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"content": "\u003cp>It’s official: The gap between the Bay Area’s haves and have-nots is wider than anywhere else in the state.\u003c/p>\n\u003cp>Top income earners in the Bay Area make 12.2 times as much as those at the bottom of the economic ladder, according to new research from the \u003ca href=\"https://www.ppic.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Public Policy Institute of California\u003c/a>, which analyzed 2018 U.S. Census Bureau data, the most recent available.\u003c/p>\n\u003cp>Bay Area residents in the 90th percentile of incomes earned $384,000 a year, compared to just $32,000 for those in the bottom 10th percentile.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Sarah E. Bohn, vice president of research at PPIC\"]'It’s clear that low-income families don’t seem to be able to make as much economic progress as we would like.'[/pullquote]\u003c/p>\n\u003cp>After the Bay Area, the income gap was widest in the Sacramento region, PPIC found, with the 90th percentile there earning $232,000 and the 10th percentile earning just $19,000. It was narrowest in the Inland Empire region, which includes Imperial, Riverside and San Bernardino counties. There, the 10th percentile earns $20,000 and the 90th makes $190,000.\u003c/p>\n\u003cp>The divisions have made California one of the most economically unequal states in the country. Nationally, just five other states — the District of Columbia, Missouri, New Mexico, New York and Louisiana — have higher levels of income inequality, according to PPIC.\u003c/p>\n\u003cp>“Unfortunately, I was looking for more of a story of improvement than we see in this data,” said Sarah E. Bohn, vice president of research at PPIC.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Despite California’s strong economy, low- and middle-income earners have seen fewer gains than those in the top bracket in recent decades. Incomes for families in the 90th percentile have increased 60% since 1980, PPIC found, while incomes for the 10th percentile increased by just 20% during the same time.\u003c/p>\n\u003cp>“It’s clear that low-income families don’t seem to be able to make as much economic progress as we would like,\" Bohn said.\u003c/p>\n\u003cp>[aside tag=\"income-inequality\" label=\"More on income inequality\"]A September analysis of census data from the California Budget and Policy Center found a similar gulf between the state’s rich and poor, but worsening economic outcomes for those at the bottom. Between 2006 and 2018, that report found income for the top 5% of households grew by 18.6%. For households in the bottom 20%, it fell 20%.\u003c/p>\n\u003cp>PPIC’s analysis did not include figures from individual counties, but 2018 census data shows the widest income disparities in the Bay Area are in San Francisco County, where the top 5% of households makes an average of $808,105 annually, compared with $16,184 for the lowest 20%. San Mateo County had the second-highest income gap in the region, with the richest earning $810,917 per year while the bottom fifth made $25,039.\u003c/p>\n\u003cp>“Economists think there are incentives to move up the economic ladder, but when the disparities are so large, does that incentive fade away because it’s not possible to make that leap, to invest in the things that move you up?” Bohn asked. “That’s the bigger concern that I have.”\u003c/p>\n\u003cp>\u003cem>Erica Hellerstein is a journalist with the Mercury News. This article is part of\u003c/em>\u003ca href=\"https://calmatters.org/category/california-divide/\">\u003cem> The California Divide\u003c/em>\u003c/a>\u003cem>, a collaboration among newsrooms examining income inequity and economic survival in California.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n",
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"nprByline": "\u003ca href=\"https://calmatters.org/author/erica-hellerstein/\"> Erica Hellerstein \u003ca />",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s official: The gap between the Bay Area’s haves and have-nots is wider than anywhere else in the state.\u003c/p>\n\u003cp>Top income earners in the Bay Area make 12.2 times as much as those at the bottom of the economic ladder, according to new research from the \u003ca href=\"https://www.ppic.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Public Policy Institute of California\u003c/a>, which analyzed 2018 U.S. Census Bureau data, the most recent available.\u003c/p>\n\u003cp>Bay Area residents in the 90th percentile of incomes earned $384,000 a year, compared to just $32,000 for those in the bottom 10th percentile.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After the Bay Area, the income gap was widest in the Sacramento region, PPIC found, with the 90th percentile there earning $232,000 and the 10th percentile earning just $19,000. It was narrowest in the Inland Empire region, which includes Imperial, Riverside and San Bernardino counties. There, the 10th percentile earns $20,000 and the 90th makes $190,000.\u003c/p>\n\u003cp>The divisions have made California one of the most economically unequal states in the country. Nationally, just five other states — the District of Columbia, Missouri, New Mexico, New York and Louisiana — have higher levels of income inequality, according to PPIC.\u003c/p>\n\u003cp>“Unfortunately, I was looking for more of a story of improvement than we see in this data,” said Sarah E. Bohn, vice president of research at PPIC.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Despite California’s strong economy, low- and middle-income earners have seen fewer gains than those in the top bracket in recent decades. Incomes for families in the 90th percentile have increased 60% since 1980, PPIC found, while incomes for the 10th percentile increased by just 20% during the same time.\u003c/p>\n\u003cp>“It’s clear that low-income families don’t seem to be able to make as much economic progress as we would like,\" Bohn said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>A September analysis of census data from the California Budget and Policy Center found a similar gulf between the state’s rich and poor, but worsening economic outcomes for those at the bottom. Between 2006 and 2018, that report found income for the top 5% of households grew by 18.6%. For households in the bottom 20%, it fell 20%.\u003c/p>\n\u003cp>PPIC’s analysis did not include figures from individual counties, but 2018 census data shows the widest income disparities in the Bay Area are in San Francisco County, where the top 5% of households makes an average of $808,105 annually, compared with $16,184 for the lowest 20%. San Mateo County had the second-highest income gap in the region, with the richest earning $810,917 per year while the bottom fifth made $25,039.\u003c/p>\n\u003cp>“Economists think there are incentives to move up the economic ladder, but when the disparities are so large, does that incentive fade away because it’s not possible to make that leap, to invest in the things that move you up?” Bohn asked. “That’s the bigger concern that I have.”\u003c/p>\n\u003cp>\u003cem>Erica Hellerstein is a journalist with the Mercury News. This article is part of\u003c/em>\u003ca href=\"https://calmatters.org/category/california-divide/\">\u003cem> The California Divide\u003c/em>\u003c/a>\u003cem>, a collaboration among newsrooms examining income inequity and economic survival in California.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"slug": "aggregate-space-gallery-displaced-last-year-to-reopen-blocks-away-in-west-oakland",
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"content": "\u003cp>\u003ca href=\"https://aggregatespacegallery.org/\">Aggregate Space Gallery\u003c/a>, the artist-run gallery displaced from its Oakland warehouse location of seven years last July, will reopen blocks away in a two-story unit previously occupied by a circus company in a move that promises stability and more than doubles its exhibition space. [aside postID=arts_13851268,arts_13847646,arts_13851209]\u003c/p>\n\u003cp>Aggregate founders Conrad and Willis Meyers, whose video and installation curating and museum-quality exhibitions made ASG a standout Oakland gallery, called the 3,500 square-foot commercial space at 1255 26th Street a lifeline in a forbidding rental market. “We can do everything we used to, plus the things we’ve dreamed of—and not be so cold,” Conrad said.\u003c/p>\n\u003cp>During a tour, the Meyers described the possibilities of an anticipated $150,000 buildout: A screening room upstairs in what was originally a performance venue with 20-foot high ceilings, and workspace for a residency program in one of the rooms along the mezzanine. Conrad, who’s also a contractor, was relieved to point out fire sprinklers and a wheelchair-accessible elevator.\u003c/p>\n\u003cfigure id=\"attachment_13874092\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13874092\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/1.jpg\" alt=\"Aggregate Space Gallery was displaced from its West Oakland location of nine years in 2018.\" width=\"1920\" height=\"1169\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1-160x97.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1-800x487.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1-768x468.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1-1020x621.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1-1200x731.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Aggregate Space Gallery was displaced from its West Oakland location of nine years in 2018. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Downstairs is a large storefront with additional rooms for office or studio space. There the Meyers see an opportunity for both earned income and community engagement: Before opening, they plan to host neighbors to learn what kind of subtenant could fill the needs of the immediate area. “We want to involve neighbors in this process from the beginning,” Willis said.\u003c/p>\n\u003cp>New works by Nasim Moghadam, a Bay Area photographer and multimedia artist, will mark Aggregate’s first solo show in the new space, and 68th exhibition overall, come Friday, Apr. 3.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The downstairs portion opens Friday, Feb. 7 to show \u003cem>Invulnerable Routes\u003c/em>, a month-long exhibition derived from the gallery’s annual open call for video. The selections, curated by Conrad and Shaghayegh Cyrous, address relationships to society outside patriarchal structures.\u003c/p>\n\u003cp>The landlords, Jacqueline Jackson and her daughter Shannon, a scholar of art and social change at UC Berkeley, will provide the Meyers a decreasing rent subsidy over five years. The deal allows Aggregate, a nonprofit organization, to recover the fundraising momentum lost with its former home. The Jacksons “get Aggregate,” Willis said. “They’re officially our biggest donors.”\u003c/p>\n\u003cfigure id=\"attachment_13874094\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13874094\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/3.jpg\" alt=\"The mezzanine-lined upstairs portion of Aggregate Space Gallery's new 1255 26th Street location was originally build as a performance venue.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/3-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/3-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/3-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/3-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/3-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The mezzanine-lined upstairs portion of Aggregate Space Gallery’s new 1255 26th Street location was originally build as a performance venue. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>A Storied Location\u003c/strong>\u003c/p>\n\u003cp>Still, the Meyers hesitated. As KQED\u003ca href=\"https://www.kqed.org/arts/13847646/uc-berkeley-art-professor-displaces-dance-studio-to-create-new-art-space\"> previously reported\u003c/a>, the Jacksons displaced Skyhigh Odditorium, a circus arts studio in the space since 2012, after buying the property in 2017, a move seen as hypocritical given their mission to buoy the arts. “We’ve also struggled with a landlord, so we related,” Conrad said. “Whatever happens in our old place, I’ll probably be pissed.”\u003c/p>\n\u003cp>Shannon Jackson, a prominent figure in the local arts funding establishment, earlier declined to address displacing Skyhigh Odditorium in 2017. In a recent interview, she said she declined to renew the lease for Skyhigh and another tenant, an unpermitted cannabis cultivator, due to “all kinds of health and safety violations,” and that she restored the units to code compliance at “significant expense.”\u003c/p>\n\u003cp>Skyhigh Odditorium founder Madamn Burnz, a circus performer and teacher, said that she’s pleased to learn another arts organization is taking over the space. But she bristled at Jackson’s assertion of safety shortcomings. “That’s bullshit—the place was a dump and we remodeled it,” she said. “If that was her concern why didn’t she say so? … I never even met her before she evicted us.” (Jackson disputes this.)\u003c/p>\n\u003cfigure id=\"attachment_13847696\" class=\"wp-caption aligncenter\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13847696\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/12/Madamn-Burnz-1.jpg\" alt=\"Madamn Burnz founded dance studio and events space Skyhigh Odditorium in 2012.\" width=\"2048\" height=\"1152\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-520x293.jpg 520w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">Madamn Burnz founded dance studio and events space Skyhigh Odditorium in 2012. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Although she has a sideline in Oakland real estate investment, Jackson said she acquired the $3.7 million property, which has 11 live-work units in addition to the commercial space, to create the conditions for an “adventurous aesthetic experiment while also adhering to codes for health and safety.” She continued, “We needed a partner who would be transparent and work with us.”\u003c/p>\n\u003cp>\u003cstrong>Keeping up Momentum\u003c/strong>\u003c/p>\n\u003cp>Aggregate was displaced from its Grand Avenue location last year after the owner insisted on a $1,500 monthly rent hike and for the Meyers to absorb the cost of an estimated $50,000 in code compliance work. The gallery had doubled its annual operating budget every year for the four years prior, in 2018 reaching $142,000, and was beginning to win grants from national funders such as the Andy Warhol Foundation for the Arts and the National Endowment for the Arts.