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"caption": "A selection of books about the Black Panther Party for Self Defense adorn the coffee table in the San Francisco apartment of Panther Minister of Culture Emory Douglas.",
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"slug": "what-todays-artist-activists-can-learn-from-the-black-panthers-50-years-on",
"title": "What Today's Artist-Activists Can Learn From the Black Panthers, 50 Years On",
"publishDate": 1475780432,
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"headTitle": "What Today’s Artist-Activists Can Learn From the Black Panthers, 50 Years On | KQED",
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"content": "\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/286361203″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>If you want to get a sense of how art goes hand in hand with political activism, spend a little time with Emory Douglas and Ericka Huggins.\u003c/p>\n\u003cp>[contextly_sidebar id=”1UDJ59Jc9T1K13PaaWlHS2spN4LnP16i”]As “Minister of Culture” and a lead graphic artist for the Panthers, Douglas created striking images for the party’s weekly newspaper, like \u003ca href=\"https://ancienttofuture.files.wordpress.com/2011/08/emory-pigs.jpg\" target=\"_blank\" rel=\"noopener\">a famous ink drawing of an angry-looking pig dressed as a cop\u003c/a>, armed to the snout with a baseball bat and canisters of tear gas and mace. “It symbolically represents the police themselves in relationship to their bad manners in the community,” says Douglas, who joined the party in 1967.\u003c/p>\n\u003cfigure id=\"attachment_12163403\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12163403\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/EmoryErika.jpg\" alt=\"Emory Douglas at his home in San Francisco. Sep. 23, 2016; Ericka Huggins at Impact Hub Oakland, Sep. 14, 2016.\" width=\"1200\" height=\"593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/EmoryErika.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/EmoryErika-400x198.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/EmoryErika-800x395.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/EmoryErika-768x380.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/EmoryErika-1180x583.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/EmoryErika-960x474.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Emory Douglas at his home in San Francisco. Sep. 23, 2016; Ericka Huggins at Impact Hub Oakland, Sep. 14, 2016. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The Black Panther Party always had art, music, dance, even fashion, as a way of thinking about how we shift cultural awareness,” says poet, educator and activist Ericka Huggins, who joined the organization when she was 18.\u003c/p>\n\u003cp>Beyond helping to shape the public’s views around issues like racial discrimination and police brutality against black Americans, Huggins says art also brought in much-needed bail money and helped pay legal fees as Panthers increasingly found themselves on the wrong side of the law. Rock bands like the Grateful Dead, and the Panthers’ own funk group, the Lumpen, performed benefits for party members like Bobby Seale, who was charged with inciting a riot following the 1968 Democratic National Convention in Chicago.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"The Lumpen - Free Bobby Now - Seize The Time.wmv\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/e01mZDrdmLw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3>Issues continue 50 years on\u003c/h3>\n\u003cp>As the Black Panther Party celebrates the 50th anniversary of its 1966 founding in Oakland with a slew of cultural events ranging from major museum exhibitions to concerts to underground dance shows, artists observe how little things have changed in five decades for black Americans. “The year marker might be different, but the conversations are much the same,” says Oakland musician and activist Jay-Marie Hill, who plays with the band \u003ca href=\"http://wearefarfetched.net/album/the-revolution-has-come\" target=\"_blank\" rel=\"noopener\">Reverend Sekou & the Holy Ghost\u003c/a>.\u003c/p>\n\u003cp>Bay Area artists like Hill are riffing off the Panther’s legacy to create art aimed at inspiring a modern-day revolution. The musician didn’t start out paying much attention to the Panthers. “I wasn’t connected to the history of black activism even as I grew up in the Bay Area,” Hill says. But struck by the near-constant barrage of news about Black Americans being shot and killed by police, she decided to devote herself full-time to making protest music.