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"disqusTitle": "PHOTOS: SF Pride Weekend Kicks Off With Trans March",
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"content": "\u003cp>Thousands of people filled Dolores Park and marched down Market Street on Friday as part of the 16th annual Trans March.\u003c/p>\n\u003cp>Held on the Friday of Pride weekend since 2004, the \u003ca href=\"https://www.transmarch.org/trans-march-2019/\" target=\"_blank\" rel=\"noopener\">Trans March\u003c/a> is billed as the largest trans Pride event in San Francisco and one of the largest in the world. Daytime festivities included a resource fair, family area and musical and dance performances at Dolores Park, all leading up to a march down Market Street toward Taylor and Turk streets in honor of the \u003ca href=\"https://www.kqed.org/arts/11838357/in-66-on-one-hot-august-night-trans-women-fought-for-their-rights\" target=\"_blank\" rel=\"noopener\">1966 riot\u003c/a> at Compton's Cafeteria led by transgender women.\u003c/p>\n\u003cp>\"We have so much to celebrate, and it’s important to be out here in celebration with community and allies,\" said Sister Golda Lox of the Sisters of Perpetual Indulgence, \"(but) also it's a place for us to rise up against the still many things we need to fight for and towards with community and love.\"\u003c/p>\n\u003cfigure id=\"attachment_11758224\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758224\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37915_0M6A0870-qut-800x533.jpg\" alt=\"'I’m a proud queer trans woman of color,' said Sera Fernando. 'I want to empower the most marginalized communities of the LGBTQ wide spectrum, especially black trans women, to achieve more.'\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37915_0M6A0870-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37915_0M6A0870-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37915_0M6A0870-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37915_0M6A0870-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37915_0M6A0870-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'I’m a proud queer trans woman of color,' said Sera Fernando. 'I want to empower the most marginalized communities of the LGBTQ wide spectrum, especially black trans women, to achieve more.' \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758225\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758225\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37914_0M6A0866-qut-800x533.jpg\" alt=\"Enrique Cancél bikes through the Trans March crowd at Dolores Park. Cancél has lived in San Francisco for 25 years and attended every Pride celebration. 'This is a gathering of the tribes. This is when we come out in celebration and try to be as inclusive as we can be. It’s wonderful.'\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37914_0M6A0866-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37914_0M6A0866-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37914_0M6A0866-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37914_0M6A0866-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37914_0M6A0866-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Enrique Cancél bikes through the Trans March crowd at Dolores Park. Cancél has lived in San Francisco for 25 years and attended every Pride celebration. 'This is a gathering of the tribes. This is when we come out in celebration and try to be as inclusive as we can be. It’s wonderful.' \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758223\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758223\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37916__M6A0913-qut-800x533.jpg\" alt=\"Hundreds gathered in Dolores Park for a day of Trans March festivities before being joined by more people for an evening march through the city.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37916__M6A0913-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37916__M6A0913-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37916__M6A0913-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37916__M6A0913-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37916__M6A0913-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hundreds gathered in Dolores Park for a day of Trans March festivities before being joined by more people for an evening march through the city. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758222\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758222\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37917__M6A0939-qut-800x1200.jpg\" alt=\"Sister Golda Lox (R) alongside Sister Uma Bushburns (L) at Dolores Park. For Sister Golda Lox, Pride is an important time for celebration and awareness. 'We have so much to celebrate and it’s important to be out here in celebration with community and allies, (but) also it's a place for us to rise up against the still many things we need to fight for and towards with community and love." Written around Sister Golda Lox's skirt are the names of some of the trans women that have been murdered in 2018 and 2019.\" width=\"800\" height=\"1200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37917__M6A0939-qut-800x1200.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37917__M6A0939-qut-160x240.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37917__M6A0939-qut-1020x1530.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37917__M6A0939-qut-1920x2880.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37917__M6A0939-qut.jpg 1365w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sister Golda Lox (R) alongside Sister Uma Bushburns (L) at Dolores Park. For Sister Golda Lox, Pride is an important time for celebration and awareness. 'We have so much to celebrate and it’s important to be out here in celebration with community and allies, (but) also it's a place for us to rise up against the still many things we need to fight for and towards with community and love.\" Written around Sister Golda Lox's skirt are the names of some of the trans women that have been murdered in 2018 and 2019. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758229\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758229\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37918__M6A1015-qut-800x533.jpg\" alt=\"The first line of marchers in the 2019 Trans March lead the way down Market Street. The Trans March has taken place on the Friday of Pride weekend since 2004.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37918__M6A1015-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37918__M6A1015-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37918__M6A1015-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37918__M6A1015-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37918__M6A1015-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The first line of marchers in the 2019 Trans March lead the way down Market Street. The Trans March has taken place on the Friday of Pride weekend since 2004. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758230\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758230\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37919__M6A1106-qut-800x533.jpg\" alt=\"The Trans March starts down Market Street before turning down Taylor Street toward Turk Street and the site of the 1966 Compton's Cafeteria riot led by transgender women.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37919__M6A1106-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37919__M6A1106-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37919__M6A1106-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37919__M6A1106-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37919__M6A1106-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Trans March starts down Market Street before turning down Taylor Street toward Turk Street and the site of the 1966 Compton's Cafeteria riot led by transgender women. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758232\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758232\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37923__M6A1183-qut-800x554.jpg\" alt=\"Two people embrace along Market Street during the Trans March.\" width=\"800\" height=\"554\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37923__M6A1183-qut-800x554.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37923__M6A1183-qut-160x111.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37923__M6A1183-qut-1020x707.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37923__M6A1183-qut-1200x831.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37923__M6A1183-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Two people embrace along Market Street during the Trans March. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758226\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758226\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37913__M6A1249-qut-800x533.jpg\" alt=\"Teo Octavia (R), poses with friend and fellow API Equality member, Ethan Li (L). Teo is a documentary filmmaker and organizer who specifically works with queer transgender Asian American youth in Oakland. 'For me Pride means building resilience and healing among our youth so they can continue to persist and resist until they’ve reached their wildest dreams and fulfilled their wildest visions. To know that they belong, that they have a home, and that they will be powerful change-makers today and in the future.'\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37913__M6A1249-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37913__M6A1249-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37913__M6A1249-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37913__M6A1249-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37913__M6A1249-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Teo Octavia (R), poses with friend and fellow API Equality member, Ethan Li (L). Teo is a documentary filmmaker and organizer who specifically works with queer transgender Asian American youth in Oakland. 'For me Pride means building resilience and healing among our youth so they can continue to persist and resist until they’ve reached their wildest dreams and fulfilled their wildest visions. To know that they belong, that they have a home, and that they will be powerful change-makers today and in the future.' \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758227\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758227\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37912__M6A1110-qut-800x533.jpg\" alt=\"Resting under a sign that reads, 'Everyday needs a splash of fairy dust," Kenny Cowan and David Starkovich cheer on marchers and encourage everyone to 'believe in magic.'\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37912__M6A1110-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37912__M6A1110-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37912__M6A1110-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37912__M6A1110-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37912__M6A1110-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Resting under a sign that reads, 'Everyday needs a splash of fairy dust,\" Kenny Cowan and David Starkovich cheer on marchers and encourage everyone to 'believe in magic.' \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "The Trans March has been held on the Friday of Pride weekend in San Francisco since 2004.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Thousands of people filled Dolores Park and marched down Market Street on Friday as part of the 16th annual Trans March.\u003c/p>\n\u003cp>Held on the Friday of Pride weekend since 2004, the \u003ca href=\"https://www.transmarch.org/trans-march-2019/\" target=\"_blank\" rel=\"noopener\">Trans March\u003c/a> is billed as the largest trans Pride event in San Francisco and one of the largest in the world. Daytime festivities included a resource fair, family area and musical and dance performances at Dolores Park, all leading up to a march down Market Street toward Taylor and Turk streets in honor of the \u003ca href=\"https://www.kqed.org/arts/11838357/in-66-on-one-hot-august-night-trans-women-fought-for-their-rights\" target=\"_blank\" rel=\"noopener\">1966 riot\u003c/a> at Compton's Cafeteria led by transgender women.\u003c/p>\n\u003cp>\"We have so much to celebrate, and it’s important to be out here in celebration with community and allies,\" said Sister Golda Lox of the Sisters of Perpetual Indulgence, \"(but) also it's a place for us to rise up against the still many things we need to fight for and towards with community and love.\"\u003c/p>\n\u003cfigure id=\"attachment_11758224\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758224\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37915_0M6A0870-qut-800x533.jpg\" alt=\"'I’m a proud queer trans woman of color,' said Sera Fernando. 'I want to empower the most marginalized communities of the LGBTQ wide spectrum, especially black trans women, to achieve more.'\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37915_0M6A0870-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37915_0M6A0870-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37915_0M6A0870-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37915_0M6A0870-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37915_0M6A0870-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'I’m a proud queer trans woman of color,' said Sera Fernando. 'I want to empower the most marginalized communities of the LGBTQ wide spectrum, especially black trans women, to achieve more.' \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758225\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758225\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37914_0M6A0866-qut-800x533.jpg\" alt=\"Enrique Cancél bikes through the Trans March crowd at Dolores Park. Cancél has lived in San Francisco for 25 years and attended every Pride celebration. 'This is a gathering of the tribes. This is when we come out in celebration and try to be as inclusive as we can be. It’s wonderful.'\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37914_0M6A0866-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37914_0M6A0866-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37914_0M6A0866-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37914_0M6A0866-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37914_0M6A0866-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Enrique Cancél bikes through the Trans March crowd at Dolores Park. Cancél has lived in San Francisco for 25 years and attended every Pride celebration. 'This is a gathering of the tribes. This is when we come out in celebration and try to be as inclusive as we can be. It’s wonderful.' \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758223\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758223\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37916__M6A0913-qut-800x533.jpg\" alt=\"Hundreds gathered in Dolores Park for a day of Trans March festivities before being joined by more people for an evening march through the city.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37916__M6A0913-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37916__M6A0913-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37916__M6A0913-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37916__M6A0913-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37916__M6A0913-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hundreds gathered in Dolores Park for a day of Trans March festivities before being joined by more people for an evening march through the city. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758222\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758222\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37917__M6A0939-qut-800x1200.jpg\" alt=\"Sister Golda Lox (R) alongside Sister Uma Bushburns (L) at Dolores Park. For Sister Golda Lox, Pride is an important time for celebration and awareness. 'We have so much to celebrate and it’s important to be out here in celebration with community and allies, (but) also it's a place for us to rise up against the still many things we need to fight for and towards with community and love." Written around Sister Golda Lox's skirt are the names of some of the trans women that have been murdered in 2018 and 2019.\" width=\"800\" height=\"1200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37917__M6A0939-qut-800x1200.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37917__M6A0939-qut-160x240.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37917__M6A0939-qut-1020x1530.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37917__M6A0939-qut-1920x2880.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37917__M6A0939-qut.jpg 1365w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sister Golda Lox (R) alongside Sister Uma Bushburns (L) at Dolores Park. For Sister Golda Lox, Pride is an important time for celebration and awareness. 'We have so much to celebrate and it’s important to be out here in celebration with community and allies, (but) also it's a place for us to rise up against the still many things we need to fight for and towards with community and love.\" Written around Sister Golda Lox's skirt are the names of some of the trans women that have been murdered in 2018 and 2019. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758229\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758229\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37918__M6A1015-qut-800x533.jpg\" alt=\"The first line of marchers in the 2019 Trans March lead the way down Market Street. The Trans March has taken place on the Friday of Pride weekend since 2004.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37918__M6A1015-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37918__M6A1015-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37918__M6A1015-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37918__M6A1015-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37918__M6A1015-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The first line of marchers in the 2019 Trans March lead the way down Market Street. The Trans March has taken place on the Friday of Pride weekend since 2004. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758230\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758230\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37919__M6A1106-qut-800x533.jpg\" alt=\"The Trans March starts down Market Street before turning down Taylor Street toward Turk Street and the site of the 1966 Compton's Cafeteria riot led by transgender women.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37919__M6A1106-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37919__M6A1106-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37919__M6A1106-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37919__M6A1106-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37919__M6A1106-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Trans March starts down Market Street before turning down Taylor Street toward Turk Street and the site of the 1966 Compton's Cafeteria riot led by transgender women. