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"content": "\u003cp>\u003cem>Sacheen Littlefeather is best known for causing a massive uproar at the 1973 Academy Awards, when she got up on stage and calmly turned down Marlon Brando’s best actor accolade for “The Godfather.”\u003c/em>\u003c/p>\n\u003cp>\u003cem>At the time she was a young Native American rights activist and budding actress when Brando asked her to represent him at the Oscars. She appeared in movies like “Johnny Firecloud.” \u003c/em>\u003cem>The entertainment industry was getting rich off of racist stereotypes of Native Americans and Westerns like \u003ca href=\"https://www.youtube.com/watch?v=QAiPX3mMueo\" target=\"_blank\" rel=\"noopener noreferrer\">“The Great Sioux Massacre”\u003c/a> were rife with them.\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=8Kv1oc7IxY8\u003c/p>\n\u003cp>\u003cem>After the anger she caused at the Oscars, Sacheen’s TV and movie career floundered. But her work as an activist took off. She shared her story with KQED from her home in Marin County:\u003c/em>\u003c/p>\n\u003cp>My father, an Apache and Yaqui man, met my white mother at a saddle shop in Arizona. And they moved to Salinas, California, because their interracial marriage was illegal in Arizona.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When my father beat my mother he made me watch, as though it were an afternoon bargain matinee. That killed my soul, and not only because I loved my mother, but because I knew I was next.\u003c/p>\n\u003cp>My white grandparents took me in. And they raised me as a white person. But when I looked in the mirror I knew I wasn’t.\u003c/p>\n\u003cp>I always knew I was Indian. But in those days back in the ’40s and the ’50s, everybody wanted to be white.\u003c/p>\n\u003cp>Because everybody in the radio or in the ads in magazines and newspapers, everybody was white. It looked like a Clorox factory.\u003c/p>\n\u003cp>I was kind of a loner. Writing was my outlet. Simple little poems like, “I slippy and I slidey over everybody’s hidey. I’m just a little bar of soap.”\u003c/p>\n\u003cp>My grandmother, she was very exasperated with me for being so clumsy, for falling over my own two feet. I had big feet and I was only 9 years old. So I used to sing the song, “Oh my darling, oh my darling, oh my darling Clementine. You are lost and gone forever, and your shoes are number nine.”\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]‘The more that Native American Indian people like myself speak out, the more understanding that there becomes. 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The white officer looked at me and went with the billy club, pounding the billy club in his fist.\u003c/p>\n\u003cp>And I thought out of my best interest to go to the black bathroom.\u003c/p>\n\u003cp>My mother, however, went to the white bathroom.\u003c/p>\n\u003cp>And I can’t tell you how much I cried and cried after that experience.\u003c/p>\n\u003cp>And after I had several of those experiences, I knew how blatant racism was — open, alive and well.\u003c/p>\n\u003cp>After refusing that award for Marlon, I went back to school to get a degree in holistic health and nutrition with a minor in Native American medicine.\u003c/p>\n\u003cp>I did a lot of consulting work, because medicine people were going into the hospital to treat and pray for their American Indian patients. And much of this was misunderstood by the doctors and the staff. So we needed a group of us to go in and to educate everyone from the CEO down to the janitor about what Native American medicine was all about.\u003c/p>\n\u003cp>We have been oppressed so much from dominant society that we have internalized that oppression. For example, saying, “You’re not Indian enough. You weren’t born on the reservation and I was.” And “Oh! You’re only half Indian, I’m a full blood. So I’m more Indian than you’re Indian.”\u003c/p>\n\u003cp>That’s internalized oppression.\u003c/p>\n\u003cp>The more that Native American Indian people like myself speak out, the more understanding that there becomes. The truth has got to win out above all the lies that have been told about us by the dominant society.\u003c/p>\n\u003cp>We’re all Indian. Of one blood, one mind and one heart.\u003c/p>\n\u003cp>And, eventually, I did grow into my feet. Now I wear a size 11 narrow. And when I go to the shoe store, I just say, “I’ve got room for everybody in my shoes.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This week’s \u003ca href=\"https://www.kqed.org/news/11818670/gold-chains-californias-hidden-history\" target=\"_blank\" rel=\"noopener noreferrer\">California Report Magazine\u003c/a> uncovers stories of resilience as part of a collaboration with the \u003ca href=\"https://www.aclunc.org/home\" target=\"_blank\" rel=\"noopener noreferrer\">ACLU of Northern California\u003c/a> called “Gold Chains: The Hidden History of Slavery in California.” \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When we used to go into restaurants or whatever and I used to go hand in hand with my white grandparents, people always looked at us funny.\u003c/p>\n\u003cp>And I could tell, you know intuitively, that something wasn’t right.\u003c/p>\n\u003cp>When I grew older, I went on a car trip to the south with my mother, who is white. And then I found out exactly what was up when I went to use the bathroom. There was a police officer with a billy club who was looking directly at me. And there was a white bathroom and a black bathroom. The white officer looked at me and went with the billy club, pounding the billy club in his fist.\u003c/p>\n\u003cp>And I thought out of my best interest to go to the black bathroom.\u003c/p>\n\u003cp>My mother, however, went to the white bathroom.\u003c/p>\n\u003cp>And I can’t tell you how much I cried and cried after that experience.\u003c/p>\n\u003cp>And after I had several of those experiences, I knew how blatant racism was — open, alive and well.\u003c/p>\n\u003cp>After refusing that award for Marlon, I went back to school to get a degree in holistic health and nutrition with a minor in Native American medicine.\u003c/p>\n\u003cp>I did a lot of consulting work, because medicine people were going into the hospital to treat and pray for their American Indian patients. And much of this was misunderstood by the doctors and the staff. So we needed a group of us to go in and to educate everyone from the CEO down to the janitor about what Native American medicine was all about.\u003c/p>\n\u003cp>We have been oppressed so much from dominant society that we have internalized that oppression. For example, saying, “You’re not Indian enough. You weren’t born on the reservation and I was.” And “Oh! You’re only half Indian, I’m a full blood. So I’m more Indian than you’re Indian.”\u003c/p>\n\u003cp>That’s internalized oppression.\u003c/p>\n\u003cp>The more that Native American Indian people like myself speak out, the more understanding that there becomes. The truth has got to win out above all the lies that have been told about us by the dominant society.\u003c/p>\n\u003cp>We’re all Indian. Of one blood, one mind and one heart.\u003c/p>\n\u003cp>And, eventually, I did grow into my feet. Now I wear a size 11 narrow. And when I go to the shoe store, I just say, “I’ve got room for everybody in my shoes.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This week’s \u003ca href=\"https://www.kqed.org/news/11818670/gold-chains-californias-hidden-history\" target=\"_blank\" rel=\"noopener noreferrer\">California Report Magazine\u003c/a> uncovers stories of resilience as part of a collaboration with the \u003ca href=\"https://www.aclunc.org/home\" target=\"_blank\" rel=\"noopener noreferrer\">ACLU of Northern California\u003c/a> called “Gold Chains: The Hidden History of Slavery in California.” \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It’s rare to have a direct link to history in the way Clayton Duncan does. He’s 70, and he remembers his great-grandmother, Lucy Moore, who lived until 110.\u003c/p>\n\u003cp>Do the math, and you can see how Duncan heard stories as a child about her firsthand experience surviving a massacre in 1850.\u003c/p>\n\u003cp>Moore was one of the few who lived to recount what happened when the U.S. Army slaughtered a group of Pomo Indians on May 15, 1850, at an island known as Bonopoti. Pomo gathered at the island in Lake County to fish and collect medicine and plants. While U.S. soldiers murdered hundreds of men, women and children, 6-year-old Moore hid under the water.\u003c/p>\n\u003cp>Duncan says she survived because of a hide-and-seek game Pomo kids used to play, hiding under the water and breathing through hollowed-out reeds. And that’s what she did, until she came up hours later.\u003c/p>\n\u003cp>“She saw all her cousins and grandpas and grandmas, they’re all just laying there dead. The water was all just full of blood,” Duncan said.\u003c/p>\n\u003cp>The attack was in retaliation for the deaths of Andrew Kelsey and Charles Stone, white cattle ranchers who were notoriously cruel to the native population. They forced Pomo to work as laborers on their ranch. Native people were often starved and beat, sometimes even strung up from trees as a form of torture.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Clayton Duncan\"]“My mother would ask me, ‘Why are you always walking around here mad? Let me tell you about Grandma. She used to pray, and she forgave those people, and she lived through it.'”[/pullquote]\u003c/p>\n\u003cp>It all came to a head after Kelsey lashed a young Pomo boy 100 times, then shot him, allegedly for flirting with a Pomo woman Kelsey kept on his property as a concubine. Exasperated with the violence and oppression, Pomo men murdered Kelsey and Stone soon after.\u003c/p>\n\u003cp>Then, the U.S. military retaliated. A regiment of the 1st Dragoons of the U.S. Cavalry, commanded by Capt. Nathaniel Lyon and Lt. J.W. Davidson, massacred nearly the entire native population of the island. (You may recognize Lyon’s name — he’s the first Union general to be killed in the Civil War, and there’s a famous street named after him in San Francisco.)\u003c/p>\n\u003cp>Now, the place once known as Bonopoti is called Bloody Island. The water and marshes have been drained. All that’s left is a grassy hill.\u003c/p>\n\u003cp>On the side of Highway 20 in Lake County, there’s a commemorative plaque that explains how Bloody Island got its name. It’s easy to miss it driving past, unless you’re looking for it.\u003c/p>\n\u003cfigure id=\"attachment_11818394\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11818394\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">This California Historical Landmark commemorates the massacre at Bloody Island. It was installed in 2005, after advocacy from Clayton Duncan and others. \u003ccite>(Suzie Racho/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Clayton Duncan petitioned the state to get the highway plaque installed. He lives just a few miles away, in Nice.\u003c/p>\n\u003cp>But to get to the actual site of Bloody Island, Duncan has to drive his Dodge Dart down a rutted road, on the edge of the hill that was the island.\u003c/p>\n\u003cp>On a recent visit, he wore a T-shirt proclaiming “I Am Not Your Mascot.” Lighting a bundle of dried sage, he fanned the smoke toward the grassy hillside where Bonopoti used to be.\u003c/p>\n\u003cp>“I can imagine my great-grandmother telling this story over and over and over,” Duncan said. “You know, what can we do about it? You know, we can’t just let these people get away with it.”\u003cbr>\n[ad fullwidth]\u003c/p>\n\u003ch3>History, Rewritten, Again and Again\u003c/h3>\n\u003cp>The massacre has been \u003ca href=\"https://dpg.lib.berkeley.edu/webdb/anthpubs/search?all=&volume=10&journal=6&item=1\">well-documented\u003c/a>, even when it happened back in 1850. Here’s an excerpt from an article that appeared in the \u003ca href=\"http://calindianhistory.org/wp-content/uploads/2015/09/05_28_1850.pdf\">Daily Alta California dated May 28, 1850\u003c/a>:\u003c/p>\n\u003cp>\u003cem>“On the 1st of the month an expedition was fitted out against them, composed of a detachment of Infantry, and a company of Dragoons, under command of Lieut. Davidson … with orders to proceed against the Clear Lake Indians, and exterminate if possible the tribe. The troops arrived in the vicinity of the Lake, and came unexpectedly upon a body of Indians numbering between two and three hundred. Little or no resistance was encountered, and the work of butchery was of short duration. The shrieks of the slaughtered victims died away, the roar of muskets that ceased, and stretched lifeless upon the sod of their native valley were the bleeding bodies of these Indians — or sex, nor age was spared; it was the order of extermination fearfully obeyed.”