\u003c/p>\n\u003cfigure id=\"attachment_12159751\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12159751\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Jay-Marie-Hill-e1475624910403-800x451.jpeg\" alt=\"Oakland musician and activist Jay Marie Hill\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Jay-Marie-Hill-e1475624910403-800x451.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Jay-Marie-Hill-e1475624910403-400x226.jpeg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Jay-Marie-Hill-e1475624910403-768x433.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Jay-Marie-Hill-e1475624910403-960x542.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Jay-Marie-Hill-e1475624910403.jpeg 998w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland musician and activist Jay Marie Hill. \u003ccite>(Photo: Courtesy Paul Weaver Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hill admires the Panthers’ sense of urgency toward their mission. “Something that the Panthers were absolute about was we are not going to wait for your approval,” Hill says. “We’re coming. We have these demands and we’re not going to wait for you to say it’s OK.”\u003c/p>\n\u003cp>You can hear it in Hill’s forceful song, “We Comin’.” With lyrics like “No more water / Fire next time / If we don’t get no justice / You don’t get no peace’a mind / We ready / We comin,'” the song, Hill says, is inspired by the Panthers’ insistent call to action; their refusal to sit around.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/242410166″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>But Hill says looking to the Panthers will only get today’s activists so far. For her, it’s a matter of gender politics. “One of the differences of this movement, in this moment, is that we’re not down with the men being in front,” Hill says. “And there’s women who can nuance the conversation and really take care of the people.”\u003c/p>\n\u003ch3>Women up front\u003c/h3>\n\u003cp>I met many artists who feel the same way as Hill, and are also using the Panthers’ 50th anniversary as a way to refocus attention away from men and onto women. Women made up the majority of the Party’s membership, and did a huge share of its positive work in the community.\u003c/p>\n\u003cp>Those are facts that some arts organizations want to make plain. The curators at \u003ca href=\"https://oakland.impacthub.net\" target=\"_blank\" rel=\"noopener\">Impact Hub Oakland\u003c/a>, a co-working and creative space in the city’s Uptown neighborhood, commissioned six local contemporary artists including Karen Seneferu and Ain Bailey to contribute art to \u003cem>Sister Comrade\u003c/em>, a multimedia installation honoring some of the most prominent women of the Black Panther Party, such as Elaine Brown, Tarika Lewis and Huggins. The installation is part of \u003ca href=\"https://oakland.impacthub.net/event/opening-nite-reception-survival-pending-revolutionblack-panther-party-50/\" target=\"_blank\" rel=\"noopener\">\u003cem>Survival Pending Revolution: Black Panther Party 50\u003c/em>\u003c/a>, a larger series of programs at Impact Hub featuring archival material and Panther-related talks and other events.\u003c/p>\n\u003cfigure id=\"attachment_12159754\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12159754\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Impact-Hub-shrine-to-BPP-women-e1475625182820-800x451.jpg\" alt=\"The ‘Comrade Sister’ shrine honoring prominent women of the Black Panther Party at Impact Hub Oakland’s Omi Gallery.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Impact-Hub-shrine-to-BPP-women-e1475625182820-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Impact-Hub-shrine-to-BPP-women-e1475625182820-400x226.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Impact-Hub-shrine-to-BPP-women-e1475625182820-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Impact-Hub-shrine-to-BPP-women-e1475625182820-1180x666.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Impact-Hub-shrine-to-BPP-women-e1475625182820-1920x1083.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Impact-Hub-shrine-to-BPP-women-e1475625182820-960x541.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The ‘Comrade Sister’ installation honoring prominent women of the Black Panther Party at Impact Hub Oakland’s Omi Gallery. \u003ccite>(Photo: Ashara Ekundayo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’re looking at the legacy of the feminine divine and women’s voices and making decisions that impact everyone,” says Ashara Ekundayo, who runs Impact Hub Oakland.\u003c/p>\n\u003cp>Meanwhile, the members of \u003ca href=\"https://www.dimensionsdance.org/\" target=\"_blank\" rel=\"noopener\">Dimensions Dance Theater\u003c/a>, also based in Oakland, are presenting a new version of \u003cem>Project Panther\u003c/em>, a theater and dance piece the company initially created in 1996 in honor of the Panthers’ 30th anniversary. This time around, though, they’ve added a female actor for the upcoming performances at the Malonga Casquelourd Center for the Arts in downtown Oakland.