Tony Bravo is a San Francisco freelancer covering fashion, menswear, lifestyle and entertainment stories. He is a regular contributor to The Bold Italic and the San Francisco Chronicle's Style section.
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"content": "\u003cp class=\"p1\">Dame Angela Lansbury, she of the gentle consonants and quintuple Tony Awards, has landed in San Francisco! The beloved, 89-year-old star of stage, screen and television is starring in Noël Coward's \u003ci>Blithe Spirit\u003c/i> at the Golden Gate Theater, reprising her award-winning turn as madcap spiritual medium Madam Arcati. For anyone who only knows the monumentally talented Dame (literally and figuratively: in 2014, Queen Elizabeth appointed Lansbury a Dame Commander of the Order of the British Empire) from her 12 seasons as sleuth Jessica Fletcher on \u003ci>Murder, She Wrote,\u003c/i> here's a necessary tutorial on the star's greatest moments throughout the years that should send you right to the box office for a chance to breathe the same air as the Hollywood and Broadway legend.\u003c/p>\n\u003cp>http://youtu.be/eboy64Aqa9k\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>Young Lansbury\u003c/b>\u003c/p>\n\u003cp>Angela Brigid Lansbury was born to English politician Edgar Lansbury and Irish stage star Moyna Macgil in the Regent's Park area of London in 1925. When Lansbury was nine, her father died. While still a school girl, she fell in love with her mother's life onstage and those fleeting images of actors in the new talking movies. In 1940, teenage Lansbury escaped the London Blitz with her mother and siblings to study acting in New York. By the time she was 16, the Lansbury family had made it from the East Coast to Hollywood, where she landed a contract with MGM Studios.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>Early Hollywood\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=yyEtKpplmjQ\u003c/p>\n\u003cp>Here's where you should start paying close attention: At 16, Lansbury landed the role of scheming maid Nancy in George Cukor's suspenseful \u003ci>Gaslight.\u003c/i> The film is about a man (Charles Boyer) who psychologically manipulates and tortures his wife (Ingrid Bergman) to the point where she nearly goes mad. It was such a popular film that we now have the term \"to gaslight\" in the lexicon, meaning \"\u003cspan class=\"oneClick-link\">to\u003c/span> \u003cspan class=\"oneClick-link oneClick-available\">cause\u003c/span> \u003cspan class=\"oneClick-link\">(a\u003c/span> \u003cspan class=\"oneClick-link oneClick-available\">person)\u003c/span> \u003cspan class=\"oneClick-link\">to\u003c/span> \u003cspan class=\"oneClick-link\">doubt\u003c/span> \u003cspan class=\"oneClick-link\">his\u003c/span> \u003cspan class=\"oneClick-link\">or\u003c/span> \u003cspan class=\"oneClick-link\">her\u003c/span> \u003cspan class=\"oneClick-link\">sanity\u003c/span> \u003cspan class=\"oneClick-link\">through\u003c/span> \u003cspan class=\"oneClick-link\">the\u003c/span> \u003cspan class=\"oneClick-link\">use\u003c/span> \u003cspan class=\"oneClick-link\">of \u003c/span>\u003cspan class=\"oneClick-link oneClick-available\">psychological\u003c/span> \u003cspan class=\"oneClick-link oneClick-available\">manipulation.\"\u003c/span>\u003c/p>\n\u003cp>Lansbury's nasty little domestic is such a far cry from her current image as Earth's favorite grandmother that you have to see it, if only to watch her inflict torment on the gorgeous Bergman, a far more experienced actress than the teenage ingénue. Lansbury got her first Academy Award nomination for Best Supporting Actress for the role and immediately followed it up with another nomination for her turn as music hall singer Sybill in \u003ci>The Picture of Dorian Gray\u003c/i>.\u003c/p>\n\u003cp>Sadly, Hollywood didn't quite know how to use the versatile young performer. Although she worked steadily through the '40s and '50s, she was always the supporting player. But what support: The sexy young blonde (I know! She was a dish!) played good girls, bad girls, frumps, social climbers and everything in between, usually cast years older than her actual age.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=B_ksZ6bQFZg&feature=youtu.be\u003c/p>\n\u003cp>For highlights from these years, be sure to check her out as old West saloon hussy Em (who lives to insult Judy Garland's good girl Susan) in \u003ci>The Harvey Girls\u003c/i> (1946), as Elizabeth Taylor's older sister in \u003ci>National Velvet\u003c/i> (1944), singing a dirty ditty (on a swing!) in \u003ci>Till the Clouds Roll By\u003c/i> (1946) and as a hard-boiled news publisher opposite Spencer Tracey and Katharine Hepburn in \u003ci>State of the Union\u003c/i> (1948). Extra credit if you watch her scantily-clad role in Cecil B. DeMille's \u003ci>Sampson and Delilah \u003c/i>(1949), where she meets her spectacular end via a spear to the gut in the falling temple.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>Wives, Mothers and General Harpies\u003c/b>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LCjBOZ4r9Ck\u003c/p>\n\u003cp>By the 1950s, Hollywood's old studio system was collapsing and dependable contract players like Lansbury were let go and either fled to television or looked for movie roles as free agents. Lansbury did both and frequently found herself cast as wives, mothers and general harpies, until breaking through as the worst mother of all time in John Frankenheimer's Cold War assassination masterpiece \u003ci>The Manchurian Candidate\u003c/i> in 1962.