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"headTitle": "Tom Hanks and Anthony Fauci Offer 2020 Graduates Advice: ‘Make it a Great One’ — ‘Now is the Time … to Care Selflessly About One Another’ | KQED",
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"content": "\u003cp>In separate online graduation addresses this week, Tom Hanks and Dr. Anthony Fauci offered advice to class of 2020 graduates.\u003c/p>\n\u003cp>A virtual graduation ceremony held Friday afternoon for the class of 2020 at Skyline High School in Oakland featured a video message from Oscar-winning actor and 1974 Titan alumnus Tom Hanks.\u003c/p>\n\u003cp>The Skyline graduation was the first of the year for Oakland Unified School District, which has been holding classes remotely since mid-March due to the novel coronavirus health emergency.\u003c/p>\n\u003cp>Hanks, who has spoken in the past at graduation ceremonies at Skyline, opens the video gesturing to the room in his home and facetiously welcoming the class to the school’s athletic field where commencement is normally held.\u003c/p>\n\u003cp>“Somewhere, out of the fate of every high schooler, you guys were picked to graduate this year, in the year 2020, to start this next chapter of your lives in the face and in the midst of so much change,” he says in his opening remarks.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In April, Hanks and his wife, Rita Wilson, contracted COVID-19 and then recovered. The actor said Skyline “provided me with a direction and instinct to follow” and trusted that the school had done the same for the current class.\u003c/p>\n\u003cp>https://youtu.be/gpLTFzVrues\u003c/p>\n\u003cp>“Follow those instincts and understand that you have been chosen by fate to lead the way in whatever is going to be — make it a great one, would you,” Hanks said, before giving shoutouts to senior class officers and offering encouragement.\u003c/p>\n\u003cp>“You didn’t give up, you have been the best example for the rest of us to keep going,” he said.\u003c/p>\n\u003cp>Dr. Anthony Fauci, director of the National Institute of Allergy and Infectious Diseases, key member of the White House’s coronavirus task force mobilized was also on the graduation circuit with surprise graduation messages this week. Fauci addressed both \u003ca href=\"https://hub.jhu.edu/2020/05/21/commencement-2020-anthony-fauci/\" target=\"_blank\" rel=\"noopener noreferrer\">Johns Hopkins University\u003c/a> and his own alma mater, the \u003ca href=\"https://news.holycross.edu/blog/2020/05/22/holy-cross-confers-707-bachelor-of-arts-degrees-in-virtual-celebration/\" target=\"_blank\" rel=\"noopener noreferrer\">College of the Holy Cross\u003c/a>. [pullquote size=\"medium\" align=\"right\" citation=\"— Dr. Anthony Fauci\"]‘I encourage you to stay strong and unflinching. The country and the world need your talent, your energy, your resolve and your character.’[/pullquote]\u003c/p>\n\u003cp>“I am profoundly aware that graduating during this time and in this virtual way — unable to celebrate in person this important milestone in your lives with your friends, classmates and teachers — is extremely difficult. I deeply empathize with the situation in which you find yourselves,” said the former classics major, in his message to Holy Cross students on Friday.\u003c/p>\n\u003cp>“However, I encourage you to stay strong and unflinching. The country and the world need your talent, your energy, your resolve and your character.”\u003c/p>\n\u003cp>Just one day earlier, Fauci dropped in for a remote address to Johns Hopkins.\u003c/p>\n\u003cp>“All of you, directly or indirectly,” he told students, “will be doing your part together with the rest of us to come out from under the shadow of this pandemic.” [aside postID=\"news_11818905\"]\u003c/p>\n\u003cp>A few months ago, the 79-year-old immunologist may have made for an unlikely celebrity guest at college commencement ceremonies. But Fauci’s prominent role at President Trump’s frequent coronavirus briefings has turned him into one of the most recognizable doctors in the country — the subject of \u003ca href=\"https://www.dailymail.co.uk/femail/article-8253735/Singers-parody-song-pandemic-advisor-Docta-Fauci-set-tune-Lady-Gagas-hit-Paparazzi.html\" target=\"_blank\" rel=\"noopener noreferrer\">tribute songs\u003c/a>, \u003ca href=\"http://www.apimages.com/metadata/Index/Trump-DC-Disconnect/b9fd42749334496881ba08a2fb015ae9/1/0\" target=\"_blank\" rel=\"noopener noreferrer\">posters\u003c/a> and even his own \u003ca href=\"https://twitter.com/faucifan?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">fan club\u003c/a>.\u003c/p>\n\u003cp>In his comments to new graduates at both schools, he emphasized that the global pandemic presents not only dangers but also opportunities to use the education and “moral mentorship” they had worked so hard to obtain in the classroom.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Now is the time, if ever there was one,” he told Holy Cross, “for us to care selflessly about one another.”\u003c/p>\n\u003cdiv>\n\u003cp>\u003cem>Additional reporting from Bay City News \u003c/em>\u003c/p>\n\u003c/div>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Anthony+Fauci%3A+%27Now+Is+The+Time+...+To+Care+Selflessly+About+One+Another%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In April, Hanks and his wife, Rita Wilson, contracted COVID-19 and then recovered. The actor said Skyline “provided me with a direction and instinct to follow” and trusted that the school had done the same for the current class.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gpLTFzVrues'\n title='//www.youtube.com/embed/gpLTFzVrues'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“Follow those instincts and understand that you have been chosen by fate to lead the way in whatever is going to be — make it a great one, would you,” Hanks said, before giving shoutouts to senior class officers and offering encouragement.\u003c/p>\n\u003cp>“You didn’t give up, you have been the best example for the rest of us to keep going,” he said.\u003c/p>\n\u003cp>Dr. Anthony Fauci, director of the National Institute of Allergy and Infectious Diseases, key member of the White House’s coronavirus task force mobilized was also on the graduation circuit with surprise graduation messages this week. Fauci addressed both \u003ca href=\"https://hub.jhu.edu/2020/05/21/commencement-2020-anthony-fauci/\" target=\"_blank\" rel=\"noopener noreferrer\">Johns Hopkins University\u003c/a> and his own alma mater, the \u003ca href=\"https://news.holycross.edu/blog/2020/05/22/holy-cross-confers-707-bachelor-of-arts-degrees-in-virtual-celebration/\" target=\"_blank\" rel=\"noopener noreferrer\">College of the Holy Cross\u003c/a>. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I am profoundly aware that graduating during this time and in this virtual way — unable to celebrate in person this important milestone in your lives with your friends, classmates and teachers — is extremely difficult. I deeply empathize with the situation in which you find yourselves,” said the former classics major, in his message to Holy Cross students on Friday.\u003c/p>\n\u003cp>“However, I encourage you to stay strong and unflinching. The country and the world need your talent, your energy, your resolve and your character.”\u003c/p>\n\u003cp>Just one day earlier, Fauci dropped in for a remote address to Johns Hopkins.\u003c/p>\n\u003cp>“All of you, directly or indirectly,” he told students, “will be doing your part together with the rest of us to come out from under the shadow of this pandemic.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A few months ago, the 79-year-old immunologist may have made for an unlikely celebrity guest at college commencement ceremonies. But Fauci’s prominent role at President Trump’s frequent coronavirus briefings has turned him into one of the most recognizable doctors in the country — the subject of \u003ca href=\"https://www.dailymail.co.uk/femail/article-8253735/Singers-parody-song-pandemic-advisor-Docta-Fauci-set-tune-Lady-Gagas-hit-Paparazzi.html\" target=\"_blank\" rel=\"noopener noreferrer\">tribute songs\u003c/a>, \u003ca href=\"http://www.apimages.com/metadata/Index/Trump-DC-Disconnect/b9fd42749334496881ba08a2fb015ae9/1/0\" target=\"_blank\" rel=\"noopener noreferrer\">posters\u003c/a> and even his own \u003ca href=\"https://twitter.com/faucifan?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">fan club\u003c/a>.\u003c/p>\n\u003cp>In his comments to new graduates at both schools, he emphasized that the global pandemic presents not only dangers but also opportunities to use the education and “moral mentorship” they had worked so hard to obtain in the classroom.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Now is the time, if ever there was one,” he told Holy Cross, “for us to care selflessly about one another.”\u003c/p>\n\u003cdiv>\n\u003cp>\u003cem>Additional reporting from Bay City News \u003c/em>\u003c/p>\n\u003c/div>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Anthony+Fauci%3A+%27Now+Is+The+Time+...+To+Care+Selflessly+About+One+Another%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "As SF Loses The Stud, Lawmakers Push to Fight Nightlife Extinction",
"title": "As SF Loses The Stud, Lawmakers Push to Fight Nightlife Extinction",
"headTitle": "KQED News",
"content": "\u003cp>The Stud, San Francisco’s oldest operating gay bar, is \u003ca href=\"https://48hills.org/2020/05/the-stud-closes-its-location-in-order-to-save-itself-for-the-future/\" target=\"_blank\" rel=\"noopener noreferrer\">permanently closing\u003c/a> its current SoMa location after 33 years.\u003c/p>\n\u003cp>Anyone who's frequented The Stud's cozy location at Ninth and Harrison streets knows it’s not just a venue — it’s a resilient community space and a second home for many. During its 55-year existence in San Francisco – the bar was formerly located on Folsom Street – it has survived the AIDS epidemic, two tech booms and a tripled rent hike.\u003c/p>\n\u003cp>But with the coronavirus pandemic, the 17-member collective that owns the bar faced what co-owner Marke Bieschke called a \"\u003ca href=\"https://48hills.org/2020/05/the-stud-closes-its-location-in-order-to-save-itself-for-the-future/\">desperate situation\u003c/a>\" felt by many small bars in the city that aren't getting a suspension or any breaks on rent.\u003c/p>\n\u003cp>For now, the bar’s co-owners are determined to reopen at a new location as soon as possible. And state lawmakers are pushing for legislation to help other spaces like The Stud survive the economic devastation caused by the coronavirus pandemic by renegotiating their leases.\u003c/p>\n\u003ch3>Fighting a Mass Extinction of Nightlife\u003c/h3>\n\u003cp>Across California, commercial tenants like The Stud are facing the unprecedented challenge of continuing to pay rent even though their businesses have to operate at severely limited capacity or have been forced to shutter altogether. Even as the state moves toward easing restrictions, the reality is that it’ll be a long time before many businesses can reopen at full capacity.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"State Sen. Scott Wiener, D-San Francisco\"]'These are places where we find our community, where so many generations of LGBTQ people have gone to nightlife venues to find their community, to understand that they're not alone.'[/pullquote]\u003c/p>\n\u003cp>Enter California \u003ca href=\"https://leginfo.legislature.ca.gov/faces/billTextClient.xhtml?bill_id=201920200SB939\">Senate Bill 939\u003c/a>, proposed legislation introduced in February by state Sens. Scott Wiener, D-San Francisco, and Lena Gonzalez, D-Long Beach, who amended it last week with the aim of helping struggling businesses like The Stud by allowing commercial tenants to use their current income as a basis for negotiating reduced rent with their landlords. Under the bill, businesses like bars and restaurants could renegotiate their lease if they've lost over 40% of their revenue due to COVID-19 restrictions — and if they have to operate at reduced capacity because of social distancing requirements.\u003c/p>\n\u003cp>The negotiation process would be formalized into a 30-day period requiring at least two meetings between landlords and tenants. If the parties are unable to reach an agreement, tenants could then choose to terminate their lease without a penalty.\u003c/p>\n\u003cp>\"Although there are landlords doing the right thing, there are others who are not,\" Wiener said in a press briefing Thursday. \"And what this means is that these businesses will fold and the owners will potentially be driven into bankruptcy.\"\u003c/p>\n\u003cfigure id=\"attachment_11820145\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11820145\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/1920_Stud_Cash-e1590125600476.jpg\" alt=\"Militia Towers takes to the Black Fridays stage at The Stud on Sept. 22, 2017.\" width=\"1920\" height=\"1080\">\u003cfigcaption class=\"wp-caption-text\">Militia Towers takes to the Black Fridays stage at The Stud on Sept. 22, 2017. \u003ccite>(Audrey Garces/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Wiener hopes the bill, scheduled for a hearing before the Senate Judiciary Committee on Friday, will help curb mass closures of restaurants, cafes and bars in California.