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758232\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758232\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37923__M6A1183-qut-800x554.jpg\" alt=\"Two people embrace along Market Street during the Trans March.\" width=\"800\" height=\"554\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37923__M6A1183-qut-800x554.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37923__M6A1183-qut-160x111.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37923__M6A1183-qut-1020x707.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37923__M6A1183-qut-1200x831.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37923__M6A1183-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Two people embrace along Market Street during the Trans March. \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758226\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758226\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37913__M6A1249-qut-800x533.jpg\" alt=\"Teo Octavia (R), poses with friend and fellow API Equality member, Ethan Li (L). Teo is a documentary filmmaker and organizer who specifically works with queer transgender Asian American youth in Oakland. 'For me Pride means building resilience and healing among our youth so they can continue to persist and resist until they’ve reached their wildest dreams and fulfilled their wildest visions. To know that they belong, that they have a home, and that they will be powerful change-makers today and in the future.'\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37913__M6A1249-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37913__M6A1249-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37913__M6A1249-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37913__M6A1249-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37913__M6A1249-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Teo Octavia (R), poses with friend and fellow API Equality member, Ethan Li (L). Teo is a documentary filmmaker and organizer who specifically works with queer transgender Asian American youth in Oakland. 'For me Pride means building resilience and healing among our youth so they can continue to persist and resist until they’ve reached their wildest dreams and fulfilled their wildest visions. To know that they belong, that they have a home, and that they will be powerful change-makers today and in the future.' \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11758227\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11758227\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37912__M6A1110-qut-800x533.jpg\" alt=\"Resting under a sign that reads, 'Everyday needs a splash of fairy dust," Kenny Cowan and David Starkovich cheer on marchers and encourage everyone to 'believe in magic.'\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37912__M6A1110-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37912__M6A1110-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37912__M6A1110-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37912__M6A1110-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37912__M6A1110-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Resting under a sign that reads, 'Everyday needs a splash of fairy dust,\" Kenny Cowan and David Starkovich cheer on marchers and encourage everyone to 'believe in magic.' \u003ccite>(Sruti Mamidanna/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Organizers of the San Francisco Pride Parade said Wednesday that Google will remain a participant, despite employees of the tech giant asking for the company’s removal from the festivities.\u003c/p>\n\u003cp>[pullquote size='small' align='right' citation='San Francisco Pride']‘Google has been a considerate partner of SF Pride for a number of years, and has historically been a strong ally to LGBTQ+ communities.’[/pullquote]As first reported by \u003ca href=\"https://www.bloomberg.com/news/articles/2019-06-26/google-workers-petition-sf-pride-to-exclude-company-from-parade\">Bloomberg\u003c/a>, nearly 100 Google employees signed a \u003ca href=\"https://medium.com/@BanGoogleFromPride/an-open-petition-to-the-san-francisco-pride-board-of-directors-f8164486c2e4\">letter\u003c/a> sent to San Francisco Pride’s board of directors criticizing how the company handles hate speech on YouTube and other Google products. The parade is scheduled for Sunday.\u003c/p>\n\u003cp>“We have spent countless hours advocating for our company to improve policies and practices regarding the treatment of LGBTQ+ persons, the depiction of LGBTQ+ persons, and harassment and hate speech directed at LGBTQ+ persons, on YouTube and other Google products,” the employees wrote. “Whenever we press for change, we are told only that the company will ‘take a hard look at these policies.’ But we are never given a commitment to improve, and when we ask when these improvements will be made, we are always told to be patient.”\u003c/p>\n\u003cp>San Francisco Pride said that while Google needs to do more to protect LGBTQ+ creators on its platforms, it has been receptive to criticism.\u003c/p>\n\u003cp>“Google has been a considerate partner of SF Pride for a number of years, and has historically been a strong ally to LGBTQ+ communities,” San Francisco Pride said in a \u003ca href=\"http://www.sfpride.org/wp-content/uploads/2019/06/Statement-on-Participation-of-Google-2019.pdf\">statement\u003c/a>. “Google has long offered substantial benefits to their same-sex couple and transgender employees, and shown valuable public advocacy, opposing unfair legislation targeting LGBTQ communities, particularly trans individuals.”\u003c/p>\n\u003cp>[aside tag='san-francisco-pride' label='Coverage of San Francisco Pride']Workers involved with the letter had asked Google to allow them to walk with the company’s parade contingent and protest, but Google refused.\u003c/p>\n\u003cp>Google said employees can protest at the parade, just not with the company, because the day is personally meaningful to many workers marching.\u003c/p>\n\u003cp>“Google has marched in the San Francisco Pride Parade for more than a decade and we are excited to continue the tradition this weekend,” a Google spokesperson said in a statement. “We are grateful for SF Pride’s partnership and leadership.”\u003c/p>\n\u003cp>Google most recently came under fire for saying videos by conservative comedian Steven Crowder containing homophobic and racist jokes about journalist Carlos Maza \u003ca href=\"https://twitter.com/TeamYouTube/status/1136341801109843968\">did not violate\u003c/a> its policies. The next day, the company took away Crowder’s ability to make money from his channel.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>As first reported by \u003ca href=\"https://www.bloomberg.com/news/articles/2019-06-26/google-workers-petition-sf-pride-to-exclude-company-from-parade\">Bloomberg\u003c/a>, nearly 100 Google employees signed a \u003ca href=\"https://medium.com/@BanGoogleFromPride/an-open-petition-to-the-san-francisco-pride-board-of-directors-f8164486c2e4\">letter\u003c/a> sent to San Francisco Pride’s board of directors criticizing how the company handles hate speech on YouTube and other Google products. The parade is scheduled for Sunday.\u003c/p>\n\u003cp>“We have spent countless hours advocating for our company to improve policies and practices regarding the treatment of LGBTQ+ persons, the depiction of LGBTQ+ persons, and harassment and hate speech directed at LGBTQ+ persons, on YouTube and other Google products,” the employees wrote. “Whenever we press for change, we are told only that the company will ‘take a hard look at these policies.’ But we are never given a commitment to improve, and when we ask when these improvements will be made, we are always told to be patient.”\u003c/p>\n\u003cp>San Francisco Pride said that while Google needs to do more to protect LGBTQ+ creators on its platforms, it has been receptive to criticism.\u003c/p>\n\u003cp>“Google has been a considerate partner of SF Pride for a number of years, and has historically been a strong ally to LGBTQ+ communities,” San Francisco Pride said in a \u003ca href=\"http://www.sfpride.org/wp-content/uploads/2019/06/Statement-on-Participation-of-Google-2019.pdf\">statement\u003c/a>. “Google has long offered substantial benefits to their same-sex couple and transgender employees, and shown valuable public advocacy, opposing unfair legislation targeting LGBTQ communities, particularly trans individuals.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Workers involved with the letter had asked Google to allow them to walk with the company’s parade contingent and protest, but Google refused.\u003c/p>\n\u003cp>Google said employees can protest at the parade, just not with the company, because the day is personally meaningful to many workers marching.\u003c/p>\n\u003cp>“Google has marched in the San Francisco Pride Parade for more than a decade and we are excited to continue the tradition this weekend,” a Google spokesperson said in a statement. “We are grateful for SF Pride’s partnership and leadership.”\u003c/p>\n\u003cp>Google most recently came under fire for saying videos by conservative comedian Steven Crowder containing homophobic and racist jokes about journalist Carlos Maza \u003ca href=\"https://twitter.com/TeamYouTube/status/1136341801109843968\">did not violate\u003c/a> its policies. The next day, the company took away Crowder’s ability to make money from his channel.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>It’s time for \u003ca href=\"http://www.sfpride.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Pride\u003c/a> weekend. Have questions? We’ve got you covered.\u003c/p>\n\u003cp>\u003cstrong>What is SF Pride Weekend?\u003c/strong>\u003c/p>\n\u003cp>The two-day event is the culmination of Lesbian, Gay, Bisexual and Transgender Pride Month, which is held in June to honor the \u003ca href=\"https://www.loc.gov/lgbt-pride-month/about/\" target=\"_blank\" rel=\"noopener\">Stonewall riots\u003c/a>. [aside postID='arts_13859162,arts_13858167,arts_13854639' label='Queer History']Pride \u003ca href=\"http://www.sfpride.org/community-calendar/\" target=\"_blank\" rel=\"noopener\">events\u003c/a> are held throughout June across the city.\u003c/p>\n\u003cp>According to \u003ca href=\"http://www.sfpride.org/\" target=\"_blank\" rel=\"noopener\">the SF Pride website\u003c/a>, “the San Francisco Pride Celebration and Parade is the largest gathering of the LGBT community and allies in the nation,” which is not an overstatement. Last year, organizers estimated 100,000 people attended the parade alone, with an additional 50,000 participants.\u003c/p>\n\u003cp>This year’s theme is “Generations of Resistance,” which is a nod to the 50th anniversary of the Stonewall riots, Compton’s Cafeteria riot and the history of the community in San Francisco.\u003c/p>\n\u003cp>SF Pride weekend itself is comprised of two components: the celebration and the parade.\u003c/p>\n\u003cp>\u003cstrong>Where will it be?\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://www.sfpride.org/celebration/\" target=\"_blank\" rel=\"noopener\">The celebration\u003c/a> will be at Civic Center Plaza from noon to 6 p.m. Saturday and from 11 a.m. to 6 p.m. Sunday. There isn’t a fee to enter, but donations of $1 to $5 are requested at the gate. This event features multiples stages, speakers, performers and vendors. This year’s guest list includes Kristin Beck, Pabllo Vittar and Amara La Negra. The \u003ca href=\"https://www.thesisters.org/\" target=\"_blank\" rel=\"noopener\">Sisters of Perpetual Indulgence\u003c/a> will also be celebrating 40 years of community service, ministry and outreach.\u003c/p>\n\u003cp>https://twitter.com/SFPride/status/1137064466808496128\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-11757473\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/2019_celebration_revised_sat-800x470.png\" alt=\"\" width=\"800\" height=\"470\">\u003c/p>\n\u003cp>The \u003ca href=\"http://www.sfpride.org/parade/\" target=\"_blank\" rel=\"noopener\">SF Pride Parade\u003c/a> up Market Street starts Sunday at 10:30 a.m. and runs from Embarcadero BART to Civic Center. There are about 200 contingents in the parade itself, ranging from local organizations to corporate floats.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-11757480\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/Screen-Shot-2016-04-29-at-12.10.11-PM.png\" alt=\"\" width=\"720\" height=\"852\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/Screen-Shot-2016-04-29-at-12.10.11-PM.png 720w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/Screen-Shot-2016-04-29-at-12.10.11-PM-160x189.png 160w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003c/p>\n\u003cp>One of the mainstays is \u003ca href=\"https://www.dykesonbikes.org/sf-pride-parade\" target=\"_blank\" rel=\"noopener\">Dykes on Bikes\u003c/a>, who traditionally kick off the parade. This year’s \u003ca href=\"http://www.sfpride.org/grand-marshals/\" target=\"_blank\" rel=\"noopener\">list of grand marshals\u003c/a> includes Mrs. Vera, Vincent Crisostomo, Donna Personna and Mrs. Billie Cooper, along with celebrity guests from \u003ca href=\"https://www.starz.com/series/vida\" target=\"_blank\" rel=\"noopener\">“Vida”\u003c/a> and \u003ca href=\"https://www.netflix.com/title/80211563\" target=\"_blank\" rel=\"noopener\">“Tales of the City.”\u003c/a>\u003c/p>\n\u003cp>There is also the \u003ca href=\"https://www.transmarch.org/\" target=\"_blank\" rel=\"noopener\">Trans March\u003c/a> on Friday and the \u003ca href=\"https://www.thedykemarch.org/\" target=\"_blank\" rel=\"noopener\">Dyke March\u003c/a> on Saturday.\u003c/p>\n\u003cp>https://twitter.com/sfmta_muni/status/1143904347153190912\u003c/p>\n\u003cp>https://twitter.com/transmarch/status/1143506039892922368\u003c/p>\n\u003cp>\u003cstrong>What should you bring?\u003c/strong>\u003c/p>\n\u003cp>There are restrictions on what can be brought into the celebration area—so alcohol, drones, coolers and \u003ca href=\"http://www.sfpride.org/celebration/\" target=\"_blank\" rel=\"noopener\">various other items\u003c/a> will not be allowed into the space. (Booze will be sold inside the Civic Center venue by some vendors if you have need.)\u003c/p>\n\u003cp>The high temperature is expected to be around 63, so water (stay hydrated!), sunscreen and layers are a must. Yes, sunscreen. The weather can be fickle and you don’t want to risk an unfortunate sunburn that’ll stick around until the end of the season.\u003c/p>\n\u003cp>Attendees are discouraged from bringing bags, but if need be they cannot be larger than 18 square inches.\u003c/p>\n\u003cp>A backup charger would also be beneficial, if not for taking great photos, then for keeping tabs on safety alerts.\u003c/p>\n\u003cp>https://twitter.com/SFFDPIO/status/1141057410250891264\u003c/p>\n\u003cp>\u003cstrong>How do you get there?\u003c/strong>\u003c/p>\n\u003cp>If you’re heading to the celebration, Civic Center Muni and BART stops will be the most direct way to get there. Depending on where you want to view the parade, anything from Embarcadero to Civic Center Muni and BART should get you there.\u003c/p>\n\u003cp>If you are taking Muni to the event (or anywhere downtown), you should check the \u003ca href=\"https://www.sfmta.com/project-updates/san-francisco-pride-civic-center-celebration\" target=\"_blank\" rel=\"noopener\">reroutes schedule\u003c/a> that will go into effect starting Friday. The reroutes will affect the 5-Fulton, 5-Owl, 19-Polk and 21-Hayes.\u003c/p>\n\u003cp>https://twitter.com/sfmta_muni/status/1143877850866626560\u003c/p>\n\u003cp>It’s not suggested that you drive to Pride, but if you choose to do so, organizers have provided some pre-paid parking information.\u003c/p>\n\u003cp>https://twitter.com/SFPride/status/1141412358247669760\u003c/p>\n\u003cp>There will also be \u003ca href=\"https://www.sfmta.com/project-updates/san-francisco-pride-civic-center-celebration#street\" target=\"_blank\" rel=\"noopener\">road closures\u003c/a>. Streets around the Civic Center will be closed through early Monday morning, with some closures starting as early as Thursday. The parade route up Market will also result in closures, so be prepared to reroute in order to avoid traffic and crowds (because there will be crowds).\u003c/p>\n\u003cp>The San Francisco Police Department has a handy safety video for all your Pride needs.\u003c/p>\n\u003cp>https://twitter.com/SFPD/status/1143236096286846977\u003c/p>\n\u003cp>\u003cstrong>FYI\u003c/strong>\u003c/p>\n\u003cp>Activists have questioned having police presence at SF Pride “\u003ca href=\"https://www.kqed.org/arts/13857994/activists-demand-a-police-free-pride-as-sfpd-ramps-up-its-gay-friendly-image\" target=\"_blank\" rel=\"noopener\">given the long history of police brutality against the queer and trans community.\u003c/a>” Gay Shame wrote an open letter to the organizers, but SF Pride has not responded to KQED’s multiple requests for comment on the issue.\u003c/p>\n\u003cp>\u003cstrong>What hashtag should people use on social media?\u003c/strong>\u003c/p>\n\u003cp>#SFPride2019\u003c/p>\n\u003cp>Tag @KQEDNews in your Twitter and Instagram posts and we might feature your photos and videos!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s time for \u003ca href=\"http://www.sfpride.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Pride\u003c/a> weekend. Have questions? We’ve got you covered.\u003c/p>\n\u003cp>\u003cstrong>What is SF Pride Weekend?\u003c/strong>\u003c/p>\n\u003cp>The two-day event is the culmination of Lesbian, Gay, Bisexual and Transgender Pride Month, which is held in June to honor the \u003ca href=\"https://www.loc.gov/lgbt-pride-month/about/\" target=\"_blank\" rel=\"noopener\">Stonewall riots\u003c/a>. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Pride \u003ca href=\"http://www.sfpride.org/community-calendar/\" target=\"_blank\" rel=\"noopener\">events\u003c/a> are held throughout June across the city.\u003c/p>\n\u003cp>According to \u003ca href=\"http://www.sfpride.org/\" target=\"_blank\" rel=\"noopener\">the SF Pride website\u003c/a>, “the San Francisco Pride Celebration and Parade is the largest gathering of the LGBT community and allies in the nation,” which is not an overstatement. Last year, organizers estimated 100,000 people attended the parade alone, with an additional 50,000 participants.\u003c/p>\n\u003cp>This year’s theme is “Generations of Resistance,” which is a nod to the 50th anniversary of the Stonewall riots, Compton’s Cafeteria riot and the history of the community in San Francisco.\u003c/p>\n\u003cp>SF Pride weekend itself is comprised of two components: the celebration and the parade.\u003c/p>\n\u003cp>\u003cstrong>Where will it be?