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"content": "\u003cp>Many restaurant bars in California – and bars that collaborate with restaurants – have found a way to stay open during the COVID-19 pandemic: selling “curbside” cocktails along with takeout food. It’s a combination required by law for to-go alcohol sales.\u003c/p>\n\u003cp>So what do you do when you run a straight-ahead bar that typically just sells alcohol? For some bar owners, it’s turning out to be a recipe for disaster.\u003c/p>\n\u003cp>Consider the story of Christos Louvis, who’s been running downtown San Jose’s \u003ca href=\"https://www.sjdivebar.com/\">Dive Bar\u003c/a> with his parents since 2012.\u003c/p>\n\u003cp>“We always joke in the bar business that it’s recession proof,” Louvis said. “If anything, people drink more because they have more problems. They’re trying to just get out and enjoy themselves.”\u003c/p>\n\u003cp>Dive Bar prides itself on being a neighborhood joint: sports on the televisions, pool tables in the back and drink specials for the students a few blocks away at San Jose State University.\u003c/p>\n\u003cp>The bar has a \u003ca href=\"https://www.abc.ca.gov/licensing/license-types/\">Type 48 liquor license\u003c/a>, which allows it to sell alcohol without food. Because of that, the bar can’t remain open under Santa Clara County’s \u003ca href=\"https://www.sccgov.org/sites/covid19/Pages/public-health-orders.aspx#faq\">shelter-in-place restrictions\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Louvis feels like he’s up against a wall.\u003c/p>\n\u003cp>“Allow us to [sell] a closed beer or a to-go cup of a drink,” he said. “Allow us to fight!”\u003c/p>\n\u003cp>Louvis did apply for a Paycheck Protection Program (PPP) loan through Wells Fargo, but his application was denied. He applied again for the second round of funding, but he’s now worried that if the loan does come through, his laid-off employees will refuse the money, because, with unemployment benefits, they can make \u003ca href=\"https://www.sfchronicle.com/business/networth/article/How-to-lure-back-California-workers-making-more-15258416.php\">roughly $2,400\u003c/a> a month – significantly more than he can afford to pay them.\u003c/p>\n\u003cp>“Our employees are like family. We’ve been with each other for so long,” Louvis said. “I don’t blame them, but I honestly don’t think they’d come back.”\u003c/p>\n\u003cp>[aside label='Coronavirus Coverage' tag='coronavirus']Teague Kernan can sympathize. He runs two bars in San Francisco’s North Beach neighborhood, \u003ca href=\"http://tupelosf.com/\">Tupelo\u003c/a>, which offers Southern soul food and creative cocktails, and \u003ca href=\"http://thebellecora.com/\">Belle Cora\u003c/a>, a bistro and bar for new American fare. Even though he’s allowed to sell to-go alcohol thanks to the food, Kernan said they’re still struggling hard and that stand-alone bars are in even bigger trouble.\u003c/p>\n\u003cp>“Bars will probably be closed longer than any other establishment or business,” Kernan said. “Owners are all looking at this like, if we can break even and not make any money in the next year, that would be a win.”\u003c/p>\n\u003cp>Kernan’s bars thrive when there are live concerts and sports seasons for people to watch together.\u003c/p>\n\u003cp>“We’re going to have to pretty much completely reconfigure our business model to try to adapt,” Kernan said.\u003c/p>\n\u003cp>After restrictions lift, Louvis isn’t sure he’ll even have customers left. His landlords have deferred rent for the next few months, but at some point, that rent will come due. In August, he’s also expecting a rent hike.\u003c/p>\n\u003cp>To save money, Louvis has moved out of his San Jose apartment and in with his parents. They’re also taking money out of their retirement savings to keep the lights on at Dive Bar for as long as they can.\u003c/p>\n\u003cp>“God forbid we lose the business without being able to sell it down the line,” Louvis said. “If they just take it from us, that’s it. That’s all we have.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Are you a kid (or grown-up) who wants to learn how to draw cartoons?\u003c/p>\n\u003cp>Do you have a little more time on your hands during this seemingly never-ending shelter in place?\u003c/p>\n\u003cp>We created this cartoon tutorial series for you!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/K65ln_OJRRg'\n title='//www.youtube.com/embed/K65ln_OJRRg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Every week, I'll be teaching you some tips and tricks I've learned over my many years of cartooning.\u003c/p>\n\u003cp>Whether you're the kid in class who is always drawing or if you think you can't even draw a straight line, I'll show you some fun things to draw in an easy step-by-step way.\u003c/p>\n\u003cp>And by the way, in cartooning, you don't have to draw straight lines if you don't want to!\u003c/p>\n\u003cp>We'll start by making a simple smiley face turn older or younger just by moving the eye position and will work our way into cartooning everything from Bay Area wildlife to ships on the bay to the basics of caricaturing politicians.\u003c/p>\n\u003cp>When I'm not showing you how to cartoon, I create a daily cartoon for KQED called \u003ca href=\"https://www.kqed.org/mark-fiore-drawn-to-the-bay\">Drawn to the Bay\u003c/a> and a \u003ca href=\"http://www.markfiore.com/january-march-2020/2020/3/19/keep-your-distance\">weekly political animation\u003c/a>.\u003c/p>\n\u003cp>Now let's draw together!\u003c/p>\n\u003cp>\u003cem>Have a request for something you'd like to learn to draw? Send an email to \u003ca href=\"mailto:cartoons@kqed.org\">cartoons@kqed.org\u003c/a>. And if you want to share a cartoon you've drawn after watching Cartooning-in-Place, send it in! We may feature it in a future episode.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "California Arts Advocates Make Case for Artists as 'Second Responders' to Pandemic",
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"content": "\u003cp>It didn’t take long for California’s artists to spring into action after the coronavirus pandemic hit. Illustrator \u003ca href=\"http://wendymacnaughton.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Wendy MacNaughton\u003c/a> started offering free virtual drawing classes to keep confined kids busy from San Francisco. Musician Kayo Anderson conducts singalongs on behalf of the low-income and homelessness non-profit, \u003ca href=\"https://cangress.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Los Angeles Community Action Network,\u003c/a> to help boost people dealing with poverty.\u003c/p>\n\u003cp>When facing disasters like wildfires and global pandemics, California looks to workers like firefighters and nurses to save lives. But what about rebuilding those lives after they’ve been saved? Arts advocates say that’s where arts and culture workers prove to be essential.\u003c/p>\n\u003cp>Examples of arts stepping in to bring healing, to uplift and offer reflection to depressed and anxious communities are flourishing across the state right now, despite the fact many artists and cultural groups have been hit hard by the failing economy.\u003c/p>\n\u003cp>https://youtu.be/ieUJaRDRrKE\u003c/p>\n\u003cp>According to a recent \u003ca href=\"https://view.publitas.com/ca-arts-council/covid-19-california-arts-culture-sector-early-impact-survey/page/1\" target=\"_blank\" rel=\"noopener noreferrer\">California Arts Council study\u003c/a> looking at the early economic impact of the coronavirus pandemic, the total losses for arts organizations across the state stood at more than $35 million at the end of April. Organizations estimated an average revenue loss of $193,642 each, and individual artists estimated an average personal income loss of $23,857 each.\u003c/p>\n\u003cp>\"We're absolutely decimated right now,\" said Julie Baker, executive director of the advocacy group \u003ca href=\"https://www.californiansforthearts.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Californians for the Arts\u003c/a>. \"The arts and culture sector were the first to shut down and likely will be the last to fully reopen.\"\u003c/p>\n\u003cp>With California currently facing a more than \u003ca href=\"https://www.kqed.org/news/11816775/state-facing-54-3-billion-deficit-due-to-covid-19\" target=\"_blank\" rel=\"noopener noreferrer\">$54 billion budget deficit\u003c/a>, Baker is worried about the future of the state’s financial support for the beleaguered cultural community. The arts budget currently stands at $26 million, putting it about halfway down the list nationally for state support of arts and culture programs.\u003c/p>\n\u003cp>\"Our goal right now is to see the California Arts Council's budget protected,\" Baker said. \"But if there are going to be cuts across state agencies, do not cut the arts budget in greater number than any other agency.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Arts advocates like Baker are planning to pursue these goals by persuading lawmakers that cultural workers are essential to the disaster recovery process. She wants them to be thought of as \"second responders,\" stepping into the fray soon after the mobilization of first responders, like healthcare workers and firefighters.\u003c/p>\n\u003cp>\"A first responder comes in and saves a life,\" Baker said. \"A second responder comes in and helps to rebuild a life.\"\u003c/p>\n\u003cp>Making a case for artists as second responders — an idea previously floated in the aftermath of the 2017 Sonoma County wildfires — could help bolster funding for the arts.\u003c/p>\n\u003cp>[aside label=\"More Coronavirus Coverage\" tag=\"coronavirus\"]\u003c/p>\n\u003cp>\"Arts advocates have got to carry whatever flag will fly the highest in the eyes of policymakers, decision-makers, government, private foundations,\" said Bay Area-based arts consultant \u003ca href=\"https://www.voglconsulting.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Marc Vogl\u003c/a>.\u003c/p>\n\u003cp>But Vogl cautions against the temptation to see all art through a therapeutic lens.\u003c/p>\n\u003cp>\"There will be a lot of chafing around, and frustration among many artists that their programming has to be further constrained,\" he said.\u003c/p>\n\u003cp>Meanwhile, Gov. Gavin Newsom’s \u003ca href=\"https://www.gov.ca.gov/2020/04/17/governor-newsom-taps-california-business-labor-health-care-and-community-leaders-for-new-task-force-on-business-and-jobs-recovery/\" target=\"_blank\" rel=\"noopener noreferrer\">Task Force on Business and Jobs Recovery\u003c/a> has one or two corporate entertainment executives among its ranks, from Disney and Netflix. But as yet, \u003ca href=\"https://www.gov.ca.gov/wp-content/uploads/2020/05/Governors-Task-Force-on-Business-Jobs-Recovery.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">does not include a single leader from the arts and culture world\u003c/a>. (The governor's office declined to grant KQED an interview for this story.)\u003c/p>\n\u003cp>\"It's disappointing because Gavin Newsom has been very supportive of the arts, both as a governor and as a mayor,\" said Brad Erickson, executive director of \u003ca href=\"https://www.theatrebayarea.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Theatre Bay Area\u003c/a>, a regional performing arts service organization. \"I've heard him talk about how the arts are great for our souls, for the life of our city, and also how they're a real part of the economy.\"\u003c/p>\n\u003cp>And even though many lawmakers like to tout the fact that the creative sector is a major economic driver in California, advocates know that public funding for arts and culture is a tough sell at the best of times — and especially so during periods of financial hardship.\u003c/p>\n\u003cp>\"A number of conservative lawmakers are arts donors themselves,\" Erickson said. \"But they don't believe that public monies should go to the arts.\"\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It didn’t take long for California’s artists to spring into action after the coronavirus pandemic hit. Illustrator \u003ca href=\"http://wendymacnaughton.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Wendy MacNaughton\u003c/a> started offering free virtual drawing classes to keep confined kids busy from San Francisco. Musician Kayo Anderson conducts singalongs on behalf of the low-income and homelessness non-profit, \u003ca href=\"https://cangress.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Los Angeles Community Action Network,\u003c/a> to help boost people dealing with poverty.\u003c/p>\n\u003cp>When facing disasters like wildfires and global pandemics, California looks to workers like firefighters and nurses to save lives. But what about rebuilding those lives after they’ve been saved? Arts advocates say that’s where arts and culture workers prove to be essential.\u003c/p>\n\u003cp>Examples of arts stepping in to bring healing, to uplift and offer reflection to depressed and anxious communities are flourishing across the state right now, despite the fact many artists and cultural groups have been hit hard by the failing economy.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ieUJaRDRrKE'\n title='//www.youtube.com/embed/ieUJaRDRrKE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>According to a recent \u003ca href=\"https://view.publitas.com/ca-arts-council/covid-19-california-arts-culture-sector-early-impact-survey/page/1\" target=\"_blank\" rel=\"noopener noreferrer\">California Arts Council study\u003c/a> looking at the early economic impact of the coronavirus pandemic, the total losses for arts organizations across the state stood at more than $35 million at the end of April. Organizations estimated an average revenue loss of $193,642 each, and individual artists estimated an average personal income loss of $23,857 each.\u003c/p>\n\u003cp>\"We're absolutely decimated right now,\" said Julie Baker, executive director of the advocacy group \u003ca href=\"https://www.californiansforthearts.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Californians for the Arts\u003c/a>. \"The arts and culture sector were the first to shut down and likely will be the last to fully reopen.\"\u003c/p>\n\u003cp>With California currently facing a more than \u003ca href=\"https://www.kqed.org/news/11816775/state-facing-54-3-billion-deficit-due-to-covid-19\" target=\"_blank\" rel=\"noopener noreferrer\">$54 billion budget deficit\u003c/a>, Baker is worried about the future of the state’s financial support for the beleaguered cultural community. The arts budget currently stands at $26 million, putting it about halfway down the list nationally for state support of arts and culture programs.\u003c/p>\n\u003cp>\"Our goal right now is to see the California Arts Council's budget protected,\" Baker said. \"But if there are going to be cuts across state agencies, do not cut the arts budget in greater number than any other agency.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Arts advocates like Baker are planning to pursue these goals by persuading lawmakers that cultural workers are essential to the disaster recovery process. She wants them to be thought of as \"second responders,\" stepping into the fray soon after the mobilization of first responders, like healthcare workers and firefighters.\u003c/p>\n\u003cp>\"A first responder comes in and saves a life,\" Baker said. \"A second responder comes in and helps to rebuild a life.\"\u003c/p>\n\u003cp>Making a case for artists as second responders — an idea previously floated in the aftermath of the 2017 Sonoma County wildfires — could help bolster funding for the arts.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"Arts advocates have got to carry whatever flag will fly the highest in the eyes of policymakers, decision-makers, government, private foundations,\" said Bay Area-based arts consultant \u003ca href=\"https://www.voglconsulting.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Marc Vogl\u003c/a>.\u003c/p>\n\u003cp>But Vogl cautions against the temptation to see all art through a therapeutic lens.\u003c/p>\n\u003cp>\"There will be a lot of chafing around, and frustration among many artists that their programming has to be further constrained,\" he said.\u003c/p>\n\u003cp>Meanwhile, Gov. Gavin Newsom’s \u003ca href=\"https://www.gov.ca.gov/2020/04/17/governor-newsom-taps-california-business-labor-health-care-and-community-leaders-for-new-task-force-on-business-and-jobs-recovery/\" target=\"_blank\" rel=\"noopener noreferrer\">Task Force on Business and Jobs Recovery\u003c/a> has one or two corporate entertainment executives among its ranks, from Disney and Netflix. But as yet, \u003ca href=\"https://www.gov.ca.gov/wp-content/uploads/2020/05/Governors-Task-Force-on-Business-Jobs-Recovery.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">does not include a single leader from the arts and culture world\u003c/a>. (The governor's office declined to grant KQED an interview for this story.)\u003c/p>\n\u003cp>\"It's disappointing because Gavin Newsom has been very supportive of the arts, both as a governor and as a mayor,\" said Brad Erickson, executive director of \u003ca href=\"https://www.theatrebayarea.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Theatre Bay Area\u003c/a>, a regional performing arts service organization. \"I've heard him talk about how the arts are great for our souls, for the life of our city, and also how they're a real part of the economy.\"\u003c/p>\n\u003cp>And even though many lawmakers like to tout the fact that the creative sector is a major economic driver in California, advocates know that public funding for arts and culture is a tough sell at the best of times — and especially so during periods of financial hardship.\u003c/p>\n\u003cp>\"A number of conservative lawmakers are arts donors themselves,\" Erickson said. \"But they don't believe that public monies should go to the arts.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"disqusTitle": "Andre Harrell, Founding Father of Hip-Hop Soul, Dead at 59",
