It's not just for women: Dan Seneres, an artist at American Steel studios in West Oakland, came to the Women's March in Oakland with a modified vehicle he calls "The Monster Bike." (Photo: Gabe Meline/KQED)
As part of KQED Arts’ series First 100 Days: Art in the Age of Trump, which explores artists’ responses to the first hundred days of Trump’s presidency, we embedded reporters in the women’s marches taking place in San Francisco, Oakland, San Jose and Santa Rosa on Saturday, Jan. 21. Our aim is to share some of the more creative ways in which protesters across the Bay Area expressed their feelings about the new administration.
Read on to view the artwork on display and read about the creative minds behind the work. This post will update throughout the day.
San Francisco, 8:00pm
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The rain couldn’t dampen the spirit of people marching in San Francisco. Here’s a short video bringing together some of the creativity and determination seen throughout the day. — Claudia Escobar
San Francisco, 6:10pm
City Hall looks like a work of art against the stormy sky. The weather hasn’t deterred thousands of people from gathering and marching today. — Yo Ann Martinez
San Francisco, 4:40pm
Oakland resident Rachel Mayes brought this eye-catching “American Flag Pussy” banner to the San Francisco rally. “I couldn’t think of words to put on a sign,” Mayes says. “So I just thought of an image that people would understand on its own.” — Emma Silvers
San Francisco, 3:20pm
A bite-sized, high-speed video piece showing marchers congregating at the 24th Street BART station in San Francisco. The train stopped running for a while, so people got out and looked for other ways to reach the rally. — Claudia Escobar
Santa Rosa, 2:33pm
Sister Sparkle Plenty and Sister Frances A. Sissy of Russian River Sisters of Perpetual Indulgence collect donations. Sister Sparkle Plenty says the group came to speak “to emphasize the importance of showing solidarity with everyone who is oppressed.” — Dani Burlison
Santa Rosa, 2:28pm
Todd Barricklow of Santa Rosa shares his Antifa stickers and patches. The symbol was originally designed in the 1930s in response to fascism in Italy (and later, in Germany). “The symbol was designed to paint out swastikas,” says Barricklow, who handed out the stickers at the march. — Dani Burlison
Oakland, 1:45pm
All heads turned when performers from aerial dance troupe Bandaloop emerged from the uppermost windows of Oakland City Hall and danced their way down the building’s façade. It was a sweet, elegant moment of fluidity above the somewhat chaotic, crowded scene below. Here’s a short clip, filmed and provided to us by Michael Manoochehri. — Gabe Meline
Santa Rosa, 1:37pm
Lisa Steinkamp from Healdsburg reclaims the terms she says Trump “used for her private parts in such a disgusting way” with her gold, jewel encrusted sandwich board. Steinkamp formed a group, Bridge Lab, with other Sonoma county women after the election and says she wishes all of the pink pussy hats were gold so Trump would be reminded of the women standing up against him every time he sees the color. — Dani Burlison
Overall feeling today at Oakland #WomensMarch is JOY. Here’s the Banda de Percusao on 13th Street leading the party. (Gabe Meline/KQED)
Oakland, 1:35pm
Something about the rhythm bouncing off the buildings must have made him feel young again. There he was, a 60-ish man in the middle of 13th Street, attempting and very nearly pulling off the splits. Surrounded by dozens of other revelers, the man had joined an impromptu dance party hosted by Batala San Francisco. The Brazilian percussion ensemble embodied the overall feeling of joy; when someone shouted that the Oakland Police Department just estimated the crowd at 60,000 strong, a gigantic cheer filled the air. And then the music began anew, Batala San Francisco and its attendant dance brigade marching on to Frank Ogawa Plaza. –Gabe Meline
Oakland, 1:00pm
Allison West hadn’t painted in a long time. But before the March, she gravitated to this Maya Angelou quote, and knew she had to illustrate it. “I just felt like it spoke to the cause of why we’re here today,” she says. “After the election, a sense of inclusiveness.” She found an image of flowers online for her inspiration, and says she dug up her old paint at her home in San Francisco, clearly gratified to be making art again. “People have said they love it,” she says. “And everyone loves Maya Angelou.” — Gabe Meline
San Francisco, 12:37pm
From Emma Silvers, a recording of a group of singers, pictured below, led by Threshold Choir founder Kate Munger, warming up outside the Ferry Building before they sing for counter-protesters involved in a pro-life march.