\u003c/p>\n\u003cfigure id=\"attachment_12159746\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12159746\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/L-to-R-Marianna-Hester-Justin-Sharlman-Phylicia-Stroud-Photo-Ed-Miller-e1475623883185-800x452.jpg\" alt=\"Dimensions Dance Theater company mmebers in a scene from 'Project Panther'. Left to Right: Marianna Hester, Justin Sharlman, Phylicia Stroud.\" width=\"800\" height=\"452\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/L-to-R-Marianna-Hester-Justin-Sharlman-Phylicia-Stroud-Photo-Ed-Miller-e1475623883185-800x452.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/L-to-R-Marianna-Hester-Justin-Sharlman-Phylicia-Stroud-Photo-Ed-Miller-e1475623883185-400x226.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/L-to-R-Marianna-Hester-Justin-Sharlman-Phylicia-Stroud-Photo-Ed-Miller-e1475623883185-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/L-to-R-Marianna-Hester-Justin-Sharlman-Phylicia-Stroud-Photo-Ed-Miller-e1475623883185-1180x666.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/L-to-R-Marianna-Hester-Justin-Sharlman-Phylicia-Stroud-Photo-Ed-Miller-e1475623883185-1920x1084.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/L-to-R-Marianna-Hester-Justin-Sharlman-Phylicia-Stroud-Photo-Ed-Miller-e1475623883185-960x542.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dimensions Dance Theater company members in a scene from ‘Project Panther.’ Left to Right: Marianna Hester, Justin Sharlman, Phylicia Stroud. \u003ccite>( Photo: Ed Miller)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“But let’s give credit where credit is due, my brothers!,” says the nameless woman, played by actor Brittany Turner, in a scene in which she faces off against two male comrades. “The women in the BPP held it down, truth be told! You could not have done it without us! Then tell the whole story. We helped with the students, the paper, breakfast programs, spreading awareness, right?!”\u003c/p>\n\u003ch3>Spotlight on the rank and file\u003c/h3>\n\u003cp>Another critique levied by modern-day artists against the culture surrounding the Panthers has to do with the glorification of its leaders. Party celebrities like Huey Newton, convicted of manslaughter charges in 1968, were frequent targets of FBI investigations and the focus of much of the controversy surrounding the Party.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"A Live Black Panthers Free Huey Rally Filmed in Aug 1968\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/dkMmeu6FVIw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>As a result, many artists now want to look at the important role ordinary people played in furthering the Panthers’ mission, rather than on its figureheads. “I would call it adding a dimension to the Panthers’ story that really hasn’t been told yet and that’s the viewpoint of the rank and file members,” says photojournalist Bryan Shih, co-author, along with historian Yohuru Williams, of the new book of portraits of still-living Panthers, \u003ca href=\"https://www.amazon.com/Black-Panthers-Portraits-Unfinished-Revolution/dp/1568585551/\" target=\"_blank\" rel=\"noopener\">\u003cem>The Black Panthers: An Unfinished Revolution\u003c/em>\u003c/a>. “The effect of the portraits is to really humanize people that I think have been really demonized,” Shih says.\u003c/p>\n\u003cp>One of the many striking portraits in the book is of Richard Brown. Brown was a coordinator of Black Panther jobs and education programs at a San Francisco community center. In the photo, taken recently, the 75-year-old wears a leather jacket and a T-shirt bearing the slogan “All Power to the People.” Brown stares at the camera knowingly — daring us to take up the revolutionary mantle.\u003c/p>\n\u003cfigure id=\"attachment_12164407\" class=\"wp-caption aligncenter\" style=\"max-width: 598px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12164407\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-598x600.jpeg\" alt=\"Portrait of ex-Panther Richard Brown from the new book 'The Black Panthers: An Unfinished Revolution' by Bryan Shih and Yohuru Williams.\" width=\"598\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-598x600.jpeg 598w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-400x401.jpeg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-768x771.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-1176x1180.jpeg 1176w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-1920x1927.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-1180x1184.