\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://www.sfpride.org/celebration/\" target=\"_blank\" rel=\"noopener\">The celebration\u003c/a> will be at Civic Center Plaza from noon to 6 p.m. Saturday and from 11 a.m. to 6 p.m. Sunday. There isn’t a fee to enter, but donations of $1 to $5 are requested at the gate. This event features multiples stages, speakers, performers and vendors. This year’s guest list includes Kristin Beck, Pabllo Vittar and Amara La Negra. The \u003ca href=\"https://www.thesisters.org/\" target=\"_blank\" rel=\"noopener\">Sisters of Perpetual Indulgence\u003c/a> will also be celebrating 40 years of community service, ministry and outreach.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-11757473\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/2019_celebration_revised_sat-800x470.png\" alt=\"\" width=\"800\" height=\"470\">\u003c/p>\n\u003cp>The \u003ca href=\"http://www.sfpride.org/parade/\" target=\"_blank\" rel=\"noopener\">SF Pride Parade\u003c/a> up Market Street starts Sunday at 10:30 a.m. and runs from Embarcadero BART to Civic Center. There are about 200 contingents in the parade itself, ranging from local organizations to corporate floats.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-11757480\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/Screen-Shot-2016-04-29-at-12.10.11-PM.png\" alt=\"\" width=\"720\" height=\"852\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/Screen-Shot-2016-04-29-at-12.10.11-PM.png 720w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/Screen-Shot-2016-04-29-at-12.10.11-PM-160x189.png 160w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003c/p>\n\u003cp>One of the mainstays is \u003ca href=\"https://www.dykesonbikes.org/sf-pride-parade\" target=\"_blank\" rel=\"noopener\">Dykes on Bikes\u003c/a>, who traditionally kick off the parade. This year’s \u003ca href=\"http://www.sfpride.org/grand-marshals/\" target=\"_blank\" rel=\"noopener\">list of grand marshals\u003c/a> includes Mrs. Vera, Vincent Crisostomo, Donna Personna and Mrs. Billie Cooper, along with celebrity guests from \u003ca href=\"https://www.starz.com/series/vida\" target=\"_blank\" rel=\"noopener\">“Vida”\u003c/a> and \u003ca href=\"https://www.netflix.com/title/80211563\" target=\"_blank\" rel=\"noopener\">“Tales of the City.”\u003c/a>\u003c/p>\n\u003cp>There is also the \u003ca href=\"https://www.transmarch.org/\" target=\"_blank\" rel=\"noopener\">Trans March\u003c/a> on Friday and the \u003ca href=\"https://www.thedykemarch.org/\" target=\"_blank\" rel=\"noopener\">Dyke March\u003c/a> on Saturday.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cstrong>What should you bring?\u003c/strong>\u003c/p>\n\u003cp>There are restrictions on what can be brought into the celebration area—so alcohol, drones, coolers and \u003ca href=\"http://www.sfpride.org/celebration/\" target=\"_blank\" rel=\"noopener\">various other items\u003c/a> will not be allowed into the space. (Booze will be sold inside the Civic Center venue by some vendors if you have need.)\u003c/p>\n\u003cp>The high temperature is expected to be around 63, so water (stay hydrated!), sunscreen and layers are a must. Yes, sunscreen. The weather can be fickle and you don’t want to risk an unfortunate sunburn that’ll stick around until the end of the season.\u003c/p>\n\u003cp>Attendees are discouraged from bringing bags, but if need be they cannot be larger than 18 square inches.\u003c/p>\n\u003cp>A backup charger would also be beneficial, if not for taking great photos, then for keeping tabs on safety alerts.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cstrong>How do you get there?\u003c/strong>\u003c/p>\n\u003cp>If you’re heading to the celebration, Civic Center Muni and BART stops will be the most direct way to get there. Depending on where you want to view the parade, anything from Embarcadero to Civic Center Muni and BART should get you there.\u003c/p>\n\u003cp>If you are taking Muni to the event (or anywhere downtown), you should check the \u003ca href=\"https://www.sfmta.com/project-updates/san-francisco-pride-civic-center-celebration\" target=\"_blank\" rel=\"noopener\">reroutes schedule\u003c/a> that will go into effect starting Friday. The reroutes will affect the 5-Fulton, 5-Owl, 19-Polk and 21-Hayes.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>It’s not suggested that you drive to Pride, but if you choose to do so, organizers have provided some pre-paid parking information.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>There will also be \u003ca href=\"https://www.sfmta.com/project-updates/san-francisco-pride-civic-center-celebration#street\" target=\"_blank\" rel=\"noopener\">road closures\u003c/a>. Streets around the Civic Center will be closed through early Monday morning, with some closures starting as early as Thursday. The parade route up Market will also result in closures, so be prepared to reroute in order to avoid traffic and crowds (because there will be crowds).\u003c/p>\n\u003cp>The San Francisco Police Department has a handy safety video for all your Pride needs.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cstrong>FYI\u003c/strong>\u003c/p>\n\u003cp>Activists have questioned having police presence at SF Pride “\u003ca href=\"https://www.kqed.org/arts/13857994/activists-demand-a-police-free-pride-as-sfpd-ramps-up-its-gay-friendly-image\" target=\"_blank\" rel=\"noopener\">given the long history of police brutality against the queer and trans community.\u003c/a>” Gay Shame wrote an open letter to the organizers, but SF Pride has not responded to KQED’s multiple requests for comment on the issue.\u003c/p>\n\u003cp>\u003cstrong>What hashtag should people use on social media?\u003c/strong>\u003c/p>\n\u003cp>#SFPride2019\u003c/p>\n\u003cp>Tag @KQEDNews in your Twitter and Instagram posts and we might feature your photos and videos!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>Updated Wednesday, June 26, 1:50 p.m.\u003c/em>\u003c/p>\n\u003cp>Micah Allison, the wife of Ghost Ship trial defendant Derick Almena, testified Tuesday that Oakland law enforcement officials and fire department personnel had passed through the Ghost Ship warehouse many times in the years leading up to the Dec. 2, 2016 blaze that killed 36 people.\u003c/p>\n\u003cp>Under questioning from Tony Serra, who represents master tenant Almena, Allison testified Oakland Fire investigator Maria Sabatini had visited the warehouse following a September 2014 arson fire that was climbing the outside of the warehouse.\u003c/p>\n\u003cp>Allison's testimony contradicts testimony Sabatini gave on May 21 in which Sabatini said she did not enter the warehouse following the 2014 fire.\u003c/p>\n\u003cp>Allison said Sabatini had entered the warehouse after the fire department put out that fire out to check if the interior was safe.\u003c/p>\n\u003cp>[aside tag='ghost-ship-trial' label='More Ghost Ship Trial Coverage']\u003c/p>\n\u003cp>She said Sabatini walked through the lower level of the warehouse, up through the back stairs and then down through the front stairs. Allison said Sabatini had positive things to say about the warehouse, and had crossed herself in front of an image of Jesus.\u003c/p>\n\u003cp>Allison also said Tuesday that police officers and Child Protective Services individuals had been through the warehouse a number of times. She said CPS had been there to make sure the building was safe for her three children, who she has with Almena. She said CPS had never asked them to make changes to the building. She also testified that building inspectors had never visited the warehouse leading up to the 2016 fire, and that no agency had issued notice about code violations.\u003c/p>\n\u003cp>Although the cause of the deadly 2016 fire was never determined, Sabatini’s \u003ca href=\"https://www.kqed.org/news/11748993/ghost-ship-trial-fire-investigator-casts-doubt-on-defenses-arson-theory\" target=\"_blank\" rel=\"noopener\">testimony from May 21\u003c/a> cast doubt that the blaze was caused by arson. The defense has argued arson was the cause of the blaze, and that neither Almena nor co-defendant Max Harris could have done anything to prevent it.\u003c/p>\n\u003cp>Prosecutors argue that Almena and Harris, who has been described as creative director of the warehouse, illegally converted the warehouse into an unsafe living space stuffed with flammable materials and lacking proper safety measures like fire alarms, well-lit exits and sprinkler systems, making them criminally liable.\u003c/p>\n\u003cp>Almena and Harris each face 36 counts of involuntary manslaughter stemming from the 2016 blaze, which occurred during an electronic music event.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Allison’s testimony on Tuesday began emotionally as she sat next to a large image of her family taken approximately six years earlier, which included Almena and their three children.\u003c/p>\n\u003cp>“That’s my family,” said Allison crying after Serra asked her to describe the photo.\u003c/p>\n\u003cp>Allison told Serra a number of safety improvements had been made at the building, including the removal of grates from the second-floor windows and the installation of a side door and front stairs. She said there were rules against smoking and open flames, including burning candles, in the building.\u003c/p>\n\u003cp>Alameda County Assistant District Attorney Casey Bates asked Allison during cross-examination Tuesday why there was a rule against open flames in the warehouse, and whether it was because the warehouse was a \"combustible structure.\" Allison said the rule was implemented \"for added safety.\" Asked if the \"vast majority\" of materials in the warehouse was wood or flammable, Allison said the interior was made up of \"a lot of different materials.\"\u003c/p>\n\u003cp>Serra asked whether requests had been made to the landlords to make fire safety improvements to the building, to which Allison answered yes. She testified that Kai Ng, son of landlord Chor Ng, had visited the building at least three or four times in the years they had lived there, and that those visits occurred while others were living in the Ghost Ship at the time. She said the landlords had never personally told her to bring the building up to code.\u003c/p>\n\u003cp>Bates asked Allison during cross-examination if a number of modifications to the warehouse, including opening up a large hole in the second-level floor, had the required permits, to which she replied no. She also said inspections of those modifications didn't happen.\u003c/p>\n\u003cp>When asked by Serra how rent was established for tenants of the warehouse, Allison described it as \"an organic process.\"\u003c/p>\n\u003cp>\"It depended on the person and on what they could afford and the space,\" Allison said. She also testified that Almena set up arrangements with tenants to do house work, including cleaning, in exchange for reduced rent.\u003c/p>\n\u003cp>When Bates asked Allison who was responsible for interviewing potential tenants, she said, \"Everybody, whoever was available.\" She said the interviewers typically included herself, Harris, Almena and sometimes others. She said three to four people would typically participate in the interview.\u003c/p>\n\u003cp>Allison said she and her husband generally shared a similar vision for the warehouse, as a space to create art and host theater, dance classes and workshops. She described it as a place “where traditional arts could be learned” and where experimental and multimedia art could be created inspired by traditional arts.\u003c/p>\n\u003cp>Allison also said Almena didn’t profit from events that were held in the warehouse.\u003c/p>\n\u003cp>Tyler Smith, who represents Harris, asked Allison if Harris had ever bossed anyone around, established rent, established live-work relationships or hired anyone from outside to make improvements to the warehouse. She said he hadn't.\u003c/p>\n\u003cp>Curtis Briggs, who also represents Harris, said these were several of the reasons his client should be acquitted.\u003c/p>\n\u003cp>\u003cstrong>Cross Examination of Allison Continues Wednesday; Two Defense Witnesses Testify\u003c/strong>\u003c/p>\n\u003cp>Under continued cross-examination by Bates on Wednesday, Allison reaffirmed that Sabatini arrived at the warehouse at approximately 10:00 a.m. to inspect the warehouse following a September 2014 couch fire outside of the warehouse. She said four to five other firefighters had also entered the warehouse.\u003c/p>\n\u003cp>Bates also asked Allison to identify fire escapes in a series of pictures of the Ghost Ship exterior, to which she said they were not visible. Under Bates' questioning, Allison indicated that only roof access was available.\u003c/p>\n\u003cp>Tony Serra called Thomas Cappel to the stand Wednesday. Cappel said he has been a friend of Almena's for 20 years, and had visited the Ghost Ship four to five times. Cappel described the warehouse as being undesirable when he first visited, but that later it became beautiful.\u003c/p>\n\u003cp>Asked by Serra if he ever felt like the warehouse was a fire hazard, Cappel said no. Under cross-examination from Alameda County Deputy District Attorney Autrey James, Cappel said he didn't know if the Ghost Ship had smoke detectors, alarms or sprinkler systems.\u003c/p>\n\u003cp>Serra also called on Daniel Keenan, who has been an Oakland firefighter since 1991. \u003c/p>\n\u003cp>Keenan testified he had helped his daughter move out of the warehouse in December 2013. Keenan said we went into the warehouse once to help her move a refrigerator out. He said he didn't find the warehouse to be cluttered at the time and didn't perceive any hazards in the warehouse.\u003c/p>\n\u003cp>\u003cem>This story includes reporting from Bay City News.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated Wednesday, June 26, 1:50 p.m.\u003c/em>\u003c/p>\n\u003cp>Micah Allison, the wife of Ghost Ship trial defendant Derick Almena, testified Tuesday that Oakland law enforcement officials and fire department personnel had passed through the Ghost Ship warehouse many times in the years leading up to the Dec. 2, 2016 blaze that killed 36 people.\u003c/p>\n\u003cp>Under questioning from Tony Serra, who represents master tenant Almena, Allison testified Oakland Fire investigator Maria Sabatini had visited the warehouse following a September 2014 arson fire that was climbing the outside of the warehouse.\u003c/p>\n\u003cp>Allison's testimony contradicts testimony Sabatini gave on May 21 in which Sabatini said she did not enter the warehouse following the 2014 fire.\u003c/p>\n\u003cp>Allison said Sabatini had entered the warehouse after the fire department put out that fire out to check if the interior was safe.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She said Sabatini walked through the lower level of the warehouse, up through the back stairs and then down through the front stairs. Allison said Sabatini had positive things to say about the warehouse, and had crossed herself in front of an image of Jesus.\u003c/p>\n\u003cp>Allison also said Tuesday that police officers and Child Protective Services individuals had been through the warehouse a number of times. She said CPS had been there to make sure the building was safe for her three children, who she has with Almena. She said CPS had never asked them to make changes to the building. She also testified that building inspectors had never visited the warehouse leading up to the 2016 fire, and that no agency had issued notice about code violations.\u003c/p>\n\u003cp>Although the cause of the deadly 2016 fire was never determined, Sabatini’s \u003ca href=\"https://www.kqed.org/news/11748993/ghost-ship-trial-fire-investigator-casts-doubt-on-defenses-arson-theory\" target=\"_blank\" rel=\"noopener\">testimony from May 21\u003c/a> cast doubt that the blaze was caused by arson. The defense has argued arson was the cause of the blaze, and that neither Almena nor co-defendant Max Harris could have done anything to prevent it.\u003c/p>\n\u003cp>Prosecutors argue that Almena and Harris, who has been described as creative director of the warehouse, illegally converted the warehouse into an unsafe living space stuffed with flammable materials and lacking proper safety measures like fire alarms, well-lit exits and sprinkler systems, making them criminally liable.\u003c/p>\n\u003cp>Almena and Harris each face 36 counts of involuntary manslaughter stemming from the 2016 blaze, which occurred during an electronic music event.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Allison’s testimony on Tuesday began emotionally as she sat next to a large image of her family taken approximately six years earlier, which included Almena and their three children.\u003c/p>\n\u003cp>“That’s my family,” said Allison crying after Serra asked her to describe the photo.\u003c/p>\n\u003cp>Allison told Serra a number of safety improvements had been made at the building, including the removal of grates from the second-floor windows and the installation of a side door and front stairs. She said there were rules against smoking and open flames, including burning candles, in the building.\u003c/p>\n\u003cp>Alameda County Assistant District Attorney Casey Bates asked Allison during cross-examination Tuesday why there was a rule against open flames in the warehouse, and whether it was because the warehouse was a \"combustible structure.\" Allison said the rule was implemented \"for added safety.\" Asked if the \"vast majority\" of materials in the warehouse was wood or flammable, Allison said the interior was made up of \"a lot of different materials.\"\u003c/p>\n\u003cp>Serra asked whether requests had been made to the landlords to make fire safety improvements to the building, to which Allison answered yes. She testified that Kai Ng, son of landlord Chor Ng, had visited the building at least three or four times in the years they had lived there, and that those visits occurred while others were living in the Ghost Ship at the time. She said the landlords had never personally told her to bring the building up to code.\u003c/p>\n\u003cp>Bates asked Allison during cross-examination if a number of modifications to the warehouse, including opening up a large hole in the second-level floor, had the required permits, to which she replied no. She also said inspections of those modifications didn't happen.\u003c/p>\n\u003cp>When asked by Serra how rent was established for tenants of the warehouse, Allison described it as \"an organic process.\"\u003c/p>\n\u003cp>\"It depended on the person and on what they could afford and the space,\" Allison said. She also testified that Almena set up arrangements with tenants to do house work, including cleaning, in exchange for reduced rent.\u003c/p>\n\u003cp>When Bates asked Allison who was responsible for interviewing potential tenants, she said, \"Everybody, whoever was available.\" She said the interviewers typically included herself, Harris, Almena and sometimes others. She said three to four people would typically participate in the interview.\u003c/p>\n\u003cp>Allison said she and her husband generally shared a similar vision for the warehouse, as a space to create art and host theater, dance classes and workshops. She described it as a place “where traditional arts could be learned” and where experimental and multimedia art could be created inspired by traditional arts.