“I called this is a singing protest because I wanted singing to be the main focus,” Munger says. “I think song has a healing modality that is so important in our culture, and I think it does things that other forms of protest might not be able to do right now.” — Emma Silvers
Oakland, 12.30pm
It was hard to miss the joyful singing and dancing from various capoeira groups — members of the International Capoeira Angola Foundation (Oakland), Capoeira Manginga and Capoeira Brasil East Bay (Oakland), UCA and No Balanco de Angola (Berkeley), Filhos de Bimba (Emeryville) and others. As the group of 20 or so made their way down Madison Street, numerous passerbys joined it the rhythmic pulse. “We’re here in solidarity for women to show that we are powerful, that we support each other, and we don’t agree with what’s happening right now,” says spokesperson Sheri Janowski, from Oakland. The response? “Just love,” she says. — Gabe Meline
San Jose, 12:26pm
Ginger Gardei (on the left) made both of these paintings. Here with her buddy, Alberto Colmenares of Pinole, Gardei got a degree in art from #SanJoseState. The art? “Pretty self-explanatory, right?” — Rachael Myrow
Oakland, 12:01pm
Dan Seneres, an artist at American Steel studios in West Oakland, came to the march with the modified vehicle he calls “The Monster Bike.” Seneres, known widely as “Splob,” made a hat for himself and added pink fur to the bike for the occasion. The protester also has a stereo playing electronic music, which is garnering him even more attention. “It’s been a nonstop photo shoot today,” he says. — Gabe Meline
Oakland, 11:46am
A crowd dances jubilantly around Sarah Rosenkrantz as she conducts the Nasty Woman Band in a rousing marching band arrangement of Pat Benetar’s “Hit Me With Your Best Shot,” and that’s exactly how she wants it. “It’s about coming together and cheering ourselves up in solidarity here,” says band “brainchild” Karen MacLeod, from Berkeley, wearing a “F-CK TRUMP” button. “People have been dancing all morning.” Formed specifically for the march, the band’s setlist includes “Which Side Are You On” and “Put a Little Love in Your Heart.” Comprised of around 50 professional and amateur musicians, the Nasty Woman Band may be a familiar sight in the coming months. “We don’t feel there’ll be any shortage of a need for musicians in the streets over the next four years,” MacLeod says, before going back to playing her alto saxophone. “We’re not gonna lie down and take it.” — Gabe Meline
San Jose, 11:35am
Patricia Leung and her husband Jonathan Evans of Santa Clara crochet #pussyhats at the march in San Jose. “I’m actually behind,” Leung says. “I have three more people who’ve asked me for hats. One person in the crowd asked and I ripped it off my head and gave it to him. I can’t keep them in stock! It’s been really fun. People insist on giving me money for the hats. Anything I make, I’m going to donate to #plannedparenthood.” — Rachael Myrow
San Jose, 11:23am
Sarah Herrera of Stockton is going to medical school at USC In the fall. She saw this #shepherdfairey poster online. “His web site lets you download the poster for free, and then we took it to FedEx to print,” Herrera says. “It’s a Latina girl, and I really wanted to present my Latina culture.” — Rachael Myrow
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" class=\"alignright size-full wp-image-12667846\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>\u003cem>As part of KQED Arts’ series \u003c/em>\u003ca href=\"https://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">First 100 Days: Art in the Age of Trump\u003c/a>\u003cem>, which explores artists’ responses to the first hundred days of Trump’s presidency, we embedded reporters in the women’s marches taking place in San Francisco, Oakland, San Jose and Santa Rosa on Saturday, Jan. 21. Our aim is to share some of the more creative ways in which protesters across the Bay Area expressed their feelings about the new administration. \u003c/em>\u003c/p>\n\u003cp>\u003cem>Read on to view the artwork on display and read about the creative minds behind the work. This post will update throughout the day. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>San Francisco, 8:00pm\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ClbpD61bIAU\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The rain couldn’t dampen the spirit of people marching in San Francisco. Here’s a short video bringing together some of the creativity and determination seen throughout the day. \u003cem>— Claudia Escobar\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>San Francisco, 6:10pm\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12659930\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-800x450.jpg\" alt=\"City Hall tonight via Yo Ann\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963.jpg 2005w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">City Hall looks like a work of art against the stormy sky. The weather hasn’t deterred thousands of people from gathering and marching today. — \u003cem>Yo Ann Martinez\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>San Francisco, 4:40pm\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12659740 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-800x1067.jpeg\" alt=\"rachel mayes\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-800x1067.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-160x213.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-768x1024.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-1020x1360.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-1180x1573.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-960x1280.