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He is a graduate of June Jordan’s Poetry for the People program at UC Berkeley and a former Lawrence Ferlinghetti Fellow at the University of San Francisco. He writes about sports, food, art, music, education, and culture while repping the Bay on \u003ca href=\"https://twitter.com/alan_chazaro\">Twitter\u003c/a> and \u003ca href=\"https://www.instagram.com/alan_chazaro/?hl=en\">Instagram\u003c/a> at @alan_chazaro.","avatar":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twitter":"alan_chazaro","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]}],"headData":{"title":"Alan Chazaro | KQED","description":"Food Writer and Reporter","ogImgSrc":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/achazaro"},"omayeda":{"type":"authors","id":"11872","meta":{"index":"authors_1716337520","id":"11872","found":true},"name":"Olivia Cruz Mayeda","firstName":"Olivia Cruz","lastName":"Mayeda","slug":"omayeda","email":"omayeda@kqed.org","display_author_email":false,"staff_mastheads":["arts"],"title":"Reporter","bio":"Olivia Cruz Mayeda is a journalist covering style, culture and reparations in the Bay Area, a place that has been home to her family for over 100 years. Her writing has also appeared in the \u003cem>San Francisco Chronicle\u003c/em> and \u003cem>El Tecolote\u003c/em>.","avatar":"https://secure.gravatar.com/avatar/a8c0baa30219ce1071a9474f4c14141f?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]}],"headData":{"title":"Olivia Cruz Mayeda | KQED","description":"Reporter","ogImgSrc":"https://secure.gravatar.com/avatar/a8c0baa30219ce1071a9474f4c14141f?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/a8c0baa30219ce1071a9474f4c14141f?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/omayeda"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13964359":{"type":"posts","id":"arts_13964359","meta":{"index":"posts_1716263798","site":"arts","id":"13964359","score":null,"sort":[1726520765000]},"guestAuthors":[],"slug":"photos-el-grito-de-dolores-in-san-francisco","title":"PHOTOS: El Grito de Independencia de México in San Francisco","publishDate":1726520765,"format":"standard","headTitle":"PHOTOS: El Grito de Independencia de México in San Francisco | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>The annual El Grito celebration took place Sunday in San Francisco’s Civic Center Plaza on Sunday, with music, food, dancing, Lucha Libre wrestling and more. \u003c/p>\n\u003cp>A collaboration between the city and the Consulate General of Mexico in San Francisco, El Grito celebrates Mexico’s independence from Spain. The official civic ceremony included the mayor of San Francisco, London Breed, and the Consul General of Mexico Ana Luisa Vallejo Barba. \u003c/p>\n\u003cp>Photographer Estefany Gonzalez was on the scene to capture the celebration’s joy and determination. See photos of the festivities below. \u003c/p>\n\u003cfigure id=\"attachment_13964308\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_016.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964308\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_016.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_016-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_016-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_016-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_016-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_016-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Claudia Guerrero, 43, watches dancers perform at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964324\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_032.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964324\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_032.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_032-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_032-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_032-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_032-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_032-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A luchador leaps off the lucha libre stage at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964330\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_038.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964330\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_038.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_038-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_038-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_038-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_038-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_038-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Edna Vazquez performs at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964320\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_028.jpg\" alt=\"\" width=\"853\" height=\"1280\" class=\"size-full wp-image-13964320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_028.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_028-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_028-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_028-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Nelea Del Toro, 17, left, and Kimberly Lopez, 18, members of Ballet Folklorico Mexicano de Carlos Moreno, pose for a portrait at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964316\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_024.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964316\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_024.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_024-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_024-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_024-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_024-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_024-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mariachi San Francisco performs at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964307\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_015A.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964307\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_015A.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_015A-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_015A-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_015A-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_015A-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_015A-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Karina Ahumada, 40, wears bandoliers across her chest at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. Ahumada traveled from Santa Cruz to attend the event and represent her culture with love and respect. “Representar la cultura con mucho amor y mucho respeto,” Ahumada said. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964299\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964299\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Asociacion Mayab performs at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964315\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_023.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964315\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_023.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_023-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_023-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_023-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_023-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_023-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A person in the audience sings along as Mariachi San Francisco performs at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964319\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_027.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964319\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_027.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_027-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_027-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_027-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_027-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_027-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Francisco Jauregue, 57, and his dog Rusty pose for a portrait at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. Jauregue was among the several attendees who brought their dogs to the event. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964331\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_039.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_039.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_039-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_039-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_039-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_039-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_039-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Domingo Badillo, center, tears up as Edna Vazquez performs at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964334\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_042.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_042.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_042-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_042-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_042-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_042-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_042-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Ana Luisa Vallejo Barba, left, and Mayor London Breed perform the traditional civic address during the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964327\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_035A.jpg\" alt=\"\" width=\"853\" height=\"1280\" class=\"size-full wp-image-13964327\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_035A.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_035A-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_035A-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_035A-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Omar Rincon, 29, wears a blue mariachi outfit at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964295\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_003A.jpg\" alt=\"\" width=\"853\" height=\"1280\" class=\"size-full wp-image-13964295\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_003A.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_003A-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_003A-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_003A-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Danza Azteca Coyolxauqui performs at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964310\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_018A.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964310\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_018A.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_018A-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_018A-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_018A-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_018A-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_018A-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">California State Senator Scott Wiener speaks at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964336\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_044.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964336\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_044.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_044-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_044-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_044-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_044-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_044-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The traditional civic address during the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964323\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_031.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964323\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_031.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_031-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_031-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_031-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_031-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_031-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Luchadores duke it out on the lucha libre stage at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964322\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_030B.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964322\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_030B.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_030B-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_030B-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_030B-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_030B-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_030B-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Married couple Julio Islas, left, and Natalia Santos, right, attend the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco with their children and Islas’s mother, Linda Islas, on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964302\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_010.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964302\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_010.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_010-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_010-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_010-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_010-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_010-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Ballet Folklorico Mexicano de Carlos Moreno performs at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964293\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964293\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A man identifying as “El charro de San Francisco” wears a unique outfit he handcrafted to the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964313\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_021.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964313\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_021.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_021-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Sisters Rosalia Dzul, 26, left, and Mary Dzul, 30, wear marching eye shadow in the colors of the Méxican flag at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964332\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_040A.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964332\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_040A.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_040A-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_040A-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_040A-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_040A-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_040A-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people gather late into the night at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Hispanic Heritage Month kicked off at San Francisco's Civic Center in a vibrant, colorful celebration. ","status":"publish","parent":0,"modified":1726704662,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":952},"headData":{"title":"PHOTOS: El Grito de Independencia de México in San Francisco | KQED","description":"Hispanic Heritage Month kicked off at San Francisco's Civic Center in a vibrant, colorful celebration. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"PHOTOS: El Grito de Independencia de México in San Francisco","datePublished":"2024-09-16T14:06:05-07:00","dateModified":"2024-09-18T17:11:02-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13964359","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13964359/photos-el-grito-de-dolores-in-san-francisco","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The annual El Grito celebration took place Sunday in San Francisco’s Civic Center Plaza on Sunday, with music, food, dancing, Lucha Libre wrestling and more. \u003c/p>\n\u003cp>A collaboration between the city and the Consulate General of Mexico in San Francisco, El Grito celebrates Mexico’s independence from Spain. The official civic ceremony included the mayor of San Francisco, London Breed, and the Consul General of Mexico Ana Luisa Vallejo Barba. \u003c/p>\n\u003cp>Photographer Estefany Gonzalez was on the scene to capture the celebration’s joy and determination. See photos of the festivities below. \u003c/p>\n\u003cfigure id=\"attachment_13964308\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_016.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964308\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_016.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_016-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_016-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_016-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_016-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_016-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Claudia Guerrero, 43, watches dancers perform at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964324\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_032.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964324\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_032.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_032-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_032-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_032-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_032-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_032-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A luchador leaps off the lucha libre stage at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964330\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_038.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964330\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_038.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_038-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_038-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_038-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_038-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_038-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Edna Vazquez performs at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964320\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_028.jpg\" alt=\"\" width=\"853\" height=\"1280\" class=\"size-full wp-image-13964320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_028.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_028-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_028-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_028-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Nelea Del Toro, 17, left, and Kimberly Lopez, 18, members of Ballet Folklorico Mexicano de Carlos Moreno, pose for a portrait at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964316\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_024.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964316\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_024.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_024-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_024-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_024-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_024-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_024-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mariachi San Francisco performs at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964307\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_015A.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964307\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_015A.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_015A-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_015A-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_015A-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_015A-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_015A-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Karina Ahumada, 40, wears bandoliers across her chest at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. Ahumada traveled from Santa Cruz to attend the event and represent her culture with love and respect. “Representar la cultura con mucho amor y mucho respeto,” Ahumada said. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964299\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964299\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_007-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Asociacion Mayab performs at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964315\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_023.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964315\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_023.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_023-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_023-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_023-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_023-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_023-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A person in the audience sings along as Mariachi San Francisco performs at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964319\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_027.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964319\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_027.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_027-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_027-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_027-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_027-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_027-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Francisco Jauregue, 57, and his dog Rusty pose for a portrait at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. Jauregue was among the several attendees who brought their dogs to the event. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964331\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_039.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_039.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_039-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_039-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_039-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_039-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_039-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Domingo Badillo, center, tears up as Edna Vazquez performs at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964334\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_042.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_042.