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"content": "\u003cp>Ever since I was given my first Hardy Boys book, I’ve loved American crime fiction. In my younger years, I mulched my way through the canonical books of \u003ca href=\"https://www.npr.org/2011/03/08/134364342/50-years-after-his-death-a-new-thrill-from-hammett\" target=\"_blank\" rel=\"noopener noreferrer\">Dashiell Hammett\u003c/a>, Raymond Chandler and \u003ca href=\"https://www.npr.org/2015/04/21/401222454/revisiting-a-suburbia-gone-sour-in-ross-macdonalds-crime-fiction\" target=\"_blank\" rel=\"noopener noreferrer\">Ross Macdonald\u003c/a>, then moved on to the likes of \u003ca href=\"https://www.npr.org/2017/08/22/545261350/if-you-want-groundbreaking-noir-try-looking-in-a-lonely-place\" target=\"_blank\" rel=\"noopener noreferrer\">Dorothy B. Hughes\u003c/a>, \u003ca href=\"https://www.npr.org/2017/07/26/539487052/new-chester-himes-biography-reveals-a-life-as-wild-as-any-detective-story\" target=\"_blank\" rel=\"noopener noreferrer\">Chester Himes\u003c/a>, and Charles Willeford. I felt sure I’d read at least one book by everybody that’s good.\u003c/p>\n\u003cp>I was wrong. I didn’t know the work of \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=4207079\" target=\"_blank\" rel=\"noopener noreferrer\">Joseph Hansen\u003c/a>. Back in 1970, Hansen began a series of 12 novels about an LA insurance investigator named Dave Brandstetter. The novels were something daring and new: featuring a tough guy detective who was also gay. Now in 2022, Soho Syndicate Books has just begun republishing the entire series, beginning with the first three—\u003cem>Fadeout\u003c/em>, \u003cem>Death Claims \u003c/em>and \u003cem>Troublemaker. \u003c/em>Having just read them, I’m a bit embarrassed it took me so long to discover him.\u003c/p>\n\u003cp>[aside postid='arts_13904458']Because the series progresses through time, you should start with the first one, \u003cem>Fadeout\u003c/em>, which introduces us to Brandstetter, an honest, hard-nosed World War II vet. As the story begins, his company has sent him to the ranch town of Pima, Ariz., to investigate the case of a radio personality named Fox Olson who has disappeared after a mysterious automobile mishap. If he’s committed suicide, they won’t have to pay the insurance.\u003c/p>\n\u003cp>Naturally, Brandstetter is soon caught in the usual crime-story briar patch, where one murder leads to another and the key to everything lies hidden in the past. Just as naturally, the dogged Brandstetter must work his way through a whole range of potential killers, from Olson’s hard-edged wife to the bullying local mayor whom Olson was hoping to unseat. And is Olson’s adoring young assistant really as sweet as she seems?\u003c/p>\n\u003cp>Hansen unfolds all this with taut economy, yet he’s equally deft in his handling of Brandstetter’s private life. Unlike most crime writers, he makes his hero’s personal life essential.\u003c/p>\n\u003cfigure id=\"attachment_13909310\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909310\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/9781681990460_custom-4f3d0111b1a23c559c8f2bf4a7fbc38a9b069525-800x1205.jpg\" alt=\"\" width=\"800\" height=\"1205\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/9781681990460_custom-4f3d0111b1a23c559c8f2bf4a7fbc38a9b069525-800x1205.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/9781681990460_custom-4f3d0111b1a23c559c8f2bf4a7fbc38a9b069525-1020x1536.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/9781681990460_custom-4f3d0111b1a23c559c8f2bf4a7fbc38a9b069525-160x241.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/9781681990460_custom-4f3d0111b1a23c559c8f2bf4a7fbc38a9b069525-768x1157.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/9781681990460_custom-4f3d0111b1a23c559c8f2bf4a7fbc38a9b069525-1360x2048.jpg 1360w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/9781681990460_custom-4f3d0111b1a23c559c8f2bf4a7fbc38a9b069525.jpg 1494w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Fadeout,’ by Joseph Hansen. \u003ccite>(Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Fadeout\u003c/em> has the confidence to treat Brandstetter’s gayness matter-of-factly. We learn that he is mourning his longtime lover, a decorator, who has recently died; we see him go to a gay bar and hang out with his best friend, a lesbian named Madge who’s overly susceptible to lovely young women; and we watch him being wooed by a cute young fella he just may sleep with. Through it all, Brandstetter displays the virile, no-nonsense romanticism of a Humphrey Bogart character.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Without ever hitting us over the head, Hansen reminds us that gay life is infinitely more varied than the insulting stereotypes that long dominated our culture, not least in the work of hard boiled crime writers. There’s a great exchange in the novel \u003cem>Death Claims\u003c/em>, when Brandstetter asks a young male suspect about his close friendship with another guy.\u003c/p>\n\u003cblockquote>\u003cp>“Do I look like a f–?” the guy sneers.\u003c/p>\n\u003cp>“I don’t know what a f– looks like,” Brandstetter replies. “And neither does anyone else.”\u003c/p>\u003c/blockquote>\n\u003cp>You can’t say it better than that.\u003c/p>\n\u003cp>Now, it would be an insult to Hansen to imply that his work is mainly of historical or sociological interest. Yes, Brandstetter is a groundbreaking figure. Yes, the plots sometimes turn on the psychic violence of being closeted. And yes, the series charts the changes in gay life over the years.\u003c/p>\n\u003cp>[aside postid='arts_13900522']Yet, even if his books weren’t trailblazing, Hansen would still be a terrific mystery writer. He’s every bit as good a stylist as Ross Macdonald, with a similarly poetic eye for Southern California’s defining blend of the sun-dazzled and the bleak. He populates his books with niftily sketched characters—from chirpy innkeepers and bellicose mechanics to fading movie stars and self-satisfied hippies.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And in Brandstetter, Hansen has created a hero worthy of such predecessors as Chandler’s Philip Marlowe and Macdonald’s Lew Archer. Smart, tough, witty and honorable, Dave Brandstetter is also too good to be true. But who cares? Hansen’s a talented enough storyteller that, book after book, we’re happy to walk down the mean streets in his company.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+reissue+helps+revive+Joseph+Hansen%27s+series+about+a+tough%2C+gay+detective+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Because the series progresses through time, you should start with the first one, \u003cem>Fadeout\u003c/em>, which introduces us to Brandstetter, an honest, hard-nosed World War II vet. As the story begins, his company has sent him to the ranch town of Pima, Ariz., to investigate the case of a radio personality named Fox Olson who has disappeared after a mysterious automobile mishap. If he’s committed suicide, they won’t have to pay the insurance.\u003c/p>\n\u003cp>Naturally, Brandstetter is soon caught in the usual crime-story briar patch, where one murder leads to another and the key to everything lies hidden in the past. Just as naturally, the dogged Brandstetter must work his way through a whole range of potential killers, from Olson’s hard-edged wife to the bullying local mayor whom Olson was hoping to unseat. And is Olson’s adoring young assistant really as sweet as she seems?\u003c/p>\n\u003cp>Hansen unfolds all this with taut economy, yet he’s equally deft in his handling of Brandstetter’s private life. Unlike most crime writers, he makes his hero’s personal life essential.\u003c/p>\n\u003cfigure id=\"attachment_13909310\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909310\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/9781681990460_custom-4f3d0111b1a23c559c8f2bf4a7fbc38a9b069525-800x1205.jpg\" alt=\"\" width=\"800\" height=\"1205\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/9781681990460_custom-4f3d0111b1a23c559c8f2bf4a7fbc38a9b069525-800x1205.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/9781681990460_custom-4f3d0111b1a23c559c8f2bf4a7fbc38a9b069525-1020x1536.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/9781681990460_custom-4f3d0111b1a23c559c8f2bf4a7fbc38a9b069525-160x241.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/9781681990460_custom-4f3d0111b1a23c559c8f2bf4a7fbc38a9b069525-768x1157.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/9781681990460_custom-4f3d0111b1a23c559c8f2bf4a7fbc38a9b069525-1360x2048.jpg 1360w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/9781681990460_custom-4f3d0111b1a23c559c8f2bf4a7fbc38a9b069525.jpg 1494w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Fadeout,’ by Joseph Hansen. \u003ccite>(Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Fadeout\u003c/em> has the confidence to treat Brandstetter’s gayness matter-of-factly. We learn that he is mourning his longtime lover, a decorator, who has recently died; we see him go to a gay bar and hang out with his best friend, a lesbian named Madge who’s overly susceptible to lovely young women; and we watch him being wooed by a cute young fella he just may sleep with. Through it all, Brandstetter displays the virile, no-nonsense romanticism of a Humphrey Bogart character.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Without ever hitting us over the head, Hansen reminds us that gay life is infinitely more varied than the insulting stereotypes that long dominated our culture, not least in the work of hard boiled crime writers. There’s a great exchange in the novel \u003cem>Death Claims\u003c/em>, when Brandstetter asks a young male suspect about his close friendship with another guy.\u003c/p>\n\u003cblockquote>\u003cp>“Do I look like a f–?” the guy sneers.\u003c/p>\n\u003cp>“I don’t know what a f– looks like,” Brandstetter replies. “And neither does anyone else.”\u003c/p>\u003c/blockquote>\n\u003cp>You can’t say it better than that.\u003c/p>\n\u003cp>Now, it would be an insult to Hansen to imply that his work is mainly of historical or sociological interest. Yes, Brandstetter is a groundbreaking figure. Yes, the plots sometimes turn on the psychic violence of being closeted. And yes, the series charts the changes in gay life over the years.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Yet, even if his books weren’t trailblazing, Hansen would still be a terrific mystery writer. He’s every bit as good a stylist as Ross Macdonald, with a similarly poetic eye for Southern California’s defining blend of the sun-dazzled and the bleak. He populates his books with niftily sketched characters—from chirpy innkeepers and bellicose mechanics to fading movie stars and self-satisfied hippies.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And in Brandstetter, Hansen has created a hero worthy of such predecessors as Chandler’s Philip Marlowe and Macdonald’s Lew Archer. Smart, tough, witty and honorable, Dave Brandstetter is also too good to be true. But who cares? Hansen’s a talented enough storyteller that, book after book, we’re happy to walk down the mean streets in his company.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+reissue+helps+revive+Joseph+Hansen%27s+series+about+a+tough%2C+gay+detective+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "'Kimi' is a Pandemic-Era Thriller That's Eerily Keyed Into Our Current Moment",
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"content": "\u003cp>There have been countless thrillers about women who shut themselves away in their homes, only to learn that the world inside may be even more terrifying than the one outside. Not all of them are winners; for every ’60s classic like \u003cem>Repulsion\u003c/em> or \u003cem>Wait Until Dark\u003c/em>, there’s also a howler like last year’s overwrought Hitchcock homage \u003ca href=\"https://www.npr.org/2021/05/14/996178421/the-woman-in-the-window-locks-amy-adams-inside\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Woman in the Window\u003c/em>\u003c/a>\u003cem>.\u003c/em> The gripping new movie \u003cem>Kimi\u003c/em> is a nifty little addition to the shut-in canon. Like a lot of \u003ca href=\"https://www.npr.org/2013/05/21/180640022/soderberghs-liberace-behind-the-candelabra\" target=\"_blank\" rel=\"noopener noreferrer\">Steven Soderbergh\u003c/a>‘s output of late, it’s a sleek, low-budget genre exercise that’s eerily keyed into our current moment.\u003c/p>\n\u003cp>The movie takes place sometime mid-pandemic and follows a 30-something woman named Angela, played by a terrific Zoë Kravitz. She works for a large Seattle tech firm that manufactures Kimi, one of those virtual home assistants, like Siri or Alexa, that will dim your lights, play your music and patiently try to answer your every question.\u003c/p>\n\u003cp>[aside postid='arts_13908728']Angela has a Kimi of her own, which comes in handy since she never leaves her spacious loft apartment. She’s agoraphobic, and while she got a handle on her anxiety years earlier, she lost it again during COVID lockdown.\u003c/p>\n\u003cp>Angela’s job is to make Kimi smarter and more user-friendly. She listens to audio streams from customers whose requests Kimi didn’t understand—and then writes code that will fix the issue. One day, she hears a disturbing clip of a woman screaming and realizes that Kimi must have somehow recorded a violent crime in progress. But when Angela tries to report her findings to the company, she’s given the runaround and told to forget about what she heard. When she doesn’t and starts learning more about the victim, who appears to have been brutally murdered, things get unexpectedly hairy.\u003c/p>\n\u003cp>It’s a pleasure to watch Angela turn digital sleuth; Soderbergh is the kind of filmmaker so focused on minutiae that he can wring suspense from shots of typing fingers and blinking cursors. Eventually, Angela is told to come down to the office and meet with a company executive, forcing her to leave her apartment for the first time in months.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=A8QvFlhO14k\u003c/p>\n\u003cp>Soderbergh and his screenwriter, David Koepp, have structured \u003cem>Kimi\u003c/em> as a sly 21st-century riff on classic paranoid thrillers from the 1970s. The fact that Angela is both surveilling and being surveilled harks back to \u003cem>The Conversation\u003c/em>, while the sinister corporate conspiracy she uncovers echoes \u003cem>The Parallax View\u003c/em>. Paranoia, of course, isn’t an inappropriate response to a world where anyone with a smartphone knows that they’re being closely tracked.\u003c/p>\n\u003cp>\u003cem>Kimi\u003c/em> packs a lot of ideas into its brisk 89-minute running time about the pervasiveness of digital technologies, especially at a moment when COVID has made us more reliant on them than ever. But the movie also works like gangbusters as a pure thriller, from its outdoor chase sequences shot across downtown Seattle to its squirmingly tense \u003cem>Panic Room\u003c/em> finale.\u003c/p>\n\u003cp>[aside postid='arts_13907789']It wouldn’t work nearly as well without Kravitz, who makes for an extremely likable protagonist in part because her character has no interest in seeming likable. Angela’s anxiety earns your sympathy, and her persistence and resourcefulness earn your respect. But she can also be impatient and inconsiderate of the people in her life, whether it’s her mom, whom she argues with on FaceTime, or the love interest who lives in the apartment across the street, in a tip of the hat to Hitchcock’s \u003cem>Rear Window\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Angela’s only human, in other words, and while most viewers may not share her agoraphobia, many of us can identify with her fears of going out after months of isolation. That’s why it’s both harrowing and moving when she finally musters the courage to leave home. Soderbergh, who shot and edited the film, uses tilted camera angles and bustling city noises to convey a sense of Angela’s disorientation. But as she moves forward, Angela adjusts, and \u003cem>Kimi \u003c/em>becomes a story about what it’s like to reconnect with the world. That world might be a big, scary place, but it’s not necessarily scarier than what’s going on indoors, where someone might always be watching—or listening.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Kimi%27+is+a+pandemic-era+thriller+that%27s+eerily+keyed+into+our+current+moment&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There have been countless thrillers about women who shut themselves away in their homes, only to learn that the world inside may be even more terrifying than the one outside. Not all of them are winners; for every ’60s classic like \u003cem>Repulsion\u003c/em> or \u003cem>Wait Until Dark\u003c/em>, there’s also a howler like last year’s overwrought Hitchcock homage \u003ca href=\"https://www.npr.org/2021/05/14/996178421/the-woman-in-the-window-locks-amy-adams-inside\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Woman in the Window\u003c/em>\u003c/a>\u003cem>.\u003c/em> The gripping new movie \u003cem>Kimi\u003c/em> is a nifty little addition to the shut-in canon. Like a lot of \u003ca href=\"https://www.npr.org/2013/05/21/180640022/soderberghs-liberace-behind-the-candelabra\" target=\"_blank\" rel=\"noopener noreferrer\">Steven Soderbergh\u003c/a>‘s output of late, it’s a sleek, low-budget genre exercise that’s eerily keyed into our current moment.\u003c/p>\n\u003cp>The movie takes place sometime mid-pandemic and follows a 30-something woman named Angela, played by a terrific Zoë Kravitz. She works for a large Seattle tech firm that manufactures Kimi, one of those virtual home assistants, like Siri or Alexa, that will dim your lights, play your music and patiently try to answer your every question.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Angela has a Kimi of her own, which comes in handy since she never leaves her spacious loft apartment. She’s agoraphobic, and while she got a handle on her anxiety years earlier, she lost it again during COVID lockdown.\u003c/p>\n\u003cp>Angela’s job is to make Kimi smarter and more user-friendly. She listens to audio streams from customers whose requests Kimi didn’t understand—and then writes code that will fix the issue. One day, she hears a disturbing clip of a woman screaming and realizes that Kimi must have somehow recorded a violent crime in progress. But when Angela tries to report her findings to the company, she’s given the runaround and told to forget about what she heard. When she doesn’t and starts learning more about the victim, who appears to have been brutally murdered, things get unexpectedly hairy.\u003c/p>\n\u003cp>It’s a pleasure to watch Angela turn digital sleuth; Soderbergh is the kind of filmmaker so focused on minutiae that he can wring suspense from shots of typing fingers and blinking cursors. Eventually, Angela is told to come down to the office and meet with a company executive, forcing her to leave her apartment for the first time in months.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/A8QvFlhO14k'\n title='//www.youtube.com/embed/A8QvFlhO14k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Soderbergh and his screenwriter, David Koepp, have structured \u003cem>Kimi\u003c/em> as a sly 21st-century riff on classic paranoid thrillers from the 1970s. The fact that Angela is both surveilling and being surveilled harks back to \u003cem>The Conversation\u003c/em>, while the sinister corporate conspiracy she uncovers echoes \u003cem>The Parallax View\u003c/em>. Paranoia, of course, isn’t an inappropriate response to a world where anyone with a smartphone knows that they’re being closely tracked.\u003c/p>\n\u003cp>\u003cem>Kimi\u003c/em> packs a lot of ideas into its brisk 89-minute running time about the pervasiveness of digital technologies, especially at a moment when COVID has made us more reliant on them than ever. But the movie also works like gangbusters as a pure thriller, from its outdoor chase sequences shot across downtown Seattle to its squirmingly tense \u003cem>Panic Room\u003c/em> finale.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>It wouldn’t work nearly as well without Kravitz, who makes for an extremely likable protagonist in part because her character has no interest in seeming likable. Angela’s anxiety earns your sympathy, and her persistence and resourcefulness earn your respect. But she can also be impatient and inconsiderate of the people in her life, whether it’s her mom, whom she argues with on FaceTime, or the love interest who lives in the apartment across the street, in a tip of the hat to Hitchcock’s \u003cem>Rear Window\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Angela’s only human, in other words, and while most viewers may not share her agoraphobia, many of us can identify with her fears of going out after months of isolation. That’s why it’s both harrowing and moving when she finally musters the courage to leave home. Soderbergh, who shot and edited the film, uses tilted camera angles and bustling city noises to convey a sense of Angela’s disorientation. But as she moves forward, Angela adjusts, and \u003cem>Kimi \u003c/em>becomes a story about what it’s like to reconnect with the world. That world might be a big, scary place, but it’s not necessarily scarier than what’s going on indoors, where someone might always be watching—or listening.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Kimi%27+is+a+pandemic-era+thriller+that%27s+eerily+keyed+into+our+current+moment&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Olympic Figure Skaters' Medals Are in Limbo Over a (New) Russian Doping Scandal",
"headTitle": "Olympic Figure Skaters’ Medals Are in Limbo Over a (New) Russian Doping Scandal | KQED",