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-240x320.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-375x500.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-520x693.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687.jpeg 1536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">Oakland resident Rachel Mayes brought this eye-catching “American Flag Pussy” banner to the San Francisco rally. “I couldn’t think of words to put on a sign,” Mayes says. “So I just thought of an image that people would understand on its own.” \u003cem>— Emma Silvers\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>San Francisco, 3:20pm\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"#100DaysArt: Marchers pack SF BART | KQED Arts\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/xbGcBxF8Es8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp class=\"p1\">A bite-sized, high-speed video piece showing marchers congregating at the 24th Street BART station in San Francisco. The train stopped running for a while, so people got out and looked for other ways to reach the rally. \u003cem>— Claudia Escobar\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>Santa Rosa, 2:33pm\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12659362\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-800x451.jpg\" alt=\"sister sparkle\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-1920x1083.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-1180x666.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-960x542.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693.jpg 2042w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">Sister Sparkle Plenty and Sister Frances A. Sissy of Russian River Sisters of Perpetual Indulgence collect donations. Sister Sparkle Plenty says the group came to speak “to emphasize the importance of showing solidarity with everyone who is oppressed.” \u003cem>— Dani Burlison\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>Santa Rosa, 2:28pm\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12659360\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-800x450.jpg\" alt=\"todd baricklow\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607.jpg 2037w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">Todd Barricklow of Santa Rosa shares his Antifa stickers and patches. The symbol was originally designed in the 1930s in response to fascism in Italy (and later, in Germany). “The symbol was designed to paint out swastikas,” says Barricklow, who handed out the stickers at the march. \u003cem>— Dani Burlison\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Oakland, 1:45pm\u003c/strong>\u003c/p>\n\u003cp>https://youtu.be/WcB9JT9HUXs\u003c/p>\n\u003cp>All heads turned when performers from aerial dance troupe \u003ca href=\"http://bandaloop.org/\" target=\"_blank\" rel=\"noopener\">Bandaloop\u003c/a> emerged from the uppermost windows of Oakland City Hall and danced their way down the building’s façade. It was a sweet, elegant moment of fluidity above the somewhat chaotic, crowded scene below. Here’s a short clip, filmed and provided to us by Michael Manoochehri. — \u003cem>Gabe Meline\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>Santa Rosa, 1:37pm\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12659166\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-800x1067.jpg\" alt=\"lisa steinkamp\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-960x1280.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-520x693.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144.jpg 1536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">Lisa Steinkamp from Healdsburg reclaims the terms she says Trump “used for her private parts in such a disgusting way” with her gold, jewel encrusted sandwich board. Steinkamp formed a group, Bridge Lab, with other Sonoma county women after the election and says she wishes all of the pink pussy hats were gold so Trump would be reminded of the women standing up against him every time he sees the color. \u003cem>— Dani Burlison\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12659356\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12659356\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/batala-dance-party-800x600.jpg\" alt=\"Overall feeling today at Oakland #WomensMarch is JOY. Here's the Banda de Percusao on 13th Street leading the party.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Overall feeling today at Oakland #WomensMarch is JOY. Here’s the Banda de Percusao on 13th Street leading the party. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Oakland, 1:35pm\u003c/strong>\u003cbr>\nSomething about the rhythm bouncing off the buildings must have made him feel young again. There he was, a 60-ish man in the middle of 13th Street, attempting and very nearly pulling off the splits. Surrounded by dozens of other revelers, the man had joined an impromptu dance party hosted by Batala San Francisco. The Brazilian percussion ensemble embodied the overall feeling of joy; when someone shouted that the Oakland Police Department just estimated the crowd at 60,000 strong, a gigantic cheer filled the air. And then the music began anew, Batala San Francisco and its attendant dance brigade marching on to Frank Ogawa Plaza. \u003cem>–Gabe Meline\u003c/em>\u003c/p>\n\u003cp>https://twitter.com/gmeline/status/822924369877815296\u003c/p>\n\u003cp>https://twitter.com/gmeline/status/822926740301320192\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>Oakland, 1:00pm\u003cbr>\n\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12659159\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/allison-west-1-800x600.jpeg\" alt=\"allison west\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-768x576.