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-960x963.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-32x32.jpeg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-50x50.jpeg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-64x64.jpeg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-96x96.jpeg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-128x128.jpeg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-150x150.jpeg 150w\" sizes=\"(max-width: 598px) 100vw, 598px\">\u003cfigcaption class=\"wp-caption-text\">Portrait of ex-Panther Richard Brown from the new book ‘The Black Panthers: An Unfinished Revolution’ by Bryan Shih and Yohuru Williams. \u003ccite>(Photo: Bryan Shih)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Art that dares people to continue the fight\u003c/h3>\n\u003cp>If you want to follow in Brown’s footsteps, a good place to start your schooling is at the Oakland Museum of California’s new exhibition, \u003ca href=\"http://museumca.org/exhibit/all-power-people-black-panthers-50\" target=\"_blank\" rel=\"noopener\">\u003cem>All Power to the People: The Black Panthers At Fifty\u003c/em>\u003c/a>. Among the many artifacts and artworks on display, the exhibition includes 39 of Shih’s portraits.\u003c/p>\n\u003cp>But the first thing you’ll come across as you enter the galleries is a bronze replica of an enormous wicker chair. This is artist Sam Durant’s rendering of Huey Newton’s throne in what has become perhaps the Panthers’ most iconic image.\u003c/p>\n\u003cfigure id=\"attachment_12159758\" class=\"wp-caption aligncenter\" style=\"max-width: 464px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12159758\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/M20-283-464x600.jpg\" alt=\"Blair Stapp, Untitled (Huey Newton), circa 2003. Offset lithograph on paper, 26 x 20 in. Collection of the Oakland Museum of California, All Of Us Or None Archive. Gift of the Rossman Family.\" width=\"464\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/M20-283-464x600.jpg 464w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/M20-283-400x517.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/M20-283-768x993.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/M20-283-913x1180.jpg 913w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/M20-283-1920x2483.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/M20-283-1180x1526.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/M20-283-960x1241.jpg 960w\" sizes=\"(max-width: 464px) 100vw, 464px\">\u003cfigcaption class=\"wp-caption-text\">Blair Stapp, Untitled (Huey Newton), circa 2003. Offset lithograph on paper, 26 x 20 in. Collection of the Oakland Museum of California, All Of Us Or None Archive. Gift of the Rossman Family. \u003ccite>(Photo: Courtesy Oakland Museum of California)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And museum curator René de Guzman says there’s a twist: it’s interactive. “The public’s invited to sit in it,” de Guzman says. “So physically they can sit within the legacy of the Black Panther Party and reflect upon those ideas.”\u003c/p>\n\u003cp>Step up. Take a seat. Have a think. These artists hope you’ll take cues from the past to build a better world for the future.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>\u003ca href=\"https://ww2.kqed.org/arts/2016/10/06/the-bay-area-celebrates-the-black-panther-party-at-50/\" target=\"_blank\" rel=\"noopener\">See our guide \u003c/a>for a full list of events, exhibitions, performances and conferences around the Bay Area commemorating the 50th anniversary of the Black Panther Party’s founding.\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_12163006\" class=\"wp-caption aligncenter\" style=\"max-width: 635px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12163006\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/content-1-e1475685925796.jpg\" alt=\"Sam Durant Proposal for a Monument to Huey Newton at the Alameda County Courthouse Collection of the Oakland Museum of California. Gift of the artist and the Art Acquisition\" width=\"635\" height=\"405\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/content-1-e1475685925796.jpg 635w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/content-1-e1475685925796-400x255.jpg 400w\" sizes=\"(max-width: 635px) 100vw, 635px\">\u003cfigcaption class=\"wp-caption-text\">Sam Durant: Proposal for a Monument to Huey Newton at the Alameda County Courthouse\u003cbr>Collection of the Oakland Museum of California. Gift of the artist and the Art Acquisition. \u003ccite>(Photo: Courtesy Oakland Museum of California)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"excerpt": "As the Black Panther Party for Self Defense celebrates the 50th anniversary of its founding in Oakland, Bay Area artists create work to inspire a modern-day revolution.",