"content": "\u003cp>Medalists in team figure skating still haven’t received their prizes at the Beijing Olympics, because of an apparent failed doping test. Russian media report that the athlete in question is Kamila Valieva, who made history by landing two quadruple jumps.\u003c/p>\n\u003cp>Reports surfaced on Wednesday that Valieva, 15, tested positive for a heart drug called trimetazidine, which can boost athletes’ endurance and blood efficiency. Russian media outlets report that Valieva submitted the sample in question before winning last month’s European championship.\u003c/p>\n\u003cp>[aside postid='arts_13909079']Valieva returned to the ice Thursday after missing practice on Wednesday. Her absence had led to speculation that she might have been suspended—but Olga Ermolina, a press officer of the Russian Figure Skating Federation, told media outlets that Valieva is not under an Olympic suspension. That implies Valieva will compete in the women’s single competition, which begins on Tuesday.\u003c/p>\n\u003cp>The teams’ medal ceremony for the Russian Olympic Committee (who won gold), the U.S. (silver) and Japan (bronze) was called off on Tuesday because of what officials describe as a “legal issue.” As of Thursday, the medals remain in limbo. If Russia’s win is thrown out, fourth-place Canada would gain a spot on the podium and the U.S. would rise to take the gold.\u003c/p>\n\u003cp>The high-profile case is a test of the Olympics’ ideals of the fairness and integrity of sport, according to USOPC board chairwoman Susanne Lyons.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“While we don’t have all the information on this situation, the reality is that the whole credibility of the Olympic Movement and the Paralympic Movement stands teetering on the edge,” Lyons said in a statement sent to NPR.\u003c/p>\n\u003cp>Aside from the timing of the test, another complication could be Valieva’s age. At 15, she is a “protected person,” as defined by the \u003ca href=\"https://www.wada-ama.org/sites/default/files/resources/files/2021_wada_code.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">World Anti-Doping Code\u003c/a>. That lowers the potential punishment for minor athletes who are confirmed to be doping to a minimum of a reprimand and a maximum of a two-year ban. And under the code, officials are not required to publicly identify such athletes.\u003c/p>\n\u003cp>[aside postid='news_11651348']The \u003ca href=\"https://www.usada.org/spirit-of-sport/education/pl-major-changes-sos-winter-2013-2014/\" target=\"_blank\" rel=\"noopener noreferrer\">U.S. Anti-Doping Agency\u003c/a> says trimetazidine was added to the WADA Prohibited List in 2014—initially as a stimulant banned only during competition. But for 2015, \u003ca href=\"https://www.usada.org/wp-content/uploads/wada-2015-prohibited-list-en.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">it was classified\u003c/a> as a metabolic modulator and banned both during and outside of competition.\u003c/p>\n\u003cp>Trimetazidine has previously been linked to athletes from Russia, which remains under sanctions stemming from its \u003ca href=\"https://www.npr.org/sections/thetorch/2016/07/18/486481634/russia-should-be-barred-from-rio-olympics-world-anti-doping-agency-says\" target=\"_blank\" rel=\"noopener noreferrer\">state-sanctioned program\u003c/a> of using drugs to cheat in sports.\u003c/p>\n\u003cp>At the Winter Olympics in Pyeongchang, trimetazidine was detected in Russian bobsledder Nadezhda Sergeeva. In that case, \u003ca href=\"https://www.npr.org/sections/thetorch/2018/02/24/588486348/russian-bobsledder-disqualified-for-doping-court-says\" target=\"_blank\" rel=\"noopener noreferrer\">Sergeeva was disqualified\u003c/a> and her two-person team’s results were thrown out.\u003c/p>\n\u003cp>Also in 2018, Russian curler Alexander Krushelnitsky’s team was stripped of its bronze medal after he tested positive for meldonium—another drug that increases blood flow. It’s banned under the same section of the WADA \u003ca href=\"https://www.wada-ama.org/sites/default/files/resources/files/2022list_final_en.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">prohibited list\u003c/a> as trimetazidine.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Krushelnitsky received a four-year ban. Sergeeva was initially hit with the same punishment, but the Court of Arbitration for Sport reduced her ban to two years, despite her previously testing positive for meldonium. Sergeeva is \u003ca href=\"https://olympics.com/beijing-2022/olympic-games/en/results/bobsleigh/athlete-profile-n1056098-nadezhda-sergeeva.htm\" target=\"_blank\" rel=\"noopener noreferrer\">competing in the Beijing Games\u003c/a>; she took her first training runs on Thursday.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Olympic+figure+skaters%27+medals+are+in+limbo+over+a+%28new%29+Russian+doping+scandal&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Medalists in team figure skating still haven’t received their prizes at the Beijing Olympics, because of an apparent failed doping test. Russian media report that the athlete in question is Kamila Valieva, who made history by landing two quadruple jumps.\u003c/p>\n\u003cp>Reports surfaced on Wednesday that Valieva, 15, tested positive for a heart drug called trimetazidine, which can boost athletes’ endurance and blood efficiency. Russian media outlets report that Valieva submitted the sample in question before winning last month’s European championship.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Valieva returned to the ice Thursday after missing practice on Wednesday. Her absence had led to speculation that she might have been suspended—but Olga Ermolina, a press officer of the Russian Figure Skating Federation, told media outlets that Valieva is not under an Olympic suspension. That implies Valieva will compete in the women’s single competition, which begins on Tuesday.\u003c/p>\n\u003cp>The teams’ medal ceremony for the Russian Olympic Committee (who won gold), the U.S. (silver) and Japan (bronze) was called off on Tuesday because of what officials describe as a “legal issue.” As of Thursday, the medals remain in limbo. If Russia’s win is thrown out, fourth-place Canada would gain a spot on the podium and the U.S. would rise to take the gold.\u003c/p>\n\u003cp>The high-profile case is a test of the Olympics’ ideals of the fairness and integrity of sport, according to USOPC board chairwoman Susanne Lyons.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“While we don’t have all the information on this situation, the reality is that the whole credibility of the Olympic Movement and the Paralympic Movement stands teetering on the edge,” Lyons said in a statement sent to NPR.\u003c/p>\n\u003cp>Aside from the timing of the test, another complication could be Valieva’s age. At 15, she is a “protected person,” as defined by the \u003ca href=\"https://www.wada-ama.org/sites/default/files/resources/files/2021_wada_code.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">World Anti-Doping Code\u003c/a>. That lowers the potential punishment for minor athletes who are confirmed to be doping to a minimum of a reprimand and a maximum of a two-year ban. And under the code, officials are not required to publicly identify such athletes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The \u003ca href=\"https://www.usada.org/spirit-of-sport/education/pl-major-changes-sos-winter-2013-2014/\" target=\"_blank\" rel=\"noopener noreferrer\">U.S. Anti-Doping Agency\u003c/a> says trimetazidine was added to the WADA Prohibited List in 2014—initially as a stimulant banned only during competition. But for 2015, \u003ca href=\"https://www.usada.org/wp-content/uploads/wada-2015-prohibited-list-en.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">it was classified\u003c/a> as a metabolic modulator and banned both during and outside of competition.\u003c/p>\n\u003cp>Trimetazidine has previously been linked to athletes from Russia, which remains under sanctions stemming from its \u003ca href=\"https://www.npr.org/sections/thetorch/2016/07/18/486481634/russia-should-be-barred-from-rio-olympics-world-anti-doping-agency-says\" target=\"_blank\" rel=\"noopener noreferrer\">state-sanctioned program\u003c/a> of using drugs to cheat in sports.\u003c/p>\n\u003cp>At the Winter Olympics in Pyeongchang, trimetazidine was detected in Russian bobsledder Nadezhda Sergeeva. In that case, \u003ca href=\"https://www.npr.org/sections/thetorch/2018/02/24/588486348/russian-bobsledder-disqualified-for-doping-court-says\" target=\"_blank\" rel=\"noopener noreferrer\">Sergeeva was disqualified\u003c/a> and her two-person team’s results were thrown out.\u003c/p>\n\u003cp>Also in 2018, Russian curler Alexander Krushelnitsky’s team was stripped of its bronze medal after he tested positive for meldonium—another drug that increases blood flow. It’s banned under the same section of the WADA \u003ca href=\"https://www.wada-ama.org/sites/default/files/resources/files/2022list_final_en.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">prohibited list\u003c/a> as trimetazidine.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Krushelnitsky received a four-year ban. Sergeeva was initially hit with the same punishment, but the Court of Arbitration for Sport reduced her ban to two years, despite her previously testing positive for meldonium. Sergeeva is \u003ca href=\"https://olympics.com/beijing-2022/olympic-games/en/results/bobsleigh/athlete-profile-n1056098-nadezhda-sergeeva.htm\" target=\"_blank\" rel=\"noopener noreferrer\">competing in the Beijing Games\u003c/a>; she took her first training runs on Thursday.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Olympic+figure+skaters%27+medals+are+in+limbo+over+a+%28new%29+Russian+doping+scandal&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "How Black Activists Used Lynching Souvenirs to Expose American Violence",
"headTitle": "How Black Activists Used Lynching Souvenirs to Expose American Violence | KQED",
"content": "\u003cp>Photos showing the lynchings of African Americans in the 19\u003csup>th\u003c/sup> and early 20\u003csup>th\u003c/sup> century are some of the most troubling records of the racist history of the United States.\u003c/p>\n\u003cp>But these black-and-white photographs are what filmmaker Christine Turner chose to focus on for her new documentary, \u003cem>Lynching Postcards: ‘Token Of A Great Day’. \u003c/em>\u003c/p>\n\u003cp>[aside postid='arts_13891832']Turner examined hundreds of these pictures and primarily focused on the ones that people who attended these lynchings sent as postcards to family and friends.\u003c/p>\n\u003cp>As the film opens, the first postcard people see is an image of a Black man hanging from a tree, but it’s zoomed in enough that all that can be seen of him are his dangling feet. The focus then becomes the white men standing behind him, looking directly at the camera, with some smiling.\u003c/p>\n\u003cp>Turner said she did this to train the audience’s eyes to focus on the participants and see their “sense of pride.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I think that for me, this story is so much about the participants of the lynching, more so than of the people who had been victimized,” Turner said. “I think oftentimes we think that lynchings are these spontaneous events, right? That a group of men in the woods decide to suddenly lynch someone. But these were planned events.”\u003c/p>\n\u003cfigure id=\"attachment_13909126\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909126\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/lynching-postcards-still_custom-f59e41785174e57fb3e70fdff06f6bd7f40f1191-800x568.png\" alt=\"Hundreds of people gather in a field, some holding umbrellas, some sitting on horses. In the far distance, a ramshackle wooden platform with a few men standing on top.\" width=\"800\" height=\"568\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/lynching-postcards-still_custom-f59e41785174e57fb3e70fdff06f6bd7f40f1191-800x568.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/lynching-postcards-still_custom-f59e41785174e57fb3e70fdff06f6bd7f40f1191-1020x725.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/lynching-postcards-still_custom-f59e41785174e57fb3e70fdff06f6bd7f40f1191-160x114.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/lynching-postcards-still_custom-f59e41785174e57fb3e70fdff06f6bd7f40f1191-768x546.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/lynching-postcards-still_custom-f59e41785174e57fb3e70fdff06f6bd7f40f1191.png 1533w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">For her new documentary, Lynching Postcards: Token Of A Great Day, filmmaker Christine Turner examined hundreds of black-and-white photographs that show how organized these events were and included chilling messages that shared the experience with those who weren’t there. The postcard above shows the crowd at the lynching of Henry Smith in Paris, Texas, in 1893. \u003ccite>(Photo by J.L. Mertins/Library of Congress)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>These community events weren’t just the work of the infamous Ku Klux Klan, but of ordinary people from all social classes, Turner said.\u003c/p>\n\u003cp>In an interview with \u003cem>All Things Considered, \u003c/em>Turner spoke about the how photos from these events became postcards, how the postcards then became tools in anti-lynching campaigns, and the parallels with recent killings of Black men in America.\u003c/p>\n\u003cp>\u003cem>This interview has been edited for length and clarity.\u003c/em>\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>Adrian Florido: “Token Of A Great Day”—why that title?\u003c/strong>\u003c/p>\n\u003cp>Turner: “Token Of A Great Day” actually comes from a handwritten message on the back of one of these lynching postcards. And it speaks to the attitude and the viewpoint of many of the participants at these public spectacle lynchings. You know, these postcards were mementos. They were souvenirs from these events. And so for some, they were a token of a great day.\u003c/p>\n\u003cp>\u003cstrong>Something that surprised me watching your film was to learn that at the places where an upcoming lynching had been announced, photographers would strike deals with town officials to get a prime spot at the front of the crowd. These photographs and these postcards became a whole industry.\u003c/strong>\u003c/p>\n\u003cp>Exactly. And in the film, there’s one particular lynching that we focus in on. It’s the story of Jesse Washington, who was lynched in 1916 in Waco, Texas. And his lynching took place at city hall.\u003c/p>\n\u003cp>And the town photographer—his name was Fred Gildersleeve—actually worked with the local government to find a place to photograph the lynching that would take place. And these photographs that Gildersleeve took were later turned into postcards that were sold in the community.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=rWMZlQ281gM\u003c/p>\n\u003cp>\u003cstrong>Why did these pictures get turned into postcards? Why were people clamoring for these souvenirs from these events?\u003c/strong>\u003c/p>\n\u003cp>Really, it was a way, I think, to sort of relive that experience of attending the lynching, right? And that sense of power and control, as historian Leigh Raiford talks about in the film. And it was also a way to disseminate that experience and to share that experience with friends and family.\u003c/p>\n\u003cp>[aside postid='arts_13908852']And in one postcard that is featured in the film, in the message on the back, the young man is writing to his parents, and he says, “This is the barbecue that we had last night”. And I think, in a way, these messages on the back are just as chilling as the images on the front.\u003c/p>\n\u003cp>\u003cstrong>These postcards were clearly a celebration of white supremacy, right? But at some point, they did become a tool for people who decided to do something about lynching, to launch anti-lynching campaigns. How did these postcards become the tool that these activists used?\u003c/strong>\u003c/p>\n\u003cp>What anti-lynching activists such as the NAACP did is they really turned these postcards on their head, and they used them as evidence in their fight against lynching. So they laid them out there to really shame the country and the world and to make people aware of what was happening all over.\u003c/p>\n\u003cp>So in making this film, it was really important to me to make a film that wasn’t just going to be another story of victimization. But really, this is a story of Black resistance. And at its core, it’s about how these postcards were ultimately turned on their head and were subverted by these Black activists.\u003c/p>\n\u003cp>\u003cstrong>It reminded me of the way that images and films have become such an important part of today’s fights for racial justice. The global uprising over George Floyd’s killing under Derek Chauvin’s knee was sparked by a cellphone video. The white men who chased and killed Ahmaud Arbery in Georgia—they filmed it themselves.\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Both of those cases have been called modern-day lynchings caught on tape. Were those parallels on your mind at all as you made your film?\u003c/strong>\u003c/p>\n\u003cp>[aside postid='arts_13909111']Absolutely. I mean, I was thinking a lot about Ahmaud Arbery’s murder and the way in which it was captured on video by the murderers and then how that video was later used against them. And I think, for me, I was hoping that this film could help sort of lay out this lineage and this history and give us a better understanding of what might be occurring today.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>NPR has compiled a list of stories, performances and other content that chronicles the Black American experience for Black History Month. \u003c/em>\u003ca href=\"https://www.npr.org/series/1075788889/black-history-month\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>\u003cstrong>See the whole collection here.\u003c/strong>\u003c/em>\u003c/a>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=How+Black+activists+used+lynching+souvenirs+to+expose+American+violence&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Photos showing the lynchings of African Americans in the 19\u003csup>th\u003c/sup> and early 20\u003csup>th\u003c/sup> century are some of the most troubling records of the racist history of the United States.\u003c/p>\n\u003cp>But these black-and-white photographs are what filmmaker Christine Turner chose to focus on for her new documentary, \u003cem>Lynching Postcards: ‘Token Of A Great Day’. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Turner examined hundreds of these pictures and primarily focused on the ones that people who attended these lynchings sent as postcards to family and friends.\u003c/p>\n\u003cp>As the film opens, the first postcard people see is an image of a Black man hanging from a tree, but it’s zoomed in enough that all that can be seen of him are his dangling feet. The focus then becomes the white men standing behind him, looking directly at the camera, with some smiling.\u003c/p>\n\u003cp>Turner said she did this to train the audience’s eyes to focus on the participants and see their “sense of pride.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I think that for me, this story is so much about the participants of the lynching, more so than of the people who had been victimized,” Turner said. “I think oftentimes we think that lynchings are these spontaneous events, right? That a group of men in the woods decide to suddenly lynch someone. But these were planned events.”\u003c/p>\n\u003cfigure id=\"attachment_13909126\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909126\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/lynching-postcards-still_custom-f59e41785174e57fb3e70fdff06f6bd7f40f1191-800x568.png\" alt=\"Hundreds of people gather in a field, some holding umbrellas, some sitting on horses. In the far distance, a ramshackle wooden platform with a few men standing on top.\" width=\"800\" height=\"568\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/lynching-postcards-still_custom-f59e41785174e57fb3e70fdff06f6bd7f40f1191-800x568.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/lynching-postcards-still_custom-f59e41785174e57fb3e70fdff06f6bd7f40f1191-1020x725.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/lynching-postcards-still_custom-f59e41785174e57fb3e70fdff06f6bd7f40f1191-160x114.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/lynching-postcards-still_custom-f59e41785174e57fb3e70fdff06f6bd7f40f1191-768x546.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/lynching-postcards-still_custom-f59e41785174e57fb3e70fdff06f6bd7f40f1191.png 1533w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">For her new documentary, Lynching Postcards: Token Of A Great Day, filmmaker Christine Turner examined hundreds of black-and-white photographs that show how organized these events were and included chilling messages that shared the experience with those who weren’t there. The postcard above shows the crowd at the lynching of Henry Smith in Paris, Texas, in 1893. \u003ccite>(Photo by J.L. Mertins/Library of Congress)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>These community events weren’t just the work of the infamous Ku Klux Klan, but of ordinary people from all social classes, Turner said.\u003c/p>\n\u003cp>In an interview with \u003cem>All Things Considered, \u003c/em>Turner spoke about the how photos from these events became postcards, how the postcards then became tools in anti-lynching campaigns, and the parallels with recent killings of Black men in America.\u003c/p>\n\u003cp>\u003cem>This interview has been edited for length and clarity.\u003c/em>\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>Adrian Florido: “Token Of A Great Day”—why that title?\u003c/strong>\u003c/p>\n\u003cp>Turner: “Token Of A Great Day” actually comes from a handwritten message on the back of one of these lynching postcards. And it speaks to the attitude and the viewpoint of many of the participants at these public spectacle lynchings. You know, these postcards were mementos. They were souvenirs from these events. And so for some, they were a token of a great day.\u003c/p>\n\u003cp>\u003cstrong>Something that surprised me watching your film was to learn that at the places where an upcoming lynching had been announced, photographers would strike deals with town officials to get a prime spot at the front of the crowd. These photographs and these postcards became a whole industry.\u003c/strong>\u003c/p>\n\u003cp>Exactly. And in the film, there’s one particular lynching that we focus in on. It’s the story of Jesse Washington, who was lynched in 1916 in Waco, Texas. And his lynching took place at city hall.\u003c/p>\n\u003cp>And the town photographer—his name was Fred Gildersleeve—actually worked with the local government to find a place to photograph the lynching that would take place. And these photographs that Gildersleeve took were later turned into postcards that were sold in the community.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/rWMZlQ281gM'\n title='//www.youtube.com/embed/rWMZlQ281gM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Why did these pictures get turned into postcards? Why were people clamoring for these souvenirs from these events?\u003c/strong>\u003c/p>\n\u003cp>Really, it was a way, I think, to sort of relive that experience of attending the lynching, right? And that sense of power and control, as historian Leigh Raiford talks about in the film. And it was also a way to disseminate that experience and to share that experience with friends and family.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>And in one postcard that is featured in the film, in the message on the back, the young man is writing to his parents, and he says, “This is the barbecue that we had last night”. And I think, in a way, these messages on the back are just as chilling as the images on the front.\u003c/p>\n\u003cp>\u003cstrong>These postcards were clearly a celebration of white supremacy, right? But at some point, they did become a tool for people who decided to do something about lynching, to launch anti-lynching campaigns. How did these postcards become the tool that these activists used?\u003c/strong>\u003c/p>\n\u003cp>What anti-lynching activists such as the NAACP did is they really turned these postcards on their head, and they used them as evidence in their fight against lynching. So they laid them out there to really shame the country and the world and to make people aware of what was happening all over.\u003c/p>\n\u003cp>So in making this film, it was really important to me to make a film that wasn’t just going to be another story of victimization. But really, this is a story of Black resistance. And at its core, it’s about how these postcards were ultimately turned on their head and were subverted by these Black activists.\u003c/p>\n\u003cp>\u003cstrong>It reminded me of the way that images and films have become such an important part of today’s fights for racial justice. The global uprising over George Floyd’s killing under Derek Chauvin’s knee was sparked by a cellphone video. The white men who chased and killed Ahmaud Arbery in Georgia—they filmed it themselves.\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Both of those cases have been called modern-day lynchings caught on tape. Were those parallels on your mind at all as you made your film?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Absolutely. I mean, I was thinking a lot about Ahmaud Arbery’s murder and the way in which it was captured on video by the murderers and then how that video was later used against them. And I think, for me, I was hoping that this film could help sort of lay out this lineage and this history and give us a better understanding of what might be occurring today.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>NPR has compiled a list of stories, performances and other content that chronicles the Black American experience for Black History Month. \u003c/em>\u003ca href=\"https://www.npr.org/series/1075788889/black-history-month\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>\u003cstrong>See the whole collection here.\u003c/strong>\u003c/em>\u003c/a>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=How+Black+activists+used+lynching+souvenirs+to+expose+American+violence&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "6 Quick Takeaways From This Year's Oscar Nominations",
