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"disqusTitle": "Bay Area Chef Tu David Phu goes National in 'Bloodline'",
"title": "Bay Area Chef Tu David Phu goes National in 'Bloodline'",
"headTitle": "KQED's Pressroom | About KQED",
"content": "\u003cp>\u003cem>\u003cstrong>Bloodline\u003c/strong> will be released via American Public Television on Wednesday February 10th, presented by KQED, produced by CAAM and First Kitchen Media.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Bloodline\u003c/strong>\u003c/em>, directed by James Q. Chan and Santhosh Daniel, is a half-hour metaphorical, multi-generational exploration by Tu David Phu, with his family, of his genesis as a chef, and how the culinary industry, like US culture, often disregards certain experiences as “scrap”—including that of his Vietnamese heritage—similar to how the physical bloodline of fish is often thrown away by chefs, even though it carries the animal’s “essence.”\u003c/p>\n\u003cp>\u003cem>[aside label=\"Check out Chef Tu on Check Please! Bay Area\" link1='\u003ca href=\"https://www.youtube.com/watch?v=VQVDot3EKUU&feature=emb_title\">Guiso Latin Fusion, Rich Table, Nyum Bai: Check, Please! Bay Area reviews']\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The film’s narrative is framed around Tu, just as he returns home to Oakland, California after being a contestant on the competitive cooking series, Top Chef (Season 15). As he reflects on that experience and his new visibility as a celebrity chef, Tu begins to trace how he went from his refugee roots and childhood in West Oakland to life as a chef whose creations are celebrated as a new generation of Asian “fusion” representative of Vietnamese culture.\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"large\" link=\"file\" ids=\"11386,11384,11382,11381,11379\" orderby=\"rand\"]\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]‘every voice deserves a place at the table' [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>Bloodline\u003c/strong> is the first film of First Kitchen, a documentary food series created by Santhosh Daniel (co-executive produced with Tu David Phu) that spotlights ‘everyday people with exceptional stories.’ At the series’ core is a belief that 'every voice deserves a place at the table' and a vision to cultivate greater equity and equality in food media. \u003cstrong>Bloodline\u003c/strong> is the inaugural project of this vision and a template for cultural inclusivity and creativity we envision for all films in the series.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Bloodline\u003c/strong> is a production of First Kitchen Media & CAAM, made possible by The Corporation for Public Broadcasting. \u003cstrong>Bloodline\u003c/strong> is presented by KQED and Distributed by American Public Television.\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"large\" link=\"file\" ids=\"11378,11377,11374,11375,11376\" orderby=\"rand\"]\u003c/p>\n\u003ch1>\u003cstrong>Cast and Crew\u003c/strong>\u003c/h1>\n\u003cfigure id=\"attachment_11383\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11383 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-800x404.jpg\" alt=\"\" width=\"800\" height=\"404\" srcset=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-800x404.jpg 800w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-1020x516.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-160x81.jpg 160w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-768x388.jpg 768w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-1536x777.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-2048x1035.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-1920x971.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Co-Director & EP James Q. Chan\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cem>James Q. Chan\u003c/em>\u003c/strong>\u003cem> is Executive Producer & Co-director of \u003cstrong>BLOODLINE\u003c/strong>. \u003c/em>\u003cem>James is an Emmy-nominated filmmaker based in San Francisco. He directed and produced FOREVER, CHINATOWN (PBS/World/Truly CA 2017) and the film received an Emmy® nomination, multiple jury and audience awards, and has screened globally with American Film Showcase, the US State Department/USC film diplomacy program where James serves as an envoy. James’ recent credits include producing Harry and Josh Chuck’s CHINATOWN RISING (CAAMFest Opening Night); directing large-format 360° CIRCLE VISION films for Disney; and launching the doc series CHINATOWN SHORTS. James received a Certificate of Honor from the city of San Francisco for his work in amplifying stories from the APA community. His refugee and working-class background, love for nature shows, memories of his mother’s cooking shape his sensibilities throughout all his stories. He is currently adapting Laurence Yep’s acclaimed CHILD OF THE OWL book into his narrative feature debut. James is a member of the Directors Guild of America.