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"content": "\u003cp>\u003cstrong>DOORS OPEN AT 7PM. SHOW STARTS AT 7:30PM.\u003c/strong>\u003c/p>\n\u003cp>MCs, DJs, promoters — women have helped build hip-hop culture since its foundation. Yet in a male-dominated music industry, many of their stories aren’t told. It’s time to correct the record with a night of music and conversation. We’ll go behind the scenes of 1988’s “\u003ca class=\"x_OWAAutoLink\" href=\"https://www.youtube.com/watch?v=TJZ1hVfdBso\" target=\"_blank\" rel=\"noopener noreferrer\">The Real Freaky Tales, The Girls Story\u003c/a>” with Kimmie Fresh, and unpack pimp culture with RyanNicole, co-host of the vodcast ‘\u003ca class=\"x_OWAAutoLink\" href=\"https://www.kqed.org/whatspimpin\" target=\"_blank\" rel=\"noopener noreferrer\">What’s Pimpin\u003c/a>’?’ After the panels, \u003ca class=\"x_OWAAutoLink\" href=\"https://www.instagram.com/tia.nomore/\" target=\"_blank\" rel=\"noopener noreferrer\">Tia Nomore\u003c/a>, Stoni and Alien Mac Kitty, three rising stars of Bay Area rap, will grace the stage with live performances. Nastia Voynovskaya, co-editor of KQED’s \u003ca class=\"x_OWAAutoLink\" href=\"https://www.kqed.org/bayareahiphop\" target=\"_blank\" rel=\"noopener noreferrer\">That’s My Word\u003c/a>, will host.\u003c/p>\n\u003cp>\u003cstrong>Featuring:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca class=\"x_OWAAutoLink\" href=\"https://www.instagram.com/tia.nomore/\" target=\"_blank\" rel=\"noopener noreferrer\">Tia Nomore\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.msryannicole.com/home\">RyanNicole\u003c/a>\u003c/li>\n\u003cli>Kimmie Fresh\u003c/li>\n\u003cli>\u003ca href=\"https://www.instagram.com/callherstoni/?hl=en\">Stoni\u003c/a>\u003c/li>\n\u003cli>\u003ca class=\"c-link\" href=\"https://www.kqed.org/arts/13928057/alien-mac-kitty-cougnut-daughter-san-francisco-frisco-rap-legacy\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.kqed.org/arts/13928057/alien-mac-kitty-cougnut-daughter-san-francisco-frisco-rap-legacy\" data-sk=\"tooltip_parent\">Alien Mac Kitty\u003c/a>\u003c/li>\n\u003c/ul>\n",
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"content": "\u003cp>Celebrate the history and uncover the joy of Russell City, a lost Bay Area community, through on-stage interviews and storytelling with the people who lived there. A live band will be on hand to take us back in time, honoring the musical legacy of the town where the blues thrived until the bulldozers rolled in. Presented in partnership with the Hayward Area Recreation & Park District at the newly reopened Douglas Morrisson Theater.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch4>Co-Presenting Partner\u003c/h4>\n\u003cp>\u003ca href=\"https://www.haywardrec.org/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3453\" src=\"https://ww2.kqed.org/app/uploads/sites/76/2023/06/HARD-FullColorTransparent.png\" alt=\"\" width=\"137\" height=\"185\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/HARD-FullColorTransparent.png 666w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/HARD-FullColorTransparent-160x216.png 160w\" sizes=\"(max-width: 137px) 100vw, 137px\" />\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>The Hayward Area Recreation and Park District, known locally as “H.A.R.D.,” is an independent special use district created to provide park and recreation services for over 309,000 residents. Our boundaries encompass a 100 square-mile area, which includes the City of Hayward and the unincorporated communities of Castro Valley, San Lorenzo, Ashland, Cherryland, and Fairview. For more information, visit \u003ca class=\"c-link\" href=\"http://haywardrec.org/\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"http://HaywardRec.org\" data-sk=\"tooltip_parent\">HaywardRec.org\u003c/a>.\u003c/em>\u003c/p>\n",
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"content": "\u003cp>While the Bay Area’s many contributions to art history are well documented, comics rarely get mentioned in that story. And yet, the region’s comics artists have been responsible for dramatic shifts in the art form. Did you know that Henry Yoshitaka Kiyama’s The Four Immigrants Manga, drawn in San Francisco 1924–1927, is one of the first examples of an autobiographical comic strip? Later, the Bay Area was home to the underground comix movement, wimmen’s comix and the rise of queer comics. 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For those hungry to dive into their next great discovery, a mini zine and comics fest will follow the stage event.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Arrive early to shop zines and graphic novels from \u003ca href=\"https://www.silversprocket.net/\">Silver Sprocket\u003c/a>, \u003ca href=\"https://www.lanehahouse.com/\">Laneha House\u003c/a>, \u003ca href=\"https://www.instagram.com/ccacomics/\">CCA Comics\u003c/a>, and \u003ca href=\"https://www.sfzinefest.org/\">SF Zine Fest\u003c/a> starting at 6:30pm in the lobby!