\u003c/p>\n\u003cp>Seriously, if you think Faye Dunaway's \u003ci>Mommie Dearest\u003c/i> or Mo'Nique's Mary in \u003ci>Precious\u003c/i> were bad parents, Lansbury's Mrs. Shaw will leave you reaching for the Xanax quicker than you can say \"Medea made me do it.\" Mrs. Shaw not only taunts her son with gems like \"Raymond, why do you always look as though your head was about to come to a point?\" (delivered so casually you feel like a casualty), she also brainwashes him into becoming a sleeper Commie assassin with a vague connection to North Korea! How contemporary is that? Lansbury received another Oscar nomination for the role. When better roles didn't follow, she decamped for the musical theater and old Broadway.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>Light the candles!\u003c/b>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ilV5K8tw_6o&feature=youtu.be\u003c/p>\n\u003cp>If you have a gay uncle of a certain age obsessed with Lansbury, I'm about to explain why and it'll all make sense. Dependable movie character Lansbury rocketed to theater stardom in 1966 in the title role of the musical \u003cem>Mame\u003c/em>, where she played the lovable, free-spirited Auntie Mame, who inherits an orphaned nephew and sets out to teach him to \"Live! Live! Live!\" As Mame, she cakewalked, shimmied, belted and razzle dazzled her way to her first Tony Award for Best Actress in a Musical, followed in 1969 by her second as the Madwoman of Chaillot in \u003ci>Dear World\u003c/i>. While doing \u003ci>Mame\u003c/i>, Lansbury became close friends with co-star Beatrice Arthur (Yes! That Bea Arthur!) and the duo's duet \"Bosom Buddies\" became a showstopper.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=F1znyr0QQGE&feature=youtu.be\u003c/p>\n\u003cp>In 1974, Lansbury won a third Tony for her portrayal of Mama Rose (another bad mother, but with singing) in \u003ci>Gypsy\u003c/i>, where she reinvented the stage mother from hell, originated by Ethel Merman.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_gF51IQiLbQ&feature=youtu.be\u003c/p>\n\u003cp>But Lansbury was just getting started on the stage. In 1979, she created the role of human pie chef Mrs. Lovett in Stephen Sondheim's \u003ci>Sweeney Todd\u003c/i> and won her fourth Tony for her dangerous, wicked portrayal of the maker of the \"worst pies in London.\" Thankfully for fans, unlike her three other Tony Award winning roles in musicals, this one exists in its entirety on film.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>Bedknobs, the Nile, Unicorns and Wolves\u003c/b>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Z0rRPU_cvGg&feature=youtu.be\u003c/p>\n\u003cp>Don't think during her most fruitful years in the theater that Lansbury was neglecting the world of film. Highlights of these years include her appearance in \u003ci>Death on the Nile\u003c/i> as the fabulously named Salome Autobahn (opposite Bette Davis and Maggie Smith, which is a lot of grand white lady in one film) in 1978, her beloved Disney musical \u003ci>Bedknobs and Broomsticks \u003c/i>(as a witch who fights off a Nazi invasion while singing) in 1970, as the voice of another witch in \u003ci>The Last Unicorn\u003c/i> in 1982 and as a fierce fairy tale grandmother in the adaptation of Angela Carter's \u003ci>The Company of Wolves\u003c/i> in 1984. We can safely say that Lansbury conquered both stage and screen by this point, but that wasn't enough.\u003c/p>\n\u003cp>\u003cb>\"I do believe our guest was...murdered!\"\u003c/b>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=GL2zVQBciUM&feature=youtu.be\u003c/p>\n\u003cp>In 1984, Lansbury soared to her greatest pop culture heights when she started her 12 year stint as mystery writer/amateur sleuth Jessica Fletcher on the television series \u003ci>Murder, She Wrote\u003c/i>. While the show brings up problematic questions now (how many people had to be murdered in Fletcher's town of Cabot Cove before someone declared a state of emergency? Why did anyone ever invite her to dinner when they knew it meant there would likely be a murder before dessert?), it was a mega-hit and continues to run forever in syndication. With her sensible sweaters, accuracy on a typewriter and great detective skills, Jessica Fletcher won a place in the pop pantheon to the point where whenever I hear the clattering of typewriter keys (not often), I think of Dame Angela.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>Tale as old as time\u003c/b>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=uQ0ODCMC6xs&feature=youtu.be\u003c/p>\n\u003cp>If you \u003cem>still \u003c/em>need a reason to appreciate all that is Lansbury, I offer my trump card. In addition to all that's come before, Lansbury is also your favorite talking teapot. Yes, children of the '90s, I'm talking about Mrs. Potts in \u003ci>Beauty and the Beast\u003c/i>. I'm still disappointed when my French press doesn't offer me sage advice in motherly tones because of this performance, and, whenever I hear her rendition of the title song, I want to waltz with a hairy man in a CGI ballroom.