"headTitle": "6 Quick Takeaways From This Year’s Oscar Nominations | KQED",
"content": "\u003cp>No, the Oscars are not a true measure of merit; they never have been. Yes, they’re a popularity contest, thanks to a system that can and does get gamed by expensive media campaigns. And yes, they’re just an excuse for an industry teeming with self-congratulatory personalities to lavishly congratulate itself.\u003c/p>\n\u003cp>Given all that, at the end of the day—yes, they’re fun. They’re fun to gawk at, fun to argue over and capable, under the right circumstances, of doing some actual good. A nomination can help audiences find a smaller movie they might have otherwise overlooked.\u003c/p>\n\u003cp>Some of you might object to treating the Oscars like a horserace. Some of you are wrong; that’s all the Oscars are. And with this morning’s nominations, the race is on. Here’s six things that leapt out:\u003c/p>\n\u003ch3>1. More Oscar voters = more diversity\u003c/h3>\n\u003cp>Nearly 9,500 members of the Academy of Motion Picture Arts and Sciences are eligible to cast votes this year—that’s a more than 30% increase in voting membership since the 2016 #OscarsSoWhite movement drove AMPAS to take efforts to make its voting pool younger and more diverse.\u003c/p>\n\u003cp>[aside postid='arts_13901279']This year, of the acting categories, only supporting actor remains #Sowhite, with Ciarán Hinds (\u003cem>Belfast\u003c/em>), Troy Kotsur (\u003cem>CODA\u003c/em>), Jesse Plemmons (\u003cem>The Power of the Dog\u003c/em>), Kodi Smit-McPhee (\u003cem>The Power of the Dog\u003c/em>) and J.K. Simmons (\u003cem>Being the Ricardos\u003c/em>) nudging out, among others, the blistering, unpredictable performance of Colman Domingo in \u003cem>Zola\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Simmons has won in this category before, for \u003cem>Whiplash\u003c/em>, but this is the first nomination for the other four. Smart money’s on Smit-McPhee, whose performance is an extended act of stealth warfare.\u003c/p>\n\u003cp>The lead actor category is dominated by people of color, including a surprising nomination for Javier Bardem (\u003cem>Being the Ricardos\u003c/em>), and much-less-surprising nods for Will Smith (\u003cem>King Richard\u003c/em>) and Denzel Washington (\u003cem>The Tragedy of Macbeth\u003c/em>). And although Benedict Cumberbatch (\u003cem>The Power of the Dog\u003c/em>) seemed an early lock-on favorite, and Andrew Garfield’s nomination for \u003cem>Tick, Tick … Boom! \u003c/em>warms the hearts of musical-lovers, this is Denzel’s category to lose.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ptqe7s6pO7g\u003c/p>\n\u003cp>The actress categories are all over the map, and generated some of the true surprises of the morning.\u003c/p>\n\u003cp>For supporting actress, everyone has been talking about Ariana DeBose for \u003cem>West Side Story \u003c/em>and Kirsten Dunst for \u003cem>The Power of the Dog\u003c/em>. The Judi Dench nomination for \u003cem>Belfast\u003c/em>—making her the oldest woman ever nominated in the supporting actress category—testifies to the fact that the Oscar voting pool still contains some of the old guard. Jessie Buckley’s nomination for \u003cem>The Lost Daughter\u003c/em> hadn’t been seriously tossed around among Oscar watchers, but her performance as Olivia Colman’s younger self in that film is crucial to understanding how Colman’s character became as damaged as she is. And that sound you heard when Aunjanue Ellis’ name was announced for \u003cem>King Richard\u003c/em> was a vast number of people who’ve been watching this excellent actress putting in the work for decades shouting, “Finally!”\u003c/p>\n\u003cp>[aside postid='arts_13906968']The lead actress category was full of previous nominees—Jessica Chastain for \u003cem>The Eyes of Tammy Faye\u003c/em>, Olivia Colman for \u003cem>The Lost Daughter\u003c/em>, Nicole Kidman for \u003cem>Being the Ricardos\u003c/em>, and Penelope Cruz for \u003cem>Parallel Mothers\u003c/em>. But while the Cruz nod wasn’t widely predicted, she does provide Almodovar’s baby-switching melodrama with a grounded quality it otherwise lacks. Maybe the biggest surprise of the morning, (besides Ruth Negga’s snub for \u003cem>Passing\u003c/em>), came from the category’s sole never-before-nominated actress: Kristen Stewart for \u003cem>Spencer\u003c/em>.\u003c/p>\n\u003cp>Stewart’s (literally) haunted performance in Pablo Larrain’s Diana biopic had a lot of buzz early on, but when she got overlooked by the BAFTAs, which generally act as a kind of Oscars bellwether, all that buzz faded away. Turns out she got counted out too early. Nevertheless, look for Kidman to stomp on the competition like they’re so many grapes under Lucy Ricardo’s bare feet.\u003c/p>\n\u003cp>As for best picture, the Japanese film\u003cem> Drive My Car\u003c/em> made it into the running, in addition to its nominations for best international feature, best directing and best adapted screenplay—just as \u003cem>Parasite\u003c/em> did, two years ago. Though beloved by critics, its moody, introspective tone and three-hour running time will likely combine to preclude a repeat of \u003cem>Parasite\u003c/em>‘s singular success.\u003c/p>\n\u003ch3>2. The dog? Is powerful!\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=LRDPo0CHrko\u003c/p>\n\u003cp>Jane Campion’s \u003cem>The Power of the Dog \u003c/em>was the morning’s big winner, with 12 nominations, beating out \u003cem>Dune \u003c/em>(10 nominations), \u003cem>West Side Story \u003c/em>(8), \u003cem>Belfast \u003c/em>(7) and \u003cem>King Richard\u003c/em> (6).\u003c/p>\n\u003cp>Campion’s nomination for best director makes her the first woman who’s been nominated twice in that category. Should she win, as she is heavily favored to do, she will only be the third woman to do so.\u003c/p>\n\u003cp>It would also represent the first best picture win for Netflix—a major battle victory in the ongoing war between streaming and theaters.\u003c/p>\n\u003ch3>3. The big battle: Feelgood vs. Feeldark\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=Ja3PPOnJQ2k\u003c/p>\n\u003cp>In the race for best picture, it’s likely going to come down to a fight between two very different movies: Kenneth Branagh’s warmly nostalgic \u003cem>Belfast\u003c/em>, and Campion’s not-at-all-warm, acidic \u003cem>The Power of the Dog\u003c/em>.\u003c/p>\n\u003cp>Both Branagh’s semi-autobiographical, poignant remembrance of his youth during The Troubles in Northern Ireland, and Campion’s dispassionate autopsy of festering masculinity, prove deeply satisfying, albeit in widely divergent ways. \u003cem>Belfast \u003c/em>provides comfort, while \u003cem>The Power of the Dog\u003c/em> provides cathartic, steel-trap plotting.\u003c/p>\n\u003cp>Five years ago, Belfast’s strong performances, young narrator and feelgood quality would have combined to make it a shoe-in; the less generous among us would’ve tagged it as “Oscar bait.” But the love for \u003cem>The Power of the Dog \u003c/em>has proven consistently strong and hasn’t yet flagged.\u003c/p>\n\u003ch3>4. Could \u003cem>Flee \u003c/em>go three for three?\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=wgj7DUEtfg0\u003c/p>\n\u003cp>The moving Danish film \u003cem>Flee \u003c/em>is both a documentary and an animated feature. It’s the tale of a young man who fled Afghanistan with his family as a boy, and who has spent his life guarding various secrets ever since. This morning it received nods for best doc, best animated feature and best international feature.\u003c/p>\n\u003cp>While a sweep is unlikely, given the competition, the trifecta of noms at least means that more people will get to see this excellent film. The best shot it’s got of a win is in best documentary, but it’s up against the beautiful \u003cem>Summer of Soul.\u003c/em>\u003c/p>\n\u003ch3>5. How to get better Oscars ceremony ratings? Two words: Be. ‘Yoncé.\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=4wYdZi3tFJ4\u003c/p>\n\u003cp>It’s no secret that the Oscars telecast has gotten lousy viewership over the past few years. The nomination of “Be Alive” from \u003cem>King Richard\u003c/em> for best original song, however, raises the possibility of a live performance by Beyoncé. If even a small percentage of the Hive tunes in for that, and/or for a performance of “No Time to Die” by Billie Eilish—ratings will get a bump. (The other best song nominees include tunes by okay-boomer favorites like Diane Warren and Van Morrison.)\u003c/p>\n\u003cp>\u003cem>Encanto\u003c/em>‘s “Dos Oruguitas” got a nod, as well. While it’s a beautiful song, it likely won’t send the droves of TikTokers who’ve been lip-syncing to the movie’s other, earwormier songs to their TV sets on Oscar night. (Justice for “Surface Pressure”!)\u003c/p>\n\u003ch3>6. Don’t look now, but \u003cem>Don’t Look Up\u003c/em> did well\u003c/h3>\n\u003cp>[aside postid='arts_13909095']Critics split on Adam McKay’s broad, scattershot, omnidirectional satire that attempted to turn a meteor speeding toward Earth into a metaphor for the slow, inexorable and devastating cost of \u003cem>human-caused \u003c/em>climate change. But the Academy ate it up, and lavished it with 4 nominations, including best picture, best original screenplay, best editing and best original score. And while it joins the ranks of films nominated for best picture but not best director, the film’s makers and its fans will always be able to point to these nominations.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>(See above, in re: Oscars’ status as measure of merit.)\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=6+quick+takeaways+from+this+year%27s+Oscar+nominations&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>No, the Oscars are not a true measure of merit; they never have been. Yes, they’re a popularity contest, thanks to a system that can and does get gamed by expensive media campaigns. And yes, they’re just an excuse for an industry teeming with self-congratulatory personalities to lavishly congratulate itself.\u003c/p>\n\u003cp>Given all that, at the end of the day—yes, they’re fun. They’re fun to gawk at, fun to argue over and capable, under the right circumstances, of doing some actual good. A nomination can help audiences find a smaller movie they might have otherwise overlooked.\u003c/p>\n\u003cp>Some of you might object to treating the Oscars like a horserace. Some of you are wrong; that’s all the Oscars are. And with this morning’s nominations, the race is on. Here’s six things that leapt out:\u003c/p>\n\u003ch3>1. More Oscar voters = more diversity\u003c/h3>\n\u003cp>Nearly 9,500 members of the Academy of Motion Picture Arts and Sciences are eligible to cast votes this year—that’s a more than 30% increase in voting membership since the 2016 #OscarsSoWhite movement drove AMPAS to take efforts to make its voting pool younger and more diverse.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>This year, of the acting categories, only supporting actor remains #Sowhite, with Ciarán Hinds (\u003cem>Belfast\u003c/em>), Troy Kotsur (\u003cem>CODA\u003c/em>), Jesse Plemmons (\u003cem>The Power of the Dog\u003c/em>), Kodi Smit-McPhee (\u003cem>The Power of the Dog\u003c/em>) and J.K. Simmons (\u003cem>Being the Ricardos\u003c/em>) nudging out, among others, the blistering, unpredictable performance of Colman Domingo in \u003cem>Zola\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Simmons has won in this category before, for \u003cem>Whiplash\u003c/em>, but this is the first nomination for the other four. Smart money’s on Smit-McPhee, whose performance is an extended act of stealth warfare.\u003c/p>\n\u003cp>The lead actor category is dominated by people of color, including a surprising nomination for Javier Bardem (\u003cem>Being the Ricardos\u003c/em>), and much-less-surprising nods for Will Smith (\u003cem>King Richard\u003c/em>) and Denzel Washington (\u003cem>The Tragedy of Macbeth\u003c/em>). And although Benedict Cumberbatch (\u003cem>The Power of the Dog\u003c/em>) seemed an early lock-on favorite, and Andrew Garfield’s nomination for \u003cem>Tick, Tick … Boom! \u003c/em>warms the hearts of musical-lovers, this is Denzel’s category to lose.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ptqe7s6pO7g'\n title='//www.youtube.com/embed/ptqe7s6pO7g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The actress categories are all over the map, and generated some of the true surprises of the morning.\u003c/p>\n\u003cp>For supporting actress, everyone has been talking about Ariana DeBose for \u003cem>West Side Story \u003c/em>and Kirsten Dunst for \u003cem>The Power of the Dog\u003c/em>. The Judi Dench nomination for \u003cem>Belfast\u003c/em>—making her the oldest woman ever nominated in the supporting actress category—testifies to the fact that the Oscar voting pool still contains some of the old guard. Jessie Buckley’s nomination for \u003cem>The Lost Daughter\u003c/em> hadn’t been seriously tossed around among Oscar watchers, but her performance as Olivia Colman’s younger self in that film is crucial to understanding how Colman’s character became as damaged as she is. And that sound you heard when Aunjanue Ellis’ name was announced for \u003cem>King Richard\u003c/em> was a vast number of people who’ve been watching this excellent actress putting in the work for decades shouting, “Finally!”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The lead actress category was full of previous nominees—Jessica Chastain for \u003cem>The Eyes of Tammy Faye\u003c/em>, Olivia Colman for \u003cem>The Lost Daughter\u003c/em>, Nicole Kidman for \u003cem>Being the Ricardos\u003c/em>, and Penelope Cruz for \u003cem>Parallel Mothers\u003c/em>. But while the Cruz nod wasn’t widely predicted, she does provide Almodovar’s baby-switching melodrama with a grounded quality it otherwise lacks. Maybe the biggest surprise of the morning, (besides Ruth Negga’s snub for \u003cem>Passing\u003c/em>), came from the category’s sole never-before-nominated actress: Kristen Stewart for \u003cem>Spencer\u003c/em>.\u003c/p>\n\u003cp>Stewart’s (literally) haunted performance in Pablo Larrain’s Diana biopic had a lot of buzz early on, but when she got overlooked by the BAFTAs, which generally act as a kind of Oscars bellwether, all that buzz faded away. Turns out she got counted out too early. Nevertheless, look for Kidman to stomp on the competition like they’re so many grapes under Lucy Ricardo’s bare feet.\u003c/p>\n\u003cp>As for best picture, the Japanese film\u003cem> Drive My Car\u003c/em> made it into the running, in addition to its nominations for best international feature, best directing and best adapted screenplay—just as \u003cem>Parasite\u003c/em> did, two years ago. Though beloved by critics, its moody, introspective tone and three-hour running time will likely combine to preclude a repeat of \u003cem>Parasite\u003c/em>‘s singular success.\u003c/p>\n\u003ch3>2. The dog? Is powerful!\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LRDPo0CHrko'\n title='//www.youtube.com/embed/LRDPo0CHrko'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Jane Campion’s \u003cem>The Power of the Dog \u003c/em>was the morning’s big winner, with 12 nominations, beating out \u003cem>Dune \u003c/em>(10 nominations), \u003cem>West Side Story \u003c/em>(8), \u003cem>Belfast \u003c/em>(7) and \u003cem>King Richard\u003c/em> (6).\u003c/p>\n\u003cp>Campion’s nomination for best director makes her the first woman who’s been nominated twice in that category. Should she win, as she is heavily favored to do, she will only be the third woman to do so.\u003c/p>\n\u003cp>It would also represent the first best picture win for Netflix—a major battle victory in the ongoing war between streaming and theaters.\u003c/p>\n\u003ch3>3. The big battle: Feelgood vs. Feeldark\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Ja3PPOnJQ2k'\n title='//www.youtube.com/embed/Ja3PPOnJQ2k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In the race for best picture, it’s likely going to come down to a fight between two very different movies: Kenneth Branagh’s warmly nostalgic \u003cem>Belfast\u003c/em>, and Campion’s not-at-all-warm, acidic \u003cem>The Power of the Dog\u003c/em>.\u003c/p>\n\u003cp>Both Branagh’s semi-autobiographical, poignant remembrance of his youth during The Troubles in Northern Ireland, and Campion’s dispassionate autopsy of festering masculinity, prove deeply satisfying, albeit in widely divergent ways. \u003cem>Belfast \u003c/em>provides comfort, while \u003cem>The Power of the Dog\u003c/em> provides cathartic, steel-trap plotting.\u003c/p>\n\u003cp>Five years ago, Belfast’s strong performances, young narrator and feelgood quality would have combined to make it a shoe-in; the less generous among us would’ve tagged it as “Oscar bait.” But the love for \u003cem>The Power of the Dog \u003c/em>has proven consistently strong and hasn’t yet flagged.\u003c/p>\n\u003ch3>4. Could \u003cem>Flee \u003c/em>go three for three?\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wgj7DUEtfg0'\n title='//www.youtube.com/embed/wgj7DUEtfg0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The moving Danish film \u003cem>Flee \u003c/em>is both a documentary and an animated feature. It’s the tale of a young man who fled Afghanistan with his family as a boy, and who has spent his life guarding various secrets ever since. This morning it received nods for best doc, best animated feature and best international feature.\u003c/p>\n\u003cp>While a sweep is unlikely, given the competition, the trifecta of noms at least means that more people will get to see this excellent film. The best shot it’s got of a win is in best documentary, but it’s up against the beautiful \u003cem>Summer of Soul.\u003c/em>\u003c/p>\n\u003ch3>5. How to get better Oscars ceremony ratings? Two words: Be. ‘Yoncé.\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4wYdZi3tFJ4'\n title='//www.youtube.com/embed/4wYdZi3tFJ4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It’s no secret that the Oscars telecast has gotten lousy viewership over the past few years. The nomination of “Be Alive” from \u003cem>King Richard\u003c/em> for best original song, however, raises the possibility of a live performance by Beyoncé. If even a small percentage of the Hive tunes in for that, and/or for a performance of “No Time to Die” by Billie Eilish—ratings will get a bump. (The other best song nominees include tunes by okay-boomer favorites like Diane Warren and Van Morrison.)\u003c/p>\n\u003cp>\u003cem>Encanto\u003c/em>‘s “Dos Oruguitas” got a nod, as well. While it’s a beautiful song, it likely won’t send the droves of TikTokers who’ve been lip-syncing to the movie’s other, earwormier songs to their TV sets on Oscar night. (Justice for “Surface Pressure”!)\u003c/p>\n\u003ch3>6. Don’t look now, but \u003cem>Don’t Look Up\u003c/em> did well\u003c/h3>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Critics split on Adam McKay’s broad, scattershot, omnidirectional satire that attempted to turn a meteor speeding toward Earth into a metaphor for the slow, inexorable and devastating cost of \u003cem>human-caused \u003c/em>climate change. But the Academy ate it up, and lavished it with 4 nominations, including best picture, best original screenplay, best editing and best original score. And while it joins the ranks of films nominated for best picture but not best director, the film’s makers and its fans will always be able to point to these nominations.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>(See above, in re: Oscars’ status as measure of merit.)\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=6+quick+takeaways+from+this+year%27s+Oscar+nominations&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>At 15, Kamila Valieva’s hobbies include \u003ca href=\"https://olympics.com/beijing-2022/olympic-games/en/results/figure-skating/athlete-profile-n1057109-kamila-valieva.htm\" target=\"_blank\" rel=\"noopener noreferrer\">dancing, drawing\u003c/a>—and setting world records.\u003c/p>\n\u003cp>On Monday, the teenage elite athlete landed one of the hardest jumps in figure skating—a jump that is so difficult, no other woman had ever landed it at an Olympics before—then she did it a second time.\u003c/p>\n\u003cp>The 15-year-old skater for the Russian Olympic Committee team landed a storied quadruple jump twice during the free skate portion of the team event Monday. Her performance helped her team nab the gold medal, the United States won silver, and Japan took the bronze medal.\u003c/p>\n\u003cp>[aside postid='news_11651002']Quadruple jumps require at least four, but fewer than five, revolutions and although they’ve become increasingly a staple in elite men’s figure skating, one had never been successfully accomplished by a woman at the Olympics before Valieva’s showing in Beijing.