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"innerHTML": "\n\u003cp>At the top of the list of inspiring features not to miss is \u003cem>\u003ca href=\"https://sfcritterfest.eventive.org/films/6a71de9f5c189121a4adba29\">Better Call Babs\u003c/a>\u003c/em>, about a one-woman rescue mission in San Diego. Babs Fry leaps into action to locate and return lost pets to their distressed owners; she’s such an unstoppable badass, she’s now a Red Cross Award recipient. Get to know her — and her personal struggles — in this heartfelt documentary.\u003c/p>\n",
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"innerHTML": "\n\u003cp>The festival has also programmed a few free screenings. \u003cem>\u003ca href=\"https://sfcritterfest.eventive.org/schedule/6a4a60e62b7070dd22b77671\">The Secret Lives of Pets 2\u003c/a>\u003c/em> will play at the outdoor Hayes Valley screen Proxy (432 Octavia Blvd.) on Sept. 18 in association with the \u003ca href=\"https://www.kqed.org/arts/13988369/spca-sf-free-birthday-block-party-april-2026-line-up-san-francisco-adoption-center\">San Francisco SPCA\u003c/a>. Also on offer is \u003cem>\u003ca href=\"https://sfcritterfest.eventive.org/films/6a626c7c0a87e779d02f8b3d\">Stoner Cats\u003c/a>\u003c/em>, a hugely popular animated short series about a bunch of cats that gain superintelligence (and insatiable munchies) after inhaling too much of their mom’s weed. That one will be available to stream online — so you can watch it at home with your own kitties.\u003c/p>\n",
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"innerHTML": "\n\u003cp>\u003cem>\u003ca href=\"https://sfcritterfest.eventive.org/welcome\">SF CritterFest\u003c/a> runs Sept. 17–20, 2026 at the 4 Star Theater (2200 Clement St., San Francisco). Tickets can be purchased separately for each screening, and \u003ca href=\"https://sfcritterfest.eventive.org/pass/buy\">‘all film’ passes\u003c/a> are available starting at $60.\u003c/em>\u003c/p>\n",
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"excerpt": "This documentary festival at the 4 Star Theater offers unexpected glimpses into the animal kingdom.",
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"title": "SF CritterFest: Documentary Film Lineup and Tickets | KQED",
"description": "This documentary festival at the 4 Star Theater offers unexpected glimpses into the animal kingdom.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>There are two kinds of humans in this world. Those who love \u003ca href=\"https://www.kqed.org/arts/tag/animals\">animals\u003c/a> and find comfort and solace in experiencing the world through their eyes, and those who are meat-suit monsters with no soul. (I said what I said.)\u003c/p>\n\n\n\n\u003cp>Now, in what is bound to be a delight for the former, the geniuses at \u003ca href=\"https://www.kqed.org/arts/13970126/2025-sf-indiefest-independent-film-roxie-vogue-streaming\">SF IndieFest\u003c/a> have created \u003ca href=\"https://sfcritterfest.eventive.org/welcome\">SF CritterFest\u003c/a>, a film series dedicated to our furry and feathery friends around the world. Running Sept. 17–20 at the 4 Star Theater, the festival will include 19 short and feature documentary offerings that examine the realms of \u003ca href=\"https://sfcritterfest.eventive.org/films/6a71de9f5c189121a4adba13\">deadly sea bunnies\u003c/a>, \u003ca href=\"https://sfcritterfest.eventive.org/films/6a71de9f5c189121a4adba21\">mysterious owls\u003c/a> and — this \u003cem>is \u003c/em>San Francisco, baby! — a bunch of \u003ca href=\"https://sfcritterfest.eventive.org/films/6a4a5eb5073f6d988159fb10\">unabashedly queer wild animals\u003c/a>.\u003c/p>\n\n\n\n\u003cp>Notable short films include \u003cem>\u003ca href=\"https://sfcritterfest.eventive.org/films/6a71de9f5c189121a4adba19\">Bears in Hot Tubs\u003c/a>\u003c/em>, a 17-minute jaunt that follows black bears as they invade the garden amenities of Los Angeles residents. There’s \u003cem>\u003ca href=\"https://sfcritterfest.eventive.org/films/6a71de9f5c189121a4adba16\">Austin Bat Rescue\u003c/a>\u003c/em>, which provides viewers with an 8-minute visit to a Mexican free-tailed bat rehab in Central Texas. There’s also a 13-minute profile of one German lady and her beloved cow in \u003cem>\u003ca href=\"https://sfcritterfest.eventive.org/films/6a71de9f5c189121a4adba1d\">Gianna & Anne — Significant Otherness\u003c/a>\u003c/em>. And of particular interest to San Francisco ornithologists will be \u003cem>\u003ca href=\"https://sfcritterfest.eventive.org/films/6a71de9f5c189121a4adba23\">The Western Snowy Plover\u003c/a>\u003c/em>, which explores the lives of the small shorebird at Ocean Beach.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\u003cdiv class=\"wp-block-embed__wrapper\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Rjr08_jFarY'\n title='//www.youtube.com/embed/Rjr08_jFarY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\u003c/figure>\n\n\n\n\u003cp>At the top of the list of inspiring features not to miss is \u003cem>\u003ca href=\"https://sfcritterfest.eventive.org/films/6a71de9f5c189121a4adba29\">Better Call Babs\u003c/a>\u003c/em>, about a one-woman rescue mission in San Diego. Babs Fry leaps into action to locate and return lost pets to their distressed owners; she’s such an unstoppable badass, she’s now a Red Cross Award recipient. Get to know her — and her personal struggles — in this heartfelt documentary.\u003c/p>\n\n\n\n\u003cp>The festival has also programmed a few free screenings. \u003cem>\u003ca href=\"https://sfcritterfest.eventive.org/schedule/6a4a60e62b7070dd22b77671\">The Secret Lives of Pets 2\u003c/a>\u003c/em> will play at the outdoor Hayes Valley screen Proxy (432 Octavia Blvd.) on Sept. 18 in association with the \u003ca href=\"https://www.kqed.org/arts/13988369/spca-sf-free-birthday-block-party-april-2026-line-up-san-francisco-adoption-center\">San Francisco SPCA\u003c/a>. Also on offer is \u003cem>\u003ca href=\"https://sfcritterfest.eventive.org/films/6a626c7c0a87e779d02f8b3d\">Stoner Cats\u003c/a>\u003c/em>, a hugely popular animated short series about a bunch of cats that gain superintelligence (and insatiable munchies) after inhaling too much of their mom’s weed. That one will be available to stream online — so you can watch it at home with your own kitties.\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\" />\n\n\n\n\u003cp>\u003cem>\u003ca href=\"https://sfcritterfest.eventive.org/welcome\">SF CritterFest\u003c/a> runs Sept. 17–20, 2026 at the 4 Star Theater (2200 Clement St., San Francisco). Tickets can be purchased separately for each screening, and \u003ca href=\"https://sfcritterfest.eventive.org/pass/buy\">‘all film’ passes\u003c/a> are available starting at $60.\u003c/em>\u003c/p>\n\u003c/div>\u003c/p>",
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"slug": "african-stew-lisa-b-thompson-oakland",
"title": "‘African Stew,’ Set In Oakland, Reflects Playwright’s Own Bay Area Roots",
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"content": "\n\u003cp>Lisa B. Thompson sets her plays in cities that are personally meaningful. \u003cem>Monroe\u003c/em>, a Great Migration story, was inspired by her mother’s hometown in Louisiana. Her son was born in Albany, New York, which became the setting for \u003cem>Underground\u003c/em>, a political thriller about the movement for civil rights in the United States.\u003c/p>\n\n\n\n\u003cp>“I’ve just picked different cities that I love,” Thompson said. “I want to make sure that I give them certain love letters.” \u003c/p>\n\n\n\n\u003cp>Thompson returns to her Bay Area roots for her latest play, \u003cem>African Stew\u003c/em>, which makes its world premiere on Thursday, Sept. 10. Presented by \u003ca href=\"https://www.kqed.org/arts/tag/lorraine-hansberry-theatre\">Lorraine Hansberry Theatre\u003c/a> (which also put on Thompson’s 2024 play \u003cem>The Black Feminist Guide to the Human Body\u003c/em>) and directed by Edris Cooper-Anifowoshe, \u003cem>African Stew \u003c/em>explores intergenerational and cultural tensions that arise when the families of a newly engaged African American woman and a Nigerian man get together for a meal in Oakland.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED.jpg\" alt=\"\" class=\"wp-image-13993474\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Lisa B. Thompson, the playwright of ‘African Stew,’ poses for a portrait at Fort Mason in San Francisco on August 29, 2026. (Tâm Vũ/KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>A running theme in Thompson’s work is the lives of of Black middle-class people. Her hit play \u003cem>Single Black Female\u003c/em>, which premiered in her hometown of San Francisco and enjoyed a successful off-Broadway run (directed by a then-unknown Colman Domingo), is a two-woman show of comic vignettes about thirtysomething, educated African American women.\u003c/p>\n\n\n\n\u003cp>“In that play, it was a way for me to kind of unpack things that I was exploring in my dissertation, which is about Black middle-class women and how they move in the world as women,” said Thompson, also a professor in the Department of African and African Diaspora Studies at the University of Texas at Austin.\u003c/p>\n\n\n\n\u003cp>Thompson recently talked with KQED’s Brian Watt about growing up in the Bay Area, the genesis of \u003cem>African Stew\u003c/em> and the current state of theater.\u003c/p>\n\n\n\n\u003cp>\u003cem>This conversation has been edited for brevity and clarity.\u003c/em>\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1.jpg\" alt=\"\" class=\"wp-image-13993478\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Sundiata Ayinde (left), who plays Julie Lawson, and Titus VanHook (right), who plays Akintunde Ogunde, rehearse for ‘African Stew’ at Fort Mason in San Francisco on August 29, 2026. (Tâm Vũ/KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>\u003cstrong>Brian Watt: Families meeting and sizing each other up — that’s fodder for comedy and drama. Tell us more about this story.\u003c/strong>\u003c/p>\n\n\n\n\u003cp>Lisa B. Thompson: I thought it was time for an in-house conversation about the fact that there are broad differences and some deep similarities between Africans who grew up in the continent and African Americans who grew in the diaspora, particularly those in the U.S. It’s a fun play to see how the dads are measuring each other. Also, the moms, figuring out who’s going to be the one pushing the wedding and helping the daughter direct the wedding. Is it going to be mom or the mother-in-law? These kinds of conventional things, but adding that extra African diaspora twist that I think is going to make people fall out of their seats.\u003c/p>\n\n\n\n\u003cp>\u003cstrong>So how did the idea come to you?\u003c/strong>\u003c/p>\n\n\n\n\u003cp>This is a love letter to my son, who has an African American mother and a father who is Yoruba from Nigeria. I think about the world that he’s encountering and how he’s perceived. In many spaces, he’s perceived as royalty and assumed to be brilliant because the name we gave him is a Yoruba name. So what does it mean for all of us, including myself, to carry a legacy of a continent that you aren’t unfamiliar with? The reason why is a historic tragedy, a breach of humanity, and it is still unresolved. For me, to think about something that’s complex and difficult, sometimes it’s easier to get through using comedy.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00050_TV-KQED.jpg\" alt=\"\" class=\"wp-image-13993473\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00050_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00050_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00050_TV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00050_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Edris Cooper-Anifowoshe, the director of ‘African Stew,’ poses for a portrait at Fort Mason in San Francisco on August 29, 2026. (Tâm Vũ/KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>\u003cstrong>Since I live in Oakland, I have to ask: Why is Oakland the setting?\u003c/strong>\u003c/p>\n\n\n\n\u003cp>Oakland is very special to me. I grew up in San Francisco, but I lived in Oakland while I was a graduate student, and my grandmother lived there when I was child. She was the grand lady.\u003c/p>\n\n\n\n\u003cp>\u003cstrong>You have talked about the blessings of a strong Black family, and elders, and growing old. Have you maybe drawn on that for \u003c/strong>\u003cstrong>\u003cem>African Stew\u003c/em>\u003c/strong>\u003cstrong>?\u003c/strong>\u003c/p>\n\n\n\n\u003cp>For me, I’ve never understood this whole generational tension, because I’m obsessed with people in my family, from the infants to the elders. I loved spending time with my grandmother, helping her with sewing. We’re incomplete if we don’t spend time during the week with somebody who’s somewhere between zero and 10 years old and somebody who’s over 70. Otherwise, you’re not in touch with full humanity.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00136_TV-KQED.jpg\" alt=\"\" class=\"wp-image-13993475\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00136_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00136_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00136_TV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00136_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Sundiata Ayinde ,who plays Julie Lawson, rehearses for ‘African Stew’ at Fort Mason in San Francisco on August 29, 2026. (Tâm Vũ/KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>\u003cstrong>Let me ask you about this moment in theater. When you’re looking at the landscape of the kinds of stories that make it to the stage, outside Broadway, even off-Broadway, what do you make of it?\u003c/strong>\u003c/p>\n\n\n\n\u003cp>We’re losing developmental opportunities for new playwrights, so less people are going to grad school for it. I’m so proud of the playwrights that continue to persevere in this shrinking environment. I am happy to see what’s being produced despite all of that, because the actual theaters are closing, as well. So I feel like art’s going to art. We cannot suppress this stuff. \u003c/p>\n\n\n\n\u003cp>I should also note that a lot of playwrights that are doing work, who are first-generation or African immigrants, are part of the reason why I wrote this play. [It’s] because I want to be in conversation with them, and have this conversation across the diaspora.\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n\n\n\n\u003cp>\u003cem>‘African Stew’\u003c/em> \u003cem>runs Sept. 10–27 in the Magic Theatre space at the Fort Mason Center for Arts and Culture in San Francisco. \u003c/em>\u003ca href=\"https://www.lhtsf.org/african-stew\">\u003cem>Tickets and more information here\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n",
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"innerHTML": "\n\u003cp>Lisa B. Thompson sets her plays in cities that are personally meaningful. \u003cem>Monroe\u003c/em>, a Great Migration story, was inspired by her mother’s hometown in Louisiana. Her son was born in Albany, New York, which became the setting for \u003cem>Underground\u003c/em>, a political thriller about the movement for civil rights in the United States.\u003c/p>\n",
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"innerHTML": "\n\u003cp>“I’ve just picked different cities that I love,” Thompson said. “I want to make sure that I give them certain love letters.” \u003c/p>\n",
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"innerHTML": "\n\u003cp>Thompson returns to her Bay Area roots for her latest play, \u003cem>African Stew\u003c/em>, which makes its world premiere on Thursday, Sept. 10. Presented by \u003ca href=\"https://www.kqed.org/arts/tag/lorraine-hansberry-theatre\">Lorraine Hansberry Theatre\u003c/a> (which also put on Thompson’s 2024 play \u003cem>The Black Feminist Guide to the Human Body\u003c/em>) and directed by Edris Cooper-Anifowoshe, \u003cem>African Stew \u003c/em>explores intergenerational and cultural tensions that arise when the families of a newly engaged African American woman and a Nigerian man get together for a meal in Oakland.\u003c/p>\n",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED.jpg\" alt=\"\" class=\"wp-image-13993474\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Lisa B. Thompson, the playwright of ‘African Stew,’ poses for a portrait at Fort Mason in San Francisco on August 29, 2026.\u003ccite class=\"wp-inline-image-credit\"> (Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
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"innerHTML": "\n\u003cp>A running theme in Thompson’s work is the lives of of Black middle-class people. Her hit play \u003cem>Single Black Female\u003c/em>, which premiered in her hometown of San Francisco and enjoyed a successful off-Broadway run (directed by a then-unknown Colman Domingo), is a two-woman show of comic vignettes about thirtysomething, educated African American women.\u003c/p>\n",
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"\n\u003cp>A running theme in Thompson’s work is the lives of of Black middle-class people. Her hit play \u003cem>Single Black Female\u003c/em>, which premiered in her hometown of San Francisco and enjoyed a successful off-Broadway run (directed by a then-unknown Colman Domingo), is a two-woman show of comic vignettes about thirtysomething, educated African American women.\u003c/p>\n"
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"innerHTML": "\n\u003cp>“In that play, it was a way for me to kind of unpack things that I was exploring in my dissertation, which is about Black middle-class women and how they move in the world as women,” said Thompson, also a professor in the Department of African and African Diaspora Studies at the University of Texas at Austin.\u003c/p>\n",
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"\n\u003cp>“In that play, it was a way for me to kind of unpack things that I was exploring in my dissertation, which is about Black middle-class women and how they move in the world as women,” said Thompson, also a professor in the Department of African and African Diaspora Studies at the University of Texas at Austin.\u003c/p>\n"
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"innerHTML": "\n\u003cp>Thompson recently talked with KQED’s Brian Watt about growing up in the Bay Area, the genesis of \u003cem>African Stew\u003c/em> and the current state of theater.\u003c/p>\n",
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"\n\u003cp>Thompson recently talked with KQED’s Brian Watt about growing up in the Bay Area, the genesis of \u003cem>African Stew\u003c/em> and the current state of theater.\u003c/p>\n"
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"innerHTML": "\n\u003cp>\u003cem>This conversation has been edited for brevity and clarity.\u003c/em>\u003c/p>\n",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1.jpg\" alt=\"\" class=\"wp-image-13993478\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Sundiata Ayinde (left), who plays Julie Lawson, and Titus VanHook (right), who plays Akintunde Ogunde, rehearse for ‘African Stew’ at Fort Mason in San Francisco on August 29, 2026.\u003ccite class=\"wp-inline-image-credit\"> (Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
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"innerHTML": "\n\u003cp>\u003cstrong>Brian Watt: Families meeting and sizing each other up — that’s fodder for comedy and drama. Tell us more about this story.\u003c/strong>\u003c/p>\n",
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"\n\u003cp>\u003cstrong>Brian Watt: Families meeting and sizing each other up — that’s fodder for comedy and drama. Tell us more about this story.\u003c/strong>\u003c/p>\n"
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"innerHTML": "\n\u003cp>Lisa B. Thompson: I thought it was time for an in-house conversation about the fact that there are broad differences and some deep similarities between Africans who grew up in the continent and African Americans who grew in the diaspora, particularly those in the U.S. It’s a fun play to see how the dads are measuring each other. Also, the moms, figuring out who’s going to be the one pushing the wedding and helping the daughter direct the wedding. Is it going to be mom or the mother-in-law? These kinds of conventional things, but adding that extra African diaspora twist that I think is going to make people fall out of their seats.\u003c/p>\n",
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"\n\u003cp>Lisa B. Thompson: I thought it was time for an in-house conversation about the fact that there are broad differences and some deep similarities between Africans who grew up in the continent and African Americans who grew in the diaspora, particularly those in the U.S. It’s a fun play to see how the dads are measuring each other. Also, the moms, figuring out who’s going to be the one pushing the wedding and helping the daughter direct the wedding. Is it going to be mom or the mother-in-law? These kinds of conventional things, but adding that extra African diaspora twist that I think is going to make people fall out of their seats.\u003c/p>\n"
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"innerHTML": "\n\u003cp>\u003cstrong>So how did the idea come to you?\u003c/strong>\u003c/p>\n",
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"innerHTML": "\n\u003cp>This is a love letter to my son, who has an African American mother and a father who is Yoruba from Nigeria. I think about the world that he’s encountering and how he’s perceived. In many spaces, he’s perceived as royalty and assumed to be brilliant because the name we gave him is a Yoruba name. So what does it mean for all of us, including myself, to carry a legacy of a continent that you aren’t unfamiliar with? The reason why is a historic tragedy, a breach of humanity, and it is still unresolved. For me, to think about something that’s complex and difficult, sometimes it’s easier to get through using comedy.\u003c/p>\n",
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"\n\u003cp>This is a love letter to my son, who has an African American mother and a father who is Yoruba from Nigeria. I think about the world that he’s encountering and how he’s perceived. In many spaces, he’s perceived as royalty and assumed to be brilliant because the name we gave him is a Yoruba name. So what does it mean for all of us, including myself, to carry a legacy of a continent that you aren’t unfamiliar with? The reason why is a historic tragedy, a breach of humanity, and it is still unresolved. For me, to think about something that’s complex and difficult, sometimes it’s easier to get through using comedy.\u003c/p>\n"
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"\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00050_TV-KQED.jpg\" alt=\"\" class=\"wp-image-13993473\"/>\u003cfigcaption class=\"wp-element-caption\">Edris Cooper-Anifowoshe, the director of ‘African Stew,’ poses for a portrait at Fort Mason in San Francisco on August 29, 2026.\u003ccite class=\"wp-inline-image-credit\"> (Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>\u003cstrong>Since I live in Oakland, I have to ask: Why is Oakland the setting?\u003c/strong>\u003c/p>\n",
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"innerHTML": "\n\u003cp>Oakland is very special to me. I grew up in San Francisco, but I lived in Oakland while I was a graduate student, and my grandmother lived there when I was child. She was the grand lady.\u003c/p>\n",
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"innerHTML": "\n\u003cp>\u003cstrong>You have talked about the blessings of a strong Black family, and elders, and growing old. Have you maybe drawn on that for \u003c/strong>\u003cstrong>\u003cem>African Stew\u003c/em>\u003c/strong>\u003cstrong>?\u003c/strong>\u003c/p>\n",
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"\n\u003cp>\u003cstrong>You have talked about the blessings of a strong Black family, and elders, and growing old. Have you maybe drawn on that for \u003c/strong>\u003cstrong>\u003cem>African Stew\u003c/em>\u003c/strong>\u003cstrong>?\u003c/strong>\u003c/p>\n"
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"innerHTML": "\n\u003cp>For me, I’ve never understood this whole generational tension, because I’m obsessed with people in my family, from the infants to the elders. I loved spending time with my grandmother, helping her with sewing. We’re incomplete if we don’t spend time during the week with somebody who’s somewhere between zero and 10 years old and somebody who’s over 70. Otherwise, you’re not in touch with full humanity.\u003c/p>\n",
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"innerHTML": "\n\u003cp>\u003cem>‘African Stew’\u003c/em> \u003cem>runs Sept. 10–27 in the Magic Theatre space at the Fort Mason Center for Arts and Culture in San Francisco. \u003c/em>\u003ca href=\"https://www.lhtsf.org/african-stew\">\u003cem>Tickets and more information here\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n",
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"excerpt": "Lisa B. Thompson’s new play explores tensions between the African American and Nigerian families of an engaged couple.\n",
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"title": "‘African Stew,’ Set In Oakland, Reflects Lisa B. Thompson’s Bay Area Roots | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Lisa B. Thompson sets her plays in cities that are personally meaningful. \u003cem>Monroe\u003c/em>, a Great Migration story, was inspired by her mother’s hometown in Louisiana. Her son was born in Albany, New York, which became the setting for \u003cem>Underground\u003c/em>, a political thriller about the movement for civil rights in the United States.\u003c/p>\n\n\n\n\u003cp>“I’ve just picked different cities that I love,” Thompson said. “I want to make sure that I give them certain love letters.” \u003c/p>\n\n\n\n\u003cp>Thompson returns to her Bay Area roots for her latest play, \u003cem>African Stew\u003c/em>, which makes its world premiere on Thursday, Sept. 10. Presented by \u003ca href=\"https://www.kqed.org/arts/tag/lorraine-hansberry-theatre\">Lorraine Hansberry Theatre\u003c/a> (which also put on Thompson’s 2024 play \u003cem>The Black Feminist Guide to the Human Body\u003c/em>) and directed by Edris Cooper-Anifowoshe, \u003cem>African Stew \u003c/em>explores intergenerational and cultural tensions that arise when the families of a newly engaged African American woman and a Nigerian man get together for a meal in Oakland.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED.jpg\" alt=\"\" class=\"wp-image-13993474\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00096_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Lisa B. Thompson, the playwright of ‘African Stew,’ poses for a portrait at Fort Mason in San Francisco on August 29, 2026. (Tâm Vũ/KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>A running theme in Thompson’s work is the lives of of Black middle-class people. Her hit play \u003cem>Single Black Female\u003c/em>, which premiered in her hometown of San Francisco and enjoyed a successful off-Broadway run (directed by a then-unknown Colman Domingo), is a two-woman show of comic vignettes about thirtysomething, educated African American women.\u003c/p>\n\n\n\n\u003cp>“In that play, it was a way for me to kind of unpack things that I was exploring in my dissertation, which is about Black middle-class women and how they move in the world as women,” said Thompson, also a professor in the Department of African and African Diaspora Studies at the University of Texas at Austin.\u003c/p>\n\n\n\n\u003cp>Thompson recently talked with KQED’s Brian Watt about growing up in the Bay Area, the genesis of \u003cem>African Stew\u003c/em> and the current state of theater.\u003c/p>\n\n\n\n\u003cp>\u003cem>This conversation has been edited for brevity and clarity.\u003c/em>\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1.jpg\" alt=\"\" class=\"wp-image-13993478\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00199_TV-KQED-1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Sundiata Ayinde (left), who plays Julie Lawson, and Titus VanHook (right), who plays Akintunde Ogunde, rehearse for ‘African Stew’ at Fort Mason in San Francisco on August 29, 2026. (Tâm Vũ/KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>\u003cstrong>Brian Watt: Families meeting and sizing each other up — that’s fodder for comedy and drama. Tell us more about this story.\u003c/strong>\u003c/p>\n\n\n\n\u003cp>Lisa B. Thompson: I thought it was time for an in-house conversation about the fact that there are broad differences and some deep similarities between Africans who grew up in the continent and African Americans who grew in the diaspora, particularly those in the U.S. It’s a fun play to see how the dads are measuring each other. Also, the moms, figuring out who’s going to be the one pushing the wedding and helping the daughter direct the wedding. Is it going to be mom or the mother-in-law? These kinds of conventional things, but adding that extra African diaspora twist that I think is going to make people fall out of their seats.\u003c/p>\n\n\n\n\u003cp>\u003cstrong>So how did the idea come to you?\u003c/strong>\u003c/p>\n\n\n\n\u003cp>This is a love letter to my son, who has an African American mother and a father who is Yoruba from Nigeria. I think about the world that he’s encountering and how he’s perceived. In many spaces, he’s perceived as royalty and assumed to be brilliant because the name we gave him is a Yoruba name. So what does it mean for all of us, including myself, to carry a legacy of a continent that you aren’t unfamiliar with? The reason why is a historic tragedy, a breach of humanity, and it is still unresolved. For me, to think about something that’s complex and difficult, sometimes it’s easier to get through using comedy.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00050_TV-KQED.jpg\" alt=\"\" class=\"wp-image-13993473\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00050_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00050_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00050_TV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00050_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Edris Cooper-Anifowoshe, the director of ‘African Stew,’ poses for a portrait at Fort Mason in San Francisco on August 29, 2026. (Tâm Vũ/KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>\u003cstrong>Since I live in Oakland, I have to ask: Why is Oakland the setting?\u003c/strong>\u003c/p>\n\n\n\n\u003cp>Oakland is very special to me. I grew up in San Francisco, but I lived in Oakland while I was a graduate student, and my grandmother lived there when I was child. She was the grand lady.\u003c/p>\n\n\n\n\u003cp>\u003cstrong>You have talked about the blessings of a strong Black family, and elders, and growing old. Have you maybe drawn on that for \u003c/strong>\u003cstrong>\u003cem>African Stew\u003c/em>\u003c/strong>\u003cstrong>?\u003c/strong>\u003c/p>\n\n\n\n\u003cp>For me, I’ve never understood this whole generational tension, because I’m obsessed with people in my family, from the infants to the elders. I loved spending time with my grandmother, helping her with sewing. We’re incomplete if we don’t spend time during the week with somebody who’s somewhere between zero and 10 years old and somebody who’s over 70. Otherwise, you’re not in touch with full humanity.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00136_TV-KQED.jpg\" alt=\"\" class=\"wp-image-13993475\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00136_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00136_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00136_TV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/260829-africanstew-00136_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Sundiata Ayinde ,who plays Julie Lawson, rehearses for ‘African Stew’ at Fort Mason in San Francisco on August 29, 2026. (Tâm Vũ/KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>\u003cstrong>Let me ask you about this moment in theater. When you’re looking at the landscape of the kinds of stories that make it to the stage, outside Broadway, even off-Broadway, what do you make of it?\u003c/strong>\u003c/p>\n\n\n\n\u003cp>We’re losing developmental opportunities for new playwrights, so less people are going to grad school for it. I’m so proud of the playwrights that continue to persevere in this shrinking environment. I am happy to see what’s being produced despite all of that, because the actual theaters are closing, as well. So I feel like art’s going to art. We cannot suppress this stuff. \u003c/p>\n\n\n\n\u003cp>I should also note that a lot of playwrights that are doing work, who are first-generation or African immigrants, are part of the reason why I wrote this play. [It’s] because I want to be in conversation with them, and have this conversation across the diaspora.\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n\n\n\n\u003cp>\u003cem>‘African Stew’\u003c/em> \u003cem>runs Sept. 10–27 in the Magic Theatre space at the Fort Mason Center for Arts and Culture in San Francisco. \u003c/em>\u003ca href=\"https://www.lhtsf.org/african-stew\">\u003cem>Tickets and more information here\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003c/div>\u003c/p>",
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"slug": "day-of-public-art-san-francisco-chinatown-ccc-cmac-sfac",
"title": "A Celebration of the All the Art Coming to SF’s Chinatown",
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"headTitle": "A Celebration of the All the Art Coming to SF’s Chinatown | KQED",