\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>\u003cb>Fred Noland\u003c/b>\u003cspan style=\"font-weight: 400\">‘s specialty is visual storytelling, whether in animation, comics, or illustration. Noland’s comics have appeared in the New Yorker, Popula and the East Bay Express. His illustrations have appeared in LA Weekly, Nickelodeon Jr., Xbox Magazine, Revolver, Canoe & Kayak and more. He was the chief artist on the animated short series “Priced Out” which has been shown world-wide. His graphic novel biography about turn-of-the-century champion cyclist Major Taylor is scheduled for release from Drawn & Quarterly in 2025.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Fred lives in Oakland, California, where he is an avid but unremarkable cyclist and a proud poppa. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Justin Hall\u003c/b>\u003cspan style=\"font-weight: 400\"> is a cartoonist, educator, and scholar. He is the creator or co-creator of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">True Travel Tales\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Hard to Swallow\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Theater of Terror: Revenge of the Queers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, and has work in publications such as the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Houghton Mifflin Best American Comics\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Best Erotic Comics\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, and the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">SF Weekly\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. He edited the Lambda-Award-winning and Eisner-nominated collection\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">No Straight Lines: Four Decades of Queer Comics\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and was Producer of the feature-length, award-winning documentary film of the same name. Hall is the Chair of the MFA in Comics program at California College of the Arts, the first Fulbright Scholar of comics, and has curated international exhibitions of comics art and written about comics for academic publications. He is at work on a graphic novel weaving memoir with LGBTQ San Francisco history for Abrams Books. \u003c/span>\u003ca href=\"http://www.justinhallawesomecomics\">\u003cspan style=\"font-weight: 400\">www.justinhallawesomecomics\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cb>Rina Ayuyang\u003c/b>\u003cspan style=\"font-weight: 400\"> was born and raised in Pittsburgh, PA. She was always inspired by the Sunday newspaper funnies and slice-of-life tales. Ayuyang’s new book, The Man in The McIntosh Suit, is a \u003c/span>\u003cspan style=\"font-weight: 400\">Filipino-American take on Depression-era noir featuring mistaken identities, speakeasies, and lost love in\u003c/span>\u003cspan style=\"font-weight: 400\"> San Francisco’s Manilatown. Her short stories have been nominated for the Ignatz and Eisner awards and she has been honored with a MoCCA Arts Festival Awards of Excellence silver medal. Ayuyang’s comics have appeared in Mutha Magazine and The Comics Journal. Her first book published by Drawn & Quarterly was Blame This on the Boogie, which appeared on best of year lists from Forbes, London Free Press, and on Publishers Weekly’s Critics Poll. Ayuyang lives in Oakland, CA. View more of her work at \u003ca href=\"https://rinaayuyang.com/\">rinaayuyang.com\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Julia Wertz\u003c/strong> is a professional cartoonist, amateur historian, and part-time urban explorer. She made a number of graphic novels, the latest being \u003cem>Tenements\u003c/em>, \u003cem>Towers, & Trash\u003c/em> and \u003cem>Impossible People\u003c/em>. She does regular short story comics for the New Yorker. She lives in Sonoma County, CA, with her partner Oliver and their son Felix.\u003c/p>\n\u003cp>\u003cstrong>Thanks to our community partners:\u003c/strong>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3546 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/76/2023/06/SFZF_Logo_1-160x160.png\" alt=\"\" width=\"160\" height=\"160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/SFZF_Logo_1-160x160.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/SFZF_Logo_1-800x800.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/SFZF_Logo_1-1020x1020.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/SFZF_Logo_1-768x768.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/SFZF_Logo_1.png 1080w\" sizes=\"(max-width: 160px) 100vw, 160px\" />\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3547 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/76/2023/06/silver-sprockets-web-chainring-logo-160x79.jpg\" alt=\"\" width=\"160\" height=\"79\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/silver-sprockets-web-chainring-logo-160x79.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/silver-sprockets-web-chainring-logo-800x393.