\u003c/em>\u003c/p>\n\u003cp>But history was rewritten just three days later in the same newspaper, after a military officer questioned the original story. Here’s what \u003ca href=\"https://cdnc.ucr.edu/?a=d&d=DAC18500601.2.3&srpos=2&e=------185-en--20--1--txt-txIN-clear+lake+massacre----1850---1\">the new version said\u003c/a>:\u003c/p>\n\u003cp>\u003cem>“A party of Indians, living in and about the Sonoma district, after committing many murders and other outrages, in November last fled to Clear Lake … This they have made their abode ever since, setting the troops at defiance and maintaining an attitude of hostility towards all the whites … The men advanced in boats and were received with a shower of arrows. In the combat, many of the soldiers were seriously wounded, and a number of the Indians killed. The statement that women and children were massacred, is wholly unfounded.”\u003c/em>\u003c/p>\n\u003cp>That history was echoed in 1942, when \u003ca href=\"https://nsgw.org/benefits-of-the-native-sons/\">The Native Sons of the Golden West\u003c/a> — known for commemorating the Gold Rush, California’s entry into statehood and the deeds of white California “pioneers” — put up a tiny plaque on a rock near the hillside. An \u003ca href=\"https://scholarcommons.usf.edu/gsp/vol9/iss2/8/\">article in Genocide Studies and Prevention: An International Journal\u003c/a> analyzes how this plaque reflects a World War II mentality, when racism against Japanese Americans and others was heightened.\u003c/p>\n\u003cfigure id=\"attachment_11818392\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11818392\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Installed by the Native Sons of the Golden West, the plaque downplays the brutal murders that took place at Bloody Island, instead framing the site as “the scene of a battle.” \u003ccite>(Suzie Racho/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ironically, an inaccurate plaque is closest to the scene. Today, it is splashed with red paint to signify the blood spilled there.\u003c/p>\n\u003cp>Duncan’s cousin, Lisa Peake, likes to come to the plaque to burn sage, purifying the area as she smudges with an eagle feather.\u003c/p>\n\u003cp>“I smudge and pray when I come here,” Peake said. “My grandparents were dead before I was even born. I feel it inside a lot. So I know when they say blood memory.”\u003c/p>\n\u003cp>There’s no way to confirm how many people were killed that day. Army estimates from the time calculated that about 200 people were killed. Duncan and other indigenous leaders estimate closer to 400 people lived on the island, and very few survived.\u003c/p>\n\u003cfigure id=\"attachment_11818391\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11818391\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Clayton Duncan holds a framed image of his great grandparents, Lucy and Solomon Moore, taken sometime in the 1950s, when Lucy Moore was 106 years old. \u003ccite>(Suzie Racho/KQED )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>One Family’s Legacy\u003c/h3>\n\u003cp>Duncan’s mom isn’t alive anymore, but he has a recording of her voice set to music. He played it from a CD out of his car stereo as he smudged the hillside with sage.\u003c/p>\n\u003cp>In the recording, Mildred Duncan explains how Lucy Moore and her mother — Mildred’s great-grandmother — both survived the massacre. They went up into the mountains, hunting animals and eating wild onions and potatoes. After about a month, they came back down and settled near Upper Lake. Listen below:\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://omny.fm/shows/kqed-segmented-audio/claytons-mom/embed\" width=\"100%\" height=\"180\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>In an act of fierce determination, Lucy Moore lived more than a century after the massacre. She married a man much younger than she was, and survived to 110 years old. In her final years, she helped raise Clayton after he was born in 1950.\u003c/p>\n\u003cp>“My mom said she was talking our language, telling me what to do, telling me to go do this and that. And then every time she went out and prayed — she had cataracts so she couldn’t see — but I’d run outside [and] bring her inside. I was like, her little eyes, you know,” laughed Duncan. “That’s why out of our whole family, I took this on.”\u003c/p>\n\u003cp>Now, Duncan is raising his three grandkids who are about the same age he was when Lucy helped raise him.\u003c/p>\n\u003cp>He’s figuring out how he’ll tell them her story.\u003c/p>\n\u003cp>“You can imagine these guys with guns and bayonets, walking through these shallow places and looking for these people hiding, too. How can anybody feel proud of what my forefathers did?” he asked.\u003c/p>\n\u003cp>It took Duncan a while to learn how to forgive.\u003c/p>\n\u003cp>“My mother would ask me, ‘Why are you always walking around here mad? Let me tell you about grandma. She used to pray, and she forgave those people, and she lived through it,’ ” recalled Duncan. “And so I start thinking, what an ultimate human being. If I were to hurt any white man, I would shame my grandma’s prayer.”\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.giphy.com/media/RestQTTQXPMcnzLMRp/source.gif\" alt=\"\" width=\"600\" height=\"338\">\u003cfigcaption class=\"wp-caption-text\">Clayton Duncan organizes an annual Sunrise Ceremony of Forgiveness at Bloody Island where people from different tribes gather. (Video courtesy of Dennis Hinrichs)\u003c/figcaption>\u003c/figure>\n\u003cp>Today, the descendants of those who were killed in that massacre are part of the Robinson Rancheria, and other rancherias, in Lake County. The nearby town of Kelseyville, named after Andrew Kelsey, has a historical marker where Kelsey and Stone are buried. But there’s no mention of the massacre that was carried out in their name.\u003c/p>\n\u003cp>Duncan wants to make sure people in Lake County don’t forget Bloody Island. He’s established the \u003ca href=\"https://www.lakeconews.com/index.php/news/1584-lucy-moore-foundation-seeks-to-create-healing-understanding?__cf_chl_jschl_tk__=e684f6a4d089d19fdd4cd1deb83b92d842b29234-1589413194-0-AXdGEnTh2ge6PHF1-w5MVMXBbp_JzRLO1sF2n41i2qhz-MEsngqIRPQHW4axJL7dMDLIymBKeb6MoxCqYvHsJTGvkvq2sYTDwxVNRPeiWrM21DgAhWZHr8u2-y9H1a5PIPfkvYiUBpyVmT8E_ewKkvY2wQVTA9nWqwtZV-lntzFPOQC1VvXFmNWr3W2L6u5m-ZGews1rBayqN8jV9jgUv6NzAH1L0DJdCrvGZWm4nGjpk7h1FEdkHCXmHKcSFhnyBgGbPv_JW9JYNvymoDNZfhHbvO2MOE4L-L8d80TzFQB4twnOUie5mBsRrbXp-XacFrY7TWXKRkN-H6Rz21gPYoXeMGAlA4ZinyKO3xmzclAy0qIgxqroOvkSkoCjErF94w\">Lucy Moore Foundation\u003c/a> in his grandmother’s memory. For the last two decades, he’s been organizing a \u003ca href=\"https://www.lakeconews.com/index.php/news/1584-lucy-moore-foundation-seeks-to-create-healing-understanding?__cf_chl_jschl_tk__=e684f6a4d089d19fdd4cd1deb83b92d842b29234-1589413194-0-AXdGEnTh2ge6PHF1-w5MVMXBbp_JzRLO1sF2n41i2qhz-MEsngqIRPQHW4axJL7dMDLIymBKeb6MoxCqYvHsJTGvkvq2sYTDwxVNRPeiWrM21DgAhWZHr8u2-y9H1a5PIPfkvYiUBpyVmT8E_ewKkvY2wQVTA9nWqwtZV-lntzFPOQC1VvXFmNWr3W2L6u5m-ZGews1rBayqN8jV9jgUv6NzAH1L0DJdCrvGZWm4nGjpk7h1FEdkHCXmHKcSFhnyBgGbPv_JW9JYNvymoDNZfhHbvO2MOE4L-L8d80TzFQB4twnOUie5mBsRrbXp-XacFrY7TWXKRkN-H6Rz21gPYoXeMGAlA4ZinyKO3xmzclAy0qIgxqroOvkSkoCjErF94w\">Sunrise Ceremony of Forgiveness\u003c/a> every May at Bloody Island where people from different tribes gather.\u003c/p>\n\u003cp>“We are spiritual people, we are the creator’s people,” Duncan said. “We don’t start wars, we don’t steal, we don’t lie, and we don’t kill. Human beings don’t do that.”\u003c/p>\n\u003cp>Some locals who are white, like Charmaine Larsen, also attend the ceremony.\u003c/p>\n\u003cp>[aside postID=\"science_1963054\" label=\"Related Coverage\" hero=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2020/04/RS42927_1-qut-1020x681.jpg\"]\u003c/p>\n\u003cp>“We’re all fed some fake history from the time we’re born,” said Charmaine. “That’s not right. I don’t want to be told lies and I don’t want to believe lies. I want to help those bringing out the truth and stand behind what’s real.”\u003c/p>\n\u003cp>This year, Duncan plans to \u003ca href=\"https://www.facebook.com/BloodyIslandMemorial/photos/a.103534626401372/3024851974269608/?type=3&theater\">livestream the ceremony on May 16 at 5 a.m.\u003c/a> — to respect social distancing rules under shelter-in-place orders.\u003c/p>\n\u003cp>It’s no surprise, he says, that Native Americans are \u003ca href=\"https://www.pbs.org/newshour/nation/how-covid-19-is-impacting-indigenous-peoples-in-the-u-s\">disproportionately impacted\u003c/a> by COVID-19. Just look at the \u003ca href=\"https://www.historylink.org/File/5171\">history\u003c/a> of smallpox and other contagious diseases that helped white settlers claim Native American land.\u003c/p>\n\u003cp>“It all goes back to inequality,” Duncan said. “Genocide is still in our mind and our soul.”\u003c/p>\n\u003cp>\u003cem>This story was reported as part of “\u003ca href=\"http://www.goldchainsca.org\">Gold Chains: The Hidden History of Slavery in California\u003c/a>.” The project aims to lift up the voices of courageous African American and Native American individuals who challenged their brutal treatment and demanded their civil rights, inspiring us with their ingenuity, resilience and tenacity. Gold Chains is a collaboration between KQED, the ACLU of Northern California, the California Historical Society, Laura Atkins, and the Equal Justice Society.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s rare to have a direct link to history in the way Clayton Duncan does. He’s 70, and he remembers his great-grandmother, Lucy Moore, who lived until 110.\u003c/p>\n\u003cp>Do the math, and you can see how Duncan heard stories as a child about her firsthand experience surviving a massacre in 1850.\u003c/p>\n\u003cp>Moore was one of the few who lived to recount what happened when the U.S. Army slaughtered a group of Pomo Indians on May 15, 1850, at an island known as Bonopoti. Pomo gathered at the island in Lake County to fish and collect medicine and plants. While U.S. soldiers murdered hundreds of men, women and children, 6-year-old Moore hid under the water.\u003c/p>\n\u003cp>Duncan says she survived because of a hide-and-seek game Pomo kids used to play, hiding under the water and breathing through hollowed-out reeds. And that’s what she did, until she came up hours later.\u003c/p>\n\u003cp>“She saw all her cousins and grandpas and grandmas, they’re all just laying there dead. The water was all just full of blood,” Duncan said.\u003c/p>\n\u003cp>The attack was in retaliation for the deaths of Andrew Kelsey and Charles Stone, white cattle ranchers who were notoriously cruel to the native population. They forced Pomo to work as laborers on their ranch. Native people were often starved and beat, sometimes even strung up from trees as a form of torture.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It all came to a head after Kelsey lashed a young Pomo boy 100 times, then shot him, allegedly for flirting with a Pomo woman Kelsey kept on his property as a concubine. Exasperated with the violence and oppression, Pomo men murdered Kelsey and Stone soon after.\u003c/p>\n\u003cp>Then, the U.S. military retaliated. A regiment of the 1st Dragoons of the U.S. Cavalry, commanded by Capt. Nathaniel Lyon and Lt. J.W. Davidson, massacred nearly the entire native population of the island. (You may recognize Lyon’s name — he’s the first Union general to be killed in the Civil War, and there’s a famous street named after him in San Francisco.)\u003c/p>\n\u003cp>Now, the place once known as Bonopoti is called Bloody Island. The water and marshes have been drained. All that’s left is a grassy hill.\u003c/p>\n\u003cp>On the side of Highway 20 in Lake County, there’s a commemorative plaque that explains how Bloody Island got its name. It’s easy to miss it driving past, unless you’re looking for it.\u003c/p>\n\u003cfigure id=\"attachment_11818394\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11818394\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43181_IMG_0002-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">This California Historical Landmark commemorates the massacre at Bloody Island. It was installed in 2005, after advocacy from Clayton Duncan and others. \u003ccite>(Suzie Racho/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Clayton Duncan petitioned the state to get the highway plaque installed. He lives just a few miles away, in Nice.\u003c/p>\n\u003cp>But to get to the actual site of Bloody Island, Duncan has to drive his Dodge Dart down a rutted road, on the edge of the hill that was the island.\u003c/p>\n\u003cp>On a recent visit, he wore a T-shirt proclaiming “I Am Not Your Mascot.” Lighting a bundle of dried sage, he fanned the smoke toward the grassy hillside where Bonopoti used to be.