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"title": "What Today's Artist-Activists Can Learn From the Black Panthers, 50 Years On | KQED",
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"headline": "What Today's Artist-Activists Can Learn From the Black Panthers, 50 Years On",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/286361203″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/286361203″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>If you want to get a sense of how art goes hand in hand with political activism, spend a little time with Emory Douglas and Ericka Huggins.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>As “Minister of Culture” and a lead graphic artist for the Panthers, Douglas created striking images for the party’s weekly newspaper, like \u003ca href=\"https://ancienttofuture.files.wordpress.com/2011/08/emory-pigs.jpg\" target=\"_blank\" rel=\"noopener\">a famous ink drawing of an angry-looking pig dressed as a cop\u003c/a>, armed to the snout with a baseball bat and canisters of tear gas and mace. “It symbolically represents the police themselves in relationship to their bad manners in the community,” says Douglas, who joined the party in 1967.\u003c/p>\n\u003cfigure id=\"attachment_12163403\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12163403\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/EmoryErika.jpg\" alt=\"Emory Douglas at his home in San Francisco. Sep. 23, 2016; Ericka Huggins at Impact Hub Oakland, Sep. 14, 2016.\" width=\"1200\" height=\"593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/EmoryErika.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/EmoryErika-400x198.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/EmoryErika-800x395.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/EmoryErika-768x380.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/EmoryErika-1180x583.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/EmoryErika-960x474.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Emory Douglas at his home in San Francisco. Sep. 23, 2016; Ericka Huggins at Impact Hub Oakland, Sep. 14, 2016. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The Black Panther Party always had art, music, dance, even fashion, as a way of thinking about how we shift cultural awareness,” says poet, educator and activist Ericka Huggins, who joined the organization when she was 18.\u003c/p>\n\u003cp>Beyond helping to shape the public’s views around issues like racial discrimination and police brutality against black Americans, Huggins says art also brought in much-needed bail money and helped pay legal fees as Panthers increasingly found themselves on the wrong side of the law. Rock bands like the Grateful Dead, and the Panthers’ own funk group, the Lumpen, performed benefits for party members like Bobby Seale, who was charged with inciting a riot following the 1968 Democratic National Convention in Chicago.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"The Lumpen - Free Bobby Now - Seize The Time.wmv\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/e01mZDrdmLw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3>Issues continue 50 years on\u003c/h3>\n\u003cp>As the Black Panther Party celebrates the 50th anniversary of its 1966 founding in Oakland with a slew of cultural events ranging from major museum exhibitions to concerts to underground dance shows, artists observe how little things have changed in five decades for black Americans. “The year marker might be different, but the conversations are much the same,” says Oakland musician and activist Jay-Marie Hill, who plays with the band \u003ca href=\"http://wearefarfetched.net/album/the-revolution-has-come\" target=\"_blank\" rel=\"noopener\">Reverend Sekou & the Holy Ghost\u003c/a>.\u003c/p>\n\u003cp>Bay Area artists like Hill are riffing off the Panther’s legacy to create art aimed at inspiring a modern-day revolution. The musician didn’t start out paying much attention to the Panthers. “I wasn’t connected to the history of black activism even as I grew up in the Bay Area,” Hill says. But struck by the near-constant barrage of news about Black Americans being shot and killed by police, she decided to devote herself full-time to making protest music.\u003c/p>\n\u003cfigure id=\"attachment_12159751\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12159751\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Jay-Marie-Hill-e1475624910403-800x451.jpeg\" alt=\"Oakland musician and activist Jay Marie Hill\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Jay-Marie-Hill-e1475624910403-800x451.