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"disqusTitle": "San Francisco's First Black Firefighter, Earl Gage, to Have Street Named for Him",
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"content": "\u003cp>The San Francisco Board of Supervisors voted unanimously Tuesday to name a portion of Willow Street in the Fillmore District after Earl Gage Jr., the city's first Black firefighter.\u003c/p>\n\u003cp>Gage was hired by the San Francisco Fire Department in 1955 at age 28. He was a trailblazer who pushed to improve the racial diversity in the department, despite being its only Black firefighter for 12 years. He retired in 1983, and died in 2017 at the age of 90.\u003c/p>\n\u003cp>It was at Gage's funeral that the president of the San Francisco Black Firefighters Association, Sherman Tillman, thought of the street name idea.\u003c/p>\n\u003cfigure id=\"attachment_11829032\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-full wp-image-11829032\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Earl-Gage-and-Blondell.jpg\" alt=\"A family photo of Earl Gage Jr. and his wife, Blondell.\" width=\"800\" height=\"710\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Earl-Gage-and-Blondell.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/Earl-Gage-and-Blondell-160x142.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A family photo of Earl Gage Jr. and his wife, Blondell. \u003ccite>(Courtesy of Blondell Chism)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I think looking at a person who could go through all the things that Earl Gage did, and still have love for his fellow man, it's just inspiring,” Tillman said. “Everyone needs to know that type of story. Everybody needs to know that type of love in a person that could withstand all the hate and anguish, and the ‘We don't want you,’ but still overcome it.”\u003c/p>\n\u003cp>The Black Firefighters Association faced delays in the legislative process for the past three years, but District 5 Supervisor Dean Preston helped the proposal gain traction after he took office last December. His office also led community outreach in the neighborhood that was met with overwhelmingly supportive feedback.\u003c/p>\n\u003cp>\"The naming of a street after the first Black firefighter in San Francisco serves to proactively honor and celebrate Black leaders and pioneers of the civil rights movement,\" Preston said before the board vote.\u003c/p>\n\u003cp>Gage’s daughter, Blondell Chism, is proud that her father’s legacy will be commemorated with the naming of Earl Gage Jr. Street. Though her father faced racism and discrimination during his career — especially during the 12 years when he was the only Black firefighter— she saw him persevere and prioritize family above all else.\u003c/p>\n\u003cfigure id=\"attachment_11829067\" class=\"wp-caption alignnone\" style=\"max-width: 480px\">\u003cimg class=\"size-full wp-image-11829067\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-4.jpg\" alt=\"\" width=\"480\" height=\"640\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-4.jpg 480w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-4-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-4-414x552.jpg 414w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-4-354x472.jpg 354w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">A family photo of Blondell Chism standing with her parents, Blondell and Earl Gage Jr. \u003ccite>(Courtesy of Blondell Chism)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“He set out to be just a person in the fire department — who happened to be a Black person — and really wanted to be seen that way, even though the society was set up very differently,” said Chism. “I think that being said, he stood his ground for 12 years and kept pushing.”\u003c/p>\n\u003cfigure id=\"attachment_11829065\" class=\"wp-caption alignright\" style=\"max-width: 330px\">\u003cimg class=\" wp-image-11829065\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-5-e1594776843593.jpg\" alt=\"\" width=\"330\" height=\"424\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-5-e1594776843593.jpg 394w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-5-e1594776843593-160x205.jpg 160w\" sizes=\"(max-width: 330px) 100vw, 330px\">\u003cfigcaption class=\"wp-caption-text\">Earl Gage Jr. appeared on the front page of \"The Sun-Reporter\" on Sept. 10, 1955. \u003ccite>(Courtesy of Blondell Chism)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Chism recalled one of many racist incidents her father faced: On multiple occasions, fellow firefighters soiled and threw out his mattress, or refused to sleep on a communal bed after he had slept there. For years, Gage brought his own mattress in his car and carried it in and out of the different stations he was working at.\u003c/p>\n\u003cp>After facing ongoing racism and threats to his safety, Gage stopped fieldwork and became director of community services for the department. There, he was active in the community, helped recruitment efforts and created a training course for the firefighter entrance exam — after seeing it was a hurdle for many aspiring firefighters.\u003c/p>\n\u003cp>He was also part of the \u003ca href=\"https://law.justia.com/cases/federal/district-courts/FSupp/656/276/1393986/\">consent decree\u003c/a> by federal courts to push for changes that addressed diversity in the overwhelmingly white and male department.\u003c/p>\n\u003cp>Since then, “Much has changed, but there's much more left to do,” said District 3 Supervisor Aaron Peskin, chair of the Land Use and Transportation Committee, during an initial vote on the proposal Monday.\u003c/p>\n\u003cp>Now, after a three-year effort, the portion of Willow Street between Buchanan and Laguna Streets will be renamed Earl Gage Jr. Street.\u003c/p>\n\u003cfigure id=\"attachment_11828941\" class=\"wp-caption alignright\" style=\"max-width: 393px\">\u003cimg class=\" wp-image-11828941\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/img_2812-e1594762502218.jpg\" alt=\"San Francisco Mayor London Breed presented Earl Gage Jr. with a Certificate of Honor during her tenure as District 5 supervisor.\" width=\"393\" height=\"336\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/img_2812-e1594762502218.jpg 428w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/img_2812-e1594762502218-160x137.jpg 160w\" sizes=\"(max-width: 393px) 100vw, 393px\">\u003cfigcaption class=\"wp-caption-text\">During San Francisco Mayor London Breed's tenure as District 5 supervisor, she presented Earl Gage Jr. with a Certificate of Honor at his 90th birthday celebration in November 2016. \u003ccite>(Courtesy of Blondell Chism)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"During these really unprecedented and challenging times as racial animus is rearing its ugly head around the country, we are honored and privileged to do our small part in commemorating this important piece of San Francisco's Black history,\" said Supervisor Preston before the vote.\u003c/p>\n\u003cp>Supervisor Ahsha Safaí also said, during Monday's committee vote, that he plans to hold an oversight hearing later in July to examine the demographics of the city’s public safety agencies.\u003c/p>\n\u003cp>\"We're hopeful that the departments — all of the first responders — will continue to make this a priority in honoring his legacy,\" he said.\u003c/p>\n\u003cp>Preston's staff and the San Francisco Black Firefighters Association will hold an \u003ca href=\"https://www.facebook.com/permalink.php?story_fbid=3154332944660164&id=748476968579119&__xts__%5B0%5D=68.ARCvOliapqZKG9J2_Uz-4N-CtZU5zBs4HnOPJRx8_yNaZJOWunGF1FHLwnp2Zw4hSaeOdtXFUCh1cXJnIakioMGe-eyzZrfiqs5zUAQ5eyNsghOc_cfCTJbqvh-91Za1PwFP9jRJY0-DqT0gv4MVY6xCdzNxQCzgWM20OMbcFpvFLNDgCNGwLyaVqNWj3KE2rb4kiF8oD6pT5cR72Hb8B9YvRVxemd68H7sbvBGVRqJ-Qvib8NMeLtLm3KISW57MkLiumtjCZQoXk5i-cc8-Z_k64XBjvM4UmI13V05px21S-X9UuTqpEaEfQf8AQ-OlomE9bNTmoyGpRF2dZR5NQd7eYg&__tn__=-R\">online gathering\u003c/a> to celebrate Gage and his legacy on Wednesday at 11:30 a.m.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>KQED's Shannon Lin contributed to this report.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "The San Francisco Board of Supervisors unanimously voted to name a portion of Willow Street in the Fillmore District after Earl Gage Jr., the city's first Black firefighter.",
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"description": "The San Francisco Board of Supervisors unanimously voted to name a portion of Willow Street in the Fillmore District after Earl Gage Jr., the city's first Black firefighter.",
"title": "San Francisco's First Black Firefighter, Earl Gage, to Have Street Named for Him | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The San Francisco Board of Supervisors voted unanimously Tuesday to name a portion of Willow Street in the Fillmore District after Earl Gage Jr., the city's first Black firefighter.\u003c/p>\n\u003cp>Gage was hired by the San Francisco Fire Department in 1955 at age 28. He was a trailblazer who pushed to improve the racial diversity in the department, despite being its only Black firefighter for 12 years. He retired in 1983, and died in 2017 at the age of 90.\u003c/p>\n\u003cp>It was at Gage's funeral that the president of the San Francisco Black Firefighters Association, Sherman Tillman, thought of the street name idea.\u003c/p>\n\u003cfigure id=\"attachment_11829032\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-full wp-image-11829032\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Earl-Gage-and-Blondell.jpg\" alt=\"A family photo of Earl Gage Jr. and his wife, Blondell.\" width=\"800\" height=\"710\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Earl-Gage-and-Blondell.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/Earl-Gage-and-Blondell-160x142.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A family photo of Earl Gage Jr. and his wife, Blondell. \u003ccite>(Courtesy of Blondell Chism)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I think looking at a person who could go through all the things that Earl Gage did, and still have love for his fellow man, it's just inspiring,” Tillman said. “Everyone needs to know that type of story. Everybody needs to know that type of love in a person that could withstand all the hate and anguish, and the ‘We don't want you,’ but still overcome it.”\u003c/p>\n\u003cp>The Black Firefighters Association faced delays in the legislative process for the past three years, but District 5 Supervisor Dean Preston helped the proposal gain traction after he took office last December. His office also led community outreach in the neighborhood that was met with overwhelmingly supportive feedback.\u003c/p>\n\u003cp>\"The naming of a street after the first Black firefighter in San Francisco serves to proactively honor and celebrate Black leaders and pioneers of the civil rights movement,\" Preston said before the board vote.\u003c/p>\n\u003cp>Gage’s daughter, Blondell Chism, is proud that her father’s legacy will be commemorated with the naming of Earl Gage Jr. Street. Though her father faced racism and discrimination during his career — especially during the 12 years when he was the only Black firefighter— she saw him persevere and prioritize family above all else.\u003c/p>\n\u003cfigure id=\"attachment_11829067\" class=\"wp-caption alignnone\" style=\"max-width: 480px\">\u003cimg class=\"size-full wp-image-11829067\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-4.jpg\" alt=\"\" width=\"480\" height=\"640\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-4.jpg 480w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-4-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-4-414x552.jpg 414w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-4-354x472.jpg 354w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">A family photo of Blondell Chism standing with her parents, Blondell and Earl Gage Jr. \u003ccite>(Courtesy of Blondell Chism)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“He set out to be just a person in the fire department — who happened to be a Black person — and really wanted to be seen that way, even though the society was set up very differently,” said Chism. “I think that being said, he stood his ground for 12 years and kept pushing.”\u003c/p>\n\u003cfigure id=\"attachment_11829065\" class=\"wp-caption alignright\" style=\"max-width: 330px\">\u003cimg class=\" wp-image-11829065\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-5-e1594776843593.jpg\" alt=\"\" width=\"330\" height=\"424\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-5-e1594776843593.jpg 394w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/Image-from-iOS-5-e1594776843593-160x205.jpg 160w\" sizes=\"(max-width: 330px) 100vw, 330px\">\u003cfigcaption class=\"wp-caption-text\">Earl Gage Jr. appeared on the front page of \"The Sun-Reporter\" on Sept. 10, 1955. \u003ccite>(Courtesy of Blondell Chism)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Chism recalled one of many racist incidents her father faced: On multiple occasions, fellow firefighters soiled and threw out his mattress, or refused to sleep on a communal bed after he had slept there. For years, Gage brought his own mattress in his car and carried it in and out of the different stations he was working at.\u003c/p>\n\u003cp>After facing ongoing racism and threats to his safety, Gage stopped fieldwork and became director of community services for the department. There, he was active in the community, helped recruitment efforts and created a training course for the firefighter entrance exam — after seeing it was a hurdle for many aspiring firefighters.\u003c/p>\n\u003cp>He was also part of the \u003ca href=\"https://law.justia.com/cases/federal/district-courts/FSupp/656/276/1393986/\">consent decree\u003c/a> by federal courts to push for changes that addressed diversity in the overwhelmingly white and male department.\u003c/p>\n\u003cp>Since then, “Much has changed, but there's much more left to do,” said District 3 Supervisor Aaron Peskin, chair of the Land Use and Transportation Committee, during an initial vote on the proposal Monday.\u003c/p>\n\u003cp>Now, after a three-year effort, the portion of Willow Street between Buchanan and Laguna Streets will be renamed Earl Gage Jr. Street.\u003c/p>\n\u003cfigure id=\"attachment_11828941\" class=\"wp-caption alignright\" style=\"max-width: 393px\">\u003cimg class=\" wp-image-11828941\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/img_2812-e1594762502218.jpg\" alt=\"San Francisco Mayor London Breed presented Earl Gage Jr. with a Certificate of Honor during her tenure as District 5 supervisor.\" width=\"393\" height=\"336\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/img_2812-e1594762502218.jpg 428w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/img_2812-e1594762502218-160x137.jpg 160w\" sizes=\"(max-width: 393px) 100vw, 393px\">\u003cfigcaption class=\"wp-caption-text\">During San Francisco Mayor London Breed's tenure as District 5 supervisor, she presented Earl Gage Jr. with a Certificate of Honor at his 90th birthday celebration in November 2016. \u003ccite>(Courtesy of Blondell Chism)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"During these really unprecedented and challenging times as racial animus is rearing its ugly head around the country, we are honored and privileged to do our small part in commemorating this important piece of San Francisco's Black history,\" said Supervisor Preston before the vote.\u003c/p>\n\u003cp>Supervisor Ahsha Safaí also said, during Monday's committee vote, that he plans to hold an oversight hearing later in July to examine the demographics of the city’s public safety agencies.\u003c/p>\n\u003cp>\"We're hopeful that the departments — all of the first responders — will continue to make this a priority in honoring his legacy,\" he said.\u003c/p>\n\u003cp>Preston's staff and the San Francisco Black Firefighters Association will hold an \u003ca href=\"https://www.facebook.com/permalink.php?story_fbid=3154332944660164&id=748476968579119&__xts__%5B0%5D=68.ARCvOliapqZKG9J2_Uz-4N-CtZU5zBs4HnOPJRx8_yNaZJOWunGF1FHLwnp2Zw4hSaeOdtXFUCh1cXJnIakioMGe-eyzZrfiqs5zUAQ5eyNsghOc_cfCTJbqvh-91Za1PwFP9jRJY0-DqT0gv4MVY6xCdzNxQCzgWM20OMbcFpvFLNDgCNGwLyaVqNWj3KE2rb4kiF8oD6pT5cR72Hb8B9YvRVxemd68H7sbvBGVRqJ-Qvib8NMeLtLm3KISW57MkLiumtjCZQoXk5i-cc8-Z_k64XBjvM4UmI13V05px21S-X9UuTqpEaEfQf8AQ-OlomE9bNTmoyGpRF2dZR5NQd7eYg&__tn__=-R\">online gathering\u003c/a> to celebrate Gage and his legacy on Wednesday at 11:30 a.m.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "passing-the-mic-formerly-incarcerated-women-on-telling-their-own-stories",
"title": "Passing the Mic: Formerly Incarcerated Women — On Telling Their Own Stories",
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"content": "\u003cp>Carmilla Ligons was initially hesitant about sharing her story. “It was personal, and very, very emotional,” Ligons said. Her film, “Comfort Food” is a reenactment of when she found her daughter living on Skid Row and looks at motherhood through generations and the power of cooking for one another.\u003c/p>\n\u003cp>“It was hard to see your real life shit like that,” Ligons said.\u003c/p>\n\u003cfigure id=\"attachment_11827425\" class=\"wp-caption alignright\" style=\"max-width: 688px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827425\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Carmilla_Daughter.jpg\" alt=\"\" width=\"688\" height=\"663\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Carmilla_Daughter.jpg 688w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Carmilla_Daughter-160x154.jpg 160w\" sizes=\"(max-width: 688px) 100vw, 688px\">\u003cfigcaption class=\"wp-caption-text\">Carmilla Ligons (left) and her daughter. \u003ccite>(Courtesy of Carmilla Ligons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Family and friends helped fill in the roles to play each of the parts, but Ligons plays herself. “In the process of doing it, it was painful and very emotional because I didn’t know where my daughter was at the time,” she said.\u003c/p>\n\u003cp>Ligons created the film through a program run by the Anti-Recidivism Coalition (ARC). The organization takes a holistic approach to ending mass incarceration in California. “Walking with people, and working for people through every stage of their incarceration,” said Nicholas Reiner, the director of communications for ARC.\u003c/p>\n\u003cp>Now, looking back, Ligons is happy she made the film. She wants to continue to tell stories based on her experiences — specifically she says she would want to share how she was tased over five times by the Long Beach Police Department, and the abuse she suffered at the hands of the police.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://youtu.be/cq0roUA34is\u003c/p>\n\u003cp>A majority of the staff at ARC, 70%, is formerly incarcerated. Their work includes everything from housing, to counseling and job training. Last year they started an initiative called ARC Creatives to allow space for artists to tell their own stories — in their own voices. The concept, and the program as a whole, is increasingly important in the current moment of racial reckoning and defunding the police.\u003c/p>\n\u003cp>“These things are all connected,” Reiner said of the systems connecting police violence and incarceration.\u003c/p>\n\u003cp>“It’s good to learn about anti-racism or racism or whatnot, but it’s also important to just hear the stories of Black women,” he added. “Carceral control and restricting people’s liberty is a random Tuesday for us — we’re always thinking about it.” [pullquote size=\"medium\" align=\"right\" citation=\"Nicholas Reiner, ARC director of communications\"]‘It’s good to learn about anti-racism or racism or whatnot, but it’s also important to just hear the stories of Black women.’[/pullquote]\u003c/p>\n\u003cp>The ARC Creatives program allows those at various stages of reentry to express themselves creatively. After working to write monologues with Ligons, and two other women in the program — Liz Campbell and Michelle Fennell — ARC hired a director to bring the writing to life.\u003c/p>\n\u003cp>L.A.-based producer and director Jing Niu worked collaboratively with each of the women in the program. Instead of passing the mic, Niu said those in positions of power are often taking the mic and speaking for others, “The process of passing the mic over is something that we need to welcome into our lives.”\u003c/p>\n\u003cp>For Niu, the intention was to find a way to work with each of the women to tell their own stories. Before starting, Niu watched several videos on issues of incarceration. She noticed many of the films were somber and shot in black and white.\u003c/p>\n\u003cp>“There’s this general stereotype of the way that we talk about incarceration. For me, it was really important to flip that stereotype,” Niu said. The women had written stories about love and family.\u003c/p>\n\u003cp>Ligons film provides a peek into her relationship with her daughter and a home cooked meal as a source of nourishment. Campbell’s piece combines animation and her own acting to recount the story of when she ran away and Fennell’s film explores what it means to run from danger.\u003c/p>\n\u003cp>They are all produced in full color, which differs from how many of the visual stories produced about incarceration are done, according to Niu. “We don’t really see a lot of media talking about incarceration that centers joy — centers love,” Niu said. “The center of the story is not their incarceration, it’s their resilience through incarceration,” she added.\u003c/p>\n\u003cp>https://youtu.be/my1jDqfU0Mc\u003c/p>\n\u003cp>Campbell describes her short film as being “about me running away from it all at 10-years-old and hopping a freight train. And when I get on that freight train, I experienced more trauma as a result.”\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"left\" citation=\"Liz Campbell, filmmaker and comedian\"]‘To just write and write, and then go over it and determine what I wanted to keep and what I didn’t want to keep. It was very empowering to be able to do that.’[/pullquote]In an effort to express the idea, without triggering the trauma, Niu and Campbell pitched ideas back and forth and ultimately settled on using a visual metaphor of the perpetrators shadow to suggest the assault without explicitly stating what happened.\u003c/p>\n\u003cp>“I had to really get to the core of everything that made me be who I am today,” Campbell said. She was initially given a life sentence at age 36, and ended up spending over 16 years locked up.\u003c/p>\n\u003cfigure id=\"attachment_11827426\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11827426\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/IMG_20200626_192724-800x1067.jpg\" alt=\"\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-1122x1496.jpg 1122w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-840x1120.jpg 840w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-687x916.jpg 687w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-414x552.jpg 414w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-354x472.jpg 354w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724.jpg 1536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Liz Campbell performing a stand-up comedy set. \u003ccite>(Courtesy of Liz Campbell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“To just write and write, and then go over it and determine what I wanted to keep and what I didn’t want to keep. It was very empowering to be able to do that,” Campbell said.\u003c/p>\n\u003cp>The final videos were presented at an event in L.A. last year, as well as a screening inside California Institute of Women (CIW).\u003c/p>\n\u003cp>For Campbell, the process was like a dream come true. She screened her film at CIW — the same place where she used to be a lifer.\u003c/p>\n\u003cp>At the CIW event, both women inside and outside shared monologues of their experiences. “It was just a really rewarding experience for me, it just made me open up wider and have more compassion for people,” Campbell said.\u003c/p>\n\u003cp>Campbell now does standup comedy and is an entertainer in her free time, and drug and alcohol counselor during the day. “I’m a successful substance abuse counselor, free from drugs. And I’m making it. I’m doing everything that I never thought I would do,” she said.\u003c/p>\n\u003cp>Ligons said she still wants to continue acting and telling stories, “No matter what your situation … or how people feel about you, tell your story.”\u003c/p>\n\u003cp>She added: “people who have been traumatized mentally, emotionally and physically need to open up and just let people know that this is what really goes on.”\u003c/p>\n\u003cp>https://youtu.be/2HYxwTOYMwg\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Michelle Fennell produced the final film. She was not available for an interview. Her film can be seen above.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Carmilla Ligons was initially hesitant about sharing her story. “It was personal, and very, very emotional,” Ligons said. Her film, “Comfort Food” is a reenactment of when she found her daughter living on Skid Row and looks at motherhood through generations and the power of cooking for one another.\u003c/p>\n\u003cp>“It was hard to see your real life shit like that,” Ligons said.\u003c/p>\n\u003cfigure id=\"attachment_11827425\" class=\"wp-caption alignright\" style=\"max-width: 688px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827425\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Carmilla_Daughter.jpg\" alt=\"\" width=\"688\" height=\"663\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Carmilla_Daughter.jpg 688w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Carmilla_Daughter-160x154.jpg 160w\" sizes=\"(max-width: 688px) 100vw, 688px\">\u003cfigcaption class=\"wp-caption-text\">Carmilla Ligons (left) and her daughter. \u003ccite>(Courtesy of Carmilla Ligons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Family and friends helped fill in the roles to play each of the parts, but Ligons plays herself. “In the process of doing it, it was painful and very emotional because I didn’t know where my daughter was at the time,” she said.\u003c/p>\n\u003cp>Ligons created the film through a program run by the Anti-Recidivism Coalition (ARC). The organization takes a holistic approach to ending mass incarceration in California. “Walking with people, and working for people through every stage of their incarceration,” said Nicholas Reiner, the director of communications for ARC.\u003c/p>\n\u003cp>Now, looking back, Ligons is happy she made the film. She wants to continue to tell stories based on her experiences — specifically she says she would want to share how she was tased over five times by the Long Beach Police Department, and the abuse she suffered at the hands of the police.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cq0roUA34is'\n title='//www.youtube.com/embed/cq0roUA34is'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>A majority of the staff at ARC, 70%, is formerly incarcerated. Their work includes everything from housing, to counseling and job training. Last year they started an initiative called ARC Creatives to allow space for artists to tell their own stories — in their own voices. The concept, and the program as a whole, is increasingly important in the current moment of racial reckoning and defunding the police.\u003c/p>\n\u003cp>“These things are all connected,” Reiner said of the systems connecting police violence and incarceration.\u003c/p>\n\u003cp>“It’s good to learn about anti-racism or racism or whatnot, but it’s also important to just hear the stories of Black women,” he added. “Carceral control and restricting people’s liberty is a random Tuesday for us — we’re always thinking about it.” \u003c/p>\u003c/div>",
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"content": "‘It’s good to learn about anti-racism or racism or whatnot, but it’s also important to just hear the stories of Black women.’",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The ARC Creatives program allows those at various stages of reentry to express themselves creatively. After working to write monologues with Ligons, and two other women in the program — Liz Campbell and Michelle Fennell — ARC hired a director to bring the writing to life.\u003c/p>\n\u003cp>L.A.-based producer and director Jing Niu worked collaboratively with each of the women in the program. Instead of passing the mic, Niu said those in positions of power are often taking the mic and speaking for others, “The process of passing the mic over is something that we need to welcome into our lives.”\u003c/p>\n\u003cp>For Niu, the intention was to find a way to work with each of the women to tell their own stories. Before starting, Niu watched several videos on issues of incarceration. She noticed many of the films were somber and shot in black and white.\u003c/p>\n\u003cp>“There’s this general stereotype of the way that we talk about incarceration. For me, it was really important to flip that stereotype,” Niu said. The women had written stories about love and family.\u003c/p>\n\u003cp>Ligons film provides a peek into her relationship with her daughter and a home cooked meal as a source of nourishment. Campbell’s piece combines animation and her own acting to recount the story of when she ran away and Fennell’s film explores what it means to run from danger.\u003c/p>\n\u003cp>They are all produced in full color, which differs from how many of the visual stories produced about incarceration are done, according to Niu. “We don’t really see a lot of media talking about incarceration that centers joy — centers love,” Niu said. “The center of the story is not their incarceration, it’s their resilience through incarceration,” she added.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/my1jDqfU0Mc'\n title='//www.youtube.com/embed/my1jDqfU0Mc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Campbell describes her short film as being “about me running away from it all at 10-years-old and hopping a freight train. And when I get on that freight train, I experienced more trauma as a result.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In an effort to express the idea, without triggering the trauma, Niu and Campbell pitched ideas back and forth and ultimately settled on using a visual metaphor of the perpetrators shadow to suggest the assault without explicitly stating what happened.\u003c/p>\n\u003cp>“I had to really get to the core of everything that made me be who I am today,” Campbell said. She was initially given a life sentence at age 36, and ended up spending over 16 years locked up.\u003c/p>\n\u003cfigure id=\"attachment_11827426\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11827426\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/IMG_20200626_192724-800x1067.jpg\" alt=\"\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-1122x1496.jpg 1122w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-840x1120.jpg 840w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-687x916.jpg 687w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-414x552.jpg 414w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724-354x472.jpg 354w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/IMG_20200626_192724.jpg 1536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Liz Campbell performing a stand-up comedy set. \u003ccite>(Courtesy of Liz Campbell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“To just write and write, and then go over it and determine what I wanted to keep and what I didn’t want to keep. It was very empowering to be able to do that,” Campbell said.\u003c/p>\n\u003cp>The final videos were presented at an event in L.A. last year, as well as a screening inside California Institute of Women (CIW).\u003c/p>\n\u003cp>For Campbell, the process was like a dream come true. She screened her film at CIW — the same place where she used to be a lifer.\u003c/p>\n\u003cp>At the CIW event, both women inside and outside shared monologues of their experiences. “It was just a really rewarding experience for me, it just made me open up wider and have more compassion for people,” Campbell said.\u003c/p>\n\u003cp>Campbell now does standup comedy and is an entertainer in her free time, and drug and alcohol counselor during the day. “I’m a successful substance abuse counselor, free from drugs. And I’m making it. I’m doing everything that I never thought I would do,” she said.\u003c/p>\n\u003cp>Ligons said she still wants to continue acting and telling stories, “No matter what your situation … or how people feel about you, tell your story.”\u003c/p>\n\u003cp>She added: “people who have been traumatized mentally, emotionally and physically need to open up and just let people know that this is what really goes on.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/2HYxwTOYMwg'\n title='//www.youtube.com/embed/2HYxwTOYMwg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Michelle Fennell produced the final film. She was not available for an interview. Her film can be seen above.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "'Me And White Supremacy' Helps You Do the Work of Dismantling Racism",
"title": "'Me And White Supremacy' Helps You Do the Work of Dismantling Racism",
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"content": "\u003cp>Learning about the dangers of systemic racism often leads people to ask: What can I do personally to make a difference?\u003c/p>\n\u003cp>\u003ca href=\"http://laylafsaad.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Layla Saad\u003c/a>, an East African, Arab, British, Black, Muslim woman living in Qatar, came up with an impressive answer — a 28-day process that she calls a \"personal anti-racism tool\" designed to teach those with white privilege how systemic racism works and how they can stop contributing to white supremacy in the world.\u003c/p>\n\u003cp>Her book is called \u003ca href=\"https://www.meandwhitesupremacybook.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Me and White Supremacy: Combat Racism, Change the World, and Become a Good Ancestor\u003c/em>\u003c/a>. It began a few years ago as a 28-day Instagram challenge, evolved into a free PDF digital workbook and has now become a \u003cem>New York Times\u003c/em> bestseller. (It was sold out at Amazon when we recorded this interview, but Saad reported that her publisher was working to print more copies.)\u003c/p>\n\u003cp>Saad's process involves defining terms like \"white centering\" (the belief that white culture, values and norms are the normal center of the world) and \"ally cookies\" (the special praise sought by some white people for not being racist). She encourages readers to keep a journal and write answers for tough questions like \"What negative experiences has your white privilege protected you from throughout your life?\"\u003c/p>\n\u003cp>This is \"the work,\" as Saad describes it: a tough journey that pushes readers to examine the often-hidden mechanisms of white supremacy and systemic racism in our lives. As an African American journalist who has written more than a few times about the subject myself, I had 1,000 questions for Saad, starting with a simple concept:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Eric Deggans: The word that struck me as I was reading through your book was \"discipline.\" You're asking for discipline from people — to take on a demanding process with no easy answers.\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Layla Saad:\u003c/strong> This is about learning how to identify how you're seen in the world and how you see yourself so that you can essentially betray it. So you can say, \"I'm not going to play this game anymore. I'm not going to walk on this earth as if I am superior and treat people as if they are inferior to me.\"\u003c/p>\n\u003cp>The first exercise in the book is on white privilege. When you hear \"white privilege,\" you may think, \"Yes, white people shouldn't be privileged. But that isn't as bad as white supremacy.\" When you hear the words \"white supremacy\u003cem>,\"\u003c/em> you're thinking of the KKK, neo-Nazis and skinheads.\u003c/p>\n\u003cp>And what I want people to realize is that white privilege is a part of white supremacy and upholds white supremacy. This isn't about generalizing or stereotyping white people as being somehow deficient or defunct. This is about seeing how you were born into a system that automatically gave you these powers and these privileges.\u003c/p>\n\u003cp>\u003cstrong>Why is journaling an important part of this?\u003c/strong>\u003c/p>\n\u003cp>Without the journaling, it's just an exercise in intellectual stimulation. You stay at the level of mental thought without any heart engagement. There's something about putting pen to paper, writing down what comes up, that unlocks past memories.\u003c/p>\n\u003cp>I really want people to understand that what we're talking about isn't conscious. You're not consciously in the world thinking you're superior to people of other races. It's deeper rooted than that. The process of journaling brings into consciousness these ways of being and thinking and believing that you're not conscious of. It's that feeling of seeing a black person walking down the street and crossing to the other side and not even thinking about it. The journaling helps unearth that instinct that kicks in at that moment.\u003c/p>\n\u003cp>\u003cstrong>Can you describe what 'the work' is and how you came up with the idea for the book?\u003c/strong>\u003c/p>\n\u003cp>Despite the title and what people initially think when they see it, it's not for the \"bad people.\" It's written for the people who think they aren't racist. Who say they don't see color. Who have black friends. Who voted for Obama. It's written for the people who really think they're allies.\u003c/p>\n\u003cp>In the book, I quote Martin Luther King Jr. and \u003ca href=\"https://www.africa.upenn.edu/Articles_Gen/Letter_Birmingham.html\" target=\"_blank\" rel=\"noopener noreferrer\">his letter from a Birmingham jail\u003c/a>. He talks about [how] one of the greatest stumbling blocks to progress is actually the white moderate who doesn't see themselves as the problem. But through their silence, through their inaction, through saying, \"Wait,\" they actually uphold white supremacy.\u003c/p>\n\u003cp>I wanted to write this book as a process for people to walk themselves through these issues and ask themselves, \"How does white supremacy show up in my life?\" Because white supremacy is playing out in your life and in your everyday interactions with people in your life.\u003c/p>\n\u003cp>As you begin to switch on the light and see how this plays out within you, you begin to change your behaviors and you begin to influence the people around you. Systems are maintained by people. But systems can also be changed by people.\u003c/p>\n\u003cp>For example, a school is a system. So if you're a parent and you see that subtle and not-so-subtle racism is taking place at your child's school, then you'll start to take responsibility for these actions if you're opening your eyes to your own racism. You'll start to hold the school accountable to create an environment where all children and staff members feel like they matter.\u003c/p>\n\u003cp>\u003cstrong>What do you think is the biggest obstacle or the toughest challenge for white people when they decide they want to take on this challenge?\u003c/strong>\u003c/p>\n\u003cp>People get stumped on white exceptionalism.\u003c/p>\n\u003cp>\u003cstrong>Can you define that?\u003c/strong>\u003c/p>\n\u003cp>White exceptionalism is this idea that I, as a white person, am actually one of the good ones. I think white exceptionalism is actually what drives a lot of people to buy my book in the first place, because I think that they have this belief that they're one of the good ones. An ally buys a book like this.\u003c/p>\n\u003cp>I think white exceptionalism is very dangerous because it separates the \"good\" from the \"bad.\" And there is no good or bad. This isn't about your inherent goodness as a person. We're talking about the ways you're unaware of causing harm to other people. Because you're not aware. And so that's what we're bringing into the light.\u003c/p>\n\u003cp>You're going to have to redefine good. What does it mean to you to be good? Is it that everyone else thinks you're not racist? We see this with brands right now. Businesses are putting forth Black Lives Matter statements because they want everyone to know they're not racist and are doing the work. A statement isn't proof that you're one of the good ones. A statement shows that you have caught onto the fact that you need to say something or otherwise you're going to be perceived as agreeing with or co-signing that black lives don't matter. But that's not the work.\u003c/p>\n\u003cp>The work is digging in and looking at how you treat Black people — your staff, your customers, your clients. What policies do you have in place, whether written policies or unofficial policies, that show us Black lives don't matter here?\u003c/p>\n\u003cp>\u003cstrong>What are the benefits and drawbacks of doing this work on your own versus doing it as a group?\u003c/strong>\u003c/p>\n\u003cp>I don't think there's necessarily one preferred way or another. It's about returning to this work again and again and knowing there are benefits to doing it alone and to doing it with a group.\u003c/p>\n\u003cp>One of the things that people have to be wary of in the group is this idea that, \"We're in this group, and we do this work. So we are the good ones.\" It can be dangerous when white people start congratulating one another for being good allies.\u003c/p>\n\u003cp>I think the benefits of doing it in a group is that you get to see and understand that it's not just you who is digging up these unconscious racist thoughts and beliefs that are very ugly. You get to hear from other people, which may spark things for you.\u003c/p>\n\u003cp>So, for example, you may read one of the [chapters] and think, \"I don't center myself or think I'm exceptional.\" But if you're in a group with other white people and they tell you the ways they center themselves or find themselves exceptional, it might help you see how you also do certain behaviors that fall under white centering or white exceptionalism.\u003c/p>\n\u003cp>What we're trying to do is not just create individuals who are doing this work, but really a culture of doing the work — a culture of anti-racism. But I also think that shouldn't be a deterrent if you can't find community.\u003c/p>\n\u003cp>\u003cstrong>If you had to break it down, what are the three important things people can do to work on themselves and help unwind white supremacy?