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003cem> \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/SanthoshDaniel_headshot.png\">\u003cimg class=\"alignleft wp-image-11500\" src=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/SanthoshDaniel_headshot.png\" alt=\"\" width=\"321\" height=\"500\" srcset=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/SanthoshDaniel_headshot.png 764w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/SanthoshDaniel_headshot-160x249.png 160w\" sizes=\"(max-width: 321px) 100vw, 321px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>\u003cbr>\nSanthosh Daniel \u003c/em>\u003c/strong>\u003cem>is Executive Producer & Co-director of\u003cstrong> BLOODLINE. \u003c/strong>Santhosh is a writer and producer specializing in arts, media and impact initiatives. He is founder of creative strategies group Compound, founding partner of The Adachi Project, an art, media and justice project created with the San Francisco Public Defender and Even/Odd, and founder of First Kitchen Media, a media equity initiative with original documentary productions in food. His recent work includes OPEN ACCOUNT, a podcast produced with Slate Group Studies featuring personal stories about money, BLOODLINE, a short food documentary currently airing on PBS about the generational impact of war on family and food culture, and LIQUID FLOW, a music-based short film about Oakland and the evolution of turf-dancing. His professional experience includes The Global Film Initiative and work with the Smithsonian, Medium, Virgin America, Umpqua Bank, Oakland Museum of California, Bill & Melinda Gates Foundation and U.S. Department of State, and serving on the Board of Directors of California Humanities and Found Sound Nation, a music innovation and cultural diplomacy organization. He has also served as an advisor for arts and media funds, including the San Francisco Arts Commission, California Arts Council, California Humanities, Center for Asian American Media, Headlands Center for the Arts, International Documentary Association, San Francisco Film Society and European Audiovisual Entrepreneurs. He has a B.A. in English from the University of Washington and a M.F.A. in English from the University of Iowa Writers’ Workshop.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1.jpg\">\u003cimg class=\"alignright wp-image-11388\" src=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1-1020x1323.jpg\" alt=\"\" width=\"386\" height=\"500\" srcset=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1-1020x1323.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1-800x1038.jpg 800w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1-160x208.jpg 160w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1-768x996.jpg 768w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1-1184x1536.jpg 1184w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1-1579x2048.jpg 1579w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1.jpg 1600w\" sizes=\"(max-width: 386px) 100vw, 386px\">\u003c/a>\u003c/em>\u003cbr>\n\u003cstrong>\u003cem>Tu David Phu \u003c/em>\u003c/strong>\u003cem>the\u003c/em>\u003cem> Executive Producer and the subject of \u003cstrong>Bloodline\u003c/strong>, Chef Tu’s Vietnamese-cuisine began garnering press and accolade in 2016 with his weekly pop-up dinners “\u003c/em>\u003ca href=\"https://edibleeastbay.com/2017/08/18/chef-tu-david-phu/\">\u003cem>AN - a Vietnamese Dining Experience\u003c/em>\u003c/a>\u003cem>.”; then in 2017\u003c/em>\u003ca href=\"https://www.sfchronicle.com/restaurants/article/The-2017-class-of-Chronicle-Rising-Star-Chefs-11087887.php\"> \u003cem>San Francisco Chronicle named him Rising Star Chef\u003c/em>\u003c/a>\u003cem>. In 2019, he was a featured contestant on\u003c/em>\u003ca href=\"https://www.bravotv.com/top-chef/season-15/episode-1/videos/tu-david-phus-winning-quickfire-dish\"> \u003cem>Bravo's Top Chef Season 15\u003c/em>\u003c/a>\u003cem> and invited to host\u003c/em>\u003ca href=\"https://www.youtube.com/watch?v=xaHw-X2O1Oo\"> \u003cem>ABC’s Taste Buds: Chefsgiving\u003c/em>\u003c/a> \u003cem>which was nominated for a\u003c/em>\u003ca href=\"https://www.jamesbeard.org/blog/the-2019-james-beard-award-nominees\"> \u003cem>James Beard Award.