\u003c/p>\n\u003cp>He said the legislation is especially important for LGBTQ spaces like The Stud.\u003c/p>\n\u003cp>“These are community spaces,” Wiener said. “These are places where we find our community, where so many generations of LGBTQ people have gone to nightlife venues to find their community, to understand that they're not alone.”\u003c/p>\n\u003cp>The Stud was forced to close its doors under shelter-in-place orders beginning in mid-March, and wasn’t permitted to offer cocktails-to-go as the venue doesn't have a kitchen. The owners organized \u003ca href=\"https://www.kqed.org/arts/13878042/the-stud-reopens-virtually-with-a-weekly-drag-night\" target=\"_blank\" rel=\"noopener noreferrer\">virtual drag shows\u003c/a> that encouraged viewers to pay a cover charge, but the funds didn’t come close to covering the $444 daily rent.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Luckily for The Stud, the building’s landlords were “generous” and allowed them to terminate their lease early and vacate by May 31, according to the bar’s owners during a press briefing on Thursday. The co-op was merely breaking even before the pandemic, and this move saved them from accruing a massive amount of debt.\u003c/p>\n\u003cp>Not all commercial landlords are allowing tenants to break their leases early, and Wiener wants to change that.\u003c/p>\n\u003cp>“This pandemic will end. It will be over,” Wiener said. “But we need to make sure that going back to normal doesn't mean we permanently lose so much of what made us strong and vibrant as a community.”\u003c/p>\n\u003cfigure id=\"attachment_11820146\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11820146\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/1920_Stud-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/1920_Stud-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/1920_Stud-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/1920_Stud-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/1920_Stud-1920x1080.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bionka Simone enters the stage for Black Fridays on Sept. 22, 2017. \u003ccite>(Audrey Garces/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Ready for Another Impossible Feat\u003c/h3>\n\u003cp>It’s not the first time The Stud has faced the threat of permanent closure: In 2016, a group of community members \u003ca href=\"https://www.kqed.org/news/11041284/sfs-historic-stud-bar-appears-saved-from-closure-for-now\" target=\"_blank\" rel=\"noopener noreferrer\">banded together to form its current collective ownership\u003c/a> and saved The Stud after the landlords tripled the bar’s rent.\u003c/p>\n\u003cp>“It was really like an impossible, very unlikely and ridiculous idea that 17 independent, strong-minded individual leaders could come together and somehow buy a bar together and then open it and keep it,” said Stud co-owner and drag queen VivvyAnne ForeverMORE, in a press briefing Thursday.\u003c/p>\n\u003cp>Now, the co-op faces another “impossible” challenge. But the owners are determined to reopen, and are keeping their liquor license while they search for a new space.\u003c/p>\n\u003cp>[aside postID=arts_13880884 hero='https://ww2.kqed.org/app/uploads/sites/2/2020/05/The-Stud-1991-photo-by-Melissa-Hawkins.jpg']San Francisco Supervisor Matt Haney, whose district covers The Stud’s neighborhood, said he will work to find the bar a permanent home. His office is working closely with Honey Mahogany — co-owner of The Stud, community activist and alum of RuPaul's Drag Race — to draft a local proposal that supports San Francisco’s nightlife.\u003c/p>\n\u003cp>“We are going to have to be completely outside of the box to be able to support our small businesses and especially our nightlife and our entertainment, which is not just about the money that comes in the door,” Haney said. “This is our community.”\u003c/p>\n\u003cp>But securing a new location, especially during a pandemic, is difficult. Mahogany said moving to a new space will realistically cost somewhere between $700,000 to $1 million, so The Stud started a \u003ca href=\"https://www.gofundme.com/f/stud-in-exile\" target=\"_blank\" rel=\"noopener noreferrer\">GoFundMe\u003c/a> to fundraise for “start-up and buildout costs ... and to support the newly social-distanced reality of that in the interim.”\u003c/p>\n\u003cfigure id=\"attachment_11820147\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11820147\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS20266_160719_The-Stud-Bar_bhs12-qut.jpg\" alt=\"Posters supporting The Stud were taped along the sides of the bar outside the entrance, from July 2016.\" width=\"1920\" height=\"1341\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS20266_160719_The-Stud-Bar_bhs12-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS20266_160719_The-Stud-Bar_bhs12-qut-160x112.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS20266_160719_The-Stud-Bar_bhs12-qut-800x559.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS20266_160719_The-Stud-Bar_bhs12-qut-1020x712.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Posters supporting The Stud were taped along the sides of the bar outside the entrance, from July 2016. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>A Goodbye in Style\u003c/h3>\n\u003cp>For community members wanting to help right now, ForeverMORE said the best thing to do is support the virtual events they’re holding — which include \u003ca href=\"https://www.studsf.com/drag-alive\" target=\"_blank\" rel=\"noopener noreferrer\">Drag Alive every Saturday at 7 p.m.\u003c/a>, Turbo Pageant on Wednesdays and Princess every other Thursday.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"— VivvyAnne ForeverMORE\"]'We're doing our best to create community online in the ways that we can figure out, so that we can be together even though we are not together.'[/pullquote]\u003c/p>\n\u003cp>“Just come and chat on the Twitch. Even if you hate it, come for five minutes. Tip the queen, throw the cover charge in there and that's a real way to support,” ForeverMORE said. “We're doing our best to create community online in the ways that we can figure out, so that we can be together even though we are not together.”\u003c/p>\n\u003cp>To mourn the loss of the current space and celebrate The Stud’s community, the bar’s owners are planning a livestream funeral on their Drag Alive show on May 31.\u003c/p>\n\u003cp>ForeverMORE encourages viewers to rummage through their likely ignored closets, find their best all-black ensemble and celebrate the legacy of San Francisco’s oldest gay bar.\u003c/p>\n\u003cp>“You know, we're drag queens, so we're gonna do it in style,” ForeverMORE said.\u003c/p>\n\u003cp>The owners released a callout to any community members who want to perform, and they already have a star-studded lineup of drag queens, including Jinkx Monsoon, Alaska Thunderfuck and San Francisco’s Juanita MORE!. To top it off, the \u003ca href=\"https://www.thesisters.org\" target=\"_blank\" rel=\"noopener noreferrer\">Sisters of Perpetual Indulgence\u003c/a> will perform a goodbye blessing.\u003c/p>\n\u003cp>But it likely won’t be a goodbye forever.\u003c/p>\n\u003cp>“We are making this sacrifice in closing down in order to continue and fight another day,” Mahogany told KQED. “I think this decision will make The Stud even stronger, and we'll come back with something cool that will continue its legacy.”\u003c/p>\n\u003cp>\u003cem>KQED's Holly McDede and Shannon Lin contributed to this report.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "San Francisco's famed LGBTQ bar is closing its current location. A state Senate bill aims to help spaces like it survive the coronavirus' economic devastation.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Stud, San Francisco’s oldest operating gay bar, is \u003ca href=\"https://48hills.org/2020/05/the-stud-closes-its-location-in-order-to-save-itself-for-the-future/\" target=\"_blank\" rel=\"noopener noreferrer\">permanently closing\u003c/a> its current SoMa location after 33 years.\u003c/p>\n\u003cp>Anyone who's frequented The Stud's cozy location at Ninth and Harrison streets knows it’s not just a venue — it’s a resilient community space and a second home for many. During its 55-year existence in San Francisco – the bar was formerly located on Folsom Street – it has survived the AIDS epidemic, two tech booms and a tripled rent hike.\u003c/p>\n\u003cp>But with the coronavirus pandemic, the 17-member collective that owns the bar faced what co-owner Marke Bieschke called a \"\u003ca href=\"https://48hills.org/2020/05/the-stud-closes-its-location-in-order-to-save-itself-for-the-future/\">desperate situation\u003c/a>\" felt by many small bars in the city that aren't getting a suspension or any breaks on rent.\u003c/p>\n\u003cp>For now, the bar’s co-owners are determined to reopen at a new location as soon as possible. And state lawmakers are pushing for legislation to help other spaces like The Stud survive the economic devastation caused by the coronavirus pandemic by renegotiating their leases.\u003c/p>\n\u003ch3>Fighting a Mass Extinction of Nightlife\u003c/h3>\n\u003cp>Across California, commercial tenants like The Stud are facing the unprecedented challenge of continuing to pay rent even though their businesses have to operate at severely limited capacity or have been forced to shutter altogether. Even as the state moves toward easing restrictions, the reality is that it’ll be a long time before many businesses can reopen at full capacity.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "'These are places where we find our community, where so many generations of LGBTQ people have gone to nightlife venues to find their community, to understand that they're not alone.'",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Enter California \u003ca href=\"https://leginfo.legislature.ca.gov/faces/billTextClient.xhtml?bill_id=201920200SB939\">Senate Bill 939\u003c/a>, proposed legislation introduced in February by state Sens. Scott Wiener, D-San Francisco, and Lena Gonzalez, D-Long Beach, who amended it last week with the aim of helping struggling businesses like The Stud by allowing commercial tenants to use their current income as a basis for negotiating reduced rent with their landlords. Under the bill, businesses like bars and restaurants could renegotiate their lease if they've lost over 40% of their revenue due to COVID-19 restrictions — and if they have to operate at reduced capacity because of social distancing requirements.\u003c/p>\n\u003cp>The negotiation process would be formalized into a 30-day period requiring at least two meetings between landlords and tenants. If the parties are unable to reach an agreement, tenants could then choose to terminate their lease without a penalty.\u003c/p>\n\u003cp>\"Although there are landlords doing the right thing, there are others who are not,\" Wiener said in a press briefing Thursday. \"And what this means is that these businesses will fold and the owners will potentially be driven into bankruptcy.\"\u003c/p>\n\u003cfigure id=\"attachment_11820145\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11820145\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/1920_Stud_Cash-e1590125600476.jpg\" alt=\"Militia Towers takes to the Black Fridays stage at The Stud on Sept. 22, 2017.\" width=\"1920\" height=\"1080\">\u003cfigcaption class=\"wp-caption-text\">Militia Towers takes to the Black Fridays stage at The Stud on Sept. 22, 2017. \u003ccite>(Audrey Garces/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Wiener hopes the bill, scheduled for a hearing before the Senate Judiciary Committee on Friday, will help curb mass closures of restaurants, cafes and bars in California.\u003c/p>\n\u003cp>He said the legislation is especially important for LGBTQ spaces like The Stud.\u003c/p>\n\u003cp>“These are community spaces,” Wiener said. “These are places where we find our community, where so many generations of LGBTQ people have gone to nightlife venues to find their community, to understand that they're not alone.”\u003c/p>\n\u003cp>The Stud was forced to close its doors under shelter-in-place orders beginning in mid-March, and wasn’t permitted to offer cocktails-to-go as the venue doesn't have a kitchen. The owners organized \u003ca href=\"https://www.kqed.org/arts/13878042/the-stud-reopens-virtually-with-a-weekly-drag-night\" target=\"_blank\" rel=\"noopener noreferrer\">virtual drag shows\u003c/a> that encouraged viewers to pay a cover charge, but the funds didn’t come close to covering the $444 daily rent.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Luckily for The Stud, the building’s landlords were “generous” and allowed them to terminate their lease early and vacate by May 31, according to the bar’s owners during a press briefing on Thursday. The co-op was merely breaking even before the pandemic, and this move saved them from accruing a massive amount of debt.\u003c/p>\n\u003cp>Not all commercial landlords are allowing tenants to break their leases early, and Wiener wants to change that.\u003c/p>\n\u003cp>“This pandemic will end. It will be over,” Wiener said. “But we need to make sure that going back to normal doesn't mean we permanently lose so much of what made us strong and vibrant as a community.”