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-1920x1440.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-1180x885.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-960x720.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-240x180.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-375x281.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-520x390.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1.jpeg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">Allison West hadn’t painted in a long time. But before the March, she gravitated to this Maya Angelou quote, and knew she had to illustrate it. “I just felt like it spoke to the cause of why we’re here today,” she says. “After the election, a sense of inclusiveness.” She found an image of flowers online for her inspiration, and says she dug up her old paint at her home in San Francisco, clearly gratified to be making art again. “People have said they love it,” she says. “And everyone loves Maya Angelou.” \u003cem>— Gabe Meline\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>San Francisco, 12:37pm\u003c/strong>\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/303868077″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>From Emma Silvers, a recording of a group of singers, pictured below, led by Threshold Choir founder Kate Munger, warming up outside the Ferry Building before they sing for counter-protesters involved in a pro-life march.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12659162\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/singers-e1485034313967.jpg\" alt=\"singers\" width=\"716\" height=\"403\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/singers-e1485034313967.jpg 716w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/singers-e1485034313967-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/singers-e1485034313967-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/singers-e1485034313967-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/singers-e1485034313967-520x293.jpg 520w\" sizes=\"(max-width: 716px) 100vw, 716px\">\u003c/p>\n\u003cp>https://ww2.kqed.org/arts/2017/01/22/pro-lifers-marching-in-san-francisco-met-with-unusual-reaction-singing/\u003c/p>\n\u003cp>“I called this is a singing protest because I wanted singing to be the main focus,” Munger says. “I think song has a healing modality that is so important in our culture, and I think it does things that other forms of protest might not be able to do right now.” \u003cem>— Emma Silvers\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Oakland, 12.30pm\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12658964\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-800x451.jpg\" alt=\"capoeira\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-1920x1083.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-1180x666.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-960x542.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907.jpg 2042w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">It was hard to miss the joyful singing and dancing from various capoeira groups — members of the International Capoeira Angola Foundation (Oakland), Capoeira Manginga and Capoeira Brasil East Bay (Oakland), UCA and No Balanco de Angola (Berkeley), Filhos de Bimba (Emeryville) and others. As the group of 20 or so made their way down Madison Street, numerous passerbys joined it the rhythmic pulse. “We’re here in solidarity for women to show that we are powerful, that we support each other, and we don’t agree with what’s happening right now,” says spokesperson Sheri Janowski, from Oakland. The response? “Just love,” she says. \u003cem>— Gabe Meline\u003c/em>\u003c/p>\n\u003cp>https://twitter.com/gmeline/status/822941510442196992\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/303881201″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>\u003cstrong>San Jose, 12:26pm\u003c/strong>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12658970\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-800x576.jpg\" alt=\"ginger gardei\" width=\"800\" height=\"576\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-800x576.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-160x115.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-768x553.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-1020x735.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-1920x1383.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-1180x850.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-960x692.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-240x173.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-375x270.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-520x375.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Ginger Gardei (on the left) made both of these paintings. Here with her buddy, Alberto Colmenares of Pinole, Gardei got a degree in art from #SanJoseState. The art? “Pretty self-explanatory, right?”