\u003c/p>\n\u003cp>“I can imagine my great-grandmother telling this story over and over and over,” Duncan said. “You know, what can we do about it? You know, we can’t just let these people get away with it.”\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch3>History, Rewritten, Again and Again\u003c/h3>\n\u003cp>The massacre has been \u003ca href=\"https://dpg.lib.berkeley.edu/webdb/anthpubs/search?all=&volume=10&journal=6&item=1\">well-documented\u003c/a>, even when it happened back in 1850. Here’s an excerpt from an article that appeared in the \u003ca href=\"http://calindianhistory.org/wp-content/uploads/2015/09/05_28_1850.pdf\">Daily Alta California dated May 28, 1850\u003c/a>:\u003c/p>\n\u003cp>\u003cem>“On the 1st of the month an expedition was fitted out against them, composed of a detachment of Infantry, and a company of Dragoons, under command of Lieut. Davidson … with orders to proceed against the Clear Lake Indians, and exterminate if possible the tribe. The troops arrived in the vicinity of the Lake, and came unexpectedly upon a body of Indians numbering between two and three hundred. Little or no resistance was encountered, and the work of butchery was of short duration. The shrieks of the slaughtered victims died away, the roar of muskets that ceased, and stretched lifeless upon the sod of their native valley were the bleeding bodies of these Indians — or sex, nor age was spared; it was the order of extermination fearfully obeyed.”\u003c/em>\u003c/p>\n\u003cp>But history was rewritten just three days later in the same newspaper, after a military officer questioned the original story. Here’s what \u003ca href=\"https://cdnc.ucr.edu/?a=d&d=DAC18500601.2.3&srpos=2&e=------185-en--20--1--txt-txIN-clear+lake+massacre----1850---1\">the new version said\u003c/a>:\u003c/p>\n\u003cp>\u003cem>“A party of Indians, living in and about the Sonoma district, after committing many murders and other outrages, in November last fled to Clear Lake … This they have made their abode ever since, setting the troops at defiance and maintaining an attitude of hostility towards all the whites … The men advanced in boats and were received with a shower of arrows. In the combat, many of the soldiers were seriously wounded, and a number of the Indians killed. The statement that women and children were massacred, is wholly unfounded.”\u003c/em>\u003c/p>\n\u003cp>That history was echoed in 1942, when \u003ca href=\"https://nsgw.org/benefits-of-the-native-sons/\">The Native Sons of the Golden West\u003c/a> — known for commemorating the Gold Rush, California’s entry into statehood and the deeds of white California “pioneers” — put up a tiny plaque on a rock near the hillside. An \u003ca href=\"https://scholarcommons.usf.edu/gsp/vol9/iss2/8/\">article in Genocide Studies and Prevention: An International Journal\u003c/a> analyzes how this plaque reflects a World War II mentality, when racism against Japanese Americans and others was heightened.\u003c/p>\n\u003cfigure id=\"attachment_11818392\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11818392\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43180_IMG_0037-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Installed by the Native Sons of the Golden West, the plaque downplays the brutal murders that took place at Bloody Island, instead framing the site as “the scene of a battle.” \u003ccite>(Suzie Racho/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ironically, an inaccurate plaque is closest to the scene. Today, it is splashed with red paint to signify the blood spilled there.\u003c/p>\n\u003cp>Duncan’s cousin, Lisa Peake, likes to come to the plaque to burn sage, purifying the area as she smudges with an eagle feather.\u003c/p>\n\u003cp>“I smudge and pray when I come here,” Peake said. “My grandparents were dead before I was even born. I feel it inside a lot. So I know when they say blood memory.”\u003c/p>\n\u003cp>There’s no way to confirm how many people were killed that day. Army estimates from the time calculated that about 200 people were killed. Duncan and other indigenous leaders estimate closer to 400 people lived on the island, and very few survived.\u003c/p>\n\u003cfigure id=\"attachment_11818391\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11818391\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/RS43179_IMG_0054-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Clayton Duncan holds a framed image of his great grandparents, Lucy and Solomon Moore, taken sometime in the 1950s, when Lucy Moore was 106 years old. \u003ccite>(Suzie Racho/KQED )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>One Family’s Legacy\u003c/h3>\n\u003cp>Duncan’s mom isn’t alive anymore, but he has a recording of her voice set to music. He played it from a CD out of his car stereo as he smudged the hillside with sage.\u003c/p>\n\u003cp>In the recording, Mildred Duncan explains how Lucy Moore and her mother — Mildred’s great-grandmother — both survived the massacre. They went up into the mountains, hunting animals and eating wild onions and potatoes. After about a month, they came back down and settled near Upper Lake. Listen below:\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://omny.fm/shows/kqed-segmented-audio/claytons-mom/embed\" width=\"100%\" height=\"180\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>In an act of fierce determination, Lucy Moore lived more than a century after the massacre. She married a man much younger than she was, and survived to 110 years old. In her final years, she helped raise Clayton after he was born in 1950.\u003c/p>\n\u003cp>“My mom said she was talking our language, telling me what to do, telling me to go do this and that. And then every time she went out and prayed — she had cataracts so she couldn’t see — but I’d run outside [and] bring her inside. I was like, her little eyes, you know,” laughed Duncan. “That’s why out of our whole family, I took this on.”\u003c/p>\n\u003cp>Now, Duncan is raising his three grandkids who are about the same age he was when Lucy helped raise him.\u003c/p>\n\u003cp>He’s figuring out how he’ll tell them her story.\u003c/p>\n\u003cp>“You can imagine these guys with guns and bayonets, walking through these shallow places and looking for these people hiding, too. How can anybody feel proud of what my forefathers did?” he asked.\u003c/p>\n\u003cp>It took Duncan a while to learn how to forgive.\u003c/p>\n\u003cp>“My mother would ask me, ‘Why are you always walking around here mad? Let me tell you about grandma. She used to pray, and she forgave those people, and she lived through it,’ ” recalled Duncan. “And so I start thinking, what an ultimate human being. If I were to hurt any white man, I would shame my grandma’s prayer.”\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.giphy.com/media/RestQTTQXPMcnzLMRp/source.gif\" alt=\"\" width=\"600\" height=\"338\">\u003cfigcaption class=\"wp-caption-text\">Clayton Duncan organizes an annual Sunrise Ceremony of Forgiveness at Bloody Island where people from different tribes gather. (Video courtesy of Dennis Hinrichs)\u003c/figcaption>\u003c/figure>\n\u003cp>Today, the descendants of those who were killed in that massacre are part of the Robinson Rancheria, and other rancherias, in Lake County. The nearby town of Kelseyville, named after Andrew Kelsey, has a historical marker where Kelsey and Stone are buried. But there’s no mention of the massacre that was carried out in their name.\u003c/p>\n\u003cp>Duncan wants to make sure people in Lake County don’t forget Bloody Island. He’s established the \u003ca href=\"https://www.lakeconews.com/index.php/news/1584-lucy-moore-foundation-seeks-to-create-healing-understanding?__cf_chl_jschl_tk__=e684f6a4d089d19fdd4cd1deb83b92d842b29234-1589413194-0-AXdGEnTh2ge6PHF1-w5MVMXBbp_JzRLO1sF2n41i2qhz-MEsngqIRPQHW4axJL7dMDLIymBKeb6MoxCqYvHsJTGvkvq2sYTDwxVNRPeiWrM21DgAhWZHr8u2-y9H1a5PIPfkvYiUBpyVmT8E_ewKkvY2wQVTA9nWqwtZV-lntzFPOQC1VvXFmNWr3W2L6u5m-ZGews1rBayqN8jV9jgUv6NzAH1L0DJdCrvGZWm4nGjpk7h1FEdkHCXmHKcSFhnyBgGbPv_JW9JYNvymoDNZfhHbvO2MOE4L-L8d80TzFQB4twnOUie5mBsRrbXp-XacFrY7TWXKRkN-H6Rz21gPYoXeMGAlA4ZinyKO3xmzclAy0qIgxqroOvkSkoCjErF94w\">Lucy Moore Foundation\u003c/a> in his grandmother’s memory. For the last two decades, he’s been organizing a \u003ca href=\"https://www.lakeconews.com/index.php/news/1584-lucy-moore-foundation-seeks-to-create-healing-understanding?__cf_chl_jschl_tk__=e684f6a4d089d19fdd4cd1deb83b92d842b29234-1589413194-0-AXdGEnTh2ge6PHF1-w5MVMXBbp_JzRLO1sF2n41i2qhz-MEsngqIRPQHW4axJL7dMDLIymBKeb6MoxCqYvHsJTGvkvq2sYTDwxVNRPeiWrM21DgAhWZHr8u2-y9H1a5PIPfkvYiUBpyVmT8E_ewKkvY2wQVTA9nWqwtZV-lntzFPOQC1VvXFmNWr3W2L6u5m-ZGews1rBayqN8jV9jgUv6NzAH1L0DJdCrvGZWm4nGjpk7h1FEdkHCXmHKcSFhnyBgGbPv_JW9JYNvymoDNZfhHbvO2MOE4L-L8d80TzFQB4twnOUie5mBsRrbXp-XacFrY7TWXKRkN-H6Rz21gPYoXeMGAlA4ZinyKO3xmzclAy0qIgxqroOvkSkoCjErF94w\">Sunrise Ceremony of Forgiveness\u003c/a> every May at Bloody Island where people from different tribes gather.\u003c/p>\n\u003cp>“We are spiritual people, we are the creator’s people,” Duncan said. “We don’t start wars, we don’t steal, we don’t lie, and we don’t kill. Human beings don’t do that.”\u003c/p>\n\u003cp>Some locals who are white, like Charmaine Larsen, also attend the ceremony.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We’re all fed some fake history from the time we’re born,” said Charmaine. “That’s not right. I don’t want to be told lies and I don’t want to believe lies. I want to help those bringing out the truth and stand behind what’s real.”\u003c/p>\n\u003cp>This year, Duncan plans to \u003ca href=\"https://www.facebook.com/BloodyIslandMemorial/photos/a.103534626401372/3024851974269608/?type=3&theater\">livestream the ceremony on May 16 at 5 a.m.\u003c/a> — to respect social distancing rules under shelter-in-place orders.\u003c/p>\n\u003cp>It’s no surprise, he says, that Native Americans are \u003ca href=\"https://www.pbs.org/newshour/nation/how-covid-19-is-impacting-indigenous-peoples-in-the-u-s\">disproportionately impacted\u003c/a> by COVID-19. Just look at the \u003ca href=\"https://www.historylink.org/File/5171\">history\u003c/a> of smallpox and other contagious diseases that helped white settlers claim Native American land.\u003c/p>\n\u003cp>“It all goes back to inequality,” Duncan said. “Genocide is still in our mind and our soul.”\u003c/p>\n\u003cp>\u003cem>This story was reported as part of “\u003ca href=\"http://www.goldchainsca.org\">Gold Chains: The Hidden History of Slavery in California\u003c/a>.” The project aims to lift up the voices of courageous African American and Native American individuals who challenged their brutal treatment and demanded their civil rights, inspiring us with their ingenuity, resilience and tenacity. Gold Chains is a collaboration between KQED, the ACLU of Northern California, the California Historical Society, Laura Atkins, and the Equal Justice Society.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Long Before Politics at the Oscars Was a Thing, There Was Sacheen Littlefeather",