\u003c/strong>\u003c/p>\n\u003cp>Number one is, this work begins and ends with yourself as an individual. The one place where you have complete control is within yourself. So when you think — \"Where do I start? What do I do?\" — it's you. You need to start with you first. If you start doing things outside of yourself, if you think that you're here to save black and brown people, remember you're not here to save us. You're here to see the ways in which you are already causing us harm and stop doing that.\u003c/p>\n\u003cp>Second, impact the people you are in relationships with — your parents, your kids, cousins, friends, bosses, whoever. You have the ability to influence those people. So take what you've been learning about yourself, and have those conversations with the people with white privilege in your life. Because when you've been doing the work within yourself, you're actually able to understand what they're thinking from a more empathetic point of view, as opposed to just preaching at them and saying, \"That's racist.\" Sometimes the call-out is necessary, but for long-term change we need ongoing meaningful conversations.\u003c/p>\n\u003cp>Lastly, look at the systems around you. What do you benefit from? What do you create and sustain? And how can you change those things? We can't wait for the lawmakers and the policymakers and the politicians to change things. They have a vested interest in things staying the same. But you as this collective can [effect] change by saying this isn't actually what we want — we're going to hold you accountable to a different world.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>We'd love to hear from you. Leave us a voicemail at 202-216-9823, or email us at \u003c/em>\u003ca href=\"mailto:LifeKit@npr.org\">\u003cem>LifeKit@npr.org\u003c/em>\u003c/a>\u003cem>. \u003c/em>\u003c/p>\n\u003cp>\u003cem>If you want more Life Kit, \u003c/em>\u003ca href=\"https://www.npr.org/newsletter/life-kit\">\u003cem>subscribe to our newsletter\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>The audio portion of this story was produced by Clare Schneider. \u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Me+And+White+Supremacy%27+Helps+You+Do+The+Work+Of+Dismantling+Racism&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"excerpt": "Layla Saad's book, \u003cem>Me and White Supremacy\u003c/em>, helps readers understand their role in racism. Saad explains why it's important to dig into the uncomfortable work, why being an ally isn't enough, and ideas to combat white supremacy in your everyday life.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Learning about the dangers of systemic racism often leads people to ask: What can I do personally to make a difference?\u003c/p>\n\u003cp>\u003ca href=\"http://laylafsaad.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Layla Saad\u003c/a>, an East African, Arab, British, Black, Muslim woman living in Qatar, came up with an impressive answer — a 28-day process that she calls a \"personal anti-racism tool\" designed to teach those with white privilege how systemic racism works and how they can stop contributing to white supremacy in the world.\u003c/p>\n\u003cp>Her book is called \u003ca href=\"https://www.meandwhitesupremacybook.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Me and White Supremacy: Combat Racism, Change the World, and Become a Good Ancestor\u003c/em>\u003c/a>. It began a few years ago as a 28-day Instagram challenge, evolved into a free PDF digital workbook and has now become a \u003cem>New York Times\u003c/em> bestseller. (It was sold out at Amazon when we recorded this interview, but Saad reported that her publisher was working to print more copies.)\u003c/p>\n\u003cp>Saad's process involves defining terms like \"white centering\" (the belief that white culture, values and norms are the normal center of the world) and \"ally cookies\" (the special praise sought by some white people for not being racist). She encourages readers to keep a journal and write answers for tough questions like \"What negative experiences has your white privilege protected you from throughout your life?\"\u003c/p>\n\u003cp>This is \"the work,\" as Saad describes it: a tough journey that pushes readers to examine the often-hidden mechanisms of white supremacy and systemic racism in our lives. As an African American journalist who has written more than a few times about the subject myself, I had 1,000 questions for Saad, starting with a simple concept:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Eric Deggans: The word that struck me as I was reading through your book was \"discipline.\" You're asking for discipline from people — to take on a demanding process with no easy answers.\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Layla Saad:\u003c/strong> This is about learning how to identify how you're seen in the world and how you see yourself so that you can essentially betray it. So you can say, \"I'm not going to play this game anymore. I'm not going to walk on this earth as if I am superior and treat people as if they are inferior to me.\"\u003c/p>\n\u003cp>The first exercise in the book is on white privilege. When you hear \"white privilege,\" you may think, \"Yes, white people shouldn't be privileged. But that isn't as bad as white supremacy.\" When you hear the words \"white supremacy\u003cem>,\"\u003c/em> you're thinking of the KKK, neo-Nazis and skinheads.\u003c/p>\n\u003cp>And what I want people to realize is that white privilege is a part of white supremacy and upholds white supremacy. This isn't about generalizing or stereotyping white people as being somehow deficient or defunct. This is about seeing how you were born into a system that automatically gave you these powers and these privileges.\u003c/p>\n\u003cp>\u003cstrong>Why is journaling an important part of this?\u003c/strong>\u003c/p>\n\u003cp>Without the journaling, it's just an exercise in intellectual stimulation. You stay at the level of mental thought without any heart engagement. There's something about putting pen to paper, writing down what comes up, that unlocks past memories.\u003c/p>\n\u003cp>I really want people to understand that what we're talking about isn't conscious. You're not consciously in the world thinking you're superior to people of other races. It's deeper rooted than that. The process of journaling brings into consciousness these ways of being and thinking and believing that you're not conscious of. It's that feeling of seeing a black person walking down the street and crossing to the other side and not even thinking about it. The journaling helps unearth that instinct that kicks in at that moment.\u003c/p>\n\u003cp>\u003cstrong>Can you describe what 'the work' is and how you came up with the idea for the book?\u003c/strong>\u003c/p>\n\u003cp>Despite the title and what people initially think when they see it, it's not for the \"bad people.\" It's written for the people who think they aren't racist. Who say they don't see color. Who have black friends. Who voted for Obama. It's written for the people who really think they're allies.\u003c/p>\n\u003cp>In the book, I quote Martin Luther King Jr. and \u003ca href=\"https://www.africa.upenn.edu/Articles_Gen/Letter_Birmingham.html\" target=\"_blank\" rel=\"noopener noreferrer\">his letter from a Birmingham jail\u003c/a>. He talks about [how] one of the greatest stumbling blocks to progress is actually the white moderate who doesn't see themselves as the problem. But through their silence, through their inaction, through saying, \"Wait,\" they actually uphold white supremacy.\u003c/p>\n\u003cp>I wanted to write this book as a process for people to walk themselves through these issues and ask themselves, \"How does white supremacy show up in my life?\" Because white supremacy is playing out in your life and in your everyday interactions with people in your life.\u003c/p>\n\u003cp>As you begin to switch on the light and see how this plays out within you, you begin to change your behaviors and you begin to influence the people around you. Systems are maintained by people. But systems can also be changed by people.\u003c/p>\n\u003cp>For example, a school is a system. So if you're a parent and you see that subtle and not-so-subtle racism is taking place at your child's school, then you'll start to take responsibility for these actions if you're opening your eyes to your own racism. You'll start to hold the school accountable to create an environment where all children and staff members feel like they matter.\u003c/p>\n\u003cp>\u003cstrong>What do you think is the biggest obstacle or the toughest challenge for white people when they decide they want to take on this challenge?\u003c/strong>\u003c/p>\n\u003cp>People get stumped on white exceptionalism.\u003c/p>\n\u003cp>\u003cstrong>Can you define that?\u003c/strong>\u003c/p>\n\u003cp>White exceptionalism is this idea that I, as a white person, am actually one of the good ones. I think white exceptionalism is actually what drives a lot of people to buy my book in the first place, because I think that they have this belief that they're one of the good ones. An ally buys a book like this.\u003c/p>\n\u003cp>I think white exceptionalism is very dangerous because it separates the \"good\" from the \"bad.\" And there is no good or bad. This isn't about your inherent goodness as a person. We're talking about the ways you're unaware of causing harm to other people. Because you're not aware. And so that's what we're bringing into the light.\u003c/p>\n\u003cp>You're going to have to redefine good. What does it mean to you to be good? Is it that everyone else thinks you're not racist? We see this with brands right now. Businesses are putting forth Black Lives Matter statements because they want everyone to know they're not racist and are doing the work. A statement isn't proof that you're one of the good ones. A statement shows that you have caught onto the fact that you need to say something or otherwise you're going to be perceived as agreeing with or co-signing that black lives don't matter. But that's not the work.\u003c/p>\n\u003cp>The work is digging in and looking at how you treat Black people — your staff, your customers, your clients. What policies do you have in place, whether written policies or unofficial policies, that show us Black lives don't matter here?\u003c/p>\n\u003cp>\u003cstrong>What are the benefits and drawbacks of doing this work on your own versus doing it as a group?\u003c/strong>\u003c/p>\n\u003cp>I don't think there's necessarily one preferred way or another. It's about returning to this work again and again and knowing there are benefits to doing it alone and to doing it with a group.\u003c/p>\n\u003cp>One of the things that people have to be wary of in the group is this idea that, \"We're in this group, and we do this work. So we are the good ones.\" It can be dangerous when white people start congratulating one another for being good allies.\u003c/p>\n\u003cp>I think the benefits of doing it in a group is that you get to see and understand that it's not just you who is digging up these unconscious racist thoughts and beliefs that are very ugly. You get to hear from other people, which may spark things for you.\u003c/p>\n\u003cp>So, for example, you may read one of the [chapters] and think, \"I don't center myself or think I'm exceptional.\" But if you're in a group with other white people and they tell you the ways they center themselves or find themselves exceptional, it might help you see how you also do certain behaviors that fall under white centering or white exceptionalism.\u003c/p>\n\u003cp>What we're trying to do is not just create individuals who are doing this work, but really a culture of doing the work — a culture of anti-racism. But I also think that shouldn't be a deterrent if you can't find community.\u003c/p>\n\u003cp>\u003cstrong>If you had to break it down, what are the three important things people can do to work on themselves and help unwind white supremacy?\u003c/strong>\u003c/p>\n\u003cp>Number one is, this work begins and ends with yourself as an individual. The one place where you have complete control is within yourself. So when you think — \"Where do I start? What do I do?\" — it's you. You need to start with you first. If you start doing things outside of yourself, if you think that you're here to save black and brown people, remember you're not here to save us. You're here to see the ways in which you are already causing us harm and stop doing that.\u003c/p>\n\u003cp>Second, impact the people you are in relationships with — your parents, your kids, cousins, friends, bosses, whoever. You have the ability to influence those people. So take what you've been learning about yourself, and have those conversations with the people with white privilege in your life. Because when you've been doing the work within yourself, you're actually able to understand what they're thinking from a more empathetic point of view, as opposed to just preaching at them and saying, \"That's racist.\" Sometimes the call-out is necessary, but for long-term change we need ongoing meaningful conversations.\u003c/p>\n\u003cp>Lastly, look at the systems around you. What do you benefit from? What do you create and sustain? And how can you change those things? We can't wait for the lawmakers and the policymakers and the politicians to change things. They have a vested interest in things staying the same. But you as this collective can [effect] change by saying this isn't actually what we want — we're going to hold you accountable to a different world.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>We'd love to hear from you. Leave us a voicemail at 202-216-9823, or email us at \u003c/em>\u003ca href=\"mailto:LifeKit@npr.org\">\u003cem>LifeKit@npr.org\u003c/em>\u003c/a>\u003cem>. \u003c/em>\u003c/p>\n\u003cp>\u003cem>If you want more Life Kit, \u003c/em>\u003ca href=\"https://www.npr.org/newsletter/life-kit\">\u003cem>subscribe to our newsletter\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>The audio portion of this story was produced by Clare Schneider. \u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Me+And+White+Supremacy%27+Helps+You+Do+The+Work+Of+Dismantling+Racism&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Bollywood Star Amitabh Bachchan has Tested Positive for COVID-19 as Cases Rise in India",
"title": "Bollywood Star Amitabh Bachchan has Tested Positive for COVID-19 as Cases Rise in India",
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"content": "\u003cp>Bollywood superstar Amitabh Bachchan says he has tested positive for the coronavirus and is hospitalized in Mumbai.\u003c/p>\n\u003cp>In a tweet on Saturday, Bachchan, 77, said his family and staff have also undergone tests and are awaiting results.\u003c/p>\n\u003cp>https://twitter.com/SrBachchan/status/1282002456063295490\u003c/p>\n\u003cp>He appealed to those who were in close proximity to him in the past 10 days to get themselves tested.\u003c/p>\n\u003cp>Bachchan’s 44-year-old-son Abhishek Bachchan, also an actor, tweeted Saturday night that he also has tested COVID-19 positive and is hospitalized. “Both of us having mild symptoms. I request all to stay calm and not panic,” he wrote.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The elder Bachchan has acted in more than 200 Indian films over the past five decades. He is also a former politician and a television host.\u003c/p>\n\u003cp>Mumbai, New Delhi, Chennai, Pune and Bangalore are among the Indian cities worst hit by the coronavirus.\u003c/p>\n\u003cp>On Saturday India saw its biggest daily spike as its infections passed 800,000. The surging cases are raising sharp concerns about unequal treatment in the pandemic, as the wealthy hoard medical equipment and use private hospitals and the poor crowd into overwhelmed public facilities.\u003c/p>\n\u003cp>India reported a new daily high of 27,114 cases on Saturday and nearly a dozen states have imposed a partial lockdown in high-risk areas. Cases jumped from 600,000 to more than 800,000 in nine days. People are packing India’s public hospitals as many are unable to afford private ones that generally uphold higher standards of care.\u003c/p>\n\u003cp>Indian Prime Minister Narendra Modi urged top officials to improve infection testing and tracking, especially in states with high positive rates.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Globally more than 12.5 million people have been infected by the virus and over 560,000 have died, according to data compiled by Johns Hopkins University. Experts say the pandemic’s true toll is much higher due to testing shortages, poor data collection in some nations and other issues.\u003c/p>\n\n",
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"excerpt": "Bollywood superstar Amitabh Bachchan says he has tested positive for COVID-19 and is hospitalized in Mumbai.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Bollywood superstar Amitabh Bachchan says he has tested positive for the coronavirus and is hospitalized in Mumbai.\u003c/p>\n\u003cp>In a tweet on Saturday, Bachchan, 77, said his family and staff have also undergone tests and are awaiting results.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>He appealed to those who were in close proximity to him in the past 10 days to get themselves tested.\u003c/p>\n\u003cp>Bachchan’s 44-year-old-son Abhishek Bachchan, also an actor, tweeted Saturday night that he also has tested COVID-19 positive and is hospitalized. “Both of us having mild symptoms. I request all to stay calm and not panic,” he wrote.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The elder Bachchan has acted in more than 200 Indian films over the past five decades. He is also a former politician and a television host.\u003c/p>\n\u003cp>Mumbai, New Delhi, Chennai, Pune and Bangalore are among the Indian cities worst hit by the coronavirus.\u003c/p>\n\u003cp>On Saturday India saw its biggest daily spike as its infections passed 800,000. The surging cases are raising sharp concerns about unequal treatment in the pandemic, as the wealthy hoard medical equipment and use private hospitals and the poor crowd into overwhelmed public facilities.\u003c/p>\n\u003cp>India reported a new daily high of 27,114 cases on Saturday and nearly a dozen states have imposed a partial lockdown in high-risk areas. Cases jumped from 600,000 to more than 800,000 in nine days. People are packing India’s public hospitals as many are unable to afford private ones that generally uphold higher standards of care.\u003c/p>\n\u003cp>Indian Prime Minister Narendra Modi urged top officials to improve infection testing and tracking, especially in states with high positive rates.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Globally more than 12.5 million people have been infected by the virus and over 560,000 have died, according to data compiled by Johns Hopkins University. Experts say the pandemic’s true toll is much higher due to testing shortages, poor data collection in some nations and other issues.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "a-trojan-horse-of-funk-and-soul-the-story-of-the-black-panthers-house-band",
"title": "A Trojan Horse of Funk and Soul: The Story of the Black Panthers House Band",
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"content": "\u003cp>Fifty years ago, an unlikely musical group evolved out of the Oakland chapter of the Black Panther Party. They were called the Lumpen. And although they quickly gained a following for their air-tight funk and striking lyrics, they were always meant to be much more than mere entertainment.\u003c/p>\n\u003cp>Where other bands of their era were content to coast on good vibes, the Lumpen\u003cstrong> \u003c/strong>were out to preach a message of revolution in places where that message wasn’t always wanted. They were a musical cadre whose mission was to spread the seed of social revolution, armed with funk, attitude and matching outfits.\u003c/p>\n\u003cp>In 1973, Michael Torrence is a 22-year-old Black Panther. He’s dedicated himself to the cause and obeyed every command. He’s a true soldier.\u003c/p>\n\u003cp>“We were definitely as hardcore as anybody cause we dropped everything to come,” says Torrence. “We didn’t join to sing. We joined to be revolutionaries. We joined to make the revolution. We joined … to be Panthers!”\u003c/p>\n\u003cp>But five years of complete devotion to the Panthers has taken a toll. Now, Torrence is desperate to focus on his personal life, just for a while.\u003c/p>\n\u003cp>But to do this, he needs to get permission and it’s got to come from the top.\u003c/p>\n\u003cfigure id=\"attachment_11730261\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11730261\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/03/lumpen_hangin-800x475.jpg\" alt=\"When the Black Panthers needed a funk band to help galvanize the masses, the Lumpen didn't miss a beat.\" width=\"800\" height=\"475\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/03/lumpen_hangin-800x475.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/03/lumpen_hangin-160x95.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/03/lumpen_hangin-1020x605.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/03/lumpen_hangin-1200x712.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/03/lumpen_hangin.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">When the Black Panthers needed a funk band to help galvanize the masses, the Lumpen didn’t miss a beat. \u003ccite>(Courtesy of It's About Time Black Panther Party Legacy & Alumni)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Torrence shows up at the Lamp Post — it’s a bar in West Oakland — where Panther leader Bobby Seale is having a birthday party. The two men huddle in a corner and talk for a while, but it’s all good.\u003c/p>\n\u003cp>Seale gives Torrence his blessing for some leave time.\u003c/p>\n\u003cp>Torrence is relieved. But as he’s making his way out of the bar, someone tells him that Huey Newton wants to see him. And he wants to see him now.\u003c/p>\n\u003cp>Newton is Seale’s comrade and co-founder of the Panthers. For years, Newton has been a strong and charismatic leader. But recently his moods have been unstable. Tonight, for whatever reason, he’s agitated.\u003c/p>\n\u003cp>Torrence is ushered into a chair in a back room. And there, flanked by a couple enforcers, is Newton.\u003c/p>\n\u003cp>“And he says, ‘Comrade, I hear you want to leave us. Well, do you want to leave bad enough to die? Do you really want to leave bad enough to die?’ I don’t understand the question,” Torrence says. “And [Newton’s enforcer] June takes a gun and puts it to my head. ‘Oh no, comrade, I don’t want to die.'”\u003c/p>\n\u003cp>“He say, ‘Okay. So this is what’s going to happen, you say…’”\u003c/p>\n\u003cp>Torrence starts to object. Newton isn’t having it.\u003c/p>\n\u003cp>“Would you tell this brother not to talk when I’m talking?”\u003c/p>\n\u003cp>Torrence gets a swift kick in the mouth.\u003c/p>\n\u003cp>Newton begins again, “Okay then. So. You say, all power to the people.”\u003c/p>\n\u003cp>“All power to the people,” mumbles Torrence.\u003c/p>\n\u003cp>Michael Torrence has just been persuaded to rethink his request for some time off — a pistol to the head is hard to argue with.\u003c/p>\n\u003cfigure id=\"attachment_11828362\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11828362\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Former Black Panther and Lumpen member Michael Torrence. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>People Get Ready\u003c/h3>\n\u003cp>By 1973, Torrence’s years with the Panthers have been a rollercoaster life of extremes. Many times he’s picked up a gun.\u003c/p>\n\u003cp>But he’s also picked up a microphone.\u003c/p>\n\u003cp>Though Torrence did not join the Panthers to sing, the movement’s Minister of Culture gave him and three other young soldiers a special assignment for the cause. It was an R&B group called the Lumpen.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Michael Torrence, former member of the Lumpen\"]‘You could really feel the energy, particularly among younger people, that we felt we could really make a change. Not only could we make a change, we were going to make a change. ‘[/pullquote]\u003c/p>\n\u003cp>When it all began in 1970, the Lumpen’s music was explosive. The band was powerful, and so was the message.\u003c/p>\n\u003cp>The Lumpen worked nonstop for the cause, killing it wherever they performed: San Francisco, Los Angeles, New York, Philadelphia and the Midwest.\u003c/p>\n\u003cp>But it only lasted 11 months. Then things in the Black Panther Party began to implode.\u003c/p>\n\u003cp>This is the story of the rise and fall of an unlikely R&B group born out of social upheaval. The Lumpen weren’t out to make hit records, they were out to change American culture.\u003c/p>\n\u003cp>It’s a journey unlike that of any other band.\u003c/p>\n\u003cp>And Michael Torrence was at the center of it.\u003c/p>\n\u003ch3>Rise of the Panthers\u003c/h3>\n\u003cp>In 1966, Huey Newton and Bobby Seale co-found the Black Panther Party. They’re both students at Merritt Community College in Oakland.\u003c/p>\n\u003cp>Within a few years, the Party offers educational programs, food service, free medical care and drug rehab to the Black community. And the Panthers are leading the fight against rampant police brutality.\u003c/p>\n\u003cp>By the end of the ‘60s, change is in the air, and the Bay Area is ground zero.\u003c/p>\n\u003cp>“[In] San Francisco at that time, we were in the Fillmore District,” Torrence says. “It was very high-tension. Police were riding, you know, four or five deep. If you were out selling your papers they would come and harass you, snatch your papers, maybe arrest you, threaten you. But at the same time there was a lot of energy. That’s the best thing about it. You could really feel the energy, particularly among younger people, that we felt we could really make a change. Not only could we make a change, we were going to make a change. There was this commitment to die if necessary.”\u003c/p>\n\u003cp>Those papers are the weekly bible of party information, a publication called The Black Panther. And the Howard Quinn Printing Company on Alabama Street is where the Lumpen story begins.\u003c/p>\n\u003cfigure id=\"attachment_11828364\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11828364\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS43863_James-Mott-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lumpen singer and former Black Panther James Mott, aka Saturu Ned. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Former Lumpen singer James Mott, now known as Saturu Ned, takes up the story.\u003c/p>\n\u003cp>“Wednesday night was distribution night, where we would get out the paper. Everybody would come,” he said.\u003c/p>\n\u003cp>That’s in 1970: He’s newly arrived from the Sacramento Panther chapter.\u003c/p>\n\u003cp>All the future members of the Lumpen are in attendance that Wednesday night: Torrence, Mott — now Saturu, William Calhoun and Clark “Santa Rita” Bailey. They all have musical backgrounds ranging from church choirs to professional-level experience, but when they meet, they’re just loyal young soldiers taking orders along with everybody else.\u003c/p>\n\u003cp>“It was a community gathering in Fillmore,” Saturu says. “At that time, Fillmore is not like it is now, changed, and the gentrification. It was … Fillmore.”\u003c/p>\n\u003cp>“And on those distribution nights when various chapters would all come together from the Bay Area to get the paper out, we would sing,” Torrence says.\u003c/p>\n\u003cp>“And we would sing, at that point, just doo-wop songs,” Saturu recalls. “So one night I went over there and the three of us sang and I joined in. And we started harmonizing. We just blended in so cool!”\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Michael Torrence, former member of the Lumpen\"]‘If this is how we can be helpful, if this is how we can be useful, if this will advance the cause, this is what we’ll do.’[/pullquote]\u003c/p>\n\u003cp>“And then what we began to do was, we’d just put other words to the popular songs. Because we would be singing what we called revolutionary songs to encourage us in the struggle. In terms of the Lumpen, it kinda grew out of that. Just us singing together. Part of, I guess, the tradition of just singin’ while you work,” Torrence says.\u003c/p>\n\u003cp>It’s a typical Wednesday. The four Panthers are at the print shop, stacking and racking and harmonizing into the night. But this time, there’s someone listening: Emory Douglas, the party’s Minister of Culture.\u003c/p>\n\u003cp>“So after I got back to Central [headquarters], Emory comes in and says, ‘Hey brother, comrade James, you know, everybody relates to music.’ I say, ‘Yeah Emory, they do.’ He says, ‘You guys sound good. We could create a group and the group could be part of the Ministry of Culture, where we could be able to get that message out in the music.’”\u003c/p>\n\u003cp>Emory Douglas is the brilliant style guru and visual artist whose iconic posters and flyers helped brand the movement.\u003c/p>\n\u003cp>“I just would make suggestions,” Douglas says. “Possibly adding some social justice context to the lyrics.”\u003c/p>\n\u003cp>At this point, Bobby Seale and Huey Newton are both behind bars. So Douglas approaches Panthers Chief of Staff David Hilliard. He understands the value of spreading the word through music, and he greenlights the project. He also gives the group a name: The Lumpen.\u003c/p>\n\u003cp>It’s a play on Karl Marx’s idea of the lumpenproletariat: the lower class that would rise up to crush the capitalist power structure.\u003c/p>\n\u003cfigure id=\"attachment_11828363\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11828363\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Former Black Panther Billy X Jennings, friend of the Lumpen members, and fan of the band. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“At the time the party was coming about, political education, political awareness, was growing tremendously,” says Billy X Jennings. He’s a former Panther and the party’s long time historian. He was tight with the Lumpen members fifty years ago, and still is to this day.\u003c/p>\n\u003cp>“In 1968, James Brown put out a song that really changed everything, because Black people, prior to that time, referred to themselves as Negro,” Jennings continues. “James Brown came out and said, ‘We’re Black and we’re proud.’ And once that record come out, you could never go back and say you’re a Negro. You could never go back! James Brown couldn’t have did that in ‘68 if there wasn’t a group like the Black Panther Party that had set up a foundation of knowledge already.”\u003c/p>\n\u003cp>“Emory was recognizing the role of music historically in Black people’s struggle and part of our culture period,” Torrence says. “He began to say, we can do something with this! You guys sound decent together anyway, because we just clicked like that. And so he encouraged us to put something together.\u003c/p>\n\u003cp>“Whatever rehearsal we would do, we would have to do after whatever other assignments or duties we had,” Torrence continues. “So we had to go sell the papers, we had to do the breakfast program, we’d have to do the garbage run, we’d have to do security. We’d have to do whatever it is that any other Panther would do.”\u003c/p>\n\u003cp>From the Panthers’ perspective, The Lumpen was not about show business. It was about contributing to the revolution.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Singing for us was just political work,” Torrence clarifies. “And if they said the next day, ‘Okay, that’s it,’ fine. Cause we didn’t join for that. If I was really about that, I could have been trying to do it out there in the world. I could have been out there trying to get paid. We never got paid, it was just, if this is how we can be helpful, if this is how we can be useful, if this will advance the cause, this is what we’ll do. But it was always, we follow orders.”\u003c/p>\n\u003cp>And now, only a few months since they were harmonizing to the oldies at the printing plant, their orders are to get onstage and get to work: Educate the people, spread the word and earn money for the party.\u003c/p>\n\u003cp>The Lumpen assemble a six-piece interracial backing band from local players sympathetic to the cause. They’re called the Freedom Messengers.\u003c/p>\n\u003cp>By the summer of 1970, the group is performing at rallies, community gatherings and Panther events around the Bay Area.\u003c/p>\n\u003cp>And they’re good. They’re tight. It’s a professional show on par with almost any act. They’ve got the energy of James Brown, and the dance moves and harmonies of the Temptations. But the lyrics are all about what the Panthers are all about.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=G2llXaUMMqc\u003c/p>\n\u003cp>Bobby Seale has just been arrested in New Haven. The first and only single the group makes is “Free Bobby Now.” It’s written by Bill Calhoun, recorded at Tiki Studios in San Jose in August of 1970. Calhoun’s song “No More” is on the flip side.\u003c/p>\n\u003cp>The record is released on the Panthers’ own Seize the Time label, with credit to Black Panther Party Productions. It’s promoted in the Party newspaper, and sold at live shows and Panther events. Any profits are funneled back into the party.\u003c/p>\n\u003cp>The Lumpen take the single around to Bay Area radio stations, but the lyrics are considered too provocative for airplay. But no one questions the quality of what they’re hearing.\u003c/p>\n\u003cp>“They took the craft seriously,” says Rickey Vincent. He’s the author of “Party Time: The Inside Story of the Black Panthers’ Band” and “How Black Power Transformed Soul Music”. It’s a subject he knows well. His mother was an early Panther.\u003c/p>\n\u003cp>“When they did ‘People Get Ready’ by Curtis Mayfield and The Impressions, they hit those notes that you had to hit that show respect for those aspirations that were in that song in 1964-65. The Lumpen flipped the lyrics, obviously. Instead of saying ‘People get ready there’s a train a’comin’,’ they said, ‘People get ready, the revolution’s comin’, you don’t need a ticket, you need a loaded gun.’ And it was like, wait a minute, that’s soul music the way it’s supposed to be sung, but those are not lyrics the way we’ve heard them before.”\u003c/p>\n\u003cfigure id=\"attachment_11828372\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11828372\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Lumpen_seize_the_time_benefit-800x1100.jpg\" alt=\"\" width=\"800\" height=\"1100\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_seize_the_time_benefit-800x1100.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_seize_the_time_benefit-1020x1402.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_seize_the_time_benefit-160x220.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_seize_the_time_benefit-1117x1536.jpg 1117w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_seize_the_time_benefit.jpg 1276w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Lumpen performed a benefit show in Oakland on Oct. 11, 1970. \u003ccite>(Courtesy of It's About Time Black Panther Party Legacy & Alumni)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Lumpen start headlining shows. They’re gigging weekly, doing benefits and playing college campuses up and down the West Coast. And when they’re not headlining, they’re on bills with the Grateful Dead, Carla Thomas and Curtis Mayfield.\u003c/p>\n\u003cp>And not only is the music on fire, but the live show takes choreography to a whole ‘nother level.\u003c/p>\n\u003cp>“Once we hit the stage, [it was] nonstop,” Torrence says. “Even mixed in a dance routine where we would act out brothers on the block playing dice, and James Mott would be a cop. He’d come and harass one and he’d be beating this brother up, and he’d be beating him with a club and I’m watching it, and then I’d finally get disgusted and I’d jump on the cop and Clark and I together, we’d beat the cop down. So it wasn’t just the singing, it was the choreography. The whole experience was something they hadn’t seen before.”\u003c/p>\n\u003cp>In the winter of 1970, the band hits the road for a tour of the Midwest and East Coast. The crowds are enthusiastic. But tensions are running high.\u003c/p>\n\u003cp>David Levinson is the Freedom Messengers’ 19-year-old sax player. After a show at the University of Minnesota, a snowstorm is kicking in. The band is packing up their gear when they’re approached by members of the Black Student Union.\u003c/p>\n\u003cp>“I’ll never forget this,” Levinson says. “They invited the Black members of the band to stay with them, but they didn’t want the white members of the band, of which there were two of us.”\u003c/p>\n\u003cp>“These guys from the student group come out and they look like a military junta,” says Saturu Ned. “[They] got on the black berets and the black boots. I’m like, ‘What are you guys doing?’ ‘Oh, uh, who are those white guys?’ ‘Excuse me? They’re a part of the Lumpen band.’ ‘Well, they can’t stay!’ We told ’em, ‘Look you motherfuckers, we’re not staying if they’re not staying.’ I said, ‘This is a people’s revolution and these are our brothers that we stand behind.’”\u003c/p>\n\u003cp>Levinson is still close with Saturu and the other former band members. “That’s just a small example of the kind of camaraderie and unity we felt. There never was any racism promoted for or practiced by the Black Panther Party at all.”\u003c/p>\n\u003cfigure id=\"attachment_11828371\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11828371\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Lumpen_4-800x1092.jpg\" alt=\"\" width=\"800\" height=\"1092\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_4-800x1092.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_4-1020x1393.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_4-160x218.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_4-1125x1536.jpg 1125w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_4.jpg 1294w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Lumpen performed at Stanford University on Feb. 17, 1971. \u003ccite>(Courtesy of It's About Time Black Panther Party Legacy & Alumni)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Lumpen are also in the crosshairs of the cops wherever they go. Late one night after a college show in New Jersey, the police follow the band down an empty road heading out of town.\u003c/p>\n\u003cp>“They made us get out the car,” Saturu says. “They knew who we were and it was pitch dark where they pulled us over. We were like, this is it. They gonna kill us. There was a general rule back then, go to a lighted area. What they did was, one car got in front of us, slowed down. The other one got right behind us. And they waited for that real dark area to pull us over — this is part of the intimidation, right?\u003c/p>\n\u003cp>“There were four of’em. They was grinnin’. ‘Sing for us!’ So we started singing—what was that song? ‘As we stroll along together…’ They would harass us to let us know, we watching you. We know who you are.”\u003c/p>\n\u003cp>But the Lumpen are battling another force besides the authorities. And it’s coming from within the party.\u003c/p>\n\u003cp>“There were people in the party, some in leadership, some in the rank and file that said, ‘Yeah, these guys [in the Lumpen] think they’re something special,'” Torrence says.\u003c/p>\n\u003cp>“If it wasn’t for Emory, I don’t think the Lumpen would have came about because Emory is the one who had the juice,” Billy X Jennings emphasizes. “And there was people that wasn’t into the Lumpen. They didn’t think revolutionaries should be doing that kind of thing. But they were older people too, there weren’t R&B people, they were blues people, and during that time there was a difference. Most of the leadership was southern guys. Southern guys like blues. We are young guys, we like R&B. So that’s why [the Lumpen] never really got any more higher than they were because they were always related to as Panthers first.”\u003c/p>\n\u003cp>But that didn’t stop them.\u003c/p>\n\u003ch3>On Fire in Oakland\u003c/h3>\n\u003cp>It’s Nov. 10, 1970, at Merritt College in Oakland. It’s the alma mater of Huey Newton and Bobby Seale. The birthplace of the Black Panther Party. Tonight, to a packed auditorium, the Lumpen will get the message out.\u003c/p>\n\u003cp>Bear in mind: this group has been together for less than a year.\u003c/p>\n\u003cp>While almost everybody else in the San Francisco music scene has been getting high and jamming, the Lumpen have been working as full time revolutionaries, pursued by the police and the FBI.\u003c/p>\n\u003cp>And they still find time to get this group together.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Billy X Jennings, a former Black Panther and the party’s historian\"]‘It was one of the best shows in my life because the audience was electrified. … We were thinking about the same thing — revolution.’[/pullquote]\u003c/p>\n\u003cp>And tonight is special. The show is being recorded for a live album, and the group pulls out all the stops. Billy X Jennings is there with his fist in the air.\u003c/p>\n\u003cp>“It was one of the best shows in my life because the audience was electrified. Once the Lumpen came on and the band start playing, you would hear them repeat something to the crowd and the crowd would throw it back. Like when they say, ‘All power to the people,’ the crowd would say, ‘All power to the people!’ with a force! And when they’d say, ‘Death to the Fascist pigs,’ they’d say, ‘Death to fascist pigs!’ If you just listen to the people’s feedback alone, you could get high on that. They were killin’ me boy! And even to this day when I hear that, it gives me that revolutionary enthusiasm cause everybody was on the one that night. We were thinking about the same thing — revolution.”\u003c/p>\n\u003cp>The show was an undeniable success… but no album ever appeared.\u003c/p>\n\u003cp>The master tapes made that night went missing, and have never been found. Some have suggested that they were confiscated by the FBI. It’s also possible that they were mislabeled and disappeared in the chaos and discord of the time period. Or they could be decaying in an attic somewhere, long forgotten.\u003c/p>\n\u003cp>Only a grainy, multi-generation cassette of the show has ever surfaced, but it captures the raw power of the band.