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"content": "\u003cp>Andre Harrell, hip-hop and R&B mogul and founder of the visionary label Uptown Records, has died. He was 59 years old.\u003c/p>\n\u003cp>The Revolt network, where Harrell worked as vice chairman, confirmed Harrell's passing in a statement. \"Everyone in the REVOLT family is devastated by the loss of our friend, mentor and Vice-Chairman,\" the statement read. \"Andre's impact on Hip Hop and the culture and on us has been immeasurable and profound. May he Rest In Peace.\"\u003c/p>\n\u003cp>Harrell was born on Sept. 26, 1960, and raised in the Bronx, N.Y. As a teenager, Harrell formed a hip-hop duo with his high school friend, Alonzo Brown, called Dr. Jekyll & Mr. Hyde (Harrell was the former). The pair saw success with its singles; \"Genius Rap,\" released in 1981, was their most notable.\u003c/p>\n\u003cp>https://twitter.com/johnlegend/status/1259132568877690880?\u003c/p>\n\u003cp>In 1983, Harrell met Russell Simmons, who brought him into the fold at his label, Def Jam Records. Within two years, Harrell became vice president and general manager at Def Jam. By 1986, Harrell had left to pursue the creation of his own label, Uptown Records.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Uptown Records became the home of acts that established a new kind of relationship between R&B and hip-hop, one in which the styles of the genres became inextricably enmeshed: Al B. Sure, \u003ca href=\"https://www.npr.org/artists/15285185/mary-j-blige\">Mary J. Blige\u003c/a>, Jodeci and Guy (which featured a New Jack Swing pioneer in Teddy Riley) were all R&B acts that leaned heavily on the cultural influence of hip-hop, while Heavy D and the Boyz, a hip-hop act, sanded down the jagged edges of rap with soul samples and R&B collaborations, pushing forth the musical ideals of Harrell.\u003c/p>\n\u003cp>https://twitter.com/MariahCarey/status/1259015558651150336\u003c/p>\n\u003cp>In 1992, MCA made a $50 million multimedia deal with Uptown, giving Harrell the opportunity to produce films, TV shows and movie soundtracks. As a result, the mogul produced the 1991 comedy \u003cem>Strictly Business\u003c/em>, starring an up-and-coming Halle Berry and Tommy Davidson. Harrell also executive produced the TV series \u003cem>New York Undercover\u003c/em>, which ran during the 1990s.\u003c/p>\n\u003cp>Harrell is known for coining the term \"ghetto fabulous,\" a phrase that described the aesthetic he was driven to encapsulate: simultaneously relatable and remarkable. Harrell worked to bring that lifestyle to the forefront of mainstream media. \"My goal is to bring real black America — just as it is, not watered down — to people everywhere through music, through films, through everything we do,\" he \u003ca href=\"https://www.latimes.com/archives/la-xpm-1992-06-11-ca-247-story.html\">told\u003c/a> the \u003cem>Los Angeles Times\u003c/em> in 1992.\u003c/p>\n\u003cp>Second to his impact as Uptown Records founder, Harrell is well known as the man who gave Sean \"Diddy\" Combs, who worked as an intern for the label, his big shot. Combs would later become an A&R at Uptown, scouting acts like the Notorious B.I.G., who would shape the hip-hop and R&B landscape. Combs would later recruit his former boss to work as vice chairman of Revolt, a music network and media company helmed by Combs.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Throughout his career, Harrell was widely considered a tastemaker. In a 2018 \u003ca href=\"https://www.latimes.com/archives/la-xpm-1992-06-11-ca-247-story.html\">interview\u003c/a> with Ebro Darden, Harrell explained his self-given purpose at the later stages of his career. \"I try to give people direction, in terms of the cultural currency of what things could be.\"\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Andre+Harrell%2C+Founding+Father+Of+Hip-Hop+Soul%2C+Dead+At+59&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Andre Harrell, hip-hop and R&B mogul and founder of the visionary label Uptown Records, has died. He was 59 years old.\u003c/p>\n\u003cp>The Revolt network, where Harrell worked as vice chairman, confirmed Harrell's passing in a statement. \"Everyone in the REVOLT family is devastated by the loss of our friend, mentor and Vice-Chairman,\" the statement read. \"Andre's impact on Hip Hop and the culture and on us has been immeasurable and profound. May he Rest In Peace.\"\u003c/p>\n\u003cp>Harrell was born on Sept. 26, 1960, and raised in the Bronx, N.Y. As a teenager, Harrell formed a hip-hop duo with his high school friend, Alonzo Brown, called Dr. Jekyll & Mr. Hyde (Harrell was the former). The pair saw success with its singles; \"Genius Rap,\" released in 1981, was their most notable.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>In 1983, Harrell met Russell Simmons, who brought him into the fold at his label, Def Jam Records. Within two years, Harrell became vice president and general manager at Def Jam. By 1986, Harrell had left to pursue the creation of his own label, Uptown Records.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Uptown Records became the home of acts that established a new kind of relationship between R&B and hip-hop, one in which the styles of the genres became inextricably enmeshed: Al B. Sure, \u003ca href=\"https://www.npr.org/artists/15285185/mary-j-blige\">Mary J. Blige\u003c/a>, Jodeci and Guy (which featured a New Jack Swing pioneer in Teddy Riley) were all R&B acts that leaned heavily on the cultural influence of hip-hop, while Heavy D and the Boyz, a hip-hop act, sanded down the jagged edges of rap with soul samples and R&B collaborations, pushing forth the musical ideals of Harrell.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>In 1992, MCA made a $50 million multimedia deal with Uptown, giving Harrell the opportunity to produce films, TV shows and movie soundtracks. As a result, the mogul produced the 1991 comedy \u003cem>Strictly Business\u003c/em>, starring an up-and-coming Halle Berry and Tommy Davidson. Harrell also executive produced the TV series \u003cem>New York Undercover\u003c/em>, which ran during the 1990s.\u003c/p>\n\u003cp>Harrell is known for coining the term \"ghetto fabulous,\" a phrase that described the aesthetic he was driven to encapsulate: simultaneously relatable and remarkable. Harrell worked to bring that lifestyle to the forefront of mainstream media. \"My goal is to bring real black America — just as it is, not watered down — to people everywhere through music, through films, through everything we do,\" he \u003ca href=\"https://www.latimes.com/archives/la-xpm-1992-06-11-ca-247-story.html\">told\u003c/a> the \u003cem>Los Angeles Times\u003c/em> in 1992.\u003c/p>\n\u003cp>Second to his impact as Uptown Records founder, Harrell is well known as the man who gave Sean \"Diddy\" Combs, who worked as an intern for the label, his big shot. Combs would later become an A&R at Uptown, scouting acts like the Notorious B.I.G., who would shape the hip-hop and R&B landscape. Combs would later recruit his former boss to work as vice chairman of Revolt, a music network and media company helmed by Combs.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Throughout his career, Harrell was widely considered a tastemaker. In a 2018 \u003ca href=\"https://www.latimes.com/archives/la-xpm-1992-06-11-ca-247-story.html\">interview\u003c/a> with Ebro Darden, Harrell explained his self-given purpose at the later stages of his career. \"I try to give people direction, in terms of the cultural currency of what things could be.\"\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Andre+Harrell%2C+Founding+Father+Of+Hip-Hop+Soul%2C+Dead+At+59&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>State Lawmakers Return to Confront Coronavirus and Budget Deficit\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">The California state Assembly headed back to Sacramento this week following a two month hiatus, which coincided with the coronavirus crisis. Among the daunting challenges they’ll have to tackle is a budgetary shortfall of more than $53 billion, according to an updated projection by the California Department of Finance. The massive fiscal hole reflects declining tax revenues, record unemployment and expenditures the state has made to address the public health crisis caused by the coronavirus. Meanwhile, other long-standing challenges loom, from boosting affordable housing to fighting climate change and helping ailing school districts.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Assemblymember David Chiu, D-San Francisco\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Assemblymember James Gallagher, R-Yuba City\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Not ‘Business as Usual’ for Retailers Ready to Reopen\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Weeks of sheltering in place have taken a heavy toll on retailers. This week, Gov. Gavin Newsom began loosening restrictions for some of them as the state transitions from phase one to phase two of reopening this Friday. Clothing stores and sporting goods stores, for example, can reopen with social distancing in place for curbside pickup and delivery. Dine-in restaurants, shopping malls and offices must remain closed for now. Counties may still implement stricter rules if they feel their region is not yet prepared to reopen.\u003c/span> \u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Debra Knick, owner, Sonoma Outfitters\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Tina Ferguson, owner, Face in a Book\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>When the Venue Is Your Home: A Film Festival Goes Virtual\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Next week, the Center for Asian American Media launches CAAMFest, a film festival that for nearly four decades has celebrated Asian American storytelling with screenings and events for Bay Area audiences. But this year, for the first time in its history, the 10-day festival will be held entirely online because of the coronavirus pandemic. Starting next Wednesday, more than 20 free digital programs will launch, from discussions with filmmakers to live performances and watch parties that showcase the diversity and creativity of Asian American artists. With the theme of “heritage at home,” this year’s festival is also a bold experiment that may signal the future of engaging film festival audiences wherever they are. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Guest:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Masashi Niwano, festival director, CAAMFest\u003c/span>\u003c/li>\n\u003c/ul>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>State Lawmakers Return to Confront Coronavirus and Budget Deficit\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">The California state Assembly headed back to Sacramento this week following a two month hiatus, which coincided with the coronavirus crisis. Among the daunting challenges they’ll have to tackle is a budgetary shortfall of more than $53 billion, according to an updated projection by the California Department of Finance. The massive fiscal hole reflects declining tax revenues, record unemployment and expenditures the state has made to address the public health crisis caused by the coronavirus. Meanwhile, other long-standing challenges loom, from boosting affordable housing to fighting climate change and helping ailing school districts.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Assemblymember David Chiu, D-San Francisco\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Assemblymember James Gallagher, R-Yuba City\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Not ‘Business as Usual’ for Retailers Ready to Reopen\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Weeks of sheltering in place have taken a heavy toll on retailers. This week, Gov. Gavin Newsom began loosening restrictions for some of them as the state transitions from phase one to phase two of reopening this Friday. Clothing stores and sporting goods stores, for example, can reopen with social distancing in place for curbside pickup and delivery. Dine-in restaurants, shopping malls and offices must remain closed for now. Counties may still implement stricter rules if they feel their region is not yet prepared to reopen.\u003c/span> \u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Debra Knick, owner, Sonoma Outfitters\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Tina Ferguson, owner, Face in a Book\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>When the Venue Is Your Home: A Film Festival Goes Virtual\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Next week, the Center for Asian American Media launches CAAMFest, a film festival that for nearly four decades has celebrated Asian American storytelling with screenings and events for Bay Area audiences. But this year, for the first time in its history, the 10-day festival will be held entirely online because of the coronavirus pandemic. Starting next Wednesday, more than 20 free digital programs will launch, from discussions with filmmakers to live performances and watch parties that showcase the diversity and creativity of Asian American artists. With the theme of “heritage at home,” this year’s festival is also a bold experiment that may signal the future of engaging film festival audiences wherever they are. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "From Ebola to Coronavirus — A Simple Practice of Sticker-Photo Portraits for Health Care Workers",