"title": "Long Before Politics at the Oscars Was a Thing, There Was Sacheen Littlefeather",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>The night of the 45th Academy Awards, the tuxedo’d and tiara’d denizens of Hollywood expected Marlon Brando to show up on stage and accept his best actor accolade for “The Godfather.”\u003c/p>\n\u003cp>Instead, they got Sacheen Littlefeather.\u003c/p>\n\u003cp>From John Legend's stand against incarceration to Patricia Arquette's call for equal pay for women — political statements at the Oscars have become so commonplace in recent times, it’s hard to keep track of them all.\u003c/p>\n\u003cp>\u003ciframe title=\"9 Times the Oscars Got Political\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/OrK3jr0lewA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>But Littlefeather's actions as the first indigenous person to use the Oscars as a platform to protest the mistreatment of her people in 1973 continue to stand out to this day.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Hello, my name is Sacheen Littlefeather,\" said the 20-something California actress and activist as she stood under the lights. She was dressed in tribal dress and waving several pages of paper covered with typed text Brando had given her to read out that evening. \"He has asked me to tell you in a very long speech, which I cannot share with you presently because of time, but I will be glad to share with the press afterwards, that he very regretfully cannot accept this very generous award.\"\u003c/p>\n\u003cp>Littlefeather’s face lit up TV sets in more than \u003ca href=\"https://tvbythenumbers.zap2it.com/reference/academy-awards-show-ratings/\" target=\"_blank\" rel=\"noopener noreferrer\">24 million homes\u003c/a>, as she explained Brando’s decision to boycott the high-profile event and send her in his place.\u003c/p>\n\u003cp>\"And the reasons for this being the treatment of American Indians today by the film industry,\" she went on against a chorus of boos and cheers. \"And on television, in movie reruns and also with recent happenings at Wounded Knee.\"\u003c/p>\n\u003cp>\u003ciframe title=\"Marlon Brando's Oscar® win for "The Godfather"\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/2QUacU0I4yU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Littlefeather, who's half Apache and half white, is now in her seventies. She lives in Novato, a town about an hour north of San Francisco. Her speech about the representation of indigenous people on screen — and the U.S. government's recent suppression of Native American protesters at Wounded Knee on the Pine Ridge Reservation in South Dakota — may have been short, but she said it caused an immediate uproar.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Sacheen Littlefeather\"]'A lot of people were making money off of that racism of the Hollywood Indian. Of course, they’re going to boo. They don't want their evening interrupted.'[/pullquote]\u003c/p>\n\u003cp>\"All hell broke loose,\" she said, recalling the memory of being escorted off stage by a team of security guards when her 60 seconds were up.\u003c/p>\n\u003cp>Littlefeather said she narrowly avoided getting into a scrap with John Wayne in the wings. He was the biggest name in old-school westerns, which were riddled with negative stereotypes of Native Americans.\u003c/p>\n\u003cp>\"A lot of people were making money off of that racism of the Hollywood Indian,\" Littlefeather said. \"Of course, they’re going to boo. They don't want their evening interrupted.\"\u003c/p>\n\u003cp>\u003ciframe title=\"The Searchers (1956) - Cowboys vs. Indians Scene (4/10) | Movieclips\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/dc8glsGbIus?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\"People were furious at Marlon Brando, that he had blindsided and ambushed them,\" said Bay Area-based film critic Michael Fox, who remembers watching the 1973 Oscars as a teenager and seeing the incident recaptured in the papers the next day. \"I'm sure the industry took it as a betrayal.\"\u003c/p>\n\u003cp>Littlefeather was living in San Francisco as a radio personality and Native American rights activist — she'd participated in the Native occupation of Alcatraz in the late 1960s — when Brando started speaking publicly about his support of Native Americans.\u003c/p>\n\u003cp>She said she was skeptical at first. So she got her neighbor, director Francis Ford Coppola, to deliver the movie star a letter she wrote that quizzed him about his intentions.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Sacheen Littlefeather\"]'I wanted to break barriers. I wanted to see young actresses acting not specifically a cowboy and Indian role, but a role being anything on the screen that you want to be.'[/pullquote]\u003c/p>\n\u003cp>\"It took him a year to get back to me,\" she said. \"But eventually he did.\"\u003c/p>\n\u003cp>Littlefeather said she could see Brando was sincere from his response. They began a friendship, which led to his request for her to stand in for him at the Oscars.\u003c/p>\n\u003cp>She said her stand at the 1973 Oscars wasn’t in vain.\u003c/p>\n\u003cp>\"The press showed up in South Dakota,\" she said. \"And they blasted open the story of Wounded Knee.\"\u003c/p>\n\u003cp>\u003ciframe title=\"Feb 28, 1973 Surveying Damage at Wounded Knee Video ABC News\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/Y1l1ACpRYrg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>But it ruined her career in the entertainment industry.\u003c/p>\n\u003cp>\"I was boycotted from that time forward,\" said the actress, who appeared in a few films — like the 1973 release \"Counselor at Crime\" — before the work dried up. \"I was never allowed on any of the major television shows, major productions of films.\"\u003c/p>\n\u003cp>\u003ciframe title='Sexy Sacheen Littlefeather on \"Counselor at Crime\" (Il Consigliori, 1973)' width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/8Kv1oc7IxY8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>There still aren’t many lead roles for Native Americans today. But things are slowly changing.\u003c/p>\n\u003cp>Apache actress Sivan Alyra Rose recently became the first indigenous North American to star in a Netflix series,\"\u003ca href=\"https://www.netflix.com/title/80210361\" target=\"_blank\" rel=\"noopener noreferrer\">Chambers,\u003c/a>\" last year. Also in 2019, Cherokee actor \u003ca href=\"https://www.wbur.org/hereandnow/2019/07/02/wes-studi-oscar-native-american\" target=\"_blank\" rel=\"noopener noreferrer\">Wes Studi won an honorary Academy Award\u003c/a>, becoming the first Native American to win an Oscar since songwriter Buffy Sainte-Marie received a nod for her theme song \"Up Where We Belong\" from the movie \"An Officer and a Gentleman\" in 1983.\u003c/p>\n\u003cp>\u003ciframe title='\"Up Where We Belong\" Wins Original Song: 1983 Oscars' width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/YMRP0HVD63g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>At a \u003ca href=\"https://www.commonwealthclub.org/events/archive/podcast/sacheen-littlefeather-and-sivan-alyra-rose-native-americans-film-and-media\" target=\"_blank\" rel=\"noopener noreferrer\">recent Commonwealth Club talk\u003c/a> in San Francisco, Oglala Lakota film producer Sarah Eagle Heart credited Littlefeather with paving the way for people like her.\u003c/p>\n\u003cp>\"Those of us that had to come afterwards in the industry, I know are grateful for you standing up and fighting for us to have a voice and for our issues to be heard as well,\" Eagle Heart said.\u003c/p>\n\u003cp>Littlefeather was a special guest at that event.\u003c/p>\n\u003cp>\"This is one of the reasons why I refused that Academy Award,\" Littlefeather responded. \"I wanted to break barriers. I wanted to see young actresses acting not specifically a cowboy and Indian role but a role being anything on the screen that you want to be.\"\u003c/p>\n\u003cp>\u003ciframe title=\"SACHEEN, Breaking the silence OFFICIAL TRAILER\" src=\"https://player.vimeo.com/video/316908967?dnt=1&app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Littlefeather shares information about her life, activism and pioneering stand at the 45th Academy Awards in the recently released documentary, \"Sacheen, Breaking the Silence.\"\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The night of the 45th Academy Awards, the tuxedo’d and tiara’d denizens of Hollywood expected Marlon Brando to show up on stage and accept his best actor accolade for “The Godfather.”\u003c/p>\n\u003cp>Instead, they got Sacheen Littlefeather.\u003c/p>\n\u003cp>From John Legend's stand against incarceration to Patricia Arquette's call for equal pay for women — political statements at the Oscars have become so commonplace in recent times, it’s hard to keep track of them all.\u003c/p>\n\u003cp>\u003ciframe title=\"9 Times the Oscars Got Political\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/OrK3jr0lewA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>But Littlefeather's actions as the first indigenous person to use the Oscars as a platform to protest the mistreatment of her people in 1973 continue to stand out to this day.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Hello, my name is Sacheen Littlefeather,\" said the 20-something California actress and activist as she stood under the lights. She was dressed in tribal dress and waving several pages of paper covered with typed text Brando had given her to read out that evening. \"He has asked me to tell you in a very long speech, which I cannot share with you presently because of time, but I will be glad to share with the press afterwards, that he very regretfully cannot accept this very generous award.\"\u003c/p>\n\u003cp>Littlefeather’s face lit up TV sets in more than \u003ca href=\"https://tvbythenumbers.zap2it.com/reference/academy-awards-show-ratings/\" target=\"_blank\" rel=\"noopener noreferrer\">24 million homes\u003c/a>, as she explained Brando’s decision to boycott the high-profile event and send her in his place.\u003c/p>\n\u003cp>\"And the reasons for this being the treatment of American Indians today by the film industry,\" she went on against a chorus of boos and cheers. \"And on television, in movie reruns and also with recent happenings at Wounded Knee.\"\u003c/p>\n\u003cp>\u003ciframe title=\"Marlon Brando's Oscar® win for "The Godfather"\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/2QUacU0I4yU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Littlefeather, who's half Apache and half white, is now in her seventies. She lives in Novato, a town about an hour north of San Francisco. Her speech about the representation of indigenous people on screen — and the U.S. government's recent suppression of Native American protesters at Wounded Knee on the Pine Ridge Reservation in South Dakota — may have been short, but she said it caused an immediate uproar.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"All hell broke loose,\" she said, recalling the memory of being escorted off stage by a team of security guards when her 60 seconds were up.\u003c/p>\n\u003cp>Littlefeather said she narrowly avoided getting into a scrap with John Wayne in the wings. He was the biggest name in old-school westerns, which were riddled with negative stereotypes of Native Americans.\u003c/p>\n\u003cp>\"A lot of people were making money off of that racism of the Hollywood Indian,\" Littlefeather said. \"Of course, they’re going to boo. They don't want their evening interrupted.\"\u003c/p>\n\u003cp>\u003ciframe title=\"The Searchers (1956) - Cowboys vs. Indians Scene (4/10) | Movieclips\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/dc8glsGbIus?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\"People were furious at Marlon Brando, that he had blindsided and ambushed them,\" said Bay Area-based film critic Michael Fox, who remembers watching the 1973 Oscars as a teenager and seeing the incident recaptured in the papers the next day. \"I'm sure the industry took it as a betrayal.\"\u003c/p>\n\u003cp>Littlefeather was living in San Francisco as a radio personality and Native American rights activist — she'd participated in the Native occupation of Alcatraz in the late 1960s — when Brando started speaking publicly about his support of Native Americans.\u003c/p>\n\u003cp>She said she was skeptical at first. So she got her neighbor, director Francis Ford Coppola, to deliver the movie star a letter she wrote that quizzed him about his intentions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"It took him a year to get back to me,\" she said. \"But eventually he did.\"\u003c/p>\n\u003cp>Littlefeather said she could see Brando was sincere from his response. They began a friendship, which led to his request for her to stand in for him at the Oscars.\u003c/p>\n\u003cp>She said her stand at the 1973 Oscars wasn’t in vain.\u003c/p>\n\u003cp>\"The press showed up in South Dakota,\" she said. \"And they blasted open the story of Wounded Knee.\"\u003c/p>\n\u003cp>\u003ciframe title=\"Feb 28, 1973 Surveying Damage at Wounded Knee Video ABC News\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/Y1l1ACpRYrg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>But it ruined her career in the entertainment industry.\u003c/p>\n\u003cp>\"I was boycotted from that time forward,\" said the actress, who appeared in a few films — like the 1973 release \"Counselor at Crime\" — before the work dried up. \"I was never allowed on any of the major television shows, major productions of films.\"\u003c/p>\n\u003cp>\u003ciframe title='Sexy Sacheen Littlefeather on \"Counselor at Crime\" (Il Consigliori, 1973)' width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/8Kv1oc7IxY8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>There still aren’t many lead roles for Native Americans today. But things are slowly changing.\u003c/p>\n\u003cp>Apache actress Sivan Alyra Rose recently became the first indigenous North American to star in a Netflix series,\"\u003ca href=\"https://www.netflix.com/title/80210361\" target=\"_blank\" rel=\"noopener noreferrer\">Chambers,\u003c/a>\" last year. Also in 2019, Cherokee actor \u003ca href=\"https://www.wbur.org/hereandnow/2019/07/02/wes-studi-oscar-native-american\" target=\"_blank\" rel=\"noopener noreferrer\">Wes Studi won an honorary Academy Award\u003c/a>, becoming the first Native American to win an Oscar since songwriter Buffy Sainte-Marie received a nod for her theme song \"Up Where We Belong\" from the movie \"An Officer and a Gentleman\" in 1983.\u003c/p>\n\u003cp>\u003ciframe title='\"Up Where We Belong\" Wins Original Song: 1983 Oscars' width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/YMRP0HVD63g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>At a \u003ca href=\"https://www.commonwealthclub.org/events/archive/podcast/sacheen-littlefeather-and-sivan-alyra-rose-native-americans-film-and-media\" target=\"_blank\" rel=\"noopener noreferrer\">recent Commonwealth Club talk\u003c/a> in San Francisco, Oglala Lakota film producer Sarah Eagle Heart credited Littlefeather with paving the way for people like her.\u003c/p>\n\u003cp>\"Those of us that had to come afterwards in the industry, I know are grateful for you standing up and fighting for us to have a voice and for our issues to be heard as well,\" Eagle Heart said.\u003c/p>\n\u003cp>Littlefeather was a special guest at that event.\u003c/p>\n\u003cp>\"This is one of the reasons why I refused that Academy Award,\" Littlefeather responded. \"I wanted to break barriers. I wanted to see young actresses acting not specifically a cowboy and Indian role but a role being anything on the screen that you want to be.\"\u003c/p>\n\u003cp>\u003ciframe title=\"SACHEEN, Breaking the silence OFFICIAL TRAILER\" src=\"https://player.vimeo.com/video/316908967?dnt=1&app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Littlefeather shares information about her life, activism and pioneering stand at the 45th Academy Awards in the recently released documentary, \"Sacheen, Breaking the Silence.\"\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "get-your-kickapoo-chili-and-artwork-featuring-strong-babes-at-oaklands-indigenous-red-market",