\u003c/p>\n\u003cp>Allison also said Almena didn’t profit from events that were held in the warehouse.\u003c/p>\n\u003cp>Tyler Smith, who represents Harris, asked Allison if Harris had ever bossed anyone around, established rent, established live-work relationships or hired anyone from outside to make improvements to the warehouse. She said he hadn't.\u003c/p>\n\u003cp>Curtis Briggs, who also represents Harris, said these were several of the reasons his client should be acquitted.\u003c/p>\n\u003cp>\u003cstrong>Cross Examination of Allison Continues Wednesday; Two Defense Witnesses Testify\u003c/strong>\u003c/p>\n\u003cp>Under continued cross-examination by Bates on Wednesday, Allison reaffirmed that Sabatini arrived at the warehouse at approximately 10:00 a.m. to inspect the warehouse following a September 2014 couch fire outside of the warehouse. She said four to five other firefighters had also entered the warehouse.\u003c/p>\n\u003cp>Bates also asked Allison to identify fire escapes in a series of pictures of the Ghost Ship exterior, to which she said they were not visible. Under Bates' questioning, Allison indicated that only roof access was available.\u003c/p>\n\u003cp>Tony Serra called Thomas Cappel to the stand Wednesday. Cappel said he has been a friend of Almena's for 20 years, and had visited the Ghost Ship four to five times. Cappel described the warehouse as being undesirable when he first visited, but that later it became beautiful.\u003c/p>\n\u003cp>Asked by Serra if he ever felt like the warehouse was a fire hazard, Cappel said no. Under cross-examination from Alameda County Deputy District Attorney Autrey James, Cappel said he didn't know if the Ghost Ship had smoke detectors, alarms or sprinkler systems.\u003c/p>\n\u003cp>Serra also called on Daniel Keenan, who has been an Oakland firefighter since 1991. \u003c/p>\n\u003cp>Keenan testified he had helped his daughter move out of the warehouse in December 2013. Keenan said we went into the warehouse once to help her move a refrigerator out. He said he didn't find the warehouse to be cluttered at the time and didn't perceive any hazards in the warehouse.\u003c/p>\n\u003cp>\u003cem>This story includes reporting from Bay City News.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>It has been so long that people often forget, but Tom Hanks never does. Bay Area is home for the Oscar-winning actor, who has been reppin' hard during his most recent media tour promoting \u003cem>Toy Story 4\u003c/em>.\u003c/p>\n\u003cp>Born in Concord in 1956, Hanks spent his formative years in the region, which he once called \"the most beautiful place on earth.\" Hanks' parents \u003ca href=\"https://www.rollingstone.com/movies/features/mr-big-19880630\">divorced when he was five\u003c/a>, and he and his siblings and step-siblings were constantly shuffled around the East Bay, including Fruitvale and Alameda.\u003c/p>\n\u003cp>Just last week, he proudly flexed some Oakland cred when evoking his childhood \u003ca href=\"https://www.youtube.com/watch?v=07C0iF2eznY\" target=\"_blank\" rel=\"noopener\">playing Spades\u003c/a>, and later bid the Oakland Coliseum adieu in this very special way.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=mYjw3B6K9qw?start=388]\u003c/p>\n\u003cp>Fair enough.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Hanks does have very special memories in the Bay, which he reminds us of every so often:\u003c/p>\n\u003col>\n\u003cli>\u003cstrong>He grew up here... all over the place\u003c/strong>\u003c/li>\n\u003c/ol>\n\u003cp>The actor attended the now-closed John Swett Elementary School, Bret Harte Junior High, and Skyline High School, all in Oakland, as well as the now-closed Woodstock Elementary in Alameda.\u003c/p>\n\u003cp>Last time Hanks was in the area —at least publicly— he was reminded of his time at Woodstock Elementary by one of his classmates, who still keeps their third- and fourth-grade class pictures.\u003c/p>\n\u003cp>Hanks is in the third row, the fourth from the left, in both pictures.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">Remember Mrs Castles class. I was Kathe Knight ..last one last row on 3rd grade pic. 1st one 2nd row on 4th grade. Time flies. \u003ca href=\"https://t.co/l7a5qxgTR0\">pic.twitter.com/l7a5qxgTR0\u003c/a>\u003c/p>\n\u003cp>— Kathe Hamilton (@Kathe_Hamilton) \u003ca href=\"https://twitter.com/Kathe_Hamilton/status/958585478055383042?ref_src=twsrc%5Etfw\">January 31, 2018\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Later, in the early 1970s, Hanks took a drama class with Rawley Farnsworth at Skyline High School, and life was never the same. The actor thanked Farnsworth in his \u003ca href=\"https://youtu.be/bBuDMEpUc8k\" rel=\"noopener\" target=\"_blank\">Oscar acceptance speech for \u003cem>Philadelphia\u003c/em>\u003c/a> in 1994. Farnsworth returned the honor in 2002, when his pupil received the American Film Institute's Life Achievement Award.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=IpXPwjjGMxM]\u003c/p>\n\u003cp>\u003cstrong>2. He \"owes it all\" to the local community college\u003c/strong>\u003c/p>\n\u003cp>After graduating from Skyline High School in 1974, Hanks attended Chabot College, in Hayward. There, he took classes that still inform his work, such as Oral Interpretation, Drama as Performance, and Studies in Shakespeare. “That place made me what I am today,” he recounted in 2015, in an \u003ca href=\"https://www.nytimes.com/2015/01/14/opinion/tom-hanks-on-his-two-years-at-chabot-college.html\" target=\"_blank\" rel=\"noopener\">opinion piece\u003c/a> for The New York Times.\u003c/p>\n\u003cp>After two years at Chabot, he transferred to Cal State Sacramento, where he majored in Theater Arts. He moved to New York City in 1979, and later settled in Southern California.\u003c/p>\n\u003cp>He never forgot his loyalties, though.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=srk0DbP9_o4]\u003c/p>\n\u003cp>\u003cstrong>3. He is very sour about the Raiders moving to Las Vegas\u003c/strong>\u003c/p>\n\u003cp>Early 2017, the team announced they were leaving Oakland, breaking the hearts of tens of thousands of fans. The actor of \u003cem>Forrest Gump\u003c/em> and \u003cem>Big\u003c/em> \u003ca href=\"https://www.mercurynews.com/2017/04/26/tom-hanks-has-something-to-say-about-raiders-move/\" target=\"_blank\" rel=\"noopener\">was ready to boycott the league\u003c/a> altogether.\u003c/p>\n\u003cp>“You cannot take the Silver and Black, put them in an air-conditioned dome in the desert, make them play on artificial turf within a stone’s throw of the fountains of Caesar’s Palace, and call them the Raiders,” said the Skyline alum, who is also a fan of the Oakland Athletics.\u003c/p>\n\u003cp>Growing up, Hanks idolized Raiders' legendary quarterback Ken Stabler, and once recalled using pliers to change the channel on his old TV set, searching for the football game.\u003c/p>\n\u003cp>Stabler's \"throw deep!\" became a motto of sorts for Hanks, who referenced it in his acceptance speech at the 2017 People's Choice Awards.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=25vOG48zJkE?start=101]\u003c/p>\n\u003cp>\u003cstrong>4. He once lived in a houseboat in Alameda\u003c/strong>\u003c/p>\n\u003cp>Back in his late teens, Hollywood's favorite everyman lived on a 1,152-square-foot, two-bedroom houseboat docked at Alameda's Barnhill Marina.\u003c/p>\n\u003cp>https://twitter.com/tomhanks/status/1050141366225915906\u003c/p>\n\u003cp>The floating home was put up for sale for $600,000 in October 2018, but only \u003ca href=\"https://www.realtor.com/realestateandhomes-detail/2394-Mariner-Square-Dr-1C_Alameda_CA_94501_M21908-36011?\" target=\"_blank\" rel=\"noopener\">sold for $400,000\u003c/a> last April.\u003c/p>\n\u003cp>\u003cstrong>5. He is fond of the Oakland Coliseum, but in a different way\u003c/strong>\u003c/p>\n\u003cp>As he recalled in his interview with Jimmy Kimmel, Hanks once sold peanuts and soda outside the Oakland Coliseum during A's games. However, he was too young to know you cannot just walk around with wads of cash.\u003c/p>\n\u003cp>\"I was robbed twice,\" he recalled. Professional vendors did not like to see him around, either.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"That guy yelled at me!\" he remembered about a particularly rude one. \"So tear that place down!\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It has been so long that people often forget, but Tom Hanks never does. Bay Area is home for the Oscar-winning actor, who has been reppin' hard during his most recent media tour promoting \u003cem>Toy Story 4\u003c/em>.\u003c/p>\n\u003cp>Born in Concord in 1956, Hanks spent his formative years in the region, which he once called \"the most beautiful place on earth.\" Hanks' parents \u003ca href=\"https://www.rollingstone.com/movies/features/mr-big-19880630\">divorced when he was five\u003c/a>, and he and his siblings and step-siblings were constantly shuffled around the East Bay, including Fruitvale and Alameda.\u003c/p>\n\u003cp>Just last week, he proudly flexed some Oakland cred when evoking his childhood \u003ca href=\"https://www.youtube.com/watch?v=07C0iF2eznY\" target=\"_blank\" rel=\"noopener\">playing Spades\u003c/a>, and later bid the Oakland Coliseum adieu in this very special way.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mYjw3B6K9qw?start=388'\n title='//www.youtube.com/embed/mYjw3B6K9qw?start=388'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Fair enough.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hanks does have very special memories in the Bay, which he reminds us of every so often:\u003c/p>\n\u003col>\n\u003cli>\u003cstrong>He grew up here... all over the place\u003c/strong>\u003c/li>\n\u003c/ol>\n\u003cp>The actor attended the now-closed John Swett Elementary School, Bret Harte Junior High, and Skyline High School, all in Oakland, as well as the now-closed Woodstock Elementary in Alameda.\u003c/p>\n\u003cp>Last time Hanks was in the area —at least publicly— he was reminded of his time at Woodstock Elementary by one of his classmates, who still keeps their third- and fourth-grade class pictures.\u003c/p>\n\u003cp>Hanks is in the third row, the fourth from the left, in both pictures.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">Remember Mrs Castles class. I was Kathe Knight ..last one last row on 3rd grade pic. 1st one 2nd row on 4th grade. Time flies. \u003ca href=\"https://t.co/l7a5qxgTR0\">pic.twitter.com/l7a5qxgTR0\u003c/a>\u003c/p>\n\u003cp>— Kathe Hamilton (@Kathe_Hamilton) \u003ca href=\"https://twitter.com/Kathe_Hamilton/status/958585478055383042?ref_src=twsrc%5Etfw\">January 31, 2018\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Later, in the early 1970s, Hanks took a drama class with Rawley Farnsworth at Skyline High School, and life was never the same. The actor thanked Farnsworth in his \u003ca href=\"https://youtu.be/bBuDMEpUc8k\" rel=\"noopener\" target=\"_blank\">Oscar acceptance speech for \u003cem>Philadelphia\u003c/em>\u003c/a> in 1994. Farnsworth returned the honor in 2002, when his pupil received the American Film Institute's Life Achievement Award.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/IpXPwjjGMxM'\n title='//www.youtube.com/embed/IpXPwjjGMxM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cstrong>2. He \"owes it all\" to the local community college\u003c/strong>\u003c/p>\n\u003cp>After graduating from Skyline High School in 1974, Hanks attended Chabot College, in Hayward. There, he took classes that still inform his work, such as Oral Interpretation, Drama as Performance, and Studies in Shakespeare. “That place made me what I am today,” he recounted in 2015, in an \u003ca href=\"https://www.nytimes.com/2015/01/14/opinion/tom-hanks-on-his-two-years-at-chabot-college.html\" target=\"_blank\" rel=\"noopener\">opinion piece\u003c/a> for The New York Times.\u003c/p>\n\u003cp>After two years at Chabot, he transferred to Cal State Sacramento, where he majored in Theater Arts. He moved to New York City in 1979, and later settled in Southern California.\u003c/p>\n\u003cp>He never forgot his loyalties, though.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/srk0DbP9_o4'\n title='//www.youtube.com/embed/srk0DbP9_o4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cstrong>3. He is very sour about the Raiders moving to Las Vegas\u003c/strong>\u003c/p>\n\u003cp>Early 2017, the team announced they were leaving Oakland, breaking the hearts of tens of thousands of fans. The actor of \u003cem>Forrest Gump\u003c/em> and \u003cem>Big\u003c/em> \u003ca href=\"https://www.mercurynews.com/2017/04/26/tom-hanks-has-something-to-say-about-raiders-move/\" target=\"_blank\" rel=\"noopener\">was ready to boycott the league\u003c/a> altogether.\u003c/p>\n\u003cp>“You cannot take the Silver and Black, put them in an air-conditioned dome in the desert, make them play on artificial turf within a stone’s throw of the fountains of Caesar’s Palace, and call them the Raiders,” said the Skyline alum, who is also a fan of the Oakland Athletics.\u003c/p>\n\u003cp>Growing up, Hanks idolized Raiders' legendary quarterback Ken Stabler, and once recalled using pliers to change the channel on his old TV set, searching for the football game.\u003c/p>\n\u003cp>Stabler's \"throw deep!\" became a motto of sorts for Hanks, who referenced it in his acceptance speech at the 2017 People's Choice Awards.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/25vOG48zJkE?start=101'\n title='//www.youtube.com/embed/25vOG48zJkE?start=101'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cstrong>4. He once lived in a houseboat in Alameda\u003c/strong>\u003c/p>\n\u003cp>Back in his late teens, Hollywood's favorite everyman lived on a 1,152-square-foot, two-bedroom houseboat docked at Alameda's Barnhill Marina.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The floating home was put up for sale for $600,000 in October 2018, but only \u003ca href=\"https://www.realtor.com/realestateandhomes-detail/2394-Mariner-Square-Dr-1C_Alameda_CA_94501_M21908-36011?\" target=\"_blank\" rel=\"noopener\">sold for $400,000\u003c/a> last April.\u003c/p>\n\u003cp>\u003cstrong>5. He is fond of the Oakland Coliseum, but in a different way\u003c/strong>\u003c/p>\n\u003cp>As he recalled in his interview with Jimmy Kimmel, Hanks once sold peanuts and soda outside the Oakland Coliseum during A's games. However, he was too young to know you cannot just walk around with wads of cash.\u003c/p>\n\u003cp>\"I was robbed twice,\" he recalled. Professional vendors did not like to see him around, either.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"That guy yelled at me!\" he remembered about a particularly rude one. \"So tear that place down!\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/news/11755932/an-island-drink-with-california-roots-the-mai-tai-turns-75\" target=\"_blank\" rel=\"noopener noreferrer\">An Island Drink with California Roots: The Mai Tai Turns 75\u003c/a>\u003c/strong>\u003cbr>\nIt's summer! You’re sitting on the beach, sand between your toes, sunglasses on. What else could make this picture postcard complete? How about a Mai Tai? This rum cocktail probably makes you think of Hawaii. But it was born right here in California. The Mai Tai turns 75 this year, and we figured we’d give The California Report’s Suzie Racho the tough assignment of tracking down its true origins as part of our series Golden State Plate.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/news/11756094/long-distance-podcast-connects-filipinos-across-the-diaspora\">Long Distance: Podcast Connects Filipino Stories Across the Diaspora\u003c/a>\u003c/strong>\u003cbr>\nIt wasn’t just Mai Tais that got their start in California, but also the tiki bar itself. It all started with Don the Beachcomber in Los Angeles. Many of the bartenders in those original tiki bars were Filipino. That’s a story featured in “Long Distance,” a new podcast about the Filipino Diaspora. Host Sasha Khokha talks with host and creator Paola Mardo.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/news/11749853/a-humble-burger-helped-fuel-the-building-of-shasta-dam-and-shaped-a-community-in-redding\" target=\"_blank\" rel=\"noopener noreferrer\">A Humble Burger Helped Fuel the Building of the Shasta Dam and Shaped a Community in Redding\u003c/a>\u003c/strong>\u003cbr>\nIn Redding, there’s a hamburger joint that’s been making its signature item the same way since the 1930s: a burger so thin it gets crispy on the edges, and never, ever comes with a tomato. For the series California Foodways, Lisa Morehouse found that this humble burger helped fuel one of the biggest engineering feats in the state’s history.\u003c/p>\n\u003cp>\u003cstrong>UC Davis Honors Chicano Activist and Broadcaster With Posthumous Degree\u003c/strong>\u003cbr>\nThis past weekend, UC Davis conferred a degree that was 25 years in the making. It was awarded to a student who built a statewide reputation as a broadcaster and Chicano rights activist, and who didn’t live to see the impact of his work. KPCC’s Adolfo Guzman-Lopez brings us his story.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>\u003cem>California is home to one of the largest populations of Filipinos in the world outside of the Filipines, so it’s fitting that a California-based producer is the first to start a podcast dedicated to stories of the Filipino diaspora.\u003ca href=\"http://longdistanceradio.com\"> Long Distance \u003c/a>moves beyond typical immigrant narratives to share thoughtful tales of love, loss, history, and humor. In its first season, the podcast featured stories about a hate cr\u003c/em>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11756130 alignright\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-800x800.jpg\" alt=\"\" width=\"267\" height=\"267\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-1200x1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-1472x1472.jpg 1472w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-1104x1104.jpg 1104w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-912x912.jpg 912w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-550x550.jpg 550w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-470x470.jpg 470w\" sizes=\"auto, (max-width: 267px) 100vw, 267px\">\u003cem>ime in Stockton, a Filipina American rapper’s immigrant journey, and an undocumented couple’s love story in Los Angeles. Long Distance is also one of six podcasts selected for the first cohort of the \u003ca href=\"https://googlecp.prx.org/\">Google/PRX Podcast creator program.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003cem>The California Report Magazine’s host Sasha Khokha sat down with Long Distance’s producer and host Paola Mardo in Los Angeles. What follows are excerpts of their conversation, edited for brevity and clarity.