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_042-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_042-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_042-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_042-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_042-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Ana Luisa Vallejo Barba, left, and Mayor London Breed perform the traditional civic address during the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964327\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_035A.jpg\" alt=\"\" width=\"853\" height=\"1280\" class=\"size-full wp-image-13964327\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_035A.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_035A-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_035A-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_035A-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Omar Rincon, 29, wears a blue mariachi outfit at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964295\" class=\"wp-caption aligncenter\" style=\"max-width: 853px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_003A.jpg\" alt=\"\" width=\"853\" height=\"1280\" class=\"size-full wp-image-13964295\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_003A.jpg 853w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_003A-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_003A-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_003A-768x1152.jpg 768w\" sizes=\"(max-width: 853px) 100vw, 853px\">\u003cfigcaption class=\"wp-caption-text\">Danza Azteca Coyolxauqui performs at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964310\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_018A.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964310\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_018A.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_018A-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_018A-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_018A-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_018A-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_018A-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">California State Senator Scott Wiener speaks at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964336\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_044.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964336\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_044.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_044-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_044-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_044-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_044-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_044-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The traditional civic address during the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964323\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_031.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964323\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_031.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_031-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_031-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_031-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_031-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_031-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Luchadores duke it out on the lucha libre stage at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964322\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_030B.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964322\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_030B.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_030B-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_030B-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_030B-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_030B-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_030B-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Married couple Julio Islas, left, and Natalia Santos, right, attend the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco with their children and Islas’s mother, Linda Islas, on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964302\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_010.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964302\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_010.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_010-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_010-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_010-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_010-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_010-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Ballet Folklorico Mexicano de Carlos Moreno performs at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964293\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964293\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A man identifying as “El charro de San Francisco” wears a unique outfit he handcrafted to the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964313\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_021.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964313\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_021.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_021-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Sisters Rosalia Dzul, 26, left, and Mary Dzul, 30, wear marching eye shadow in the colors of the Méxican flag at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13964332\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_040A.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964332\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_040A.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_040A-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_040A-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_040A-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_040A-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/240916_ElGrito_EG_040A-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands of people gather late into the night at the “El Grito de Independencia de México” celebration at Civic Center Plaza in San Francisco on Sunday, Sept. 15, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13964359/photos-el-grito-de-dolores-in-san-francisco","authors":["11384"],"categories":["arts_1","arts_966","arts_69","arts_235"],"tags":["arts_822"],"featImg":"arts_13964303","label":"arts"},"arts_13964064":{"type":"posts","id":"arts_13964064","meta":{"index":"posts_1716263798","site":"arts","id":"13964064","score":null,"sort":[1726067088000]},"guestAuthors":[],"slug":"hispanic-heritage-month-events-in-the-bay-area","title":"Hispanic Heritage Month Events In the Bay Area","publishDate":1726067088,"format":"standard","headTitle":"Hispanic Heritage Month Events In the Bay Area | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>September has arrived, kicking off annual celebrations for Hispanic Heritage Month (Sept. 15–Oct. 15) commemorating the independence days of various Latin American countries. \u003c/p>\n\u003cp>Often billed as Fiestas Patrias, the community events typically feature musical and dance performances along with food and merchandise vendors. \u003c/p>\n\u003cp>This year, organizers in Richmond and San Pablo have teamed up for a parade stretching through both East Bay cities. In San Francisco, members of the Mexican diaspora will gather in front of City Hall for the annual El Grito celebration that commemorates the historic call for independence. \u003c/p>\n\u003cp>Here is a sampling of events throughout the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13964065\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2023-Consul-Gral-Mex-Grito-de-Indep-SF-City-Hall-258-2-46.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964065\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2023-Consul-Gral-Mex-Grito-de-Indep-SF-City-Hall-258-2-46.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2023-Consul-Gral-Mex-Grito-de-Indep-SF-City-Hall-258-2-46-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2023-Consul-Gral-Mex-Grito-de-Indep-SF-City-Hall-258-2-46-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2023-Consul-Gral-Mex-Grito-de-Indep-SF-City-Hall-258-2-46-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2023-Consul-Gral-Mex-Grito-de-Indep-SF-City-Hall-258-2-46-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2023-Consul-Gral-Mex-Grito-de-Indep-SF-City-Hall-258-2-46-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Dancers at El Grito de Independencia de México in 2023, located in San Francisco’s Civic Center Plaza. \u003ccite>(El Grito SF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://elgritosf.com/en/home/\">Grito de Independencia de México\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 15, 4–9 p.m.\u003cbr>\nWHERE: Civic Center Plaza, 335 McAllister St., San Francisco\u003cbr>\nWHAT: Activities, music, mariachi, ballet folklórico performances, lucha libre, a night market and food. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/cultural/fiestas-patrias\">Fiestas Patrias Redwood City\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 15, 3–8 p.m.\u003cbr>\nWHERE: Courthouse Square, 2200 Broadway, Redwood City\u003cbr>\nWHAT: Live music and entertainment, authentic Mexican food, arts and crafts vendors, and a traditional flag ceremony conducted by Consul General de Mexico. \u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://solanoaidscoalition.org/calendar\">Fiestas Patrias in Vallejo\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 14, 10 a.m.–5 p.m.\u003cbr>\nWHERE: 200 block of Georgia St., Vallejo\u003cbr>\nWHAT: Celebration of Mexican Independence Day and the independence of other Latin American countries. \u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/CincoDeMayoPeaceAndUnity\">Richmond and San Pablo Latin American Independence Day Parade\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 14, 10 a.m.\u003cbr>\nWHERE: The parade route will start from the intersection of 23rd Street and Barrett Avenue in Richmond, and proceed north along 23rd Street to San Pablo Avenue in San Pablo.\u003cbr>\nWHAT: A celebration to honor the diverse Latin American communities of both cities, bringing together residents of all backgrounds.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://lutherburbankcenter.org/event/fiesta-de-independencia-24/\">Fiesta de Independencia\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 15, 1–7 p.m.\u003cbr>\nWHERE: Luther Burbank Center for the Arts, 24 Mark West Springs Road, Santa Rosa\u003cbr>\nWHAT: Sonoma County’s largest Hispanic Heritage Month festival, with music, food, games, ballet folklórico, mariachi, a lowrider car show and more. Free.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.comitedefiestaspatrias.org/\">Mexican Independence Day Celebration\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 15, 1–9 p.m.\u003cbr>\nWHERE: San Jose City Hall, 200 E. Santa Clara St., San Jose\u003cbr>\nWHAT: Food, crafts, live music, and other performances celebrating Mexican culture and traditions. El Grito, a reenactment of Mexico’s historic call for independence, is scheduled to perform at 7:30 p.m. \u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://unitycouncil.org/festival-latino/\">Festival Latino\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 15, Noon–5 p.m.\u003cbr>\nWHERE: Todos Santos Plaza, 2175 Willow Pass Road, Concord\u003cbr>\nWHAT: Unity Council’s 3rd Annual Festival Latino is a free, outdoor festival featuring live music, games, ballet folklórico and Latin American artisans. \u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.eventbrite.com/e/afro-latinx-festival-iii-tickets-991387565897\">Afro Latinx Concert Series Festival\u003c/a> \u003c/strong>\u003cbr>\nWHEN: Sept. 21, Oct. 5 and Oct. 12\u003cbr>\nWHERE: Ruth Williams Opera House, 4705 3rd St., San Francisco\u003cbr>\nWHAT: A celebration of Afro-Latinx culture and music consisting of three concerts, hosted by Gina Madrid. The artist lineup includes Chuchito Valdés, La Dame Blanche, Oscar Ly and Rumbalu, and DJ Leydis. Tickets range in price from $18–$75 along with a “pay what you want” option. \u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.exploratorium.edu/visit/calendar/join-us-latinx-engineering-day\">Latinx+ Engineering Day at the Exploratorium\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 28, 10 a.m.–5 p.m.\u003cbr>\nWHERE: The Exploratorium, Pier 15, San Francisco\u003cbr>\nWHAT: Visitors of all ages are invited to explore science, technology, engineering, and mathematics while learning about diverse pathways into STEM careers. The event will include interactive activities, hands-on exhibits, and a panel of professionals working in STEM fields.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ticketon.com/en/event/gran-festival-viva-nicaragua-newark-ca-2024-09-22-zrq744wuntzv\">Viva Nicaragua Festival\u003c/a> \u003c/strong>\u003cbr>\nWHEN: Sept. 29, 10:30 a.m.\u003cbr>\nWHERE: Swiss Park, 5911 Mowry Ave., Newark\u003cbr>\nWHAT: An afternoon of tradition, culture, and music. Performers include La Cuneta, Carlos Mejia Godoy, Banda Blanca and Marimba Flor de Pino. Tickets are $30 for ages 10 and up. \u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was reported for \u003ca href=\"https://www.kqed.org/newsletters/k-onda\">K Onda KQED\u003c/a>, a monthly newsletter focused on the Bay Area’s Latinx community. \u003ca href=\"https://www.kqed.org/newsletters/k-onda\">Click here to subscribe\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Find annual celebrations with music, food, dance and tradition.","status":"publish","parent":0,"modified":1726700632,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":674},"headData":{"title":"Hispanic Heritage Month Events In the Bay Area | KQED","description":"Find annual celebrations with music, food, dance and tradition.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Hispanic Heritage Month Events In the Bay Area","datePublished":"2024-09-11T08:04:48-07:00","dateModified":"2024-09-18T16:03:52-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13964064","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13964064/hispanic-heritage-month-events-in-the-bay-area","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>September has arrived, kicking off annual celebrations for Hispanic Heritage Month (Sept. 15–Oct. 15) commemorating the independence days of various Latin American countries. \u003c/p>\n\u003cp>Often billed as Fiestas Patrias, the community events typically feature musical and dance performances along with food and merchandise vendors. \u003c/p>\n\u003cp>This year, organizers in Richmond and San Pablo have teamed up for a parade stretching through both East Bay cities. In San Francisco, members of the Mexican diaspora will gather in front of City Hall for the annual El Grito celebration that commemorates the historic call for independence. \u003c/p>\n\u003cp>Here is a sampling of events throughout the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13964065\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2023-Consul-Gral-Mex-Grito-de-Indep-SF-City-Hall-258-2-46.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13964065\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2023-Consul-Gral-Mex-Grito-de-Indep-SF-City-Hall-258-2-46.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2023-Consul-Gral-Mex-Grito-de-Indep-SF-City-Hall-258-2-46-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2023-Consul-Gral-Mex-Grito-de-Indep-SF-City-Hall-258-2-46-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2023-Consul-Gral-Mex-Grito-de-Indep-SF-City-Hall-258-2-46-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2023-Consul-Gral-Mex-Grito-de-Indep-SF-City-Hall-258-2-46-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2023-Consul-Gral-Mex-Grito-de-Indep-SF-City-Hall-258-2-46-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Dancers at El Grito de Independencia de México in 2023, located in San Francisco’s Civic Center Plaza. \u003ccite>(El Grito SF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://elgritosf.com/en/home/\">Grito de Independencia de México\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 15, 4–9 p.m.\u003cbr>\nWHERE: Civic Center Plaza, 335 McAllister St., San Francisco\u003cbr>\nWHAT: Activities, music, mariachi, ballet folklórico performances, lucha libre, a night market and food. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/cultural/fiestas-patrias\">Fiestas Patrias Redwood City\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 15, 3–8 p.m.\u003cbr>\nWHERE: Courthouse Square, 2200 Broadway, Redwood City\u003cbr>\nWHAT: Live music and entertainment, authentic Mexican food, arts and crafts vendors, and a traditional flag ceremony conducted by Consul General de Mexico. \u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://solanoaidscoalition.org/calendar\">Fiestas Patrias in Vallejo\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 14, 10 a.m.–5 p.m.\u003cbr>\nWHERE: 200 block of Georgia St., Vallejo\u003cbr>\nWHAT: Celebration of Mexican Independence Day and the independence of other Latin American countries. \u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/CincoDeMayoPeaceAndUnity\">Richmond and San Pablo Latin American Independence Day Parade\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 14, 10 a.m.\u003cbr>\nWHERE: The parade route will start from the intersection of 23rd Street and Barrett Avenue in Richmond, and proceed north along 23rd Street to San Pablo Avenue in San Pablo.\u003cbr>\nWHAT: A celebration to honor the diverse Latin American communities of both cities, bringing together residents of all backgrounds.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://lutherburbankcenter.org/event/fiesta-de-independencia-24/\">Fiesta de Independencia\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 15, 1–7 p.m.\u003cbr>\nWHERE: Luther Burbank Center for the Arts, 24 Mark West Springs Road, Santa Rosa\u003cbr>\nWHAT: Sonoma County’s largest Hispanic Heritage Month festival, with music, food, games, ballet folklórico, mariachi, a lowrider car show and more. Free.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.comitedefiestaspatrias.org/\">Mexican Independence Day Celebration\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 15, 1–9 p.m.\u003cbr>\nWHERE: San Jose City Hall, 200 E. Santa Clara St., San Jose\u003cbr>\nWHAT: Food, crafts, live music, and other performances celebrating Mexican culture and traditions. El Grito, a reenactment of Mexico’s historic call for independence, is scheduled to perform at 7:30 p.m. \u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://unitycouncil.org/festival-latino/\">Festival Latino\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 15, Noon–5 p.m.\u003cbr>\nWHERE: Todos Santos Plaza, 2175 Willow Pass Road, Concord\u003cbr>\nWHAT: Unity Council’s 3rd Annual Festival Latino is a free, outdoor festival featuring live music, games, ballet folklórico and Latin American artisans. \u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.eventbrite.com/e/afro-latinx-festival-iii-tickets-991387565897\">Afro Latinx Concert Series Festival\u003c/a> \u003c/strong>\u003cbr>\nWHEN: Sept. 21, Oct. 5 and Oct. 12\u003cbr>\nWHERE: Ruth Williams Opera House, 4705 3rd St., San Francisco\u003cbr>\nWHAT: A celebration of Afro-Latinx culture and music consisting of three concerts, hosted by Gina Madrid. The artist lineup includes Chuchito Valdés, La Dame Blanche, Oscar Ly and Rumbalu, and DJ Leydis. Tickets range in price from $18–$75 along with a “pay what you want” option. \u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.exploratorium.edu/visit/calendar/join-us-latinx-engineering-day\">Latinx+ Engineering Day at the Exploratorium\u003c/a>\u003c/strong>\u003cbr>\nWHEN: Sept. 28, 10 a.m.–5 p.m.\u003cbr>\nWHERE: The Exploratorium, Pier 15, San Francisco\u003cbr>\nWHAT: Visitors of all ages are invited to explore science, technology, engineering, and mathematics while learning about diverse pathways into STEM careers. The event will include interactive activities, hands-on exhibits, and a panel of professionals working in STEM fields.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ticketon.com/en/event/gran-festival-viva-nicaragua-newark-ca-2024-09-22-zrq744wuntzv\">Viva Nicaragua Festival\u003c/a> \u003c/strong>\u003cbr>\nWHEN: Sept. 29, 10:30 a.m.\u003cbr>\nWHERE: Swiss Park, 5911 Mowry Ave., Newark\u003cbr>\nWHAT: An afternoon of tradition, culture, and music. Performers include La Cuneta, Carlos Mejia Godoy, Banda Blanca and Marimba Flor de Pino. Tickets are $30 for ages 10 and up. \u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was reported for \u003ca href=\"https://www.kqed.org/newsletters/k-onda\">K Onda KQED\u003c/a>, a monthly newsletter focused on the Bay Area’s Latinx community. \u003ca href=\"https://www.kqed.org/newsletters/k-onda\">Click here to subscribe\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13964064/hispanic-heritage-month-events-in-the-bay-area","authors":["11666"],"programs":["arts_140"],"categories":["arts_1","arts_966","arts_69","arts_235"],"tags":["arts_1256","arts_585"],"featImg":"arts_13964066","label":"arts_140"},"arts_13962574":{"type":"posts","id":"arts_13962574","meta":{"index":"posts_1716263798","site":"arts","id":"13962574","score":null,"sort":[1723485183000]},"guestAuthors":[],"slug":"raygun-australia-breakdancing-olympics-durag-paris-2024-viral-kangaroo-hop","title":"Cringy Moves and a White Girl’s Durag Raise Questions About Olympic Breaking","publishDate":1723485183,"format":"standard","headTitle":"Cringy Moves and a White Girl’s Durag Raise Questions About Olympic Breaking | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>From the Australian b-girl with the meme-worthy “kangaroo” dance move to the silver-medal winning Lithuanian in a durag, breaking’s Olympic debut had a few moments that raised questions from viewers about whether the essence of the hip-hop art form was captured at the Paris Games.\u003c/p>\n\u003cp>Rachael Gunn, or “b-girl Raygun,” a 36-year-old professor from Sydney, Australia, quickly achieved internet fame, but not necessarily for Olympic-level skill. Competing against some b-girls half her age, she was swept out of the round-robin stage without earning a single point, and her unconventional moves landed flat while failing to match the skill level of her foes.\u003c/p>\n\u003cp>[aside postid='arts_13961861']At one point, Gunn raised one leg while standing and leaned back with her arms bent toward her ears. At another, while laying on her side, she reached for her toes, flipped over and did it again in a move dubbed “the kangaroo.”\u003c/p>\n\u003cp>Gunn has a Ph.D. in cultural studies, and her LinkedIn page notes she is “interested in the cultural politics of breaking.”\u003c/p>\n\u003cp>“I was never going to beat these girls on what they do best — their power moves,” said Gunn. “What I bring is creativity.”