\u003c/em>\u003c/a>\u003cem> As a first-generation, Vietnamese-American, food equity and justice comes naturally to Chef Tu, who finds opportunities to use the medium of food as a vessel for meaningful work from\u003c/em>\u003ca href=\"https://www.sacbee.com/food-drink/article230133164.html\"> \u003cem>cooking with incarcerated men in San Quentin\u003c/em>\u003c/a>\u003cem>; to executive producer of \u003c/em>\u003cem>First Kitchen Media, a food media initiative co-founded with Santhosh Daniel, \u003c/em>\u003cem>to community ambassador in for\u003c/em>\u003ca href=\"https://asianhealthservices.org/\"> \u003cem>Asian Health Services\u003c/em>\u003c/a> \u003cem>and the\u003c/em>\u003ca href=\"https://oacc.cc/\"> \u003cem>Oakland Asian Cultural Center\u003c/em>\u003c/a>\u003cem>. Chef Tu’s involvement with food recovery and the Zero-Waste Movement is something else he got from his mother: During the Vietnam War, when supplies were rationed, she learned, out of necessity, that corn silk could be dried and used as a tea or toasted, deep-fried, or sautéed to serve with rice. Chef Tu not only applies these Zero Waste principles in his own kitchen but he is also a\u003c/em>\u003ca href=\"https://www.jamesbeard.org/smart-catch\">\u003cem> James Beard Smart Catch Leader\u003c/em>\u003c/a>\u003cem>, recognized for promoting the use of sustainable seafood options; and an avid teacher, sharing the riches and lessons of his birthright through food.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>CAAM, \u003c/strong>The Center for Asian American Media is a nonprofit organization dedicated to presenting stories that convey the richness and diversity of Asian American experiences to the broadest audience possible. We do this by funding, producing, distributing and exhibiting works in film, television and digital media. For 40 years, CAAM has exposed audiences to new voices and communities, advancing our collective understanding of the American experience through programs specifically designed to engage the Asian American community and the public at large.\u003c/p>\n\u003cp>\u003cstrong>American Public Television\u003c/strong> (APT) is the leading syndicator of high-quality, top-rated programming to the nation’s public television stations. Founded in 1961, APT distributes 250 new program titles per year and more than one-third of the top 100 highest-rated public television titles in the U.S. APT’s diverse catalog includes prominent documentaries, performance, dramas, how-to programs, classic movies, children’s series, and news and current affairs programs. \u003ci>Doc Martin, Midsomer Murders, America’s Test Kitchen From Cook’s Illustrated, AfroPoP, Rick Steves’ Europe, Christopher Kimball’s Milk Street Television, Front and Center, Lidia’s Kitchen, Kevin Belton’s New Orleans Kitchen, Simply Ming, The Best of the Joy of Painting\u003c/i> with Bob Ross, James Patterson’s \u003ci>Kid Stew\u003c/i> and \u003ci>NHK Newsline\u003c/i> are a sampling of APT’s programs, considered some of the most popular on public television. APT also licenses programs internationally through its APT Worldwide service and distributes Create®TV — featuring the best of public television's lifestyle programming — and WORLD™, public television’s premier news, science and documentary channel. To find out more about APT’s programs and services, visit APTonline.org.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>KQED\u003c/strong> serves the people of Northern California with a community-supported alternative to commercial media. We provide citizens with the knowledge they need to make informed decisions; convene community dialogue; bring the arts to everyone, and engage audiences to share their stories. We help students and teachers thrive in 21st-century classrooms, and take people of all ages on journeys of exploration—exposing them to new people, places, and ideas.\u003c/p>\n\n",
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"excerpt": "An intimate profile of Vietnamese-American chef, Tu David Phu, and the evolution of his culinary aesthetic—borne from a bloodline that traces back through childhood and his family’s unspoken history of war, and set within a conversation of image-making and cultural bias, or how preferences for food often mirror our perceptions, and prejudices, of people.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Bloodline\u003c/strong> will be released via American Public Television on Wednesday February 10th, presented by KQED, produced by CAAM and First Kitchen Media.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Bloodline\u003c/strong>\u003c/em>, directed by James Q. Chan and Santhosh Daniel, is a half-hour metaphorical, multi-generational exploration by Tu David Phu, with his family, of his genesis as a chef, and how the culinary industry, like US culture, often disregards certain experiences as “scrap”—including that of his Vietnamese heritage—similar to how the physical bloodline of fish is often thrown away by chefs, even though it carries the animal’s “essence.”