\u003c/em>\u003c/p>\n\u003cp>https://youtu.be/Nas-LZfk3v8\u003c/p>\n\u003cp>\u003cstrong>What made you want to start a podcast focused on the Filipino-American experience? \u003c/strong>\u003c/p>\n\u003cp>I was born in L.A. but I grew up in the Philippines, the Bay Area, and Kuala Lumpur. So when I moved back to L.A. after college, I got really interested in just learning more about the community here. If you drive around L.A., there are all these signs that say “Historic Filipinotown.” I wanted to know what that meant. So I started interviewing people in the Historic Filipinotown community to learn more about their stories. And as I started listening, I realized I could relate to their stories because of our diaspora connection. I decided to make a podcast about the diaspora that includes stories about places like Historic Filipinotown, but also other parts of the country and the world.\u003c/p>\n\u003cfigure id=\"attachment_11756120\" class=\"wp-caption alignnone\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11756120\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/Long-Distance-historical-photos.jpg\" alt=\"\" width=\"600\" height=\"400\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/Long-Distance-historical-photos.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/Long-Distance-historical-photos-160x107.jpg 160w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">L to R: Carlene Sobrino Bonnivier takes a break from trying to pick strawberries in Salinas, California circa 1970s; Gregory Villanueva, age 8, hangs his hand-washed socks on a clothesline in the backyard of his family’s home. His family had just moved from the Temple-Beaudry area in Historic Filipinotown to El Sereno in East Los Angeles. Paola Mardo interviewed these families for an episode on LA’s historic Filipinotown. \u003ccite>(Couresy Paola Mardo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11756117\" class=\"wp-caption alignnone\" style=\"max-width: 509px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11756117\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37801_Long-Distance-little-manila-center-qut-800x533.jpg\" alt=\"\" width=\"509\" height=\"339\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37801_Long-Distance-little-manila-center-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37801_Long-Distance-little-manila-center-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37801_Long-Distance-little-manila-center-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37801_Long-Distance-little-manila-center-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37801_Long-Distance-little-manila-center-qut.jpg 1500w\" sizes=\"auto, (max-width: 509px) 100vw, 509px\">\u003cfigcaption class=\"wp-caption-text\">The Little Manila Center in Stockton, California, after it was vandalized in what Filipino leaders consider a hate crime. \u003ccite>(Courtesy of Patrick Epino)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>How does a story about a tiki bar fit into a podcast about the Filipino diaspora?\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I’ve always wanted to know about the first Filipinos who came to Los Angeles, and what life was like for them. I caught a glimpse of this life in a book called “Filipinos in Hollywood,” by Carina Montoya. It’s where I found a photograph of Ray Buhen, behind\u003c/p>\n\u003cfigure id=\"attachment_11756111\" class=\"wp-caption alignleft\" style=\"max-width: 306px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11756111\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37804_Long-Distance-Tiki-Bar-3-qut-800x533.jpg\" alt=\"\" width=\"306\" height=\"204\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37804_Long-Distance-Tiki-Bar-3-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37804_Long-Distance-Tiki-Bar-3-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37804_Long-Distance-Tiki-Bar-3-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37804_Long-Distance-Tiki-Bar-3-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37804_Long-Distance-Tiki-Bar-3-qut.jpg 1500w\" sizes=\"auto, (max-width: 306px) 100vw, 306px\">\u003cfigcaption class=\"wp-caption-text\">Photo of Ray Buhen at the Tiki Ti in Los Angeles. \u003ccite>(Courtesy of Patrick Epino)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>a bamboo bar, serving a crowd of white men and women. Ray looks proud — happy even, — as if he’s thinking, “Hey, I’m living the American dream.”\u003c/p>\n\u003cp>I wanted to know more about his story. So I spent some time in tiki bars, with Ray’s son, and with tiki aficionados and experts. I talked with Pacific Islander artists and activists. What I ended up finding was a lot more than just a little-known chapter in Filipino and American history. The story of tiki touches on a lot of issues we’re still struggling with in America today: the difference between appreciating and appropriating culture, race and pop culture, escapism and the American dream.\u003c/p>\n\u003cp>\u003cstrong>Last year, you produced a\u003ca href=\"https://www.kqed.org/news/11429742/an-immigrant-love-story-four-decades-in-the-making\"> story for The California Report\u003c/a> about a couple who had been high school sweethearts in the Philippines, and were reunited in L.A. four decades later. How did you update their story for the podcast? \u003c/strong>\u003c/p>\n\u003cp>[Terry and Jun] were high school sweethearts separated after graduation and then reconnected 40 years later. One of them was living in Saudi Arabia as an overseas Filipino worker (OFW). And one of them was living in Los Angeles. After restarting their relationship on social media, they finally reconnected in Los Angeles at the airport. They were afraid to marry because they were undocumented, and didn’t want to attract attention. But after the first story aired, we stayed in touch.\u003c/p>\n\u003cfigure id=\"attachment_11756114\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11756114 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37807_Long-Distance-Terry-and-Jun-qut.jpg\" alt=\"\" width=\"1500\" height=\"1000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37807_Long-Distance-Terry-and-Jun-qut.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37807_Long-Distance-Terry-and-Jun-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37807_Long-Distance-Terry-and-Jun-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37807_Long-Distance-Terry-and-Jun-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37807_Long-Distance-Terry-and-Jun-qut-1200x800.jpg 1200w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Terry and Jun dance at their wedding, four decades after they were childhood sweethearts. \u003ccite>(Courtesy of Paola Mardo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Terry told me last year that she got her visa, and she and Jun were finally going to get married. They wanted to kind of seal that love and celebrate it through a wedding where they invited close friends and family. And it was really sweet.\u003c/p>\n\u003cp>\u003cstrong>You guys have a lot of listener engagement. Who’s your audience?\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=155&v=7Xzydnx5Rg0\u003c/p>\n\u003cp>When we first started back in October, the people listening were mostly millennials — a lot of Filipino Americans but also Filipinos all over the world. We have listeners in Saudi Arabia, Australia, Singapore, even the Philippines, which surprised me because podcasting in the Philippines is still growing — it’s not too popular of a medium yet. I wasn’t sure if they’d be interested in stories about people who left the country, left the homeland. But I’ve gotten emails from people from the Philippines who are very interested to know this because we touch on stories and even histories that they don’t learn at school in the Philippines.\u003c/p>\n\u003cp>\u003cstrong>What’s coming up in Season Two of Long Distance? \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>We did one-on-one interviews with listeners about what they want to hear more. Folks are telling us they want more history, more stories about the LGBT community. And more about food. We’re hoping to take the show beyond California stories and start talking to Filipinos across the U.S., even abroad.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>California is home to one of the largest populations of Filipinos in the world outside of the Filipines, so it’s fitting that a California-based producer is the first to start a podcast dedicated to stories of the Filipino diaspora.\u003ca href=\"http://longdistanceradio.com\"> Long Distance \u003c/a>moves beyond typical immigrant narratives to share thoughtful tales of love, loss, history, and humor. In its first season, the podcast featured stories about a hate cr\u003c/em>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11756130 alignright\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-800x800.jpg\" alt=\"\" width=\"267\" height=\"267\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-1200x1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-1472x1472.jpg 1472w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-1104x1104.jpg 1104w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-912x912.jpg 912w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-550x550.jpg 550w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37811_LD-CoverArt-qut-470x470.jpg 470w\" sizes=\"auto, (max-width: 267px) 100vw, 267px\">\u003cem>ime in Stockton, a Filipina American rapper’s immigrant journey, and an undocumented couple’s love story in Los Angeles. Long Distance is also one of six podcasts selected for the first cohort of the \u003ca href=\"https://googlecp.prx.org/\">Google/PRX Podcast creator program.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003cem>The California Report Magazine’s host Sasha Khokha sat down with Long Distance’s producer and host Paola Mardo in Los Angeles. What follows are excerpts of their conversation, edited for brevity and clarity.\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Nas-LZfk3v8'\n title='//www.youtube.com/embed/Nas-LZfk3v8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>What made you want to start a podcast focused on the Filipino-American experience? \u003c/strong>\u003c/p>\n\u003cp>I was born in L.A. but I grew up in the Philippines, the Bay Area, and Kuala Lumpur. So when I moved back to L.A. after college, I got really interested in just learning more about the community here. If you drive around L.A., there are all these signs that say “Historic Filipinotown.” I wanted to know what that meant. So I started interviewing people in the Historic Filipinotown community to learn more about their stories. And as I started listening, I realized I could relate to their stories because of our diaspora connection. I decided to make a podcast about the diaspora that includes stories about places like Historic Filipinotown, but also other parts of the country and the world.\u003c/p>\n\u003cfigure id=\"attachment_11756120\" class=\"wp-caption alignnone\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11756120\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/Long-Distance-historical-photos.jpg\" alt=\"\" width=\"600\" height=\"400\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/Long-Distance-historical-photos.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/Long-Distance-historical-photos-160x107.jpg 160w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">L to R: Carlene Sobrino Bonnivier takes a break from trying to pick strawberries in Salinas, California circa 1970s; Gregory Villanueva, age 8, hangs his hand-washed socks on a clothesline in the backyard of his family’s home. His family had just moved from the Temple-Beaudry area in Historic Filipinotown to El Sereno in East Los Angeles. Paola Mardo interviewed these families for an episode on LA’s historic Filipinotown. \u003ccite>(Couresy Paola Mardo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11756117\" class=\"wp-caption alignnone\" style=\"max-width: 509px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11756117\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37801_Long-Distance-little-manila-center-qut-800x533.jpg\" alt=\"\" width=\"509\" height=\"339\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37801_Long-Distance-little-manila-center-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37801_Long-Distance-little-manila-center-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37801_Long-Distance-little-manila-center-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37801_Long-Distance-little-manila-center-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37801_Long-Distance-little-manila-center-qut.jpg 1500w\" sizes=\"auto, (max-width: 509px) 100vw, 509px\">\u003cfigcaption class=\"wp-caption-text\">The Little Manila Center in Stockton, California, after it was vandalized in what Filipino leaders consider a hate crime. \u003ccite>(Courtesy of Patrick Epino)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>How does a story about a tiki bar fit into a podcast about the Filipino diaspora?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I’ve always wanted to know about the first Filipinos who came to Los Angeles, and what life was like for them. I caught a glimpse of this life in a book called “Filipinos in Hollywood,” by Carina Montoya. It’s where I found a photograph of Ray Buhen, behind\u003c/p>\n\u003cfigure id=\"attachment_11756111\" class=\"wp-caption alignleft\" style=\"max-width: 306px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11756111\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37804_Long-Distance-Tiki-Bar-3-qut-800x533.jpg\" alt=\"\" width=\"306\" height=\"204\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37804_Long-Distance-Tiki-Bar-3-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37804_Long-Distance-Tiki-Bar-3-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37804_Long-Distance-Tiki-Bar-3-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37804_Long-Distance-Tiki-Bar-3-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37804_Long-Distance-Tiki-Bar-3-qut.jpg 1500w\" sizes=\"auto, (max-width: 306px) 100vw, 306px\">\u003cfigcaption class=\"wp-caption-text\">Photo of Ray Buhen at the Tiki Ti in Los Angeles. \u003ccite>(Courtesy of Patrick Epino)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>a bamboo bar, serving a crowd of white men and women. Ray looks proud — happy even, — as if he’s thinking, “Hey, I’m living the American dream.”\u003c/p>\n\u003cp>I wanted to know more about his story. So I spent some time in tiki bars, with Ray’s son, and with tiki aficionados and experts. I talked with Pacific Islander artists and activists. What I ended up finding was a lot more than just a little-known chapter in Filipino and American history. The story of tiki touches on a lot of issues we’re still struggling with in America today: the difference between appreciating and appropriating culture, race and pop culture, escapism and the American dream.\u003c/p>\n\u003cp>\u003cstrong>Last year, you produced a\u003ca href=\"https://www.kqed.org/news/11429742/an-immigrant-love-story-four-decades-in-the-making\"> story for The California Report\u003c/a> about a couple who had been high school sweethearts in the Philippines, and were reunited in L.A. four decades later. How did you update their story for the podcast? \u003c/strong>\u003c/p>\n\u003cp>[Terry and Jun] were high school sweethearts separated after graduation and then reconnected 40 years later. One of them was living in Saudi Arabia as an overseas Filipino worker (OFW). And one of them was living in Los Angeles. After restarting their relationship on social media, they finally reconnected in Los Angeles at the airport. They were afraid to marry because they were undocumented, and didn’t want to attract attention. But after the first story aired, we stayed in touch.\u003c/p>\n\u003cfigure id=\"attachment_11756114\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11756114 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37807_Long-Distance-Terry-and-Jun-qut.jpg\" alt=\"\" width=\"1500\" height=\"1000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37807_Long-Distance-Terry-and-Jun-qut.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37807_Long-Distance-Terry-and-Jun-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37807_Long-Distance-Terry-and-Jun-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37807_Long-Distance-Terry-and-Jun-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/06/RS37807_Long-Distance-Terry-and-Jun-qut-1200x800.jpg 1200w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Terry and Jun dance at their wedding, four decades after they were childhood sweethearts. \u003ccite>(Courtesy of Paola Mardo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Terry told me last year that she got her visa, and she and Jun were finally going to get married. They wanted to kind of seal that love and celebrate it through a wedding where they invited close friends and family. And it was really sweet.\u003c/p>\n\u003cp>\u003cstrong>You guys have a lot of listener engagement. Who’s your audience?\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7Xzydnx5Rg0'\n title='//www.youtube.com/embed/7Xzydnx5Rg0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>When we first started back in October, the people listening were mostly millennials — a lot of Filipino Americans but also Filipinos all over the world. We have listeners in Saudi Arabia, Australia, Singapore, even the Philippines, which surprised me because podcasting in the Philippines is still growing — it’s not too popular of a medium yet. I wasn’t sure if they’d be interested in stories about people who left the country, left the homeland. But I’ve gotten emails from people from the Philippines who are very interested to know this because we touch on stories and even histories that they don’t learn at school in the Philippines.\u003c/p>\n\u003cp>\u003cstrong>What’s coming up in Season Two of Long Distance? \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>We did one-on-one interviews with listeners about what they want to hear more. Folks are telling us they want more history, more stories about the LGBT community. And more about food. We’re hoping to take the show beyond California stories and start talking to Filipinos across the U.S., even abroad.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "‘I Didn’t Go Back In': Ghost Ship Defendant Harris Said He Thought Everyone Was Getting Out",