\u003c/p>\n\u003cfigure id=\"attachment_11828149\" class=\"wp-caption alignnone\" style=\"max-width: 582px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11828149\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/The_Lumpen_DC_2.jpg\" alt=\"\" width=\"582\" height=\"391\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/The_Lumpen_DC_2.jpg 582w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/The_Lumpen_DC_2-160x107.jpg 160w\" sizes=\"(max-width: 582px) 100vw, 582px\">\u003cfigcaption class=\"wp-caption-text\">The Lumpen’s mission was to spread the seed of social revolution. \u003ccite>(Courtesy of It's About Time Black Panther Party Legacy & Alumni)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As 1971 arrives, the Panther Party leadership is in chaos. Bobby Seale is still in prison in New Haven. Eldridge Cleaver, the Minister of Information, has fled to Algeria to escape an attempted murder charge on an Oakland cop. The FBI is working to weaken and target the party through a secret \u003ca href=\"https://www.history.com/topics/civil-rights-movement/black-panthers#section_4\">counterintelligence program.\u003c/a>\u003c/p>\n\u003cp>The party is factionalizing.\u003c/p>\n\u003cp>“Huey’s come back out with some different ideas about how things should go,” Torrence says. “In some cases you got Panther against Panther, whether you with Eldridge division or National Headquarters.”\u003c/p>\n\u003cp>At this point, Eldridge is strongly promoting violence.\u003c/p>\n\u003cp>“Right,” Torrence says, but “Huey and Bobby were moving toward a survival program. Even we had to change because all of our original songs was about picking up the gun. There was some other things going on internally, in terms of some of the things being done by Huey that I didn’t agree with, I didn’t join for. And it wasn’t about the police. That was the thing that was bad about it. I was never scared about the police. It’s a bad thing when you get more concerned about the people that you work with than you do with the cops.”\u003c/p>\n\u003cp>As the atmosphere within the Party becomes more desperate, interest in the group from those in power dwindles to nothing. The Lumpen members are reassigned. They’re taken off R&B duty and put on security detail. Their days as a group are numbered.\u003c/p>\n\u003cp>“No, it wasn’t justified,” says Emory Douglas of the group’s demise. “It could have been worked out, but you know we had people who wanted to exercise their position, as far as being in charge. All those things played into it, petty spitefulness. All that.”\u003c/p>\n\u003cp>As Torrence said earlier, if the day came when the singing had to stop, fine. That day finally came.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Michael Torrence, former member of the Lumpen\"]‘We never did it to get famous, we never did it to get rich. We did it because we really wanted to do something for our people, and make a change.’[/pullquote]\u003c/p>\n\u003cp>“We never thought of ourselves as anything other than Panthers. And the Lumpen was a cadre, a unit for a cultural purpose. We loved it, we enjoyed it, but in the big picture, it’s just another assignment. And so when the situation and circumstances change, then you move on to the next assignment. And we didn’t really have time to mourn about it. Because that’s exactly what happened.”\u003c/p>\n\u003cp>On May 23, 1971, in Sacramento, the Lumpen play their last gig. A few days later, Bill Calhoun decides to leave the party. He was the group’s songwriter. So only 11 months after it began, the band is done.\u003c/p>\n\u003cp>But the Panther Party is still Michael Torrence’s life. It’s all he’s known since he was a teenager. Which brings us back to that night in 1973 at the bar in West Oakland: The night Torrence talked to Bobby Seale and asked for some time off from the Panthers.\u003c/p>\n\u003cp>“So anyway, I go to Bobby at his birthday party at the Lamp Post and I said, ‘Well, Chairman, I have a daughter. She needs some support. Plus, I’m having these little anxiety attacks that’s affecting my work, it’s affecting my effectiveness. I don’t wanna quit, I don’t wanna leave, but I need some time. Get myself back together, and then I’m coming back. I’m coming back.’ And Bobby was real cool with me on it, you know. And I’m crying. I’m shedding tears.”\u003c/p>\n\u003cp>Torrence is leaving the bar when Huey Newton calls him back upstairs. He says the Party will contribute $50 a month for to support Torrence’s daughter. Then Newton puts a gun to Torrence’s head and says this:\u003c/p>\n\u003cp>“’Okay then,’” Torrence recalls. “’We send fifty dollars, but you say: All power to the people.’ All power to the people. So I stuck around.\u003c/p>\n\u003cp>“And about six months later, one of the guys from Chicago comes by, says, ‘You still wanna go? Cause we can’t afford to pay for your kid no more. So you can go, you can leave now.’ OK. Well, all right then. Power to the people now.”\u003c/p>\n\u003cp>And that’s it. Michael Torrence is out of the Black Panthers.\u003c/p>\n\u003cp>[aside tag=\"black-panthers\" label=\"Related coverage\"]\u003c/p>\n\u003cp>“And it was traumatic,” he says. “What was traumatic for me was leaving. What was traumatic was what it had become.”\u003c/p>\n\u003cp>Did he feel betrayed?\u003c/p>\n\u003cp>“Yes! Absolutely. Betrayed, angry, bitter, frustrated. Yes. It took me a while to get back to what they call livin’ in the world. ‘Cause the Party was my world. You ask me what I was, I was a Panther. That’s what I was and who I was. And then to lose that … and try and adjust to out being here, and get a job. What am I gonna put on my resume? Where you been the last five years?”\u003c/p>\n\u003cp>But Torrence did have something on his resume that worked outside of the revolution: The Lumpen. It got him a job.\u003c/p>\n\u003cp>Torrence wound up singing behind Marvin Gaye, and he appeared on the singer’s 1974 album, “Marvin Gaye Live!” It was recorded just a few miles away from where the Lumpen recorded their own live album just four years earlier, in Oakland.\u003c/p>\n\u003cp>Torrence went on to write, produce and sing for other artists for the rest of the 1970s.\u003c/p>\n\u003cp>Though he parted ways with the Panthers almost 50 years ago, it’s still part of him.\u003c/p>\n\u003cp>“As far as the Black Panther Party’s concerned, I don’t regret anything,” he says. “I was with people, [and] these things last a lifetime … and I wouldn’t take that back for anything. Did we make some mistakes? Yeah. But at the time, for what it was, it was right on time. I was just glad to be a part of it. Like I said, we never did it to get famous, we never did it to get rich. We did it because we really wanted to do something for our people, and make a change.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Fifty years ago, an unlikely R&B group evolved out of the Oakland chapter of the Black Panther Party. The Lumpen weren’t out to make hit records, they were out to change American culture.",
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"title": "A Trojan Horse of Funk and Soul: The Story of the Black Panthers House Band | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Fifty years ago, an unlikely musical group evolved out of the Oakland chapter of the Black Panther Party. They were called the Lumpen. And although they quickly gained a following for their air-tight funk and striking lyrics, they were always meant to be much more than mere entertainment.\u003c/p>\n\u003cp>Where other bands of their era were content to coast on good vibes, the Lumpen\u003cstrong> \u003c/strong>were out to preach a message of revolution in places where that message wasn’t always wanted. They were a musical cadre whose mission was to spread the seed of social revolution, armed with funk, attitude and matching outfits.\u003c/p>\n\u003cp>In 1973, Michael Torrence is a 22-year-old Black Panther. He’s dedicated himself to the cause and obeyed every command. He’s a true soldier.\u003c/p>\n\u003cp>“We were definitely as hardcore as anybody cause we dropped everything to come,” says Torrence. “We didn’t join to sing. We joined to be revolutionaries. We joined to make the revolution. We joined … to be Panthers!”\u003c/p>\n\u003cp>But five years of complete devotion to the Panthers has taken a toll. Now, Torrence is desperate to focus on his personal life, just for a while.\u003c/p>\n\u003cp>But to do this, he needs to get permission and it’s got to come from the top.\u003c/p>\n\u003cfigure id=\"attachment_11730261\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11730261\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/03/lumpen_hangin-800x475.jpg\" alt=\"When the Black Panthers needed a funk band to help galvanize the masses, the Lumpen didn't miss a beat.\" width=\"800\" height=\"475\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/03/lumpen_hangin-800x475.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/03/lumpen_hangin-160x95.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/03/lumpen_hangin-1020x605.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/03/lumpen_hangin-1200x712.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/03/lumpen_hangin.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">When the Black Panthers needed a funk band to help galvanize the masses, the Lumpen didn’t miss a beat. \u003ccite>(Courtesy of It's About Time Black Panther Party Legacy & Alumni)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Torrence shows up at the Lamp Post — it’s a bar in West Oakland — where Panther leader Bobby Seale is having a birthday party. The two men huddle in a corner and talk for a while, but it’s all good.\u003c/p>\n\u003cp>Seale gives Torrence his blessing for some leave time.\u003c/p>\n\u003cp>Torrence is relieved. But as he’s making his way out of the bar, someone tells him that Huey Newton wants to see him. And he wants to see him now.\u003c/p>\n\u003cp>Newton is Seale’s comrade and co-founder of the Panthers. For years, Newton has been a strong and charismatic leader. But recently his moods have been unstable. Tonight, for whatever reason, he’s agitated.\u003c/p>\n\u003cp>Torrence is ushered into a chair in a back room. And there, flanked by a couple enforcers, is Newton.\u003c/p>\n\u003cp>“And he says, ‘Comrade, I hear you want to leave us. Well, do you want to leave bad enough to die? Do you really want to leave bad enough to die?’ I don’t understand the question,” Torrence says. “And [Newton’s enforcer] June takes a gun and puts it to my head. ‘Oh no, comrade, I don’t want to die.'”\u003c/p>\n\u003cp>“He say, ‘Okay. So this is what’s going to happen, you say…’”\u003c/p>\n\u003cp>Torrence starts to object. Newton isn’t having it.\u003c/p>\n\u003cp>“Would you tell this brother not to talk when I’m talking?”\u003c/p>\n\u003cp>Torrence gets a swift kick in the mouth.\u003c/p>\n\u003cp>Newton begins again, “Okay then. So. You say, all power to the people.”\u003c/p>\n\u003cp>“All power to the people,” mumbles Torrence.\u003c/p>\n\u003cp>Michael Torrence has just been persuaded to rethink his request for some time off — a pistol to the head is hard to argue with.\u003c/p>\n\u003cfigure id=\"attachment_11828362\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11828362\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43861_Michael-Torrence-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Former Black Panther and Lumpen member Michael Torrence. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>People Get Ready\u003c/h3>\n\u003cp>By 1973, Torrence’s years with the Panthers have been a rollercoaster life of extremes. Many times he’s picked up a gun.\u003c/p>\n\u003cp>But he’s also picked up a microphone.\u003c/p>\n\u003cp>Though Torrence did not join the Panthers to sing, the movement’s Minister of Culture gave him and three other young soldiers a special assignment for the cause. It was an R&B group called the Lumpen.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When it all began in 1970, the Lumpen’s music was explosive. The band was powerful, and so was the message.\u003c/p>\n\u003cp>The Lumpen worked nonstop for the cause, killing it wherever they performed: San Francisco, Los Angeles, New York, Philadelphia and the Midwest.\u003c/p>\n\u003cp>But it only lasted 11 months. Then things in the Black Panther Party began to implode.\u003c/p>\n\u003cp>This is the story of the rise and fall of an unlikely R&B group born out of social upheaval. The Lumpen weren’t out to make hit records, they were out to change American culture.\u003c/p>\n\u003cp>It’s a journey unlike that of any other band.\u003c/p>\n\u003cp>And Michael Torrence was at the center of it.\u003c/p>\n\u003ch3>Rise of the Panthers\u003c/h3>\n\u003cp>In 1966, Huey Newton and Bobby Seale co-found the Black Panther Party. They’re both students at Merritt Community College in Oakland.\u003c/p>\n\u003cp>Within a few years, the Party offers educational programs, food service, free medical care and drug rehab to the Black community. And the Panthers are leading the fight against rampant police brutality.\u003c/p>\n\u003cp>By the end of the ‘60s, change is in the air, and the Bay Area is ground zero.\u003c/p>\n\u003cp>“[In] San Francisco at that time, we were in the Fillmore District,” Torrence says. “It was very high-tension. Police were riding, you know, four or five deep. If you were out selling your papers they would come and harass you, snatch your papers, maybe arrest you, threaten you. But at the same time there was a lot of energy. That’s the best thing about it. You could really feel the energy, particularly among younger people, that we felt we could really make a change. Not only could we make a change, we were going to make a change. There was this commitment to die if necessary.”\u003c/p>\n\u003cp>Those papers are the weekly bible of party information, a publication called The Black Panther. And the Howard Quinn Printing Company on Alabama Street is where the Lumpen story begins.\u003c/p>\n\u003cfigure id=\"attachment_11828364\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11828364\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS43863_James-Mott-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43863_James-Mott-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lumpen singer and former Black Panther James Mott, aka Saturu Ned. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Former Lumpen singer James Mott, now known as Saturu Ned, takes up the story.\u003c/p>\n\u003cp>“Wednesday night was distribution night, where we would get out the paper. Everybody would come,” he said.\u003c/p>\n\u003cp>That’s in 1970: He’s newly arrived from the Sacramento Panther chapter.\u003c/p>\n\u003cp>All the future members of the Lumpen are in attendance that Wednesday night: Torrence, Mott — now Saturu, William Calhoun and Clark “Santa Rita” Bailey. They all have musical backgrounds ranging from church choirs to professional-level experience, but when they meet, they’re just loyal young soldiers taking orders along with everybody else.\u003c/p>\n\u003cp>“It was a community gathering in Fillmore,” Saturu says. “At that time, Fillmore is not like it is now, changed, and the gentrification. It was … Fillmore.”\u003c/p>\n\u003cp>“And on those distribution nights when various chapters would all come together from the Bay Area to get the paper out, we would sing,” Torrence says.\u003c/p>\n\u003cp>“And we would sing, at that point, just doo-wop songs,” Saturu recalls. “So one night I went over there and the three of us sang and I joined in. And we started harmonizing. We just blended in so cool!”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“And then what we began to do was, we’d just put other words to the popular songs. Because we would be singing what we called revolutionary songs to encourage us in the struggle. In terms of the Lumpen, it kinda grew out of that. Just us singing together. Part of, I guess, the tradition of just singin’ while you work,” Torrence says.\u003c/p>\n\u003cp>It’s a typical Wednesday. The four Panthers are at the print shop, stacking and racking and harmonizing into the night. But this time, there’s someone listening: Emory Douglas, the party’s Minister of Culture.\u003c/p>\n\u003cp>“So after I got back to Central [headquarters], Emory comes in and says, ‘Hey brother, comrade James, you know, everybody relates to music.’ I say, ‘Yeah Emory, they do.’ He says, ‘You guys sound good. We could create a group and the group could be part of the Ministry of Culture, where we could be able to get that message out in the music.’”\u003c/p>\n\u003cp>Emory Douglas is the brilliant style guru and visual artist whose iconic posters and flyers helped brand the movement.\u003c/p>\n\u003cp>“I just would make suggestions,” Douglas says. “Possibly adding some social justice context to the lyrics.”\u003c/p>\n\u003cp>At this point, Bobby Seale and Huey Newton are both behind bars. So Douglas approaches Panthers Chief of Staff David Hilliard. He understands the value of spreading the word through music, and he greenlights the project. He also gives the group a name: The Lumpen.\u003c/p>\n\u003cp>It’s a play on Karl Marx’s idea of the lumpenproletariat: the lower class that would rise up to crush the capitalist power structure.\u003c/p>\n\u003cfigure id=\"attachment_11828363\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11828363\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43862_Billy-Jennings-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Former Black Panther Billy X Jennings, friend of the Lumpen members, and fan of the band. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“At the time the party was coming about, political education, political awareness, was growing tremendously,” says Billy X Jennings. He’s a former Panther and the party’s long time historian. He was tight with the Lumpen members fifty years ago, and still is to this day.\u003c/p>\n\u003cp>“In 1968, James Brown put out a song that really changed everything, because Black people, prior to that time, referred to themselves as Negro,” Jennings continues. “James Brown came out and said, ‘We’re Black and we’re proud.’ And once that record come out, you could never go back and say you’re a Negro. You could never go back! James Brown couldn’t have did that in ‘68 if there wasn’t a group like the Black Panther Party that had set up a foundation of knowledge already.”\u003c/p>\n\u003cp>“Emory was recognizing the role of music historically in Black people’s struggle and part of our culture period,” Torrence says. “He began to say, we can do something with this! You guys sound decent together anyway, because we just clicked like that. And so he encouraged us to put something together.\u003c/p>\n\u003cp>“Whatever rehearsal we would do, we would have to do after whatever other assignments or duties we had,” Torrence continues. “So we had to go sell the papers, we had to do the breakfast program, we’d have to do the garbage run, we’d have to do security. We’d have to do whatever it is that any other Panther would do.”\u003c/p>\n\u003cp>From the Panthers’ perspective, The Lumpen was not about show business. It was about contributing to the revolution.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Singing for us was just political work,” Torrence clarifies. “And if they said the next day, ‘Okay, that’s it,’ fine. Cause we didn’t join for that. If I was really about that, I could have been trying to do it out there in the world. I could have been out there trying to get paid. We never got paid, it was just, if this is how we can be helpful, if this is how we can be useful, if this will advance the cause, this is what we’ll do. But it was always, we follow orders.”\u003c/p>\n\u003cp>And now, only a few months since they were harmonizing to the oldies at the printing plant, their orders are to get onstage and get to work: Educate the people, spread the word and earn money for the party.\u003c/p>\n\u003cp>The Lumpen assemble a six-piece interracial backing band from local players sympathetic to the cause. They’re called the Freedom Messengers.\u003c/p>\n\u003cp>By the summer of 1970, the group is performing at rallies, community gatherings and Panther events around the Bay Area.\u003c/p>\n\u003cp>And they’re good. They’re tight. It’s a professional show on par with almost any act. They’ve got the energy of James Brown, and the dance moves and harmonies of the Temptations. But the lyrics are all about what the Panthers are all about.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/G2llXaUMMqc'\n title='//www.youtube.com/embed/G2llXaUMMqc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Bobby Seale has just been arrested in New Haven. The first and only single the group makes is “Free Bobby Now.” It’s written by Bill Calhoun, recorded at Tiki Studios in San Jose in August of 1970. Calhoun’s song “No More” is on the flip side.\u003c/p>\n\u003cp>The record is released on the Panthers’ own Seize the Time label, with credit to Black Panther Party Productions. It’s promoted in the Party newspaper, and sold at live shows and Panther events. Any profits are funneled back into the party.\u003c/p>\n\u003cp>The Lumpen take the single around to Bay Area radio stations, but the lyrics are considered too provocative for airplay. But no one questions the quality of what they’re hearing.\u003c/p>\n\u003cp>“They took the craft seriously,” says Rickey Vincent. He’s the author of “Party Time: The Inside Story of the Black Panthers’ Band” and “How Black Power Transformed Soul Music”. It’s a subject he knows well. His mother was an early Panther.\u003c/p>\n\u003cp>“When they did ‘People Get Ready’ by Curtis Mayfield and The Impressions, they hit those notes that you had to hit that show respect for those aspirations that were in that song in 1964-65. The Lumpen flipped the lyrics, obviously. Instead of saying ‘People get ready there’s a train a’comin’,’ they said, ‘People get ready, the revolution’s comin’, you don’t need a ticket, you need a loaded gun.’ And it was like, wait a minute, that’s soul music the way it’s supposed to be sung, but those are not lyrics the way we’ve heard them before.”\u003c/p>\n\u003cfigure id=\"attachment_11828372\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11828372\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Lumpen_seize_the_time_benefit-800x1100.jpg\" alt=\"\" width=\"800\" height=\"1100\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_seize_the_time_benefit-800x1100.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_seize_the_time_benefit-1020x1402.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_seize_the_time_benefit-160x220.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_seize_the_time_benefit-1117x1536.jpg 1117w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_seize_the_time_benefit.jpg 1276w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Lumpen performed a benefit show in Oakland on Oct. 11, 1970. \u003ccite>(Courtesy of It's About Time Black Panther Party Legacy & Alumni)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Lumpen start headlining shows. They’re gigging weekly, doing benefits and playing college campuses up and down the West Coast. And when they’re not headlining, they’re on bills with the Grateful Dead, Carla Thomas and Curtis Mayfield.\u003c/p>\n\u003cp>And not only is the music on fire, but the live show takes choreography to a whole ‘nother level.\u003c/p>\n\u003cp>“Once we hit the stage, [it was] nonstop,” Torrence says. “Even mixed in a dance routine where we would act out brothers on the block playing dice, and James Mott would be a cop. He’d come and harass one and he’d be beating this brother up, and he’d be beating him with a club and I’m watching it, and then I’d finally get disgusted and I’d jump on the cop and Clark and I together, we’d beat the cop down. So it wasn’t just the singing, it was the choreography. The whole experience was something they hadn’t seen before.”\u003c/p>\n\u003cp>In the winter of 1970, the band hits the road for a tour of the Midwest and East Coast. The crowds are enthusiastic. But tensions are running high.\u003c/p>\n\u003cp>David Levinson is the Freedom Messengers’ 19-year-old sax player. After a show at the University of Minnesota, a snowstorm is kicking in. The band is packing up their gear when they’re approached by members of the Black Student Union.\u003c/p>\n\u003cp>“I’ll never forget this,” Levinson says. “They invited the Black members of the band to stay with them, but they didn’t want the white members of the band, of which there were two of us.”\u003c/p>\n\u003cp>“These guys from the student group come out and they look like a military junta,” says Saturu Ned. “[They] got on the black berets and the black boots. I’m like, ‘What are you guys doing?’ ‘Oh, uh, who are those white guys?’ ‘Excuse me? They’re a part of the Lumpen band.’ ‘Well, they can’t stay!’ We told ’em, ‘Look you motherfuckers, we’re not staying if they’re not staying.’ I said, ‘This is a people’s revolution and these are our brothers that we stand behind.’”\u003c/p>\n\u003cp>Levinson is still close with Saturu and the other former band members. “That’s just a small example of the kind of camaraderie and unity we felt. There never was any racism promoted for or practiced by the Black Panther Party at all.”\u003c/p>\n\u003cfigure id=\"attachment_11828371\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11828371\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Lumpen_4-800x1092.jpg\" alt=\"\" width=\"800\" height=\"1092\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_4-800x1092.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_4-1020x1393.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_4-160x218.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_4-1125x1536.jpg 1125w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Lumpen_4.jpg 1294w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Lumpen performed at Stanford University on Feb. 17, 1971. \u003ccite>(Courtesy of It's About Time Black Panther Party Legacy & Alumni)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Lumpen are also in the crosshairs of the cops wherever they go. Late one night after a college show in New Jersey, the police follow the band down an empty road heading out of town.\u003c/p>\n\u003cp>“They made us get out the car,” Saturu says. “They knew who we were and it was pitch dark where they pulled us over. We were like, this is it. They gonna kill us. There was a general rule back then, go to a lighted area. What they did was, one car got in front of us, slowed down. The other one got right behind us. And they waited for that real dark area to pull us over — this is part of the intimidation, right?\u003c/p>\n\u003cp>“There were four of’em. They was grinnin’. ‘Sing for us!’ So we started singing—what was that song? ‘As we stroll along together…’ They would harass us to let us know, we watching you. We know who you are.”\u003c/p>\n\u003cp>But the Lumpen are battling another force besides the authorities. And it’s coming from within the party.\u003c/p>\n\u003cp>“There were people in the party, some in leadership, some in the rank and file that said, ‘Yeah, these guys [in the Lumpen] think they’re something special,'” Torrence says.\u003c/p>\n\u003cp>“If it wasn’t for Emory, I don’t think the Lumpen would have came about because Emory is the one who had the juice,” Billy X Jennings emphasizes. “And there was people that wasn’t into the Lumpen. They didn’t think revolutionaries should be doing that kind of thing. But they were older people too, there weren’t R&B people, they were blues people, and during that time there was a difference. Most of the leadership was southern guys. Southern guys like blues. We are young guys, we like R&B. So that’s why [the Lumpen] never really got any more higher than they were because they were always related to as Panthers first.”\u003c/p>\n\u003cp>But that didn’t stop them.\u003c/p>\n\u003ch3>On Fire in Oakland\u003c/h3>\n\u003cp>It’s Nov. 10, 1970, at Merritt College in Oakland. It’s the alma mater of Huey Newton and Bobby Seale. The birthplace of the Black Panther Party. Tonight, to a packed auditorium, the Lumpen will get the message out.\u003c/p>\n\u003cp>Bear in mind: this group has been together for less than a year.\u003c/p>\n\u003cp>While almost everybody else in the San Francisco music scene has been getting high and jamming, the Lumpen have been working as full time revolutionaries, pursued by the police and the FBI.\u003c/p>\n\u003cp>And they still find time to get this group together.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "‘It was one of the best shows in my life because the audience was electrified. … We were thinking about the same thing — revolution.’",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And tonight is special. The show is being recorded for a live album, and the group pulls out all the stops. Billy X Jennings is there with his fist in the air.\u003c/p>\n\u003cp>“It was one of the best shows in my life because the audience was electrified. Once the Lumpen came on and the band start playing, you would hear them repeat something to the crowd and the crowd would throw it back. Like when they say, ‘All power to the people,’ the crowd would say, ‘All power to the people!’ with a force! And when they’d say, ‘Death to the Fascist pigs,’ they’d say, ‘Death to fascist pigs!’ If you just listen to the people’s feedback alone, you could get high on that. They were killin’ me boy! And even to this day when I hear that, it gives me that revolutionary enthusiasm cause everybody was on the one that night. We were thinking about the same thing — revolution.”\u003c/p>\n\u003cp>The show was an undeniable success… but no album ever appeared.\u003c/p>\n\u003cp>The master tapes made that night went missing, and have never been found. Some have suggested that they were confiscated by the FBI. It’s also possible that they were mislabeled and disappeared in the chaos and discord of the time period. Or they could be decaying in an attic somewhere, long forgotten.\u003c/p>\n\u003cp>Only a grainy, multi-generation cassette of the show has ever surfaced, but it captures the raw power of the band.\u003c/p>\n\u003cfigure id=\"attachment_11828149\" class=\"wp-caption alignnone\" style=\"max-width: 582px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11828149\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/The_Lumpen_DC_2.jpg\" alt=\"\" width=\"582\" height=\"391\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/The_Lumpen_DC_2.jpg 582w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/The_Lumpen_DC_2-160x107.jpg 160w\" sizes=\"(max-width: 582px) 100vw, 582px\">\u003cfigcaption class=\"wp-caption-text\">The Lumpen’s mission was to spread the seed of social revolution. \u003ccite>(Courtesy of It's About Time Black Panther Party Legacy & Alumni)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As 1971 arrives, the Panther Party leadership is in chaos. Bobby Seale is still in prison in New Haven. Eldridge Cleaver, the Minister of Information, has fled to Algeria to escape an attempted murder charge on an Oakland cop. The FBI is working to weaken and target the party through a secret \u003ca href=\"https://www.history.com/topics/civil-rights-movement/black-panthers#section_4\">counterintelligence program.\u003c/a>\u003c/p>\n\u003cp>The party is factionalizing.\u003c/p>\n\u003cp>“Huey’s come back out with some different ideas about how things should go,” Torrence says. “In some cases you got Panther against Panther, whether you with Eldridge division or National Headquarters.”\u003c/p>\n\u003cp>At this point, Eldridge is strongly promoting violence.\u003c/p>\n\u003cp>“Right,” Torrence says, but “Huey and Bobby were moving toward a survival program. Even we had to change because all of our original songs was about picking up the gun. There was some other things going on internally, in terms of some of the things being done by Huey that I didn’t agree with, I didn’t join for. And it wasn’t about the police. That was the thing that was bad about it. I was never scared about the police. It’s a bad thing when you get more concerned about the people that you work with than you do with the cops.”\u003c/p>\n\u003cp>As the atmosphere within the Party becomes more desperate, interest in the group from those in power dwindles to nothing. The Lumpen members are reassigned. They’re taken off R&B duty and put on security detail. Their days as a group are numbered.\u003c/p>\n\u003cp>“No, it wasn’t justified,” says Emory Douglas of the group’s demise. “It could have been worked out, but you know we had people who wanted to exercise their position, as far as being in charge. All those things played into it, petty spitefulness. All that.”\u003c/p>\n\u003cp>As Torrence said earlier, if the day came when the singing had to stop, fine. That day finally came.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "‘We never did it to get famous, we never did it to get rich. We did it because we really wanted to do something for our people, and make a change.’",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We never thought of ourselves as anything other than Panthers. And the Lumpen was a cadre, a unit for a cultural purpose. We loved it, we enjoyed it, but in the big picture, it’s just another assignment. And so when the situation and circumstances change, then you move on to the next assignment. And we didn’t really have time to mourn about it. Because that’s exactly what happened.”\u003c/p>\n\u003cp>On May 23, 1971, in Sacramento, the Lumpen play their last gig. A few days later, Bill Calhoun decides to leave the party. He was the group’s songwriter. So only 11 months after it began, the band is done.\u003c/p>\n\u003cp>But the Panther Party is still Michael Torrence’s life. It’s all he’s known since he was a teenager. Which brings us back to that night in 1973 at the bar in West Oakland: The night Torrence talked to Bobby Seale and asked for some time off from the Panthers.\u003c/p>\n\u003cp>“So anyway, I go to Bobby at his birthday party at the Lamp Post and I said, ‘Well, Chairman, I have a daughter. She needs some support. Plus, I’m having these little anxiety attacks that’s affecting my work, it’s affecting my effectiveness. I don’t wanna quit, I don’t wanna leave, but I need some time. Get myself back together, and then I’m coming back. I’m coming back.’ And Bobby was real cool with me on it, you know. And I’m crying. I’m shedding tears.”\u003c/p>\n\u003cp>Torrence is leaving the bar when Huey Newton calls him back upstairs. He says the Party will contribute $50 a month for to support Torrence’s daughter. Then Newton puts a gun to Torrence’s head and says this:\u003c/p>\n\u003cp>“’Okay then,’” Torrence recalls. “’We send fifty dollars, but you say: All power to the people.’ All power to the people. So I stuck around.\u003c/p>\n\u003cp>“And about six months later, one of the guys from Chicago comes by, says, ‘You still wanna go? Cause we can’t afford to pay for your kid no more. So you can go, you can leave now.’ OK. Well, all right then. Power to the people now.”\u003c/p>\n\u003cp>And that’s it. Michael Torrence is out of the Black Panthers.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“And it was traumatic,” he says. “What was traumatic for me was leaving. What was traumatic was what it had become.”\u003c/p>\n\u003cp>Did he feel betrayed?\u003c/p>\n\u003cp>“Yes! Absolutely. Betrayed, angry, bitter, frustrated. Yes. It took me a while to get back to what they call livin’ in the world. ‘Cause the Party was my world. You ask me what I was, I was a Panther. That’s what I was and who I was. And then to lose that … and try and adjust to out being here, and get a job. What am I gonna put on my resume? Where you been the last five years?”\u003c/p>\n\u003cp>But Torrence did have something on his resume that worked outside of the revolution: The Lumpen. It got him a job.\u003c/p>\n\u003cp>Torrence wound up singing behind Marvin Gaye, and he appeared on the singer’s 1974 album, “Marvin Gaye Live!” It was recorded just a few miles away from where the Lumpen recorded their own live album just four years earlier, in Oakland.\u003c/p>\n\u003cp>Torrence went on to write, produce and sing for other artists for the rest of the 1970s.\u003c/p>\n\u003cp>Though he parted ways with the Panthers almost 50 years ago, it’s still part of him.\u003c/p>\n\u003cp>“As far as the Black Panther Party’s concerned, I don’t regret anything,” he says. “I was with people, [and] these things last a lifetime … and I wouldn’t take that back for anything. Did we make some mistakes? Yeah. But at the time, for what it was, it was right on time. I was just glad to be a part of it. Like I said, we never did it to get famous, we never did it to get rich. We did it because we really wanted to do something for our people, and make a change.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "how-do-we-heal-toppling-the-myth-of-junipero-serra",
"title": "'How Do We Heal?' Toppling the Myth of Junípero Serra",
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"headTitle": "‘How Do We Heal?’ Toppling the Myth of Junípero Serra | KQED",