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/silver-sprockets-web-chainring-logo-1020x501.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/silver-sprockets-web-chainring-logo-768x377.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/silver-sprockets-web-chainring-logo.jpg 1310w\" sizes=\"(max-width: 160px) 100vw, 160px\" />\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3548 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/76/2023/06/Laneha-House-Logo-160x96.jpg\" alt=\"\" width=\"160\" height=\"96\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/Laneha-House-Logo-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/Laneha-House-Logo-800x480.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/Laneha-House-Logo-1020x612.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/Laneha-House-Logo-768x461.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/Laneha-House-Logo.jpg 1500w\" sizes=\"(max-width: 160px) 100vw, 160px\" />\u003c/p>\n\u003cp>\u003ca href=\"https://www.cca.edu/humanities-sciences/mfa-comics/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3643 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/76/2023/08/CCA-logo-160x46.jpg\" alt=\"\" width=\"160\" height=\"46\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/76/2023/08/CCA-logo-160x46.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/08/CCA-logo.jpg 498w\" sizes=\"(max-width: 160px) 100vw, 160px\" />\u003c/a>\u003c/p>\n",
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"title": "Bay Area Comics: Drawing from Life | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>While the Bay Area’s many contributions to art history are well documented, comics rarely get mentioned in that story. And yet, the region’s comics artists have been responsible for dramatic shifts in the art form. Did you know that Henry Yoshitaka Kiyama’s The Four Immigrants Manga, drawn in San Francisco 1924–1927, is one of the first examples of an autobiographical comic strip? Later, the Bay Area was home to the underground comix movement, wimmen’s comix and the rise of queer comics. Today, the local comics scene is diverse and vibrant, with artists working across memoir, historical fiction and journalism.\u003c/p>\n\u003cp>Join us for a crash course in comics history with \u003ca href=\"https://www.justinhallawesomecomics.com/bio-contact\">Justin Hall\u003c/a> and live, on-stage storytelling with Bay Area artists \u003ca href=\"https://rinaayuyang.com/\">Rina Ayuyang\u003c/a>, \u003ca href=\"http://www.frednoland.com/\">Fred Noland\u003c/a> and \u003ca href=\"https://www.juliawertz.com/\">Julia Wertz\u003c/a>. In honest, humorous and often difficult stories about their own lives and lesser-known histories, these artists continue to build on the rich legacy of local comics. For those hungry to dive into their next great discovery, a mini zine and comics fest will follow the stage event.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Arrive early to shop zines and graphic novels from \u003ca href=\"https://www.silversprocket.net/\">Silver Sprocket\u003c/a>, \u003ca href=\"https://www.lanehahouse.com/\">Laneha House\u003c/a>, \u003ca href=\"https://www.instagram.com/ccacomics/\">CCA Comics\u003c/a>, and \u003ca href=\"https://www.sfzinefest.org/\">SF Zine Fest\u003c/a> starting at 6:30pm in the lobby!\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>\u003cb>Fred Noland\u003c/b>\u003cspan style=\"font-weight: 400\">‘s specialty is visual storytelling, whether in animation, comics, or illustration. Noland’s comics have appeared in the New Yorker, Popula and the East Bay Express. His illustrations have appeared in LA Weekly, Nickelodeon Jr., Xbox Magazine, Revolver, Canoe & Kayak and more. He was the chief artist on the animated short series “Priced Out” which has been shown world-wide. His graphic novel biography about turn-of-the-century champion cyclist Major Taylor is scheduled for release from Drawn & Quarterly in 2025.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Fred lives in Oakland, California, where he is an avid but unremarkable cyclist and a proud poppa. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Justin Hall\u003c/b>\u003cspan style=\"font-weight: 400\"> is a cartoonist, educator, and scholar. He is the creator or co-creator of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">True Travel Tales\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Hard to Swallow\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, and \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Theater of Terror: Revenge of the Queers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, and has work in publications such as the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Houghton Mifflin Best American Comics\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Best Erotic Comics\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, and the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">SF Weekly\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. He