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"content": "\n\u003cp>\u003ca href=\"https://sfpublicworks.org/portsmouthsquare\">Portsmouth Square\u003c/a>, the park known as Chinatown’s living room, isn’t looking very welcoming these days. The iconic \u003ca href=\"https://www.kqed.org/arts/13916267/learn-the-story-of-san-franciscos-toughest-skate-spot-in-new-thrasher-video\">pedestrian bridge\u003c/a> that once stretched across Kearny Street from the Hilton is gone. So is the park’s playground, its trees and benches. Fenced in and under construction, the square won’t reopen until 2028.\u003c/p>\n\n\n\n\u003cp>It’s not the only site in the neighborhood where work crews now outnumber residents. The Chinatown public library, a 1921 Carnegie building, will soon close for a planned \u003ca href=\"https://sfpl.org/about-us/capital-projects-building-you/library-improvements-tomorrow/chinatown-him-mark-lai\">30-month renovation\u003c/a>. And \u003ca href=\"https://sfpublicworks.org/Chinatown-Public-Health-Center\">seismic upgrades\u003c/a> to the Chinatown Public Health Center are already underway. What tempers all this disruption is the knowledge that when each of these sites reopens (better, safer), it will be graced by new public art from a lineup of talented local artists.\u003c/p>\n\n\n\n\u003cp>In Portsmouth Square, that includes an entryway sculpture by \u003ca href=\"https://cathyclu.com/\">Cathy Lu\u003c/a> and a tile wall from \u003ca href=\"https://wofflehouse.com/\">Jenifer K. Wofford\u003c/a>. At the public health center, a mural by Elaine Chu and Marina Perez-Wong (aka \u003ca href=\"https://www.twinwallsmuralcompany.com/\">Twin Walls Mural Company\u003c/a>) will wrap around an exterior corner; another mural by \u003ca href=\"https://www.instagram.com/vida.kuang/\">Vida Kuang\u003c/a> will enliven a waiting room. And \u003ca href=\"https://www.christinewongyap.com/\">Christine Wong Yap\u003c/a> is creating images for a series of archways in the library’s grand reading room.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1246\" height=\"798\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/Health-Center-Twin-Walls-Mural-Co.png\" alt=\"square building on corner with colorful mural at street level\" class=\"wp-image-13993608\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/Health-Center-Twin-Walls-Mural-Co.png 1246w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/Health-Center-Twin-Walls-Mural-Co-160x102.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/Health-Center-Twin-Walls-Mural-Co-768x492.png 768w\" sizes=\"auto, (max-width: 1246px) 100vw, 1246px\" />\u003cfigcaption class=\"wp-element-caption\">A rendering of the renovated Chinatown Community Health Center with a mural by Twin Walls Mural Company on its corner. (San Francisco Arts Commission)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>Good news all around, but that would usually be that. We’d have to wait for years to mark the reopenings, glimpse the public artworks, and hear from the artists involved. Instead, on Saturday, Sept. 12, these artists will be present for a meet-and-greet event at the Grant Avenue storefront of the \u003ca href=\"https://www.cccsf.us/\">Chinese Culture Center\u003c/a> (CCC).\u003c/p>\n\n\n\n\u003cp>It’s one stop on what the San Francisco Arts Commission, CCC and \u003ca href=\"https://www.cmacsanfrancisco.org/\">Chinatown Media & Arts Collaborative\u003c/a> (CMAC) are calling “\u003ca href=\"https://www.sf.gov/event-a-day-of-public-art-in-chinatown\">A Day of Public Art in Chinatown\u003c/a>,” a mini-tour of artists and artworks across three neighborhood venues. \u003c/p>\n\n\n\n\u003cp>The day starts at 11 a.m. at Chinatown-Rose Pak Station, where New York-based artist Tomie Arai will lead visitors on a tour of her monumental glass exterior and downstairs platform installation. \u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1125\" height=\"2000\" data-id=\"13993610\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000.jpg\" alt=\"hand holding a red-sewn thread with a TH at the center\" class=\"wp-image-13993610\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000.jpg 1125w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000-160x284.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000-768x1365.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000-864x1536.jpg 864w\" sizes=\"auto, (max-width: 1125px) 100vw, 1125px\" />\u003cfigcaption class=\"wp-element-caption\">A commemorative patch for the ‘Threaded Histories’ project, to be given away at Chinatown-Rose Pak Station on Sept. 12. (Courtesy of the artist)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1126\" height=\"2000\" data-id=\"13993611\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000b.jpg\" alt=\"woman leans over sewing table working on large-scale design\" class=\"wp-image-13993611\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000b.jpg 1126w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000b-160x284.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000b-768x1364.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000b-865x1536.jpg 865w\" sizes=\"auto, (max-width: 1126px) 100vw, 1126px\" />\u003cfigcaption class=\"wp-element-caption\">Ariana Martinez-Cruz works in her studio on the temporary monument ‘Threaded Histories.’ (Courtesy of the artist)\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\n\n\n\u003cp>Then, at the station’s entrance at noon, \u003ca href=\"https://sewfrisco.wixsite.com/sfbio/threadedhistories\">Ariana Martinez-Cruz\u003c/a> will unveil a large-scale temporary monument to the city’s Latino and Chinese garment workers. As one of the SFAC’s \u003ca href=\"https://www.kqed.org/arts/13991360/new-monuments-san-francisco-shaping-legacy-sfac\">Shaping Legacy\u003c/a> artists, Martinez-Cruz has been conducting workshops and gathering stories for months, all while fabricating an impressive sculpture out of metal, cloth and thread. (A commemorative patch and tote bag giveaway will take place 1–4 p.m.)\u003c/p>\n\n\n\n\u003cp>The third stop may be the most exciting: The historic Empress of China building, \u003ca href=\"https://www.cmacsanfrancisco.org/empress-of-china\">recently purchased by CMAC\u003c/a> as a future cultural campus, will open its doors to the public for the first time since it shuttered in 2016. A community open house curated by \u003ca href=\"https://www.summerleeart.com/\">Summer Mei Ling Lee\u003c/a> returns to the idea of “Chinatown’s living room.” With Portsmouth Square closed, Lee has organized the building’s first floor into a series of intimate spaces where artists, historians, performers and other nonprofits can hold court. While the building will be open 11 a.m.–4 p.m., a ceremony and performances begin at 1 p.m.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1299\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/10-David_Leong_Family_Collection_Banquetstill_2000.jpg\" alt=\"photograph of Asian family eating around circular table in banquet hall\" class=\"wp-image-13993609\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/10-David_Leong_Family_Collection_Banquetstill_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/10-David_Leong_Family_Collection_Banquetstill_2000-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/10-David_Leong_Family_Collection_Banquetstill_2000-768x499.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/10-David_Leong_Family_Collection_Banquetstill_2000-1536x998.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Still from Center for Asian American Media’s Memories to Light program. (Courtesy of the David Leong Family Collection)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>Lee’s program includes plenty of hands-on and celebratory elements, including crowd-sourced images from decades of family celebrations at the Empress of China banquet hall, a shadow puppet show from \u003ca href=\"https://www.shadowlight.org/\">ShadowLight Productions\u003c/a> and a human embodiment of “The Empress” by Maggie Wong. Also, the \u003ca href=\"https://www.grantavenuefollies.org/\">Grant Avenue Follies\u003c/a>.\u003c/p>\n\n\n\n\u003cp>Permanent, full access to all of Chinatown’s public and community spaces may be months (or years) away, but events like this prove there are still plenty of ways to fill the streets with art. \u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n\n\n\n\u003cp>\u003cem>\u003ca href=\"https://www.sf.gov/event-a-day-of-public-art-in-chinatown\">A Day of Public Art in Chinatown\u003c/a> takes place Sept. 12, 2026, 11 a.m.–4 p.m. at the Chinatown-Rose Pak Station (934 Stockton St.), CCC Art Center & Design Store (667 Grant Ave.) and Empress of China (838 Grant Ave.).\u003c/em>\u003c/p>\n",
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"innerHTML": "\n\u003cp>\u003ca href=\"https://sfpublicworks.org/portsmouthsquare\">Portsmouth Square\u003c/a>, the park known as Chinatown’s living room, isn’t looking very welcoming these days. The iconic \u003ca href=\"https://www.kqed.org/arts/13916267/learn-the-story-of-san-franciscos-toughest-skate-spot-in-new-thrasher-video\">pedestrian bridge\u003c/a> that once stretched across Kearny Street from the Hilton is gone. So is the park’s playground, its trees and benches. Fenced in and under construction, the square won’t reopen until 2028.\u003c/p>\n",
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"\n\u003cp>\u003ca href=\"https://sfpublicworks.org/portsmouthsquare\">Portsmouth Square\u003c/a>, the park known as Chinatown’s living room, isn’t looking very welcoming these days. The iconic \u003ca href=\"https://www.kqed.org/arts/13916267/learn-the-story-of-san-franciscos-toughest-skate-spot-in-new-thrasher-video\">pedestrian bridge\u003c/a> that once stretched across Kearny Street from the Hilton is gone. So is the park’s playground, its trees and benches. Fenced in and under construction, the square won’t reopen until 2028.\u003c/p>\n"
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"innerHTML": "\n\u003cp>It’s not the only site in the neighborhood where work crews now outnumber residents. The Chinatown public library, a 1921 Carnegie building, will soon close for a planned \u003ca href=\"https://sfpl.org/about-us/capital-projects-building-you/library-improvements-tomorrow/chinatown-him-mark-lai\">30-month renovation\u003c/a>. And \u003ca href=\"https://sfpublicworks.org/Chinatown-Public-Health-Center\">seismic upgrades\u003c/a> to the Chinatown Public Health Center are already underway. What tempers all this disruption is the knowledge that when each of these sites reopens (better, safer), it will be graced by new public art from a lineup of talented local artists.\u003c/p>\n",
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"\n\u003cp>It’s not the only site in the neighborhood where work crews now outnumber residents. The Chinatown public library, a 1921 Carnegie building, will soon close for a planned \u003ca href=\"https://sfpl.org/about-us/capital-projects-building-you/library-improvements-tomorrow/chinatown-him-mark-lai\">30-month renovation\u003c/a>. And \u003ca href=\"https://sfpublicworks.org/Chinatown-Public-Health-Center\">seismic upgrades\u003c/a> to the Chinatown Public Health Center are already underway. What tempers all this disruption is the knowledge that when each of these sites reopens (better, safer), it will be graced by new public art from a lineup of talented local artists.\u003c/p>\n"
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"innerHTML": "\n\u003cp>In Portsmouth Square, that includes an entryway sculpture by \u003ca href=\"https://cathyclu.com/\">Cathy Lu\u003c/a> and a tile wall from \u003ca href=\"https://wofflehouse.com/\">Jenifer K. Wofford\u003c/a>. At the public health center, a mural by Elaine Chu and Marina Perez-Wong (aka \u003ca href=\"https://www.twinwallsmuralcompany.com/\">Twin Walls Mural Company\u003c/a>) will wrap around an exterior corner; another mural by \u003ca href=\"https://www.instagram.com/vida.kuang/\">Vida Kuang\u003c/a> will enliven a waiting room. And \u003ca href=\"https://www.christinewongyap.com/\">Christine Wong Yap\u003c/a> is creating images for a series of archways in the library’s grand reading room.\u003c/p>\n",
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"\n\u003cp>In Portsmouth Square, that includes an entryway sculpture by \u003ca href=\"https://cathyclu.com/\">Cathy Lu\u003c/a> and a tile wall from \u003ca href=\"https://wofflehouse.com/\">Jenifer K. Wofford\u003c/a>. At the public health center, a mural by Elaine Chu and Marina Perez-Wong (aka \u003ca href=\"https://www.twinwallsmuralcompany.com/\">Twin Walls Mural Company\u003c/a>) will wrap around an exterior corner; another mural by \u003ca href=\"https://www.instagram.com/vida.kuang/\">Vida Kuang\u003c/a> will enliven a waiting room. And \u003ca href=\"https://www.christinewongyap.com/\">Christine Wong Yap\u003c/a> is creating images for a series of archways in the library’s grand reading room.\u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/Health-Center-Twin-Walls-Mural-Co.png\" alt=\"square building on corner with colorful mural at street level\" class=\"wp-image-13993608\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/Health-Center-Twin-Walls-Mural-Co.png 1246w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/Health-Center-Twin-Walls-Mural-Co-160x102.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/Health-Center-Twin-Walls-Mural-Co-768x492.png 768w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">A rendering of the renovated Chinatown Community Health Center with a mural by Twin Walls Mural Company on its corner.\u003ccite class=\"wp-inline-image-credit\"> (San Francisco Arts Commission)\u003c/cite>\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/Health-Center-Twin-Walls-Mural-Co.png\" alt=\"square building on corner with colorful mural at street level\" class=\"wp-image-13993608\"/>\u003cfigcaption class=\"wp-element-caption\">A rendering of the renovated Chinatown Community Health Center with a mural by Twin Walls Mural Company on its corner.\u003ccite class=\"wp-inline-image-credit\"> (San Francisco Arts Commission)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>Good news all around, but that would usually be that. We’d have to wait for years to mark the reopenings, glimpse the public artworks, and hear from the artists involved. Instead, on Saturday, Sept. 12, these artists will be present for a meet-and-greet event at the Grant Avenue storefront of the \u003ca href=\"https://www.cccsf.us/\">Chinese Culture Center\u003c/a> (CCC).\u003c/p>\n",
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"\n\u003cp>Good news all around, but that would usually be that. We’d have to wait for years to mark the reopenings, glimpse the public artworks, and hear from the artists involved. Instead, on Saturday, Sept. 12, these artists will be present for a meet-and-greet event at the Grant Avenue storefront of the \u003ca href=\"https://www.cccsf.us/\">Chinese Culture Center\u003c/a> (CCC).\u003c/p>\n"
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"innerHTML": "\n\u003cp>It’s one stop on what the San Francisco Arts Commission, CCC and \u003ca href=\"https://www.cmacsanfrancisco.org/\">Chinatown Media & Arts Collaborative\u003c/a> (CMAC) are calling “\u003ca href=\"https://www.sf.gov/event-a-day-of-public-art-in-chinatown\">A Day of Public Art in Chinatown\u003c/a>,” a mini-tour of artists and artworks across three neighborhood venues. \u003c/p>\n",
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"\n\u003cp>It’s one stop on what the San Francisco Arts Commission, CCC and \u003ca href=\"https://www.cmacsanfrancisco.org/\">Chinatown Media & Arts Collaborative\u003c/a> (CMAC) are calling “\u003ca href=\"https://www.sf.gov/event-a-day-of-public-art-in-chinatown\">A Day of Public Art in Chinatown\u003c/a>,” a mini-tour of artists and artworks across three neighborhood venues. \u003c/p>\n"
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"innerHTML": "\n\u003cp>The day starts at 11 a.m. at Chinatown-Rose Pak Station, where New York-based artist Tomie Arai will lead visitors on a tour of her monumental glass exterior and downstairs platform installation. \u003c/p>\n",
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"\n\u003cp>The day starts at 11 a.m. at Chinatown-Rose Pak Station, where New York-based artist Tomie Arai will lead visitors on a tour of her monumental glass exterior and downstairs platform installation. \u003c/p>\n"
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"innerHTML": "\n\u003cp>Then, at the station’s entrance at noon, \u003ca href=\"https://sewfrisco.wixsite.com/sfbio/threadedhistories\">Ariana Martinez-Cruz\u003c/a> will unveil a large-scale temporary monument to the city’s Latino and Chinese garment workers. As one of the SFAC’s \u003ca href=\"https://www.kqed.org/arts/13991360/new-monuments-san-francisco-shaping-legacy-sfac\">Shaping Legacy\u003c/a> artists, Martinez-Cruz has been conducting workshops and gathering stories for months, all while fabricating an impressive sculpture out of metal, cloth and thread. (A commemorative patch and tote bag giveaway will take place 1–4 p.m.)\u003c/p>\n",
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"\n\u003cp>Then, at the station’s entrance at noon, \u003ca href=\"https://sewfrisco.wixsite.com/sfbio/threadedhistories\">Ariana Martinez-Cruz\u003c/a> will unveil a large-scale temporary monument to the city’s Latino and Chinese garment workers. As one of the SFAC’s \u003ca href=\"https://www.kqed.org/arts/13991360/new-monuments-san-francisco-shaping-legacy-sfac\">Shaping Legacy\u003c/a> artists, Martinez-Cruz has been conducting workshops and gathering stories for months, all while fabricating an impressive sculpture out of metal, cloth and thread. (A commemorative patch and tote bag giveaway will take place 1–4 p.m.)\u003c/p>\n"
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"innerHTML": "\n\u003cp>The third stop may be the most exciting: The historic Empress of China building, \u003ca href=\"https://www.cmacsanfrancisco.org/empress-of-china\">recently purchased by CMAC\u003c/a> as a future cultural campus, will open its doors to the public for the first time since it shuttered in 2016. A community open house curated by \u003ca href=\"https://www.summerleeart.com/\">Summer Mei Ling Lee\u003c/a> returns to the idea of “Chinatown’s living room.” With Portsmouth Square closed, Lee has organized the building’s first floor into a series of intimate spaces where artists, historians, performers and other nonprofits can hold court. While the building will be open 11 a.m.–4 p.m., a ceremony and performances begin at 1 p.m.\u003c/p>\n",
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"\n\u003cp>The third stop may be the most exciting: The historic Empress of China building, \u003ca href=\"https://www.cmacsanfrancisco.org/empress-of-china\">recently purchased by CMAC\u003c/a> as a future cultural campus, will open its doors to the public for the first time since it shuttered in 2016. A community open house curated by \u003ca href=\"https://www.summerleeart.com/\">Summer Mei Ling Lee\u003c/a> returns to the idea of “Chinatown’s living room.” With Portsmouth Square closed, Lee has organized the building’s first floor into a series of intimate spaces where artists, historians, performers and other nonprofits can hold court. While the building will be open 11 a.m.–4 p.m., a ceremony and performances begin at 1 p.m.\u003c/p>\n"
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"innerHTML": "\n\u003cp>\u003cem>\u003ca href=\"https://www.sf.gov/event-a-day-of-public-art-in-chinatown\">A Day of Public Art in Chinatown\u003c/a> takes place Sept. 12, 2026, 11 a.m.–4 p.m. at the Chinatown-Rose Pak Station (934 Stockton St.), CCC Art Center & Design Store (667 Grant Ave.) and Empress of China (838 Grant Ave.).\u003c/em>\u003c/p>\n",
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"excerpt": "The Empress of China building reopens for the first time since 2016 in a daylong, neighborhood art walk. ",
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"title": "A Celebration of the All the Art Coming to SF’s Chinatown | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003ca href=\"https://sfpublicworks.org/portsmouthsquare\">Portsmouth Square\u003c/a>, the park known as Chinatown’s living room, isn’t looking very welcoming these days. The iconic \u003ca href=\"https://www.kqed.org/arts/13916267/learn-the-story-of-san-franciscos-toughest-skate-spot-in-new-thrasher-video\">pedestrian bridge\u003c/a> that once stretched across Kearny Street from the Hilton is gone. So is the park’s playground, its trees and benches. Fenced in and under construction, the square won’t reopen until 2028.\u003c/p>\n\n\n\n\u003cp>It’s not the only site in the neighborhood where work crews now outnumber residents. The Chinatown public library, a 1921 Carnegie building, will soon close for a planned \u003ca href=\"https://sfpl.org/about-us/capital-projects-building-you/library-improvements-tomorrow/chinatown-him-mark-lai\">30-month renovation\u003c/a>. And \u003ca href=\"https://sfpublicworks.org/Chinatown-Public-Health-Center\">seismic upgrades\u003c/a> to the Chinatown Public Health Center are already underway. What tempers all this disruption is the knowledge that when each of these sites reopens (better, safer), it will be graced by new public art from a lineup of talented local artists.\u003c/p>\n\n\n\n\u003cp>In Portsmouth Square, that includes an entryway sculpture by \u003ca href=\"https://cathyclu.com/\">Cathy Lu\u003c/a> and a tile wall from \u003ca href=\"https://wofflehouse.com/\">Jenifer K. Wofford\u003c/a>. At the public health center, a mural by Elaine Chu and Marina Perez-Wong (aka \u003ca href=\"https://www.twinwallsmuralcompany.com/\">Twin Walls Mural Company\u003c/a>) will wrap around an exterior corner; another mural by \u003ca href=\"https://www.instagram.com/vida.kuang/\">Vida Kuang\u003c/a> will enliven a waiting room. And \u003ca href=\"https://www.christinewongyap.com/\">Christine Wong Yap\u003c/a> is creating images for a series of archways in the library’s grand reading room.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1246\" height=\"798\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/Health-Center-Twin-Walls-Mural-Co.png\" alt=\"square building on corner with colorful mural at street level\" class=\"wp-image-13993608\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/Health-Center-Twin-Walls-Mural-Co.png 1246w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/Health-Center-Twin-Walls-Mural-Co-160x102.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/Health-Center-Twin-Walls-Mural-Co-768x492.png 768w\" sizes=\"auto, (max-width: 1246px) 100vw, 1246px\" />\u003cfigcaption class=\"wp-element-caption\">A rendering of the renovated Chinatown Community Health Center with a mural by Twin Walls Mural Company on its corner. (San Francisco Arts Commission)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>Good news all around, but that would usually be that. We’d have to wait for years to mark the reopenings, glimpse the public artworks, and hear from the artists involved. Instead, on Saturday, Sept. 12, these artists will be present for a meet-and-greet event at the Grant Avenue storefront of the \u003ca href=\"https://www.cccsf.us/\">Chinese Culture Center\u003c/a> (CCC).\u003c/p>\n\n\n\n\u003cp>It’s one stop on what the San Francisco Arts Commission, CCC and \u003ca href=\"https://www.cmacsanfrancisco.org/\">Chinatown Media & Arts Collaborative\u003c/a> (CMAC) are calling “\u003ca href=\"https://www.sf.gov/event-a-day-of-public-art-in-chinatown\">A Day of Public Art in Chinatown\u003c/a>,” a mini-tour of artists and artworks across three neighborhood venues. \u003c/p>\n\n\n\n\u003cp>The day starts at 11 a.m. at Chinatown-Rose Pak Station, where New York-based artist Tomie Arai will lead visitors on a tour of her monumental glass exterior and downstairs platform installation. \u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1125\" height=\"2000\" data-id=\"13993610\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000.jpg\" alt=\"hand holding a red-sewn thread with a TH at the center\" class=\"wp-image-13993610\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000.jpg 1125w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000-160x284.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000-768x1365.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000-864x1536.jpg 864w\" sizes=\"auto, (max-width: 1125px) 100vw, 1125px\" />\u003cfigcaption class=\"wp-element-caption\">A commemorative patch for the ‘Threaded Histories’ project, to be given away at Chinatown-Rose Pak Station on Sept. 12. (Courtesy of the artist)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1126\" height=\"2000\" data-id=\"13993611\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000b.jpg\" alt=\"woman leans over sewing table working on large-scale design\" class=\"wp-image-13993611\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000b.jpg 1126w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000b-160x284.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000b-768x1364.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/TH_2000b-865x1536.jpg 865w\" sizes=\"auto, (max-width: 1126px) 100vw, 1126px\" />\u003cfigcaption class=\"wp-element-caption\">Ariana Martinez-Cruz works in her studio on the temporary monument ‘Threaded Histories.’ (Courtesy of the artist)\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\n\n\n\u003cp>Then, at the station’s entrance at noon, \u003ca href=\"https://sewfrisco.wixsite.com/sfbio/threadedhistories\">Ariana Martinez-Cruz\u003c/a> will unveil a large-scale temporary monument to the city’s Latino and Chinese garment workers. As one of the SFAC’s \u003ca href=\"https://www.kqed.org/arts/13991360/new-monuments-san-francisco-shaping-legacy-sfac\">Shaping Legacy\u003c/a> artists, Martinez-Cruz has been conducting workshops and gathering stories for months, all while fabricating an impressive sculpture out of metal, cloth and thread. (A commemorative patch and tote bag giveaway will take place 1–4 p.m.)\u003c/p>\n\n\n\n\u003cp>The third stop may be the most exciting: The historic Empress of China building, \u003ca href=\"https://www.cmacsanfrancisco.org/empress-of-china\">recently purchased by CMAC\u003c/a> as a future cultural campus, will open its doors to the public for the first time since it shuttered in 2016. A community open house curated by \u003ca href=\"https://www.summerleeart.com/\">Summer Mei Ling Lee\u003c/a> returns to the idea of “Chinatown’s living room.” With Portsmouth Square closed, Lee has organized the building’s first floor into a series of intimate spaces where artists, historians, performers and other nonprofits can hold court. While the building will be open 11 a.m.–4 p.m., a ceremony and performances begin at 1 p.m.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1299\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/10-David_Leong_Family_Collection_Banquetstill_2000.jpg\" alt=\"photograph of Asian family eating around circular table in banquet hall\" class=\"wp-image-13993609\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/10-David_Leong_Family_Collection_Banquetstill_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/10-David_Leong_Family_Collection_Banquetstill_2000-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/10-David_Leong_Family_Collection_Banquetstill_2000-768x499.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/09/10-David_Leong_Family_Collection_Banquetstill_2000-1536x998.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">Still from Center for Asian American Media’s Memories to Light program. (Courtesy of the David Leong Family Collection)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>Lee’s program includes plenty of hands-on and celebratory elements, including crowd-sourced images from decades of family celebrations at the Empress of China banquet hall, a shadow puppet show from \u003ca href=\"https://www.shadowlight.org/\">ShadowLight Productions\u003c/a> and a human embodiment of “The Empress” by Maggie Wong. Also, the \u003ca href=\"https://www.grantavenuefollies.org/\">Grant Avenue Follies\u003c/a>.\u003c/p>\n\n\n\n\u003cp>Permanent, full access to all of Chinatown’s public and community spaces may be months (or years) away, but events like this prove there are still plenty of ways to fill the streets with art. \u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n\n\n\n\u003cp>\u003cem>\u003ca href=\"https://www.sf.gov/event-a-day-of-public-art-in-chinatown\">A Day of Public Art in Chinatown\u003c/a> takes place Sept. 12, 2026, 11 a.m.–4 p.m. at the Chinatown-Rose Pak Station (934 Stockton St.), CCC Art Center & Design Store (667 Grant Ave.) and Empress of China (838 Grant Ave.).\u003c/em>\u003c/p>\n\u003c/div>\u003c/p>",
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"slug": "colin-kaepernick-memoir-the-perilous-fight-book-tour-berkeley",
"title": "Colin Kaepernick Is Coming to the East Bay With a New Memoir",
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"content": "\u003cp>Ten year ago, before a preseason football game against the San Diego Chargers on Sept. 1, 2016, San Francisco 49ers quarterback \u003ca href=\"https://www.kqed.org/arts/tag/colin-kaepernick\">Colin Kaepernick\u003c/a> decided to kneel during pregame performances of “The Star Spangled Banner.”\u003c/p>\n\n\n\n\u003cp>Fed up with the extrajudicial killings of Black people in this country, Kaepernick took a knee and also took a stand. While it brought much-needed attention to an issue plaguing our society, it also drastically changed the course of Kaepernick’s career. Months later, the former Super Bowl quarterback was effectively pushed out of the NFL for his weekly quiet protest; he would later \u003ca href=\"https://www.npr.org/2019/02/15/695213705/colin-kaepernick-reaches-agreement-with-the-nfl-his-lawyer-says\">successfully sue the NFL for collusion\u003c/a>, alleging that teams blackballed him and former teammate Eric Reid.\u003c/p>\n\n\n\n\u003cp>Now, a decade after first quietly taking a knee in protest, Kaepernick is speaking about his journey, as he shares his new book with the world.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1705\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-scaled.jpg\" alt=\"\" class=\"wp-image-13908962\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-2048x1364.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1920x1279.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-element-caption\">Eli Harold (from left), Colin Kaepernick and Eric Reid of the San Francisco 49ers kneel in protest during the national anthem prior to a game against the Arizona Cardinals at Levi’s Stadium on Oct. 6, 2016, in Santa Clara. (Thearon W. Henderson/Getty Images)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>On Wednesday, Sept. 23, Berkeley’s Black Repertory Group will open its doors, allowing audience members a chance to hear \u003ca href=\"https://www.eventbrite.com/e/colin-kaepernick-x-marcus-books-the-perilous-fight-tickets-1997421539594?aff=erelpanelorg\">Kaepernick discuss\u003c/a> his new memoir, \u003cem>\u003ca href=\"https://www.hachettebookgroup.com/titles/colin-kaepernick/the-perilous-fight/9781538777879/\">The Perilous Fight\u003c/a>\u003c/em> (Hachette Book Group). Each attendee will also receive a signed copy of the book, which covers Kaepernick’s upbringing in Turlock, his experience as a professional athlete, and how he found footing in the world of activism.\u003c/p>\n\n\n\n\u003cp>Kaepernick will be in conversation with comedian and award-winning host \u003ca href=\"https://www.kqed.org/arts/tag/w-kamau-bell\">W. Kamau Bell\u003c/a>; they’ll be joined that evening by appearances from the former head of the Black Panther Party’s Oakland Community School \u003ca href=\"https://www.kqed.org/arts/13940221/black-panthers-oakland-community-school-50th-anniversary\">Ericka Huggins\u003c/a> and Black Panther Party illustrator \u003ca href=\"https://www.kqed.org/arts/13984778/emory-douglas-in-our-lifetime-aaacc-san-francisco\">Emory Douglas\u003c/a>.\u003c/p>\n\n\n\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The event is backed by the \u003ca href=\"https://www.nab2.org/\">National Association of Black Bookstores\u003c/a> and hosted by Oakland’s \u003ca href=\"https://marcusbooks.com/\">Marcus Books\u003c/a>. The collaboration between Kaepernick, one of the most high-profile activists of the last decade; the \u003ca href=\"https://blackrepertorygroup.com/\">Black Repertory Group\u003c/a>, founded in 1964 as one of the longest-running African American theatrical organizations; and Marcus Books, the United States’ oldest bookstore specializing in African American literature, is a rare confluence of greats. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"alignright size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1695\" height=\"2560\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-scaled.jpg\" alt=\"Colin Kaepernick's book 'The Perilous Fight'.\" class=\"wp-image-13993330\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-scaled.jpg 1695w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-160x242.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-768x1160.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-1017x1536.jpg 1017w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-1356x2048.jpg 1356w\" sizes=\"auto, (max-width: 1695px) 100vw, 1695px\">\u003cfigcaption class=\"wp-element-caption\">Colin Kaepernick’s book ‘The Perilous Fight’ publishes Sept. 15, 2026.\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>It is also, according to Marcus Books owner Blanche Richardson, “the direct result of the work of the National Association of Black Bookstores (NAB2).”\u003c/p>\n\n\n\n\u003cp>In an email to KQED, Richardson gives credit to NAB2, which is only in its second year of existence, for coordinating Kaepernick’s book tour with the publisher. “[NAB2] demands equity in sending Black authors to Black bookstores where their fan bases are,” writes Richardson.\u003c/p>\n\n\n\n\u003cp>Kaepernick has signed thousands of bookplates for this tour, so all ticket-holders will receive signed books. There will also be Q&A session after the conversation with W. Kamau Bell. \u003c/p>\n\n\n\n\u003cp>“All are welcome to have their pictures taken with the author,” Richardson adds, noting that VIP tickets have sold out and regular tickets are selling fast. “We will be adding a number of lesser-priced tickets for seats in the ‘overflow’ room once the $50 tickets are sold out.” (The overflow crowd will also receive signed books and be able to take photos.)\u003c/p>\n\n\n\n\u003cp>Kaepernick’s rare public appearance outside of his foundation, the \u003ca href=\"https://www.knowyourrightscamp.org/\">Know Your Rights Camp,\u003c/a> is part of a book tour that will also stop at the \u003ca href=\"https://www.eventbrite.com/e/colin-kaepernick-author-talk-tickets-1997911346620\">Guild Theater\u003c/a> in Sacramento on Sept. 21 and the \u003ca href=\"https://www.ebellofla.org/events/writers-bloc-and-the-ebell-present-football-legend-colin-kaepernick\">Ebell Dining Room\u003c/a> in Los Angeles on Sept. 22.\u003c/p>\n\n\n\n\u003cp>Oakland’s Marcus Books regularly hosts convenings with authors and cultural figures. In the coming month they also have events with civil rights attorney and activist \u003ca href=\"https://www.eventbrite.com/e/walter-riley-x-marcus-books-civil-rights-and-structural-attacks-tickets-1997521565775?aff=erelpanelorg\">Walter Riley \u003c/a>on Sept. 6, author \u003ca href=\"https://www.eventbrite.com/e/deborah-santana-x-marcus-books-loving-the-fire-tickets-1997526462421?aff=erelpanelorg\">Deborah Santana\u003c/a> on Sept. 20 and poet \u003ca href=\"https://www.eventbrite.com/e/kevin-powell-w-kwc-complex-jazz-trio-x-marcus-books-tickets-1997528025095?aff=erelpanelorg\">Kevin Powell\u003c/a> (with KWC Complex Jazz Trio) on Sept. 26.\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Colin Kaepernick discusses his book ‘\u003ca href=\"https://www.hachettebookgroup.com/titles/colin-kaepernick/the-perilous-fight/9781538777879/\">The Perilous Fight\u003c/a>’ at the Black Repertory Group Theater (3201 Adeline St., Berkeley) on Sept. 22, \u003cem>6–8 p.m\u003c/em>. \u003ca href=\"https://www.eventbrite.com/e/colin-kaepernick-x-marcus-books-the-perilous-fight-tickets-1997421539594?aff=erelpanelorg\">Check here\u003c/a> for further information. \u003c/em>\u003c/p>\n\n",
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"innerHTML": "\n\u003cp>Fed up with the extrajudicial killings of Black people in this country, Kaepernick took a knee and also took a stand. While it brought much-needed attention to an issue plaguing our society, it also drastically changed the course of Kaepernick’s career. Months later, the former Super Bowl quarterback was effectively pushed out of the NFL for his weekly quiet protest; he would later \u003ca href=\"https://www.npr.org/2019/02/15/695213705/colin-kaepernick-reaches-agreement-with-the-nfl-his-lawyer-says\">successfully sue the NFL for collusion\u003c/a>, alleging that teams blackballed him and former teammate Eric Reid.\u003c/p>\n",
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"\n\u003cp>Fed up with the extrajudicial killings of Black people in this country, Kaepernick took a knee and also took a stand. While it brought much-needed attention to an issue plaguing our society, it also drastically changed the course of Kaepernick’s career. Months later, the former Super Bowl quarterback was effectively pushed out of the NFL for his weekly quiet protest; he would later \u003ca href=\"https://www.npr.org/2019/02/15/695213705/colin-kaepernick-reaches-agreement-with-the-nfl-his-lawyer-says\">successfully sue the NFL for collusion\u003c/a>, alleging that teams blackballed him and former teammate Eric Reid.\u003c/p>\n"
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"\n\u003cp>Now, a decade after first quietly taking a knee in protest, Kaepernick is speaking about his journey, as he shares his new book with the world.\u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-scaled.jpg\" alt=\"\" class=\"wp-image-13908962\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-2048x1364.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1920x1279.jpg 1920w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">Eli Harold (from left), Colin Kaepernick and Eric Reid of the San Francisco 49ers kneel in protest during the national anthem prior to a game against the Arizona Cardinals at Levi’s Stadium on Oct. 6, 2016, in Santa Clara.\u003c/figcaption>\u003c/figure>\n",