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"content": "\u003cp>\u003cstrong>Skip to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003cstrong>\u003ca href=\"#serra\">Who was Junípero Serra, and what did he do? \u003c/a>\u003c/strong>\u003c/strong>\u003cstrong>\u003ca href=\"#serra\"> \u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#removal\">How statues get officially removed – and what you can do personally\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>[dropcap]O[/dropcap]n June 19, people around the Bay Area \u003ca href=\"https://www.kqed.org/news/11825274/updates-bay-area-honors-juneteenth-on-the-streets\">took to the streets to mark Juneteenth\u003c/a>: the date in 1865 when the last enslaved people in Texas learned they were free, more than two years after slavery officially ended in the United States. The rallies followed weeks of \u003ca href=\"https://www.kqed.org/news/tag/protests\">intense protest\u003c/a> across the country over the killings of George Floyd and other Black people by police, and over systemic racism in the United States.\u003c/p>\n\u003cp>That evening, protesters \u003ca href=\"https://twitter.com/FitzTheReporter/status/1274374501925453824\">pulled down a bronze statue\u003c/a> that had stood 30 feet high over San Francisco’s Golden Gate Park for more than a century, spattering it with red paint.\u003c/p>\n\u003cfigure id=\"attachment_11827294\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827294\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Serra-toppled.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-toppled.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-toppled-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-toppled-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-toppled-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-toppled-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">A statue of Junípero Serra toppled from its plinth in San Francisco’s Golden Gate Park by protesters on June 18, 2020. \u003ccite>(Joe Fitzgerald Rodriguez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The 1907 monument was a tribute to Father Junípero Serra: the 18th century Franciscan priest who presided over the colonizing Spanish mission system in California that resulted in the decimation of the Indigenous population, and who was \u003ca href=\"https://www.kqed.org/news/10682571/pope-francis-courts-controversy-over-junipero-serra-sainthood\">made a saint\u003c/a> by Pope Francis in 2015. Monuments to Ulysses S. Grant and Francis Scott Key, who both enslaved Black people, were also pulled down in the park that night.\u003c/p>\n\u003cp>The Juneteenth topplings followed the \u003ca href=\"https://www.kqed.org/news/11825103/san-francisco-removes-controversial-christopher-columbus-statue-on-telegraph-hill\">removal\u003c/a> of a Christopher Columbus statue in San Francisco’s North Beach neighborhood by city workers ahead of plans by protesters to topple it themselves, and the removal of a Sacramento \u003ca href=\"https://www.kqed.org/news/11824573/statue-of-john-sutter-pioneer-who-enslaved-native-americans-removed-in-sacramento\">monument to John Sutter\u003c/a> — a 19th century colonizer who enslaved Native Americans at his mill. The day after the Golden Gate Park statues fell, Indigenous activists in downtown Los Angeles watched as a 1932 park monument to Serra \u003ca href=\"https://www.latimes.com/entertainment-arts/story/2020-06-20/statue-junipero-serra-monument-protest-activists-take-down-los-angeles\">was ripped off its pedestal\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11827292\" class=\"wp-caption aligncenter\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827292\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/serra-graffiti.jpg\" alt=\"Graffiti at the former site of a statue of Junípero Serra reads 'Stolen land, stolen people.'\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/serra-graffiti.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/serra-graffiti-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/serra-graffiti-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/serra-graffiti-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/serra-graffiti-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">Graffiti at the former site of a statue of Junípero Serra reads ‘Stolen land, stolen people.’ \u003ccite>(Joe Fitzgerald Rodriguez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And this past July 4, another statue of Serra was \u003ca href=\"https://www.sacbee.com/news/local/article244012732.html\">torn down in Sacramento’s Capitol Park\u003c/a> by protesters following a day of peaceful marches by demonstrators aligned with the Black Lives Matter movement. The same day, Indigenous activists \u003ca href=\"https://www.latimes.com/california/story/2020-07-04/indigenous-groups-black-lives-matters-join-forces-to-mark-historical-sins-on-july-4th\">joined forces with Black Lives Matter organizers\u003c/a> for a march in Los Angeles, calling for unity and decrying the historical ‘sins’ of the United States.\u003c/p>\n\u003ch3>Black Lives Matter and the Fight Against Serra Monuments\u003c/h3>\n\u003cp>Like the timing of the July 4 marches, the Juneteenth timing of the Golden Gate Park Serra statue toppling was highly symbolic.\u003c/p>\n\u003cp>“It’s emotional for sure,” says Morning Star Gali about how it feels to see statues come down. A member of the Ajumawi band of the Pit River Tribe — and the project director of the organization Restoring Justice for Indigenous Peoples — Gali has been involved in campaigns for the removal of several statues in the state.\u003c/p>\n\u003cp>She campaigned against the Sacramento monument to Sutter, and was there to watch it fall. She was present too at the contentious \u003ca href=\"https://www.kqed.org/arts/13859733/sf-had-right-to-remove-early-days-statue-deemed-racist-judge-says\">removal of the Early Days\u003c/a> statue in San Francisco in 2018, which she and others had worked to remove from public view on account of its portrayal of Native Americans.\u003c/p>\n\u003cfigure id=\"attachment_11827286\" class=\"wp-caption aligncenter\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827286\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/early-days.jpg\" alt=\"\" width=\"1900\" height=\"1758\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/early-days.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/early-days-800x740.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/early-days-1020x944.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/early-days-160x148.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/early-days-1536x1421.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">‘Early Days,’ part of the Pioneer Monument in San Francisco’s Civic Center, was removed in 2018. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>America’s current movement toward social justice, and the deep reckoning with U.S. history that it demands, is “absolutely intersectional,” says Gali.\u003c/p>\n\u003cp>“There is absolutely a mutual understanding of Black and brown and Indigenous liberation that we understand, and we’ve done a lot of work in the past year to get to the point where we’re at.”\u003c/p>\n\u003cp>She and her fellow Indigenous activists are active partners with the Anti Police-Terror Project — work that’s seen them hold memorials and vigils to honor Black victims of police brutality. In Sacramento, Gali’s efforts to \u003ca href=\"https://www.antipoliceterrorproject.org/sac-events/2020/6/17/community-conversations-to-de-serra-sacramento\">“de-Serra” the city\u003c/a> were purposefully held in partnership with the Anti Police-Terror Project, to “really show the solidarity that we have with one another.”\u003c/p>\n\u003cp>These statues are, Gali emphasizes, “monuments to racism. These are monuments to genocide. And it’s time for them to come down.”\u003c/p>\n\u003cfigure id=\"attachment_11827564\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827564\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/10/Gali-Brooke.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Gali-Brooke.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Gali-Brooke-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Gali-Brooke-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Gali-Brooke-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Gali-Brooke-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">Morning Star Gali, with her youngest daughters. \u003ccite>(Brooke Anderson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Author and academic Greg Sarris is the chairman of the Federated Indians of Graton Rancheria, and lecturer at Sonoma State University’s Native American Studies program. In support of “everyone who is suffering the legacy of racism and injustice,” Sarris says that he and his tribe fully stand behind the Black Lives Matter movement.\u003c/p>\n\u003cp>“Let us not forget that the Indians on this continent were the first to find out what European insensitivity would do to us,” he says. “And do to others.”\u003c/p>\n\u003cp>As statues of colonizers are brought down around California — mirroring actions against Confederate monuments further east — Serra remains a particular focus. And for years, he’s been a reviled figure among many Indigenous people for his leadership over a system that resulted in the incalculable loss of Native lives, and forever altered the Indigenous way of life in California.\u003c/p>\n\u003cp>When it comes to Serra, this is a fight that has been sustained by Indigenous activists for decades. And far from being a matter that relates mainly to California’s history, it says everything about our state’s present — and future.\u003c/p>\n\u003ch3>\u003ca id=\"serra\">\u003c/a>Who Was Junípero Serra?\u003c/h3>\n\u003cp>Born in Spain, Junípero Serra first traveled to the Americas in 1749 while in his thirties, to work as a Catholic missionary in Mexico. In 1768, he traveled north to California, and founded a string of missions stretching from San Diego to San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_10406942\" class=\"wp-caption alignnone\" style=\"max-width: 1440px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10406942\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2015/01/juniperoserra-e1421339520709.jpeg\" alt=\"\" width=\"1440\" height=\"1036\">\u003cfigcaption class=\"wp-caption-text\">Father Junípero Serra in a portrait by Father Jose Mosqueda. \u003ccite>(Huntington Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If members of a nearby Indigenous tribe were baptized, they were then brought into a mission where they were ordered to abandon many aspects of their culture and customs, and forced into labor — and prevented from leaving. Anyone who tried to escape the mission was subject to being hunted down and brought back.\u003c/p>\n\u003cp>The Native people in Serra’s missions were subjected to physical punishments like whippings and beating, which Serra himself justified in 1780, \u003ca href=\"https://www.pbs.org/weta/thewest/people/s_z/serra.htm\">writing\u003c/a> “that spiritual fathers should punish their sons, the Indians, with blows appears to be as old as the conquest of [the Americas]; so general in fact that the saints do not seem to be any exception to the rule.”\u003c/p>\n\u003cfigure id=\"attachment_11827259\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827259\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Map.jpg\" alt=\"\" width=\"1900\" height=\"1579\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Map.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Map-800x665.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Map-1020x848.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Map-160x133.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Map-1536x1276.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">A map of North America dated 1789, showing California when it was part of Spanish-controlled “New Spain.” \u003ccite>(Dobson's Encyclopædia)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Thousands of Indigenous people in the missions died from exposure to European diseases and from the brutal labor they were forced to perform. It was the discovery of the missions’ birth and death rolls — and the revelation that more Native people died under Serra’s system than were born — that sparked a more widespread re-evaluation of his legacy in the 20th century.\u003c/p>\n\u003cp>The hard physical labor performed by Indigenous people in Serra’s missions was, for years, characterized in history books as ‘work.’ The word for it used today by many, including the descendants of those people, is ‘slavery.’\u003c/p>\n\u003cp>“Here we were enslaved in the missions, and whipped and beaten,” says Greg Sarris. “Up to 90% of the population [was] decimated, from which we never really recovered.”\u003c/p>\n\u003cp>The missions “were concentration camps,” \u003ca href=\"https://www.montereyherald.com/2015/04/01/easter-sunday-protest-over-serra-planned-at-carmel-mission/\">said Corine Fairbanks\u003c/a> of the American Indian Movement Southern California in 2015, ahead of a protest at Serra’s canonization at the Carmel mission. “They were places of death.”\u003c/p>\n\u003cp>Centuries of spiritual and cultural heritage were erased by the Spanish conversion system.\u003c/p>\n\u003cp>“Serra did not just bring us Christianity,” \u003ca href=\"https://www.nytimes.com/2015/01/22/us/to-some-indians-in-california-father-serra-is-far-from-a-saint.html\">said academic Deborah Miranda\u003c/a>, a member of the Ohlone Costanoan Esselen Nation and author of “Bad Indians”, in 2015. “He imposed it, giving us no choice in the matter. He did incalculable damage to a whole culture.”\u003c/p>\n\u003ch3>Serra the Saint\u003c/h3>\n\u003cp>In 2015, Pope Francis announced his \u003ca href=\"https://www.kqed.org/news/10682571/pope-francis-courts-controversy-over-junipero-serra-sainthood\">decision to make Junípero Serra a saint\u003c/a>. The news was met with outrage in California, with protests taking place in San Francisco’s Mission Dolores, Mission Carmel and Mission San Juan Bautista.\u003c/p>\n\u003cfigure id=\"attachment_11748397\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11748397\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS37187_GettyImages-489795578-qut.jpg\" alt=\"Pope Francis pauses in front of a sculpture of Spanish-born Junipero Serra, the Franciscan Friar known for starting missions in California, in Statuary Hall at the U.S. Capitol on September 24, 2015 in Washington, DC.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37187_GettyImages-489795578-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37187_GettyImages-489795578-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37187_GettyImages-489795578-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37187_GettyImages-489795578-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37187_GettyImages-489795578-qut-1200x800.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Pope Francis pauses in front of a sculpture of Junípero Serra in Statuary Hall at the U.S. Capitol on September 24, 2015 in Washington, DC. He canonized Serra on this visit. \u003ccite>(Michael Reynolds-Pool/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>An Indigenous-authored \u003ca href=\"https://sign.moveon.org/petitions/urge-pope-francis-to?mailing_id=28356&r_by=504037&source=s.icn.em.cr\">petition\u003c/a> urging the pope to reconsider the canonization received over 11,000 signatures, stating that “it is imperative he is enlightened to understand that Father Serra was responsible for the deception, exploitation, oppression, enslavement and genocide of thousands of Indigenous Californians, ultimately resulting in the largest ethnic cleansing in North America.”\u003c/p>\n\u003cp>A week after the canonization, a statue of Serra in Monterey was decapitated. Two years later in Santa Barbara, another Serra monument at the city’s mission was also decapitated and covered with red paint.\u003c/p>\n\u003cp>This wasn’t the first time the Church had attempted to elevate Serra’s holy stature. Almost three decades earlier, in 1988, Francis’ predecessor Pope John Paul II had actually kicked off the sanctification process by beatifying Serra. That announcement too was greeted with horror by Indigenous voices, but even back then, it represented only the latest articulation of of anti-Serra protest.\u003c/p>\n\u003cfigure id=\"attachment_11827261\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827261\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS43838_001_KQED_280_JuniperoSerraStatue_06302020-qut.jpg\" alt=\"A statue of Junípero Serra at a rest stop along Interstate 280 near Hillsborough.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43838_001_KQED_280_JuniperoSerraStatue_06302020-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43838_001_KQED_280_JuniperoSerraStatue_06302020-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43838_001_KQED_280_JuniperoSerraStatue_06302020-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43838_001_KQED_280_JuniperoSerraStatue_06302020-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43838_001_KQED_280_JuniperoSerraStatue_06302020-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A statue of Junípero Serra at a rest stop along Interstate 280 near Hillsborough. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Some saw the canonization as a Catholic matter for Catholic people.\u003c/p>\n\u003cp>In \u003ca href=\"https://www.youtube.com/watch?v=R4LLtN2fjLA\">a 1989 episode of the TV talk show “Firing Line,”\u003c/a> host William F. Buckley Jr. suggests to guest Edward Castillo – a Cahuilla-Luiseño professor of Native American studies at Sonoma State University and a Serra critic who participated in the 1969 occupation of Alcatraz Island — that as as a non-Christian, “it’s none of your business who the church canonizes.”\u003c/p>\n\u003cp>In 2015, L.A. Native activist Norma Flores – who worked with the Kizh Nation/Gabrieleño Band of Mission Indians to author the anti-canonization petition — disagreed. “Junípero Serra is being canonized for being an evangelist of the Native peoples in California,” she said. “Why do we not have an active say in this?”\u003c/p>\n\u003ch3>What Replaces Serra?\u003c/h3>\n\u003cp>Amid a national reckoning with U.S. history, how California deals with Serra is fundamental — not just to the state’s view of its past, but also to how it imagines its future, and the stories it wishes to tell.\u003c/p>\n\u003cfigure id=\"attachment_11827271\" class=\"wp-caption aligncenter\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827271\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/san-bautista.jpg\" alt=\"A statue of Father Junípero Serra at Old Mission San Juan Bautista in San Juan Bautista, San Benito County, California.\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/san-bautista.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/san-bautista-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/san-bautista-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/san-bautista-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/san-bautista-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">A statue of Father Junípero Serra at Old Mission San Juan Bautista in San Juan Bautista, San Benito County, California. \u003ccite>(The Jon B. Lovelace Collection of California Photographs in Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Most people that are crying about these statues being removed cannot name the local tribe of where they live,” says Gali. “The fact that they can’t name that San Francisco is Ramaytush Ohlone territory just goes to show the lack of education, really.” She attributes this lack of understanding to an active “suppression of information about the local tribes.”\u003c/p>\n\u003cp>So if a statue comes down, or a place is renamed, what \u003cem>is\u003c/em> the way forward? Should a statue of Serra be replaced by a figure from local Indigenous history?\u003c/p>\n\u003cp>It’s not that simple, says April McGill, director of community partnerships and projects at the California Consortium for Urban Indian Health, and the executive director of the American Indian Cultural Center in San Francisco.\u003c/p>\n\u003cp>An American Indian of Yuki, Wappo, Little Lake Pomo and Wailaki descent, McGill stresses that statues of colonizers like Serra coming down is the start, \u003cem>not\u003c/em> the solution. Especially when a city doesn’t work to involve Indigenous people in that removal process, and in what comes next.\u003c/p>\n\u003cfigure id=\"attachment_11827672\" class=\"wp-caption aligncenter\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11827672 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/10/April.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/April.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/April-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/April-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/April-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/April-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">April McGill, an American Indian of Yuki, Wappo, Little Lake Pomo and Wailaki descent. \u003ccite>(April McGill)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When the city of San Francisco removed its Christopher Columbus statue, for example, McGill saw a lack of “Native presence there to follow a protocol” for marking the event. “There’s always somebody speaking \u003cem>for\u003c/em> our people,” she notes.\u003c/p>\n\u003cp>When it comes to the ‘what next’ after a statue comes down, McGill cautions against thinking only in terms of \u003cem>replacing\u003c/em> the monuments. After all, statues commemorating individuals are “a white thing,” she says, referencing recent words by \u003ca class=\"c-link\" href=\"https://slack-redir.net/link?url=https%3A%2F%2Fwww.sfchronicle.com%2Fbayarea%2Farticle%2FIn-reckoning-with-oppression-don-t-rush-to-15372699.php\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.sfchronicle.com/bayarea/article/In-reckoning-with-oppression-don-t-rush-to-15372699.php\" data-sk=\"tooltip_parent\" aria-describedby=\"sk-tooltip-32618\">Jonathan Cordero, chairperson of the Ramaytush Ohlone\u003c/a>.\u003c/p>\n\u003cp>As to recompense and restitution for the damage done to a region’s Native peoples down the centuries, McGill says a city can begin to truly do right by its Native peoples by recognizing them as living communities with needs.\u003c/p>\n\u003cp>“I honestly say: give them a space,” she says. “Give them a park. Create a dance arena. Give them back\u003ca href=\"https://www.kqed.org/news/11704679/there-were-once-more-than-425-shellmounds-in-the-bay-area-where-did-they-go\"> their shellmounds\u003c/a> … a place to continue to hold their ceremonies, and grow their indigenous food.” And federal land like San Francisco’s Presidio, McGill says, should be given to “the original stewards of that land,” the Ohlone people.\u003c/p>\n\u003cp>“\u003cem>That’s\u003c/em> how you honor them — not via a statue.”\u003c/p>\n\u003cp>Ultimately, McGill says, it’s about answering the question, ‘How do we heal?’\u003c/p>\n\u003ch3>Serra in Schools\u003c/h3>\n\u003cp>If you grew up in California in the last few decades, you could be forgiven for being confused about why statues in Junípero Serra’s honor are being pulled down.\u003c/p>\n\u003cfigure id=\"attachment_11619652\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11619652\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2017/09/MissionProject.jpg\" alt=\"The new History-Social Science framework suggests replacing the Mission-building project with assignments that provide more context to the Spanish missions.\" width=\"1920\" height=\"1536\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-800x640.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-1020x816.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-1180x944.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-960x768.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-240x192.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-375x300.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-520x416.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The new history-social science framework suggests replacing the mission-building project with assignments that provide more context to the Spanish missions. \u003ccite>(DAVID LOFINK/FLICKR CREATIVE COMMONS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Generations of California-educated people chiefly remember their fourth-grade “build a model mission” projects — and a conspicuous lack of criticism around Serra and his actions.\u003c/p>\n\u003cp>https://twitter.com/hbluv2surf/status/1276257873987637248?s=20\u003c/p>\n\u003cp>Of her own fourth grade mission education, Morning Star Gali says she knew “even back then that it was bogus.”\u003c/p>\n\u003cp>Two years ago, when her now 12-year-old son’s fourth grade teacher announced plans for a class visit to a Spanish mission, Gali says she flatly objected.\u003c/p>\n\u003cp>“I said, absolutely not. That’s not happening. I will take my son to the nearby state park, to the nearby roundhouse where he can learn about our California Indian teaching that way. But he will not be doing any ‘mission field trip.'”\u003c/p>\n\u003cp>https://twitter.com/sarahmirk/status/1276225222681563136\u003c/p>\n\u003cp>The California Department of Education’s \u003ca href=\"https://www.cde.ca.gov/ci/hs/cf/hssframework.asp\">current guidelines\u003c/a> for fourth grade education on the missions were adopted in 2016-2017. After learning about what life was like for Native peoples in California “before other settlers arrived,” the framework asks teachers to move onto the “colonizing” of California from 1769.\u003c/p>\n\u003cp>The public school guidelines emphasize how Indigenous peoples were “initially attracted” to the missions, “impressed by the pageantry, material wealth, and abundant food of the Catholic Church,” but that as colonization increasingly disrupted existing food sources and village life, Native peoples began to be drawn into the missions out of survival — and once baptized, missionaries and military forces “conspired to forcibly keep” them there, and pressed them into “forced labor.”\u003c/p>\n\u003cp>https://twitter.com/thyanhvo/status/1276229718744813568\u003c/p>\n\u003cp>The state framework for teachers attributes the “extremely high” death rate among the Indigenous populations during the mission period to not only disease, but “the hardships of forced labor and separation from traditional ways of life.”\u003c/p>\n\u003cp>At the same time, it encourages educators to “sensitize” their students to “the various ways in which Indians exhibited agency in the mission system.” They say it’s in the pursuit of “a more comprehensive view of the era.”\u003c/p>\n\u003cp>Greg Sarris says he’s hopeful about the possibility that Indigenous voices have enough influence to make change when it comes to furthering knowledge of Native American history — albeit “sadly,” he says, “only because of the money generated from our casinos that let us use that power.”\u003c/p>\n\u003cfigure id=\"attachment_11827675\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11827675 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/10/Greg-cropped.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Greg-cropped.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Greg-cropped-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Greg-cropped-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Greg-cropped-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Greg-cropped-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">Greg Sarris, chairman of the Federated Indians of Graton Rancheria \u003ccite>(Greg Sarris)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Federated Indians of Graton Rancheria, of which Sarris is chairman, own the land on which the Graton Resort & Casino in Rohnert Park resides. Sarris says he’s working with the National Museum of the American Indian at the Smithsonian, where he’s on the Board of Trustees, and Gov. Newsom to privately finance a new template for California public schools to better teach children about their state’s Indigenous history.\u003c/p>\n\u003ch3>Who Gets to Define Serra for California?\u003c/h3>\n\u003cp>Critics of statue-toppling in California have characterized ongoing protests as a passing moment, or somehow opportunistic of the current anti-racism uprising in the nation’s streets.\u003c/p>\n\u003cp>After releasing \u003ca href=\"https://sfarchdiocese.org/letters-and-statements\">statements in June on the killing of George Floyd\u003c/a> by Minneapolis police, which called for readers “to join together in prayer for an end to racism in all its pernicious manifestations,” the Archdiocese of San Francisco released \u003ca href=\"https://sfarchdiocese.org/letters-and-statements\">a statement on the “destruction” of Golden Gate Park Serra statue\u003c/a>. It was subtitled “Healing of Memories and Historical Accuracy.”\u003c/p>\n\u003cfigure id=\"attachment_10682581\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10682581\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16659_FullSizeRender-7-Copy-qut.jpg\" alt=\"A statue of Father Junípero Serra outside the San Gabriel Mission.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16659_FullSizeRender-7-Copy-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16659_FullSizeRender-7-Copy-qut-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16659_FullSizeRender-7-Copy-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16659_FullSizeRender-7-Copy-qut-1440x1080.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16659_FullSizeRender-7-Copy-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16659_FullSizeRender-7-Copy-qut-960x720.jpg 960w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A statue of Father Junípero Serra outside the San Gabriel Mission. \u003ccite>(George Lavender/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Its author, Archbishop Salvatore Cordileone, called the removal “the latest example” of how “a renewed national movement to heal memories and correct the injustices of racism and police brutality in our country has been hijacked by some into a movement of violence, looting and vandalism.”\u003c/p>\n\u003cp>“The memorialization of historic figures,” he stated, “merits an honest and fair discussion as to how and to whom such honor should be given.” Instead, it characterized the statue toppling as “mob rule” — enacted against the memory of a man who “made heroic sacrifices to protect the indigenous people of California from their Spanish conquerors” and offered them “the best thing he had: the knowledge and love of Jesus Christ.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>On June 27, Archbishop Cordileone and other Catholics joined at the site of the topped Serra statue in Golden Gate Park to \u003ca href=\"https://sanfrancisco.cbslocal.com/2020/06/30/san-francisco-archbishop-exorcism-golden-gate-park-junipero-serra-statue-toppled/\">perform an exorcism\u003c/a>, saying that “evil has made itself present here” owing to the monument being “blasphemously torn down.”\u003c/p>\n\u003cp>The New York-based Catholic League for Religious and Civil Rights reacted to the Golden Gate Park incident with even more vehemence, with president Bill Donohue commenting that “Smashing statues of American icons is all the rage among urban barbarians. Ignorant of history, they are destroying statues of those who were among the most enlightened persons of their time.”\u003c/p>\n\u003cp>Serra, Donohue says, “fought hard for the rights of Indians, and was rightfully canonized by Pope Francis in 2015.”\u003c/p>\n\u003cp>Comparing the Catholic Church’s view of the missions with the perspectives of Indigenous activists can make it seem like there are two Serras; two completely different versions of the Californian timeline. Yet as Dara Lind writes in her\u003ca href=\"https://www.vox.com/2015/9/24/9391995/junipero-serra-saint-pope-francis\"> 2015 Vox explainer\u003c/a> on Pope Francis’s decision to sanctify, Serra “was canonized because what he did during his life was good \u003cem>according to Catholic teaching\u003c/em>.”\u003c/p>\n\u003cfigure id=\"attachment_11827264\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827264\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Serra-GG-park.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-GG-park.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-GG-park-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-GG-park-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-GG-park-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-GG-park-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">The statue of Junípero Serra in Golden Gate Park, before it was torn down on June 18, 2020 \u003ccite>(Burkhard Mücke)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Morning Star Gali says she’s tired of the ‘historical vandalism’ narrative in much of the mainstream commentary she sees around statue removals.\u003c/p>\n\u003cp>“People are treating it like, ‘oh, this is such an awful thing; this is erasure of history.’ No, it’s erasure of the lies that are perpetuated to support white supremacy.”\u003c/p>\n\u003cp>Gali’s own message regarding “the healing of memories and historical accuracy?” — “Tear down these monuments to genocide, tear down white supremacy: One statue at a time.”\u003c/p>\n\u003ch3>When Serra Became a Myth\u003c/h3>\n\u003cp>To understand why Junípero Serra looms so large in the California consciousness, from the statues around us to the things we (still) teach our schoolchildren, it helps to know that his status as a California legend appears to have been no accident. It was rather an integral part of how California wished to see itself — and be seen — during the Gold Rush.\u003c/p>\n\u003cp>Serra’s reputation as a kind of California founding father was intentionally built at the end of the 19th century, in what \u003ca href=\"https://www.theatlantic.com/politics/archive/2015/09/junipero-serra-pope-francis-colonialism/406306/\">Atlantic writer Emma Green calls\u003c/a> “basically a marketing effort as settlers came to Southern California in the 1880s.”\u003c/p>\n\u003cfigure id=\"attachment_11827266\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827266\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Monterey.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Monterey.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Monterey-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Monterey-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Monterey-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Monterey-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">An 1877 painting by Léon Trousset: ‘Father Serra Celebrates Mass at Monterey.’ \u003ccite>(Public Domain)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.theatlantic.com/politics/archive/2015/09/junipero-serra-pope-francis-colonialism/406306/\">According to historian Bob Senkewicz\u003c/a>, author and professor at Santa Clara University, this drive to justify white westward expansion at a time when the state’s prosperity depended on it resulted in the creation of “a mission mythology of dedicated, selfless missionaries and happy, contented Indians. And this mythology created a notion of California before the U.S. as a kind of bucolic arcadia.”\u003c/p>\n\u003cp>Native people have “always been the tabula rasa on which Californians can write their fantasies,” says Greg Sarris. “One of which is Junípero Serra. And we’ve been so decimated that we haven’t had the power or a loud enough or big enough voice to say, no, you cannot write our story.”\u003c/p>\n\u003cp>The legacy of that 19th century “marketing effort” lingers not only in the Serra statues and countless Serra place names across California — and in \u003ca href=\"https://www.kqed.org/news/11621122/el-camino-not-so-real-the-true-story-of-the-ancient-road\">the mythology of the “Camino Real”\u003c/a> — but on a national stage. In 1985, the U.S. Postal Service commemorated Serra with his own postage stamp.\u003c/p>\n\u003cfigure id=\"attachment_11827267\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827267\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/slo-MISSION.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/slo-MISSION.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/slo-MISSION-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/slo-MISSION-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/slo-MISSION-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/slo-MISSION-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">Mission San Luis Obispo de Tolosa, a Spanish mission founded in 1772 by Serra in the present-day city of San Luis Obispo. \u003ccite>(The Jon B. Lovelace Collection of California Photographs in Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the U.S. Capitol collection of state statues, several states are represented by 21st-century statues of Indigenous people, such as New Mexico (Pueblo leader Po’pay) and Wyoming (Chief Washakie of the Shoshone) — but a bronze figure of Serra has represented California since 1931.\u003c/p>\n\u003cp>Alongside it, the state of Virginia is still represented by a 1909 statue of Confederate general Robert E. Lee.\u003c/p>\n\u003ch3>Serra as Symbol\u003c/h3>\n\u003cp>Why has Serra in particular — and the monuments erected in his honor — become \u003cem>such\u003c/em> a flashpoint in this moment, as anti-racism campaigners take their fight to the streets?\u003c/p>\n\u003cp>For Sarris, Serra represents a way of thinking about Indigenous culture — as something not to be understood and preserved, but colonized and assimilated — that has traumatic repercussions today. “Here was a man who represented a culture that felt entitled to dominate another culture,” he says. “The cultural insensitivity that resulted in violence and the death of 90% of the California Indian population is something to be understood, and not cherished.”\u003c/p>\n\u003cp>Compared with the drive against Confederate statues on the East Coast, Sarris just doesn’t see “enough interest or understanding of the violence against California Indians for the larger California general public to say, take down Junípero Serra.” At least, not yet. And for him, that lack of urgency from non-Native people around Serra’s legacy stems from fundamental misunderstandings about California’s Native history and culture.\u003c/p>\n\u003cfigure id=\"attachment_11824391\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11824391\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43652_GettyImages-1219619841-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/RS43652_GettyImages-1219619841-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/RS43652_GettyImages-1219619841-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/RS43652_GettyImages-1219619841-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/RS43652_GettyImages-1219619841-qut-1020x680.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A rainbow is projected over the statue of Confederate General Robert Lee on June 12, 2020 in Richmond, Virginia. Virginia Gov. Ralph Northam ordered the removal of the General Lee statue as soon as possible but legal proceedings have temporarily halted those plans. \u003ccite>(Eze Amos/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Morning Star Gali, the still-standing Serra statues represent a visual emblem of the wider issue at hand: California’s systemic inaction towards its Native peoples. She notes that June marks one year since Gov. Gavin Newsom \u003ca href=\"https://www.nytimes.com/2019/06/19/us/newsom-native-american-apology.html\">delivered an apology\u003c/a> “for the many instances of violence, mistreatment and neglect inflicted upon California Native Americans throughout the state’s history.”\u003c/p>\n\u003cp>But, Gali notes, “an apology is nothing without action” — especially where it concerns vital decisions being made for Indigenous people without their input.\u003c/p>\n\u003cp>Most recently, she says, where is that action regarding the coronavirus relief funds provided by the CARES Act? Funds were dispersed only to Native tribes that are federally recognized, to the exclusion of tribes that have been terminated, disenrolled and disenfranchised. The federal government, Gali notes, still “gets to decide who is and who is not a Native person in California.”\u003c/p>\n\u003cp>In the lack of a specific apology from the Catholic Church for Serra’s legacy, Gali sees this same inaction.\u003c/p>\n\u003cp>“Until that’s done,” she says, “there is still a gaping wound that needs to be healed.”\u003c/p>\n\u003ch3>\u003ca id=\"removal\">\u003c/a>How Can You Challenge a Statue or Place Name?\u003c/h3>\n\u003cp>If there’s a statue or place name in your area that you want to officially challenge, how can you do that as a member of the public?\u003c/p>\n\u003cp>Arianna Antone-Ramirez is a research associate at the California Consortium for Urban Indian Health, and is on the board of the American Indian Cultural Center of San Francisco. Born and raised in the Mission District of San Francisco, she’s a member of the Tohono O’odham Nation in Arizona and was a part of the campaign to remove San Francisco’s Early Days statue. Her key advice for activism in this field? “Let the community lead” — especially if you’re a non-Indigenous ally.\u003c/p>\n\u003cp>Antone-Ramirez recommends beginning by researching the communities who are “directly affected” by the issue at hand, finding out what they’re already working on, and offering support to their organizers.\u003c/p>\n\u003cfigure id=\"attachment_11827558\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827558\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/10/Arriana.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Arriana.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Arriana-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Arriana-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Arriana-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Arriana-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">Arianna Antone-Ramirez is a member of the Tohono O’odham Nation in Arizona, and was a part of the campaign to remove San Francisco’s Early Days statue. \u003ccite>(Arianna Antone-Ramirez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She also advises embarking on your \u003cem>own\u003c/em> bureaucratic research.\u003c/p>\n\u003cp>“Has anything come up in my city council? Wherever you live, have there been any hearings about this? … Where is this issue now? Is it in a committee?” Acquiring this familiarity with civic processes, says Antone-Ramirez, will really help these efforts.\u003c/p>\n\u003cp>And what \u003cem>are\u003c/em> these processes?\u003c/p>\n\u003cp>The best approach for challenging a statue or place name is “the same as approaching the city government for any other civic inquiry,” says Rebekah Krell, acting director of cultural affairs at the San Francisco Arts Commission – the city body that was involved in the removal of the Early Days statue.\u003c/p>\n\u003cp>The governmental bodies she recommends contacting:\u003c/p>\n\u003cul>\n\u003cli>Your District Supervisor\u003c/li>\n\u003cli>The Mayor’s office of your town/city\u003c/li>\n\u003cli>The local Arts Commission\u003c/li>\n\u003cli>Your local non-emergency 311 line\u003c/li>\n\u003c/ul>\n\u003cp>Krell also advises attending “any number of public meetings” to “pose general public comment.” This, she says, is how member of the public campaigning for the removal of the Early Days monument “got the ball rolling”– “the community came to a [monthly] public Arts Commission meeting” and spoke up.\u003c/p>\n\u003cp>If a group is specifically looking to challenge a monument or public artwork, Krell says that the agency governing these can differ from municipality. It could be an Arts Commission (as in San Francisco), a Parks Department or your city’s Public Works.\u003c/p>\n\u003cp>“But when all else fails,” she says, “your elected city representative (council member, district supervisor, etc.) office should be able to direct your concern.”\u003c/p>\n\u003cp>The San Francisco Arts Commission has \u003ca href=\"https://www.kqed.org/arts/13883431/city-to-evaluate-public-monuments-but-community-questions-its-track-record\">announced plans\u003c/a> to now evaluate the the city’s nearly one hundred public monuments and memorials — and whether any of them should be removed. The plans will apparently entail the city examining factors including the story behind the historical figure a work depicts, the artist who made it, the community’s response so far, and the cost of its removal.\u003c/p>\n\u003cp>\u003cem>The original story incorrectly listed Greg Sarris as the owner of Graton Resort & Casino and has since been corrected.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Why are statues of Junípero Serra being torn down all over California? Indigenous activists say a reckoning with the 18th century missionary's legacy is long overdue.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Skip to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003cstrong>\u003ca href=\"#serra\">Who was Junípero Serra, and what did he do? \u003c/a>\u003c/strong>\u003c/strong>\u003cstrong>\u003ca href=\"#serra\"> \u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#removal\">How statues get officially removed – and what you can do personally\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">O\u003c/span>\u003c/p>\u003cp>n June 19, people around the Bay Area \u003ca href=\"https://www.kqed.org/news/11825274/updates-bay-area-honors-juneteenth-on-the-streets\">took to the streets to mark Juneteenth\u003c/a>: the date in 1865 when the last enslaved people in Texas learned they were free, more than two years after slavery officially ended in the United States. The rallies followed weeks of \u003ca href=\"https://www.kqed.org/news/tag/protests\">intense protest\u003c/a> across the country over the killings of George Floyd and other Black people by police, and over systemic racism in the United States.\u003c/p>\n\u003cp>That evening, protesters \u003ca href=\"https://twitter.com/FitzTheReporter/status/1274374501925453824\">pulled down a bronze statue\u003c/a> that had stood 30 feet high over San Francisco’s Golden Gate Park for more than a century, spattering it with red paint.\u003c/p>\n\u003cfigure id=\"attachment_11827294\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827294\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Serra-toppled.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-toppled.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-toppled-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-toppled-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-toppled-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-toppled-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">A statue of Junípero Serra toppled from its plinth in San Francisco’s Golden Gate Park by protesters on June 18, 2020. \u003ccite>(Joe Fitzgerald Rodriguez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The 1907 monument was a tribute to Father Junípero Serra: the 18th century Franciscan priest who presided over the colonizing Spanish mission system in California that resulted in the decimation of the Indigenous population, and who was \u003ca href=\"https://www.kqed.org/news/10682571/pope-francis-courts-controversy-over-junipero-serra-sainthood\">made a saint\u003c/a> by Pope Francis in 2015. Monuments to Ulysses S. Grant and Francis Scott Key, who both enslaved Black people, were also pulled down in the park that night.\u003c/p>\n\u003cp>The Juneteenth topplings followed the \u003ca href=\"https://www.kqed.org/news/11825103/san-francisco-removes-controversial-christopher-columbus-statue-on-telegraph-hill\">removal\u003c/a> of a Christopher Columbus statue in San Francisco’s North Beach neighborhood by city workers ahead of plans by protesters to topple it themselves, and the removal of a Sacramento \u003ca href=\"https://www.kqed.org/news/11824573/statue-of-john-sutter-pioneer-who-enslaved-native-americans-removed-in-sacramento\">monument to John Sutter\u003c/a> — a 19th century colonizer who enslaved Native Americans at his mill. The day after the Golden Gate Park statues fell, Indigenous activists in downtown Los Angeles watched as a 1932 park monument to Serra \u003ca href=\"https://www.latimes.com/entertainment-arts/story/2020-06-20/statue-junipero-serra-monument-protest-activists-take-down-los-angeles\">was ripped off its pedestal\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11827292\" class=\"wp-caption aligncenter\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827292\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/serra-graffiti.jpg\" alt=\"Graffiti at the former site of a statue of Junípero Serra reads 'Stolen land, stolen people.'