\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" cite=\"https://www.tiktok.com/@registeredclipz/video/7401992673608977665\" data-video-id=\"7401992673608977665\" style=\"max-width: 605px;min-width: 325px\">\n\u003csection> \u003ca target=\"_blank\" title=\"@registeredclipz\" href=\"https://www.tiktok.com/@registeredclipz?refer=embed\" rel=\"noopener\">@registeredclipz\u003c/a> \u003ca title=\"olympics\" target=\"_blank\" href=\"https://www.tiktok.com/tag/olympics?refer=embed\" rel=\"noopener\">#olympics\u003c/a> \u003ca title=\"olympics2024\" target=\"_blank\" href=\"https://www.tiktok.com/tag/olympics2024?refer=embed\" rel=\"noopener\">#olympics2024\u003c/a> \u003ca title=\"breakdance\" target=\"_blank\" href=\"https://www.tiktok.com/tag/breakdance?refer=embed\" rel=\"noopener\">#breakdance\u003c/a> \u003ca title=\"australia\" target=\"_blank\" href=\"https://www.tiktok.com/tag/australia?refer=embed\" rel=\"noopener\">#australia\u003c/a> \u003ca target=\"_blank\" title=\"♬ original sound - Registeredclipz\" href=\"https://www.tiktok.com/music/original-sound-7401992765594176273?refer=embed\" rel=\"noopener\">♬ original sound – Registeredclipz\u003c/a> \u003c/section>\n\u003c/blockquote>\n\u003cp> [tiktok]\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Clips of her routine have gone viral on TikTok and elsewhere, and many cringed at her moves platformed on the Olympic stage as a representation of hip-hop and breaking culture.\u003c/p>\n\u003cp>“It’s almost like they are mocking the genre,” wrote one user on X.\u003c/p>\n\u003ch2>Some of it was ‘weird to see’\u003c/h2>\n\u003cp>Many Black viewers, in particular, called out Lithuania’s silver medalist b-girl Nicka, (legally named Dominika Banevič) for donning a durag during each of her battles. Durags, once worn by enslaved Africans to tie up their hair for work, are still worn by Black people to protect and style their hair. They became a fashionable symbol of Black pride in the 1960s and 1970s and, in the 1990s and early 2000s, also became a popular element of hip-hop style. But when worn by those who aren’t Black, durags can be seen as cultural appropriation. Banevič is white.\u003c/p>\n\u003cp>https://twitter.com/AUSTRALFrog/status/1822166945480798607\u003c/p>\n\u003cp>Actor Kevin Fredericks responded on Instagram to Banevič donning the headwear by saying it looked “weird to see somebody who don’t need it for protective style or waves to be rocking the durag.”\u003c/p>\n\u003cp>[aside postid='arts_13961542']The 17-year-old breaker ultimately won the silver medal after losing in the final to Japan’s b-girl Ami (Ami Yuasa).\u003c/p>\n\u003cp>For her part, Banevič has credited the breakers from the 1970s in the Bronx — the OGs — or “original gangsters” in hip-hop who created the dance — for her own success and breaking style.\u003c/p>\n\u003cp>“It’s a huge responsibility to represent and raise the bar every time for breaking because they did an amazing job. Big respect for the OGs and the pioneers that invented all those moves. Without them, it wouldn’t be possible,” she said. “Without them, breaking wouldn’t be where it is today. So I’m grateful for them.”\u003c/p>\n\u003ch2>Concerns over losing breaking’s roots\u003c/h2>\n\u003cp>Friday night’s slips “may have alienated too many new viewers to garner the anticipated response from our Olympic premiere,” said Zack Slusser, vice president of Breaking for Gold USA and USA Dance, in a text message to the Associated Press.\u003c/p>\n\u003cp>“We need to change the narrative from yesterday’s first impression of breaking as Olympic sport. There were significant organizational and governance shortcomings that could have been easily reconciled but, unfortunately, negatively impacted Breaking’s first touching point to a new global audience.”\u003c/p>\n\u003cp>[aside postid='arts_13962267']The challenge for Olympic organizers was to bring breaking and hip-hop culture to a mass audience, including many viewers who were skeptical about the dance form’s addition to the Olympic roster. Others feared the subculture being co-opted by officials, commercialized and put through a rigid judging structure, when the spirit of breaking has been rooted in local communities, centered around street battles, cyphers and block parties. Hip-hop was born as a youth culture within Black and brown communities in the Bronx as a way to escape strife and socio-economic struggles and make a statement of empowerment at a time when they were labeled as lost, lawless kids by New York politicians.\u003c/p>\n\u003cp>Refugee breaker Manizha Talash, or “b-girl Talash,” channeled that rebellious vibe by donning a “Free Afghan Women” cape during her pre-qualifier battle — a defiant and personal statement for a 21-year-old who fled her native Afghanistan to escape Taliban rule. Talash was quickly disqualified for violating the Olympics’ ban on political statements on the field of play.\u003c/p>\n\u003cfigure id=\"attachment_13962582\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962582\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2166037532-scaled-e1723484370138.jpg\" alt='An athlete on an Olympic stage stands with her arms outstretched wearing a blue cape that says \"Free Afghan Women.\"' width=\"1920\" height=\"1238\">\u003cfigcaption class=\"wp-caption-text\">B-Girl Talash of Team of Refugee Olympic Team competes while wearing a outfit which reads “Free Afghan women” during the B-girls Pre-Qualifier at the Paris Olympic Games. \u003ccite>(Ezra Shaw/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Both American b-girls were eliminated in Friday’s round-robin phase, a blow to the country representing the birthplace of hip-hop in what could be the discipline’s only Games appearance. B-girl Logistx (legal name Logan Edra) and b-girl Sunny (Sunny Choi) both ranked in the top 12 internationally but came up short of the quarterfinals.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Breaking for the Olympics has changed the way that some people are dancing,” said Choi, referring to some of the flashier moves and jam-packed routines. “Breaking changes over time. And maybe I’m just old-school and I don’t want to change … I think a lot of people in our community were a little bit afraid of that happening.”\u003c/p>\n\n","blocks":[],"excerpt":"Australia's Raygun has taken the most heat on social media, but she wasn’t breakdancing’s only controversial moment.","status":"publish","parent":0,"modified":1726700892,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":1020},"headData":{"title":"Olympic Breaking’s Messiest Moments at Paris 2024 | KQED","description":"Australia's Raygun has taken the most heat on social media, but she wasn’t breakdancing’s only controversial moment.","ogTitle":"Cringy Moves and a White Girl’s Durag Prompt Questions About Olympic Breaking","ogDescription":"","ogImgId":"","twTitle":"Cringy Moves and a White Girl’s Durag Prompt Questions About Olympic Breaking","twDescription":"","twImgId":"","socialTitle":"Olympic Breaking’s Messiest Moments at Paris 2024%%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Cringy Moves and a White Girl’s Durag Raise Questions About Olympic Breaking","datePublished":"2024-08-12T10:53:03-07:00","dateModified":"2024-09-18T16:08:12-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Noreen Nasir, Associated Press","nprStoryId":"kqed-13962574","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13962574/raygun-australia-breakdancing-olympics-durag-paris-2024-viral-kangaroo-hop","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>From the Australian b-girl with the meme-worthy “kangaroo” dance move to the silver-medal winning Lithuanian in a durag, breaking’s Olympic debut had a few moments that raised questions from viewers about whether the essence of the hip-hop art form was captured at the Paris Games.\u003c/p>\n\u003cp>Rachael Gunn, or “b-girl Raygun,” a 36-year-old professor from Sydney, Australia, quickly achieved internet fame, but not necessarily for Olympic-level skill. Competing against some b-girls half her age, she was swept out of the round-robin stage without earning a single point, and her unconventional moves landed flat while failing to match the skill level of her foes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13961861","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>At one point, Gunn raised one leg while standing and leaned back with her arms bent toward her ears. At another, while laying on her side, she reached for her toes, flipped over and did it again in a move dubbed “the kangaroo.”\u003c/p>\n\u003cp>Gunn has a Ph.D. in cultural studies, and her LinkedIn page notes she is “interested in the cultural politics of breaking.”\u003c/p>\n\u003cp>“I was never going to beat these girls on what they do best — their power moves,” said Gunn. “What I bring is creativity.”\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" cite=\"https://www.tiktok.com/@registeredclipz/video/7401992673608977665\" data-video-id=\"7401992673608977665\" style=\"max-width: 605px;min-width: 325px\">\n\u003csection> \u003ca target=\"_blank\" title=\"@registeredclipz\" href=\"https://www.tiktok.com/@registeredclipz?refer=embed\" rel=\"noopener\">@registeredclipz\u003c/a> \u003ca title=\"olympics\" target=\"_blank\" href=\"https://www.tiktok.com/tag/olympics?refer=embed\" rel=\"noopener\">#olympics\u003c/a> \u003ca title=\"olympics2024\" target=\"_blank\" href=\"https://www.tiktok.com/tag/olympics2024?refer=embed\" rel=\"noopener\">#olympics2024\u003c/a> \u003ca title=\"breakdance\" target=\"_blank\" href=\"https://www.tiktok.com/tag/breakdance?refer=embed\" rel=\"noopener\">#breakdance\u003c/a> \u003ca title=\"australia\" target=\"_blank\" href=\"https://www.tiktok.com/tag/australia?refer=embed\" rel=\"noopener\">#australia\u003c/a> \u003ca target=\"_blank\" title=\"♬ original sound - Registeredclipz\" href=\"https://www.tiktok.com/music/original-sound-7401992765594176273?refer=embed\" rel=\"noopener\">♬ original sound – Registeredclipz\u003c/a> \u003c/section>\n\u003c/blockquote>\n\u003cp> \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"tiktok","attributes":{"named":{"label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Clips of her routine have gone viral on TikTok and elsewhere, and many cringed at her moves platformed on the Olympic stage as a representation of hip-hop and breaking culture.\u003c/p>\n\u003cp>“It’s almost like they are mocking the genre,” wrote one user on X.\u003c/p>\n\u003ch2>Some of it was ‘weird to see’\u003c/h2>\n\u003cp>Many Black viewers, in particular, called out Lithuania’s silver medalist b-girl Nicka, (legally named Dominika Banevič) for donning a durag during each of her battles. Durags, once worn by enslaved Africans to tie up their hair for work, are still worn by Black people to protect and style their hair. They became a fashionable symbol of Black pride in the 1960s and 1970s and, in the 1990s and early 2000s, also became a popular element of hip-hop style. But when worn by those who aren’t Black, durags can be seen as cultural appropriation. Banevič is white.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1822166945480798607"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Actor Kevin Fredericks responded on Instagram to Banevič donning the headwear by saying it looked “weird to see somebody who don’t need it for protective style or waves to be rocking the durag.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13961542","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The 17-year-old breaker ultimately won the silver medal after losing in the final to Japan’s b-girl Ami (Ami Yuasa).\u003c/p>\n\u003cp>For her part, Banevič has credited the breakers from the 1970s in the Bronx — the OGs — or “original gangsters” in hip-hop who created the dance — for her own success and breaking style.\u003c/p>\n\u003cp>“It’s a huge responsibility to represent and raise the bar every time for breaking because they did an amazing job. Big respect for the OGs and the pioneers that invented all those moves. Without them, it wouldn’t be possible,” she said. “Without them, breaking wouldn’t be where it is today. So I’m grateful for them.”\u003c/p>\n\u003ch2>Concerns over losing breaking’s roots\u003c/h2>\n\u003cp>Friday night’s slips “may have alienated too many new viewers to garner the anticipated response from our Olympic premiere,” said Zack Slusser, vice president of Breaking for Gold USA and USA Dance, in a text message to the Associated Press.\u003c/p>\n\u003cp>“We need to change the narrative from yesterday’s first impression of breaking as Olympic sport. There were significant organizational and governance shortcomings that could have been easily reconciled but, unfortunately, negatively impacted Breaking’s first touching point to a new global audience.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13962267","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The challenge for Olympic organizers was to bring breaking and hip-hop culture to a mass audience, including many viewers who were skeptical about the dance form’s addition to the Olympic roster. Others feared the subculture being co-opted by officials, commercialized and put through a rigid judging structure, when the spirit of breaking has been rooted in local communities, centered around street battles, cyphers and block parties. Hip-hop was born as a youth culture within Black and brown communities in the Bronx as a way to escape strife and socio-economic struggles and make a statement of empowerment at a time when they were labeled as lost, lawless kids by New York politicians.\u003c/p>\n\u003cp>Refugee breaker Manizha Talash, or “b-girl Talash,” channeled that rebellious vibe by donning a “Free Afghan Women” cape during her pre-qualifier battle — a defiant and personal statement for a 21-year-old who fled her native Afghanistan to escape Taliban rule. Talash was quickly disqualified for violating the Olympics’ ban on political statements on the field of play.\u003c/p>\n\u003cfigure id=\"attachment_13962582\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962582\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2166037532-scaled-e1723484370138.jpg\" alt='An athlete on an Olympic stage stands with her arms outstretched wearing a blue cape that says \"Free Afghan Women.\"' width=\"1920\" height=\"1238\">\u003cfigcaption class=\"wp-caption-text\">B-Girl Talash of Team of Refugee Olympic Team competes while wearing a outfit which reads “Free Afghan women” during the B-girls Pre-Qualifier at the Paris Olympic Games. \u003ccite>(Ezra Shaw/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Both American b-girls were eliminated in Friday’s round-robin phase, a blow to the country representing the birthplace of hip-hop in what could be the discipline’s only Games appearance. B-girl Logistx (legal name Logan Edra) and b-girl Sunny (Sunny Choi) both ranked in the top 12 internationally but came up short of the quarterfinals.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Breaking for the Olympics has changed the way that some people are dancing,” said Choi, referring to some of the flashier moves and jam-packed routines. “Breaking changes over time. And maybe I’m just old-school and I don’t want to change … I think a lot of people in our community were a little bit afraid of that happening.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13962574/raygun-australia-breakdancing-olympics-durag-paris-2024-viral-kangaroo-hop","authors":["byline_arts_13962574"],"categories":["arts_1","arts_966","arts_75","arts_13238"],"tags":["arts_22228","arts_22264","arts_22263","arts_3920","arts_22239"],"featImg":"arts_13962575","label":"arts"},"arts_13961580":{"type":"posts","id":"arts_13961580","meta":{"index":"posts_1716263798","site":"arts","id":"13961580","score":null,"sort":[1722032186000]},"guestAuthors":[],"slug":"garba-dance-festival-oakland-chinatown","title":"Oakland’s First Garba Dance Festival Arrives in Chinatown","publishDate":1722032186,"format":"standard","headTitle":"Oakland’s First Garba Dance Festival Arrives in Chinatown | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Garba (pronounced gehr-buh) is probably something you haven’t publicly encountered in Oakland before. That’s because, well, there isn’t really anywhere that it formally happens.\u003c/p>\n\u003cp>Reetu Mody, a second-generation Indian American who grew up in Concord, hopes to change that. For Mody, who was raised around garba (a subregional Indian and Pakistani dance), the group-style folk tradition represents the East Bay’s inner vibrancy. And she’s determined to introduce it to a wider audience with “BomBay to the Bay,” \u003ca href=\"https://oacc.cc/event/bombaytothebay/\">Oakland’s inaugural Garba Dance Festival\u003c/a>.\u003c/p>\n\u003cp>The city’s first ever garba festival will be hosted at the \u003ca href=\"https://www.instagram.com/oaklandasiancc/?hl=en\">Oakland Asian Cultural Center\u003c/a> (OACC) in Oakland’s Chinatown on Saturday, Aug. 3.\u003c/p>\n\u003cp>“[Garba] is the spirit of Oakland,” says Mody, a community organizer and attorney who applied for a grant and assembled the festival in her spare time with massive support from the OACC.\u003c/p>\n\u003cp>“This isn’t about performance. It isn’t just something you watch,” she says. “It’s a living thing and you connect with others. It’s about the group. You all dance into transcendence together.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The folk dance is actively practiced around the world, and hails from South Asia. It unites all age groups, genders and skill levels through simultaneous dancing in concentric circles. Garba’s steps are relatively simple, and follow “teen tali,” a three-clap cadence that involves a step-cross-step pattern.\u003c/p>\n\u003cp>Mody asserts that the dance isn’t limited to any specific religious denomination, locale or cultural demographic. Instead, garba is a dance that is meant to be open and welcoming. She encourages attendees to dress in their own cultural attire.\u003c/p>\n\u003cp>Importantly, the Aug. 3 gathering centers on the liberation of all groups, as an anti-caste, \u003ca href=\"https://www.theguardian.com/world/2022/sep/20/what-is-hindu-nationalism-and-who-are-the-rss\">anti-Hindutva\u003c/a> event.\u003c/p>\n\u003cp>But garba isn’t just solely reserved for monumental occasions. Mody recalls her mother breaking into garba after eating a good meal just as often as guests might extemporaneously perform it at baby showers.\u003c/p>\n\u003cp>Mody points out that garba is more widely celebrated throughout the South Bay — citing Fremont, Union City, Milpitas, San Jose and Sunnyvale as hubs of Indian culture — but it’s not something she has noticed in Oakland, where she has intermittently lived for the past 13 years.\u003c/p>\n\u003cfigure id=\"attachment_13961624\" class=\"wp-caption alignright\" style=\"max-width: 1224px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13961624\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Garba.jpg\" alt=\"a woman sits inside an elegant hallway while wearing festive attire\" width=\"1224\" height=\"1632\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Garba.jpg 1224w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Garba-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Garba-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Garba-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Garba-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Garba-1152x1536.jpg 1152w\" sizes=\"(max-width: 1224px) 100vw, 1224px\">\u003cfigcaption class=\"wp-caption-text\">Reetu Mody sits at a garba while her hands dry with mehndi (body art). \u003ccite>(Dilip Mody)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The event is arriving at an opportune moment for Oaklanders, as \u003ca href=\"https://www.kqed.org/forum/2010101906166/oakland-mayor-sheng-thao-confronts-onslaught-of-troubles\">the city’s political failings\u003c/a> and \u003ca href=\"https://www.kqed.org/news/11982386/what-the-as-temporary-move-to-sacramento-means-for-fans\">exodus of professional sports franchises\u003c/a> continue to take the headlines. Still, Mody says Oakland’s cultural offerings are unparalleled, and garba is merely a reflection of what the city’s diverse residents can offer to one another.\u003c/p>\n\u003cp>“We need to bring parts of our cultures that are portals to possibility, not portals to oppression,” she says. “You can only reach [transcendence] when moving together and being joyful together.\u003c/p>\n\u003cp>The festival will feature Madhvi on vocals, Asim Mehta on keyboards and Parimal Zaveri on percussion, \u003ca href=\"http://kampmusic.com/bio.htm\">local legends of garba from the 80s\u003c/a>. A large dhol — the traditional drum used for garba — will serve as a musical centerpiece.\u003c/p>\n\u003cp>Dance classes will be offered at the start of the festival for those interested in learning the steps; participation is strongly encouraged. As a culminating addition, an “Oakland step” will be created and performed on-site.\u003c/p>\n\u003cp>“Each city has to have its own step for the dance,” Mody says. “It’s not exactly dancing though. It’s playing. It’s playful by nature. You don’t dance garba; you play it.”\u003c/p>\n\u003chr>\n\u003cp>\u003ci>\u003ca href=\"https://oacc.cc/event/bombaytothebay/\">Garba Dance Festival\u003c/a> will take place at the Oakland Asian Cultural Center (388 Ninth Street, Suite 290), on Aug. 3, 2024, 5–10 p.m. The event is free with \u003ca href=\"https://oacc.cc/event/bombaytothebay/\">registration\u003c/a>. \u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Vendors, including \u003ca href=\"https://www.instagram.com/bandungbooks/?hl=en\">Bandung Books\u003c/a>, will be on site. \u003ca href=\"https://www.instagram.com/paisleyhennna/?hl=en\">Paisley Henna\u003c/a> will provide donation-based henna. All proceeds will go towards Palestine Legal and Middle Eastern Children’s Alliance to support their work in Gaza.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The Aug. 3 festival dedicated to the group folk dance welcomes all ages, genders and skill levels.","status":"publish","parent":0,"modified":1726700955,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":699},"headData":{"title":"Oakland’s First Garba Dance Festival Arrives in Chinatown | KQED","description":"The Aug. 3 festival dedicated to the group folk dance welcomes all ages, genders and skill levels.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Oakland’s First Garba Dance Festival Arrives in Chinatown","datePublished":"2024-07-26T15:16:26-07:00","dateModified":"2024-09-18T16:09:15-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13961580","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13961580/garba-dance-festival-oakland-chinatown","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Garba (pronounced gehr-buh) is probably something you haven’t publicly encountered in Oakland before. That’s because, well, there isn’t really anywhere that it formally happens.\u003c/p>\n\u003cp>Reetu Mody, a second-generation Indian American who grew up in Concord, hopes to change that. For Mody, who was raised around garba (a subregional Indian and Pakistani dance), the group-style folk tradition represents the East Bay’s inner vibrancy. And she’s determined to introduce it to a wider audience with “BomBay to the Bay,” \u003ca href=\"https://oacc.cc/event/bombaytothebay/\">Oakland’s inaugural Garba Dance Festival\u003c/a>.