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"content": "\u003cp>It’s one of the most iconic pieces of domestic architecture in the Bay Area — the Flintstone House! You may have noticed the bright orange and purple structure while driving northbound on 280 in Hillsborough.\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>I first visited this place a few years ago for a \u003ca href=\"https://www.kqed.org/news/11350365/whats-that-thing-off-280-the-flintstone-house\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Curious podcast episode\u003c/a> that remains one of their most-popular episodes of all time. But back then, the architect wasn’t available. So when the chance came to tour the house with its architect, I pounced.\u003c/p>\n\u003cp>Here’s some of our conversation, edited for coherency and aesthetic enjoyment.\u003c/p>\n\u003cp>NN: My name’s William Nicholson, but people call me Nick.\u003c/p>\n\u003cp>\u003cstrong>RM: Which do you prefer?\u003c/strong>\u003c/p>\n\u003cp>NN: Nick. Probably.\u003c/p>\n\u003cp>\u003cstrong>RM: How do you feel about your creation?\u003c/strong>\u003c/p>\n\u003cp>NN: This was a big failure. You know, I was going to revolutionize architecture when I got out of school and I didn’t. People like the places, especially once they get inside. But nobody bought them. So I felt like such a failure. But I’ve talked to so many people driving along (280, and they say the sight of the Flintstone House) brings a smile to your face. Now, why shouldn’t a house be fun? I mean, that’s fantastic. So many people drive by and at least subconsciously realize that, ‘Hey, there’s something other than a box!’\u003c/p>\n\u003cfigure id=\"attachment_11828960\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11828960 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/50f3db7f-b285-4c7a-a196-d82c2b2dd793.jpeg\" alt=\"The current owner Florence Fang didn't come up with the nickname "Flintstone House," but she's run with it, installing all kinds of cartoonish tchotchkes inside and out. \" width=\"1024\" height=\"768\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/50f3db7f-b285-4c7a-a196-d82c2b2dd793.jpeg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/50f3db7f-b285-4c7a-a196-d82c2b2dd793-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/50f3db7f-b285-4c7a-a196-d82c2b2dd793-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/50f3db7f-b285-4c7a-a196-d82c2b2dd793-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/50f3db7f-b285-4c7a-a196-d82c2b2dd793-632x474.jpeg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/50f3db7f-b285-4c7a-a196-d82c2b2dd793-536x402.jpeg 536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">The current owner Florence Fang didn’t come up with the nickname “Flintstone House,” but she’s run with it, to the \u003ca href=\"https://www.kqed.org/arts/13854843/flintstone-house-owner-hires-lawyers-to-fight-hillsborough-lawsuit\" target=\"_blank\" rel=\"noopener noreferrer\">dismay of local officials\u003c/a>, installing all kinds of cartoon-inspired touches inside and out.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>RM: Take us back to the very first conversation you had with the original owners. What was the culture like then?\u003c/strong>\u003c/p>\n\u003cp>NN: They were into computer programming. I’d built the first house out in Apple Valley, Calif., and they came and went through that house. That was an era that was a little hippie. You know? Everyone was looking at accepting something new.\u003c/p>\n\u003cp>\u003cstrong>RM: When you said you really wanted to revolutionize architecture, what was it you had in mind?\u003c/strong>\u003c/p>\n\u003cp>NN: Well, I had this idea of blowing up balloons. I developed a material that was plaster with fiberglass in it. There was this machine that you could spray that on and it would hydrate at the nozzle. So you sprayed (the plaster/fiberglass mix) on these balloons and then let the air out, and you’d have this dome structure. Then I would put the electrical elements, spray it with foam and then put wire and and steel on and then gunite it, like a swimming pool.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I came up with the original thought in Istanbul. I went to the \u003ca href=\"https://www.youtube.com/watch?v=ocyyxHkCvm8\" target=\"_blank\" rel=\"noopener noreferrer\">Blue Mosque\u003c/a>. There was hardly anybody in there at the time, so I laid down on the floor, and I looked up at the (domed) ceiling. That was the germination of the thing.