\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/serra-graffiti.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/serra-graffiti-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/serra-graffiti-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/serra-graffiti-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/serra-graffiti-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">Graffiti at the former site of a statue of Junípero Serra reads ‘Stolen land, stolen people.’ \u003ccite>(Joe Fitzgerald Rodriguez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And this past July 4, another statue of Serra was \u003ca href=\"https://www.sacbee.com/news/local/article244012732.html\">torn down in Sacramento’s Capitol Park\u003c/a> by protesters following a day of peaceful marches by demonstrators aligned with the Black Lives Matter movement. The same day, Indigenous activists \u003ca href=\"https://www.latimes.com/california/story/2020-07-04/indigenous-groups-black-lives-matters-join-forces-to-mark-historical-sins-on-july-4th\">joined forces with Black Lives Matter organizers\u003c/a> for a march in Los Angeles, calling for unity and decrying the historical ‘sins’ of the United States.\u003c/p>\n\u003ch3>Black Lives Matter and the Fight Against Serra Monuments\u003c/h3>\n\u003cp>Like the timing of the July 4 marches, the Juneteenth timing of the Golden Gate Park Serra statue toppling was highly symbolic.\u003c/p>\n\u003cp>“It’s emotional for sure,” says Morning Star Gali about how it feels to see statues come down. A member of the Ajumawi band of the Pit River Tribe — and the project director of the organization Restoring Justice for Indigenous Peoples — Gali has been involved in campaigns for the removal of several statues in the state.\u003c/p>\n\u003cp>She campaigned against the Sacramento monument to Sutter, and was there to watch it fall. She was present too at the contentious \u003ca href=\"https://www.kqed.org/arts/13859733/sf-had-right-to-remove-early-days-statue-deemed-racist-judge-says\">removal of the Early Days\u003c/a> statue in San Francisco in 2018, which she and others had worked to remove from public view on account of its portrayal of Native Americans.\u003c/p>\n\u003cfigure id=\"attachment_11827286\" class=\"wp-caption aligncenter\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827286\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/early-days.jpg\" alt=\"\" width=\"1900\" height=\"1758\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/early-days.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/early-days-800x740.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/early-days-1020x944.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/early-days-160x148.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/early-days-1536x1421.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">‘Early Days,’ part of the Pioneer Monument in San Francisco’s Civic Center, was removed in 2018. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>America’s current movement toward social justice, and the deep reckoning with U.S. history that it demands, is “absolutely intersectional,” says Gali.\u003c/p>\n\u003cp>“There is absolutely a mutual understanding of Black and brown and Indigenous liberation that we understand, and we’ve done a lot of work in the past year to get to the point where we’re at.”\u003c/p>\n\u003cp>She and her fellow Indigenous activists are active partners with the Anti Police-Terror Project — work that’s seen them hold memorials and vigils to honor Black victims of police brutality. In Sacramento, Gali’s efforts to \u003ca href=\"https://www.antipoliceterrorproject.org/sac-events/2020/6/17/community-conversations-to-de-serra-sacramento\">“de-Serra” the city\u003c/a> were purposefully held in partnership with the Anti Police-Terror Project, to “really show the solidarity that we have with one another.”\u003c/p>\n\u003cp>These statues are, Gali emphasizes, “monuments to racism. These are monuments to genocide. And it’s time for them to come down.”\u003c/p>\n\u003cfigure id=\"attachment_11827564\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827564\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/10/Gali-Brooke.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Gali-Brooke.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Gali-Brooke-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Gali-Brooke-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Gali-Brooke-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Gali-Brooke-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">Morning Star Gali, with her youngest daughters. \u003ccite>(Brooke Anderson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Author and academic Greg Sarris is the chairman of the Federated Indians of Graton Rancheria, and lecturer at Sonoma State University’s Native American Studies program. In support of “everyone who is suffering the legacy of racism and injustice,” Sarris says that he and his tribe fully stand behind the Black Lives Matter movement.\u003c/p>\n\u003cp>“Let us not forget that the Indians on this continent were the first to find out what European insensitivity would do to us,” he says. “And do to others.”\u003c/p>\n\u003cp>As statues of colonizers are brought down around California — mirroring actions against Confederate monuments further east — Serra remains a particular focus. And for years, he’s been a reviled figure among many Indigenous people for his leadership over a system that resulted in the incalculable loss of Native lives, and forever altered the Indigenous way of life in California.\u003c/p>\n\u003cp>When it comes to Serra, this is a fight that has been sustained by Indigenous activists for decades. And far from being a matter that relates mainly to California’s history, it says everything about our state’s present — and future.\u003c/p>\n\u003ch3>\u003ca id=\"serra\">\u003c/a>Who Was Junípero Serra?\u003c/h3>\n\u003cp>Born in Spain, Junípero Serra first traveled to the Americas in 1749 while in his thirties, to work as a Catholic missionary in Mexico. In 1768, he traveled north to California, and founded a string of missions stretching from San Diego to San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_10406942\" class=\"wp-caption alignnone\" style=\"max-width: 1440px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10406942\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2015/01/juniperoserra-e1421339520709.jpeg\" alt=\"\" width=\"1440\" height=\"1036\">\u003cfigcaption class=\"wp-caption-text\">Father Junípero Serra in a portrait by Father Jose Mosqueda. \u003ccite>(Huntington Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If members of a nearby Indigenous tribe were baptized, they were then brought into a mission where they were ordered to abandon many aspects of their culture and customs, and forced into labor — and prevented from leaving. Anyone who tried to escape the mission was subject to being hunted down and brought back.\u003c/p>\n\u003cp>The Native people in Serra’s missions were subjected to physical punishments like whippings and beating, which Serra himself justified in 1780, \u003ca href=\"https://www.pbs.org/weta/thewest/people/s_z/serra.htm\">writing\u003c/a> “that spiritual fathers should punish their sons, the Indians, with blows appears to be as old as the conquest of [the Americas]; so general in fact that the saints do not seem to be any exception to the rule.”\u003c/p>\n\u003cfigure id=\"attachment_11827259\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827259\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Map.jpg\" alt=\"\" width=\"1900\" height=\"1579\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Map.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Map-800x665.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Map-1020x848.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Map-160x133.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Map-1536x1276.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">A map of North America dated 1789, showing California when it was part of Spanish-controlled “New Spain.” \u003ccite>(Dobson's Encyclopædia)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Thousands of Indigenous people in the missions died from exposure to European diseases and from the brutal labor they were forced to perform. It was the discovery of the missions’ birth and death rolls — and the revelation that more Native people died under Serra’s system than were born — that sparked a more widespread re-evaluation of his legacy in the 20th century.\u003c/p>\n\u003cp>The hard physical labor performed by Indigenous people in Serra’s missions was, for years, characterized in history books as ‘work.’ The word for it used today by many, including the descendants of those people, is ‘slavery.’\u003c/p>\n\u003cp>“Here we were enslaved in the missions, and whipped and beaten,” says Greg Sarris. “Up to 90% of the population [was] decimated, from which we never really recovered.”\u003c/p>\n\u003cp>The missions “were concentration camps,” \u003ca href=\"https://www.montereyherald.com/2015/04/01/easter-sunday-protest-over-serra-planned-at-carmel-mission/\">said Corine Fairbanks\u003c/a> of the American Indian Movement Southern California in 2015, ahead of a protest at Serra’s canonization at the Carmel mission. “They were places of death.”\u003c/p>\n\u003cp>Centuries of spiritual and cultural heritage were erased by the Spanish conversion system.\u003c/p>\n\u003cp>“Serra did not just bring us Christianity,” \u003ca href=\"https://www.nytimes.com/2015/01/22/us/to-some-indians-in-california-father-serra-is-far-from-a-saint.html\">said academic Deborah Miranda\u003c/a>, a member of the Ohlone Costanoan Esselen Nation and author of “Bad Indians”, in 2015. “He imposed it, giving us no choice in the matter. He did incalculable damage to a whole culture.”\u003c/p>\n\u003ch3>Serra the Saint\u003c/h3>\n\u003cp>In 2015, Pope Francis announced his \u003ca href=\"https://www.kqed.org/news/10682571/pope-francis-courts-controversy-over-junipero-serra-sainthood\">decision to make Junípero Serra a saint\u003c/a>. The news was met with outrage in California, with protests taking place in San Francisco’s Mission Dolores, Mission Carmel and Mission San Juan Bautista.\u003c/p>\n\u003cfigure id=\"attachment_11748397\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11748397\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS37187_GettyImages-489795578-qut.jpg\" alt=\"Pope Francis pauses in front of a sculpture of Spanish-born Junipero Serra, the Franciscan Friar known for starting missions in California, in Statuary Hall at the U.S. Capitol on September 24, 2015 in Washington, DC.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37187_GettyImages-489795578-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37187_GettyImages-489795578-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37187_GettyImages-489795578-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37187_GettyImages-489795578-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37187_GettyImages-489795578-qut-1200x800.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Pope Francis pauses in front of a sculpture of Junípero Serra in Statuary Hall at the U.S. Capitol on September 24, 2015 in Washington, DC. He canonized Serra on this visit. \u003ccite>(Michael Reynolds-Pool/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>An Indigenous-authored \u003ca href=\"https://sign.moveon.org/petitions/urge-pope-francis-to?mailing_id=28356&r_by=504037&source=s.icn.em.cr\">petition\u003c/a> urging the pope to reconsider the canonization received over 11,000 signatures, stating that “it is imperative he is enlightened to understand that Father Serra was responsible for the deception, exploitation, oppression, enslavement and genocide of thousands of Indigenous Californians, ultimately resulting in the largest ethnic cleansing in North America.”\u003c/p>\n\u003cp>A week after the canonization, a statue of Serra in Monterey was decapitated. Two years later in Santa Barbara, another Serra monument at the city’s mission was also decapitated and covered with red paint.\u003c/p>\n\u003cp>This wasn’t the first time the Church had attempted to elevate Serra’s holy stature. Almost three decades earlier, in 1988, Francis’ predecessor Pope John Paul II had actually kicked off the sanctification process by beatifying Serra. That announcement too was greeted with horror by Indigenous voices, but even back then, it represented only the latest articulation of of anti-Serra protest.\u003c/p>\n\u003cfigure id=\"attachment_11827261\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827261\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS43838_001_KQED_280_JuniperoSerraStatue_06302020-qut.jpg\" alt=\"A statue of Junípero Serra at a rest stop along Interstate 280 near Hillsborough.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43838_001_KQED_280_JuniperoSerraStatue_06302020-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43838_001_KQED_280_JuniperoSerraStatue_06302020-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43838_001_KQED_280_JuniperoSerraStatue_06302020-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43838_001_KQED_280_JuniperoSerraStatue_06302020-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/RS43838_001_KQED_280_JuniperoSerraStatue_06302020-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A statue of Junípero Serra at a rest stop along Interstate 280 near Hillsborough. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Some saw the canonization as a Catholic matter for Catholic people.\u003c/p>\n\u003cp>In \u003ca href=\"https://www.youtube.com/watch?v=R4LLtN2fjLA\">a 1989 episode of the TV talk show “Firing Line,”\u003c/a> host William F. Buckley Jr. suggests to guest Edward Castillo – a Cahuilla-Luiseño professor of Native American studies at Sonoma State University and a Serra critic who participated in the 1969 occupation of Alcatraz Island — that as as a non-Christian, “it’s none of your business who the church canonizes.”\u003c/p>\n\u003cp>In 2015, L.A. Native activist Norma Flores – who worked with the Kizh Nation/Gabrieleño Band of Mission Indians to author the anti-canonization petition — disagreed. “Junípero Serra is being canonized for being an evangelist of the Native peoples in California,” she said. “Why do we not have an active say in this?”\u003c/p>\n\u003ch3>What Replaces Serra?\u003c/h3>\n\u003cp>Amid a national reckoning with U.S. history, how California deals with Serra is fundamental — not just to the state’s view of its past, but also to how it imagines its future, and the stories it wishes to tell.\u003c/p>\n\u003cfigure id=\"attachment_11827271\" class=\"wp-caption aligncenter\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827271\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/san-bautista.jpg\" alt=\"A statue of Father Junípero Serra at Old Mission San Juan Bautista in San Juan Bautista, San Benito County, California.\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/san-bautista.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/san-bautista-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/san-bautista-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/san-bautista-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/san-bautista-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">A statue of Father Junípero Serra at Old Mission San Juan Bautista in San Juan Bautista, San Benito County, California. \u003ccite>(The Jon B. Lovelace Collection of California Photographs in Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Most people that are crying about these statues being removed cannot name the local tribe of where they live,” says Gali. “The fact that they can’t name that San Francisco is Ramaytush Ohlone territory just goes to show the lack of education, really.” She attributes this lack of understanding to an active “suppression of information about the local tribes.”\u003c/p>\n\u003cp>So if a statue comes down, or a place is renamed, what \u003cem>is\u003c/em> the way forward? Should a statue of Serra be replaced by a figure from local Indigenous history?\u003c/p>\n\u003cp>It’s not that simple, says April McGill, director of community partnerships and projects at the California Consortium for Urban Indian Health, and the executive director of the American Indian Cultural Center in San Francisco.\u003c/p>\n\u003cp>An American Indian of Yuki, Wappo, Little Lake Pomo and Wailaki descent, McGill stresses that statues of colonizers like Serra coming down is the start, \u003cem>not\u003c/em> the solution. Especially when a city doesn’t work to involve Indigenous people in that removal process, and in what comes next.\u003c/p>\n\u003cfigure id=\"attachment_11827672\" class=\"wp-caption aligncenter\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11827672 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/10/April.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/April.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/April-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/April-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/April-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/April-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">April McGill, an American Indian of Yuki, Wappo, Little Lake Pomo and Wailaki descent. \u003ccite>(April McGill)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When the city of San Francisco removed its Christopher Columbus statue, for example, McGill saw a lack of “Native presence there to follow a protocol” for marking the event. “There’s always somebody speaking \u003cem>for\u003c/em> our people,” she notes.\u003c/p>\n\u003cp>When it comes to the ‘what next’ after a statue comes down, McGill cautions against thinking only in terms of \u003cem>replacing\u003c/em> the monuments. After all, statues commemorating individuals are “a white thing,” she says, referencing recent words by \u003ca class=\"c-link\" href=\"https://slack-redir.net/link?url=https%3A%2F%2Fwww.sfchronicle.com%2Fbayarea%2Farticle%2FIn-reckoning-with-oppression-don-t-rush-to-15372699.php\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.sfchronicle.com/bayarea/article/In-reckoning-with-oppression-don-t-rush-to-15372699.php\" data-sk=\"tooltip_parent\" aria-describedby=\"sk-tooltip-32618\">Jonathan Cordero, chairperson of the Ramaytush Ohlone\u003c/a>.\u003c/p>\n\u003cp>As to recompense and restitution for the damage done to a region’s Native peoples down the centuries, McGill says a city can begin to truly do right by its Native peoples by recognizing them as living communities with needs.\u003c/p>\n\u003cp>“I honestly say: give them a space,” she says. “Give them a park. Create a dance arena. Give them back\u003ca href=\"https://www.kqed.org/news/11704679/there-were-once-more-than-425-shellmounds-in-the-bay-area-where-did-they-go\"> their shellmounds\u003c/a> … a place to continue to hold their ceremonies, and grow their indigenous food.” And federal land like San Francisco’s Presidio, McGill says, should be given to “the original stewards of that land,” the Ohlone people.\u003c/p>\n\u003cp>“\u003cem>That’s\u003c/em> how you honor them — not via a statue.”\u003c/p>\n\u003cp>Ultimately, McGill says, it’s about answering the question, ‘How do we heal?’\u003c/p>\n\u003ch3>Serra in Schools\u003c/h3>\n\u003cp>If you grew up in California in the last few decades, you could be forgiven for being confused about why statues in Junípero Serra’s honor are being pulled down.\u003c/p>\n\u003cfigure id=\"attachment_11619652\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11619652\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2017/09/MissionProject.jpg\" alt=\"The new History-Social Science framework suggests replacing the Mission-building project with assignments that provide more context to the Spanish missions.\" width=\"1920\" height=\"1536\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-800x640.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-1020x816.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-1180x944.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-960x768.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-240x192.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-375x300.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/MissionProject-520x416.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The new history-social science framework suggests replacing the mission-building project with assignments that provide more context to the Spanish missions. \u003ccite>(DAVID LOFINK/FLICKR CREATIVE COMMONS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Generations of California-educated people chiefly remember their fourth-grade “build a model mission” projects — and a conspicuous lack of criticism around Serra and his actions.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Of her own fourth grade mission education, Morning Star Gali says she knew “even back then that it was bogus.”\u003c/p>\n\u003cp>Two years ago, when her now 12-year-old son’s fourth grade teacher announced plans for a class visit to a Spanish mission, Gali says she flatly objected.\u003c/p>\n\u003cp>“I said, absolutely not. That’s not happening. I will take my son to the nearby state park, to the nearby roundhouse where he can learn about our California Indian teaching that way. But he will not be doing any ‘mission field trip.'”\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The California Department of Education’s \u003ca href=\"https://www.cde.ca.gov/ci/hs/cf/hssframework.asp\">current guidelines\u003c/a> for fourth grade education on the missions were adopted in 2016-2017. After learning about what life was like for Native peoples in California “before other settlers arrived,” the framework asks teachers to move onto the “colonizing” of California from 1769.\u003c/p>\n\u003cp>The public school guidelines emphasize how Indigenous peoples were “initially attracted” to the missions, “impressed by the pageantry, material wealth, and abundant food of the Catholic Church,” but that as colonization increasingly disrupted existing food sources and village life, Native peoples began to be drawn into the missions out of survival — and once baptized, missionaries and military forces “conspired to forcibly keep” them there, and pressed them into “forced labor.”\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The state framework for teachers attributes the “extremely high” death rate among the Indigenous populations during the mission period to not only disease, but “the hardships of forced labor and separation from traditional ways of life.”\u003c/p>\n\u003cp>At the same time, it encourages educators to “sensitize” their students to “the various ways in which Indians exhibited agency in the mission system.” They say it’s in the pursuit of “a more comprehensive view of the era.”\u003c/p>\n\u003cp>Greg Sarris says he’s hopeful about the possibility that Indigenous voices have enough influence to make change when it comes to furthering knowledge of Native American history — albeit “sadly,” he says, “only because of the money generated from our casinos that let us use that power.”\u003c/p>\n\u003cfigure id=\"attachment_11827675\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11827675 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/10/Greg-cropped.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Greg-cropped.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Greg-cropped-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Greg-cropped-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Greg-cropped-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Greg-cropped-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">Greg Sarris, chairman of the Federated Indians of Graton Rancheria \u003ccite>(Greg Sarris)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Federated Indians of Graton Rancheria, of which Sarris is chairman, own the land on which the Graton Resort & Casino in Rohnert Park resides. Sarris says he’s working with the National Museum of the American Indian at the Smithsonian, where he’s on the Board of Trustees, and Gov. Newsom to privately finance a new template for California public schools to better teach children about their state’s Indigenous history.\u003c/p>\n\u003ch3>Who Gets to Define Serra for California?\u003c/h3>\n\u003cp>Critics of statue-toppling in California have characterized ongoing protests as a passing moment, or somehow opportunistic of the current anti-racism uprising in the nation’s streets.\u003c/p>\n\u003cp>After releasing \u003ca href=\"https://sfarchdiocese.org/letters-and-statements\">statements in June on the killing of George Floyd\u003c/a> by Minneapolis police, which called for readers “to join together in prayer for an end to racism in all its pernicious manifestations,” the Archdiocese of San Francisco released \u003ca href=\"https://sfarchdiocese.org/letters-and-statements\">a statement on the “destruction” of Golden Gate Park Serra statue\u003c/a>. It was subtitled “Healing of Memories and Historical Accuracy.”\u003c/p>\n\u003cfigure id=\"attachment_10682581\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10682581\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16659_FullSizeRender-7-Copy-qut.jpg\" alt=\"A statue of Father Junípero Serra outside the San Gabriel Mission.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16659_FullSizeRender-7-Copy-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16659_FullSizeRender-7-Copy-qut-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16659_FullSizeRender-7-Copy-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16659_FullSizeRender-7-Copy-qut-1440x1080.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16659_FullSizeRender-7-Copy-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16659_FullSizeRender-7-Copy-qut-960x720.jpg 960w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A statue of Father Junípero Serra outside the San Gabriel Mission. \u003ccite>(George Lavender/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Its author, Archbishop Salvatore Cordileone, called the removal “the latest example” of how “a renewed national movement to heal memories and correct the injustices of racism and police brutality in our country has been hijacked by some into a movement of violence, looting and vandalism.”\u003c/p>\n\u003cp>“The memorialization of historic figures,” he stated, “merits an honest and fair discussion as to how and to whom such honor should be given.” Instead, it characterized the statue toppling as “mob rule” — enacted against the memory of a man who “made heroic sacrifices to protect the indigenous people of California from their Spanish conquerors” and offered them “the best thing he had: the knowledge and love of Jesus Christ.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On June 27, Archbishop Cordileone and other Catholics joined at the site of the topped Serra statue in Golden Gate Park to \u003ca href=\"https://sanfrancisco.cbslocal.com/2020/06/30/san-francisco-archbishop-exorcism-golden-gate-park-junipero-serra-statue-toppled/\">perform an exorcism\u003c/a>, saying that “evil has made itself present here” owing to the monument being “blasphemously torn down.”\u003c/p>\n\u003cp>The New York-based Catholic League for Religious and Civil Rights reacted to the Golden Gate Park incident with even more vehemence, with president Bill Donohue commenting that “Smashing statues of American icons is all the rage among urban barbarians. Ignorant of history, they are destroying statues of those who were among the most enlightened persons of their time.”\u003c/p>\n\u003cp>Serra, Donohue says, “fought hard for the rights of Indians, and was rightfully canonized by Pope Francis in 2015.”\u003c/p>\n\u003cp>Comparing the Catholic Church’s view of the missions with the perspectives of Indigenous activists can make it seem like there are two Serras; two completely different versions of the Californian timeline. Yet as Dara Lind writes in her\u003ca href=\"https://www.vox.com/2015/9/24/9391995/junipero-serra-saint-pope-francis\"> 2015 Vox explainer\u003c/a> on Pope Francis’s decision to sanctify, Serra “was canonized because what he did during his life was good \u003cem>according to Catholic teaching\u003c/em>.”\u003c/p>\n\u003cfigure id=\"attachment_11827264\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827264\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Serra-GG-park.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-GG-park.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-GG-park-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-GG-park-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-GG-park-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Serra-GG-park-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">The statue of Junípero Serra in Golden Gate Park, before it was torn down on June 18, 2020 \u003ccite>(Burkhard Mücke)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Morning Star Gali says she’s tired of the ‘historical vandalism’ narrative in much of the mainstream commentary she sees around statue removals.\u003c/p>\n\u003cp>“People are treating it like, ‘oh, this is such an awful thing; this is erasure of history.’ No, it’s erasure of the lies that are perpetuated to support white supremacy.”\u003c/p>\n\u003cp>Gali’s own message regarding “the healing of memories and historical accuracy?” — “Tear down these monuments to genocide, tear down white supremacy: One statue at a time.”\u003c/p>\n\u003ch3>When Serra Became a Myth\u003c/h3>\n\u003cp>To understand why Junípero Serra looms so large in the California consciousness, from the statues around us to the things we (still) teach our schoolchildren, it helps to know that his status as a California legend appears to have been no accident. It was rather an integral part of how California wished to see itself — and be seen — during the Gold Rush.\u003c/p>\n\u003cp>Serra’s reputation as a kind of California founding father was intentionally built at the end of the 19th century, in what \u003ca href=\"https://www.theatlantic.com/politics/archive/2015/09/junipero-serra-pope-francis-colonialism/406306/\">Atlantic writer Emma Green calls\u003c/a> “basically a marketing effort as settlers came to Southern California in the 1880s.”\u003c/p>\n\u003cfigure id=\"attachment_11827266\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827266\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Monterey.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Monterey.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Monterey-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Monterey-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Monterey-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Monterey-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">An 1877 painting by Léon Trousset: ‘Father Serra Celebrates Mass at Monterey.’ \u003ccite>(Public Domain)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.theatlantic.com/politics/archive/2015/09/junipero-serra-pope-francis-colonialism/406306/\">According to historian Bob Senkewicz\u003c/a>, author and professor at Santa Clara University, this drive to justify white westward expansion at a time when the state’s prosperity depended on it resulted in the creation of “a mission mythology of dedicated, selfless missionaries and happy, contented Indians. And this mythology created a notion of California before the U.S. as a kind of bucolic arcadia.”\u003c/p>\n\u003cp>Native people have “always been the tabula rasa on which Californians can write their fantasies,” says Greg Sarris. “One of which is Junípero Serra. And we’ve been so decimated that we haven’t had the power or a loud enough or big enough voice to say, no, you cannot write our story.”\u003c/p>\n\u003cp>The legacy of that 19th century “marketing effort” lingers not only in the Serra statues and countless Serra place names across California — and in \u003ca href=\"https://www.kqed.org/news/11621122/el-camino-not-so-real-the-true-story-of-the-ancient-road\">the mythology of the “Camino Real”\u003c/a> — but on a national stage. In 1985, the U.S. Postal Service commemorated Serra with his own postage stamp.\u003c/p>\n\u003cfigure id=\"attachment_11827267\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827267\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/slo-MISSION.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/slo-MISSION.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/slo-MISSION-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/slo-MISSION-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/slo-MISSION-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/slo-MISSION-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">Mission San Luis Obispo de Tolosa, a Spanish mission founded in 1772 by Serra in the present-day city of San Luis Obispo. \u003ccite>(The Jon B. Lovelace Collection of California Photographs in Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the U.S. Capitol collection of state statues, several states are represented by 21st-century statues of Indigenous people, such as New Mexico (Pueblo leader Po’pay) and Wyoming (Chief Washakie of the Shoshone) — but a bronze figure of Serra has represented California since 1931.\u003c/p>\n\u003cp>Alongside it, the state of Virginia is still represented by a 1909 statue of Confederate general Robert E. Lee.\u003c/p>\n\u003ch3>Serra as Symbol\u003c/h3>\n\u003cp>Why has Serra in particular — and the monuments erected in his honor — become \u003cem>such\u003c/em> a flashpoint in this moment, as anti-racism campaigners take their fight to the streets?\u003c/p>\n\u003cp>For Sarris, Serra represents a way of thinking about Indigenous culture — as something not to be understood and preserved, but colonized and assimilated — that has traumatic repercussions today. “Here was a man who represented a culture that felt entitled to dominate another culture,” he says. “The cultural insensitivity that resulted in violence and the death of 90% of the California Indian population is something to be understood, and not cherished.”\u003c/p>\n\u003cp>Compared with the drive against Confederate statues on the East Coast, Sarris just doesn’t see “enough interest or understanding of the violence against California Indians for the larger California general public to say, take down Junípero Serra.” At least, not yet. And for him, that lack of urgency from non-Native people around Serra’s legacy stems from fundamental misunderstandings about California’s Native history and culture.\u003c/p>\n\u003cfigure id=\"attachment_11824391\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11824391\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43652_GettyImages-1219619841-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/RS43652_GettyImages-1219619841-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/RS43652_GettyImages-1219619841-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/RS43652_GettyImages-1219619841-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/RS43652_GettyImages-1219619841-qut-1020x680.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A rainbow is projected over the statue of Confederate General Robert Lee on June 12, 2020 in Richmond, Virginia. Virginia Gov. Ralph Northam ordered the removal of the General Lee statue as soon as possible but legal proceedings have temporarily halted those plans. \u003ccite>(Eze Amos/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Morning Star Gali, the still-standing Serra statues represent a visual emblem of the wider issue at hand: California’s systemic inaction towards its Native peoples. She notes that June marks one year since Gov. Gavin Newsom \u003ca href=\"https://www.nytimes.com/2019/06/19/us/newsom-native-american-apology.html\">delivered an apology\u003c/a> “for the many instances of violence, mistreatment and neglect inflicted upon California Native Americans throughout the state’s history.”\u003c/p>\n\u003cp>But, Gali notes, “an apology is nothing without action” — especially where it concerns vital decisions being made for Indigenous people without their input.\u003c/p>\n\u003cp>Most recently, she says, where is that action regarding the coronavirus relief funds provided by the CARES Act? Funds were dispersed only to Native tribes that are federally recognized, to the exclusion of tribes that have been terminated, disenrolled and disenfranchised. The federal government, Gali notes, still “gets to decide who is and who is not a Native person in California.”\u003c/p>\n\u003cp>In the lack of a specific apology from the Catholic Church for Serra’s legacy, Gali sees this same inaction.\u003c/p>\n\u003cp>“Until that’s done,” she says, “there is still a gaping wound that needs to be healed.”\u003c/p>\n\u003ch3>\u003ca id=\"removal\">\u003c/a>How Can You Challenge a Statue or Place Name?\u003c/h3>\n\u003cp>If there’s a statue or place name in your area that you want to officially challenge, how can you do that as a member of the public?\u003c/p>\n\u003cp>Arianna Antone-Ramirez is a research associate at the California Consortium for Urban Indian Health, and is on the board of the American Indian Cultural Center of San Francisco. Born and raised in the Mission District of San Francisco, she’s a member of the Tohono O’odham Nation in Arizona and was a part of the campaign to remove San Francisco’s Early Days statue. Her key advice for activism in this field? “Let the community lead” — especially if you’re a non-Indigenous ally.\u003c/p>\n\u003cp>Antone-Ramirez recommends beginning by researching the communities who are “directly affected” by the issue at hand, finding out what they’re already working on, and offering support to their organizers.\u003c/p>\n\u003cfigure id=\"attachment_11827558\" class=\"wp-caption alignnone\" style=\"max-width: 1900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827558\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/10/Arriana.jpg\" alt=\"\" width=\"1900\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Arriana.jpg 1900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Arriana-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Arriana-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Arriana-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/10/Arriana-1536x1035.jpg 1536w\" sizes=\"(max-width: 1900px) 100vw, 1900px\">\u003cfigcaption class=\"wp-caption-text\">Arianna Antone-Ramirez is a member of the Tohono O’odham Nation in Arizona, and was a part of the campaign to remove San Francisco’s Early Days statue. \u003ccite>(Arianna Antone-Ramirez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She also advises embarking on your \u003cem>own\u003c/em> bureaucratic research.\u003c/p>\n\u003cp>“Has anything come up in my city council? Wherever you live, have there been any hearings about this? … Where is this issue now? Is it in a committee?” Acquiring this familiarity with civic processes, says Antone-Ramirez, will really help these efforts.\u003c/p>\n\u003cp>And what \u003cem>are\u003c/em> these processes?\u003c/p>\n\u003cp>The best approach for challenging a statue or place name is “the same as approaching the city government for any other civic inquiry,” says Rebekah Krell, acting director of cultural affairs at the San Francisco Arts Commission – the city body that was involved in the removal of the Early Days statue.\u003c/p>\n\u003cp>The governmental bodies she recommends contacting:\u003c/p>\n\u003cul>\n\u003cli>Your District Supervisor\u003c/li>\n\u003cli>The Mayor’s office of your town/city\u003c/li>\n\u003cli>The local Arts Commission\u003c/li>\n\u003cli>Your local non-emergency 311 line\u003c/li>\n\u003c/ul>\n\u003cp>Krell also advises attending “any number of public meetings” to “pose general public comment.” This, she says, is how member of the public campaigning for the removal of the Early Days monument “got the ball rolling”– “the community came to a [monthly] public Arts Commission meeting” and spoke up.\u003c/p>\n\u003cp>If a group is specifically looking to challenge a monument or public artwork, Krell says that the agency governing these can differ from municipality. It could be an Arts Commission (as in San Francisco), a Parks Department or your city’s Public Works.\u003c/p>\n\u003cp>“But when all else fails,” she says, “your elected city representative (council member, district supervisor, etc.) office should be able to direct your concern.”\u003c/p>\n\u003cp>The San Francisco Arts Commission has \u003ca href=\"https://www.kqed.org/arts/13883431/city-to-evaluate-public-monuments-but-community-questions-its-track-record\">announced plans\u003c/a> to now evaluate the the city’s nearly one hundred public monuments and memorials — and whether any of them should be removed. The plans will apparently entail the city examining factors including the story behind the historical figure a work depicts, the artist who made it, the community’s response so far, and the cost of its removal.\u003c/p>\n\u003cp>\u003cem>The original story incorrectly listed Greg Sarris as the owner of Graton Resort & Casino and has since been corrected.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "¿Usted Fue Afectado por Covid-19 y Necesita Alimentos? Empiece Aquí",
"title": "¿Usted Fue Afectado por Covid-19 y Necesita Alimentos? Empiece Aquí",
"headTitle": "El Tecolote | KQED News",