\u003cem> — Rachael Myrow\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Oakland, 12:01pm\u003c/strong>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12658765\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/seneres-800x600.jpg\" alt=\"seneres\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres.jpg 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">Dan Seneres, an artist at American Steel studios in West Oakland, came to the march with the modified vehicle he calls “The Monster Bike.” Seneres, known widely as “Splob,” made a hat for himself and added pink fur to the bike for the occasion. The protester also has a stereo playing electronic music, which is garnering him even more attention. “It’s been a nonstop photo shoot today,” he says. \u003cem>— Gabe Meline\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>Oakland, 11:46am\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12658953\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-800x450.jpg\" alt=\"sarah rosencrantz\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811.jpg 2037w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">A crowd dances jubilantly around Sarah Rosenkrantz as she conducts the Nasty Woman Band in a rousing marching band arrangement of Pat Benetar’s “Hit Me With Your Best Shot,” and that’s exactly how she wants it. “It’s about coming together and cheering ourselves up in solidarity here,” says band “brainchild” Karen MacLeod, from Berkeley, wearing a “F-CK TRUMP” button. “People have been dancing all morning.” Formed specifically for the march, the band’s setlist includes “Which Side Are You On” and “Put a Little Love in Your Heart.” Comprised of around 50 professional and amateur musicians, the Nasty Woman Band may be a familiar sight in the coming months. “We don’t feel there’ll be any shortage of a need for musicians in the streets over the next four years,” MacLeod says, before going back to playing her alto saxophone. “We’re not gonna lie down and take it.” \u003cem>— Gabe Meline\u003c/em>\u003c/p>\n\u003cp>https://twitter.com/gmeline/status/822915698959601664\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>San Jose, 11:35am\u003c/strong>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12658762\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-800x450.jpg\" alt=\"pussy hat man san jose\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151.jpg 2016w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Patricia Leung and her husband Jonathan Evans of Santa Clara crochet #pussyhats at the march in San Jose. “I’m actually behind,” Leung says. “I have three more people who’ve asked me for hats. One person in the crowd asked and I ripped it off my head and gave it to him. I can’t keep them in stock! It’s been really fun. People insist on giving me money for the hats. Anything I make, I’m going to donate to #plannedparenthood.” \u003cem>— Rachael Myrow\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>San Jose, 11:23am\u003c/strong>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12658760\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/attachment-e1485026850981-800x1067.jpg\" alt=\"attachment\" width=\"800\" height=\"1067\">\u003c/p>\n\u003cp>Sarah Herrera of Stockton is going to medical school at USC In the fall. She saw this #shepherdfairey poster online. “His web site lets you download the poster for free, and then we took it to FedEx to print,” Herrera says. “It’s a Latina girl, and I really wanted to present my Latina culture.” \u003cem>— Rachael Myrow\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>For more stories in the \u003c/em>First 100 Days\u003cem> series, visit our project landing page \u003ca href=\"https://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" class=\"alignright size-full wp-image-12667846\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>\u003cem>As part of KQED Arts’ series \u003c/em>\u003ca href=\"https://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">First 100 Days: Art in the Age of Trump\u003c/a>\u003cem>, which explores artists’ responses to the first hundred days of Trump’s presidency, we embedded reporters in the women’s marches taking place in San Francisco, Oakland, San Jose and Santa Rosa on Saturday, Jan. 21. Our aim is to share some of the more creative ways in which protesters across the Bay Area expressed their feelings about the new administration. \u003c/em>\u003c/p>\n\u003cp>\u003cem>Read on to view the artwork on display and read about the creative minds behind the work. This post will update throughout the day. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>San Francisco, 8:00pm\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ClbpD61bIAU'\n title='//www.youtube.com/embed/ClbpD61bIAU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The rain couldn’t dampen the spirit of people marching in San Francisco. Here’s a short video bringing together some of the creativity and determination seen throughout the day. \u003cem>— Claudia Escobar\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>San Francisco, 6:10pm\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12659930\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-800x450.jpg\" alt=\"City Hall tonight via Yo Ann\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/City-Hall-tonight-via-Yo-Ann-e1485051098963.jpg 2005w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">City Hall looks like a work of art against the stormy sky. The weather hasn’t deterred thousands of people from gathering and marching today. — \u003cem>Yo Ann Martinez\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>San Francisco, 4:40pm\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12659740 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-800x1067.jpeg\" alt=\"rachel mayes\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-800x1067.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-160x213.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-768x1024.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-1020x1360.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-1180x1573.