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"innerHTML": "\n\u003cp>On Wednesday, Sept. 23, Berkeley’s Black Repertory Group will open its doors, allowing audience members a chance to hear \u003ca href=\"https://www.eventbrite.com/e/colin-kaepernick-x-marcus-books-the-perilous-fight-tickets-1997421539594?aff=erelpanelorg\">Kaepernick discuss\u003c/a> his new memoir, \u003cem>\u003ca href=\"https://www.hachettebookgroup.com/titles/colin-kaepernick/the-perilous-fight/9781538777879/\">The Perilous Fight\u003c/a>\u003c/em> (Hachette Book Group). Each attendee will also receive a signed copy of the book, which covers Kaepernick’s upbringing in Turlock, his experience as a professional athlete, and how he found footing in the world of activism.\u003c/p>\n",
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"\n\u003cp>On Wednesday, Sept. 23, Berkeley’s Black Repertory Group will open its doors, allowing audience members a chance to hear \u003ca href=\"https://www.eventbrite.com/e/colin-kaepernick-x-marcus-books-the-perilous-fight-tickets-1997421539594?aff=erelpanelorg\">Kaepernick discuss\u003c/a> his new memoir, \u003cem>\u003ca href=\"https://www.hachettebookgroup.com/titles/colin-kaepernick/the-perilous-fight/9781538777879/\">The Perilous Fight\u003c/a>\u003c/em> (Hachette Book Group). Each attendee will also receive a signed copy of the book, which covers Kaepernick’s upbringing in Turlock, his experience as a professional athlete, and how he found footing in the world of activism.\u003c/p>\n"
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"innerHTML": "\n\u003cp>Kaepernick will be in conversation with comedian and award-winning host \u003ca href=\"https://www.kqed.org/arts/tag/w-kamau-bell\">W. Kamau Bell\u003c/a>; they’ll be joined that evening by appearances from the former head of the Black Panther Party’s Oakland Community School \u003ca href=\"https://www.kqed.org/arts/13940221/black-panthers-oakland-community-school-50th-anniversary\">Ericka Huggins\u003c/a> and Black Panther Party illustrator \u003ca href=\"https://www.kqed.org/arts/13984778/emory-douglas-in-our-lifetime-aaacc-san-francisco\">Emory Douglas\u003c/a>.\u003c/p>\n",
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"\n\u003cp>Kaepernick will be in conversation with comedian and award-winning host \u003ca href=\"https://www.kqed.org/arts/tag/w-kamau-bell\">W. Kamau Bell\u003c/a>; they’ll be joined that evening by appearances from the former head of the Black Panther Party’s Oakland Community School \u003ca href=\"https://www.kqed.org/arts/13940221/black-panthers-oakland-community-school-50th-anniversary\">Ericka Huggins\u003c/a> and Black Panther Party illustrator \u003ca href=\"https://www.kqed.org/arts/13984778/emory-douglas-in-our-lifetime-aaacc-san-francisco\">Emory Douglas\u003c/a>.\u003c/p>\n"
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"innerHTML": "\n\u003cp>The event is backed by the \u003ca href=\"https://www.nab2.org/\">National Association of Black Bookstores\u003c/a> and hosted by Oakland’s \u003ca href=\"https://marcusbooks.com/\">Marcus Books\u003c/a>. The collaboration between Kaepernick, one of the most high-profile activists of the last decade; the \u003ca href=\"https://blackrepertorygroup.com/\">Black Repertory Group\u003c/a>, founded in 1964 as one of the longest-running African American theatrical organizations; and Marcus Books, the United States’ oldest bookstore specializing in African American literature, is a rare confluence of greats. \u003c/p>\n",
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"\n\u003cp>The event is backed by the \u003ca href=\"https://www.nab2.org/\">National Association of Black Bookstores\u003c/a> and hosted by Oakland’s \u003ca href=\"https://marcusbooks.com/\">Marcus Books\u003c/a>. The collaboration between Kaepernick, one of the most high-profile activists of the last decade; the \u003ca href=\"https://blackrepertorygroup.com/\">Black Repertory Group\u003c/a>, founded in 1964 as one of the longest-running African American theatrical organizations; and Marcus Books, the United States’ oldest bookstore specializing in African American literature, is a rare confluence of greats. \u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image alignright size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-scaled.jpg\" alt=\"Colin Kaepernick's book 'The Perilous Fight'.\" class=\"wp-image-13993330\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-scaled.jpg 1695w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-160x242.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-768x1160.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-1017x1536.jpg 1017w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-1356x2048.jpg 1356w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">Colin Kaepernick’s book ‘The Perilous Fight’ publishes Sept. 15, 2026.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image alignright size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-scaled.jpg\" alt=\"Colin Kaepernick's book 'The Perilous Fight'.\" class=\"wp-image-13993330\" />\u003cfigcaption class=\"wp-element-caption\">Colin Kaepernick’s book ‘The Perilous Fight’ publishes Sept. 15, 2026.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>In an email to KQED, Richardson gives credit to NAB2, which is only in its second year of existence, for coordinating Kaepernick’s book tour with the publisher. “[NAB2] demands equity in sending Black authors to Black bookstores where their fan bases are,” writes Richardson.\u003c/p>\n",
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"\n\u003cp>In an email to KQED, Richardson gives credit to NAB2, which is only in its second year of existence, for coordinating Kaepernick’s book tour with the publisher. “[NAB2] demands equity in sending Black authors to Black bookstores where their fan bases are,” writes Richardson.\u003c/p>\n"
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"innerHTML": "\n\u003cp>Kaepernick has signed thousands of bookplates for this tour, so all ticket-holders will receive signed books. There will also be Q&A session after the conversation with W. Kamau Bell. \u003c/p>\n",
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"\n\u003cp>Kaepernick has signed thousands of bookplates for this tour, so all ticket-holders will receive signed books. There will also be Q&A session after the conversation with W. Kamau Bell. \u003c/p>\n"
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"innerHTML": "\n\u003cp>“All are welcome to have their pictures taken with the author,” Richardson adds, noting that VIP tickets have sold out and regular tickets are selling fast. “We will be adding a number of lesser-priced tickets for seats in the ‘overflow’ room once the $50 tickets are sold out.” (The overflow crowd will also receive signed books and be able to take photos.)\u003c/p>\n",
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"\n\u003cp>“All are welcome to have their pictures taken with the author,” Richardson adds, noting that VIP tickets have sold out and regular tickets are selling fast. “We will be adding a number of lesser-priced tickets for seats in the ‘overflow’ room once the $50 tickets are sold out.” (The overflow crowd will also receive signed books and be able to take photos.)\u003c/p>\n"
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"innerHTML": "\n\u003cp>Kaepernick’s rare public appearance outside of his foundation, the \u003ca href=\"https://www.knowyourrightscamp.org/\">Know Your Rights Camp,\u003c/a> is part of a book tour that will also stop at the \u003ca href=\"https://www.eventbrite.com/e/colin-kaepernick-author-talk-tickets-1997911346620\">Guild Theater\u003c/a> in Sacramento on Sept. 21 and the \u003ca href=\"https://www.ebellofla.org/events/writers-bloc-and-the-ebell-present-football-legend-colin-kaepernick\">Ebell Dining Room\u003c/a> in Los Angeles on Sept. 22.\u003c/p>\n",
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"innerHTML": "\n\u003cp>Oakland’s Marcus Books regularly hosts convenings with authors and cultural figures. In the coming month they also have events with civil rights attorney and activist \u003ca href=\"https://www.eventbrite.com/e/walter-riley-x-marcus-books-civil-rights-and-structural-attacks-tickets-1997521565775?aff=erelpanelorg\">Walter Riley \u003c/a>on Sept. 6, author \u003ca href=\"https://www.eventbrite.com/e/deborah-santana-x-marcus-books-loving-the-fire-tickets-1997526462421?aff=erelpanelorg\">Deborah Santana\u003c/a> on Sept. 20 and poet \u003ca href=\"https://www.eventbrite.com/e/kevin-powell-w-kwc-complex-jazz-trio-x-marcus-books-tickets-1997528025095?aff=erelpanelorg\">Kevin Powell\u003c/a> (with KWC Complex Jazz Trio) on Sept. 26.\u003c/p>\n",
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"innerHTML": "\n\u003cp>\u003cem>Colin Kaepernick discusses his book ‘\u003ca href=\"https://www.hachettebookgroup.com/titles/colin-kaepernick/the-perilous-fight/9781538777879/\">The Perilous Fight\u003c/a>’ at the Black Repertory Group Theater (3201 Adeline St., Berkeley) on Sept. 22, \u003cem>6–8 p.m\u003c/em>. \u003ca href=\"https://www.eventbrite.com/e/colin-kaepernick-x-marcus-books-the-perilous-fight-tickets-1997421539594?aff=erelpanelorg\">Check here\u003c/a> for further information. \u003c/em>\u003c/p>\n",
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"excerpt": "The author, activist and former NFL quarterback brings his new memoir, ‘The Perilous Fight’ to Berkeley. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ten year ago, before a preseason football game against the San Diego Chargers on Sept. 1, 2016, San Francisco 49ers quarterback \u003ca href=\"https://www.kqed.org/arts/tag/colin-kaepernick\">Colin Kaepernick\u003c/a> decided to kneel during pregame performances of “The Star Spangled Banner.”\u003c/p>\n\n\n\n\u003cp>Fed up with the extrajudicial killings of Black people in this country, Kaepernick took a knee and also took a stand. While it brought much-needed attention to an issue plaguing our society, it also drastically changed the course of Kaepernick’s career. Months later, the former Super Bowl quarterback was effectively pushed out of the NFL for his weekly quiet protest; he would later \u003ca href=\"https://www.npr.org/2019/02/15/695213705/colin-kaepernick-reaches-agreement-with-the-nfl-his-lawyer-says\">successfully sue the NFL for collusion\u003c/a>, alleging that teams blackballed him and former teammate Eric Reid.\u003c/p>\n\n\n\n\u003cp>Now, a decade after first quietly taking a knee in protest, Kaepernick is speaking about his journey, as he shares his new book with the world.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1705\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-scaled.jpg\" alt=\"\" class=\"wp-image-13908962\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-2048x1364.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1920x1279.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-element-caption\">Eli Harold (from left), Colin Kaepernick and Eric Reid of the San Francisco 49ers kneel in protest during the national anthem prior to a game against the Arizona Cardinals at Levi’s Stadium on Oct. 6, 2016, in Santa Clara. (Thearon W. Henderson/Getty Images)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>On Wednesday, Sept. 23, Berkeley’s Black Repertory Group will open its doors, allowing audience members a chance to hear \u003ca href=\"https://www.eventbrite.com/e/colin-kaepernick-x-marcus-books-the-perilous-fight-tickets-1997421539594?aff=erelpanelorg\">Kaepernick discuss\u003c/a> his new memoir, \u003cem>\u003ca href=\"https://www.hachettebookgroup.com/titles/colin-kaepernick/the-perilous-fight/9781538777879/\">The Perilous Fight\u003c/a>\u003c/em> (Hachette Book Group). Each attendee will also receive a signed copy of the book, which covers Kaepernick’s upbringing in Turlock, his experience as a professional athlete, and how he found footing in the world of activism.\u003c/p>\n\n\n\n\u003cp>Kaepernick will be in conversation with comedian and award-winning host \u003ca href=\"https://www.kqed.org/arts/tag/w-kamau-bell\">W. Kamau Bell\u003c/a>; they’ll be joined that evening by appearances from the former head of the Black Panther Party’s Oakland Community School \u003ca href=\"https://www.kqed.org/arts/13940221/black-panthers-oakland-community-school-50th-anniversary\">Ericka Huggins\u003c/a> and Black Panther Party illustrator \u003ca href=\"https://www.kqed.org/arts/13984778/emory-douglas-in-our-lifetime-aaacc-san-francisco\">Emory Douglas\u003c/a>.\u003c/p>\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The event is backed by the \u003ca href=\"https://www.nab2.org/\">National Association of Black Bookstores\u003c/a> and hosted by Oakland’s \u003ca href=\"https://marcusbooks.com/\">Marcus Books\u003c/a>. The collaboration between Kaepernick, one of the most high-profile activists of the last decade; the \u003ca href=\"https://blackrepertorygroup.com/\">Black Repertory Group\u003c/a>, founded in 1964 as one of the longest-running African American theatrical organizations; and Marcus Books, the United States’ oldest bookstore specializing in African American literature, is a rare confluence of greats. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"alignright size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1695\" height=\"2560\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-scaled.jpg\" alt=\"Colin Kaepernick's book 'The Perilous Fight'.\" class=\"wp-image-13993330\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-scaled.jpg 1695w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-160x242.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-768x1160.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-1017x1536.jpg 1017w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Colin-K-1356x2048.jpg 1356w\" sizes=\"auto, (max-width: 1695px) 100vw, 1695px\">\u003cfigcaption class=\"wp-element-caption\">Colin Kaepernick’s book ‘The Perilous Fight’ publishes Sept. 15, 2026.\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>It is also, according to Marcus Books owner Blanche Richardson, “the direct result of the work of the National Association of Black Bookstores (NAB2).”\u003c/p>\n\n\n\n\u003cp>In an email to KQED, Richardson gives credit to NAB2, which is only in its second year of existence, for coordinating Kaepernick’s book tour with the publisher. “[NAB2] demands equity in sending Black authors to Black bookstores where their fan bases are,” writes Richardson.\u003c/p>\n\n\n\n\u003cp>Kaepernick has signed thousands of bookplates for this tour, so all ticket-holders will receive signed books. There will also be Q&A session after the conversation with W. Kamau Bell. \u003c/p>\n\n\n\n\u003cp>“All are welcome to have their pictures taken with the author,” Richardson adds, noting that VIP tickets have sold out and regular tickets are selling fast. “We will be adding a number of lesser-priced tickets for seats in the ‘overflow’ room once the $50 tickets are sold out.” (The overflow crowd will also receive signed books and be able to take photos.)\u003c/p>\n\n\n\n\u003cp>Kaepernick’s rare public appearance outside of his foundation, the \u003ca href=\"https://www.knowyourrightscamp.org/\">Know Your Rights Camp,\u003c/a> is part of a book tour that will also stop at the \u003ca href=\"https://www.eventbrite.com/e/colin-kaepernick-author-talk-tickets-1997911346620\">Guild Theater\u003c/a> in Sacramento on Sept. 21 and the \u003ca href=\"https://www.ebellofla.org/events/writers-bloc-and-the-ebell-present-football-legend-colin-kaepernick\">Ebell Dining Room\u003c/a> in Los Angeles on Sept. 22.\u003c/p>\n\n\n\n\u003cp>Oakland’s Marcus Books regularly hosts convenings with authors and cultural figures. In the coming month they also have events with civil rights attorney and activist \u003ca href=\"https://www.eventbrite.com/e/walter-riley-x-marcus-books-civil-rights-and-structural-attacks-tickets-1997521565775?aff=erelpanelorg\">Walter Riley \u003c/a>on Sept. 6, author \u003ca href=\"https://www.eventbrite.com/e/deborah-santana-x-marcus-books-loving-the-fire-tickets-1997526462421?aff=erelpanelorg\">Deborah Santana\u003c/a> on Sept. 20 and poet \u003ca href=\"https://www.eventbrite.com/e/kevin-powell-w-kwc-complex-jazz-trio-x-marcus-books-tickets-1997528025095?aff=erelpanelorg\">Kevin Powell\u003c/a> (with KWC Complex Jazz Trio) on Sept. 26.\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Colin Kaepernick discusses his book ‘\u003ca href=\"https://www.hachettebookgroup.com/titles/colin-kaepernick/the-perilous-fight/9781538777879/\">The Perilous Fight\u003c/a>’ at the Black Repertory Group Theater (3201 Adeline St., Berkeley) on Sept. 22, \u003cem>6–8 p.m\u003c/em>. \u003ca href=\"https://www.eventbrite.com/e/colin-kaepernick-x-marcus-books-the-perilous-fight-tickets-1997421539594?aff=erelpanelorg\">Check here\u003c/a> for further information. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Tune-Up Tuesdays Offer DIY Wheelchair Repairs in San Francisco",
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"content": "\u003cp>Everyone could tell that Kristina Moreno was uncomfortable. Her chair obviously didn’t fit her body well. And everybody wanted to help.\u003c/p>\n\n\n\n\u003cp>“Did you get that through insurance?” someone asked. The answer was far more complicated.\u003c/p>\n\n\n\n\u003cp>For the past week, Moreno had been using a powerchair her unhoused neighbor left behind when an ambulance took him away during a health crisis. She only knew his first name, but every night, Moreno charged the man’s chair inside her apartment. She was there when he suddenly needed medical care one afternoon. \u003c/p>\n\n\n\n\u003cp>While Moreno supported him that day, a passerby stole her chair, so she felt she had no choice but to use her neighbor’s much smaller one. Every day since, she’s wondered when he might return and whether she can finally convince Medi-Cal to replace her stolen chair before that happens.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-14-MC-KQED.jpg\" alt=\"\" class=\"wp-image-13992446\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-14-MC-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-14-MC-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-14-MC-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-14-MC-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Olga Prilepova adjusts the armrest height of Kristina Moreno’s borrowed powerchair at the Grassroots Open Assistive Tech Tune Up Tuesday event at the San Francisco Disability Cultural Center on August 4, 2026, in San Francisco. (Miles Cull/KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>Discussing difficult experiences while tending to equipment repairs is at the core of \u003ca href=\"https://disabilityculturalcenter.org/event/tune-up-sept2026/\">Tune-Up Tuesdays\u003c/a>. The monthly repair event is held at San Francisco’s Disability Cultural Center, or DCC. Tune-Up Tuesdays are organized by \u003ca href=\"https://www.openassistivetech.org\">Grassroots Open Assistive Tech\u003c/a>, or GOAT, a nonprofit working on projects at the intersection of do-it-yourself repair and reuse, open source hardware and software, and disability justice. In addition to the DCC, GOAT partners with regional organizations serving similar needs, such as the Independent Living Resource Center of San Francisco (ILRCSF).\u003c/p>\n\n\n\n\n\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13978766/disability-cultural-center-open-san-francisco\">Since opening last summer\u003c/a>, the DCC has offered a staggering array of eclectic near-daily programming, both onsite and virtually, from drag shows to craft circles to discussion groups. The DCC is the nation’s first publicly funded disability center focused on disabled culture and arts, and its unremarkable entrance on Grove Street obscures its inviting indoor-outdoor space. The bright interior courtyard is filled with small trees and plants, plus movable chairs and tables with wide sun umbrellas. Like the rest of the center, the space and its features are designed to adapt to a variety of needs, such as a mobility aid repair clinic.\u003c/p>\n\n\n\n\u003cp>On a recent sunny Tuesday, Rena Fischer was one of the first people through the door. Fischer has been a San Francisco resident since 1993 and has used a wheelchair for six years. She needed a taller side barrier on her footrest to keep her left foot from sliding off the platform, which in the past caused severe injuries requiring hospitalization. A useful modification would likely be a small custom job, possibly 3D-printed. \u003c/p>\n\n\n\n\u003cp>“We like to think that we’re doing trauma-informed repair,” said GOAT founder Liz Henry. Rather than taking someone’s chair into a mysterious back room, Tune-Up Tuesdays provide space to talk through a problem and consent to working collaboratively to fix it.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" data-id=\"13992443\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-05-MC-KQED.jpg\" alt=\"\" class=\"wp-image-13992443\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-05-MC-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-05-MC-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-05-MC-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-05-MC-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">GOAT executive director Liz Henry (right) speaks with Rena Fischer (left) about her powerchair at the Grassroots Open Assistive Tech Tune Up Tuesday event at the San Francisco Disability Cultural Center on August 4, 2026, in San Francisco. (Miles Cull/KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" data-id=\"13992444\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-07-MC-KQED.jpg\" alt=\"\" class=\"wp-image-13992444\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-07-MC-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-07-MC-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-07-MC-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-07-MC-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Olga Prilepova measures the footrest of Rena Fischer’s powerchair to make a modification at the Grassroots Open Assistive Tech Tune Up Tuesday event at the San Francisco Disability Cultural Center on August 4, 2026, in San Francisco. (Miles Cull/KQED)\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\n\n\n\u003cp>The same ethos powers GOAT’s physical space in downtown Oakland, which is now open weekdays 10 a.m.–4 p.m. Tucked behind The Bookmark Bookstore, the GOAT space serves as a storage area and distribution center for free devices and accessories, as well as a workshop for maintenance and enhancements. Henry urged Fischer to visit the following week, to discuss her footrest modification and to volunteer. Fischer insisted she would. “I’m useful,” she emphasized.\u003c/p>\n\n\n\n\u003cp>On her way out, Fischer picked up one of GOAT’s free toolkits. The take-home kit includes tools for simple upkeep and to prevent anyone from becoming stranded if their device malfunctions or breaks. Every colorful fabric pouch contains small wrenches, a tiny bottle of machine oil for lubricating wheels and bearings, and fasteners including cable ties, strong paracord and sturdy tape. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED.jpg\" alt=\"\" class=\"wp-image-13992442\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">GOAT executive director Liz Henry displays customizations to their powerchair at the Grassroots Open Assistive Tech Tune Up Tuesday event at the San Francisco Disability Cultural Center on August 4, 2026, in San Francisco. (Miles Cull/KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>Tune-Up Tuesdays are delightfully focused yet totally unpredictable. In June, about 25 attendees came through, some lining up starting at noon for the 1:30 p.m. event. August drew a smaller but no less soulful group, with participants seeking maintenance support for loose armrests and low tire pressure and asking questions about where to test mobility equipment.\u003c/p>\n\n\n\n\u003cp>Jen Holthaus took time off work to attend. She’s at the beginning of her wheelchair journey and didn’t know any other disabled people, so she asked Henry how to begin researching chair options. As Henry described how the West Oakland Center for Independent Living’s \u003ca href=\"https://thecil.org/wheelhouse/\">Wheelhouse\u003c/a> offers a variety of demonstration chairs, they moved onto a plush loveseat so that Holthaus could take a spin in Henry’s powerchair. \u003c/p>\n\n\n\n\u003cp>“Being here is how I move from feeling stuck to having a direction,” Holthaus explained, noting she gained practical tips and also felt less alone.\u003c/p>\n\n\n\n\u003cp>Henry remembers that isolation. “I had a lot of trouble in my early twenties,” they said, noting that even though the Bay Area has a rich history of disabled advocacy, they initially connected with other disabled people on Usenet forums and got around in a wheelchair stolen by necessity from a hospital. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED.jpg\" alt=\"\" class=\"wp-image-13992448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">GOAT member Vincent Lopez finds out that the left castor wheel bearings of Kristina Moreno’s borrowed powerchair are completely gone at the Grassroots Open Assistive Tech Tune Up Tuesday event at the San Francisco Disability Cultural Center on August 4, 2026, in San Francisco. (Miles Cull/KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>ILRCSF mobility device technician Vince Lopez arrived on a red scooter and pulled up a seat next to Moreno to talk through the features she might consider in selecting a better chair for her body: seat style, motor type and rear-, mid- or front-wheel drive. Last year, before getting a chair through Medi-Cal, Moreno was stranded in her apartment for months. She’s afraid she could get stuck again when her neighbor is discharged from the hospital and reclaims his chair. While they talked through options, several attendees helped themselves to hot tea, and a young couple arrived to get their rollators serviced.\u003c/p>\n\n\n\n\u003cp>In a shady area of the courtyard nearby, GOAT’s Olga Prilepova used pliers and a wire brush to clean Fred Lopez’s suitcase wheels, which collect debris as he moves around the city on public transit. Lopez, who lives in SoMa and has low vision, travels to the San Francisco Public Library main branch most days to read in the Talking Books and Braille Center. When grimy, the wheels on his green fabric suitcase jam. Dirty wheels also squeak loudly, which he finds embarrassing. He’s become a regular at Tune-Up Tuesdays, relying on practical support while savoring the socializing.\u003c/p>\n\n\n\n\u003cp>“It’s too bad this is only once a month,” he murmured before pulling his serviced suitcase onto quiet, well-working wheels and heading across Civic Center to the library.\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>The next \u003ca href=\"https://disabilityculturalcenter.org/event/tune-up-sept2026/\">Tune-Up Tuesday\u003c/a> takes place at the Disability Cultural Center (165 Grove Street, San Francisco) on Sept. 1, 1:30–4:30 p.m.\u003c/em>\u003c/p>\n\n",
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"innerHTML": "\n\u003cp>For the past week, Moreno had been using a powerchair her unhoused neighbor left behind when an ambulance took him away during a health crisis. She only knew his first name, but every night, Moreno charged the man’s chair inside her apartment. She was there when he suddenly needed medical care one afternoon. \u003c/p>\n",
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"innerHTML": "\n\u003cp>While Moreno supported him that day, a passerby stole her chair, so she felt she had no choice but to use her neighbor’s much smaller one. Every day since, she’s wondered when he might return and whether she can finally convince Medi-Cal to replace her stolen chair before that happens.\u003c/p>\n",
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"innerHTML": "\n\u003cp>Discussing difficult experiences while tending to equipment repairs is at the core of \u003ca href=\"https://disabilityculturalcenter.org/event/tune-up-sept2026/\">Tune-Up Tuesdays\u003c/a>. The monthly repair event is held at San Francisco’s Disability Cultural Center, or DCC. Tune-Up Tuesdays are organized by \u003ca href=\"https://www.openassistivetech.org\">Grassroots Open Assistive Tech\u003c/a>, or GOAT, a nonprofit working on projects at the intersection of do-it-yourself repair and reuse, open source hardware and software, and disability justice. In addition to the DCC, GOAT partners with regional organizations serving similar needs, such as the Independent Living Resource Center of San Francisco (ILRCSF).\u003c/p>\n",
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"innerHTML": "\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13978766/disability-cultural-center-open-san-francisco\">Since opening last summer\u003c/a>, the DCC has offered a staggering array of eclectic near-daily programming, both onsite and virtually, from drag shows to craft circles to discussion groups. The DCC is the nation’s first publicly funded disability center focused on disabled culture and arts, and its unremarkable entrance on Grove Street obscures its inviting indoor-outdoor space. The bright interior courtyard is filled with small trees and plants, plus movable chairs and tables with wide sun umbrellas. Like the rest of the center, the space and its features are designed to adapt to a variety of needs, such as a mobility aid repair clinic.\u003c/p>\n",
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"\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13978766/disability-cultural-center-open-san-francisco\">Since opening last summer\u003c/a>, the DCC has offered a staggering array of eclectic near-daily programming, both onsite and virtually, from drag shows to craft circles to discussion groups. The DCC is the nation’s first publicly funded disability center focused on disabled culture and arts, and its unremarkable entrance on Grove Street obscures its inviting indoor-outdoor space. The bright interior courtyard is filled with small trees and plants, plus movable chairs and tables with wide sun umbrellas. Like the rest of the center, the space and its features are designed to adapt to a variety of needs, such as a mobility aid repair clinic.\u003c/p>\n"
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"innerHTML": "\n\u003cp>On a recent sunny Tuesday, Rena Fischer was one of the first people through the door. Fischer has been a San Francisco resident since 1993 and has used a wheelchair for six years. She needed a taller side barrier on her footrest to keep her left foot from sliding off the platform, which in the past caused severe injuries requiring hospitalization. A useful modification would likely be a small custom job, possibly 3D-printed. \u003c/p>\n",
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"innerHTML": "\n\u003cp>“We like to think that we’re doing trauma-informed repair,” said GOAT founder Liz Henry. Rather than taking someone’s chair into a mysterious back room, Tune-Up Tuesdays provide space to talk through a problem and consent to working collaboratively to fix it.\u003c/p>\n",
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"innerHTML": "\n\u003cp>The same ethos powers GOAT’s physical space in downtown Oakland, which is now open weekdays 10 a.m.–4 p.m. Tucked behind The Bookmark Bookstore, the GOAT space serves as a storage area and distribution center for free devices and accessories, as well as a workshop for maintenance and enhancements. Henry urged Fischer to visit the following week, to discuss her footrest modification and to volunteer. Fischer insisted she would. “I’m useful,” she emphasized.\u003c/p>\n",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED.jpg\" alt=\"\" class=\"wp-image-13992442\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED-1536x1025.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">GOAT executive director Liz Henry displays customizations to their powerchair at the Grassroots Open Assistive Tech Tune Up Tuesday event at the San Francisco Disability Cultural Center on August 4, 2026, in San Francisco.\u003c/figcaption>\u003c/figure>\n",
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"innerHTML": "\n\u003cp>Tune-Up Tuesdays are delightfully focused yet totally unpredictable. In June, about 25 attendees came through, some lining up starting at noon for the 1:30 p.m. event. August drew a smaller but no less soulful group, with participants seeking maintenance support for loose armrests and low tire pressure and asking questions about where to test mobility equipment.\u003c/p>\n",
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"innerHTML": "\n\u003cp>Jen Holthaus took time off work to attend. She’s at the beginning of her wheelchair journey and didn’t know any other disabled people, so she asked Henry how to begin researching chair options. As Henry described how the West Oakland Center for Independent Living’s \u003ca href=\"https://thecil.org/wheelhouse/\">Wheelhouse\u003c/a> offers a variety of demonstration chairs, they moved onto a plush loveseat so that Holthaus could take a spin in Henry’s powerchair. \u003c/p>\n",
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"\n\u003cp>Jen Holthaus took time off work to attend. She’s at the beginning of her wheelchair journey and didn’t know any other disabled people, so she asked Henry how to begin researching chair options. As Henry described how the West Oakland Center for Independent Living’s \u003ca href=\"https://thecil.org/wheelhouse/\">Wheelhouse\u003c/a> offers a variety of demonstration chairs, they moved onto a plush loveseat so that Holthaus could take a spin in Henry’s powerchair. \u003c/p>\n"
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"innerHTML": "\n\u003cp>“Being here is how I move from feeling stuck to having a direction,” Holthaus explained, noting she gained practical tips and also felt less alone.\u003c/p>\n",
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"innerHTML": "\n\u003cp>Henry remembers that isolation. “I had a lot of trouble in my early twenties,” they said, noting that even though the Bay Area has a rich history of disabled advocacy, they initially connected with other disabled people on Usenet forums and got around in a wheelchair stolen by necessity from a hospital. \u003c/p>\n",
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"\n\u003cp>Henry remembers that isolation. “I had a lot of trouble in my early twenties,” they said, noting that even though the Bay Area has a rich history of disabled advocacy, they initially connected with other disabled people on Usenet forums and got around in a wheelchair stolen by necessity from a hospital. \u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED.jpg\" alt=\"\" class=\"wp-image-13992448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED-1536x1025.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">GOAT member Vincent Lopez finds out that the left castor wheel bearings of Kristina Moreno’s borrowed powerchair are completely gone at the Grassroots Open Assistive Tech Tune Up Tuesday event at the San Francisco Disability Cultural Center on August 4, 2026, in San Francisco.\u003c/figcaption>\u003c/figure>\n",
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"innerHTML": "\n\u003cp>ILRCSF mobility device technician Vince Lopez arrived on a red scooter and pulled up a seat next to Moreno to talk through the features she might consider in selecting a better chair for her body: seat style, motor type and rear-, mid- or front-wheel drive. Last year, before getting a chair through Medi-Cal, Moreno was stranded in her apartment for months. She’s afraid she could get stuck again when her neighbor is discharged from the hospital and reclaims his chair. While they talked through options, several attendees helped themselves to hot tea, and a young couple arrived to get their rollators serviced.\u003c/p>\n",
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"\n\u003cp>ILRCSF mobility device technician Vince Lopez arrived on a red scooter and pulled up a seat next to Moreno to talk through the features she might consider in selecting a better chair for her body: seat style, motor type and rear-, mid- or front-wheel drive. Last year, before getting a chair through Medi-Cal, Moreno was stranded in her apartment for months. She’s afraid she could get stuck again when her neighbor is discharged from the hospital and reclaims his chair. While they talked through options, several attendees helped themselves to hot tea, and a young couple arrived to get their rollators serviced.\u003c/p>\n"