\u003c/p>\n\u003cfigure id=\"attachment_11820146\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11820146\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/1920_Stud-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/1920_Stud-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/1920_Stud-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/1920_Stud-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/1920_Stud-1920x1080.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bionka Simone enters the stage for Black Fridays on Sept. 22, 2017. \u003ccite>(Audrey Garces/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Ready for Another Impossible Feat\u003c/h3>\n\u003cp>It’s not the first time The Stud has faced the threat of permanent closure: In 2016, a group of community members \u003ca href=\"https://www.kqed.org/news/11041284/sfs-historic-stud-bar-appears-saved-from-closure-for-now\" target=\"_blank\" rel=\"noopener noreferrer\">banded together to form its current collective ownership\u003c/a> and saved The Stud after the landlords tripled the bar’s rent.\u003c/p>\n\u003cp>“It was really like an impossible, very unlikely and ridiculous idea that 17 independent, strong-minded individual leaders could come together and somehow buy a bar together and then open it and keep it,” said Stud co-owner and drag queen VivvyAnne ForeverMORE, in a press briefing Thursday.\u003c/p>\n\u003cp>Now, the co-op faces another “impossible” challenge. But the owners are determined to reopen, and are keeping their liquor license while they search for a new space.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>San Francisco Supervisor Matt Haney, whose district covers The Stud’s neighborhood, said he will work to find the bar a permanent home. His office is working closely with Honey Mahogany — co-owner of The Stud, community activist and alum of RuPaul's Drag Race — to draft a local proposal that supports San Francisco’s nightlife.\u003c/p>\n\u003cp>“We are going to have to be completely outside of the box to be able to support our small businesses and especially our nightlife and our entertainment, which is not just about the money that comes in the door,” Haney said. “This is our community.”\u003c/p>\n\u003cp>But securing a new location, especially during a pandemic, is difficult. Mahogany said moving to a new space will realistically cost somewhere between $700,000 to $1 million, so The Stud started a \u003ca href=\"https://www.gofundme.com/f/stud-in-exile\" target=\"_blank\" rel=\"noopener noreferrer\">GoFundMe\u003c/a> to fundraise for “start-up and buildout costs ... and to support the newly social-distanced reality of that in the interim.”\u003c/p>\n\u003cfigure id=\"attachment_11820147\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11820147\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS20266_160719_The-Stud-Bar_bhs12-qut.jpg\" alt=\"Posters supporting The Stud were taped along the sides of the bar outside the entrance, from July 2016.\" width=\"1920\" height=\"1341\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS20266_160719_The-Stud-Bar_bhs12-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS20266_160719_The-Stud-Bar_bhs12-qut-160x112.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS20266_160719_The-Stud-Bar_bhs12-qut-800x559.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS20266_160719_The-Stud-Bar_bhs12-qut-1020x712.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Posters supporting The Stud were taped along the sides of the bar outside the entrance, from July 2016. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>A Goodbye in Style\u003c/h3>\n\u003cp>For community members wanting to help right now, ForeverMORE said the best thing to do is support the virtual events they’re holding — which include \u003ca href=\"https://www.studsf.com/drag-alive\" target=\"_blank\" rel=\"noopener noreferrer\">Drag Alive every Saturday at 7 p.m.\u003c/a>, Turbo Pageant on Wednesdays and Princess every other Thursday.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Just come and chat on the Twitch. Even if you hate it, come for five minutes. Tip the queen, throw the cover charge in there and that's a real way to support,” ForeverMORE said. “We're doing our best to create community online in the ways that we can figure out, so that we can be together even though we are not together.”\u003c/p>\n\u003cp>To mourn the loss of the current space and celebrate The Stud’s community, the bar’s owners are planning a livestream funeral on their Drag Alive show on May 31.\u003c/p>\n\u003cp>ForeverMORE encourages viewers to rummage through their likely ignored closets, find their best all-black ensemble and celebrate the legacy of San Francisco’s oldest gay bar.\u003c/p>\n\u003cp>“You know, we're drag queens, so we're gonna do it in style,” ForeverMORE said.\u003c/p>\n\u003cp>The owners released a callout to any community members who want to perform, and they already have a star-studded lineup of drag queens, including Jinkx Monsoon, Alaska Thunderfuck and San Francisco’s Juanita MORE!. To top it off, the \u003ca href=\"https://www.thesisters.org\" target=\"_blank\" rel=\"noopener noreferrer\">Sisters of Perpetual Indulgence\u003c/a> will perform a goodbye blessing.\u003c/p>\n\u003cp>But it likely won’t be a goodbye forever.\u003c/p>\n\u003cp>“We are making this sacrifice in closing down in order to continue and fight another day,” Mahogany told KQED. “I think this decision will make The Stud even stronger, and we'll come back with something cool that will continue its legacy.”\u003c/p>\n\u003cp>\u003cem>KQED's Holly McDede and Shannon Lin contributed to this report.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Bay Area Mosques Struggle to Fundraise During the Pandemic",
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"headTitle": "Bay Area Mosques Struggle to Fundraise During the Pandemic | KQED",
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"content": "\u003cp>Ramadan is coming to a close with a shelter-in-place version of Eid this weekend.\u003c/p>\n\u003cp>In a typical year, families come to a mosque for evening prayers, where they’re confronted with a host of collection boxes for different charities. Zakat, one of the pillars of the Muslim faith, requires people give 2.5% of their savings to charity, if they are able.\u003c/p>\n\u003cp>During Ramadan, according to belief, extra donations lead to extra blessings, and mosques typically raise most of their annual budget during this time. This year, it’s a different story. Bay Area mosques report fundraising has hit an all-time low.\u003c/p>\n\u003cp>Junaid Shaikh is a board member of \u003ca href=\"https://www.mcabayarea.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Muslim Community Association\u003c/a>, a “mega-mosque” in Santa Clara with more than 2,000 worshippers. “It’s a month of fasting, but it’s also a month of giving,” Shaikh said. “It’s like about eight to 10 times more than regular months. That’s how much Muslims give.”\u003c/p>\n\u003cp>Because of the pandemic, mosques are holding online services, and they’re fundraising digitally, too. However, results have been disappointing for many mosques.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For example, MCA runs the \u003ca href=\"https://www.granadaschool.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Granada Islamic School\u003c/a>, a private Islamic schools for grades K-12. On May 15, the school held a \u003ca href=\"https://www.facebook.com/128289646540/videos/237500914016848/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook Live fundraiser\u003c/a> with special guest speakers urging people to donate.\u003c/p>\n\u003cp>The school hoped to raise $100,000 by the end of Ramadan, but they’ve only raised half that, and the community association wanted to raise $1.5 million by the end of this week, but they’re \u003ca href=\"http://live.mcabayarea.org/\" target=\"_blank\" rel=\"noopener noreferrer\">far behind\u003c/a> the goal.\u003c/p>\n\u003cp>Shaikh believes online fundraising simply isn’t as effective as traditional, in-person methods. “People can tune out anytime, versus in a physical space [like a mosque], the doors are closed,” he joked.\u003c/p>\n\u003cfigure id=\"attachment_11819853\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11819853\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/1920-800x519.jpg\" alt=\"\" width=\"800\" height=\"519\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/1920-800x519.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/1920-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/1920-1020x661.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/1920-1920x1245.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">One of the largest mosques in the Bay Area, the Muslim Community Association says that without people coming into the mosque to donate money, fundraising is significantly lower than usual. \u003ccite>(Adhiti Bandlamudi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Smaller the Mosque, the Harder the Time\u003c/h3>\n\u003cp>Hatem Bazian, chair of the nonprofit \u003ca href=\"https://www.norcalcouncil.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Northern California Islamic Council (NCIC)\u003c/a>, works with mosques across the Bay Area. Smaller mosques, he said, employ “one to two employees at most, and it’s part-time employment at best.” [aside tag=\"religion\" label=\"related coverage\"]\u003c/p>\n\u003cp>Bazian added that smaller mosques don’t have the digital resources bigger mosques do. “What we need is to figure out how to make sure that the larger mosques support the smaller mosques and begin to plan for long-term strategy,” he said.\u003c/p>\n\u003cp>The NCIC is helping smaller mosques fundraise, but Bazian is unsure how much longer they can survive under shelter-in-place restrictions. For now, houses of worship won’t be allowed to open until the third phase \u003ca href=\"https://www.kqed.org/news/11814720/beginning-of-california-reopening-businesses-is-weeks-away-says-newsom\" target=\"_blank\" rel=\"noopener noreferrer\">outlined by Gov. Gavin Newsom\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.icfbayarea.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Islamic Center of Fremont\u003c/a> is a mid-size mosque that has been around for 20 years. They too have struggled to switch to virtual services since Alameda County’s shelter-in-place restrictions were enacted. \u003c/p>\n\u003cp>“There are a lot of people from different backgrounds, like India, Pakistan, Bangladesh, Afghanistan,” said Salim Mastan, an ICF volunteer. Mastan said they serve a variety of people with mixed incomes.\u003c/p>\n\u003cp>ICF is doing the best they can to fundraise, but again, it’s hard to reach people online. ICF usually holds an Eid celebration at Fremont’s popular Lake Elizabeth.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This year, they likely won’t be able to have their Eid prayers at the lake. “That would [have] a very huge financial impact, not getting the funds that would be collected on Eid,” Mastan said.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ramadan is coming to a close with a shelter-in-place version of Eid this weekend.\u003c/p>\n\u003cp>In a typical year, families come to a mosque for evening prayers, where they’re confronted with a host of collection boxes for different charities. Zakat, one of the pillars of the Muslim faith, requires people give 2.5% of their savings to charity, if they are able.\u003c/p>\n\u003cp>During Ramadan, according to belief, extra donations lead to extra blessings, and mosques typically raise most of their annual budget during this time. This year, it’s a different story. Bay Area mosques report fundraising has hit an all-time low.\u003c/p>\n\u003cp>Junaid Shaikh is a board member of \u003ca href=\"https://www.mcabayarea.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Muslim Community Association\u003c/a>, a “mega-mosque” in Santa Clara with more than 2,000 worshippers. “It’s a month of fasting, but it’s also a month of giving,” Shaikh said. “It’s like about eight to 10 times more than regular months. That’s how much Muslims give.”\u003c/p>\n\u003cp>Because of the pandemic, mosques are holding online services, and they’re fundraising digitally, too. However, results have been disappointing for many mosques.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For example, MCA runs the \u003ca href=\"https://www.granadaschool.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Granada Islamic School\u003c/a>, a private Islamic schools for grades K-12. On May 15, the school held a \u003ca href=\"https://www.facebook.com/128289646540/videos/237500914016848/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook Live fundraiser\u003c/a> with special guest speakers urging people to donate.\u003c/p>\n\u003cp>The school hoped to raise $100,000 by the end of Ramadan, but they’ve only raised half that, and the community association wanted to raise $1.5 million by the end of this week, but they’re \u003ca href=\"http://live.mcabayarea.org/\" target=\"_blank\" rel=\"noopener noreferrer\">far behind\u003c/a> the goal.