A scene from the Japanese animated film 'Your Name' (2016, dir. Makoto Shinkai). (Funimation Films)
I know what it’s like. You’ve surrendered to this floating, punishing reality that is living in the United States of America in the year 2017. You hate the news but are glued to each new mind-boggling report, hate your phone but spend every spare minute looking at it, hate half of your Facebook friends but still oscillate your thumb wildly in the endless scroll-down that is your social life now.
You are reading this with 13 other tabs open. You are blindsided by “On This Day” memories forced in your face as a form of emotional terrorism, reminding you when life was more serene. You used to get more exercise. You want to unplug but cannot, afraid you’ll miss something important to… what? To be angry about? To go protest? To make a knee-jerk post for, adding to the booming outrage cycle?
You go to bed every night thinking “It can’t get any worse,” and then you wake up screaming.
I know what it’s like because I, too, am at least a half-conscious human being in this country, invested with care in the state of things and simultaneously pummeled by it on a near-constant basis. You, me, all of us — we’re completely stumped at what the hell to do. Pay attention, or log off? Be engaged, or take care of ourselves? Find purpose, or find comfort?
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This is the fundamental question that we are faced with, hundreds of times a day in a blink-of-an-eye fight-or-flight way online, and once or twice a day in a giant, existential, who-am-I-even-and-how-am-I-gonna-get-by-in-this-world way. And between the two is the ostensibly normal way: in face-to-face human interaction, which is quickly seeming like more and more of a not-normal thing.
The answer to the question, I’ve found, is to stop bombarding yourself with the question.
Bikini Kill performs in a backyard in Santa Rosa, fronted by Kathleen Hanna (second from left), circa 1993. (Photos: Gabe Meline)
During her days fronting the great band Bikini Kill, Kathleen Hanna coined a phrase that’s been rolling around in my head lately. It pops up like a giant helpful billboard on life’s highway whenever I find myself crippled by how I should move through this stupefying new world. It tells me: Resist Psychic Death.
Resist psychic death. It’s as easy as that. Don’t allow the insanity to consume you to the point that you second-guess your every thought. Resist psychic death. Take action and fire off postcards and phone calls when you need to, and rest and laugh and rejuvenate when your mind and body tells you to. Resist psychic death. Don’t be hamstrung by a false dichotomy of taking care of yourself versus taking care of the world. Do both. All of the above. Follow your heart. Resist psychic death.
I am not alone these days in having a crisis of faith about my work. Suddenly, covering the arts doesn’t seem so important anymore. My friends who work as legal analysts, or waitresses, or genetic research scientists, or record store clerks, the whole spectrum — they all feel it too.
The past eight months have sneered at basic human decency, and robbed us of common sense. But we don’t always acknowledge the subtle, cruel way it’s sapped us of that most important thing of all: our purpose.
Kathleen Hanna said another smart thing that I’ve kept in mind lately. “Being told you are a worthless piece of shit and not believing it,” she once wrote, “is a form of resistance.”
“Selfie stations” at Color Factory in San Francisco. (via Instagram)
There’s now an ongoing discussion about the role of art in this new America, splintered into various debates, all variations on the same question. Should art directly address the state of the world? Or should it offer an escape from it?
Art is where we find our way, whatever it may be. Art is where we lift our head up, ready to fight, and where we deflate in tears — whatever’s needed at the moment. Art is where we can lose ourselves and find ourselves. Art is what can make us feel warm memories of the past, and, believe it or not, hope for the future.
I know what it’s like to need that hope, because just like you, I have pondered with a level of seriousness not felt since the Cold War the very real and terrifying possibility that we may not collectively make it through this year alive.
But: you are alive now, and you can think, and feel. While you can, resist psychic death. And, by all means, get off the internet.