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"innerHTML": "\n\u003cp>In a shady area of the courtyard nearby, GOAT’s Olga Prilepova used pliers and a wire brush to clean Fred Lopez’s suitcase wheels, which collect debris as he moves around the city on public transit. Lopez, who lives in SoMa and has low vision, travels to the San Francisco Public Library main branch most days to read in the Talking Books and Braille Center. When grimy, the wheels on his green fabric suitcase jam. Dirty wheels also squeak loudly, which he finds embarrassing. He’s become a regular at Tune-Up Tuesdays, relying on practical support while savoring the socializing.\u003c/p>\n",
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"\n\u003cp>In a shady area of the courtyard nearby, GOAT’s Olga Prilepova used pliers and a wire brush to clean Fred Lopez’s suitcase wheels, which collect debris as he moves around the city on public transit. Lopez, who lives in SoMa and has low vision, travels to the San Francisco Public Library main branch most days to read in the Talking Books and Braille Center. When grimy, the wheels on his green fabric suitcase jam. Dirty wheels also squeak loudly, which he finds embarrassing. He’s become a regular at Tune-Up Tuesdays, relying on practical support while savoring the socializing.\u003c/p>\n"
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"innerHTML": "\n\u003cp>“It’s too bad this is only once a month,” he murmured before pulling his serviced suitcase onto quiet, well-working wheels and heading across Civic Center to the library.\u003c/p>\n",
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"innerHTML": "\n\u003cp>\u003cem>The next \u003ca href=\"https://disabilityculturalcenter.org/event/tune-up-sept2026/\">Tune-Up Tuesday\u003c/a> takes place at the Disability Cultural Center (165 Grove Street, San Francisco) on Sept. 1, 1:30–4:30 p.m.\u003c/em>\u003c/p>\n",
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"excerpt": "People come to fix loose armrests and squeaky wheels. They often leave with a newfound sense of community.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Everyone could tell that Kristina Moreno was uncomfortable. Her chair obviously didn’t fit her body well. And everybody wanted to help.\u003c/p>\n\n\n\n\u003cp>“Did you get that through insurance?” someone asked. The answer was far more complicated.\u003c/p>\n\n\n\n\u003cp>For the past week, Moreno had been using a powerchair her unhoused neighbor left behind when an ambulance took him away during a health crisis. She only knew his first name, but every night, Moreno charged the man’s chair inside her apartment. She was there when he suddenly needed medical care one afternoon. \u003c/p>\n\n\n\n\u003cp>While Moreno supported him that day, a passerby stole her chair, so she felt she had no choice but to use her neighbor’s much smaller one. Every day since, she’s wondered when he might return and whether she can finally convince Medi-Cal to replace her stolen chair before that happens.\u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-14-MC-KQED.jpg\" alt=\"\" class=\"wp-image-13992446\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-14-MC-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-14-MC-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-14-MC-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-14-MC-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Olga Prilepova adjusts the armrest height of Kristina Moreno’s borrowed powerchair at the Grassroots Open Assistive Tech Tune Up Tuesday event at the San Francisco Disability Cultural Center on August 4, 2026, in San Francisco. (Miles Cull/KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>Discussing difficult experiences while tending to equipment repairs is at the core of \u003ca href=\"https://disabilityculturalcenter.org/event/tune-up-sept2026/\">Tune-Up Tuesdays\u003c/a>. The monthly repair event is held at San Francisco’s Disability Cultural Center, or DCC. Tune-Up Tuesdays are organized by \u003ca href=\"https://www.openassistivetech.org\">Grassroots Open Assistive Tech\u003c/a>, or GOAT, a nonprofit working on projects at the intersection of do-it-yourself repair and reuse, open source hardware and software, and disability justice. In addition to the DCC, GOAT partners with regional organizations serving similar needs, such as the Independent Living Resource Center of San Francisco (ILRCSF).\u003c/p>\n\n\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13978766/disability-cultural-center-open-san-francisco\">Since opening last summer\u003c/a>, the DCC has offered a staggering array of eclectic near-daily programming, both onsite and virtually, from drag shows to craft circles to discussion groups. The DCC is the nation’s first publicly funded disability center focused on disabled culture and arts, and its unremarkable entrance on Grove Street obscures its inviting indoor-outdoor space. The bright interior courtyard is filled with small trees and plants, plus movable chairs and tables with wide sun umbrellas. Like the rest of the center, the space and its features are designed to adapt to a variety of needs, such as a mobility aid repair clinic.\u003c/p>\n\n\n\n\u003cp>On a recent sunny Tuesday, Rena Fischer was one of the first people through the door. Fischer has been a San Francisco resident since 1993 and has used a wheelchair for six years. She needed a taller side barrier on her footrest to keep her left foot from sliding off the platform, which in the past caused severe injuries requiring hospitalization. A useful modification would likely be a small custom job, possibly 3D-printed. \u003c/p>\n\n\n\n\u003cp>“We like to think that we’re doing trauma-informed repair,” said GOAT founder Liz Henry. Rather than taking someone’s chair into a mysterious back room, Tune-Up Tuesdays provide space to talk through a problem and consent to working collaboratively to fix it.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" data-id=\"13992443\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-05-MC-KQED.jpg\" alt=\"\" class=\"wp-image-13992443\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-05-MC-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-05-MC-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-05-MC-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-05-MC-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">GOAT executive director Liz Henry (right) speaks with Rena Fischer (left) about her powerchair at the Grassroots Open Assistive Tech Tune Up Tuesday event at the San Francisco Disability Cultural Center on August 4, 2026, in San Francisco. (Miles Cull/KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" data-id=\"13992444\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-07-MC-KQED.jpg\" alt=\"\" class=\"wp-image-13992444\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-07-MC-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-07-MC-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-07-MC-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-07-MC-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Olga Prilepova measures the footrest of Rena Fischer’s powerchair to make a modification at the Grassroots Open Assistive Tech Tune Up Tuesday event at the San Francisco Disability Cultural Center on August 4, 2026, in San Francisco. (Miles Cull/KQED)\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\n\n\n\u003cp>The same ethos powers GOAT’s physical space in downtown Oakland, which is now open weekdays 10 a.m.–4 p.m. Tucked behind The Bookmark Bookstore, the GOAT space serves as a storage area and distribution center for free devices and accessories, as well as a workshop for maintenance and enhancements. Henry urged Fischer to visit the following week, to discuss her footrest modification and to volunteer. Fischer insisted she would. “I’m useful,” she emphasized.\u003c/p>\n\n\n\n\u003cp>On her way out, Fischer picked up one of GOAT’s free toolkits. The take-home kit includes tools for simple upkeep and to prevent anyone from becoming stranded if their device malfunctions or breaks. Every colorful fabric pouch contains small wrenches, a tiny bottle of machine oil for lubricating wheels and bearings, and fasteners including cable ties, strong paracord and sturdy tape. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED.jpg\" alt=\"\" class=\"wp-image-13992442\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-04-MC-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">GOAT executive director Liz Henry displays customizations to their powerchair at the Grassroots Open Assistive Tech Tune Up Tuesday event at the San Francisco Disability Cultural Center on August 4, 2026, in San Francisco. (Miles Cull/KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>Tune-Up Tuesdays are delightfully focused yet totally unpredictable. In June, about 25 attendees came through, some lining up starting at noon for the 1:30 p.m. event. August drew a smaller but no less soulful group, with participants seeking maintenance support for loose armrests and low tire pressure and asking questions about where to test mobility equipment.\u003c/p>\n\n\n\n\u003cp>Jen Holthaus took time off work to attend. She’s at the beginning of her wheelchair journey and didn’t know any other disabled people, so she asked Henry how to begin researching chair options. As Henry described how the West Oakland Center for Independent Living’s \u003ca href=\"https://thecil.org/wheelhouse/\">Wheelhouse\u003c/a> offers a variety of demonstration chairs, they moved onto a plush loveseat so that Holthaus could take a spin in Henry’s powerchair. \u003c/p>\n\n\n\n\u003cp>“Being here is how I move from feeling stuck to having a direction,” Holthaus explained, noting she gained practical tips and also felt less alone.\u003c/p>\n\n\n\n\u003cp>Henry remembers that isolation. “I had a lot of trouble in my early twenties,” they said, noting that even though the Bay Area has a rich history of disabled advocacy, they initially connected with other disabled people on Usenet forums and got around in a wheelchair stolen by necessity from a hospital. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED.jpg\" alt=\"\" class=\"wp-image-13992448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/080426-TUNEUPTUESDAY-26-MC-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">GOAT member Vincent Lopez finds out that the left castor wheel bearings of Kristina Moreno’s borrowed powerchair are completely gone at the Grassroots Open Assistive Tech Tune Up Tuesday event at the San Francisco Disability Cultural Center on August 4, 2026, in San Francisco. (Miles Cull/KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003cp>ILRCSF mobility device technician Vince Lopez arrived on a red scooter and pulled up a seat next to Moreno to talk through the features she might consider in selecting a better chair for her body: seat style, motor type and rear-, mid- or front-wheel drive. Last year, before getting a chair through Medi-Cal, Moreno was stranded in her apartment for months. She’s afraid she could get stuck again when her neighbor is discharged from the hospital and reclaims his chair. While they talked through options, several attendees helped themselves to hot tea, and a young couple arrived to get their rollators serviced.\u003c/p>\n\n\n\n\u003cp>In a shady area of the courtyard nearby, GOAT’s Olga Prilepova used pliers and a wire brush to clean Fred Lopez’s suitcase wheels, which collect debris as he moves around the city on public transit. Lopez, who lives in SoMa and has low vision, travels to the San Francisco Public Library main branch most days to read in the Talking Books and Braille Center. When grimy, the wheels on his green fabric suitcase jam. Dirty wheels also squeak loudly, which he finds embarrassing. He’s become a regular at Tune-Up Tuesdays, relying on practical support while savoring the socializing.\u003c/p>\n\n\n\n\u003cp>“It’s too bad this is only once a month,” he murmured before pulling his serviced suitcase onto quiet, well-working wheels and heading across Civic Center to the library.\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>The next \u003ca href=\"https://disabilityculturalcenter.org/event/tune-up-sept2026/\">Tune-Up Tuesday\u003c/a> takes place at the Disability Cultural Center (165 Grove Street, San Francisco) on Sept. 1, 1:30–4:30 p.m.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "graphic-biography-major-taylor-worlds-fastest-cyclist-fred-noland",
"title": "This Epic Graphic Biography Honors Cycling’s First Black World Champion",
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"content": "\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1616\" height=\"2000\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR.cover_.jpg\" alt=\"A book cover featuring an illustrated scene of a young Black man on a bicycle with a trail of other riders behind him. In the background are city monuments including the Eiffel Tower.\" class=\"wp-image-13992993\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR.cover_.jpg 1616w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR.cover_-160x198.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR.cover_-768x950.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR.cover_-1241x1536.jpg 1241w\" sizes=\"auto, (max-width: 1616px) 100vw, 1616px\">\u003cfigcaption class=\"wp-element-caption\">‘Major Taylor: The World’s Fastest Man’ by Frederick Noland. (Drawn and Quarterly)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>You don’t have to be a \u003ca href=\"https://www.kqed.org/news/tag/cycling\">bicycle\u003c/a> aficionado to fall in love with Marshall “Major” Taylor. The groundbreaking Black cyclist smashed records in races around the world during competitive cycling’s — and his own — formative years at the turn of the 20th century. Taylor’s life story is lovingly rendered in a gripping new graphic biography \u003cem>Major Taylor: The World’s Fastest Man\u003c/em> by Oakland-based cartoonist \u003ca href=\"https://www.instagram.com/frednoland/\">Frederick Noland\u003c/a>.\u003c/p>\n\n\n\n\n\n\u003cp>Noland consistently grounds Taylor’s century-old story with small, relatable details, but still manages to capture each significant event on Taylor’s journey at a compelling clip. \u003c/p>\n\n\n\n\u003cp>Taylor’s story begins, age 8 in 1886, horsing around on his first bike in Indiana cornfields. By 11, he’s a paper boy. By 12, he’s employed by the local bike shop to show off his innovative tricks outside the store. By 14, he’s teaching adults how to ride and winning races left and right. By 15, he’s working for — and being trained by — former racer and bicycle manufacturer Louis “Birdie” Munger. By 21, Taylor is racing around the world, breaking multiple cycling records and ultimately being crowned “the fastest man alive.”\u003c/p>\n\n\n\n\u003cp>Noland thrillingly paints tough races against rowdy, sometimes physically threatening rivals. We see Taylor’s travels consistently sullied by racist riders, bigoted journalists and the segregationist policies of hotels, venues and organizations, including the League of American Wheelmen. But Taylor never loses faith in himself and treats every infraction with dignified rebuttals and a dogged dedication that helps him channel his frustrations into his sport. His many sweeping victories turn him into a crowd-pleaser wherever he goes, whatever the race of the audience. \u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2044\" height=\"2560\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR-271-scaled.jpg\" alt=\"An illustrated page shows a young Black man determinedly cycling in a race on a tree-lined road. A second panel shows him cycling with an American flag raised above his head, as crowds cheer him across the finish line. \" class=\"wp-image-13993039\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR-271-scaled.jpg 2044w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR-271-2000x2505.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR-271-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR-271-768x962.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR-271-1226x1536.jpg 1226w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR-271-1635x2048.jpg 1635w\" sizes=\"auto, (max-width: 2044px) 100vw, 2044px\">\u003cfigcaption class=\"wp-element-caption\">‘Major Taylor: World’s Fastest Man’ by Frederick Noland tracks the champion cyclist’s adventures around the world — and the racism he faced at every turn. (Drawn and Quarterly)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Noland’s book does not flinch when it comes to emphasizing how much racism dominated American culture during the Victorian era, and how much more favorable the cyclist’s treatment was in Europe and Australia. (At one point, 85,000 fans turn out to see Taylor race in Paris.) \u003c/p>\n\n\n\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Bay Area’s own racist policies are a depressing sight in these pages: before embarking on a trip to Australia in 1902, Taylor is refused service at hotels and restaurants across San Francisco. When he returns to the city with his wife Daisy, their treatment is just as awful, despite the fact that they have their newborn daughter in tow. One of Taylor’s most bigoted and relentless rivals, it’s worth noting, is Floyd MacFarland from San José.\u003c/p>\n\n\n\n\u003cp>\u003cem>Major Taylor: The World’s Fastest Man\u003c/em> is thoroughly researched, with a pointed focus on Taylor’s grace, generosity and faith. The making of the book was clearly a labor of love and one that Noland sought to make enjoyable for as wide an audience as possible. \u003cem>Major Taylor\u003c/em> starts, for example, with a fun history of the bicycle, tracing the earliest version all the way back to 1815 when a man named Baron Karl Drais came up with a two-wheeled contraption to facilitate faster travel — albeit without pedals or reliable steering. \u003c/p>\n\n\n\n\u003cp>Noland’s own reverence for the bicycle might assist readers in seeing this everyday conveyance in a whole new light too. According to the author, the earliest days of bicycle popularity, among other things, expanded the gene pool of French villages and became an effective means for suffragettes to organize and work.\u003c/p>\n\n\n\n\u003cp>By the end of Noland’s book, one can’t help but feel awe at Major Taylor’s perseverance in the face of so many obstacles. \u003cem>Major Taylor: The World’s Fastest Man\u003c/em> serves to honor a groundbreaking cyclist, yes, but it does much more than that. This graphic novel is a history lesson, a source of sporting inspiration and a reminder of just what humans can accomplish if we learn to channel our frustrations into something constructive. Marshall “Major” Taylor should be a household name by now. Noland’s book finally brings him one lap closer to that. \u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Frederick Noland’s ‘Major Taylor: World’s Fastest Man’ is out Aug. 31, 2026 from Drawn & Quarterly. Noland will appear at \u003ca href=\"https://www.capeandcowlcomics.com/cape-and-cowl-con\">Cape & Cowl Con\u003c/a> (2501 Monarch St., Alameda) on Aug. 31; \u003ca href=\"https://pegasusbookstore.com/noland\">Pegasus Books\u003c/a> (2349 Shattuck Ave., Berkeley) on Sept. 22; and \u003ca href=\"https://www.missioncomicsandart.com/\">Mission: Comics and Art\u003c/a> (2250 Mission St., San Francisco) on Sept. 26.\u003c/em>\u003c/p>\n\n",
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"innerHTML": "\n\u003cp>The Bay Area’s own racist policies are a depressing sight in these pages: before embarking on a trip to Australia in 1902, Taylor is refused service at hotels and restaurants across San Francisco. When he returns to the city with his wife Daisy, their treatment is just as awful, despite the fact that they have their newborn daughter in tow. One of Taylor’s most bigoted and relentless rivals, it’s worth noting, is Floyd MacFarland from San José.\u003c/p>\n",
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"innerHTML": "\n\u003cp>\u003cem>Major Taylor: The World’s Fastest Man\u003c/em> is thoroughly researched, with a pointed focus on Taylor’s grace, generosity and faith. The making of the book was clearly a labor of love and one that Noland sought to make enjoyable for as wide an audience as possible. \u003cem>Major Taylor\u003c/em> starts, for example, with a fun history of the bicycle, tracing the earliest version all the way back to 1815 when a man named Baron Karl Drais came up with a two-wheeled contraption to facilitate faster travel — albeit without pedals or reliable steering. \u003c/p>\n",
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"innerHTML": "\n\u003cp>Noland’s own reverence for the bicycle might assist readers in seeing this everyday conveyance in a whole new light too. According to the author, the earliest days of bicycle popularity, among other things, expanded the gene pool of French villages and became an effective means for suffragettes to organize and work.\u003c/p>\n",
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"innerHTML": "\n\u003cp>By the end of Noland’s book, one can’t help but feel awe at Major Taylor’s perseverance in the face of so many obstacles. \u003cem>Major Taylor: The World’s Fastest Man\u003c/em> serves to honor a groundbreaking cyclist, yes, but it does much more than that. This graphic novel is a history lesson, a source of sporting inspiration and a reminder of just what humans can accomplish if we learn to channel our frustrations into something constructive. Marshall “Major” Taylor should be a household name by now. Noland’s book finally brings him one lap closer to that. \u003c/p>\n",
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"innerHTML": "\n\u003cp>\u003cem>Frederick Noland’s ‘Major Taylor: World’s Fastest Man’ is out Aug. 31, 2026 from Drawn & Quarterly. Noland will appear at \u003ca href=\"https://www.capeandcowlcomics.com/cape-and-cowl-con\">Cape & Cowl Con\u003c/a> (2501 Monarch St., Alameda) on Aug. 31; \u003ca href=\"https://pegasusbookstore.com/noland\">Pegasus Books\u003c/a> (2349 Shattuck Ave., Berkeley) on Sept. 22; and \u003ca href=\"https://www.missioncomicsandart.com/\">Mission: Comics and Art\u003c/a> (2250 Mission St., San Francisco) on Sept. 26.\u003c/em>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1616\" height=\"2000\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR.cover_.jpg\" alt=\"A book cover featuring an illustrated scene of a young Black man on a bicycle with a trail of other riders behind him. In the background are city monuments including the Eiffel Tower.\" class=\"wp-image-13992993\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR.cover_.jpg 1616w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR.cover_-160x198.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR.cover_-768x950.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR.cover_-1241x1536.jpg 1241w\" sizes=\"auto, (max-width: 1616px) 100vw, 1616px\">\u003cfigcaption class=\"wp-element-caption\">‘Major Taylor: The World’s Fastest Man’ by Frederick Noland. (Drawn and Quarterly)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>You don’t have to be a \u003ca href=\"https://www.kqed.org/news/tag/cycling\">bicycle\u003c/a> aficionado to fall in love with Marshall “Major” Taylor. The groundbreaking Black cyclist smashed records in races around the world during competitive cycling’s — and his own — formative years at the turn of the 20th century. Taylor’s life story is lovingly rendered in a gripping new graphic biography \u003cem>Major Taylor: The World’s Fastest Man\u003c/em> by Oakland-based cartoonist \u003ca href=\"https://www.instagram.com/frednoland/\">Frederick Noland\u003c/a>.\u003c/p>\n\n\n\n\n\n\u003cp>Noland consistently grounds Taylor’s century-old story with small, relatable details, but still manages to capture each significant event on Taylor’s journey at a compelling clip. \u003c/p>\n\n\n\n\u003cp>Taylor’s story begins, age 8 in 1886, horsing around on his first bike in Indiana cornfields. By 11, he’s a paper boy. By 12, he’s employed by the local bike shop to show off his innovative tricks outside the store. By 14, he’s teaching adults how to ride and winning races left and right. By 15, he’s working for — and being trained by — former racer and bicycle manufacturer Louis “Birdie” Munger. By 21, Taylor is racing around the world, breaking multiple cycling records and ultimately being crowned “the fastest man alive.”\u003c/p>\n\n\n\n\u003cp>Noland thrillingly paints tough races against rowdy, sometimes physically threatening rivals. We see Taylor’s travels consistently sullied by racist riders, bigoted journalists and the segregationist policies of hotels, venues and organizations, including the League of American Wheelmen. But Taylor never loses faith in himself and treats every infraction with dignified rebuttals and a dogged dedication that helps him channel his frustrations into his sport. His many sweeping victories turn him into a crowd-pleaser wherever he goes, whatever the race of the audience. \u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2044\" height=\"2560\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR-271-scaled.jpg\" alt=\"An illustrated page shows a young Black man determinedly cycling in a race on a tree-lined road. A second panel shows him cycling with an American flag raised above his head, as crowds cheer him across the finish line. \" class=\"wp-image-13993039\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR-271-scaled.jpg 2044w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR-271-2000x2505.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR-271-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR-271-768x962.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR-271-1226x1536.jpg 1226w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/MAJORTAYLOR-271-1635x2048.jpg 1635w\" sizes=\"auto, (max-width: 2044px) 100vw, 2044px\">\u003cfigcaption class=\"wp-element-caption\">‘Major Taylor: World’s Fastest Man’ by Frederick Noland tracks the champion cyclist’s adventures around the world — and the racism he faced at every turn. (Drawn and Quarterly)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Noland’s book does not flinch when it comes to emphasizing how much racism dominated American culture during the Victorian era, and how much more favorable the cyclist’s treatment was in Europe and Australia. (At one point, 85,000 fans turn out to see Taylor race in Paris.) \u003c/p>\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Bay Area’s own racist policies are a depressing sight in these pages: before embarking on a trip to Australia in 1902, Taylor is refused service at hotels and restaurants across San Francisco. When he returns to the city with his wife Daisy, their treatment is just as awful, despite the fact that they have their newborn daughter in tow. One of Taylor’s most bigoted and relentless rivals, it’s worth noting, is Floyd MacFarland from San José.\u003c/p>\n\n\n\n\u003cp>\u003cem>Major Taylor: The World’s Fastest Man\u003c/em> is thoroughly researched, with a pointed focus on Taylor’s grace, generosity and faith. The making of the book was clearly a labor of love and one that Noland sought to make enjoyable for as wide an audience as possible. \u003cem>Major Taylor\u003c/em> starts, for example, with a fun history of the bicycle, tracing the earliest version all the way back to 1815 when a man named Baron Karl Drais came up with a two-wheeled contraption to facilitate faster travel — albeit without pedals or reliable steering. \u003c/p>\n\n\n\n\u003cp>Noland’s own reverence for the bicycle might assist readers in seeing this everyday conveyance in a whole new light too. According to the author, the earliest days of bicycle popularity, among other things, expanded the gene pool of French villages and became an effective means for suffragettes to organize and work.\u003c/p>\n\n\n\n\u003cp>By the end of Noland’s book, one can’t help but feel awe at Major Taylor’s perseverance in the face of so many obstacles. \u003cem>Major Taylor: The World’s Fastest Man\u003c/em> serves to honor a groundbreaking cyclist, yes, but it does much more than that. This graphic novel is a history lesson, a source of sporting inspiration and a reminder of just what humans can accomplish if we learn to channel our frustrations into something constructive. Marshall “Major” Taylor should be a household name by now. Noland’s book finally brings him one lap closer to that. \u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Frederick Noland’s ‘Major Taylor: World’s Fastest Man’ is out Aug. 31, 2026 from Drawn & Quarterly. Noland will appear at \u003ca href=\"https://www.capeandcowlcomics.com/cape-and-cowl-con\">Cape & Cowl Con\u003c/a> (2501 Monarch St., Alameda) on Aug. 31; \u003ca href=\"https://pegasusbookstore.com/noland\">Pegasus Books\u003c/a> (2349 Shattuck Ave., Berkeley) on Sept. 22; and \u003ca href=\"https://www.missioncomicsandart.com/\">Mission: Comics and Art\u003c/a> (2250 Mission St., San Francisco) on Sept. 26.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "bape-block-party-san-francisco-union-square",
"title": "A BAPE Block Party and the Changing Face of San Francisco’s Union Square",
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"content": "\u003cp>At the turn of the millennium, BAPE had the hip-hop world in a veritable headlock. Now, the Japanese streetwear brand has \u003ca href=\"https://us.bape.com/pages/bape-in-the-bay\">a San Francisco storefront\u003c/a>. Their Union Square location soft-launched over the summer, and this Saturday, Aug. 22, its celebrates its official grand opening with a block party.\u003c/p>\n\n\n\n\u003cp>The brick-and-mortar shop will open at 10 a.m. — earlier than usual — while the block party, just around the corner, will run from 1 p.m.–5 p.m. The free, all-ages event features a live performance from \u003ca href=\"https://www.kqed.org/arts/tag/p-lo\">Pinole rapper-producer P-Lo\u003c/a>, as well as DJ sets from \u003ca href=\"https://www.instagram.com/cydneychristine/?hl=en\">Lil CC\u003c/a>, \u003ca href=\"https://www.instagram.com/shabazzo/?hl=en\">Shabazz\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13956839/dj-d-sharp\">DJ D Sharp\u003c/a>.\u003c/p>\n\n\n\n\u003cp>“We’ll also be restocking all of our sold-out SF BAPE merch,” adds the store’s assistant manager, \u003ca href=\"https://www.instagram.com/antbankx/\">Ant Bankx\u003c/a>, referring to the special San Francisco-branded apparel that flew off shelves as soon as the store opened. “We’ve had a line every day, out the store,” Bankx attests. “Even for BAPE, that’s not normal.”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1337\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315.jpg\" alt=\"\" class=\"wp-image-13993110\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315-1536x1027.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Designer Ant Bankx says San Francisco fashion is thriving, but too often overlooked. (Pendarvis Harshaw/KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>The company, founded in 1993 by fashion designer \u003ca href=\"https://www.instagram.com/nigo/?hl=en\">Nigo\u003c/a>, has long been a standard of urban wear. By opening a store in Union Square, Bankx says, San Francisco’s fashion scene is getting the recognition it deserves.\u003c/p>\n\n\n\n\u003cp>“We’ve always been here,” says Bankx, “and we’ve always had a voice.”\u003c/p>\n\n\n\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Raised in Richmond, Bankx has styled some of the Bay’s top entertainers, including Rexx Life Raj and Ovrkast. Co-producer of the \u003ca href=\"https://www.instagram.com/cafe_gumbo/\">Cafe Gumbo\u003c/a> streetwear pop-up series, Bankx has also worked with local and nationally recognized brands and retailers, including \u003ca href=\"https://www.oaklandish.com/?gad_source=1&gad_campaignid=19573623042&gbraid=0AAAAADtk0K2CZWJkeivHVJmKH6XT5LS14&gclid=CjwKCAjwy5rUBhB5EiwAIoAtChymH-kRB7MBeeQiFfx6aEmwajIVNvkdcXbMMGqjzCnDPwF94ZQmzBoCKY4QAvD_BwE\">Oaklandish\u003c/a>, \u003ca href=\"http://instagram.com/thestashed/?hl=en\">STASHED SF\u003c/a> and the high-end consignment shop \u003ca href=\"https://shoprelove.com/\">ReLove\u003c/a>.\u003c/p>\n\n\n\n\u003cp>Steeped in Bay Area culture and the world of fashion, Bankx knows all about what’s impeding the region from being credited as a hub for stylish apparel and fly garments.\u003c/p>\n\n\n\n\u003cp>“People want fashion to look like how fashion looks everywhere,” he says — but the Bay Area has always developed a style of its own. “It’s not on anyone else’s terms. We’re not imitating New York or Los Angeles, we’re out here doing our own thing. Setting our own vibe.”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806.jpg\" alt=\"\" class=\"wp-image-13993099\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Union Square in downtown San Francisco, pictured on January 22, 2026. (Smith Collection/Gado/Getty Images)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Along with the notion that people aren’t \u003cem>getting fits off\u003c/em> in the Bay, there’s also a reputation that Union Square is trying to shed.\u003c/p>\n\n\n\n\u003cp>The 2024 attempted robbery and shooting of \u003ca href=\"https://www.espn.com/nfl/story/_/id/47150842/ricky-pearsall-recounts-shooting-want-live-happy-life\">49ers wide receiver Ricky Pearsall\u003c/a> in the area, plus a series of \u003ca href=\"https://www.kqed.org/news/11897148/rash-of-organized-weekend-robberies-target-luxury-stores-across-the-bay-area\">smash-and-grab robberies\u003c/a> at luxury retail stores in 2021, plagued the “brand” of Union Square. While reports of these incidents were accurate, Bankx says the tone online quickly became sensationalized. “Everybody focuses on the negative,” he says.\u003c/p>\n\n\n\n\u003cp>Last year, \u003ca href=\"https://www.sf.gov/news-mayor-lurie-builds-on-downtown-public-safety-progress-with-safety-improvements-ahead-of-busy-holiday-shopping-season\">San Francisco reported\u003c/a> a 40% drop in crime in the area. That came on the heels of a \u003ca href=\"https://www.kqed.org/news/11961449/california-targets-smash-and-grabs-with-267-million-program-aimed-at-brazen-store-thefts\">$267 million dollar\u003c/a> California Highway Patrol program announced in 2023, which aimed to crack down on robberies at shopping areas across the state. And in 2025, San Francisco Mayor Daniel Lurie implemented a \u003ca href=\"https://www.sf.gov/mayor-lurie-launches-sfpd-hospitality-task-force-major-new-effort-to-strengthen-public-safety-drive-economic-comeback\">SFPD Hospitality Task Force\u003c/a>, created specifically to “improve public safety, boost tourism and drive economic recovery in key commercial area(s),” including Union Square.\u003c/p>\n\n\n\n\u003cp>Much like the rest of downtown San Francisco, Union Square is in a state of transition. Since 2020, \u003ca href=\"https://sfstandard.com/2023/04/25/union-square-stores-closing-san-francisco/\">more than 15 stores\u003c/a>, ranging from DSW (Designer Shoe Warehouse) to Saks Fifth Avenue, have left the area. At one point, even Macy’s threatened to vacate its flagship store on the square. This year’s \u003ca href=\"https://www.kqed.org/forum/2010101912760/what-should-replace-san-francisco-centre\">closure of San Francisco’s largest mall\u003c/a>, three blocks away, didn’t help. \u003c/p>\n\n\n\n\u003cp>But in the wake of the mass exodus, new stores have appeared, including \u003ca class=\"\" href=\"https://www.sfgate.com/local/article/viral-toy-store-quietly-opens-bay-area-20771398.php\" target=\"_blank\" rel=\"noreferrer noopener\">Pop Mart\u003c/a>, \u003ca href=\"https://www.bizjournals.com/sanfrancisco/news/2025/08/06/moscot-union-square-geary-fillmore-luxury-eyewear.html\">Moscot\u003c/a>, \u003ca href=\"https://www.nbcbayarea.com/news/local/zara-open-new-flagship-store-san-francisco-union-square/3839664/\">Zara\u003c/a> and a \u003ca href=\"https://abc7news.com/post/nintendo-san-francisco-opens-doors-bringing-gaming-world-union-square-2nd-us-location/16426508/\">Nintendo\u003c/a> store.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2252688144.jpg\" alt=\"\" class=\"wp-image-13993100\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2252688144.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2252688144-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2252688144-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2252688144-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Shoppers wait in the rain outside of the Pop Mart store in San Francisco’s Union Square on Dec. 23, 2025. (Aidin Vaziri/San Francisco Chronicle via Getty Images)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>“San Francisco is making a conscious effort to put these things here,” says Bankx, describing it as not just post-pandemic rebuilding, but building better. “And I think BAPE was one of those early pieces to fall into place.”\u003c/p>\n\n\n\n\u003cp>With a SUPREME store just minutes away, Bankx sees “synergy within the culture.” Other major brands like \u003ca href=\"https://sfstandard.com/2026/07/28/kith-streetwear-union-square-sf/\">Kith\u003c/a> also have plans to open stores downtown. With the influx, San Francisco itself is rebranding. The question is: Will it have a lasting impact or will it fold during the next economic downturn?\u003c/p>\n\n\n\n\u003cp>“You don’t really know if it’s going to work until you see,” says Bankx.\u003c/p>\n\n\n\n\u003cp>Given the lines out of the BAPE store and the demand for regionally specific merch — and what’s sure to be a large crowd at Saturday’s event — there’s clearly a healthy market for fashion in Frisco.\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The \u003ca href=\"https://us.bape.com/pages/bape-in-the-bay?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAcGRvZgJleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA85MzY2MTk3NDMzOTI0NTkAAae0M6GhQgGtgkmjghveF5i_h3pDDQwhLHpxOu0nYy9Ntn8TeCXVPrNiNU5zOA_aem_NmsTk4RfxOdmjDS_8ZeBtw&utm_id=97760_v0_s00_e0_tv3\">BAPE in the Bay\u003c/a> block party takes place on Saturday, Aug. 22, \u003cem>1–5 p.m. \u003c/em>at Union Square Plaza (216 Stockton St., San Francisco). \u003ca href=\"https://www.instagram.com/p/DcMQjTDs55z/\">Check here for more information.\u003c/a>\u003c/em>\u003c/p>\n\n",