\u003c/p>\n\u003cp>She landed a quad salchow first, a jump in which a skater must lift off the ice with the inside edge of one skate, execute four revolutions in midair, then land cleanly on the outside edge of their other foot. Next, Valieva completed a quad toe loop with a triple-toe combination. She attempted a third quad but fell on the landing.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Valieva performed a difficult triple axle as well, making her only the fourth woman to ever land that jump at a Winter Olympics.\u003c/p>\n\u003cp>Valieva also completed quad jumps during the \u003ca href=\"https://olympics.com/en/news/skating-kamila-valieva-record-rostelecom-cup\" target=\"_blank\" rel=\"noopener noreferrer\">ISU Grand Prix Rostelecom Cup \u003c/a>in November of last year, where she set a world record score. She holds nine world records in the sport.\u003c/p>\n\u003cp>https://twitter.com/ISU_Figure/status/1464663616183955456\u003c/p>\n\u003cp>\u003cstrong>Other news from the Olympics this weekend\u003c/strong>\u003c/p>\n\u003cp>American alpine ski star Mikaela Shiffrin suffered a rare fall during the giant slalom, knocking her out of one of her best events. She still has \u003ca href=\"https://www.npr.org/2022/02/06/1078715845/mikaela-shiffrin-out-of-giant-slalom-event-after-fall\" target=\"_blank\" rel=\"noopener noreferrer\">four more Olympic events.\u003c/a>\u003c/p>\n\u003cp>“The snow was just incredible to ski on. Oh my gosh, it’s just really nice, but if you do any small errors, you really can’t get away with it,” Shiffrin said after the fall. “As you can see, I got the worst of it on that turn.”\u003c/p>\n\u003cp>The \u003ca href=\"https://www.npr.org/2022/02/07/1078735278/beijing-olympics-fake-snow-ski-snowboard\" target=\"_blank\" rel=\"noopener noreferrer\">snow is all man-made this year\u003c/a>, and athletes are getting adjusted to its feel and consistency, all while competing on the highest levels.\u003c/p>\n\u003cp>It’s relatively novel now, but artificial snow at the Olympics might soon be entirely the norm. Past Olympics in Pyeongchang, Sochi and Vancouver deployed artificial snow after unseasonably un-snowy weather. As climate change intensifies, experts say human-made snow is likely going to be a part of all future Olympic alpine events.\u003c/p>\n\u003cp>[aside postid='arts_13908958']Members of the U.S. figure skating team celebrated their silver medals in the team event without \u003ca href=\"https://www.npr.org/2022/02/07/1078732688/u-s-figure-skate-vincent-zhou-tests-positive-at-2022-olympics\" target=\"_blank\" rel=\"noopener noreferrer\">American men’s figure skater Vincent Zhou\u003c/a>, who tested positive for COVID-19, officials announced Monday. Zhou helped earn the medals by competing in the team event on Sunday, before his positive test. He announced Monday that he will be unable to compete in the men’s competition and will have to isolate until he tests negative on two consecutive PCR tests.\u003c/p>\n\u003cp>Chinese tennis star Peng Shuai appeared in a carefully managed interview during the Olympics last week, her first sit-down interview since last November when \u003ca href=\"https://www.npr.org/sections/goatsandsoda/2021/11/03/1051873031/chinese-tennis-athlete-accuses-former-top-communist-party-official-of-sexual-ass\" target=\"_blank\" rel=\"noopener noreferrer\">she accused retired Chinese Vice Premier Zhang Gaoli\u003c/a> of sexual assault during an on-and-off-again relationship. In the interview with French sports magazine\u003cem> L’Equipe\u003c/em>, Shuai denied accusing Zhang of assault and announced she is retiring from professional tennis.\u003c/p>\n\u003cp>As \u003ca href=\"https://www.npr.org/2022/02/06/1078729140/peng-shuai-the-chinese-tennis-star-denies-sexual-assault-by-government-leader\" target=\"_blank\" rel=\"noopener noreferrer\">NPR’s Emily Feng reports\u003c/a>, fans and officials globally became concerned about Peng’s personal safety and freedom after she published her accusation against Zhang on social media, then disappeared for a while and couldn’t be reached by tennis officials outside China. Zhang is a top Communist Party official and was crucial in securing Beijing’s bid for the 2022 Winter Olympic Games.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>This story originally appeared in the \u003ca href=\"https://www.npr.org/live-updates/morning-edition-2022-02-07#shes-the-1st-woman-to-land-a-quad-in-olympic-history-and-shes-only-15\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Morning Edition \u003c/em>live blog\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=At+15%2C+Kamila+Valieva+just+became+the+1st+woman+to+land+a+quad+in+Olympic+history&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At 15, Kamila Valieva’s hobbies include \u003ca href=\"https://olympics.com/beijing-2022/olympic-games/en/results/figure-skating/athlete-profile-n1057109-kamila-valieva.htm\" target=\"_blank\" rel=\"noopener noreferrer\">dancing, drawing\u003c/a>—and setting world records.\u003c/p>\n\u003cp>On Monday, the teenage elite athlete landed one of the hardest jumps in figure skating—a jump that is so difficult, no other woman had ever landed it at an Olympics before—then she did it a second time.\u003c/p>\n\u003cp>The 15-year-old skater for the Russian Olympic Committee team landed a storied quadruple jump twice during the free skate portion of the team event Monday. Her performance helped her team nab the gold medal, the United States won silver, and Japan took the bronze medal.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Quadruple jumps require at least four, but fewer than five, revolutions and although they’ve become increasingly a staple in elite men’s figure skating, one had never been successfully accomplished by a woman at the Olympics before Valieva’s showing in Beijing.\u003c/p>\n\u003cp>She landed a quad salchow first, a jump in which a skater must lift off the ice with the inside edge of one skate, execute four revolutions in midair, then land cleanly on the outside edge of their other foot. Next, Valieva completed a quad toe loop with a triple-toe combination. She attempted a third quad but fell on the landing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Valieva performed a difficult triple axle as well, making her only the fourth woman to ever land that jump at a Winter Olympics.\u003c/p>\n\u003cp>Valieva also completed quad jumps during the \u003ca href=\"https://olympics.com/en/news/skating-kamila-valieva-record-rostelecom-cup\" target=\"_blank\" rel=\"noopener noreferrer\">ISU Grand Prix Rostelecom Cup \u003c/a>in November of last year, where she set a world record score. She holds nine world records in the sport.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cstrong>Other news from the Olympics this weekend\u003c/strong>\u003c/p>\n\u003cp>American alpine ski star Mikaela Shiffrin suffered a rare fall during the giant slalom, knocking her out of one of her best events. She still has \u003ca href=\"https://www.npr.org/2022/02/06/1078715845/mikaela-shiffrin-out-of-giant-slalom-event-after-fall\" target=\"_blank\" rel=\"noopener noreferrer\">four more Olympic events.\u003c/a>\u003c/p>\n\u003cp>“The snow was just incredible to ski on. Oh my gosh, it’s just really nice, but if you do any small errors, you really can’t get away with it,” Shiffrin said after the fall. “As you can see, I got the worst of it on that turn.”\u003c/p>\n\u003cp>The \u003ca href=\"https://www.npr.org/2022/02/07/1078735278/beijing-olympics-fake-snow-ski-snowboard\" target=\"_blank\" rel=\"noopener noreferrer\">snow is all man-made this year\u003c/a>, and athletes are getting adjusted to its feel and consistency, all while competing on the highest levels.\u003c/p>\n\u003cp>It’s relatively novel now, but artificial snow at the Olympics might soon be entirely the norm. Past Olympics in Pyeongchang, Sochi and Vancouver deployed artificial snow after unseasonably un-snowy weather. As climate change intensifies, experts say human-made snow is likely going to be a part of all future Olympic alpine events.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Members of the U.S. figure skating team celebrated their silver medals in the team event without \u003ca href=\"https://www.npr.org/2022/02/07/1078732688/u-s-figure-skate-vincent-zhou-tests-positive-at-2022-olympics\" target=\"_blank\" rel=\"noopener noreferrer\">American men’s figure skater Vincent Zhou\u003c/a>, who tested positive for COVID-19, officials announced Monday. Zhou helped earn the medals by competing in the team event on Sunday, before his positive test. He announced Monday that he will be unable to compete in the men’s competition and will have to isolate until he tests negative on two consecutive PCR tests.\u003c/p>\n\u003cp>Chinese tennis star Peng Shuai appeared in a carefully managed interview during the Olympics last week, her first sit-down interview since last November when \u003ca href=\"https://www.npr.org/sections/goatsandsoda/2021/11/03/1051873031/chinese-tennis-athlete-accuses-former-top-communist-party-official-of-sexual-ass\" target=\"_blank\" rel=\"noopener noreferrer\">she accused retired Chinese Vice Premier Zhang Gaoli\u003c/a> of sexual assault during an on-and-off-again relationship. In the interview with French sports magazine\u003cem> L’Equipe\u003c/em>, Shuai denied accusing Zhang of assault and announced she is retiring from professional tennis.\u003c/p>\n\u003cp>As \u003ca href=\"https://www.npr.org/2022/02/06/1078729140/peng-shuai-the-chinese-tennis-star-denies-sexual-assault-by-government-leader\" target=\"_blank\" rel=\"noopener noreferrer\">NPR’s Emily Feng reports\u003c/a>, fans and officials globally became concerned about Peng’s personal safety and freedom after she published her accusation against Zhang on social media, then disappeared for a while and couldn’t be reached by tennis officials outside China. Zhang is a top Communist Party official and was crucial in securing Beijing’s bid for the 2022 Winter Olympic Games.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>This story originally appeared in the \u003ca href=\"https://www.npr.org/live-updates/morning-edition-2022-02-07#shes-the-1st-woman-to-land-a-quad-in-olympic-history-and-shes-only-15\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Morning Edition \u003c/em>live blog\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=At+15%2C+Kamila+Valieva+just+became+the+1st+woman+to+land+a+quad+in+Olympic+history&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Why a 20-year Effort by the NFL Hasn't Led to More Minorities in Top Coaching Jobs",
"headTitle": "Why a 20-year Effort by the NFL Hasn’t Led to More Minorities in Top Coaching Jobs | KQED",
"content": "\u003cp>Nearly two decades ago, with few coaches of color in the NFL, the league knew that something had to be done.\u003c/p>\n\u003cp>Spurred on by the Pittsburgh Steelers’ Dan Rooney—then the team’s owner and a longtime trailblazer for diversity in the league—the National Football League adopted a policy that now colloquially bears his name. The Rooney Rule, which took effect in 2003, sought to correct inequities at the top of pro football’s hierarchy by requiring teams to interview minority candidates for head coaching vacancies.\u003c/p>\n\u003cp>It has been nearly 20 years, and the NFL has lost yardage. As the league prepares for the Super Bowl later this month, Mike Tomlin of the Steelers is the only Black head coach. The \u003ca href=\"https://www.npr.org/2022/02/02/1077365060/washington-commanders-football-team-new-name\" target=\"_blank\" rel=\"noopener noreferrer\">Washington Commanders\u003c/a>‘ Ron Rivera, who is Latino, and the New York Jets’ Robert Saleh, of Lebanese descent, are the only other nonwhites in top coaching positions among the league’s 32 franchises.\u003c/p>\n\u003cp>Brian Flores, who led the Miami Dolphins to their first back-to-back winning seasons in decades, and David Culley, who had been the Houston Texans’ head coach, were fired in January. Both are Black. Earlier this week, Flores \u003ca href=\"https://www.espn.com/nfl/story/_/id/33194862/brian-flores-sues-nfl-others-former-miami-dolphins-coach-alleges-racism-hiring-practices\" target=\"_blank\" rel=\"noopener noreferrer\">filed a class action suit\u003c/a> against the NFL, the Dolphins, the Denver Broncos and the New York Giants. His lawsuit alleges discrimination in his firing and in his interviews for the head coaching jobs with the other teams.\u003c/p>\n\u003cp>Yesterday, news broke that the San Francisco 49ers had fired assistant head coach and tight ends coach Jon Embree, who is Black. Former NFL player Solomon Wilcots reported that the team let Embree go after he refused to take a 60% pay cut. Embree had been with the Niners since 2017.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/SolomonsWisdom/status/1488931331220377606\u003c/p>\n\u003cp>Meanwhile, top coaching positions that opened up at the end of the season are rapidly being filled—by more white candidates. The Bears recently hired Matt Eberflus, the Broncos picked up Nathaniel Hackett and the Giants brought on Brian Daboll. Some Black candidates are thought to be in serious contention for the few slots still up for grabs. But any such hires would barely move the needle on the NFL’s dismal diversity numbers.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908985 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/Screen-Shot-2022-02-03-at-3.01.07-PM-800x469.png\" alt=\"\" width=\"800\" height=\"469\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-03-at-3.01.07-PM-800x469.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-03-at-3.01.07-PM-1020x598.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-03-at-3.01.07-PM-160x94.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-03-at-3.01.07-PM-768x450.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-03-at-3.01.07-PM-1536x901.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-03-at-3.01.07-PM.png 1750w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003ch3>It’s not the rule, it’s the people\u003c/h3>\n\u003cp>Doug Williams, the first African American quarterback to win a Super Bowl, tells NPR that he would give the Rooney Rule a D.\u003c/p>\n\u003cp>“But it’s not the rule that’s not working, it’s the people,” says Williams, who is now senior adviser to the Washington Commanders. “It’s not just football, it’s America as a whole.”\u003c/p>\n\u003cp>Williams and others say they are tired of watching good, qualified head coach candidates of color passed over—year after year.\u003c/p>\n\u003cp>Take Eric Bieniemy. He spent eight years as an NFL running back in the 1990s before moving to the sidelines. As offensive coordinator for the Kansas City Chiefs, he has helped propel one of the league’s top-ranked teams for the last four seasons. The Chiefs lost by three points in overtime to the Super Bowl-bound Cincinnati Bengals. A Chiefs win would have had the team playing for a championship for the third time in as many years. Yet, in nearly a dozen interviews across the league over the past few years, Bieniemy hasn’t managed to garner a head coaching position.\u003c/p>\n\u003cp>[aside postid='arts_13863975']John Feinstein, author of \u003cem>Raise a Fist, Take a Knee: Race and the Illusion of Progress in Modern Sports, \u003c/em>tells NPR that in an interview for the book, Bieniemy told him\u003cem> “\u003c/em>some of those guys were legitimately looking at me as a possible head coach. Other guys were just, you know, carrying out their Rooney Rule … obligations, and you can tell, when you walk into the room, which is which.”\u003c/p>\n\u003cp>Jim Caldwell has had greater success in his coaching career—until recently. He’s been on the coaching staff of two Super Bowl champion clubs and was head coach of the Indianapolis Colts from 2009 to 2011 and the Detroit Lions from 2014 to 2017. Despite his resume, Caldwell has been passed over for head coaching jobs with several franchises since he was let go by the Lions five years ago.\u003c/p>\n\u003cp>Jonathan Beane, the NFL’s chief diversity and inclusion officer, acknowledges that the Rooney Rule has fallen short of its ultimate goal, but he credits the policy with getting more minority candidates in front of hiring panels. “When you have more candidates from different backgrounds that are part of the process and actually are in the room to compete for roles, the opportunity of a diverse candidate getting hired goes up,” he tells NPR.\u003c/p>\n\u003cp>Feinstein says the problem with that thinking is that too often the rule is simply about checking a box to prove compliance. “I think for a lot of the NFL, the Rooney Rule is simply there so they can say, ‘Hey, we interviewed Brian Flores; hey, we interviewed Eric Bieniemy,'” he says. “And until that attitude changes, you can require five [minority candidate] interviews for every opening” and it still won’t make a difference.\u003c/p>\n\u003cfigure id=\"attachment_13908959\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908959\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-1920x1080.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pittsburgh Steelers head coach Mike Tomlin watches from the sideline during the first half of an NFL wild-card playoff game against the Kansas City Chiefs in January. Tomlin is currently the league’s only Black head coach. \u003ccite>(AP Photo/Ed Zurga)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>There are few owners of color in the NFL\u003c/h3>\n\u003cp>The NFL has only two owners of color, Kim Pegula, who is Asian American and co-owns the Buffalo Bills with her billionaire husband, and Jacksonville Jaguars owner Shahid Khan, who was born in Pakistan.\u003c/p>\n\u003cp>Many of the owners simply perceive a white coach as the safe choice, says Jodi Balsam, a former counsel for operations and litigation at the NFL.\u003c/p>\n\u003cp>“I don’t think there’s a single NFL owner out there who thinks to himself, ‘I won’t hire somebody who’s Black,'” Balsam tells NPR. But there are “risk averse” owners, she concedes. “When it comes to hiring at the senior-most levels, they tend to revert to what they’re comfortable with … and they perceive hiring somebody who’s Black as risky.”\u003c/p>\n\u003cp>[aside postid='arts_13905474']To be sure, the current record on minority hires for the top coaching job is a low-water mark for the league. Things were better at the end of the 2010-2011 season, and again in 2017-2018, with a quarter of the head coaching positions held by minorities. But there have been other lows, too: the Detroit Lions were fined $200,000 for violating the policy soon after it took effect. And nearly a decade later, in 2012, there were no minority hires to fill a slew of head coach vacancies and general manager positions.\u003c/p>\n\u003cp>The Rooney Rule has been tweaked and expanded since it was introduced in 2003. Now it requires teams to interview at least two external minority candidates for head coaching jobs and one external minority candidate for offensive and defensive coordinator positions. After much discussion, a provision was also approved that grants teams who hire minority candidates a pair of future third-round draft picks. And owners agreed to eliminate clauses that prevented coordinators already under contract from interviewing for head coaching jobs with other teams. Top front office jobs, such as general manager, were also included under the rule.\u003c/p>\n\u003cp>The NFL commissioner has \u003ca href=\"https://www.acslaw.org/wp-content/uploads/old-uploads/originals/documents/Proxmire_Issue_Brief.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">wide latitude\u003c/a> in meting out fines to teams that violate the policy. But whatever penalty might be imposed, it would likely be overshadowed by the public relations hit a franchise would take.\u003c/p>\n\u003cp>The Flores suit and the current round of hiring have placed renewed scrutiny on teams. It comes after the league struggled to respond to “take a knee” protests against police brutality that began in 2016. NFL Commissioner Roger Goodell initially said players had to stand during the national anthem. Years later, he backtracked, offering an implicit apology to former San Francisco 49ers quarterback Colin Kaepernick, who was effectively shut out of the league after becoming the public face of those protests. More recently, Jon Gruden was \u003ca href=\"https://www.npr.org/2021/10/12/1045182590/raiders-coach-jon-gruden-resigns-after-reports-of-derogatory-language-in-emails\" target=\"_blank\" rel=\"noopener noreferrer\">forced to resign\u003c/a> as head coach of the Las Vegas Raiders after years of emails he’d written surfaced that contained racist, misogynistic and homophobic language.\u003c/p>\n\u003cfigure id=\"attachment_13908962\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908962\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-2048x1364.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1920x1279.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Eli Harold (from left), Colin Kaepernick and Eric Reid of the San Francisco 49ers kneel in protest during the national anthem prior to a game against the Arizona Cardinals at Levi’s Stadium on Oct. 6, 2016, in Santa Clara. \u003ccite>(Thearon W. Henderson/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I think the racial reckoning has heightened everybody’s awareness for this and made it an open discussion,” says Richard Lapchick, the director of the Institute for Diversity and Ethics in Sport at the University of Central Florida. “But just discussing it doesn’t change anything.”\u003c/p>\n\u003ch3>The NFL and NBA have different cultures\u003c/h3>\n\u003cp>For a study in contrasts, compare the NFL’s record since the Rooney Rule went into effect to what’s happened in the National Basketball Association over the same period. In both leagues, about 70% of the players are Black. But the NFL’s one African American head coach represents barely 3% of those top slots. The NBA this season has \u003ca href=\"https://www.nytimes.com/2021/11/01/sports/basketball/nba-black-coaches-diversity.html?partner=slack&smid=sl-share\" target=\"_blank\" rel=\"noopener noreferrer\">13 Black head coaches\u003c/a> spread among 30 teams—or 43%. (The NBA’s figure has has been as high as 48% in the 2012-2013 season and as low as 23% in 2020-2021.)\u003c/p>\n\u003cp>Many credit the leadership of the late David Stern, who was NBA commissioner for three decades until 2014, for shaping an inclusive culture in the basketball league.\u003c/p>\n\u003cp>Stern was “very aggressive about letting owners know that he thought minority leadership in the league was very important,” Feinstein says.\u003c/p>\n\u003cp>[aside postid='arts_13884595']That didn’t happen overnight. And it was helped along by a “very different” relationship between owners and players, says Scott Brooks, the director of research at the Global Sport Institute at Arizona State University.\u003c/p>\n\u003cp>Brooks says the NBA has managed a cultural shift that has so far eluded the NFL.\u003c/p>\n\u003cp>While the NFL is focusing on numbers, “the NBA, they’re beyond numbers,” he tells NPR. “They’re thinking about the relationships with the athletes. How this makes the athletes feel.”