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"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> know what it’s like. You’ve surrendered to this floating, punishing reality that is living in the United States of America in the year 2017. You hate the news but are glued to each new mind-boggling report, hate your phone but spend every spare minute looking at it, hate half of your Facebook friends but still oscillate your thumb wildly in the endless scroll-down that is your social life now.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13808206\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-160x159.jpg\" alt=\"\" width=\"160\" height=\"159\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-160x159.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-240x239.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-150x150.jpg 150w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_.jpg 300w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>You are reading this with 13 other tabs open. You are blindsided by “On This Day” memories forced in your face as a form of emotional terrorism, reminding you when life was more serene. You used to get more exercise. You want to unplug but cannot, afraid you’ll miss something important to… what? To be angry about? To go protest? To make a knee-jerk post for, adding to the booming outrage cycle?\u003c/p>\n\u003cp>You go to bed every night thinking “It can’t get any worse,” and then you wake up screaming.\u003c/p>\n\u003cp>I know what it’s like because I, too, am at least a half-conscious human being in this country, invested with care in the state of things and simultaneously pummeled by it on a near-constant basis. You, me, all of us — we’re completely stumped at what the hell to do. Pay attention, or log off? Be engaged, or take care of ourselves? Find purpose, or find comfort?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This is the fundamental question that we are faced with, hundreds of times a day in a blink-of-an-eye fight-or-flight way online, and once or twice a day in a giant, existential, who-am-I-even-and-how-am-I-gonna-get-by-in-this-world way. And between the two is the ostensibly normal way: in face-to-face human interaction, which is quickly seeming like more and more of a not-normal thing.\u003c/p>\n\u003cp>The answer to the question, I’ve found, is to stop bombarding yourself with the question.\u003c/p>\n\u003cfigure id=\"attachment_13808208\" class=\"wp-caption aligncenter\" style=\"max-width: 1129px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13808208\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_.jpg\" alt=\"Bikini Kill performs in a backyard in Santa Rosa, fronted by Kathleen Hanna (second from left), circa 1993.\" width=\"1129\" height=\"439\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_.jpg 1129w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-160x62.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-800x311.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-768x299.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-1020x397.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-960x373.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-240x93.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-375x146.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-520x202.jpg 520w\" sizes=\"(max-width: 1129px) 100vw, 1129px\">\u003cfigcaption class=\"wp-caption-text\">Bikini Kill performs in a backyard in Santa Rosa, fronted by Kathleen Hanna (second from left), circa 1993. \u003ccite>(Photos: Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">D\u003c/span>uring her days fronting the great band Bikini Kill, Kathleen Hanna coined a phrase that’s been rolling around in my head lately. It pops up like a giant helpful billboard on life’s highway whenever I find myself crippled by how I should move through this stupefying new world. It tells me: Resist Psychic Death.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=6NnJkJWhooE\" target=\"_blank\" rel=\"noopener noreferrer\">Resist psychic death\u003c/a>. It’s as easy as that. Don’t allow the insanity to consume you to the point that you second-guess your every thought. Resist psychic death. Take action and fire off postcards and phone calls when you need to, and rest and laugh and rejuvenate when your mind and body tells you to. Resist psychic death. Don’t be hamstrung by a false dichotomy of taking care of yourself versus taking care of the world. Do both. All of the above. Follow your heart. Resist psychic death.\u003c/p>\n\u003caside class=\"pullquote alignright\">Should art directly address the state of the world? Or should it offer an escape from it?\u003c/aside>\n\u003cp>I am not alone these days in having a crisis of faith about my work. Suddenly, covering the arts doesn’t seem so important anymore. My friends who work as legal analysts, or waitresses, or genetic research scientists, or record store clerks, the whole spectrum — they all feel it too.\u003c/p>\n\u003cp>The past eight months have sneered at basic human decency, and robbed us of common sense. But we don’t always acknowledge the subtle, cruel way it’s sapped us of that most important thing of all: our purpose.