"title": "From Ebola to Coronavirus — A Simple Practice of Sticker-Photo Portraits for Health Care Workers",
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"content": "\u003cp>The scene has become a familiar one at COVID-19 testing centers: health care workers clad in head-to-toe personal protective equipment with eyes peeking out behind an N95 mask and goggles. Expressions and smiles are hidden behind a protective layer.\u003c/p>\n\u003cp>The image becomes even more stark when thinking of those alone, in isolation. “The stories of people dying alone with no one in their room except an occasional masked health care worker struck the psyche of the country,” said L.A.-based artist Mary Beth Heffernan. “That has been the turning point in the U.S. for realizing that there's a need to make a human connection.” [pullquote size=\"small\" align=\"right\" citation=\"Mary Beth Heffernan, artist\"]\"The stories of people dying alone with no one in their room except an occasional masked health care worker struck the psyche of the country\"[/pullquote]\u003c/p>\n\u003cp>Heffernan is trying to create that human connection by printing photographs of health care workers faces on stickers. They are placed on the chest of their protective suit so patients can see what they look like. She teamed up with Stanford research scientist Cati Brown-Johnson in April to pilot the program at a Stanford drive-through coronavirus test site.\u003c/p>\n\u003cfigure id=\"attachment_11817050\" class=\"wp-caption alignnone\" style=\"max-width: 737px\">\u003cimg class=\"size-full wp-image-11817050\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/01_MBH-and-Zoe-Dewalt-RN2.jpg\" alt=\"\" width=\"737\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/01_MBH-and-Zoe-Dewalt-RN2.jpg 737w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/01_MBH-and-Zoe-Dewalt-RN2-160x130.jpg 160w\" sizes=\"(max-width: 737px) 100vw, 737px\">\u003cfigcaption class=\"wp-caption-text\">Mary Beth Heffernan applies a PPE portrait to the apron of Zoe Dewalt, a nurse at an Ebola treatment unit in Paynesville, Liberia, in 2015. \u003ccite>(Courtesy of Marc Campos, Occidental College)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s a simple way to personalize the experience, but one that works. Heffernan knows because she piloted the concept in Liberia in 2015 during the Ebola crisis.\u003c/p>\n\u003ch3>Lessons From Liberia\u003c/h3>\n\u003cp>In 2014, while on sabbatical from teaching at Occidental College in L.A., Heffernan saw a powerful image — three health care workers in head-to-toe protective gear looking like some kind of “evil platypus.” As she recalls, “there was something both futuristic and primitive about the get up, as if it were a kind of low rent costume from a Star Wars movie — I just found it incredibly disturbing and frightening to think about what it would be like to be a patient.”\u003c/p>\n\u003cp>Her gut reaction was to create an imagined picture of the health care worker on the outside of the protective suit.\u003c/p>\n\u003cp>She began reading detailed accounts about Ebola, and specifically, accounts of patients and doctors. Reading accounts of those who survived, and had gone through isolation, “they felt completely dehumanized,” she said.\u003c/p>\n\u003cp>She set aside her other projects and plunged in to explore options for rural Liberia, “how to take portraits of health care workers and print them out on adhesive labels without electricity?”\u003c/p>\n\u003cp>After extensive research, she emailed \u003ca href=\"https://www.ted.com/speakers/soka_moses\" target=\"_blank\" rel=\"noopener noreferrer\">Dr. J. Soka Moses\u003c/a> in Liberia. He responded enthusiastically, and a month later Dr. Moses Massaquoi — then chair of Ebola Case Management for Liberia — issued her an invitation to Liberia (\u003ca href=\"https://www.npr.org/sections/goatsandsoda/2015/04/09/397853271/an-artists-brainstorm-put-photos-on-those-faceless-ebola-suits\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a> featured the original project in 2015).\u003c/p>\n\u003cp>In February 2015, she was on a plane to Liberia partnering directly with the government, “not a white woman-sort-of-freelancer-do-gooder, but invited by case management of Liberia,” she said. As she unloaded her six large boxes of printers, vinyl labels and water-resistant ink and supplies, a fellow passenger asked if she was moving to Liberia. She stayed for three weeks, left her supplies and returned to the U.S.\u003c/p>\n\u003cp>According to Jennifer Giovanni, head of infection control at a treatment center in a rural part of Liberia, the project did start working. Giovanni said the photos have made a huge difference — not only for the patients.\u003c/p>\n\u003ch3>The Portrait Project Pilots at Stanford\u003c/h3>\n\u003cp>Fast forward to today and Heffernan is now partnered with Stanford to bring the PPE portrait project to life again in an effort to share how much warmth a simple photo sticker can bring.\u003c/p>\n\u003cp>As the novel coronavirus escalated, Stanford research scientist Cati Brown-Johnson remembered seeing Heffernan’s prior work and thought, “This needs to be happening right this second.”\u003c/p>\n\u003cp>“It's very simple, very straightforward,” Brown-Johnson said.\u003c/p>\n\u003cp>The pilot project has since expanded to provide portrait stickers for Stanford Hospital’s health care workers in primary and palliative care and at least 10 other U.S. locations, including \u003ca href=\"http://www.ppeportrait.org/\" target=\"_blank\" rel=\"noopener noreferrer\">UMass and USC-Keck\u003c/a>, are in various stages of implementation. Heffernan also said people in Italy and Canada have contacted her to find out how they might do something similar.\u003c/p>\n\u003cfigure id=\"attachment_11817053\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11817053\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-800x1043.jpg\" alt=\"\" width=\"800\" height=\"1043\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-800x1043.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-160x209.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-1020x1330.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-1920x2503.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dr. Winnie Teuteberg, at Stanford, works in the field of hospice and palliative medicine. \u003ccite>(Winnie Teuteberg)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Brown-Johnson’s research is in humanism and the connection between doctor and patient. “I get really interested in things that help patients heal themselves,” she said.\u003c/p>\n\u003cp>Brown-Johnson said a patient's mindset can become more positive when a provider is warm and competent. \u003ca href=\"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6619399/\" target=\"_blank\" rel=\"noopener noreferrer\">Research\u003c/a> is beginning to \u003ca href=\"https://profiles.stanford.edu/catibrownjohnson?tab=publications\" target=\"_blank\" rel=\"noopener noreferrer\">reflect this\u003c/a>.\u003c/p>\n\u003cp>Although protective equipment signals competence, she said, there's also \"zero warmth in PPE.\"\u003c/p>\n\u003cp>Heffernan’s portraits remind patients of a provider's humanity. In addition, Brown-Johnson said health care providers told her they felt more comfortable approaching cars when they had a portrait on.\u003c/p>\n\u003cp>“That helps them feel more comfortable,” Brown-Johnson said.\u003c/p>\n\u003cp>Brown-Johnson admits that more broadly, the portraits are an extra task that needs to be done for a health care system that is already strapped. But she’s willing to get past that.\u003c/p>\n\u003cp>“I think it's really important to have a champion on site, somebody that's really excited about this, that can kind of stay on top of it — that can continue printing and printing stickers,” she said. [pullquote size=\"small\" align=\"right\" citation=\"Cati Brown-Johnson, Stanford research scientist\"]\"I really want to see this used as widely as possible and where it's not possible for some reason, I really want to encourage providers to look for ways to connect with their patients.\"[/pullquote]\u003c/p>\n\u003cp>From a scientific standpoint, Brown-Johnson said it’s also a great example of multiple simultaneous discovery. Folks at other hospitals were posting laminated portraits as part of the “\u003ca href=\"https://www.huffpost.com/entry/medical-workers-pics-smiling-covid-19-patients_l_5e8f725bc5b6b371812da523?\" target=\"_blank\" rel=\"noopener noreferrer\">share your smile movement,\u003c/a>” encouraging health professionals to wear a laminated portrait. The original concept Heffernan developed is a sticker, in part, so it can be easily thrown out with the used suit. The laminated portraits need to be disinfected each time — yet they only need to be printed once.\u003c/p>\n\u003ch3>Future Implementation\u003c/h3>\n\u003cp>Heffernan and Brown-Johnson want to share \u003ca href=\"https://med.stanford.edu/pcph/research/ppe-project.html\" target=\"_blank\" rel=\"noopener noreferrer\">how simple it is to do\u003c/a>.\u003c/p>\n\u003cp>“I really want to see this used as widely as possible and where it's not possible for some reason, I really want to encourage providers to look for ways to connect with their patients,” Brown-Johnson said. \u003cspan style=\"font-weight: 400\">[ad fullwidth]\u003c/span>\u003c/p>\n\u003cp>In the future, Heffernan would like to see PPE portraits in all health care situations where providers are masked — such as when doctors are interacting with immunocompromised patients or pediatric oncology, where PPE is often necessary to interact with patients.[aside tag=\"coronavirus\" label=\"More Coronavirus Coverage\"]\u003c/p>\n\u003cp>For Heffernan, the portrait project stems from her artistic work, which is largely influenced by feminist art and the use of objects to change relationships.\u003c/p>\n\u003cp>But Heffernan is less concerned with terminology and more concerned with the idea that “the art is not the portrait itself, but is what it acts as a catalyst for, which is a change in relations between the health care worker and the patient. So for me, the patient and the health care worker — in a sense, are creating the art.”\u003c/p>\n\u003cp>\u003cem>For Bay Area photographers interested in signing up to take pictures, please \u003ca href=\"https://docs.google.com/forms/d/175Z5ItKbUwsG-XO6NRPZWvpufOc_SHLFeN6J1WyFF_U/viewform?edit_requested=true#responses\" target=\"_blank\" rel=\"noopener noreferrer\">fill out this form\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The scene has become a familiar one at COVID-19 testing centers: health care workers clad in head-to-toe personal protective equipment with eyes peeking out behind an N95 mask and goggles. Expressions and smiles are hidden behind a protective layer.\u003c/p>\n\u003cp>The image becomes even more stark when thinking of those alone, in isolation. “The stories of people dying alone with no one in their room except an occasional masked health care worker struck the psyche of the country,” said L.A.-based artist Mary Beth Heffernan. “That has been the turning point in the U.S. for realizing that there's a need to make a human connection.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Heffernan is trying to create that human connection by printing photographs of health care workers faces on stickers. They are placed on the chest of their protective suit so patients can see what they look like. She teamed up with Stanford research scientist Cati Brown-Johnson in April to pilot the program at a Stanford drive-through coronavirus test site.\u003c/p>\n\u003cfigure id=\"attachment_11817050\" class=\"wp-caption alignnone\" style=\"max-width: 737px\">\u003cimg class=\"size-full wp-image-11817050\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/01_MBH-and-Zoe-Dewalt-RN2.jpg\" alt=\"\" width=\"737\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/01_MBH-and-Zoe-Dewalt-RN2.jpg 737w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/01_MBH-and-Zoe-Dewalt-RN2-160x130.jpg 160w\" sizes=\"(max-width: 737px) 100vw, 737px\">\u003cfigcaption class=\"wp-caption-text\">Mary Beth Heffernan applies a PPE portrait to the apron of Zoe Dewalt, a nurse at an Ebola treatment unit in Paynesville, Liberia, in 2015. \u003ccite>(Courtesy of Marc Campos, Occidental College)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s a simple way to personalize the experience, but one that works. Heffernan knows because she piloted the concept in Liberia in 2015 during the Ebola crisis.\u003c/p>\n\u003ch3>Lessons From Liberia\u003c/h3>\n\u003cp>In 2014, while on sabbatical from teaching at Occidental College in L.A., Heffernan saw a powerful image — three health care workers in head-to-toe protective gear looking like some kind of “evil platypus.” As she recalls, “there was something both futuristic and primitive about the get up, as if it were a kind of low rent costume from a Star Wars movie — I just found it incredibly disturbing and frightening to think about what it would be like to be a patient.”\u003c/p>\n\u003cp>Her gut reaction was to create an imagined picture of the health care worker on the outside of the protective suit.\u003c/p>\n\u003cp>She began reading detailed accounts about Ebola, and specifically, accounts of patients and doctors. Reading accounts of those who survived, and had gone through isolation, “they felt completely dehumanized,” she said.\u003c/p>\n\u003cp>She set aside her other projects and plunged in to explore options for rural Liberia, “how to take portraits of health care workers and print them out on adhesive labels without electricity?”\u003c/p>\n\u003cp>After extensive research, she emailed \u003ca href=\"https://www.ted.com/speakers/soka_moses\" target=\"_blank\" rel=\"noopener noreferrer\">Dr. J. Soka Moses\u003c/a> in Liberia. He responded enthusiastically, and a month later Dr. Moses Massaquoi — then chair of Ebola Case Management for Liberia — issued her an invitation to Liberia (\u003ca href=\"https://www.npr.org/sections/goatsandsoda/2015/04/09/397853271/an-artists-brainstorm-put-photos-on-those-faceless-ebola-suits\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a> featured the original project in 2015).\u003c/p>\n\u003cp>In February 2015, she was on a plane to Liberia partnering directly with the government, “not a white woman-sort-of-freelancer-do-gooder, but invited by case management of Liberia,” she said. As she unloaded her six large boxes of printers, vinyl labels and water-resistant ink and supplies, a fellow passenger asked if she was moving to Liberia. She stayed for three weeks, left her supplies and returned to the U.S.\u003c/p>\n\u003cp>According to Jennifer Giovanni, head of infection control at a treatment center in a rural part of Liberia, the project did start working. Giovanni said the photos have made a huge difference — not only for the patients.\u003c/p>\n\u003ch3>The Portrait Project Pilots at Stanford\u003c/h3>\n\u003cp>Fast forward to today and Heffernan is now partnered with Stanford to bring the PPE portrait project to life again in an effort to share how much warmth a simple photo sticker can bring.\u003c/p>\n\u003cp>As the novel coronavirus escalated, Stanford research scientist Cati Brown-Johnson remembered seeing Heffernan’s prior work and thought, “This needs to be happening right this second.”\u003c/p>\n\u003cp>“It's very simple, very straightforward,” Brown-Johnson said.\u003c/p>\n\u003cp>The pilot project has since expanded to provide portrait stickers for Stanford Hospital’s health care workers in primary and palliative care and at least 10 other U.S. locations, including \u003ca href=\"http://www.ppeportrait.org/\" target=\"_blank\" rel=\"noopener noreferrer\">UMass and USC-Keck\u003c/a>, are in various stages of implementation. Heffernan also said people in Italy and Canada have contacted her to find out how they might do something similar.