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Now, run, don't walk, to the stage door of the Golden Gate to pull Dame Angela's carriage through the streets! \u003cem>Blithe Spirit\u003c/em> runs through February 1, 2015.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yyEtKpplmjQ'\n title='//www.youtube.com/embed/yyEtKpplmjQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Here's where you should start paying close attention: At 16, Lansbury landed the role of scheming maid Nancy in George Cukor's suspenseful \u003ci>Gaslight.\u003c/i> The film is about a man (Charles Boyer) who psychologically manipulates and tortures his wife (Ingrid Bergman) to the point where she nearly goes mad. It was such a popular film that we now have the term \"to gaslight\" in the lexicon, meaning \"\u003cspan class=\"oneClick-link\">to\u003c/span> \u003cspan class=\"oneClick-link oneClick-available\">cause\u003c/span> \u003cspan class=\"oneClick-link\">(a\u003c/span> \u003cspan class=\"oneClick-link oneClick-available\">person)\u003c/span> \u003cspan class=\"oneClick-link\">to\u003c/span> \u003cspan class=\"oneClick-link\">doubt\u003c/span> \u003cspan class=\"oneClick-link\">his\u003c/span> \u003cspan class=\"oneClick-link\">or\u003c/span> \u003cspan class=\"oneClick-link\">her\u003c/span> \u003cspan class=\"oneClick-link\">sanity\u003c/span> \u003cspan class=\"oneClick-link\">through\u003c/span> \u003cspan class=\"oneClick-link\">the\u003c/span> \u003cspan class=\"oneClick-link\">use\u003c/span> \u003cspan class=\"oneClick-link\">of \u003c/span>\u003cspan class=\"oneClick-link oneClick-available\">psychological\u003c/span> \u003cspan class=\"oneClick-link oneClick-available\">manipulation.\"\u003c/span>\u003c/p>\n\u003cp>Lansbury's nasty little domestic is such a far cry from her current image as Earth's favorite grandmother that you have to see it, if only to watch her inflict torment on the gorgeous Bergman, a far more experienced actress than the teenage ingénue. Lansbury got her first Academy Award nomination for Best Supporting Actress for the role and immediately followed it up with another nomination for her turn as music hall singer Sybill in \u003ci>The Picture of Dorian Gray\u003c/i>.\u003c/p>\n\u003cp>Sadly, Hollywood didn't quite know how to use the versatile young performer. Although she worked steadily through the '40s and '50s, she was always the supporting player. But what support: The sexy young blonde (I know! She was a dish!) played good girls, bad girls, frumps, social climbers and everything in between, usually cast years older than her actual age.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/B_ksZ6bQFZg'\n title='//www.youtube.com/embed/B_ksZ6bQFZg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>For highlights from these years, be sure to check her out as old West saloon hussy Em (who lives to insult Judy Garland's good girl Susan) in \u003ci>The Harvey Girls\u003c/i> (1946), as Elizabeth Taylor's older sister in \u003ci>National Velvet\u003c/i> (1944), singing a dirty ditty (on a swing!) in \u003ci>Till the Clouds Roll By\u003c/i> (1946) and as a hard-boiled news publisher opposite Spencer Tracey and Katharine Hepburn in \u003ci>State of the Union\u003c/i> (1948). Extra credit if you watch her scantily-clad role in Cecil B. DeMille's \u003ci>Sampson and Delilah \u003c/i>(1949), where she meets her spectacular end via a spear to the gut in the falling temple.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>Wives, Mothers and General Harpies\u003c/b>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LCjBOZ4r9Ck'\n title='//www.youtube.com/embed/LCjBOZ4r9Ck'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>By the 1950s, Hollywood's old studio system was collapsing and dependable contract players like Lansbury were let go and either fled to television or looked for movie roles as free agents. Lansbury did both and frequently found herself cast as wives, mothers and general harpies, until breaking through as the worst mother of all time in John Frankenheimer's Cold War assassination masterpiece \u003ci>The Manchurian Candidate\u003c/i> in 1962.\u003c/p>\n\u003cp>Seriously, if you think Faye Dunaway's \u003ci>Mommie Dearest\u003c/i> or Mo'Nique's Mary in \u003ci>Precious\u003c/i> were bad parents, Lansbury's Mrs. Shaw will leave you reaching for the Xanax quicker than you can say \"Medea made me do it.\" Mrs. Shaw not only taunts her son with gems like \"Raymond, why do you always look as though your head was about to come to a point?\" (delivered so casually you feel like a casualty), she also brainwashes him into becoming a sleeper Commie assassin with a vague connection to North Korea! How contemporary is that? Lansbury received another Oscar nomination for the role. When better roles didn't follow, she decamped for the musical theater and old Broadway.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>Light the candles!\u003c/b>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ilV5K8tw_6o'\n title='//www.youtube.com/embed/ilV5K8tw_6o'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If you have a gay uncle of a certain age obsessed with Lansbury, I'm about to explain why and it'll all make sense. Dependable movie character Lansbury rocketed to theater stardom in 1966 in the title role of the musical \u003cem>Mame\u003c/em>, where she played the lovable, free-spirited Auntie Mame, who inherits an orphaned nephew and sets out to teach him to \"Live! Live! Live!