"title": "At Oakland's Indigenous Red Market, Art, Food and Activism Celebrate Native Identities",
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"headTitle": "At Oakland’s Indigenous Red Market, Art, Food and Activism Celebrate Native Identities | KQED",
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"content": "\u003cp>On the first Sunday of every month, a parking lot in the heart of Oakland’s Fruitvale neighborhood transforms into a vibrant marketplace featuring Indigenous artists, performers and chefs.\u003c/p>\n\u003cp>Since its start over a year ago, the Indigenous Red Market, organized by \u003ca href=\"https://urbannativeera.com\">Urban Native Era\u003c/a> and the\u003ca href=\"https://www.nativehealth.org/content/oakland-0\"> Native American Health Center,\u003c/a> has become more than a place to buy handcrafted items and mouthwatering foods. \u003c/p>\n\u003cp>“It’s a gathering place where we can come and be Native,” said Noah Gallo (Ysleta del Sur Pueblo) one of the event organizers with the Native American Health Center. “There is this misconception that Natives don’t exist anymore, but we do. We’re human beings. We have jobs. We live out here just like everybody else.”\u003c/p>\n\u003cp>Although Oakland is home to a number of Native American community centers, including the \u003ca href=\"https://www.ifhurbanrez.org\">Intertribal Friendship House\u003c/a>, Gallo says it’s important to also have spaces where all Indigenous people — including those from Latin America and the Pacific Islands — can come together.\u003c/p>\n\u003cfigure id=\"attachment_11789451\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11789451 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40309_IRM_KQED-3-qut-800x533.jpg\" alt=\"Mexica dance group Calpulli Coatlicue dances at the Indigenous Red Market in Oakland.\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">Mexica (Aztec) dance group Calpulli Coatlicue dances at the Indigenous Red Market in Oakland. \u003ccite>(Joey Montoya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Kickapoo Chili\u003c/h3>\n\u003cp>The food options cover a wide range, too. At one corner of the market, you might find fry bread tacos. ‘Otai, a \u003ca href=\"https://www.instagram.com/otaimibreeze/\">Tongan watermelon drink, \u003c/a>is sold in another corner.\u003c/p>\n\u003cp>[aside tag=\"native-americans\" label=\"Related Coverage\"]\u003c/p>\n\u003cp>On a recent weekend, the \u003ca href=\"https://www.wahpepahskitchen.com\">Wahpepah’s Kitchen\u003c/a> food stand is slammed with customers waiting to order elderberry hibiscus tea and Kickapoo chili, a thick soup with bison and hominy topped with microgreens. The chef behind the popular food booth is Crystal Wahpepah (Kickapoo/Sac and Fox).\u003c/p>\n\u003cp>“[The chili] is something out of Oklahoma,” said Wahpepah. “It’s very inspired by my grandmother and all the Kickapoo ladies from Mexico all the way up to Oklahoma to Kansas to Michigan.”\u003c/p>\n\u003cp>Wahpepah’s family moved to Oakland from Oklahoma not long after the \u003ca href=\"https://www.apmreports.org/story/2019/11/01/uprooted-the-1950s-plan-to-erase-indian-country\">1956 Indian Relocation Act\u003c/a>, which encouraged rural Native Americans to leave their reservations for urban areas. The federal government circulated posters that promised “good jobs” and “happy homes” in places like Oakland, with the expectation that Native Americans would assimilate.\u003c/p>\n\u003cp>But many of those promises for quality housing and job training didn’t materialize.\u003c/p>\n\u003cfigure id=\"attachment_11789453\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11789453\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/come-to-denver-800x997.jpg\" alt=\"A relocation recruitment poster from the 1950s distributed by the Bureau of Indian Affairs.\" width=\"800\" height=\"997\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/come-to-denver-800x997.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/come-to-denver-160x199.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/come-to-denver-1020x1271.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/come-to-denver-963x1200.jpg 963w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/come-to-denver-1920x2392.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A relocation recruitment poster from the 1950s distributed by the Bureau of Indian Affairs. \u003ccite>(Courtesy National Archives and Records Administration)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Despite pressure from the federal government to assimilate, Wahpepah’s family didn’t abandon their culture. Instead, they got involved with the local American Indian movement and held onto their traditional foods.\u003c/p>\n\u003cp>Wahpepah grew up among many Native Americans who also hung out at the Intertribal Friendship House. She wondered why there weren’t any restaurants where her community could eat Indigenous foods. That’s what ultimately inspired her to learn the recipes of her Kickapoo elders.\u003c/p>\n\u003cp>Fast forward a couple of years, and Wahpepah became the first Native American chef on the \u003ca href=\"https://www.foodnetwork.com/shows/chopped/episodes/tortellini-trials\">Food Network show “Chopped.”\u003c/a>\u003c/p>\n\u003cp>Nowadays, she’s busy running her booming catering company, but the \u003ca href=\"https://www.facebook.com/IndigenousRedMarket/\">Indigenous Red Market\u003c/a> is her favorite place to share her food.\u003c/p>\n\u003cp>“When we do food booths this is the one I like doing, because it represents who I am and where I’m from,” she said.\u003c/p>\n\u003ch3>‘Strong Indigenous Babes All Around Is My Theme’\u003c/h3>\n\u003cp>The Indigenous Red Market also provides a platform for activists and artists to report on social issues like the construction happening on sacred lands, including Mauna Kea in Hawaii.\u003c/p>\n\u003cp>These issues are at the forefront of \u003ca href=\"https://www.facebook.com/pg/jackiefawnillustrations/photos/?ref=page_internal\">Jackie Fawn’s\u003c/a> (Yurok/Washoe/Filipino) work. Her illustrations of Indigenous women — stylized like the characters of the comic “Sailor Moon” — are on display at her booth.\u003c/p>\n\u003cfigure id=\"attachment_11789493\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11789493\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40316_74413575_10163059223725599_3383600945463033856_o-qut-800x801.jpg\" alt=\"One of the many posters artist Jackie Fawn has for sale at the Indigenous Red Market.\" width=\"800\" height=\"801\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/RS40316_74413575_10163059223725599_3383600945463033856_o-qut-800x801.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/RS40316_74413575_10163059223725599_3383600945463033856_o-qut-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/RS40316_74413575_10163059223725599_3383600945463033856_o-qut-912x912.jpg 912w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/RS40316_74413575_10163059223725599_3383600945463033856_o-qut-550x550.jpg 550w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/RS40316_74413575_10163059223725599_3383600945463033856_o-qut-470x470.jpg 470w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/RS40316_74413575_10163059223725599_3383600945463033856_o-qut.jpg 1001w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">One of the many posters artist Jackie Fawn has for sale at the Indigenous Red Market. \u003ccite>(Courtesy of Jackie Fawn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“My favorite poster is a woman riding a horse into battle. She’s fighting a black snake, which symbolizes the pipelines,” said Fawn. “Strong Indigenous babes all around is my theme of work.”\u003c/p>\n\u003cp>On the other side of the market is jewelry maker \u003ca href=\"https://www.instagram.com/bravensaigeeagle/\">Desiree Adams\u003c/a> (Diné), who blends her Native culture with Bay Area aesthetics. Her handcrafted hoop earrings are intricately beaded in the pattern of Diné baskets and integrate the colors of local sports teams like the Oakland A’s and the Golden State Warriors.\u003c/p>\n\u003cp>“We’re not all on reservations. We’re urban. We’re just trying to bring awareness to who we are as people and let society know that we’re still here,” said Adams.\u003c/p>\n\u003cp>She also wants to share the diversity of Native people. “A lot of people think we’re just all one tribe,” said Adams. “We’re multiple tribes, multiple clans.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Honoring and sharing different histories and identities is what draws many Indigenous people in the Bay Area to this market — and others have come from as far as Sacramento, Los Angeles and New Mexico.\u003c/p>\n\u003cp>For drummer and singer Manny Lieras (Navajo/Comanche), the market is also a place to share powwow drumming and singing.\u003c/p>\n\u003cp>To close out the event, he invited the crowd to join his family in a communal dance. Toddlers, 20-somethings and elders linked arms to form a circle. Together they stepped to the beat of the drum.\u003c/p>\n\u003cp>“All right, give yourselves a big round of applause for being out here at the Indigenous Red Market,” said Lieras. “Thank you for your time. Thank you for your participation. Thank you for your good vibes.”\u003c/p>\n\u003cp>Then friends, old and new, made plans to see each other at the next market.\u003c/p>\n\u003cp>The market is located at 3124 International Blvd, Oakland. For information on market dates, follow \u003ca href=\"https://www.instagram.com/indigenousredmarket/?utm_source=ig_embed\">@indigenousredmarket on Instagram \u003c/a>or the market’s\u003ca href=\"https://www.facebook.com/IndigenousRedMarket/\"> Facebook page.\u003c/a>\u003c/p>\n\u003cp>https://www.instagram.com/p/B5jeKrXF5QC/\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "On the first Sunday of every month, a parking lot in the heart of Oakland’s Fruitvale neighborhood transforms into a vibrant marketplace featuring Indigenous artists, performers and chefs.",