\u003c/p>\n\u003cp>Shaikh believes online fundraising simply isn’t as effective as traditional, in-person methods. “People can tune out anytime, versus in a physical space [like a mosque], the doors are closed,” he joked.\u003c/p>\n\u003cfigure id=\"attachment_11819853\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11819853\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/1920-800x519.jpg\" alt=\"\" width=\"800\" height=\"519\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/1920-800x519.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/1920-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/1920-1020x661.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/1920-1920x1245.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">One of the largest mosques in the Bay Area, the Muslim Community Association says that without people coming into the mosque to donate money, fundraising is significantly lower than usual. \u003ccite>(Adhiti Bandlamudi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Smaller the Mosque, the Harder the Time\u003c/h3>\n\u003cp>Hatem Bazian, chair of the nonprofit \u003ca href=\"https://www.norcalcouncil.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Northern California Islamic Council (NCIC)\u003c/a>, works with mosques across the Bay Area. Smaller mosques, he said, employ “one to two employees at most, and it’s part-time employment at best.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bazian added that smaller mosques don’t have the digital resources bigger mosques do. “What we need is to figure out how to make sure that the larger mosques support the smaller mosques and begin to plan for long-term strategy,” he said.\u003c/p>\n\u003cp>The NCIC is helping smaller mosques fundraise, but Bazian is unsure how much longer they can survive under shelter-in-place restrictions. For now, houses of worship won’t be allowed to open until the third phase \u003ca href=\"https://www.kqed.org/news/11814720/beginning-of-california-reopening-businesses-is-weeks-away-says-newsom\" target=\"_blank\" rel=\"noopener noreferrer\">outlined by Gov. Gavin Newsom\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.icfbayarea.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Islamic Center of Fremont\u003c/a> is a mid-size mosque that has been around for 20 years. They too have struggled to switch to virtual services since Alameda County’s shelter-in-place restrictions were enacted. \u003c/p>\n\u003cp>“There are a lot of people from different backgrounds, like India, Pakistan, Bangladesh, Afghanistan,” said Salim Mastan, an ICF volunteer. Mastan said they serve a variety of people with mixed incomes.\u003c/p>\n\u003cp>ICF is doing the best they can to fundraise, but again, it’s hard to reach people online. ICF usually holds an Eid celebration at Fremont’s popular Lake Elizabeth.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This year, they likely won’t be able to have their Eid prayers at the lake. “That would [have] a very huge financial impact, not getting the funds that would be collected on Eid,” Mastan said.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Missing Bay Area wildlife? Or just feeling ready to toss your TV into the bay?\u003c/p>\n\u003cp>KQED’s Mark Fiore is back with another episode of his cartoon tutorial series, and this week we’re going underwater. (No snorkel required.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=lFIYvPWW2oM\u003c/p>\n\u003cp>Grab some paper and something to sketch with (a marker, pencil or crayons will do just fine), and join Mark as he shows you how to draw jellyfish, whales and more! Try your hand at making your own underwater scene.\u003c/p>\n\u003cp>When he’s not showing you how to cartoon, Mark creates daily cartoons for KQED called \u003ca href=\"https://www.kqed.org/mark-fiore-drawn-to-the-bay\">Drawn to the Bay\u003c/a> and a \u003ca href=\"http://www.markfiore.com/january-march-2020/2020/3/19/keep-your-distance\">weekly political animation\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Have a request for something you’d like to learn to draw? Send an email to \u003ca href=\"mailto:cartoons@kqed.org\">cartoons@kqed.org\u003c/a>. And if you want to share a cartoon you’ve drawn after watching Cartooning-in-Place, send it in! We may feature it in a future episode.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cp>\u003cem>Sacheen Littlefeather is best known for causing a massive uproar at the 1973 Academy Awards, when she got up on stage and calmly turned down Marlon Brando’s best actor accolade for “The Godfather.”\u003c/em>\u003c/p>\n\u003cp>\u003cem>At the time she was a young Native American rights activist and budding actress when Brando asked her to represent him at the Oscars. She appeared in movies like “Johnny Firecloud.” \u003c/em>\u003cem>The entertainment industry was getting rich off of racist stereotypes of Native Americans and Westerns like \u003ca href=\"https://www.youtube.com/watch?v=QAiPX3mMueo\" target=\"_blank\" rel=\"noopener noreferrer\">“The Great Sioux Massacre”\u003c/a> were rife with them.\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=8Kv1oc7IxY8\u003c/p>\n\u003cp>\u003cem>After the anger she caused at the Oscars, Sacheen’s TV and movie career floundered. But her work as an activist took off. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When we used to go into restaurants or whatever and I used to go hand in hand with my white grandparents, people always looked at us funny.\u003c/p>\n\u003cp>And I could tell, you know intuitively, that something wasn’t right.\u003c/p>\n\u003cp>When I grew older, I went on a car trip to the south with my mother, who is white. And then I found out exactly what was up when I went to use the bathroom. There was a police officer with a billy club who was looking directly at me. And there was a white bathroom and a black bathroom. The white officer looked at me and went with the billy club, pounding the billy club in his fist.\u003c/p>\n\u003cp>And I thought out of my best interest to go to the black bathroom.\u003c/p>\n\u003cp>My mother, however, went to the white bathroom.\u003c/p>\n\u003cp>And I can’t tell you how much I cried and cried after that experience.\u003c/p>\n\u003cp>And after I had several of those experiences, I knew how blatant racism was — open, alive and well.\u003c/p>\n\u003cp>After refusing that award for Marlon, I went back to school to get a degree in holistic health and nutrition with a minor in Native American medicine.\u003c/p>\n\u003cp>I did a lot of consulting work, because medicine people were going into the hospital to treat and pray for their American Indian patients. And much of this was misunderstood by the doctors and the staff. So we needed a group of us to go in and to educate everyone from the CEO down to the janitor about what Native American medicine was all about.\u003c/p>\n\u003cp>We have been oppressed so much from dominant society that we have internalized that oppression. For example, saying, “You’re not Indian enough. You weren’t born on the reservation and I was.” And “Oh! You’re only half Indian, I’m a full blood. So I’m more Indian than you’re Indian.”\u003c/p>\n\u003cp>That’s internalized oppression.\u003c/p>\n\u003cp>The more that Native American Indian people like myself speak out, the more understanding that there becomes. The truth has got to win out above all the lies that have been told about us by the dominant society.\u003c/p>\n\u003cp>We’re all Indian. Of one blood, one mind and one heart.\u003c/p>\n\u003cp>And, eventually, I did grow into my feet. Now I wear a size 11 narrow. And when I go to the shoe store, I just say, “I’ve got room for everybody in my shoes.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This week’s \u003ca href=\"https://www.kqed.org/news/11818670/gold-chains-californias-hidden-history\" target=\"_blank\" rel=\"noopener noreferrer\">California Report Magazine\u003c/a> uncovers stories of resilience as part of a collaboration with the \u003ca href=\"https://www.aclunc.org/home\" target=\"_blank\" rel=\"noopener noreferrer\">ACLU of Northern California\u003c/a> called “Gold Chains: The Hidden History of Slavery in California.” \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>Gov. Newsom Calls for Cuts, Cancellations, Congressional Aid to Close Budget Deficit\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">On Thursday, Gov. Gavin Newsom unveiled a revised state budget as California faces a deficit of more than $54 billion due to shrinking tax revenues and soaring job losses from the coronavirus pandemic. Newsom is calling for steep cuts to public education, asking state workers to take a 10% pay cut and canceling the expansion of programs and services intended to help low-income residents. Also this week, California state senators returned to Sacramento for the first time in nearly two months. Among their proposals are two innovative relief packages that would help people stay in their homes and offer tax credits to landlords in exchange for rent forgiveness. Meanwhile, House Democrats proposed this week a new, $3 trillion round of federal aid despite opposition from the White House and Senate Republicans.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Marisa Lagos, KQED politics and government correspondent\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Scott Shafer, KQED senior editor of politics and government \u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Coronavirus Takes Heavy Toll on Public Transit\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">This week, BART joined more than a dozen other national transit agencies to ask Congress for $33 billion in federal aid to help maintain services and prevent layoffs during the pandemic. BART alone is facing a $600 million deficit as ridership on its trains is down more than 90%. Bay Area transit agencies are already getting more than $1 billion from the first round of federal relief approved by congressional lawmakers in March. When the region eventually reopens, transit operators will need to assure commuters that it’s safe to use their buses, trains and ferries to return to workplaces.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Guest:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Dan Brekke, KQED transportation editor\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Future of Museums Transformed by COVID-19\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">As the pandemic closures drag on, Bay Area museums are scrambling to stay solvent. Art museums have closed their doors, covered their paintings and turned out the lights. Other institutions have a core team still caring for animals and other living exhibits. All are facing significant budget shortfalls, and by some industry estimates, one-third of all museums nationwide won’t be able to afford to reopen. And for those that do, questions and uncertainty abound over how to keep staff and visitors safe through social distancing, reimagined exhibits and virtual tours of popular permanent collections. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Scott Sampson, executive director, California Academy of Sciences\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Jay Xu, CEO and director, Asian Art Museum of San Francisco\u003c/span>\u003c/li>\n\u003c/ul>\n\n",
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"content": "\u003cp>Many restaurant bars in California – and bars that collaborate with restaurants – have found a way to stay open during the COVID-19 pandemic: selling “curbside” cocktails along with takeout food. It’s a combination required by law for to-go alcohol sales.\u003c/p>\n\u003cp>So what do you do when you run a straight-ahead bar that typically just sells alcohol? For some bar owners, it’s turning out to be a recipe for disaster.\u003c/p>\n\u003cp>Consider the story of Christos Louvis, who’s been running downtown San Jose’s \u003ca href=\"https://www.sjdivebar.com/\">Dive Bar\u003c/a> with his parents since 2012.\u003c/p>\n\u003cp>“We always joke in the bar business that it’s recession proof,” Louvis said. “If anything, people drink more because they have more problems. They’re trying to just get out and enjoy themselves.”\u003c/p>\n\u003cp>Dive Bar prides itself on being a neighborhood joint: sports on the televisions, pool tables in the back and drink specials for the students a few blocks away at San Jose State University.\u003c/p>\n\u003cp>The bar has a \u003ca href=\"https://www.abc.ca.gov/licensing/license-types/\">Type 48 liquor license\u003c/a>, which allows it to sell alcohol without food. Because of that, the bar can’t remain open under Santa Clara County’s \u003ca href=\"https://www.sccgov.org/sites/covid19/Pages/public-health-orders.aspx#faq\">shelter-in-place restrictions\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Louvis feels like he’s up against a wall.\u003c/p>\n\u003cp>“Allow us to [sell] a closed beer or a to-go cup of a drink,” he said. “Allow us to fight!”\u003c/p>\n\u003cp>Louvis did apply for a Paycheck Protection Program (PPP) loan through Wells Fargo, but his application was denied. He applied again for the second round of funding, but he’s now worried that if the loan does come through, his laid-off employees will refuse the money, because, with unemployment benefits, they can make \u003ca href=\"https://www.sfchronicle.com/business/networth/article/How-to-lure-back-California-workers-making-more-15258416.php\">roughly $2,400\u003c/a> a month – significantly more than he can afford to pay them.