\u003c/p>\n\u003cp>\u003cem>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch1>\u003cstrong>Cast and Crew\u003c/strong>\u003c/h1>\n\u003cfigure id=\"attachment_11383\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11383 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-800x404.jpg\" alt=\"\" width=\"800\" height=\"404\" srcset=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-800x404.jpg 800w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-1020x516.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-160x81.jpg 160w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-768x388.jpg 768w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-1536x777.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-2048x1035.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/RESIZE_JamesQChan_headshot-1920x971.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Co-Director & EP James Q. Chan\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cem>James Q. Chan\u003c/em>\u003c/strong>\u003cem> is Executive Producer & Co-director of \u003cstrong>BLOODLINE\u003c/strong>. \u003c/em>\u003cem>James is an Emmy-nominated filmmaker based in San Francisco. He directed and produced FOREVER, CHINATOWN (PBS/World/Truly CA 2017) and the film received an Emmy® nomination, multiple jury and audience awards, and has screened globally with American Film Showcase, the US State Department/USC film diplomacy program where James serves as an envoy. James’ recent credits include producing Harry and Josh Chuck’s CHINATOWN RISING (CAAMFest Opening Night); directing large-format 360° CIRCLE VISION films for Disney; and launching the doc series CHINATOWN SHORTS. James received a Certificate of Honor from the city of San Francisco for his work in amplifying stories from the APA community. His refugee and working-class background, love for nature shows, memories of his mother’s cooking shape his sensibilities throughout all his stories. He is currently adapting Laurence Yep’s acclaimed CHILD OF THE OWL book into his narrative feature debut. James is a member of the Directors Guild of America.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003cem> \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/SanthoshDaniel_headshot.png\">\u003cimg class=\"alignleft wp-image-11500\" src=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/SanthoshDaniel_headshot.png\" alt=\"\" width=\"321\" height=\"500\" srcset=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/SanthoshDaniel_headshot.png 764w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/SanthoshDaniel_headshot-160x249.png 160w\" sizes=\"(max-width: 321px) 100vw, 321px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>\u003cbr>\nSanthosh Daniel \u003c/em>\u003c/strong>\u003cem>is Executive Producer & Co-director of\u003cstrong> BLOODLINE. \u003c/strong>Santhosh is a writer and producer specializing in arts, media and impact initiatives. He is founder of creative strategies group Compound, founding partner of The Adachi Project, an art, media and justice project created with the San Francisco Public Defender and Even/Odd, and founder of First Kitchen Media, a media equity initiative with original documentary productions in food. His recent work includes OPEN ACCOUNT, a podcast produced with Slate Group Studies featuring personal stories about money, BLOODLINE, a short food documentary currently airing on PBS about the generational impact of war on family and food culture, and LIQUID FLOW, a music-based short film about Oakland and the evolution of turf-dancing. His professional experience includes The Global Film Initiative and work with the Smithsonian, Medium, Virgin America, Umpqua Bank, Oakland Museum of California, Bill & Melinda Gates Foundation and U.S. Department of State, and serving on the Board of Directors of California Humanities and Found Sound Nation, a music innovation and cultural diplomacy organization. He has also served as an advisor for arts and media funds, including the San Francisco Arts Commission, California Arts Council, California Humanities, Center for Asian American Media, Headlands Center for the Arts, International Documentary Association, San Francisco Film Society and European Audiovisual Entrepreneurs. He has a B.A. in English from the University of Washington and a M.F.A. in English from the University of Iowa Writers’ Workshop.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1.jpg\">\u003cimg class=\"alignright wp-image-11388\" src=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1-1020x1323.jpg\" alt=\"\" width=\"386\" height=\"500\" srcset=\"https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1-1020x1323.