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"title": "At Oakland's Indigenous Red Market, Art, Food and Activism Celebrate Native Identities | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On the first Sunday of every month, a parking lot in the heart of Oakland’s Fruitvale neighborhood transforms into a vibrant marketplace featuring Indigenous artists, performers and chefs.\u003c/p>\n\u003cp>Since its start over a year ago, the Indigenous Red Market, organized by \u003ca href=\"https://urbannativeera.com\">Urban Native Era\u003c/a> and the\u003ca href=\"https://www.nativehealth.org/content/oakland-0\"> Native American Health Center,\u003c/a> has become more than a place to buy handcrafted items and mouthwatering foods. \u003c/p>\n\u003cp>“It’s a gathering place where we can come and be Native,” said Noah Gallo (Ysleta del Sur Pueblo) one of the event organizers with the Native American Health Center. “There is this misconception that Natives don’t exist anymore, but we do. We’re human beings. We have jobs. We live out here just like everybody else.”\u003c/p>\n\u003cp>Although Oakland is home to a number of Native American community centers, including the \u003ca href=\"https://www.ifhurbanrez.org\">Intertribal Friendship House\u003c/a>, Gallo says it’s important to also have spaces where all Indigenous people — including those from Latin America and the Pacific Islands — can come together.\u003c/p>\n\u003cfigure id=\"attachment_11789451\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11789451 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40309_IRM_KQED-3-qut-800x533.jpg\" alt=\"Mexica dance group Calpulli Coatlicue dances at the Indigenous Red Market in Oakland.\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">Mexica (Aztec) dance group Calpulli Coatlicue dances at the Indigenous Red Market in Oakland. \u003ccite>(Joey Montoya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Kickapoo Chili\u003c/h3>\n\u003cp>The food options cover a wide range, too. At one corner of the market, you might find fry bread tacos. ‘Otai, a \u003ca href=\"https://www.instagram.com/otaimibreeze/\">Tongan watermelon drink, \u003c/a>is sold in another corner.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On a recent weekend, the \u003ca href=\"https://www.wahpepahskitchen.com\">Wahpepah’s Kitchen\u003c/a> food stand is slammed with customers waiting to order elderberry hibiscus tea and Kickapoo chili, a thick soup with bison and hominy topped with microgreens. The chef behind the popular food booth is Crystal Wahpepah (Kickapoo/Sac and Fox).\u003c/p>\n\u003cp>“[The chili] is something out of Oklahoma,” said Wahpepah. “It’s very inspired by my grandmother and all the Kickapoo ladies from Mexico all the way up to Oklahoma to Kansas to Michigan.”\u003c/p>\n\u003cp>Wahpepah’s family moved to Oakland from Oklahoma not long after the \u003ca href=\"https://www.apmreports.org/story/2019/11/01/uprooted-the-1950s-plan-to-erase-indian-country\">1956 Indian Relocation Act\u003c/a>, which encouraged rural Native Americans to leave their reservations for urban areas. The federal government circulated posters that promised “good jobs” and “happy homes” in places like Oakland, with the expectation that Native Americans would assimilate.\u003c/p>\n\u003cp>But many of those promises for quality housing and job training didn’t materialize.\u003c/p>\n\u003cfigure id=\"attachment_11789453\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11789453\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/come-to-denver-800x997.jpg\" alt=\"A relocation recruitment poster from the 1950s distributed by the Bureau of Indian Affairs.\" width=\"800\" height=\"997\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/come-to-denver-800x997.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/come-to-denver-160x199.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/come-to-denver-1020x1271.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/come-to-denver-963x1200.jpg 963w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/come-to-denver-1920x2392.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A relocation recruitment poster from the 1950s distributed by the Bureau of Indian Affairs. \u003ccite>(Courtesy National Archives and Records Administration)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Despite pressure from the federal government to assimilate, Wahpepah’s family didn’t abandon their culture. Instead, they got involved with the local American Indian movement and held onto their traditional foods.\u003c/p>\n\u003cp>Wahpepah grew up among many Native Americans who also hung out at the Intertribal Friendship House. She wondered why there weren’t any restaurants where her community could eat Indigenous foods. That’s what ultimately inspired her to learn the recipes of her Kickapoo elders.\u003c/p>\n\u003cp>Fast forward a couple of years, and Wahpepah became the first Native American chef on the \u003ca href=\"https://www.foodnetwork.com/shows/chopped/episodes/tortellini-trials\">Food Network show “Chopped.”\u003c/a>\u003c/p>\n\u003cp>Nowadays, she’s busy running her booming catering company, but the \u003ca href=\"https://www.facebook.com/IndigenousRedMarket/\">Indigenous Red Market\u003c/a> is her favorite place to share her food.\u003c/p>\n\u003cp>“When we do food booths this is the one I like doing, because it represents who I am and where I’m from,” she said.\u003c/p>\n\u003ch3>‘Strong Indigenous Babes All Around Is My Theme’\u003c/h3>\n\u003cp>The Indigenous Red Market also provides a platform for activists and artists to report on social issues like the construction happening on sacred lands, including Mauna Kea in Hawaii.\u003c/p>\n\u003cp>These issues are at the forefront of \u003ca href=\"https://www.facebook.com/pg/jackiefawnillustrations/photos/?ref=page_internal\">Jackie Fawn’s\u003c/a> (Yurok/Washoe/Filipino) work. Her illustrations of Indigenous women — stylized like the characters of the comic “Sailor Moon” — are on display at her booth.\u003c/p>\n\u003cfigure id=\"attachment_11789493\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11789493\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40316_74413575_10163059223725599_3383600945463033856_o-qut-800x801.jpg\" alt=\"One of the many posters artist Jackie Fawn has for sale at the Indigenous Red Market.\" width=\"800\" height=\"801\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/RS40316_74413575_10163059223725599_3383600945463033856_o-qut-800x801.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/RS40316_74413575_10163059223725599_3383600945463033856_o-qut-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/RS40316_74413575_10163059223725599_3383600945463033856_o-qut-912x912.jpg 912w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/RS40316_74413575_10163059223725599_3383600945463033856_o-qut-550x550.jpg 550w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/RS40316_74413575_10163059223725599_3383600945463033856_o-qut-470x470.jpg 470w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/12/RS40316_74413575_10163059223725599_3383600945463033856_o-qut.jpg 1001w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">One of the many posters artist Jackie Fawn has for sale at the Indigenous Red Market. \u003ccite>(Courtesy of Jackie Fawn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“My favorite poster is a woman riding a horse into battle. She’s fighting a black snake, which symbolizes the pipelines,” said Fawn. “Strong Indigenous babes all around is my theme of work.”\u003c/p>\n\u003cp>On the other side of the market is jewelry maker \u003ca href=\"https://www.instagram.com/bravensaigeeagle/\">Desiree Adams\u003c/a> (Diné), who blends her Native culture with Bay Area aesthetics. Her handcrafted hoop earrings are intricately beaded in the pattern of Diné baskets and integrate the colors of local sports teams like the Oakland A’s and the Golden State Warriors.\u003c/p>\n\u003cp>“We’re not all on reservations. We’re urban. We’re just trying to bring awareness to who we are as people and let society know that we’re still here,” said Adams.\u003c/p>\n\u003cp>She also wants to share the diversity of Native people. “A lot of people think we’re just all one tribe,” said Adams. “We’re multiple tribes, multiple clans.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Honoring and sharing different histories and identities is what draws many Indigenous people in the Bay Area to this market — and others have come from as far as Sacramento, Los Angeles and New Mexico.\u003c/p>\n\u003cp>For drummer and singer Manny Lieras (Navajo/Comanche), the market is also a place to share powwow drumming and singing.\u003c/p>\n\u003cp>To close out the event, he invited the crowd to join his family in a communal dance. Toddlers, 20-somethings and elders linked arms to form a circle. Together they stepped to the beat of the drum.\u003c/p>\n\u003cp>“All right, give yourselves a big round of applause for being out here at the Indigenous Red Market,” said Lieras. “Thank you for your time. Thank you for your participation. Thank you for your good vibes.”\u003c/p>\n\u003cp>Then friends, old and new, made plans to see each other at the next market.\u003c/p>\n\u003cp>The market is located at 3124 International Blvd, Oakland. For information on market dates, follow \u003ca href=\"https://www.instagram.com/indigenousredmarket/?utm_source=ig_embed\">@indigenousredmarket on Instagram \u003c/a>or the market’s\u003ca href=\"https://www.facebook.com/IndigenousRedMarket/\"> Facebook page.\u003c/a>\u003c/p>\u003c/p>\u003c/div>",
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"disqusTitle": "PHOTOS: Alcatraz Occupation to Dedication, Different Time ... Same Place",
"title": "PHOTOS: Alcatraz Occupation to Dedication, Different Time ... Same Place",
"headTitle": "KQED News",
"content": "\u003cp>This month marks the 50th \u003ca href=\"https://www.kqed.org/arts/13870041/alcatraz-occupation-50\" target=\"_blank\" rel=\"noopener noreferrer\">anniversary of the occupation\u003c/a> of Alcatraz, when a group of Native Americans landed on the San Francisco Bay island, launching a 19-month occupation based on an established legal principle of reclaiming abandoned federal lands for Native use.\u003c/p>\n\u003cp>Now, for the next 19 months — the same amount of time that the Indians of All Tribes called the island home — an exhibition in the New Industries Building on that occupation, titled \"\u003ca href=\"https://www.nps.gov/goga/red-power-on-alcatraz.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Red Power on Alcatraz\u003c/a>: Perspectives 50 Years Later,\" will be open to the public.\u003c/p>\n\u003cp>But the cliffside building was more than a gallery in recent days. It was a site of reunion, reflection and celebration.\u003c/p>\n\u003cp>The events commemorating the occupation on Saturday included an opening prayer and dedication to the exhibit by Geneva Seaboy, an original occupier. She thanked the National Park Service, which she called \"instrumental in putting the exhibit together.\"\u003c/p>\n\u003cfigure id=\"attachment_11788400\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11788400 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7019-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7019-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7019-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7019-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7019-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7019-1920x1281.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Elaine Duncan (left) and Geneva Seaboy (seated) watch a slideshow of photos taken by Brooks Townes, a sailor who brought the first organizers to the island and also was one of the first to photograph the occupation. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11788375\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11788375\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7146-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7146-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7146-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7146-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7146-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7146-1920x1281.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A teepee erected in the New Industries Building for the Red Power exhibition. Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Exhibitors Ilka Hartmann, Stephen Shames and Kent Blansett were present for the display to answer questions. Blansett and Dr. LaNada War Jack, another original occupier, gave presentations.\u003c/p>\n\u003cfigure id=\"attachment_11788423\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11788423 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7125-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7125-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7125-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7125-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7125-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7125-1920x1282.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kent Blansett, an associate professor of history and Native American Studies at the University of Nebraska at Omaha and a descendant of Cherokee, Creek, Choctaw, Shawnee and Potawatomi, speaks at Alcatraz on Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Blansett's display, \"Not Your Indians Anymore,\" features ephemera, original artifacts and rare media from his personal collection.