\u003c/p>\n\u003cfigure id=\"attachment_11817053\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11817053\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-800x1043.jpg\" alt=\"\" width=\"800\" height=\"1043\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-800x1043.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-160x209.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-1020x1330.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/small_05_Dr.-Winnie-Teuteberg_cred_Winnie-1920x2503.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dr. Winnie Teuteberg, at Stanford, works in the field of hospice and palliative medicine. \u003ccite>(Winnie Teuteberg)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Brown-Johnson’s research is in humanism and the connection between doctor and patient. “I get really interested in things that help patients heal themselves,” she said.\u003c/p>\n\u003cp>Brown-Johnson said a patient's mindset can become more positive when a provider is warm and competent. \u003ca href=\"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6619399/\" target=\"_blank\" rel=\"noopener noreferrer\">Research\u003c/a> is beginning to \u003ca href=\"https://profiles.stanford.edu/catibrownjohnson?tab=publications\" target=\"_blank\" rel=\"noopener noreferrer\">reflect this\u003c/a>.\u003c/p>\n\u003cp>Although protective equipment signals competence, she said, there's also \"zero warmth in PPE.\"\u003c/p>\n\u003cp>Heffernan’s portraits remind patients of a provider's humanity. In addition, Brown-Johnson said health care providers told her they felt more comfortable approaching cars when they had a portrait on.\u003c/p>\n\u003cp>“That helps them feel more comfortable,” Brown-Johnson said.\u003c/p>\n\u003cp>Brown-Johnson admits that more broadly, the portraits are an extra task that needs to be done for a health care system that is already strapped. But she’s willing to get past that.\u003c/p>\n\u003cp>“I think it's really important to have a champion on site, somebody that's really excited about this, that can kind of stay on top of it — that can continue printing and printing stickers,” she said. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>From a scientific standpoint, Brown-Johnson said it’s also a great example of multiple simultaneous discovery. Folks at other hospitals were posting laminated portraits as part of the “\u003ca href=\"https://www.huffpost.com/entry/medical-workers-pics-smiling-covid-19-patients_l_5e8f725bc5b6b371812da523?\" target=\"_blank\" rel=\"noopener noreferrer\">share your smile movement,\u003c/a>” encouraging health professionals to wear a laminated portrait. The original concept Heffernan developed is a sticker, in part, so it can be easily thrown out with the used suit. The laminated portraits need to be disinfected each time — yet they only need to be printed once.\u003c/p>\n\u003ch3>Future Implementation\u003c/h3>\n\u003cp>Heffernan and Brown-Johnson want to share \u003ca href=\"https://med.stanford.edu/pcph/research/ppe-project.html\" target=\"_blank\" rel=\"noopener noreferrer\">how simple it is to do\u003c/a>.\u003c/p>\n\u003cp>“I really want to see this used as widely as possible and where it's not possible for some reason, I really want to encourage providers to look for ways to connect with their patients,” Brown-Johnson said. \u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For Heffernan, the portrait project stems from her artistic work, which is largely influenced by feminist art and the use of objects to change relationships.\u003c/p>\n\u003cp>But Heffernan is less concerned with terminology and more concerned with the idea that “the art is not the portrait itself, but is what it acts as a catalyst for, which is a change in relations between the health care worker and the patient. So for me, the patient and the health care worker — in a sense, are creating the art.”\u003c/p>\n\u003cp>\u003cem>For Bay Area photographers interested in signing up to take pictures, please \u003ca href=\"https://docs.google.com/forms/d/175Z5ItKbUwsG-XO6NRPZWvpufOc_SHLFeN6J1WyFF_U/viewform?edit_requested=true#responses\" target=\"_blank\" rel=\"noopener noreferrer\">fill out this form\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Ghost Ship Fire Defendant Derick Almena Released on Bail Over Coronavirus Concerns",
"title": "Ghost Ship Fire Defendant Derick Almena Released on Bail Over Coronavirus Concerns",
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"content": "\u003cp>Derick Almena, the man charged with 36 counts of involuntary manslaughter for the deaths of three dozen people in a 2016 fire that burned through a converted Oakland warehouse known as the Ghost Ship, was released from jail Monday over coronavirus concerns.\u003c/p>\n\u003cp>Almena, who's been behind bars since 2017, was released after a court hearing by phone, the Alameda County Sheriff's Office said. He will be under electronic monitoring while he awaits his retrial.\u003c/p>\n\u003cp>Prosecutors allege Almena, who was the master tenant on the Ghost Ship's lease, was criminally negligent when he turned the industrial building into a residence for artists and held events without proper permits.\u003c/p>\n\u003cp>The building was packed with furniture, extension cords and other flammable material but had only two exits and no smoke detectors, fire alarms or sprinklers, prosecutors say.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A jury \u003ca href=\"https://www.kqed.org/news/11764921/ghost-ship-defendant-max-harris-acquitted-of-all-charges-jury-hung-on-derick-almena\">deadlocked on the charges against Almena in September\u003c/a>, and a new trial has been scheduled for July. His co-defendant, Max Harris, was acquitted of the same charges.\u003c/p>\n\u003cp>[aside postID=news_11777745 hero='https://ww2.kqed.org/app/uploads/sites/10/2019/06/RS37743__DSC0984-qut-1020x681.jpg']\u003c/p>\n\u003cp>At least 35 confirmed cases of COVID-19 have been reported at the Santa Rita Jail where Almena was held. According to his attorneys, a report by jail medical staff said Almena's psychological and physical health were in jeopardy.\u003c/p>\n\u003cp>Almena was released in the rural community of Upper Lake, where his wife and children live. He is banned from contacting relatives of victims or witnesses. He cannot leave home unless a court gives written approval, and any violation can send him back to jail.\u003c/p>\n\u003cp>Almena posted $150,000 bail last month, and officials verified where he is staying Monday, the last step for his release, the newspaper reported.\u003c/p>\n\u003cp>Jails and prisons in California and across the U.S. have released inmates in response to the pandemic, with crowded quarters and a lack of protective equipment making it ripe for the virus to spread behind bars.\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "Almena, who's been behind bars since 2017, was released after a court hearing by phone, the Alameda County Sheriff's Office said. He will be under electronic monitoring while he awaits his retrial.",
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"description": "Almena, who's been behind bars since 2017, was released after a court hearing by phone, the Alameda County Sheriff's Office said. He will be under electronic monitoring while he awaits his retrial.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Derick Almena, the man charged with 36 counts of involuntary manslaughter for the deaths of three dozen people in a 2016 fire that burned through a converted Oakland warehouse known as the Ghost Ship, was released from jail Monday over coronavirus concerns.\u003c/p>\n\u003cp>Almena, who's been behind bars since 2017, was released after a court hearing by phone, the Alameda County Sheriff's Office said. He will be under electronic monitoring while he awaits his retrial.\u003c/p>\n\u003cp>Prosecutors allege Almena, who was the master tenant on the Ghost Ship's lease, was criminally negligent when he turned the industrial building into a residence for artists and held events without proper permits.\u003c/p>\n\u003cp>The building was packed with furniture, extension cords and other flammable material but had only two exits and no smoke detectors, fire alarms or sprinklers, prosecutors say.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At least 35 confirmed cases of COVID-19 have been reported at the Santa Rita Jail where Almena was held. According to his attorneys, a report by jail medical staff said Almena's psychological and physical health were in jeopardy.\u003c/p>\n\u003cp>Almena was released in the rural community of Upper Lake, where his wife and children live. He is banned from contacting relatives of victims or witnesses. He cannot leave home unless a court gives written approval, and any violation can send him back to jail.\u003c/p>\n\u003cp>Almena posted $150,000 bail last month, and officials verified where he is staying Monday, the last step for his release, the newspaper reported.\u003c/p>\n\u003cp>Jails and prisons in California and across the U.S. have released inmates in response to the pandemic, with crowded quarters and a lack of protective equipment making it ripe for the virus to spread behind bars.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Walking down the street today is mostly dodging people to maintain social distance and seeing your favorite restaurant shuttered. But stroll along San Francisco’s Divisadero Street — close to where the (usually) tourist-filled Painted Ladies are — and you’ll happen upon a wondrous surprise.\u003c/p>\n\u003cp>At least five local artists are utilizing the plywood coverings the street’s restaurants, bars and shops have propped up over their windows to offer a little bit of joy and color during a time when the shelter-in-place order seems to only offer gloom and doom.\u003c/p>\n\u003cp>“I think art is an essential service, especially during a pandemic,” said \u003ca href=\"https://www.instagram.com/thetracypiper/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Tracy Piper\u003c/a>, whose work in front of seafood restaurant Bar Crudo features two individuals gazing softly at each other.\u003c/p>\n\u003cfigure id=\"attachment_11815994\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11815994 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/IMG_1983-1.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-536x402.jpg 536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Todd Kurnat’s work in front of Tsunami. \u003ccite>(Gabriel Greschler/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“A lot of folks are struggling right now with the shelter-in-place order, \u003ca href=\"https://www.instagram.com/inkletterman/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Todd Kurnat\u003c/a> said. “I saw an opportunity to turn a negative into a positive.”\u003c/p>\n\u003cfigure id=\"attachment_11815995\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11815995 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/IMG_1984-1.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-536x402.jpg 536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Apexer’s (Ricardo Richey) mural outside of sushi restaurant Ju-ni. \u003ccite>(Gabriel Greschler/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I wanted to share something colorful with San Francisco and the NoPa District, a different view of the boarded up storefront,” \u003ca href=\"https://www.instagram.com/apexer/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Apexer\u003c/a> said.\u003c/p>\n\u003cfigure id=\"attachment_11815996\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11815996 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/IMG_1987-1.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-536x402.jpg 536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Orlie Kapitulnik’s mural outside of sushi restaurant Ju-ni. \u003ccite>(Gabriel Greschler/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Seeing so many artists’ work pop up around San Francsico feels like a breath of fresh air,” \u003ca href=\"https://www.instagram.com/orliegrams/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Orlie Kapitulnik\u003c/a> said. “It’s a nice reminder that we still have a pretty vibrant, creative environment.”\u003c/p>\n\u003cfigure id=\"attachment_11815998\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11815998\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/IMG_1975-1-1.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-536x402.jpg 536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Deirdre Weinberg’s mural outside of tattoo parlor Everlasting Tattoo. \u003ccite>(Gabriel Greschler/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“At first I was wondering what I could do to bring some positivity to this situation,” \u003ca href=\"https://www.instagram.com/dwei100/?hl=en\" rel=\"noopener noreferrer\" target=\"_blank\">Deirdre Weinberg\u003c/a> said. “And then I realized that just doing what we [artists] do is helping.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Walking down the street today is mostly dodging people to maintain social distance and seeing your favorite restaurant shuttered. But stroll along San Francisco’s Divisadero Street — close to where the (usually) tourist-filled Painted Ladies are — and you’ll happen upon a wondrous surprise.\u003c/p>\n\u003cp>At least five local artists are utilizing the plywood coverings the street’s restaurants, bars and shops have propped up over their windows to offer a little bit of joy and color during a time when the shelter-in-place order seems to only offer gloom and doom.\u003c/p>\n\u003cp>“I think art is an essential service, especially during a pandemic,” said \u003ca href=\"https://www.instagram.com/thetracypiper/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Tracy Piper\u003c/a>, whose work in front of seafood restaurant Bar Crudo features two individuals gazing softly at each other.\u003c/p>\n\u003cfigure id=\"attachment_11815994\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11815994 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/IMG_1983-1.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1983-1-536x402.jpg 536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Todd Kurnat’s work in front of Tsunami. \u003ccite>(Gabriel Greschler/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“A lot of folks are struggling right now with the shelter-in-place order, \u003ca href=\"https://www.instagram.com/inkletterman/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Todd Kurnat\u003c/a> said. “I saw an opportunity to turn a negative into a positive.”\u003c/p>\n\u003cfigure id=\"attachment_11815995\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11815995 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/IMG_1984-1.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1984-1-536x402.jpg 536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Apexer’s (Ricardo Richey) mural outside of sushi restaurant Ju-ni. \u003ccite>(Gabriel Greschler/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I wanted to share something colorful with San Francisco and the NoPa District, a different view of the boarded up storefront,” \u003ca href=\"https://www.instagram.com/apexer/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Apexer\u003c/a> said.\u003c/p>\n\u003cfigure id=\"attachment_11815996\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11815996 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/IMG_1987-1.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1987-1-536x402.jpg 536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Orlie Kapitulnik’s mural outside of sushi restaurant Ju-ni. \u003ccite>(Gabriel Greschler/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Seeing so many artists’ work pop up around San Francsico feels like a breath of fresh air,” \u003ca href=\"https://www.instagram.com/orliegrams/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Orlie Kapitulnik\u003c/a> said. “It’s a nice reminder that we still have a pretty vibrant, creative environment.”\u003c/p>\n\u003cfigure id=\"attachment_11815998\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11815998\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/IMG_1975-1-1.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/05/IMG_1975-1-1-536x402.jpg 536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Deirdre Weinberg’s mural outside of tattoo parlor Everlasting Tattoo. \u003ccite>(Gabriel Greschler/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“At first I was wondering what I could do to bring some positivity to this situation,” \u003ca href=\"https://www.instagram.com/dwei100/?hl=en\" rel=\"noopener noreferrer\" target=\"_blank\">Deirdre Weinberg\u003c/a> said. “And then I realized that just doing what we [artists] do is helping.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"headTitle": "The California Report Magazine | KQED News",