\u003c/p>\n\u003cp>The closure, like \u003ca href=\"https://www.kqed.org/arts/13870004/flight-deck-oaklands-only-black-box-theater-to-close-in-march\" rel=\"noopener noreferrer\" target=\"_blank\">Flight Deck theater’s displacement\u003c/a>, showed the difficulties for Oakland’s growing and creatively rich but not yet institutional arts organizations. In the interim, Aggregate relocated \u003cem>Flash Point\u003c/em>, a video exhibition by Chicago artist Jefferson Pinder, to the San Francisco Art Institute. Oakland artist Leila Weefur sold an edition of \u003cem>Between Beauty & Horror\u003c/em>, which debuted at one of ASG’s \u003ca href=\"https://www.kqed.org/arts/13851209/leila-weefur-positions-black-experience-between-beauty-horror\">final shows\u003c/a> in the old gallery, to Kadist gallery in San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_13851534\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13851534\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/02/seated-5-e1580347958946.jpg\" alt=\"Conrad and Willis Meyers sit in the workshop at Aggregate Space Gallerys original location on Grand Avenue.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/seated-5-e1580347958946.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/seated-5-e1580347958946-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/seated-5-e1580347958946-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/seated-5-e1580347958946-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/seated-5-e1580347958946-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/seated-5-e1580347958946-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Conrad and Willis Meyers sit in the workshop at Aggregate Space Gallery’s original location on Grand Avenue. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Before settling on the 26th St. location, the Meyers toured the Henry J. Kaiser Convention Center, which Orton Development is marketing \u003ca href=\"https://www.kqed.org/arts/13861121/kaiser-auditorium-redevelopment-proceeds-with-permanent-affordability-for-arts-groups\" rel=\"noopener noreferrer\" target=\"_blank\">partly to nonprofits\u003c/a>, and met with other real estate developers seeking commercial tenants below new housing. At the previous location in early 2019, Conrad \u003ca href=\"https://www.kqed.org/arts/13851268/despite-doubling-budget-aggregate-space-gallery-faces-displacement\">said\u003c/a> Aggregate wouldn’t move into “the all-windows bottom-floor of condos that’ll be a Gap by 2024.” As it turned out, Aggregate couldn’t afford the opportunity.\u003c/p>\n\u003cp>“Our pitch was a five-year partnership where we meet fundraising benchmarks and then accept rent increases,” Conrad said. “No one was receptive until the Jacksons.”\u003c/p>\n\u003cp>Aggregate struck Shannon Jackson as an organization with proven fundraising and curatorial abilities that needed a runway to fiscal stability, and developed the unique lease terms as an experiment. The rent subsidy is also intended to nudge other property owners “to figure out what we can do to sustain the Bay Area cultural life that we all say we adore,” Jackson said.\u003c/p>\n\u003cp>\u003cstrong>‘Reimagining’ the Space\u003c/strong>\u003c/p>\n\u003cp>The property is the site of earlier experiments: In the 2000s, the Northern California Land Trust spent millions creating the solar-powered live-work units and performance space on what was previously an underground venue called the “Noodle Factory,” keeping the name. The plan excited the local performing arts community, but the land trust’s project floundered amid the 2008 financial crisis, and an investment firm bought the property out of foreclosure in 2011.\u003c/p>\n\u003cp>When Burnz leased the space in 2012, it’d been neglected for years. She redid the floors and walls, and treated the place for bedbugs. The landlord at the time, Urban Green Investments, installed a since-removed kitchen and shower. Skyhigh offered classes in pole and aerial dancing, and subleased workspace to other artists. “We brought it back to life,” Burnz said. Since being displaced, Skyhigh has operated out of a nearby studio and a Richmond fitness facility.\u003c/p>\n\u003cfigure id=\"attachment_13847686\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13847686\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/12/Noodle-Factory-e1580348117675.jpg\" alt=\"The Northern California Land Trust spent millions creating 11 live-work units and the performance and rehearsal space at what was known as the Noodle Factory.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Noodle-Factory-e1580348117675.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Noodle-Factory-e1580348117675-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Noodle-Factory-e1580348117675-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Noodle-Factory-e1580348117675-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Noodle-Factory-e1580348117675-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Noodle-Factory-e1580348117675-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Northern California Land Trust spent millions creating 11 live-work units and the performance and rehearsal space at what was known as the Noodle Factory. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The land trust planned affordable live-work condominiums occupied by working artists who could also use the performance and rehearsal space. Jackson revived the Noodle Factory moniker in a nod to the vision, and said she’s interested in integrating the various tenants. In November, 2018 Jackson and the San Francisco nonprofit Community Arts Stabilization Trust hosted an event attended by local artists and gallerists billed “Reimagining the Noodle Factory.”\u003c/p>\n\u003cp>Jackson, who last fall joined Oakland city officials in an “empowering artists” delegation to France, said that when the Noodle Factory came on the market, she sensed an opportunity. “My mother and I wanted to use our connection to the field of real estate to support a space that could be the embodiment of our values,” she said. Other bidders, she said, wanted to redevelop the whole site. “So we saw it was about to become another story in the gentrification chronicle.”\u003c/p>\n\u003cp>When the Meyers poured their personal resources into the Grand Avenue warehouse in 2011 without a long-term plan for sustainability they were “overconfident and naive,” Conrad said. Now, though, he feels the gallery is fortunate to have a financial partner in the Jacksons who also appreciate Aggregate’s mission. “I want people to have the feeling here that nothing like this will ever happen again,” Conrad said. “And come back in four weeks to feel like that again.”\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Update: This article has been updated to clarify that Skyhigh Odditorium was not legally evicted, but that its lease was not renewed.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Aggregate founders Conrad and Willis Meyers, whose video and installation curating and museum-quality exhibitions made ASG a standout Oakland gallery, called the 3,500 square-foot commercial space at 1255 26th Street a lifeline in a forbidding rental market. “We can do everything we used to, plus the things we’ve dreamed of—and not be so cold,” Conrad said.\u003c/p>\n\u003cp>During a tour, the Meyers described the possibilities of an anticipated $150,000 buildout: A screening room upstairs in what was originally a performance venue with 20-foot high ceilings, and workspace for a residency program in one of the rooms along the mezzanine. Conrad, who’s also a contractor, was relieved to point out fire sprinklers and a wheelchair-accessible elevator.\u003c/p>\n\u003cfigure id=\"attachment_13874092\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13874092\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/1.jpg\" alt=\"Aggregate Space Gallery was displaced from its West Oakland location of nine years in 2018.\" width=\"1920\" height=\"1169\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1-160x97.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1-800x487.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1-768x468.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1-1020x621.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1-1200x731.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Aggregate Space Gallery was displaced from its West Oakland location of nine years in 2018. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Downstairs is a large storefront with additional rooms for office or studio space. There the Meyers see an opportunity for both earned income and community engagement: Before opening, they plan to host neighbors to learn what kind of subtenant could fill the needs of the immediate area. “We want to involve neighbors in this process from the beginning,” Willis said.\u003c/p>\n\u003cp>New works by Nasim Moghadam, a Bay Area photographer and multimedia artist, will mark Aggregate’s first solo show in the new space, and 68th exhibition overall, come Friday, Apr. 3.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The downstairs portion opens Friday, Feb. 7 to show \u003cem>Invulnerable Routes\u003c/em>, a month-long exhibition derived from the gallery’s annual open call for video. The selections, curated by Conrad and Shaghayegh Cyrous, address relationships to society outside patriarchal structures.\u003c/p>\n\u003cp>The landlords, Jacqueline Jackson and her daughter Shannon, a scholar of art and social change at UC Berkeley, will provide the Meyers a decreasing rent subsidy over five years. The deal allows Aggregate, a nonprofit organization, to recover the fundraising momentum lost with its former home. The Jacksons “get Aggregate,” Willis said. “They’re officially our biggest donors.”\u003c/p>\n\u003cfigure id=\"attachment_13874094\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13874094\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/3.jpg\" alt=\"The mezzanine-lined upstairs portion of Aggregate Space Gallery's new 1255 26th Street location was originally build as a performance venue.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/3-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/3-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/3-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/3-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/3-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The mezzanine-lined upstairs portion of Aggregate Space Gallery’s new 1255 26th Street location was originally build as a performance venue. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>A Storied Location\u003c/strong>\u003c/p>\n\u003cp>Still, the Meyers hesitated. As KQED\u003ca href=\"https://www.kqed.org/arts/13847646/uc-berkeley-art-professor-displaces-dance-studio-to-create-new-art-space\"> previously reported\u003c/a>, the Jacksons displaced Skyhigh Odditorium, a circus arts studio in the space since 2012, after buying the property in 2017, a move seen as hypocritical given their mission to buoy the arts. “We’ve also struggled with a landlord, so we related,” Conrad said. “Whatever happens in our old place, I’ll probably be pissed.”\u003c/p>\n\u003cp>Shannon Jackson, a prominent figure in the local arts funding establishment, earlier declined to address displacing Skyhigh Odditorium in 2017. In a recent interview, she said she declined to renew the lease for Skyhigh and another tenant, an unpermitted cannabis cultivator, due to “all kinds of health and safety violations,” and that she restored the units to code compliance at “significant expense.”\u003c/p>\n\u003cp>Skyhigh Odditorium founder Madamn Burnz, a circus performer and teacher, said that she’s pleased to learn another arts organization is taking over the space. But she bristled at Jackson’s assertion of safety shortcomings. “That’s bullshit—the place was a dump and we remodeled it,” she said. “If that was her concern why didn’t she say so? … I never even met her before she evicted us.” (Jackson disputes this.)\u003c/p>\n\u003cfigure id=\"attachment_13847696\" class=\"wp-caption aligncenter\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13847696\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/12/Madamn-Burnz-1.jpg\" alt=\"Madamn Burnz founded dance studio and events space Skyhigh Odditorium in 2012.\" width=\"2048\" height=\"1152\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Madamn-Burnz-1-520x293.jpg 520w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">Madamn Burnz founded dance studio and events space Skyhigh Odditorium in 2012. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Although she has a sideline in Oakland real estate investment, Jackson said she acquired the $3.7 million property, which has 11 live-work units in addition to the commercial space, to create the conditions for an “adventurous aesthetic experiment while also adhering to codes for health and safety.” She continued, “We needed a partner who would be transparent and work with us.”\u003c/p>\n\u003cp>\u003cstrong>Keeping up Momentum\u003c/strong>\u003c/p>\n\u003cp>Aggregate was displaced from its Grand Avenue location last year after the owner insisted on a $1,500 monthly rent hike and for the Meyers to absorb the cost of an estimated $50,000 in code compliance work. The gallery had doubled its annual operating budget every year for the four years prior, in 2018 reaching $142,000, and was beginning to win grants from national funders such as the Andy Warhol Foundation for the Arts and the National Endowment for the Arts.\u003c/p>\n\u003cp>The closure, like \u003ca href=\"https://www.kqed.org/arts/13870004/flight-deck-oaklands-only-black-box-theater-to-close-in-march\" rel=\"noopener noreferrer\" target=\"_blank\">Flight Deck theater’s displacement\u003c/a>, showed the difficulties for Oakland’s growing and creatively rich but not yet institutional arts organizations. In the interim, Aggregate relocated \u003cem>Flash Point\u003c/em>, a video exhibition by Chicago artist Jefferson Pinder, to the San Francisco Art Institute. Oakland artist Leila Weefur sold an edition of \u003cem>Between Beauty & Horror\u003c/em>, which debuted at one of ASG’s \u003ca href=\"https://www.kqed.org/arts/13851209/leila-weefur-positions-black-experience-between-beauty-horror\">final shows\u003c/a> in the old gallery, to Kadist gallery in San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_13851534\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13851534\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/02/seated-5-e1580347958946.jpg\" alt=\"Conrad and Willis Meyers sit in the workshop at Aggregate Space Gallerys original location on Grand Avenue.