SFMOMA’s doors may have closed but nothing about the museum is departed. In fact, it’s quite the opposite.
The $610 million renovation and expansion plan will double the museum’s current size, in part, to accommodate the new acquisition of Doris and Donald Fisher’s private collection of more than 1,100 works. SFMOMA won’t reopen again until 2016, which begs the question, where will all that art go?
Instead of hiding their extensive collection in storage, around 29,000 works of art, SFMOMA is partnering with a plethora of outside cultural institutions and cities, along with a substantially beefed up digital component, to launch an aggressive campaign to keep SFMOMA alive for its loyalists. In all certainty, by closing its doors, SFMOMA is more open and accessible than ever. Here are five things to look forward to:

Robert Rauschenberg at work in his Lafayette Street studio, New York, 1968; Courtesy the Roy Lichtenstein Foundation; photo: Shunk-Kender c. Roy Lichtenstein Foundation
1. SFMOMA’s gone digital. SFMOMA Art Scope is an expansive, albeit slightly overwhelming, new digital browsing tool that lets you access 6,793 pieces in SFMOMA’s collection. If you’re inclined you can peruse works from the likes of artists such as Robert Rauschenberg, all 87 works in SFMOMA’s collection to be exact, along with the Rauschenberg Research Project, which offers extensive research, written essays, interviews, and other multimedia commentary about the artist and each work of art. Don’t click past this consuming online sinkhole of art.