"content": "\u003cp>About \u003ca href=\"https://www.statnews.com/2020/04/28/coronavirus-taking-outsized-toll-on-filipino-american-nurses/\">20% of registered nurses\u003c/a> in California are Filipino, and the COVID-19 crisis is having a disproportionate impact on them. At the same time, Filipino restaurants and food trucks are struggling to survive while sheltering in place. A new campaign called \u003ca href=\"https://www.kultivatelabs.com/frontlines\">Filipinos Feed the Frontlines\u003c/a> aims to connect those dots, giving a boost to Bay Area Filipino restaurants by paying them to make meals for health care workers and communities in need.\u003c/p>\n\u003cp>Desi Danganan helped launch the effort as the executive director of \u003ca href=\"https://www.kultivatelabs.com/\">Kultivate Labs\u003c/a>, a nonprofit based in SOMA Pilipinas, San Francisco’s newly designated Filipino cultural district. California Report host Sasha Khokha talked with Danganan about the meal effort. Here are some interview highlights. These excerpts have been for edited for brevity and clarity.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ZeU4mm3oUPY\u003c/p>\n\u003cp>\u003cstrong>On how the project got started\u003c/strong>:\u003c/p>\n\u003cp>We sent out a survey to our network of entrepreneurs. The data we got was really startling: A lot of the Bay Area Filipino restaurants were seeing 90% drops in revenue. Some were reporting that they only had two months’ worth of cash to stay alive. It was really a big Hail Mary to see what we could do quickly to try to save these restaurants. The other part of the equation was addressing the needs of front-line health care workers, and the community in the \u003ca href=\"https://www.somapilipinas.org/\">Filipino cultural district\u003c/a> we got designated four years ago. A lot of the Filipinos here happen to be seniors. A lot of them also happen to be undocumented or lower income. And these are the populations that are most impacted by the economic devastation of COVID-19.\u003c/p>\n\u003cfigure id=\"attachment_11815745\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11815745\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/FFTFL_SetonDelivery-2-800x500.jpg\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/FFTFL_SetonDelivery-2-800x500.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/FFTFL_SetonDelivery-2-160x100.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/FFTFL_SetonDelivery-2-1020x638.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/FFTFL_SetonDelivery-2.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Filipinos Feed The Frontlines group deliver about 700 meals to Seton Medical Center in Daly City. The hospital has been designated to treat COVID-19 patients, and about 60% of its nursing staff is Filipino. \u003ccite>(Courtesy of PapaLoDown Agency)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>On the fundraising model and the Filipino tradition of \u003cem>kapwa\u003c/em>:\u003c/strong>\u003c/p>\n\u003cp>This project is crowdsourced. Donations are coming from around the nation. It's not just the Bay Area. We have a large cluster of donors from Los Angeles. We also have people as far away as Florida, Oklahoma and New York who have been donating to our campaign. \u003cem>Kapwa\u003c/em> is basically a very deep and interconnected sense of empathy of \"if something happens to you, I can feel that.\" We are a very interconnected community.\u003c/p>\n\u003cp>The Philippine archipelago of islands is in an area that is always hit by typhoons and hurricanes. Natural disasters and calamities are kind of a part of life. In the Philippines, you can't really depend on the dysfunctional government to help you. So, you have to turn to your fellow \u003cem>kababayan,\u003c/em> your fellow countrymen, to find help. We always band together when times of crisis occur.\u003c/p>\n\u003cfigure id=\"attachment_11815753\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11815753\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/TheSarapShop2_FFFTFL-1-800x539.jpg\" alt=\"\" width=\"800\" height=\"539\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/TheSarapShop2_FFFTFL-1-800x539.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/TheSarapShop2_FFFTFL-1-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/TheSarapShop2_FFFTFL-1-1020x687.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/TheSarapShop2_FFFTFL-1.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Workers at The Sarap Shop prepares meals as part of the Filipinos Feed the Frontlines effort to help struggling restaurants while helping feed health care workers and low-income residents. \u003ccite>(Courtesy of The Sarap Shop)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>On whether the campaign is enough to save local restaurants:\u003c/strong>\u003c/p>\n\u003cp>Some restaurants have already realized they’ll have to close, like \u003ca href=\"http://mestizasf.com\">Mestiza Taqueria\u003c/a>, a San Francisco Mexican and Filipino fusion restaurant. Others are still struggling. This crisis is not going to end in three weeks or in two months. But you know, what we're doing is helping. Sales right now are so precarious that what we're giving our alliance of food businesses is actually a lifeline. Our first week, we were able to distribute 600 meals. In our third week, that jumped up to a little over 2,000 meals.\u003c/p>\n\u003cp>\u003cstrong>On looking ahead to when the shelter-in-place order ends:\u003c/strong>\u003c/p>\n\u003cp>We're actually building a new public space in San Francisco’s South of Market called Kapwa Gardens that is designed to address some of the issues that are emerging from COVID-19. Many of the residents live in cramped conditions, SROs and one-bedroom apartments where multiple families live. Those cramped quarters present challenges for mental health during the shelter in place when there isn’t much green space around.\u003c/p>\n\u003cfigure id=\"attachment_11815747\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11815747\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/Annotated-Side-Perspective-01-1-800x518.jpg\" alt=\"\" width=\"800\" height=\"518\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/Annotated-Side-Perspective-01-1-800x518.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/Annotated-Side-Perspective-01-1-160x104.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/Annotated-Side-Perspective-01-1-1020x660.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/Annotated-Side-Perspective-01-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Renderings for a new park in SOMA Pilipinas, the Filipino cultural district in San Francisco, that would allow for social distancing, hand-washing stations and fruit trees for seniors to pick fruit. \u003ccite>(Courtesy of Kultivate Labs)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The city of San Francisco has given us an 8,000-square-feet parking lot that we're designing with a really cool, culturally relevant mural on the floor. It's actually a grid line that emphasizes social distancing. And as you go through this grid, it turns into a labyrinth of fruit trees where the community can pick fruit. Towards the end of it will be an exercise pod that'll be gridded out in a way so that people could still exercise, but maintain the proper social distancing to keep safe.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>About \u003ca href=\"https://www.statnews.com/2020/04/28/coronavirus-taking-outsized-toll-on-filipino-american-nurses/\">20% of registered nurses\u003c/a> in California are Filipino, and the COVID-19 crisis is having a disproportionate impact on them. At the same time, Filipino restaurants and food trucks are struggling to survive while sheltering in place. A new campaign called \u003ca href=\"https://www.kultivatelabs.com/frontlines\">Filipinos Feed the Frontlines\u003c/a> aims to connect those dots, giving a boost to Bay Area Filipino restaurants by paying them to make meals for health care workers and communities in need.\u003c/p>\n\u003cp>Desi Danganan helped launch the effort as the executive director of \u003ca href=\"https://www.kultivatelabs.com/\">Kultivate Labs\u003c/a>, a nonprofit based in SOMA Pilipinas, San Francisco’s newly designated Filipino cultural district. California Report host Sasha Khokha talked with Danganan about the meal effort. Here are some interview highlights. These excerpts have been for edited for brevity and clarity.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZeU4mm3oUPY'\n title='//www.youtube.com/embed/ZeU4mm3oUPY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>On how the project got started\u003c/strong>:\u003c/p>\n\u003cp>We sent out a survey to our network of entrepreneurs. The data we got was really startling: A lot of the Bay Area Filipino restaurants were seeing 90% drops in revenue. Some were reporting that they only had two months’ worth of cash to stay alive. It was really a big Hail Mary to see what we could do quickly to try to save these restaurants. The other part of the equation was addressing the needs of front-line health care workers, and the community in the \u003ca href=\"https://www.somapilipinas.org/\">Filipino cultural district\u003c/a> we got designated four years ago. A lot of the Filipinos here happen to be seniors. A lot of them also happen to be undocumented or lower income. And these are the populations that are most impacted by the economic devastation of COVID-19.\u003c/p>\n\u003cfigure id=\"attachment_11815745\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11815745\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/FFTFL_SetonDelivery-2-800x500.jpg\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/FFTFL_SetonDelivery-2-800x500.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/FFTFL_SetonDelivery-2-160x100.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/FFTFL_SetonDelivery-2-1020x638.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/FFTFL_SetonDelivery-2.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Filipinos Feed The Frontlines group deliver about 700 meals to Seton Medical Center in Daly City. The hospital has been designated to treat COVID-19 patients, and about 60% of its nursing staff is Filipino. \u003ccite>(Courtesy of PapaLoDown Agency)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>On the fundraising model and the Filipino tradition of \u003cem>kapwa\u003c/em>:\u003c/strong>\u003c/p>\n\u003cp>This project is crowdsourced. Donations are coming from around the nation. It's not just the Bay Area. We have a large cluster of donors from Los Angeles. We also have people as far away as Florida, Oklahoma and New York who have been donating to our campaign. \u003cem>Kapwa\u003c/em> is basically a very deep and interconnected sense of empathy of \"if something happens to you, I can feel that.\" We are a very interconnected community.\u003c/p>\n\u003cp>The Philippine archipelago of islands is in an area that is always hit by typhoons and hurricanes. Natural disasters and calamities are kind of a part of life. In the Philippines, you can't really depend on the dysfunctional government to help you. So, you have to turn to your fellow \u003cem>kababayan,\u003c/em> your fellow countrymen, to find help. We always band together when times of crisis occur.\u003c/p>\n\u003cfigure id=\"attachment_11815753\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11815753\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/TheSarapShop2_FFFTFL-1-800x539.jpg\" alt=\"\" width=\"800\" height=\"539\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/TheSarapShop2_FFFTFL-1-800x539.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/TheSarapShop2_FFFTFL-1-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/TheSarapShop2_FFFTFL-1-1020x687.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/TheSarapShop2_FFFTFL-1.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Workers at The Sarap Shop prepares meals as part of the Filipinos Feed the Frontlines effort to help struggling restaurants while helping feed health care workers and low-income residents. \u003ccite>(Courtesy of The Sarap Shop)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>On whether the campaign is enough to save local restaurants:\u003c/strong>\u003c/p>\n\u003cp>Some restaurants have already realized they’ll have to close, like \u003ca href=\"http://mestizasf.com\">Mestiza Taqueria\u003c/a>, a San Francisco Mexican and Filipino fusion restaurant. Others are still struggling. This crisis is not going to end in three weeks or in two months. But you know, what we're doing is helping. Sales right now are so precarious that what we're giving our alliance of food businesses is actually a lifeline. Our first week, we were able to distribute 600 meals. In our third week, that jumped up to a little over 2,000 meals.\u003c/p>\n\u003cp>\u003cstrong>On looking ahead to when the shelter-in-place order ends:\u003c/strong>\u003c/p>\n\u003cp>We're actually building a new public space in San Francisco’s South of Market called Kapwa Gardens that is designed to address some of the issues that are emerging from COVID-19. Many of the residents live in cramped conditions, SROs and one-bedroom apartments where multiple families live. Those cramped quarters present challenges for mental health during the shelter in place when there isn’t much green space around.\u003c/p>\n\u003cfigure id=\"attachment_11815747\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11815747\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/Annotated-Side-Perspective-01-1-800x518.jpg\" alt=\"\" width=\"800\" height=\"518\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/05/Annotated-Side-Perspective-01-1-800x518.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/Annotated-Side-Perspective-01-1-160x104.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/Annotated-Side-Perspective-01-1-1020x660.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/05/Annotated-Side-Perspective-01-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Renderings for a new park in SOMA Pilipinas, the Filipino cultural district in San Francisco, that would allow for social distancing, hand-washing stations and fruit trees for seniors to pick fruit. \u003ccite>(Courtesy of Kultivate Labs)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The city of San Francisco has given us an 8,000-square-feet parking lot that we're designing with a really cool, culturally relevant mural on the floor. It's actually a grid line that emphasizes social distancing. And as you go through this grid, it turns into a labyrinth of fruit trees where the community can pick fruit. Towards the end of it will be an exercise pod that'll be gridded out in a way so that people could still exercise, but maintain the proper social distancing to keep safe.