los Angeles, California.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/GettyImages-1097571910.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">H.E.R. performs onstage during the 61st Annual GRAMMY Awards at Staples Center on February 10, 2019 in Los Angeles, California. \u003ccite>(Kevin Winter/Getty Images for The Recording Academy))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Lights On Festival\u003c/strong>\u003cbr>\n\u003cem>Sept. 14\u003c/em>\u003cbr>\n\u003cem>Concord Pavillion, Concord\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"http://www.concordamp.com/events/lights-on-festival/#.XWRNaJNKit8\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The antidote to ginormous music festivals that attempt to cater to every taste? Smaller, artist-curated affairs like Lights On, an R&B extravaganza with a lineup handpicked by headliner H.E.R. Known for emotionally intelligent lyricism and an old-school R&B sensibility, the Grammy-winning, Vallejo-raised singer tops the bill, which also includes Dreamville Records breakout star Ari Lennox, pop underdog Jhene Aiko and soulful singer-guitarist Daniel Ceasar. Bay Area up-and-comers Rayana Jay and Marc E. Bassey round out the bill.\u003c/p>\n\u003cfigure id=\"attachment_13832804\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832804\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/janet-jackson-800x450.jpg\" alt=\"Honoree Janet Jackson performs onstage during the 2018 Billboard Music Awards at MGM Grand Garden Arena on May 20, 2018 in Las Vegas, Nevada.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/janet-jackson-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Honoree Janet Jackson performs onstage during the 2018 Billboard Music Awards at MGM Grand Garden Arena on May 20, 2018 in Las Vegas. \u003ccite>(Kevin Winter/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Janet Jackson\u003c/strong>\u003cbr>\n\u003cem>Sept. 21\u003c/em>\u003cbr>\n\u003cem>Chase Center, San Francisco\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"https://www.chasecenter.com/events/3S94zQi6ySxQOtFFnwmRfl\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/em>\u003c/p>\n\u003cp>As those who saw her \u003ca href=\"https://www.kqed.org/arts/13838820/jackson-monae-feminist-pop-sunday-outside-lands\" target=\"_blank\" rel=\"noopener\">headlining Outside Lands set\u003c/a> in 2018 can attest, Janet Jackson puts on one hell of a show. With hits spanning four decades, athletic choreography and a vulnerable stage presence, Jackson’s live set tells a story of self-empowerment. She’s made progressive pop speaking out against racism and misogyny since the ’80s, and with her recent induction into the Rock & Roll Hall of Fame and accolades like the Billboard Icon Award, the world is finally realizing how ahead of her time she’s been all these years.\u003c/p>\n\u003cfigure id=\"attachment_13865173\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865173\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/GettyImages-461864018-800x450.jpg\" alt=\"Bobby McFerrin performs during The Nearness Of You Benefit Concert at Frederick P. Rose Hall, Jazz at Lincoln Center on January 20, 2015 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-461864018-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-461864018-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-461864018-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-461864018-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-461864018-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-461864018.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bobby McFerrin performs during The Nearness Of You Benefit Concert at Frederick P. Rose Hall, Jazz at Lincoln Center on January 20, 2015 in New York City. \u003ccite>(Ilya S. Savenok/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Bobby McFerrin\u003c/strong>\u003cbr>\n\u003cem>Sept. 19-22\u003c/em>\u003cbr>\n\u003cem>SFJAZZ Center, San Francisco\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"https://www.sfjazz.org/calendar/?month=9.2019&series=25206\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Those who only know Bobby McFerrin as the one-hit wonder behind “Don’t Worry Be Happy” may not realize that he’s a virtuoso vocal composer who’s just as comfortable beat-boxing as he is singing jazz and even opera. The 10-time Grammy winner comes to SFJAZZ for a series of concerts in September, and will return in April 2020 for the \u003ca href=\"https://www.kqed.org/arts/13857895/nea-jazz-masters-announced-tribute-concert-coming-to-san-francisco\" target=\"_blank\" rel=\"noopener\">National Endowment for the Arts Jazz Masters Fellowship\u003c/a> tribute concert, of which he is an honoree along with saxophone great Roscoe Mitchell.\u003c/p>\n\u003cfigure id=\"attachment_13865169\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865169\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/GettyImages-1164522226-800x520.jpg\" alt=\"J Balvin performs on stage at concert sponsored by Guess at Kucukciftlik Park on July 26, 2019 in Istanbul, Turkey.\" width=\"800\" height=\"520\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1164522226-800x520.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1164522226-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1164522226-768x499.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1164522226-1020x663.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1164522226-1200x780.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1164522226.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">J Balvin performs on stage at concert sponsored by Guess at Kucukciftlik Park on July 26, 2019 in Istanbul, Turkey. \u003ccite>(Ferhat Zupcevic/Getty Images for Guess)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>J Balvin\u003c/strong>\u003cbr>\n\u003cem>Oct. 17\u003c/em>\u003cbr>\n\u003cem>SAP Center, San Jose\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"http://www.sapcenter.com/events/detail/jbalvin\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/em>\u003c/p>\n\u003cp>A leader of the new generation of Latin American pop acts reigning the U.S. charts, Colombia’s J Balvin is set to turn San Jose’s SAP Center into one big dance party when he comes to town for his Arcoiris tour. With reggaeton and dancehall rhythms backing sleek pop production, his hip-winding tracks and collaborations with Cardi B, Sean Paul and Bad Bunny have earned him a devoted international audience.\u003c/p>\n\u003cfigure id=\"attachment_13840860\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840860\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_0240-800x533.jpg\" alt=\"P-Lo plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0240.