\" As Mame, she cakewalked, shimmied, belted and razzle dazzled her way to her first Tony Award for Best Actress in a Musical, followed in 1969 by her second as the Madwoman of Chaillot in \u003ci>Dear World\u003c/i>. While doing \u003ci>Mame\u003c/i>, Lansbury became close friends with co-star Beatrice Arthur (Yes! That Bea Arthur!) and the duo's duet \"Bosom Buddies\" became a showstopper.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/F1znyr0QQGE'\n title='//www.youtube.com/embed/F1znyr0QQGE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In 1974, Lansbury won a third Tony for her portrayal of Mama Rose (another bad mother, but with singing) in \u003ci>Gypsy\u003c/i>, where she reinvented the stage mother from hell, originated by Ethel Merman.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_gF51IQiLbQ'\n title='//www.youtube.com/embed/_gF51IQiLbQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>But Lansbury was just getting started on the stage. In 1979, she created the role of human pie chef Mrs. Lovett in Stephen Sondheim's \u003ci>Sweeney Todd\u003c/i> and won her fourth Tony for her dangerous, wicked portrayal of the maker of the \"worst pies in London.\" Thankfully for fans, unlike her three other Tony Award winning roles in musicals, this one exists in its entirety on film.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>Bedknobs, the Nile, Unicorns and Wolves\u003c/b>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Z0rRPU_cvGg'\n title='//www.youtube.com/embed/Z0rRPU_cvGg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Don't think during her most fruitful years in the theater that Lansbury was neglecting the world of film. Highlights of these years include her appearance in \u003ci>Death on the Nile\u003c/i> as the fabulously named Salome Autobahn (opposite Bette Davis and Maggie Smith, which is a lot of grand white lady in one film) in 1978, her beloved Disney musical \u003ci>Bedknobs and Broomsticks \u003c/i>(as a witch who fights off a Nazi invasion while singing) in 1970, as the voice of another witch in \u003ci>The Last Unicorn\u003c/i> in 1982 and as a fierce fairy tale grandmother in the adaptation of Angela Carter's \u003ci>The Company of Wolves\u003c/i> in 1984. We can safely say that Lansbury conquered both stage and screen by this point, but that wasn't enough.\u003c/p>\n\u003cp>\u003cb>\"I do believe our guest was...murdered!\"\u003c/b>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GL2zVQBciUM'\n title='//www.youtube.com/embed/GL2zVQBciUM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In 1984, Lansbury soared to her greatest pop culture heights when she started her 12 year stint as mystery writer/amateur sleuth Jessica Fletcher on the television series \u003ci>Murder, She Wrote\u003c/i>. While the show brings up problematic questions now (how many people had to be murdered in Fletcher's town of Cabot Cove before someone declared a state of emergency? Why did anyone ever invite her to dinner when they knew it meant there would likely be a murder before dessert?), it was a mega-hit and continues to run forever in syndication. With her sensible sweaters, accuracy on a typewriter and great detective skills, Jessica Fletcher won a place in the pop pantheon to the point where whenever I hear the clattering of typewriter keys (not often), I think of Dame Angela.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>Tale as old as time\u003c/b>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/uQ0ODCMC6xs'\n title='//www.youtube.com/embed/uQ0ODCMC6xs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If you \u003cem>still \u003c/em>need a reason to appreciate all that is Lansbury, I offer my trump card. In addition to all that's come before, Lansbury is also your favorite talking teapot. Yes, children of the '90s, I'm talking about Mrs. Potts in \u003ci>Beauty and the Beast\u003c/i>. I'm still disappointed when my French press doesn't offer me sage advice in motherly tones because of this performance, and, whenever I hear her rendition of the title song, I want to waltz with a hairy man in a CGI ballroom.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Now, run, don't walk, to the stage door of the Golden Gate to pull Dame Angela's carriage through the streets! \u003cem>Blithe Spirit\u003c/em> runs through February 1, 2015.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Let's Have a Tiki: The Best Places to Get A Mai Tai in the Bay Area",
"title": "Let's Have a Tiki: The Best Places to Get A Mai Tai in the Bay Area",