\u003c/p>\n\u003cfigure id=\"attachment_11828963\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11828963 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/59c0e338-876f-43f7-ae35-d3458c38aeb6.jpeg\" alt=\"So many people drive by and at least subconsciously realize that, 'Hey, there's something other than a box!' - Flintstone House architect Nick Nicholson\" width=\"1024\" height=\"768\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/59c0e338-876f-43f7-ae35-d3458c38aeb6.jpeg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/59c0e338-876f-43f7-ae35-d3458c38aeb6-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/59c0e338-876f-43f7-ae35-d3458c38aeb6-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/59c0e338-876f-43f7-ae35-d3458c38aeb6-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/59c0e338-876f-43f7-ae35-d3458c38aeb6-632x474.jpeg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/59c0e338-876f-43f7-ae35-d3458c38aeb6-536x402.jpeg 536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">So many people drive by and at least subconsciously realize that, ‘Hey, there’s something other than a box!’ – Flintstone House architect Nick Nicholson \u003ccite>(Polly Stryker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>RM: How many of these (homes) did you build?\u003c/strong>\u003c/p>\n\u003cp>NN: Four. The last one in \u003ca href=\"https://www.palmspringslife.com/palm-springs-house/\" target=\"_blank\" rel=\"noopener noreferrer\">Palm Springs\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>RM: Now that one looks a little bit like an elf’s home, or a hobbit’s home. Does it have a nickname like the Flintstone House?\u003c/strong>\u003c/p>\n\u003cp>NN: Yeah. This was the Santorini, because it’s kind of like the Greek island Santorini.\u003c/p>\n\u003cp>\u003cstrong>RM: Do you want to show me some of your favorite parts of the Flintstone House?\u003c/strong>\u003c/p>\n\u003cp>NN: My favorite room is this room here.\u003c/p>\n\u003cfigure id=\"attachment_11828955\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11828955 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/803f779b-27ac-44ee-8902-e7458c7ca171.jpeg\" alt=\"KQED's Rachael Myrow interviews Flintstone House architect Nick Nicholson as they stare upwards in the tubular lounge.\" width=\"1024\" height=\"768\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/803f779b-27ac-44ee-8902-e7458c7ca171.jpeg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/803f779b-27ac-44ee-8902-e7458c7ca171-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/803f779b-27ac-44ee-8902-e7458c7ca171-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/803f779b-27ac-44ee-8902-e7458c7ca171-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/803f779b-27ac-44ee-8902-e7458c7ca171-632x474.jpeg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/803f779b-27ac-44ee-8902-e7458c7ca171-536x402.jpeg 536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">KQED’s Rachael Myrow interviews Flintstone House architect Nick Nicholson as they stare upwards in the tubular lounge. \u003ccite>(Polly Stryker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>RM: It’s almost like being on the the inside of cotton candy. \u003c/strong>\u003c/p>\n\u003cp>NN: That’s a great line I’ve never heard that before. May I use that?\u003c/p>\n\u003cp>\u003cstrong>RM: Absolutely! You know, I can’t get over the fact that, if you’re standing outside the house, the (280) freeway is roaring. It’s really loud. But in here, you hear nothing.\u003c/strong>\u003c/p>\n\u003cp>NN: Yeah, right, and it saves about 30 percent on heating and cooling: a function of how thick the walls are, and the fact they don’t have any seams like a square house has.\u003c/p>\n\u003cp>Just kind of lean back. This is very much like the feeling I had in the mosque.\u003c/p>\n\u003cp>\u003cstrong>RM: You’ve been an architect for many years now. How come only four houses of this type?\u003c/strong>\u003c/p>\n\u003cp>NN: Burned me out. I spent several years developing the material and everything. It became a passion. I was beating this tambourine. You know, we’ve only lived in boxes for about three or four thousand years.\u003c/p>\n\u003cp>Hundreds of thousands of years before that, we lived in soft structures. Our psychological, our cellular makeup, is that we’re a little more comfortable in soft structures than we are in a box. But also, we have this tribal instinct. The reason we survive is that we follow the tribe, and so we want to live in something like the rest of the tribe lives in. The rest of the tribe lives in boxes now.\u003c/p>\n\u003cfigure id=\"attachment_11350460\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11350460 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut.jpg\" alt=\"Wherever you stand or sit in the Flintstone House, you’re looking into other rooms.\" width=\"1920\" height=\"2880\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-1180x1770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-960x1440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-240x360.