\u003c/p>\n\u003cp>The city’s first ever garba festival will be hosted at the \u003ca href=\"https://www.instagram.com/oaklandasiancc/?hl=en\">Oakland Asian Cultural Center\u003c/a> (OACC) in Oakland’s Chinatown on Saturday, Aug. 3.\u003c/p>\n\u003cp>“[Garba] is the spirit of Oakland,” says Mody, a community organizer and attorney who applied for a grant and assembled the festival in her spare time with massive support from the OACC.\u003c/p>\n\u003cp>“This isn’t about performance. It isn’t just something you watch,” she says. “It’s a living thing and you connect with others. It’s about the group. You all dance into transcendence together.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The folk dance is actively practiced around the world, and hails from South Asia. It unites all age groups, genders and skill levels through simultaneous dancing in concentric circles. Garba’s steps are relatively simple, and follow “teen tali,” a three-clap cadence that involves a step-cross-step pattern.\u003c/p>\n\u003cp>Mody asserts that the dance isn’t limited to any specific religious denomination, locale or cultural demographic. Instead, garba is a dance that is meant to be open and welcoming. She encourages attendees to dress in their own cultural attire.\u003c/p>\n\u003cp>Importantly, the Aug. 3 gathering centers on the liberation of all groups, as an anti-caste, \u003ca href=\"https://www.theguardian.com/world/2022/sep/20/what-is-hindu-nationalism-and-who-are-the-rss\">anti-Hindutva\u003c/a> event.\u003c/p>\n\u003cp>But garba isn’t just solely reserved for monumental occasions. Mody recalls her mother breaking into garba after eating a good meal just as often as guests might extemporaneously perform it at baby showers.\u003c/p>\n\u003cp>Mody points out that garba is more widely celebrated throughout the South Bay — citing Fremont, Union City, Milpitas, San Jose and Sunnyvale as hubs of Indian culture — but it’s not something she has noticed in Oakland, where she has intermittently lived for the past 13 years.\u003c/p>\n\u003cfigure id=\"attachment_13961624\" class=\"wp-caption alignright\" style=\"max-width: 1224px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13961624\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Garba.jpg\" alt=\"a woman sits inside an elegant hallway while wearing festive attire\" width=\"1224\" height=\"1632\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Garba.jpg 1224w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Garba-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Garba-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Garba-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Garba-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Garba-1152x1536.jpg 1152w\" sizes=\"(max-width: 1224px) 100vw, 1224px\">\u003cfigcaption class=\"wp-caption-text\">Reetu Mody sits at a garba while her hands dry with mehndi (body art). \u003ccite>(Dilip Mody)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The event is arriving at an opportune moment for Oaklanders, as \u003ca href=\"https://www.kqed.org/forum/2010101906166/oakland-mayor-sheng-thao-confronts-onslaught-of-troubles\">the city’s political failings\u003c/a> and \u003ca href=\"https://www.kqed.org/news/11982386/what-the-as-temporary-move-to-sacramento-means-for-fans\">exodus of professional sports franchises\u003c/a> continue to take the headlines. Still, Mody says Oakland’s cultural offerings are unparalleled, and garba is merely a reflection of what the city’s diverse residents can offer to one another.\u003c/p>\n\u003cp>“We need to bring parts of our cultures that are portals to possibility, not portals to oppression,” she says. “You can only reach [transcendence] when moving together and being joyful together.\u003c/p>\n\u003cp>The festival will feature Madhvi on vocals, Asim Mehta on keyboards and Parimal Zaveri on percussion, \u003ca href=\"http://kampmusic.com/bio.htm\">local legends of garba from the 80s\u003c/a>. A large dhol — the traditional drum used for garba — will serve as a musical centerpiece.\u003c/p>\n\u003cp>Dance classes will be offered at the start of the festival for those interested in learning the steps; participation is strongly encouraged. As a culminating addition, an “Oakland step” will be created and performed on-site.\u003c/p>\n\u003cp>“Each city has to have its own step for the dance,” Mody says. “It’s not exactly dancing though. It’s playing. It’s playful by nature. You don’t dance garba; you play it.”\u003c/p>\n\u003chr>\n\u003cp>\u003ci>\u003ca href=\"https://oacc.cc/event/bombaytothebay/\">Garba Dance Festival\u003c/a> will take place at the Oakland Asian Cultural Center (388 Ninth Street, Suite 290), on Aug. 3, 2024, 5–10 p.m. The event is free with \u003ca href=\"https://oacc.cc/event/bombaytothebay/\">registration\u003c/a>. \u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Vendors, including \u003ca href=\"https://www.instagram.com/bandungbooks/?hl=en\">Bandung Books\u003c/a>, will be on site. \u003ca href=\"https://www.instagram.com/paisleyhennna/?hl=en\">Paisley Henna\u003c/a> will provide donation-based henna. All proceeds will go towards Palestine Legal and Middle Eastern Children’s Alliance to support their work in Gaza.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13961580/garba-dance-festival-oakland-chinatown","authors":["11748"],"programs":["arts_140"],"categories":["arts_1","arts_966"],"tags":["arts_879","arts_1143","arts_16152","arts_585"],"featImg":"arts_13961652","label":"arts_140"},"arts_13960283":{"type":"posts","id":"arts_13960283","meta":{"index":"posts_1716263798","site":"arts","id":"13960283","score":null,"sort":[1719587853000]},"guestAuthors":[],"slug":"2024-san-francisco-pride-party-guide","title":"Your 2024 San Francisco Pride Party Guide","publishDate":1719587853,"format":"standard","headTitle":"Your 2024 San Francisco Pride Party Guide | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>The gay high holy days are upon us as San Francisco prepares to host one of the biggest Pride celebrations on the globe. The draw for many is the star-studded, weekend-long \u003ca href=\"https://sfpride.org/\">SF Pride\u003c/a> celebration at Civic Center on June 29 and 30, which culminates in the parade on Sunday. For others, the highlight might be Friday’s more grassroots and protest-oriented \u003ca href=\"https://www.transmarch.org/\">Trans March\u003c/a> or Dyke Day at Dolores Park, where women and friends post up to picnic all afternoon. (Saturday’s official Dyke March is, unfortunately, \u003ca href=\"https://www.kqed.org/news/11992072/dyke-march-canceled-for-san-francisco-pride-organizers-say\">canceled this year\u003c/a>.) [aside postid='news_11991990,news_11992072,news_11990430']\u003c/p>\n\u003cp>Surrounding all these festivities are block parties, kickbacks, raves and ragers that literally go from morning to night throughout the weekend. To help you plan, here’s our handy guide of 10 parties you shouldn’t miss, with a mix of events catering to different music tastes, vibes and LGBTQ+ identities.\u003c/p>\n\u003cp>Keep in mind that each of the venues mentioned on this list has a stacked schedule all weekend long. If these parties aren’t your thing, check out the venues’ websites or your favorite DJ or drag queen’s Instagram for other events to choose from.\u003c/p>\n\u003cp>And word to the wise: Stay hydrated, \u003ca href=\"https://fentcheck.org/check-your-drugs-2\">test your party favors\u003c/a>, practice safer sex, take care of your friends and remember to have fun!\u003c/p>\n\u003cfigure id=\"attachment_13915276\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13915276\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1278\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-1536x1022.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Trans March makes its way along Market Street to a rally on Turk and Taylor in San Francisco on June 24, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://ticketstripe.com/bustinout24\">Bustin’ Out: Official Trans March After Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 6 p.m.–Saturday, June 29, 1:30 a.m.\u003cbr>\nEl Rio, San Francisco\u003cbr>\n$25\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Friday’s annual Trans March feels like an organic gathering, true to Pride’s activist roots. With trans rights under attack nationwide, this pilgrimage from Dolores Park to the Tenderloin’s Transgender District is where gender-nonconforming people and allies take up space. Instead of corporate floats, you’ll find protest signs affirming the diversity of the gender spectrum and calling for equal rights to healthcare and housing. The annual Bustin’ Out afterparty at El Rio after the march is a benefit for Transgender Gender-Variant & Intersex Justice Project (TGIJP), an organization that fights prison abuses and supports formerly incarcerated trans people. DJ sets by Dreams, Succubus, Honeybear and Lady Ryan will turn up the energy, and there’ll be a designated chill zone next door at Mothership with music by Piano Rain and Del. San Francisco’s all-Black drag show, Reparations, will host performances. Presales have sold out, so getting there early to snag door tickets is a must.\u003c/p>\n\u003cfigure id=\"attachment_13936004\" class=\"wp-caption aligncenter\" style=\"max-width: 1288px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13936004\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius.jpg\" alt=\"\" width=\"1288\" height=\"725\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius.jpg 1288w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-768x432.jpg 768w\" sizes=\"(max-width: 1288px) 100vw, 1288px\">\u003cfigcaption class=\"wp-caption-text\">VivvyAnne ForeverMORE! \u003ccite>(Marcel Pardo Ariza)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/forever-queer-pride-dancing-and-drag-tickets-915617696177?\">Forever-Queer Pride Dancing and Drag\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 9 p.m.–Saturday, June 29, 2 a.m.\u003cbr>\nThe Stud, San Francisco\u003cbr>\n$20\u003c/em>\u003c/p>\n\u003cp>Legendary queer bar The Stud recently reopened its doors in SoMa, and drag performer Vivvyanne ForeverMORE! is kicking off a new party during Pride weekend: Forever. With performances by Clutch the Pearls co-founder Churro Nomi, Princess co-host Lisa Frankenstein, Major Hammy, Hands and Britney Smearz, this event celebrates the experimental and off-kilter style of drag The Stud is known for. DJs Infinite Jess and JUMPR will keep the dance floor going all night.\u003c/p>\n\u003cfigure id=\"attachment_13960292\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960292\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">UNiiQU3 performs at Webster Hall Thursdays on March 24, 2016. \u003ccite>(Nicky Digital/Corbis via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/club-ablunt-presents-just-us-pride-2024-w-uniiqu3-tickets-912343874087?\">Club A.B.L.U.N.T. Presents: Pride with UNIIQU3\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 10 p.m.–Saturday, June 29, 3 a.m.\u003cbr>\nMonarch, San Francisco\u003cbr>\n$20–$30\u003c/em>\u003c/p>\n\u003cp>UNIIQU3 has rocked massive festival stages, but CLUB A.B.L.U.N.T..’s pride party at Monarch offers the rare opportunity to experience her manic Jersey club beats in their optimal setting: while getting your life in a sweaty basement. This party’s stacked lineup features a dozen of the Bay’s top-tier DJs: experimental beatmaker Tomu DJ; Hard French founder Brown Amy; hyperpop connoisseur Freaky Emo; house music experts Charles Hawthorne and Floridawtr; and Black, who started A.B.L.U.N.T. (Asians, Blacks and Latins Uniting with Native Tribes), one of the first Bay Area parties to center queer people of color, back in the early ’90s. [aside postid='arts_13915614']\u003c/p>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/bearracuda-san-francisco-pride-2024-tickets-793750056787?\">Bearracuda\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 9 p.m.–Saturday, June 29, 3 a.m.\u003cbr>\nPublic Works, San Francisco\u003cbr>\n$30–$60\u003c/em>\u003c/p>\n\u003cp>If you’re looking for a celebration of beefy and burly men, look no further than Bearracuda on Friday night. This bear-centric event will take over the 1,000-capacity nightclub Public Works — and it promises to be a full house. As far as dress code, underwear is encouraged, and there will be a place to check your clothes (not just your coat). DJs David Harness, Mateo Segade and Philip Grasso — plus go-go dancers — will keep the crowd moving to house beats all night. [aside postid='arts_13960094']\u003c/p>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/hella-gay-sf-pride-after-party-tickets-927530176727?\">Hella Gay Pride Dance Party\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Saturday, June 29, 8 p.m.–Sunday, June 30, 2 a.m.\u003cbr>\nFirst Edition, Oakland\u003cbr>\n$10, $20\u003c/i>\u003c/p>\n\u003cp>Hella Gay was an Oakland queer party staple pre-pandemic, and it returns during Pride weekend at Oakland cocktail bar First Edition. East Bay dwellers now have a dance option that won’t have them scrambling to catch last BART or break the bank for an Uber from the City. DJs Homofongo, Kare Bear and Micahtron (who, full disclosure, booked me to DJ at First Edition once last year), will be spinning genre-bending sets of Afrobeats, dembow, house, hip-hop and more to get booties of all genders popping all night.\u003c/p>\n\u003cfigure id=\"attachment_13929153\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929153\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\" alt=\"a drag performer in high heel red boots laughs as she performs outside for a crowd\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1920x1280.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Mahlae Balenciaga performs at Oaklash 2022. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/drag-vs-burlesque-pride-show-tickets-914988313677?aff=ebdssbdestsearch\">Drag vs. Burlesque\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Saturday, June 29, 9 p.m.–Sunday, June 30, 2 a.m.\u003cbr>\nThe White Horse, Oakland\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>Helmed by Queer Fem Parties, Drag vs. Burlesque promises a night of pole dancing and drag with femme performers of color at the center, and a lineup that celebrates all shapes and sizes. Expect gravity-defying moves and lip sync numbers alike from Lici Louboutin Makaveli, Ashanti Altovese, Nani Panther, Mari V, Mahlae Balenciaga and Qozmo the Clown, plus music by DJ Fredie.\u003c/p>\n\u003cfigure id=\"attachment_13930600\" class=\"wp-caption aligncenter\" style=\"max-width: 1636px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13930600\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022.png\" alt=\"a large street party with a pink stage and a crowd of people dancing in front of it\" width=\"1636\" height=\"1088\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022.png 1636w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-800x532.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-1020x678.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-768x511.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-1536x1021.png 1536w\" sizes=\"(max-width: 1636px) 100vw, 1636px\">\u003cfigcaption class=\"wp-caption-text\">The Pink Block party, 2022. \u003ccite>(Saylor Nedelman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/polyglamorous-pink-block-2024-tickets-828178543317?\">Polyglamorous Pink Block Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Saturday, June 29, 12 p.m.–Sunday, Jun3 30, 3 a.m.\u003cbr>\nThe Great Northern, San Francisco\u003cbr>\n$30–$110\u003c/em>\u003c/p>\n\u003cp>If you’re looking for rave vibes during Pride weekend, don’t sleep on the massive Polyglamorous block party. The all-day, all-night event boasts an enormous lineup of over 40 DJs and 12 drag performers. Daytime headliners include funky beat selector DJ Holographic, Scissor Sisters’ Ana Matronic and Olof Dreijer of The Knife; Massimiliano Pagliara — a driving force of Berlin’s disco revival — headlines after-dark festivities.\u003c/p>\n\u003cfigure id=\"attachment_13960303\" class=\"wp-caption aligncenter\" style=\"max-width: 1702px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960303\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-scaled.jpg\" alt=\"\" width=\"1702\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-scaled.jpg 1702w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-800x1203.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1020x1534.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-160x241.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-768x1155.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1021x1536.jpg 1021w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1362x2048.jpg 1362w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1920x2887.jpg 1920w\" sizes=\"(max-width: 1702px) 100vw, 1702px\">\u003cfigcaption class=\"wp-caption-text\">MTooray plays dhol at Central Park SummerStage during the Basement Bhangra 20th Anniversary celebration, New York, New York, August 6, 2017. \u003ccite>( Jack Vartoogian/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.tickettailor.com/events/soulovely/1230049\">Queer as in Uprising! Soulovely Pride Block Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sunday, June 30, 1–6 p.m.\u003cbr>\nVictory Hall & Parlor, San Francisco\u003cbr>\n$35–$45\u003c/em>\u003c/p>\n\u003cp>Oakland’s Soulovely crosses the bridge during Pride weekend for a daytime outdoor block party that centers queer and trans people of color. The theme? “Queer Liberation Combat Boots the House Down Drag.” That means boots, berets, shirts repping activist causes or dressing in whatever way speaks to your definition of queer resistance. Soulovely is known for a hyped dance floor and eclectic music selection, and headlining this event is DJ and percussionist MTOORAY of No Nazar, the touring party that highlights global beats of the Middle Eastern, South Asian and African diaspora. Charles Hawthorne and La Femme Papi round out the lineup with perreo, dembow, house and a spectrum of uplifting, rump-shaking sounds.\u003c/p>\n\u003cfigure id=\"attachment_13914979\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13914979\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER.jpg\" alt=\"Crowd with drag queen and furry in dog costume at center\" width=\"1920\" height=\"1395\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-800x581.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-1020x741.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-768x558.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-1536x1116.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Juanita MORE!’s Pride party in 2021. \u003ccite>(Gooch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/juanita-more-pride-2024-celebrating-20-years-tickets-836331549177?\">Juanita MORE! Pride\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sunday, June 30, 12–7 p.m.\u003cbr>\n620 Jones, San Francisco\u003cbr>\n$60\u003c/em>\u003c/p>\n\u003cp>Local drag legend, DJ and activist Juanita MORE! knows how to throw a party with a purpose, and she’s personally raised more than a million dollars for local queer organizations with her events over the past three decades. This year, her annual Pride blowout benefits LYRIC Center for LGTBQQ+ Youth, which offers young people job and housing resources and social support. Expect a fabulous soiree with drag, drinks and dancing for a righteous cause. Online presales have ended but you can still grab tickets at the door or at these \u003ca href=\"https://www.instagram.com/p/C6y33BnxDgY/\">select San Francisco locations\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13960302\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960302\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219.jpg\" alt=\"\" width=\"1024\" height=\"682\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Amanda Tori Meating performs onstage during MTV RuPaul’s Drag Race Season 16 Premiere Extravaganza Presented by ViiV Healthcare at Hammerstein Ballroom on January 04, 2024 in New York City. \u003ccite>(Santiago Felipe/Getty Images for MTV)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/pride-sunday-w-amanda-tori-meating-hershii-liqcour-jete-tickets-913246223037?\">Pride Sunday with Amanda Tori Meating and Hershii Liqcour Jeté\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sunday, June 30, 8 p.m.–Monday, July 1, 2 a.m.\u003cbr>\nOasis, San Francisco\u003cbr>\n$20\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>San Francisco’s premier drag club, Oasis, is doing it big on Pride Sunday. Whether you need an afterparty for the main celebration or a place to dance after sleeping off Saturday’s festivities, Oasis has a stacked lineup of drag performers lip syncing every half hour. The headliners are Amanda Tori Meating and Hershii Liqcour Jeté of \u003ci>RuPaul’s Drag Race\u003c/i> Season 16 fame, who’ll be heading to Oasis after they perform on the main SF Pride stage, plus local drags of all genders: Snaxx, Vera!, Kochina Rude, Lisa Frankenstein, Melanie Sparksss, Loma Prietta and Siri. Go-go dancers will shake it all night as DJ Rubella Spreads keeps the house and disco beats pumping.\u003c/p>\n\n","blocks":[],"excerpt":"We’ve got 10 dance parties, drag shows and block parties for your weekend itinerary. ","status":"publish","parent":0,"modified":1726701130,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":26,"wordCount":1627},"headData":{"title":"Your 2024 San Francisco Pride Party Guide | KQED","description":"We’ve got 10 dance parties, drag shows and block parties for your weekend itinerary. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Your 2024 San Francisco Pride Party Guide","datePublished":"2024-06-28T08:17:33-07:00","dateModified":"2024-09-18T16:12:10-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13960283","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13960283/2024-san-francisco-pride-party-guide","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The gay high holy days are upon us as San Francisco prepares to host one of the biggest Pride celebrations on the globe. The draw for many is the star-studded, weekend-long \u003ca href=\"https://sfpride.org/\">SF Pride\u003c/a> celebration at Civic Center on June 29 and 30, which culminates in the parade on Sunday. For others, the highlight might be Friday’s more grassroots and protest-oriented \u003ca href=\"https://www.transmarch.org/\">Trans March\u003c/a> or Dyke Day at Dolores Park, where women and friends post up to picnic all afternoon. (Saturday’s official Dyke March is, unfortunately, \u003ca href=\"https://www.kqed.org/news/11992072/dyke-march-canceled-for-san-francisco-pride-organizers-say\">canceled this year\u003c/a>.) \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11991990,news_11992072,news_11990430","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Surrounding all these festivities are block parties, kickbacks, raves and ragers that literally go from morning to night throughout the weekend. To help you plan, here’s our handy guide of 10 parties you shouldn’t miss, with a mix of events catering to different music tastes, vibes and LGBTQ+ identities.