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"content": "\u003cp>The past few years have seen a Tiki revival of sorts, as \u003cem>Mad Men\u003c/em> has brought all things '50s and '60s new attention. And now a \u003ca href=\"http://www.quaibranly.fr/en/programmation/exhibitions/last-exhibitions/tikipop.html\">new exhibition at the Musée du quai Branly in Paris\u003c/a> and a companion book \u003cem>\u003ca href=\"http://www.taschen.com/pages/en/catalogue/popculture/all/02897/facts.tiki_pop_america_imagines_its_own_polynesian_paradise.htm\">Tiki Pop: America imagines Its Own Polynesian Paradise\u003c/a>\u003c/em> by Sven Kirsten are casting a new light on the artificial jungles and faux Easter Island decor that are Tiki's signatures.\u003c/p>\n\u003cp>Tiki, named for the Maori mythological \"first man,\" is a romantic vision of tropicalism that traces its roots in Western culture as far back as the first Pacific Island expeditions of James Cook. Hollywood brought hibiscus flowered exoticism to the United States in the '30s with the popularity of nightspot Don the Beachcomber (credited as the first Tiki bar in the US) and a series of island themed films starring saronged actress Dorothy Lamour with titles like \u003cem>The Hurricane\u003c/em>, \u003cem>Her Jungle Love\u003c/em> and \u003cem>Tropic Holiday\u003c/em>.\u003c/p>\n\u003cp>San Francisco's own Golden Gate International Exposition in 1939 was one of the first official mainland celebrations of authentic Polynesian culture and even included an 81 foot tall statue of \"Pacifica: Goddess of the Pacific\" as a kind of Tiki Statue of Liberty (since destroyed).\u003c/p>\n\u003cp>The returning GI's of WWII's South Seas conflict brought back with them not only an appreciation for the look of the islands but also a sort of mixed nostalgia for their time there. James Michener's Pultizer Prize winning \u003cem>Tales of the South Pacific\u003c/em> and its Pulitzer Prize winning musical adaptation, \u003cem>South Pacific,\u003c/em> are perhaps the greatest examples of mid-century high art Tiki.\u003c/p>\n\u003cp>Then, there's the so-called \"low\" Tiki art that took hold post WWII: restaurants, themed motels, dinner plates, living room furniture...\u003cem>Gillian's Island\u003c/em>. Once the castaways were stranded after their three-hour tour, Tiki hit a kind of pop pinnacle that meant it could only go down from there. Once plentiful, Tiki destinations have been de-jungled for the most part, but here in the Bay Area, a few classics manage to hold out.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://tradervicsemeryville.com/\">Trader Vics\u003c/a>\u003c/strong> - 9 Anchor Drive, Emeryville\u003c/p>\n\u003cp>The original Trader Vic's, which spawned the hugely popular chain, opened in Oakland in the late '30s, but this location has been around since the last blooming of Tiki in the early '70s. The drink and food menus have been crafted into a well-tuned formula and the decor is still gleaming fresh, with the signature Vic's Tiki masks plentifully displayed. The fact that the Emeryville location offers a slight view of the bay from the bar as the sun sets at happy hour makes it even more authentic. If you squint, it could be WWII in Honolulu.\u003c/p>\n\u003cp>\u003ca href=\"http://www.tongaroom.com/\">\u003cstrong>The Tonga Room & Hurricane Bar\u003c/strong>\u003c/a> - The Fairmont Hotel, 950 Mason, San Francisco\u003c/p>\n\u003cp>This San Francisco institution first opened in 1945 when the Fairmont Hotel decided to turn their aging indoor swimming pool (added to the hotel in 1929) into a Tiki dream destination. A noted San Francisco landmark, there have been threats of the Tonga Room's closure for years, but, between the tourists staying at the hotel and curious locals, it manages to keep slinging Mai Tais and Singapore Slings night after night. The crowd tends to be a little bachelorette-partyish on the weekends, but after losing yourself in the sound of the indoor rainstorms that happen at regular intervals over the \"lagoon\" (also home to the house band's floating bandstand), it really won't matter.\u003c/p>\n\u003cp>\u003ca href=\"http://smugglerscovesf.com/trapdoor/\">\u003cstrong>Smugglers' Cove\u003c/strong>\u003c/a> - 650 Gough Street, San Francisco\u003c/p>\n\u003cp>For Tiki purists, Smuggler's Cove might better be defined as a Caribbean bar, but the Chi-Chis here (a coconut/vodka Tiki signature) can't be beat. The Prohibition era Havana themed spot is rightly famous for their rum cocktails and selection of tasting rums, but anything on the menu is a worthy choice. The vaguely private/rum-running/bootlegger decor is heavy on ropes and barrels more than fake jungle, but they get extra points for their indoor waterfall downstairs in the cave-like basement. The smell of chlorine and pineapple in the air are two Tiki standards, so Smuggler's gets a mention for that alone.\u003c/p>\n\u003cp>\u003ca href=\"http://tikihavensf.com/#!home\">\u003cstrong>Tiki Haven\u003c/strong>\u003c/a> - 1334 Noriega Street, San Francisco\u003c/p>\n\u003cp>This \"vacation destination in the Outer Sunset\" is what I'd call a neighborhood Tiki joint. The drinks tend towards the sweet side and the decor is a little more \"generic beach Tiki\" than some of the more elaborate spots on our list, but the small bar has the advantage of being a Tiki spot off the beaten path where you could potentially walk to the ocean after a few frozen slurpee machine rum drinks.\u003c/p>\n\u003cp>\u003ca href=\"http://www.yelp.com/biz/tradr-sams-san-francisco\">\u003cstrong>Trad'r Sam's\u003c/strong>\u003c/a> - 6150 Geary, San Francisco\u003c/p>\n\u003cp>Sam Baylon's 1937 bar actually pre-dates Tiki proper and was arguably San Francisco's first tropical bar destination. The rattan bar and seating are mostly original, but the place has definitely seen a little wear over the years. Still, the slight fraying at the edges only adds to the decrepit island charm. There's a full Tiki drink menu, but the neighborhood crowd is more of a beers and shots crowd last time I was there. The bartender seemed a little startled when a friend ordered a Mai Tai, but then zipped right to work serving up the rare specialty the bar was once known for.