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-375x563.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-520x780.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Wherever you stand or sit in the Flintstone House, you’re looking into other rooms. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>RM: You’re supposed to build a box!\u003c/strong>\u003c/p>\n\u003cp>NN: People are really afraid to be different.\u003c/p>\n\u003cp>\u003cstrong>RM: So you decided to build more conventional homes?\u003c/strong>\u003c/p>\n\u003cp>NN: No. I went into land development. I made back all the money that I lost over eight years in a year and a half.\u003c/p>\n\u003cp>\u003cstrong>RM: So I have to ask you about one of the many controversies surrounding this home. Some people likes the outdoor paint being a kind of neutral cream (like it was in the past). Others prefer the purple and orange. What about you?\u003c/strong>\u003c/p>\n\u003cp>NN: I was shocked the first time I saw it. Then I got into the fact that, hey, it’s got to be fun! Anybody should be able to paint their house any color they want. Frankly, I was shocked when they nicknamed this the Flintstone House. And now it’s a landmark!\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s one of the most iconic pieces of domestic architecture in the Bay Area — the Flintstone House! You may have noticed the bright orange and purple structure while driving northbound on 280 in Hillsborough.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>I first visited this place a few years ago for a \u003ca href=\"https://www.kqed.org/news/11350365/whats-that-thing-off-280-the-flintstone-house\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Curious podcast episode\u003c/a> that remains one of their most-popular episodes of all time. But back then, the architect wasn’t available. So when the chance came to tour the house with its architect, I pounced.\u003c/p>\n\u003cp>Here’s some of our conversation, edited for coherency and aesthetic enjoyment.\u003c/p>\n\u003cp>NN: My name’s William Nicholson, but people call me Nick.\u003c/p>\n\u003cp>\u003cstrong>RM: Which do you prefer?\u003c/strong>\u003c/p>\n\u003cp>NN: Nick. Probably.\u003c/p>\n\u003cp>\u003cstrong>RM: How do you feel about your creation?\u003c/strong>\u003c/p>\n\u003cp>NN: This was a big failure. You know, I was going to revolutionize architecture when I got out of school and I didn’t. People like the places, especially once they get inside. But nobody bought them. So I felt like such a failure. But I’ve talked to so many people driving along (280, and they say the sight of the Flintstone House) brings a smile to your face. Now, why shouldn’t a house be fun? I mean, that’s fantastic. So many people drive by and at least subconsciously realize that, ‘Hey, there’s something other than a box!’\u003c/p>\n\u003cfigure id=\"attachment_11828960\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11828960 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/50f3db7f-b285-4c7a-a196-d82c2b2dd793.jpeg\" alt=\"The current owner Florence Fang didn't come up with the nickname "Flintstone House," but she's run with it, installing all kinds of cartoonish tchotchkes inside and out. \" width=\"1024\" height=\"768\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/50f3db7f-b285-4c7a-a196-d82c2b2dd793.jpeg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/50f3db7f-b285-4c7a-a196-d82c2b2dd793-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/50f3db7f-b285-4c7a-a196-d82c2b2dd793-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/50f3db7f-b285-4c7a-a196-d82c2b2dd793-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/50f3db7f-b285-4c7a-a196-d82c2b2dd793-632x474.jpeg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/50f3db7f-b285-4c7a-a196-d82c2b2dd793-536x402.jpeg 536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">The current owner Florence Fang didn’t come up with the nickname “Flintstone House,” but she’s run with it, to the \u003ca href=\"https://www.kqed.org/arts/13854843/flintstone-house-owner-hires-lawyers-to-fight-hillsborough-lawsuit\" target=\"_blank\" rel=\"noopener noreferrer\">dismay of local officials\u003c/a>, installing all kinds of cartoon-inspired touches inside and out.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>RM: Take us back to the very first conversation you had with the original owners. What was the culture like then?\u003c/strong>\u003c/p>\n\u003cp>NN: They were into computer programming. I’d built the first house out in Apple Valley, Calif., and they came and went through that house. That was an era that was a little hippie. You know? Everyone was looking at accepting something new.