"content": "\u003cp>\u003ca href=\"#servicios\">Encontrar servicios\u003c/a>\u003cbr>\n\u003cem>\u003ca href=\"https://www.kqed.org/news/11826950/affected-by-covid-19-and-cant-afford-food-start-here\">Read in English\u003c/a>\u003c/em>\u003c/p>\n\u003cp>La pandemia por covid-19 ha afectado la estabilidad económica de miles de personas, mientras que el desempleo crece, los casos de infección continúan a la alza. Muchas personas, ahora más que nunca, necesitan recursos para sus familias y lo más esencial es la comida.\u003c/p>\n\u003cp>Pese a que no todos los centros de comida han abierto durante la pandemia, muchos han continuado la labor de ayudar a su comunidad, como es el caso del Mission Food Hub y la San Francisco Neighbors Solidarity Network.\u003c/p>\n\u003cp>Cada lunes, miércoles y viernes, al inicio de la calle Alabama, una fila de personas que acuden a recibir las despensas del Mission Food Hub, da la vuelta por cuadras mientras mantienen el distanciamiento social. Con una organización impecable y un gran sentimiento de unión en la comunidad, el Food Hub ha logrado ayudar a cientos de personas en la ciudad y éstas no dudan en expresar su gratitud.\u003c/p>\n\u003cp>“Ellos están ayudando a la comunidad de San Francisco”, reconoció Marisela Veliz, quien perdió su trabajo de cuidar niños hace dos meses. “No van a tener recompensa de nosotros, pero tal vez algún día nosotros podríamos ayudarles también”.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>El \u003ca href=\"https://www.facebook.com/groups/1169152970117653/permalink/1181819422184341/\">Mission Food Hub\u003c/a> comenzó en la cochera de su fundador Roberto Hernández y continuó creciendo hasta llegar a ocupar tres cuartos de un almacén en el distrito Misión. Hernández empezó llamando a sus amigos cercanos pidiéndoles si podían comprar mandado para familias necesitadas. Pero al ver la gran necesidad, el proyecto se expandió. “Ha sido como magia. De verdad creo que es un milagro en la Misión. ¡Puro milagro!” reconoció Hernández. Según información proporcionada por él mismo, este proyecto que comenzó asistiendo con comida a quinientas familias, ahora ayuda a alrededor de siete mil.\u003c/p>\n\u003cfigure id=\"attachment_11826987\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-full wp-image-11826987\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5301_WEB.jpg\" alt=\"“La comida de Mission Food es culturalmente apropiada para nuestra comunidad. Creo que deberíamos poder comer lo que nos gusta”, diice Roberto Hernández.\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5301_WEB.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5301_WEB-160x107.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“La comida de Mission Food es culturalmente apropiada para nuestra comunidad. Creo que deberíamos poder comer lo que nos gusta”, diice Roberto Hernández. \u003ccite>(Mabel Jiménez/El Tecolote)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>El también director artístico del Carnaval San Francisco (que fue cancelado por la pandemia), usó sus contactos del festival para brindar apoyo a las familias de la comunidad. Las donaciones más grandes han sido por parte de Goya y el Departamento de Agricultura de los EEUU (USDA, por sus siglas en Inglés). El Mission Food Hub logró que el USDA donará 1,400 cajas de frutas y verduras cada semana. Sin embargo, el esfuerzo consiste no solamente en proporcionar alimento a las familias, sino en dedicar el tiempo requerido para saber qué productos necesitan o prefieren.\u003c/p>\n\u003cp>“La comida de Mission Food es culturalmente apropiada para nuestra comunidad. Creo que deberíamos poder comer lo que nos gusta”, declaró Hernández, quien se dio cuenta que la masa es un producto buscado por las familias, en su mayoría latinas.\u003c/p>\n\u003cp>“Nos dan lo que más usamos en la cocina”, aseguró Veliz. “A veces nos dan para hacer nuestras tortillas”. Veliz comenzó a asistir al Mission Food Hub hace un mes, ella se enteró por su hermana y desde entonces viene con su vecina a recibir despensas.\u003c/p>\n\u003cp>Aura Cabrera, otra visitante del Food Hub expresó su agrado por la repartición de productos lácteos dado a que tiene una hija pequeña. “Por la falta de empleo, los artículos que dan aquí son una gran ayuda”, dijo Cabrera quien perdió su trabajo de cocinera en un restaurante mexicano ubicado en la Misión. Ella se enteró del Mission Food Hub por parte de la escuela de su hija y ha estado asistiendo a otros centros de repartición para poder alimentar a su familia de siete integrantes.\u003c/p>\n\u003cfigure id=\"attachment_11827007\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-full wp-image-11827007\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5297_WEB-1.jpg\" alt=\"El Mission Food Hub logró que el USDA donara 1,400 cajas de frutas y verduras cada semana. Sin embargo, el esfuerzo consiste no solamente en proporcionar alimento a las familias, sino en dedicar el tiempo requerido para saber qué productos se necesitan o prefieren. \" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5297_WEB-1.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5297_WEB-1-160x107.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">El Mission Food Hub logró que el USDA donara 1,400 cajas de frutas y verduras cada semana. Sin embargo, el esfuerzo consiste no solamente en proporcionar alimento a las familias, sino en dedicar el tiempo requerido para saber qué productos se necesitan o prefieren. \u003ccite>(Mabel Jiménez/El Tecolote)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Por su parte, la SF Neighbors Solidarity Network hace el esfuerzo de entregar comida saludable y orgánica, en conjunto con otros recursos como cubrebocas y gel antibacterial a adultos mayores y personas sin hogar en San Francisco. “Hacemos las compras personalmente para asegurarnos que la calidad de las despensas sea buena y que las personas reciban alimentos saludables”, dijo Natalia Kresich, organizadora en esa red.\u003c/p>\n\u003cp>Todo empezó cuando Kresich y su amigo Shafagh Farnoud, ayudaron a sus vecinos mayores, para quienes no era seguro salir a hacer compras. El proceso de ayudar y hacer visitas a sus vecinos pronto creció y actualmente ayudan a más de ochenta hogares alrededor de la ciudad.\u003c/p>\n\u003cp>https://twitter.com/Solidarity_SF/status/1275979091867365376\u003c/p>\n\u003cp>El programa ha estado en acción por más de doce semanas, y además de hacer entregas a domicilio a quienes lo soliciten, también ayudan a las personas sin hogar en San Francisco con llevar sus artículos a albergues y hoteles. “Hacemos lo posible por tratar a todos en nuestra lista como si fueran nuestros vecinos”, declaró Kresich. Hasta la fecha, esta organización ha dependido de donaciones que recolecta a través de sus redes sociales. Kresich estima haber recibido alrededor de $10 mil en donaciones para comida.\u003c/p>\n\u003cp>Pero ambos programas han sido posibles gracias a la ayuda de los voluntarios. “Llegas a conocer a las personas mientras ayudas a la comunidad”, dijo Ernesto Torres,voluntario de Mission Food Hub. Él y su familia también fueron afectados por la pandemia, todos quedaron desempleados a excepción de su papá, quien trabaja en construcción.\u003c/p>\n\u003cfigure id=\"attachment_11826989\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-full wp-image-11826989\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/SFNSN.jpg\" alt=\"SF Neighbors Solidarity Network hace el esfuerzo de entregar comida saludable y orgánica, en conjunto con otros recursos como cubrebocas y gel antibacterial a adultos mayores y personas sin hogar en San Francisco.\" width=\"800\" height=\"572\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/SFNSN.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/SFNSN-160x114.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">SF Neighbors Solidarity Network hace el esfuerzo de entregar comida saludable y orgánica, en conjunto con otros recursos como cubrebocas y gel antibacterial a adultos mayores y personas sin hogar en San Francisco. \u003ccite>(San Francisco Neighbors Solidarity Network )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>La SF Neighbors Solidarity Network cuenta con diez voluntarios encargados de empacar y distribuir los alimentos. Mientras que Mission Food Hub cuenta con alrededor de 115 voluntarios. “Es simplemente hermoso ver cuántas personas han salido a ayudar a su comunidad”, dijo Hernández.\u003c/p>\n\u003cp>El esfuerzo de ambas organizaciones, en conjunto con la gran cantidad de otros programas disponibles en San Francisco, ha ayudado a las comunidades de color afectadas desproporcionadamente por la pandemia de covid-19.\u003c/p>\n\u003ch3>\u003ca id=\"servicios\">\u003c/a>Dónde puede encontrar comida gratuita:\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"#sf\">San Francisco\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#alameda\">Alameda\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#sanmateo\">San Mateo\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#santaclara\">Santa Clara\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#sanbruno\">San Bruno\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#marin\">Marin\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#sonoma\">Sonoma\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#la\">Los Ángeles\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#orange\">Orange\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#ninos\">Comida gratuita para niños\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.google.com/maps/d/embed?mid=1K0eAjw9vWHjQ4kVAK31ZKvf3S95faLch\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>\u003ca id=\"sf\">\u003c/a>San Francisco\u003c/strong>\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.facebook.com/groups/1169152970117653//\">\u003cstrong>Mission Food Hub\u003c/strong>\u003c/a>\u003cbr>\nLunes, miércoles y viernes a partir de las 10 a.m.\u003cbr>\n(415) 206-0577\u003cbr>\n701 Alabama, San Francisco, CA 94121\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/Solidarity_SF\">\u003cstrong>San Francisco Neighbors Solidarity Network\u003c/strong>\u003c/a>\u003cbr>\nEntregas los miércoles\u003cbr>\nsfneighborssolidaritynetwork@gmail.com\u003cbr>\n\u003cem>\u003cem>\u003ci>\u003cspan style=\"font-weight: 400\">Solamente se da servicio a adultos mayores, personas discapacitadas y personas sin hogar.\u003c/span>\u003c/i>\u003c/em>\u003c/em>\u003c/li>\n\u003cli>\u003ca href=\"https://richmondsf.org/feeding-the-richmond-district-covid-19/\">\u003cstrong>Richmond Neighborhood Center\u003c/strong>\u003c/a>\u003cbr>\nLunes: 4 p.m. a 5 p.m., martes de 3:30 p.m. a 4:30 p.m. y jueves de 2:30 p.m. a 4 p.m.\u003cbr>\n(415) 751-6600\u003cbr>\n741 30th Avenue, San Francisco, CA 94121\u003c/li>\n\u003cli>\u003ca href=\"https://www.sfmfoodbank.org/find-food/\">\u003cstrong>SF Marin Food Bank\u003c/strong>\u003c/a>\u003cbr>\n\u003cem>Las ubicaciones y horarios cambian cada semana, favor de revisar su página web para obtener la información más actualizada.\u003c/em>\u003c/li>\n\u003cli>\u003ca href=\"https://www.openhand.org/get-meals\">\u003cstrong>Project Open Hand\u003c/strong>\u003c/a>\u003cbr>\nHorario depende de cada programa\u003cbr>\n(415) 447-2300\u003cbr>\n730 Polk Street San Francisco, CA 94109\u003cbr>\n\u003cem>Servicios para personas de mayor edad\u003c/em>\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"alameda\">\u003c/a>Alameda\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.telegraphcenter.com/food-pantry/\">\u003cstrong>Telegraph Center\u003c/strong>\u003c/a>\u003cbr>\nMiércoles y viernes de 10 a.m. a 2 p.m. y miércoles 6 p.m. a 7:30 p.m.\u003cbr>\n(510) 961-4385\u003cbr>\n5316 Telegraph Avenue, Oakland, CA 94609\u003c/li>\n\u003cli>\u003ca href=\"https://berkeleyfoodnetwork.org/covid/\">\u003cstrong>Berkeley Food Network\u003c/strong>\u003c/a>\u003cbr>\nLunes a jueves de 10 a.m. a 2 p.m., lunes y miércoles de 5 p.m. a 7 p.m., primer y tercer sábado del mes de 10 a.m. a 12 p.m.\u003cbr>\n(510) 616-5383\u003cbr>\n1569 Solano Avenue #243 Berkeley, CA 94707\u003c/li>\n\u003cli>\u003ca href=\"https://oaklandresourceproject.org\">\u003cstrong>Oakland Resource Project\u003c/strong>\u003c/a>\u003cbr>\nMartes y Jueves de 10 a.m. a 2 p.m.\u003cbr>\n(510) 534-0165\u003cbr>\n1811 11th Avenue, Oakland, CA 94618 (other locations available)\u003c/li>\n\u003cli>\u003ca href=\"http://www.alamedafoodbank.org\">\u003cstrong>Alameda Food Bank\u003c/strong>\u003c/a>\u003cbr>\nLunes, miércoles y viernes de 12 p.m. a 5 p.m.(510) 523-5850\u003cbr>\n1900 Thau Way, Alameda, CA 94501\u003c/li>\n\u003cli>\u003ca href=\"https://www.tri-cityvolunteers.org/services/\">\u003cstrong>Tri-city Volunteers\u003c/strong>\u003c/a>\u003cbr>\nLunes a jueves de 10 a.m. a 12:30 p.m.\u003cbr>\n(510) 793-4583\u003cbr>\n37350 Joseph St. Fremont, CA 94536\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"sanmateo\">\u003c/a>San Mateo\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://samaritanhousesanmateo.org/service/food/\">\u003cstrong>Samaritan House Pantry\u003c/strong>\u003c/a>\u003cbr>\nLunes a viernes de 9 a.m. a 12 p.m. y de 1 p.m. a 4 p.m.\u003cbr>\n(650) 341-4081\u003cbr>\n4031 Pacific Blvd, San Mateo, CA 94403\u003cbr>\n\u003cem>Para registrarse en los servicios de despensa, contacte directamente con esta organización.\u003c/em>\u003c/li>\n\u003cli>\u003ca href=\"https://www.penvol.org/mealsonwheels/how-to-qualify/\">\u003cstrong>Meals of Wheels\u003c/strong>\u003c/a>\u003cbr>\nHorario y ubicación depende del programa\u003cbr>\n(650) 323-2022\u003cbr>\n\u003cem>\u003cem>Programa disponible para adultos mayores de 60 años que viven en el condado de San Mateo\u003c/em>\u003c/em>\u003c/li>\n\u003cli>\u003ca href=\"https://www.facebook.com/pg/StAnthonysDiningRoom/posts/?ref=page_internal\">\u003cstrong>St. Anthony’s Padua Dining Room\u003c/strong>\u003c/a>\u003cbr>\nLunes y sábado de 11 a.m. a 1 p.m.\u003cbr>\n(650) 365-9664\u003cbr>\n3500 Middlefield Road Menlo Park, CA 94025\u003c/li>\n\u003cli>\u003ca href=\"https://www.bgcp.org/communitymeals\">\u003cstrong>Boys & Girls Clubs (Redwood City)\u003c/strong>\u003c/a>\u003cbr>\nServicio de cena para llevar: Lunes a viernes de 5:30 p.m. a 6:30 p.m., cajas de productos frescos todos los miércoles de 5:30p.m. a 6:30 p.m.(650) 646-6140\u003cbr>\n1109 Hilton Avenue, Redwood City\u003c/li>\n\u003cli>\u003ca href=\"https://www.bgcp.org/comidascomunitarias\">\u003cstrong>Boys & Girls Clubs (Este de Palo Alto)\u003c/strong>\u003c/a>\u003cbr>\nServicio para llevar: 6-7pm, lunes a jueves de 5 p.m. a 8 p.m., cajas de comida: 5p.m. a 8p. m. los viernes\u003cbr>\n(650) 646-6140\u003cbr>\n2031 Pulgas Avenue, East Palo Alto, CA 94303\u003c/li>\n\u003cli>\u003ca href=\"https://www.wehope.org/programs/family-harvest\">\u003cstrong>WeHOPE\u003c/strong>\u003c/a>\u003cbr>\nMartes de 12 p.m. a 2 p.m.\u003cbr>\n(650) 779-4635\u003cbr>\n1852 Bay Road, East Palo Alto, CA 94303\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"santaclara\">\u003c/a>Santa Clara\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.marthas-kitchen.org\">\u003cstrong>Martha’s Kitchen\u003c/strong>\u003c/a>\u003cbr>\nMartes y miércoles de 4 p.m. a 5 p.m.\u003cbr>\n(408) 293-6111\u003cbr>\n311 Willow Street, San Jose, CA 95110\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"sanbruno\">\u003c/a>San Bruno\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"http://catholicworkerhospitalityhouse.org/food-shelter/\">\u003cstrong>St. Bruno’s Catholic Church\u003c/strong>\u003c/a>\u003cbr>\nTodos los días de 6:30 a.m. a 8:30 a.m.\u003cbr>\n(650) 827-0706\u003cbr>\n555 W. San Bruno Avenue, San Bruno, CA 94066\u003cbr>\n\u003cem>También ofrece albergue para personas sin hogar.\u003c/em>\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"marin\">\u003c/a>Marin\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.vinnies.org/need-help/hungry/\">\u003cstrong>St. Vincent de Paul\u003c/strong>\u003c/a>\u003cbr>\nTodos los días de 6:30 a.m. a 1 p.m.\u003cbr>\n(415) 454-3303\u003cbr>\n820 B Street, San Rafael, CA 94901\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"sonoma\">\u003c/a>Sonoma\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.facebook.com/CorazonHealdsburg/\">\u003cstrong>Corazón Healdsburg\u003c/strong>\u003c/a>\u003cbr>\nMartes, horario cambia cada semana\u003cbr>\n(707) 996-0111\u003cbr>\n18330 Sonoma Hwy, Sonoma, CA 95476\u003c/li>\n\u003cli>\u003ca href=\"https://www.friendsinsonomahelping.org/help-from-fish.html\">\u003cstrong>Friends in Sonoma Helping\u003c/strong>\u003c/a>\u003cbr>\nLunes a viernes de 9 a.m. a 12 p.m.\u003cbr>\n(707) 996-0111\u003cbr>\n18330 Sonoma Hwy, Sonoma Ca 95476\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"la\">\u003c/a>Los Ángeles\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.lafoodbank.org/find-food/pantry-locator/\">\u003cstrong>Los Angeles Regional Food Bank\u003c/strong>\u003c/a>\u003cbr>\nUbicación y horario varían, visite su página web para información actualizada.\u003cbr>\n(323) 234-3030\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"orange\">\u003c/a>Orange\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"http://ocfoodhelp.org/orange-county-free-food-map/\">\u003cstrong>Second Harvest Food Bank\u003c/strong>\u003c/a>\u003cbr>\nUbicación y horario varían, visite su página web para información actualizada.\u003cbr>\n(949) 653-2900\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"ninos\">\u003c/a>Comida gratuita para los niños\u003c/h3>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfusd.edu/services/health-wellness/nutrition-school-meals\">\u003cstrong>San Francisco\u003c/strong>\u003c/a>\u003cbr>\n\u003ca href=\"https://www.berkeleyschools.net/2020/03/revised-breakfast-and-lunch-distribution-schedule-horario-modificado-acerca-de-la-distribucion-de-desayuno-y-almuerzo/#espanol\">\u003cstrong>Berkeley\u003c/strong>\u003c/a>\u003cbr>\n\u003ca href=\"https://www.ousd.org/Page/19078\">\u003cstrong>Oakland\u003c/strong>\u003c/a>\u003cbr>\n\u003ca href=\"https://www.smcoe.org/other/for-administrators/meals-and-nutritional-services.html\">\u003cstrong>San Mateo\u003c/strong>\u003c/a>\u003cbr>\n\u003ca href=\"https://www.cde.ca.gov/ds/sh/sn/ap/summersites.asp?year=2020&countyname=Marin\">\u003cstrong>Marin\u003c/strong>\u003c/a>\u003cbr>\n\u003ca href=\"https://achieve.lausd.net/resources\">\u003cstrong>Los Angeles\u003c/strong>\u003c/a>\u003cbr>\n\u003ca href=\"https://www.ocps.net/cms/One.aspx?portalId=54703&pageId=1404484\">\u003cstrong>Orange County\u003c/strong>\u003c/a>\u003c/p>\n\u003cdiv class=\"c-message_kit__gutter\">\n\u003cdiv class=\"c-message_kit__gutter__right\" data-qa=\"message_content\">\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\">\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\">\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\">\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\">\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\">\n\u003cdiv class=\"p-rich_text_section\">\u003cb data-stringify-type=\"bold\">\u003ci data-stringify-type=\"italic\">Este reporte fue producido en colaboración con El Tecolote, el periódico bilingüe de San Francisco. Siga su cobertura \u003ca href=\"http://eltecolote.org/content/es/\">aquí\u003c/a>.\u003c/i>\u003c/b>\u003c/div>\n\u003cdiv>\u003c/div>\n\u003c/div>\n\u003cdiv> \u003ca href=\"http://eltecolote.org/content/es/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone size-medium wp-image-11826973\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-800x166.png\" alt=\"\" width=\"50%\" height=\"50%\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-800x166.png 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-1020x212.png 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-160x33.png 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-1536x320.png 1536w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-2048x426.png 2048w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-1920x400.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\n",
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"excerpt": "Muchas personas afectadas por covid-19 necesitan recursos para sus familias, y lo más esencial es la comida. Aquí se encuentra una guía de alimentos gratuitos en el Área de la Bahía y otros condados de California. ",
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"description": "Muchas personas afectadas por covid-19 necesitan recursos para sus familias, y lo más esencial es la comida. Aquí se encuentra una guía de alimentos gratuitos en el Área de la Bahía y otros condados de California. ",
"title": "¿Usted Fue Afectado por Covid-19 y Necesita Alimentos? Empiece Aquí | KQED",
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"headline": "¿Usted Fue Afectado por Covid-19 y Necesita Alimentos? Empiece Aquí",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#servicios\">Encontrar servicios\u003c/a>\u003cbr>\n\u003cem>\u003ca href=\"https://www.kqed.org/news/11826950/affected-by-covid-19-and-cant-afford-food-start-here\">Read in English\u003c/a>\u003c/em>\u003c/p>\n\u003cp>La pandemia por covid-19 ha afectado la estabilidad económica de miles de personas, mientras que el desempleo crece, los casos de infección continúan a la alza. Muchas personas, ahora más que nunca, necesitan recursos para sus familias y lo más esencial es la comida.\u003c/p>\n\u003cp>Pese a que no todos los centros de comida han abierto durante la pandemia, muchos han continuado la labor de ayudar a su comunidad, como es el caso del Mission Food Hub y la San Francisco Neighbors Solidarity Network.\u003c/p>\n\u003cp>Cada lunes, miércoles y viernes, al inicio de la calle Alabama, una fila de personas que acuden a recibir las despensas del Mission Food Hub, da la vuelta por cuadras mientras mantienen el distanciamiento social. Con una organización impecable y un gran sentimiento de unión en la comunidad, el Food Hub ha logrado ayudar a cientos de personas en la ciudad y éstas no dudan en expresar su gratitud.\u003c/p>\n\u003cp>“Ellos están ayudando a la comunidad de San Francisco”, reconoció Marisela Veliz, quien perdió su trabajo de cuidar niños hace dos meses. “No van a tener recompensa de nosotros, pero tal vez algún día nosotros podríamos ayudarles también”.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>El \u003ca href=\"https://www.facebook.com/groups/1169152970117653/permalink/1181819422184341/\">Mission Food Hub\u003c/a> comenzó en la cochera de su fundador Roberto Hernández y continuó creciendo hasta llegar a ocupar tres cuartos de un almacén en el distrito Misión. Hernández empezó llamando a sus amigos cercanos pidiéndoles si podían comprar mandado para familias necesitadas. Pero al ver la gran necesidad, el proyecto se expandió. “Ha sido como magia. De verdad creo que es un milagro en la Misión. ¡Puro milagro!” reconoció Hernández. Según información proporcionada por él mismo, este proyecto que comenzó asistiendo con comida a quinientas familias, ahora ayuda a alrededor de siete mil.\u003c/p>\n\u003cfigure id=\"attachment_11826987\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-full wp-image-11826987\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5301_WEB.jpg\" alt=\"“La comida de Mission Food es culturalmente apropiada para nuestra comunidad. Creo que deberíamos poder comer lo que nos gusta”, diice Roberto Hernández.\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5301_WEB.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5301_WEB-160x107.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“La comida de Mission Food es culturalmente apropiada para nuestra comunidad. Creo que deberíamos poder comer lo que nos gusta”, diice Roberto Hernández. \u003ccite>(Mabel Jiménez/El Tecolote)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>El también director artístico del Carnaval San Francisco (que fue cancelado por la pandemia), usó sus contactos del festival para brindar apoyo a las familias de la comunidad. Las donaciones más grandes han sido por parte de Goya y el Departamento de Agricultura de los EEUU (USDA, por sus siglas en Inglés). El Mission Food Hub logró que el USDA donará 1,400 cajas de frutas y verduras cada semana. Sin embargo, el esfuerzo consiste no solamente en proporcionar alimento a las familias, sino en dedicar el tiempo requerido para saber qué productos necesitan o prefieren.\u003c/p>\n\u003cp>“La comida de Mission Food es culturalmente apropiada para nuestra comunidad. Creo que deberíamos poder comer lo que nos gusta”, declaró Hernández, quien se dio cuenta que la masa es un producto buscado por las familias, en su mayoría latinas.\u003c/p>\n\u003cp>“Nos dan lo que más usamos en la cocina”, aseguró Veliz. “A veces nos dan para hacer nuestras tortillas”. Veliz comenzó a asistir al Mission Food Hub hace un mes, ella se enteró por su hermana y desde entonces viene con su vecina a recibir despensas.\u003c/p>\n\u003cp>Aura Cabrera, otra visitante del Food Hub expresó su agrado por la repartición de productos lácteos dado a que tiene una hija pequeña. “Por la falta de empleo, los artículos que dan aquí son una gran ayuda”, dijo Cabrera quien perdió su trabajo de cocinera en un restaurante mexicano ubicado en la Misión. Ella se enteró del Mission Food Hub por parte de la escuela de su hija y ha estado asistiendo a otros centros de repartición para poder alimentar a su familia de siete integrantes.\u003c/p>\n\u003cfigure id=\"attachment_11827007\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-full wp-image-11827007\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5297_WEB-1.jpg\" alt=\"El Mission Food Hub logró que el USDA donara 1,400 cajas de frutas y verduras cada semana. Sin embargo, el esfuerzo consiste no solamente en proporcionar alimento a las familias, sino en dedicar el tiempo requerido para saber qué productos se necesitan o prefieren. \" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5297_WEB-1.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5297_WEB-1-160x107.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">El Mission Food Hub logró que el USDA donara 1,400 cajas de frutas y verduras cada semana. Sin embargo, el esfuerzo consiste no solamente en proporcionar alimento a las familias, sino en dedicar el tiempo requerido para saber qué productos se necesitan o prefieren. \u003ccite>(Mabel Jiménez/El Tecolote)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Por su parte, la SF Neighbors Solidarity Network hace el esfuerzo de entregar comida saludable y orgánica, en conjunto con otros recursos como cubrebocas y gel antibacterial a adultos mayores y personas sin hogar en San Francisco. “Hacemos las compras personalmente para asegurarnos que la calidad de las despensas sea buena y que las personas reciban alimentos saludables”, dijo Natalia Kresich, organizadora en esa red.\u003c/p>\n\u003cp>Todo empezó cuando Kresich y su amigo Shafagh Farnoud, ayudaron a sus vecinos mayores, para quienes no era seguro salir a hacer compras. El proceso de ayudar y hacer visitas a sus vecinos pronto creció y actualmente ayudan a más de ochenta hogares alrededor de la ciudad.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>El programa ha estado en acción por más de doce semanas, y además de hacer entregas a domicilio a quienes lo soliciten, también ayudan a las personas sin hogar en San Francisco con llevar sus artículos a albergues y hoteles. “Hacemos lo posible por tratar a todos en nuestra lista como si fueran nuestros vecinos”, declaró Kresich. Hasta la fecha, esta organización ha dependido de donaciones que recolecta a través de sus redes sociales. Kresich estima haber recibido alrededor de $10 mil en donaciones para comida.\u003c/p>\n\u003cp>Pero ambos programas han sido posibles gracias a la ayuda de los voluntarios. “Llegas a conocer a las personas mientras ayudas a la comunidad”, dijo Ernesto Torres,voluntario de Mission Food Hub. Él y su familia también fueron afectados por la pandemia, todos quedaron desempleados a excepción de su papá, quien trabaja en construcción.\u003c/p>\n\u003cfigure id=\"attachment_11826989\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-full wp-image-11826989\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/SFNSN.jpg\" alt=\"SF Neighbors Solidarity Network hace el esfuerzo de entregar comida saludable y orgánica, en conjunto con otros recursos como cubrebocas y gel antibacterial a adultos mayores y personas sin hogar en San Francisco.\" width=\"800\" height=\"572\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/SFNSN.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/SFNSN-160x114.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">SF Neighbors Solidarity Network hace el esfuerzo de entregar comida saludable y orgánica, en conjunto con otros recursos como cubrebocas y gel antibacterial a adultos mayores y personas sin hogar en San Francisco. \u003ccite>(San Francisco Neighbors Solidarity Network )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>La SF Neighbors Solidarity Network cuenta con diez voluntarios encargados de empacar y distribuir los alimentos. Mientras que Mission Food Hub cuenta con alrededor de 115 voluntarios. “Es simplemente hermoso ver cuántas personas han salido a ayudar a su comunidad”, dijo Hernández.\u003c/p>\n\u003cp>El esfuerzo de ambas organizaciones, en conjunto con la gran cantidad de otros programas disponibles en San Francisco, ha ayudado a las comunidades de color afectadas desproporcionadamente por la pandemia de covid-19.\u003c/p>\n\u003ch3>\u003ca id=\"servicios\">\u003c/a>Dónde puede encontrar comida gratuita:\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"#sf\">San Francisco\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#alameda\">Alameda\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#sanmateo\">San Mateo\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#santaclara\">Santa Clara\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#sanbruno\">San Bruno\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#marin\">Marin\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#sonoma\">Sonoma\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#la\">Los Ángeles\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#orange\">Orange\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"#ninos\">Comida gratuita para niños\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.google.com/maps/d/embed?mid=1K0eAjw9vWHjQ4kVAK31ZKvf3S95faLch\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>\u003ca id=\"sf\">\u003c/a>San Francisco\u003c/strong>\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.facebook.com/groups/1169152970117653//\">\u003cstrong>Mission Food Hub\u003c/strong>\u003c/a>\u003cbr>\nLunes, miércoles y viernes a partir de las 10 a.m.\u003cbr>\n(415) 206-0577\u003cbr>\n701 Alabama, San Francisco, CA 94121\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/Solidarity_SF\">\u003cstrong>San Francisco Neighbors Solidarity Network\u003c/strong>\u003c/a>\u003cbr>\nEntregas los miércoles\u003cbr>\nsfneighborssolidaritynetwork@gmail.com\u003cbr>\n\u003cem>\u003cem>\u003ci>\u003cspan style=\"font-weight: 400\">Solamente se da servicio a adultos mayores, personas discapacitadas y personas sin hogar.\u003c/span>\u003c/i>\u003c/em>\u003c/em>\u003c/li>\n\u003cli>\u003ca href=\"https://richmondsf.org/feeding-the-richmond-district-covid-19/\">\u003cstrong>Richmond Neighborhood Center\u003c/strong>\u003c/a>\u003cbr>\nLunes: 4 p.m. a 5 p.m., martes de 3:30 p.m. a 4:30 p.m. y jueves de 2:30 p.m. a 4 p.m.\u003cbr>\n(415) 751-6600\u003cbr>\n741 30th Avenue, San Francisco, CA 94121\u003c/li>\n\u003cli>\u003ca href=\"https://www.sfmfoodbank.org/find-food/\">\u003cstrong>SF Marin Food Bank\u003c/strong>\u003c/a>\u003cbr>\n\u003cem>Las ubicaciones y horarios cambian cada semana, favor de revisar su página web para obtener la información más actualizada.\u003c/em>\u003c/li>\n\u003cli>\u003ca href=\"https://www.openhand.org/get-meals\">\u003cstrong>Project Open Hand\u003c/strong>\u003c/a>\u003cbr>\nHorario depende de cada programa\u003cbr>\n(415) 447-2300\u003cbr>\n730 Polk Street San Francisco, CA 94109\u003cbr>\n\u003cem>Servicios para personas de mayor edad\u003c/em>\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"alameda\">\u003c/a>Alameda\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.telegraphcenter.com/food-pantry/\">\u003cstrong>Telegraph Center\u003c/strong>\u003c/a>\u003cbr>\nMiércoles y viernes de 10 a.m. a 2 p.m. y miércoles 6 p.m. a 7:30 p.m.\u003cbr>\n(510) 961-4385\u003cbr>\n5316 Telegraph Avenue, Oakland, CA 94609\u003c/li>\n\u003cli>\u003ca href=\"https://berkeleyfoodnetwork.org/covid/\">\u003cstrong>Berkeley Food Network\u003c/strong>\u003c/a>\u003cbr>\nLunes a jueves de 10 a.m. a 2 p.m., lunes y miércoles de 5 p.m. a 7 p.m., primer y tercer sábado del mes de 10 a.m. a 12 p.m.\u003cbr>\n(510) 616-5383\u003cbr>\n1569 Solano Avenue #243 Berkeley, CA 94707\u003c/li>\n\u003cli>\u003ca href=\"https://oaklandresourceproject.org\">\u003cstrong>Oakland Resource Project\u003c/strong>\u003c/a>\u003cbr>\nMartes y Jueves de 10 a.m. a 2 p.m.\u003cbr>\n(510) 534-0165\u003cbr>\n1811 11th Avenue, Oakland, CA 94618 (other locations available)\u003c/li>\n\u003cli>\u003ca href=\"http://www.alamedafoodbank.org\">\u003cstrong>Alameda Food Bank\u003c/strong>\u003c/a>\u003cbr>\nLunes, miércoles y viernes de 12 p.m. a 5 p.m.(510) 523-5850\u003cbr>\n1900 Thau Way, Alameda, CA 94501\u003c/li>\n\u003cli>\u003ca href=\"https://www.tri-cityvolunteers.org/services/\">\u003cstrong>Tri-city Volunteers\u003c/strong>\u003c/a>\u003cbr>\nLunes a jueves de 10 a.m. a 12:30 p.m.\u003cbr>\n(510) 793-4583\u003cbr>\n37350 Joseph St. Fremont, CA 94536\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"sanmateo\">\u003c/a>San Mateo\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://samaritanhousesanmateo.org/service/food/\">\u003cstrong>Samaritan House Pantry\u003c/strong>\u003c/a>\u003cbr>\nLunes a viernes de 9 a.m. a 12 p.m. y de 1 p.m. a 4 p.m.\u003cbr>\n(650) 341-4081\u003cbr>\n4031 Pacific Blvd, San Mateo, CA 94403\u003cbr>\n\u003cem>Para registrarse en los servicios de despensa, contacte directamente con esta organización.\u003c/em>\u003c/li>\n\u003cli>\u003ca href=\"https://www.penvol.org/mealsonwheels/how-to-qualify/\">\u003cstrong>Meals of Wheels\u003c/strong>\u003c/a>\u003cbr>\nHorario y ubicación depende del programa\u003cbr>\n(650) 323-2022\u003cbr>\n\u003cem>\u003cem>Programa disponible para adultos mayores de 60 años que viven en el condado de San Mateo\u003c/em>\u003c/em>\u003c/li>\n\u003cli>\u003ca href=\"https://www.facebook.com/pg/StAnthonysDiningRoom/posts/?ref=page_internal\">\u003cstrong>St. Anthony’s Padua Dining Room\u003c/strong>\u003c/a>\u003cbr>\nLunes y sábado de 11 a.m. a 1 p.m.\u003cbr>\n(650) 365-9664\u003cbr>\n3500 Middlefield Road Menlo Park, CA 94025\u003c/li>\n\u003cli>\u003ca href=\"https://www.bgcp.org/communitymeals\">\u003cstrong>Boys & Girls Clubs (Redwood City)\u003c/strong>\u003c/a>\u003cbr>\nServicio de cena para llevar: Lunes a viernes de 5:30 p.m. a 6:30 p.m., cajas de productos frescos todos los miércoles de 5:30p.m. a 6:30 p.m.(650) 646-6140\u003cbr>\n1109 Hilton Avenue, Redwood City\u003c/li>\n\u003cli>\u003ca href=\"https://www.bgcp.org/comidascomunitarias\">\u003cstrong>Boys & Girls Clubs (Este de Palo Alto)\u003c/strong>\u003c/a>\u003cbr>\nServicio para llevar: 6-7pm, lunes a jueves de 5 p.m. a 8 p.m., cajas de comida: 5p.m. a 8p. m. los viernes\u003cbr>\n(650) 646-6140\u003cbr>\n2031 Pulgas Avenue, East Palo Alto, CA 94303\u003c/li>\n\u003cli>\u003ca href=\"https://www.wehope.org/programs/family-harvest\">\u003cstrong>WeHOPE\u003c/strong>\u003c/a>\u003cbr>\nMartes de 12 p.m. a 2 p.m.\u003cbr>\n(650) 779-4635\u003cbr>\n1852 Bay Road, East Palo Alto, CA 94303\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"santaclara\">\u003c/a>Santa Clara\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.marthas-kitchen.org\">\u003cstrong>Martha’s Kitchen\u003c/strong>\u003c/a>\u003cbr>\nMartes y miércoles de 4 p.m. a 5 p.m.\u003cbr>\n(408) 293-6111\u003cbr>\n311 Willow Street, San Jose, CA 95110\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"sanbruno\">\u003c/a>San Bruno\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"http://catholicworkerhospitalityhouse.org/food-shelter/\">\u003cstrong>St. Bruno’s Catholic Church\u003c/strong>\u003c/a>\u003cbr>\nTodos los días de 6:30 a.m. a 8:30 a.m.\u003cbr>\n(650) 827-0706\u003cbr>\n555 W. San Bruno Avenue, San Bruno, CA 94066\u003cbr>\n\u003cem>También ofrece albergue para personas sin hogar.\u003c/em>\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"marin\">\u003c/a>Marin\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.vinnies.org/need-help/hungry/\">\u003cstrong>St. Vincent de Paul\u003c/strong>\u003c/a>\u003cbr>\nTodos los días de 6:30 a.m. a 1 p.m.\u003cbr>\n(415) 454-3303\u003cbr>\n820 B Street, San Rafael, CA 94901\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"sonoma\">\u003c/a>Sonoma\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.facebook.com/CorazonHealdsburg/\">\u003cstrong>Corazón Healdsburg\u003c/strong>\u003c/a>\u003cbr>\nMartes, horario cambia cada semana\u003cbr>\n(707) 996-0111\u003cbr>\n18330 Sonoma Hwy, Sonoma, CA 95476\u003c/li>\n\u003cli>\u003ca href=\"https://www.friendsinsonomahelping.org/help-from-fish.html\">\u003cstrong>Friends in Sonoma Helping\u003c/strong>\u003c/a>\u003cbr>\nLunes a viernes de 9 a.m. a 12 p.m.\u003cbr>\n(707) 996-0111\u003cbr>\n18330 Sonoma Hwy, Sonoma Ca 95476\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"la\">\u003c/a>Los Ángeles\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.lafoodbank.org/find-food/pantry-locator/\">\u003cstrong>Los Angeles Regional Food Bank\u003c/strong>\u003c/a>\u003cbr>\nUbicación y horario varían, visite su página web para información actualizada.\u003cbr>\n(323) 234-3030\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"orange\">\u003c/a>Orange\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"http://ocfoodhelp.org/orange-county-free-food-map/\">\u003cstrong>Second Harvest Food Bank\u003c/strong>\u003c/a>\u003cbr>\nUbicación y horario varían, visite su página web para información actualizada.\u003cbr>\n(949) 653-2900\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"ninos\">\u003c/a>Comida gratuita para los niños\u003c/h3>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfusd.edu/services/health-wellness/nutrition-school-meals\">\u003cstrong>San Francisco\u003c/strong>\u003c/a>\u003cbr>\n\u003ca href=\"https://www.berkeleyschools.net/2020/03/revised-breakfast-and-lunch-distribution-schedule-horario-modificado-acerca-de-la-distribucion-de-desayuno-y-almuerzo/#espanol\">\u003cstrong>Berkeley\u003c/strong>\u003c/a>\u003cbr>\n\u003ca href=\"https://www.ousd.org/Page/19078\">\u003cstrong>Oakland\u003c/strong>\u003c/a>\u003cbr>\n\u003ca href=\"https://www.smcoe.org/other/for-administrators/meals-and-nutritional-services.html\">\u003cstrong>San Mateo\u003c/strong>\u003c/a>\u003cbr>\n\u003ca href=\"https://www.cde.ca.gov/ds/sh/sn/ap/summersites.asp?year=2020&countyname=Marin\">\u003cstrong>Marin\u003c/strong>\u003c/a>\u003cbr>\n\u003ca href=\"https://achieve.lausd.net/resources\">\u003cstrong>Los Angeles\u003c/strong>\u003c/a>\u003cbr>\n\u003ca href=\"https://www.ocps.net/cms/One.aspx?portalId=54703&pageId=1404484\">\u003cstrong>Orange County\u003c/strong>\u003c/a>\u003c/p>\n\u003cdiv class=\"c-message_kit__gutter\">\n\u003cdiv class=\"c-message_kit__gutter__right\" data-qa=\"message_content\">\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\">\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\">\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\">\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\">\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\">\n\u003cdiv class=\"p-rich_text_section\">\u003cb data-stringify-type=\"bold\">\u003ci data-stringify-type=\"italic\">Este reporte fue producido en colaboración con El Tecolote, el periódico bilingüe de San Francisco. Siga su cobertura \u003ca href=\"http://eltecolote.org/content/es/\">aquí\u003c/a>.\u003c/i>\u003c/b>\u003c/div>\n\u003cdiv>\u003c/div>\n\u003c/div>\n\u003cdiv> \u003ca href=\"http://eltecolote.org/content/es/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone size-medium wp-image-11826973\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-800x166.png\" alt=\"\" width=\"50%\" height=\"50%\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-800x166.png 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-1020x212.png 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-160x33.png 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-1536x320.png 1536w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-2048x426.png 2048w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-1920x400.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\n\u003c/div>\u003c/p>",
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"slug": "affected-by-covid-19-and-cant-afford-food-start-here",
"title": "Affected by COVID-19 and Can't Afford Food? Start Here",
"publishDate": 1593633078,
"format": "standard",
"headTitle": "Affected by COVID-19 and Can’t Afford Food? Start Here | KQED",