edited the Lambda-Award-winning and Eisner-nominated collection\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">No Straight Lines: Four Decades of Queer Comics\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> and was Producer of the feature-length, award-winning documentary film of the same name. Hall is the Chair of the MFA in Comics program at California College of the Arts, the first Fulbright Scholar of comics, and has curated international exhibitions of comics art and written about comics for academic publications. He is at work on a graphic novel weaving memoir with LGBTQ San Francisco history for Abrams Books. \u003c/span>\u003ca href=\"http://www.justinhallawesomecomics\">\u003cspan style=\"font-weight: 400\">www.justinhallawesomecomics\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cb>Rina Ayuyang\u003c/b>\u003cspan style=\"font-weight: 400\"> was born and raised in Pittsburgh, PA. She was always inspired by the Sunday newspaper funnies and slice-of-life tales. Ayuyang’s new book, The Man in The McIntosh Suit, is a \u003c/span>\u003cspan style=\"font-weight: 400\">Filipino-American take on Depression-era noir featuring mistaken identities, speakeasies, and lost love in\u003c/span>\u003cspan style=\"font-weight: 400\"> San Francisco’s Manilatown. Her short stories have been nominated for the Ignatz and Eisner awards and she has been honored with a MoCCA Arts Festival Awards of Excellence silver medal. Ayuyang’s comics have appeared in Mutha Magazine and The Comics Journal. Her first book published by Drawn & Quarterly was Blame This on the Boogie, which appeared on best of year lists from Forbes, London Free Press, and on Publishers Weekly’s Critics Poll. Ayuyang lives in Oakland, CA. View more of her work at \u003ca href=\"https://rinaayuyang.com/\">rinaayuyang.com\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Julia Wertz\u003c/strong> is a professional cartoonist, amateur historian, and part-time urban explorer. She made a number of graphic novels, the latest being \u003cem>Tenements\u003c/em>, \u003cem>Towers, & Trash\u003c/em> and \u003cem>Impossible People\u003c/em>. She does regular short story comics for the New Yorker. She lives in Sonoma County, CA, with her partner Oliver and their son Felix.\u003c/p>\n\u003cp>\u003cstrong>Thanks to our community partners:\u003c/strong>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3546 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/76/2023/06/SFZF_Logo_1-160x160.png\" alt=\"\" width=\"160\" height=\"160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/SFZF_Logo_1-160x160.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/SFZF_Logo_1-800x800.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/SFZF_Logo_1-1020x1020.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/SFZF_Logo_1-768x768.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/SFZF_Logo_1.png 1080w\" sizes=\"(max-width: 160px) 100vw, 160px\" />\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3547 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/76/2023/06/silver-sprockets-web-chainring-logo-160x79.jpg\" alt=\"\" width=\"160\" height=\"79\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/silver-sprockets-web-chainring-logo-160x79.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/silver-sprockets-web-chainring-logo-800x393.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/silver-sprockets-web-chainring-logo-1020x501.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/silver-sprockets-web-chainring-logo-768x377.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/silver-sprockets-web-chainring-logo.jpg 1310w\" sizes=\"(max-width: 160px) 100vw, 160px\" />\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3548 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/76/2023/06/Laneha-House-Logo-160x96.jpg\" alt=\"\" width=\"160\" height=\"96\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/Laneha-House-Logo-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/Laneha-House-Logo-800x480.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/Laneha-House-Logo-1020x612.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/Laneha-House-Logo-768x461.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/Laneha-House-Logo.jpg 1500w\" sizes=\"(max-width: 160px) 100vw, 160px\" />\u003c/p>\n\u003cp>\u003ca href=\"https://www.cca.edu/humanities-sciences/mfa-comics/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3643 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/76/2023/08/CCA-logo-160x46.jpg\" alt=\"\" width=\"160\" height=\"46\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/76/2023/08/CCA-logo-160x46.