\u003c/p>\n\u003cp>“Our employees are like family. We’ve been with each other for so long,” Louvis said. “I don’t blame them, but I honestly don’t think they’d come back.”\u003c/p>\n\u003cp>[aside label='Coronavirus Coverage' tag='coronavirus']Teague Kernan can sympathize. He runs two bars in San Francisco’s North Beach neighborhood, \u003ca href=\"http://tupelosf.com/\">Tupelo\u003c/a>, which offers Southern soul food and creative cocktails, and \u003ca href=\"http://thebellecora.com/\">Belle Cora\u003c/a>, a bistro and bar for new American fare. Even though he’s allowed to sell to-go alcohol thanks to the food, Kernan said they’re still struggling hard and that stand-alone bars are in even bigger trouble.\u003c/p>\n\u003cp>“Bars will probably be closed longer than any other establishment or business,” Kernan said. “Owners are all looking at this like, if we can break even and not make any money in the next year, that would be a win.”\u003c/p>\n\u003cp>Kernan’s bars thrive when there are live concerts and sports seasons for people to watch together.\u003c/p>\n\u003cp>“We’re going to have to pretty much completely reconfigure our business model to try to adapt,” Kernan said.\u003c/p>\n\u003cp>After restrictions lift, Louvis isn’t sure he’ll even have customers left. His landlords have deferred rent for the next few months, but at some point, that rent will come due. In August, he’s also expecting a rent hike.\u003c/p>\n\u003cp>To save money, Louvis has moved out of his San Jose apartment and in with his parents. They’re also taking money out of their retirement savings to keep the lights on at Dive Bar for as long as they can.\u003c/p>\n\u003cp>“God forbid we lose the business without being able to sell it down the line,” Louvis said. “If they just take it from us, that’s it. That’s all we have.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Teague Kernan can sympathize. He runs two bars in San Francisco’s North Beach neighborhood, \u003ca href=\"http://tupelosf.com/\">Tupelo\u003c/a>, which offers Southern soul food and creative cocktails, and \u003ca href=\"http://thebellecora.com/\">Belle Cora\u003c/a>, a bistro and bar for new American fare. Even though he’s allowed to sell to-go alcohol thanks to the food, Kernan said they’re still struggling hard and that stand-alone bars are in even bigger trouble.\u003c/p>\n\u003cp>“Bars will probably be closed longer than any other establishment or business,” Kernan said. “Owners are all looking at this like, if we can break even and not make any money in the next year, that would be a win.”\u003c/p>\n\u003cp>Kernan’s bars thrive when there are live concerts and sports seasons for people to watch together.\u003c/p>\n\u003cp>“We’re going to have to pretty much completely reconfigure our business model to try to adapt,” Kernan said.\u003c/p>\n\u003cp>After restrictions lift, Louvis isn’t sure he’ll even have customers left. His landlords have deferred rent for the next few months, but at some point, that rent will come due. In August, he’s also expecting a rent hike.\u003c/p>\n\u003cp>To save money, Louvis has moved out of his San Jose apartment and in with his parents. They’re also taking money out of their retirement savings to keep the lights on at Dive Bar for as long as they can.\u003c/p>\n\u003cp>“God forbid we lose the business without being able to sell it down the line,” Louvis said. “If they just take it from us, that’s it. That’s all we have.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Are you a kid (or grown-up) who wants to learn how to draw cartoons?\u003c/p>\n\u003cp>Do you have a little more time on your hands during this seemingly never-ending shelter in place?\u003c/p>\n\u003cp>We created this cartoon tutorial series for you!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=K65ln_OJRRg\u003c/p>\n\u003cp>Every week, I'll be teaching you some tips and tricks I've learned over my many years of cartooning.\u003c/p>\n\u003cp>Whether you're the kid in class who is always drawing or if you think you can't even draw a straight line, I'll show you some fun things to draw in an easy step-by-step way.\u003c/p>\n\u003cp>And by the way, in cartooning, you don't have to draw straight lines if you don't want to!\u003c/p>\n\u003cp>We'll start by making a simple smiley face turn older or younger just by moving the eye position and will work our way into cartooning everything from Bay Area wildlife to ships on the bay to the basics of caricaturing politicians.\u003c/p>\n\u003cp>When I'm not showing you how to cartoon, I create a daily cartoon for KQED called \u003ca href=\"https://www.kqed.org/mark-fiore-drawn-to-the-bay\">Drawn to the Bay\u003c/a> and a \u003ca href=\"http://www.markfiore.com/january-march-2020/2020/3/19/keep-your-distance\">weekly political animation\u003c/a>.\u003c/p>\n\u003cp>Now let's draw together!\u003c/p>\n\u003cp>\u003cem>Have a request for something you'd like to learn to draw? Send an email to \u003ca href=\"mailto:cartoons@kqed.org\">cartoons@kqed.org\u003c/a>. And if you want to share a cartoon you've drawn after watching Cartooning-in-Place, send it in! We may feature it in a future episode.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Are you a kid (or grown-up) who wants to learn how to draw cartoons?\u003c/p>\n\u003cp>Do you have a little more time on your hands during this seemingly never-ending shelter in place?\u003c/p>\n\u003cp>We created this cartoon tutorial series for you!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/K65ln_OJRRg'\n title='//www.youtube.com/embed/K65ln_OJRRg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Every week, I'll be teaching you some tips and tricks I've learned over my many years of cartooning.\u003c/p>\n\u003cp>Whether you're the kid in class who is always drawing or if you think you can't even draw a straight line, I'll show you some fun things to draw in an easy step-by-step way.\u003c/p>\n\u003cp>And by the way, in cartooning, you don't have to draw straight lines if you don't want to!\u003c/p>\n\u003cp>We'll start by making a simple smiley face turn older or younger just by moving the eye position and will work our way into cartooning everything from Bay Area wildlife to ships on the bay to the basics of caricaturing politicians.\u003c/p>\n\u003cp>When I'm not showing you how to cartoon, I create a daily cartoon for KQED called \u003ca href=\"https://www.kqed.org/mark-fiore-drawn-to-the-bay\">Drawn to the Bay\u003c/a> and a \u003ca href=\"http://www.markfiore.com/january-march-2020/2020/3/19/keep-your-distance\">weekly political animation\u003c/a>.\u003c/p>\n\u003cp>Now let's draw together!\u003c/p>\n\u003cp>\u003cem>Have a request for something you'd like to learn to draw? Send an email to \u003ca href=\"mailto:cartoons@kqed.org\">cartoons@kqed.org\u003c/a>. And if you want to share a cartoon you've drawn after watching Cartooning-in-Place, send it in! We may feature it in a future episode.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "California Arts Advocates Make Case for Artists as 'Second Responders' to Pandemic",
"title": "California Arts Advocates Make Case for Artists as 'Second Responders' to Pandemic",
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"content": "\u003cp>It didn’t take long for California’s artists to spring into action after the coronavirus pandemic hit. Illustrator \u003ca href=\"http://wendymacnaughton.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Wendy MacNaughton\u003c/a> started offering free virtual drawing classes to keep confined kids busy from San Francisco. Musician Kayo Anderson conducts singalongs on behalf of the low-income and homelessness non-profit, \u003ca href=\"https://cangress.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Los Angeles Community Action Network,\u003c/a> to help boost people dealing with poverty.\u003c/p>\n\u003cp>When facing disasters like wildfires and global pandemics, California looks to workers like firefighters and nurses to save lives. But what about rebuilding those lives after they’ve been saved? Arts advocates say that’s where arts and culture workers prove to be essential.\u003c/p>\n\u003cp>Examples of arts stepping in to bring healing, to uplift and offer reflection to depressed and anxious communities are flourishing across the state right now, despite the fact many artists and cultural groups have been hit hard by the failing economy.\u003c/p>\n\u003cp>https://youtu.be/ieUJaRDRrKE\u003c/p>\n\u003cp>According to a recent \u003ca href=\"https://view.publitas.com/ca-arts-council/covid-19-california-arts-culture-sector-early-impact-survey/page/1\" target=\"_blank\" rel=\"noopener noreferrer\">California Arts Council study\u003c/a> looking at the early economic impact of the coronavirus pandemic, the total losses for arts organizations across the state stood at more than $35 million at the end of April. Organizations estimated an average revenue loss of $193,642 each, and individual artists estimated an average personal income loss of $23,857 each.\u003c/p>\n\u003cp>\"We're absolutely decimated right now,\" said Julie Baker, executive director of the advocacy group \u003ca href=\"https://www.californiansforthearts.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Californians for the Arts\u003c/a>. \"The arts and culture sector were the first to shut down and likely will be the last to fully reopen.\"\u003c/p>\n\u003cp>With California currently facing a more than \u003ca href=\"https://www.kqed.org/news/11816775/state-facing-54-3-billion-deficit-due-to-covid-19\" target=\"_blank\" rel=\"noopener noreferrer\">$54 billion budget deficit\u003c/a>, Baker is worried about the future of the state’s financial support for the beleaguered cultural community. The arts budget currently stands at $26 million, putting it about halfway down the list nationally for state support of arts and culture programs.\u003c/p>\n\u003cp>\"Our goal right now is to see the California Arts Council's budget protected,\" Baker said. \"But if there are going to be cuts across state agencies, do not cut the arts budget in greater number than any other agency.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Arts advocates like Baker are planning to pursue these goals by persuading lawmakers that cultural workers are essential to the disaster recovery process. She wants them to be thought of as \"second responders,\" stepping into the fray soon after the mobilization of first responders, like healthcare workers and firefighters.\u003c/p>\n\u003cp>\"A first responder comes in and saves a life,\" Baker said. \"A second responder comes in and helps to rebuild a life.\"\u003c/p>\n\u003cp>Making a case for artists as second responders — an idea previously floated in the aftermath of the 2017 Sonoma County wildfires — could help bolster funding for the arts.\u003c/p>\n\u003cp>[aside label=\"More Coronavirus Coverage\" tag=\"coronavirus\"]\u003c/p>\n\u003cp>\"Arts advocates have got to carry whatever flag will fly the highest in the eyes of policymakers, decision-makers, government, private foundations,\" said Bay Area-based arts consultant \u003ca href=\"https://www.voglconsulting.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Marc Vogl\u003c/a>.\u003c/p>\n\u003cp>But Vogl cautions against the temptation to see all art through a therapeutic lens.\u003c/p>\n\u003cp>\"There will be a lot of chafing around, and frustration among many artists that their programming has to be further constrained,\" he said.\u003c/p>\n\u003cp>Meanwhile, Gov. Gavin Newsom’s \u003ca href=\"https://www.gov.ca.gov/2020/04/17/governor-newsom-taps-california-business-labor-health-care-and-community-leaders-for-new-task-force-on-business-and-jobs-recovery/\" target=\"_blank\" rel=\"noopener noreferrer\">Task Force on Business and Jobs Recovery\u003c/a> has one or two corporate entertainment executives among its ranks, from Disney and Netflix. But as yet, \u003ca href=\"https://www.gov.ca.gov/wp-content/uploads/2020/05/Governors-Task-Force-on-Business-Jobs-Recovery.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">does not include a single leader from the arts and culture world\u003c/a>. (The governor's office declined to grant KQED an interview for this story.)\u003c/p>\n\u003cp>\"It's disappointing because Gavin Newsom has been very supportive of the arts, both as a governor and as a mayor,\" said Brad Erickson, executive director of \u003ca href=\"https://www.theatrebayarea.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Theatre Bay Area\u003c/a>, a regional performing arts service organization. \"I've heard him talk about how the arts are great for our souls, for the life of our city, and also how they're a real part of the economy.\"\u003c/p>\n\u003cp>And even though many lawmakers like to tout the fact that the creative sector is a major economic driver in California, advocates know that public funding for arts and culture is a tough sell at the best of times — and especially so during periods of financial hardship.\u003c/p>\n\u003cp>\"A number of conservative lawmakers are arts donors themselves,\" Erickson said. \"But they don't believe that public monies should go to the arts.