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/seated-5-e1580347958946.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/seated-5-e1580347958946-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/seated-5-e1580347958946-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/seated-5-e1580347958946-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/seated-5-e1580347958946-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/seated-5-e1580347958946-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Conrad and Willis Meyers sit in the workshop at Aggregate Space Gallery’s original location on Grand Avenue. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Before settling on the 26th St. location, the Meyers toured the Henry J. Kaiser Convention Center, which Orton Development is marketing \u003ca href=\"https://www.kqed.org/arts/13861121/kaiser-auditorium-redevelopment-proceeds-with-permanent-affordability-for-arts-groups\" rel=\"noopener noreferrer\" target=\"_blank\">partly to nonprofits\u003c/a>, and met with other real estate developers seeking commercial tenants below new housing. At the previous location in early 2019, Conrad \u003ca href=\"https://www.kqed.org/arts/13851268/despite-doubling-budget-aggregate-space-gallery-faces-displacement\">said\u003c/a> Aggregate wouldn’t move into “the all-windows bottom-floor of condos that’ll be a Gap by 2024.” As it turned out, Aggregate couldn’t afford the opportunity.\u003c/p>\n\u003cp>“Our pitch was a five-year partnership where we meet fundraising benchmarks and then accept rent increases,” Conrad said. “No one was receptive until the Jacksons.”\u003c/p>\n\u003cp>Aggregate struck Shannon Jackson as an organization with proven fundraising and curatorial abilities that needed a runway to fiscal stability, and developed the unique lease terms as an experiment. The rent subsidy is also intended to nudge other property owners “to figure out what we can do to sustain the Bay Area cultural life that we all say we adore,” Jackson said.\u003c/p>\n\u003cp>\u003cstrong>‘Reimagining’ the Space\u003c/strong>\u003c/p>\n\u003cp>The property is the site of earlier experiments: In the 2000s, the Northern California Land Trust spent millions creating the solar-powered live-work units and performance space on what was previously an underground venue called the “Noodle Factory,” keeping the name. The plan excited the local performing arts community, but the land trust’s project floundered amid the 2008 financial crisis, and an investment firm bought the property out of foreclosure in 2011.\u003c/p>\n\u003cp>When Burnz leased the space in 2012, it’d been neglected for years. She redid the floors and walls, and treated the place for bedbugs. The landlord at the time, Urban Green Investments, installed a since-removed kitchen and shower. Skyhigh offered classes in pole and aerial dancing, and subleased workspace to other artists. “We brought it back to life,” Burnz said. Since being displaced, Skyhigh has operated out of a nearby studio and a Richmond fitness facility.\u003c/p>\n\u003cfigure id=\"attachment_13847686\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13847686\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/12/Noodle-Factory-e1580348117675.jpg\" alt=\"The Northern California Land Trust spent millions creating 11 live-work units and the performance and rehearsal space at what was known as the Noodle Factory.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Noodle-Factory-e1580348117675.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Noodle-Factory-e1580348117675-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Noodle-Factory-e1580348117675-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Noodle-Factory-e1580348117675-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Noodle-Factory-e1580348117675-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Noodle-Factory-e1580348117675-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Northern California Land Trust spent millions creating 11 live-work units and the performance and rehearsal space at what was known as the Noodle Factory. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The land trust planned affordable live-work condominiums occupied by working artists who could also use the performance and rehearsal space. Jackson revived the Noodle Factory moniker in a nod to the vision, and said she’s interested in integrating the various tenants. In November, 2018 Jackson and the San Francisco nonprofit Community Arts Stabilization Trust hosted an event attended by local artists and gallerists billed “Reimagining the Noodle Factory.”\u003c/p>\n\u003cp>Jackson, who last fall joined Oakland city officials in an “empowering artists” delegation to France, said that when the Noodle Factory came on the market, she sensed an opportunity. “My mother and I wanted to use our connection to the field of real estate to support a space that could be the embodiment of our values,” she said. Other bidders, she said, wanted to redevelop the whole site. “So we saw it was about to become another story in the gentrification chronicle.”\u003c/p>\n\u003cp>When the Meyers poured their personal resources into the Grand Avenue warehouse in 2011 without a long-term plan for sustainability they were “overconfident and naive,” Conrad said. Now, though, he feels the gallery is fortunate to have a financial partner in the Jacksons who also appreciate Aggregate’s mission. “I want people to have the feeling here that nothing like this will ever happen again,” Conrad said. “And come back in four weeks to feel like that again.”\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Update: This article has been updated to clarify that Skyhigh Odditorium was not legally evicted, but that its lease was not renewed.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>With 2,500 employees, 855,000 square feet and 10 miles of conveyor belts, Amazon’s huge Fresno warehouse also has an \u003ca href=\"http://bit.ly/fioreamazoninjuries\" target=\"_blank\" rel=\"noopener noreferrer\">injury rate\u003c/a> triple the industry average.\u003c/p>\n\u003cp>Even though the e-commerce behemoth is bringing jobs to places like Fresno, pressure to meet quotas and keep up with shipping demand is injuring workers \u003ca href=\"https://www.revealnews.org/article/find-out-what-injuries-are-like-at-the-amazon-warehouse-that-handled-your-packages/\" target=\"_blank\" rel=\"noopener noreferrer\">across the country\u003c/a>.\u003c/p>\n\u003cp>It’s enough to make you want to visit a mom-and-pop store in your neighborhood… if there’s still one in existence.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cp>In a \u003ca href=\"http://bit.ly/fioremoms4housingwedgewood\" target=\"_blank\" rel=\"noopener noreferrer\">deal with the Oakland Community Land Trust\u003c/a>, Moms 4 Housing reached an agreement to buy a vacant West Oakland house owned by Wedgewood Properties.\u003c/p>\n\u003cp>The house-flipping company – which owns around 50 properties in Oakland – dug in its heels while a newly formed housing activist group occupied the home at 2928 Magnolia Street.\u003c/p>\n\u003cp>Six days and \u003ca href=\"https://www.kqed.org/news/11796289/optics-in-oakland\" target=\"_blank\" rel=\"noopener noreferrer\">one militarized response\u003c/a> later, the Redondo Beach-based company agreed to make a deal.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In a \u003ca href=\"http://bit.ly/fioremoms4housingwedgewood\" target=\"_blank\" rel=\"noopener noreferrer\">deal with the Oakland Community Land Trust\u003c/a>, Moms 4 Housing reached an agreement to buy a vacant West Oakland house owned by Wedgewood Properties.\u003c/p>\n\u003cp>The house-flipping company – which owns around 50 properties in Oakland – dug in its heels while a newly formed housing activist group occupied the home at 2928 Magnolia Street.\u003c/p>\n\u003cp>Six days and \u003ca href=\"https://www.kqed.org/news/11796289/optics-in-oakland\" target=\"_blank\" rel=\"noopener noreferrer\">one militarized response\u003c/a> later, the Redondo Beach-based company agreed to make a deal.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>California is considering raising taxes on some of the nation’s largest companies — but the size of the tax increase would depend on how much its highest-paid executive makes compared to its employees.\u003c/p>\n\u003cp>The bigger the gap, the bigger the tax increase.\u003c/p>\n\u003cp>\u003ca href=\"https://leginfo.legislature.ca.gov/faces/billNavClient.xhtml?bill_id=201920200SB37\">SB 37\u003c/a>, a bill by state Sen. Nancy Skinner, D-Berkeley, passed out of its first committee hearing on Wednesday, keeping it alive ahead of a Jan. 31 deadline to pass the Senate.\u003c/p>\n\u003cp>The proposal would only apply to companies that post at least $10 million of taxable income from business conducted in California. That would apply to about 2,000 companies nationwide, including the Walt Disney Co., headquartered in Burbank.\u003c/p>\n\u003cp>[pullquote size=\"small\" align=\"right\" citation=\"Abigail Disney, heiress and granddaughter of Walt Disney's brother\"]‘At the happiest place on Earth, they are paid so poorly that they rely on food banks, sleep in cars or live so close to the bone that even a small problem could send them into a death spiral.’[/pullquote]\u003c/p>\n\u003cp>Heiress Abigail Disney, granddaughter of Roy Disney — the brother of Walt Disney and one of the company’s co-founders — supports the bill. She has no formal role at the company, but she has been advocating for higher wages for the company’s workers.\u003c/p>\n\u003cp>“At the happiest place on Earth, they are paid so poorly that they rely on food banks, sleep in cars or live so close to the bone that even a small problem could send them into a death spiral,” Disney told state lawmakers on Wednesday.\u003c/p>\n\u003cp>Abigail Disney’s comments about the company’s workers stem from a visit she made to some Disneyland employees at an offsite union office in Anaheim.\u003c/p>\n\u003cfigure id=\"attachment_11796488\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/01/Abigail-Disney-800x533.jpg\" alt=\"Abigail Disney in 2018.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-11796488\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/01/Abigail-Disney-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/01/Abigail-Disney-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/01/Abigail-Disney-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/01/Abigail-Disney-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/01/Abigail-Disney.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Abigail Disney in 2018. \u003ccite>(Monica Schipper/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Walt Disney Co. CEO Bob Iger received more than $65 million in 2018, according to media reports, a higher-than-usual figure because of a one-time stock award connected to the company’s acquisition of 21st Century Fox. That salary was more than 1,400 times the median pay of a Disney employee, according to a study from Equilar.\u003c/p>\n\u003cp>In 2018, shareholders voted to reject Iger’s pay package in a non-binding vote. Last year, the company responded by cutting $13.5 million of Iger’s future potential earnings.\u003c/p>\n\u003cp>A spokesman for the Walt Disney Co. said the company committed to a minimum wage of $15 an hour, health insurance for as little as $6 a week, child care subsidies and an initial investment of $150 million to fully pay for college degrees of hourly workers.\u003c/p>\n\u003cp>“The truth is, Disney has made significant investments to provide for the upward mobility of our employees,” according to a statement from the company.\u003c/p>\n\u003cp>[pullquote size=\"small\" align=\"right\" citation=\"Rob Lapsley, president of California Business Roundtable\"]‘What (the bill) is sending is a broader signal that the Legislature is intending to be able to regulate every aspect of free enterprise in this state.’[/pullquote]\u003c/p>\n\u003cp>Many of the state’s business groups oppose the law, including the California Business Roundtable, which represents large companies. President Rob Lapsley said the bill would keep companies from coming to the state.\u003c/p>\n\u003cp>“I’m not here today to defend CEO pay. What I am here today to do is to defend jobs,” he said. “Take the CEO pay out of it. What (the bill) is sending is a broader signal that the Legislature is intending to be able to regulate every aspect of free enterprise in this state.”\u003c/p>\n\u003cp>California would not be the first government in the U.S. to try this, but would be the the largest. In 2016, city officials in Portland, Oregon, approved a 10% tax on publicly traded companies that pay their CEOs 100 to 250 times the average worker.\u003c/p>\n\u003cp>Some lawmakers signaled they want some changes before the bill comes for a vote in the Senate.\u003c/p>\n\u003cp>One question is whether the state should make money off the tax. Lawmakers could write the bill so it rewards companies that have smaller gaps between their CEO’s salary and the average pay of their workers.\u003c/p>\n\u003cp>As written, state officials estimate the legislation could bring in up to $4.1 billion. Skinner said it’s reasonable for the state to make money off the tax because the rising income inequality means more workers are relying on public assistance.\u003c/p>\n\u003cp>“California’s taxpayers are basically paying the cost for the services that employees then turn to because they don’t have a wage that can provide their families needs,” Skinner said.\u003c/p>\n\u003cp>[aside postID=\"news_11628537,news_11047247,news_10578269\" label=\"Related coverage\"]State Sen. John Moorlach, R-Costa Mesa, questioned why the Legislature would seek to meddle with the salaries of big companies when athletic coaches at some of the state’s public universities make millions of dollars.\u003c/p>\n\u003cp>“Are we going to be looking at our own house,” Moorlach said.