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Jay-Marie-Hill-e1475624910403-400x226.jpeg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Jay-Marie-Hill-e1475624910403-768x433.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Jay-Marie-Hill-e1475624910403-960x542.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Jay-Marie-Hill-e1475624910403.jpeg 998w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland musician and activist Jay Marie Hill. \u003ccite>(Photo: Courtesy Paul Weaver Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hill admires the Panthers’ sense of urgency toward their mission. “Something that the Panthers were absolute about was we are not going to wait for your approval,” Hill says. “We’re coming. We have these demands and we’re not going to wait for you to say it’s OK.”\u003c/p>\n\u003cp>You can hear it in Hill’s forceful song, “We Comin’.” With lyrics like “No more water / Fire next time / If we don’t get no justice / You don’t get no peace’a mind / We ready / We comin,'” the song, Hill says, is inspired by the Panthers’ insistent call to action; their refusal to sit around.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/242410166″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/242410166″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>But Hill says looking to the Panthers will only get today’s activists so far. For her, it’s a matter of gender politics. “One of the differences of this movement, in this moment, is that we’re not down with the men being in front,” Hill says. “And there’s women who can nuance the conversation and really take care of the people.”\u003c/p>\n\u003ch3>Women up front\u003c/h3>\n\u003cp>I met many artists who feel the same way as Hill, and are also using the Panthers’ 50th anniversary as a way to refocus attention away from men and onto women. Women made up the majority of the Party’s membership, and did a huge share of its positive work in the community.\u003c/p>\n\u003cp>Those are facts that some arts organizations want to make plain. The curators at \u003ca href=\"https://oakland.impacthub.net\" target=\"_blank\" rel=\"noopener\">Impact Hub Oakland\u003c/a>, a co-working and creative space in the city’s Uptown neighborhood, commissioned six local contemporary artists including Karen Seneferu and Ain Bailey to contribute art to \u003cem>Sister Comrade\u003c/em>, a multimedia installation honoring some of the most prominent women of the Black Panther Party, such as Elaine Brown, Tarika Lewis and Huggins. The installation is part of \u003ca href=\"https://oakland.impacthub.net/event/opening-nite-reception-survival-pending-revolutionblack-panther-party-50/\" target=\"_blank\" rel=\"noopener\">\u003cem>Survival Pending Revolution: Black Panther Party 50\u003c/em>\u003c/a>, a larger series of programs at Impact Hub featuring archival material and Panther-related talks and other events.\u003c/p>\n\u003cfigure id=\"attachment_12159754\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12159754\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Impact-Hub-shrine-to-BPP-women-e1475625182820-800x451.jpg\" alt=\"The ‘Comrade Sister’ shrine honoring prominent women of the Black Panther Party at Impact Hub Oakland’s Omi Gallery.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Impact-Hub-shrine-to-BPP-women-e1475625182820-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Impact-Hub-shrine-to-BPP-women-e1475625182820-400x226.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Impact-Hub-shrine-to-BPP-women-e1475625182820-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Impact-Hub-shrine-to-BPP-women-e1475625182820-1180x666.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Impact-Hub-shrine-to-BPP-women-e1475625182820-1920x1083.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Impact-Hub-shrine-to-BPP-women-e1475625182820-960x541.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The ‘Comrade Sister’ installation honoring prominent women of the Black Panther Party at Impact Hub Oakland’s Omi Gallery. \u003ccite>(Photo: Ashara Ekundayo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’re looking at the legacy of the feminine divine and women’s voices and making decisions that impact everyone,” says Ashara Ekundayo, who runs Impact Hub Oakland.\u003c/p>\n\u003cp>Meanwhile, the members of \u003ca href=\"https://www.dimensionsdance.org/\" target=\"_blank\" rel=\"noopener\">Dimensions Dance Theater\u003c/a>, also based in Oakland, are presenting a new version of \u003cem>Project Panther\u003c/em>, a theater and dance piece the company initially created in 1996 in honor of the Panthers’ 30th anniversary. This time around, though, they’ve added a female actor for the upcoming performances at the Malonga Casquelourd Center for the Arts in downtown Oakland.