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"content": "\u003cp>\u003cem>Updated 7:10 p.m.\u003c/em>\u003c/p>\n\u003cp>Ghost Ship trial defendant Max Harris, during emotional testimony on Wednesday, said he regrets he didn’t go upstairs to help people leave the building on the night of the Dec. 2, 2016 Oakland warehouse fire that killed 36, because he thought everyone was escaping.\u003c/p>\n\u003cp>Alameda County Deputy District Attorney Autrey James asked Harris eight times, one for each person that died in the blaze that Harris said he knew, if he had gone upstairs to make sure they had escaped. To each question, Harris responded no.\u003c/p>\n\u003cp>“I wish I went upstairs,” Harris said. “I don’t know if I’d be here right now.”\u003c/p>\n\u003cp>James asked, “You didn’t go back in to make sure everyone got out?”\u003c/p>\n\u003cp>“I didn’t go back in. I wish I did. I wish I did,” Harris answered.\u003c/p>\n\u003cp>[aside tag='ghost-ship-trial' label='More Ghost Ship Trial Coverage']\u003c/p>\n\u003cp>Harris also said he didn’t want to block the people who were coming down a set of stairs during the fire.\u003c/p>\n\u003cp>Harris said in testimony Wednesday that he had grabbed a fire extinguisher from his living space after he noticed the fire in the back of the warehouse, but said the extinguisher spray couldn’t reach the fire. \u003c/p>\n\u003cp>After dropping the extinguisher, Harris said he grabbed his cellphone and laptop and began running back and forth in a hallway, yelling to warn people of the fire. He said he did that for at least several minutes and then left the building to stand near a doorway and shine a light through it as a signal to people who still might be inside.\u003c/p>\n\u003cp>In his testimony Wednesday, Harris also reversed earlier statements he had made to investigators about whether the rear stairs of the warehouse were blocked on the night it burned down.\u003c/p>\n\u003cp>Harris told the court that the rear stairs were, in fact, not blocked, and that previous information he had given to investigators was based on incorrect information at the time.\u003c/p>\n\u003cp>James played video for the jury of Harris telling investigators six months after the fire — and after his arrest — that the rear stairs to the second floor were blocked near the bottom.\u003c/p>\n\u003cp>But in court, Harris responded to James’ questioning by saying that his understanding of the situation was not correct in the aftermath of the fire.\u003c/p>\n\u003cp>“I relayed my understanding at the time, which I now know is not accurate,” Harris said in court. “I heard a lot of misinformation after this first happened.”\u003c/p>\n\u003cp>Harris said he was also trying to be helpful to investigators at the time and that much of his misunderstanding had been corrected after hearing testimony and information about people using the stairs on the night of the blaze.\u003c/p>\n\u003cp>Harris and master tenant Derick Almena face 36 involuntary manslaughter charges stemming from the blaze in the unpermitted Oakland residence and performance venue on the night of an electronic music party.\u003c/p>\n\u003cp>Prosecutors argue that Harris and Almena illegally converted the warehouse into an unsafe living space stuffed with flammable materials and lacking proper safety measures like fire alarms, well-lit exits and sprinkler systems. Defense attorneys argue the blaze was started by an act of arson.\u003c/p>\n\u003cp>Harris answered a line of questioning from James about whether he had shown guests where exits were located in the warehouse.\u003c/p>\n\u003cp>Harris responded that he didn’t feel compelled to point out exits or the location of the rear or front sets of stairs. He said his understanding was that everyone knew where the stairs were.\u003c/p>\n\u003cp>“I wouldn’t be expecting something to happen,” Harris said. The exits were clear, he said, and one of them had an exit sign, but it was not lit.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Harris also testified that he was a point-of-contact person for the Dec. 2 electronic music party, but said a lot of people “were working together on this.” He said people who didn’t live at the warehouse had promoted the event.\u003c/p>\n\u003cp>Harris said he believed he had shown Jon Hrabko, who was promoting the event, around the lower level of the warehouse, but wasn’t sure if he had shown him the back set of stairs.\u003c/p>\n\u003cp>James asked Harris about a list of duties that could be considered managerial roles at the warehouse. Regarding rent, Harris said he collected it from other tenantsand deposited it in the landlords’ bank account.\u003c/p>\n\u003cp>James also asked if Harris served as the \"point person\" at the Ghost Ship, citing an October 2016 email to the landlords about an attempt to lease an adjacent auto body shop, to which Harris answered, “In that instance, yes.”\u003c/p>\n\u003cp>Harris also said that he had served an eviction notice to one tenant.\u003c/p>\n\u003cp>Curtis Briggs, who represents Harris, said outside of court that Harris’ testimony will exonerate him.\u003c/p>\n\u003cp>“We’re really proud of Max. We’re excited that he finally got to testify and speak his truth after two years in custody in Santa Rita jail. He finally got to speak,” Briggs said. “They have no evidence against him. We’re very optimistic at this point.” \u003c/p>\n\u003cp>Harris’ defense is expected to call two more witnesses on Thursday. Tony Serra, who represents Almena, is expected to call his first three witnesses on Thursday as well.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Harris also said he didn’t want to block the people who were coming down a set of stairs during the fire.\u003c/p>\n\u003cp>Harris said in testimony Wednesday that he had grabbed a fire extinguisher from his living space after he noticed the fire in the back of the warehouse, but said the extinguisher spray couldn’t reach the fire. \u003c/p>\n\u003cp>After dropping the extinguisher, Harris said he grabbed his cellphone and laptop and began running back and forth in a hallway, yelling to warn people of the fire. He said he did that for at least several minutes and then left the building to stand near a doorway and shine a light through it as a signal to people who still might be inside.\u003c/p>\n\u003cp>In his testimony Wednesday, Harris also reversed earlier statements he had made to investigators about whether the rear stairs of the warehouse were blocked on the night it burned down.\u003c/p>\n\u003cp>Harris told the court that the rear stairs were, in fact, not blocked, and that previous information he had given to investigators was based on incorrect information at the time.\u003c/p>\n\u003cp>James played video for the jury of Harris telling investigators six months after the fire — and after his arrest — that the rear stairs to the second floor were blocked near the bottom.\u003c/p>\n\u003cp>But in court, Harris responded to James’ questioning by saying that his understanding of the situation was not correct in the aftermath of the fire.\u003c/p>\n\u003cp>“I relayed my understanding at the time, which I now know is not accurate,” Harris said in court. “I heard a lot of misinformation after this first happened.”\u003c/p>\n\u003cp>Harris said he was also trying to be helpful to investigators at the time and that much of his misunderstanding had been corrected after hearing testimony and information about people using the stairs on the night of the blaze.\u003c/p>\n\u003cp>Harris and master tenant Derick Almena face 36 involuntary manslaughter charges stemming from the blaze in the unpermitted Oakland residence and performance venue on the night of an electronic music party.\u003c/p>\n\u003cp>Prosecutors argue that Harris and Almena illegally converted the warehouse into an unsafe living space stuffed with flammable materials and lacking proper safety measures like fire alarms, well-lit exits and sprinkler systems. Defense attorneys argue the blaze was started by an act of arson.\u003c/p>\n\u003cp>Harris answered a line of questioning from James about whether he had shown guests where exits were located in the warehouse.\u003c/p>\n\u003cp>Harris responded that he didn’t feel compelled to point out exits or the location of the rear or front sets of stairs. He said his understanding was that everyone knew where the stairs were.\u003c/p>\n\u003cp>“I wouldn’t be expecting something to happen,” Harris said. The exits were clear, he said, and one of them had an exit sign, but it was not lit.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Harris also testified that he was a point-of-contact person for the Dec. 2 electronic music party, but said a lot of people “were working together on this.” He said people who didn’t live at the warehouse had promoted the event.\u003c/p>\n\u003cp>Harris said he believed he had shown Jon Hrabko, who was promoting the event, around the lower level of the warehouse, but wasn’t sure if he had shown him the back set of stairs.\u003c/p>\n\u003cp>James asked Harris about a list of duties that could be considered managerial roles at the warehouse. Regarding rent, Harris said he collected it from other tenantsand deposited it in the landlords’ bank account.\u003c/p>\n\u003cp>James also asked if Harris served as the \"point person\" at the Ghost Ship, citing an October 2016 email to the landlords about an attempt to lease an adjacent auto body shop, to which Harris answered, “In that instance, yes.”\u003c/p>\n\u003cp>Harris also said that he had served an eviction notice to one tenant.\u003c/p>\n\u003cp>Curtis Briggs, who represents Harris, said outside of court that Harris’ testimony will exonerate him.\u003c/p>\n\u003cp>“We’re really proud of Max. We’re excited that he finally got to testify and speak his truth after two years in custody in Santa Rita jail. He finally got to speak,” Briggs said. “They have no evidence against him. We’re very optimistic at this point.” \u003c/p>\n\u003cp>Harris’ defense is expected to call two more witnesses on Thursday. Tony Serra, who represents Almena, is expected to call his first three witnesses on Thursday as well.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>Updated 6:45 p.m.\u003c/em>\u003c/p>\n\u003cp>Under cross-examination in the Ghost Ship trial Tuesday, defendant Max Harris admitted that he had lied to an Oakland police officer in June 2015 about whether people lived in the warehouse known as the Ghost Ship, which burned down in 2016, killing 36.\u003c/p>\n\u003cp>Alameda County Deputy District Attorney Autrey James played footage from a police body camera, showing Harris speaking to Officer Brian Kline, who asked him if anyone lived in the warehouse.\u003c/p>\n\u003cp>In the video Harris can be heard responding that no one lived in the warehouse, which he called a 24-hour artwork space.\u003c/p>\n\u003cp>[aside tag='ghost-ship-trial' label='More Ghost Ship Trial Coverage']\u003c/p>\n\u003cp>On the stand, James asked Harris if he had felt the need to lie to the officer because he might be evicted, to which Harris answered yes. Harris said he feared becoming homeless because he lived in an \"alternative space\" and didn't have the protections of people living in apartments.\u003c/p>\n\u003cp>Harris and master tenant Derick Almena each face 36 counts of involuntary manslaughter stemming from the Dec. 2, 2016 blaze in the unpermitted Oakland residence and performance venue the night of an electronic music party.\u003c/p>\n\u003cp>Prosecutors argue that Harris and Almena illegally converted the warehouse into an unsafe living space stuffed with flammable materials and lacking proper safety measures like fire alarms, well-lit exits and sprinkler systems. Defense attorneys argue the blaze was started by an act of arson.\u003c/p>\n\u003cp>The defense has tried to play down any managerial role Harris may have had at the Ghost Ship warehouse. He has been referred to as a creative director and second-in-command to Almena.\u003c/p>\n\u003cp>Harris' defense attorney, Tyler Smith, asked Harris about a thread of messages he wrote on the dating app Tinder, in which he said that he \"managed\" a live/work space in the Fruitvale district. Harris said he didn't consider his involvement at the warehouse to be a job, but rather saw it as an \"exchange situation.\" He added that he didn't pay rent, but instead worked there for a place to live. When asked by James about the title in the Tinder messages, Harris said he was trying to get a date.\u003c/p>\n\u003cp>During cross-examination, James displayed a number of emails for the jury, some directed to warehouse landlords Kai or Eva Ng, in which Harris signed off with the title executive director. Harris responded that titles like executive director, creative director and manager did not exist at the warehouse, and that he had used them to “seem official” and so that he would be “taken seriously.”\u003c/p>\n\u003cp>When James asked if the titles in the emails were untrue, Harris replied, “Yes, a misrepresentation.”\u003c/p>\n\u003cp>“Everyone was a leader who took initiative,” Harris said. But when James asked if there was any authority, Harris answered “none at all.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Smith asked Harris at the end of his questioning if, in the wake of the fire, there was anything he would have done differently.\u003c/p>\n\u003cp>\"I think of that a lot,\" Harris answered. \"I knew a lot of the people. I wish I had done more. There are an infinite number of things I wish I did that night and before.\"\u003c/p>\n\u003cp>Cross-examination of Harris is expected to continue Wednesday.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On the stand, James asked Harris if he had felt the need to lie to the officer because he might be evicted, to which Harris answered yes. Harris said he feared becoming homeless because he lived in an \"alternative space\" and didn't have the protections of people living in apartments.\u003c/p>\n\u003cp>Harris and master tenant Derick Almena each face 36 counts of involuntary manslaughter stemming from the Dec. 2, 2016 blaze in the unpermitted Oakland residence and performance venue the night of an electronic music party.\u003c/p>\n\u003cp>Prosecutors argue that Harris and Almena illegally converted the warehouse into an unsafe living space stuffed with flammable materials and lacking proper safety measures like fire alarms, well-lit exits and sprinkler systems. Defense attorneys argue the blaze was started by an act of arson.\u003c/p>\n\u003cp>The defense has tried to play down any managerial role Harris may have had at the Ghost Ship warehouse. He has been referred to as a creative director and second-in-command to Almena.\u003c/p>\n\u003cp>Harris' defense attorney, Tyler Smith, asked Harris about a thread of messages he wrote on the dating app Tinder, in which he said that he \"managed\" a live/work space in the Fruitvale district. Harris said he didn't consider his involvement at the warehouse to be a job, but rather saw it as an \"exchange situation.\" He added that he didn't pay rent, but instead worked there for a place to live. When asked by James about the title in the Tinder messages, Harris said he was trying to get a date.\u003c/p>\n\u003cp>During cross-examination, James displayed a number of emails for the jury, some directed to warehouse landlords Kai or Eva Ng, in which Harris signed off with the title executive director. Harris responded that titles like executive director, creative director and manager did not exist at the warehouse, and that he had used them to “seem official” and so that he would be “taken seriously.”\u003c/p>\n\u003cp>When James asked if the titles in the emails were untrue, Harris replied, “Yes, a misrepresentation.”\u003c/p>\n\u003cp>“Everyone was a leader who took initiative,” Harris said. But when James asked if there was any authority, Harris answered “none at all.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Smith asked Harris at the end of his questioning if, in the wake of the fire, there was anything he would have done differently.\u003c/p>\n\u003cp>\"I think of that a lot,\" Harris answered. \"I knew a lot of the people. I wish I had done more. There are an infinite number of things I wish I did that night and before.\"\u003c/p>\n\u003cp>Cross-examination of Harris is expected to continue Wednesday.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>One of two men facing 36 counts of involuntary manslaughter stemming from the Dec. 2, 2016, Ghost Ship warehouse fire took the stand Monday and testified for more than three hours about his role at the unpermitted residence and venue.\u003c/p>\n\u003cp>Max Harris, wearing an orange shirt and a checkered pocket square, described himself as a powerless, janitor-like figure at the Oakland warehouse who only referred to himself as creative or executive director ironically, to make light of the fact that Ghost Ship was run as a freewheeling, nonhierarchical collective.\u003c/p>\n\u003cp>[aside label=\"More on the Ghost Ship Trial\" tag=\"ghost-ship-trial\"]\u003c/p>\n\u003cp>“There was no sort of authority figure,” he said. “It was a co-dreaming situation.”\u003c/p>\n\u003cp>Prosecutors allege Harris and codefendant Derick Almena, the warehouse’s lease-holder, built and operated Ghost Ship with a willful disregard for safety, making them criminally responsible for the deaths the night of an electronic music event. But the defense says Harris and Almena are scapegoats for the landlord and police and fire officials who visited the warehouse without flagging unsafe conditions.\u003c/p>\n\u003cp>Harris’ testimony showed “the way it really functioned at the warehouse,” defense attorney Curtis Briggs told reporters outside the courthouse.\u003c/p>\n\u003cp>“It was organic, he wasn’t somebody who was actually in charge,” Briggs said.\u003c/p>\n\u003cp>Harris acknowledged that he collected other tenants’ rent, and once served a resident with a three-day eviction notice that he sourced from the internet. But he said he only received free rent in exchange for cleaning and lending his skills as an artist, not for performing the duties of a property manager.\u003c/p>\n\u003cp>Harris said other tenants similarly received free or discounted rent for what he called a “work trade” arrangement.\u003c/p>\n\u003cp>He said Oakland fire officials and police officers entering the warehouse “dozens of times” before the fire, including an Oct. 30, 2016, incident in which officials went upstairs to access the roof. At no point, Harris said, did anyone tell him they considered the warehouse a “firetrap.”\u003c/p>\n\u003caside class=\"pullquote alignleft\">‘It was organic, he wasn’t somebody who was actually in charge’\u003ccite>Curtis Briggs, defense attorney\u003c/cite>\u003c/aside>\n\u003cp>He also sought to clarify recorded statements to fire investigators, which jurors heard earlier in the trial, regarding his role in tending to the improvised electrical system. The warehouse’s electricity was routed in through automobile repair shop next door, and it went out approximately once a month.\u003c/p>\n\u003cp>In the recording played for jurors, Harris described fuses “literally” exploding, resulting in the power outages. But on Monday, he said it was the responsibility of the neighboring business to replace them. Harris also said he complained about the power to the landlord, who then hired an unlicensed electrician. Harris said the electrician, Ben Cannon, worked on outlet boxes in the adjoining buildings.\u003c/p>\n\u003cp>Briggs, outside the courthouse, said that since the prosecution has suggested the fire resulted from the electrical setup, the unlicensed contractor and the landlord should be the ones on trial.\u003c/p>\n\u003cp>Investigators previously testified they could only determine where and not how the fire started.