\u003c/p>\n\u003cp>Keep in mind that each of the venues mentioned on this list has a stacked schedule all weekend long. If these parties aren’t your thing, check out the venues’ websites or your favorite DJ or drag queen’s Instagram for other events to choose from.\u003c/p>\n\u003cp>And word to the wise: Stay hydrated, \u003ca href=\"https://fentcheck.org/check-your-drugs-2\">test your party favors\u003c/a>, practice safer sex, take care of your friends and remember to have fun!\u003c/p>\n\u003cfigure id=\"attachment_13915276\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13915276\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1278\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-1536x1022.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Trans March makes its way along Market Street to a rally on Turk and Taylor in San Francisco on June 24, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://ticketstripe.com/bustinout24\">Bustin’ Out: Official Trans March After Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 6 p.m.–Saturday, June 29, 1:30 a.m.\u003cbr>\nEl Rio, San Francisco\u003cbr>\n$25\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Friday’s annual Trans March feels like an organic gathering, true to Pride’s activist roots. With trans rights under attack nationwide, this pilgrimage from Dolores Park to the Tenderloin’s Transgender District is where gender-nonconforming people and allies take up space. Instead of corporate floats, you’ll find protest signs affirming the diversity of the gender spectrum and calling for equal rights to healthcare and housing. The annual Bustin’ Out afterparty at El Rio after the march is a benefit for Transgender Gender-Variant & Intersex Justice Project (TGIJP), an organization that fights prison abuses and supports formerly incarcerated trans people. DJ sets by Dreams, Succubus, Honeybear and Lady Ryan will turn up the energy, and there’ll be a designated chill zone next door at Mothership with music by Piano Rain and Del. San Francisco’s all-Black drag show, Reparations, will host performances. Presales have sold out, so getting there early to snag door tickets is a must.\u003c/p>\n\u003cfigure id=\"attachment_13936004\" class=\"wp-caption aligncenter\" style=\"max-width: 1288px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13936004\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius.jpg\" alt=\"\" width=\"1288\" height=\"725\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius.jpg 1288w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-768x432.jpg 768w\" sizes=\"(max-width: 1288px) 100vw, 1288px\">\u003cfigcaption class=\"wp-caption-text\">VivvyAnne ForeverMORE! \u003ccite>(Marcel Pardo Ariza)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/forever-queer-pride-dancing-and-drag-tickets-915617696177?\">Forever-Queer Pride Dancing and Drag\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 9 p.m.–Saturday, June 29, 2 a.m.\u003cbr>\nThe Stud, San Francisco\u003cbr>\n$20\u003c/em>\u003c/p>\n\u003cp>Legendary queer bar The Stud recently reopened its doors in SoMa, and drag performer Vivvyanne ForeverMORE! is kicking off a new party during Pride weekend: Forever. With performances by Clutch the Pearls co-founder Churro Nomi, Princess co-host Lisa Frankenstein, Major Hammy, Hands and Britney Smearz, this event celebrates the experimental and off-kilter style of drag The Stud is known for. DJs Infinite Jess and JUMPR will keep the dance floor going all night.\u003c/p>\n\u003cfigure id=\"attachment_13960292\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960292\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">UNiiQU3 performs at Webster Hall Thursdays on March 24, 2016. \u003ccite>(Nicky Digital/Corbis via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/club-ablunt-presents-just-us-pride-2024-w-uniiqu3-tickets-912343874087?\">Club A.B.L.U.N.T. Presents: Pride with UNIIQU3\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 10 p.m.–Saturday, June 29, 3 a.m.\u003cbr>\nMonarch, San Francisco\u003cbr>\n$20–$30\u003c/em>\u003c/p>\n\u003cp>UNIIQU3 has rocked massive festival stages, but CLUB A.B.L.U.N.T..’s pride party at Monarch offers the rare opportunity to experience her manic Jersey club beats in their optimal setting: while getting your life in a sweaty basement. This party’s stacked lineup features a dozen of the Bay’s top-tier DJs: experimental beatmaker Tomu DJ; Hard French founder Brown Amy; hyperpop connoisseur Freaky Emo; house music experts Charles Hawthorne and Floridawtr; and Black, who started A.B.L.U.N.T. (Asians, Blacks and Latins Uniting with Native Tribes), one of the first Bay Area parties to center queer people of color, back in the early ’90s. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13915614","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/bearracuda-san-francisco-pride-2024-tickets-793750056787?\">Bearracuda\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 9 p.m.–Saturday, June 29, 3 a.m.\u003cbr>\nPublic Works, San Francisco\u003cbr>\n$30–$60\u003c/em>\u003c/p>\n\u003cp>If you’re looking for a celebration of beefy and burly men, look no further than Bearracuda on Friday night. This bear-centric event will take over the 1,000-capacity nightclub Public Works — and it promises to be a full house. As far as dress code, underwear is encouraged, and there will be a place to check your clothes (not just your coat). DJs David Harness, Mateo Segade and Philip Grasso — plus go-go dancers — will keep the crowd moving to house beats all night. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13960094","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/hella-gay-sf-pride-after-party-tickets-927530176727?\">Hella Gay Pride Dance Party\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Saturday, June 29, 8 p.m.–Sunday, June 30, 2 a.m.\u003cbr>\nFirst Edition, Oakland\u003cbr>\n$10, $20\u003c/i>\u003c/p>\n\u003cp>Hella Gay was an Oakland queer party staple pre-pandemic, and it returns during Pride weekend at Oakland cocktail bar First Edition. East Bay dwellers now have a dance option that won’t have them scrambling to catch last BART or break the bank for an Uber from the City. DJs Homofongo, Kare Bear and Micahtron (who, full disclosure, booked me to DJ at First Edition once last year), will be spinning genre-bending sets of Afrobeats, dembow, house, hip-hop and more to get booties of all genders popping all night.\u003c/p>\n\u003cfigure id=\"attachment_13929153\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929153\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\" alt=\"a drag performer in high heel red boots laughs as she performs outside for a crowd\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1920x1280.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Mahlae Balenciaga performs at Oaklash 2022. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/drag-vs-burlesque-pride-show-tickets-914988313677?aff=ebdssbdestsearch\">Drag vs. Burlesque\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Saturday, June 29, 9 p.m.–Sunday, June 30, 2 a.m.\u003cbr>\nThe White Horse, Oakland\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>Helmed by Queer Fem Parties, Drag vs. Burlesque promises a night of pole dancing and drag with femme performers of color at the center, and a lineup that celebrates all shapes and sizes. Expect gravity-defying moves and lip sync numbers alike from Lici Louboutin Makaveli, Ashanti Altovese, Nani Panther, Mari V, Mahlae Balenciaga and Qozmo the Clown, plus music by DJ Fredie.\u003c/p>\n\u003cfigure id=\"attachment_13930600\" class=\"wp-caption aligncenter\" style=\"max-width: 1636px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13930600\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022.png\" alt=\"a large street party with a pink stage and a crowd of people dancing in front of it\" width=\"1636\" height=\"1088\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022.png 1636w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-800x532.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-1020x678.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-768x511.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-1536x1021.png 1536w\" sizes=\"(max-width: 1636px) 100vw, 1636px\">\u003cfigcaption class=\"wp-caption-text\">The Pink Block party, 2022. \u003ccite>(Saylor Nedelman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/polyglamorous-pink-block-2024-tickets-828178543317?\">Polyglamorous Pink Block Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Saturday, June 29, 12 p.m.–Sunday, Jun3 30, 3 a.m.\u003cbr>\nThe Great Northern, San Francisco\u003cbr>\n$30–$110\u003c/em>\u003c/p>\n\u003cp>If you’re looking for rave vibes during Pride weekend, don’t sleep on the massive Polyglamorous block party. The all-day, all-night event boasts an enormous lineup of over 40 DJs and 12 drag performers. Daytime headliners include funky beat selector DJ Holographic, Scissor Sisters’ Ana Matronic and Olof Dreijer of The Knife; Massimiliano Pagliara — a driving force of Berlin’s disco revival — headlines after-dark festivities.\u003c/p>\n\u003cfigure id=\"attachment_13960303\" class=\"wp-caption aligncenter\" style=\"max-width: 1702px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960303\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-scaled.jpg\" alt=\"\" width=\"1702\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-scaled.jpg 1702w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-800x1203.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1020x1534.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-160x241.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-768x1155.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1021x1536.jpg 1021w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1362x2048.jpg 1362w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1920x2887.jpg 1920w\" sizes=\"(max-width: 1702px) 100vw, 1702px\">\u003cfigcaption class=\"wp-caption-text\">MTooray plays dhol at Central Park SummerStage during the Basement Bhangra 20th Anniversary celebration, New York, New York, August 6, 2017. \u003ccite>( Jack Vartoogian/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.tickettailor.com/events/soulovely/1230049\">Queer as in Uprising! Soulovely Pride Block Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sunday, June 30, 1–6 p.m.\u003cbr>\nVictory Hall & Parlor, San Francisco\u003cbr>\n$35–$45\u003c/em>\u003c/p>\n\u003cp>Oakland’s Soulovely crosses the bridge during Pride weekend for a daytime outdoor block party that centers queer and trans people of color. The theme? “Queer Liberation Combat Boots the House Down Drag.” That means boots, berets, shirts repping activist causes or dressing in whatever way speaks to your definition of queer resistance. Soulovely is known for a hyped dance floor and eclectic music selection, and headlining this event is DJ and percussionist MTOORAY of No Nazar, the touring party that highlights global beats of the Middle Eastern, South Asian and African diaspora. Charles Hawthorne and La Femme Papi round out the lineup with perreo, dembow, house and a spectrum of uplifting, rump-shaking sounds.\u003c/p>\n\u003cfigure id=\"attachment_13914979\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13914979\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER.jpg\" alt=\"Crowd with drag queen and furry in dog costume at center\" width=\"1920\" height=\"1395\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-800x581.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-1020x741.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-768x558.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-1536x1116.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Juanita MORE!’s Pride party in 2021. \u003ccite>(Gooch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/juanita-more-pride-2024-celebrating-20-years-tickets-836331549177?\">Juanita MORE! Pride\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sunday, June 30, 12–7 p.m.\u003cbr>\n620 Jones, San Francisco\u003cbr>\n$60\u003c/em>\u003c/p>\n\u003cp>Local drag legend, DJ and activist Juanita MORE! knows how to throw a party with a purpose, and she’s personally raised more than a million dollars for local queer organizations with her events over the past three decades. This year, her annual Pride blowout benefits LYRIC Center for LGTBQQ+ Youth, which offers young people job and housing resources and social support. Expect a fabulous soiree with drag, drinks and dancing for a righteous cause. Online presales have ended but you can still grab tickets at the door or at these \u003ca href=\"https://www.instagram.com/p/C6y33BnxDgY/\">select San Francisco locations\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13960302\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960302\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219.jpg\" alt=\"\" width=\"1024\" height=\"682\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Amanda Tori Meating performs onstage during MTV RuPaul’s Drag Race Season 16 Premiere Extravaganza Presented by ViiV Healthcare at Hammerstein Ballroom on January 04, 2024 in New York City. \u003ccite>(Santiago Felipe/Getty Images for MTV)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/pride-sunday-w-amanda-tori-meating-hershii-liqcour-jete-tickets-913246223037?\">Pride Sunday with Amanda Tori Meating and Hershii Liqcour Jeté\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sunday, June 30, 8 p.m.–Monday, July 1, 2 a.m.\u003cbr>\nOasis, San Francisco\u003cbr>\n$20\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>San Francisco’s premier drag club, Oasis, is doing it big on Pride Sunday. Whether you need an afterparty for the main celebration or a place to dance after sleeping off Saturday’s festivities, Oasis has a stacked lineup of drag performers lip syncing every half hour. The headliners are Amanda Tori Meating and Hershii Liqcour Jeté of \u003ci>RuPaul’s Drag Race\u003c/i> Season 16 fame, who’ll be heading to Oasis after they perform on the main SF Pride stage, plus local drags of all genders: Snaxx, Vera!, Kochina Rude, Lisa Frankenstein, Melanie Sparksss, Loma Prietta and Siri. Go-go dancers will shake it all night as DJ Rubella Spreads keeps the house and disco beats pumping.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13960283/2024-san-francisco-pride-party-guide","authors":["11387"],"programs":["arts_140"],"categories":["arts_1","arts_966","arts_69","arts_235"],"tags":["arts_10278","arts_3226","arts_5158","arts_7564","arts_585"],"featImg":"arts_13915254","label":"arts_140"},"arts_13956808":{"type":"posts","id":"arts_13956808","meta":{"index":"posts_1716263798","site":"arts","id":"13956808","score":null,"sort":[1714474830000]},"parent":0,"labelTerm":{"site":"arts"},"blocks":[],"publishDate":1714474830,"format":"standard","title":"Is Bay Area Ballroom Doing Fashion Better Than Everyone Else?","headTitle":"Is Bay Area Ballroom Doing Fashion Better Than Everyone Else? | KQED","content":"\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> Fit Check is a series about style and personal expression in the Bay Area. See other installments \u003ca href=\"https://www.kqed.org/arts/tag/fit-check\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Gericault De La Rose — a.k.a. Bimbo Moschino — is glowing on a warm afternoon in April, twin butterflies fluttering around her in the garden behind her apartment. She’s in head-to-toe pastels, poised and Sailor Moon chic. [aside postid='arts_13952566']\u003c/p>\n\u003cp>When she first moved to Oakland from Chicago in 2021 to get her MFA at UC Berkeley, De La Rose didn’t feel this sure of herself. She didn’t have a community.\u003c/p>\n\u003cp>“I had to start over,” she says. “I literally cried every weekend.”\u003c/p>\n\u003cp>Unbeknownst to her, the revival of a queer subculture was just starting to pop off in her neighborhood. It would redefine her life in the Bay — and it was just a short walk from her front door.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>One fall morning, while boredom-scrolling on Instagram in bed, she stopped on a flyer for a ballroom event at Soundwave Studios in Oakland.\u003c/p>\n\u003cp>“I was like, ‘Oh my god, Oakland has a ballroom scene?’” she remembers. “I went over by myself later that week.”\u003c/p>\n\u003cfigure id=\"attachment_13955603\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955603\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Oakland’s ballroom scene was where Gericault De La Rose found community. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was dark, and the music was pumping at full volume. De La Rose was wearing black tights, black short shorts, a tank top and Adidas Superstars. Her hair was long at the time, and she felt confident and elegant. The night began with the traditional “Legends, Statements, Stars” acknowledgements, which honor all the local ballroom icons who have paved the way.\u003c/p>\n\u003cp>Back then, even after years of being in the Chicago ballroom scene, De La Rose didn’t really know how to vogue. But she decided to join in anyway. That night, she got 10s from the judges for the first time in her life. [aside postid='arts_13913584']\u003c/p>\n\u003cp>De La Rose, who belongs to The Kiki House of Moschino, is part of a ballroom legacy that began in the ’70s and ’80s in New York City. Per tradition, De La Rose and her siblings compete against other houses in runway, vogue and other categories. Though ballroom has gotten mainstream attention and \u003ca href=\"https://www.kqed.org/arts/13934154/beyonce-review-levis-stadium-2023-renaissance-world-tour\">counts Beyoncé among its fans\u003c/a>, it remains a vital way for queer and gender-nonconforming people of color come together as \u003ca href=\"https://www.kqed.org/arts/13913584/oakland-to-all-ballroom-vogue-lgbtq-mental-health\">chosen families\u003c/a> in the face of societal rejection and other forms of adversity.\u003c/p>\n\u003cp>https://www.instagram.com/p/CuHppZLRufC/?hl=en&img_index=1\u003c/p>\n\u003cp>Ballroom was the first home De La Rose found in the Bay Area. It’s also been a space where she’s been able to explore her relationship with style as a trans woman of color.\u003c/p>\n\u003cp>“It was something that I really craved,” she said. “Because yeah, there’s a lot of queer spaces in Oakland, but a lot of them are white.”\u003c/p>\n\u003cfigure id=\"attachment_13956812\" class=\"wp-caption aligncenter\" style=\"max-width: 1707px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956812\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-scaled.jpg\" alt=\"\" width=\"1707\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-scaled.jpg 1707w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-1365x2048.jpg 1365w\" sizes=\"(max-width: 1707px) 100vw, 1707px\">\u003cfigcaption class=\"wp-caption-text\">Gericault De La Rose appreciates personal style with a point of view. \u003ccite>(Martin Do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>From normcore to Pokémon trainer\u003c/h2>\n\u003cp>De La Rose started medically transitioning when she was 25 years old. She says that before then, she didn’t really know what she was doing when it came to clothes.\u003c/p>\n\u003cp>“It was 100% giving Kohl’s,” she laughs. “Khakis, polo shirts — it was very normcore.”\u003c/p>\n\u003cp>But then something clicked, and an aesthetic fell into place.\u003c/p>\n\u003cp>“I was like, OK: pastels, pink,” she says. “I kind of just want to look like a Pokémon trainer, not gonna lie. Also Jules from \u003cem>Euphoria\u003c/em>.”\u003c/p>\n\u003cfigure id=\"attachment_13956810\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956810\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-03_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-03_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-03_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-03_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-03_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-03_qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-03_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Pastel colors are part of Gericault De La Rose’s signature look. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>De La Rose’s quintessential silhouette is a short pleated skirt, knee-high socks, chunky sneakers and legs for days. Her proclivity for the whimsically feminine shows up in her work as a visual artist, too. For her MFA thesis show at the Berkeley Art Museum and Pacific Film Archive, De La Rose made a \u003ca href=\"https://www.instagram.com/p/CvASvGbLDhw/?hl=en&img_index=1\">chandelier\u003c/a> out of draped pastel pink, purple, yellow and blue fabric meant to “capture the splendor of transformation.”\u003c/p>\n\u003cp>“For me, being trans was not wanting to be a secret anymore,” she says. “I want to be vibrant. I want to be seen.”\u003c/p>\n\u003cp>And when De La Rose is wearing an outfit that does all that, she feels “like the baddest bitch in the world.”\u003c/p>\n\u003cp>Still, clothes shopping as a trans woman comes with its challenges.\u003c/p>\n\u003cp>“Not all clothing brands are tailored to six-foot-tall women,” she explains. “It’s really hard for me to find pants that have a feminine cut, that accentuate the hips more.”\u003c/p>\n\u003cp>So De La Rose does what queer and trans folks have always done: alter, transform and experiment, needle and thread in hand.\u003c/p>\n\u003cfigure id=\"attachment_13955720\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955720\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">For Gericault De La Rose, it’s all about unique details like her safety pin ‘baby’ earring. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The category is: best dressed\u003c/h2>\n\u003cp>“The best dressed people are in the ballroom scene, no shade,” De La Rose says. “Let’s say I go to the Castro, and I go to these gay clubs. It’s giving jeans, maybe a white T-shirt and maybe a black leather jacket, copy-pasted onto everyone.”\u003c/p>\n\u003cp>De La Rose doesn’t just mean in the Bay Area: Ballroom scenes are part of LGBTQ+ communities all over the world, with some of the most influential ones in Paris and New York.\u003c/p>\n\u003cp>So what makes ballroom folks more stylish?\u003c/p>\n\u003cp>“They know their brands, and they also know how to experiment with their silhouette,” she explains. “The spectrum of masculinity to femininity is all explored.”\u003c/p>\n\u003cp>In a world of binary clothes, ballroom folks have dreamt up looks that aren’t just new and custom. They can also compete.\u003c/p>\n\u003cp>“Everything is intentional,” she says. “Because the minute you step into ballroom, the competition starts.” [aside postid='arts_13951605']\u003c/p>\n\u003cp>That innovation at a high level is what sets ballroom apart. And you know it when you see it, says De La Rose. To get her point across, she pulls up a \u003ca href=\"https://www.instagram.com/p/Cs1SLGVRkoX/?hl=en&img_index=2\">photo of her ballroom mentor, Soho,\u003c/a> after a recent Oakland to All ball.