\u003c/p>\n\u003cp>He says it also helps that on-court legend Michael Jordan is among several owners and co-owners of color in the league.\u003c/p>\n\u003ch3>Problems in the NFL pipeline\u003c/h3>\n\u003cp>The road to NFL head coach can be a long and winding one. But there are some common paths. Consider the teams in this year’s Super Bowl: The Los Angeles Rams’ head coach Sean McVay and the Cincinnati Bengals’ Zac Taylor are both white and have similar resumes.\u003c/p>\n\u003cp>McVay and Taylor played Division I college football and held a variety of positions on their way to the head coach job — most notably as offensive coordinators, a position widely seen as a conduit to the top coaching job. In recent weeks, too, two of the three hires for head coaching positions, Hackett and Daboll, previously worked as offensive coordinators. Notably, \u003ca href=\"https://www.theatlantic.com/ideas/archive/2020/01/nfl-owners-have-problem-coaches-color/604771/\" target=\"_blank\" rel=\"noopener noreferrer\">few minorities hold key offensive coordinator positions\u003c/a>.\u003c/p>\n\u003cp>For those coaches who are former players, more quarterbacks—from either the college or the pro level—have managed to make the switch and get on a career path to the top.\u003c/p>\n\u003cp>African Americans, however, have long been discouraged from becoming quarterbacks—a position that has traditionally been dominated by white players. “In the ’60s and ’70s, almost every Black quarterback coming out of college was told to change positions,” says Feinstein\u003cem>. “\u003c/em>The excuse usually was because you’re fast and the underlying notion was, well, because you’re not smart enough.”\u003c/p>\n\u003cp>That’s changing, though, with an influx of Black starting quarterbacks in the league, says Brooks. “Will that give us more Blacks and nonwhites in these other positions? … That remains to be seen.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Beane, the NFL’s diversity officer, is optimistic that the recent expansion of the Rooney Rule will have an impact on the number of minorities on the sidelines. “I have to be hopeful,” he says.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>This story includes reporting from KQED’s Rae Alexandra. Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Why+a+20-year+effort+by+the+NFL+hasn%27t+led+to+more+minorities+in+top+coaching+jobs&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Nearly two decades ago, with few coaches of color in the NFL, the league knew that something had to be done.\u003c/p>\n\u003cp>Spurred on by the Pittsburgh Steelers’ Dan Rooney—then the team’s owner and a longtime trailblazer for diversity in the league—the National Football League adopted a policy that now colloquially bears his name. The Rooney Rule, which took effect in 2003, sought to correct inequities at the top of pro football’s hierarchy by requiring teams to interview minority candidates for head coaching vacancies.\u003c/p>\n\u003cp>It has been nearly 20 years, and the NFL has lost yardage. As the league prepares for the Super Bowl later this month, Mike Tomlin of the Steelers is the only Black head coach. The \u003ca href=\"https://www.npr.org/2022/02/02/1077365060/washington-commanders-football-team-new-name\" target=\"_blank\" rel=\"noopener noreferrer\">Washington Commanders\u003c/a>‘ Ron Rivera, who is Latino, and the New York Jets’ Robert Saleh, of Lebanese descent, are the only other nonwhites in top coaching positions among the league’s 32 franchises.\u003c/p>\n\u003cp>Brian Flores, who led the Miami Dolphins to their first back-to-back winning seasons in decades, and David Culley, who had been the Houston Texans’ head coach, were fired in January. Both are Black. Earlier this week, Flores \u003ca href=\"https://www.espn.com/nfl/story/_/id/33194862/brian-flores-sues-nfl-others-former-miami-dolphins-coach-alleges-racism-hiring-practices\" target=\"_blank\" rel=\"noopener noreferrer\">filed a class action suit\u003c/a> against the NFL, the Dolphins, the Denver Broncos and the New York Giants. His lawsuit alleges discrimination in his firing and in his interviews for the head coaching jobs with the other teams.\u003c/p>\n\u003cp>Yesterday, news broke that the San Francisco 49ers had fired assistant head coach and tight ends coach Jon Embree, who is Black. Former NFL player Solomon Wilcots reported that the team let Embree go after he refused to take a 60% pay cut. Embree had been with the Niners since 2017.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Meanwhile, top coaching positions that opened up at the end of the season are rapidly being filled—by more white candidates. The Bears recently hired Matt Eberflus, the Broncos picked up Nathaniel Hackett and the Giants brought on Brian Daboll. Some Black candidates are thought to be in serious contention for the few slots still up for grabs. But any such hires would barely move the needle on the NFL’s dismal diversity numbers.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908985 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/Screen-Shot-2022-02-03-at-3.01.07-PM-800x469.png\" alt=\"\" width=\"800\" height=\"469\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-03-at-3.01.07-PM-800x469.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-03-at-3.01.07-PM-1020x598.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-03-at-3.01.07-PM-160x94.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-03-at-3.01.07-PM-768x450.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-03-at-3.01.07-PM-1536x901.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-03-at-3.01.07-PM.png 1750w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003ch3>It’s not the rule, it’s the people\u003c/h3>\n\u003cp>Doug Williams, the first African American quarterback to win a Super Bowl, tells NPR that he would give the Rooney Rule a D.\u003c/p>\n\u003cp>“But it’s not the rule that’s not working, it’s the people,” says Williams, who is now senior adviser to the Washington Commanders. “It’s not just football, it’s America as a whole.”\u003c/p>\n\u003cp>Williams and others say they are tired of watching good, qualified head coach candidates of color passed over—year after year.\u003c/p>\n\u003cp>Take Eric Bieniemy. He spent eight years as an NFL running back in the 1990s before moving to the sidelines. As offensive coordinator for the Kansas City Chiefs, he has helped propel one of the league’s top-ranked teams for the last four seasons. The Chiefs lost by three points in overtime to the Super Bowl-bound Cincinnati Bengals. A Chiefs win would have had the team playing for a championship for the third time in as many years. Yet, in nearly a dozen interviews across the league over the past few years, Bieniemy hasn’t managed to garner a head coaching position.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>John Feinstein, author of \u003cem>Raise a Fist, Take a Knee: Race and the Illusion of Progress in Modern Sports, \u003c/em>tells NPR that in an interview for the book, Bieniemy told him\u003cem> “\u003c/em>some of those guys were legitimately looking at me as a possible head coach. Other guys were just, you know, carrying out their Rooney Rule … obligations, and you can tell, when you walk into the room, which is which.”\u003c/p>\n\u003cp>Jim Caldwell has had greater success in his coaching career—until recently. He’s been on the coaching staff of two Super Bowl champion clubs and was head coach of the Indianapolis Colts from 2009 to 2011 and the Detroit Lions from 2014 to 2017. Despite his resume, Caldwell has been passed over for head coaching jobs with several franchises since he was let go by the Lions five years ago.\u003c/p>\n\u003cp>Jonathan Beane, the NFL’s chief diversity and inclusion officer, acknowledges that the Rooney Rule has fallen short of its ultimate goal, but he credits the policy with getting more minority candidates in front of hiring panels. “When you have more candidates from different backgrounds that are part of the process and actually are in the room to compete for roles, the opportunity of a diverse candidate getting hired goes up,” he tells NPR.\u003c/p>\n\u003cp>Feinstein says the problem with that thinking is that too often the rule is simply about checking a box to prove compliance. “I think for a lot of the NFL, the Rooney Rule is simply there so they can say, ‘Hey, we interviewed Brian Flores; hey, we interviewed Eric Bieniemy,'” he says. “And until that attitude changes, you can require five [minority candidate] interviews for every opening” and it still won’t make a difference.\u003c/p>\n\u003cfigure id=\"attachment_13908959\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908959\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/ap22017084592848_wide-e7cc0a42b3b5ce4e7d357542e8a3291e8f9839f7-1920x1080.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pittsburgh Steelers head coach Mike Tomlin watches from the sideline during the first half of an NFL wild-card playoff game against the Kansas City Chiefs in January. Tomlin is currently the league’s only Black head coach. \u003ccite>(AP Photo/Ed Zurga)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>There are few owners of color in the NFL\u003c/h3>\n\u003cp>The NFL has only two owners of color, Kim Pegula, who is Asian American and co-owns the Buffalo Bills with her billionaire husband, and Jacksonville Jaguars owner Shahid Khan, who was born in Pakistan.\u003c/p>\n\u003cp>Many of the owners simply perceive a white coach as the safe choice, says Jodi Balsam, a former counsel for operations and litigation at the NFL.\u003c/p>\n\u003cp>“I don’t think there’s a single NFL owner out there who thinks to himself, ‘I won’t hire somebody who’s Black,'” Balsam tells NPR. But there are “risk averse” owners, she concedes. “When it comes to hiring at the senior-most levels, they tend to revert to what they’re comfortable with … and they perceive hiring somebody who’s Black as risky.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>To be sure, the current record on minority hires for the top coaching job is a low-water mark for the league. Things were better at the end of the 2010-2011 season, and again in 2017-2018, with a quarter of the head coaching positions held by minorities. But there have been other lows, too: the Detroit Lions were fined $200,000 for violating the policy soon after it took effect. And nearly a decade later, in 2012, there were no minority hires to fill a slew of head coach vacancies and general manager positions.\u003c/p>\n\u003cp>The Rooney Rule has been tweaked and expanded since it was introduced in 2003. Now it requires teams to interview at least two external minority candidates for head coaching jobs and one external minority candidate for offensive and defensive coordinator positions. After much discussion, a provision was also approved that grants teams who hire minority candidates a pair of future third-round draft picks. And owners agreed to eliminate clauses that prevented coordinators already under contract from interviewing for head coaching jobs with other teams. Top front office jobs, such as general manager, were also included under the rule.\u003c/p>\n\u003cp>The NFL commissioner has \u003ca href=\"https://www.acslaw.org/wp-content/uploads/old-uploads/originals/documents/Proxmire_Issue_Brief.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">wide latitude\u003c/a> in meting out fines to teams that violate the policy. But whatever penalty might be imposed, it would likely be overshadowed by the public relations hit a franchise would take.\u003c/p>\n\u003cp>The Flores suit and the current round of hiring have placed renewed scrutiny on teams. It comes after the league struggled to respond to “take a knee” protests against police brutality that began in 2016. NFL Commissioner Roger Goodell initially said players had to stand during the national anthem. Years later, he backtracked, offering an implicit apology to former San Francisco 49ers quarterback Colin Kaepernick, who was effectively shut out of the league after becoming the public face of those protests. More recently, Jon Gruden was \u003ca href=\"https://www.npr.org/2021/10/12/1045182590/raiders-coach-jon-gruden-resigns-after-reports-of-derogatory-language-in-emails\" target=\"_blank\" rel=\"noopener noreferrer\">forced to resign\u003c/a> as head coach of the Las Vegas Raiders after years of emails he’d written surfaced that contained racist, misogynistic and homophobic language.\u003c/p>\n\u003cfigure id=\"attachment_13908962\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908962\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-2048x1364.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/gettyimages-613006826_custom-f97a5013d911721d6d056c2efd00c749ed8f41c5-1920x1279.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Eli Harold (from left), Colin Kaepernick and Eric Reid of the San Francisco 49ers kneel in protest during the national anthem prior to a game against the Arizona Cardinals at Levi’s Stadium on Oct. 6, 2016, in Santa Clara. \u003ccite>(Thearon W. Henderson/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I think the racial reckoning has heightened everybody’s awareness for this and made it an open discussion,” says Richard Lapchick, the director of the Institute for Diversity and Ethics in Sport at the University of Central Florida. “But just discussing it doesn’t change anything.”\u003c/p>\n\u003ch3>The NFL and NBA have different cultures\u003c/h3>\n\u003cp>For a study in contrasts, compare the NFL’s record since the Rooney Rule went into effect to what’s happened in the National Basketball Association over the same period. In both leagues, about 70% of the players are Black. But the NFL’s one African American head coach represents barely 3% of those top slots. The NBA this season has \u003ca href=\"https://www.nytimes.com/2021/11/01/sports/basketball/nba-black-coaches-diversity.html?partner=slack&smid=sl-share\" target=\"_blank\" rel=\"noopener noreferrer\">13 Black head coaches\u003c/a> spread among 30 teams—or 43%. (The NBA’s figure has has been as high as 48% in the 2012-2013 season and as low as 23% in 2020-2021.)\u003c/p>\n\u003cp>Many credit the leadership of the late David Stern, who was NBA commissioner for three decades until 2014, for shaping an inclusive culture in the basketball league.\u003c/p>\n\u003cp>Stern was “very aggressive about letting owners know that he thought minority leadership in the league was very important,” Feinstein says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>That didn’t happen overnight. And it was helped along by a “very different” relationship between owners and players, says Scott Brooks, the director of research at the Global Sport Institute at Arizona State University.\u003c/p>\n\u003cp>Brooks says the NBA has managed a cultural shift that has so far eluded the NFL.\u003c/p>\n\u003cp>While the NFL is focusing on numbers, “the NBA, they’re beyond numbers,” he tells NPR. “They’re thinking about the relationships with the athletes. How this makes the athletes feel.”\u003c/p>\n\u003cp>He says it also helps that on-court legend Michael Jordan is among several owners and co-owners of color in the league.\u003c/p>\n\u003ch3>Problems in the NFL pipeline\u003c/h3>\n\u003cp>The road to NFL head coach can be a long and winding one. But there are some common paths. Consider the teams in this year’s Super Bowl: The Los Angeles Rams’ head coach Sean McVay and the Cincinnati Bengals’ Zac Taylor are both white and have similar resumes.\u003c/p>\n\u003cp>McVay and Taylor played Division I college football and held a variety of positions on their way to the head coach job — most notably as offensive coordinators, a position widely seen as a conduit to the top coaching job. In recent weeks, too, two of the three hires for head coaching positions, Hackett and Daboll, previously worked as offensive coordinators. Notably, \u003ca href=\"https://www.theatlantic.com/ideas/archive/2020/01/nfl-owners-have-problem-coaches-color/604771/\" target=\"_blank\" rel=\"noopener noreferrer\">few minorities hold key offensive coordinator positions\u003c/a>.\u003c/p>\n\u003cp>For those coaches who are former players, more quarterbacks—from either the college or the pro level—have managed to make the switch and get on a career path to the top.\u003c/p>\n\u003cp>African Americans, however, have long been discouraged from becoming quarterbacks—a position that has traditionally been dominated by white players. “In the ’60s and ’70s, almost every Black quarterback coming out of college was told to change positions,” says Feinstein\u003cem>. “\u003c/em>The excuse usually was because you’re fast and the underlying notion was, well, because you’re not smart enough.”\u003c/p>\n\u003cp>That’s changing, though, with an influx of Black starting quarterbacks in the league, says Brooks. “Will that give us more Blacks and nonwhites in these other positions? … That remains to be seen.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Beane, the NFL’s diversity officer, is optimistic that the recent expansion of the Rooney Rule will have an impact on the number of minorities on the sidelines. “I have to be hopeful,” he says.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>This story includes reporting from KQED’s Rae Alexandra. Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Why+a+20-year+effort+by+the+NFL+hasn%27t+led+to+more+minorities+in+top+coaching+jobs&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The word \u003cem>chaotic\u003c/em> can make for such a delicious descriptor. It’s simple yet vivid, a word you conjure up to invoke a sense of disarray, instability, and mess. It’s a state of discombobulation and whirlwind turbulence. It can feel especially apt to apply it to celebrity happenings as observed by the rest of us from the outside—particularly when it comes to their \u003ca href=\"https://www.interviewmagazine.com/culture/date-night\" target=\"_blank\" rel=\"noopener noreferrer\">over-the-top romances\u003c/a>.\u003c/p>\n\u003cp>And so, the best way to describe the meet-cute of Pamela Anderson and Tommy Lee, as depicted in Hulu’s enjoyable eight-part miniseries \u003cem>Pam & Tommy\u003c/em>, is chaotic. It’s 1995, and Pam (an unrecognizable Lily James) is out at an L.A. nightclub with her girlfriends, declaring she’s “done with bad boys” as Crystal Waters’ “100% Pure Love” pours through the speakers. In a celebratory mood, she decides to buy a round of shots for the entire club, which includes, unbeknownst to her, Mötley Crüe drummer and bad boy émérite Tommy Lee (Sebastian Stan), someone she’s never met.\u003c/p>\n\u003cp>[aside postid='pop_10995']When the cocktail waitress tells Tommy the drink is courtesy of Pam Anderson, he mistakenly accepts it as a mating call intended specifically for him, and struts over to Pam and her friends as if he were the metal rock version of the vapid, preening Gaston in \u003cem>Beauty and the Beast\u003c/em>. Without saying a word, they share intense lusty stares; then he removes the dividing red velvet VIP rope, plops over next to her on the couch, and proceeds to give the side of her face a big, long, \u003cem>liiiick. \u003c/em>\u003c/p>\n\u003cp>Pam then turns to her friend, and licks \u003cem>her\u003c/em> face, who then turns to the friend next to \u003cem>her\u003c/em>, and licks \u003cem>her\u003c/em> face and … next thing you know, Pam and Tommy are on the dance floor and can’t keep their hands off each other.\u003c/p>\n\u003cp>Like I said: CHAOTIC. Also, thoroughly entertaining.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=MDXH_X-YbpM\u003c/p>\n\u003cp>\u003cem>Pam & Tommy \u003c/em>is the latest entry in the genre of revisiting America’s biggest 20\u003csup>th\u003c/sup> century cultural scandals, and it revels in the chaos of the couple’s relationship and dueling celebrity personalities. Written by Robert D. Siegel and based on a \u003ca href=\"https://www.rollingstone.com/feature/pam-and-tommy-the-untold-story-of-the-worlds-most-infamous-sex-tape-194776/\" target=\"_blank\" rel=\"noopener noreferrer\">2014 \u003cem>Rolling Stone \u003c/em>article\u003c/a> by Amanda Chicago Lewis, the series chronicles the infamous leak of Anderson and Lee’s intimate home video, perhaps the first viral celebrity sex tape of its notoriety. (It began making the rounds on the bootleg VHS circuit in 1995, pre-Paris Hilton and Rick Salomon, pre-Kim Kardashian and Ray J.) This old story is ripe for dramatization, because not only does it involve prime storytelling elements—a disgruntled employee, the mob, the porn industry—but it also provides an opportunity to benefit from hindsight, turning what was once the late-night punchline du jour into a pointed critique of society’s deeply ingrained misogyny. In attempting this, \u003cem>Pam & Tommy \u003c/em>mostly succeeds.\u003c/p>\n\u003cp>[aside postid='arts_13886236']The first episode sets up the impetus for the tape’s leak: Rand Gauthier (Seth Rogen), a contractor remodeling Tommy and Pam’s sprawling mansion, is pushed to the edge by Tommy’s outrageous demands. The rock star, who frequently proclaims “money is no object,” also hasn’t paid Rand and his partner for their supplies and labor, and owes them tens of thousands of dollars. When they confront Tommy about payment, they’re fired. And when Rand returns later to pick up the tool box he left behind, Tommy refuses to return it to him, escorting him off the premises at gunpoint. Rand, humiliated and pissed (a lethal combination), plots out his revenge.\u003c/p>\n\u003cp>Rand manages to steal Tommy’s safe from his garage, and stumbles upon the tape that will upend his life and its creators’ forever. He partners up with the pornographer known as Uncle Miltie (Nick Offerman, smarmy as ever) and they set up an operation where they advertise the video on the world wide web, and sell copies of the VHS to horny voyeurs all across the country.\u003c/p>\n\u003cp>\u003cem>Pam & Tommy \u003c/em>zig-zags through the perspectives of Rand and the violated couple, amidst a swirl of stylish editing, needle drops, and whimsical narrative choices. In one scene, Tommy has a conversation with his own, er, appendage, which is anthropomorphized and voiced by Jason Mantzoukas, because, why not? Rogen is a snug fit for Rand, an unremarkable guy who clings to an intense belief in karma until his encounters with the maniacal rock star make him feel otherwise. (“I \u003cem>am \u003c/em>karma, and I’m a b—-,” he proclaims the moment he decides to turn from sympathetic beleaguered dude to villain.) The actor doesn’t usually play characters to actively root against—and in 2022, we should all be rooting against guys like Rand—but he does have a knack for playing average joes who find themselves in over their heads under extremely heightened circumstances, and it works.