\u003c/p>\n\u003cp>Harris called the workers at the neighboring automobile repair shop “intimidating,” saying he would wave, but didn’t feel comfortable talking to them and that he suspected that it was “like a chop-shop or something.”\u003c/p>\n\u003cfigure id=\"attachment_11755323\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11755323\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/IMG_7236-e1560820517826.jpg\" alt=\"\" width=\"1920\" height=\"1080\">\u003cfigcaption class=\"wp-caption-text\">Max Harris, one of the two men facing 36 counts of involuntary manslaughter stemming from the Dec. 2, 2016, Ghost Ship warehouse fire, downplayed his role at the unpermitted residence and venue during his testimony on Monday, June 17, 2019. Codefendant Derick Almena sits at the defense table. \u003ccite>(Vicki Behringer/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Harris also described his role in arranging the ill-fated electronic music event. He said any tenant could authorize an event at the warehouse, and that he connected with Ryan O’Keefe and Jon Hrabko, whom he called the gig’s “organizers,” through a mutual friend, Micah Danemayer, who ultimately died in the fire.\u003c/p>\n\u003cp>That night, Harris said, he agreed to stamp hands at the door, but he wasn’t the one who collected money. He said the event was “NOTAFLOF,” an acronym standing for “no one turned away for lack of funds.” After greeting some 80 to 90 people, Harris said he went to the bathroom, when he saw a faint glow in the warehouse.\u003c/p>\n\u003cp>“It didn’t look right,” he said. As he walked towards the glow, he heard someone shout, “Fire!” At that point, Harris said he recovered a fire extinguisher from his studio and then aimed it at the flames crawling across the ceiling, but that he realized the stream of retardant was completely ineffectual on the blaze.\u003c/p>\n\u003cp>“I was in panic mode,” he said. “A voice in my head or my chest said, ‘Get out.'”\u003c/p>\n\u003caside class=\"pullquote alignright\">‘I was in panic mode. A voice in my head or my chest said, ‘Get out”\u003ccite>Max Harris, codefendant in Ghost Ship fire trial\u003c/cite>\u003c/aside>\n\u003cp>Harris opened his testimony by describing his multidisciplinary practice as an artist. He called himself a student of the “common thread” between the world’s religions and said he is a practicing Buddhist.\u003c/p>\n\u003cp>“I’m a child of God,” he said, noting that his many tattoos reference “nature and spiritual or religious traditions.”\u003c/p>\n\u003cp>He said he moved in to Ghost Ship in 2014.\u003c/p>\n\u003cp>“My options were very limited,” he said.\u003c/p>\n\u003cp>Prosecutors are expected to cross-examine Harris on Tuesday.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“There was no sort of authority figure,” he said. “It was a co-dreaming situation.”\u003c/p>\n\u003cp>Prosecutors allege Harris and codefendant Derick Almena, the warehouse’s lease-holder, built and operated Ghost Ship with a willful disregard for safety, making them criminally responsible for the deaths the night of an electronic music event. But the defense says Harris and Almena are scapegoats for the landlord and police and fire officials who visited the warehouse without flagging unsafe conditions.\u003c/p>\n\u003cp>Harris’ testimony showed “the way it really functioned at the warehouse,” defense attorney Curtis Briggs told reporters outside the courthouse.\u003c/p>\n\u003cp>“It was organic, he wasn’t somebody who was actually in charge,” Briggs said.\u003c/p>\n\u003cp>Harris acknowledged that he collected other tenants’ rent, and once served a resident with a three-day eviction notice that he sourced from the internet. But he said he only received free rent in exchange for cleaning and lending his skills as an artist, not for performing the duties of a property manager.\u003c/p>\n\u003cp>Harris said other tenants similarly received free or discounted rent for what he called a “work trade” arrangement.\u003c/p>\n\u003cp>He said Oakland fire officials and police officers entering the warehouse “dozens of times” before the fire, including an Oct. 30, 2016, incident in which officials went upstairs to access the roof. At no point, Harris said, did anyone tell him they considered the warehouse a “firetrap.”\u003c/p>\n\u003caside class=\"pullquote alignleft\">‘It was organic, he wasn’t somebody who was actually in charge’\u003ccite>Curtis Briggs, defense attorney\u003c/cite>\u003c/aside>\n\u003cp>He also sought to clarify recorded statements to fire investigators, which jurors heard earlier in the trial, regarding his role in tending to the improvised electrical system. The warehouse’s electricity was routed in through automobile repair shop next door, and it went out approximately once a month.\u003c/p>\n\u003cp>In the recording played for jurors, Harris described fuses “literally” exploding, resulting in the power outages. But on Monday, he said it was the responsibility of the neighboring business to replace them. Harris also said he complained about the power to the landlord, who then hired an unlicensed electrician. Harris said the electrician, Ben Cannon, worked on outlet boxes in the adjoining buildings.\u003c/p>\n\u003cp>Briggs, outside the courthouse, said that since the prosecution has suggested the fire resulted from the electrical setup, the unlicensed contractor and the landlord should be the ones on trial.\u003c/p>\n\u003cp>Investigators previously testified they could only determine where and not how the fire started.\u003c/p>\n\u003cp>Harris called the workers at the neighboring automobile repair shop “intimidating,” saying he would wave, but didn’t feel comfortable talking to them and that he suspected that it was “like a chop-shop or something.”\u003c/p>\n\u003cfigure id=\"attachment_11755323\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11755323\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/IMG_7236-e1560820517826.jpg\" alt=\"\" width=\"1920\" height=\"1080\">\u003cfigcaption class=\"wp-caption-text\">Max Harris, one of the two men facing 36 counts of involuntary manslaughter stemming from the Dec. 2, 2016, Ghost Ship warehouse fire, downplayed his role at the unpermitted residence and venue during his testimony on Monday, June 17, 2019. Codefendant Derick Almena sits at the defense table. \u003ccite>(Vicki Behringer/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Harris also described his role in arranging the ill-fated electronic music event. He said any tenant could authorize an event at the warehouse, and that he connected with Ryan O’Keefe and Jon Hrabko, whom he called the gig’s “organizers,” through a mutual friend, Micah Danemayer, who ultimately died in the fire.\u003c/p>\n\u003cp>That night, Harris said, he agreed to stamp hands at the door, but he wasn’t the one who collected money. He said the event was “NOTAFLOF,” an acronym standing for “no one turned away for lack of funds.” After greeting some 80 to 90 people, Harris said he went to the bathroom, when he saw a faint glow in the warehouse.\u003c/p>\n\u003cp>“It didn’t look right,” he said. As he walked towards the glow, he heard someone shout, “Fire!” At that point, Harris said he recovered a fire extinguisher from his studio and then aimed it at the flames crawling across the ceiling, but that he realized the stream of retardant was completely ineffectual on the blaze.\u003c/p>\n\u003cp>“I was in panic mode,” he said. “A voice in my head or my chest said, ‘Get out.'”\u003c/p>\n\u003caside class=\"pullquote alignright\">‘I was in panic mode. A voice in my head or my chest said, ‘Get out”\u003ccite>Max Harris, codefendant in Ghost Ship fire trial\u003c/cite>\u003c/aside>\n\u003cp>Harris opened his testimony by describing his multidisciplinary practice as an artist. He called himself a student of the “common thread” between the world’s religions and said he is a practicing Buddhist.\u003c/p>\n\u003cp>“I’m a child of God,” he said, noting that his many tattoos reference “nature and spiritual or religious traditions.”\u003c/p>\n\u003cp>He said he moved in to Ghost Ship in 2014.\u003c/p>\n\u003cp>“My options were very limited,” he said.\u003c/p>\n\u003cp>Prosecutors are expected to cross-examine Harris on Tuesday.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "PHOTOS: Berkeley Juneteenth Festival Celebrates Black Pride and Community in the Face of Displacement",
"title": "PHOTOS: Berkeley Juneteenth Festival Celebrates Black Pride and Community in the Face of Displacement",
"headTitle": "KQED News",
"content": "\u003cp>Diversity and black pride were the focus of the 33rd annual \u003ca href=\"http://www.berkeleyjuneteenth.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley Juneteenth Festival\u003c/a>, a celebration that took over three blocks in the Adeline-Alcatraz corridor of South Berkeley on Sunday.\u003c/p>\n\u003cp>To the sound of drums and raps, thousands celebrated the day — June 19, 1865 — that the last former slaves learned they were free, two and a half years after President Abraham Lincoln signed the Emancipation Proclamation.\u003c/p>\n\u003cp>Berkeley's festival, held annually since 1986 (save once in 2008) is the longest running Juneteenth celebration in Northern California and has come to commemorate not only black history and traditions, but also the preservation of community in light of increasing displacement.\u003c/p>\n\u003cp>Roughly \u003ca href=\"http://www.bayareacensus.ca.gov/cities/Berkeley70.htm\" target=\"_blank\" rel=\"noopener noreferrer\">one-fifth\u003c/a> of Berkeley's population in the 1980 census, African Americans \u003ca href=\"https://factfinder.census.gov/faces/tableservices/jsf/pages/productview.xhtml?src=CF\" target=\"_blank\" rel=\"noopener noreferrer\">now represent only 8.6% of the city\u003c/a>.\u003c/p>\n\u003cp>\"When I was a kid, South Berkeley was almost all black, and as a whole, the city was a lot more integrated and diverse,\" said Dakh Jones, a 40-year-old local entrepreneur.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Now raising a 6-year-old in North Berkeley, Jones said he did not fully realize the extent of the changes until he sent his son to school.\u003c/p>\n\u003cp>\"If feels strange to feel like that in my own hometown, so I come to Juneteenth to celebrate my heritage, and to show my son what it used to be like,\" he said.\u003c/p>\n\u003cp>City Councilmember Ben Bartlett remembers how Berkeley was once known for its blackness.\u003c/p>\n\u003cp>\"We were able to dig in and create our own economy and create prosperity on our own terms,\" he said.\u003c/p>\n\u003cp>Bartlett's family was one of the first black families to settle in South Berkeley. However, the Lorin District only became the center of black life in the city after the internment of the Japanese who \u003ca href=\"https://anchoreditions.com/blog/dorothea-lange-censored-photographs?fbclid=IwAR3bHJJpr0evhk45CDxBmHDOXvoW3X3BeEORxurtl2u-2w1zAn5hLUfqskw\" target=\"_blank\" rel=\"noopener noreferrer\">used to own property there\u003c/a>.\u003c/p>\n\u003cp>\"Juneteenth is really an evolving concept,\" Bartlett said, \"because while we're trapped in poverty and while we're not allowed to achieve the American dream and access the resources, we're not really free.\"\u003c/p>\n\u003cp>See more pictures and read more testimonies from the event below:\u003c/p>\n\u003cfigure id=\"attachment_11824733\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11824733\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-536x402.jpg 536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Members of the SambaFunk! collective dance and drum during the 2019 Berkeley Juneteenth Festival. \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755113\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755113 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-800x600.jpg\" alt=\"Frank Bodden aka Papa Smurf has been a regular at Berkeley Juneteenth for 20 years. He remembers his youth traveling up and down Adeline Street. 'The black population in the Bay Area is getting smaller, but we're like roaches — we know how to survive.'\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Frank Bodden aka Papa Smurf has been a regular at Berkeley Juneteenth for 20 years. He remembers his youth traveling up and down Adeline Street. 'The black population in the Bay Area is getting smaller, but we're like roaches — we know how to survive.' \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755110\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755110 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-800x600.jpg\" alt=\"'This is my Independence Day,' says Akilah Shaheed (L), Office Manager for Health Black Families Inc., pictured with her mother Jeanine. 'Every year we celebrate Juneteenth knowing every physical slave was released.'\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'This is my Independence Day,' says Akilah Shaheed (L), Office Manager for Health Black Families Inc., pictured with her mother Jeanine. 'Every year we celebrate Juneteenth knowing every physical slave was released.' \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755111\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755111 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-800x600.jpg\" alt=\"'In my mind, [Juneteenth] is the actual independence day of America, the day that all of us became free,' said city councilman Ben Bartlett. He became a city councilmember several years ago when his own mother was facing displacement.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'In my mind, [Juneteenth] is the actual independence day of America, the day that all of us became free,' said city councilman Ben Bartlett. He became a city councilmember several years ago when his own mother was facing displacement. \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755118\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755118 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-800x600.jpg\" alt=\"Former rent board commissioner Christina Murphy (L) and Margy Wilkinson (R), both Berkeley residents, used the Juneteenth festival to raise awareness of affordable housing. 'This whole area used to give back to families of low income and people of color,' said Murphy. 'When they started displacing people and taking out the businesses, we started losing the colors of Juneteenth.'\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Former rent board commissioner Christina Murphy (L) and Margy Wilkinson (R), both Berkeley residents, used the Juneteenth festival to raise awareness of affordable housing. 'This whole area used to give back to families of low income and people of color,' said Murphy. 'When they started displacing people and taking out the businesses, we started losing the colors of Juneteenth.' \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755106\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755106 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-800x600.jpg\" alt=\"Rapper and educator Brandon 'Griot B' Brown moved to the Bay Area from Los Angeles to further his message of emancipation of the people of color. 'At Berkeley Juneteenth, the elders can show their roots and transmit it to us, the transplants and the people that were displaced,' he said. 'This is how we say, "We are still here."'\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rapper and educator Brandon 'Griot B' Brown moved to the Bay Area from Los Angeles to further his message of emancipation of the people of color. 'At Berkeley Juneteenth, the elders can show their roots and transmit it to us, the transplants and the people that were displaced,' he said. 'This is how we say, \"We are still here.\"' \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755117\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755117 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-800x600.jpg\" alt=\"Gloria Haney raised her kids in Berkeley before moving to El Sobrante. 'I've been coming to Juneteenth from the very beginning,' she said. 'My father was alive then, and he would fly up from L.A., and this is where he would sit. He's gone on to meet the Lord, and we're taking over and continuing on.'\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gloria Haney raised her kids in Berkeley before moving to El Sobrante. 'I've been coming to Juneteenth from the very beginning,' she said. 'My father was alive then, and he would fly up from L.A., and this is where he would sit. He's gone on to meet the Lord, and we're taking over and continuing on.' \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755112\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755112 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-800x600.jpg\" alt=\"Approximately 3,000 people, including Bay Area elders and families, celebrated Juneteenth in South Berkeley on June 16, 2019.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Approximately 3,000 people, including Bay Area elders and families, celebrated Juneteenth in South Berkeley on June 16, 2019. \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755108\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755108 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-800x600.jpg\" alt=\"The event included live musical and dance performances by local artists, open sports and bouncy houses, as well as food vendors and commercial stands.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The event included live musical and dance performances by local artists, open sports and bouncy houses, as well as food vendors and commercial stands. \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">The celebrations go on, now with better weather! ☀️ \u003ca href=\"https://twitter.com/hashtag/Juneteenth?src=hash&ref_src=twsrc%5Etfw\">#Juneteenth\u003c/a> \u003ca href=\"https://t.co/618ZOolPIV\">pic.twitter.com/618ZOolPIV\u003c/a>\u003c/p>\n\u003cp>— KQED News (@KQEDnews) \u003ca href=\"https://twitter.com/KQEDnews/status/1140370981208199168?ref_src=twsrc%5Etfw\">June 16, 2019\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://platform.twitter.com/widgets.js\">https://platform.twitter.com/widgets.js\u003c/a>\u003c/p>\n\n",
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"excerpt": "The event celebrates the day — June 19, 1865 — that the last former slaves learned they were free, two and a half years after President Abraham Lincoln signed the Emancipation Proclamation.",
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"description": "The event celebrates the day — June 19, 1865 — that the last former slaves learned they were free, two and a half years after President Abraham Lincoln signed the Emancipation Proclamation.",
"title": "PHOTOS: Berkeley Juneteenth Festival Celebrates Black Pride and Community in the Face of Displacement | KQED",