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"content": "\u003cp>\u003ca href=\"#resources\">Here’s Where to Find Free Meals\u003c/a>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/news/11826959/usted-fue-afectado-por-covid-19-y-necesita-alimentos-empiece-aqui\">Leer en Español\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The COVID-19 pandemic has economically affected thousands of people—unemployment continues to rise, as does the number of cases. Many people, now more than ever, are in need of resources for their families, and one of them is food.\u003c/p>\n\u003cp>While not all food banks are open due to the pandemic, many have continued the work of helping their communities to survive during these difficult times. Two such San Francisco groups are the Mission Food Hub and the San Francisco Neighbors Solidarity Network.\u003c/p>\n\u003cp>Every Monday, Wednesday and Friday, starting from their location at Alabama Street, the line to receive food from the Mission Food Hub wraps around several streets while people keep their social distance. With their neat organization and feeling of community, the Food Hub has managed to help hundreds of people in the city, who do not shy away from expressing their gratitude.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“They are helping the San Francisco community,” said Marisela Veliz, who lost her job as a childcare worker two months ago. “They will not receive anything back from us but maybe someday we can give back the help.”\u003c/p>\n\u003cp>The Mission Food Hub started in the garage of its founder Roberto Hernandez and continued to grow until it filled three rooms of a warehouse in the Mission District. Hernandez started by calling his close friends, asking them if they could donate groceries to families. But when he saw the vast necessity, the project grew.\u003c/p>\n\u003cp>“It’s been like magic. I really believe it has been like a miracle in the Mission. Puro milagro” said Hernadez. The project that started by giving food to 500 families now gives groceries to around 7,000, according to Hernadez.\u003c/p>\n\u003cfigure id=\"attachment_11826995\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11826995\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5301_WEB-1.jpg\" alt=\"Roberto Hernandez, who organizes the San Francisco Carnaval, is using the volunteers, resources and sponsors that would normally go to the now cancelled event, towards getting food to those in the community who need it. \" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5301_WEB-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5301_WEB-1-160x107.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Roberto Hernandez, who organizes the San Francisco Carnaval, is using the volunteers, resources and sponsors that would normally go to the now-canceled event, towards getting food to those in the community who need it. \u003ccite>(Mabel Jiménez/El Tecolote)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hernandez, who is the artistic director of Carnaval San Francisco (which was canceled due to COVID-19), used his connections to aid people in the community. The biggest donations have been from Goya Foods and the U.S. Department of Agriculture (USDA). The Mission Food Hub secured a donation of 1,400 boxes of produce every week from the USDA. The effort not only gives food to families – they’re also thinking about the products people need.\u003c/p>\n\u003cp>“I really make sure that the Mission Food Hub is culturally appropriate for our community,” said Hernandez. “Because I believe that we should be able to eat things we like.” For Mission Food Hub, Hernadez realized that base for maize dough (masa) is a highly sought product by families, the majority of whom are Latinos.\u003c/p>\n\u003cp>“They give us what we use most in the kitchen,” said Veliz. “Sometimes they give us products to make tortillas.”\u003c/p>\n\u003cp>Veliz heard about the Mission Food Hub a month ago from her sister and since then, she and her neighbor go to receive food.\u003c/p>\n\u003cp>Aura Cabrera, another visitor to the Food Hub, liked that they give out dairy products because she has a young daughter. “Because of the unemployment, the resources that they give us are a big help,” said Cabrera.\u003c/p>\n\u003cp>Cabrera lost her job as a cook in a Mexican restaurant in the Mission on March 16. She heard about the Food Hub from her daughter’s school and has gone to several other food banks to help feed her family of seven.\u003c/p>\n\u003cfigure id=\"attachment_11827003\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827003\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5297_WEB.jpg\" alt=\"The group starts putting the food boxes together every Tuesday at 9am and food distribution begins at noon, though many arrive hours earlier to make sure they'll get a box. \" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5297_WEB.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5297_WEB-160x107.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The group starts putting the food boxes together every Tuesday at 9am and food distribution begins at noon, though many arrive hours earlier to make sure they’ll get a box. \u003ccite>(Mabel Jiménez/El Tecolote)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, the SF Neighbors Solidarity Network also makes an effort to deliver healthy and organic food, along with other resources such as face masks and hand sanitizer to elderly and homeless people in San Francisco.\u003c/p>\n\u003cp>“We do our shopping ourselves so that we can really make sure the quality of the bags is really high and that people are getting really healthy food,” said Natalia Kresich, organizer of the network.\u003c/p>\n\u003cp>That program has been around for more than 12 weeks, and besides making home deliveries to those who request help, they also help unhoused people in San Francisco by taking their products to shelters and hotels.\u003c/p>\n\u003cp>“What we’re trying to do is basically treat everybody on our list as though they’re one of our neighbors that we’re shopping for,” said Kresich.\u003c/p>\n\u003cp>It all started when Kresich and her friend Shafagh Farnoud began helping their elderly neighbors, for whom it was not safe to go out to shop for supplies. In the process of helping and checking in on their neighbors, the project grew and they currently help more than 80 households in the city.\u003c/p>\n\u003cp>https://twitter.com/Solidarity_SF/status/1275979091867365376\u003c/p>\n\u003cp>To date, SF Neighbors Solidarity Network has been sustained by donations from people in their social media, Kresich estimates that people have donated around $10,000.\u003c/p>\n\u003cp>But both programs would not have been possible without their volunteers.\u003c/p>\n\u003cp>“You get to know these people while you also help the community,” said Ernesto Torres, a volunteer for Mission Food Hub. Torres and his family have also been affected by the COVID-19 pandemic – they all lost their jobs with the exception of his dad, who works in construction.\u003c/p>\n\u003cp>The SF Neighbors Solidarity Network has 10 volunteers that pack and distribute the food. The Mission Food Hub currently has around 115 volunteers.\u003c/p>\n\u003cfigure id=\"attachment_11826994\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11826994\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/SFNSN-1.jpg\" alt=\"SF Neighbors Solidarity Network makes an effort to deliver healthy and organic food, along with other resources such as face masks and hand sanitizer to the elderly and unhoused people in San Francisco. \" width=\"800\" height=\"572\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/SFNSN-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/SFNSN-1-160x114.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">SF Neighbors Solidarity Network makes an effort to deliver healthy and organic food, along with other resources such as face masks and hand sanitizer to the elderly and unhoused people in San Francisco. \u003ccite>(San Francisco Neighbors Solidarity Network)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It was just so beautiful just to see so many people coming out because of the local community,” said Hernandez.\u003c/p>\n\u003cp>The effort from these two programs, along with many others in the city, has helped communities of color that have been disproportionately affected by the COVID-19 pandemic.\u003c/p>\n\u003ch3>\u003cstrong>\u003ca id=\"resources\">\u003c/a>Where to find free meals:\u003c/strong>\u003c/h3>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#sf\">San Francisco\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#alameda\">Alameda County\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#sanmateo\">San Mateo County\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#santaclara\">Santa Clara County\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#sanbruno\">San Bruno\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#marin\">Marin County\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#sonoma\">Sonoma County\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#la\">Los Angeles\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#orange\">Orange County\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#kids\">Free food for school-age kids\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.google.com/maps/d/embed?mid=1K0eAjw9vWHjQ4kVAK31ZKvf3S95faLch\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>\u003ca id=\"sf\">\u003c/a>San Francisco\u003c/strong>\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.facebook.com/groups/1169152970117653//\">\u003cstrong>Mission Food Hub\u003c/strong>\u003c/a>\u003cbr>\nMondays, Wednesdays and Fridays starting at 10 a.m.\u003cbr>\n(415) 206-0577\u003cbr>\n701 Alabama, San Francisco, CA 94121\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/Solidarity_SF\">\u003cstrong>San Francisco Neighbors Solidarity Network\u003c/strong>\u003c/a>\u003cbr>\nDeliveries on Wednesdays\u003cbr>\nsfneighborssolidaritynetwork@gmail.com\u003cbr>\n\u003cem>Service directed to the elderly, people with disabilities and homeless people.\u003c/em>\u003c/li>\n\u003cli>\u003ca href=\"https://richmondsf.org/feeding-the-richmond-district-covid-19/\">\u003cstrong>Richmond Neighborhood Center\u003c/strong>\u003c/a>\u003cbr>\nMondays: 4 p.m. to 5 p.m., Tuesday from 3:30 p.m. to 4:30 p.m. and Thursdays from 2:30 p.m. to 4 p.m.\u003cbr>\n(415) 751-6600\u003cbr>\n741 30th Avenue, San Francisco, CA 94121\u003c/li>\n\u003cli>\u003ca href=\"https://www.sfmfoodbank.org/find-food/\">\u003cstrong>SF Marin Food Bank\u003c/strong>\u003c/a>\u003cbr>\nLocations and hours change every week, access their website to find updated information.\u003c/li>\n\u003cli>\u003ca href=\"https://www.openhand.org/get-meals\">\u003cstrong>Project Open Hand\u003c/strong>\u003c/a>\u003cbr>\nHours change every week\u003cbr>\n(415) 447-2300\u003cbr>\n730 Polk Street San Francisco, CA 94109\u003cbr>\n\u003cem>Only offers services to the elderly\u003c/em>\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"alameda\">\u003c/a>Alameda County\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.telegraphcenter.com/food-pantry/\">\u003cstrong>Telegraph Center\u003c/strong>\u003c/a>\u003cbr>\nMondays and Wednesdays from 10 a.m. to 2 p.m. and Wednesdays 6 p.m. to 7:30 p.m.\u003cbr>\n(510) 961-4385\u003cbr>\n5316 Telegraph Avenue, Oakland, CA 94609\u003c/li>\n\u003cli>\u003ca href=\"https://berkeleyfoodnetwork.org/covid/\">\u003cstrong>Berkeley Food Network\u003c/strong>\u003c/a>\u003cbr>\nMonday to Thursday 10 a.m. to 2 p.m., Monday and Wednesday de 5 p.m. a 7 p.m., first and third Saturday of the month from 10 a.m. to 12 p.m.\u003cbr>\n(510) 616-5383\u003cbr>\n1569 Solano Avenue #243 Berkeley, CA 94707\u003c/li>\n\u003cli>\u003ca href=\"https://oaklandresourceproject.org\">\u003cstrong>Oakland Resource Project\u003c/strong>\u003c/a>\u003cbr>\nTuesday and Thursday from 10 a.m. to 2 p.m.\u003cbr>\n(510) 534-0165\u003cbr>\n1811 11th Avenue, Oakland, CA 94618 (other locations available)\u003c/li>\n\u003cli>\u003ca href=\"http://www.alamedafoodbank.org\">\u003cstrong>Alameda Food Bank\u003c/strong>\u003c/a>\u003cbr>\nMonday,Wednesday and Friday from 12 p.m. to 5 p.m.\u003cbr>\n(510) 523-5850\u003cbr>\n1900 Thau Way, Alameda, CA 94501\u003c/li>\n\u003cli>\u003ca href=\"https://www.tri-cityvolunteers.org/services/\">\u003cstrong>Tri-city Volunteers\u003c/strong>\u003c/a>\u003cbr>\nMonday to Thursday from 10 a.m. to 12:30 p.m.\u003cbr>\n(510) 793-4583\u003cbr>\n37350 Joseph St. Fremont, CA 94536\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"sanmateo\">\u003c/a>San Mateo County\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://samaritanhousesanmateo.org/service/food/\">\u003cstrong>Samaritan House Pantry\u003c/strong>\u003c/a>\u003cbr>\nMonday to Friday from 9 a.m. to 12 p.m and 1 p.m. to 4 p.m.\u003cbr>\n(650) 341-4081\u003cbr>\n4031 Pacific Blvd, San Mateo, CA 94403\u003cbr>\n\u003cem>To register for the food services, contact the organization directly.\u003c/em>\u003c/li>\n\u003cli>\u003ca href=\"https://www.penvol.org/mealsonwheels/how-to-qualify/\">\u003cstrong>Meals of Wheels\u003c/strong>\u003c/a>\u003cbr>\nHours and locations depend on the program\u003cbr>\n(650) 323-2022\u003cbr>\n\u003cem>Program available for people older than 60 years living in San Mateo County.\u003c/em>\u003c/li>\n\u003cli>\u003ca href=\"https://www.facebook.com/pg/StAnthonysDiningRoom/posts/?ref=page_internal\">\u003cstrong>St. Anthony’s Padua Dining Room\u003c/strong>\u003c/a>\u003cbr>\nMonday to Saturday from 11 a.m. to 1 p.m.\u003cbr>\n(650) 365-9664\u003cbr>\n3500 Middlefield Road Menlo Park, CA 94025\u003c/li>\n\u003cli>\u003ca href=\"https://www.bgcp.org/communitymeals\">\u003cstrong>Boys & Girls Clubs (Redwood City)\u003c/strong>\u003c/a>\u003cbr>\nTo-Go Dinner Service: 5:30-6:30pm, Monday-Friday. Produce Boxes: 5:30-6:30pm, Wednesday. Dry Food Boxes: 5:30-6:30pm, Thursday\u003cbr>\n(650) 646-6140\u003cbr>\n1109 Hilton Avenue, Redwood City\u003c/li>\n\u003cli>\u003ca href=\"https://www.bgcp.org/comidascomunitarias\">\u003cstrong>Boys & Girls Clubs (Este de Palo Alto)\u003c/strong>\u003c/a>\u003cbr>\nTo-Go Dinner Service: 6-7pm, Monday-Thursday & 5-8pm, Friday. Grocery Boxes: 5-8pm, Friday\u003cbr>\n(650) 646-6140\u003cbr>\n2031 Pulgas Avenue, East Palo Alto, CA 94303\u003c/li>\n\u003cli>\u003ca href=\"https://www.wehope.org/programs/family-harvest\">\u003cstrong>WeHOPE\u003c/strong>\u003c/a>\u003cbr>\nTuesdays from 12 p.m. to 2 p.m.\u003cbr>\n(650) 779-4635\u003cbr>\n1852 Bay Road, East Palo Alto, CA 94303\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"santaclara\">\u003c/a>Santa Clara County\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.marthas-kitchen.org\">\u003cstrong>Martha’s Kitchen\u003c/strong>\u003c/a>\u003cbr>\nTuesday and Wednesday from 4 p.m. to 5 p.m.\u003cbr>\n(408) 293-6111\u003cbr>\n311 Willow Street, San Jose, CA 95110\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"sanbruno\">\u003c/a>San Bruno\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"http://catholicworkerhospitalityhouse.org/food-shelter/\">\u003cstrong>St. Bruno’s Catholic Church\u003c/strong>\u003c/a>\u003cbr>\nEveryday from 6:30 a.m. to 8:30 a.m.\u003cbr>\n(650) 827-0706\u003cbr>\n555 W. San Bruno Avenue, San Bruno, CA 94066\u003cbr>\n\u003cem>They also offer shelter for unhoused people.\u003c/em>\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"marin\">\u003c/a>Marin County\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.vinnies.org/need-help/hungry/\">\u003cstrong>St. Vincent de Paul\u003c/strong>\u003c/a>\u003cbr>\nEveryday from 6:30 a.m. to 1 p.m.\u003cbr>\n(415) 454-3303\u003cbr>\n820 B Street, San Rafael, CA 94901\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"sonoma\">\u003c/a>Sonoma County\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.facebook.com/CorazonHealdsburg/\">\u003cstrong>Corazón Healdsburg\u003c/strong>\u003c/a>\u003cbr>\nTuesday, hours change every week\u003cbr>\n(707) 996-0111\u003cbr>\n18330 Sonoma Hwy, Sonoma, CA 95476\u003c/li>\n\u003cli>\u003ca href=\"https://www.friendsinsonomahelping.org/help-from-fish.html\">\u003cstrong>Friends in Sonoma Helping\u003c/strong>\u003c/a>\u003cbr>\nMonday to Friday to 9 a.m. to 12 p.m.\u003cbr>\n(707) 996-0111\u003cbr>\n18330 Sonoma Hwy, Sonoma Ca 95476\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"la\">\u003c/a>Los Angeles\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.lafoodbank.org/find-food/pantry-locator/\">\u003cstrong>Los Angeles Regional Food Bank\u003c/strong>\u003c/a>\u003cbr>\nLocation and hours vary, visit their website for updated information.\u003cbr>\n(323) 234-3030\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"orange\">\u003c/a>Orange County\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"http://ocfoodhelp.org/orange-county-free-food-map/\">\u003cstrong>Second Harvest Food Bank\u003c/strong>\u003c/a>\u003cbr>\nLocation and hours vary, visit their website for updated information.\u003cbr>\n(949) 653-2900\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"kids\">\u003c/a>Free food for school-age children\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.sfusd.edu/services/health-wellness/nutrition-school-meals\">\u003cstrong>San Francisco\u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.berkeleyschools.net/2020/03/revised-breakfast-and-lunch-distribution-schedule-horario-modificado-acerca-de-la-distribucion-de-desayuno-y-almuerzo/#espanol\">\u003cstrong>Berkeley\u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.ousd.org/Page/19078\">\u003cstrong>Oakland \u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.smcoe.org/other/for-administrators/meals-and-nutritional-services.html\">\u003cstrong>San Mateo \u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.cde.ca.gov/ds/sh/sn/ap/summersites.asp?year=2020&countyname=Marin\">\u003cstrong>Marin\u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://achieve.lausd.net/resources\">\u003cstrong>Los Angeles\u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.ocps.net/cms/One.aspx?portalId=54703&pageId=1404484\">\u003cstrong>Orange \u003c/strong>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>\u003cstrong>This story was produced in collaboration with El Tecolote, San Francisco’s Latino bilingual newspaper, now celebrating its 50th Anniversary. Follow their work \u003ca href=\"http://eltecolote.org/content/en/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/strong> \u003c/em>\u003c/p>\n\u003cdiv> \u003ca href=\"http://eltecolote.org/content/en/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg decoding=\"async\" class=\"size-medium wp-image-11826973 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-800x166.png\" alt=\"\" width=\"50%\" height=\"50%\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-800x166.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-1020x212.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-160x33.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-1536x320.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-2048x426.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-1920x400.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/div>\n\n",
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"excerpt": "Many people affected by COVID-19 are in greater need of resources for their families – and one of them is food. Here's a guide to free meals and groceries in the Bay Area and beyond.",
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"title": "Affected by COVID-19 and Can't Afford Food? Start Here | KQED",
"description": "Many people affected by COVID-19 are in greater need of resources for their families – and one of them is food. Here's a guide to free meals and groceries in the Bay Area and beyond.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#resources\">Here’s Where to Find Free Meals\u003c/a>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/news/11826959/usted-fue-afectado-por-covid-19-y-necesita-alimentos-empiece-aqui\">Leer en Español\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The COVID-19 pandemic has economically affected thousands of people—unemployment continues to rise, as does the number of cases. Many people, now more than ever, are in need of resources for their families, and one of them is food.\u003c/p>\n\u003cp>While not all food banks are open due to the pandemic, many have continued the work of helping their communities to survive during these difficult times. Two such San Francisco groups are the Mission Food Hub and the San Francisco Neighbors Solidarity Network.\u003c/p>\n\u003cp>Every Monday, Wednesday and Friday, starting from their location at Alabama Street, the line to receive food from the Mission Food Hub wraps around several streets while people keep their social distance. With their neat organization and feeling of community, the Food Hub has managed to help hundreds of people in the city, who do not shy away from expressing their gratitude.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“They are helping the San Francisco community,” said Marisela Veliz, who lost her job as a childcare worker two months ago. “They will not receive anything back from us but maybe someday we can give back the help.”\u003c/p>\n\u003cp>The Mission Food Hub started in the garage of its founder Roberto Hernandez and continued to grow until it filled three rooms of a warehouse in the Mission District. Hernandez started by calling his close friends, asking them if they could donate groceries to families. But when he saw the vast necessity, the project grew.\u003c/p>\n\u003cp>“It’s been like magic. I really believe it has been like a miracle in the Mission. Puro milagro” said Hernadez. The project that started by giving food to 500 families now gives groceries to around 7,000, according to Hernadez.\u003c/p>\n\u003cfigure id=\"attachment_11826995\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11826995\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5301_WEB-1.jpg\" alt=\"Roberto Hernandez, who organizes the San Francisco Carnaval, is using the volunteers, resources and sponsors that would normally go to the now cancelled event, towards getting food to those in the community who need it. \" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5301_WEB-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5301_WEB-1-160x107.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Roberto Hernandez, who organizes the San Francisco Carnaval, is using the volunteers, resources and sponsors that would normally go to the now-canceled event, towards getting food to those in the community who need it. \u003ccite>(Mabel Jiménez/El Tecolote)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hernandez, who is the artistic director of Carnaval San Francisco (which was canceled due to COVID-19), used his connections to aid people in the community. The biggest donations have been from Goya Foods and the U.S. Department of Agriculture (USDA). The Mission Food Hub secured a donation of 1,400 boxes of produce every week from the USDA. The effort not only gives food to families – they’re also thinking about the products people need.\u003c/p>\n\u003cp>“I really make sure that the Mission Food Hub is culturally appropriate for our community,” said Hernandez. “Because I believe that we should be able to eat things we like.” For Mission Food Hub, Hernadez realized that base for maize dough (masa) is a highly sought product by families, the majority of whom are Latinos.\u003c/p>\n\u003cp>“They give us what we use most in the kitchen,” said Veliz. “Sometimes they give us products to make tortillas.”\u003c/p>\n\u003cp>Veliz heard about the Mission Food Hub a month ago from her sister and since then, she and her neighbor go to receive food.\u003c/p>\n\u003cp>Aura Cabrera, another visitor to the Food Hub, liked that they give out dairy products because she has a young daughter. “Because of the unemployment, the resources that they give us are a big help,” said Cabrera.\u003c/p>\n\u003cp>Cabrera lost her job as a cook in a Mexican restaurant in the Mission on March 16. She heard about the Food Hub from her daughter’s school and has gone to several other food banks to help feed her family of seven.\u003c/p>\n\u003cfigure id=\"attachment_11827003\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11827003\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5297_WEB.jpg\" alt=\"The group starts putting the food boxes together every Tuesday at 9am and food distribution begins at noon, though many arrive hours earlier to make sure they'll get a box. \" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5297_WEB.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/Mission-Latino-Food-Hub_5297_WEB-160x107.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The group starts putting the food boxes together every Tuesday at 9am and food distribution begins at noon, though many arrive hours earlier to make sure they’ll get a box. \u003ccite>(Mabel Jiménez/El Tecolote)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, the SF Neighbors Solidarity Network also makes an effort to deliver healthy and organic food, along with other resources such as face masks and hand sanitizer to elderly and homeless people in San Francisco.\u003c/p>\n\u003cp>“We do our shopping ourselves so that we can really make sure the quality of the bags is really high and that people are getting really healthy food,” said Natalia Kresich, organizer of the network.\u003c/p>\n\u003cp>That program has been around for more than 12 weeks, and besides making home deliveries to those who request help, they also help unhoused people in San Francisco by taking their products to shelters and hotels.\u003c/p>\n\u003cp>“What we’re trying to do is basically treat everybody on our list as though they’re one of our neighbors that we’re shopping for,” said Kresich.\u003c/p>\n\u003cp>It all started when Kresich and her friend Shafagh Farnoud began helping their elderly neighbors, for whom it was not safe to go out to shop for supplies. In the process of helping and checking in on their neighbors, the project grew and they currently help more than 80 households in the city.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>To date, SF Neighbors Solidarity Network has been sustained by donations from people in their social media, Kresich estimates that people have donated around $10,000.\u003c/p>\n\u003cp>But both programs would not have been possible without their volunteers.\u003c/p>\n\u003cp>“You get to know these people while you also help the community,” said Ernesto Torres, a volunteer for Mission Food Hub. Torres and his family have also been affected by the COVID-19 pandemic – they all lost their jobs with the exception of his dad, who works in construction.\u003c/p>\n\u003cp>The SF Neighbors Solidarity Network has 10 volunteers that pack and distribute the food. The Mission Food Hub currently has around 115 volunteers.\u003c/p>\n\u003cfigure id=\"attachment_11826994\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11826994\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/SFNSN-1.jpg\" alt=\"SF Neighbors Solidarity Network makes an effort to deliver healthy and organic food, along with other resources such as face masks and hand sanitizer to the elderly and unhoused people in San Francisco. \" width=\"800\" height=\"572\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/SFNSN-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/SFNSN-1-160x114.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">SF Neighbors Solidarity Network makes an effort to deliver healthy and organic food, along with other resources such as face masks and hand sanitizer to the elderly and unhoused people in San Francisco. \u003ccite>(San Francisco Neighbors Solidarity Network)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It was just so beautiful just to see so many people coming out because of the local community,” said Hernandez.\u003c/p>\n\u003cp>The effort from these two programs, along with many others in the city, has helped communities of color that have been disproportionately affected by the COVID-19 pandemic.\u003c/p>\n\u003ch3>\u003cstrong>\u003ca id=\"resources\">\u003c/a>Where to find free meals:\u003c/strong>\u003c/h3>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#sf\">San Francisco\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#alameda\">Alameda County\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#sanmateo\">San Mateo County\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#santaclara\">Santa Clara County\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#sanbruno\">San Bruno\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#marin\">Marin County\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#sonoma\">Sonoma County\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#la\">Los Angeles\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#orange\">Orange County\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#kids\">Free food for school-age kids\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.google.com/maps/d/embed?mid=1K0eAjw9vWHjQ4kVAK31ZKvf3S95faLch\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>\u003ca id=\"sf\">\u003c/a>San Francisco\u003c/strong>\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.facebook.com/groups/1169152970117653//\">\u003cstrong>Mission Food Hub\u003c/strong>\u003c/a>\u003cbr>\nMondays, Wednesdays and Fridays starting at 10 a.m.\u003cbr>\n(415) 206-0577\u003cbr>\n701 Alabama, San Francisco, CA 94121\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/Solidarity_SF\">\u003cstrong>San Francisco Neighbors Solidarity Network\u003c/strong>\u003c/a>\u003cbr>\nDeliveries on Wednesdays\u003cbr>\nsfneighborssolidaritynetwork@gmail.com\u003cbr>\n\u003cem>Service directed to the elderly, people with disabilities and homeless people.\u003c/em>\u003c/li>\n\u003cli>\u003ca href=\"https://richmondsf.org/feeding-the-richmond-district-covid-19/\">\u003cstrong>Richmond Neighborhood Center\u003c/strong>\u003c/a>\u003cbr>\nMondays: 4 p.m. to 5 p.m., Tuesday from 3:30 p.m. to 4:30 p.m. and Thursdays from 2:30 p.m. to 4 p.m.\u003cbr>\n(415) 751-6600\u003cbr>\n741 30th Avenue, San Francisco, CA 94121\u003c/li>\n\u003cli>\u003ca href=\"https://www.sfmfoodbank.org/find-food/\">\u003cstrong>SF Marin Food Bank\u003c/strong>\u003c/a>\u003cbr>\nLocations and hours change every week, access their website to find updated information.\u003c/li>\n\u003cli>\u003ca href=\"https://www.openhand.org/get-meals\">\u003cstrong>Project Open Hand\u003c/strong>\u003c/a>\u003cbr>\nHours change every week\u003cbr>\n(415) 447-2300\u003cbr>\n730 Polk Street San Francisco, CA 94109\u003cbr>\n\u003cem>Only offers services to the elderly\u003c/em>\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"alameda\">\u003c/a>Alameda County\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.telegraphcenter.com/food-pantry/\">\u003cstrong>Telegraph Center\u003c/strong>\u003c/a>\u003cbr>\nMondays and Wednesdays from 10 a.m. to 2 p.m. and Wednesdays 6 p.m. to 7:30 p.m.\u003cbr>\n(510) 961-4385\u003cbr>\n5316 Telegraph Avenue, Oakland, CA 94609\u003c/li>\n\u003cli>\u003ca href=\"https://berkeleyfoodnetwork.org/covid/\">\u003cstrong>Berkeley Food Network\u003c/strong>\u003c/a>\u003cbr>\nMonday to Thursday 10 a.m. to 2 p.m., Monday and Wednesday de 5 p.m. a 7 p.m., first and third Saturday of the month from 10 a.m. to 12 p.m.\u003cbr>\n(510) 616-5383\u003cbr>\n1569 Solano Avenue #243 Berkeley, CA 94707\u003c/li>\n\u003cli>\u003ca href=\"https://oaklandresourceproject.org\">\u003cstrong>Oakland Resource Project\u003c/strong>\u003c/a>\u003cbr>\nTuesday and Thursday from 10 a.m. to 2 p.m.\u003cbr>\n(510) 534-0165\u003cbr>\n1811 11th Avenue, Oakland, CA 94618 (other locations available)\u003c/li>\n\u003cli>\u003ca href=\"http://www.alamedafoodbank.org\">\u003cstrong>Alameda Food Bank\u003c/strong>\u003c/a>\u003cbr>\nMonday,Wednesday and Friday from 12 p.m. to 5 p.m.\u003cbr>\n(510) 523-5850\u003cbr>\n1900 Thau Way, Alameda, CA 94501\u003c/li>\n\u003cli>\u003ca href=\"https://www.tri-cityvolunteers.org/services/\">\u003cstrong>Tri-city Volunteers\u003c/strong>\u003c/a>\u003cbr>\nMonday to Thursday from 10 a.m. to 12:30 p.m.\u003cbr>\n(510) 793-4583\u003cbr>\n37350 Joseph St. Fremont, CA 94536\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"sanmateo\">\u003c/a>San Mateo County\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://samaritanhousesanmateo.org/service/food/\">\u003cstrong>Samaritan House Pantry\u003c/strong>\u003c/a>\u003cbr>\nMonday to Friday from 9 a.m. to 12 p.m and 1 p.m. to 4 p.m.\u003cbr>\n(650) 341-4081\u003cbr>\n4031 Pacific Blvd, San Mateo, CA 94403\u003cbr>\n\u003cem>To register for the food services, contact the organization directly.\u003c/em>\u003c/li>\n\u003cli>\u003ca href=\"https://www.penvol.org/mealsonwheels/how-to-qualify/\">\u003cstrong>Meals of Wheels\u003c/strong>\u003c/a>\u003cbr>\nHours and locations depend on the program\u003cbr>\n(650) 323-2022\u003cbr>\n\u003cem>Program available for people older than 60 years living in San Mateo County.\u003c/em>\u003c/li>\n\u003cli>\u003ca href=\"https://www.facebook.com/pg/StAnthonysDiningRoom/posts/?ref=page_internal\">\u003cstrong>St. Anthony’s Padua Dining Room\u003c/strong>\u003c/a>\u003cbr>\nMonday to Saturday from 11 a.m. to 1 p.m.\u003cbr>\n(650) 365-9664\u003cbr>\n3500 Middlefield Road Menlo Park, CA 94025\u003c/li>\n\u003cli>\u003ca href=\"https://www.bgcp.org/communitymeals\">\u003cstrong>Boys & Girls Clubs (Redwood City)\u003c/strong>\u003c/a>\u003cbr>\nTo-Go Dinner Service: 5:30-6:30pm, Monday-Friday. Produce Boxes: 5:30-6:30pm, Wednesday. Dry Food Boxes: 5:30-6:30pm, Thursday\u003cbr>\n(650) 646-6140\u003cbr>\n1109 Hilton Avenue, Redwood City\u003c/li>\n\u003cli>\u003ca href=\"https://www.bgcp.org/comidascomunitarias\">\u003cstrong>Boys & Girls Clubs (Este de Palo Alto)\u003c/strong>\u003c/a>\u003cbr>\nTo-Go Dinner Service: 6-7pm, Monday-Thursday & 5-8pm, Friday. Grocery Boxes: 5-8pm, Friday\u003cbr>\n(650) 646-6140\u003cbr>\n2031 Pulgas Avenue, East Palo Alto, CA 94303\u003c/li>\n\u003cli>\u003ca href=\"https://www.wehope.org/programs/family-harvest\">\u003cstrong>WeHOPE\u003c/strong>\u003c/a>\u003cbr>\nTuesdays from 12 p.m. to 2 p.m.\u003cbr>\n(650) 779-4635\u003cbr>\n1852 Bay Road, East Palo Alto, CA 94303\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"santaclara\">\u003c/a>Santa Clara County\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.marthas-kitchen.org\">\u003cstrong>Martha’s Kitchen\u003c/strong>\u003c/a>\u003cbr>\nTuesday and Wednesday from 4 p.m. to 5 p.m.\u003cbr>\n(408) 293-6111\u003cbr>\n311 Willow Street, San Jose, CA 95110\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"sanbruno\">\u003c/a>San Bruno\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"http://catholicworkerhospitalityhouse.org/food-shelter/\">\u003cstrong>St. Bruno’s Catholic Church\u003c/strong>\u003c/a>\u003cbr>\nEveryday from 6:30 a.m. to 8:30 a.m.\u003cbr>\n(650) 827-0706\u003cbr>\n555 W. San Bruno Avenue, San Bruno, CA 94066\u003cbr>\n\u003cem>They also offer shelter for unhoused people.\u003c/em>\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"marin\">\u003c/a>Marin County\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.vinnies.org/need-help/hungry/\">\u003cstrong>St. Vincent de Paul\u003c/strong>\u003c/a>\u003cbr>\nEveryday from 6:30 a.m. to 1 p.m.\u003cbr>\n(415) 454-3303\u003cbr>\n820 B Street, San Rafael, CA 94901\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"sonoma\">\u003c/a>Sonoma County\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.facebook.com/CorazonHealdsburg/\">\u003cstrong>Corazón Healdsburg\u003c/strong>\u003c/a>\u003cbr>\nTuesday, hours change every week\u003cbr>\n(707) 996-0111\u003cbr>\n18330 Sonoma Hwy, Sonoma, CA 95476\u003c/li>\n\u003cli>\u003ca href=\"https://www.friendsinsonomahelping.org/help-from-fish.html\">\u003cstrong>Friends in Sonoma Helping\u003c/strong>\u003c/a>\u003cbr>\nMonday to Friday to 9 a.m. to 12 p.m.\u003cbr>\n(707) 996-0111\u003cbr>\n18330 Sonoma Hwy, Sonoma Ca 95476\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"la\">\u003c/a>Los Angeles\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.lafoodbank.org/find-food/pantry-locator/\">\u003cstrong>Los Angeles Regional Food Bank\u003c/strong>\u003c/a>\u003cbr>\nLocation and hours vary, visit their website for updated information.\u003cbr>\n(323) 234-3030\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"orange\">\u003c/a>Orange County\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"http://ocfoodhelp.org/orange-county-free-food-map/\">\u003cstrong>Second Harvest Food Bank\u003c/strong>\u003c/a>\u003cbr>\nLocation and hours vary, visit their website for updated information.\u003cbr>\n(949) 653-2900\u003c/li>\n\u003c/ul>\n\u003ch3>\u003ca id=\"kids\">\u003c/a>Free food for school-age children\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.sfusd.edu/services/health-wellness/nutrition-school-meals\">\u003cstrong>San Francisco\u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.berkeleyschools.net/2020/03/revised-breakfast-and-lunch-distribution-schedule-horario-modificado-acerca-de-la-distribucion-de-desayuno-y-almuerzo/#espanol\">\u003cstrong>Berkeley\u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.ousd.org/Page/19078\">\u003cstrong>Oakland \u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.smcoe.org/other/for-administrators/meals-and-nutritional-services.html\">\u003cstrong>San Mateo \u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.cde.ca.gov/ds/sh/sn/ap/summersites.asp?year=2020&countyname=Marin\">\u003cstrong>Marin\u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://achieve.lausd.net/resources\">\u003cstrong>Los Angeles\u003c/strong>\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.ocps.net/cms/One.aspx?portalId=54703&pageId=1404484\">\u003cstrong>Orange \u003c/strong>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>This story was produced in collaboration with El Tecolote, San Francisco’s Latino bilingual newspaper, now celebrating its 50th Anniversary. Follow their work \u003ca href=\"http://eltecolote.org/content/en/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/strong> \u003c/em>\u003c/p>\n\u003cdiv> \u003ca href=\"http://eltecolote.org/content/en/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg decoding=\"async\" class=\"size-medium wp-image-11826973 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-800x166.png\" alt=\"\" width=\"50%\" height=\"50%\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-800x166.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-1020x212.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-160x33.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-1536x320.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-2048x426.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/El-Tecolote-logo_transparent-2-1920x400.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"slug": "whats-next-for-black-lives-matter-murals-in-downtown-san-jose",
"title": "What's Next for Black Lives Matter Murals in Downtown San Jose?",
"publishDate": 1593263147,
"format": "standard",
"headTitle": "What’s Next for Black Lives Matter Murals in Downtown San Jose? | KQED",
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"content": "\u003cp>During the Black Lives Matter protests, numerous businesses covered their windows with plywood to protect against potential vandalism. San Jose State student Miko Baker saw that plywood as a blank canvas.\u003c/p>\n\u003cp>She contacted the Latino-owned, local franchise of \u003ca href=\"https://www.cinnaholic.com\" target=\"_blank\" rel=\"noopener noreferrer\">Cinnaholic\u003c/a> to ask if they’d be open to an artist putting up a mural.\u003c/p>\n\u003cp>“I just messaged them on Instagram, nothing super formal, just like, ‘Hey! Can I come paint your shop and help you out?’ And they were like, ‘Sure,'” Baker said.\u003c/p>\n\u003cp>In a similar fashion, artists from all over San Jose volunteered to paint murals in solidarity with the protests. “Instead of us reaching out to shops, they were reaching out to us,” Baker said.\u003c/p>\n\u003cp>She soon turned her community project into \u003ca href=\"https://www.storiesforsolidarity.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Stories for Solidarity\u003c/a>, originally called \u003ca href=\"https://www.instagram.com/storefrontstories_original/\" target=\"_blank\" rel=\"noopener noreferrer\">Storefront Stories\u003c/a>, an organization linking businesses and local artists to collaborate on mural projects. Baker is still filling out paperwork to become an official nonprofit.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the meantime, she’s also organized mural projects with artists in \u003ca href=\"https://www.instagram.com/storefrontstoriessac/\" target=\"_blank\" rel=\"noopener noreferrer\">Sacramento\u003c/a>, and begun talking with artists in Redwood City, Oakland and Bakersfield to start similar movements in their communities.\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/vagueidea/\" target=\"_blank\" rel=\"noopener noreferrer\">Andrew “Andy” Gonzales\u003c/a> painted a mural outside of Philz Coffee, a background of blue featuring a quote from Jamaican activist Marcus Garvey.\u003c/p>\n\u003cfigure id=\"attachment_11826304\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11826304 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/5EFCB520-47DB-4D06-B8AD-1A1D49AB7DF8_1_105_c-800x600.jpeg\" alt='Andrew \"Andy\" Gonzales was one of the first artists to paint a mural in downtown San Jose as part of the \"Stories for Solidarity\" project. He painted a quote from Jamaican activist Marcus Garvey, which reads \"You at this time can only be destroyed by yourself from within and not from without. You have reached the point where victory is to be won from within and can only be lost from within.\" It stands outside Philz Coffee in downtown San Jose. ' width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/5EFCB520-47DB-4D06-B8AD-1A1D49AB7DF8_1_105_c-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/5EFCB520-47DB-4D06-B8AD-1A1D49AB7DF8_1_105_c-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/5EFCB520-47DB-4D06-B8AD-1A1D49AB7DF8_1_105_c-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/5EFCB520-47DB-4D06-B8AD-1A1D49AB7DF8_1_105_c-632x474.jpeg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/5EFCB520-47DB-4D06-B8AD-1A1D49AB7DF8_1_105_c-536x402.jpeg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/5EFCB520-47DB-4D06-B8AD-1A1D49AB7DF8_1_105_c.jpeg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Andrew “Andy” Gonzales was one of the first artists to paint a mural in downtown San Jose as part of the “Stories for Solidarity” project. He painted a quote from Jamaican activist Marcus Garvey, which can be seen outside Philz Coffee in downtown San Jose. \u003ccite>(Courtesy of Miko Baker)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gonzales said he can’t afford therapy, so he paints to grapple with his emotions and stress. “All this stuff I have inside of me — there it goes. Lemme put it on a wall,” he said.\u003c/p>\n\u003cp>Gonzales reached out to other artists in the South Bay to contribute to the murals around downtown. He feels this movement gave many non-white, male artists a platform they didn’t have before. [aside tag=\"racism\" label=\"More Related Stories\"]\u003c/p>\n\u003cp>“I wanted to get a lot of female artists, a lot of Black and brown artists out there, just doing their thing, just to shine some light on them” Gonzales said. “We might be underrepresented in the art community, at least as far as public art and galleries.”\u003c/p>\n\u003cp>But now that stores are starting to reopen, the plywood boards are coming down. Cinnaholic liked their mural so much, it is moving the mural inside the bakery for display. Other stores are auctioning the pieces and giving the proceeds back to the artist.\u003c/p>\n\u003cp>“Or [the artist] can donate it to our organization where we can, hopefully, get an event space,” Baker said. Baker would like to see the art be displayed in galleries for everyone to be able to see this aspect of San Jose history.\u003c/p>\n\u003cp>Gonzales doesn’t know what will happen to his art, but he’s not attached to it. He thinks of it like the Tibetan Buddhist mandalas made out of sand.\u003c/p>\n\u003cp>“These Buddhist monks spend hours, days just to create a beautiful piece of art out of sand and then, once it’s done, they just destroy it,” Gonzales said. “The act of creating the art was the art itself.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>At the end of the summer, Gonzales and Baker are hoping to have a barbecue with the artists who participated in the mural project and showcase their work in an outdoor exhibition.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>During the Black Lives Matter protests, numerous businesses covered their windows with plywood to protect against potential vandalism. San Jose State student Miko Baker saw that plywood as a blank canvas.\u003c/p>\n\u003cp>She contacted the Latino-owned, local franchise of \u003ca href=\"https://www.cinnaholic.com\" target=\"_blank\" rel=\"noopener noreferrer\">Cinnaholic\u003c/a> to ask if they’d be open to an artist putting up a mural.\u003c/p>\n\u003cp>“I just messaged them on Instagram, nothing super formal, just like, ‘Hey! Can I come paint your shop and help you out?’ And they were like, ‘Sure,'” Baker said.\u003c/p>\n\u003cp>In a similar fashion, artists from all over San Jose volunteered to paint murals in solidarity with the protests. “Instead of us reaching out to shops, they were reaching out to us,” Baker said.\u003c/p>\n\u003cp>She soon turned her community project into \u003ca href=\"https://www.storiesforsolidarity.