\u003c/p>\n\u003cp>But the story really belongs to Pam, and, to a slightly lesser extent, Tommy. As the ill-fated pair, James and Stan manage to find groundedness alongside their characters’ exaggerated public personas as flighty blonde sex symbol and dimwitted, erratic rock star. Sure, their whirlwind courtship is depicted as anyone rational from the outside looking in probably sees it: silly and doomed from the jump. (They were married just four days after that initial meet-chaotic.) Yet \u003cem>Pam & Tommy \u003c/em>presents their relationship as emerging from a genuine place of mutual sexual and intellectual attraction, and Tommy frequently plays the role of over-the-top cheerleader as his wife attempts to expand her career beyond \u003cem>Baywatch.\u003c/em> (Though there’s a bit of an \u003cem>A Star is Born \u003c/em>trajectory going on here. As unlucky strangers he encounters learn, be careful what you say to him about his own pursuits; Mötley Crüe hasn’t had a hit in years and it’s a sore spot for Tommy.)\u003c/p>\n\u003cp>As is often the case, though, Tommy threatens to derail her career with his penchant for getting into bar brawls. And once the tape breaks into the national spotlight, however, the ties that bind them begin to fray. Pam is deeply embarrassed and horrified as late-night hosts and random strangers reduce her to little more than a bimbo. Meanwhile, Tommy is seen as the hero who gets to have sex with the world’s biggest sex symbol and envied for his apparent well-endowment.\u003c/p>\n\u003cp>James is excellent as the \u003cem>Baywatch\u003c/em> star, channeling her as at once extremely vulnerable and exceptionally astute. Pam is consistently pushing back against the sexism and dismissiveness she faces from everyone in her life, Tommy included. “This is worse for me,” she says to him about the tape. “It’s not because of my ‘big career,’ it’s because I’m a woman.”\u003c/p>\n\u003cp>[aside postid='arts_13903795']And yet as enjoyable as much of \u003cem>Pam & Tommy \u003c/em>is, and as noble as its aims may be in presenting Anderson as the tragic pawn in this gross game of competing fragile male egos, I can’t help but wonder if the series unintentionally replicates aspects of that original violation of privacy. While the re-enacted video is shown in bits and pieces, often only in audio form (the panting, Pam’s giggling, the intimate banter), it still appears \u003cem>a lot \u003c/em>throughout the series, as various characters view it on their TVs and desktops.\u003c/p>\n\u003cp>Unlike last fall’s \u003cem>American Crime Story: Impeachment\u003c/em>, which credited Monica Lewinsky as an executive producer, Anderson appears to have had no involvement with \u003cem>Pam & Tommy\u003c/em>, perhaps because she’d prefer not to revisit this traumatic period from her past. In an interview, \u003ca href=\"https://www.net-a-porter.com/en-us/porter/article-137ca24c03ea7828?cm_mmc=LinkshareUS-_-tv2R4u9rImY-_-Custom-_-LinkBuilder&utm_source=rakuten&utm_medium=affiliation&utm_campaign=US_3157217&utm_content=US_Skimlinks+%28Variable+Pricing%29&utm_term=tv2R4u9rImY-w0wDsXVQ0w.NETK3yjaclw&ranMID=24449&ranEAID=tv2R4u9rImY&ranSiteID=tv2R4u9rImY-w0wDsXVQ0w.NETK3yjaclw&siteID=tv2R4u9rImY-w0wDsXVQ0w.NETK3yjaclw&linkshare_siteID=tv2R4u9rImY-w0wDsXVQ0w.NETK3yjaclw&linkshare_affiliate_mid=24449\" target=\"_blank\" rel=\"noopener noreferrer\">James said she tried to reach out to Anderson\u003c/a> while preparing for the role, but was unsuccessful. And curiously, the show barely touches Lee’s reportedly abusive behavior toward Anderson during their marriage, and not until the very end of the final episode, in the closing titles.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Perhaps, as the series sets out to prove, the truth is more complicated than soundbites and punchlines could ever muster. It can be such that \u003cem>Pam & Tommy \u003c/em>joins the ranks of \u003ca href=\"https://one.npr.org/?sharedMediaId=1033765529:1047017794\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Impeachment\u003c/em>\u003c/a>, \u003ca href=\"https://www.npr.org/2021/09/28/1041131518/britney-vs-spears-controlling-britney-spears-documentary\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Framing Britney Spears\u003c/em>\u003c/a>, and \u003ca href=\"https://www.npr.org/2021/11/19/1056562889/new-york-times-fx-documentary-janet-jackson-justin-timberlake-super-bowl\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Malfunction: The Dressing Down of Janet Jackson\u003c/em>\u003c/a> in effectively critiquing society’s treatment of women in some ways, while still falling short in others.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Pam+%26+Tommy%27+are+sympathetic+figures+in+an+infamous+culture+war&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The word \u003cem>chaotic\u003c/em> can make for such a delicious descriptor. It’s simple yet vivid, a word you conjure up to invoke a sense of disarray, instability, and mess. It’s a state of discombobulation and whirlwind turbulence. It can feel especially apt to apply it to celebrity happenings as observed by the rest of us from the outside—particularly when it comes to their \u003ca href=\"https://www.interviewmagazine.com/culture/date-night\" target=\"_blank\" rel=\"noopener noreferrer\">over-the-top romances\u003c/a>.\u003c/p>\n\u003cp>And so, the best way to describe the meet-cute of Pamela Anderson and Tommy Lee, as depicted in Hulu’s enjoyable eight-part miniseries \u003cem>Pam & Tommy\u003c/em>, is chaotic. It’s 1995, and Pam (an unrecognizable Lily James) is out at an L.A. nightclub with her girlfriends, declaring she’s “done with bad boys” as Crystal Waters’ “100% Pure Love” pours through the speakers. In a celebratory mood, she decides to buy a round of shots for the entire club, which includes, unbeknownst to her, Mötley Crüe drummer and bad boy émérite Tommy Lee (Sebastian Stan), someone she’s never met.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>When the cocktail waitress tells Tommy the drink is courtesy of Pam Anderson, he mistakenly accepts it as a mating call intended specifically for him, and struts over to Pam and her friends as if he were the metal rock version of the vapid, preening Gaston in \u003cem>Beauty and the Beast\u003c/em>. Without saying a word, they share intense lusty stares; then he removes the dividing red velvet VIP rope, plops over next to her on the couch, and proceeds to give the side of her face a big, long, \u003cem>liiiick. \u003c/em>\u003c/p>\n\u003cp>Pam then turns to her friend, and licks \u003cem>her\u003c/em> face, who then turns to the friend next to \u003cem>her\u003c/em>, and licks \u003cem>her\u003c/em> face and … next thing you know, Pam and Tommy are on the dance floor and can’t keep their hands off each other.\u003c/p>\n\u003cp>Like I said: CHAOTIC. Also, thoroughly entertaining.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/MDXH_X-YbpM'\n title='//www.youtube.com/embed/MDXH_X-YbpM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Pam & Tommy \u003c/em>is the latest entry in the genre of revisiting America’s biggest 20\u003csup>th\u003c/sup> century cultural scandals, and it revels in the chaos of the couple’s relationship and dueling celebrity personalities. Written by Robert D. Siegel and based on a \u003ca href=\"https://www.rollingstone.com/feature/pam-and-tommy-the-untold-story-of-the-worlds-most-infamous-sex-tape-194776/\" target=\"_blank\" rel=\"noopener noreferrer\">2014 \u003cem>Rolling Stone \u003c/em>article\u003c/a> by Amanda Chicago Lewis, the series chronicles the infamous leak of Anderson and Lee’s intimate home video, perhaps the first viral celebrity sex tape of its notoriety. (It began making the rounds on the bootleg VHS circuit in 1995, pre-Paris Hilton and Rick Salomon, pre-Kim Kardashian and Ray J.) This old story is ripe for dramatization, because not only does it involve prime storytelling elements—a disgruntled employee, the mob, the porn industry—but it also provides an opportunity to benefit from hindsight, turning what was once the late-night punchline du jour into a pointed critique of society’s deeply ingrained misogyny. In attempting this, \u003cem>Pam & Tommy \u003c/em>mostly succeeds.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The first episode sets up the impetus for the tape’s leak: Rand Gauthier (Seth Rogen), a contractor remodeling Tommy and Pam’s sprawling mansion, is pushed to the edge by Tommy’s outrageous demands. The rock star, who frequently proclaims “money is no object,” also hasn’t paid Rand and his partner for their supplies and labor, and owes them tens of thousands of dollars. When they confront Tommy about payment, they’re fired. And when Rand returns later to pick up the tool box he left behind, Tommy refuses to return it to him, escorting him off the premises at gunpoint. Rand, humiliated and pissed (a lethal combination), plots out his revenge.\u003c/p>\n\u003cp>Rand manages to steal Tommy’s safe from his garage, and stumbles upon the tape that will upend his life and its creators’ forever. He partners up with the pornographer known as Uncle Miltie (Nick Offerman, smarmy as ever) and they set up an operation where they advertise the video on the world wide web, and sell copies of the VHS to horny voyeurs all across the country.\u003c/p>\n\u003cp>\u003cem>Pam & Tommy \u003c/em>zig-zags through the perspectives of Rand and the violated couple, amidst a swirl of stylish editing, needle drops, and whimsical narrative choices. In one scene, Tommy has a conversation with his own, er, appendage, which is anthropomorphized and voiced by Jason Mantzoukas, because, why not? Rogen is a snug fit for Rand, an unremarkable guy who clings to an intense belief in karma until his encounters with the maniacal rock star make him feel otherwise. (“I \u003cem>am \u003c/em>karma, and I’m a b—-,” he proclaims the moment he decides to turn from sympathetic beleaguered dude to villain.) The actor doesn’t usually play characters to actively root against—and in 2022, we should all be rooting against guys like Rand—but he does have a knack for playing average joes who find themselves in over their heads under extremely heightened circumstances, and it works.\u003c/p>\n\u003cp>But the story really belongs to Pam, and, to a slightly lesser extent, Tommy. As the ill-fated pair, James and Stan manage to find groundedness alongside their characters’ exaggerated public personas as flighty blonde sex symbol and dimwitted, erratic rock star. Sure, their whirlwind courtship is depicted as anyone rational from the outside looking in probably sees it: silly and doomed from the jump. (They were married just four days after that initial meet-chaotic.) Yet \u003cem>Pam & Tommy \u003c/em>presents their relationship as emerging from a genuine place of mutual sexual and intellectual attraction, and Tommy frequently plays the role of over-the-top cheerleader as his wife attempts to expand her career beyond \u003cem>Baywatch.\u003c/em> (Though there’s a bit of an \u003cem>A Star is Born \u003c/em>trajectory going on here. As unlucky strangers he encounters learn, be careful what you say to him about his own pursuits; Mötley Crüe hasn’t had a hit in years and it’s a sore spot for Tommy.)\u003c/p>\n\u003cp>As is often the case, though, Tommy threatens to derail her career with his penchant for getting into bar brawls. And once the tape breaks into the national spotlight, however, the ties that bind them begin to fray. Pam is deeply embarrassed and horrified as late-night hosts and random strangers reduce her to little more than a bimbo. Meanwhile, Tommy is seen as the hero who gets to have sex with the world’s biggest sex symbol and envied for his apparent well-endowment.\u003c/p>\n\u003cp>James is excellent as the \u003cem>Baywatch\u003c/em> star, channeling her as at once extremely vulnerable and exceptionally astute. Pam is consistently pushing back against the sexism and dismissiveness she faces from everyone in her life, Tommy included. “This is worse for me,” she says to him about the tape. “It’s not because of my ‘big career,’ it’s because I’m a woman.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>And yet as enjoyable as much of \u003cem>Pam & Tommy \u003c/em>is, and as noble as its aims may be in presenting Anderson as the tragic pawn in this gross game of competing fragile male egos, I can’t help but wonder if the series unintentionally replicates aspects of that original violation of privacy. While the re-enacted video is shown in bits and pieces, often only in audio form (the panting, Pam’s giggling, the intimate banter), it still appears \u003cem>a lot \u003c/em>throughout the series, as various characters view it on their TVs and desktops.\u003c/p>\n\u003cp>Unlike last fall’s \u003cem>American Crime Story: Impeachment\u003c/em>, which credited Monica Lewinsky as an executive producer, Anderson appears to have had no involvement with \u003cem>Pam & Tommy\u003c/em>, perhaps because she’d prefer not to revisit this traumatic period from her past. In an interview, \u003ca href=\"https://www.net-a-porter.com/en-us/porter/article-137ca24c03ea7828?cm_mmc=LinkshareUS-_-tv2R4u9rImY-_-Custom-_-LinkBuilder&utm_source=rakuten&utm_medium=affiliation&utm_campaign=US_3157217&utm_content=US_Skimlinks+%28Variable+Pricing%29&utm_term=tv2R4u9rImY-w0wDsXVQ0w.NETK3yjaclw&ranMID=24449&ranEAID=tv2R4u9rImY&ranSiteID=tv2R4u9rImY-w0wDsXVQ0w.NETK3yjaclw&siteID=tv2R4u9rImY-w0wDsXVQ0w.NETK3yjaclw&linkshare_siteID=tv2R4u9rImY-w0wDsXVQ0w.NETK3yjaclw&linkshare_affiliate_mid=24449\" target=\"_blank\" rel=\"noopener noreferrer\">James said she tried to reach out to Anderson\u003c/a> while preparing for the role, but was unsuccessful. And curiously, the show barely touches Lee’s reportedly abusive behavior toward Anderson during their marriage, and not until the very end of the final episode, in the closing titles.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Perhaps, as the series sets out to prove, the truth is more complicated than soundbites and punchlines could ever muster. It can be such that \u003cem>Pam & Tommy \u003c/em>joins the ranks of \u003ca href=\"https://one.npr.org/?sharedMediaId=1033765529:1047017794\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Impeachment\u003c/em>\u003c/a>, \u003ca href=\"https://www.npr.org/2021/09/28/1041131518/britney-vs-spears-controlling-britney-spears-documentary\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Framing Britney Spears\u003c/em>\u003c/a>, and \u003ca href=\"https://www.npr.org/2021/11/19/1056562889/new-york-times-fx-documentary-janet-jackson-justin-timberlake-super-bowl\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Malfunction: The Dressing Down of Janet Jackson\u003c/em>\u003c/a> in effectively critiquing society’s treatment of women in some ways, while still falling short in others.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Pam+%26+Tommy%27+are+sympathetic+figures+in+an+infamous+culture+war&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Here's the Story Behind Black History Month—and Why it's Celebrated in February",
"headTitle": "Here’s the Story Behind Black History Month—and Why it’s Celebrated in February | KQED",
"content": "\u003cp>Every February, the U.S. honors the contributions and sacrifices of African Americans who have helped shape the nation. Black History Month celebrates the rich cultural heritage, triumphs and adversities that are an indelible part of our country’s history.\u003c/p>\n\u003cp>[aside postid='arts_13825847']This year’s theme, \u003ca href=\"https://asalh.org/wp-content/uploads/2021/10/2022-Black-History-Theme-Executive-Summary.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Black Health and Wellness\u003c/a>, pays homage to medical scholars and health care providers. The theme is especially timely as we enter the third year of the COVID-19 pandemic, which has disproportionately affected minority communities and placed \u003ca href=\"https://www.usnews.com/news/health-news/articles/2021-02-01/black-doctors-covid-burden-patients-social-ills-and-workplace-bigotry\" target=\"_blank\" rel=\"noopener noreferrer\">unique burdens\u003c/a> on Black health care professionals.\u003c/p>\n\u003cp>“There is no American history without African American history,” said Sara Clarke Kaplan, executive director of the \u003ca href=\"https://www.american.edu/centers/antiracism/\" target=\"_blank\" rel=\"noopener noreferrer\">Antiracist Research & Policy Center\u003c/a> at American University in Washington, D.C. The Black experience, she said, is embedded in “everything we think of as ‘American history.’ ”\u003c/p>\n\u003ch3>First, there was Negro History Week\u003c/h3>\n\u003cfigure id=\"attachment_13908786\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13908786\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/CarterGWoodson_custom-d5d1457f0e2a1e5ffb5c73df29901e26f8aade17.jpg\" alt=\"A black and white portrait of a young Black man wearing a smart suit jacket, tie and starched white shirt.\" width=\"200\" height=\"268\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/CarterGWoodson_custom-d5d1457f0e2a1e5ffb5c73df29901e26f8aade17.jpg 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/CarterGWoodson_custom-d5d1457f0e2a1e5ffb5c73df29901e26f8aade17-160x214.jpg 160w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003cfigcaption class=\"wp-caption-text\">Carter G. Woodson (1875-1950) was an American historian, a scholar and the founder of the Association for the Study of Negro Life and History. Woodson was instrumental in launching Negro History Week in 1926. \u003ccite>(Bettmann Archive/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Critics have long argued that Black history should be taught and celebrated year-round, not just during one month each year.\u003c/p>\n\u003cp>It was \u003ca href=\"https://www.britannica.com/biography/Carter-G-Woodson\" target=\"_blank\" rel=\"noopener noreferrer\">Carter G. Woodson\u003c/a>, the “father of Black history,” who first set out in 1926 to designate a time to promote and educate people about Black history and culture, according to W. Marvin Dulaney. He is a historian and the president of the Association for the Study of African American Life and History (\u003ca href=\"https://asalh.org/\" target=\"_blank\" rel=\"noopener noreferrer\">ASALH\u003c/a>).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Woodson envisioned a weeklong celebration to encourage the coordinated teaching of Black history in public schools. He designated the second week of February as Negro History Week and galvanized fellow historians through the Association for the Study of Negro Life and History, which he founded in 1915. (ASNLH later became ASALH.)\u003c/p>\n\u003cp>The idea wasn’t to place limitations but really to focus and broaden the nation’s consciousness.\u003c/p>\n\u003cp>“Woodson’s goal from the very beginning was to make the celebration of Black history in the field of history a ‘serious area of study,’ ” said Albert Broussard, a professor of Afro-American history at Texas A&M University.\u003c/p>\n\u003cp>The idea eventually grew in acceptance, and by the late 1960s, Negro History Week had evolved into what is now known as Black History Month. Protests around racial injustice, inequality and anti-imperialism that were occurring in many parts of the U.S. were pivotal to the change.\u003c/p>\n\u003cp>Colleges and universities also began to hold commemorations, with \u003ca href=\"https://www.kent.edu/cas/did-you-know#:~:text=In%20February%201970%2C%20Kent%20State,which%20was%20established%20in%201976.&text=Since%201976%2C%20each%20president%20has,Month%20and%20endorsed%20a%20theme.\" target=\"_blank\" rel=\"noopener noreferrer\">Kent State University\u003c/a> being one of the first, according to Kaplan.\u003c/p>\n\u003cp>Fifty years after the first celebrations, President Gerald R. Ford officially recognized Black History Month during the country’s 1976 bicentennial. Ford called upon Americans to “seize the opportunity to honor the too-often neglected accomplishments of Black Americans in every area of endeavor throughout our history,” History.com\u003ca href=\"https://www.history.com/topics/black-history/black-history-month\" target=\"_blank\" rel=\"noopener noreferrer\"> reports\u003c/a>.\u003c/p>\n\u003ch3>Why February was chosen as Black History Month\u003c/h3>\n\u003cp>[aside postid='arts_13874566']February was chosen primarily because the second week of the month coincides with the birthdays of both Abraham Lincoln and Frederick Douglass. Lincoln was influential in the \u003ca href=\"https://www.biography.com/us-president/abraham-lincoln\" target=\"_blank\" rel=\"noopener noreferrer\">emancipation of slaves\u003c/a>, and Douglass, a former slave, was a prominent leader in the \u003ca href=\"https://www.history.com/topics/black-history/frederick-douglass\" target=\"_blank\" rel=\"noopener noreferrer\">abolitionist movement\u003c/a>, which fought to end slavery.\u003c/p>\n\u003cp>Lincoln and Douglass were each born in the second week of February, so it was traditionally a time when African Americans would hold celebrations in honor of emancipation, Kaplan said. (Douglass’ exact date of birth wasn’t recorded, but he came to celebrate it on Feb. 14.)\u003c/p>\n\u003cp>Thus, Woodson created Negro History Week around the two birthdays as a way of “commemorating the black past,” according to \u003ca href=\"https://asalh.org/about-us/origins-of-black-history-month/\" target=\"_blank\" rel=\"noopener noreferrer\">ASALH\u003c/a>.\u003c/p>\n\u003cp>Forty years after Ford formally recognized Black History Month, it was Barack Obama, the nation’s first Black president, who \u003ca href=\"https://obamawhitehouse.archives.gov/the-press-office/2016/02/18/remarks-president-black-history-month-reception\" target=\"_blank\" rel=\"noopener noreferrer\">delivered a message\u003c/a> of his own from the White House, a place built by slaves.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_13908790\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908790\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-800x443.png\" alt=\"Barack and Michelle Obama stand on stage in front of a golden yellow curtain and American flag, while a packed audience holds up cell phones to take their photo.\" width=\"800\" height=\"443\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-800x443.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-1020x565.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-160x89.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-768x426.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-1536x851.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-672x372.png 672w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-1038x576.png 1038w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM.png 1674w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">President Barack Obama and first lady Michelle Obama host the annual reception for Black History Month at the White House on Feb. 18, 2016. \u003ccite>(Mike Theiler/Pool/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Black History Month shouldn’t be treated as though it is somehow separate from our collective American history or somehow just boiled down to a compilation of greatest hits from the March on Washington or from some of our sports heroes,” Obama said.