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1-800x1038.jpg 800w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1-160x208.jpg 160w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1-768x996.jpg 768w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1-1184x1536.jpg 1184w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1-1579x2048.jpg 1579w, https://ww2.kqed.org/app/uploads/sites/63/2020/12/TuDavidPhu_headshot-1.jpg 1600w\" sizes=\"(max-width: 386px) 100vw, 386px\">\u003c/a>\u003c/em>\u003cbr>\n\u003cstrong>\u003cem>Tu David Phu \u003c/em>\u003c/strong>\u003cem>the\u003c/em>\u003cem> Executive Producer and the subject of \u003cstrong>Bloodline\u003c/strong>, Chef Tu’s Vietnamese-cuisine began garnering press and accolade in 2016 with his weekly pop-up dinners “\u003c/em>\u003ca href=\"https://edibleeastbay.com/2017/08/18/chef-tu-david-phu/\">\u003cem>AN - a Vietnamese Dining Experience\u003c/em>\u003c/a>\u003cem>.”; then in 2017\u003c/em>\u003ca href=\"https://www.sfchronicle.com/restaurants/article/The-2017-class-of-Chronicle-Rising-Star-Chefs-11087887.php\"> \u003cem>San Francisco Chronicle named him Rising Star Chef\u003c/em>\u003c/a>\u003cem>. In 2019, he was a featured contestant on\u003c/em>\u003ca href=\"https://www.bravotv.com/top-chef/season-15/episode-1/videos/tu-david-phus-winning-quickfire-dish\"> \u003cem>Bravo's Top Chef Season 15\u003c/em>\u003c/a>\u003cem> and invited to host\u003c/em>\u003ca href=\"https://www.youtube.com/watch?v=xaHw-X2O1Oo\"> \u003cem>ABC’s Taste Buds: Chefsgiving\u003c/em>\u003c/a> \u003cem>which was nominated for a\u003c/em>\u003ca href=\"https://www.jamesbeard.org/blog/the-2019-james-beard-award-nominees\"> \u003cem>James Beard Award.\u003c/em>\u003c/a>\u003cem> As a first-generation, Vietnamese-American, food equity and justice comes naturally to Chef Tu, who finds opportunities to use the medium of food as a vessel for meaningful work from\u003c/em>\u003ca href=\"https://www.sacbee.com/food-drink/article230133164.html\"> \u003cem>cooking with incarcerated men in San Quentin\u003c/em>\u003c/a>\u003cem>; to executive producer of \u003c/em>\u003cem>First Kitchen Media, a food media initiative co-founded with Santhosh Daniel, \u003c/em>\u003cem>to community ambassador in for\u003c/em>\u003ca href=\"https://asianhealthservices.org/\"> \u003cem>Asian Health Services\u003c/em>\u003c/a> \u003cem>and the\u003c/em>\u003ca href=\"https://oacc.cc/\"> \u003cem>Oakland Asian Cultural Center\u003c/em>\u003c/a>\u003cem>. Chef Tu’s involvement with food recovery and the Zero-Waste Movement is something else he got from his mother: During the Vietnam War, when supplies were rationed, she learned, out of necessity, that corn silk could be dried and used as a tea or toasted, deep-fried, or sautéed to serve with rice. Chef Tu not only applies these Zero Waste principles in his own kitchen but he is also a\u003c/em>\u003ca href=\"https://www.jamesbeard.org/smart-catch\">\u003cem> James Beard Smart Catch Leader\u003c/em>\u003c/a>\u003cem>, recognized for promoting the use of sustainable seafood options; and an avid teacher, sharing the riches and lessons of his birthright through food.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>CAAM, \u003c/strong>The Center for Asian American Media is a nonprofit organization dedicated to presenting stories that convey the richness and diversity of Asian American experiences to the broadest audience possible. We do this by funding, producing, distributing and exhibiting works in film, television and digital media. For 40 years, CAAM has exposed audiences to new voices and communities, advancing our collective understanding of the American experience through programs specifically designed to engage the Asian American community and the public at large.\u003c/p>\n\u003cp>\u003cstrong>American Public Television\u003c/strong> (APT) is the leading syndicator of high-quality, top-rated programming to the nation’s public television stations. Founded in 1961, APT distributes 250 new program titles per year and more than one-third of the top 100 highest-rated public television titles in the U.S. APT’s diverse catalog includes prominent documentaries, performance, dramas, how-to programs, classic movies, children’s series, and news and current affairs programs. \u003ci>Doc Martin, Midsomer Murders, America’s Test Kitchen From Cook’s Illustrated, AfroPoP, Rick Steves’ Europe, Christopher Kimball’s Milk Street Television, Front and Center, Lidia’s Kitchen, Kevin Belton’s New Orleans Kitchen, Simply Ming, The Best of the Joy of Painting\u003c/i> with Bob Ross, James Patterson’s \u003ci>Kid Stew\u003c/i> and \u003ci>NHK Newsline\u003c/i> are a sampling of APT’s programs, considered some of the most popular on public television. APT also licenses programs internationally through its APT Worldwide service and distributes Create®TV — featuring the best of public television's lifestyle programming — and WORLD™, public television’s premier news, science and documentary channel. To find out more about APT’s programs and services, visit APTonline.org.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"soldout": {
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