\u003c/p>\n\u003cp>\u003cstrong>RM: When you said you really wanted to revolutionize architecture, what was it you had in mind?\u003c/strong>\u003c/p>\n\u003cp>NN: Well, I had this idea of blowing up balloons. I developed a material that was plaster with fiberglass in it. There was this machine that you could spray that on and it would hydrate at the nozzle. So you sprayed (the plaster/fiberglass mix) on these balloons and then let the air out, and you’d have this dome structure. Then I would put the electrical elements, spray it with foam and then put wire and and steel on and then gunite it, like a swimming pool.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I came up with the original thought in Istanbul. I went to the \u003ca href=\"https://www.youtube.com/watch?v=ocyyxHkCvm8\" target=\"_blank\" rel=\"noopener noreferrer\">Blue Mosque\u003c/a>. There was hardly anybody in there at the time, so I laid down on the floor, and I looked up at the (domed) ceiling. That was the germination of the thing.\u003c/p>\n\u003cfigure id=\"attachment_11828963\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11828963 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/59c0e338-876f-43f7-ae35-d3458c38aeb6.jpeg\" alt=\"So many people drive by and at least subconsciously realize that, 'Hey, there's something other than a box!' - Flintstone House architect Nick Nicholson\" width=\"1024\" height=\"768\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/59c0e338-876f-43f7-ae35-d3458c38aeb6.jpeg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/59c0e338-876f-43f7-ae35-d3458c38aeb6-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/59c0e338-876f-43f7-ae35-d3458c38aeb6-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/59c0e338-876f-43f7-ae35-d3458c38aeb6-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/59c0e338-876f-43f7-ae35-d3458c38aeb6-632x474.jpeg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/59c0e338-876f-43f7-ae35-d3458c38aeb6-536x402.jpeg 536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">So many people drive by and at least subconsciously realize that, ‘Hey, there’s something other than a box!’ – Flintstone House architect Nick Nicholson \u003ccite>(Polly Stryker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>RM: How many of these (homes) did you build?\u003c/strong>\u003c/p>\n\u003cp>NN: Four. The last one in \u003ca href=\"https://www.palmspringslife.com/palm-springs-house/\" target=\"_blank\" rel=\"noopener noreferrer\">Palm Springs\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>RM: Now that one looks a little bit like an elf’s home, or a hobbit’s home. Does it have a nickname like the Flintstone House?\u003c/strong>\u003c/p>\n\u003cp>NN: Yeah. This was the Santorini, because it’s kind of like the Greek island Santorini.\u003c/p>\n\u003cp>\u003cstrong>RM: Do you want to show me some of your favorite parts of the Flintstone House?\u003c/strong>\u003c/p>\n\u003cp>NN: My favorite room is this room here.\u003c/p>\n\u003cfigure id=\"attachment_11828955\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11828955 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/803f779b-27ac-44ee-8902-e7458c7ca171.jpeg\" alt=\"KQED's Rachael Myrow interviews Flintstone House architect Nick Nicholson as they stare upwards in the tubular lounge.\" width=\"1024\" height=\"768\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/803f779b-27ac-44ee-8902-e7458c7ca171.jpeg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/803f779b-27ac-44ee-8902-e7458c7ca171-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/803f779b-27ac-44ee-8902-e7458c7ca171-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/803f779b-27ac-44ee-8902-e7458c7ca171-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/803f779b-27ac-44ee-8902-e7458c7ca171-632x474.jpeg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/07/803f779b-27ac-44ee-8902-e7458c7ca171-536x402.jpeg 536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">KQED’s Rachael Myrow interviews Flintstone House architect Nick Nicholson as they stare upwards in the tubular lounge. \u003ccite>(Polly Stryker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>RM: It’s almost like being on the the inside of cotton candy. \u003c/strong>\u003c/p>\n\u003cp>NN: That’s a great line I’ve never heard that before. May I use that?\u003c/p>\n\u003cp>\u003cstrong>RM: Absolutely! You know, I can’t get over the fact that, if you’re standing outside the house, the (280) freeway is roaring. It’s really loud. But in here, you hear nothing.\u003c/strong>\u003c/p>\n\u003cp>NN: Yeah, right, and it saves about 30 percent on heating and cooling: a function of how thick the walls are, and the fact they don’t have any seams like a square house has.