\"\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It didn’t take long for California’s artists to spring into action after the coronavirus pandemic hit. Illustrator \u003ca href=\"http://wendymacnaughton.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Wendy MacNaughton\u003c/a> started offering free virtual drawing classes to keep confined kids busy from San Francisco. Musician Kayo Anderson conducts singalongs on behalf of the low-income and homelessness non-profit, \u003ca href=\"https://cangress.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Los Angeles Community Action Network,\u003c/a> to help boost people dealing with poverty.\u003c/p>\n\u003cp>When facing disasters like wildfires and global pandemics, California looks to workers like firefighters and nurses to save lives. But what about rebuilding those lives after they’ve been saved? Arts advocates say that’s where arts and culture workers prove to be essential.\u003c/p>\n\u003cp>Examples of arts stepping in to bring healing, to uplift and offer reflection to depressed and anxious communities are flourishing across the state right now, despite the fact many artists and cultural groups have been hit hard by the failing economy.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ieUJaRDRrKE'\n title='//www.youtube.com/embed/ieUJaRDRrKE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>According to a recent \u003ca href=\"https://view.publitas.com/ca-arts-council/covid-19-california-arts-culture-sector-early-impact-survey/page/1\" target=\"_blank\" rel=\"noopener noreferrer\">California Arts Council study\u003c/a> looking at the early economic impact of the coronavirus pandemic, the total losses for arts organizations across the state stood at more than $35 million at the end of April. Organizations estimated an average revenue loss of $193,642 each, and individual artists estimated an average personal income loss of $23,857 each.\u003c/p>\n\u003cp>\"We're absolutely decimated right now,\" said Julie Baker, executive director of the advocacy group \u003ca href=\"https://www.californiansforthearts.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Californians for the Arts\u003c/a>. \"The arts and culture sector were the first to shut down and likely will be the last to fully reopen.\"\u003c/p>\n\u003cp>With California currently facing a more than \u003ca href=\"https://www.kqed.org/news/11816775/state-facing-54-3-billion-deficit-due-to-covid-19\" target=\"_blank\" rel=\"noopener noreferrer\">$54 billion budget deficit\u003c/a>, Baker is worried about the future of the state’s financial support for the beleaguered cultural community. The arts budget currently stands at $26 million, putting it about halfway down the list nationally for state support of arts and culture programs.\u003c/p>\n\u003cp>\"Our goal right now is to see the California Arts Council's budget protected,\" Baker said. \"But if there are going to be cuts across state agencies, do not cut the arts budget in greater number than any other agency.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Arts advocates like Baker are planning to pursue these goals by persuading lawmakers that cultural workers are essential to the disaster recovery process. She wants them to be thought of as \"second responders,\" stepping into the fray soon after the mobilization of first responders, like healthcare workers and firefighters.\u003c/p>\n\u003cp>\"A first responder comes in and saves a life,\" Baker said. \"A second responder comes in and helps to rebuild a life.\"\u003c/p>\n\u003cp>Making a case for artists as second responders — an idea previously floated in the aftermath of the 2017 Sonoma County wildfires — could help bolster funding for the arts.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"Arts advocates have got to carry whatever flag will fly the highest in the eyes of policymakers, decision-makers, government, private foundations,\" said Bay Area-based arts consultant \u003ca href=\"https://www.voglconsulting.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Marc Vogl\u003c/a>.\u003c/p>\n\u003cp>But Vogl cautions against the temptation to see all art through a therapeutic lens.\u003c/p>\n\u003cp>\"There will be a lot of chafing around, and frustration among many artists that their programming has to be further constrained,\" he said.\u003c/p>\n\u003cp>Meanwhile, Gov. Gavin Newsom’s \u003ca href=\"https://www.gov.ca.gov/2020/04/17/governor-newsom-taps-california-business-labor-health-care-and-community-leaders-for-new-task-force-on-business-and-jobs-recovery/\" target=\"_blank\" rel=\"noopener noreferrer\">Task Force on Business and Jobs Recovery\u003c/a> has one or two corporate entertainment executives among its ranks, from Disney and Netflix. But as yet, \u003ca href=\"https://www.gov.ca.gov/wp-content/uploads/2020/05/Governors-Task-Force-on-Business-Jobs-Recovery.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">does not include a single leader from the arts and culture world\u003c/a>. (The governor's office declined to grant KQED an interview for this story.)\u003c/p>\n\u003cp>\"It's disappointing because Gavin Newsom has been very supportive of the arts, both as a governor and as a mayor,\" said Brad Erickson, executive director of \u003ca href=\"https://www.theatrebayarea.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Theatre Bay Area\u003c/a>, a regional performing arts service organization. \"I've heard him talk about how the arts are great for our souls, for the life of our city, and also how they're a real part of the economy.\"\u003c/p>\n\u003cp>And even though many lawmakers like to tout the fact that the creative sector is a major economic driver in California, advocates know that public funding for arts and culture is a tough sell at the best of times — and especially so during periods of financial hardship.\u003c/p>\n\u003cp>\"A number of conservative lawmakers are arts donors themselves,\" Erickson said. \"But they don't believe that public monies should go to the arts.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"disqusTitle": "Andre Harrell, Founding Father of Hip-Hop Soul, Dead at 59",
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"content": "\u003cp>Andre Harrell, hip-hop and R&B mogul and founder of the visionary label Uptown Records, has died. He was 59 years old.\u003c/p>\n\u003cp>The Revolt network, where Harrell worked as vice chairman, confirmed Harrell's passing in a statement. \"Everyone in the REVOLT family is devastated by the loss of our friend, mentor and Vice-Chairman,\" the statement read. \"Andre's impact on Hip Hop and the culture and on us has been immeasurable and profound. May he Rest In Peace.\"\u003c/p>\n\u003cp>Harrell was born on Sept. 26, 1960, and raised in the Bronx, N.Y. As a teenager, Harrell formed a hip-hop duo with his high school friend, Alonzo Brown, called Dr. Jekyll & Mr. Hyde (Harrell was the former). The pair saw success with its singles; \"Genius Rap,\" released in 1981, was their most notable.\u003c/p>\n\u003cp>https://twitter.com/johnlegend/status/1259132568877690880?\u003c/p>\n\u003cp>In 1983, Harrell met Russell Simmons, who brought him into the fold at his label, Def Jam Records. Within two years, Harrell became vice president and general manager at Def Jam. By 1986, Harrell had left to pursue the creation of his own label, Uptown Records.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Uptown Records became the home of acts that established a new kind of relationship between R&B and hip-hop, one in which the styles of the genres became inextricably enmeshed: Al B. Sure, \u003ca href=\"https://www.npr.org/artists/15285185/mary-j-blige\">Mary J. Blige\u003c/a>, Jodeci and Guy (which featured a New Jack Swing pioneer in Teddy Riley) were all R&B acts that leaned heavily on the cultural influence of hip-hop, while Heavy D and the Boyz, a hip-hop act, sanded down the jagged edges of rap with soul samples and R&B collaborations, pushing forth the musical ideals of Harrell.\u003c/p>\n\u003cp>https://twitter.com/MariahCarey/status/1259015558651150336\u003c/p>\n\u003cp>In 1992, MCA made a $50 million multimedia deal with Uptown, giving Harrell the opportunity to produce films, TV shows and movie soundtracks. As a result, the mogul produced the 1991 comedy \u003cem>Strictly Business\u003c/em>, starring an up-and-coming Halle Berry and Tommy Davidson. Harrell also executive produced the TV series \u003cem>New York Undercover\u003c/em>, which ran during the 1990s.\u003c/p>\n\u003cp>Harrell is known for coining the term \"ghetto fabulous,\" a phrase that described the aesthetic he was driven to encapsulate: simultaneously relatable and remarkable. Harrell worked to bring that lifestyle to the forefront of mainstream media. \"My goal is to bring real black America — just as it is, not watered down — to people everywhere through music, through films, through everything we do,\" he \u003ca href=\"https://www.latimes.com/archives/la-xpm-1992-06-11-ca-247-story.html\">told\u003c/a> the \u003cem>Los Angeles Times\u003c/em> in 1992.\u003c/p>\n\u003cp>Second to his impact as Uptown Records founder, Harrell is well known as the man who gave Sean \"Diddy\" Combs, who worked as an intern for the label, his big shot. Combs would later become an A&R at Uptown, scouting acts like the Notorious B.I.G., who would shape the hip-hop and R&B landscape. Combs would later recruit his former boss to work as vice chairman of Revolt, a music network and media company helmed by Combs.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Throughout his career, Harrell was widely considered a tastemaker. In a 2018 \u003ca href=\"https://www.latimes.com/archives/la-xpm-1992-06-11-ca-247-story.html\">interview\u003c/a> with Ebro Darden, Harrell explained his self-given purpose at the later stages of his career. \"I try to give people direction, in terms of the cultural currency of what things could be.\"\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Andre+Harrell%2C+Founding+Father+Of+Hip-Hop+Soul%2C+Dead+At+59&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>In 1992, MCA made a $50 million multimedia deal with Uptown, giving Harrell the opportunity to produce films, TV shows and movie soundtracks. As a result, the mogul produced the 1991 comedy \u003cem>Strictly Business\u003c/em>, starring an up-and-coming Halle Berry and Tommy Davidson. Harrell also executive produced the TV series \u003cem>New York Undercover\u003c/em>, which ran during the 1990s.\u003c/p>\n\u003cp>Harrell is known for coining the term \"ghetto fabulous,\" a phrase that described the aesthetic he was driven to encapsulate: simultaneously relatable and remarkable. Harrell worked to bring that lifestyle to the forefront of mainstream media. \"My goal is to bring real black America — just as it is, not watered down — to people everywhere through music, through films, through everything we do,\" he \u003ca href=\"https://www.latimes.com/archives/la-xpm-1992-06-11-ca-247-story.html\">told\u003c/a> the \u003cem>Los Angeles Times\u003c/em> in 1992.\u003c/p>\n\u003cp>Second to his impact as Uptown Records founder, Harrell is well known as the man who gave Sean \"Diddy\" Combs, who worked as an intern for the label, his big shot. Combs would later become an A&R at Uptown, scouting acts like the Notorious B.I.G., who would shape the hip-hop and R&B landscape. Combs would later recruit his former boss to work as vice chairman of Revolt, a music network and media company helmed by Combs.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Throughout his career, Harrell was widely considered a tastemaker. In a 2018 \u003ca href=\"https://www.latimes.com/archives/la-xpm-1992-06-11-ca-247-story.html\">interview\u003c/a> with Ebro Darden, Harrell explained his self-given purpose at the later stages of his career. \"I try to give people direction, in terms of the cultural currency of what things could be.\"\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Andre+Harrell%2C+Founding+Father+Of+Hip-Hop+Soul%2C+Dead+At+59&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>State Lawmakers Return to Confront Coronavirus and Budget Deficit\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">The California state Assembly headed back to Sacramento this week following a two month hiatus, which coincided with the coronavirus crisis. Among the daunting challenges they’ll have to tackle is a budgetary shortfall of more than $53 billion, according to an updated projection by the California Department of Finance. The massive fiscal hole reflects declining tax revenues, record unemployment and expenditures the state has made to address the public health crisis caused by the coronavirus. Meanwhile, other long-standing challenges loom, from boosting affordable housing to fighting climate change and helping ailing school districts.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Assemblymember David Chiu, D-San Francisco\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Assemblymember James Gallagher, R-Yuba City\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Not ‘Business as Usual’ for Retailers Ready to Reopen\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Weeks of sheltering in place have taken a heavy toll on retailers. This week, Gov. Gavin Newsom began loosening restrictions for some of them as the state transitions from phase one to phase two of reopening this Friday. Clothing stores and sporting goods stores, for example, can reopen with social distancing in place for curbside pickup and delivery. Dine-in restaurants, shopping malls and offices must remain closed for now. Counties may still implement stricter rules if they feel their region is not yet prepared to reopen.