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"innerHTML": "\n\u003cp>At the turn of the millennium, BAPE had the hip-hop world in a veritable headlock. Now, the Japanese streetwear brand has \u003ca href=\"https://us.bape.com/pages/bape-in-the-bay\">a San Francisco storefront\u003c/a>. Their Union Square location soft-launched over the summer, and this Saturday, Aug. 22, its celebrates its official grand opening with a block party.\u003c/p>\n",
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"\n\u003cp>At the turn of the millennium, BAPE had the hip-hop world in a veritable headlock. Now, the Japanese streetwear brand has \u003ca href=\"https://us.bape.com/pages/bape-in-the-bay\">a San Francisco storefront\u003c/a>. Their Union Square location soft-launched over the summer, and this Saturday, Aug. 22, its celebrates its official grand opening with a block party.\u003c/p>\n"
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"innerHTML": "\n\u003cp>The brick-and-mortar shop will open at 10 a.m. — earlier than usual — while the block party, just around the corner, will run from 1 p.m.–5 p.m. The free, all-ages event features a live performance from \u003ca href=\"https://www.kqed.org/arts/tag/p-lo\">Pinole rapper-producer P-Lo\u003c/a>, as well as DJ sets from \u003ca href=\"https://www.instagram.com/cydneychristine/?hl=en\">Lil CC\u003c/a>, \u003ca href=\"https://www.instagram.com/shabazzo/?hl=en\">Shabazz\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13956839/dj-d-sharp\">DJ D Sharp\u003c/a>.\u003c/p>\n",
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"\n\u003cp>The brick-and-mortar shop will open at 10 a.m. — earlier than usual — while the block party, just around the corner, will run from 1 p.m.–5 p.m. The free, all-ages event features a live performance from \u003ca href=\"https://www.kqed.org/arts/tag/p-lo\">Pinole rapper-producer P-Lo\u003c/a>, as well as DJ sets from \u003ca href=\"https://www.instagram.com/cydneychristine/?hl=en\">Lil CC\u003c/a>, \u003ca href=\"https://www.instagram.com/shabazzo/?hl=en\">Shabazz\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13956839/dj-d-sharp\">DJ D Sharp\u003c/a>.\u003c/p>\n"
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"innerHTML": "\n\u003cp>“We’ll also be restocking all of our sold-out SF BAPE merch,” adds the store’s assistant manager, \u003ca href=\"https://www.instagram.com/antbankx/\">Ant Bankx\u003c/a>, referring to the special San Francisco-branded apparel that flew off shelves as soon as the store opened. “We’ve had a line every day, out the store,” Bankx attests. “Even for BAPE, that’s not normal.”\u003c/p>\n",
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"\n\u003cp>“We’ll also be restocking all of our sold-out SF BAPE merch,” adds the store’s assistant manager, \u003ca href=\"https://www.instagram.com/antbankx/\">Ant Bankx\u003c/a>, referring to the special San Francisco-branded apparel that flew off shelves as soon as the store opened. “We’ve had a line every day, out the store,” Bankx attests. “Even for BAPE, that’s not normal.”\u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315.jpg\" alt=\"\" class=\"wp-image-13993110\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315-1536x1027.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">Designer Ant Bankx says San Francisco fashion is thriving, but too often overlooked.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315.jpg\" alt=\"\" class=\"wp-image-13993110\" />\u003cfigcaption class=\"wp-element-caption\">Designer Ant Bankx says San Francisco fashion is thriving, but too often overlooked.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>The company, founded in 1993 by fashion designer \u003ca href=\"https://www.instagram.com/nigo/?hl=en\">Nigo\u003c/a>, has long been a standard of urban wear. By opening a store in Union Square, Bankx says, San Francisco’s fashion scene is getting the recognition it deserves.\u003c/p>\n",
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"\n\u003cp>The company, founded in 1993 by fashion designer \u003ca href=\"https://www.instagram.com/nigo/?hl=en\">Nigo\u003c/a>, has long been a standard of urban wear. By opening a store in Union Square, Bankx says, San Francisco’s fashion scene is getting the recognition it deserves.\u003c/p>\n"
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"innerHTML": "\n\u003cp>“We’ve always been here,” says Bankx, “and we’ve always had a voice.”\u003c/p>\n",
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"\n\u003cp>“We’ve always been here,” says Bankx, “and we’ve always had a voice.”\u003c/p>\n"
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"innerHTML": "\n\u003cp>Raised in Richmond, Bankx has styled some of the Bay’s top entertainers, including Rexx Life Raj and Ovrkast. Co-producer of the \u003ca href=\"https://www.instagram.com/cafe_gumbo/\">Cafe Gumbo\u003c/a> streetwear pop-up series, Bankx has also worked with local and nationally recognized brands and retailers, including \u003ca href=\"https://www.oaklandish.com/?gad_source=1&gad_campaignid=19573623042&gbraid=0AAAAADtk0K2CZWJkeivHVJmKH6XT5LS14&gclid=CjwKCAjwy5rUBhB5EiwAIoAtChymH-kRB7MBeeQiFfx6aEmwajIVNvkdcXbMMGqjzCnDPwF94ZQmzBoCKY4QAvD_BwE\">Oaklandish\u003c/a>, \u003ca href=\"http://instagram.com/thestashed/?hl=en\">STASHED SF\u003c/a> and the high-end consignment shop \u003ca href=\"https://shoprelove.com/\">ReLove\u003c/a>.\u003c/p>\n",
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"\n\u003cp>Raised in Richmond, Bankx has styled some of the Bay’s top entertainers, including Rexx Life Raj and Ovrkast. Co-producer of the \u003ca href=\"https://www.instagram.com/cafe_gumbo/\">Cafe Gumbo\u003c/a> streetwear pop-up series, Bankx has also worked with local and nationally recognized brands and retailers, including \u003ca href=\"https://www.oaklandish.com/?gad_source=1&gad_campaignid=19573623042&gbraid=0AAAAADtk0K2CZWJkeivHVJmKH6XT5LS14&gclid=CjwKCAjwy5rUBhB5EiwAIoAtChymH-kRB7MBeeQiFfx6aEmwajIVNvkdcXbMMGqjzCnDPwF94ZQmzBoCKY4QAvD_BwE\">Oaklandish\u003c/a>, \u003ca href=\"http://instagram.com/thestashed/?hl=en\">STASHED SF\u003c/a> and the high-end consignment shop \u003ca href=\"https://shoprelove.com/\">ReLove\u003c/a>.\u003c/p>\n"
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"innerHTML": "\n\u003cp>Steeped in Bay Area culture and the world of fashion, Bankx knows all about what’s impeding the region from being credited as a hub for stylish apparel and fly garments.\u003c/p>\n",
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"\n\u003cp>Steeped in Bay Area culture and the world of fashion, Bankx knows all about what’s impeding the region from being credited as a hub for stylish apparel and fly garments.\u003c/p>\n"
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"innerHTML": "\n\u003cp>“People want fashion to look like how fashion looks everywhere,” he says — but the Bay Area has always developed a style of its own. “It’s not on anyone else’s terms. We’re not imitating New York or Los Angeles, we’re out here doing our own thing. Setting our own vibe.”\u003c/p>\n",
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"\n\u003cp>“People want fashion to look like how fashion looks everywhere,” he says — but the Bay Area has always developed a style of its own. “It’s not on anyone else’s terms. We’re not imitating New York or Los Angeles, we’re out here doing our own thing. Setting our own vibe.”\u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806.jpg\" alt=\"\" class=\"wp-image-13993099\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">Union Square in downtown San Francisco, pictured on January 22, 2026. \u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806.jpg\" alt=\"\" class=\"wp-image-13993099\" />\u003cfigcaption class=\"wp-element-caption\">Union Square in downtown San Francisco, pictured on January 22, 2026. \u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>Along with the notion that people aren’t \u003cem>getting fits off\u003c/em> in the Bay, there’s also a reputation that Union Square is trying to shed.\u003c/p>\n",
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"\n\u003cp>Along with the notion that people aren’t \u003cem>getting fits off\u003c/em> in the Bay, there’s also a reputation that Union Square is trying to shed.\u003c/p>\n"
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"innerHTML": "\n\u003cp>The 2024 attempted robbery and shooting of \u003ca href=\"https://www.espn.com/nfl/story/_/id/47150842/ricky-pearsall-recounts-shooting-want-live-happy-life\">49ers wide receiver Ricky Pearsall\u003c/a> in the area, plus a series of \u003ca href=\"https://www.kqed.org/news/11897148/rash-of-organized-weekend-robberies-target-luxury-stores-across-the-bay-area\">smash-and-grab robberies\u003c/a> at luxury retail stores in 2021, plagued the “brand” of Union Square. While reports of these incidents were accurate, Bankx says the tone online quickly became sensationalized. “Everybody focuses on the negative,” he says.\u003c/p>\n",
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"\n\u003cp>The 2024 attempted robbery and shooting of \u003ca href=\"https://www.espn.com/nfl/story/_/id/47150842/ricky-pearsall-recounts-shooting-want-live-happy-life\">49ers wide receiver Ricky Pearsall\u003c/a> in the area, plus a series of \u003ca href=\"https://www.kqed.org/news/11897148/rash-of-organized-weekend-robberies-target-luxury-stores-across-the-bay-area\">smash-and-grab robberies\u003c/a> at luxury retail stores in 2021, plagued the “brand” of Union Square. While reports of these incidents were accurate, Bankx says the tone online quickly became sensationalized. “Everybody focuses on the negative,” he says.\u003c/p>\n"
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"innerHTML": "\n\u003cp>Last year, \u003ca href=\"https://www.sf.gov/news-mayor-lurie-builds-on-downtown-public-safety-progress-with-safety-improvements-ahead-of-busy-holiday-shopping-season\">San Francisco reported\u003c/a> a 40% drop in crime in the area. That came on the heels of a \u003ca href=\"https://www.kqed.org/news/11961449/california-targets-smash-and-grabs-with-267-million-program-aimed-at-brazen-store-thefts\">$267 million dollar\u003c/a> California Highway Patrol program announced in 2023, which aimed to crack down on robberies at shopping areas across the state. And in 2025, San Francisco Mayor Daniel Lurie implemented a \u003ca href=\"https://www.sf.gov/mayor-lurie-launches-sfpd-hospitality-task-force-major-new-effort-to-strengthen-public-safety-drive-economic-comeback\">SFPD Hospitality Task Force\u003c/a>, created specifically to “improve public safety, boost tourism and drive economic recovery in key commercial area(s),” including Union Square.\u003c/p>\n",
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"\n\u003cp>Last year, \u003ca href=\"https://www.sf.gov/news-mayor-lurie-builds-on-downtown-public-safety-progress-with-safety-improvements-ahead-of-busy-holiday-shopping-season\">San Francisco reported\u003c/a> a 40% drop in crime in the area. That came on the heels of a \u003ca href=\"https://www.kqed.org/news/11961449/california-targets-smash-and-grabs-with-267-million-program-aimed-at-brazen-store-thefts\">$267 million dollar\u003c/a> California Highway Patrol program announced in 2023, which aimed to crack down on robberies at shopping areas across the state. And in 2025, San Francisco Mayor Daniel Lurie implemented a \u003ca href=\"https://www.sf.gov/mayor-lurie-launches-sfpd-hospitality-task-force-major-new-effort-to-strengthen-public-safety-drive-economic-comeback\">SFPD Hospitality Task Force\u003c/a>, created specifically to “improve public safety, boost tourism and drive economic recovery in key commercial area(s),” including Union Square.\u003c/p>\n"
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"innerHTML": "\n\u003cp>Much like the rest of downtown San Francisco, Union Square is in a state of transition. Since 2020, \u003ca href=\"https://sfstandard.com/2023/04/25/union-square-stores-closing-san-francisco/\">more than 15 stores\u003c/a>, ranging from DSW (Designer Shoe Warehouse) to Saks Fifth Avenue, have left the area. At one point, even Macy’s threatened to vacate its flagship store on the square. This year’s \u003ca href=\"https://www.kqed.org/forum/2010101912760/what-should-replace-san-francisco-centre\">closure of San Francisco’s largest mall\u003c/a>, three blocks away, didn’t help. \u003c/p>\n",
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"\n\u003cp>Much like the rest of downtown San Francisco, Union Square is in a state of transition. Since 2020, \u003ca href=\"https://sfstandard.com/2023/04/25/union-square-stores-closing-san-francisco/\">more than 15 stores\u003c/a>, ranging from DSW (Designer Shoe Warehouse) to Saks Fifth Avenue, have left the area. At one point, even Macy’s threatened to vacate its flagship store on the square. This year’s \u003ca href=\"https://www.kqed.org/forum/2010101912760/what-should-replace-san-francisco-centre\">closure of San Francisco’s largest mall\u003c/a>, three blocks away, didn’t help. \u003c/p>\n"
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"innerHTML": "\n\u003cp>“San Francisco is making a conscious effort to put these things here,” says Bankx, describing it as not just post-pandemic rebuilding, but building better. “And I think BAPE was one of those early pieces to fall into place.”\u003c/p>\n",
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"innerHTML": "\n\u003cp>With a SUPREME store just minutes away, Bankx sees “synergy within the culture.” Other major brands like \u003ca href=\"https://sfstandard.com/2026/07/28/kith-streetwear-union-square-sf/\">Kith\u003c/a> also have plans to open stores downtown. With the influx, San Francisco itself is rebranding. The question is: Will it have a lasting impact or will it fold during the next economic downturn?\u003c/p>\n",
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"\n\u003cp>With a SUPREME store just minutes away, Bankx sees “synergy within the culture.” Other major brands like \u003ca href=\"https://sfstandard.com/2026/07/28/kith-streetwear-union-square-sf/\">Kith\u003c/a> also have plans to open stores downtown. With the influx, San Francisco itself is rebranding. The question is: Will it have a lasting impact or will it fold during the next economic downturn?\u003c/p>\n"
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"innerHTML": "\n\u003cp>Given the lines out of the BAPE store and the demand for regionally specific merch — and what’s sure to be a large crowd at Saturday’s event — there’s clearly a healthy market for fashion in Frisco.\u003c/p>\n",
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"\n\u003cp>Given the lines out of the BAPE store and the demand for regionally specific merch — and what’s sure to be a large crowd at Saturday’s event — there’s clearly a healthy market for fashion in Frisco.\u003c/p>\n"
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"innerHTML": "\n\u003cp>\u003cem>The \u003ca href=\"https://us.bape.com/pages/bape-in-the-bay?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAcGRvZgJleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA85MzY2MTk3NDMzOTI0NTkAAae0M6GhQgGtgkmjghveF5i_h3pDDQwhLHpxOu0nYy9Ntn8TeCXVPrNiNU5zOA_aem_NmsTk4RfxOdmjDS_8ZeBtw&utm_id=97760_v0_s00_e0_tv3\">BAPE in the Bay\u003c/a> block party takes place on Saturday, Aug. 22, \u003cem>1–5 p.m. \u003c/em>at Union Square Plaza (216 Stockton St., San Francisco). \u003ca href=\"https://www.instagram.com/p/DcMQjTDs55z/\">Check here for more information.\u003c/a>\u003c/em>\u003c/p>\n",
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"excerpt": "The clothing brand’s opening celebration with P-Lo and others comes amid a rebranding of the area.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At the turn of the millennium, BAPE had the hip-hop world in a veritable headlock. Now, the Japanese streetwear brand has \u003ca href=\"https://us.bape.com/pages/bape-in-the-bay\">a San Francisco storefront\u003c/a>. Their Union Square location soft-launched over the summer, and this Saturday, Aug. 22, its celebrates its official grand opening with a block party.\u003c/p>\n\n\n\n\u003cp>The brick-and-mortar shop will open at 10 a.m. — earlier than usual — while the block party, just around the corner, will run from 1 p.m.–5 p.m. The free, all-ages event features a live performance from \u003ca href=\"https://www.kqed.org/arts/tag/p-lo\">Pinole rapper-producer P-Lo\u003c/a>, as well as DJ sets from \u003ca href=\"https://www.instagram.com/cydneychristine/?hl=en\">Lil CC\u003c/a>, \u003ca href=\"https://www.instagram.com/shabazzo/?hl=en\">Shabazz\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13956839/dj-d-sharp\">DJ D Sharp\u003c/a>.\u003c/p>\n\n\n\n\u003cp>“We’ll also be restocking all of our sold-out SF BAPE merch,” adds the store’s assistant manager, \u003ca href=\"https://www.instagram.com/antbankx/\">Ant Bankx\u003c/a>, referring to the special San Francisco-branded apparel that flew off shelves as soon as the store opened. “We’ve had a line every day, out the store,” Bankx attests. “Even for BAPE, that’s not normal.”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1337\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315.jpg\" alt=\"\" class=\"wp-image-13993110\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/DSC01315-1536x1027.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Designer Ant Bankx says San Francisco fashion is thriving, but too often overlooked. (Pendarvis Harshaw/KQED)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>The company, founded in 1993 by fashion designer \u003ca href=\"https://www.instagram.com/nigo/?hl=en\">Nigo\u003c/a>, has long been a standard of urban wear. By opening a store in Union Square, Bankx says, San Francisco’s fashion scene is getting the recognition it deserves.\u003c/p>\n\n\n\n\u003cp>“We’ve always been here,” says Bankx, “and we’ve always had a voice.”\u003c/p>\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Raised in Richmond, Bankx has styled some of the Bay’s top entertainers, including Rexx Life Raj and Ovrkast. Co-producer of the \u003ca href=\"https://www.instagram.com/cafe_gumbo/\">Cafe Gumbo\u003c/a> streetwear pop-up series, Bankx has also worked with local and nationally recognized brands and retailers, including \u003ca href=\"https://www.oaklandish.com/?gad_source=1&gad_campaignid=19573623042&gbraid=0AAAAADtk0K2CZWJkeivHVJmKH6XT5LS14&gclid=CjwKCAjwy5rUBhB5EiwAIoAtChymH-kRB7MBeeQiFfx6aEmwajIVNvkdcXbMMGqjzCnDPwF94ZQmzBoCKY4QAvD_BwE\">Oaklandish\u003c/a>, \u003ca href=\"http://instagram.com/thestashed/?hl=en\">STASHED SF\u003c/a> and the high-end consignment shop \u003ca href=\"https://shoprelove.com/\">ReLove\u003c/a>.\u003c/p>\n\n\n\n\u003cp>Steeped in Bay Area culture and the world of fashion, Bankx knows all about what’s impeding the region from being credited as a hub for stylish apparel and fly garments.\u003c/p>\n\n\n\n\u003cp>“People want fashion to look like how fashion looks everywhere,” he says — but the Bay Area has always developed a style of its own. “It’s not on anyone else’s terms. We’re not imitating New York or Los Angeles, we’re out here doing our own thing. Setting our own vibe.”\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806.jpg\" alt=\"\" class=\"wp-image-13993099\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2258368806-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Union Square in downtown San Francisco, pictured on January 22, 2026. (Smith Collection/Gado/Getty Images)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Along with the notion that people aren’t \u003cem>getting fits off\u003c/em> in the Bay, there’s also a reputation that Union Square is trying to shed.\u003c/p>\n\n\n\n\u003cp>The 2024 attempted robbery and shooting of \u003ca href=\"https://www.espn.com/nfl/story/_/id/47150842/ricky-pearsall-recounts-shooting-want-live-happy-life\">49ers wide receiver Ricky Pearsall\u003c/a> in the area, plus a series of \u003ca href=\"https://www.kqed.org/news/11897148/rash-of-organized-weekend-robberies-target-luxury-stores-across-the-bay-area\">smash-and-grab robberies\u003c/a> at luxury retail stores in 2021, plagued the “brand” of Union Square. While reports of these incidents were accurate, Bankx says the tone online quickly became sensationalized. “Everybody focuses on the negative,” he says.\u003c/p>\n\n\n\n\u003cp>Last year, \u003ca href=\"https://www.sf.gov/news-mayor-lurie-builds-on-downtown-public-safety-progress-with-safety-improvements-ahead-of-busy-holiday-shopping-season\">San Francisco reported\u003c/a> a 40% drop in crime in the area. That came on the heels of a \u003ca href=\"https://www.kqed.org/news/11961449/california-targets-smash-and-grabs-with-267-million-program-aimed-at-brazen-store-thefts\">$267 million dollar\u003c/a> California Highway Patrol program announced in 2023, which aimed to crack down on robberies at shopping areas across the state. And in 2025, San Francisco Mayor Daniel Lurie implemented a \u003ca href=\"https://www.sf.gov/mayor-lurie-launches-sfpd-hospitality-task-force-major-new-effort-to-strengthen-public-safety-drive-economic-comeback\">SFPD Hospitality Task Force\u003c/a>, created specifically to “improve public safety, boost tourism and drive economic recovery in key commercial area(s),” including Union Square.\u003c/p>\n\n\n\n\u003cp>Much like the rest of downtown San Francisco, Union Square is in a state of transition. Since 2020, \u003ca href=\"https://sfstandard.com/2023/04/25/union-square-stores-closing-san-francisco/\">more than 15 stores\u003c/a>, ranging from DSW (Designer Shoe Warehouse) to Saks Fifth Avenue, have left the area. At one point, even Macy’s threatened to vacate its flagship store on the square. This year’s \u003ca href=\"https://www.kqed.org/forum/2010101912760/what-should-replace-san-francisco-centre\">closure of San Francisco’s largest mall\u003c/a>, three blocks away, didn’t help. \u003c/p>\n\n\n\n\u003cp>But in the wake of the mass exodus, new stores have appeared, including \u003ca class=\"\" href=\"https://www.sfgate.com/local/article/viral-toy-store-quietly-opens-bay-area-20771398.php\" target=\"_blank\" rel=\"noreferrer noopener\">Pop Mart\u003c/a>, \u003ca href=\"https://www.bizjournals.com/sanfrancisco/news/2025/08/06/moscot-union-square-geary-fillmore-luxury-eyewear.html\">Moscot\u003c/a>, \u003ca href=\"https://www.nbcbayarea.com/news/local/zara-open-new-flagship-store-san-francisco-union-square/3839664/\">Zara\u003c/a> and a \u003ca href=\"https://abc7news.com/post/nintendo-san-francisco-opens-doors-bringing-gaming-world-union-square-2nd-us-location/16426508/\">Nintendo\u003c/a> store.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2252688144.jpg\" alt=\"\" class=\"wp-image-13993100\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2252688144.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2252688144-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2252688144-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/GettyImages-2252688144-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Shoppers wait in the rain outside of the Pop Mart store in San Francisco’s Union Square on Dec. 23, 2025. (Aidin Vaziri/San Francisco Chronicle via Getty Images)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>“San Francisco is making a conscious effort to put these things here,” says Bankx, describing it as not just post-pandemic rebuilding, but building better. “And I think BAPE was one of those early pieces to fall into place.”\u003c/p>\n\n\n\n\u003cp>With a SUPREME store just minutes away, Bankx sees “synergy within the culture.” Other major brands like \u003ca href=\"https://sfstandard.com/2026/07/28/kith-streetwear-union-square-sf/\">Kith\u003c/a> also have plans to open stores downtown. With the influx, San Francisco itself is rebranding. The question is: Will it have a lasting impact or will it fold during the next economic downturn?\u003c/p>\n\n\n\n\u003cp>“You don’t really know if it’s going to work until you see,” says Bankx.\u003c/p>\n\n\n\n\u003cp>Given the lines out of the BAPE store and the demand for regionally specific merch — and what’s sure to be a large crowd at Saturday’s event — there’s clearly a healthy market for fashion in Frisco.\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The \u003ca href=\"https://us.bape.com/pages/bape-in-the-bay?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAcGRvZgJleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA85MzY2MTk3NDMzOTI0NTkAAae0M6GhQgGtgkmjghveF5i_h3pDDQwhLHpxOu0nYy9Ntn8TeCXVPrNiNU5zOA_aem_NmsTk4RfxOdmjDS_8ZeBtw&utm_id=97760_v0_s00_e0_tv3\">BAPE in the Bay\u003c/a> block party takes place on Saturday, Aug. 22, \u003cem>1–5 p.m. \u003c/em>at Union Square Plaza (216 Stockton St., San Francisco). \u003ca href=\"https://www.instagram.com/p/DcMQjTDs55z/\">Check here for more information.\u003c/a>\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.famsf.org/exhibitions/nengi-omuku\">Nengi Omuku: The Gathering\u003c/a>\u003c/em> is the third contemporary art exhibition staged within the \u003ca href=\"https://www.kqed.org/arts/tag/de-young-museum\">de Young Museum\u003c/a>’s permanent African collection, and it’s the best one yet.\u003c/p>\n\n\n\n\n\n\u003cp>Curator \u003ca href=\"https://www.kqed.org/arts/13889966/fine-arts-museums-of-sf-hire-natasha-becker-as-first-ever-curator-of-african-art\">Natasha Becker\u003c/a> has been presenting shows designed to spark dialogue between new and historical objects since 2022. \u003cem>The Gathering\u003c/em> — with its strong thematic elements and exhortation to join together — makes a compelling case for what remains an unusual concept in museums.\u003c/p>\n\n\n\n\u003cp>The show is Nigerian painter Omuku’s first solo exhibition in the United States and the first time she’s hung her works in a context like this (the de Young’s African art collection dates mainly to the 19th and 20th centuries). Juxtaposed, the old and new artworks illuminate persistent themes in African art — community, the natural world, and the ability of art to conjure worlds beyond our present one. The juxtaposition also demonstrates how widely Omuku casts her artistic net. Works in \u003cem>The Gathering\u003c/em> draw on West African art histories as well as Impressionism, and even the ambiguous delicacy of watercolor. \u003c/p>\n\n\n\n\u003cp>“Gathering” is central to both the content of Omuku’s work and the show’s premise. Omuku created four new paintings for the show, all of them dealing with groups of people in some way, depicting protest, collective care and shared dreams of a better future. That museum visitors also gather to see the show adds to the concept in a bit of poetic kismet. \u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Gathering-2020-oil-on-sanyan_2000.jpg\" alt=\"painting of a figure on a stretcher with figures surrounding\" class=\"wp-image-13993011\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Gathering-2020-oil-on-sanyan_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Gathering-2020-oil-on-sanyan_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Gathering-2020-oil-on-sanyan_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Gathering-2020-oil-on-sanyan_2000-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Nengi Omuku, ‘The Gathering, 2020; Oil on sanyan. (Courtesy of the artist)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>\u003cem>The Gathering\u003c/em> is also the title of an arresting painting in the show. Made in 2020, it depicts a nude figure stretched out in the foreground, surrounded by a concerned crowd at least three figures deep. Omuku painted this scene after newspaper reports of a building collapse during the COVID-19 pandemic exposed the lack of government emergency services. Though people were not supposed to gather at the time, they came together to care for the victims.\u003c/p>\n\n\n\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Viewers can clearly see art historical similarities to \u003ca href=\"https://en.wikipedia.org/wiki/Piet%C3%A0\">Christian Pietà scenes\u003c/a> of the dead Christ and ancient Greek funerary kraters depicting mourning, but Omuku’s painting is also very specific to her own heritage. “I was thinking about collective experience, collective mourning,” she told KQED, “and viewing it through a Nigerian lens.”\u003c/p>\n\n\n\n\u003cp>\u003cem>New Haven\u003c/em>, inspired by Impressionism’s bold showcasing of nature, dwarfs the people scattered throughout the tall flowers. Each figure carries a bright yellow form that might be mistaken for foliage, but is actually a jerry can, carried by people queuing for fuel. These containers are a common sight in Nigeria, an oil-producing country that nevertheless experiences fuel shortages. In reality, people crowd tightly in lines such as these, but in Omuku’s painting, they space out like naturally occurring trees among the beautiful landscape.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1770\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Nengi-Omuku-New-Haven-2025-Oil-on-Sanyan-TS-H232cm-W245cm-PS-H210cm-W224cm_2000.jpg\" alt=\"painting of flowery field with clouds above, figures carry yellow containers\" class=\"wp-image-13993012\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Nengi-Omuku-New-Haven-2025-Oil-on-Sanyan-TS-H232cm-W245cm-PS-H210cm-W224cm_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Nengi-Omuku-New-Haven-2025-Oil-on-Sanyan-TS-H232cm-W245cm-PS-H210cm-W224cm_2000-160x142.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Nengi-Omuku-New-Haven-2025-Oil-on-Sanyan-TS-H232cm-W245cm-PS-H210cm-W224cm_2000-768x680.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Nengi-Omuku-New-Haven-2025-Oil-on-Sanyan-TS-H232cm-W245cm-PS-H210cm-W224cm_2000-1536x1359.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Nengi Omuku, ‘New Haven,’ 2025; Oil on sanyan. (Courtesy of the artist; Photo by Anny Robert)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>No sanitizing of government failure is happening here; the problem is acknowledged, but Omuku proposes an alternative to the status quo. “When I was thinking about the bodies and protests, at first I didn’t see how it could sit with the landscape,” Omuku said. “And I realized that this is the world we’re protesting for.” \u003c/p>\n\n\n\n\u003cp>Placing her work within the context of the de Young’s collection, she added, gave rise to even more realizations. “I thought it was a new world I was building in the paintings,” Omuku said, “and then [Becker] showed me this is a very ancient world, the world of your ancestors and forefathers.”\u003c/p>\n\n\n\n\u003cp>The continuity of gathering is most powerfully embodied by the \u003cem>Paka Egungun, \u003c/em>a proper house of a ceremonial dance garment made of innumerable fabric flaps. The bright textile lappets twirl from the movements of the dancer who literally becomes an ancestor during the masquerade, a Yoruba religious festival during which masked figures provide a body for the deceased, who return to bless the community.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/447-deYoung-Omuku-2026-Sexton_2000.jpg\" alt=\"multicolored object in gallery display, painting hanging behind\" class=\"wp-image-13993013\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/447-deYoung-Omuku-2026-Sexton_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/447-deYoung-Omuku-2026-Sexton_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/447-deYoung-Omuku-2026-Sexton_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/447-deYoung-Omuku-2026-Sexton_2000-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Installation view of ‘Nengi Omuku: The Gathering’ at the de Young, with ‘Paka Egungun,’ 1930–1970 at left. (Gary Sexton/Fine Arts Museums of San Francisco)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>A less obvious, but equally beautiful connection to Nigeria’s heritage is found in the very material of the paintings themselves. Born in Warri, Nigeria in 1987, Omuku studied painting in London at the Slade School of Fine Art, where she sometimes used canvas, a traditional European painting support. When she returned to Nigeria, she could not find the type of canvas she was used to painting on. Frustrated by the cost of importing it, Omuku instead began investigating traditional textiles.\u003c/p>\n\n\n\n\u003cp>A friend introduced the artist to sanyan, a robust western Nigerian fabric that predates colonialism. Woven from wild moth silk and cotton, sanyan is used for special-occasion clothing. Omuku now commissions her painting surfaces from a family of weavers who maintain the artisanal tradition in the face of competition from cheap fast fashion. The result is a textured, striped, slightly stiff fabric — interesting as an object within its own right. \u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/321-deYoung-Omuku-2026-Sexton_2000.jpg\" alt=\"people stand in museum gallery looking at backs and fronts of suspended paintings\" class=\"wp-image-13993015\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/321-deYoung-Omuku-2026-Sexton_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/321-deYoung-Omuku-2026-Sexton_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/321-deYoung-Omuku-2026-Sexton_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/321-deYoung-Omuku-2026-Sexton_2000-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Installation view of ‘Nengi Omuku: The Gathering,’ at the de Young. (Gary Sexton/Fine Arts Museums of San Francisco)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>When I visited the de Young, I watched people circumambulate the paintings, hung away from the walls so the fabric can be fully appreciated. And happily, Becker, the curator, has supplied visitors with a sample to touch. Three of us gathered around it, fingering the sanyan’s fine threads before turning back to the paintings enlivening the museum’s second floor galleries.\u003c/p>\n\n\n\n\u003cp>Thanks to its incorporation with the de Young’s historic collection, \u003cem>The Gathering \u003c/em>will tell you more about 2026’s place in history than an exhibition with only new art ever could. Plus, the paintings are beautiful. Why not go see for yourself (with a friend) and create a gathering of your own?\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘\u003ca href=\"https://www.famsf.org/exhibitions/nengi-omuku\">Nengi Omuku: The Gathering\u003c/a>’ is on view at the de Young Museum (50 Hagiwara Tea Garden Dr., San Francisco) through May 14, 2028.\u003c/em>\u003c/p>\n\n",