\u003c/p>\n\u003cp>Just kind of lean back. This is very much like the feeling I had in the mosque.\u003c/p>\n\u003cp>\u003cstrong>RM: You’ve been an architect for many years now. How come only four houses of this type?\u003c/strong>\u003c/p>\n\u003cp>NN: Burned me out. I spent several years developing the material and everything. It became a passion. I was beating this tambourine. You know, we’ve only lived in boxes for about three or four thousand years.\u003c/p>\n\u003cp>Hundreds of thousands of years before that, we lived in soft structures. Our psychological, our cellular makeup, is that we’re a little more comfortable in soft structures than we are in a box. But also, we have this tribal instinct. The reason we survive is that we follow the tribe, and so we want to live in something like the rest of the tribe lives in. The rest of the tribe lives in boxes now.\u003c/p>\n\u003cfigure id=\"attachment_11350460\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11350460 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut.jpg\" alt=\"Wherever you stand or sit in the Flintstone House, you’re looking into other rooms.\" width=\"1920\" height=\"2880\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-1180x1770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-960x1440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-240x360.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-375x563.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/03/RS23951_170127_FlintstonesHouse_bhs14-qut-520x780.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Wherever you stand or sit in the Flintstone House, you’re looking into other rooms. \u003ccite>(Brittany Hosea-Small/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>RM: You’re supposed to build a box!\u003c/strong>\u003c/p>\n\u003cp>NN: People are really afraid to be different.\u003c/p>\n\u003cp>\u003cstrong>RM: So you decided to build more conventional homes?\u003c/strong>\u003c/p>\n\u003cp>NN: No. I went into land development. I made back all the money that I lost over eight years in a year and a half.\u003c/p>\n\u003cp>\u003cstrong>RM: So I have to ask you about one of the many controversies surrounding this home. Some people likes the outdoor paint being a kind of neutral cream (like it was in the past). Others prefer the purple and orange. What about you?\u003c/strong>\u003c/p>\n\u003cp>NN: I was shocked the first time I saw it. Then I got into the fact that, hey, it’s got to be fun! Anybody should be able to paint their house any color they want. Frankly, I was shocked when they nicknamed this the Flintstone House. And now it’s a landmark!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Vallejo Police last week\u003ca href=\"https://www.kqed.org/news/11826613/vallejo-police-release-video-of-deadly-shooting-of-sean-monterrosa\"> released body camera footage\u003c/a> from the June 2 fatal police shooting of Sean Monterrosa, whose family has joined a group of families who’ve lost loved ones to Vallejo police violence. This week, The Bay is re-running our three-part series on policing in Vallejo to contextualize this most recent police shooting, and re-introduce you to the families who’ve been fighting for accountability in Vallejo before this most recent nationwide movement against police violence began.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11768008/the-life-and-death-of-willie-mccoy\">Part 1: The Life and Death of Willie McCoy\u003c/a>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC8076102919&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11768675/going-against-the-polices-narrative\">Part 2: One Night, Two Narratives\u003c/a>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://playlist.megaphone.fm?e=KQINC2656295591&light=true\" width=\"100%\" height=\"200\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11769266/the-long-storied-history-of-police-community-tension-in-vallejo\">Part 3: How Did Things Get So Bad Between Vallejo and Its Police\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC3129592658&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"planet-money": {
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"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
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},
"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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"rss": "http://feeds.revealradio.org/revealpodcast"
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
},
"link": "/podcasts/rightnowish",
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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},
"snap-judgment": {
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