\u003c/p>\n\u003cp>\u003ca href=\"http://www.forbiddenislandalameda.com/\">\u003cstrong>Forbidden Island \u003c/strong>\u003c/a> - 1304 Lincoln Avenue, Alameda\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Both decor and menu are extremely imagineered in Alameda's first (and so far only) Tiki lounge in the old shopping district: The bar's website even favorably mentions its frequent comparison to Disneyland, and the glowing puffer fish and velvet paintings are a little \"Jungle Cruise meets Dirk Diggler's house.\" In addition to hosting live surf bands, the bar is also known for hosting annual events, including luaus. Where else on the mainland can you attend one of those? If you go on your birthday, you get a free flaming Mai Tai, but you have to drink it fast before the alcohol burns up.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The past few years have seen a Tiki revival of sorts, as \u003cem>Mad Men\u003c/em> has brought all things '50s and '60s new attention. And now a \u003ca href=\"http://www.quaibranly.fr/en/programmation/exhibitions/last-exhibitions/tikipop.html\">new exhibition at the Musée du quai Branly in Paris\u003c/a> and a companion book \u003cem>\u003ca href=\"http://www.taschen.com/pages/en/catalogue/popculture/all/02897/facts.tiki_pop_america_imagines_its_own_polynesian_paradise.htm\">Tiki Pop: America imagines Its Own Polynesian Paradise\u003c/a>\u003c/em> by Sven Kirsten are casting a new light on the artificial jungles and faux Easter Island decor that are Tiki's signatures.\u003c/p>\n\u003cp>Tiki, named for the Maori mythological \"first man,\" is a romantic vision of tropicalism that traces its roots in Western culture as far back as the first Pacific Island expeditions of James Cook. Hollywood brought hibiscus flowered exoticism to the United States in the '30s with the popularity of nightspot Don the Beachcomber (credited as the first Tiki bar in the US) and a series of island themed films starring saronged actress Dorothy Lamour with titles like \u003cem>The Hurricane\u003c/em>, \u003cem>Her Jungle Love\u003c/em> and \u003cem>Tropic Holiday\u003c/em>.\u003c/p>\n\u003cp>San Francisco's own Golden Gate International Exposition in 1939 was one of the first official mainland celebrations of authentic Polynesian culture and even included an 81 foot tall statue of \"Pacifica: Goddess of the Pacific\" as a kind of Tiki Statue of Liberty (since destroyed).\u003c/p>\n\u003cp>The returning GI's of WWII's South Seas conflict brought back with them not only an appreciation for the look of the islands but also a sort of mixed nostalgia for their time there. James Michener's Pultizer Prize winning \u003cem>Tales of the South Pacific\u003c/em> and its Pulitzer Prize winning musical adaptation, \u003cem>South Pacific,\u003c/em> are perhaps the greatest examples of mid-century high art Tiki.\u003c/p>\n\u003cp>Then, there's the so-called \"low\" Tiki art that took hold post WWII: restaurants, themed motels, dinner plates, living room furniture...\u003cem>Gillian's Island\u003c/em>. Once the castaways were stranded after their three-hour tour, Tiki hit a kind of pop pinnacle that meant it could only go down from there. Once plentiful, Tiki destinations have been de-jungled for the most part, but here in the Bay Area, a few classics manage to hold out.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://tradervicsemeryville.com/\">Trader Vics\u003c/a>\u003c/strong> - 9 Anchor Drive, Emeryville\u003c/p>\n\u003cp>The original Trader Vic's, which spawned the hugely popular chain, opened in Oakland in the late '30s, but this location has been around since the last blooming of Tiki in the early '70s. The drink and food menus have been crafted into a well-tuned formula and the decor is still gleaming fresh, with the signature Vic's Tiki masks plentifully displayed. The fact that the Emeryville location offers a slight view of the bay from the bar as the sun sets at happy hour makes it even more authentic. If you squint, it could be WWII in Honolulu.\u003c/p>\n\u003cp>\u003ca href=\"http://www.tongaroom.com/\">\u003cstrong>The Tonga Room & Hurricane Bar\u003c/strong>\u003c/a> - The Fairmont Hotel, 950 Mason, San Francisco\u003c/p>\n\u003cp>This San Francisco institution first opened in 1945 when the Fairmont Hotel decided to turn their aging indoor swimming pool (added to the hotel in 1929) into a Tiki dream destination. A noted San Francisco landmark, there have been threats of the Tonga Room's closure for years, but, between the tourists staying at the hotel and curious locals, it manages to keep slinging Mai Tais and Singapore Slings night after night. The crowd tends to be a little bachelorette-partyish on the weekends, but after losing yourself in the sound of the indoor rainstorms that happen at regular intervals over the \"lagoon\" (also home to the house band's floating bandstand), it really won't matter.