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Stories for Solidarity\u003c/a>, originally called \u003ca href=\"https://www.instagram.com/storefrontstories_original/\" target=\"_blank\" rel=\"noopener noreferrer\">Storefront Stories\u003c/a>, an organization linking businesses and local artists to collaborate on mural projects. Baker is still filling out paperwork to become an official nonprofit.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the meantime, she’s also organized mural projects with artists in \u003ca href=\"https://www.instagram.com/storefrontstoriessac/\" target=\"_blank\" rel=\"noopener noreferrer\">Sacramento\u003c/a>, and begun talking with artists in Redwood City, Oakland and Bakersfield to start similar movements in their communities.\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/vagueidea/\" target=\"_blank\" rel=\"noopener noreferrer\">Andrew “Andy” Gonzales\u003c/a> painted a mural outside of Philz Coffee, a background of blue featuring a quote from Jamaican activist Marcus Garvey.\u003c/p>\n\u003cfigure id=\"attachment_11826304\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11826304 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/5EFCB520-47DB-4D06-B8AD-1A1D49AB7DF8_1_105_c-800x600.jpeg\" alt='Andrew \"Andy\" Gonzales was one of the first artists to paint a mural in downtown San Jose as part of the \"Stories for Solidarity\" project. He painted a quote from Jamaican activist Marcus Garvey, which reads \"You at this time can only be destroyed by yourself from within and not from without. You have reached the point where victory is to be won from within and can only be lost from within.\" It stands outside Philz Coffee in downtown San Jose. ' width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/5EFCB520-47DB-4D06-B8AD-1A1D49AB7DF8_1_105_c-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/5EFCB520-47DB-4D06-B8AD-1A1D49AB7DF8_1_105_c-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/5EFCB520-47DB-4D06-B8AD-1A1D49AB7DF8_1_105_c-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/5EFCB520-47DB-4D06-B8AD-1A1D49AB7DF8_1_105_c-632x474.jpeg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/5EFCB520-47DB-4D06-B8AD-1A1D49AB7DF8_1_105_c-536x402.jpeg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/06/5EFCB520-47DB-4D06-B8AD-1A1D49AB7DF8_1_105_c.jpeg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Andrew “Andy” Gonzales was one of the first artists to paint a mural in downtown San Jose as part of the “Stories for Solidarity” project. He painted a quote from Jamaican activist Marcus Garvey, which can be seen outside Philz Coffee in downtown San Jose. \u003ccite>(Courtesy of Miko Baker)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gonzales said he can’t afford therapy, so he paints to grapple with his emotions and stress. “All this stuff I have inside of me — there it goes. Lemme put it on a wall,” he said.\u003c/p>\n\u003cp>Gonzales reached out to other artists in the South Bay to contribute to the murals around downtown. He feels this movement gave many non-white, male artists a platform they didn’t have before. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I wanted to get a lot of female artists, a lot of Black and brown artists out there, just doing their thing, just to shine some light on them” Gonzales said. “We might be underrepresented in the art community, at least as far as public art and galleries.”\u003c/p>\n\u003cp>But now that stores are starting to reopen, the plywood boards are coming down. Cinnaholic liked their mural so much, it is moving the mural inside the bakery for display. Other stores are auctioning the pieces and giving the proceeds back to the artist.\u003c/p>\n\u003cp>“Or [the artist] can donate it to our organization where we can, hopefully, get an event space,” Baker said. Baker would like to see the art be displayed in galleries for everyone to be able to see this aspect of San Jose history.\u003c/p>\n\u003cp>Gonzales doesn’t know what will happen to his art, but he’s not attached to it. He thinks of it like the Tibetan Buddhist mandalas made out of sand.\u003c/p>\n\u003cp>“These Buddhist monks spend hours, days just to create a beautiful piece of art out of sand and then, once it’s done, they just destroy it,” Gonzales said. “The act of creating the art was the art itself.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>At the end of the summer, Gonzales and Baker are hoping to have a barbecue with the artists who participated in the mural project and showcase their work in an outdoor exhibition.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>Outbreak at San Quentin\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Cases of the coronavirus are climbing throughout the state, prompting strong messages from Gov. Gavin Newsom. This week, he partnered with former California governors to urge everyone to wear a mask. Health officials are monitoring the number of positive tests as a sign of how much the virus is spreading and how to go about reopening businesses. Here in the Bay Area, the number of positive tests has generally remained below the state average of five percent, with the exception of Marin County — where cases have shot up in the past week, due in part to an outbreak at San Quentin State Prison.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Guest:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Dr. Matt Willis, health officer, Marin County Dept. of Public Health\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Goodwill Hit Hard by Pandemic\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Goodwill has 67 stores in the Bay Area and hundreds more throughout the state, which all closed under the shelter-in-place orders. As those restrictions have loosened, some Goodwill locations have opened their doors for shopping and donations, with new social distancing and contact-free procedures. But several local Goodwill stores are likely to close permanently, as the organization struggles to provide for its employees. We talk with the President & CEO of Goodwill about the impact of the pandemic on their business.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Guest:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">William Rogers, president & CEO of Goodwill of San Francisco, San Mateo and Marin\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Celebrating Pride 2020 Online \u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Founded in 1977, Frameline, the San Francisco International LGBTQ+ Film Festival, is the longest-running film exhibition event of its kind in the world. It takes place right here in the Bay Area, with approximately 60,000 people flocking to local screenings each year. This time around, it’s being held online and you can catch new films through this weekend. We’ll take you inside the lineup for this year’s renowned Frameline Film Festival. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Guest:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">James Woolley, executive director, Frameline\u003c/span>\u003c/li>\n\u003c/ul>\n\n",
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"title": "How ‘Urban Renewal’ Decimated the Fillmore District, and Took Jazz With It",
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"content": "\u003cp>If you were walking down San Francisco’s Fillmore Street in the 1950s, chances are you might run into Billie Holiday stepping out of a restaurant. Or Ella Fitzgerald trying on hats. Or Thelonious Monk smoking a cigarette.\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>This wouldn’t be out of the ordinary in the “Harlem of the West.”\u003c/p>\n\u003cp>Musician \u003ca href=\"https://afm6.org/member-profile/the-legacy-series-terry-hilliard-bass-i-just-want-to-play/\">Terry Hilliard\u003c/a> started playing at venues in the Fillmore District when he was a student at San Francisco State.\u003c/p>\n\u003cfigure id=\"attachment_11825807\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11825807\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43776_Terry-Hilliard-E.-PIPIN-SILVA-qut.jpg\" alt=\"\" width=\"300\" height=\"201\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43776_Terry-Hilliard-E.-PIPIN-SILVA-qut.jpg 533w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43776_Terry-Hilliard-E.-PIPIN-SILVA-qut-160x107.jpg 160w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Musician Terry Hilliard played bass in the house band at the famous Fillmore jazz venue, Jimbo’s Bop City. \u003ccite>(Elizabeth Pepin Silva)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“[The Fillmore] was a place where talent could be developed, whether it be music, art, dancing or whatever it was … it was a place where you could express yourself and be accepted by others and you had an audience,” says Hilliard.\u003c/p>\n\u003cp>But, Hilliard says he doesn’t see that kind of culture anymore today.\u003c/p>\n\u003cp>To understand why the music scene in the Fillmore has changed, you have to go back to when so many of San Francisco’s stories begin: the 1906 earthquake.\u003c/p>\n\u003cp>The Fillmore District, today known as the area defined by Turk Street and Geary Boulevard (its boundaries have changed over the years), was one of the few neighborhoods in San Francisco that survived the earthquake and fire that leveled much of the city.\u003c/p>\n\u003cfigure id=\"attachment_11825808\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11825808\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43774_San_Francisco_Earthquake_of_1906_The_large_building_shown_in_this_picture_is_the_Albert_Pike_Memorial_Masonic_hall..._-_NARA_-_531017-qut-800x650.jpg\" alt=\"\" width=\"800\" height=\"650\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43774_San_Francisco_Earthquake_of_1906_The_large_building_shown_in_this_picture_is_the_Albert_Pike_Memorial_Masonic_hall..._-_NARA_-_531017-qut-800x650.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43774_San_Francisco_Earthquake_of_1906_The_large_building_shown_in_this_picture_is_the_Albert_Pike_Memorial_Masonic_hall..._-_NARA_-_531017-qut-1020x829.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43774_San_Francisco_Earthquake_of_1906_The_large_building_shown_in_this_picture_is_the_Albert_Pike_Memorial_Masonic_hall..._-_NARA_-_531017-qut-160x130.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43774_San_Francisco_Earthquake_of_1906_The_large_building_shown_in_this_picture_is_the_Albert_Pike_Memorial_Masonic_hall..._-_NARA_-_531017-qut-1536x1248.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43774_San_Francisco_Earthquake_of_1906_The_large_building_shown_in_this_picture_is_the_Albert_Pike_Memorial_Masonic_hall..._-_NARA_-_531017-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Buildings like this in the Fillmore District weren’t as damaged as other buildings in San Francisco after the earthquake and fire. \u003ccite>(National Archives at College Park / Public domain)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In her book, \u003ca href=\"https://www.harlemofthewestsf.com/\">“Harlem of the West”, author and filmmaker Elizabeth Pepin Silva\u003c/a> describes how the Fillmore became the city’s shopping and political center while Market Street was rebuilt. Wanting to capitalize on the neighborhood’s new popularity, the Fillmore Neighborhood Merchants Association decided the district would also become an entertainment center. In 1909, the \u003ca href=\"https://hoodline.com/2015/12/the-chutes-of-fillmore-street\">Fillmore Chutes amusement park was built\u003c/a> and three years after that, the famous Fillmore Auditorium (which was the subject of \u003ca href=\"https://www.kqed.org/news/11731290/how-bill-grahams-nazi-escape-might-explain-his-fillmore-apples\">another Bay Curious episode\u003c/a> because they give free apples to their guests.)\u003c/p>\n\u003cfigure id=\"attachment_11825825\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11825825\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43794_U02710-qut-800x618.jpg\" alt=\"\" width=\"800\" height=\"618\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43794_U02710-qut-800x618.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43794_U02710-qut-1020x788.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43794_U02710-qut-160x124.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43794_U02710-qut.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A view of the rollercoaster at the Fillmore Chutes in 1910. \u003ccite>(Courtesy of SFMTA Photo Archive SFMTA.com/Photo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It was a really fun, exciting place,” says Silva. “But it was mainly for white people.”\u003c/p>\n\u003cp>San Francisco in the early 1900’s was segregated, but in the Fillmore it was a bit different. The earthquake had damaged a lot of neighborhoods where people of color were “allowed” to live in the city, but the surviving Fillmore District had inexpensive real estate and a history of accepting immigrants. Through the early 1900s up until the 1940s, you had Filipinos, Mexicans, African Americans, Russians, Japanese Americans and Jewish people living next door to one another.\u003c/p>\n\u003cp>“It became known as one of the most integrated neighborhoods west of the Mississippi,” says Silva.\u003c/p>\n\u003cfigure id=\"attachment_11825875\" class=\"wp-caption alignnone\" style=\"max-width: 613px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11825875\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43802_SFP78-001-339-qut.jpg\" alt=\"\" width=\"613\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43802_SFP78-001-339-qut.jpg 613w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43802_SFP78-001-339-qut-160x104.jpg 160w\" sizes=\"(max-width: 613px) 100vw, 613px\">\u003cfigcaption class=\"wp-caption-text\">Students in the Fillmore District. \u003ccite>(SAN FRANCISCO HISTORY CENTER, SAN FRANCISCO PUBLIC LIBRARY)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A Changing Neighborhood\u003c/h2>\n\u003cp>Then, Pearl Harbor was bombed on December 7, 1941. Japanese Americans were forced out of their homes and into concentration camps. Simultaneously, African Americans from the Midwest were given free train tickets to come work the shipyards in San Francisco and Richmond, Calif.\u003c/p>\n\u003cp>African Americans arriving in San Francisco moved into empty apartments the Japanese Americans had been forced out of. Between 1940 and 1950, the Black population of San Francisco grew tenfold. By 1945, some 30,000 African Americans were living in the city.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>With this surge in population came an explosion in the Fillmore of Black-owned businesses, nightclubs, restaurants and bars.\u003c/p>\n\u003cp>According to Silva, “You could go out on Friday night and not come home until Sunday night because there is so much to do. And so that’s how Fillmore became ‘Harlem of the West.'”\u003c/p>\n\u003cfigure id=\"attachment_11825841\" class=\"wp-caption alignright\" style=\"max-width: 326px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11825841\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43799_MOR-0680-qut.jpg\" alt=\"\" width=\"326\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43799_MOR-0680-qut.jpg 326w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43799_MOR-0680-qut-160x196.jpg 160w\" sizes=\"(max-width: 326px) 100vw, 326px\">\u003cfigcaption class=\"wp-caption-text\">Jazz vocalist Mary Stallings in 1963. \u003ccite>(SAN FRANCISCO HISTORY CENTER, SAN FRANCISCO PUBLIC LIBRARY)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.harlemofthewestsf.com/gallery/\">\u003cem>\u003cstrong>Visit the “Harlem of the West” photo gallery for photos of Fillmore’s jazz scene and nightlife.\u003c/strong>\u003c/em>\u003c/a>\u003c/p>\n\u003cp>Reflecting on his time playing bass with house bands in the Fillmore, Terry Hilliard says: “We had great crowds. People dressed up nice. The places were very elegant. There was just a lot of joy.” The Fillmore was also one of the few places where, as a Black man, he could play a venue and enter through the front door: “At the Fillmore, they were Black clubs.”\u003c/p>\n\u003cp>\u003ca href=\"http://marystallingsjazz.com/\">Jazz singer Mary Stallings\u003c/a> was born in the Fillmore District in 1939. Her family came to San Francisco from the Midwest, and she was the first of her 11 siblings born in the city. She started singing gospel in her neighborhood church when she was eight years old and remembers the Fillmore as being full of music all the time.\u003c/p>\n\u003cp>Growing up, Stallings imitated her idols Dinah Washington and Billie Holiday. At jazz clubs in the Fillmore, she not only got to work with these women but got to know them personally.\u003c/p>\n\u003cp>“It was just an amazing experience … and I knew I was living something very special,” she says.\u003c/p>\n\u003cp>But Stallings and Hilliard both say it wasn’t just the music that made the Fillmore special.\u003c/p>\n\u003cfigure id=\"attachment_11825810\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11825810 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43777_ap-sf-jazz-300x215-qut.jpg\" alt=\"\" width=\"300\" height=\"215\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43777_ap-sf-jazz-300x215-qut.jpg 300w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43777_ap-sf-jazz-300x215-qut-160x115.jpg 160w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Mary Stallings performing at SF Jazz. \u003ccite>(Courtesy of Mary Stallings)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You felt like you were cared for, you know? You had a home life but everybody else was your family too,” Stallings says.\u003c/p>\n\u003ch2>So what happened to the Fillmore?\u003c/h2>\n\u003cp>After World War II, President Truman signed the \u003ca href=\"https://www.loc.gov/law/help/statutes-at-large/81st-congress/session-1/c81s1ch338.pdf\">1949 Housing Act\u003c/a>, which authorized the demolition and reconstruction of urban neighborhoods that were considered slums. This policy — “redevelopment” — specifically targeted neighborhoods that were low income and not-white. In the 1960s, with its old Victorian houses and mostly Black population, the Fillmore became the focus of San Francisco’s urban renewal.\u003c/p>\n\u003cfigure id=\"attachment_11825811\" class=\"wp-caption aligncenter\" style=\"max-width: 631px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11825811 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43778_kron_redev_map-qut.jpg\" alt=\"\" width=\"631\" height=\"477\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43778_kron_redev_map-qut.jpg 631w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43778_kron_redev_map-qut-160x121.jpg 160w\" sizes=\"(max-width: 631px) 100vw, 631px\">\u003cfigcaption class=\"wp-caption-text\">A map of redevelopment in the Fillmore District and Western Addition. \u003ccite>(KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jazz clubs were shuttered. Businesses torn down. Two-lane Geary Street turned into a giant expressway, Geary Boulevard, slicing through the heart of the neighborhood. Residents were forced out of their homes, often without much warning or adequate compensation. To city planners, this was urban renewal, but to the residents of the Fillmore, it felt like something else.\u003c/p>\n\u003cp>In \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/216518\">James Baldwin’s 1963 documentary, Take This Hammer, (produced by KQED)\u003c/a> Baldwin comes to San Francisco to interview the city’s Black residents. Driving through neighborhoods like the Fillmore, he remarks that redevelopment is “removal of Negroes” and that despite San Francisco’s progressive image, it was no different from Birmingham, Alabama.\u003c/p>\n\u003cp>“I imagine it’d be easy for any white person walking through San Francisco to imagine everything was at peace,” Baldwin says. “Because it certainly looks that way on the surface. You’ve got the San Francisco legend too which is that it’s a cosmopolitan and forward looking. But it’s another American city.”\u003c/p>\n\u003cp>The redevelopment of the Fillmore was one of the largest projects of urban renewal on the West Coast. It impacted nearly 20,000 people. And by the time new housing and storefronts were finally completed in the 1980s, most of the former Fillmore residents couldn’t afford to move back in.\u003c/p>\n\u003cfigure id=\"attachment_11825846\" class=\"wp-caption alignnone\" style=\"max-width: 587px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11825846\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43796_AAZ-0828-qut.jpg\" alt=\"\" width=\"587\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43796_AAZ-0828-qut.jpg 587w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43796_AAZ-0828-qut-160x109.jpg 160w\" sizes=\"(max-width: 587px) 100vw, 587px\">\u003cfigcaption class=\"wp-caption-text\">An aerial photo of the redevelopment site in the 1970’s shows how extensive the destruction of the Fillmore was. \u003ccite>(SAN FRANCISCO HISTORY CENTER, SAN FRANCISCO PUBLIC LIBRARY)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>According to the U.S. census, in the 1970s 10% of San Francisco’s population identified as Black. Today, that number is half. Mary Stallings still lives in San Francisco, but says going back to the Fillmore now breaks her heart.\u003c/p>\n\u003cp>“I was trying to explain that in another interview I didn’t get very far because I cried like a baby … I missed the community feeling, the feeling of family,” she explains.\u003c/p>\n\u003cp>Terry Hilliard lives in Oakland now. He kept playing music in the Bay Area, but says all the musicians he played with back then eventually left and went to New York. They couldn’t afford to live here.\u003c/p>\n\u003cfigure id=\"attachment_11825851\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11825851 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43800_38708170365_93f7120426_k-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43800_38708170365_93f7120426_k-qut-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43800_38708170365_93f7120426_k-qut-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43800_38708170365_93f7120426_k-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43800_38708170365_93f7120426_k-qut-1536x864.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43800_38708170365_93f7120426_k-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Boom Boom Room on Geary and Fillmore. \u003ccite>(Flickr Creative Commons: Dale Cruse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jazz in the Fillmore isn’t entirely dead. Before the COVID-19 pandemic, you could catch a live jazz show at the \u003ca href=\"https://boomboomroom.com/\">Boom Boom Room\u003c/a> on Fillmore and Geary. The \u003ca href=\"http://www.fillmorejazzfest.com/\">Fillmore Jazz Festival\u003c/a> draws big performers each summer (although as of now, it is postponed). And organizations like \u003ca href=\"https://fillmorejazzambassadors.org/\">Fillmore Jazz Ambassadors\u003c/a> are dedicated to reviving jazz in the city.\u003c/p>\n\u003cp>But to those who lived it, it is “Harlem of the West” no longer.\u003c/p>\n\u003ch3 id=\"playlist\">Listen to our Fillmore Jazz playlist\u003c/h3>\n\u003cp>Featuring a sampling of artists who played in the Fillmore during its heyday\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/50Sj6jVDUiUHgxSd95dSch\" width=\"800\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "To understand why the jazz music scene in the Fillmore has changed, you have to go back to when so many of San Francisco's stories begin: the 1906 earthquake.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you were walking down San Francisco’s Fillmore Street in the 1950s, chances are you might run into Billie Holiday stepping out of a restaurant. Or Ella Fitzgerald trying on hats. Or Thelonious Monk smoking a cigarette.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>This wouldn’t be out of the ordinary in the “Harlem of the West.”\u003c/p>\n\u003cp>Musician \u003ca href=\"https://afm6.org/member-profile/the-legacy-series-terry-hilliard-bass-i-just-want-to-play/\">Terry Hilliard\u003c/a> started playing at venues in the Fillmore District when he was a student at San Francisco State.\u003c/p>\n\u003cfigure id=\"attachment_11825807\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11825807\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43776_Terry-Hilliard-E.-PIPIN-SILVA-qut.jpg\" alt=\"\" width=\"300\" height=\"201\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43776_Terry-Hilliard-E.-PIPIN-SILVA-qut.jpg 533w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43776_Terry-Hilliard-E.-PIPIN-SILVA-qut-160x107.jpg 160w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Musician Terry Hilliard played bass in the house band at the famous Fillmore jazz venue, Jimbo’s Bop City. \u003ccite>(Elizabeth Pepin Silva)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“[The Fillmore] was a place where talent could be developed, whether it be music, art, dancing or whatever it was … it was a place where you could express yourself and be accepted by others and you had an audience,” says Hilliard.\u003c/p>\n\u003cp>But, Hilliard says he doesn’t see that kind of culture anymore today.\u003c/p>\n\u003cp>To understand why the music scene in the Fillmore has changed, you have to go back to when so many of San Francisco’s stories begin: the 1906 earthquake.\u003c/p>\n\u003cp>The Fillmore District, today known as the area defined by Turk Street and Geary Boulevard (its boundaries have changed over the years), was one of the few neighborhoods in San Francisco that survived the earthquake and fire that leveled much of the city.\u003c/p>\n\u003cfigure id=\"attachment_11825808\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11825808\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43774_San_Francisco_Earthquake_of_1906_The_large_building_shown_in_this_picture_is_the_Albert_Pike_Memorial_Masonic_hall..._-_NARA_-_531017-qut-800x650.jpg\" alt=\"\" width=\"800\" height=\"650\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43774_San_Francisco_Earthquake_of_1906_The_large_building_shown_in_this_picture_is_the_Albert_Pike_Memorial_Masonic_hall..._-_NARA_-_531017-qut-800x650.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43774_San_Francisco_Earthquake_of_1906_The_large_building_shown_in_this_picture_is_the_Albert_Pike_Memorial_Masonic_hall..._-_NARA_-_531017-qut-1020x829.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43774_San_Francisco_Earthquake_of_1906_The_large_building_shown_in_this_picture_is_the_Albert_Pike_Memorial_Masonic_hall..._-_NARA_-_531017-qut-160x130.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43774_San_Francisco_Earthquake_of_1906_The_large_building_shown_in_this_picture_is_the_Albert_Pike_Memorial_Masonic_hall..._-_NARA_-_531017-qut-1536x1248.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43774_San_Francisco_Earthquake_of_1906_The_large_building_shown_in_this_picture_is_the_Albert_Pike_Memorial_Masonic_hall..._-_NARA_-_531017-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Buildings like this in the Fillmore District weren’t as damaged as other buildings in San Francisco after the earthquake and fire. \u003ccite>(National Archives at College Park / Public domain)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In her book, \u003ca href=\"https://www.harlemofthewestsf.com/\">“Harlem of the West”, author and filmmaker Elizabeth Pepin Silva\u003c/a> describes how the Fillmore became the city’s shopping and political center while Market Street was rebuilt. Wanting to capitalize on the neighborhood’s new popularity, the Fillmore Neighborhood Merchants Association decided the district would also become an entertainment center. In 1909, the \u003ca href=\"https://hoodline.com/2015/12/the-chutes-of-fillmore-street\">Fillmore Chutes amusement park was built\u003c/a> and three years after that, the famous Fillmore Auditorium (which was the subject of \u003ca href=\"https://www.kqed.org/news/11731290/how-bill-grahams-nazi-escape-might-explain-his-fillmore-apples\">another Bay Curious episode\u003c/a> because they give free apples to their guests.)\u003c/p>\n\u003cfigure id=\"attachment_11825825\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11825825\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43794_U02710-qut-800x618.jpg\" alt=\"\" width=\"800\" height=\"618\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43794_U02710-qut-800x618.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43794_U02710-qut-1020x788.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43794_U02710-qut-160x124.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43794_U02710-qut.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A view of the rollercoaster at the Fillmore Chutes in 1910. \u003ccite>(Courtesy of SFMTA Photo Archive SFMTA.com/Photo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It was a really fun, exciting place,” says Silva. “But it was mainly for white people.”\u003c/p>\n\u003cp>San Francisco in the early 1900’s was segregated, but in the Fillmore it was a bit different. The earthquake had damaged a lot of neighborhoods where people of color were “allowed” to live in the city, but the surviving Fillmore District had inexpensive real estate and a history of accepting immigrants. Through the early 1900s up until the 1940s, you had Filipinos, Mexicans, African Americans, Russians, Japanese Americans and Jewish people living next door to one another.\u003c/p>\n\u003cp>“It became known as one of the most integrated neighborhoods west of the Mississippi,” says Silva.\u003c/p>\n\u003cfigure id=\"attachment_11825875\" class=\"wp-caption alignnone\" style=\"max-width: 613px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11825875\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43802_SFP78-001-339-qut.jpg\" alt=\"\" width=\"613\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43802_SFP78-001-339-qut.jpg 613w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43802_SFP78-001-339-qut-160x104.jpg 160w\" sizes=\"(max-width: 613px) 100vw, 613px\">\u003cfigcaption class=\"wp-caption-text\">Students in the Fillmore District. \u003ccite>(SAN FRANCISCO HISTORY CENTER, SAN FRANCISCO PUBLIC LIBRARY)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A Changing Neighborhood\u003c/h2>\n\u003cp>Then, Pearl Harbor was bombed on December 7, 1941. Japanese Americans were forced out of their homes and into concentration camps. Simultaneously, African Americans from the Midwest were given free train tickets to come work the shipyards in San Francisco and Richmond, Calif.\u003c/p>\n\u003cp>African Americans arriving in San Francisco moved into empty apartments the Japanese Americans had been forced out of. Between 1940 and 1950, the Black population of San Francisco grew tenfold. By 1945, some 30,000 African Americans were living in the city.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With this surge in population came an explosion in the Fillmore of Black-owned businesses, nightclubs, restaurants and bars.\u003c/p>\n\u003cp>According to Silva, “You could go out on Friday night and not come home until Sunday night because there is so much to do. And so that’s how Fillmore became ‘Harlem of the West.'”\u003c/p>\n\u003cfigure id=\"attachment_11825841\" class=\"wp-caption alignright\" style=\"max-width: 326px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11825841\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43799_MOR-0680-qut.jpg\" alt=\"\" width=\"326\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43799_MOR-0680-qut.jpg 326w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43799_MOR-0680-qut-160x196.jpg 160w\" sizes=\"(max-width: 326px) 100vw, 326px\">\u003cfigcaption class=\"wp-caption-text\">Jazz vocalist Mary Stallings in 1963. \u003ccite>(SAN FRANCISCO HISTORY CENTER, SAN FRANCISCO PUBLIC LIBRARY)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.harlemofthewestsf.com/gallery/\">\u003cem>\u003cstrong>Visit the “Harlem of the West” photo gallery for photos of Fillmore’s jazz scene and nightlife.\u003c/strong>\u003c/em>\u003c/a>\u003c/p>\n\u003cp>Reflecting on his time playing bass with house bands in the Fillmore, Terry Hilliard says: “We had great crowds. People dressed up nice. The places were very elegant. There was just a lot of joy.” The Fillmore was also one of the few places where, as a Black man, he could play a venue and enter through the front door: “At the Fillmore, they were Black clubs.”\u003c/p>\n\u003cp>\u003ca href=\"http://marystallingsjazz.com/\">Jazz singer Mary Stallings\u003c/a> was born in the Fillmore District in 1939. Her family came to San Francisco from the Midwest, and she was the first of her 11 siblings born in the city. She started singing gospel in her neighborhood church when she was eight years old and remembers the Fillmore as being full of music all the time.\u003c/p>\n\u003cp>Growing up, Stallings imitated her idols Dinah Washington and Billie Holiday. At jazz clubs in the Fillmore, she not only got to work with these women but got to know them personally.\u003c/p>\n\u003cp>“It was just an amazing experience … and I knew I was living something very special,” she says.\u003c/p>\n\u003cp>But Stallings and Hilliard both say it wasn’t just the music that made the Fillmore special.\u003c/p>\n\u003cfigure id=\"attachment_11825810\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11825810 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43777_ap-sf-jazz-300x215-qut.jpg\" alt=\"\" width=\"300\" height=\"215\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43777_ap-sf-jazz-300x215-qut.jpg 300w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43777_ap-sf-jazz-300x215-qut-160x115.jpg 160w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">Mary Stallings performing at SF Jazz. \u003ccite>(Courtesy of Mary Stallings)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You felt like you were cared for, you know? You had a home life but everybody else was your family too,” Stallings says.\u003c/p>\n\u003ch2>So what happened to the Fillmore?\u003c/h2>\n\u003cp>After World War II, President Truman signed the \u003ca href=\"https://www.loc.gov/law/help/statutes-at-large/81st-congress/session-1/c81s1ch338.pdf\">1949 Housing Act\u003c/a>, which authorized the demolition and reconstruction of urban neighborhoods that were considered slums. This policy — “redevelopment” — specifically targeted neighborhoods that were low income and not-white. In the 1960s, with its old Victorian houses and mostly Black population, the Fillmore became the focus of San Francisco’s urban renewal.\u003c/p>\n\u003cfigure id=\"attachment_11825811\" class=\"wp-caption aligncenter\" style=\"max-width: 631px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11825811 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43778_kron_redev_map-qut.jpg\" alt=\"\" width=\"631\" height=\"477\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43778_kron_redev_map-qut.jpg 631w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43778_kron_redev_map-qut-160x121.jpg 160w\" sizes=\"(max-width: 631px) 100vw, 631px\">\u003cfigcaption class=\"wp-caption-text\">A map of redevelopment in the Fillmore District and Western Addition. \u003ccite>(KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jazz clubs were shuttered. Businesses torn down. Two-lane Geary Street turned into a giant expressway, Geary Boulevard, slicing through the heart of the neighborhood. Residents were forced out of their homes, often without much warning or adequate compensation. To city planners, this was urban renewal, but to the residents of the Fillmore, it felt like something else.\u003c/p>\n\u003cp>In \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/216518\">James Baldwin’s 1963 documentary, Take This Hammer, (produced by KQED)\u003c/a> Baldwin comes to San Francisco to interview the city’s Black residents. Driving through neighborhoods like the Fillmore, he remarks that redevelopment is “removal of Negroes” and that despite San Francisco’s progressive image, it was no different from Birmingham, Alabama.\u003c/p>\n\u003cp>“I imagine it’d be easy for any white person walking through San Francisco to imagine everything was at peace,” Baldwin says. “Because it certainly looks that way on the surface. You’ve got the San Francisco legend too which is that it’s a cosmopolitan and forward looking. But it’s another American city.”\u003c/p>\n\u003cp>The redevelopment of the Fillmore was one of the largest projects of urban renewal on the West Coast. It impacted nearly 20,000 people. And by the time new housing and storefronts were finally completed in the 1980s, most of the former Fillmore residents couldn’t afford to move back in.\u003c/p>\n\u003cfigure id=\"attachment_11825846\" class=\"wp-caption alignnone\" style=\"max-width: 587px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11825846\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43796_AAZ-0828-qut.jpg\" alt=\"\" width=\"587\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43796_AAZ-0828-qut.jpg 587w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43796_AAZ-0828-qut-160x109.jpg 160w\" sizes=\"(max-width: 587px) 100vw, 587px\">\u003cfigcaption class=\"wp-caption-text\">An aerial photo of the redevelopment site in the 1970’s shows how extensive the destruction of the Fillmore was. \u003ccite>(SAN FRANCISCO HISTORY CENTER, SAN FRANCISCO PUBLIC LIBRARY)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>According to the U.S. census, in the 1970s 10% of San Francisco’s population identified as Black. Today, that number is half. Mary Stallings still lives in San Francisco, but says going back to the Fillmore now breaks her heart.\u003c/p>\n\u003cp>“I was trying to explain that in another interview I didn’t get very far because I cried like a baby … I missed the community feeling, the feeling of family,” she explains.\u003c/p>\n\u003cp>Terry Hilliard lives in Oakland now. He kept playing music in the Bay Area, but says all the musicians he played with back then eventually left and went to New York. They couldn’t afford to live here.\u003c/p>\n\u003cfigure id=\"attachment_11825851\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11825851 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43800_38708170365_93f7120426_k-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43800_38708170365_93f7120426_k-qut-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43800_38708170365_93f7120426_k-qut-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43800_38708170365_93f7120426_k-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43800_38708170365_93f7120426_k-qut-1536x864.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS43800_38708170365_93f7120426_k-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Boom Boom Room on Geary and Fillmore. \u003ccite>(Flickr Creative Commons: Dale Cruse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jazz in the Fillmore isn’t entirely dead. Before the COVID-19 pandemic, you could catch a live jazz show at the \u003ca href=\"https://boomboomroom.com/\">Boom Boom Room\u003c/a> on Fillmore and Geary. The \u003ca href=\"http://www.fillmorejazzfest.com/\">Fillmore Jazz Festival\u003c/a> draws big performers each summer (although as of now, it is postponed). And organizations like \u003ca href=\"https://fillmorejazzambassadors.org/\">Fillmore Jazz Ambassadors\u003c/a> are dedicated to reviving jazz in the city.\u003c/p>\n\u003cp>But to those who lived it, it is “Harlem of the West” no longer.\u003c/p>\n\u003ch3 id=\"playlist\">Listen to our Fillmore Jazz playlist\u003c/h3>\n\u003cp>Featuring a sampling of artists who played in the Fillmore during its heyday\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/50Sj6jVDUiUHgxSd95dSch\" width=\"800\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Having a creative block? Not sure what to draw next?\u003c/p>\n\u003cp>In this episode of Cartooning-in-Place, KQED’s Mark Fiore shows off his favorite cartooning exercises to get your imagination going. He'll explain how to warm up and then gives us three drawing games we can play at home. \u003c/p>\n\u003cp>https://youtu.be/FdiOYNbtaVA\u003c/p>\n\u003cp>What will you come up with? Remember to share your creations with us at \u003ca href=\"mailto:cartoons@kqed.org\">cartoons@kqed.org\u003c/a>. \u003c/p>\n\u003cp>When he's not showing you how to cartoon, Mark creates daily cartoons for KQED called \u003ca href=\"https://www.kqed.org/mark-fiore-drawn-to-the-bay\">Drawn to the Bay\u003c/a> and a \u003ca href=\"http://www.markfiore.com/january-march-2020/2020/3/19/keep-your-distance\">weekly political animation\u003c/a>.\u003c/p>\n\u003cp>You can catch more wore video tutorials with Mark \u003ca href=\"https://www.youtube.com/playlist?list=PLCxtKFQXBuRhNvgC-PnGiYHGALe8W84Qp\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Have a request for something you'd like to learn to draw? Send an email to \u003ca href=\"mailto:cartoons@kqed.org\">cartoons@kqed.org\u003c/a>. And if you want to share a cartoon you've drawn after watching Cartooning-in-Place, send it in! We may feature it in a future episode.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Having a creative block? Not sure what to draw next?\u003c/p>\n\u003cp>In this episode of Cartooning-in-Place, KQED’s Mark Fiore shows off his favorite cartooning exercises to get your imagination going. He'll explain how to warm up and then gives us three drawing games we can play at home. \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FdiOYNbtaVA'\n title='//www.youtube.com/embed/FdiOYNbtaVA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>What will you come up with? Remember to share your creations with us at \u003ca href=\"mailto:cartoons@kqed.org\">cartoons@kqed.org\u003c/a>. \u003c/p>\n\u003cp>When he's not showing you how to cartoon, Mark creates daily cartoons for KQED called \u003ca href=\"https://www.kqed.org/mark-fiore-drawn-to-the-bay\">Drawn to the Bay\u003c/a> and a \u003ca href=\"http://www.markfiore.com/january-march-2020/2020/3/19/keep-your-distance\">weekly political animation\u003c/a>.\u003c/p>\n\u003cp>You can catch more wore video tutorials with Mark \u003ca href=\"https://www.youtube.com/playlist?list=PLCxtKFQXBuRhNvgC-PnGiYHGALe8W84Qp\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Have a request for something you'd like to learn to draw? Send an email to \u003ca href=\"mailto:cartoons@kqed.org\">cartoons@kqed.org\u003c/a>. And if you want to share a cartoon you've drawn after watching Cartooning-in-Place, send it in! We may feature it in a future episode.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"soldout": {
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"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
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"tagline": "True-life supernatural stories",
"info": "",
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