In its statement, Soviet Soviet says that the agents' refusal to permit the band's entry seems to have stemmed from the fact that the agents believed that the group needed work visas to enter the U.S., because two of the venues at which Soviet Soviet was slated to perform were going to charge audiences entry fees — even though the band says that its musicians were not going to earn any money while in the U.S.
This afternoon, KEXP published a short statement about the situation, saying:
"Yesterday, Thursday, March 9th, Italian trio Soviet Soviet were scheduled to perform live on The Morning Show on KEXP. Their sophomore album Endless was released on felte Records back in December, and with its dark, anthemic, post-punk sound, quickly became a favorite on the KEXP airwaves. Unfortunately, the in-studio — as well as their scheduled performances at Kremwerk, SXSW, and venues along the west coast — had to be canceled ... KEXP sincerely hopes we'll be able to reschedule a session with the band in the near future."
It remains to be seen if other musicians will face similar circumstances as they arrive at U.S. border points of entry in the coming days. This period is a particular pressure point as SXSW gets underway on March 13; nearly 600 foreign acts showcased there during the 2016 edition of the festival. Just a week ago, the festival's organizers faced intense scrutiny over their contractual statements regarding international artists coming into the U.S. to play in Austin, which led to an official apology and a promise to revise SXSW's language going forward.
On Tuesday, a prominent immigration attorney named Brian Taylor Goldstein, whose practice is centered around working with artists seeking to tour the U.S., published a lengthy article advising international musicians about the current — and shifting — challenges regarding immigration policy under the Trump administration. Goldstein wrote:
"Given that the new Order specifically requires heightened vetting and screening of those "who seek to enter the United States on a fraudulent basis", there is going to be even more scrutiny and less forgiveness than ever before with regard to artists attempting to enter the US on visitor visas (B-1/B-2) or through the Visa Waiver Program ("ESTA"). We are already receiving reports of artists being held and detained for hours upon entering the US to determine whether or not they are performing. Even artists entering as visitors for the purpose of attending a conference or "performing a showcase" are being pulled aside and, in many cases, being refused entry. Artists entering with B- 1/B-2 visas or through the Visa Waiver Program (ESTA) are being pulled aside the moment they say that they are "entertainers", "performers", or "artists" ... In short, an Immigration Officer has the unfettered authority and discretion to deny entry to any artist from any nationality for any reason. To what extent this authority will be exercised remains to be seen."
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