\u003c/p>\n\u003cp>\u003ca href=\"http://smugglerscovesf.com/trapdoor/\">\u003cstrong>Smugglers' Cove\u003c/strong>\u003c/a> - 650 Gough Street, San Francisco\u003c/p>\n\u003cp>For Tiki purists, Smuggler's Cove might better be defined as a Caribbean bar, but the Chi-Chis here (a coconut/vodka Tiki signature) can't be beat. The Prohibition era Havana themed spot is rightly famous for their rum cocktails and selection of tasting rums, but anything on the menu is a worthy choice. The vaguely private/rum-running/bootlegger decor is heavy on ropes and barrels more than fake jungle, but they get extra points for their indoor waterfall downstairs in the cave-like basement. The smell of chlorine and pineapple in the air are two Tiki standards, so Smuggler's gets a mention for that alone.\u003c/p>\n\u003cp>\u003ca href=\"http://tikihavensf.com/#!home\">\u003cstrong>Tiki Haven\u003c/strong>\u003c/a> - 1334 Noriega Street, San Francisco\u003c/p>\n\u003cp>This \"vacation destination in the Outer Sunset\" is what I'd call a neighborhood Tiki joint. The drinks tend towards the sweet side and the decor is a little more \"generic beach Tiki\" than some of the more elaborate spots on our list, but the small bar has the advantage of being a Tiki spot off the beaten path where you could potentially walk to the ocean after a few frozen slurpee machine rum drinks.\u003c/p>\n\u003cp>\u003ca href=\"http://www.yelp.com/biz/tradr-sams-san-francisco\">\u003cstrong>Trad'r Sam's\u003c/strong>\u003c/a> - 6150 Geary, San Francisco\u003c/p>\n\u003cp>Sam Baylon's 1937 bar actually pre-dates Tiki proper and was arguably San Francisco's first tropical bar destination. The rattan bar and seating are mostly original, but the place has definitely seen a little wear over the years. Still, the slight fraying at the edges only adds to the decrepit island charm. There's a full Tiki drink menu, but the neighborhood crowd is more of a beers and shots crowd last time I was there. The bartender seemed a little startled when a friend ordered a Mai Tai, but then zipped right to work serving up the rare specialty the bar was once known for.\u003c/p>\n\u003cp>\u003ca href=\"http://www.forbiddenislandalameda.com/\">\u003cstrong>Forbidden Island \u003c/strong>\u003c/a> - 1304 Lincoln Avenue, Alameda\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Both decor and menu are extremely imagineered in Alameda's first (and so far only) Tiki lounge in the old shopping district: The bar's website even favorably mentions its frequent comparison to Disneyland, and the glowing puffer fish and velvet paintings are a little \"Jungle Cruise meets Dirk Diggler's house.\" In addition to hosting live surf bands, the bar is also known for hosting annual events, including luaus. Where else on the mainland can you attend one of those? If you go on your birthday, you get a free flaming Mai Tai, but you have to drink it fast before the alcohol burns up.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "6 Lessons 'Saved by the Bell' Taught Me (Without Meaning To)",
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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13330\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/apa_saved_by_bell_jt_130125_wmain.jpg\" alt=\"apa_saved_by_bell_jt_130125_wmain\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/apa_saved_by_bell_jt_130125_wmain.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/apa_saved_by_bell_jt_130125_wmain-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>A big thank you is due to whomever keeps green-lighting all these \u003ca href=\"http://blogs.kqed.org/pop/2013/08/21/once-in-a-lifetime-new-made-for-tv-camp-classics/\">splendiferously kitsch telefilms on Lifetime. \u003c/a>The MacArthur-worthy minds that brought you \u003cem>Anna Nicole\u003c/em>, \u003cem>Jodi Arias: Dirty Little Secret\u003c/em> and the entire incest opus that is \u003cem>Flowers in the Attic\u003c/em> have now gifted us with \u003cem>\u003ca href=\"http://www.mylifetime.com/movies/the-unauthorized-saved-by-the-bell-story?mkwid=sadwvsVYG%7Cdt_pcrid_42286122032_pkw_the%20unauthorized%20saved%20by%20the%20bell%20story_pmt_e&utm_source=ltd_tune_google&utm_medium=cpc&utm_term=the%20unauthorized%20saved%20by%20the%20bell%20story&utm_campaign=The+Unauthorized+Saved+by+the+Bell+Story_Show&paidlink=1&cmpid=PaidSearch_ltd_tune_google_The+Unauthorized+Saved+by+the+Bell+Story_Show_the%20unauthorized%20saved%20by%20the%20bell%20story&gclid=Cj0KEQjwveufBRDlsNb3kb-twMIBEiQASNH0xmWlCNePz8G4HfIsCH9BPohKbyhrAxXkWlZD-ot_y4kaAk_n8P8HAQ\">The Unauthorized Saved by the Bell Story\u003c/a>\u003c/em>. Yes, readers; that Saturday morning hit that defined the non-grunge, bubblegum side of the '90s and made cellular phones the size of bricks popular is now getting a completely necessary behind-the-scenes treatment. So what if none of the actors look like the actors they're playing and who cares if this is in no way approved of or endorsed by the creators of the original show. They recreated the Max in all its geometric, Memphis design glory and that's all the counts.\u003c/p>\n\u003cp>Before we head back to Bayside High, let's take a time-out and look back on some of the lessons Zack Morris (Mark-Paul Gosselaar), Kelly Kapowski (Tiffani Thiessen) A.C. Slater (Mario Lopez), Jessie Spano (Nomi Malone, I mean, Elizabeth Berkeley), Lisa Turtle (Lark Voorhies) and Screech Powers (Dustin Diamond) taught a generation of millennials in after-school syndication. Sure, there were always official messages the show endorsed (don't drink and drive, don't smoke pot, \u003ca href=\"http://www.amazon.com/Behind-Bell-Dustin-Diamond/dp/0981239692\">don't let Screech ever write a book about the show\u003c/a>), but the subtext of \u003cem>Saved by the Bell\u003c/em> was always so much more attuned to what kids really needed to hear to survive high school.