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"headline": "PHOTOS: Berkeley Juneteenth Festival Celebrates Black Pride and Community in the Face of Displacement",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Diversity and black pride were the focus of the 33rd annual \u003ca href=\"http://www.berkeleyjuneteenth.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley Juneteenth Festival\u003c/a>, a celebration that took over three blocks in the Adeline-Alcatraz corridor of South Berkeley on Sunday.\u003c/p>\n\u003cp>To the sound of drums and raps, thousands celebrated the day — June 19, 1865 — that the last former slaves learned they were free, two and a half years after President Abraham Lincoln signed the Emancipation Proclamation.\u003c/p>\n\u003cp>Berkeley's festival, held annually since 1986 (save once in 2008) is the longest running Juneteenth celebration in Northern California and has come to commemorate not only black history and traditions, but also the preservation of community in light of increasing displacement.\u003c/p>\n\u003cp>Roughly \u003ca href=\"http://www.bayareacensus.ca.gov/cities/Berkeley70.htm\" target=\"_blank\" rel=\"noopener noreferrer\">one-fifth\u003c/a> of Berkeley's population in the 1980 census, African Americans \u003ca href=\"https://factfinder.census.gov/faces/tableservices/jsf/pages/productview.xhtml?src=CF\" target=\"_blank\" rel=\"noopener noreferrer\">now represent only 8.6% of the city\u003c/a>.\u003c/p>\n\u003cp>\"When I was a kid, South Berkeley was almost all black, and as a whole, the city was a lot more integrated and diverse,\" said Dakh Jones, a 40-year-old local entrepreneur.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Now raising a 6-year-old in North Berkeley, Jones said he did not fully realize the extent of the changes until he sent his son to school.\u003c/p>\n\u003cp>\"If feels strange to feel like that in my own hometown, so I come to Juneteenth to celebrate my heritage, and to show my son what it used to be like,\" he said.\u003c/p>\n\u003cp>City Councilmember Ben Bartlett remembers how Berkeley was once known for its blackness.\u003c/p>\n\u003cp>\"We were able to dig in and create our own economy and create prosperity on our own terms,\" he said.\u003c/p>\n\u003cp>Bartlett's family was one of the first black families to settle in South Berkeley. However, the Lorin District only became the center of black life in the city after the internment of the Japanese who \u003ca href=\"https://anchoreditions.com/blog/dorothea-lange-censored-photographs?fbclid=IwAR3bHJJpr0evhk45CDxBmHDOXvoW3X3BeEORxurtl2u-2w1zAn5hLUfqskw\" target=\"_blank\" rel=\"noopener noreferrer\">used to own property there\u003c/a>.\u003c/p>\n\u003cp>\"Juneteenth is really an evolving concept,\" Bartlett said, \"because while we're trapped in poverty and while we're not allowed to achieve the American dream and access the resources, we're not really free.\"\u003c/p>\n\u003cp>See more pictures and read more testimonies from the event below:\u003c/p>\n\u003cfigure id=\"attachment_11824733\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11824733\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2020/06/RS37728_IMG_5506-qut-536x402.jpg 536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Members of the SambaFunk! collective dance and drum during the 2019 Berkeley Juneteenth Festival. \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755113\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755113 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-800x600.jpg\" alt=\"Frank Bodden aka Papa Smurf has been a regular at Berkeley Juneteenth for 20 years. He remembers his youth traveling up and down Adeline Street. 'The black population in the Bay Area is getting smaller, but we're like roaches — we know how to survive.'\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37726_IMG_5519-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Frank Bodden aka Papa Smurf has been a regular at Berkeley Juneteenth for 20 years. He remembers his youth traveling up and down Adeline Street. 'The black population in the Bay Area is getting smaller, but we're like roaches — we know how to survive.' \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755110\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755110 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-800x600.jpg\" alt=\"'This is my Independence Day,' says Akilah Shaheed (L), Office Manager for Health Black Families Inc., pictured with her mother Jeanine. 'Every year we celebrate Juneteenth knowing every physical slave was released.'\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37730_IMG_5470-2-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'This is my Independence Day,' says Akilah Shaheed (L), Office Manager for Health Black Families Inc., pictured with her mother Jeanine. 'Every year we celebrate Juneteenth knowing every physical slave was released.' \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755111\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755111 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-800x600.jpg\" alt=\"'In my mind, [Juneteenth] is the actual independence day of America, the day that all of us became free,' said city councilman Ben Bartlett. He became a city councilmember several years ago when his own mother was facing displacement.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37732_IMG_5460-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'In my mind, [Juneteenth] is the actual independence day of America, the day that all of us became free,' said city councilman Ben Bartlett. He became a city councilmember several years ago when his own mother was facing displacement. \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755118\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755118 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-800x600.jpg\" alt=\"Former rent board commissioner Christina Murphy (L) and Margy Wilkinson (R), both Berkeley residents, used the Juneteenth festival to raise awareness of affordable housing. 'This whole area used to give back to families of low income and people of color,' said Murphy. 'When they started displacing people and taking out the businesses, we started losing the colors of Juneteenth.'\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37731_IMG_5464-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Former rent board commissioner Christina Murphy (L) and Margy Wilkinson (R), both Berkeley residents, used the Juneteenth festival to raise awareness of affordable housing. 'This whole area used to give back to families of low income and people of color,' said Murphy. 'When they started displacing people and taking out the businesses, we started losing the colors of Juneteenth.' \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755106\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755106 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-800x600.jpg\" alt=\"Rapper and educator Brandon 'Griot B' Brown moved to the Bay Area from Los Angeles to further his message of emancipation of the people of color. 'At Berkeley Juneteenth, the elders can show their roots and transmit it to us, the transplants and the people that were displaced,' he said. 'This is how we say, "We are still here."'\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37723_IMG_5529-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rapper and educator Brandon 'Griot B' Brown moved to the Bay Area from Los Angeles to further his message of emancipation of the people of color. 'At Berkeley Juneteenth, the elders can show their roots and transmit it to us, the transplants and the people that were displaced,' he said. 'This is how we say, \"We are still here.\"' \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755117\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755117 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-800x600.jpg\" alt=\"Gloria Haney raised her kids in Berkeley before moving to El Sobrante. 'I've been coming to Juneteenth from the very beginning,' she said. 'My father was alive then, and he would fly up from L.A., and this is where he would sit. He's gone on to meet the Lord, and we're taking over and continuing on.'\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37733_IMG_5456-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gloria Haney raised her kids in Berkeley before moving to El Sobrante. 'I've been coming to Juneteenth from the very beginning,' she said. 'My father was alive then, and he would fly up from L.A., and this is where he would sit. He's gone on to meet the Lord, and we're taking over and continuing on.' \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755112\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755112 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-800x600.jpg\" alt=\"Approximately 3,000 people, including Bay Area elders and families, celebrated Juneteenth in South Berkeley on June 16, 2019.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37729_IMG_5490-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Approximately 3,000 people, including Bay Area elders and families, celebrated Juneteenth in South Berkeley on June 16, 2019. \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11755108\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11755108 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-800x600.jpg\" alt=\"The event included live musical and dance performances by local artists, open sports and bouncy houses, as well as food vendors and commercial stands.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37722_IMG_5530-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The event included live musical and dance performances by local artists, open sports and bouncy houses, as well as food vendors and commercial stands. \u003ccite>(Liliana Michelena/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">The celebrations go on, now with better weather! ☀️ \u003ca href=\"https://twitter.com/hashtag/Juneteenth?src=hash&ref_src=twsrc%5Etfw\">#Juneteenth\u003c/a> \u003ca href=\"https://t.co/618ZOolPIV\">pic.twitter.com/618ZOolPIV\u003c/a>\u003c/p>\n\u003cp>— KQED News (@KQEDnews) \u003ca href=\"https://twitter.com/KQEDnews/status/1140370981208199168?ref_src=twsrc%5Etfw\">June 16, 2019\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://platform.twitter.com/widgets.js\">https://platform.twitter.com/widgets.js\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Ghost Ship Trial: Witness Calls Defendant Max Harris Truthful, Dependable",
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"content": "\u003cp>A character witness for the defense in the Ghost Ship trial testified Thursday that Max Harris, who has been described as creative director of the Oakland warehouse that caught fire in 2016 and killed 36 people, was honest and dependable.\u003c/p>\n\u003cp>[aside tag='ghost-ship-trial' label='More Ghost Ship Trial Coverage']\u003c/p>\n\u003cp>\"Max was always one you could count on to tell the truth, even if it was self-inflicting,\" said artist Mike Funkhouser, who lived at the Ghost Ship for about one year in 2015 and 2016. \"In a constantly changing community, Max was a pillar. You could depend on him.\"\u003c/p>\n\u003cp>He called Harris an active working artist like the rest of the people living there and described him as a \"helpful resource in the warehouse,\" bringing tools and other equipment to other artists when they needed them.\u003c/p>\n\u003cp>Harris' defense attorneys had called three other character witnesses to testify on Monday and Wednesday.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Alameda County Deputy District Attorney Autrey James asked Funkhouser during cross-examination if he would change his opinion about Harris if he saw video of Harris telling law enforcement that no one lived in the Ghost Ship. Funkhouser responded, \"For me personally, I don't think he would go around spouting lies about one event, stretching the truth.\"\u003c/p>\n\u003cp>Harris and master tenant Derick Almena both face 36 counts of involuntary manslaughter for the Dec. 2, 2016, blaze on the night of an electronic music party. Prosecutors argue the defendants converted the warehouse into an illegal, unsafe living space stuffed from floor to ceiling with flammable materials. They argue that proper safety measures weren't installed, like well-lit exits, signs and sprinklers.\u003c/p>\n\u003cp>The defense has argued that the blaze was caused by an act of arson.\u003c/p>\n\u003cp>Funkhouser, who said he paid $500 a month in rent, said he \"loved\" the warehouse and described it as being \"full of beautiful art\" and \"an amazing, creative environment.\"\u003c/p>\n\u003cp>Funkhouser also described those living in the Ghost Ship as trying to \"be proactive about the elements of danger\" and that \"it was something on our minds at all time[s],\" in response to questions about safety from Tyler Smith, who represents Harris. Funkhouser said there was an \"ongoing project\" to bring back fire extinguishers to the warehouse, but said it was a communal effort.\u003c/p>\n\u003cp>Prosecutor James asked Funkhouser if he saw fire sprinklers in the warehouse. Funkhouser responded that he saw pipes but didn't know if they were sprinklers. Funkhouser also said that at least three of the five to seven people who lived there while he was there had smoke alarms in their living areas.\u003c/p>\n\u003cp>Russell Butler, a musician and visual artist, also testified Thursday that he was going to perform the night of the blaze. He described arriving at the warehouse at approximately 9 p.m. and then setting up his equipment. He said he then stepped out in front of the warehouse to get some fresh air before the show. He said he then saw thick smoke billowing, and for about four to five minutes people ran out of the building. He said that after about five minutes, no one else came out.\u003c/p>\n\u003cp>Butler testified he lost 17 friends the night of the fire.\u003c/p>\n\u003cp>Butler said he also previously hosted an electronic music event at Ghost Ship on Jan. 30, 2016, paying $1,000 to rent space for the 200 to 300 people he said attended. He said he had coordinated with Harris for the Jan. 30 occasion, but said Harris had no role in coordinating the Dec. 2, 2016, music event.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Harris is expected to take the stand Monday. Alameda County Judge Trina Thompson said an overflow room will be set up to accommodate victims' families and others interested in the trial.\u003c/p>\n\n",
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"excerpt": "'In a constantly changing community, Max was a pillar. You could depend on him,' artist Mike Funkhouser said of defendant Max Harris on Thursday.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"Max was always one you could count on to tell the truth, even if it was self-inflicting,\" said artist Mike Funkhouser, who lived at the Ghost Ship for about one year in 2015 and 2016. \"In a constantly changing community, Max was a pillar. You could depend on him.\"\u003c/p>\n\u003cp>He called Harris an active working artist like the rest of the people living there and described him as a \"helpful resource in the warehouse,\" bringing tools and other equipment to other artists when they needed them.\u003c/p>\n\u003cp>Harris' defense attorneys had called three other character witnesses to testify on Monday and Wednesday.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Alameda County Deputy District Attorney Autrey James asked Funkhouser during cross-examination if he would change his opinion about Harris if he saw video of Harris telling law enforcement that no one lived in the Ghost Ship. Funkhouser responded, \"For me personally, I don't think he would go around spouting lies about one event, stretching the truth.\"\u003c/p>\n\u003cp>Harris and master tenant Derick Almena both face 36 counts of involuntary manslaughter for the Dec. 2, 2016, blaze on the night of an electronic music party. Prosecutors argue the defendants converted the warehouse into an illegal, unsafe living space stuffed from floor to ceiling with flammable materials. They argue that proper safety measures weren't installed, like well-lit exits, signs and sprinklers.\u003c/p>\n\u003cp>The defense has argued that the blaze was caused by an act of arson.\u003c/p>\n\u003cp>Funkhouser, who said he paid $500 a month in rent, said he \"loved\" the warehouse and described it as being \"full of beautiful art\" and \"an amazing, creative environment.\"\u003c/p>\n\u003cp>Funkhouser also described those living in the Ghost Ship as trying to \"be proactive about the elements of danger\" and that \"it was something on our minds at all time[s],\" in response to questions about safety from Tyler Smith, who represents Harris. Funkhouser said there was an \"ongoing project\" to bring back fire extinguishers to the warehouse, but said it was a communal effort.\u003c/p>\n\u003cp>Prosecutor James asked Funkhouser if he saw fire sprinklers in the warehouse. Funkhouser responded that he saw pipes but didn't know if they were sprinklers. Funkhouser also said that at least three of the five to seven people who lived there while he was there had smoke alarms in their living areas.\u003c/p>\n\u003cp>Russell Butler, a musician and visual artist, also testified Thursday that he was going to perform the night of the blaze. He described arriving at the warehouse at approximately 9 p.m. and then setting up his equipment. He said he then stepped out in front of the warehouse to get some fresh air before the show. He said he then saw thick smoke billowing, and for about four to five minutes people ran out of the building. He said that after about five minutes, no one else came out.\u003c/p>\n\u003cp>Butler testified he lost 17 friends the night of the fire.\u003c/p>\n\u003cp>Butler said he also previously hosted an electronic music event at Ghost Ship on Jan. 30, 2016, paying $1,000 to rent space for the 200 to 300 people he said attended. He said he had coordinated with Harris for the Jan. 30 occasion, but said Harris had no role in coordinating the Dec. 2, 2016, music event.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Harris is expected to take the stand Monday. Alameda County Judge Trina Thompson said an overflow room will be set up to accommodate victims' families and others interested in the trial.\u003c/p>\n\n\u003c/div>\u003c/p>",
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},
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"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
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},
"californiareport": {
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
},
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},
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"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"source": "kqed",
"order": 9
},
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"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
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"meta": {
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"source": "WNYC"
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"link": "/radio/program/freakonomics-radio",
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"id": "fresh-air",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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