\u003c/p>\n\u003cp>Kathleen Hanna said another smart thing that I’ve kept in mind lately. “Being told you are a worthless piece of shit and not believing it,” she \u003ca href=\"http://denyfilmisdead.blogspot.com/2005/10/self-portrait-3-for-this-self-portrait.html\" target=\"_blank\" rel=\"noopener noreferrer\">once wrote\u003c/a>, “is a form of resistance.”\u003c/p>\n\u003cfigure id=\"attachment_13804939\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13804939\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/cf3-800x275.jpg\" alt='\"Selfie stations\" at Color Factory in San Francisco.' width=\"800\" height=\"275\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3-800x275.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3-160x55.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3-768x264.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3-960x330.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3-240x82.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3-375x129.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3-520x179.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3.jpg 978w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Selfie stations” at Color Factory in San Francisco. \u003ccite>(via Instagram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>here’s now an ongoing discussion about the role of art in this new America, splintered into various debates, all variations on the same question. Should art directly address the state of the world? Or should it offer an escape from it?\u003c/p>\n\u003cp>Will music become \u003ca href=\"http://www.mtv.com/news/2953786/trump-music-silver-lining-myth/\" target=\"_blank\" rel=\"noopener noreferrer\">more reactive and angry\u003c/a>? Is political art reductive by nature? Is it OK to go see a matinee of this dumb comedy while Houston is underwater? Have you read the latest \u003cem>New Yorker\u003c/em> feature? Did you see \u003ca href=\"http://www.vulture.com/2017/08/read-kara-walkers-artists-statement-about-being-fed-up.html\" target=\"_blank\" rel=\"noopener noreferrer\">Kara Walker’s artist statement\u003c/a>? Should bands at music festivals \u003ca href=\"https://ww2.kqed.org/arts/2017/08/14/on-outside-lands-chartlottesville-and-conspicuous-silence/\" target=\"_blank\" rel=\"noopener noreferrer\">comment on current events, or shut up and play\u003c/a>?\u003c/p>\n\u003caside class=\"pullquote alignright\">Art is where we find our way, whatever it may be. Art is where we lift our head up, ready to fight, and where we deflate in tears — whatever’s needed at the moment.\u003c/aside>\n\u003cp>To resist psychic death is to choose all of the above. Read \u003ca href=\"https://www.theatlantic.com/magazine/archive/2017/10/the-first-white-president-ta-nehisi-coates/537909/\" target=\"_blank\" rel=\"noopener noreferrer\">Ta-Nehisi Coates’ probing essay\u003c/a> about Donald Trump and white supremacy, and then unwind with a \u003ca href=\"https://ww2.kqed.org/pop/2017/09/01/what-got-us-through-this-week-inaugural-edition/\" target=\"_blank\" rel=\"noopener noreferrer\">1,000-page fantasy paperback\u003c/a>. Digest the ugliness that is \u003ca href=\"https://www.theatlantic.com/politics/archive/2017/08/trump-defends-white-nationalist-protesters-some-very-fine-people-on-both-sides/537012/\" target=\"_blank\" rel=\"noopener noreferrer\">a tone-deaf response to Charlotesville\u003c/a>, then take in the utter beauty that is \u003ca href=\"https://www.rottentomatoes.com/m/your_name_2017/\" target=\"_blank\" rel=\"noopener noreferrer\">Makoto Shinkai’s animated film \u003cem>Your Name\u003c/em>\u003c/a>. Cogitate upon a \u003ca href=\"https://ww2.kqed.org/arts/2017/08/31/at-last-a-space-for-the-philippines-at-the-asian-art-museum/\" target=\"_blank\" rel=\"noopener noreferrer\">historical collection of Filipino art\u003c/a>, and take selfies \u003ca href=\"https://ww2.kqed.org/arts/2017/08/10/no-filter-necessary-in-sfs-instagram-ready-color-factory/\" target=\"_blank\" rel=\"noopener noreferrer\">at the silly Color Factory\u003c/a>. Watch \u003cem>\u003ca href=\"https://ww2.kqed.org/arts/2017/08/03/high-stakes-al-gore-inconvenient-sequel-make-documentary-drama/\" target=\"_blank\" rel=\"noopener noreferrer\">An Inconvenient Sequel\u003c/a>\u003c/em> and then \u003ca href=\"http://www.npr.org/sections/monkeysee/2017/07/26/539470293/pop-culture-happy-hour-girls-trip\" target=\"_blank\" rel=\"noopener noreferrer\">go with friends to see \u003cem>Girls Trip\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Art is where we find our way, whatever it may be. Art is where we lift our head up, ready to fight, and where we deflate in tears — whatever’s needed at the moment. Art is where we can lose ourselves \u003cem>and\u003c/em> find ourselves. Art is what can make us feel warm memories of the past, and, believe it or not, hope for the future.\u003c/p>\n\u003cp>I know what it’s like to need that hope, because just like you, I have pondered with a level of seriousness not felt since the Cold War the very real and terrifying possibility that we may not collectively make it through this year alive.\u003c/p>\n\u003cp>But: you are alive now, and you can think, and feel. While you can, resist psychic death. And, by all means, \u003ca href=\"https://www.youtube.com/watch?v=JsXcocZXGsA\" target=\"_blank\" rel=\"noopener noreferrer\">get off the internet\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> know what it’s like. You’ve surrendered to this floating, punishing reality that is living in the United States of America in the year 2017. You hate the news but are glued to each new mind-boggling report, hate your phone but spend every spare minute looking at it, hate half of your Facebook friends but still oscillate your thumb wildly in the endless scroll-down that is your social life now.