\u003c/p>\n\u003cp>Skinner said public employees in California “by and large … have a very decent wage,” saying most of them do not face “the types of problems our low-wage workers are facing.”\u003c/p>\n\u003cp>Abigail Disney told lawmakers the issue was a problem of corporate culture “50 years in the making.”\u003c/p>\n\u003cp>“If your entire reputation as a company relies on the idea of its clean floors, you had better be willing to pay your workers enough to do the job well and with dignity,” Disney said. “Because dignity is not a perk.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Heiress Abigail Disney, granddaughter of Roy Disney — the brother of Walt Disney and one of the company’s co-founders — supports the bill. She has no formal role at the company, but she has been advocating for higher wages for the company’s workers.\u003c/p>\n\u003cp>“At the happiest place on Earth, they are paid so poorly that they rely on food banks, sleep in cars or live so close to the bone that even a small problem could send them into a death spiral,” Disney told state lawmakers on Wednesday.\u003c/p>\n\u003cp>Abigail Disney’s comments about the company’s workers stem from a visit she made to some Disneyland employees at an offsite union office in Anaheim.\u003c/p>\n\u003cfigure id=\"attachment_11796488\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/01/Abigail-Disney-800x533.jpg\" alt=\"Abigail Disney in 2018.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-11796488\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/01/Abigail-Disney-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/01/Abigail-Disney-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/01/Abigail-Disney-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/01/Abigail-Disney-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/01/Abigail-Disney.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Abigail Disney in 2018. \u003ccite>(Monica Schipper/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>State Sen. John Moorlach, R-Costa Mesa, questioned why the Legislature would seek to meddle with the salaries of big companies when athletic coaches at some of the state’s public universities make millions of dollars.\u003c/p>\n\u003cp>“Are we going to be looking at our own house,” Moorlach said.\u003c/p>\n\u003cp>Skinner said public employees in California “by and large … have a very decent wage,” saying most of them do not face “the types of problems our low-wage workers are facing.”\u003c/p>\n\u003cp>Abigail Disney told lawmakers the issue was a problem of corporate culture “50 years in the making.”\u003c/p>\n\u003cp>“If your entire reputation as a company relies on the idea of its clean floors, you had better be willing to pay your workers enough to do the job well and with dignity,” Disney said. “Because dignity is not a perk.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "An Oakland Metalsmith Risks Instability to Bring Metal Arts to Black Girls",
"headTitle": "An Oakland Metalsmith Risks Instability to Bring Metal Arts to Black Girls | KQED",
"content": "\u003cp>Earlier this month, Oakland metalsmith \u003ca href=\"https://karensmithmetalartist.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Karen Smith\u003c/a> put the finishing touches on \u003cem>Mamedjarra the Sacred\u003c/em>, a sterling silver necklace. After nearly a year of work on the piece—a hammered crescent with dangling discs and frizzy strands—she shipped it to the Richmond Art Center, where it’s featured in a new group show, \u003cem>\u003ca href=\"http://richmondartcenter.org/exhibitions/art-of-the-african-diaspora-2020/\" target=\"_blank\" rel=\"noopener noreferrer\">Art of the African Diaspora\u003c/a>\u003c/em>. And then she started to pack up her East Oakland workspace, where Smith is being displaced after falling behind on rent.\u003c/p>\n\u003cp>[pullquote align='right' size='small']By the numbers…\u003c/p>\n\u003cul>\n\u003cli>2019 income: <$10,000\u003c/li>\n\u003cli>Home and studio rent: $800/month\u003c/li>\n\u003cli>2019 City of Oakland grant: $4,999\u003c/li>\n\u003cli>Time spent waiting for grant check: 5 months and counting\u003c/li>\n\u003cli>Silver: $18.09/ounce\u003c/li>\n\u003c/ul>\n\u003cp>[/pullquote]\u003c/p>\n\u003cp>“It’s a huge transitional time for me,” says Smith, wearing hoops and a black apron, as she demonstrates an acetylene torch on solderite in the small studio. “But a good one.”\u003c/p>\n\u003cp>Smith, who moved to Oakland in 1995 (she refuses to share her age), is shifting her metalwork practice from jewelry to a fine arts context, and launching a new nonprofit, \u003ca href=\"https://wewieldthehammer.org/\" target=\"_blank\" rel=\"noopener noreferrer\">We Wield the Hammer\u003c/a>, to bring the craft to other black women and girls through free, intensive workshops. The transition follows an influential apprenticeship in Senegal that took her abroad for most of 2018. “That was the start of the snowballing debt,” she says. “The trip was also a catalyst.”\u003c/p>\n\u003cp>Workspace and housing costs are the biggest challenges to artists in Oakland, according to a \u003ca href=\"http://www2.oaklandnet.com/oakca1/groups/ceda/documents/agenda/oak062138.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">city report\u003c/a> from 2016. What’s unique about Smith isn’t her financial struggles so much as her response: doubling down on as-yet-unprofitable projects. She’s loaning her equipment to a young metalsmith who’s teaching for We Wield the Hammer, which runs out of the Crucible in West Oakland, and foregoing a salary while fundraising for her fiscally-sponsored organization. She’s also speaking candidly about her experience, aiming to spur public investment in the arts.\u003c/p>\n\u003cfigure id=\"attachment_13873216\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873216\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Soldering-in-action-800x450.jpg\" alt=\"Smith demonstrates her acetylene torch on solderite.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Smith demonstrates her acetylene torch on solderite. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At a November meeting of the advisory committee to Oakland’s Cultural Funding Program (CFP), which awarded her nonprofit $4,999 in both 2018 and 2019 (though the latter check is still in the mail), Smith shared that her car was repossessed while she poured her energy into We Wield the Hammer, and advocated boosting grant amounts in the individual artist category.[pullquote size='medium' citation='Karen Smith']‘The cost of everything has gone up exponentially except grants and salaries.’[/pullquote]\u003c/p>\n\u003cp>“The cost of everything has gone up exponentially except grants and salaries,” she said during the public comment period. “The award is a pittance. I’m grateful—but it’s a pittance.” Smith continued, “I’m here because I want to put a face on what it means to be an artist in Oakland.”\u003c/p>\n\u003cp>Smith, who grew up in Brooklyn, divorced her husband in 2010. “I promised not to do things I don’t want to do anymore,” she says. She started a business, New Spirit Designs, making objects such as malas, or prayer beads, related to her practice as a Buddhist, which started 20 years ago at a daylong meditation. “I hadn’t been quiet for a day, ever, and over the course of the day my life changed,” she says. “I could actually listen to what was happening in my body.”\u003c/p>\n\u003cfigure id=\"attachment_13873215\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873215\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Sizing-rings-800x450.jpg\" alt=\"Sizing rings in Smith's soon-to-be-empty workspace. She's being displaced after falling behind on rent.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sizing rings in Smith’s soon-to-be-empty workspace. She’s being displaced after falling behind on rent. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Working with beads, though, left Smith unfulfilled. Several years ago she commissioned a metal bracelet, providing drawings to a craftsperson. “It was beautiful but it wasn’t what I envisioned,” she recalls. “That’s what made me realize I need to work with metal.” Through library books and online forums, she learned wire-wrapping, and then to use a butane torch. “Because I had no background, no idea what I was doing, I started out with silver—great way to burn money.”\u003c/p>\n\u003cp>Smith has made wedding bands, which run up to $2,000 for gold, and sold jewelry at farmers markets and craft fairs. “It’s a hardscrabble way to make a living,” she says, noting the physical toll and upfront costs. Now, though, Smith wants to make more work like her piece for \u003cem>Art of the African Diaspora\u003c/em>: sculpture, or “wearable art,” as she likes to say. She wants to use the metalsmithing techniques she learned through jewelry to create less everyday objects. As a former academic accustomed to valuing educational pedigree, being self-taught provokes some insecurity. “So I’m trying to position myself to consistently own the title ‘artist,’” she says.\u003c/p>\n\u003cp>“I mean, I’ll probably always make jewelry, like hoops—I’m a hoops whore,” she adds. “Every woman looks good in hoops. But hoops like these cost $40. I also make a pair that cost $340.”\u003c/p>\n\u003cfigure id=\"attachment_13873214\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873214\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Laughing-800x450.jpg\" alt=\"Smith is transitioning her metalwork from jewelry to a fine arts context.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Smith is transitioning her metalwork from jewelry to a fine arts context. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Smith describes her time in Senegal in 2018 as practically preordained, the result of one morning “hearing a voice.” She couldn’t find a formal apprenticeship program, but through academic contacts made some inroads with artisans in Dakar, the capital. “The first person who responded was a Senegalese man who said, ‘Does she know that women don’t wield the hammer? That we have that saying? That it’s transmitted father-to-son?’” she recalls. “I was like, sorry, no I don’t know about any of that. And he said, ‘Good, because it has to change.’”[aside label='Side Gigs and Successes' link1='https://www.kqed.org/arts/13827433/bay-area-artists-we-want-to-know-whats-your-hustle,Are you a Bay Area artist? Tell us about your hustle.' target=_blank]\u003c/p>\n\u003cp>She connected with a fifth-generation metalsmith named Ibrahim Sow and his apprentice son, Oumar Moida. “I think he thought initially that I was some young girl who wanted to make earrings on vacation for the ’gram,” she says. “When I got there he was amazed by my age, that I’m black—he was hella taken aback.” She learned to work from scratch: melting fine silver and copper to form sterling as well as making her own soldering alloy. She first stayed for two months and then, at Sow’s urging, returned for four-and-a-half more months later in 2018.\u003c/p>\n\u003cp>The patriarchal legacy of metalsmithing in Senegal created distance between Smith and the women around the artist village where she worked in Dakar. But she captured the interest of a young girl who’d stand silently in the studio doorway to watch. “I asked the teacher’s son about her and he said that she thought I was a ghost, that she’d never seen a woman doing what I was doing, so I had to be magic,” she says. “I thought, if she wants to learn, who will teach her?”\u003c/p>\n\u003cfigure id=\"attachment_13873213\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873213\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/is-torch-off-800x450.jpg\" alt=\"Because she's being displaced from her workspace, Smith is loaning her equipment to Ale'ah Bashir Baaqee, a young metal artist from Oakland.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Because she’s being displaced from her workspace, Smith is loaning her equipment to Ale’ah Bashir Baaqee, a young metal artist from Oakland. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Smith returned from Dakar inspired but stressed; she’d spent most of 2018 without income, and started last year with an illness that prevented her from working for several weeks. “When you work for yourself there’s no unemployment, no sick pay,” she says. Still, Smith found some part-time work teaching at the Crucible (where co-teaching a two-day workshop pays approximately $300). The industrial arts center hosted the first We Wield the Hammer session last summer, and Smith secured the CFP grants to buy materials and pay a teacher, Ale’ah Bashir Baaqee.\u003c/p>\n\u003cp>The second eight-week session of We Wield the Hammer, which Smith plans to expand to Senegal, starts this month with a cohort of six black women and girls between the ages of 14 and 24. Until she can draw a salary from the organization, she plans to use workspace at the Crucible for personal projects. Because she must vacate her studio by the end of January, Smith is loaning her equipment to Baaqee, a metal artist from Oakland. “I’m letting her borrow all of these hammers,” Smith says in the soon-to-be-empty studio. “This is my favorite hammer.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Earlier this month, Oakland metalsmith \u003ca href=\"https://karensmithmetalartist.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Karen Smith\u003c/a> put the finishing touches on \u003cem>Mamedjarra the Sacred\u003c/em>, a sterling silver necklace. After nearly a year of work on the piece—a hammered crescent with dangling discs and frizzy strands—she shipped it to the Richmond Art Center, where it’s featured in a new group show, \u003cem>\u003ca href=\"http://richmondartcenter.org/exhibitions/art-of-the-african-diaspora-2020/\" target=\"_blank\" rel=\"noopener noreferrer\">Art of the African Diaspora\u003c/a>\u003c/em>. And then she started to pack up her East Oakland workspace, where Smith is being displaced after falling behind on rent.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "By the numbers…\u003c/p>\n\u003cul>\n\u003cli>2019 income: <$10,000\u003c/li>\n\u003cli>Home and studio rent: $800/month\u003c/li>\n\u003cli>2019 City of Oakland grant: $4,999\u003c/li>\n\u003cli>Time spent waiting for grant check: 5 months and counting\u003c/li>\n\u003cli>Silver: $18.09/ounce\u003c/li>\n\u003c/ul>\n\u003cp>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s a huge transitional time for me,” says Smith, wearing hoops and a black apron, as she demonstrates an acetylene torch on solderite in the small studio. “But a good one.”