\u003c/p>\n\u003cfigure id=\"attachment_11788365\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11788365 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7003-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7003-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7003-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7003-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7003-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7003-1920x1282.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ray St. Clair (Whitehawk) of White Earth, Minnesota, Ojibwe/Eagle Clan, wrapped in his Nation's flag, watches a video from Kent Blansett's display at Alcatraz on Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11788374\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11788374\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7122-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7122-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7122-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7122-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7122-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7122-1920x1282.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An original poster made by artist Joseph \"Indian Joe\" Morris (Blackfeet) featured at Alcatraz on Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11788379\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11788379\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7202-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7202-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7202-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7202-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7202-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7202-1920x1282.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ilka Hartmann sitting in front of one of her photographs at Alcatraz on Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11788373\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11788373\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7119-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7119-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7119-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7119-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7119-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7119-1920x1282.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Visitors look at large photographs taken by Ilka Hartmann at Alcatraz on Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>David Leach, who was the first to set foot on the island as an occupier, brought his son, Dana (Joe) Leach, to Alcatraz for the first time for the anniversary.\u003c/p>\n\u003cp>\"I never came here before because I couldn't afford it,\" Joe said.\u003c/p>\n\u003cp>Some photos of Joe's grandmother, Stella Means, who was a nurse on the island during the occupation, are in the show.\u003c/p>\n\u003cfigure id=\"attachment_11788372\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11788372\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7088-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7088-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7088-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7088-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7088-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7088-1920x1282.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Leach (Colville/Sioux) of Nespelem, poses in cell 13 in cell block A in Alcatraz on Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Toward the end of the event, Mutsun-Ohlone educator, singer and activist Kanyon Sayers-Roods read a letter written by her Ohlone relatives, whose ancestral land Alcatraz belongs to.\u003c/p>\n\u003cp>The letter said: \"Those on Alcatraz say they speak for all Indian people everywhere, but they do not... There is not one Ohlone Indian among those now on Alcatraz island.\"\u003c/p>\n\u003cp>Sayers-Roods said that although she supports the occupation herself, she chose to read the letter to honor the history and acknowledge differing perspectives.\u003c/p>\n\u003cp>\"I will do as much as I can for as long as I can, whenever I can and wherever I can, to honor truth in history and to be a good ancestor-in-training,\" said Sayers-Roods.\u003c/p>\n\u003cfigure id=\"attachment_11788378\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11788378\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7187-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7187-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7187-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7187-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7187-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7187-1920x1281.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kanyon Sayers-Roods (Ohlone/Chumash) speaks during the Red Power exhibit at Alcatraz on Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "The 19-month exhibition on Alcatraz mirrors the length of time the island was occupied by Native Americans in 1969.",
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"title": "PHOTOS: Alcatraz Occupation to Dedication, Different Time ... Same Place | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This month marks the 50th \u003ca href=\"https://www.kqed.org/arts/13870041/alcatraz-occupation-50\" target=\"_blank\" rel=\"noopener noreferrer\">anniversary of the occupation\u003c/a> of Alcatraz, when a group of Native Americans landed on the San Francisco Bay island, launching a 19-month occupation based on an established legal principle of reclaiming abandoned federal lands for Native use.\u003c/p>\n\u003cp>Now, for the next 19 months — the same amount of time that the Indians of All Tribes called the island home — an exhibition in the New Industries Building on that occupation, titled \"\u003ca href=\"https://www.nps.gov/goga/red-power-on-alcatraz.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Red Power on Alcatraz\u003c/a>: Perspectives 50 Years Later,\" will be open to the public.\u003c/p>\n\u003cp>But the cliffside building was more than a gallery in recent days. It was a site of reunion, reflection and celebration.\u003c/p>\n\u003cp>The events commemorating the occupation on Saturday included an opening prayer and dedication to the exhibit by Geneva Seaboy, an original occupier. She thanked the National Park Service, which she called \"instrumental in putting the exhibit together.\"\u003c/p>\n\u003cfigure id=\"attachment_11788400\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11788400 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7019-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7019-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7019-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7019-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7019-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7019-1920x1281.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Elaine Duncan (left) and Geneva Seaboy (seated) watch a slideshow of photos taken by Brooks Townes, a sailor who brought the first organizers to the island and also was one of the first to photograph the occupation. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11788375\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11788375\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7146-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7146-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7146-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7146-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7146-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7146-1920x1281.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A teepee erected in the New Industries Building for the Red Power exhibition. Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Exhibitors Ilka Hartmann, Stephen Shames and Kent Blansett were present for the display to answer questions. Blansett and Dr. LaNada War Jack, another original occupier, gave presentations.\u003c/p>\n\u003cfigure id=\"attachment_11788423\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11788423 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7125-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7125-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7125-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7125-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7125-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7125-1920x1282.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kent Blansett, an associate professor of history and Native American Studies at the University of Nebraska at Omaha and a descendant of Cherokee, Creek, Choctaw, Shawnee and Potawatomi, speaks at Alcatraz on Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Blansett's display, \"Not Your Indians Anymore,\" features ephemera, original artifacts and rare media from his personal collection.\u003c/p>\n\u003cfigure id=\"attachment_11788365\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11788365 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7003-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7003-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7003-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7003-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7003-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7003-1920x1282.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ray St. Clair (Whitehawk) of White Earth, Minnesota, Ojibwe/Eagle Clan, wrapped in his Nation's flag, watches a video from Kent Blansett's display at Alcatraz on Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11788374\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11788374\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7122-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7122-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7122-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7122-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7122-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7122-1920x1282.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An original poster made by artist Joseph \"Indian Joe\" Morris (Blackfeet) featured at Alcatraz on Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11788379\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11788379\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7202-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7202-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7202-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7202-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7202-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7202-1920x1282.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ilka Hartmann sitting in front of one of her photographs at Alcatraz on Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11788373\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11788373\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7119-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7119-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7119-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7119-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7119-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7119-1920x1282.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Visitors look at large photographs taken by Ilka Hartmann at Alcatraz on Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>David Leach, who was the first to set foot on the island as an occupier, brought his son, Dana (Joe) Leach, to Alcatraz for the first time for the anniversary.\u003c/p>\n\u003cp>\"I never came here before because I couldn't afford it,\" Joe said.\u003c/p>\n\u003cp>Some photos of Joe's grandmother, Stella Means, who was a nurse on the island during the occupation, are in the show.\u003c/p>\n\u003cfigure id=\"attachment_11788372\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11788372\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7088-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7088-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7088-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7088-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7088-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7088-1920x1282.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Leach (Colville/Sioux) of Nespelem, poses in cell 13 in cell block A in Alcatraz on Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Toward the end of the event, Mutsun-Ohlone educator, singer and activist Kanyon Sayers-Roods read a letter written by her Ohlone relatives, whose ancestral land Alcatraz belongs to.\u003c/p>\n\u003cp>The letter said: \"Those on Alcatraz say they speak for all Indian people everywhere, but they do not... There is not one Ohlone Indian among those now on Alcatraz island.