\u003c/p>\n\u003cp>“It’s about the lived, shared experience of all African Americans, high and low, famous and obscure, and how those experiences have shaped and challenged and ultimately strengthened America,” he continued.\u003c/p>\n\u003cp>(Canada also commemorates Black History Month in February, while the U.K. and \u003ca href=\"https://www.irishcentral.com/news/how-ireland-is-celebrating-national-black-history-month\" target=\"_blank\" rel=\"noopener noreferrer\">Ireland\u003c/a> celebrate it in October.)\u003c/p>\n\u003ch3>There’s a new theme every year\u003c/h3>\n\u003cp>ASALH designates a \u003ca href=\"https://asalh.org/black-history-themes/\" target=\"_blank\" rel=\"noopener noreferrer\">new theme\u003c/a> for Black History Month each year, in keeping with the practice Woodson established for Negro History Week.\u003c/p>\n\u003cp>[aside postid='arts_13875319']This year’s Black Health and Wellness theme is particularly appropriate, Dulaney said, as the U.S. continues to fight the coronavirus pandemic.\u003c/p>\n\u003cp>“As [Black people], we have terrible health outcomes, and even the coronavirus has been affecting us disproportionately in terms of those of us who are catching it,” Dulaney said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There’s never been a time where Black people and others should not celebrate Black history,” Broussard said. “Given the current racial climate, the racial reckoning that began in wake of George Floyd’s murder … this is an opportunity to learn.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Here%27s+the+story+behind+Black+History+Month+%E2%80%94+and+why+it%27s+celebrated+in+February&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Every February, the U.S. honors the contributions and sacrifices of African Americans who have helped shape the nation. Black History Month celebrates the rich cultural heritage, triumphs and adversities that are an indelible part of our country’s history.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>This year’s theme, \u003ca href=\"https://asalh.org/wp-content/uploads/2021/10/2022-Black-History-Theme-Executive-Summary.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Black Health and Wellness\u003c/a>, pays homage to medical scholars and health care providers. The theme is especially timely as we enter the third year of the COVID-19 pandemic, which has disproportionately affected minority communities and placed \u003ca href=\"https://www.usnews.com/news/health-news/articles/2021-02-01/black-doctors-covid-burden-patients-social-ills-and-workplace-bigotry\" target=\"_blank\" rel=\"noopener noreferrer\">unique burdens\u003c/a> on Black health care professionals.\u003c/p>\n\u003cp>“There is no American history without African American history,” said Sara Clarke Kaplan, executive director of the \u003ca href=\"https://www.american.edu/centers/antiracism/\" target=\"_blank\" rel=\"noopener noreferrer\">Antiracist Research & Policy Center\u003c/a> at American University in Washington, D.C. The Black experience, she said, is embedded in “everything we think of as ‘American history.’ ”\u003c/p>\n\u003ch3>First, there was Negro History Week\u003c/h3>\n\u003cfigure id=\"attachment_13908786\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13908786\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/CarterGWoodson_custom-d5d1457f0e2a1e5ffb5c73df29901e26f8aade17.jpg\" alt=\"A black and white portrait of a young Black man wearing a smart suit jacket, tie and starched white shirt.\" width=\"200\" height=\"268\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/CarterGWoodson_custom-d5d1457f0e2a1e5ffb5c73df29901e26f8aade17.jpg 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/CarterGWoodson_custom-d5d1457f0e2a1e5ffb5c73df29901e26f8aade17-160x214.jpg 160w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003cfigcaption class=\"wp-caption-text\">Carter G. Woodson (1875-1950) was an American historian, a scholar and the founder of the Association for the Study of Negro Life and History. Woodson was instrumental in launching Negro History Week in 1926. \u003ccite>(Bettmann Archive/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Critics have long argued that Black history should be taught and celebrated year-round, not just during one month each year.\u003c/p>\n\u003cp>It was \u003ca href=\"https://www.britannica.com/biography/Carter-G-Woodson\" target=\"_blank\" rel=\"noopener noreferrer\">Carter G. Woodson\u003c/a>, the “father of Black history,” who first set out in 1926 to designate a time to promote and educate people about Black history and culture, according to W. Marvin Dulaney. He is a historian and the president of the Association for the Study of African American Life and History (\u003ca href=\"https://asalh.org/\" target=\"_blank\" rel=\"noopener noreferrer\">ASALH\u003c/a>).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Woodson envisioned a weeklong celebration to encourage the coordinated teaching of Black history in public schools. He designated the second week of February as Negro History Week and galvanized fellow historians through the Association for the Study of Negro Life and History, which he founded in 1915. (ASNLH later became ASALH.)\u003c/p>\n\u003cp>The idea wasn’t to place limitations but really to focus and broaden the nation’s consciousness.\u003c/p>\n\u003cp>“Woodson’s goal from the very beginning was to make the celebration of Black history in the field of history a ‘serious area of study,’ ” said Albert Broussard, a professor of Afro-American history at Texas A&M University.\u003c/p>\n\u003cp>The idea eventually grew in acceptance, and by the late 1960s, Negro History Week had evolved into what is now known as Black History Month. Protests around racial injustice, inequality and anti-imperialism that were occurring in many parts of the U.S. were pivotal to the change.\u003c/p>\n\u003cp>Colleges and universities also began to hold commemorations, with \u003ca href=\"https://www.kent.edu/cas/did-you-know#:~:text=In%20February%201970%2C%20Kent%20State,which%20was%20established%20in%201976.&text=Since%201976%2C%20each%20president%20has,Month%20and%20endorsed%20a%20theme.\" target=\"_blank\" rel=\"noopener noreferrer\">Kent State University\u003c/a> being one of the first, according to Kaplan.\u003c/p>\n\u003cp>Fifty years after the first celebrations, President Gerald R. Ford officially recognized Black History Month during the country’s 1976 bicentennial. Ford called upon Americans to “seize the opportunity to honor the too-often neglected accomplishments of Black Americans in every area of endeavor throughout our history,” History.com\u003ca href=\"https://www.history.com/topics/black-history/black-history-month\" target=\"_blank\" rel=\"noopener noreferrer\"> reports\u003c/a>.\u003c/p>\n\u003ch3>Why February was chosen as Black History Month\u003c/h3>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>February was chosen primarily because the second week of the month coincides with the birthdays of both Abraham Lincoln and Frederick Douglass. Lincoln was influential in the \u003ca href=\"https://www.biography.com/us-president/abraham-lincoln\" target=\"_blank\" rel=\"noopener noreferrer\">emancipation of slaves\u003c/a>, and Douglass, a former slave, was a prominent leader in the \u003ca href=\"https://www.history.com/topics/black-history/frederick-douglass\" target=\"_blank\" rel=\"noopener noreferrer\">abolitionist movement\u003c/a>, which fought to end slavery.\u003c/p>\n\u003cp>Lincoln and Douglass were each born in the second week of February, so it was traditionally a time when African Americans would hold celebrations in honor of emancipation, Kaplan said. (Douglass’ exact date of birth wasn’t recorded, but he came to celebrate it on Feb. 14.)\u003c/p>\n\u003cp>Thus, Woodson created Negro History Week around the two birthdays as a way of “commemorating the black past,” according to \u003ca href=\"https://asalh.org/about-us/origins-of-black-history-month/\" target=\"_blank\" rel=\"noopener noreferrer\">ASALH\u003c/a>.\u003c/p>\n\u003cp>Forty years after Ford formally recognized Black History Month, it was Barack Obama, the nation’s first Black president, who \u003ca href=\"https://obamawhitehouse.archives.gov/the-press-office/2016/02/18/remarks-president-black-history-month-reception\" target=\"_blank\" rel=\"noopener noreferrer\">delivered a message\u003c/a> of his own from the White House, a place built by slaves.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_13908790\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908790\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-800x443.png\" alt=\"Barack and Michelle Obama stand on stage in front of a golden yellow curtain and American flag, while a packed audience holds up cell phones to take their photo.\" width=\"800\" height=\"443\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-800x443.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-1020x565.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-160x89.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-768x426.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-1536x851.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-672x372.png 672w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM-1038x576.png 1038w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-01-at-12.18.45-PM.png 1674w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">President Barack Obama and first lady Michelle Obama host the annual reception for Black History Month at the White House on Feb. 18, 2016. \u003ccite>(Mike Theiler/Pool/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Black History Month shouldn’t be treated as though it is somehow separate from our collective American history or somehow just boiled down to a compilation of greatest hits from the March on Washington or from some of our sports heroes,” Obama said.\u003c/p>\n\u003cp>“It’s about the lived, shared experience of all African Americans, high and low, famous and obscure, and how those experiences have shaped and challenged and ultimately strengthened America,” he continued.\u003c/p>\n\u003cp>(Canada also commemorates Black History Month in February, while the U.K. and \u003ca href=\"https://www.irishcentral.com/news/how-ireland-is-celebrating-national-black-history-month\" target=\"_blank\" rel=\"noopener noreferrer\">Ireland\u003c/a> celebrate it in October.)\u003c/p>\n\u003ch3>There’s a new theme every year\u003c/h3>\n\u003cp>ASALH designates a \u003ca href=\"https://asalh.org/black-history-themes/\" target=\"_blank\" rel=\"noopener noreferrer\">new theme\u003c/a> for Black History Month each year, in keeping with the practice Woodson established for Negro History Week.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>This year’s Black Health and Wellness theme is particularly appropriate, Dulaney said, as the U.S. continues to fight the coronavirus pandemic.\u003c/p>\n\u003cp>“As [Black people], we have terrible health outcomes, and even the coronavirus has been affecting us disproportionately in terms of those of us who are catching it,” Dulaney said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There’s never been a time where Black people and others should not celebrate Black history,” Broussard said. “Given the current racial climate, the racial reckoning that began in wake of George Floyd’s murder … this is an opportunity to learn.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Here%27s+the+story+behind+Black+History+Month+%E2%80%94+and+why+it%27s+celebrated+in+February&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Your Favorite Celebrity Could Be Playing Your Least Favorite Tech Villain on TV",
"headTitle": "Your Favorite Celebrity Could Be Playing Your Least Favorite Tech Villain on TV | KQED",
"content": "\u003cp>On Feb. 11, Netflix will premiere the series \u003ca href=\"https://www.youtube.com/watch?v=65xa8TG2G8o\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Inventing Anna\u003c/em>\u003c/a>, in which Julia Garner plays Anna Delvey (real name: Anna Sorokin), \u003ca href=\"https://www.thecut.com/2018/05/how-anna-delvey-tricked-new-york.html\" target=\"_blank\" rel=\"noopener noreferrer\">the supposed heiress\u003c/a> who became a topic of conversation after she was accused of defrauding banks, hotels and various people both rich and not so rich.\u003c/p>\n\u003cp>On Feb. 27, Showtime will premiere the series \u003cem>Super Pumped: The Battle For Uber\u003c/em>, in which Joseph Gordon-Levitt plays Travis Kalanick, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/06/21/533754816/uber-founder-resigns-under-pressure-as-ceo-published-report-says\" target=\"_blank\" rel=\"noopener noreferrer\">who was pressured into resigning from Uber\u003c/a> after a series of allegations about the company’s corporate culture and its mishandling of sexual harassment allegations.\u003c/p>\n\u003cp>On March 3, Hulu will premiere the series \u003cem>The Dropout\u003c/em>, starring Amanda Seyfried as Elizabeth Holmes, the Theranos founder \u003ca href=\"https://www.npr.org/2022/01/12/1072612059/former-theranos-ceo-elizabeth-holmes-to-be-sentenced-on-sept-26\" target=\"_blank\" rel=\"noopener noreferrer\">recently convicted of defrauding her investors\u003c/a>.\u003c/p>\n\u003cp>And on March 18, Apple TV+ will premiere \u003cem>WeCrashed\u003c/em>, in which Jared Leto plays Adam Neumann, \u003ca href=\"https://www.npr.org/2019/09/24/763913318/wework-ceo-steps-down-as-ipo-stalls\" target=\"_blank\" rel=\"noopener noreferrer\">the colorful WeWork founder\u003c/a> eventually forced out of the company, accused of conflicts of interest and mismanagement.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VAuhT5241h8\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There’s plenty to separate these stories from each other: Holmes and Sorokin have been convicted of crimes; Kalanick and Neumann haven’t. Sorokin was accused of more personal deception like falsifying documents, faking financial records, and failing to deliver on promises to pay people back for things; the other three eventually got in trouble with investors or board members at huge companies they founded. Theranos has completely fallen apart as a business; Uber certainly hasn’t. And even the structures of these projects can vary: \u003cem>Super Pumped: The Battle For Uber \u003c/em>is envisioned as the first season of an entire \u003cem>Super Pumped \u003c/em>anthology series about shocking business stories, meaning you could even get a \u003cem>Super Pumped: Theranos \u003c/em>or \u003cem>Super Pumped: WeWork \u003c/em>season in the future.\u003c/p>\n\u003cp>[aside postid='science_1978159']But there’s also a lot that unites these projects: high-profile stars playing people who fell from grace. Specifically, people who shared the trait of having been being gigantically ambitious when it came to making and possessing money.\u003c/p>\n\u003cp>We’re partly seeing a collision of scandal documentaries (and podcasts) with the limited-series streaming boom and the “movie star does prestige TV project” thing that’s been going on for quite a while now. You can throw in a little bit of what we might call “First-Look-itis,” the pattern of shows relying heavily on the publicity of “here’s what this actor looks like playing this real person” photos that can precede premieres by months. (Think, for instance, of the attention Sarah Paulson got \u003ca href=\"https://deadline.com/2020/11/sarah-paulson-teases-american-crime-story-first-look-at-linda-tripp-portrayal-1234615703/\" target=\"_blank\" rel=\"noopener noreferrer\">back when we first saw her\u003c/a> playing Linda Tripp for FX’s \u003cem>Impeachment: American Crime Story\u003c/em>.) We got first-look photos of \u003ca href=\"https://www.vogue.com/article/amanda-seyfried-elizabeth-holmes-the-dropout\" target=\"_blank\" rel=\"noopener noreferrer\">Seyfried\u003c/a>, of \u003ca href=\"https://wwd.com/fashion-news/fashion-scoops/netflix-first-look-julia-garner-as-anna-delvey-1234983187/\" target=\"_blank\" rel=\"noopener noreferrer\">Garner\u003c/a>, of \u003ca href=\"https://screenrant.com/wecrashed-jared-leto-anne-hathaway-images-first-look/\" target=\"_blank\" rel=\"noopener noreferrer\">Leto\u003c/a>, all billed as transformations. (There were photos of Gordon-Levitt, too, but … he kinda just \u003ca href=\"https://screenrant.com/super-pumped-show-images-joseph-gordon-levitt/\" target=\"_blank\" rel=\"noopener noreferrer\">looks like himself\u003c/a>.)\u003c/p>\n\u003cp>https://twitter.com/hulu/status/1471178261333901314\u003c/p>\n\u003cp>Stories of alleged malfeasance or even outright scamming, whether in scripted or documentary form, are so popular and numerous that they’re starting to form an interconnected \u003cem>Greedy Cinematic Universe\u003c/em>: at least one of these series shows its protagonist crossing paths with Billy McFarland as he was coming up with what became Fyre Festival, the disastrous music getaway that was the subject of \u003ca href=\"https://www.kqed.org/pop/108743/fighting-fyre-with-fyre-fraud-two-documentaries-about-the-same-disaster\" target=\"_blank\" rel=\"noopener noreferrer\">two juicy streaming documentaries in 2019\u003c/a>.\u003c/p>\n\u003cp>[aside postid='pop_108743']Part of all this might be schadenfraude, but it’s not like all these people have fallen on particularly hard times. \u003ca href=\"https://www.wsj.com/articles/wework-co-founder-adam-neumann-is-becoming-an-apartment-mogul-11641292207\" target=\"_blank\" rel=\"noopener noreferrer\">A January \u003cem>Wall Street Journal\u003c/em> article\u003c/a> says Neumann is now an “apartment mogul,” and Kalanick is in the food-delivery business with a whole new company—that’s already been featured in \u003ca href=\"https://www.vice.com/en/article/qjpgd7/the-mystery-of-fcking-good-pizza-travis-kalanick-cloudkitchens-future-foods-delivery-restaurants\" target=\"_blank\" rel=\"noopener noreferrer\">one \u003cem>Vice\u003c/em> investigation\u003c/a>. It might not be as much fun, but it might be more instructive to do an anthology series about all the “second acts” that people like the ones in these stories manage to put together for themselves and the unlikelihood of stamping out a \u003cem>kind \u003c/em>of wrongdoing simply by exposing one example of it.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Because a series that presents the downfall of a person accused of dishonesty, or bad behavior, or negligence, or just being a great big jerk, without following up to see whether any of the consequences stuck? \u003cem>That\u003c/em> is a limited series.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Your+favorite+celebrity+could+be+playing+your+least+favorite+tech+villain+on+TV&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Feb. 11, Netflix will premiere the series \u003ca href=\"https://www.youtube.com/watch?v=65xa8TG2G8o\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Inventing Anna\u003c/em>\u003c/a>, in which Julia Garner plays Anna Delvey (real name: Anna Sorokin), \u003ca href=\"https://www.thecut.com/2018/05/how-anna-delvey-tricked-new-york.html\" target=\"_blank\" rel=\"noopener noreferrer\">the supposed heiress\u003c/a> who became a topic of conversation after she was accused of defrauding banks, hotels and various people both rich and not so rich.\u003c/p>\n\u003cp>On Feb. 27, Showtime will premiere the series \u003cem>Super Pumped: The Battle For Uber\u003c/em>, in which Joseph Gordon-Levitt plays Travis Kalanick, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/06/21/533754816/uber-founder-resigns-under-pressure-as-ceo-published-report-says\" target=\"_blank\" rel=\"noopener noreferrer\">who was pressured into resigning from Uber\u003c/a> after a series of allegations about the company’s corporate culture and its mishandling of sexual harassment allegations.\u003c/p>\n\u003cp>On March 3, Hulu will premiere the series \u003cem>The Dropout\u003c/em>, starring Amanda Seyfried as Elizabeth Holmes, the Theranos founder \u003ca href=\"https://www.npr.org/2022/01/12/1072612059/former-theranos-ceo-elizabeth-holmes-to-be-sentenced-on-sept-26\" target=\"_blank\" rel=\"noopener noreferrer\">recently convicted of defrauding her investors\u003c/a>.\u003c/p>\n\u003cp>And on March 18, Apple TV+ will premiere \u003cem>WeCrashed\u003c/em>, in which Jared Leto plays Adam Neumann, \u003ca href=\"https://www.npr.org/2019/09/24/763913318/wework-ceo-steps-down-as-ipo-stalls\" target=\"_blank\" rel=\"noopener noreferrer\">the colorful WeWork founder\u003c/a> eventually forced out of the company, accused of conflicts of interest and mismanagement.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VAuhT5241h8'\n title='//www.youtube.com/embed/VAuhT5241h8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There’s plenty to separate these stories from each other: Holmes and Sorokin have been convicted of crimes; Kalanick and Neumann haven’t. Sorokin was accused of more personal deception like falsifying documents, faking financial records, and failing to deliver on promises to pay people back for things; the other three eventually got in trouble with investors or board members at huge companies they founded. Theranos has completely fallen apart as a business; Uber certainly hasn’t. And even the structures of these projects can vary: \u003cem>Super Pumped: The Battle For Uber \u003c/em>is envisioned as the first season of an entire \u003cem>Super Pumped \u003c/em>anthology series about shocking business stories, meaning you could even get a \u003cem>Super Pumped: Theranos \u003c/em>or \u003cem>Super Pumped: WeWork \u003c/em>season in the future.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>But there’s also a lot that unites these projects: high-profile stars playing people who fell from grace. Specifically, people who shared the trait of having been being gigantically ambitious when it came to making and possessing money.\u003c/p>\n\u003cp>We’re partly seeing a collision of scandal documentaries (and podcasts) with the limited-series streaming boom and the “movie star does prestige TV project” thing that’s been going on for quite a while now. You can throw in a little bit of what we might call “First-Look-itis,” the pattern of shows relying heavily on the publicity of “here’s what this actor looks like playing this real person” photos that can precede premieres by months. (Think, for instance, of the attention Sarah Paulson got \u003ca href=\"https://deadline.com/2020/11/sarah-paulson-teases-american-crime-story-first-look-at-linda-tripp-portrayal-1234615703/\" target=\"_blank\" rel=\"noopener noreferrer\">back when we first saw her\u003c/a> playing Linda Tripp for FX’s \u003cem>Impeachment: American Crime Story\u003c/em>.) We got first-look photos of \u003ca href=\"https://www.vogue.com/article/amanda-seyfried-elizabeth-holmes-the-dropout\" target=\"_blank\" rel=\"noopener noreferrer\">Seyfried\u003c/a>, of \u003ca href=\"https://wwd.com/fashion-news/fashion-scoops/netflix-first-look-julia-garner-as-anna-delvey-1234983187/\" target=\"_blank\" rel=\"noopener noreferrer\">Garner\u003c/a>, of \u003ca href=\"https://screenrant.com/wecrashed-jared-leto-anne-hathaway-images-first-look/\" target=\"_blank\" rel=\"noopener noreferrer\">Leto\u003c/a>, all billed as transformations. (There were photos of Gordon-Levitt, too, but … he kinda just \u003ca href=\"https://screenrant.com/super-pumped-show-images-joseph-gordon-levitt/\" target=\"_blank\" rel=\"noopener noreferrer\">looks like himself\u003c/a>.)\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Part of all this might be schadenfraude, but it’s not like all these people have fallen on particularly hard times. \u003ca href=\"https://www.wsj.com/articles/wework-co-founder-adam-neumann-is-becoming-an-apartment-mogul-11641292207\" target=\"_blank\" rel=\"noopener noreferrer\">A January \u003cem>Wall Street Journal\u003c/em> article\u003c/a> says Neumann is now an “apartment mogul,” and Kalanick is in the food-delivery business with a whole new company—that’s already been featured in \u003ca href=\"https://www.vice.com/en/article/qjpgd7/the-mystery-of-fcking-good-pizza-travis-kalanick-cloudkitchens-future-foods-delivery-restaurants\" target=\"_blank\" rel=\"noopener noreferrer\">one \u003cem>Vice\u003c/em> investigation\u003c/a>. It might not be as much fun, but it might be more instructive to do an anthology series about all the “second acts” that people like the ones in these stories manage to put together for themselves and the unlikelihood of stamping out a \u003cem>kind \u003c/em>of wrongdoing simply by exposing one example of it.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Because a series that presents the downfall of a person accused of dishonesty, or bad behavior, or negligence, or just being a great big jerk, without following up to see whether any of the consequences stuck? \u003cem>That\u003c/em> is a limited series.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Your+favorite+celebrity+could+be+playing+your+least+favorite+tech+villain+on+TV&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Why a School Board's Ban on 'Maus' May Put the Book in the Hands of More Readers",