\u003c/p>\n\u003cfigure id=\"attachment_12159746\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12159746\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/L-to-R-Marianna-Hester-Justin-Sharlman-Phylicia-Stroud-Photo-Ed-Miller-e1475623883185-800x452.jpg\" alt=\"Dimensions Dance Theater company mmebers in a scene from 'Project Panther'. Left to Right: Marianna Hester, Justin Sharlman, Phylicia Stroud.\" width=\"800\" height=\"452\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/L-to-R-Marianna-Hester-Justin-Sharlman-Phylicia-Stroud-Photo-Ed-Miller-e1475623883185-800x452.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/L-to-R-Marianna-Hester-Justin-Sharlman-Phylicia-Stroud-Photo-Ed-Miller-e1475623883185-400x226.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/L-to-R-Marianna-Hester-Justin-Sharlman-Phylicia-Stroud-Photo-Ed-Miller-e1475623883185-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/L-to-R-Marianna-Hester-Justin-Sharlman-Phylicia-Stroud-Photo-Ed-Miller-e1475623883185-1180x666.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/L-to-R-Marianna-Hester-Justin-Sharlman-Phylicia-Stroud-Photo-Ed-Miller-e1475623883185-1920x1084.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/L-to-R-Marianna-Hester-Justin-Sharlman-Phylicia-Stroud-Photo-Ed-Miller-e1475623883185-960x542.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dimensions Dance Theater company members in a scene from ‘Project Panther.’ Left to Right: Marianna Hester, Justin Sharlman, Phylicia Stroud. \u003ccite>( Photo: Ed Miller)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“But let’s give credit where credit is due, my brothers!,” says the nameless woman, played by actor Brittany Turner, in a scene in which she faces off against two male comrades. “The women in the BPP held it down, truth be told! You could not have done it without us! Then tell the whole story. We helped with the students, the paper, breakfast programs, spreading awareness, right?!”\u003c/p>\n\u003ch3>Spotlight on the rank and file\u003c/h3>\n\u003cp>Another critique levied by modern-day artists against the culture surrounding the Panthers has to do with the glorification of its leaders. Party celebrities like Huey Newton, convicted of manslaughter charges in 1968, were frequent targets of FBI investigations and the focus of much of the controversy surrounding the Party.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"A Live Black Panthers Free Huey Rally Filmed in Aug 1968\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/dkMmeu6FVIw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>As a result, many artists now want to look at the important role ordinary people played in furthering the Panthers’ mission, rather than on its figureheads. “I would call it adding a dimension to the Panthers’ story that really hasn’t been told yet and that’s the viewpoint of the rank and file members,” says photojournalist Bryan Shih, co-author, along with historian Yohuru Williams, of the new book of portraits of still-living Panthers, \u003ca href=\"https://www.amazon.com/Black-Panthers-Portraits-Unfinished-Revolution/dp/1568585551/\" target=\"_blank\" rel=\"noopener\">\u003cem>The Black Panthers: An Unfinished Revolution\u003c/em>\u003c/a>. “The effect of the portraits is to really humanize people that I think have been really demonized,” Shih says.\u003c/p>\n\u003cp>One of the many striking portraits in the book is of Richard Brown. Brown was a coordinator of Black Panther jobs and education programs at a San Francisco community center. In the photo, taken recently, the 75-year-old wears a leather jacket and a T-shirt bearing the slogan “All Power to the People.” Brown stares at the camera knowingly — daring us to take up the revolutionary mantle.\u003c/p>\n\u003cfigure id=\"attachment_12164407\" class=\"wp-caption aligncenter\" style=\"max-width: 598px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12164407\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-598x600.jpeg\" alt=\"Portrait of ex-Panther Richard Brown from the new book 'The Black Panthers: An Unfinished Revolution' by Bryan Shih and Yohuru Williams.\" width=\"598\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-598x600.jpeg 598w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-400x401.jpeg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-768x771.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-1176x1180.jpeg 1176w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-1920x1927.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-1180x1184.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-960x963.