\u003c/span> \u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Debra Knick, owner, Sonoma Outfitters\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Tina Ferguson, owner, Face in a Book\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>When the Venue Is Your Home: A Film Festival Goes Virtual\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Next week, the Center for Asian American Media launches CAAMFest, a film festival that for nearly four decades has celebrated Asian American storytelling with screenings and events for Bay Area audiences. But this year, for the first time in its history, the 10-day festival will be held entirely online because of the coronavirus pandemic. Starting next Wednesday, more than 20 free digital programs will launch, from discussions with filmmakers to live performances and watch parties that showcase the diversity and creativity of Asian American artists. With the theme of “heritage at home,” this year’s festival is also a bold experiment that may signal the future of engaging film festival audiences wherever they are. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Guest:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Masashi Niwano, festival director, CAAMFest\u003c/span>\u003c/li>\n\u003c/ul>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>State Lawmakers Return to Confront Coronavirus and Budget Deficit\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">The California state Assembly headed back to Sacramento this week following a two month hiatus, which coincided with the coronavirus crisis. Among the daunting challenges they’ll have to tackle is a budgetary shortfall of more than $53 billion, according to an updated projection by the California Department of Finance. The massive fiscal hole reflects declining tax revenues, record unemployment and expenditures the state has made to address the public health crisis caused by the coronavirus. Meanwhile, other long-standing challenges loom, from boosting affordable housing to fighting climate change and helping ailing school districts.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Assemblymember David Chiu, D-San Francisco\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Assemblymember James Gallagher, R-Yuba City\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Not ‘Business as Usual’ for Retailers Ready to Reopen\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Weeks of sheltering in place have taken a heavy toll on retailers. This week, Gov. Gavin Newsom began loosening restrictions for some of them as the state transitions from phase one to phase two of reopening this Friday. Clothing stores and sporting goods stores, for example, can reopen with social distancing in place for curbside pickup and delivery. Dine-in restaurants, shopping malls and offices must remain closed for now. Counties may still implement stricter rules if they feel their region is not yet prepared to reopen.\u003c/span> \u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Debra Knick, owner, Sonoma Outfitters\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Tina Ferguson, owner, Face in a Book\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>When the Venue Is Your Home: A Film Festival Goes Virtual\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Next week, the Center for Asian American Media launches CAAMFest, a film festival that for nearly four decades has celebrated Asian American storytelling with screenings and events for Bay Area audiences. But this year, for the first time in its history, the 10-day festival will be held entirely online because of the coronavirus pandemic. Starting next Wednesday, more than 20 free digital programs will launch, from discussions with filmmakers to live performances and watch parties that showcase the diversity and creativity of Asian American artists. With the theme of “heritage at home,” this year’s festival is also a bold experiment that may signal the future of engaging film festival audiences wherever they are. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "From Ebola to Coronavirus — A Simple Practice of Sticker-Photo Portraits for Health Care Workers",
"title": "From Ebola to Coronavirus — A Simple Practice of Sticker-Photo Portraits for Health Care Workers",
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"content": "\u003cp>The scene has become a familiar one at COVID-19 testing centers: health care workers clad in head-to-toe personal protective equipment with eyes peeking out behind an N95 mask and goggles. Expressions and smiles are hidden behind a protective layer.\u003c/p>\n\u003cp>The image becomes even more stark when thinking of those alone, in isolation. “The stories of people dying alone with no one in their room except an occasional masked health care worker struck the psyche of the country,” said L.A.-based artist Mary Beth Heffernan. “That has been the turning point in the U.S. for realizing that there's a need to make a human connection.” [pullquote size=\"small\" align=\"right\" citation=\"Mary Beth Heffernan, artist\"]\"The stories of people dying alone with no one in their room except an occasional masked health care worker struck the psyche of the country\"[/pullquote]\u003c/p>\n\u003cp>Heffernan is trying to create that human connection by printing photographs of health care workers faces on stickers. They are placed on the chest of their protective suit so patients can see what they look like. She teamed up with Stanford research scientist Cati Brown-Johnson in April to pilot the program at a Stanford drive-through coronavirus test site.\u003c/p>\n\u003cfigure id=\"attachment_11817050\" class=\"wp-caption alignnone\" style=\"max-width: 737px\">\u003cimg class=\"size-full wp-image-11817050\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/01_MBH-and-Zoe-Dewalt-RN2.jpg\" alt=\"\" width=\"737\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/01_MBH-and-Zoe-Dewalt-RN2.jpg 737w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/01_MBH-and-Zoe-Dewalt-RN2-160x130.jpg 160w\" sizes=\"(max-width: 737px) 100vw, 737px\">\u003cfigcaption class=\"wp-caption-text\">Mary Beth Heffernan applies a PPE portrait to the apron of Zoe Dewalt, a nurse at an Ebola treatment unit in Paynesville, Liberia, in 2015. \u003ccite>(Courtesy of Marc Campos, Occidental College)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s a simple way to personalize the experience, but one that works. Heffernan knows because she piloted the concept in Liberia in 2015 during the Ebola crisis.\u003c/p>\n\u003ch3>Lessons From Liberia\u003c/h3>\n\u003cp>In 2014, while on sabbatical from teaching at Occidental College in L.A., Heffernan saw a powerful image — three health care workers in head-to-toe protective gear looking like some kind of “evil platypus.” As she recalls, “there was something both futuristic and primitive about the get up, as if it were a kind of low rent costume from a Star Wars movie — I just found it incredibly disturbing and frightening to think about what it would be like to be a patient.”\u003c/p>\n\u003cp>Her gut reaction was to create an imagined picture of the health care worker on the outside of the protective suit.\u003c/p>\n\u003cp>She began reading detailed accounts about Ebola, and specifically, accounts of patients and doctors. Reading accounts of those who survived, and had gone through isolation, “they felt completely dehumanized,” she said.\u003c/p>\n\u003cp>She set aside her other projects and plunged in to explore options for rural Liberia, “how to take portraits of health care workers and print them out on adhesive labels without electricity?”\u003c/p>\n\u003cp>After extensive research, she emailed \u003ca href=\"https://www.ted.com/speakers/soka_moses\" target=\"_blank\" rel=\"noopener noreferrer\">Dr. J. Soka Moses\u003c/a> in Liberia. He responded enthusiastically, and a month later Dr. Moses Massaquoi — then chair of Ebola Case Management for Liberia — issued her an invitation to Liberia (\u003ca href=\"https://www.npr.org/sections/goatsandsoda/2015/04/09/397853271/an-artists-brainstorm-put-photos-on-those-faceless-ebola-suits\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a> featured the original project in 2015).\u003c/p>\n\u003cp>In February 2015, she was on a plane to Liberia partnering directly with the government, “not a white woman-sort-of-freelancer-do-gooder, but invited by case management of Liberia,” she said. As she unloaded her six large boxes of printers, vinyl labels and water-resistant ink and supplies, a fellow passenger asked if she was moving to Liberia. She stayed for three weeks, left her supplies and returned to the U.S.\u003c/p>\n\u003cp>According to Jennifer Giovanni, head of infection control at a treatment center in a rural part of Liberia, the project did start working. Giovanni said the photos have made a huge difference — not only for the patients.\u003c/p>\n\u003ch3>The Portrait Project Pilots at Stanford\u003c/h3>\n\u003cp>Fast forward to today and Heffernan is now partnered with Stanford to bring the PPE portrait project to life again in an effort to share how much warmth a simple photo sticker can bring.\u003c/p>\n\u003cp>As the novel coronavirus escalated, Stanford research scientist Cati Brown-Johnson remembered seeing Heffernan’s prior work and thought, “This needs to be happening right this second.”\u003c/p>\n\u003cp>“It's very simple, very straightforward,” Brown-Johnson said.\u003c/p>\n\u003cp>The pilot project has since expanded to provide portrait stickers for Stanford Hospital’s health care workers in primary and palliative care and at least 10 other U.S. locations, including \u003ca href=\"http://www.ppeportrait.org/\" target=\"_blank\" rel=\"noopener noreferrer\">UMass and USC-Keck\u003c/a>, are in various stages of implementation. Heffernan also said people in Italy and Canada have contacted her to find out how they might do something similar.\u003c/p>\n\u003cfigure id=\"attachment_11817053\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11817053\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-800x1043.jpg\" alt=\"\" width=\"800\" height=\"1043\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-800x1043.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-160x209.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-1020x1330.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-1920x2503.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dr. Winnie Teuteberg, at Stanford, works in the field of hospice and palliative medicine. \u003ccite>(Winnie Teuteberg)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Brown-Johnson’s research is in humanism and the connection between doctor and patient. “I get really interested in things that help patients heal themselves,” she said.\u003c/p>\n\u003cp>Brown-Johnson said a patient's mindset can become more positive when a provider is warm and competent. \u003ca href=\"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6619399/\" target=\"_blank\" rel=\"noopener noreferrer\">Research\u003c/a> is beginning to \u003ca href=\"https://profiles.stanford.edu/catibrownjohnson?tab=publications\" target=\"_blank\" rel=\"noopener noreferrer\">reflect this\u003c/a>.\u003c/p>\n\u003cp>Although protective equipment signals competence, she said, there's also \"zero warmth in PPE.\"\u003c/p>\n\u003cp>Heffernan’s portraits remind patients of a provider's humanity. In addition, Brown-Johnson said health care providers told her they felt more comfortable approaching cars when they had a portrait on.\u003c/p>\n\u003cp>“That helps them feel more comfortable,” Brown-Johnson said.\u003c/p>\n\u003cp>Brown-Johnson admits that more broadly, the portraits are an extra task that needs to be done for a health care system that is already strapped. But she’s willing to get past that.\u003c/p>\n\u003cp>“I think it's really important to have a champion on site, somebody that's really excited about this, that can kind of stay on top of it — that can continue printing and printing stickers,” she said. [pullquote size=\"small\" align=\"right\" citation=\"Cati Brown-Johnson, Stanford research scientist\"]\"I really want to see this used as widely as possible and where it's not possible for some reason, I really want to encourage providers to look for ways to connect with their patients.\"[/pullquote]\u003c/p>\n\u003cp>From a scientific standpoint, Brown-Johnson said it’s also a great example of multiple simultaneous discovery. Folks at other hospitals were posting laminated portraits as part of the “\u003ca href=\"https://www.huffpost.com/entry/medical-workers-pics-smiling-covid-19-patients_l_5e8f725bc5b6b371812da523?\" target=\"_blank\" rel=\"noopener noreferrer\">share your smile movement,\u003c/a>” encouraging health professionals to wear a laminated portrait. The original concept Heffernan developed is a sticker, in part, so it can be easily thrown out with the used suit. The laminated portraits need to be disinfected each time — yet they only need to be printed once.