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>UC Santa Barbara undergraduate student \u003ca href=\"https://www.quarantunes.site/our-teachers?pgid=k8i54fhx-57cffd79-3215-4bd5-a951-ffdb518f1435\" target=\"_blank\" rel=\"noopener noreferrer\">Yarah Meijer\u003c/a> was looking for something to do after coming back home to the San Francisco Bay Area when her campus shut down due to the coronavirus.\u003c/p>\n\u003cp>“Originally, I asked my parents if they’d be comfortable with me working at a convenience store,” Meijer said. “But my dad thought I should look up volunteer work or tutoring that I could do virtually to help out.”\u003c/p>\n\u003cp>It’s tough being cooped up at home right now, especially if you’re a teenager. But some California high school students and undergrads, like Meijer, are using their weeks in quarantine to teach music to kids — and donating the proceeds to support coronavirus relief efforts.\u003c/p>\n\u003cp>She’s doing this through \u003ca href=\"https://www.quarantunes.site/\" target=\"_blank\" rel=\"noopener noreferrer\">QuaranTunes\u003c/a>, a new, online music education service that connects teen music teachers with students ages 4 to 14 who want to learn a musical instrument or sing.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The one-on-one, 40-minute coaching sessions take place via video chat (usually Zoom) at no cost to the student. Donations are encouraged, though. They all go to the \u003ca href=\"https://www.cdcfoundation.org/\" target=\"_blank\" rel=\"noopener noreferrer\">CDC Foundation\u003c/a>’s efforts to combat COVID-19.\u003c/p>\n\u003cp>One of Meijer’s young students, Sanah Ayyar, started learning the violin a few weeks ago at home with help from her mom.\u003c/p>\n\u003cp>“But she’s really busy,” the 11-year-old student said. “So, I haven’t learned much.”\u003c/p>\n\u003cfigure id=\"attachment_11814844\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11814844\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42965_Yarah-and-Sanah-qut-800x743.jpg\" alt=\"\" width=\"800\" height=\"743\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42965_Yarah-and-Sanah-qut-800x743.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42965_Yarah-and-Sanah-qut-160x149.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42965_Yarah-and-Sanah-qut-1020x948.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42965_Yarah-and-Sanah-qut.jpg 1182w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yarah Meijer gives Sanah Ayyar a violin lesson online. \u003ccite>(Zoom video screenshot)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She’s now getting lots of tips from Meijer, including how to play with the correct posture and bow pressure, and how to use rosin.\u003c/p>\n\u003cp>“I guess I’ll start spending more time on the violin,” Ayyar said at the end of a recent lesson.\u003c/p>\n\u003cp>\u003ca href=\"https://www.quarantunes.site/-about\" target=\"_blank\" rel=\"noopener noreferrer\">Julia Segal\u003c/a>, a high school junior, founded QuaranTunes.\u003c/p>\n\u003cp>“I started learning the piano at the age of 3, and started learning voice at the age of 8,” Segal said. “And currently, I’m the lead singer-songwriter of a Palo Alto-based indie-pop band called \u003ca href=\"https://www.reveriebandofficial.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Reverie\u003c/a>.”\u003c/p>\n\u003cp>Segal said she was inspired to launch QuaranTunes after giving her little sister, who was bored and antsy at the start of California’s stay-at-home order, music lessons so that her parents could focus on their work.\u003c/p>\n\u003cp>“I realized that there are probably thousands of other families in the same situation as ours, with children who just really wanted to be kept occupied and to have fun and learn something new in quarantine, but just didn’t really have the resources for that,” Segal said.\u003c/p>\n\u003cfigure id=\"attachment_11814846\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11814846\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42961_julia-segal-qut-1020x680.jpg\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42961_julia-segal-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42961_julia-segal-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42961_julia-segal-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42961_julia-segal-qut.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">QuaranTunes founder Julia Segal is a singer and songwriter. \u003ccite>(Courtesy of Julia Segal)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Segal enlisted her musical friends as coaches, including high school senior \u003ca href=\"https://www.quarantunes.site/our-teachers?pgid=k8drzdxn-b7657a3f-916b-4085-8953-724e5ef5f835\" target=\"_blank\" rel=\"noopener noreferrer\">Leo Marburg\u003c/a>. He plays piano, ukulele and trombone, and also sings.\u003c/p>\n\u003cp>“It combined two things I’m interested in: music and teaching,” Marburg said of QuaranTunes. “And it also felt like a great way to help out.”\u003c/p>\n\u003cp>Marburg currently has three students, including Ariella Neymark.\u003c/p>\n\u003cp>At 7 years old, Neymark is a budding ukulele player.\u003c/p>\n\u003cp>“Do you remember the name of the strings?” Marburg asked Neymark during a ukulele lesson he recently taught via Zoom.\u003c/p>\n\u003cp>“Yeah. Groovy Cows Eat Apples,” Neymark said, reciting a mnemonic she learned. “So: G, C, E, A.”\u003c/p>\n\u003cfigure id=\"attachment_11814848\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11814848\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42962_Leo-and-Ariella-qut-800x993.jpg\" alt=\"\" width=\"800\" height=\"993\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42962_Leo-and-Ariella-qut-800x993.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42962_Leo-and-Ariella-qut-160x199.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42962_Leo-and-Ariella-qut.jpg 978w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Leo Marburg gives Ariella Neymark a ukulele lesson via Zoom. \u003ccite>(Zoom screenshot)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Neymark gamely played the notes, even though she could tell her little blue ukulele was a bit out of tune — a hard thing to fix via web video.\u003c/p>\n\u003cp>But she said she’s loving the lessons.\u003c/p>\n\u003cp>“I get to learn at my own speed,” said the student. “And it’s fun.”\u003c/p>\n\u003cp>Her mom, Irina Neymark, said she found out about QuaranTunes on Facebook.\u003c/p>\n\u003cp>“It’s a wonderful program that, in the current times, can connect the little ones and those in their teens and make it a positive experience,” Neymark said. “It keeps them busy, as well as learning new skills.”\u003c/p>\n\u003cp>The internet has long been awash with online learning resources for developing musicians. You can even \u003ca href=\"https://www.masterclass.com/classes/carlos-santana-teaches-the-art-and-soul-of-guitar\" target=\"_blank\" rel=\"noopener noreferrer\">get guitar pointers from Carlos Santana.\u003c/a> The closure of music schools and private studios as a result of the coronavirus has increased the number of offerings in recent weeks. The San Francisco Community Music Center, for example, is one California organization that has moved many classes that would typically be taught in person, \u003ca href=\"https://sfcmc.org/youth/online-learning/\" target=\"_blank\" rel=\"noopener noreferrer\">online\u003c/a>.\u003c/p>\n\u003cp>QuaranTunes has only been around for a few weeks. But Segal said more than 100 students from across the United States, as well as the United Kingdom, India and Canada, have signed up for lessons. Nearly 70 teen musicians have come onboard to teach.\u003c/p>\n\u003cfigure id=\"attachment_11814850\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11814850\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42963_masterclass-qut-800x443.jpg\" alt=\"\" width=\"800\" height=\"443\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42963_masterclass-qut-800x443.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42963_masterclass-qut-160x89.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42963_masterclass-qut-1020x565.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42963_masterclass-qut-672x372.jpg 672w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42963_masterclass-qut-1038x576.jpg 1038w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42963_masterclass-qut.jpg 1738w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">QuaranTunes recently offered a guitar master class taught by professional guitarist and teacher Josh Thurston-Milgrom (top row, second from left) to help teen teachers hone their pedagogical skills. \u003ccite>(Zoom screenshot)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Segal said QuaranTunes also just started offering master classes by professionals, to help the young teachers develop pedagogical skills.\u003c/p>\n\u003cp>“Many of our teenage musicians are super talented,” Segal said. “But they just haven’t really had experience actually teaching before.”\u003c/p>\n\u003cp>And the service has \u003ca href=\"https://www.gofundme.com/f/quarantuneslessons/donate?utm_source=widget&utm_medium=referral&utm_campaign=p_cp+share-sheet\" target=\"_blank\" rel=\"noopener noreferrer\">already raised\u003c/a> more than $2,500 for the \u003ca href=\"https://www.cdcfoundation.org/\" target=\"_blank\" rel=\"noopener noreferrer\">CDC Foundation\u003c/a>’s efforts to combat COVID-19.\u003c/p>\n\u003cp>“The thing that’s been driving me is the idea that although we may not be the ones on the front lines who are fighting the virus directly, we’re all playing a role in helping the world fight this pandemic,” Segal said. “And we’re doing it through what it is that we do best, which is music.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>UC Santa Barbara undergraduate student \u003ca href=\"https://www.quarantunes.site/our-teachers?pgid=k8i54fhx-57cffd79-3215-4bd5-a951-ffdb518f1435\" target=\"_blank\" rel=\"noopener noreferrer\">Yarah Meijer\u003c/a> was looking for something to do after coming back home to the San Francisco Bay Area when her campus shut down due to the coronavirus.\u003c/p>\n\u003cp>“Originally, I asked my parents if they’d be comfortable with me working at a convenience store,” Meijer said. “But my dad thought I should look up volunteer work or tutoring that I could do virtually to help out.”\u003c/p>\n\u003cp>It’s tough being cooped up at home right now, especially if you’re a teenager. But some California high school students and undergrads, like Meijer, are using their weeks in quarantine to teach music to kids — and donating the proceeds to support coronavirus relief efforts.\u003c/p>\n\u003cp>She’s doing this through \u003ca href=\"https://www.quarantunes.site/\" target=\"_blank\" rel=\"noopener noreferrer\">QuaranTunes\u003c/a>, a new, online music education service that connects teen music teachers with students ages 4 to 14 who want to learn a musical instrument or sing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The one-on-one, 40-minute coaching sessions take place via video chat (usually Zoom) at no cost to the student. Donations are encouraged, though. They all go to the \u003ca href=\"https://www.cdcfoundation.org/\" target=\"_blank\" rel=\"noopener noreferrer\">CDC Foundation\u003c/a>’s efforts to combat COVID-19.\u003c/p>\n\u003cp>One of Meijer’s young students, Sanah Ayyar, started learning the violin a few weeks ago at home with help from her mom.\u003c/p>\n\u003cp>“But she’s really busy,” the 11-year-old student said. “So, I haven’t learned much.”\u003c/p>\n\u003cfigure id=\"attachment_11814844\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11814844\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42965_Yarah-and-Sanah-qut-800x743.jpg\" alt=\"\" width=\"800\" height=\"743\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42965_Yarah-and-Sanah-qut-800x743.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42965_Yarah-and-Sanah-qut-160x149.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42965_Yarah-and-Sanah-qut-1020x948.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42965_Yarah-and-Sanah-qut.jpg 1182w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yarah Meijer gives Sanah Ayyar a violin lesson online. \u003ccite>(Zoom video screenshot)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She’s now getting lots of tips from Meijer, including how to play with the correct posture and bow pressure, and how to use rosin.\u003c/p>\n\u003cp>“I guess I’ll start spending more time on the violin,” Ayyar said at the end of a recent lesson.\u003c/p>\n\u003cp>\u003ca href=\"https://www.quarantunes.site/-about\" target=\"_blank\" rel=\"noopener noreferrer\">Julia Segal\u003c/a>, a high school junior, founded QuaranTunes.\u003c/p>\n\u003cp>“I started learning the piano at the age of 3, and started learning voice at the age of 8,” Segal said. “And currently, I’m the lead singer-songwriter of a Palo Alto-based indie-pop band called \u003ca href=\"https://www.reveriebandofficial.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Reverie\u003c/a>.”\u003c/p>\n\u003cp>Segal said she was inspired to launch QuaranTunes after giving her little sister, who was bored and antsy at the start of California’s stay-at-home order, music lessons so that her parents could focus on their work.\u003c/p>\n\u003cp>“I realized that there are probably thousands of other families in the same situation as ours, with children who just really wanted to be kept occupied and to have fun and learn something new in quarantine, but just didn’t really have the resources for that,” Segal said.\u003c/p>\n\u003cfigure id=\"attachment_11814846\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11814846\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42961_julia-segal-qut-1020x680.jpg\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42961_julia-segal-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42961_julia-segal-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42961_julia-segal-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42961_julia-segal-qut.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">QuaranTunes founder Julia Segal is a singer and songwriter. \u003ccite>(Courtesy of Julia Segal)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Segal enlisted her musical friends as coaches, including high school senior \u003ca href=\"https://www.quarantunes.site/our-teachers?pgid=k8drzdxn-b7657a3f-916b-4085-8953-724e5ef5f835\" target=\"_blank\" rel=\"noopener noreferrer\">Leo Marburg\u003c/a>. He plays piano, ukulele and trombone, and also sings.\u003c/p>\n\u003cp>“It combined two things I’m interested in: music and teaching,” Marburg said of QuaranTunes. “And it also felt like a great way to help out.”\u003c/p>\n\u003cp>Marburg currently has three students, including Ariella Neymark.\u003c/p>\n\u003cp>At 7 years old, Neymark is a budding ukulele player.\u003c/p>\n\u003cp>“Do you remember the name of the strings?” Marburg asked Neymark during a ukulele lesson he recently taught via Zoom.\u003c/p>\n\u003cp>“Yeah. Groovy Cows Eat Apples,” Neymark said, reciting a mnemonic she learned. “So: G, C, E, A.”