\u003c/p>\n\u003cp>Smith, who moved to Oakland in 1995 (she refuses to share her age), is shifting her metalwork practice from jewelry to a fine arts context, and launching a new nonprofit, \u003ca href=\"https://wewieldthehammer.org/\" target=\"_blank\" rel=\"noopener noreferrer\">We Wield the Hammer\u003c/a>, to bring the craft to other black women and girls through free, intensive workshops. The transition follows an influential apprenticeship in Senegal that took her abroad for most of 2018. “That was the start of the snowballing debt,” she says. “The trip was also a catalyst.”\u003c/p>\n\u003cp>Workspace and housing costs are the biggest challenges to artists in Oakland, according to a \u003ca href=\"http://www2.oaklandnet.com/oakca1/groups/ceda/documents/agenda/oak062138.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">city report\u003c/a> from 2016. What’s unique about Smith isn’t her financial struggles so much as her response: doubling down on as-yet-unprofitable projects. She’s loaning her equipment to a young metalsmith who’s teaching for We Wield the Hammer, which runs out of the Crucible in West Oakland, and foregoing a salary while fundraising for her fiscally-sponsored organization. She’s also speaking candidly about her experience, aiming to spur public investment in the arts.\u003c/p>\n\u003cfigure id=\"attachment_13873216\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873216\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Soldering-in-action-800x450.jpg\" alt=\"Smith demonstrates her acetylene torch on solderite.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Smith demonstrates her acetylene torch on solderite. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At a November meeting of the advisory committee to Oakland’s Cultural Funding Program (CFP), which awarded her nonprofit $4,999 in both 2018 and 2019 (though the latter check is still in the mail), Smith shared that her car was repossessed while she poured her energy into We Wield the Hammer, and advocated boosting grant amounts in the individual artist category.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The cost of everything has gone up exponentially except grants and salaries,” she said during the public comment period. “The award is a pittance. I’m grateful—but it’s a pittance.” Smith continued, “I’m here because I want to put a face on what it means to be an artist in Oakland.”\u003c/p>\n\u003cp>Smith, who grew up in Brooklyn, divorced her husband in 2010. “I promised not to do things I don’t want to do anymore,” she says. She started a business, New Spirit Designs, making objects such as malas, or prayer beads, related to her practice as a Buddhist, which started 20 years ago at a daylong meditation. “I hadn’t been quiet for a day, ever, and over the course of the day my life changed,” she says. “I could actually listen to what was happening in my body.”\u003c/p>\n\u003cfigure id=\"attachment_13873215\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873215\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Sizing-rings-800x450.jpg\" alt=\"Sizing rings in Smith's soon-to-be-empty workspace. She's being displaced after falling behind on rent.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sizing rings in Smith’s soon-to-be-empty workspace. She’s being displaced after falling behind on rent. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Working with beads, though, left Smith unfulfilled. Several years ago she commissioned a metal bracelet, providing drawings to a craftsperson. “It was beautiful but it wasn’t what I envisioned,” she recalls. “That’s what made me realize I need to work with metal.” Through library books and online forums, she learned wire-wrapping, and then to use a butane torch. “Because I had no background, no idea what I was doing, I started out with silver—great way to burn money.”\u003c/p>\n\u003cp>Smith has made wedding bands, which run up to $2,000 for gold, and sold jewelry at farmers markets and craft fairs. “It’s a hardscrabble way to make a living,” she says, noting the physical toll and upfront costs. Now, though, Smith wants to make more work like her piece for \u003cem>Art of the African Diaspora\u003c/em>: sculpture, or “wearable art,” as she likes to say. She wants to use the metalsmithing techniques she learned through jewelry to create less everyday objects. As a former academic accustomed to valuing educational pedigree, being self-taught provokes some insecurity. “So I’m trying to position myself to consistently own the title ‘artist,’” she says.\u003c/p>\n\u003cp>“I mean, I’ll probably always make jewelry, like hoops—I’m a hoops whore,” she adds. “Every woman looks good in hoops. But hoops like these cost $40. I also make a pair that cost $340.”\u003c/p>\n\u003cfigure id=\"attachment_13873214\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873214\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Laughing-800x450.jpg\" alt=\"Smith is transitioning her metalwork from jewelry to a fine arts context.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Smith is transitioning her metalwork from jewelry to a fine arts context. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Smith describes her time in Senegal in 2018 as practically preordained, the result of one morning “hearing a voice.” She couldn’t find a formal apprenticeship program, but through academic contacts made some inroads with artisans in Dakar, the capital. “The first person who responded was a Senegalese man who said, ‘Does she know that women don’t wield the hammer? That we have that saying? That it’s transmitted father-to-son?’” she recalls. “I was like, sorry, no I don’t know about any of that. And he said, ‘Good, because it has to change.’”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She connected with a fifth-generation metalsmith named Ibrahim Sow and his apprentice son, Oumar Moida. “I think he thought initially that I was some young girl who wanted to make earrings on vacation for the ’gram,” she says. “When I got there he was amazed by my age, that I’m black—he was hella taken aback.” She learned to work from scratch: melting fine silver and copper to form sterling as well as making her own soldering alloy. She first stayed for two months and then, at Sow’s urging, returned for four-and-a-half more months later in 2018.\u003c/p>\n\u003cp>The patriarchal legacy of metalsmithing in Senegal created distance between Smith and the women around the artist village where she worked in Dakar. But she captured the interest of a young girl who’d stand silently in the studio doorway to watch. “I asked the teacher’s son about her and he said that she thought I was a ghost, that she’d never seen a woman doing what I was doing, so I had to be magic,” she says. “I thought, if she wants to learn, who will teach her?”\u003c/p>\n\u003cfigure id=\"attachment_13873213\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873213\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/is-torch-off-800x450.jpg\" alt=\"Because she's being displaced from her workspace, Smith is loaning her equipment to Ale'ah Bashir Baaqee, a young metal artist from Oakland.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Because she’s being displaced from her workspace, Smith is loaning her equipment to Ale’ah Bashir Baaqee, a young metal artist from Oakland. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Smith returned from Dakar inspired but stressed; she’d spent most of 2018 without income, and started last year with an illness that prevented her from working for several weeks. “When you work for yourself there’s no unemployment, no sick pay,” she says. Still, Smith found some part-time work teaching at the Crucible (where co-teaching a two-day workshop pays approximately $300). The industrial arts center hosted the first We Wield the Hammer session last summer, and Smith secured the CFP grants to buy materials and pay a teacher, Ale’ah Bashir Baaqee.\u003c/p>\n\u003cp>The second eight-week session of We Wield the Hammer, which Smith plans to expand to Senegal, starts this month with a cohort of six black women and girls between the ages of 14 and 24. Until she can draw a salary from the organization, she plans to use workspace at the Crucible for personal projects. Because she must vacate her studio by the end of January, Smith is loaning her equipment to Baaqee, a metal artist from Oakland. “I’m letting her borrow all of these hammers,” Smith says in the soon-to-be-empty studio. “This is my favorite hammer.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>The most powerful way to get people to save for retirement in recent decades has been through benefits offered at their job. But a lot of people — about half the American workforce — don't get that from their employers.\u003c/p>\n\u003cp>\"Over 50 million workers right now don't have access to any retirement plan at all,\" said David Certner, legislative counsel for AARP.\u003c/p>\n\u003cp>Small employers are the biggest segment lacking coverage, he said. That's because many small businesses lack the time and money to set such programs up, he said.\u003c/p>\n\u003cp>The new law, called the \u003ca href=\"https://www.congress.gov/bill/116th-congress/house-bill/1865/text\" target=\"_blank\" rel=\"noopener noreferrer\">Secure Act\u003c/a>, aims to help with that, in part by allowing smaller employers to band together to share the administrative burden — making it cheaper and easier to offer retirement benefits. How many will do so and expand their retirement benefits is far from clear because the program is optional.\u003c/p>\n\u003cp>And, Certner said, the law won't apply to many other workers who aren't classified as employees. Contractors or gig workers aren't eligible for those benefits.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Secure Act also gives people more flexibility to save for longer periods of time and delay withdrawing funds. It allows employers to offer other investment options like annuities.\u003c/p>\n\u003cp>The fact that the measure passed with overwhelming bipartisan support last month is significant, said Alicia Munnell, director of the Center for Retirement Research at Boston College. But she said the changes are modest. [aside tag='retirement' label='More Coverage']\u003c/p>\n\u003cp>She notes that the government has tried — and largely failed — to encourage more small businesses to offer retirement benefits through programs like the Treasury Department's now-expired \u003ca href=\"https://myra.gov/\" target=\"_blank\" rel=\"noopener noreferrer\">myRA \u003c/a>program.\u003c/p>\n\u003cp>She expects it will be the same with this latest law.\u003c/p>\n\u003cp>\"I don't really think they're really going to move the needle much at all,\" Munnell said.\u003c/p>\n\u003cp>The new law requires employers offering retirement benefits to include part-time workers who've been on the job at least three years. That could help about 4 million workers, Munnell said.\u003c/p>\n\u003cp>Much bigger changes to retirement law have been occurring at the state level, experts say. \u003ca href=\"https://www.aarp.org/ppi/state-retirement-plans/savings-plans/\" target=\"_blank\" rel=\"noopener noreferrer\">Ten states\u003c/a> — including Oregon, \u003ca href=\"https://www.kqed.org/news/11764846/half-of-private-sector-californians-have-no-retirement-funds-according-to-report\" target=\"_blank\" rel=\"noopener noreferrer\">California\u003c/a> and Illinois — recently started requiring private employers to enroll their workers in individual retirement accounts if the employers don't offer their own benefits. Those state programs are expected to expand retirement savings to 15 million more people.\u003c/p>\n\u003cp>\"Without a mandate, without somebody saying, 'Mr. Small Businessman, you have to do something for your employees,' I don't think we're going to see much change,\" Munnell said. That's why, she said, she would like to see such rules extend to all 50 states.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=New+Law+Aims+To+Help+Americans+Without+Retirement+Plans.+Will+It+Work%3F&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The most powerful way to get people to save for retirement in recent decades has been through benefits offered at their job. But a lot of people — about half the American workforce — don't get that from their employers.\u003c/p>\n\u003cp>\"Over 50 million workers right now don't have access to any retirement plan at all,\" said David Certner, legislative counsel for AARP.\u003c/p>\n\u003cp>Small employers are the biggest segment lacking coverage, he said. That's because many small businesses lack the time and money to set such programs up, he said.\u003c/p>\n\u003cp>The new law, called the \u003ca href=\"https://www.congress.gov/bill/116th-congress/house-bill/1865/text\" target=\"_blank\" rel=\"noopener noreferrer\">Secure Act\u003c/a>, aims to help with that, in part by allowing smaller employers to band together to share the administrative burden — making it cheaper and easier to offer retirement benefits. How many will do so and expand their retirement benefits is far from clear because the program is optional.\u003c/p>\n\u003cp>And, Certner said, the law won't apply to many other workers who aren't classified as employees. Contractors or gig workers aren't eligible for those benefits.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She notes that the government has tried — and largely failed — to encourage more small businesses to offer retirement benefits through programs like the Treasury Department's now-expired \u003ca href=\"https://myra.gov/\" target=\"_blank\" rel=\"noopener noreferrer\">myRA \u003c/a>program.\u003c/p>\n\u003cp>She expects it will be the same with this latest law.\u003c/p>\n\u003cp>\"I don't really think they're really going to move the needle much at all,\" Munnell said.\u003c/p>\n\u003cp>The new law requires employers offering retirement benefits to include part-time workers who've been on the job at least three years. That could help about 4 million workers, Munnell said.