\u003c/p>\n\u003ch3>Future Implementation\u003c/h3>\n\u003cp>Heffernan and Brown-Johnson want to share \u003ca href=\"https://med.stanford.edu/pcph/research/ppe-project.html\" target=\"_blank\" rel=\"noopener noreferrer\">how simple it is to do\u003c/a>.\u003c/p>\n\u003cp>“I really want to see this used as widely as possible and where it's not possible for some reason, I really want to encourage providers to look for ways to connect with their patients,” Brown-Johnson said. \u003cspan style=\"font-weight: 400\">[ad fullwidth]\u003c/span>\u003c/p>\n\u003cp>In the future, Heffernan would like to see PPE portraits in all health care situations where providers are masked — such as when doctors are interacting with immunocompromised patients or pediatric oncology, where PPE is often necessary to interact with patients.[aside tag=\"coronavirus\" label=\"More Coronavirus Coverage\"]\u003c/p>\n\u003cp>For Heffernan, the portrait project stems from her artistic work, which is largely influenced by feminist art and the use of objects to change relationships.\u003c/p>\n\u003cp>But Heffernan is less concerned with terminology and more concerned with the idea that “the art is not the portrait itself, but is what it acts as a catalyst for, which is a change in relations between the health care worker and the patient. So for me, the patient and the health care worker — in a sense, are creating the art.”\u003c/p>\n\u003cp>\u003cem>For Bay Area photographers interested in signing up to take pictures, please \u003ca href=\"https://docs.google.com/forms/d/175Z5ItKbUwsG-XO6NRPZWvpufOc_SHLFeN6J1WyFF_U/viewform?edit_requested=true#responses\" target=\"_blank\" rel=\"noopener noreferrer\">fill out this form\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The scene has become a familiar one at COVID-19 testing centers: health care workers clad in head-to-toe personal protective equipment with eyes peeking out behind an N95 mask and goggles. Expressions and smiles are hidden behind a protective layer.\u003c/p>\n\u003cp>The image becomes even more stark when thinking of those alone, in isolation. “The stories of people dying alone with no one in their room except an occasional masked health care worker struck the psyche of the country,” said L.A.-based artist Mary Beth Heffernan. “That has been the turning point in the U.S. for realizing that there's a need to make a human connection.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Heffernan is trying to create that human connection by printing photographs of health care workers faces on stickers. They are placed on the chest of their protective suit so patients can see what they look like. She teamed up with Stanford research scientist Cati Brown-Johnson in April to pilot the program at a Stanford drive-through coronavirus test site.\u003c/p>\n\u003cfigure id=\"attachment_11817050\" class=\"wp-caption alignnone\" style=\"max-width: 737px\">\u003cimg class=\"size-full wp-image-11817050\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/01_MBH-and-Zoe-Dewalt-RN2.jpg\" alt=\"\" width=\"737\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/01_MBH-and-Zoe-Dewalt-RN2.jpg 737w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/01_MBH-and-Zoe-Dewalt-RN2-160x130.jpg 160w\" sizes=\"(max-width: 737px) 100vw, 737px\">\u003cfigcaption class=\"wp-caption-text\">Mary Beth Heffernan applies a PPE portrait to the apron of Zoe Dewalt, a nurse at an Ebola treatment unit in Paynesville, Liberia, in 2015. \u003ccite>(Courtesy of Marc Campos, Occidental College)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s a simple way to personalize the experience, but one that works. Heffernan knows because she piloted the concept in Liberia in 2015 during the Ebola crisis.\u003c/p>\n\u003ch3>Lessons From Liberia\u003c/h3>\n\u003cp>In 2014, while on sabbatical from teaching at Occidental College in L.A., Heffernan saw a powerful image — three health care workers in head-to-toe protective gear looking like some kind of “evil platypus.” As she recalls, “there was something both futuristic and primitive about the get up, as if it were a kind of low rent costume from a Star Wars movie — I just found it incredibly disturbing and frightening to think about what it would be like to be a patient.”\u003c/p>\n\u003cp>Her gut reaction was to create an imagined picture of the health care worker on the outside of the protective suit.\u003c/p>\n\u003cp>She began reading detailed accounts about Ebola, and specifically, accounts of patients and doctors. Reading accounts of those who survived, and had gone through isolation, “they felt completely dehumanized,” she said.\u003c/p>\n\u003cp>She set aside her other projects and plunged in to explore options for rural Liberia, “how to take portraits of health care workers and print them out on adhesive labels without electricity?”\u003c/p>\n\u003cp>After extensive research, she emailed \u003ca href=\"https://www.ted.com/speakers/soka_moses\" target=\"_blank\" rel=\"noopener noreferrer\">Dr. J. Soka Moses\u003c/a> in Liberia. He responded enthusiastically, and a month later Dr. Moses Massaquoi — then chair of Ebola Case Management for Liberia — issued her an invitation to Liberia (\u003ca href=\"https://www.npr.org/sections/goatsandsoda/2015/04/09/397853271/an-artists-brainstorm-put-photos-on-those-faceless-ebola-suits\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a> featured the original project in 2015).\u003c/p>\n\u003cp>In February 2015, she was on a plane to Liberia partnering directly with the government, “not a white woman-sort-of-freelancer-do-gooder, but invited by case management of Liberia,” she said. As she unloaded her six large boxes of printers, vinyl labels and water-resistant ink and supplies, a fellow passenger asked if she was moving to Liberia. She stayed for three weeks, left her supplies and returned to the U.S.\u003c/p>\n\u003cp>According to Jennifer Giovanni, head of infection control at a treatment center in a rural part of Liberia, the project did start working. Giovanni said the photos have made a huge difference — not only for the patients.\u003c/p>\n\u003ch3>The Portrait Project Pilots at Stanford\u003c/h3>\n\u003cp>Fast forward to today and Heffernan is now partnered with Stanford to bring the PPE portrait project to life again in an effort to share how much warmth a simple photo sticker can bring.\u003c/p>\n\u003cp>As the novel coronavirus escalated, Stanford research scientist Cati Brown-Johnson remembered seeing Heffernan’s prior work and thought, “This needs to be happening right this second.”\u003c/p>\n\u003cp>“It's very simple, very straightforward,” Brown-Johnson said.\u003c/p>\n\u003cp>The pilot project has since expanded to provide portrait stickers for Stanford Hospital’s health care workers in primary and palliative care and at least 10 other U.S. locations, including \u003ca href=\"http://www.ppeportrait.org/\" target=\"_blank\" rel=\"noopener noreferrer\">UMass and USC-Keck\u003c/a>, are in various stages of implementation. Heffernan also said people in Italy and Canada have contacted her to find out how they might do something similar.\u003c/p>\n\u003cfigure id=\"attachment_11817053\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11817053\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-800x1043.jpg\" alt=\"\" width=\"800\" height=\"1043\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-800x1043.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-160x209.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-1020x1330.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-1920x2503.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dr. Winnie Teuteberg, at Stanford, works in the field of hospice and palliative medicine. \u003ccite>(Winnie Teuteberg)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Brown-Johnson’s research is in humanism and the connection between doctor and patient. “I get really interested in things that help patients heal themselves,” she said.\u003c/p>\n\u003cp>Brown-Johnson said a patient's mindset can become more positive when a provider is warm and competent. \u003ca href=\"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6619399/\" target=\"_blank\" rel=\"noopener noreferrer\">Research\u003c/a> is beginning to \u003ca href=\"https://profiles.stanford.edu/catibrownjohnson?tab=publications\" target=\"_blank\" rel=\"noopener noreferrer\">reflect this\u003c/a>.\u003c/p>\n\u003cp>Although protective equipment signals competence, she said, there's also \"zero warmth in PPE.\"\u003c/p>\n\u003cp>Heffernan’s portraits remind patients of a provider's humanity. In addition, Brown-Johnson said health care providers told her they felt more comfortable approaching cars when they had a portrait on.\u003c/p>\n\u003cp>“That helps them feel more comfortable,” Brown-Johnson said.\u003c/p>\n\u003cp>Brown-Johnson admits that more broadly, the portraits are an extra task that needs to be done for a health care system that is already strapped. But she’s willing to get past that.\u003c/p>\n\u003cp>“I think it's really important to have a champion on site, somebody that's really excited about this, that can kind of stay on top of it — that can continue printing and printing stickers,” she said. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>From a scientific standpoint, Brown-Johnson said it’s also a great example of multiple simultaneous discovery. Folks at other hospitals were posting laminated portraits as part of the “\u003ca href=\"https://www.huffpost.com/entry/medical-workers-pics-smiling-covid-19-patients_l_5e8f725bc5b6b371812da523?\" target=\"_blank\" rel=\"noopener noreferrer\">share your smile movement,\u003c/a>” encouraging health professionals to wear a laminated portrait. The original concept Heffernan developed is a sticker, in part, so it can be easily thrown out with the used suit. The laminated portraits need to be disinfected each time — yet they only need to be printed once.\u003c/p>\n\u003ch3>Future Implementation\u003c/h3>\n\u003cp>Heffernan and Brown-Johnson want to share \u003ca href=\"https://med.stanford.edu/pcph/research/ppe-project.html\" target=\"_blank\" rel=\"noopener noreferrer\">how simple it is to do\u003c/a>.\u003c/p>\n\u003cp>“I really want to see this used as widely as possible and where it's not possible for some reason, I really want to encourage providers to look for ways to connect with their patients,” Brown-Johnson said. \u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For Heffernan, the portrait project stems from her artistic work, which is largely influenced by feminist art and the use of objects to change relationships.\u003c/p>\n\u003cp>But Heffernan is less concerned with terminology and more concerned with the idea that “the art is not the portrait itself, but is what it acts as a catalyst for, which is a change in relations between the health care worker and the patient. So for me, the patient and the health care worker — in a sense, are creating the art.”\u003c/p>\n\u003cp>\u003cem>For Bay Area photographers interested in signing up to take pictures, please \u003ca href=\"https://docs.google.com/forms/d/175Z5ItKbUwsG-XO6NRPZWvpufOc_SHLFeN6J1WyFF_U/viewform?edit_requested=true#responses\" target=\"_blank\" rel=\"noopener noreferrer\">fill out this form\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"order": 9
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"source": "American Public Media"
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"masters-of-scale": {
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"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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},
"mindshift": {
"id": "mindshift",
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"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
"id": "morning-edition",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"order": 11
},
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"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"link": "/radio/program/on-the-media",
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},
"pbs-newshour": {
"id": "pbs-newshour",
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"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
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},
"perspectives": {
"id": "perspectives",
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"order": 14
},
"link": "/perspectives",
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
"link": "/radio/program/planet-money",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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"rss": "https://feeds.npr.org/510289/podcast.xml"
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},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
},
"link": "/podcasts/politicalbreakdown",
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"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
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"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
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"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
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