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-960x1280.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-240x320.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-375x500.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687-520x693.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/rachel-mayes-e1485050879687.jpeg 1536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">Oakland resident Rachel Mayes brought this eye-catching “American Flag Pussy” banner to the San Francisco rally. “I couldn’t think of words to put on a sign,” Mayes says. “So I just thought of an image that people would understand on its own.” \u003cem>— Emma Silvers\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>San Francisco, 3:20pm\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"#100DaysArt: Marchers pack SF BART | KQED Arts\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/xbGcBxF8Es8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp class=\"p1\">A bite-sized, high-speed video piece showing marchers congregating at the 24th Street BART station in San Francisco. The train stopped running for a while, so people got out and looked for other ways to reach the rally. \u003cem>— Claudia Escobar\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>Santa Rosa, 2:33pm\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12659362\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-800x451.jpg\" alt=\"sister sparkle\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-1920x1083.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-1180x666.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-960x542.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sister-sparkle-e1485038050693.jpg 2042w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">Sister Sparkle Plenty and Sister Frances A. Sissy of Russian River Sisters of Perpetual Indulgence collect donations. Sister Sparkle Plenty says the group came to speak “to emphasize the importance of showing solidarity with everyone who is oppressed.” \u003cem>— Dani Burlison\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>Santa Rosa, 2:28pm\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12659360\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-800x450.jpg\" alt=\"todd baricklow\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/todd-baricklow-e1485037842607.jpg 2037w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">Todd Barricklow of Santa Rosa shares his Antifa stickers and patches. The symbol was originally designed in the 1930s in response to fascism in Italy (and later, in Germany). “The symbol was designed to paint out swastikas,” says Barricklow, who handed out the stickers at the march. \u003cem>— Dani Burlison\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Oakland, 1:45pm\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WcB9JT9HUXs'\n title='//www.youtube.com/embed/WcB9JT9HUXs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>All heads turned when performers from aerial dance troupe \u003ca href=\"http://bandaloop.org/\" target=\"_blank\" rel=\"noopener\">Bandaloop\u003c/a> emerged from the uppermost windows of Oakland City Hall and danced their way down the building’s façade. It was a sweet, elegant moment of fluidity above the somewhat chaotic, crowded scene below. Here’s a short clip, filmed and provided to us by Michael Manoochehri. — \u003cem>Gabe Meline\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>Santa Rosa, 1:37pm\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12659166\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-800x1067.jpg\" alt=\"lisa steinkamp\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-960x1280.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144-520x693.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/lisa-steinkamp-e1485035342144.jpg 1536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">Lisa Steinkamp from Healdsburg reclaims the terms she says Trump “used for her private parts in such a disgusting way” with her gold, jewel encrusted sandwich board. Steinkamp formed a group, Bridge Lab, with other Sonoma county women after the election and says she wishes all of the pink pussy hats were gold so Trump would be reminded of the women standing up against him every time he sees the color. \u003cem>— Dani Burlison\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12659356\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12659356\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/batala-dance-party-800x600.jpg\" alt=\"Overall feeling today at Oakland #WomensMarch is JOY. Here's the Banda de Percusao on 13th Street leading the party.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/batala-dance-party-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Overall feeling today at Oakland #WomensMarch is JOY. Here’s the Banda de Percusao on 13th Street leading the party. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Oakland, 1:35pm\u003c/strong>\u003cbr>\nSomething about the rhythm bouncing off the buildings must have made him feel young again. There he was, a 60-ish man in the middle of 13th Street, attempting and very nearly pulling off the splits. Surrounded by dozens of other revelers, the man had joined an impromptu dance party hosted by Batala San Francisco. The Brazilian percussion ensemble embodied the overall feeling of joy; when someone shouted that the Oakland Police Department just estimated the crowd at 60,000 strong, a gigantic cheer filled the air. And then the music began anew, Batala San Francisco and its attendant dance brigade marching on to Frank Ogawa Plaza. \u003cem>–Gabe Meline\u003c/em>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp class=\"p1\">\u003cstrong>Oakland, 1:00pm\u003cbr>\n\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12659159\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/allison-west-1-800x600.jpeg\" alt=\"allison west\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-768x576.