\u003c/p>\n\u003cp>Much bigger changes to retirement law have been occurring at the state level, experts say. \u003ca href=\"https://www.aarp.org/ppi/state-retirement-plans/savings-plans/\" target=\"_blank\" rel=\"noopener noreferrer\">Ten states\u003c/a> — including Oregon, \u003ca href=\"https://www.kqed.org/news/11764846/half-of-private-sector-californians-have-no-retirement-funds-according-to-report\" target=\"_blank\" rel=\"noopener noreferrer\">California\u003c/a> and Illinois — recently started requiring private employers to enroll their workers in individual retirement accounts if the employers don't offer their own benefits. Those state programs are expected to expand retirement savings to 15 million more people.\u003c/p>\n\u003cp>\"Without a mandate, without somebody saying, 'Mr. Small Businessman, you have to do something for your employees,' I don't think we're going to see much change,\" Munnell said. That's why, she said, she would like to see such rules extend to all 50 states.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=New+Law+Aims+To+Help+Americans+Without+Retirement+Plans.+Will+It+Work%3F&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In 2017, Susanna Cardenas-Lopez left her home in Salinas to visit her brother in Idaho. Three days into her trip, she called her husband and told him they needed to move there.\u003c/p>\n\u003cp>[pullquote size='medium' align='right' citation=\"Susanna Cardenas-Lopez\"]‘I love California, but it’s just not the Golden State in my eyes anymore.’[/pullquote]\u003c/p>\n\u003cp>Back in Salinas, Cardenas-Lopez and her husband were left out in the cold after their landlord decided to stop renting the home they lived in. They couldn’t afford anything else, so they had to move in with a family member, which was stressful.\u003c/p>\n\u003cp>Now in Idaho, she and her husband have free time and money left over at the end of each month. Plus, their new neighborhood is significantly safer than the one they left behind in Salinas, she said.\u003c/p>\n\u003cp>“I feel like it’s a dream with the quality of life we now have,” Cardenas-Lopez said. “Yes, the pay is less, but that just doesn’t even seem to matter to me. At least we have enough to pay our rent and bills.”\u003c/p>\n\u003cp>Many of her family members face the same situation. Five months ago, her 35-year-old daughter, son-in-law and grandchildren left Salinas after their rent increased from $1,300 to $2,000 in just three years, she said.\u003c/p>\n\u003cp>“I love California, but it’s just not the Golden State in my eyes anymore,” she said.\u003c/p>\n\u003cp>Cardenas-Lopez isn’t alone. U.S. Census Bureau numbers show that the middle- and lower-classes are leaving California at a higher rate than the wealthy. Many who have left in recent years say they simply couldn’t afford to stay.\u003c/p>\n\u003ch3>\u003cstrong>Cost of Living: The Defining Issue\u003c/strong>\u003c/h3>\n\u003cp>In the second quarter of 2019, the San Francisco Bay Area topped Los Angeles, Washington and Chicago when it came to people leaving major U.S. cities. It was second only to New York City. More than 28,190 people departed the Bay Area during those three months, close to double 2017’s rate, according to a regular migration report from\u003ca href=\"https://www.redfin.com/blog/q2-2019-housing-migration-report/\" target=\"_blank\" rel=\"noopener noreferrer\"> real estate brokerage Redfin\u003c/a>.\u003c/p>\n\u003cp>In 2018, for the second year in a row, 38,000 more people left the Golden State than moved there, according to census data.\u003c/p>\n\u003cp>The majority of people leaving reported an annual income of less than $100,000, while the state has seen an influx of those making $100,000 and more.\u003c/p>\n\u003cp>According to a\u003ca href=\"https://www.unitedwaysca.org/images/RealCostMeasure2018/Struggling-to-Stay-Afloat-Full-Report.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"> 2018 United Way Cost of Living report\u003c/a>, Latino and African American households experience financial hardship at the highest rates in California, citing housing as their biggest burden.\u003c/p>\n\u003cp>Still, state demographers said a mix of factors are likely playing into the flight of low-income and elderly residents.\u003c/p>\n\u003cp>[aside label=\"related content\" tag=\"affordability\"]“Moves relate to relative employment situation and they do relate to costs and amenities,” said Eddie Hunsinger, a demographer with the state Department of Finance. “They also, too, move at different stages of life. It’s generally a mix of factors going into migration.”\u003c/p>\n\u003cp>Hunsinger added that even when people are leaving the state in droves, there is still a steady flow of people moving into California.\u003c/p>\n\u003cp>Randa Moore, who used to live in Santa Rosa, said the number one reason she left for Florida was the cost of living.\u003c/p>\n\u003cp>“We were working 10-16 hours a day, seven days a week, every holiday, and were still struggling to buy groceries,” she said.\u003c/p>\n\u003cp>Now, Moore rents a three-bedroom home with a pool for $1,400 a month and has money to spare.\u003c/p>\n\u003cp>“The difference is in the thousands of dollars and hours working,” she said. “We don’t make California money anymore, but we actually have more money at the end of the month.\u003c/p>\n\u003cp>“Do I miss it?” she asked. “I miss what it used to be. Before the industries were destroyed as well as the middle class. It seems it’s become a two-class system; the haves and the have-nots. The poor have no chance to survive.”\u003c/p>\n\u003ch3>\u003cstrong>Housing Crisis\u003c/strong>\u003c/h3>\n\u003cp>Gov. Gavin Newsom has committed $1.75 billion to fund new building projects to tackle California’s housing crisis. In October, he signed various housing bills, including one that capped rent increases and stifled evictions.\u003c/p>\n\u003cp>“We’re living in the wealthiest as well as the poorest state in America,” Newsom said when he signed the bills. “Cost of living. It is the issue that defines more issues than any other issue in this state.”\u003c/p>\n\u003cp>Between 2010 and 2017, the median cost of a home in California doubled; in the Bay Area, it tripled.\u003c/p>\n\u003cp>“About 32% of households in California can afford to buy a median-priced home, which is around $600,000,” said Oscar Wei, a senior economist at the California Association of Realtors. “Compared to 2012, we were at 52% (across the state). In San Francisco and San Mateo only 12% or 13% of residents can afford to buy a median-priced home there.”\u003c/p>\n\u003cp>In San Francisco, a median-priced home costs around $1.5 million.\u003c/p>\n\u003cp>Wei said states with a low cost of living or no income tax can tempt people by offering wages that aren’t quite middle class in California, but would put them above average elsewhere.\u003c/p>\n\u003cp>“In California, to buy a median price home it requires an income of $100,000,” he said. “In Arizona, you can buy a median-priced home with an income of $50-$60,000.”\u003c/p>\n\u003cp>While Wei does not expect housing prices to drop the way they did at the end of the last decade, when the housing bubble burst, he does anticipate price drops in the next five to 10 years if the housing crisis isn’t addressed.\u003c/p>\n\u003cp>“We have been seeing some companies leaving So Cal and the Bay Area,” said Wei. “Toyota and Nissan left Southern California, and home prices might have slowed down but they haven’t dropped really significantly.\u003c/p>\n\u003cp>“If the housing affordability issue isn’t addressed in the next five to 10 years, we will see companies starting to move out,” he said. However, he didn’t think enough companies would move out over a short enough period to truly tumble housing prices.\u003c/p>\n\u003cp>“After all,” he said, “California is a good place to live. It’s the cost that is an issue.”\u003c/p>\n\u003ch3>\u003cstrong>‘The State Pushed Us Out’\u003c/strong>\u003c/h3>\n\u003cp>Pat Tollefson, who said her great-great-grandfather, Joseph Fredrick Snyder, was an early settler of Salinas in the 1860s, moved to Washington state with her husband three years ago, after spending her first 60 years in California.\u003c/p>\n\u003cp>“We love California, but the state pushed us out,” she wrote on Facebook in a message to The Salinas Californian.\u003c/p>\n\u003cp>“The first year [we were in Washington], our Prius California renewal registration was due at a cost of $290, but we transferred the registration to Washington state at a cost of $63,” she said. “That was just one surprise benefit!”\u003c/p>\n\u003cp>Tollefson said they found the cost of purchasing a home, as well as utilities, were lower than they had paid in California. The lower cost of living combined with their access to nature has helped lower their stress.\u003c/p>\n\u003cp>Salinas realtor Chris Barrera has worked for Windermere Valley Properties for five years. In the last few years, he has seen more and more clients cite cost of living as a main reason for leaving California.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He estimated about a quarter of the roughly 20 clients he works with each month felt they could no longer afford California. Most are in the service industry or live on a fixed income, and many are leaving for Texas and Idaho, states with low or no income tax, and a low cost of living.\u003c/p>\n\u003cp>“People are being priced out,” Barrera said. “I have a lot of clients who are selling and they’re just tired of California politics. Monterey County is one of the most expensive places to live in the U.S., and the only other option is to have numerous families living at one property.”\u003c/p>\n\u003ch3>\u003cstrong>‘A Lot of Anger’\u003c/strong>\u003c/h3>\n\u003cp>Those who leave California don’t always leave it behind altogether, though. Communities that sometimes double as support groups have sprung up online for former Californians. Here, they can complain about their former state, or even their new one, while still maintaining that they’re glad they left.\u003c/p>\n\u003cp>Some also say politics, not just taxes, play a role in their decision to leave.\u003c/p>\n\u003cp>In “CA Exodus and Ex-CAers,” a Facebook group for ex-Californians and those planning to leave, the banner photo is an altered “Now leaving California” sign. It reads: “Was it something we taxed?”\u003c/p>\n\u003cp>[pullquote size='medium' align='right' citation=\"Randa Moore, formerly of Santa Rosa\"]‘We were working 10-16 hours a day, seven days a week, every holiday, and were still struggling to buy groceries.’[/pullquote]\u003c/p>\n\u003cp>Here, a couple hundred members bring up California laws and regulations they find ridiculous or costly, affirming their decision to leave. Mostly, though, they share stories of the exodus taking place.\u003c/p>\n\u003cp>“I joined this group so I would at least have others to commiserate with,” said group member Melinda Temblador, who said she left “Commiefornia” because of “the high cost of everything, extreme moral decay and [being] pretty sick of bearing the cost of freeloaders for their free medical, free college, free free free stuff while I slave away staying awake at night wondering how I’m going to pay for my daughter’s college but the illegal next door gets it for free.”\u003c/p>\n\u003cp>She added, “If you sense a lot of anger on my part you would be correct. We absolutely made the best decision to flee. Have no regrets and are actively helping several family members to leave ASAP as well.”\u003c/p>\n\u003cp>Other group members echoed Temblador’s sentiments, adding that the state’s liberal bent left them feeling frustrated and isolated.\u003c/p>\n\u003cp>“I guess maybe it helps to solidify the fact we are not alone,” said Jonathan English Olmstead, who plans to leave California. “In this state, being a devoted Christian and Republican you feel as though you are the only one with these views.”\u003c/p>\n\u003cp>But not everyone is taking off for cheaper or greener pastures. Some have instead resorted to subletting or moving in with family to meet increased rental prices.\u003c/p>\n\u003cp>Raycheal Jarvis, a native of Marina, in Monterey County, said she and her family, including four children, are living with her in-laws. Jarvis wanted to stay in Marina “where neighbors still look out for one another,” but, she said, commuters to San Jose are snapping up properties at sky-high prices. Jarvis is looking at other options, but so far, it seems the only place she and her family can afford housing is outside of the area.\u003c/p>\n\u003cp>“We don’t make enough to afford a home big enough to raise our family,” she said.\u003c/p>\n\u003cp>\u003cem>Kate Cimini is a multimedia journalist for The Californian. This article is part of the\u003c/em>\u003ca href=\"https://calmatters.org/category/california-divide/\">\u003cem> California Divide project\u003c/em>\u003c/a>\u003cem>, a collaboration among newsrooms examining income inequality and economic survival in California.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 2017, Susanna Cardenas-Lopez left her home in Salinas to visit her brother in Idaho. Three days into her trip, she called her husband and told him they needed to move there.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Back in Salinas, Cardenas-Lopez and her husband were left out in the cold after their landlord decided to stop renting the home they lived in. They couldn’t afford anything else, so they had to move in with a family member, which was stressful.\u003c/p>\n\u003cp>Now in Idaho, she and her husband have free time and money left over at the end of each month. Plus, their new neighborhood is significantly safer than the one they left behind in Salinas, she said.\u003c/p>\n\u003cp>“I feel like it’s a dream with the quality of life we now have,” Cardenas-Lopez said. “Yes, the pay is less, but that just doesn’t even seem to matter to me. At least we have enough to pay our rent and bills.”\u003c/p>\n\u003cp>Many of her family members face the same situation. Five months ago, her 35-year-old daughter, son-in-law and grandchildren left Salinas after their rent increased from $1,300 to $2,000 in just three years, she said.\u003c/p>\n\u003cp>“I love California, but it’s just not the Golden State in my eyes anymore,” she said.\u003c/p>\n\u003cp>Cardenas-Lopez isn’t alone. U.S. Census Bureau numbers show that the middle- and lower-classes are leaving California at a higher rate than the wealthy. Many who have left in recent years say they simply couldn’t afford to stay.