\u003c/p>\n\u003cp>He’s in a look to turns heads: long, lime green leather gloves, a white tee printed with a pointy-eared Doberman, a midi cargo skirt and a crocheted, lime green balaclava with dozens of knitted tentacles cascading from chin to chest with the caption, “Urban Streetwear w/ a touch of Futurama Cunt 👽🛸.”\u003c/p>\n\u003cp>The outfit is stunning, daring and tells an otherworldly story. It’s a feast in texture alone. It’s the anti-copy paste. And it’s exactly what De La Rose is talking about.\u003c/p>\n\u003cp>De La Rose pulls up another photo, this one of her ballroom brother, Clover, in a look that masters layering and proportions.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“Creativity,” she says, zooming in. “Like, hello! You see what I mean?”\u003c/p>\n\n","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":1227,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":35},"modified":1715272313,"excerpt":"Performer Bimbo Moschino offers her take on who’s giving normcore and who’s setting the standard.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Performer Bimbo Moschino offers her take on who’s giving normcore and who’s setting the standard.","title":"Is Bay Area Ballroom Doing Fashion Better Than Everyone Else? | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Is Bay Area Ballroom Doing Fashion Better Than Everyone Else?","datePublished":"2024-04-30T04:00:30-07:00","dateModified":"2024-05-09T09:31:53-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"fit-check-gericault-de-la-rose-bimbo-moschino-ballroom-fashion","status":"publish","templateType":"standard","excludeFromSiteSearch":"Include","featuredImageType":"standard","sticky":false,"articleAge":"0","nprStoryId":"kqed-13956808","path":"/arts/13956808/fit-check-gericault-de-la-rose-bimbo-moschino-ballroom-fashion","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> Fit Check is a series about style and personal expression in the Bay Area. See other installments \u003ca href=\"https://www.kqed.org/arts/tag/fit-check\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Gericault De La Rose — a.k.a. Bimbo Moschino — is glowing on a warm afternoon in April, twin butterflies fluttering around her in the garden behind her apartment. She’s in head-to-toe pastels, poised and Sailor Moon chic. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13952566","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When she first moved to Oakland from Chicago in 2021 to get her MFA at UC Berkeley, De La Rose didn’t feel this sure of herself. She didn’t have a community.\u003c/p>\n\u003cp>“I had to start over,” she says. “I literally cried every weekend.”\u003c/p>\n\u003cp>Unbeknownst to her, the revival of a queer subculture was just starting to pop off in her neighborhood. It would redefine her life in the Bay — and it was just a short walk from her front door.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One fall morning, while boredom-scrolling on Instagram in bed, she stopped on a flyer for a ballroom event at Soundwave Studios in Oakland.\u003c/p>\n\u003cp>“I was like, ‘Oh my god, Oakland has a ballroom scene?’” she remembers. “I went over by myself later that week.”\u003c/p>\n\u003cfigure id=\"attachment_13955603\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955603\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-17-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Oakland’s ballroom scene was where Gericault De La Rose found community. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was dark, and the music was pumping at full volume. De La Rose was wearing black tights, black short shorts, a tank top and Adidas Superstars. Her hair was long at the time, and she felt confident and elegant. The night began with the traditional “Legends, Statements, Stars” acknowledgements, which honor all the local ballroom icons who have paved the way.\u003c/p>\n\u003cp>Back then, even after years of being in the Chicago ballroom scene, De La Rose didn’t really know how to vogue. But she decided to join in anyway. That night, she got 10s from the judges for the first time in her life. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13913584","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>De La Rose, who belongs to The Kiki House of Moschino, is part of a ballroom legacy that began in the ’70s and ’80s in New York City. Per tradition, De La Rose and her siblings compete against other houses in runway, vogue and other categories. Though ballroom has gotten mainstream attention and \u003ca href=\"https://www.kqed.org/arts/13934154/beyonce-review-levis-stadium-2023-renaissance-world-tour\">counts Beyoncé among its fans\u003c/a>, it remains a vital way for queer and gender-nonconforming people of color come together as \u003ca href=\"https://www.kqed.org/arts/13913584/oakland-to-all-ballroom-vogue-lgbtq-mental-health\">chosen families\u003c/a> in the face of societal rejection and other forms of adversity.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramUrl":"https://www.instagram.com/p/CuHppZLRufC/?hl=en&img_index=1"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ballroom was the first home De La Rose found in the Bay Area. It’s also been a space where she’s been able to explore her relationship with style as a trans woman of color.\u003c/p>\n\u003cp>“It was something that I really craved,” she said. “Because yeah, there’s a lot of queer spaces in Oakland, but a lot of them are white.”\u003c/p>\n\u003cfigure id=\"attachment_13956812\" class=\"wp-caption aligncenter\" style=\"max-width: 1707px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956812\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-scaled.jpg\" alt=\"\" width=\"1707\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-scaled.jpg 1707w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-08_qut-1365x2048.jpg 1365w\" sizes=\"(max-width: 1707px) 100vw, 1707px\">\u003cfigcaption class=\"wp-caption-text\">Gericault De La Rose appreciates personal style with a point of view. \u003ccite>(Martin Do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>From normcore to Pokémon trainer\u003c/h2>\n\u003cp>De La Rose started medically transitioning when she was 25 years old. She says that before then, she didn’t really know what she was doing when it came to clothes.\u003c/p>\n\u003cp>“It was 100% giving Kohl’s,” she laughs. “Khakis, polo shirts — it was very normcore.”\u003c/p>\n\u003cp>But then something clicked, and an aesthetic fell into place.\u003c/p>\n\u003cp>“I was like, OK: pastels, pink,” she says. “I kind of just want to look like a Pokémon trainer, not gonna lie. Also Jules from \u003cem>Euphoria\u003c/em>.”\u003c/p>\n\u003cfigure id=\"attachment_13956810\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956810\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-03_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-03_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-03_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-03_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-03_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-03_qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-03_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Pastel colors are part of Gericault De La Rose’s signature look. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>De La Rose’s quintessential silhouette is a short pleated skirt, knee-high socks, chunky sneakers and legs for days. Her proclivity for the whimsically feminine shows up in her work as a visual artist, too. For her MFA thesis show at the Berkeley Art Museum and Pacific Film Archive, De La Rose made a \u003ca href=\"https://www.instagram.com/p/CvASvGbLDhw/?hl=en&img_index=1\">chandelier\u003c/a> out of draped pastel pink, purple, yellow and blue fabric meant to “capture the splendor of transformation.”\u003c/p>\n\u003cp>“For me, being trans was not wanting to be a secret anymore,” she says. “I want to be vibrant. I want to be seen.”\u003c/p>\n\u003cp>And when De La Rose is wearing an outfit that does all that, she feels “like the baddest bitch in the world.”\u003c/p>\n\u003cp>Still, clothes shopping as a trans woman comes with its challenges.\u003c/p>\n\u003cp>“Not all clothing brands are tailored to six-foot-tall women,” she explains. “It’s really hard for me to find pants that have a feminine cut, that accentuate the hips more.”\u003c/p>\n\u003cp>So De La Rose does what queer and trans folks have always done: alter, transform and experiment, needle and thread in hand.\u003c/p>\n\u003cfigure id=\"attachment_13955720\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955720\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240408-GERICAULT-MD-11-KQED-1-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">For Gericault De La Rose, it’s all about unique details like her safety pin ‘baby’ earring. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The category is: best dressed\u003c/h2>\n\u003cp>“The best dressed people are in the ballroom scene, no shade,” De La Rose says. “Let’s say I go to the Castro, and I go to these gay clubs. It’s giving jeans, maybe a white T-shirt and maybe a black leather jacket, copy-pasted onto everyone.”\u003c/p>\n\u003cp>De La Rose doesn’t just mean in the Bay Area: Ballroom scenes are part of LGBTQ+ communities all over the world, with some of the most influential ones in Paris and New York.\u003c/p>\n\u003cp>So what makes ballroom folks more stylish?\u003c/p>\n\u003cp>“They know their brands, and they also know how to experiment with their silhouette,” she explains. “The spectrum of masculinity to femininity is all explored.”\u003c/p>\n\u003cp>In a world of binary clothes, ballroom folks have dreamt up looks that aren’t just new and custom. They can also compete.\u003c/p>\n\u003cp>“Everything is intentional,” she says. “Because the minute you step into ballroom, the competition starts.” \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13951605","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>That innovation at a high level is what sets ballroom apart. And you know it when you see it, says De La Rose. To get her point across, she pulls up a \u003ca href=\"https://www.instagram.com/p/Cs1SLGVRkoX/?hl=en&img_index=2\">photo of her ballroom mentor, Soho,\u003c/a> after a recent Oakland to All ball.\u003c/p>\n\u003cp>He’s in a look to turns heads: long, lime green leather gloves, a white tee printed with a pointy-eared Doberman, a midi cargo skirt and a crocheted, lime green balaclava with dozens of knitted tentacles cascading from chin to chest with the caption, “Urban Streetwear w/ a touch of Futurama Cunt 👽🛸.”\u003c/p>\n\u003cp>The outfit is stunning, daring and tells an otherworldly story. It’s a feast in texture alone. It’s the anti-copy paste. And it’s exactly what De La Rose is talking about.\u003c/p>\n\u003cp>De La Rose pulls up another photo, this one of her ballroom brother, Clover, in a look that masters layering and proportions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Creativity,” she says, zooming in. “Like, hello! You see what I mean?”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956808/fit-check-gericault-de-la-rose-bimbo-moschino-ballroom-fashion","authors":["11872"],"categories":["arts_1","arts_966","arts_76","arts_235"],"tags":["arts_1696","arts_10278","arts_10422","arts_21953","arts_3226","arts_822"],"featImg":"arts_13957384","label":"arts"},"arts_13956554":{"type":"posts","id":"arts_13956554","meta":{"index":"posts_1716263798","site":"arts","id":"13956554","score":null,"sort":[1713993863000]},"guestAuthors":[],"slug":"loco-bloco-mission-district-carnaval-jediah-pratt","title":"The Drumbeat of Home: How Loco Bloco Keeps One Family Tethered to the Mission","publishDate":1713993863,"format":"standard","headTitle":"The Drumbeat of Home: How Loco Bloco Keeps One Family Tethered to the Mission | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cem>\u003cstrong>Editor’s note\u003c/strong>: This story is part of KQED’s \u003ca href=\"https://www.kqed.org/youthtakeover\">Youth Takeover\u003c/a>. Throughout the week of April 22-26, we’re publishing content by high school students from all over the Bay Area.\u003c/em>\u003c/p>\n\u003cp>The booming sounds can be heard in the Mission District all the way down the block. From inside a brightly painted building on 24th Street, upstairs at the Brava Theater Center, 20 drummers pound out a rhythm for nearly three dozen dancers, shaking the floor as they move. \u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13956328\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Binnie.headshot-160x190.jpg\" alt=\"\" width=\"160\" height=\"190\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Binnie.headshot-160x190.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Binnie.headshot.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>This is a typical weeknight rehearsal for \u003ca href=\"https://www.locoblocosf.org/\">Loco Bloco\u003c/a>, whose performers are currently working for hours on end to master intricate choreography and complex drum patterns for their performance at San Francisco’s massive \u003ca href=\"https://carnavalsanfrancisco.org/\">Carnaval celebration\u003c/a> in May.\u003c/p>\n\u003cp>A donations-based organization offering free dance and music classes to young people, Loco Bloco primarily serves the Latin and Afro-Latino communities in the Bay Area. Since its founding in 1994, Loco Bloco has influenced countless young participants, giving them a sense of community, stability and core values.\u003c/p>\n\u003cfigure id=\"attachment_13956568\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956568\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Antonio ‘Tico’ Dos Santos leads a Loco Bloco drum lesson at Brava Theater in San Francisco on April 22, 2024, to prepare for their performance in Carnaval. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A prime example of this is 15-year-old dancer Jediah Pratt, who began dancing with Loco Bloco when she was just 6 years old. When asked about the benefits of the program, she emphasizes the group’s tight-knit bond, and how much it means to her and her family since moving out of San Francisco with its rising costs. Now living an hour away, she says the program has kept her connected to the city where her family lived for generations.\u003c/p>\n\u003cfigure id=\"attachment_13956565\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956565\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jediah Pratt (center right), 15, practices with a Loco Bloco dance group lead by artistic director Mayela Carrasco at Brava Theater in San Francisco on April 22, 2024, to prepare for their performance in Carnaval. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jediah’s family has a long history with Loco Bloco. Her mother Ramona was introduced to the program by one of its founders, Jose Carrasco, when she was 11, and would watch rehearsals from the sidelines after school before joining in herself as a drummer.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Many years later, when Jediah was just 5, she saw the group perform — feathers, floats, colors and all — and begged her mom to join. In first grade, her wish came true, and she dutifully showed up to rehearsals, rain or shine. (Once, when a family member died, she remembers wanting to go to Loco Bloco rehearsal instead of their funeral.)\u003c/p>\n\u003cfigure id=\"attachment_13956564\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956564\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jediah Pratt, 15, stands outside Brava Theater in San Francisco on April 22, 2024, before dance practice with the group Loco Bloco to prepare for Carnaval. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“She’s grown up with Loco Bloco, which I think is a beautiful thing,” says Ramona of her daughter. “I’ve asked over and over again, ‘Is this what you really want to do? Because you’re really good at it.’”\u003c/p>\n\u003cp>Three years ago, the closeness and familial bond of the program gave Jediah and her family a sense of stability after moving to Concord due to high costs and inflation. It was a difficult time, and her new home and school were vastly different from San Francisco. Yet Jediah and her three siblings still attended Loco Bloco every Monday and Wednesday.\u003c/p>\n\u003cfigure id=\"attachment_13956569\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956569\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Loco Bloco managing director Jose Carrasco leads a drum group during practice at Brava Theater in San Francisco on April 22, 2024, to prepare for their performance in Carnaval. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Jediah is really the best,” said Jose Carrasco, now Loco Bloco’s managing director. “She has really developed into a beautiful artist, and through the years I’ve watched her blossom.” Jediah helps out with the younger kids and their stilts lessons, Carrasco is quick to point out, while Ramona spends her time drumming and volunteering for the program.\u003c/p>\n\u003cp>Two years ago, Jediah’s family moved to Fairfield, an hour away from San Francisco without traffic, where her routine and environment changed once again. She began high school in Fairfield this year, which she described as rough. She didn’t know anybody at first, and went to a school with thousands of kids and “fights every day on the schoolyard.”\u003c/p>\n\u003cfigure id=\"attachment_13956567\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956567\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jediah Pratt, 15, talks with friends during Loco Bloco dance practice at Brava Theater in San Francisco on April 22, 2024, to prepare for their performance in Carnaval. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, every Monday and Wednesday at 5 p.m., Ramona drives the family down I-80 and through the city’s traffic to Loco Bloco, where Jediah and her siblings dance and drum for hours. They don’t get back home until 11 p.m. While it may sound strenuous, when asked about it, Jediah says, “I feel like everybody is kind of like family. Everyone knows everyone, and we’re always there for each other, looking out for each other.”\u003c/p>\n\u003cp>For this year’s Carnaval, Jediah is one of just two teens dancing with the adults. Though the rehearsals and dances are difficult, the hardest part of preparing for Carnaval is the costumes, she says. Each year the dancers are given costumes to decorate with rhinestones or other accouterments and make their own. Jediah recalls staying up until one a.m. the night before last year’s Carnaval, trying to finish her outfit and falling asleep with the hot glue gun in hand.\u003c/p>\n\u003cfigure id=\"attachment_13956563\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956563\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jediah Pratt, 15, helps stilt walkers for the group Loco Bloco practice outside Brava Theater in San Francisco on April 22, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As Jediah continues to navigate the challenges of adjusting to a new environment and the demands of high school life, her dedication to Loco Bloco remains a testament to the power of community and art. Through Loco Bloco, she not only hones her skills as an artist but also cultivates resilience, perseverance, and a sense of belonging.\u003c/p>\n\u003cp>At the upcoming Carnaval performance, there’ll be drums, dancing and colorful costumes — and for Jediah, there’ll also be the enduring impact of cultural expression and the bonds forged through shared experiences.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Loco Bloco performs as part of this year’s San Francisco’s Carnaval, running May 25–26 in the Mission District. \u003ca href=\"https://carnavalsanfrancisco.org/\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Binnie Kenvin is a Junior at University High School. She is passionate about screenwriting, dancing and playing bass, and loves to hang out with her three dogs. In the future she hopes to be a screenwriter. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"As rehearsals heat up for this year's Carnaval, one 15-year-old dancer calls Loco Bloco 'like family.' ","status":"publish","parent":0,"modified":1726770954,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":1122},"headData":{"title":"The Drumbeat of Home: How Loco Bloco Keeps One Family Tethered to the Mission | KQED","description":"As rehearsals heat up for this year's Carnaval, one 15-year-old dancer calls Loco Bloco 'like family.' ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Drumbeat of Home: How Loco Bloco Keeps One Family Tethered to the Mission","datePublished":"2024-04-24T14:24:23-07:00","dateModified":"2024-09-19T11:35:54-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"WpOldSlug":"the-drumbeat-of-home-how-loco-bloco-keeps-one-family-tethered-to-the-mission","nprByline":"Binnie Kenvin","nprStoryId":"kqed-13956554","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13956554/loco-bloco-mission-district-carnaval-jediah-pratt","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Editor’s note\u003c/strong>: This story is part of KQED’s \u003ca href=\"https://www.kqed.org/youthtakeover\">Youth Takeover\u003c/a>. Throughout the week of April 22-26, we’re publishing content by high school students from all over the Bay Area.\u003c/em>\u003c/p>\n\u003cp>The booming sounds can be heard in the Mission District all the way down the block. From inside a brightly painted building on 24th Street, upstairs at the Brava Theater Center, 20 drummers pound out a rhythm for nearly three dozen dancers, shaking the floor as they move. \u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13956328\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Binnie.headshot-160x190.jpg\" alt=\"\" width=\"160\" height=\"190\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Binnie.headshot-160x190.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Binnie.headshot.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>This is a typical weeknight rehearsal for \u003ca href=\"https://www.locoblocosf.org/\">Loco Bloco\u003c/a>, whose performers are currently working for hours on end to master intricate choreography and complex drum patterns for their performance at San Francisco’s massive \u003ca href=\"https://carnavalsanfrancisco.org/\">Carnaval celebration\u003c/a> in May.\u003c/p>\n\u003cp>A donations-based organization offering free dance and music classes to young people, Loco Bloco primarily serves the Latin and Afro-Latino communities in the Bay Area. Since its founding in 1994, Loco Bloco has influenced countless young participants, giving them a sense of community, stability and core values.\u003c/p>\n\u003cfigure id=\"attachment_13956568\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956568\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-44-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Antonio ‘Tico’ Dos Santos leads a Loco Bloco drum lesson at Brava Theater in San Francisco on April 22, 2024, to prepare for their performance in Carnaval. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A prime example of this is 15-year-old dancer Jediah Pratt, who began dancing with Loco Bloco when she was just 6 years old. When asked about the benefits of the program, she emphasizes the group’s tight-knit bond, and how much it means to her and her family since moving out of San Francisco with its rising costs. Now living an hour away, she says the program has kept her connected to the city where her family lived for generations.\u003c/p>\n\u003cfigure id=\"attachment_13956565\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956565\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-31-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jediah Pratt (center right), 15, practices with a Loco Bloco dance group lead by artistic director Mayela Carrasco at Brava Theater in San Francisco on April 22, 2024, to prepare for their performance in Carnaval. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jediah’s family has a long history with Loco Bloco. Her mother Ramona was introduced to the program by one of its founders, Jose Carrasco, when she was 11, and would watch rehearsals from the sidelines after school before joining in herself as a drummer.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Many years later, when Jediah was just 5, she saw the group perform — feathers, floats, colors and all — and begged her mom to join. In first grade, her wish came true, and she dutifully showed up to rehearsals, rain or shine. (Once, when a family member died, she remembers wanting to go to Loco Bloco rehearsal instead of their funeral.)\u003c/p>\n\u003cfigure id=\"attachment_13956564\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956564\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-16-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jediah Pratt, 15, stands outside Brava Theater in San Francisco on April 22, 2024, before dance practice with the group Loco Bloco to prepare for Carnaval. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“She’s grown up with Loco Bloco, which I think is a beautiful thing,” says Ramona of her daughter. “I’ve asked over and over again, ‘Is this what you really want to do? Because you’re really good at it.’”\u003c/p>\n\u003cp>Three years ago, the closeness and familial bond of the program gave Jediah and her family a sense of stability after moving to Concord due to high costs and inflation. It was a difficult time, and her new home and school were vastly different from San Francisco. Yet Jediah and her three siblings still attended Loco Bloco every Monday and Wednesday.\u003c/p>\n\u003cfigure id=\"attachment_13956569\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956569\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-48-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Loco Bloco managing director Jose Carrasco leads a drum group during practice at Brava Theater in San Francisco on April 22, 2024, to prepare for their performance in Carnaval. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Jediah is really the best,” said Jose Carrasco, now Loco Bloco’s managing director. “She has really developed into a beautiful artist, and through the years I’ve watched her blossom.” Jediah helps out with the younger kids and their stilts lessons, Carrasco is quick to point out, while Ramona spends her time drumming and volunteering for the program.\u003c/p>\n\u003cp>Two years ago, Jediah’s family moved to Fairfield, an hour away from San Francisco without traffic, where her routine and environment changed once again. She began high school in Fairfield this year, which she described as rough. She didn’t know anybody at first, and went to a school with thousands of kids and “fights every day on the schoolyard.”\u003c/p>\n\u003cfigure id=\"attachment_13956567\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956567\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-35-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jediah Pratt, 15, talks with friends during Loco Bloco dance practice at Brava Theater in San Francisco on April 22, 2024, to prepare for their performance in Carnaval. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, every Monday and Wednesday at 5 p.m., Ramona drives the family down I-80 and through the city’s traffic to Loco Bloco, where Jediah and her siblings dance and drum for hours. They don’t get back home until 11 p.m. While it may sound strenuous, when asked about it, Jediah says, “I feel like everybody is kind of like family. Everyone knows everyone, and we’re always there for each other, looking out for each other.”\u003c/p>\n\u003cp>For this year’s Carnaval, Jediah is one of just two teens dancing with the adults. Though the rehearsals and dances are difficult, the hardest part of preparing for Carnaval is the costumes, she says. Each year the dancers are given costumes to decorate with rhinestones or other accouterments and make their own. Jediah recalls staying up until one a.m. the night before last year’s Carnaval, trying to finish her outfit and falling asleep with the hot glue gun in hand.\u003c/p>\n\u003cfigure id=\"attachment_13956563\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956563\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240422-LOCOBLOCO-09-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jediah Pratt, 15, helps stilt walkers for the group Loco Bloco practice outside Brava Theater in San Francisco on April 22, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As Jediah continues to navigate the challenges of adjusting to a new environment and the demands of high school life, her dedication to Loco Bloco remains a testament to the power of community and art. Through Loco Bloco, she not only hones her skills as an artist but also cultivates resilience, perseverance, and a sense of belonging.\u003c/p>\n\u003cp>At the upcoming Carnaval performance, there’ll be drums, dancing and colorful costumes — and for Jediah, there’ll also be the enduring impact of cultural expression and the bonds forged through shared experiences.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Loco Bloco performs as part of this year’s San Francisco’s Carnaval, running May 25–26 in the Mission District. \u003ca href=\"https://carnavalsanfrancisco.org/\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Binnie Kenvin is a Junior at University High School. She is passionate about screenwriting, dancing and playing bass, and loves to hang out with her three dogs. In the future she hopes to be a screenwriter. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956554/loco-bloco-mission-district-carnaval-jediah-pratt","authors":["byline_arts_13956554"],"categories":["arts_1","arts_966","arts_76","arts_69","arts_235"],"tags":["arts_10342","arts_10278","arts_1257","arts_822","arts_1146","arts_4533"],"featImg":"arts_13956570","label":"arts"},"arts_13956359":{"type":"posts","id":"arts_13956359","meta":{"index":"posts_1716263798","site":"arts","id":"13956359","score":null,"sort":[1713982102000]},"guestAuthors":[],"slug":"rainin-grants-ayodele-nzinga-antoine-hunter-adrian-burrell-tnt-traysikel","title":"The Rainin Foundation Announces Its 2024 Fellows, Receiving $100,000 Each","publishDate":1713982102,"format":"standard","headTitle":"The Rainin Foundation Announces Its 2024 Fellows, Receiving $100,000 Each | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>The Kenneth Rainin Foundation announced its 2024 class of fellows on Wednesday, giving unrestricted grants of $100,000 each to three individual artists and one trio of creatives.\u003c/p>\n\u003cp>The list includes filmmaker \u003ca href=\"https://www.instagram.com/adrianlburrell/\" target=\"_blank\" rel=\"noopener\">Adrian L. Burrell\u003c/a>, dancer \u003ca href=\"https://www.danceforallbodies.org/antoinehunter\" target=\"_blank\" rel=\"noopener noreferrer\">Antoine Hunter, a.k.a. Purple Fire Crow\u003c/a>, poet and thespian \u003ca href=\"https://www.ayodelenzinga.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Ayodele ‘WordSlanger’ Nzinga\u003c/a>, and the trio of Mike Arcega, Paolo Asuncion, and Rachel Lastimosa of the \u003ca href=\"https://arcega.us/section/501274-TNT%20Traysikel.html\" target=\"_blank\" rel=\"noopener\">TNT Traysikel\u003c/a> mobile art exhibition.\u003c/p>\n\u003cfigure id=\"attachment_13956437\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13956437\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/b46deecd95380203a29c0adb7ee6ec25-800x621.jpg\" alt=\"TNT Traysikel, a roaming sculpture that represents the Filipino-American community, parked in front of the Golden Gate Bridge. \" width=\"800\" height=\"621\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/b46deecd95380203a29c0adb7ee6ec25-800x621.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/b46deecd95380203a29c0adb7ee6ec25-1020x792.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/b46deecd95380203a29c0adb7ee6ec25-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/b46deecd95380203a29c0adb7ee6ec25-768x596.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/b46deecd95380203a29c0adb7ee6ec25-1536x1192.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/b46deecd95380203a29c0adb7ee6ec25.jpg 1572w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">TNT Traysikel, a roaming sculpture that represents the Filipino-American community, seen parked in front of the Golden Gate Bridge. \u003ccite>(Mark Baugh-Sasaki)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When asked what it feels like to receive the award, Oakland Poet Laureate Ayodele Nzinga says: “Liberated… It affords me a tiny bit of security here in the Bay.”\u003c/p>\n\u003cp>A playwright and owner of the \u003ca href=\"https://www.kqed.org/arts/13933205/ayodele-nzinga-opens-curtain-at-bam-house-a-new-home-for-black-arts\" target=\"_blank\" rel=\"noopener\">BAM House\u003c/a> theatre, Nzinga has produced shows in Oakland for more than two decades. She founded the theatre company the Lower Bottom Playaz in 1999, and in 2021 was awarded the title of \u003ca href=\"https://www.npr.org/2021/07/15/1013730633/meet-oaklands-first-poet-laureate-dr-ayodele-wordslanger-nzinga\" target=\"_blank\" rel=\"noopener\">Oakland’s first Poet Laureate.\u003c/a>\u003c/p>\n\u003cp>“I spent most of the time as Poet Laureate hoping that I could stay in Oakland for the term of laureatecy,” says Nzinga, adding that the ability to “root” both personally and professionally is her biggest takeaway from the grant.\u003c/p>\n\u003cfigure id=\"attachment_13956481\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956481\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/0.jpg\" alt=\"\" width=\"1000\" height=\"1250\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/0.jpg 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/0-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/0-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/0-768x960.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">Adrian L. Burrell. \u003ccite>(Dondre Stutley )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Adrian L. Burrell echoes Nzinga’s plan to invest the funds into personal and professional development.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Burrell is a filmmaker, photographer and proud third-generation Oakland representative. He makes multimedia works comprised of his personal sojourns, family video archives and elements of Afrocentric spirituality. His work has received national acclaim; earlier this year, he was the recipient of \u003ca href=\"https://thegrio.com/2024/02/27/meet-adrian-burrell-the-first-recipient-of-thegrios-emerging-filmmaker-fellowship/\" target=\"_blank\" rel=\"noopener\">TheGrio’s Emerging Filmmaker Fellowship\u003c/a>.\u003c/p>\n\u003cp>But the Rainin Fellowship has special meaning to him. “It feels good to be supported by the soil,” Burrell says. As an independent artist, with no official gallery representation, he knows such recognition is rare.\u003c/p>\n\u003cp>“It’s been cool to be in a position where I can make my work and it touches people,” says Burrell, who will be at the \u003ca href=\"https://museumca.org/event/book-release-and-conversation-with-filmmaker-artist-and-author-adrian-burrell/\" target=\"_blank\" rel=\"noopener\">Oakland Museum of California\u003c/a> on May 4 for a Q&A about his book, \u003cem>Sugarcane & Lighting\u003c/em>, and a screening of his short film, \u003cem>The Saints Step in Kongo Time\u003c/em>. Burrell says support from local institutions is important: “That allows me to grow my practice, and continue to try to grow toward being a practicing sustainable artist.”\u003c/p>\n\u003cfigure id=\"attachment_13956558\" class=\"wp-caption aligncenter\" style=\"max-width: 1170px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956558 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1.jpg\" alt=\"Antoine Hunter (Purple Fire Crow) poses for a photo while wearing a golden-brown cloth draped over his upper body. \" width=\"1170\" height=\"1476\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1.jpg 1170w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1-800x1009.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1-1020x1287.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1-160x202.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1-768x969.jpg 768w\" sizes=\"(max-width: 1170px) 100vw, 1170px\">\u003cfigcaption class=\"wp-caption-text\">Award-winning dancer Antoine ‘Purple Fire Crow’ Hunter. \u003ccite>(Mark Kitoaka)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sustainability, for self and community, are on the mind of dancer Antoine Hunter as he receives the fellowship. Hunter, also known as Purple Fire Crow, says when he learned about the award, he was hit with a mixture of emotion — joy and gratitude, as well as the “stress to stay the best human being I can be to support my community.” He was reminded, he says, of how there’s more work to do, as his goal is to open more doors for people to come after him.\u003c/p>\n\u003cp>An award winning-dancer and choreographer from Oakland, Hunter is Deaf and creates work for people living with disabilities. “This award is a milestone blessing that adds on the layer to the story of my career with the \u003ca href=\"https://www.realurbanjazzdance.com/\" target=\"_blank\" rel=\"noopener\">Urban Jazz Dance Company\u003c/a> (UJDC),” Hunter writes in an email. He adds that the fellowship is a way of recognizing the challenges faced by members of the Deaf and Disabled communities who are working to overcome ableism, and that it will deepen the impact of his work in the Bay Area arts community — “particularly in advocating for Deaf (and) Disabled folks of many kinds of artists, and promoting inclusivity in dance.”\u003c/p>\n\u003cfigure id=\"attachment_13956574\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956574 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-800x450.jpg\" alt=\"The TNT Traysikel trio and their three-wheeled vehicle. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1920x1080.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The TNT Traysikel trio and their three-wheeled vehicle. \u003ccite>(Alvin Dizon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mike Arcega of TNT Traysikel says the fellowship feels like validation for the group’s work. They created a vehicle that speaks to the culture of the Philippines and connects Filipino community members here in the Bay, and it’s paying off.\u003c/p>\n\u003cp>TNT Traysikel’s Rachel Lastimosa says the stipulation-free grant “signals that artists know what they’re doing, and that they know how to get the job done.” She adds that “the job” isn’t always about producing. “There’s more parts to being an artist that are very human — like housing, healthcare, childcare for example — that contribute to the work we do,” says Lastimosa. “It’s validating to get this sense of self-determination.” \u003c/p>\n\u003cp>Paolo Asuncion, the third member of TNT Traysikel, says the group plans on taking their vehicle on the road, connecting with Filipino communities in Stockton, Morro Bay and as far as \u003ca href=\"https://filipinola.com/st-malo/\" target=\"_blank\" rel=\"noopener\">Bayou St. Malo in Louisiana\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The plan is to ride TNT across the states,” Asuncion says, “to collect stories from all of these people and to spread the joy outward from San Francisco Bay.” \u003c/p>\n\n","blocks":[],"excerpt":"Three artists and one trio will receive the unrestricted grants, which one calls 'a milestone blessing.'","status":"publish","parent":0,"modified":1726792398,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":847},"headData":{"title":"The Rainin Foundation Announces Its 2024 Fellows, Receiving $100,000 Each | KQED","description":"Three artists and one trio will receive the unrestricted grants, which one calls 'a milestone blessing.'","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Rainin Foundation Announces Its 2024 Fellows, Receiving $100,000 Each","datePublished":"2024-04-24T11:08:22-07:00","dateModified":"2024-09-19T17:33:18-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13956359","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13956359/rainin-grants-ayodele-nzinga-antoine-hunter-adrian-burrell-tnt-traysikel","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Kenneth Rainin Foundation announced its 2024 class of fellows on Wednesday, giving unrestricted grants of $100,000 each to three individual artists and one trio of creatives.\u003c/p>\n\u003cp>The list includes filmmaker \u003ca href=\"https://www.instagram.com/adrianlburrell/\" target=\"_blank\" rel=\"noopener\">Adrian L. Burrell\u003c/a>, dancer \u003ca href=\"https://www.danceforallbodies.org/antoinehunter\" target=\"_blank\" rel=\"noopener noreferrer\">Antoine Hunter, a.k.a. Purple Fire Crow\u003c/a>, poet and thespian \u003ca href=\"https://www.ayodelenzinga.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Ayodele ‘WordSlanger’ Nzinga\u003c/a>, and the trio of Mike Arcega, Paolo Asuncion, and Rachel Lastimosa of the \u003ca href=\"https://arcega.us/section/501274-TNT%20Traysikel.html\" target=\"_blank\" rel=\"noopener\">TNT Traysikel\u003c/a> mobile art exhibition.\u003c/p>\n\u003cfigure id=\"attachment_13956437\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13956437\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/b46deecd95380203a29c0adb7ee6ec25-800x621.jpg\" alt=\"TNT Traysikel, a roaming sculpture that represents the Filipino-American community, parked in front of the Golden Gate Bridge. \" width=\"800\" height=\"621\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/b46deecd95380203a29c0adb7ee6ec25-800x621.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/b46deecd95380203a29c0adb7ee6ec25-1020x792.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/b46deecd95380203a29c0adb7ee6ec25-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/b46deecd95380203a29c0adb7ee6ec25-768x596.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/b46deecd95380203a29c0adb7ee6ec25-1536x1192.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/b46deecd95380203a29c0adb7ee6ec25.jpg 1572w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">TNT Traysikel, a roaming sculpture that represents the Filipino-American community, seen parked in front of the Golden Gate Bridge. \u003ccite>(Mark Baugh-Sasaki)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When asked what it feels like to receive the award, Oakland Poet Laureate Ayodele Nzinga says: “Liberated… It affords me a tiny bit of security here in the Bay.”\u003c/p>\n\u003cp>A playwright and owner of the \u003ca href=\"https://www.kqed.org/arts/13933205/ayodele-nzinga-opens-curtain-at-bam-house-a-new-home-for-black-arts\" target=\"_blank\" rel=\"noopener\">BAM House\u003c/a> theatre, Nzinga has produced shows in Oakland for more than two decades. She founded the theatre company the Lower Bottom Playaz in 1999, and in 2021 was awarded the title of \u003ca href=\"https://www.npr.org/2021/07/15/1013730633/meet-oaklands-first-poet-laureate-dr-ayodele-wordslanger-nzinga\" target=\"_blank\" rel=\"noopener\">Oakland’s first Poet Laureate.\u003c/a>\u003c/p>\n\u003cp>“I spent most of the time as Poet Laureate hoping that I could stay in Oakland for the term of laureatecy,” says Nzinga, adding that the ability to “root” both personally and professionally is her biggest takeaway from the grant.\u003c/p>\n\u003cfigure id=\"attachment_13956481\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956481\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/0.jpg\" alt=\"\" width=\"1000\" height=\"1250\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/0.jpg 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/0-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/0-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/0-768x960.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">Adrian L. Burrell. \u003ccite>(Dondre Stutley )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Adrian L. Burrell echoes Nzinga’s plan to invest the funds into personal and professional development.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Burrell is a filmmaker, photographer and proud third-generation Oakland representative. He makes multimedia works comprised of his personal sojourns, family video archives and elements of Afrocentric spirituality. His work has received national acclaim; earlier this year, he was the recipient of \u003ca href=\"https://thegrio.com/2024/02/27/meet-adrian-burrell-the-first-recipient-of-thegrios-emerging-filmmaker-fellowship/\" target=\"_blank\" rel=\"noopener\">TheGrio’s Emerging Filmmaker Fellowship\u003c/a>.\u003c/p>\n\u003cp>But the Rainin Fellowship has special meaning to him. “It feels good to be supported by the soil,” Burrell says. As an independent artist, with no official gallery representation, he knows such recognition is rare.\u003c/p>\n\u003cp>“It’s been cool to be in a position where I can make my work and it touches people,” says Burrell, who will be at the \u003ca href=\"https://museumca.org/event/book-release-and-conversation-with-filmmaker-artist-and-author-adrian-burrell/\" target=\"_blank\" rel=\"noopener\">Oakland Museum of California\u003c/a> on May 4 for a Q&A about his book, \u003cem>Sugarcane & Lighting\u003c/em>, and a screening of his short film, \u003cem>The Saints Step in Kongo Time\u003c/em>. Burrell says support from local institutions is important: “That allows me to grow my practice, and continue to try to grow toward being a practicing sustainable artist.”\u003c/p>\n\u003cfigure id=\"attachment_13956558\" class=\"wp-caption aligncenter\" style=\"max-width: 1170px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956558 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1.jpg\" alt=\"Antoine Hunter (Purple Fire Crow) poses for a photo while wearing a golden-brown cloth draped over his upper body. \" width=\"1170\" height=\"1476\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1.jpg 1170w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1-800x1009.