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-1920x1440.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-1180x885.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-960x720.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-240x180.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-375x281.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1-520x390.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/allison-west-1.jpeg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">Allison West hadn’t painted in a long time. But before the March, she gravitated to this Maya Angelou quote, and knew she had to illustrate it. “I just felt like it spoke to the cause of why we’re here today,” she says. “After the election, a sense of inclusiveness.” She found an image of flowers online for her inspiration, and says she dug up her old paint at her home in San Francisco, clearly gratified to be making art again. “People have said they love it,” she says. “And everyone loves Maya Angelou.” \u003cem>— Gabe Meline\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>San Francisco, 12:37pm\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/303868077″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/303868077″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>From Emma Silvers, a recording of a group of singers, pictured below, led by Threshold Choir founder Kate Munger, warming up outside the Ferry Building before they sing for counter-protesters involved in a pro-life march.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12659162\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/singers-e1485034313967.jpg\" alt=\"singers\" width=\"716\" height=\"403\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/singers-e1485034313967.jpg 716w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/singers-e1485034313967-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/singers-e1485034313967-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/singers-e1485034313967-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/singers-e1485034313967-520x293.jpg 520w\" sizes=\"(max-width: 716px) 100vw, 716px\">\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“I called this is a singing protest because I wanted singing to be the main focus,” Munger says. “I think song has a healing modality that is so important in our culture, and I think it does things that other forms of protest might not be able to do right now.” \u003cem>— Emma Silvers\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Oakland, 12.30pm\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12658964\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-800x451.jpg\" alt=\"capoeira\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-1920x1083.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-1180x666.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-960x542.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/capoeira-e1485032033907.jpg 2042w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">It was hard to miss the joyful singing and dancing from various capoeira groups — members of the International Capoeira Angola Foundation (Oakland), Capoeira Manginga and Capoeira Brasil East Bay (Oakland), UCA and No Balanco de Angola (Berkeley), Filhos de Bimba (Emeryville) and others. As the group of 20 or so made their way down Madison Street, numerous passerbys joined it the rhythmic pulse. “We’re here in solidarity for women to show that we are powerful, that we support each other, and we don’t agree with what’s happening right now,” says spokesperson Sheri Janowski, from Oakland. The response? “Just love,” she says. \u003cem>— Gabe Meline\u003c/em>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/303881201″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/303881201″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cstrong>San Jose, 12:26pm\u003c/strong>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12658970\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-800x576.jpg\" alt=\"ginger gardei\" width=\"800\" height=\"576\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-800x576.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-160x115.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-768x553.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-1020x735.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-1920x1383.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-1180x850.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-960x692.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-240x173.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-375x270.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672-520x375.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/ginger-gardei-e1485033655672.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Ginger Gardei (on the left) made both of these paintings. Here with her buddy, Alberto Colmenares of Pinole, Gardei got a degree in art from #SanJoseState. The art? “Pretty self-explanatory, right?”