\"\u003c/p>\n\u003cp>Sayers-Roods said that although she supports the occupation herself, she chose to read the letter to honor the history and acknowledge differing perspectives.\u003c/p>\n\u003cp>\"I will do as much as I can for as long as I can, whenever I can and wherever I can, to honor truth in history and to be a good ancestor-in-training,\" said Sayers-Roods.\u003c/p>\n\u003cfigure id=\"attachment_11788378\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11788378\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7187-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7187-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7187-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7187-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7187-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/11/DSC7187-1920x1281.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kanyon Sayers-Roods (Ohlone/Chumash) speaks during the Red Power exhibit at Alcatraz on Nov. 23, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cstrong>Updated at 7:17 p.m. ET\u003c/strong>\u003c/p>\n\u003cp>U.S. Attorney General William Barr announced a national plan on Friday to increase the federal government's role in reducing the number of Native Americans who are murdered or reported missing every year.\u003c/p>\n\u003cp>Barr announced the Missing and Murdered Indigenous Persons Initiative after a meeting with tribal leaders and law enforcement officials at the Flathead Reservation in Montana, home of the Confederated Salish and Kootenai Tribes.\u003c/p>\n\u003cp>\"American Indian and Alaska Native people suffer from unacceptable and disproportionately high levels of violence, which can have lasting impacts on families and communities, Barr said in a \u003ca href=\"https://www.justice.gov/opa/pr/attorney-general-william-p-barr-launches-national-strategy-address-missing-and-murdered\" target=\"_blank\" rel=\"noopener noreferrer\">statement\u003c/a>. \"Native American women face particularly high rates of violence, with at least half suffering sexual or intimate-partner violence in their lifetime. Too many of these families have experienced the loss of loved ones who went missing or were murdered.\"\u003c/p>\n\u003cp>As NPR's Camila Domonoske \u003ca href=\"https://www.npr.org/2018/11/15/667335392/police-in-many-u-s-cities-fail-to-track-murdered-missing-indigenous-women\" target=\"_blank\" rel=\"noopener noreferrer\">reported\u003c/a> last year,\u003c/p>\n\u003cblockquote>\u003cp>\"Native women living on tribal lands are murdered at an extremely high rate — in some communities, more than 10 times the national average, according to research funded by the \u003ca href=\"https://www.ncjrs.gov/pdffiles1/nij/grants/223691.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Department of Justice.\u003c/a> And in part because of jurisdictional challenges, the disappearances can be hard to track and prosecute.\"\u003c/p>\u003c/blockquote>\n\u003cp>And the crisis is not confined to reservations, as more than 70% of Native Americans in the U.S. live in urban areas. A \u003ca href=\"http://www.uihi.org/wp-content/uploads/2018/11/Missing-and-Murdered-Indigenous-Women-and-Girls-Report.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">study\u003c/a> by the Urban Indian Health Institute found that in 2016 there were 5,712 reports of missing American Indian and Alaska Native women and girls, but the Justice Department's database of missing persons logged only 116 cases.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Justice Department's plan has three elements:\u003c/p>\n\u003cul>\n\u003cli>The department will spend $1.5 million to hire specialized coordinators in U.S. attorneys' offices in 11 states to develop protocols for improving law enforcement response to reports of missing or murdered persons.\u003c/li>\n\u003cli>The FBI can be brought in to work on such cases at the request of tribal, state and local law enforcement. Rapid deployment teams specializing in child abduction, evidence collection and digital and social media analysis can be brought in.\u003c/li>\n\u003cli>The department will also improve its missing-persons data by conducting an in-depth analysis of its databases and data collection practices.\u003c/li>\n\u003c/ul>\n\u003cp>Federal and state agencies will also coordinate to provide local training in using federal missing-persons databases.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"This is the stuff we've been advocating for,\" Amber Crotty, a lawmaker on the Navajo Nation, \u003ca href=\"https://apnews.com/025dc5573fdb4952a4ebdcc3212fa560\" target=\"_blank\" rel=\"noopener noreferrer\">told\u003c/a> the Associated Press. \"It's just funding a slice of it.\"\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit https://www.npr.org.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Barr+Announces+Plan+To+Address+Crisis+Of+Missing+And+Murdered+Native+Americans&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Updated at 7:17 p.m. ET\u003c/strong>\u003c/p>\n\u003cp>U.S. Attorney General William Barr announced a national plan on Friday to increase the federal government's role in reducing the number of Native Americans who are murdered or reported missing every year.\u003c/p>\n\u003cp>Barr announced the Missing and Murdered Indigenous Persons Initiative after a meeting with tribal leaders and law enforcement officials at the Flathead Reservation in Montana, home of the Confederated Salish and Kootenai Tribes.\u003c/p>\n\u003cp>\"American Indian and Alaska Native people suffer from unacceptable and disproportionately high levels of violence, which can have lasting impacts on families and communities, Barr said in a \u003ca href=\"https://www.justice.gov/opa/pr/attorney-general-william-p-barr-launches-national-strategy-address-missing-and-murdered\" target=\"_blank\" rel=\"noopener noreferrer\">statement\u003c/a>. \"Native American women face particularly high rates of violence, with at least half suffering sexual or intimate-partner violence in their lifetime. Too many of these families have experienced the loss of loved ones who went missing or were murdered.\"\u003c/p>\n\u003cp>As NPR's Camila Domonoske \u003ca href=\"https://www.npr.org/2018/11/15/667335392/police-in-many-u-s-cities-fail-to-track-murdered-missing-indigenous-women\" target=\"_blank\" rel=\"noopener noreferrer\">reported\u003c/a> last year,\u003c/p>\n\u003cblockquote>\u003cp>\"Native women living on tribal lands are murdered at an extremely high rate — in some communities, more than 10 times the national average, according to research funded by the \u003ca href=\"https://www.ncjrs.gov/pdffiles1/nij/grants/223691.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Department of Justice.\u003c/a> And in part because of jurisdictional challenges, the disappearances can be hard to track and prosecute.\"\u003c/p>\u003c/blockquote>\n\u003cp>And the crisis is not confined to reservations, as more than 70% of Native Americans in the U.S. live in urban areas. A \u003ca href=\"http://www.uihi.org/wp-content/uploads/2018/11/Missing-and-Murdered-Indigenous-Women-and-Girls-Report.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">study\u003c/a> by the Urban Indian Health Institute found that in 2016 there were 5,712 reports of missing American Indian and Alaska Native women and girls, but the Justice Department's database of missing persons logged only 116 cases.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Justice Department's plan has three elements:\u003c/p>\n\u003cul>\n\u003cli>The department will spend $1.5 million to hire specialized coordinators in U.S. attorneys' offices in 11 states to develop protocols for improving law enforcement response to reports of missing or murdered persons.\u003c/li>\n\u003cli>The FBI can be brought in to work on such cases at the request of tribal, state and local law enforcement. Rapid deployment teams specializing in child abduction, evidence collection and digital and social media analysis can be brought in.\u003c/li>\n\u003cli>The department will also improve its missing-persons data by conducting an in-depth analysis of its databases and data collection practices.\u003c/li>\n\u003c/ul>\n\u003cp>Federal and state agencies will also coordinate to provide local training in using federal missing-persons databases.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"This is the stuff we've been advocating for,\" Amber Crotty, a lawmaker on the Navajo Nation, \u003ca href=\"https://apnews.com/025dc5573fdb4952a4ebdcc3212fa560\" target=\"_blank\" rel=\"noopener noreferrer\">told\u003c/a> the Associated Press. \"It's just funding a slice of it.\"\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit https://www.npr.org.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Barr+Announces+Plan+To+Address+Crisis+Of+Missing+And+Murdered+Native+Americans&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>Democratic Debate and Second Week of Impeachment Hearings\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">On Wednesday, 10 candidates faced off for a Democratic presidential debate held in Atlanta. Reflecting his surge in the polls, South Bend Mayor Pete Buttigieg came under fire for his political inexperience, while California Sen. Kamala Harris tried to regain momentum in her flagging campaign. Meanwhile, on Capitol Hill, House Democrats heard from nine witnesses this week in their impeachment investigation of President Trump. Ambassador to the European Union Gordon Sondland and former White House adviser Fiona Hill were among those who testified. Sondland said that there was, in fact, a quid pro quo for the release of military aid to Ukraine, while Hill characterized the pressure campaign as a “domestic political errand” being run by Sondland and other White House officials.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Joe Garofoli, senior political writer, San Francisco Chronicle\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Aimee Allison, founder and president, She the People\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Latest PG&E Power Shutoff\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">On Wednesday, utility giant PG&E began shutting off power to customers in parts of 11 counties in Northern California, including Napa and Sonoma. PG&E had earlier warned that the outages could affect 300,000 customers, but changing weather conditions ultimately left only about 50,000 customers without power this week. It’s the second consecutive month that PG&E has preemptively cut off power to avoid sparking a wildfire with its equipment during dry and gusty winds. On Monday, lawmakers in Sacramento called executives from the state’s three largest investor-owned utilities, including PG&E, to testify about the impact from last month’s power outages. At the hearing, PG&E CEO Bill Johnson said the shutoffs are “not a sustainable solution” to the threat of wildfires, which have become more intense and deadly in recent years. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guest:\u003c/b>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Dan Brekke, KQED reporter and editor\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Alcatraz Occupation Anniversary\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Wednesday marked the 50th anniversary of the occupation of Alcatraz Island by Native American students and community leaders. Calling themselves the “Indians of All Tribes,” the group of 89 activists took over the former penitentiary to protest unjust federal policies against Native Americans, including relocation and termination of sovereign tribal rights. The occupation ended when armed federal marshals raided the island 19 months later in June 1971. Today, a new generation of activists is commemorating this historic takeover and affirming why, in the words of one of the occupation’s leaders, Alcatraz is an idea, not an island.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Guest:\u003c/b>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Eloy Martinez, Native American activist \u003c/span>\u003c/li>\n\u003c/ul>\n\n",
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},
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"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
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"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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},
"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
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"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
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"officialWebsiteLink": "/perspectives/",
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
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