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1-1020x1287.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1-160x202.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1-768x969.jpg 768w\" sizes=\"(max-width: 1170px) 100vw, 1170px\">\u003cfigcaption class=\"wp-caption-text\">Award-winning dancer Antoine ‘Purple Fire Crow’ Hunter. \u003ccite>(Mark Kitoaka)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sustainability, for self and community, are on the mind of dancer Antoine Hunter as he receives the fellowship. Hunter, also known as Purple Fire Crow, says when he learned about the award, he was hit with a mixture of emotion — joy and gratitude, as well as the “stress to stay the best human being I can be to support my community.” He was reminded, he says, of how there’s more work to do, as his goal is to open more doors for people to come after him.\u003c/p>\n\u003cp>An award winning-dancer and choreographer from Oakland, Hunter is Deaf and creates work for people living with disabilities. “This award is a milestone blessing that adds on the layer to the story of my career with the \u003ca href=\"https://www.realurbanjazzdance.com/\" target=\"_blank\" rel=\"noopener\">Urban Jazz Dance Company\u003c/a> (UJDC),” Hunter writes in an email. He adds that the fellowship is a way of recognizing the challenges faced by members of the Deaf and Disabled communities who are working to overcome ableism, and that it will deepen the impact of his work in the Bay Area arts community — “particularly in advocating for Deaf (and) Disabled folks of many kinds of artists, and promoting inclusivity in dance.”\u003c/p>\n\u003cfigure id=\"attachment_13956574\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956574 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-800x450.jpg\" alt=\"The TNT Traysikel trio and their three-wheeled vehicle. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/unnamed-1920x1080.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The TNT Traysikel trio and their three-wheeled vehicle. \u003ccite>(Alvin Dizon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mike Arcega of TNT Traysikel says the fellowship feels like validation for the group’s work. They created a vehicle that speaks to the culture of the Philippines and connects Filipino community members here in the Bay, and it’s paying off.\u003c/p>\n\u003cp>TNT Traysikel’s Rachel Lastimosa says the stipulation-free grant “signals that artists know what they’re doing, and that they know how to get the job done.” She adds that “the job” isn’t always about producing. “There’s more parts to being an artist that are very human — like housing, healthcare, childcare for example — that contribute to the work we do,” says Lastimosa. “It’s validating to get this sense of self-determination.” \u003c/p>\n\u003cp>Paolo Asuncion, the third member of TNT Traysikel, says the group plans on taking their vehicle on the road, connecting with Filipino communities in Stockton, Morro Bay and as far as \u003ca href=\"https://filipinola.com/st-malo/\" target=\"_blank\" rel=\"noopener\">Bayou St. Malo in Louisiana\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The plan is to ride TNT across the states,” Asuncion says, “to collect stories from all of these people and to spread the joy outward from San Francisco Bay.” \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956359/rainin-grants-ayodele-nzinga-antoine-hunter-adrian-burrell-tnt-traysikel","authors":["11491"],"categories":["arts_1","arts_73","arts_966","arts_74","arts_967","arts_70"],"tags":["arts_7624","arts_10278","arts_3590","arts_22105"],"featImg":"arts_13956434","label":"arts"},"arts_13956215":{"type":"posts","id":"arts_13956215","meta":{"index":"posts_1716263798","site":"arts","id":"13956215","score":null,"sort":[1713544938000]},"parent":0,"labelTerm":{"site":"arts","term":140},"blocks":[],"publishDate":1713544938,"format":"standard","title":"Your Phone is Haunted","headTitle":"Your Phone is Haunted | KQED","content":"\u003cp>Distance doesn’t really make the heart grow fonder. It makes it colder and harder. We can calculate that distance by our waning attention on events in faraway places, or our lack of curiosity about them. It’s present in our relationship to the objects that surround us, all of which have come \u003ci>from\u003c/i> somewhere and been made \u003ci>by\u003c/i> someone, but which we regard with indifference, as if they blipped into existence just for our use.\u003c/p>\n\u003cp>It’s this distance that artist \u003ca href=\"https://jenliu.info/\">Jen Liu\u003c/a> is trying to bridge — through video work, sculpture, painting, augmented reality and dance — by summoning the ghostly presence of South China’s labor activists and female electronics workers. “If you don’t see the labor, they don’t exist,” she said at \u003ca href=\"https://vimeo.com/886619818\">a recent screening\u003c/a> at California College of the Arts. “And then they don’t suffer and you don’t have to fight for them.”\u003c/p>\n\u003cfigure id=\"attachment_13956235\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487.jpg\" alt=\"White gallery with large painting, sculptures in back and freestanding wall with embedded video screen\" width=\"2500\" height=\"1875\" class=\"size-full wp-image-13956235\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487-1920x1440.jpg 1920w\" sizes=\"(max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Installation view of ‘Jen Liu: GHOST__WORLD’ at / (Slash) in San Francisco. \u003ccite>(Courtesy of the artist; Blindspot Gallery, Hong Kong; Upstream Gallery, Amsterdam)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Liu’s newest body of work, \u003ci>GHOST__WORLD\u003c/i>, has arrived in San Francisco as a Tanya Zimbardo-curated \u003ca href=\"https://www.slashart.org/ghost__world/\">solo show at /\u003c/a> (Slash) and two upcoming nights of \u003ca href=\"https://www.thelab.org/projects/2024/4/27/jen-liu-ghostworld\">dance performances at The Lab\u003c/a>. Informing each are Liu’s primary sources: first-hand interviews with electronics and e-waste workers, and a mixture of articles and documents, like “Precious Metals Investment Terms A to Z” and “Health Consequences of Exposure to E-Waste: A Systematic Review.”\u003c/p>\n\u003cp>If this all sounds heavy, well, it \u003ci>is\u003c/i>. But Liu also skillfully deploys tactics of humor and beauty. The / show, for instance, is filled with frogs. Last summer, people wearing inflatable “\u003ca href=\"https://knowyourmeme.com/memes/chinese-frog-mascot\">frog mother\u003c/a>” costumes began appearing in the streets of China, selling frog balloons, issuing crisp military salutes and performing Buster Keaton-esque acts of physical comedy, both for the benefit of in-person audiences and viral online shares. \u003c/p>\n\u003cp>Designed by an artist frustrated with her job prospects, the frog costume appealed to Liu as a way of tying together multiple interests: the trend of “\u003ca href=\"https://en.wiktionary.org/wiki/%E8%BA%BA%E5%B9%B3\">lying flat\u003c/a>,” China’s youth opting out of over-work and ambition; the precarity of economic prospects outside of factory work; and previous incarnations of political performance art. \u003c/p>\n\u003cfigure id=\"attachment_13956236\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000.jpg\" alt=\"L: Image of hand holding phone in front of QR code, showing video on screen; R: blown glass on pedestal connected to glass on floor through black tube\" width=\"2000\" height=\"1316\" class=\"size-full wp-image-13956236\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000-800x526.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000-1020x671.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000-768x505.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000-1536x1011.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000-1920x1263.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">L: Jen Liu, ‘GHOST__WORLD: AUGMENTED REALITY,’ 2024; R: Jen Liu, ‘GHOST__WORLD: FROGS,’ 2024. \u003ccite>(Courtesy of the artist; Blindspot Gallery, Hong Kong; Upstream Gallery, Amsterdam)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>QR codes on the show’s walls activate “embedded” videos with found social media footage of the frog mothers. (You may find yourself developing a different relationship to your phone during this show.) On the exhibition’s largest screen, a looping video cycles through several days in a CG marshland, frogs bobbing between air and water, one jumping onto the back of a plane before it flies off. Large-scale, wonderfully textured and loopily cartoonish paintings on paper merge all the imagery of the show into surreal depictions of frog eyes, an unfortunate Clippy, office-appropriate pumps and manicured nails. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the back of the gallery, blown glass blobs resembling frog heads are linked with tubes that release atomized scents (“marshy swamp, popcorn, green apple, chainsaw, exhaust, etc.”). While I didn’t catch a whiff during my opening night visit, the gently steaming arrangement did suggest a science lab gone wrong. It’s an off-kilter tone that carries through to the show’s central work, the half-hour video \u003ci>PINK SLIME CAESAR SHIFT: GOLD LOOP\u003c/i>.\u003c/p>\n\u003cp>Made with a combination of CG animation and live action, \u003ci>GOLD LOOP\u003c/i> was filmed in futuristic settings in Dishui, China (about an hour outside of Shanghai), and Birmingham, UK. “In my head, they became like sister cities,” Liu says. “Again, development for who? For what? Beautiful geometric structures down to perfectly circular lakes, circular economies and circular design. But then it’s serving a kind of ghost population and creating all this toxicity for the real people.”\u003c/p>\n\u003cp>The video is haunted by circles and spheres. Chemicals depicted as gold balls are pulled out of mouths; other, larger spheres roll eerily across emptied-out architectural spaces. A woman lectures fellow workers about “circular economics” as they spin their pens. Throughout, heightened sound effects and pop songs lend the entire video a jokey edge that keeps viewers entranced, chuckling with both delight and discomfort.\u003c/p>\n\u003cfigure id=\"attachment_13956242\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-scaled.jpg\" alt=\"Two hands with green nails hold open a book against red surface\" width=\"2560\" height=\"1920\" class=\"size-full wp-image-13956242\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">‘A BETTER LIFE FOR THE WORKERS (I),’ 2021. The book is a translation of Hong Kong-based NGO Worker Empowerment’s publication of the same title. Proceeds from sales go to Chinese labor organizers and activists. \u003ccite>(Courtesy of the artist; Blindspot Gallery, Hong Kong; Upstream Gallery, Amsterdam)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>My advice for all of the above is to block off a solid hour to spend looking at, listening to and thinking about \u003ci>GHOST__WORLD\u003c/i>. Be sure not to miss a shiny pink-covered copy of \u003ci>A Better Life for the Workers (1)\u003c/i>, a translated 2013 text that came out of discussions in a workers’ center in Shenzhen.\u003c/p>\n\u003cp>Then, you’ll be well-primed for The Lab on either April 27 or 28, when \u003ci>GHOST__WORLD: a performance for 4 dancers\u003c/i>, featuring Tracey Lindsay Chan, SanSan Kwan, Miche Wong and Áine Dorman, takes place. The performance touches on Chinese Lion Dance, the frog mothers’ synchronized routines, worker interviews and (wildcard!) those \u003ca href=\"https://www.youtube.com/watch?v=0eEG5LVXdKo&ab_channel=AngusLo\">Apple versus PC ads\u003c/a> from the mid-2000s.\u003c/p>\n\u003cp>Liu says the choreography, which she developed with the dancers, is driven by the sense that the body is missing from every stage of technology’s creation, production and use. “The body has been deeply sidelined, which leaves it open to exploitation,” she says. “These languages never leave the body. It’s just deeply repressed.”\u003c/p>\n\u003cp>\u003cem>GHOST__WORLD\u003c/em> asks: Once that repression creates enough distance, how do our hearts react? \u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘\u003ca href=\"https://www.slashart.org/ghost__world/\">Jen Liu: GHOST__WORLD\u003c/a>’ is on view at / (Slash, 1150 25th St., Building B, San Francisco) through Aug. 24, 2024. ‘\u003ca href=\"https://www.thelab.org/projects/2024/4/27/jen-liu-ghostworld\">GHOST__WORLD: a performance for 4 dancers\u003c/a>’ takes place at The Lab (2948 16th St., San Francisco) on April 27 at 7 p.m. and April 28 at 5 p.m.\u003c/i>\u003c/p>\n\n","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":1057,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":16},"modified":1713544938,"excerpt":"In ‘GHOST__WORLD,’ Jen Liu summons the voices of China’s labor activists and electronics workers.","headData":{"twImgId":"","twTitle":"Your Phone is Haunted","socialTitle":"Jen Liu’s ‘GHOST__WORLD’ Haunts Slash and The Lab %%page%% %%sep%% KQED","ogTitle":"Your Phone is Haunted","ogImgId":"","twDescription":"","description":"In ‘GHOST__WORLD,’ Jen Liu summons the voices of China’s labor activists and electronics workers.","title":"Jen Liu’s ‘GHOST__WORLD’ Haunts Slash and The Lab | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Your Phone is Haunted","datePublished":"2024-04-19T09:42:18-07:00","dateModified":"2024-04-19T09:42:18-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"jen-liu-ghost-world-slash-the-lab-review","status":"publish","templateType":"standard","excludeFromSiteSearch":"Include","featuredImageType":"standard","sticky":false,"articleAge":"0","path":"/arts/13956215/jen-liu-ghost-world-slash-the-lab-review","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Distance doesn’t really make the heart grow fonder. It makes it colder and harder. We can calculate that distance by our waning attention on events in faraway places, or our lack of curiosity about them. It’s present in our relationship to the objects that surround us, all of which have come \u003ci>from\u003c/i> somewhere and been made \u003ci>by\u003c/i> someone, but which we regard with indifference, as if they blipped into existence just for our use.\u003c/p>\n\u003cp>It’s this distance that artist \u003ca href=\"https://jenliu.info/\">Jen Liu\u003c/a> is trying to bridge — through video work, sculpture, painting, augmented reality and dance — by summoning the ghostly presence of South China’s labor activists and female electronics workers. “If you don’t see the labor, they don’t exist,” she said at \u003ca href=\"https://vimeo.com/886619818\">a recent screening\u003c/a> at California College of the Arts. “And then they don’t suffer and you don’t have to fight for them.”\u003c/p>\n\u003cfigure id=\"attachment_13956235\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487.jpg\" alt=\"White gallery with large painting, sculptures in back and freestanding wall with embedded video screen\" width=\"2500\" height=\"1875\" class=\"size-full wp-image-13956235\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_15_Slash4487-1920x1440.jpg 1920w\" sizes=\"(max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Installation view of ‘Jen Liu: GHOST__WORLD’ at / (Slash) in San Francisco. \u003ccite>(Courtesy of the artist; Blindspot Gallery, Hong Kong; Upstream Gallery, Amsterdam)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Liu’s newest body of work, \u003ci>GHOST__WORLD\u003c/i>, has arrived in San Francisco as a Tanya Zimbardo-curated \u003ca href=\"https://www.slashart.org/ghost__world/\">solo show at /\u003c/a> (Slash) and two upcoming nights of \u003ca href=\"https://www.thelab.org/projects/2024/4/27/jen-liu-ghostworld\">dance performances at The Lab\u003c/a>. Informing each are Liu’s primary sources: first-hand interviews with electronics and e-waste workers, and a mixture of articles and documents, like “Precious Metals Investment Terms A to Z” and “Health Consequences of Exposure to E-Waste: A Systematic Review.”\u003c/p>\n\u003cp>If this all sounds heavy, well, it \u003ci>is\u003c/i>. But Liu also skillfully deploys tactics of humor and beauty. The / show, for instance, is filled with frogs. Last summer, people wearing inflatable “\u003ca href=\"https://knowyourmeme.com/memes/chinese-frog-mascot\">frog mother\u003c/a>” costumes began appearing in the streets of China, selling frog balloons, issuing crisp military salutes and performing Buster Keaton-esque acts of physical comedy, both for the benefit of in-person audiences and viral online shares. \u003c/p>\n\u003cp>Designed by an artist frustrated with her job prospects, the frog costume appealed to Liu as a way of tying together multiple interests: the trend of “\u003ca href=\"https://en.wiktionary.org/wiki/%E8%BA%BA%E5%B9%B3\">lying flat\u003c/a>,” China’s youth opting out of over-work and ambition; the precarity of economic prospects outside of factory work; and previous incarnations of political performance art. \u003c/p>\n\u003cfigure id=\"attachment_13956236\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000.jpg\" alt=\"L: Image of hand holding phone in front of QR code, showing video on screen; R: blown glass on pedestal connected to glass on floor through black tube\" width=\"2000\" height=\"1316\" class=\"size-full wp-image-13956236\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000-800x526.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000-1020x671.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000-768x505.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000-1536x1011.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/AR_Glass_comp_2000-1920x1263.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">L: Jen Liu, ‘GHOST__WORLD: AUGMENTED REALITY,’ 2024; R: Jen Liu, ‘GHOST__WORLD: FROGS,’ 2024. \u003ccite>(Courtesy of the artist; Blindspot Gallery, Hong Kong; Upstream Gallery, Amsterdam)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>QR codes on the show’s walls activate “embedded” videos with found social media footage of the frog mothers. (You may find yourself developing a different relationship to your phone during this show.) On the exhibition’s largest screen, a looping video cycles through several days in a CG marshland, frogs bobbing between air and water, one jumping onto the back of a plane before it flies off. Large-scale, wonderfully textured and loopily cartoonish paintings on paper merge all the imagery of the show into surreal depictions of frog eyes, an unfortunate Clippy, office-appropriate pumps and manicured nails. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the back of the gallery, blown glass blobs resembling frog heads are linked with tubes that release atomized scents (“marshy swamp, popcorn, green apple, chainsaw, exhaust, etc.”). While I didn’t catch a whiff during my opening night visit, the gently steaming arrangement did suggest a science lab gone wrong. It’s an off-kilter tone that carries through to the show’s central work, the half-hour video \u003ci>PINK SLIME CAESAR SHIFT: GOLD LOOP\u003c/i>.\u003c/p>\n\u003cp>Made with a combination of CG animation and live action, \u003ci>GOLD LOOP\u003c/i> was filmed in futuristic settings in Dishui, China (about an hour outside of Shanghai), and Birmingham, UK. “In my head, they became like sister cities,” Liu says. “Again, development for who? For what? Beautiful geometric structures down to perfectly circular lakes, circular economies and circular design. But then it’s serving a kind of ghost population and creating all this toxicity for the real people.”\u003c/p>\n\u003cp>The video is haunted by circles and spheres. Chemicals depicted as gold balls are pulled out of mouths; other, larger spheres roll eerily across emptied-out architectural spaces. A woman lectures fellow workers about “circular economics” as they spin their pens. Throughout, heightened sound effects and pop songs lend the entire video a jokey edge that keeps viewers entranced, chuckling with both delight and discomfort.\u003c/p>\n\u003cfigure id=\"attachment_13956242\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-scaled.jpg\" alt=\"Two hands with green nails hold open a book against red surface\" width=\"2560\" height=\"1920\" class=\"size-full wp-image-13956242\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Book_2-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">‘A BETTER LIFE FOR THE WORKERS (I),’ 2021. The book is a translation of Hong Kong-based NGO Worker Empowerment’s publication of the same title. Proceeds from sales go to Chinese labor organizers and activists. \u003ccite>(Courtesy of the artist; Blindspot Gallery, Hong Kong; Upstream Gallery, Amsterdam)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>My advice for all of the above is to block off a solid hour to spend looking at, listening to and thinking about \u003ci>GHOST__WORLD\u003c/i>. Be sure not to miss a shiny pink-covered copy of \u003ci>A Better Life for the Workers (1)\u003c/i>, a translated 2013 text that came out of discussions in a workers’ center in Shenzhen.\u003c/p>\n\u003cp>Then, you’ll be well-primed for The Lab on either April 27 or 28, when \u003ci>GHOST__WORLD: a performance for 4 dancers\u003c/i>, featuring Tracey Lindsay Chan, SanSan Kwan, Miche Wong and Áine Dorman, takes place. The performance touches on Chinese Lion Dance, the frog mothers’ synchronized routines, worker interviews and (wildcard!) those \u003ca href=\"https://www.youtube.com/watch?v=0eEG5LVXdKo&ab_channel=AngusLo\">Apple versus PC ads\u003c/a> from the mid-2000s.\u003c/p>\n\u003cp>Liu says the choreography, which she developed with the dancers, is driven by the sense that the body is missing from every stage of technology’s creation, production and use. “The body has been deeply sidelined, which leaves it open to exploitation,” she says. “These languages never leave the body. It’s just deeply repressed.”\u003c/p>\n\u003cp>\u003cem>GHOST__WORLD\u003c/em> asks: Once that repression creates enough distance, how do our hearts react? \u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘\u003ca href=\"https://www.slashart.org/ghost__world/\">Jen Liu: GHOST__WORLD\u003c/a>’ is on view at / (Slash, 1150 25th St., Building B, San Francisco) through Aug. 24, 2024. ‘\u003ca href=\"https://www.thelab.org/projects/2024/4/27/jen-liu-ghostworld\">GHOST__WORLD: a performance for 4 dancers\u003c/a>’ takes place at The Lab (2948 16th St., San Francisco) on April 27 at 7 p.m. and April 28 at 5 p.m.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956215/jen-liu-ghost-world-slash-the-lab-review","authors":["61"],"programs":["arts_140"],"categories":["arts_1","arts_966","arts_70"],"tags":["arts_5391","arts_879","arts_10278","arts_769","arts_585","arts_901"],"featImg":"arts_13956234","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":17},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":2},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":8},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":11},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. 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