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"innerHTML": "\n\u003cp>Curator \u003ca href=\"https://www.kqed.org/arts/13889966/fine-arts-museums-of-sf-hire-natasha-becker-as-first-ever-curator-of-african-art\">Natasha Becker\u003c/a> has been presenting shows designed to spark dialogue between new and historical objects since 2022. \u003cem>The Gathering\u003c/em> — with its strong thematic elements and exhortation to join together — makes a compelling case for what remains an unusual concept in museums.\u003c/p>\n",
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"innerHTML": "\n\u003cp>The show is Nigerian painter Omuku’s first solo exhibition in the United States and the first time she’s hung her works in a context like this (the de Young’s African art collection dates mainly to the 19th and 20th centuries). Juxtaposed, the old and new artworks illuminate persistent themes in African art — community, the natural world, and the ability of art to conjure worlds beyond our present one. The juxtaposition also demonstrates how widely Omuku casts her artistic net. Works in \u003cem>The Gathering\u003c/em> draw on West African art histories as well as Impressionism, and even the ambiguous delicacy of watercolor. \u003c/p>\n",
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"\n\u003cp>The show is Nigerian painter Omuku’s first solo exhibition in the United States and the first time she’s hung her works in a context like this (the de Young’s African art collection dates mainly to the 19th and 20th centuries). Juxtaposed, the old and new artworks illuminate persistent themes in African art — community, the natural world, and the ability of art to conjure worlds beyond our present one. The juxtaposition also demonstrates how widely Omuku casts her artistic net. Works in \u003cem>The Gathering\u003c/em> draw on West African art histories as well as Impressionism, and even the ambiguous delicacy of watercolor. \u003c/p>\n"
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"innerHTML": "\n\u003cp>“Gathering” is central to both the content of Omuku’s work and the show’s premise. Omuku created four new paintings for the show, all of them dealing with groups of people in some way, depicting protest, collective care and shared dreams of a better future. That museum visitors also gather to see the show adds to the concept in a bit of poetic kismet. \u003c/p>\n",
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"innerHTML": "\n\u003cp>\u003cem>The Gathering\u003c/em> is also the title of an arresting painting in the show. Made in 2020, it depicts a nude figure stretched out in the foreground, surrounded by a concerned crowd at least three figures deep. Omuku painted this scene after newspaper reports of a building collapse during the COVID-19 pandemic exposed the lack of government emergency services. Though people were not supposed to gather at the time, they came together to care for the victims.\u003c/p>\n",
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"innerHTML": "\n\u003cp>Viewers can clearly see art historical similarities to \u003ca href=\"https://en.wikipedia.org/wiki/Piet%C3%A0\">Christian Pietà scenes\u003c/a> of the dead Christ and ancient Greek funerary kraters depicting mourning, but Omuku’s painting is also very specific to her own heritage. “I was thinking about collective experience, collective mourning,” she told KQED, “and viewing it through a Nigerian lens.”\u003c/p>\n",
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"\n\u003cp>Viewers can clearly see art historical similarities to \u003ca href=\"https://en.wikipedia.org/wiki/Piet%C3%A0\">Christian Pietà scenes\u003c/a> of the dead Christ and ancient Greek funerary kraters depicting mourning, but Omuku’s painting is also very specific to her own heritage. “I was thinking about collective experience, collective mourning,” she told KQED, “and viewing it through a Nigerian lens.”\u003c/p>\n"
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"innerHTML": "\n\u003cp>\u003cem>New Haven\u003c/em>, inspired by Impressionism’s bold showcasing of nature, dwarfs the people scattered throughout the tall flowers. Each figure carries a bright yellow form that might be mistaken for foliage, but is actually a jerry can, carried by people queuing for fuel. These containers are a common sight in Nigeria, an oil-producing country that nevertheless experiences fuel shortages. In reality, people crowd tightly in lines such as these, but in Omuku’s painting, they space out like naturally occurring trees among the beautiful landscape.\u003c/p>\n",
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"\n\u003cp>\u003cem>New Haven\u003c/em>, inspired by Impressionism’s bold showcasing of nature, dwarfs the people scattered throughout the tall flowers. Each figure carries a bright yellow form that might be mistaken for foliage, but is actually a jerry can, carried by people queuing for fuel. These containers are a common sight in Nigeria, an oil-producing country that nevertheless experiences fuel shortages. In reality, people crowd tightly in lines such as these, but in Omuku’s painting, they space out like naturally occurring trees among the beautiful landscape.\u003c/p>\n"
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"innerHTML": "\n\u003cp>No sanitizing of government failure is happening here; the problem is acknowledged, but Omuku proposes an alternative to the status quo. “When I was thinking about the bodies and protests, at first I didn’t see how it could sit with the landscape,” Omuku said. “And I realized that this is the world we’re protesting for.” \u003c/p>\n",
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"innerHTML": "\n\u003cp>Placing her work within the context of the de Young’s collection, she added, gave rise to even more realizations. “I thought it was a new world I was building in the paintings,” Omuku said, “and then [Becker] showed me this is a very ancient world, the world of your ancestors and forefathers.”\u003c/p>\n",
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"innerHTML": "\n\u003cp>The continuity of gathering is most powerfully embodied by the \u003cem>Paka Egungun, \u003c/em>a proper house of a ceremonial dance garment made of innumerable fabric flaps. The bright textile lappets twirl from the movements of the dancer who literally becomes an ancestor during the masquerade, a Yoruba religious festival during which masked figures provide a body for the deceased, who return to bless the community.\u003c/p>\n",
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"innerHTML": "\n\u003cp>A less obvious, but equally beautiful connection to Nigeria’s heritage is found in the very material of the paintings themselves. Born in Warri, Nigeria in 1987, Omuku studied painting in London at the Slade School of Fine Art, where she sometimes used canvas, a traditional European painting support. When she returned to Nigeria, she could not find the type of canvas she was used to painting on. Frustrated by the cost of importing it, Omuku instead began investigating traditional textiles.\u003c/p>\n",
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"\n\u003cp>A less obvious, but equally beautiful connection to Nigeria’s heritage is found in the very material of the paintings themselves. Born in Warri, Nigeria in 1987, Omuku studied painting in London at the Slade School of Fine Art, where she sometimes used canvas, a traditional European painting support. When she returned to Nigeria, she could not find the type of canvas she was used to painting on. Frustrated by the cost of importing it, Omuku instead began investigating traditional textiles.\u003c/p>\n"
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"innerHTML": "\n\u003cp>A friend introduced the artist to sanyan, a robust western Nigerian fabric that predates colonialism. Woven from wild moth silk and cotton, sanyan is used for special-occasion clothing. Omuku now commissions her painting surfaces from a family of weavers who maintain the artisanal tradition in the face of competition from cheap fast fashion. The result is a textured, striped, slightly stiff fabric — interesting as an object within its own right. \u003c/p>\n",
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"\n\u003cp>A friend introduced the artist to sanyan, a robust western Nigerian fabric that predates colonialism. Woven from wild moth silk and cotton, sanyan is used for special-occasion clothing. Omuku now commissions her painting surfaces from a family of weavers who maintain the artisanal tradition in the face of competition from cheap fast fashion. The result is a textured, striped, slightly stiff fabric — interesting as an object within its own right. \u003c/p>\n"
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"innerHTML": "\n\u003cp>When I visited the de Young, I watched people circumambulate the paintings, hung away from the walls so the fabric can be fully appreciated. And happily, Becker, the curator, has supplied visitors with a sample to touch. Three of us gathered around it, fingering the sanyan’s fine threads before turning back to the paintings enlivening the museum’s second floor galleries.\u003c/p>\n",
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"innerHTML": "\n\u003cp>Thanks to its incorporation with the de Young’s historic collection, \u003cem>The Gathering \u003c/em>will tell you more about 2026’s place in history than an exhibition with only new art ever could. Plus, the paintings are beautiful. Why not go see for yourself (with a friend) and create a gathering of your own?\u003c/p>\n",
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"innerHTML": "\n\u003cp>\u003cem>‘\u003ca href=\"https://www.famsf.org/exhibitions/nengi-omuku\">Nengi Omuku: The Gathering\u003c/a>’ is on view at the de Young Museum (50 Hagiwara Tea Garden Dr., San Francisco) through May 14, 2028.\u003c/em>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.famsf.org/exhibitions/nengi-omuku\">Nengi Omuku: The Gathering\u003c/a>\u003c/em> is the third contemporary art exhibition staged within the \u003ca href=\"https://www.kqed.org/arts/tag/de-young-museum\">de Young Museum\u003c/a>’s permanent African collection, and it’s the best one yet.\u003c/p>\n\n\n\n\n\n\u003cp>Curator \u003ca href=\"https://www.kqed.org/arts/13889966/fine-arts-museums-of-sf-hire-natasha-becker-as-first-ever-curator-of-african-art\">Natasha Becker\u003c/a> has been presenting shows designed to spark dialogue between new and historical objects since 2022. \u003cem>The Gathering\u003c/em> — with its strong thematic elements and exhortation to join together — makes a compelling case for what remains an unusual concept in museums.\u003c/p>\n\n\n\n\u003cp>The show is Nigerian painter Omuku’s first solo exhibition in the United States and the first time she’s hung her works in a context like this (the de Young’s African art collection dates mainly to the 19th and 20th centuries). Juxtaposed, the old and new artworks illuminate persistent themes in African art — community, the natural world, and the ability of art to conjure worlds beyond our present one. The juxtaposition also demonstrates how widely Omuku casts her artistic net. Works in \u003cem>The Gathering\u003c/em> draw on West African art histories as well as Impressionism, and even the ambiguous delicacy of watercolor. \u003c/p>\n\n\n\n\u003cp>“Gathering” is central to both the content of Omuku’s work and the show’s premise. Omuku created four new paintings for the show, all of them dealing with groups of people in some way, depicting protest, collective care and shared dreams of a better future. That museum visitors also gather to see the show adds to the concept in a bit of poetic kismet. \u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Gathering-2020-oil-on-sanyan_2000.jpg\" alt=\"painting of a figure on a stretcher with figures surrounding\" class=\"wp-image-13993011\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Gathering-2020-oil-on-sanyan_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Gathering-2020-oil-on-sanyan_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Gathering-2020-oil-on-sanyan_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Gathering-2020-oil-on-sanyan_2000-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Nengi Omuku, ‘The Gathering, 2020; Oil on sanyan. (Courtesy of the artist)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>\u003cem>The Gathering\u003c/em> is also the title of an arresting painting in the show. Made in 2020, it depicts a nude figure stretched out in the foreground, surrounded by a concerned crowd at least three figures deep. Omuku painted this scene after newspaper reports of a building collapse during the COVID-19 pandemic exposed the lack of government emergency services. Though people were not supposed to gather at the time, they came together to care for the victims.\u003c/p>\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Viewers can clearly see art historical similarities to \u003ca href=\"https://en.wikipedia.org/wiki/Piet%C3%A0\">Christian Pietà scenes\u003c/a> of the dead Christ and ancient Greek funerary kraters depicting mourning, but Omuku’s painting is also very specific to her own heritage. “I was thinking about collective experience, collective mourning,” she told KQED, “and viewing it through a Nigerian lens.”\u003c/p>\n\n\n\n\u003cp>\u003cem>New Haven\u003c/em>, inspired by Impressionism’s bold showcasing of nature, dwarfs the people scattered throughout the tall flowers. Each figure carries a bright yellow form that might be mistaken for foliage, but is actually a jerry can, carried by people queuing for fuel. These containers are a common sight in Nigeria, an oil-producing country that nevertheless experiences fuel shortages. In reality, people crowd tightly in lines such as these, but in Omuku’s painting, they space out like naturally occurring trees among the beautiful landscape.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1770\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Nengi-Omuku-New-Haven-2025-Oil-on-Sanyan-TS-H232cm-W245cm-PS-H210cm-W224cm_2000.jpg\" alt=\"painting of flowery field with clouds above, figures carry yellow containers\" class=\"wp-image-13993012\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Nengi-Omuku-New-Haven-2025-Oil-on-Sanyan-TS-H232cm-W245cm-PS-H210cm-W224cm_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Nengi-Omuku-New-Haven-2025-Oil-on-Sanyan-TS-H232cm-W245cm-PS-H210cm-W224cm_2000-160x142.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Nengi-Omuku-New-Haven-2025-Oil-on-Sanyan-TS-H232cm-W245cm-PS-H210cm-W224cm_2000-768x680.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Nengi-Omuku-New-Haven-2025-Oil-on-Sanyan-TS-H232cm-W245cm-PS-H210cm-W224cm_2000-1536x1359.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Nengi Omuku, ‘New Haven,’ 2025; Oil on sanyan. (Courtesy of the artist; Photo by Anny Robert)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>No sanitizing of government failure is happening here; the problem is acknowledged, but Omuku proposes an alternative to the status quo. “When I was thinking about the bodies and protests, at first I didn’t see how it could sit with the landscape,” Omuku said. “And I realized that this is the world we’re protesting for.” \u003c/p>\n\n\n\n\u003cp>Placing her work within the context of the de Young’s collection, she added, gave rise to even more realizations. “I thought it was a new world I was building in the paintings,” Omuku said, “and then [Becker] showed me this is a very ancient world, the world of your ancestors and forefathers.”\u003c/p>\n\n\n\n\u003cp>The continuity of gathering is most powerfully embodied by the \u003cem>Paka Egungun, \u003c/em>a proper house of a ceremonial dance garment made of innumerable fabric flaps. The bright textile lappets twirl from the movements of the dancer who literally becomes an ancestor during the masquerade, a Yoruba religious festival during which masked figures provide a body for the deceased, who return to bless the community.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/447-deYoung-Omuku-2026-Sexton_2000.jpg\" alt=\"multicolored object in gallery display, painting hanging behind\" class=\"wp-image-13993013\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/447-deYoung-Omuku-2026-Sexton_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/447-deYoung-Omuku-2026-Sexton_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/447-deYoung-Omuku-2026-Sexton_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/447-deYoung-Omuku-2026-Sexton_2000-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Installation view of ‘Nengi Omuku: The Gathering’ at the de Young, with ‘Paka Egungun,’ 1930–1970 at left. (Gary Sexton/Fine Arts Museums of San Francisco)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>A less obvious, but equally beautiful connection to Nigeria’s heritage is found in the very material of the paintings themselves. Born in Warri, Nigeria in 1987, Omuku studied painting in London at the Slade School of Fine Art, where she sometimes used canvas, a traditional European painting support. When she returned to Nigeria, she could not find the type of canvas she was used to painting on. Frustrated by the cost of importing it, Omuku instead began investigating traditional textiles.\u003c/p>\n\n\n\n\u003cp>A friend introduced the artist to sanyan, a robust western Nigerian fabric that predates colonialism. Woven from wild moth silk and cotton, sanyan is used for special-occasion clothing. Omuku now commissions her painting surfaces from a family of weavers who maintain the artisanal tradition in the face of competition from cheap fast fashion. The result is a textured, striped, slightly stiff fabric — interesting as an object within its own right. \u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/321-deYoung-Omuku-2026-Sexton_2000.jpg\" alt=\"people stand in museum gallery looking at backs and fronts of suspended paintings\" class=\"wp-image-13993015\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/321-deYoung-Omuku-2026-Sexton_2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/321-deYoung-Omuku-2026-Sexton_2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/321-deYoung-Omuku-2026-Sexton_2000-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/321-deYoung-Omuku-2026-Sexton_2000-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Installation view of ‘Nengi Omuku: The Gathering,’ at the de Young. (Gary Sexton/Fine Arts Museums of San Francisco)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>When I visited the de Young, I watched people circumambulate the paintings, hung away from the walls so the fabric can be fully appreciated. And happily, Becker, the curator, has supplied visitors with a sample to touch. Three of us gathered around it, fingering the sanyan’s fine threads before turning back to the paintings enlivening the museum’s second floor galleries.\u003c/p>\n\n\n\n\u003cp>Thanks to its incorporation with the de Young’s historic collection, \u003cem>The Gathering \u003c/em>will tell you more about 2026’s place in history than an exhibition with only new art ever could. Plus, the paintings are beautiful. Why not go see for yourself (with a friend) and create a gathering of your own?\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘\u003ca href=\"https://www.famsf.org/exhibitions/nengi-omuku\">Nengi Omuku: The Gathering\u003c/a>’ is on view at the de Young Museum (50 Hagiwara Tea Garden Dr., San Francisco) through May 14, 2028.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "shock-g-digital-underground-book-memoir-autobiography-oakland-rap",
"title": "A New Memoir Captures Shock G’s Brilliance — In All Its Funkiest Forms",
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"headTitle": "A New Memoir Captures Shock G’s Brilliance — In All Its Funkiest Forms | KQED",
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"content": "\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2067\" height=\"2560\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-scaled.jpg\" alt=\"\" class=\"wp-image-13992877\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-scaled.jpg 2067w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-2000x2477.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-160x198.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-768x951.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-1240x1536.jpg 1240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-1654x2048.jpg 1654w\" sizes=\"auto, (max-width: 2067px) 100vw, 2067px\">\u003cfigcaption class=\"wp-element-caption\">‘Keep It Beautiful: Inside the Funkyverse of Shock G and Digital Underground,’ chronicles the incredible life of the late East Bay rapper, artist and musician. (Penguin Random House)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>In 1990, \u003cem>USA Today\u003c/em> formally contacted NASA to clarify rumors about their latest technology, apparently dubbed “sex packets.” \u003c/p>\n\n\n\n\u003cp>Weeks prior, Oakland’s afrosurrealist rap collective Digital Underground (DU) had released their debut album, \u003cem>Sex Packets\u003c/em>, themed around a new drug for astronauts that could instantly gratify their sexual desires. As DU’s transgressive lyrics glorified the illicit substance, news of the invention leaked onto the Bay Area’s streets: pamphlets were distributed, and condoms were passed out.\u003c/p>\n\n\n\n\u003cp>NASA was forced to respond to the coital discourse: “NASA has not in the past, nor will they in the future, be working on such a pill … It would be impossible to satisfy the carnal urges of astronauts … To my knowledge, unbridled lust has never interfered with a space mission.”\u003c/p>\n\n\n\n\u003cp>It’s the first and likely last instance of NASA being outmaneuvered by Oakland rappers. (It turned out DU had created the pamphlets and condoms as subversive promotional materials.)\u003c/p>\n\n\n\n\u003cp>The elaborate prank was a piece of artistic genius orchestrated by \u003ca href=\"https://www.kqed.org/arts/13929900/shock-g-revolutionized-hip-hop-and-created-a-secret-trove-of-funky-art\">Gregory Jacobs — the late MC, songwriter, illustrator, pianist and costume-wearing virtuoso\u003c/a> known as Shock G. The NASA incident is just one of the many shenanigans detailed in his posthumous memoir, \u003cem>Keep It Beautiful: Inside the Funkyverse of Shock G and Digital Underground\u003c/em>, out Aug. 25 — Shock G’s birthday — from \u003ca href=\"https://www.penguinrandomhouse.com/books/738825/keep-it-beautiful-by-alexis-wolfe-mbassa-and-gregory-e-jacobs/\">Penguin Random House\u003c/a>.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1706\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-scaled.jpg\" alt=\"\" class=\"wp-image-13992875\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-2000x1333.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-element-caption\">Shock G and Alexis Wolfe Mbassa in Tampa, Fla., working on the memoir ‘Keep It Beautiful: Inside the Funkyverse of Shock G and Digital Underground.’ (Alexis Wolfe Mbassa)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>The book combines handwritten notes, interview transcripts, personal photos and rare sketches compiled by Jacobs’ longtime friend and photographer, Alexis Wolfe Mbassa, who tagged along with Jacobs in order to document his eccentric life for over a decade. \u003c/p>\n\n\n\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The association was intentional; in 2011, Jacobs personally recruited Wolfe Mbassa as a co-author for his autobiography. In 2021, just eight months after submitting the book to literary agents, Jacobs died from a drug overdose in Florida. He was 57.\u003c/p>\n\n\n\n\u003cp>“It was never about money or becoming successful for him; it was about having the freedom to create,” Wolfe Mbassa told KQED. “He put himself in wild situations just to hold on to that freedom.”\u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">A natural rebel\u003c/h2>\n\n\n\n\u003cp>Wild situations form much of \u003cem>Keep It Beautiful\u003c/em>. It details Jacobs’ stints in pimping, homelessness and jail, while containing all of the exuberant, out-of-pocket abundance of a Shock G production. A conversation between Shock G and George Clinton of Parliament Funkadelic? Yup. An African gray parrot named Afro who lives in Shock G’s childhood home and imitates his stepmom, Sonya? That too. \u003c/p>\n\n\n\n\u003cp>One entire chapter is dedicated to his early friendship with a teenage Tupac Shakur, who joined DU as a member before going solo. (Apparently Pac had a “fucked” jump shot in basketball, and no one wanted him on their team).\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-scaled.jpeg\" alt=\"\" class=\"wp-image-13992876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-2000x1500.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-768x576.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-1536x1152.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-element-caption\">Notes on a draft of the book, written by Shock G, show his involvement in the book’s phrasing and layout. Pictured together are Shock G and Tupac Shakur. (Alexis Wolfe Mbassa)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Largely stream-of-consciousness in homage to Jacobs’ creative process, the book is divided into sections based on the regions where he lived. Wolfe Mbassa traveled to each of them to conduct interviews: Topanga Canyon, Hollywood, Los Angeles, Oakland, New York City and Tampa.\u003c/p>\n\n\n\n\u003cp>Jacobs recounts his first job as a 15-year-old, DJing at a local radio station in Tampa. He was fired for disobeying the radio’s directives and opting to spin the full 15-minute version of “(Not Just) Knee Deep” by Funkadelic instead of airing commercials.\u003c/p>\n\n\n\n\u003cp>It isn’t the only example in the book of his natural inclination to rebel. Jacobs extensively details how he evaded authorities, and circumvented court appearances, from age 17 to 22. \u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">Music as a savior \u003c/h2>\n\n\n\n\u003cp>Even for the most studious hip-hop heads, \u003cem>Keep It Beautiful\u003c/em> reveals overlooked wrinkles in Shock’s personality and biography. (Did you know that DU’s original band name was “Spice Regime”?) The book also includes a trove of never-before-seen drawings by Jacobs, showcasing a crude and whimsical style that would come to define his artistry, which sometimes reached ridiculous levels of raunch. (One sketch portrays an anthropomorphic anus forcing an “ASS-PIRIN” pill down its own hole.) \u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1296\" height=\"996\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p212-Grandma-Gloria.jpg\" alt=\"\" class=\"wp-image-13992879\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p212-Grandma-Gloria.jpg 1296w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p212-Grandma-Gloria-160x123.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p212-Grandma-Gloria-768x590.jpg 768w\" sizes=\"auto, (max-width: 1296px) 100vw, 1296px\">\u003cfigcaption class=\"wp-element-caption\">A young Shock G (left) with his grandmother Gloria. (Courtesy Alexis Wolfe Mbassa)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>But the main thrust of \u003cem>Keep It Beautiful \u003c/em>are the granular narratives that Jacobs discloses, like his memories of being jailed in San Diego for six months for grand theft auto, where he used art as a bartering tool. \u003c/p>\n\n\n\n\u003cp>In scattered, disconnected bursts, he and Wolfe Mbassa recount his side quests and failures (such as his brief time as a male “gigolo” in Pennsylvania) revealing the down-bad experiences that molded his worldview before his rap and art careers took off. Glimpses of that fast life can be heard in his lyrics, but the book shows in detail how Shock G actually did \u003ca href=\"https://www.youtube.com/watch?v=YqJAnQTwmJs&list=RDYqJAnQTwmJs&start_radio=1\">get around\u003c/a> from coast to coast.\u003c/p>\n\n\n\n\u003cp>At its core, the collage of archival material shows how music and art became Jacobs’ salvation, therapy and refuge. Putting it all together was a joyous challenge for Wolfe Mbassa, personally tasked by Jacobs to retain the book’s silliness and humor.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"2045\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p171-Underground-oakland--scaled.jpg\" alt=\"\" class=\"wp-image-13992878\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p171-Underground-oakland--scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p171-Underground-oakland--2000x1597.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p171-Underground-oakland--160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p171-Underground-oakland--768x613.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p171-Underground-oakland--1536x1227.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p171-Underground-oakland--2048x1636.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-element-caption\">Members of a later-era lineup of Digital Underground, pictured in Oakland, with Shock G second from left. (Alexis Wolfe Mbassa)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>“One of the most difficult parts was trying to figure out how to pull all the pieces together. He always wanted it to be like a scrapbook,” she says. “He wanted it to feel like his personal journals did: stories, mixed with memorabilia and art.”\u003c/p>\n\n\n\n\u003cp>In sitting with \u003cem>Keep It Beautiful\u003c/em>, its spiritual thesis is clear: Jacobs’ everlasting search for beauty, creativity and funky originality shone brightest during his darkest hours. It’s about keeping it beautiful, especially when beauty isn’t easily kept.\u003c/p>\n\n\n\n\u003cp>“It was so much fun,” Wolfe Mbassa confirms, “to live in his world.”\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>‘Keep It Beautiful: Inside the Funkyverse of Shock G and Digital Underground’ will be released on Aug. 25\u003c/em>. \u003cem>A free release party with Alexis Wolfe Mbassa and members of Digital Underground takes place Saturday, Aug. 22 at Drake’s Dealership (2325 Broadway, Oakland). \u003c/em>\u003ca href=\"https://www.instagram.com/p/DbtkbvQSXrw/\">\u003cem>Event information here\u003c/em>\u003c/a>\u003cem>. \u003c/em>\u003c/p>\n\n",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-scaled.jpg\" alt=\"\" class=\"wp-image-13992877\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-scaled.jpg 2067w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-2000x2477.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-160x198.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-768x951.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-1240x1536.jpg 1240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-1654x2048.jpg 1654w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">‘Keep It Beautiful: Inside the Funkyverse of Shock G and Digital Underground,’ chronicles the incredible life of the late East Bay rapper, artist and musician.\u003c/figcaption>\u003c/figure>\n",
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"innerHTML": "\n\u003cp>In 1990, \u003cem>USA Today\u003c/em> formally contacted NASA to clarify rumors about their latest technology, apparently dubbed “sex packets.” \u003c/p>\n",
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"innerHTML": "\n\u003cp>Weeks prior, Oakland’s afrosurrealist rap collective Digital Underground (DU) had released their debut album, \u003cem>Sex Packets\u003c/em>, themed around a new drug for astronauts that could instantly gratify their sexual desires. As DU’s transgressive lyrics glorified the illicit substance, news of the invention leaked onto the Bay Area’s streets: pamphlets were distributed, and condoms were passed out.\u003c/p>\n",
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"\n\u003cp>Weeks prior, Oakland’s afrosurrealist rap collective Digital Underground (DU) had released their debut album, \u003cem>Sex Packets\u003c/em>, themed around a new drug for astronauts that could instantly gratify their sexual desires. As DU’s transgressive lyrics glorified the illicit substance, news of the invention leaked onto the Bay Area’s streets: pamphlets were distributed, and condoms were passed out.\u003c/p>\n"
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"innerHTML": "\n\u003cp>NASA was forced to respond to the coital discourse: “NASA has not in the past, nor will they in the future, be working on such a pill … It would be impossible to satisfy the carnal urges of astronauts … To my knowledge, unbridled lust has never interfered with a space mission.”\u003c/p>\n",
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"\n\u003cp>NASA was forced to respond to the coital discourse: “NASA has not in the past, nor will they in the future, be working on such a pill … It would be impossible to satisfy the carnal urges of astronauts … To my knowledge, unbridled lust has never interfered with a space mission.”\u003c/p>\n"
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"innerHTML": "\n\u003cp>The elaborate prank was a piece of artistic genius orchestrated by \u003ca href=\"https://www.kqed.org/arts/13929900/shock-g-revolutionized-hip-hop-and-created-a-secret-trove-of-funky-art\">Gregory Jacobs — the late MC, songwriter, illustrator, pianist and costume-wearing virtuoso\u003c/a> known as Shock G. The NASA incident is just one of the many shenanigans detailed in his posthumous memoir, \u003cem>Keep It Beautiful: Inside the Funkyverse of Shock G and Digital Underground\u003c/em>, out Aug. 25 — Shock G’s birthday — from \u003ca href=\"https://www.penguinrandomhouse.com/books/738825/keep-it-beautiful-by-alexis-wolfe-mbassa-and-gregory-e-jacobs/\">Penguin Random House\u003c/a>.\u003c/p>\n",
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"\n\u003cp>The elaborate prank was a piece of artistic genius orchestrated by \u003ca href=\"https://www.kqed.org/arts/13929900/shock-g-revolutionized-hip-hop-and-created-a-secret-trove-of-funky-art\">Gregory Jacobs — the late MC, songwriter, illustrator, pianist and costume-wearing virtuoso\u003c/a> known as Shock G. The NASA incident is just one of the many shenanigans detailed in his posthumous memoir, \u003cem>Keep It Beautiful: Inside the Funkyverse of Shock G and Digital Underground\u003c/em>, out Aug. 25 — Shock G’s birthday — from \u003ca href=\"https://www.penguinrandomhouse.com/books/738825/keep-it-beautiful-by-alexis-wolfe-mbassa-and-gregory-e-jacobs/\">Penguin Random House\u003c/a>.\u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-scaled.jpg\" alt=\"\" class=\"wp-image-13992875\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-2000x1333.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-2048x1365.jpg 2048w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Shock G and Alexis Wolfe Mbassa in Tampa, Fla., working on the memoir ‘Keep It Beautiful: Inside the Funkyverse of Shock G and Digital Underground.’\u003c/figcaption>\u003c/figure>\n",
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"innerHTML": "\n\u003cp>The book combines handwritten notes, interview transcripts, personal photos and rare sketches compiled by Jacobs’ longtime friend and photographer, Alexis Wolfe Mbassa, who tagged along with Jacobs in order to document his eccentric life for over a decade. \u003c/p>\n",
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"\n\u003cp>The book combines handwritten notes, interview transcripts, personal photos and rare sketches compiled by Jacobs’ longtime friend and photographer, Alexis Wolfe Mbassa, who tagged along with Jacobs in order to document his eccentric life for over a decade. \u003c/p>\n"