\u003c/p>\n\u003cfigure id=\"attachment_11814848\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11814848\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42962_Leo-and-Ariella-qut-800x993.jpg\" alt=\"\" width=\"800\" height=\"993\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42962_Leo-and-Ariella-qut-800x993.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42962_Leo-and-Ariella-qut-160x199.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42962_Leo-and-Ariella-qut.jpg 978w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Leo Marburg gives Ariella Neymark a ukulele lesson via Zoom. \u003ccite>(Zoom screenshot)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Neymark gamely played the notes, even though she could tell her little blue ukulele was a bit out of tune — a hard thing to fix via web video.\u003c/p>\n\u003cp>But she said she’s loving the lessons.\u003c/p>\n\u003cp>“I get to learn at my own speed,” said the student. “And it’s fun.”\u003c/p>\n\u003cp>Her mom, Irina Neymark, said she found out about QuaranTunes on Facebook.\u003c/p>\n\u003cp>“It’s a wonderful program that, in the current times, can connect the little ones and those in their teens and make it a positive experience,” Neymark said. “It keeps them busy, as well as learning new skills.”\u003c/p>\n\u003cp>The internet has long been awash with online learning resources for developing musicians. You can even \u003ca href=\"https://www.masterclass.com/classes/carlos-santana-teaches-the-art-and-soul-of-guitar\" target=\"_blank\" rel=\"noopener noreferrer\">get guitar pointers from Carlos Santana.\u003c/a> The closure of music schools and private studios as a result of the coronavirus has increased the number of offerings in recent weeks. The San Francisco Community Music Center, for example, is one California organization that has moved many classes that would typically be taught in person, \u003ca href=\"https://sfcmc.org/youth/online-learning/\" target=\"_blank\" rel=\"noopener noreferrer\">online\u003c/a>.\u003c/p>\n\u003cp>QuaranTunes has only been around for a few weeks. But Segal said more than 100 students from across the United States, as well as the United Kingdom, India and Canada, have signed up for lessons. Nearly 70 teen musicians have come onboard to teach.\u003c/p>\n\u003cfigure id=\"attachment_11814850\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11814850\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42963_masterclass-qut-800x443.jpg\" alt=\"\" width=\"800\" height=\"443\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42963_masterclass-qut-800x443.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42963_masterclass-qut-160x89.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42963_masterclass-qut-1020x565.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42963_masterclass-qut-672x372.jpg 672w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42963_masterclass-qut-1038x576.jpg 1038w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/04/RS42963_masterclass-qut.jpg 1738w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">QuaranTunes recently offered a guitar master class taught by professional guitarist and teacher Josh Thurston-Milgrom (top row, second from left) to help teen teachers hone their pedagogical skills. \u003ccite>(Zoom screenshot)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Segal said QuaranTunes also just started offering master classes by professionals, to help the young teachers develop pedagogical skills.\u003c/p>\n\u003cp>“Many of our teenage musicians are super talented,” Segal said. “But they just haven’t really had experience actually teaching before.”\u003c/p>\n\u003cp>And the service has \u003ca href=\"https://www.gofundme.com/f/quarantuneslessons/donate?utm_source=widget&utm_medium=referral&utm_campaign=p_cp+share-sheet\" target=\"_blank\" rel=\"noopener noreferrer\">already raised\u003c/a> more than $2,500 for the \u003ca href=\"https://www.cdcfoundation.org/\" target=\"_blank\" rel=\"noopener noreferrer\">CDC Foundation\u003c/a>’s efforts to combat COVID-19.\u003c/p>\n\u003cp>“The thing that’s been driving me is the idea that although we may not be the ones on the front lines who are fighting the virus directly, we’re all playing a role in helping the world fight this pandemic,” Segal said. “And we’re doing it through what it is that we do best, which is music.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"disqusTitle": "This Oakland Teen Created a Pop Empire From Her Parents’ Guest Room",
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"content": "\u003cp>\u003cem>Maia, aka mxmtoon, is a 19-year-old singer-songwriter from Oakland. Her angsty lyrics have become an anthem for the socially distant. She’s in a better position than a lot of artists struggling to figure out how to produce and share their music now that everyone is sheltering in place. She’s built her career on social media from her parents' house and has already amassed millions of followers. Her new EP dropped on April 22. Her uncle, video and radio journalist Clarence Ting, has witnessed her transformation into a social media star. He brings us this reflection.\u003c/em>\u003c/p>\n\u003cp>Timing, as the old saying goes, is everything. For mxmtoon, who also goes by her first name Maia, that turned out to be especially true with the release of her latest hit single. It’s called “Quiet Motions” and it dropped in March, just as COVID-19 was declared a global pandemic.\u003c/p>\n\u003cp>“ 'Quiet Motions' was a song I wrote back in January about how nice it was to be by myself, because as an introvert, I definitely stand by that statement,” Maia told me. “But the irony was that we released it two weeks before social distancing really kind of struck in the United States.” She said her whole team was laughing the day that it came out because it was so \"unfortunately relevant,\" and then she said, \"It kinda turned into a quarantine anthem.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=NY__uAZtZZ8&feature=youtu.be\u003c/p>\n\u003cp>Maia is my niece and I’ve known her since she was born. She’s my sister's first kid, but little could I have known when I first filmed Maia, then 7 years old — for a \u003ca href=\"https://www.youtube.com/watch?v=1i-6z861-4Y&feature=youtu.be&t=315\" target=\"_blank\" rel=\"noopener noreferrer\">home cooking video\u003c/a> I made and uploaded to YouTube about a dozen years ago — that she would grow into the musical artist with millions of listeners on Spotify and over 1.6 million followers on \u003ca href=\"https://www.tiktok.com/@mxmtoon\" target=\"_blank\" rel=\"noopener noreferrer\">TikTok\u003c/a> alone.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Just a few years ago, Maia was, by her own reckoning, an average high schooler, writing songs and making random videos in the obscurity of her own bedroom at her parents’ home in Oakland. She posted these regularly to YouTube and SoundCloud. By that point, she was already exploring the creative possibilities of the internet. It was a secret life of which her parents had no idea.\u003c/p>\n\u003cp>“Social media felt like this rebellious edge that I had for myself where it wasn't like partying or drinking or doing drugs or something, but instead I was just creating content for myself and for other people,” Maia said. “So I just did it all the time.\"\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"mxmtoon\"]'No matter how difficult a time may be, the sun still rises and it sets in the evening and you'll still experience those motions every single day.'[/pullquote]\u003c/p>\n\u003cp>A self-described “emo” teen, she had been writing songs since middle school when her seventh grade music teacher first introduced her to the ukulele and the rudiments of songwriting. “I started writing music when I was 13 because of an assignment that my music teacher gave me and I kind of enjoyed it,” Maia said. “It was mostly just like throwing together words from rhyme zone that fit with each other and that was what I made.”\u003c/p>\n\u003cp>For Maia, writing songs was a way of giving voice to the anxiety that she’d felt since she was a young child. “I think songs always were helpful for me to write down what I was feeling because it's already a structured format,” she said. “There's a verse, there's a chorus, the chorus is the main thought that has been stuck in my head for ages. And so songwriting felt very useful to declutter the way that everything was floating around in my head.”\u003c/p>\n\u003cfigure id=\"attachment_11814536\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11814536\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42923_DSC05535-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42923_DSC05535-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42923_DSC05535-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42923_DSC05535-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42923_DSC05535-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mxmtoon's new EP was released on April 22, 2020. \u003ccite>(Courtesy of Clarence Ting)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The first song she published was a jokey track she wrote as a junior in high school titled “\u003ca href=\"https://www.youtube.com/watch?v=xr-RULh-N58&feature=youtu.be\" target=\"_blank\" rel=\"noopener noreferrer\">1-800-Dateme\u003c/a>.” The song garnered 200 likes the morning after she posted — not much by today’s metrics, but for 16-year-old Maia, it was a big deal.\u003c/p>\n\u003cp>It was a much more confessional song she wrote the summer before her senior year called “Feelings Are Fatal” that really resonated with listeners. “It was just like a little bit more emotionally vulnerable and talking about my anxiety amongst the relationships that I might have or my depression or relationship to my life,\" Maia said. She said she made it in about 20 minutes. The song now has \u003ca href=\"https://open.spotify.com/track/6GGdkwYk4NXuiIcQD16AZg?si=ux6tEqh0TnG-fD-iY4O3hQ\" target=\"_blank\" rel=\"noopener noreferrer\">more than 40 million plays on Spotify\u003c/a>.\u003c/p>\n\u003cp>Maia said her initial courage came from thinking no one was going to see the songs or videos. \"But I think eventually it turned into the mindset of, 'OK, if what I'm saying and what I'm singing about helps one person feel like their experience is being voiced, that's enough reason for me to post it in the first place,' \" she said.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=K6rGDNrivv8\u003c/p>\n\u003cp>Throughout her senior year in high school, Maia continued to write and post songs, as well as various thoughts and drawings on Twitter, Instagram and YouTube. She’d talk about an \u003ca href=\"https://www.youtube.com/watch?v=V0NpCx7LscA&feature=youtu.be\" target=\"_blank\" rel=\"noopener noreferrer\">architect\u003c/a> she admired, or do a dance celebrating her \u003ca href=\"https://www.youtube.com/watch?v=EYP3Bin3HiA&feature=youtu.be\" target=\"_blank\" rel=\"noopener noreferrer\">love of yogurt\u003c/a>. But it was her self-deprecating and confessional songs — and their growing number of listeners — that began to attract attention from the media. \u003ca href=\"https://hypebeast.com/2017/10/best-bedroom-pop-music-clairo-zack-villere-rex-orange-county\" target=\"_blank\" rel=\"noopener noreferrer\">HYPEBEAST\u003c/a>, an online magazine that chronicles the latest in fashion, art, music and sneakers, featured Maia as a rising star in the “bedroom pop” department. At this point, Maia broke the news to her parents.\u003c/p>\n\u003cp>[aside postID=\"arts_13876893\" label=\"How to Help Creatives and Freelancers\" hero=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/MutualAid2_COVER-1020x573.jpg\"]\u003c/p>\n\u003cp>“Eventually it got to a point where I was like, 'OK, this is way too big and I can't hide it anymore from them.' And so when that article from HYPEBEAST came out that morning, I stepped into the kitchen. I was like, ‘Mom, dad, I have to tell you something,’ ” Maia said. “ 'I post music online and this really big editorial company found it and wanted to write about it.' \" She told them she wanted them to know about it, before they found out on Twitter.\u003c/p>\n\u003cp>\"They got really quiet,\" Maia said. They asked her to show them the article, so she pulled it up. \"They read it and I was like, 'I got to go ... I'm just going to go hide in my room.' You can look at things, but I don't want to be in front of you while you're looking,\" she said. They did a deep dive into mxmtoon.\u003c/p>\n\u003cp>Though at first reluctant, Maia’s parents agreed to let her take a gap year from college to devote herself full time to music. They converted the guest bedroom into a recording studio, and six months after graduating from high school she self-released her debut EP.\u003c/p>\n\u003cp>Last summer, Maia left her parents' house, booked a studio in Brooklyn and brought on another young singer-songwriter named \u003ca href=\"http://www.cave.town/home\" target=\"_blank\" rel=\"noopener noreferrer\">Cavetown\u003c/a> to help record and produce her first full-length album, “The Masquerade.” The first single, “Prom Dress,” is a song based on a \"freakout\" moment Maia experienced trying on her prom dress after scarfing down a cheeseburger from In-N-Out Burger.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=AeUeLzBO0go&feature=youtu.be\u003c/p>\n\u003cp>The song ended up being a popular track for TikTok videos and inspired its own memes on TikTok. Since downloading the app about a year and a half ago, Maia has amassed a following of over 1.6 million with a steady stream of goofy dances and signature TikTok-style videos.\u003c/p>\n\u003cp>Other songs on the album, like “Seasonal Depression” and “Unspoken Words,” with their themes of loneliness and breakdowns in communication, are a lot of the reason why Maia’s songs often come up on Spotify mixes labeled #sadvibe. “I'm good at talking about ... the unsure aspects of human existence. You know, I'm 19. I'm just really existential and emo,\" Maia said.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=M7yXav31eVA&feature=youtu.be\u003c/p>\n\u003cp>As Maia’s career has grown, her music has taken on more optimistic themes. “One song I wrote in one of the sessions I was in was called ‘Fever Dream,' ” Maia said. “I was just talking about my experience going into the music industry and how it can be really terrifying, but at the same time wanting to chase whatever that could be at the end of the day and going for it.\"\u003c/p>\n\u003cp>Maia’s latest single “Lessons,” about letting go of doubt and moving forward in life, for her EP “Dawn” has a central theme of renewal and rebirth. The release is another feat of impressive timing during this unsettling period of COVID-19.\u003c/p>\n\u003cp>“No matter how difficult a time may be, the sun still rises and it sets in the evening and you'll still experience those motions every single day,” Maia said of the intention behind the song.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>She hopes it will serve as a positive reminder that despite uncertainty, there are still constants in life.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Maia, aka mxmtoon, is a 19-year-old singer-songwriter from Oakland. Her angsty lyrics have become an anthem for the socially distant. She’s in a better position than a lot of artists struggling to figure out how to produce and share their music now that everyone is sheltering in place. She’s built her career on social media from her parents' house and has already amassed millions of followers. Her new EP dropped on April 22. Her uncle, video and radio journalist Clarence Ting, has witnessed her transformation into a social media star. He brings us this reflection.