\u003cem> — Rachael Myrow\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Oakland, 12:01pm\u003c/strong>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12658765\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/seneres-800x600.jpg\" alt=\"seneres\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/seneres.jpg 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">Dan Seneres, an artist at American Steel studios in West Oakland, came to the march with the modified vehicle he calls “The Monster Bike.” Seneres, known widely as “Splob,” made a hat for himself and added pink fur to the bike for the occasion. The protester also has a stereo playing electronic music, which is garnering him even more attention. “It’s been a nonstop photo shoot today,” he says. \u003cem>— Gabe Meline\u003c/em>\u003c/p>\n\u003cp class=\"p1\">\u003cstrong>Oakland, 11:46am\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12658953\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-800x450.jpg\" alt=\"sarah rosencrantz\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/sarah-rosencrantz-e1485030351811.jpg 2037w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">A crowd dances jubilantly around Sarah Rosenkrantz as she conducts the Nasty Woman Band in a rousing marching band arrangement of Pat Benetar’s “Hit Me With Your Best Shot,” and that’s exactly how she wants it. “It’s about coming together and cheering ourselves up in solidarity here,” says band “brainchild” Karen MacLeod, from Berkeley, wearing a “F-CK TRUMP” button. “People have been dancing all morning.” Formed specifically for the march, the band’s setlist includes “Which Side Are You On” and “Put a Little Love in Your Heart.” Comprised of around 50 professional and amateur musicians, the Nasty Woman Band may be a familiar sight in the coming months. “We don’t feel there’ll be any shortage of a need for musicians in the streets over the next four years,” MacLeod says, before going back to playing her alto saxophone. “We’re not gonna lie down and take it.” \u003cem>— Gabe Meline\u003c/em>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp class=\"p1\">\u003cstrong>San Jose, 11:35am\u003c/strong>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12658762\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-800x450.jpg\" alt=\"pussy hat man san jose\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/pussy-hat-man-san-jose-e1485027382151.jpg 2016w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Patricia Leung and her husband Jonathan Evans of Santa Clara crochet #pussyhats at the march in San Jose. “I’m actually behind,” Leung says. “I have three more people who’ve asked me for hats. One person in the crowd asked and I ripped it off my head and gave it to him. I can’t keep them in stock! It’s been really fun. People insist on giving me money for the hats. Anything I make, I’m going to donate to #plannedparenthood.” \u003cem>— Rachael Myrow\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>San Jose, 11:23am\u003c/strong>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12658760\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/attachment-e1485026850981-800x1067.jpg\" alt=\"attachment\" width=\"800\" height=\"1067\">\u003c/p>\n\u003cp>Sarah Herrera of Stockton is going to medical school at USC In the fall. She saw this #shepherdfairey poster online. “His web site lets you download the poster for free, and then we took it to FedEx to print,” Herrera says. “It’s a Latina girl, and I really wanted to present my Latina culture.” \u003cem>— Rachael Myrow\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"id": "baycurious",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
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"order": 10
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"meta": {
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"source": "WNYC"
},
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"info": "Inside Europe, a one-hour weekly news magazine hosted by Helen Seeney and Keith Walker, explores the topical issues shaping the continent. No other part of the globe has experienced such dynamic political and social change in recent years.",
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"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"live-from-here-highlights": {
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"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
"airtime": "SAT 6pm-8pm, SUN 11am-1pm",
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"meta": {
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"link": "/radio/program/live-from-here-highlights",
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"rss": "https://feeds.publicradio.org/public_feeds/a-prairie-home-companion-highlights/rss/rss"
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"marketplace": {
"id": "marketplace",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 13
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 12
},
"link": "/podcasts/onourwatch",
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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"link": "/radio/program/on-the-media",
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},
"our-body-politic": {
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"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/our-body-politic",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
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},
"perspectives": {
"id": "perspectives",
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"tagline": "KQED's series of daily listener commentaries since 1991",
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"officialWebsiteLink": "/perspectives/",
"meta": {
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"order": 15
},
"link": "/perspectives",
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