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"innerHTML": "\n\u003cp>The association was intentional; in 2011, Jacobs personally recruited Wolfe Mbassa as a co-author for his autobiography. In 2021, just eight months after submitting the book to literary agents, Jacobs died from a drug overdose in Florida. He was 57.\u003c/p>\n",
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"\n\u003cp>The association was intentional; in 2011, Jacobs personally recruited Wolfe Mbassa as a co-author for his autobiography. In 2021, just eight months after submitting the book to literary agents, Jacobs died from a drug overdose in Florida. He was 57.\u003c/p>\n"
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"innerHTML": "\n\u003cp>“It was never about money or becoming successful for him; it was about having the freedom to create,” Wolfe Mbassa told KQED. “He put himself in wild situations just to hold on to that freedom.”\u003c/p>\n",
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"\n\u003cp>“It was never about money or becoming successful for him; it was about having the freedom to create,” Wolfe Mbassa told KQED. “He put himself in wild situations just to hold on to that freedom.”\u003c/p>\n"
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"innerHTML": "\n\u003cp>Wild situations form much of \u003cem>Keep It Beautiful\u003c/em>. It details Jacobs’ stints in pimping, homelessness and jail, while containing all of the exuberant, out-of-pocket abundance of a Shock G production. A conversation between Shock G and George Clinton of Parliament Funkadelic? Yup. An African gray parrot named Afro who lives in Shock G’s childhood home and imitates his stepmom, Sonya? That too. \u003c/p>\n",
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"\n\u003cp>Wild situations form much of \u003cem>Keep It Beautiful\u003c/em>. It details Jacobs’ stints in pimping, homelessness and jail, while containing all of the exuberant, out-of-pocket abundance of a Shock G production. A conversation between Shock G and George Clinton of Parliament Funkadelic? Yup. An African gray parrot named Afro who lives in Shock G’s childhood home and imitates his stepmom, Sonya? That too. \u003c/p>\n"
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"innerHTML": "\n\u003cp>One entire chapter is dedicated to his early friendship with a teenage Tupac Shakur, who joined DU as a member before going solo. (Apparently Pac had a “fucked” jump shot in basketball, and no one wanted him on their team).\u003c/p>\n",
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"\n\u003cp>One entire chapter is dedicated to his early friendship with a teenage Tupac Shakur, who joined DU as a member before going solo. (Apparently Pac had a “fucked” jump shot in basketball, and no one wanted him on their team).\u003c/p>\n"
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"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-2000x1500.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-768x576.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-1536x1152.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-2048x1536.jpeg 2048w",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-scaled.jpeg\" alt=\"\" class=\"wp-image-13992876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-2000x1500.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-768x576.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-1536x1152.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-2048x1536.jpeg 2048w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">Notes on a draft of the book, written by Shock G, show his involvement in the book’s phrasing and layout. Pictured together are Shock G and Tupac Shakur.\u003c/figcaption>\u003c/figure>\n",
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"\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-scaled.jpeg\" alt=\"\" class=\"wp-image-13992876\"/>\u003cfigcaption class=\"wp-element-caption\">Notes on a draft of the book, written by Shock G, show his involvement in the book’s phrasing and layout. Pictured together are Shock G and Tupac Shakur.\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>Largely stream-of-consciousness in homage to Jacobs’ creative process, the book is divided into sections based on the regions where he lived. Wolfe Mbassa traveled to each of them to conduct interviews: Topanga Canyon, Hollywood, Los Angeles, Oakland, New York City and Tampa.\u003c/p>\n",
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"innerHTML": "\n\u003cp>Jacobs recounts his first job as a 15-year-old, DJing at a local radio station in Tampa. He was fired for disobeying the radio’s directives and opting to spin the full 15-minute version of “(Not Just) Knee Deep” by Funkadelic instead of airing commercials.\u003c/p>\n",
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"\n\u003cp>Jacobs recounts his first job as a 15-year-old, DJing at a local radio station in Tampa. He was fired for disobeying the radio’s directives and opting to spin the full 15-minute version of “(Not Just) Knee Deep” by Funkadelic instead of airing commercials.\u003c/p>\n"
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"innerHTML": "\n\u003cp>It isn’t the only example in the book of his natural inclination to rebel. Jacobs extensively details how he evaded authorities, and circumvented court appearances, from age 17 to 22. \u003c/p>\n",
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"innerHTML": "\n\u003cp>Even for the most studious hip-hop heads, \u003cem>Keep It Beautiful\u003c/em> reveals overlooked wrinkles in Shock’s personality and biography. (Did you know that DU’s original band name was “Spice Regime”?) The book also includes a trove of never-before-seen drawings by Jacobs, showcasing a crude and whimsical style that would come to define his artistry, which sometimes reached ridiculous levels of raunch. (One sketch portrays an anthropomorphic anus forcing an “ASS-PIRIN” pill down its own hole.) \u003c/p>\n",
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"\n\u003cp>Even for the most studious hip-hop heads, \u003cem>Keep It Beautiful\u003c/em> reveals overlooked wrinkles in Shock’s personality and biography. (Did you know that DU’s original band name was “Spice Regime”?) The book also includes a trove of never-before-seen drawings by Jacobs, showcasing a crude and whimsical style that would come to define his artistry, which sometimes reached ridiculous levels of raunch. (One sketch portrays an anthropomorphic anus forcing an “ASS-PIRIN” pill down its own hole.) \u003c/p>\n"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p212-Grandma-Gloria.jpg\" alt=\"\" class=\"wp-image-13992879\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p212-Grandma-Gloria.jpg 1296w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p212-Grandma-Gloria-160x123.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p212-Grandma-Gloria-768x590.jpg 768w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\"/>\u003cfigcaption class=\"wp-element-caption\">A young Shock G (left) with his grandmother Gloria. \u003c/figcaption>\u003c/figure>\n",
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"innerHTML": "\n\u003cp>But the main thrust of \u003cem>Keep It Beautiful \u003c/em>are the granular narratives that Jacobs discloses, like his memories of being jailed in San Diego for six months for grand theft auto, where he used art as a bartering tool. \u003c/p>\n",
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"innerHTML": "\n\u003cp>In scattered, disconnected bursts, he and Wolfe Mbassa recount his side quests and failures (such as his brief time as a male “gigolo” in Pennsylvania) revealing the down-bad experiences that molded his worldview before his rap and art careers took off. Glimpses of that fast life can be heard in his lyrics, but the book shows in detail how Shock G actually did \u003ca href=\"https://www.youtube.com/watch?v=YqJAnQTwmJs&list=RDYqJAnQTwmJs&start_radio=1\">get around\u003c/a> from coast to coast.\u003c/p>\n",
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"\n\u003cp>In scattered, disconnected bursts, he and Wolfe Mbassa recount his side quests and failures (such as his brief time as a male “gigolo” in Pennsylvania) revealing the down-bad experiences that molded his worldview before his rap and art careers took off. Glimpses of that fast life can be heard in his lyrics, but the book shows in detail how Shock G actually did \u003ca href=\"https://www.youtube.com/watch?v=YqJAnQTwmJs&list=RDYqJAnQTwmJs&start_radio=1\">get around\u003c/a> from coast to coast.\u003c/p>\n"
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"innerHTML": "\n\u003cp>At its core, the collage of archival material shows how music and art became Jacobs’ salvation, therapy and refuge. Putting it all together was a joyous challenge for Wolfe Mbassa, personally tasked by Jacobs to retain the book’s silliness and humor.\u003c/p>\n",
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"innerHTML": "\n\u003cp>In sitting with \u003cem>Keep It Beautiful\u003c/em>, its spiritual thesis is clear: Jacobs’ everlasting search for beauty, creativity and funky originality shone brightest during his darkest hours. It’s about keeping it beautiful, especially when beauty isn’t easily kept.\u003c/p>\n",
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"excerpt": "‘Keep It Beautiful’ is an inside look at the Digital Underground frontman’s artistry and complexities.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2067\" height=\"2560\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-scaled.jpg\" alt=\"\" class=\"wp-image-13992877\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-scaled.jpg 2067w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-2000x2477.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-160x198.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-768x951.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-1240x1536.jpg 1240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/COVER_Keep-It-Beautiful-1654x2048.jpg 1654w\" sizes=\"auto, (max-width: 2067px) 100vw, 2067px\">\u003cfigcaption class=\"wp-element-caption\">‘Keep It Beautiful: Inside the Funkyverse of Shock G and Digital Underground,’ chronicles the incredible life of the late East Bay rapper, artist and musician. (Penguin Random House)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>In 1990, \u003cem>USA Today\u003c/em> formally contacted NASA to clarify rumors about their latest technology, apparently dubbed “sex packets.” \u003c/p>\n\n\n\n\u003cp>Weeks prior, Oakland’s afrosurrealist rap collective Digital Underground (DU) had released their debut album, \u003cem>Sex Packets\u003c/em>, themed around a new drug for astronauts that could instantly gratify their sexual desires. As DU’s transgressive lyrics glorified the illicit substance, news of the invention leaked onto the Bay Area’s streets: pamphlets were distributed, and condoms were passed out.\u003c/p>\n\n\n\n\u003cp>NASA was forced to respond to the coital discourse: “NASA has not in the past, nor will they in the future, be working on such a pill … It would be impossible to satisfy the carnal urges of astronauts … To my knowledge, unbridled lust has never interfered with a space mission.”\u003c/p>\n\n\n\n\u003cp>It’s the first and likely last instance of NASA being outmaneuvered by Oakland rappers. (It turned out DU had created the pamphlets and condoms as subversive promotional materials.)\u003c/p>\n\n\n\n\u003cp>The elaborate prank was a piece of artistic genius orchestrated by \u003ca href=\"https://www.kqed.org/arts/13929900/shock-g-revolutionized-hip-hop-and-created-a-secret-trove-of-funky-art\">Gregory Jacobs — the late MC, songwriter, illustrator, pianist and costume-wearing virtuoso\u003c/a> known as Shock G. The NASA incident is just one of the many shenanigans detailed in his posthumous memoir, \u003cem>Keep It Beautiful: Inside the Funkyverse of Shock G and Digital Underground\u003c/em>, out Aug. 25 — Shock G’s birthday — from \u003ca href=\"https://www.penguinrandomhouse.com/books/738825/keep-it-beautiful-by-alexis-wolfe-mbassa-and-gregory-e-jacobs/\">Penguin Random House\u003c/a>.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1706\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-scaled.jpg\" alt=\"\" class=\"wp-image-13992875\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-2000x1333.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/Alexis-and-Greg-in-Tampa-p228-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-element-caption\">Shock G and Alexis Wolfe Mbassa in Tampa, Fla., working on the memoir ‘Keep It Beautiful: Inside the Funkyverse of Shock G and Digital Underground.’ (Alexis Wolfe Mbassa)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>The book combines handwritten notes, interview transcripts, personal photos and rare sketches compiled by Jacobs’ longtime friend and photographer, Alexis Wolfe Mbassa, who tagged along with Jacobs in order to document his eccentric life for over a decade. \u003c/p>\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The association was intentional; in 2011, Jacobs personally recruited Wolfe Mbassa as a co-author for his autobiography. In 2021, just eight months after submitting the book to literary agents, Jacobs died from a drug overdose in Florida. He was 57.\u003c/p>\n\n\n\n\u003cp>“It was never about money or becoming successful for him; it was about having the freedom to create,” Wolfe Mbassa told KQED. “He put himself in wild situations just to hold on to that freedom.”\u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">A natural rebel\u003c/h2>\n\n\n\n\u003cp>Wild situations form much of \u003cem>Keep It Beautiful\u003c/em>. It details Jacobs’ stints in pimping, homelessness and jail, while containing all of the exuberant, out-of-pocket abundance of a Shock G production. A conversation between Shock G and George Clinton of Parliament Funkadelic? Yup. An African gray parrot named Afro who lives in Shock G’s childhood home and imitates his stepmom, Sonya? That too. \u003c/p>\n\n\n\n\u003cp>One entire chapter is dedicated to his early friendship with a teenage Tupac Shakur, who joined DU as a member before going solo. (Apparently Pac had a “fucked” jump shot in basketball, and no one wanted him on their team).\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-scaled.jpeg\" alt=\"\" class=\"wp-image-13992876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-2000x1500.jpeg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-768x576.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-1536x1152.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/ShocksNotes_inSharpie-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-element-caption\">Notes on a draft of the book, written by Shock G, show his involvement in the book’s phrasing and layout. Pictured together are Shock G and Tupac Shakur. (Alexis Wolfe Mbassa)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Largely stream-of-consciousness in homage to Jacobs’ creative process, the book is divided into sections based on the regions where he lived. Wolfe Mbassa traveled to each of them to conduct interviews: Topanga Canyon, Hollywood, Los Angeles, Oakland, New York City and Tampa.\u003c/p>\n\n\n\n\u003cp>Jacobs recounts his first job as a 15-year-old, DJing at a local radio station in Tampa. He was fired for disobeying the radio’s directives and opting to spin the full 15-minute version of “(Not Just) Knee Deep” by Funkadelic instead of airing commercials.\u003c/p>\n\n\n\n\u003cp>It isn’t the only example in the book of his natural inclination to rebel. Jacobs extensively details how he evaded authorities, and circumvented court appearances, from age 17 to 22. \u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">Music as a savior \u003c/h2>\n\n\n\n\u003cp>Even for the most studious hip-hop heads, \u003cem>Keep It Beautiful\u003c/em> reveals overlooked wrinkles in Shock’s personality and biography. (Did you know that DU’s original band name was “Spice Regime”?) The book also includes a trove of never-before-seen drawings by Jacobs, showcasing a crude and whimsical style that would come to define his artistry, which sometimes reached ridiculous levels of raunch. (One sketch portrays an anthropomorphic anus forcing an “ASS-PIRIN” pill down its own hole.) \u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"1296\" height=\"996\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p212-Grandma-Gloria.jpg\" alt=\"\" class=\"wp-image-13992879\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p212-Grandma-Gloria.jpg 1296w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p212-Grandma-Gloria-160x123.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p212-Grandma-Gloria-768x590.jpg 768w\" sizes=\"auto, (max-width: 1296px) 100vw, 1296px\">\u003cfigcaption class=\"wp-element-caption\">A young Shock G (left) with his grandmother Gloria. (Courtesy Alexis Wolfe Mbassa)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>But the main thrust of \u003cem>Keep It Beautiful \u003c/em>are the granular narratives that Jacobs discloses, like his memories of being jailed in San Diego for six months for grand theft auto, where he used art as a bartering tool. \u003c/p>\n\n\n\n\u003cp>In scattered, disconnected bursts, he and Wolfe Mbassa recount his side quests and failures (such as his brief time as a male “gigolo” in Pennsylvania) revealing the down-bad experiences that molded his worldview before his rap and art careers took off. Glimpses of that fast life can be heard in his lyrics, but the book shows in detail how Shock G actually did \u003ca href=\"https://www.youtube.com/watch?v=YqJAnQTwmJs&list=RDYqJAnQTwmJs&start_radio=1\">get around\u003c/a> from coast to coast.\u003c/p>\n\n\n\n\u003cp>At its core, the collage of archival material shows how music and art became Jacobs’ salvation, therapy and refuge. Putting it all together was a joyous challenge for Wolfe Mbassa, personally tasked by Jacobs to retain the book’s silliness and humor.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"2045\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p171-Underground-oakland--scaled.jpg\" alt=\"\" class=\"wp-image-13992878\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p171-Underground-oakland--scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p171-Underground-oakland--2000x1597.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p171-Underground-oakland--160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p171-Underground-oakland--768x613.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p171-Underground-oakland--1536x1227.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/p171-Underground-oakland--2048x1636.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-element-caption\">Members of a later-era lineup of Digital Underground, pictured in Oakland, with Shock G second from left. (Alexis Wolfe Mbassa)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>“One of the most difficult parts was trying to figure out how to pull all the pieces together. He always wanted it to be like a scrapbook,” she says. “He wanted it to feel like his personal journals did: stories, mixed with memorabilia and art.”\u003c/p>\n\n\n\n\u003cp>In sitting with \u003cem>Keep It Beautiful\u003c/em>, its spiritual thesis is clear: Jacobs’ everlasting search for beauty, creativity and funky originality shone brightest during his darkest hours. It’s about keeping it beautiful, especially when beauty isn’t easily kept.\u003c/p>\n\n\n\n\u003cp>“It was so much fun,” Wolfe Mbassa confirms, “to live in his world.”\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Keep It Beautiful: Inside the Funkyverse of Shock G and Digital Underground’ will be released on Aug. 25\u003c/em>. \u003cem>A free release party with Alexis Wolfe Mbassa and members of Digital Underground takes place Saturday, Aug. 22 at Drake’s Dealership (2325 Broadway, Oakland). \u003c/em>\u003ca href=\"https://www.instagram.com/p/DbtkbvQSXrw/\">\u003cem>Event information here\u003c/em>\u003c/a>\u003cem>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\n\u003cp>Do you say “Yarg!” when you’re frustrated? Gaze at \u003ca href=\"https://www.kqed.org/news/11185731/where-did-the-wild-parrots-of-san-francisco-come-from\">parrots\u003c/a> longingly? Maybe you keep a collection of jaunty eyepatches for no discernible reason? If so, you might be in desperate need of joining the Freebooter Secret Pirate Society — a mysterious organization that’s said to operate on the saltier fringes of San Francisco.\u003c/p>\n\n\n\n\n\n\u003cp>Helpfully, local author Shannon Mulholland has just come up with a new way to join the society that doesn’t involve making anyone walk the plank. It’s a scavenger hunt, it’s free and it journeys around some of the oldest, most fascinating corners of the Bay. (And also Treasure Island, because, duh.) All aspiring pirates need to do is collect codes from five locations on Mulholland’s map, send them on a postcard to a P.O. box in Sonoma, then wait to receive membership details and a cypher, in the mail.\u003c/p>\n\n\n\n\u003cp>To get started, Mulholland’s map and instructions are available now from Green Apple Books (506 Clement St.) and 826 Valencia St., but can also be \u003ca href=\"https://findingsealegs.com/scavenger-hunt-map/\">downloaded online\u003c/a>. There are 15 stops in all, eight in San Francisco and seven others scattered around the Bay. Highlights on the hunt include the Brigantine Galilee, a ship built in 1891 whose stern now resides in \u003ca href=\"https://www.kqed.org/arts/tag/fort-mason\">Fort Mason\u003c/a>; the Filbert Street Steps, where a semaphore station operated during the \u003ca href=\"https://www.kqed.org/news/tag/gold-rush\">Gold Rush\u003c/a>; and \u003ca href=\"https://www.kqed.org/arts/13931837/heinholds-first-last-chance-saloon-oaklands-oldest-bar-jack-london-square\">Heinold’s First & Last Chance Saloon\u003c/a>, Oakland’s oldest bar, established in 1884.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1291\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/pirate-map.png\" alt=\"A yellowed map of San Francisco marked by a series of numbers, mostly around the coastline.\" class=\"wp-image-13992946\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/pirate-map.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/pirate-map-160x103.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/pirate-map-768x496.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/pirate-map-1536x991.png 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">A taste of Shannon Mulholland’s Pirate’s Guide to San Francisco. (findingsealegs.com)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Mulholland came up with the idea for the scavenger hunt after completing her new book for middle graders, \u003cem>\u003ca href=\"https://findingsealegs.com/\">Finding Sea Legs\u003c/a>\u003c/em>. The hero of the story is a 13-year-old girl who discovers a lost pirate colony hidden in the waters beyond San Francisco. She soon realizes that pirates are not the villains depicted in old stories and becomes immersed in their misunderstood way of life. \u003cem>Finding Sea Legs\u003c/em> is set for release on Sept. 19, 2026, which conveniently happens to be \u003ca href=\"https://en.wikipedia.org/wiki/International_Talk_Like_a_Pirate_Day\">International Talk Like a Pirate Day\u003c/a>. Because, yes, that is in fact a real thing.\u003c/p>\n\n\n\n\u003cp>Though pirate-appreciation is encouraged on the scavenger hunt, you definitely don’t need a peg leg to participate. The Pirate’s Guide to San Francisco is also just a really fun way to explore the storied history of the Bay Area, from Gold Rush times up to the 1939 World’s Fair (for which Treasure Island was built). Happy hunting, mateys.\u003c/p>\n",
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"innerHTML": "\n\u003cp>To get started, Mulholland’s map and instructions are available now from Green Apple Books (506 Clement St.) and 826 Valencia St., but can also be \u003ca href=\"https://findingsealegs.com/scavenger-hunt-map/\">downloaded online\u003c/a>. There are 15 stops in all, eight in San Francisco and seven others scattered around the Bay. Highlights on the hunt include the Brigantine Galilee, a ship built in 1891 whose stern now resides in \u003ca href=\"https://www.kqed.org/arts/tag/fort-mason\">Fort Mason\u003c/a>; the Filbert Street Steps, where a semaphore station operated during the \u003ca href=\"https://www.kqed.org/news/tag/gold-rush\">Gold Rush\u003c/a>; and \u003ca href=\"https://www.kqed.org/arts/13931837/heinholds-first-last-chance-saloon-oaklands-oldest-bar-jack-london-square\">Heinold’s First & Last Chance Saloon\u003c/a>, Oakland’s oldest bar, established in 1884.\u003c/p>\n",
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"\n\u003cp>To get started, Mulholland’s map and instructions are available now from Green Apple Books (506 Clement St.) and 826 Valencia St., but can also be \u003ca href=\"https://findingsealegs.com/scavenger-hunt-map/\">downloaded online\u003c/a>. There are 15 stops in all, eight in San Francisco and seven others scattered around the Bay. Highlights on the hunt include the Brigantine Galilee, a ship built in 1891 whose stern now resides in \u003ca href=\"https://www.kqed.org/arts/tag/fort-mason\">Fort Mason\u003c/a>; the Filbert Street Steps, where a semaphore station operated during the \u003ca href=\"https://www.kqed.org/news/tag/gold-rush\">Gold Rush\u003c/a>; and \u003ca href=\"https://www.kqed.org/arts/13931837/heinholds-first-last-chance-saloon-oaklands-oldest-bar-jack-london-square\">Heinold’s First & Last Chance Saloon\u003c/a>, Oakland’s oldest bar, established in 1884.\u003c/p>\n"
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"\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/pirate-map.png\" alt=\"A yellowed map of San Francisco marked by a series of numbers, mostly around the coastline.\" class=\"wp-image-13992946\" />\u003cfigcaption class=\"wp-element-caption\">A taste of Shannon Mulholland’s Pirate’s Guide to San Francisco. \u003ccite class=\"wp-inline-image-credit\"> (findingsealegs.com)\u003c/cite>\u003c/figcaption>\u003c/figure>\n"
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"innerHTML": "\n\u003cp>Mulholland came up with the idea for the scavenger hunt after completing her new book for middle graders, \u003cem>\u003ca href=\"https://findingsealegs.com/\">Finding Sea Legs\u003c/a>\u003c/em>. The hero of the story is a 13-year-old girl who discovers a lost pirate colony hidden in the waters beyond San Francisco. She soon realizes that pirates are not the villains depicted in old stories and becomes immersed in their misunderstood way of life. \u003cem>Finding Sea Legs\u003c/em> is set for release on Sept. 19, 2026, which conveniently happens to be \u003ca href=\"https://en.wikipedia.org/wiki/International_Talk_Like_a_Pirate_Day\">International Talk Like a Pirate Day\u003c/a>. Because, yes, that is in fact a real thing.\u003c/p>\n",
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"\n\u003cp>Mulholland came up with the idea for the scavenger hunt after completing her new book for middle graders, \u003cem>\u003ca href=\"https://findingsealegs.com/\">Finding Sea Legs\u003c/a>\u003c/em>. The hero of the story is a 13-year-old girl who discovers a lost pirate colony hidden in the waters beyond San Francisco. She soon realizes that pirates are not the villains depicted in old stories and becomes immersed in their misunderstood way of life. \u003cem>Finding Sea Legs\u003c/em> is set for release on Sept. 19, 2026, which conveniently happens to be \u003ca href=\"https://en.wikipedia.org/wiki/International_Talk_Like_a_Pirate_Day\">International Talk Like a Pirate Day\u003c/a>. Because, yes, that is in fact a real thing.\u003c/p>\n"
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"innerHTML": "\n\u003cp>Though pirate-appreciation is encouraged on the scavenger hunt, you definitely don’t need a peg leg to participate. The Pirate’s Guide to San Francisco is also just a really fun way to explore the storied history of the Bay Area, from Gold Rush times up to the 1939 World’s Fair (for which Treasure Island was built). Happy hunting, mateys.\u003c/p>\n",
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"excerpt": "Free instructions are available online and from Green Apple Books. No plank-walking required.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Do you say “Yarg!” when you’re frustrated? Gaze at \u003ca href=\"https://www.kqed.org/news/11185731/where-did-the-wild-parrots-of-san-francisco-come-from\">parrots\u003c/a> longingly? Maybe you keep a collection of jaunty eyepatches for no discernible reason? If so, you might be in desperate need of joining the Freebooter Secret Pirate Society — a mysterious organization that’s said to operate on the saltier fringes of San Francisco.\u003c/p>\n\n\n\n\n\n\u003cp>Helpfully, local author Shannon Mulholland has just come up with a new way to join the society that doesn’t involve making anyone walk the plank. It’s a scavenger hunt, it’s free and it journeys around some of the oldest, most fascinating corners of the Bay. (And also Treasure Island, because, duh.) All aspiring pirates need to do is collect codes from five locations on Mulholland’s map, send them on a postcard to a P.O. box in Sonoma, then wait to receive membership details and a cypher, in the mail.\u003c/p>\n\n\n\n\u003cp>To get started, Mulholland’s map and instructions are available now from Green Apple Books (506 Clement St.) and 826 Valencia St., but can also be \u003ca href=\"https://findingsealegs.com/scavenger-hunt-map/\">downloaded online\u003c/a>. There are 15 stops in all, eight in San Francisco and seven others scattered around the Bay. Highlights on the hunt include the Brigantine Galilee, a ship built in 1891 whose stern now resides in \u003ca href=\"https://www.kqed.org/arts/tag/fort-mason\">Fort Mason\u003c/a>; the Filbert Street Steps, where a semaphore station operated during the \u003ca href=\"https://www.kqed.org/news/tag/gold-rush\">Gold Rush\u003c/a>; and \u003ca href=\"https://www.kqed.org/arts/13931837/heinholds-first-last-chance-saloon-oaklands-oldest-bar-jack-london-square\">Heinold’s First & Last Chance Saloon\u003c/a>, Oakland’s oldest bar, established in 1884.\u003c/p>\n\n\n\n\u003cfigure class=\"wp-block-image size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1291\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/pirate-map.png\" alt=\"A yellowed map of San Francisco marked by a series of numbers, mostly around the coastline.\" class=\"wp-image-13992946\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/pirate-map.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/pirate-map-160x103.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/pirate-map-768x496.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/pirate-map-1536x991.png 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" />\u003cfigcaption class=\"wp-element-caption\">A taste of Shannon Mulholland’s Pirate’s Guide to San Francisco. (findingsealegs.com)\u003c/figcaption>\u003c/figure>\n\n\n\n\u003cp>Mulholland came up with the idea for the scavenger hunt after completing her new book for middle graders, \u003cem>\u003ca href=\"https://findingsealegs.com/\">Finding Sea Legs\u003c/a>\u003c/em>. The hero of the story is a 13-year-old girl who discovers a lost pirate colony hidden in the waters beyond San Francisco. She soon realizes that pirates are not the villains depicted in old stories and becomes immersed in their misunderstood way of life. \u003cem>Finding Sea Legs\u003c/em> is set for release on Sept. 19, 2026, which conveniently happens to be \u003ca href=\"https://en.wikipedia.org/wiki/International_Talk_Like_a_Pirate_Day\">International Talk Like a Pirate Day\u003c/a>. Because, yes, that is in fact a real thing.\u003c/p>\n\n\n\n\u003cp>Though pirate-appreciation is encouraged on the scavenger hunt, you definitely don’t need a peg leg to participate. The Pirate’s Guide to San Francisco is also just a really fun way to explore the storied history of the Bay Area, from Gold Rush times up to the 1939 World’s Fair (for which Treasure Island was built). Happy hunting, mateys.\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "Suds Francisco Fest Will Combine Funk, Fantastic Views and ... Fermentation?",
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"content": "\u003cp>To the uninitiated, “funk and fermentation” might sound more like a stinky hospital ward full of weird infections than it does like a party. But in fact, \u003ca href=\"https://www.tixr.com/groups/rooftoprhythms/events/rooftop-rhythms-sunday-199285\">Suds Francisco 2026: A Funk & Fermentation Festival\u003c/a> is a real-life Aug. 23 event where people brewin’ and people groovin’ collide. (Hopefully in a non-sticky way?)\u003c/p>\n\n\n\n\u003cp>On the groovin’ side is San Francisco rapper-producer \u003ca href=\"https://www.kqed.org/news/11958102/afterthought-love-letters-to-my-body\">Afterthought\u003c/a>, who’s set to perform with his big, eclectic backing band, the \u003ca href=\"https://www.instagram.com/topchefsband/?hl=en\">Top Chefs\u003c/a>. Expect a hearty dose of positive mental attitude, heartwarming vulnerability, and a blend of hip-hop, jazz, R&B and (yes) funk, that’ll leave you with the warm and tinglies before you’ve even tried any spicy kimchi.\u003c/p>\n\n\n\n\n\n\u003cp>Also on the bill is Katdelic, the latest project by former \u003ca href=\"https://www.kqed.org/arts/13839952/its-that-naughty-feeling-george-clinton-on-funks-enduring-appeal\">Parliament Funkadelic\u003c/a> member, RonKat Spearman. (The soulful and multitalented San Francisco resident is also playing the \u003ca href=\"https://boomboomroom.com/events/\">Boom Boom Room\u003c/a> the night before Suds Francisco, for those of you who prefer your funk in small, dark rooms.) Katdelic as a quintet prides itself on producing genre-bending party music, so get ready to move.\u003c/p>\n\n\n\n\u003cp>This rooftop party at Salesforce Park is hosted by the \u003ca href=\"https://drinkbay.beer/\">Bay Area Brewing Guild\u003c/a>, Bernal Heights’ \u003ca href=\"https://www.barebottle.com/\">Barebottle Brewing Company\u003c/a> and 26 other reputable independent breweries. As such, Suds Francisco will likely be this summer’s hottest party for Bay Area beer breweries, wineries, cideries, sake- and kombucha-makers, and the fans who love them. The fermentation foodies will be happy too, with a selection of artisanal pickles, kimchi, sourdough, sauerkraut and more to snack on.\u003c/p>\n\n\n\n\u003cp>Entrance is free, but tickets (starting at $85) are available for anyone wanting to indulge in unlimited tastings. Ticket proceeds benefit the Bay Area Brewing Guild, a nonprofit trade association that unites, showcases and supports independent craft breweries around the region.\u003c/p>\n\n\n\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Is funk and fermentation kind of a weird theme to build a festival around? Probably. But \u003ca href=\"https://www.kqed.org/arts/tag/fermentation\">fermentation\u003c/a> is undoubtedly having a moment right now, a natural end-point for the multitude of \u003ca href=\"https://www.kqed.org/arts/13879390/everything-you-need-to-know-about-sourdough-starters-but-were-afraid-to-ask\">sourdough obsessions\u003c/a> that started during the COVID pandemic. And yes, as Parliament noted all the way back in 1975, we’ve still gotta have that funk.\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.tixr.com/groups/rooftoprhythms/events/rooftop-rhythms-sunday-199285\">Suds Francisco 2026: A Funk & Fermentation Festival\u003c/a>\u003c/em> \u003cem>takes place \u003cem>Aug. 23, 2–6 p.m\u003c/em>. at Salesforce Park (425 Mission St., San Francisco).\u003c/em>\u003c/p>\n\n",
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"innerHTML": "\n\u003cp>To the uninitiated, “funk and fermentation” might sound more like a stinky hospital ward full of weird infections than it does like a party. But in fact, \u003ca href=\"https://www.tixr.com/groups/rooftoprhythms/events/rooftop-rhythms-sunday-199285\">Suds Francisco 2026: A Funk & Fermentation Festival\u003c/a> is a real-life Aug. 23 event where people brewin’ and people groovin’ collide. (Hopefully in a non-sticky way?)\u003c/p>\n",