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13808206\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-160x159.jpg\" alt=\"\" width=\"160\" height=\"159\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-160x159.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-240x239.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_-150x150.jpg 150w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/GabeMeline.BW_.jpg 300w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>You are reading this with 13 other tabs open. You are blindsided by “On This Day” memories forced in your face as a form of emotional terrorism, reminding you when life was more serene. You used to get more exercise. You want to unplug but cannot, afraid you’ll miss something important to… what? To be angry about? To go protest? To make a knee-jerk post for, adding to the booming outrage cycle?\u003c/p>\n\u003cp>You go to bed every night thinking “It can’t get any worse,” and then you wake up screaming.\u003c/p>\n\u003cp>I know what it’s like because I, too, am at least a half-conscious human being in this country, invested with care in the state of things and simultaneously pummeled by it on a near-constant basis. You, me, all of us — we’re completely stumped at what the hell to do. Pay attention, or log off? Be engaged, or take care of ourselves? Find purpose, or find comfort?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This is the fundamental question that we are faced with, hundreds of times a day in a blink-of-an-eye fight-or-flight way online, and once or twice a day in a giant, existential, who-am-I-even-and-how-am-I-gonna-get-by-in-this-world way. And between the two is the ostensibly normal way: in face-to-face human interaction, which is quickly seeming like more and more of a not-normal thing.\u003c/p>\n\u003cp>The answer to the question, I’ve found, is to stop bombarding yourself with the question.\u003c/p>\n\u003cfigure id=\"attachment_13808208\" class=\"wp-caption aligncenter\" style=\"max-width: 1129px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13808208\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_.jpg\" alt=\"Bikini Kill performs in a backyard in Santa Rosa, fronted by Kathleen Hanna (second from left), circa 1993.\" width=\"1129\" height=\"439\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_.jpg 1129w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-160x62.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-800x311.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-768x299.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-1020x397.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-960x373.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-240x93.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-375x146.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-520x202.jpg 520w\" sizes=\"(max-width: 1129px) 100vw, 1129px\">\u003cfigcaption class=\"wp-caption-text\">Bikini Kill performs in a backyard in Santa Rosa, fronted by Kathleen Hanna (second from left), circa 1993. \u003ccite>(Photos: Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">D\u003c/span>uring her days fronting the great band Bikini Kill, Kathleen Hanna coined a phrase that’s been rolling around in my head lately. It pops up like a giant helpful billboard on life’s highway whenever I find myself crippled by how I should move through this stupefying new world. It tells me: Resist Psychic Death.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=6NnJkJWhooE\" target=\"_blank\" rel=\"noopener noreferrer\">Resist psychic death\u003c/a>. It’s as easy as that. Don’t allow the insanity to consume you to the point that you second-guess your every thought. Resist psychic death. Take action and fire off postcards and phone calls when you need to, and rest and laugh and rejuvenate when your mind and body tells you to. Resist psychic death. Don’t be hamstrung by a false dichotomy of taking care of yourself versus taking care of the world. Do both. All of the above. Follow your heart. Resist psychic death.\u003c/p>\n\u003caside class=\"pullquote alignright\">Should art directly address the state of the world? Or should it offer an escape from it?\u003c/aside>\n\u003cp>I am not alone these days in having a crisis of faith about my work. Suddenly, covering the arts doesn’t seem so important anymore. My friends who work as legal analysts, or waitresses, or genetic research scientists, or record store clerks, the whole spectrum — they all feel it too.\u003c/p>\n\u003cp>The past eight months have sneered at basic human decency, and robbed us of common sense. But we don’t always acknowledge the subtle, cruel way it’s sapped us of that most important thing of all: our purpose.\u003c/p>\n\u003cp>Kathleen Hanna said another smart thing that I’ve kept in mind lately. “Being told you are a worthless piece of shit and not believing it,” she \u003ca href=\"http://denyfilmisdead.blogspot.com/2005/10/self-portrait-3-for-this-self-portrait.html\" target=\"_blank\" rel=\"noopener noreferrer\">once wrote\u003c/a>, “is a form of resistance.”