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-32x32.jpeg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-50x50.jpeg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-64x64.jpeg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-96x96.jpeg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-128x128.jpeg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/Richard-Brown-Flat-150x150.jpeg 150w\" sizes=\"(max-width: 598px) 100vw, 598px\">\u003cfigcaption class=\"wp-caption-text\">Portrait of ex-Panther Richard Brown from the new book ‘The Black Panthers: An Unfinished Revolution’ by Bryan Shih and Yohuru Williams. \u003ccite>(Photo: Bryan Shih)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Art that dares people to continue the fight\u003c/h3>\n\u003cp>If you want to follow in Brown’s footsteps, a good place to start your schooling is at the Oakland Museum of California’s new exhibition, \u003ca href=\"http://museumca.org/exhibit/all-power-people-black-panthers-50\" target=\"_blank\" rel=\"noopener\">\u003cem>All Power to the People: The Black Panthers At Fifty\u003c/em>\u003c/a>. Among the many artifacts and artworks on display, the exhibition includes 39 of Shih’s portraits.\u003c/p>\n\u003cp>But the first thing you’ll come across as you enter the galleries is a bronze replica of an enormous wicker chair. This is artist Sam Durant’s rendering of Huey Newton’s throne in what has become perhaps the Panthers’ most iconic image.\u003c/p>\n\u003cfigure id=\"attachment_12159758\" class=\"wp-caption aligncenter\" style=\"max-width: 464px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12159758\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/M20-283-464x600.jpg\" alt=\"Blair Stapp, Untitled (Huey Newton), circa 2003. Offset lithograph on paper, 26 x 20 in. Collection of the Oakland Museum of California, All Of Us Or None Archive. Gift of the Rossman Family.\" width=\"464\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/M20-283-464x600.jpg 464w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/M20-283-400x517.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/M20-283-768x993.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/M20-283-913x1180.jpg 913w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/M20-283-1920x2483.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/M20-283-1180x1526.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/M20-283-960x1241.jpg 960w\" sizes=\"(max-width: 464px) 100vw, 464px\">\u003cfigcaption class=\"wp-caption-text\">Blair Stapp, Untitled (Huey Newton), circa 2003. Offset lithograph on paper, 26 x 20 in. Collection of the Oakland Museum of California, All Of Us Or None Archive. Gift of the Rossman Family. \u003ccite>(Photo: Courtesy Oakland Museum of California)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And museum curator René de Guzman says there’s a twist: it’s interactive. “The public’s invited to sit in it,” de Guzman says. “So physically they can sit within the legacy of the Black Panther Party and reflect upon those ideas.”\u003c/p>\n\u003cp>Step up. Take a seat. Have a think. These artists hope you’ll take cues from the past to build a better world for the future.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003ca href=\"https://ww2.kqed.org/arts/2016/10/06/the-bay-area-celebrates-the-black-panther-party-at-50/\" target=\"_blank\" rel=\"noopener\">See our guide \u003c/a>for a full list of events, exhibitions, performances and conferences around the Bay Area commemorating the 50th anniversary of the Black Panther Party’s founding.\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_12163006\" class=\"wp-caption aligncenter\" style=\"max-width: 635px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12163006\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/10/content-1-e1475685925796.jpg\" alt=\"Sam Durant Proposal for a Monument to Huey Newton at the Alameda County Courthouse Collection of the Oakland Museum of California. Gift of the artist and the Art Acquisition\" width=\"635\" height=\"405\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/content-1-e1475685925796.jpg 635w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/content-1-e1475685925796-400x255.jpg 400w\" sizes=\"(max-width: 635px) 100vw, 635px\">\u003cfigcaption class=\"wp-caption-text\">Sam Durant: Proposal for a Monument to Huey Newton at the Alameda County Courthouse\u003cbr>Collection of the Oakland Museum of California. Gift of the artist and the Art Acquisition. \u003ccite>(Photo: Courtesy Oakland Museum of California)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
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"id": "city-arts",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
"link": "/forum",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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},
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
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