\u003c/em>\u003c/p>\n\u003cp>Timing, as the old saying goes, is everything. For mxmtoon, who also goes by her first name Maia, that turned out to be especially true with the release of her latest hit single. It’s called “Quiet Motions” and it dropped in March, just as COVID-19 was declared a global pandemic.\u003c/p>\n\u003cp>“ 'Quiet Motions' was a song I wrote back in January about how nice it was to be by myself, because as an introvert, I definitely stand by that statement,” Maia told me. “But the irony was that we released it two weeks before social distancing really kind of struck in the United States.” She said her whole team was laughing the day that it came out because it was so \"unfortunately relevant,\" and then she said, \"It kinda turned into a quarantine anthem.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NY__uAZtZZ8'\n title='//www.youtube.com/embed/NY__uAZtZZ8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Maia is my niece and I’ve known her since she was born. She’s my sister's first kid, but little could I have known when I first filmed Maia, then 7 years old — for a \u003ca href=\"https://www.youtube.com/watch?v=1i-6z861-4Y&feature=youtu.be&t=315\" target=\"_blank\" rel=\"noopener noreferrer\">home cooking video\u003c/a> I made and uploaded to YouTube about a dozen years ago — that she would grow into the musical artist with millions of listeners on Spotify and over 1.6 million followers on \u003ca href=\"https://www.tiktok.com/@mxmtoon\" target=\"_blank\" rel=\"noopener noreferrer\">TikTok\u003c/a> alone.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A self-described “emo” teen, she had been writing songs since middle school when her seventh grade music teacher first introduced her to the ukulele and the rudiments of songwriting. “I started writing music when I was 13 because of an assignment that my music teacher gave me and I kind of enjoyed it,” Maia said. “It was mostly just like throwing together words from rhyme zone that fit with each other and that was what I made.”\u003c/p>\n\u003cp>For Maia, writing songs was a way of giving voice to the anxiety that she’d felt since she was a young child. “I think songs always were helpful for me to write down what I was feeling because it's already a structured format,” she said. “There's a verse, there's a chorus, the chorus is the main thought that has been stuck in my head for ages. And so songwriting felt very useful to declutter the way that everything was floating around in my head.”\u003c/p>\n\u003cfigure id=\"attachment_11814536\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11814536\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42923_DSC05535-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42923_DSC05535-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42923_DSC05535-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42923_DSC05535-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/04/RS42923_DSC05535-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mxmtoon's new EP was released on April 22, 2020. \u003ccite>(Courtesy of Clarence Ting)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The first song she published was a jokey track she wrote as a junior in high school titled “\u003ca href=\"https://www.youtube.com/watch?v=xr-RULh-N58&feature=youtu.be\" target=\"_blank\" rel=\"noopener noreferrer\">1-800-Dateme\u003c/a>.” The song garnered 200 likes the morning after she posted — not much by today’s metrics, but for 16-year-old Maia, it was a big deal.\u003c/p>\n\u003cp>It was a much more confessional song she wrote the summer before her senior year called “Feelings Are Fatal” that really resonated with listeners. “It was just like a little bit more emotionally vulnerable and talking about my anxiety amongst the relationships that I might have or my depression or relationship to my life,\" Maia said. She said she made it in about 20 minutes. The song now has \u003ca href=\"https://open.spotify.com/track/6GGdkwYk4NXuiIcQD16AZg?si=ux6tEqh0TnG-fD-iY4O3hQ\" target=\"_blank\" rel=\"noopener noreferrer\">more than 40 million plays on Spotify\u003c/a>.\u003c/p>\n\u003cp>Maia said her initial courage came from thinking no one was going to see the songs or videos. \"But I think eventually it turned into the mindset of, 'OK, if what I'm saying and what I'm singing about helps one person feel like their experience is being voiced, that's enough reason for me to post it in the first place,' \" she said.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/K6rGDNrivv8'\n title='//www.youtube.com/embed/K6rGDNrivv8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Throughout her senior year in high school, Maia continued to write and post songs, as well as various thoughts and drawings on Twitter, Instagram and YouTube. She’d talk about an \u003ca href=\"https://www.youtube.com/watch?v=V0NpCx7LscA&feature=youtu.be\" target=\"_blank\" rel=\"noopener noreferrer\">architect\u003c/a> she admired, or do a dance celebrating her \u003ca href=\"https://www.youtube.com/watch?v=EYP3Bin3HiA&feature=youtu.be\" target=\"_blank\" rel=\"noopener noreferrer\">love of yogurt\u003c/a>. But it was her self-deprecating and confessional songs — and their growing number of listeners — that began to attract attention from the media. \u003ca href=\"https://hypebeast.com/2017/10/best-bedroom-pop-music-clairo-zack-villere-rex-orange-county\" target=\"_blank\" rel=\"noopener noreferrer\">HYPEBEAST\u003c/a>, an online magazine that chronicles the latest in fashion, art, music and sneakers, featured Maia as a rising star in the “bedroom pop” department. At this point, Maia broke the news to her parents.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Eventually it got to a point where I was like, 'OK, this is way too big and I can't hide it anymore from them.' And so when that article from HYPEBEAST came out that morning, I stepped into the kitchen. I was like, ‘Mom, dad, I have to tell you something,’ ” Maia said. “ 'I post music online and this really big editorial company found it and wanted to write about it.' \" She told them she wanted them to know about it, before they found out on Twitter.\u003c/p>\n\u003cp>\"They got really quiet,\" Maia said. They asked her to show them the article, so she pulled it up. \"They read it and I was like, 'I got to go ... I'm just going to go hide in my room.' You can look at things, but I don't want to be in front of you while you're looking,\" she said. They did a deep dive into mxmtoon.\u003c/p>\n\u003cp>Though at first reluctant, Maia’s parents agreed to let her take a gap year from college to devote herself full time to music. They converted the guest bedroom into a recording studio, and six months after graduating from high school she self-released her debut EP.\u003c/p>\n\u003cp>Last summer, Maia left her parents' house, booked a studio in Brooklyn and brought on another young singer-songwriter named \u003ca href=\"http://www.cave.town/home\" target=\"_blank\" rel=\"noopener noreferrer\">Cavetown\u003c/a> to help record and produce her first full-length album, “The Masquerade.” The first single, “Prom Dress,” is a song based on a \"freakout\" moment Maia experienced trying on her prom dress after scarfing down a cheeseburger from In-N-Out Burger.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/AeUeLzBO0go'\n title='//www.youtube.com/embed/AeUeLzBO0go'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The song ended up being a popular track for TikTok videos and inspired its own memes on TikTok. Since downloading the app about a year and a half ago, Maia has amassed a following of over 1.6 million with a steady stream of goofy dances and signature TikTok-style videos.\u003c/p>\n\u003cp>Other songs on the album, like “Seasonal Depression” and “Unspoken Words,” with their themes of loneliness and breakdowns in communication, are a lot of the reason why Maia’s songs often come up on Spotify mixes labeled #sadvibe. “I'm good at talking about ... the unsure aspects of human existence. You know, I'm 19. I'm just really existential and emo,\" Maia said.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/M7yXav31eVA'\n title='//www.youtube.com/embed/M7yXav31eVA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As Maia’s career has grown, her music has taken on more optimistic themes. “One song I wrote in one of the sessions I was in was called ‘Fever Dream,' ” Maia said. “I was just talking about my experience going into the music industry and how it can be really terrifying, but at the same time wanting to chase whatever that could be at the end of the day and going for it.\"\u003c/p>\n\u003cp>Maia’s latest single “Lessons,” about letting go of doubt and moving forward in life, for her EP “Dawn” has a central theme of renewal and rebirth. The release is another feat of impressive timing during this unsettling period of COVID-19.\u003c/p>\n\u003cp>“No matter how difficult a time may be, the sun still rises and it sets in the evening and you'll still experience those motions every single day,” Maia said of the intention behind the song.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She hopes it will serve as a positive reminder that despite uncertainty, there are still constants in life.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>How do you boil down the emotional complexity of the world to 17 syllables?\u003c/p>\n\u003cp>\u003cem>The worry is more\u003c/em>\u003cbr>\n\u003cem>Than the bravery some days\u003c/em>\u003cbr>\n\u003cem>But we carry on\u003c/em>\u003c/p>\n\u003cp>\u003cem>This apocalypse\u003c/em>\u003cbr>\n\u003cem>All so surreal—including\u003c/em>\u003cbr>\n\u003cem>No toilet paper\u003c/em>\u003c/p>\n\u003cp>These haiku were written as reflections on life during the coronavirus pandemic. They’re part of a collaborative project by Los Angeles-based artist \u003ca href=\"https://alannakagawa.com/about\" target=\"_blank\" rel=\"noopener noreferrer\">Alan Nakagawa \u003c/a>called \u003ca href=\"https://soundcloud.com/ocmuseumofart/sets/social-distance-haiku-and-you\" target=\"_blank\" rel=\"noopener noreferrer\">“Social Distancing, Haiku, and You.”\u003c/a>\u003c/p>\n\u003cp>Though his art spans different mediums, Nakagawa’s primary focus is sound. Some of his other work includes acoustic recordings of architectural spaces, processed and sometimes overlaid with others. His 2018 project \u003ca href=\"https://vimeo.com/279791542\" target=\"_blank\" rel=\"noopener noreferrer\">“Peace Resonance: Hiroshima/Wendover”\u003c/a> is one example. Nakagawa made a three-point recording of the Hiroshima Atomic Bomb Dome – a former exhibition hall destroyed by the U.S. atomic bomb attack on that city, left standing in its ruined state as part of the Hiroshima Peace Memorial Park – and played it back inside the hangar in Wendover, Utah, where the B-29 bomber Enola Gay took off in 1945, carrying the atomic bomb bound for Hiroshima.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When the coronavirus pandemic hit, Nakagawa got a call from Cassandra Coblentz, director of public engagement at the \u003ca href=\"https://www.ocmaexpand.org/\">Orange County Museum of Art.\u003c/a> They’d worked together before; Coblentz curated his first museum show at the OCMA. The museum, like so many others, was forced to close its doors during the COVID-19 pandemic — so they got creative with their programming.\u003c/p>\n\u003cp>Nakagawa recalls that Coblentz said she was tired of looking at a screen. “Let’s create things that you don’t have to look at,” she said.\u003c/p>\n\u003cp>Nakagawa had an idea. Sitting in his studio, he thought, “I would like to do something that talks about this isolation that’s sort of built into the pandemic.” He decided to collect haiku and turn them into an audio collage. The short poetic form fit his idea, he says, because it’s accessible.\u003c/p>\n\u003cp>\u003cem>I miss you lover\u003cbr>\nAn ocean is between us\u003cbr>\nStuck here by disease\u003c/em>\u003c/p>\n\u003cp>“It’s less about making art and more like a game to put down your thoughts,” he said. “A haiku could be done by a master and I’m sure that’s amazing. But it can also be done by like a second grader, and be equally as honest and expressive.”[aside postID=\"arts_13870224\" label=\"More Poetry\"]\u003c/p>\n\u003cp>The museum put the call out to the public to submit short expressive reactions to sheltering in place. Nakagawa anticipated a moderate response. “Originally I thought I was going to make one piece with maybe 50 haiku,” he said. “Maybe it’ll be like 10 minutes long.” But submissions came pouring in, some from around the world. Nakagawa received over 500 and used them to construct nine separate audio pieces. Playing under the recorded poems are processed field recordings Nakagawa made but had not used for previous work.\u003c/p>\n\u003cp>\u003cem>Breathe the blossoming\u003cbr>\nOf the Earth unencumbered\u003cbr>\nBy our existence \u003c/em>\u003c/p>\n\u003cp>The poems span the range of emotion, from high school seniors lamenting their missed graduations, to appreciations of the world greened by the spring and the sudden drop in human-caused pollution. Many address the paranoia inherent in trying to keep social distance, and the fear of death.\u003c/p>\n\u003cp>\u003cem>This is my goodbye,\u003cbr>\nI wish I could be at school,\u003cbr>\nEven just once more\u003c/em>\u003c/p>\n\u003cp>\u003cem>The husband coughs in\u003c/em>\u003cbr>\n\u003cem>The other room — Don’t panic\u003c/em>\u003cbr>\n\u003cem>So much is in bloom\u003c/em>\u003c/p>\n\u003cp>“The majority are positive,” Nakagawa said. “Gratitude, like the level of gratitude that people have, they’re definitely expressing it in their haiku.”\u003c/p>\n\u003cp>\u003cem>Who are the heroes?\u003cbr>\nNew perspective with new eyes\u003cbr>\nNow what matters most\u003c/em>\u003c/p>\n\u003cp>Listen to Nakagawa’s audio project:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" width=\"100%\" height=\"500\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1036780702&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The museum put the call out to the public to submit short expressive reactions to sheltering in place. Nakagawa anticipated a moderate response. “Originally I thought I was going to make one piece with maybe 50 haiku,” he said. “Maybe it’ll be like 10 minutes long.” But submissions came pouring in, some from around the world. Nakagawa received over 500 and used them to construct nine separate audio pieces. Playing under the recorded poems are processed field recordings Nakagawa made but had not used for previous work.\u003c/p>\n\u003cp>\u003cem>Breathe the blossoming\u003cbr>\nOf the Earth unencumbered\u003cbr>\nBy our existence \u003c/em>\u003c/p>\n\u003cp>The poems span the range of emotion, from high school seniors lamenting their missed graduations, to appreciations of the world greened by the spring and the sudden drop in human-caused pollution. Many address the paranoia inherent in trying to keep social distance, and the fear of death.\u003c/p>\n\u003cp>\u003cem>This is my goodbye,\u003cbr>\nI wish I could be at school,\u003cbr>\nEven just once more\u003c/em>\u003c/p>\n\u003cp>\u003cem>The husband coughs in\u003c/em>\u003cbr>\n\u003cem>The other room — Don’t panic\u003c/em>\u003cbr>\n\u003cem>So much is in bloom\u003c/em>\u003c/p>\n\u003cp>“The majority are positive,” Nakagawa said. “Gratitude, like the level of gratitude that people have, they’re definitely expressing it in their haiku.”\u003c/p>\n\u003cp>\u003cem>Who are the heroes?\u003cbr>\nNew perspective with new eyes\u003cbr>\nNow what matters most\u003c/em>\u003c/p>\n\u003cp>Listen to Nakagawa’s audio project:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" width=\"100%\" height=\"500\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1036780702&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>",
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