\u003c/p>\n\u003ch3>\u003cstrong>Cost of Living: The Defining Issue\u003c/strong>\u003c/h3>\n\u003cp>In the second quarter of 2019, the San Francisco Bay Area topped Los Angeles, Washington and Chicago when it came to people leaving major U.S. cities. It was second only to New York City. More than 28,190 people departed the Bay Area during those three months, close to double 2017’s rate, according to a regular migration report from\u003ca href=\"https://www.redfin.com/blog/q2-2019-housing-migration-report/\" target=\"_blank\" rel=\"noopener noreferrer\"> real estate brokerage Redfin\u003c/a>.\u003c/p>\n\u003cp>In 2018, for the second year in a row, 38,000 more people left the Golden State than moved there, according to census data.\u003c/p>\n\u003cp>The majority of people leaving reported an annual income of less than $100,000, while the state has seen an influx of those making $100,000 and more.\u003c/p>\n\u003cp>According to a\u003ca href=\"https://www.unitedwaysca.org/images/RealCostMeasure2018/Struggling-to-Stay-Afloat-Full-Report.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"> 2018 United Way Cost of Living report\u003c/a>, Latino and African American households experience financial hardship at the highest rates in California, citing housing as their biggest burden.\u003c/p>\n\u003cp>Still, state demographers said a mix of factors are likely playing into the flight of low-income and elderly residents.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Moves relate to relative employment situation and they do relate to costs and amenities,” said Eddie Hunsinger, a demographer with the state Department of Finance. “They also, too, move at different stages of life. It’s generally a mix of factors going into migration.”\u003c/p>\n\u003cp>Hunsinger added that even when people are leaving the state in droves, there is still a steady flow of people moving into California.\u003c/p>\n\u003cp>Randa Moore, who used to live in Santa Rosa, said the number one reason she left for Florida was the cost of living.\u003c/p>\n\u003cp>“We were working 10-16 hours a day, seven days a week, every holiday, and were still struggling to buy groceries,” she said.\u003c/p>\n\u003cp>Now, Moore rents a three-bedroom home with a pool for $1,400 a month and has money to spare.\u003c/p>\n\u003cp>“The difference is in the thousands of dollars and hours working,” she said. “We don’t make California money anymore, but we actually have more money at the end of the month.\u003c/p>\n\u003cp>“Do I miss it?” she asked. “I miss what it used to be. Before the industries were destroyed as well as the middle class. It seems it’s become a two-class system; the haves and the have-nots. The poor have no chance to survive.”\u003c/p>\n\u003ch3>\u003cstrong>Housing Crisis\u003c/strong>\u003c/h3>\n\u003cp>Gov. Gavin Newsom has committed $1.75 billion to fund new building projects to tackle California’s housing crisis. In October, he signed various housing bills, including one that capped rent increases and stifled evictions.\u003c/p>\n\u003cp>“We’re living in the wealthiest as well as the poorest state in America,” Newsom said when he signed the bills. “Cost of living. It is the issue that defines more issues than any other issue in this state.”\u003c/p>\n\u003cp>Between 2010 and 2017, the median cost of a home in California doubled; in the Bay Area, it tripled.\u003c/p>\n\u003cp>“About 32% of households in California can afford to buy a median-priced home, which is around $600,000,” said Oscar Wei, a senior economist at the California Association of Realtors. “Compared to 2012, we were at 52% (across the state). In San Francisco and San Mateo only 12% or 13% of residents can afford to buy a median-priced home there.”\u003c/p>\n\u003cp>In San Francisco, a median-priced home costs around $1.5 million.\u003c/p>\n\u003cp>Wei said states with a low cost of living or no income tax can tempt people by offering wages that aren’t quite middle class in California, but would put them above average elsewhere.\u003c/p>\n\u003cp>“In California, to buy a median price home it requires an income of $100,000,” he said. “In Arizona, you can buy a median-priced home with an income of $50-$60,000.”\u003c/p>\n\u003cp>While Wei does not expect housing prices to drop the way they did at the end of the last decade, when the housing bubble burst, he does anticipate price drops in the next five to 10 years if the housing crisis isn’t addressed.\u003c/p>\n\u003cp>“We have been seeing some companies leaving So Cal and the Bay Area,” said Wei. “Toyota and Nissan left Southern California, and home prices might have slowed down but they haven’t dropped really significantly.\u003c/p>\n\u003cp>“If the housing affordability issue isn’t addressed in the next five to 10 years, we will see companies starting to move out,” he said. However, he didn’t think enough companies would move out over a short enough period to truly tumble housing prices.\u003c/p>\n\u003cp>“After all,” he said, “California is a good place to live. It’s the cost that is an issue.”\u003c/p>\n\u003ch3>\u003cstrong>‘The State Pushed Us Out’\u003c/strong>\u003c/h3>\n\u003cp>Pat Tollefson, who said her great-great-grandfather, Joseph Fredrick Snyder, was an early settler of Salinas in the 1860s, moved to Washington state with her husband three years ago, after spending her first 60 years in California.\u003c/p>\n\u003cp>“We love California, but the state pushed us out,” she wrote on Facebook in a message to The Salinas Californian.\u003c/p>\n\u003cp>“The first year [we were in Washington], our Prius California renewal registration was due at a cost of $290, but we transferred the registration to Washington state at a cost of $63,” she said. “That was just one surprise benefit!”\u003c/p>\n\u003cp>Tollefson said they found the cost of purchasing a home, as well as utilities, were lower than they had paid in California. The lower cost of living combined with their access to nature has helped lower their stress.\u003c/p>\n\u003cp>Salinas realtor Chris Barrera has worked for Windermere Valley Properties for five years. In the last few years, he has seen more and more clients cite cost of living as a main reason for leaving California.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He estimated about a quarter of the roughly 20 clients he works with each month felt they could no longer afford California. Most are in the service industry or live on a fixed income, and many are leaving for Texas and Idaho, states with low or no income tax, and a low cost of living.\u003c/p>\n\u003cp>“People are being priced out,” Barrera said. “I have a lot of clients who are selling and they’re just tired of California politics. Monterey County is one of the most expensive places to live in the U.S., and the only other option is to have numerous families living at one property.”\u003c/p>\n\u003ch3>\u003cstrong>‘A Lot of Anger’\u003c/strong>\u003c/h3>\n\u003cp>Those who leave California don’t always leave it behind altogether, though. Communities that sometimes double as support groups have sprung up online for former Californians. Here, they can complain about their former state, or even their new one, while still maintaining that they’re glad they left.\u003c/p>\n\u003cp>Some also say politics, not just taxes, play a role in their decision to leave.\u003c/p>\n\u003cp>In “CA Exodus and Ex-CAers,” a Facebook group for ex-Californians and those planning to leave, the banner photo is an altered “Now leaving California” sign. It reads: “Was it something we taxed?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Here, a couple hundred members bring up California laws and regulations they find ridiculous or costly, affirming their decision to leave. Mostly, though, they share stories of the exodus taking place.\u003c/p>\n\u003cp>“I joined this group so I would at least have others to commiserate with,” said group member Melinda Temblador, who said she left “Commiefornia” because of “the high cost of everything, extreme moral decay and [being] pretty sick of bearing the cost of freeloaders for their free medical, free college, free free free stuff while I slave away staying awake at night wondering how I’m going to pay for my daughter’s college but the illegal next door gets it for free.”\u003c/p>\n\u003cp>She added, “If you sense a lot of anger on my part you would be correct. We absolutely made the best decision to flee. Have no regrets and are actively helping several family members to leave ASAP as well.”\u003c/p>\n\u003cp>Other group members echoed Temblador’s sentiments, adding that the state’s liberal bent left them feeling frustrated and isolated.\u003c/p>\n\u003cp>“I guess maybe it helps to solidify the fact we are not alone,” said Jonathan English Olmstead, who plans to leave California. “In this state, being a devoted Christian and Republican you feel as though you are the only one with these views.”\u003c/p>\n\u003cp>But not everyone is taking off for cheaper or greener pastures. Some have instead resorted to subletting or moving in with family to meet increased rental prices.\u003c/p>\n\u003cp>Raycheal Jarvis, a native of Marina, in Monterey County, said she and her family, including four children, are living with her in-laws. Jarvis wanted to stay in Marina “where neighbors still look out for one another,” but, she said, commuters to San Jose are snapping up properties at sky-high prices. Jarvis is looking at other options, but so far, it seems the only place she and her family can afford housing is outside of the area.\u003c/p>\n\u003cp>“We don’t make enough to afford a home big enough to raise our family,” she said.\u003c/p>\n\u003cp>\u003cem>Kate Cimini is a multimedia journalist for The Californian. This article is part of the\u003c/em>\u003ca href=\"https://calmatters.org/category/california-divide/\">\u003cem> California Divide project\u003c/em>\u003c/a>\u003cem>, a collaboration among newsrooms examining income inequality and economic survival in California.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Gov. Gavin Newsom rolled out a \u003ca href=\"https://www.kqed.org/news/11795344/newsom-zeroes-in-on-education-gaps-homelessness-and-wildfires-in-state-budget\" target=\"_blank\" rel=\"noopener noreferrer\">$222 billion state budget\u003c/a> on Friday, which included a plan to lower prescription drug costs by creating a \u003ca href=\"http://bit.ly/fioregeneric\" target=\"_blank\" rel=\"noopener noreferrer\">California generic drug label.\u003c/a>\u003c/p>\n\u003cp>If any place can throw its group buying power around, it’s California, the \u003ca href=\"https://www.latimes.com/business/la-fi-california-economy-gdp-20180504-story.html\" target=\"_blank\" rel=\"noopener noreferrer\">world’s fifth-largest economy\u003c/a>.\u003c/p>\n\u003cp>I’d wager that all Californians (OK, except for the ones who work for pharmaceutical companies) agree with Newsom’s statement that, “the cost of health care is just too damn high.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Gov. Gavin Newsom rolled out a \u003ca href=\"https://www.kqed.org/news/11795344/newsom-zeroes-in-on-education-gaps-homelessness-and-wildfires-in-state-budget\" target=\"_blank\" rel=\"noopener noreferrer\">$222 billion state budget\u003c/a> on Friday, which included a plan to lower prescription drug costs by creating a \u003ca href=\"http://bit.ly/fioregeneric\" target=\"_blank\" rel=\"noopener noreferrer\">California generic drug label.\u003c/a>\u003c/p>\n\u003cp>If any place can throw its group buying power around, it’s California, the \u003ca href=\"https://www.latimes.com/business/la-fi-california-economy-gdp-20180504-story.html\" target=\"_blank\" rel=\"noopener noreferrer\">world’s fifth-largest economy\u003c/a>.\u003c/p>\n\u003cp>I’d wager that all Californians (OK, except for the ones who work for pharmaceutical companies) agree with Newsom’s statement that, “the cost of health care is just too damn high.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cb>California’s New State Budget\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Earlier today, Gov. Gavin Newsom unveiled a $222 billion state budget for 2020. Among the top funding priorities is fighting the surging homeless crisis. The new budget earmarks 750 million dollars in funds to pay for rent and immediate housing assistance for homeless people at the local and state level. That’s in addition to an executive order Newsom signed Wednesday, allowing state land to be made available for emergency homeless shelters.Since taking office last year, the governor has also championed cutting health care costs and prescription drug prices.This year’s budget includes a proposal to create California’s own line of generic drugs by negotiating directly with drug makers. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Marisa Lagos, politics and government correspondent, KQED\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>U.S.-Iran Conflict Takes a Toll on Iranian Americans\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Southern California is home to hundreds of thousands of people of Iranian descent, the largest concentration in the U.S. and outside of Iran. This past week has been particularly trying for them, beginning with the killing of Iranian General Qassem Soleimani in an airstrike last Friday ordered by President Trump. Iran retaliated this week by firing more than a dozen missiles at two U.S. military bases in Iraq housing American troops. On Wednesday morning, President Trump addressed the nation about the attack, saying that no troops were injured and that a new round of economic sanctions would be imposed on Iran. While war with Iran seems unlikely – for now at least – tension abounds for Iranian Americans, dozens of whom in the past week were detained at airports and other ports of entry where border agents, in some instances, allegedly queried their political and religious beliefs. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Shokooh Miry, Iranian American psychologist and former board chair, National Iranian American Council\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Dornaz Memarzia, Iranian American community member\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Dominant San Francisco 49ers Reach Playoffs\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Tomorrow, the San Francisco 49ers hope to continue their push to the Super Bowl with a victory against the Minnesota Vikings. The number one seed 49ers ended their regular season with 13 victories and just 3 losses, anchored by quarterback Jimmy Garoppolo and his single season, career high 27 touchdowns. It’s also the first time in his six-year career that he’s reached the playoffs as a starter, bouncing back from an injury that sidelined him much of last season. And it’s the first time ever that the 49ers will battle teams in the playoffs at Levi’s Stadium in Santa Clara. