Updated at 10:47 a.m. ET
Denis Johnson, the author behind the seminal collection Jesus’ Son, has died at the age of 67. Jeff Seroy, a spokesperson for Johnson’s publisher, Farrar Straus and Giroux, confirmed that the National Book Award-winning novelist died but offered no further details.
“Denis was one of the great writers of his generation,” FSG’s president and publisher, Jonathan Galassi, said in a statement Friday. “He wrote prose with the imaginative concentration and empathy of the poet he was.”
“Brutally honest and painfully beautiful” — that’s how novelist Nathan Englander described Johnson’s work in 1992’s Jesus’ Son, a brief, unvarnished set of interwoven stories that focus on the desperate lives of drug addicts.
“He doesn’t ever romanticize these dark settings while leaving his narrator open to the fact that, despite it all, we may live in a heartbreakingly romantic world,” Englander wrote of Johnson in 2007, adding: “With dialogue that feels like you’re getting it verbatim and stripped-down prose, he writes simple, honest stories that have the bigness of great work.”
The same year that Englander praised him on NPR, Johnson went on to win the National Book Award for a significantly heftier work — at least in physical size. Tree of Smoke, a deep dive into covert operations during the Vietnam War, only added proof to the notion Johnson was “a fine stylist of the world of soulful disaster,” reviewer Alan Cheuse said at the time.
And Johnson, whose novella Train Dreams was also a finalist for the 2012 Pulitzer, proved to be prolific both on the page and off: The author of about 20 books, including several collections of poetry, he pursued journalistic stories in Somalia and Liberia, among other places around the world.
In Liberia’s capital city in 1990, the dogs were doing well “because they feed on human corpses,” he wrote in “The Civil War in Hell,” a piece included in the nonfiction collection Seek. “The people are starving, but the dogs have put on weight.”
From book to book, the protean writer frequently defied readers’ expectations, slipping into new voices with each publication.
“I get bored quickly and try another style, another genre, another form,” he told the Los Angeles Times in 2014, around the time he released his 10th novel, Laughing Monsters. “To me the writing is all one thing, or maybe I should say it’s all nothing. The truth is, I just write sentences.”
9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004))