\u003c/p>\n\u003cfigure id=\"attachment_13804939\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13804939\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/cf3-800x275.jpg\" alt='\"Selfie stations\" at Color Factory in San Francisco.' width=\"800\" height=\"275\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3-800x275.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3-160x55.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3-768x264.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3-960x330.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3-240x82.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3-375x129.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3-520x179.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/cf3.jpg 978w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Selfie stations” at Color Factory in San Francisco. \u003ccite>(via Instagram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>here’s now an ongoing discussion about the role of art in this new America, splintered into various debates, all variations on the same question. Should art directly address the state of the world? Or should it offer an escape from it?\u003c/p>\n\u003cp>Will music become \u003ca href=\"http://www.mtv.com/news/2953786/trump-music-silver-lining-myth/\" target=\"_blank\" rel=\"noopener noreferrer\">more reactive and angry\u003c/a>? Is political art reductive by nature? Is it OK to go see a matinee of this dumb comedy while Houston is underwater? Have you read the latest \u003cem>New Yorker\u003c/em> feature? Did you see \u003ca href=\"http://www.vulture.com/2017/08/read-kara-walkers-artists-statement-about-being-fed-up.html\" target=\"_blank\" rel=\"noopener noreferrer\">Kara Walker’s artist statement\u003c/a>? Should bands at music festivals \u003ca href=\"https://ww2.kqed.org/arts/2017/08/14/on-outside-lands-chartlottesville-and-conspicuous-silence/\" target=\"_blank\" rel=\"noopener noreferrer\">comment on current events, or shut up and play\u003c/a>?\u003c/p>\n\u003caside class=\"pullquote alignright\">Art is where we find our way, whatever it may be. Art is where we lift our head up, ready to fight, and where we deflate in tears — whatever’s needed at the moment.\u003c/aside>\n\u003cp>To resist psychic death is to choose all of the above. Read \u003ca href=\"https://www.theatlantic.com/magazine/archive/2017/10/the-first-white-president-ta-nehisi-coates/537909/\" target=\"_blank\" rel=\"noopener noreferrer\">Ta-Nehisi Coates’ probing essay\u003c/a> about Donald Trump and white supremacy, and then unwind with a \u003ca href=\"https://ww2.kqed.org/pop/2017/09/01/what-got-us-through-this-week-inaugural-edition/\" target=\"_blank\" rel=\"noopener noreferrer\">1,000-page fantasy paperback\u003c/a>. Digest the ugliness that is \u003ca href=\"https://www.theatlantic.com/politics/archive/2017/08/trump-defends-white-nationalist-protesters-some-very-fine-people-on-both-sides/537012/\" target=\"_blank\" rel=\"noopener noreferrer\">a tone-deaf response to Charlotesville\u003c/a>, then take in the utter beauty that is \u003ca href=\"https://www.rottentomatoes.com/m/your_name_2017/\" target=\"_blank\" rel=\"noopener noreferrer\">Makoto Shinkai’s animated film \u003cem>Your Name\u003c/em>\u003c/a>. Cogitate upon a \u003ca href=\"https://ww2.kqed.org/arts/2017/08/31/at-last-a-space-for-the-philippines-at-the-asian-art-museum/\" target=\"_blank\" rel=\"noopener noreferrer\">historical collection of Filipino art\u003c/a>, and take selfies \u003ca href=\"https://ww2.kqed.org/arts/2017/08/10/no-filter-necessary-in-sfs-instagram-ready-color-factory/\" target=\"_blank\" rel=\"noopener noreferrer\">at the silly Color Factory\u003c/a>. Watch \u003cem>\u003ca href=\"https://ww2.kqed.org/arts/2017/08/03/high-stakes-al-gore-inconvenient-sequel-make-documentary-drama/\" target=\"_blank\" rel=\"noopener noreferrer\">An Inconvenient Sequel\u003c/a>\u003c/em> and then \u003ca href=\"http://www.npr.org/sections/monkeysee/2017/07/26/539470293/pop-culture-happy-hour-girls-trip\" target=\"_blank\" rel=\"noopener noreferrer\">go with friends to see \u003cem>Girls Trip\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Art is where we find our way, whatever it may be. Art is where we lift our head up, ready to fight, and where we deflate in tears — whatever’s needed at the moment. Art is where we can lose ourselves \u003cem>and\u003c/em> find ourselves. Art is what can make us feel warm memories of the past, and, believe it or not, hope for the future.\u003c/p>\n\u003cp>I know what it’s like to need that hope, because just like you, I have pondered with a level of seriousness not felt since the Cold War the very real and terrifying possibility that we may not collectively make it through this year alive.\u003c/p>\n\u003cp>But: you are alive now, and you can think, and feel. While you can, resist psychic death. And, by all means, \u003ca href=\"https://www.youtube.com/watch?v=JsXcocZXGsA\" target=\"_blank\" rel=\"noopener noreferrer\">get off the internet\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
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},
"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
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"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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