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"innerHTML": "\n\u003cp>On the groovin’ side is San Francisco rapper-producer \u003ca href=\"https://www.kqed.org/news/11958102/afterthought-love-letters-to-my-body\">Afterthought\u003c/a>, who’s set to perform with his big, eclectic backing band, the \u003ca href=\"https://www.instagram.com/topchefsband/?hl=en\">Top Chefs\u003c/a>. Expect a hearty dose of positive mental attitude, heartwarming vulnerability, and a blend of hip-hop, jazz, R&B and (yes) funk, that’ll leave you with the warm and tinglies before you’ve even tried any spicy kimchi.\u003c/p>\n",
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"innerHTML": "\n\u003cp>Also on the bill is Katdelic, the latest project by former \u003ca href=\"https://www.kqed.org/arts/13839952/its-that-naughty-feeling-george-clinton-on-funks-enduring-appeal\">Parliament Funkadelic\u003c/a> member, RonKat Spearman. (The soulful and multitalented San Francisco resident is also playing the \u003ca href=\"https://boomboomroom.com/events/\">Boom Boom Room\u003c/a> the night before Suds Francisco, for those of you who prefer your funk in small, dark rooms.) Katdelic as a quintet prides itself on producing genre-bending party music, so get ready to move.\u003c/p>\n",
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"innerHTML": "\n\u003cp>This rooftop party at Salesforce Park is hosted by the \u003ca href=\"https://drinkbay.beer/\">Bay Area Brewing Guild\u003c/a>, Bernal Heights’ \u003ca href=\"https://www.barebottle.com/\">Barebottle Brewing Company\u003c/a> and 26 other reputable independent breweries. As such, Suds Francisco will likely be this summer’s hottest party for Bay Area beer breweries, wineries, cideries, sake- and kombucha-makers, and the fans who love them. The fermentation foodies will be happy too, with a selection of artisanal pickles, kimchi, sourdough, sauerkraut and more to snack on.\u003c/p>\n",
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"innerHTML": "\n\u003cp>Entrance is free, but tickets (starting at $85) are available for anyone wanting to indulge in unlimited tastings. Ticket proceeds benefit the Bay Area Brewing Guild, a nonprofit trade association that unites, showcases and supports independent craft breweries around the region.\u003c/p>\n",
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"innerHTML": "\n\u003cp>Is funk and fermentation kind of a weird theme to build a festival around? Probably. But \u003ca href=\"https://www.kqed.org/arts/tag/fermentation\">fermentation\u003c/a> is undoubtedly having a moment right now, a natural end-point for the multitude of \u003ca href=\"https://www.kqed.org/arts/13879390/everything-you-need-to-know-about-sourdough-starters-but-were-afraid-to-ask\">sourdough obsessions\u003c/a> that started during the COVID pandemic. And yes, as Parliament noted all the way back in 1975, we’ve still gotta have that funk.\u003c/p>\n",
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"\n\u003cp>Is funk and fermentation kind of a weird theme to build a festival around? Probably. But \u003ca href=\"https://www.kqed.org/arts/tag/fermentation\">fermentation\u003c/a> is undoubtedly having a moment right now, a natural end-point for the multitude of \u003ca href=\"https://www.kqed.org/arts/13879390/everything-you-need-to-know-about-sourdough-starters-but-were-afraid-to-ask\">sourdough obsessions\u003c/a> that started during the COVID pandemic. And yes, as Parliament noted all the way back in 1975, we’ve still gotta have that funk.\u003c/p>\n"
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"innerHTML": "\n\u003cp>\u003cem>\u003ca href=\"https://www.tixr.com/groups/rooftoprhythms/events/rooftop-rhythms-sunday-199285\">Suds Francisco 2026: A Funk & Fermentation Festival\u003c/a>\u003c/em> \u003cem>takes place \u003cem>Aug. 23, 2–6 p.m\u003c/em>. at Salesforce Park (425 Mission St., San Francisco).\u003c/em>\u003c/p>\n",
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"excerpt": "This is a weird concept for a festival, sure, but Afterthought is playing, so we'll see you there!",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>To the uninitiated, “funk and fermentation” might sound more like a stinky hospital ward full of weird infections than it does like a party. But in fact, \u003ca href=\"https://www.tixr.com/groups/rooftoprhythms/events/rooftop-rhythms-sunday-199285\">Suds Francisco 2026: A Funk & Fermentation Festival\u003c/a> is a real-life Aug. 23 event where people brewin’ and people groovin’ collide. (Hopefully in a non-sticky way?)\u003c/p>\n\n\n\n\u003cp>On the groovin’ side is San Francisco rapper-producer \u003ca href=\"https://www.kqed.org/news/11958102/afterthought-love-letters-to-my-body\">Afterthought\u003c/a>, who’s set to perform with his big, eclectic backing band, the \u003ca href=\"https://www.instagram.com/topchefsband/?hl=en\">Top Chefs\u003c/a>. Expect a hearty dose of positive mental attitude, heartwarming vulnerability, and a blend of hip-hop, jazz, R&B and (yes) funk, that’ll leave you with the warm and tinglies before you’ve even tried any spicy kimchi.\u003c/p>\n\n\n\n\n\n\u003cp>Also on the bill is Katdelic, the latest project by former \u003ca href=\"https://www.kqed.org/arts/13839952/its-that-naughty-feeling-george-clinton-on-funks-enduring-appeal\">Parliament Funkadelic\u003c/a> member, RonKat Spearman. (The soulful and multitalented San Francisco resident is also playing the \u003ca href=\"https://boomboomroom.com/events/\">Boom Boom Room\u003c/a> the night before Suds Francisco, for those of you who prefer your funk in small, dark rooms.) Katdelic as a quintet prides itself on producing genre-bending party music, so get ready to move.\u003c/p>\n\n\n\n\u003cp>This rooftop party at Salesforce Park is hosted by the \u003ca href=\"https://drinkbay.beer/\">Bay Area Brewing Guild\u003c/a>, Bernal Heights’ \u003ca href=\"https://www.barebottle.com/\">Barebottle Brewing Company\u003c/a> and 26 other reputable independent breweries. As such, Suds Francisco will likely be this summer’s hottest party for Bay Area beer breweries, wineries, cideries, sake- and kombucha-makers, and the fans who love them. The fermentation foodies will be happy too, with a selection of artisanal pickles, kimchi, sourdough, sauerkraut and more to snack on.\u003c/p>\n\n\n\n\u003cp>Entrance is free, but tickets (starting at $85) are available for anyone wanting to indulge in unlimited tastings. Ticket proceeds benefit the Bay Area Brewing Guild, a nonprofit trade association that unites, showcases and supports independent craft breweries around the region.\u003c/p>\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Is funk and fermentation kind of a weird theme to build a festival around? Probably. But \u003ca href=\"https://www.kqed.org/arts/tag/fermentation\">fermentation\u003c/a> is undoubtedly having a moment right now, a natural end-point for the multitude of \u003ca href=\"https://www.kqed.org/arts/13879390/everything-you-need-to-know-about-sourdough-starters-but-were-afraid-to-ask\">sourdough obsessions\u003c/a> that started during the COVID pandemic. And yes, as Parliament noted all the way back in 1975, we’ve still gotta have that funk.\u003c/p>\n\n\n\n\u003chr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.tixr.com/groups/rooftoprhythms/events/rooftop-rhythms-sunday-199285\">Suds Francisco 2026: A Funk & Fermentation Festival\u003c/a>\u003c/em> \u003cem>takes place \u003cem>Aug. 23, 2–6 p.m\u003c/em>. at Salesforce Park (425 Mission St., San Francisco).\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>San Francisco might go all out for Pride in June, but Oakland keeps the party going. \u003c/p>\n\n\n\n\u003cp>This year’s \u003ca href=\"https://www.oaklandprideofficial.org/\">Oakland Pride\u003c/a> parade and festival takes over downtown Oakland on Aug. 16, with a headlining performance by “1 Thing” hitmaker Amerie on the main stage. Organized by the \u003ca href=\"https://www.oaklandlgbtqcenter.org/\">Oakland LGBTQ Community Center\u003c/a>, the festival features a Latin stage, a Mighty Real stage dedicated to dance music and a Sexy Town stage with adult entertainment for the 18+ crowd. \u003c/p>\n\n\n\n\u003cp>The extensive lineup reflects the many vibrant cultures and identities under the LGBTQ+ umbrella. Performers include Mexican hitmaker Fey; electronic singer-producer Star Amerasu, who’ll perform with \u003ca href=\"https://www.kqed.org/arts/13978071/voguing-ballroom-bayview-opera-house-san-francisco-oakland-to-all\">ballroom\u003c/a> collective Oakland to All; and singer Lady Alma, whose virtuosic vocals elevate house music into the spiritual realm. \u003c/p>\n\n\n\n\u003cp>True to the Oakland LGBTQ Cultural Center’s mission to help the queer community thrive, Oakland Pride includes activities for youth and elders, plus health and wellness services, including STI testing. \u003c/p>\n\n\n\n\u003cp>As Oakland gears up for its big Pride celebration, the Town’s promoters, DJs and drag artists will be hard at work this weekend, lighting up Oakland’s bars and clubs with top-tier queer entertainment. These are the seven parties you shouldn’t miss. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED.jpg\" alt=\"\" class=\"wp-image-13989802\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Luismi Munster poses for a portrait during the Oaklash Block Party in Oakland, Calif., on Saturday, May 16, 2026. (Juliana Yamada for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://shotgun.live/en/festivals/oaklash-pride-block-party-2026\">Oaklash Oakland Pride Block Party\u003c/a>\u003c/h2>\n\n\n\n\u003cp>\u003cem>Friday, Aug. 14, 5–10 p.m.\u003c/em>\u003cbr>\u003cem>Calabash, Oakland\u003c/em>\u003c/p>\n\n\n\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Oaklash is synonymous with drag in Oakland. Its Oakland Pride block party celebrates drag performers of all genders and genres, and encourages artists to bring out their most eye-popping reveals, tallest wigs and most athletic dance moves. Hosted by Luismi Monstruo Rude, a performer whose special-effects makeup lends itself to some truly freaky transformations, Oaklash’s Oakland Pride Block Party will feature numbers from Anna Tuesday, Princess Capri, Rosie Petals, Yayah the Artist and St. Germain. DJs Dalikamata, Zaalimaa, Ka’lonji and Ledao will be behind the decks, pumping club beats through the speakers all evening long. \u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.instagram.com/p/DbhC2D6GPb6/?igsh=NTc4MTIwNjQ2YQ==\">Maligrosa\u003c/a>\u003c/h2>\n\n\n\n\u003cp>\u003cem>Saturday, Aug. 15\u003c/em>, \u003cem>9 p.m.–2 a.m.\u003c/em>\u003cbr>\u003cem>Tallboy, Oakland\u003c/em>\u003c/p>\n\n\n\n\u003cp>Queers who love to sweat it out on the dance floor should look no further than Maligrosa at Oakland martini bar Tallboy. DJs Lobottomy, Estrella and Boyprincess will spin Latincore and uptempo global club beats while go-go dancers Nala and Kisa keep the vibes sexy. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3.jpg\" alt=\"\" class=\"wp-image-13980949\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">DJ Shellheart plays a set for the Golden State Valkyries during a game at Chase Center in San Francisco on Aug. 19, 2025. (Tâm Vũ/KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.instagram.com/p/Db8Brscmx4G/?igsh=NTc4MTIwNjQ2YQ==\">Thee Queer Dance Party\u003c/a>\u003c/h2>\n\n\n\n\u003cp>\u003cem>Saturday, Aug. 15, 9 p.m.–2 a.m.\u003c/em>\u003cbr>\u003cem>Golden Ratio, Oakland\u003c/em>\u003c/p>\n\n\n\n\u003cp>DJ Shellheart keeps the crowd hyped at Golden State Valkyries games, and during Oakland Pride weekend she’ll be in the mix at Golden Ratio, the bar co-owned by fellow Valkyries DJ Lady Ryan. Keezy, the producer of the popular Klituation party for women, will join Shellheart for a fiery set of back-to-back twerk anthems, 2000s rap throwbacks and maybe even a line-dancing moment.\u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.queeraunties.com/event/aunties--oak-dayparty\">Queer Aunties\u003c/a>\u003c/h2>\n\n\n\n\u003cp>\u003cem>Sunday, Aug. 16, 4–10 p.m.\u003c/em>\u003cbr>\u003cem>Hella Bees, Oakland\u003c/em>\u003c/p>\n\n\n\n\u003cp>Queer Aunties is for the grown and sexy — a safe space for queer Black and brown women in their 30s, 40s and beyond to get down. The traveling party originated in L.A. but has spent the year roving to Chicago, New York and Washington, D.C. before touching back down in Oakland, where it has a devoted following. The Queer Aunties day party at the sunlit, spacious venue Hella Bees features DJ sets by Micahtron, DJ Ignacia and DJ Bill. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed.jpg\" alt=\"\" class=\"wp-image-13992544\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Nicki Jizz host Reparations during the Oasis takeover of the Dolores’ stage at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.tickettailor.com/events/soulovely/2323644\">Soulovely Prom\u003c/a>\u003c/h2>\n\n\n\n\u003cp>\u003cem>Sunday, Aug. 16 3:30–8:30 p.m.\u003c/em>\u003cbr>\u003cem>7th West, Oakland\u003c/em>\u003c/p>\n\n\n\n\u003cp>For 15 years, Soulovely’s day parties have provided a thoughtful space that centers Oakland’s Black and brown queer community, with feel-good music on a sunshine-filled patio. Soulovely Prom invites attendees to wear their most futuristic finery. Fela Kutchii, the Oakland Soul Soccer Club’s official DJ, will spin alongside Zuri Alexa and Koma Tee, with drag performances by Mojo Carter, Miss Bea Haven and Bobby. San Francisco drag star Nicki Jizz will host.\u003c/p>\n\n\n\n\n\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.instagram.com/p/Dbqgdo3TVdW/?igsh=NTc4MTIwNjQ2YQ==\">Oakland Pride Sunday at Town Bar\u003c/a>\u003c/h2>\n\n\n\n\u003cp>\u003cem>Sunday, Aug. 16, 12 p.m.–1 a.m.\u003c/em>\u003cbr>\u003cem>Town Bar, Oakland\u003c/em>\u003c/p>\n\n\n\n\u003cp>Located on the Oakland Pride parade route, swanky cocktail lounge Town Bar will stay open all day and all night, with genre-bending DJ sets by React, John Lau and Rus Slumbeautiful to heat up the dance floor. \u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.quericonightclub.com/\">Pride After Dark \u003c/a>\u003c/h2>\n\n\n\n\u003cp>\u003cem>Sunday, Aug. 16, 5 p.m.–2 a.m.\u003c/em>\u003cbr>\u003cem>Que Rico Nightclub, Oakland\u003c/em>\u003c/p>\n\n\n\n\u003cp>\u003c/p>\n\u003cp>Que Rico is curating Oakland Pride’s Latin stage, and after the festival the bar will host a block party, with drag, DJs and cute gogos — exact lineup to be announced.\u003c/p>\n\n",
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"innerHTML": "\n\u003cp>True to the Oakland LGBTQ Cultural Center’s mission to help the queer community thrive, Oakland Pride includes activities for youth and elders, plus health and wellness services, including STI testing. \u003c/p>\n",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED.jpg\" alt=\"\" class=\"wp-image-13989802\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">Luismi Munster poses for a portrait during the Oaklash Block Party in Oakland, Calif., on Saturday, May 16, 2026.\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED.jpg\" alt=\"\" class=\"wp-image-13989802\" />\u003cfigcaption class=\"wp-element-caption\">Luismi Munster poses for a portrait during the Oaklash Block Party in Oakland, Calif., on Saturday, May 16, 2026.\u003c/figcaption>\u003c/figure>\n"
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"attrs": {
"text": "Oaklash Oakland Pride Block Party",
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"innerHTML": "\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://shotgun.live/en/festivals/oaklash-pride-block-party-2026\">Oaklash Oakland Pride Block Party\u003c/a>\u003c/h2>\n",
"innerContent": [
"\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://shotgun.live/en/festivals/oaklash-pride-block-party-2026\">Oaklash Oakland Pride Block Party\u003c/a>\u003c/h2>\n"
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"innerHTML": "\n\u003cp>\u003cem>Friday, Aug. 14, 5–10 p.m.\u003c/em>\u003cbr>\u003cem>Calabash, Oakland\u003c/em>\u003c/p>\n",
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"\n\u003cp>\u003cem>Friday, Aug. 14, 5–10 p.m.\u003c/em>\u003cbr>\u003cem>Calabash, Oakland\u003c/em>\u003c/p>\n"
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"innerHTML": "\n\u003cp>Oaklash is synonymous with drag in Oakland. Its Oakland Pride block party celebrates drag performers of all genders and genres, and encourages artists to bring out their most eye-popping reveals, tallest wigs and most athletic dance moves. Hosted by Luismi Monstruo Rude, a performer whose special-effects makeup lends itself to some truly freaky transformations, Oaklash’s Oakland Pride Block Party will feature numbers from Anna Tuesday, Princess Capri, Rosie Petals, Yayah the Artist and St. Germain. DJs Dalikamata, Zaalimaa, Ka’lonji and Ledao will be behind the decks, pumping club beats through the speakers all evening long. \u003c/p>\n",
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"\n\u003cp>Oaklash is synonymous with drag in Oakland. Its Oakland Pride block party celebrates drag performers of all genders and genres, and encourages artists to bring out their most eye-popping reveals, tallest wigs and most athletic dance moves. Hosted by Luismi Monstruo Rude, a performer whose special-effects makeup lends itself to some truly freaky transformations, Oaklash’s Oakland Pride Block Party will feature numbers from Anna Tuesday, Princess Capri, Rosie Petals, Yayah the Artist and St. Germain. DJs Dalikamata, Zaalimaa, Ka’lonji and Ledao will be behind the decks, pumping club beats through the speakers all evening long. \u003c/p>\n"
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"attrs": {
"text": "Maligrosa",
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"innerHTML": "\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.instagram.com/p/DbhC2D6GPb6/?igsh=NTc4MTIwNjQ2YQ==\">Maligrosa\u003c/a>\u003c/h2>\n",
"innerContent": [
"\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.instagram.com/p/DbhC2D6GPb6/?igsh=NTc4MTIwNjQ2YQ==\">Maligrosa\u003c/a>\u003c/h2>\n"
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"innerHTML": "\n\u003cp>\u003cem>Saturday, Aug. 15\u003c/em>, \u003cem>9 p.m.–2 a.m.\u003c/em>\u003cbr>\u003cem>Tallboy, Oakland\u003c/em>\u003c/p>\n",
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"\n\u003cp>\u003cem>Saturday, Aug. 15\u003c/em>, \u003cem>9 p.m.–2 a.m.\u003c/em>\u003cbr>\u003cem>Tallboy, Oakland\u003c/em>\u003c/p>\n"
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"innerHTML": "\n\u003cp>Queers who love to sweat it out on the dance floor should look no further than Maligrosa at Oakland martini bar Tallboy. DJs Lobottomy, Estrella and Boyprincess will spin Latincore and uptempo global club beats while go-go dancers Nala and Kisa keep the vibes sexy. \u003c/p>\n",
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"\n\u003cp>Queers who love to sweat it out on the dance floor should look no further than Maligrosa at Oakland martini bar Tallboy. DJs Lobottomy, Estrella and Boyprincess will spin Latincore and uptempo global club beats while go-go dancers Nala and Kisa keep the vibes sexy. \u003c/p>\n"
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"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-1536x1024.jpg 1536w",
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3.jpg\" alt=\"\" class=\"wp-image-13980949\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">DJ Shellheart plays a set for the Golden State Valkyries during a game at Chase Center in San Francisco on Aug. 19, 2025.\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3.jpg\" alt=\"\" class=\"wp-image-13980949\" />\u003cfigcaption class=\"wp-element-caption\">DJ Shellheart plays a set for the Golden State Valkyries during a game at Chase Center in San Francisco on Aug. 19, 2025.\u003c/figcaption>\u003c/figure>\n"
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"attrs": {
"text": "Thee Queer Dance Party",
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"innerHTML": "\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.instagram.com/p/Db8Brscmx4G/?igsh=NTc4MTIwNjQ2YQ==\">Thee Queer Dance Party\u003c/a>\u003c/h2>\n",
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"\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.instagram.com/p/Db8Brscmx4G/?igsh=NTc4MTIwNjQ2YQ==\">Thee Queer Dance Party\u003c/a>\u003c/h2>\n"
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"innerHTML": "\n\u003cp>\u003cem>Saturday, Aug. 15, 9 p.m.–2 a.m.\u003c/em>\u003cbr>\u003cem>Golden Ratio, Oakland\u003c/em>\u003c/p>\n",
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"\n\u003cp>\u003cem>Saturday, Aug. 15, 9 p.m.–2 a.m.\u003c/em>\u003cbr>\u003cem>Golden Ratio, Oakland\u003c/em>\u003c/p>\n"
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"innerHTML": "\n\u003cp>DJ Shellheart keeps the crowd hyped at Golden State Valkyries games, and during Oakland Pride weekend she’ll be in the mix at Golden Ratio, the bar co-owned by fellow Valkyries DJ Lady Ryan. Keezy, the producer of the popular Klituation party for women, will join Shellheart for a fiery set of back-to-back twerk anthems, 2000s rap throwbacks and maybe even a line-dancing moment.\u003c/p>\n",
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"\n\u003cp>DJ Shellheart keeps the crowd hyped at Golden State Valkyries games, and during Oakland Pride weekend she’ll be in the mix at Golden Ratio, the bar co-owned by fellow Valkyries DJ Lady Ryan. Keezy, the producer of the popular Klituation party for women, will join Shellheart for a fiery set of back-to-back twerk anthems, 2000s rap throwbacks and maybe even a line-dancing moment.\u003c/p>\n"
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"attrs": {
"text": "Queer Aunties",
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"innerHTML": "\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.queeraunties.com/event/aunties--oak-dayparty\">Queer Aunties\u003c/a>\u003c/h2>\n",
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"\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.queeraunties.com/event/aunties--oak-dayparty\">Queer Aunties\u003c/a>\u003c/h2>\n"
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"innerHTML": "\n\u003cp>\u003cem>Sunday, Aug. 16, 4–10 p.m.\u003c/em>\u003cbr>\u003cem>Hella Bees, Oakland\u003c/em>\u003c/p>\n",
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"\n\u003cp>\u003cem>Sunday, Aug. 16, 4–10 p.m.\u003c/em>\u003cbr>\u003cem>Hella Bees, Oakland\u003c/em>\u003c/p>\n"
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"innerHTML": "\n\u003cp>Queer Aunties is for the grown and sexy — a safe space for queer Black and brown women in their 30s, 40s and beyond to get down. The traveling party originated in L.A. but has spent the year roving to Chicago, New York and Washington, D.C. before touching back down in Oakland, where it has a devoted following. The Queer Aunties day party at the sunlit, spacious venue Hella Bees features DJ sets by Micahtron, DJ Ignacia and DJ Bill. \u003c/p>\n",
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"\n\u003cp>Queer Aunties is for the grown and sexy — a safe space for queer Black and brown women in their 30s, 40s and beyond to get down. The traveling party originated in L.A. but has spent the year roving to Chicago, New York and Washington, D.C. before touching back down in Oakland, where it has a devoted following. The Queer Aunties day party at the sunlit, spacious venue Hella Bees features DJ sets by Micahtron, DJ Ignacia and DJ Bill. \u003c/p>\n"
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"srcset": "https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-1536x1024.jpg 1536w",
"sizes": "(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)"
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"innerHTML": "\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed.jpg\" alt=\"\" class=\"wp-image-13992544\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-1536x1024.jpg 1536w\" sizes=\"(min-width: 992px) min(100vw, 1536px), (min-width: 768px) min(100vw, 1280px), min(100vw, 1020px)\" />\u003cfigcaption class=\"wp-element-caption\">Nicki Jizz host Reparations during the Oasis takeover of the Dolores’ stage at Outside Lands on Saturday, Aug. 8, 2026.\u003c/figcaption>\u003c/figure>\n",
"innerContent": [
"\n\u003cfigure class=\"wp-block-image aligncenter size-full\">\u003cimg src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed.jpg\" alt=\"\" class=\"wp-image-13992544\" />\u003cfigcaption class=\"wp-element-caption\">Nicki Jizz host Reparations during the Oasis takeover of the Dolores’ stage at Outside Lands on Saturday, Aug. 8, 2026.\u003c/figcaption>\u003c/figure>\n"
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"attrs": {
"text": "Soulovely Prom",
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"innerHTML": "\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.tickettailor.com/events/soulovely/2323644\">Soulovely Prom\u003c/a>\u003c/h2>\n",
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"\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.tickettailor.com/events/soulovely/2323644\">Soulovely Prom\u003c/a>\u003c/h2>\n"
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"innerHTML": "\n\u003cp>\u003cem>Sunday, Aug. 16 3:30–8:30 p.m.\u003c/em>\u003cbr>\u003cem>7th West, Oakland\u003c/em>\u003c/p>\n",
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"\n\u003cp>\u003cem>Sunday, Aug. 16 3:30–8:30 p.m.\u003c/em>\u003cbr>\u003cem>7th West, Oakland\u003c/em>\u003c/p>\n"
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"innerHTML": "\n\u003cp>For 15 years, Soulovely’s day parties have provided a thoughtful space that centers Oakland’s Black and brown queer community, with feel-good music on a sunshine-filled patio. Soulovely Prom invites attendees to wear their most futuristic finery. Fela Kutchii, the Oakland Soul Soccer Club’s official DJ, will spin alongside Zuri Alexa and Koma Tee, with drag performances by Mojo Carter, Miss Bea Haven and Bobby. San Francisco drag star Nicki Jizz will host.\u003c/p>\n",
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"\n\u003cp>For 15 years, Soulovely’s day parties have provided a thoughtful space that centers Oakland’s Black and brown queer community, with feel-good music on a sunshine-filled patio. Soulovely Prom invites attendees to wear their most futuristic finery. Fela Kutchii, the Oakland Soul Soccer Club’s official DJ, will spin alongside Zuri Alexa and Koma Tee, with drag performances by Mojo Carter, Miss Bea Haven and Bobby. San Francisco drag star Nicki Jizz will host.\u003c/p>\n"
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"text": "Oakland Pride Sunday at Town Bar",
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"innerHTML": "\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.instagram.com/p/Dbqgdo3TVdW/?igsh=NTc4MTIwNjQ2YQ==\">Oakland Pride Sunday at Town Bar\u003c/a>\u003c/h2>\n",
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"\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.instagram.com/p/Dbqgdo3TVdW/?igsh=NTc4MTIwNjQ2YQ==\">Oakland Pride Sunday at Town Bar\u003c/a>\u003c/h2>\n"
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"innerHTML": "\n\u003cp>\u003cem>Sunday, Aug. 16, 12 p.m.–1 a.m.\u003c/em>\u003cbr>\u003cem>Town Bar, Oakland\u003c/em>\u003c/p>\n",
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"innerHTML": "\n\u003cp>Located on the Oakland Pride parade route, swanky cocktail lounge Town Bar will stay open all day and all night, with genre-bending DJ sets by React, John Lau and Rus Slumbeautiful to heat up the dance floor. \u003c/p>\n",
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"\n\u003cp>Located on the Oakland Pride parade route, swanky cocktail lounge Town Bar will stay open all day and all night, with genre-bending DJ sets by React, John Lau and Rus Slumbeautiful to heat up the dance floor. \u003c/p>\n"
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"text": "Pride After Dark ",
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"innerHTML": "\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.quericonightclub.com/\">Pride After Dark \u003c/a>\u003c/h2>\n",
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"innerHTML": "\n\u003cp>\u003cem>Sunday, Aug. 16, 5 p.m.–2 a.m.\u003c/em>\u003cbr>\u003cem>Que Rico Nightclub, Oakland\u003c/em>\u003c/p>\n",
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"innerHTML": "\n\u003cp>Que Rico is curating Oakland Pride’s Latin stage, and after the festival the bar will host a block party, with drag, DJs and cute gogos — exact lineup to be announced.\u003c/p>\n",
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"excerpt": "Bars and clubs across the Town will celebrate LGBTQ+ culture and identity Aug. 14–16.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco might go all out for Pride in June, but Oakland keeps the party going. \u003c/p>\n\n\n\n\u003cp>This year’s \u003ca href=\"https://www.oaklandprideofficial.org/\">Oakland Pride\u003c/a> parade and festival takes over downtown Oakland on Aug. 16, with a headlining performance by “1 Thing” hitmaker Amerie on the main stage. Organized by the \u003ca href=\"https://www.oaklandlgbtqcenter.org/\">Oakland LGBTQ Community Center\u003c/a>, the festival features a Latin stage, a Mighty Real stage dedicated to dance music and a Sexy Town stage with adult entertainment for the 18+ crowd. \u003c/p>\n\n\n\n\u003cp>The extensive lineup reflects the many vibrant cultures and identities under the LGBTQ+ umbrella. Performers include Mexican hitmaker Fey; electronic singer-producer Star Amerasu, who’ll perform with \u003ca href=\"https://www.kqed.org/arts/13978071/voguing-ballroom-bayview-opera-house-san-francisco-oakland-to-all\">ballroom\u003c/a> collective Oakland to All; and singer Lady Alma, whose virtuosic vocals elevate house music into the spiritual realm. \u003c/p>\n\n\n\n\u003cp>True to the Oakland LGBTQ Cultural Center’s mission to help the queer community thrive, Oakland Pride includes activities for youth and elders, plus health and wellness services, including STI testing. \u003c/p>\n\n\n\n\u003cp>As Oakland gears up for its big Pride celebration, the Town’s promoters, DJs and drag artists will be hard at work this weekend, lighting up Oakland’s bars and clubs with top-tier queer entertainment. These are the seven parties you shouldn’t miss. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED.jpg\" alt=\"\" class=\"wp-image-13989802\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Luismi Munster poses for a portrait during the Oaklash Block Party in Oakland, Calif., on Saturday, May 16, 2026. (Juliana Yamada for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://shotgun.live/en/festivals/oaklash-pride-block-party-2026\">Oaklash Oakland Pride Block Party\u003c/a>\u003c/h2>\n\n\n\n\u003cp>\u003cem>Friday, Aug. 14, 5–10 p.m.\u003c/em>\u003cbr>\u003cem>Calabash, Oakland\u003c/em>\u003c/p>\n\n\n\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Oaklash is synonymous with drag in Oakland. Its Oakland Pride block party celebrates drag performers of all genders and genres, and encourages artists to bring out their most eye-popping reveals, tallest wigs and most athletic dance moves. Hosted by Luismi Monstruo Rude, a performer whose special-effects makeup lends itself to some truly freaky transformations, Oaklash’s Oakland Pride Block Party will feature numbers from Anna Tuesday, Princess Capri, Rosie Petals, Yayah the Artist and St. Germain. DJs Dalikamata, Zaalimaa, Ka’lonji and Ledao will be behind the decks, pumping club beats through the speakers all evening long. \u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.instagram.com/p/DbhC2D6GPb6/?igsh=NTc4MTIwNjQ2YQ==\">Maligrosa\u003c/a>\u003c/h2>\n\n\n\n\u003cp>\u003cem>Saturday, Aug. 15\u003c/em>, \u003cem>9 p.m.–2 a.m.\u003c/em>\u003cbr>\u003cem>Tallboy, Oakland\u003c/em>\u003c/p>\n\n\n\n\u003cp>Queers who love to sweat it out on the dance floor should look no further than Maligrosa at Oakland martini bar Tallboy. DJs Lobottomy, Estrella and Boyprincess will spin Latincore and uptempo global club beats while go-go dancers Nala and Kisa keep the vibes sexy. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3.jpg\" alt=\"\" class=\"wp-image-13980949\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/09/250819-VALKYRIESDJS_00605_TV-KQED-3-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">DJ Shellheart plays a set for the Golden State Valkyries during a game at Chase Center in San Francisco on Aug. 19, 2025. (Tâm Vũ/KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.instagram.com/p/Db8Brscmx4G/?igsh=NTc4MTIwNjQ2YQ==\">Thee Queer Dance Party\u003c/a>\u003c/h2>\n\n\n\n\u003cp>\u003cem>Saturday, Aug. 15, 9 p.m.–2 a.m.\u003c/em>\u003cbr>\u003cem>Golden Ratio, Oakland\u003c/em>\u003c/p>\n\n\n\n\u003cp>DJ Shellheart keeps the crowd hyped at Golden State Valkyries games, and during Oakland Pride weekend she’ll be in the mix at Golden Ratio, the bar co-owned by fellow Valkyries DJ Lady Ryan. Keezy, the producer of the popular Klituation party for women, will join Shellheart for a fiery set of back-to-back twerk anthems, 2000s rap throwbacks and maybe even a line-dancing moment.\u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.queeraunties.com/event/aunties--oak-dayparty\">Queer Aunties\u003c/a>\u003c/h2>\n\n\n\n\u003cp>\u003cem>Sunday, Aug. 16, 4–10 p.m.\u003c/em>\u003cbr>\u003cem>Hella Bees, Oakland\u003c/em>\u003c/p>\n\n\n\n\u003cp>Queer Aunties is for the grown and sexy — a safe space for queer Black and brown women in their 30s, 40s and beyond to get down. The traveling party originated in L.A. but has spent the year roving to Chicago, New York and Washington, D.C. before touching back down in Oakland, where it has a devoted following. The Queer Aunties day party at the sunlit, spacious venue Hella Bees features DJ sets by Micahtron, DJ Ignacia and DJ Bill. \u003c/p>\n\n\n\u003cdiv class=\"wp-block-image\">\n\u003cfigure class=\"aligncenter size-full\">\u003cimg loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed.jpg\" alt=\"\" class=\"wp-image-13992544\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/08/20260807_OutsideLandsDay2_EG_005_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-element-caption\">Nicki Jizz host Reparations during the Oasis takeover of the Dolores’ stage at Outside Lands on Saturday, Aug. 8, 2026. (Estefany Gonzalez for KQED)\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\n\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.tickettailor.com/events/soulovely/2323644\">Soulovely Prom\u003c/a>\u003c/h2>\n\n\n\n\u003cp>\u003cem>Sunday, Aug. 16 3:30–8:30 p.m.\u003c/em>\u003cbr>\u003cem>7th West, Oakland\u003c/em>\u003c/p>\n\n\n\n\u003cp>For 15 years, Soulovely’s day parties have provided a thoughtful space that centers Oakland’s Black and brown queer community, with feel-good music on a sunshine-filled patio. Soulovely Prom invites attendees to wear their most futuristic finery. Fela Kutchii, the Oakland Soul Soccer Club’s official DJ, will spin alongside Zuri Alexa and Koma Tee, with drag performances by Mojo Carter, Miss Bea Haven and Bobby. San Francisco drag star Nicki Jizz will host.\u003c/p>\n\n\n\n\n\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.instagram.com/p/Dbqgdo3TVdW/?igsh=NTc4MTIwNjQ2YQ==\">Oakland Pride Sunday at Town Bar\u003c/a>\u003c/h2>\n\n\n\n\u003cp>\u003cem>Sunday, Aug. 16, 12 p.m.–1 a.m.\u003c/em>\u003cbr>\u003cem>Town Bar, Oakland\u003c/em>\u003c/p>\n\n\n\n\u003cp>Located on the Oakland Pride parade route, swanky cocktail lounge Town Bar will stay open all day and all night, with genre-bending DJ sets by React, John Lau and Rus Slumbeautiful to heat up the dance floor. \u003c/p>\n\n\n\n\u003ch2 class=\"wp-block-heading\">\u003ca href=\"https://www.quericonightclub.com/\">Pride After Dark \u003c/a>\u003c/h2>\n\n\n\n\u003cp>\u003cem>Sunday, Aug. 16, 5 p.m.–2 a.m.\u003c/em>\u003cbr>\u003cem>Que Rico Nightclub, Oakland\u003c/em>\u003c/p>\n\n\n\n\u003cp>\u003c/p>\n\u003cp>Que Rico is curating Oakland Pride’s Latin stage, and after the festival the bar will host a block party, with drag, DJs and cute gogos — exact lineup to be announced.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
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