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Guest:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Mark Willard, host, The Mark Willard Show\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>California’s New State Budget\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Earlier today, Gov. Gavin Newsom unveiled a $222 billion state budget for 2020. Among the top funding priorities is fighting the surging homeless crisis. The new budget earmarks 750 million dollars in funds to pay for rent and immediate housing assistance for homeless people at the local and state level. That’s in addition to an executive order Newsom signed Wednesday, allowing state land to be made available for emergency homeless shelters.Since taking office last year, the governor has also championed cutting health care costs and prescription drug prices.This year’s budget includes a proposal to create California’s own line of generic drugs by negotiating directly with drug makers. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Marisa Lagos, politics and government correspondent, KQED\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>U.S.-Iran Conflict Takes a Toll on Iranian Americans\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Southern California is home to hundreds of thousands of people of Iranian descent, the largest concentration in the U.S. and outside of Iran. This past week has been particularly trying for them, beginning with the killing of Iranian General Qassem Soleimani in an airstrike last Friday ordered by President Trump. Iran retaliated this week by firing more than a dozen missiles at two U.S. military bases in Iraq housing American troops. On Wednesday morning, President Trump addressed the nation about the attack, saying that no troops were injured and that a new round of economic sanctions would be imposed on Iran. While war with Iran seems unlikely – for now at least – tension abounds for Iranian Americans, dozens of whom in the past week were detained at airports and other ports of entry where border agents, in some instances, allegedly queried their political and religious beliefs. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Shokooh Miry, Iranian American psychologist and former board chair, National Iranian American Council\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Dornaz Memarzia, Iranian American community member\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Dominant San Francisco 49ers Reach Playoffs\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Tomorrow, the San Francisco 49ers hope to continue their push to the Super Bowl with a victory against the Minnesota Vikings. The number one seed 49ers ended their regular season with 13 victories and just 3 losses, anchored by quarterback Jimmy Garoppolo and his single season, career high 27 touchdowns. It’s also the first time in his six-year career that he’s reached the playoffs as a starter, bouncing back from an injury that sidelined him much of last season. And it’s the first time ever that the 49ers will battle teams in the playoffs at Levi’s Stadium in Santa Clara. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Newsom Zeroes in on Education Gaps, Homelessness and Climate Change in State Budget",
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"content": "\u003cp>\u003cstrong>Updated Friday at 12:46 p.m.\u003c/strong>\u003c/p>\n\u003cp>Gov. Gavin Newsom unveiled a \u003ca href=\"http://ebudget.ca.gov/FullBudgetSummary.pdf\">$222 billion state budget\u003c/a> this morning, saying it attempts to confront two of California's persistent problems: risks caused by climate change and homelessness.\u003c/p>\n\u003cp>The governor said the budget proposal, his second, also seeks to tackle long-standing problems in the state's education system, including the teacher shortage and pervasive achievement gap between black California students and others.\u003c/p>\n\u003cp>Newsom also wants to expand access to healthcare for undocumented seniors in California, lower prescription drug costs by \u003ca href=\"https://www.kqed.org/news/11794968/california-wants-to-create-its-own-generic-drug-label\" target=\"_blank\" rel=\"noopener noreferrer\">creating a generic state drug label\u003c/a>; and see state policy recognize the link between stable housing and mental and physical health.\u003c/p>\n\u003cp>https://twitter.com/scottshafer/status/1215720653300486144\u003c/p>\n\u003cp>\"We believe in universal health care, we believe universal health care lowers costs,\" he said. \"We believe its the right thing to do morally and ethically, and the financially responsible thing to do.\"\u003c/p>\n\u003cp>And he's proposing a new tax on nicotine vaping products that he estimated could raise up to $32 million next fiscal year — money he said will be used to prevent youth vaping, and other enforcement programs.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Gov. Gavin Newsom\"]'Despite the progress we’ve made, there are deep, structural challenges that threaten our state’s future and demand our urgent attention.'[/pullquote]\u003c/p>\n\u003cp>In a Capitol presentation Friday morning, Newsom stressed both California's current economic strength but also the likelihood of a downturn in the future, saying that his administration has built on the work of his predecessor to both increase state reserves — now at $18 billion — and pay down state debt.\u003c/p>\n\u003cp>\"There is a derangement symptom going on in the popular media, that our best days are behind us and that California is not hitting on many cylinders,\" he said, before rattling off a list of the state's economic strengths.\u003c/p>\n\u003cp>\"One out every seven jobs created in America since the bottom of the recession came from the great state of California,\" Newsom said.\u003c/p>\n\u003cp>But the governor acknowledged that the state still has a lot of work to do to address homelessness, inequality and other challenges.\u003c/p>\n\u003cp>“Despite the progress we’ve made, there are deep, structural challenges that threaten our state’s future and demand our urgent attention. These problems — our widespread affordability crisis, expanding homelessness crisis and catastrophic wildfires — have been decades in the making and won’t be fixed overnight,\" he said.\u003c/p>\n\u003cp>The proposal laid out Friday kicks off budget season in California; lawmakers have the next six months to debate and refine Newsom's proposal and must pass a final budget by mid-June.\u003c/p>\n\u003cp>https://twitter.com/GuyMarzorati/status/1215705149022167040?s=20\u003c/p>\n\u003ch3>\u003cstrong>Education\u003c/strong>\u003c/h3>\n\u003cp>Newsom said it's \"self-evident\" that the state should focus resources on the 23 high-poverty school districts where African American students are disproportionately clustered.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Gov. Gavin Newsom\"]'If you wanna support children, you have to support caregivers. If you wanna support parents you have to support children.'[/pullquote]\u003c/p>\n\u003cp>The governor is proposing $900 million to help train and support teachers in the state's high-poverty schools; and $250 million to help reform the special education system. He also wants lawmakers to appropriate $300 million for one-time grants and technical assistance to create improvement plans at California's lowest-performing schools and another $300 million for one-time grants to help support kids' mental health.\u003c/p>\n\u003cp>The budget also proposes the creation of a Department of Early Childhood Development to create a more \"unified, quality affordable child system.\" The budget would fund 10,000 new preschool spots as part of the state's goal to eventually provide preschool to all low-income four-year-olds.\u003c/p>\n\u003cp>\"If you wanna support children, you have to support caregivers. If you wanna support parents you have to support children,\" he said.\u003c/p>\n\u003cp>And the governor announced that his wife, Jennifer Siebel Newsom, has been working with his administration on a $70 million expansion of the state's school nutrition program.\u003c/p>\n\u003ch3>\u003cstrong>Housing and Homelessness\u003c/strong>\u003c/h3>\n\u003cp>Newsom called homelessness the issue that \"defines our time\" and said the state will invest more than $1 billion to help cities and counties tackle the crisis.\u003c/p>\n\u003cp>Earlier in the week Newsom \u003ca href=\"https://www.kqed.org/news/11794599/newsom-seeks-750m-for-homeless-services-and-shelter-in-proposed-budget\" target=\"_blank\" rel=\"noopener noreferrer\">released part of his proposal on homelessness and housing\u003c/a>, calling for $1.4 billion in spending on a wide range of programs and signing an executive order aimed at getting people on the streets into shelter immediately. He's directing state agencies to make land available immediately to local governments and nonprofits to shelter homeless Californians — as long as the use of the land doesn't delay affordable housing development.\u003c/p>\n\u003cp>Also included in that proposal is a new fund, managed by the Department of Social Services, that will give direct support to both individuals facing homelessness, in the form of rental assistance; as well as help local governments develop housing and provide funding for board and care homes. Newsom said this $750 million plan is unique because the money will go directly to service providers.\u003c/p>\n\u003cp>The governor is also calling for the state to more closely acknowledge the connection between healthcare and homelessness. He's proposing $695 million within the Medi-Cal budget for housing and supportive services for the chronically homeless, with the idea that such programs can keep people out of the emergency rooms or expensive health care clinics.\u003c/p>\n\u003cp>He noted that not one dollar of the $1.75 billion included in this year's budget to increase housing production has been sent out to local governments yet, but said that money is starting to flow.\u003c/p>\n\u003ch3>\u003cb>Climate Change\u003c/b>\u003c/h3>\n\u003cp>Newsom is proposing a $4.75 billion \u003ca href=\"https://www.kqed.org/science/1955578/california-climate-budget-to-include-1-billion-green-loan-fund\" target=\"_blank\" rel=\"noopener noreferrer\">\"climate resilience bond\"\u003c/a> for the November ballot aimed at funding projects that will reduce climate risks.\u003c/p>\n\u003cp>He also wants to create a \u003cspan style=\"font-weight: 400\">$1 billion revolving loan fund would help \"level the playing field\" for smaller actors and seed innovative projects that private companies may be wary of investing in. He cited recycling, transportation and agriculture projects as areas that that fund could help kickstart.\u003c/span>\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Gov. Gavin Newsom\"]'If protecting Californians' interests and ensuring the necessary transformation requires further intervention, including a state takeover of the utility, the administration will work with the Legislature.'[/pullquote]\u003c/p>\n\u003cp>Newsom is also proposing hundreds of millions of dollars to prevent and fight fires, including investments in new technology, more firefighters, home hardening and vegetation management.\u003c/p>\n\u003cp>On PG&E, California's largest and only bankrupt utility, Newsom continued to leave open the possibility of state intervention —including a public takeover. His budget introduction notes that the goal is for the utility to emerge from bankruptcy by this summer.\u003c/p>\n\u003cp>\"The budget reflects necessary support for the administration's efforts to achieve the required transformation of PG&E within the bankruptcy process,\" the budget states. \"However, if protecting Californians' interests and ensuring the necessary transformation requires further intervention, including a state takeover of the utility, the administration will work with the Legislature.\"\u003c/p>\n\u003cp>Newsom said that if a takeover is necessary, it would be structured to protect the state's general fund.\u003c/p>\n\u003ch3>\u003cstrong>Criminal Justice\u003c/strong>\u003c/h3>\n\u003cp>Newsom's budget forecasts an end to private prison contracting by April, and says that if population trends hold, the state could close a prison within five years.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\"I wanna close a state prison, and I wanna do it on my watch,\" he said, adding that he hopes his watch extends to another term. \u003c/span>\u003c/p>\n\u003cp>[aside tag=\"gavin-newsom\" label=\"related coverage\"]\u003c/p>\n\u003cp>Newsom said depending on prison population numbers he thinks the state could shutter a prison by 2022 at the earliest and 2024 at the latest.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\"And we have a strategy and a plan to shut down a prison and that's enlivening,\" he said. \u003c/span>\u003c/p>\n\u003cp>Newsom said he also wants to \"transform\" prision life, noting that the budget calls for investments in \u003ca href=\"https://www.kqed.org/news/11795091/returning-as-good-neighbors-for-young-prisoners-newsom-proposes-rehab-program\" target=\"_blank\" rel=\"noopener noreferrer\">rehabilitation programs in state prisons\u003c/a>; technology for inmates who are going to school; and more training of correctional officers and counselors so they can help support the expansion of programs that will help inmates.\u003c/p>\n\u003cp>Newsom also wants to reform the probation system, capping probation supervision at two years but also allowing probation for some misdemeanor convictions. He said the proposal, which would lower probation terms by a year, is based on data showing that the supervision is most effective if people get a lot of help at the beginning of their probation term. But he warned that the shortening of probation \"will be controversial.\"\u003c/p>\n\u003cp>Additionally, he is proposing a $11.5 million investment to expand a program that lets low-income individuals apply online to reduce fees and fines they cannot pay.\u003cbr>\n[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
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