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"content": "\u003cp>A Tennessee school district’s controversial ban on the Holocaust graphic novel \u003cem>Maus\u003c/em> appears to have spurred efforts to get copies into the hands of more readers nationwide.\u003c/p>\n\u003cp>News of the McMinn County School Board’s unanimous vote to remove \u003cem>Maus \u003c/em>from its curriculum—and replace it with something else—earlier this month made headlines last week as the world was preparing to mark International Holocaust Remembrance Day.\u003c/p>\n\u003cp>[aside postid='pop_13596']The Pulitzer Prize-winning book tells the story of author Art Spiegelman’s relationship with his father, a Holocaust survivor, by depicting Jews as mice and Nazis as cats. The school board reportedly objected to eight curse words and nude imagery of a woman, used in the depiction of the author’s mother’s suicide.\u003c/p>\n\u003cp>Spiegelman \u003ca href=\"https://www.npr.org/2022/01/27/1076180329/tennessee-school-district-ban-holocaust-graphic-novel-maus\">told NPR and WBUR’s \u003c/a>\u003ca href=\"https://www.npr.org/2022/01/27/1076180329/tennessee-school-district-ban-holocaust-graphic-novel-maus\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Here and Now\u003c/em>\u003c/a> that the board’s decision is “not good for their children, even if they think it is.”\u003c/p>\n\u003cp>The U.S. Holocaust Memorial, the \u003ca href=\"https://twitter.com/ADLSoutheast/status/1486489739033202694?s=20&t=3BZUPdMlDSaWaGfxzYNjTg\" target=\"_blank\" rel=\"noopener noreferrer\">Anti-Defamation League\u003c/a>, \u003ca href=\"https://www.commercialappeal.com/story/news/local/2022/01/30/holocaust-book-maus-ban-concerns-tennessee-naacp/9278193002/\">the NAACP\u003c/a> and other groups have criticized the ban, noting the important role the book—which was originally published in serial form beginning in the 1980s—plays in teaching students about the Holocaust.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>Maus\u003c/em> now appears to be in even greater demand, and, in some cases, supply, in Tennessee and beyond. Online sales are skyrocketing, and multiple bookstores are giving away free copies to students.\u003c/p>\n\u003cp>Spiegelman \u003ca href=\"https://www.cnbc.com/2022/01/28/maus-amazon-bestseller-after-tennessee-school-ban.html\" target=\"_blank\" rel=\"noopener noreferrer\">told CNBC\u003c/a> that he was heartened by the response, noting it’s not the first of its kind.\u003c/p>\n\u003cp>“The schoolboard could’ve checked with their book-banning predecessor, [Russian President] Vladimir Putin,” he wrote. “He made the Russian edition of \u003cem>Maus\u003c/em> illegal in 2015 (also with good intentions—banning swastikas) and the small publisher sold out immediately and has had to reprint repeatedly.”\u003c/p>\n\u003ch3>Backlash to the ban has spurred book sales and donations\u003c/h3>\n\u003cp>As criticism of the ban spread across the internet, it appears that many readers rushed to order copies for themselves.\u003c/p>\n\u003cp>\u003cem>The Complete Maus\u003c/em> had been the \u003ca href=\"https://www.amazon.com/gp/bestsellers/books/ref=zg_b_bs_books_1\" target=\"_blank\" rel=\"noopener noreferrer\">No. \u003c/a>\u003ca href=\"https://www.amazon.com/gp/bestsellers/books/ref=zg_b_bs_books_1\">1\u003c/a>\u003ca href=\"https://www.amazon.com/gp/bestsellers/books/ref=zg_b_bs_books_1\" target=\"_blank\" rel=\"noopener noreferrer\"> bestseller\u003c/a> on Amazon’s online bookstore as of Monday morning, moving up from the seventh spot on Friday. The \u003ca href=\"https://www.amazon.com/gp/bestsellers/books/7421467011/ref=zg_b_bs_7421467011_1\" target=\"_blank\" rel=\"noopener noreferrer\">top three bestsellers\u003c/a> in the “Literary Graphic Novels” section are \u003cem>The Complete Maus, Maus I \u003c/em>and \u003cem>Maus II.\u003c/em>\u003c/p>\n\u003cp>Other booksellers are taking steps to get the book and its important message into the hands of more readers.\u003c/p>\n\u003cp>Ryan Higgins, the owner of a California comic book shop, offered via Twitter to donate up to 100 copies of \u003cem>The Complete Maus\u003c/em> to families in the McMinn County area. Illustrator \u003ca href=\"https://twitter.com/MitchGerads/status/1486560192443478019?s=20&t=0nvof9ESTeK9qTrjb_o6-Q\" target=\"_blank\" rel=\"noopener noreferrer\">Mitch Gerads\u003c/a> and screenwriter \u003ca href=\"https://twitter.com/garywhitta/status/1486502950964891654?s=20&t=m6ZmJSuDSLWMan6HXNDMtw\" target=\"_blank\" rel=\"noopener noreferrer\">Gary Whitta\u003c/a> have made similar offers.\u003c/p>\n\u003cp>https://twitter.com/RyanHigginsRyan/status/1486484761648328704\u003c/p>\n\u003cp>Fairytales Bookstore and More in Nashville is partnering with school librarians to give away free copies of \u003cem>Maus\u003c/em> to local students, with patrons encouraged to \u003ca href=\"https://graphicpolicy.com/2022/01/30/fairytales-bookstore-and-more-announces-maus-giveaway/\" target=\"_blank\" rel=\"noopener noreferrer\">donate to the cause\u003c/a> at a discounted price.\u003c/p>\n\u003cp>Nirvana Comics in Knoxville \u003ca href=\"https://www.facebook.com/nirvanacomics/posts/2737846113028720\" target=\"_blank\" rel=\"noopener noreferrer\">announced last week\u003c/a> that it had started a program to loan or donate a copy of the book to any student who requests it and, within a day, had received donations from all over the world.\u003c/p>\n\u003cp>[aside postid='perspectives_201601139065']It later started an \u003ca href=\"https://www.gofundme.com/f/nirvana-comics-knoxville-project-maus?fbclid=IwAR2sc5xSAvoIMGy2SPOgH9two82KF_gVKfhVYIGpown1z_bYaL0qVuOSRrI\" target=\"_blank\" rel=\"noopener noreferrer\">online fundraising page\u003c/a> to support the purchase of copies for students locally and nationwide, and has nearly quadrupled its financial goal with more than $79,000 raised as of Monday morning. Organizers said all extra funds will go to local and state organizations to help support untold stories.\u003c/p>\n\u003cp>“We thought this would be a local support to help a magnificent piece of literature stay in the hands of students in the McMinn county,” they wrote on Saturday. “But … this has become a global priority!”\u003c/p>\n\u003cp>Rich Davis, who owns the bookstore and has led the campaign, told the \u003ca href=\"https://www.jta.org/2022/01/28/united-states/the-great-maus-giveaway-is-on-as-bookstores-professors-and-churches-counter-tennessee-school-boards-ban\" target=\"_blank\" rel=\"noopener noreferrer\">Jewish Telegraphic Agency\u003c/a> that because the county is only home to about 50,000 people, the outpouring of support could potentially make it possible “to donate a copy of \u003cem>Maus\u003c/em> to every kid in McMinn County.”\u003c/p>\n\u003ch3>Educators and community institutions are also taking action\u003c/h3>\n\u003cp>Others are making an effort to help the community grapple with the lessons of \u003cem>Maus\u003c/em> and what its removal from the curriculum represents.\u003c/p>\n\u003cp>\u003ca href=\"https://www.davidson.edu/people/scott-denham\" target=\"_blank\" rel=\"noopener noreferrer\">Scott Denham\u003c/a>, a Holocaust and German studies professor at North Carolina’s Davidson College, is offering a free online course for McMinn County eighth-graders and high school students who are interested in reading the \u003cem>Maus \u003c/em>books.\u003c/p>\n\u003cp>“I have taught Spiegelman’s books many times in my courses on the Holocaust over many years,” he wrote on a \u003ca href=\"https://www.mauscourse.scottdenham.net/about/\" target=\"_blank\" rel=\"noopener noreferrer\">website created for the course\u003c/a>.\u003c/p>\n\u003cp>Denham referred to the course as “a work in progress” that will only be open to McMinn County students who apply. It will involve asynchronous tools like a discussion blog and video mini-lectures, as well as live spaces like Zoom meetings.\u003c/p>\n\u003cp>[aside postid='news_148482']Denham expects the primary texts to be \u003cem>Maus I \u003c/em>and \u003cem>Maus II\u003c/em> but says it might also include \u003cem>Metamaus\u003c/em> if there is availability at the county’s E.G. Fisher Public Library, which “has begun receiving donated copies of the books thanks to many generous people.”\u003c/p>\n\u003cp>Author Nancy Levine \u003ca href=\"https://twitter.com/nancylevine/status/1486758779114844163?s=20&t=cJr0jxU80yIKY6YU3V_9qw\">posted \u003c/a>\u003ca href=\"https://twitter.com/nancylevine/status/1486758779114844163?s=20&t=cJr0jxU80yIKY6YU3V_9qw\" target=\"_blank\" rel=\"noopener noreferrer\">a note\u003c/a> on Twitter that she said was from the public library, saying it had received many offers to purchase \u003cem>Maus\u003c/em> and expects to see “several copies arriving in the coming days.”\u003c/p>\n\u003cp>In lieu of additional copies, the library is asking for monetary donations in support of its “collection, educational programming and access to the internet and technology.”\u003c/p>\n\u003cp>There are other community events in the works.\u003c/p>\n\u003cp>Spiegelman told CNBC that his lecture agent is trying to coordinate a public Zoom event for the McMinn area, in which he will “talk and take questions about \u003cem>Maus\u003c/em> with local citizens (hopefully teachers, students, clergy, etc.) in the next couple weeks.”\u003c/p>\n\u003cp>In the meantime, St. Paul’s Episcopal Church in McMinn County is planning to hold a discussion event of its own on Thursday.\u003c/p>\n\u003cp>Organizers told \u003ca href=\"https://www.wbir.com/article/entertainment/events/east-tn-church-to-hold-book-discussion-on-maus-award-winning-holocaust-novel-after-it-was-banned-in-mcminn-co-schools/51-dad6626d-0740-4abf-a467-6022ddc5170b\" target=\"_blank\" rel=\"noopener noreferrer\">NBC affiliate WIBR\u003c/a> that many churches may see the events the book depicts as “not their concern,” despite the prevalence of antisemitism in and beyond Tennessee.\u003c/p>\n\u003cp>“We are committed to standing against hatred and harm,” they said. “Together, let’s dive into this story so that we might better live out that call in our time and community.”\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>This story originally appeared on \u003ca href=\"https://www.npr.org/live-updates/morning-edition-2022-01-31#a-school-districts-ban-on-maus-may-put-it-into-the-hands-of-more-readers\" target=\"_blank\" rel=\"noopener noreferrer\">the \u003cem>Morning Edition\u003c/em> live blog\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Why+a+school+board%27s+ban+on+%27Maus%27+may+put+the+book+in+the+hands+of+more+readers&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A Tennessee school district’s controversial ban on the Holocaust graphic novel \u003cem>Maus\u003c/em> appears to have spurred efforts to get copies into the hands of more readers nationwide.\u003c/p>\n\u003cp>News of the McMinn County School Board’s unanimous vote to remove \u003cem>Maus \u003c/em>from its curriculum—and replace it with something else—earlier this month made headlines last week as the world was preparing to mark International Holocaust Remembrance Day.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The Pulitzer Prize-winning book tells the story of author Art Spiegelman’s relationship with his father, a Holocaust survivor, by depicting Jews as mice and Nazis as cats. The school board reportedly objected to eight curse words and nude imagery of a woman, used in the depiction of the author’s mother’s suicide.\u003c/p>\n\u003cp>Spiegelman \u003ca href=\"https://www.npr.org/2022/01/27/1076180329/tennessee-school-district-ban-holocaust-graphic-novel-maus\">told NPR and WBUR’s \u003c/a>\u003ca href=\"https://www.npr.org/2022/01/27/1076180329/tennessee-school-district-ban-holocaust-graphic-novel-maus\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Here and Now\u003c/em>\u003c/a> that the board’s decision is “not good for their children, even if they think it is.”\u003c/p>\n\u003cp>The U.S. Holocaust Memorial, the \u003ca href=\"https://twitter.com/ADLSoutheast/status/1486489739033202694?s=20&t=3BZUPdMlDSaWaGfxzYNjTg\" target=\"_blank\" rel=\"noopener noreferrer\">Anti-Defamation League\u003c/a>, \u003ca href=\"https://www.commercialappeal.com/story/news/local/2022/01/30/holocaust-book-maus-ban-concerns-tennessee-naacp/9278193002/\">the NAACP\u003c/a> and other groups have criticized the ban, noting the important role the book—which was originally published in serial form beginning in the 1980s—plays in teaching students about the Holocaust.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Maus\u003c/em> now appears to be in even greater demand, and, in some cases, supply, in Tennessee and beyond. Online sales are skyrocketing, and multiple bookstores are giving away free copies to students.\u003c/p>\n\u003cp>Spiegelman \u003ca href=\"https://www.cnbc.com/2022/01/28/maus-amazon-bestseller-after-tennessee-school-ban.html\" target=\"_blank\" rel=\"noopener noreferrer\">told CNBC\u003c/a> that he was heartened by the response, noting it’s not the first of its kind.\u003c/p>\n\u003cp>“The schoolboard could’ve checked with their book-banning predecessor, [Russian President] Vladimir Putin,” he wrote. “He made the Russian edition of \u003cem>Maus\u003c/em> illegal in 2015 (also with good intentions—banning swastikas) and the small publisher sold out immediately and has had to reprint repeatedly.”\u003c/p>\n\u003ch3>Backlash to the ban has spurred book sales and donations\u003c/h3>\n\u003cp>As criticism of the ban spread across the internet, it appears that many readers rushed to order copies for themselves.\u003c/p>\n\u003cp>\u003cem>The Complete Maus\u003c/em> had been the \u003ca href=\"https://www.amazon.com/gp/bestsellers/books/ref=zg_b_bs_books_1\" target=\"_blank\" rel=\"noopener noreferrer\">No. \u003c/a>\u003ca href=\"https://www.amazon.com/gp/bestsellers/books/ref=zg_b_bs_books_1\">1\u003c/a>\u003ca href=\"https://www.amazon.com/gp/bestsellers/books/ref=zg_b_bs_books_1\" target=\"_blank\" rel=\"noopener noreferrer\"> bestseller\u003c/a> on Amazon’s online bookstore as of Monday morning, moving up from the seventh spot on Friday. The \u003ca href=\"https://www.amazon.com/gp/bestsellers/books/7421467011/ref=zg_b_bs_7421467011_1\" target=\"_blank\" rel=\"noopener noreferrer\">top three bestsellers\u003c/a> in the “Literary Graphic Novels” section are \u003cem>The Complete Maus, Maus I \u003c/em>and \u003cem>Maus II.\u003c/em>\u003c/p>\n\u003cp>Other booksellers are taking steps to get the book and its important message into the hands of more readers.\u003c/p>\n\u003cp>Ryan Higgins, the owner of a California comic book shop, offered via Twitter to donate up to 100 copies of \u003cem>The Complete Maus\u003c/em> to families in the McMinn County area. Illustrator \u003ca href=\"https://twitter.com/MitchGerads/status/1486560192443478019?s=20&t=0nvof9ESTeK9qTrjb_o6-Q\" target=\"_blank\" rel=\"noopener noreferrer\">Mitch Gerads\u003c/a> and screenwriter \u003ca href=\"https://twitter.com/garywhitta/status/1486502950964891654?s=20&t=m6ZmJSuDSLWMan6HXNDMtw\" target=\"_blank\" rel=\"noopener noreferrer\">Gary Whitta\u003c/a> have made similar offers.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Fairytales Bookstore and More in Nashville is partnering with school librarians to give away free copies of \u003cem>Maus\u003c/em> to local students, with patrons encouraged to \u003ca href=\"https://graphicpolicy.com/2022/01/30/fairytales-bookstore-and-more-announces-maus-giveaway/\" target=\"_blank\" rel=\"noopener noreferrer\">donate to the cause\u003c/a> at a discounted price.\u003c/p>\n\u003cp>Nirvana Comics in Knoxville \u003ca href=\"https://www.facebook.com/nirvanacomics/posts/2737846113028720\" target=\"_blank\" rel=\"noopener noreferrer\">announced last week\u003c/a> that it had started a program to loan or donate a copy of the book to any student who requests it and, within a day, had received donations from all over the world.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>It later started an \u003ca href=\"https://www.gofundme.com/f/nirvana-comics-knoxville-project-maus?fbclid=IwAR2sc5xSAvoIMGy2SPOgH9two82KF_gVKfhVYIGpown1z_bYaL0qVuOSRrI\" target=\"_blank\" rel=\"noopener noreferrer\">online fundraising page\u003c/a> to support the purchase of copies for students locally and nationwide, and has nearly quadrupled its financial goal with more than $79,000 raised as of Monday morning. Organizers said all extra funds will go to local and state organizations to help support untold stories.\u003c/p>\n\u003cp>“We thought this would be a local support to help a magnificent piece of literature stay in the hands of students in the McMinn county,” they wrote on Saturday. “But … this has become a global priority!”\u003c/p>\n\u003cp>Rich Davis, who owns the bookstore and has led the campaign, told the \u003ca href=\"https://www.jta.org/2022/01/28/united-states/the-great-maus-giveaway-is-on-as-bookstores-professors-and-churches-counter-tennessee-school-boards-ban\" target=\"_blank\" rel=\"noopener noreferrer\">Jewish Telegraphic Agency\u003c/a> that because the county is only home to about 50,000 people, the outpouring of support could potentially make it possible “to donate a copy of \u003cem>Maus\u003c/em> to every kid in McMinn County.”\u003c/p>\n\u003ch3>Educators and community institutions are also taking action\u003c/h3>\n\u003cp>Others are making an effort to help the community grapple with the lessons of \u003cem>Maus\u003c/em> and what its removal from the curriculum represents.\u003c/p>\n\u003cp>\u003ca href=\"https://www.davidson.edu/people/scott-denham\" target=\"_blank\" rel=\"noopener noreferrer\">Scott Denham\u003c/a>, a Holocaust and German studies professor at North Carolina’s Davidson College, is offering a free online course for McMinn County eighth-graders and high school students who are interested in reading the \u003cem>Maus \u003c/em>books.\u003c/p>\n\u003cp>“I have taught Spiegelman’s books many times in my courses on the Holocaust over many years,” he wrote on a \u003ca href=\"https://www.mauscourse.scottdenham.net/about/\" target=\"_blank\" rel=\"noopener noreferrer\">website created for the course\u003c/a>.\u003c/p>\n\u003cp>Denham referred to the course as “a work in progress” that will only be open to McMinn County students who apply. It will involve asynchronous tools like a discussion blog and video mini-lectures, as well as live spaces like Zoom meetings.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Denham expects the primary texts to be \u003cem>Maus I \u003c/em>and \u003cem>Maus II\u003c/em> but says it might also include \u003cem>Metamaus\u003c/em> if there is availability at the county’s E.G. Fisher Public Library, which “has begun receiving donated copies of the books thanks to many generous people.”\u003c/p>\n\u003cp>Author Nancy Levine \u003ca href=\"https://twitter.com/nancylevine/status/1486758779114844163?s=20&t=cJr0jxU80yIKY6YU3V_9qw\">posted \u003c/a>\u003ca href=\"https://twitter.com/nancylevine/status/1486758779114844163?s=20&t=cJr0jxU80yIKY6YU3V_9qw\" target=\"_blank\" rel=\"noopener noreferrer\">a note\u003c/a> on Twitter that she said was from the public library, saying it had received many offers to purchase \u003cem>Maus\u003c/em> and expects to see “several copies arriving in the coming days.”\u003c/p>\n\u003cp>In lieu of additional copies, the library is asking for monetary donations in support of its “collection, educational programming and access to the internet and technology.”\u003c/p>\n\u003cp>There are other community events in the works.\u003c/p>\n\u003cp>Spiegelman told CNBC that his lecture agent is trying to coordinate a public Zoom event for the McMinn area, in which he will “talk and take questions about \u003cem>Maus\u003c/em> with local citizens (hopefully teachers, students, clergy, etc.) in the next couple weeks.”\u003c/p>\n\u003cp>In the meantime, St. Paul’s Episcopal Church in McMinn County is planning to hold a discussion event of its own on Thursday.\u003c/p>\n\u003cp>Organizers told \u003ca href=\"https://www.wbir.com/article/entertainment/events/east-tn-church-to-hold-book-discussion-on-maus-award-winning-holocaust-novel-after-it-was-banned-in-mcminn-co-schools/51-dad6626d-0740-4abf-a467-6022ddc5170b\" target=\"_blank\" rel=\"noopener noreferrer\">NBC affiliate WIBR\u003c/a> that many churches may see the events the book depicts as “not their concern,” despite the prevalence of antisemitism in and beyond Tennessee.\u003c/p>\n\u003cp>“We are committed to standing against hatred and harm,” they said. “Together, let’s dive into this story so that we might better live out that call in our time and community.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
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"meta": {
"site": "radio",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"id": "here-and-now",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
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"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
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"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
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