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/08/CCA-logo.jpg 498w\" sizes=\"(max-width: 160px) 100vw, 160px\" />\u003c/a>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Making a mistake can trigger a cascade of emotions that get seared into your brain. What you do with those feelings can set you back or put you on a course for a deeper understanding of yourself and those around you. Parents, caregivers and educators are in a unique position every day to be examples for young people; how adults respond to mistakes can help influence the next generation. Join us for interactive games, conversation and tips about the science and social importance of learning from our mistakes.\u003c/p>\n\u003cul>\n\u003cli>Children are welcome to join!\u003c/li>\n\u003cli>Light refreshments will be served.\u003c/li>\n\u003cli>This event is co-produced with \u003ca href=\"https://greatergood.berkeley.edu/\">The Greater Good Science Center\u003c/a>\u003c/li>\n\u003cli>Featuring: Amy L. Eva, Ph.D, The Greater Good Science Center\u003cstrong>Amy L. Eva, Ph.D.\u003c/strong>, is the associate education director at the Greater Good Science Center. As an educational psychologist and teacher educator with over 25 years in classrooms, she currently writes, presents, and leads online courses focused on student and educator well-being, mindfulness, and courage. She is also one of the key developers of Greater Good in Education, a website that features over 250 free, science-based practices for creating kinder, happier schools.\n\u003cp>As a researcher, Amy has published in the areas of teacher education, metacognition, adolescent mental health, and mindfulness-based interventions with marginalized youth. Her new book, Surviving Teacher Burnout: A Weekly Guide To Build Resilience, Deal with Emotional Exhaustion, and Stay Inspired in the Classroom, features 52 simple, low-lift strategies for enhancing educators’ social and emotional well-being.\u003c/li>\n\u003c/ul>\n\u003cp>Thanks to our partners:\u003c/p>\n\u003cp>\u003ca href=\"https://ggsc.berkeley.edu/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-3518\" src=\"https://ww2.kqed.org/app/uploads/sites/76/2023/06/GGSCHiRes-160x32.png\" alt=\"\" width=\"160\" height=\"32\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/GGSCHiRes-160x32.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/GGSCHiRes-800x162.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/GGSCHiRes-1020x207.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/GGSCHiRes-768x156.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/GGSCHiRes.png 1162w\" sizes=\"(max-width: 160px) 100vw, 160px\" />\u003c/a>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Making a mistake can trigger a cascade of emotions that get seared into your brain. What you do with those feelings can set you back or put you on a course for a deeper understanding of yourself and those around you. Parents, caregivers and educators are in a unique position every day to be examples for young people; how adults respond to mistakes can help influence the next generation. Join us for interactive games, conversation and tips about the science and social importance of learning from our mistakes.\u003c/p>\n\u003cul>\n\u003cli>Children are welcome to join!\u003c/li>\n\u003cli>Light refreshments will be served.\u003c/li>\n\u003cli>This event is co-produced with \u003ca href=\"https://greatergood.berkeley.edu/\">The Greater Good Science Center\u003c/a>\u003c/li>\n\u003cli>Featuring: Amy L. Eva, Ph.D, The Greater Good Science Center\u003cstrong>Amy L. Eva, Ph.D.\u003c/strong>, is the associate education director at the Greater Good Science Center. As an educational psychologist and teacher educator with over 25 years in classrooms, she currently writes, presents, and leads online courses focused on student and educator well-being, mindfulness, and courage. She is also one of the key developers of Greater Good in Education, a website that features over 250 free, science-based practices for creating kinder, happier schools.\n\u003cp>As a researcher, Amy has published in the areas of teacher education, metacognition, adolescent mental health, and mindfulness-based interventions with marginalized youth. Her new book, Surviving Teacher Burnout: A Weekly Guide To Build Resilience, Deal with Emotional Exhaustion, and Stay Inspired in the Classroom, features 52 simple, low-lift strategies for enhancing educators’ social and emotional well-being.\u003c/li>\n\u003c/ul>\n\u003cp>Thanks to our partners:\u003c/p>\n\u003cp>\u003ca href=\"https://ggsc.berkeley.edu/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-3518\" src=\"https://ww2.kqed.org/app/uploads/sites/76/2023/06/GGSCHiRes-160x32.png\" alt=\"\" width=\"160\" height=\"32\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/GGSCHiRes-160x32.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/GGSCHiRes-800x162.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/GGSCHiRes-1020x207.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/GGSCHiRes-768x156.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/76/2023/06/GGSCHiRes.png 1162w\" sizes=\"(max-width: 160px) 100vw, 160px\" />\u003c/a>\u003c/p>\n\u003c/div>\u003c/p>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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