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0240-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0240-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0240-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0240-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0240-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo plays Rolling Loud Bay Area in Oakland on Saturday, September 15, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>P-Lo\u003c/strong>\u003cbr>\n\u003cem>Oct. 31\u003c/em>\u003cbr>\n\u003cem>Fox Theatre, Oakland\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"http://thefoxoakland.com/events/p-lo\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/em>\u003c/p>\n\u003cp>At the illustrious Fox Theater, where all-time greats and Grammy winners hold court, P-Lo’s first headlining show is a triumph for the East Bay. Local fans have watched the Pinole artist put in years of work, first as a member of local rap crew HBK Gang, then as a producer for the likes of Yo Gotti and Wiz Khalifa, and later as a rapper in his own right. Celebrating his new, self-released album \u003cem>Shine\u003c/em>, P-Lo brings his post-hyphy slaps on tour to the Fox’s ornate art deco halls.\u003c/p>\n\u003cfigure id=\"attachment_13865174\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865174\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/GettyImages-1166853509-800x450.jpg\" alt='Terra Lopez speaks onstage at the \"Emerging Artists: We See You\" panel during the Billboard And The Hollywood Reporter Pride Summit on August 08, 2019 in West Hollywood, California. ' width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1166853509-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1166853509-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1166853509-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1166853509-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1166853509-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-1166853509.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Terra Lopez speaks onstage at the “Emerging Artists: We See You” panel during the Billboard And The Hollywood Reporter Pride Summit on August 08, 2019 in West Hollywood, California. \u003ccite>(Andrew Toth/Getty Images for Billboard)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Rituals of Mine, The Seshen\u003c/strong>\u003cbr>\nOct. 13\u003cbr>\nThe New Parish, Oakland\u003cbr>\n\u003ca href=\"https://www.thenewparish.com/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/p>\n\u003cp>Since leaving Oakland for the next phase of her music career in Los Angeles, Rituals of Mine’s Terra Lopez founded Bitchwave Records, which spotlights LGBTQ+ people of color, and made headlines with a touring audio art installation that put men on the receiving end of catcalls. With music partner Adam Pierce, she returns to the New Parish for a headlining set of dark, downtempo electronic pop. Local favorite the Seshen opens with a set of kaleidoscopic neo-soul. Both bands have been on the forefront of the Bay Area’s indie pop scene for years, and the show is bound to feel like a warm reunion of old friends.\u003c/p>\n\u003cfigure id=\"attachment_13865170\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865170\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/GettyImages-821089402-800x450.jpg\" alt=\"Doug Martsch of Built to Spill performs onstage during day 2 of FYF Fest 2017 at Exposition Park on July 22, 2017 in Los Angeles, California.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-821089402-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-821089402-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-821089402-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-821089402-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-821089402-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-821089402.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Doug Martsch of Built to Spill performs onstage during day 2 of FYF Fest 2017 at Exposition Park on July 22, 2017 in Los Angeles, California. \u003ccite>(Timothy Norris/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Built to Spill\u003c/strong>\u003cbr>\nNov. 5–6, Nov. 23\u003cbr>\nThe Fillmore, San Francisco and Gundlach Bundschu Winery, Sonoma\u003cbr>\n\u003ca href=\"https://www.eventbrite.com/e/built-to-spill-gundlach-bundschu-winery-sonoma-november-23-2019-tickets-58804904051?aff=ebdshpsearchautocomplete\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/p>\n\u003cp>Pioneering indie rockers Built to Spill emerged from the Northwest’s DIY scene in the early ’90s and quickly rose to major label success. Combining a slackerish charm with serious guitar chops, the band builds pop songs out into elaborate jam sessions; it’s no wonder many consider founding member Doug Martsch a modern-day guitar hero. Built to Spill returns to San Francisco to headline the Fillmore for two nights. If you’d rather see them in a more idyllic, outdoor setting, they play the Gundlach Bundschu Winery in Sonoma in November.\u003c/p>\n\u003cfigure id=\"attachment_13865171\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865171\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/GettyImages-79204042-800x450.jpg\" alt=\"Joanna Newsom performs on stage at the Sydney Opera House as part of the 2008 Sydney Festival on January 25, 2008 in Sydney, Australia. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-79204042-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-79204042-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-79204042-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-79204042-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-79204042-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/GettyImages-79204042.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Joanna Newsom performs on stage at the Sydney Opera House as part of the 2008 Sydney Festival on January 25, 2008 in Sydney, Australia. \u003ccite>(Mike Flokis/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Joanna Newsom\u003c/strong>\u003cbr>\nNov. 25–26\u003cbr>\nHerbst Theatre, San Francisco\u003cbr>\n\u003ca href=\"https://www.cityboxoffice.com/eventperformances.asp?evt=2595\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Joanna Newsom came up during the freak-folk wave of the mid 2000s, and her stellar musicianship and enigmatic, elfin voice quickly elevated her to some of the world’s most prestigious concert halls. Within the marble walls of the Herbst Theatre, which typically hosts classical performances, Newsom offers a highly anticipated performance that will be stripped down to three key elements: harp, piano and voice.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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