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13325\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/tumblr_m653pbsk7f1qzjqiao3_250.gif\" alt=\"sbtb prom 2\" width=\"245\" height=\"180\">\u003cimg class=\"aligncenter size-full wp-image-13324\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/tumblr_m653pbsk7f1qzjqiao4_250.gif\" alt=\"sbtb prom\" width=\"245\" height=\"180\">\u003c/p>\n\u003cp>\u003cstrong>The Prom \u003c/strong>(Season 2, Episode 1)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong> Plot:\u003c/strong> It's prom time at Bayside. Yes, apparently Bayside sophomores get to go to prom, which is held in the fall! Zack gets his dream-come-true when Kelly chooses him over Slater as a date, but his heart is shattered when she suddenly backs out. You see, Kelly's dad is some kind of weapons dealer and, with \"peace being declared,\" business is down! Kelly forks over the money she was going to use on a dress and tells Zack prom is off. When Zack finally finds out why, he makes a prom for two and squires Kelly away to a dreamy crepe-papered picnic bench. Meanwhile, all the \u003cem>Moonlighting-\u003c/em>type verbal foreplay between Jessie and Slater comes to a head at the big dance. Surprise: They're attracted to each other.\u003c/p>\n\u003cp>\u003cstrong>Intended Lesson:\u003c/strong> It is better to give than receive? No, wait... how about love don't cost a thing?\u003c/p>\n\u003cp>\u003cstrong>Real Lesson:\u003c/strong> Zack and Kelly's counter-prom was way more private and a thousand times more romantic than actual prom. If Kelly was ever going to let Zack skip a few bases, that would have been the night. The lesson here is clearly that, if you ditch prom for an alternative venue, you'll get to spend way more unsupervised time together and who knows what will happen. Also, poor girls are apparently easily impressed, since it doesn't look like Zack put that much effort into the set-up.\u003c/p>\n\u003cfigure id=\"attachment_13327\" class=\"wp-caption aligncenter\" style=\"max-width: 394px\">\u003cimg class=\"size-full wp-image-13327\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Screen-shot-2014-08-29-at-11.49.25-AM.png\" alt=\"Busted!\" width=\"394\" height=\"292\">\u003cfigcaption class=\"wp-caption-text\">Busted!\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The Fake I.D.'s\u003c/strong> (Season 3, Episode 9)\u003c/p>\n\u003cp>\u003cstrong>Plot:\u003c/strong> Zack and Kelly have broken up because...Tiffani Amber Theissen wanted to expand her good-girl range before playing resident tramp Valerie on \u003cem>90210\u003c/em>? It's not exactly clear. To get over Kelly, Zack gets Screech to make fake IDs for the guys so they can sneak into the Attic, an 18+ club. Once inside, Zack meets a college girl \u003cem>and\u003c/em> spots Kelly's new college boyfriend cheating on her. When Zack warns Kelly, she doesn't believe him. The episode ends in a boys vs. girls under-age off at The Attic and Zack's mom raids the place because these kids are not 18!\u003c/p>\n\u003cp>\u003cstrong>Intended Lesson:\u003c/strong> A true friend is the one who tells you the news you don't want to hear. And also, we assume: don't use a fake ID.\u003c/p>\n\u003cp>\u003cstrong> Real Lesson:\u003c/strong> Here's a lesson all high schoolers should have taken to heart. When it came time for the cool kids to get fake IDs, where did they turn? To the other cool kids? Wrong. They picked the biggest geek in school. Nerds often have superpowers they are willing to use for cool kids that don't bully them. The lesson here is clear: never pick on the seemingly uncool smart kid; if you're nice to them, they'll help you get into clubs. Lesson 2 is for the Screeches of the world: learn how to do useful stuff for popular kids and they'll let you hang out with them.\u003c/p>\n\u003cp>http://youtu.be/bflYjF90t7c\u003c/p>\n\u003cp>\u003cstrong>Jessie's Song\u003c/strong> (Season 2, Episode 9)\u003c/p>\n\u003cp>\u003cstrong>Plot:\u003c/strong> Type-A queen bee Jessie Spano wants to have it all: a perfect 4.0, intellectual fulfillment as the show's token third-wave feminist, and now, a musical extracurricular for those college applications in the form of her new girl group Hot Sundae. But there's so much studying, so much rehearsal needed and so many Camille Paglia articles on women in media to read! The solution? Caffeine pills, duh (this was apparently before kids made a habit of selling their Ritalin at finals time). Because this is \u003cem>Saved by the Bell,\u003c/em> Jessie becomes a hopeless addict, who is eventually saved, not by the expected bell, but by childhood pal Zack who soothes the Pointer Sister out of her with memories of sneaking off to \u003cem>E.T.\u003c/em> as disobedient children.\u003c/p>\n\u003cp>\u003cstrong>Intended Lesson:\u003c/strong> There are a couple here. Just say no! and Don't over-commit! are easily the top two.\u003c/p>\n\u003cp>\u003cstrong>Real Lesson:\u003c/strong> Jessie's out-of-control meltdown makes any drug scenes in \u003cem>Sid & Nancy\u003c/em> look freakishly underplayed by comparison. The real lesson behind the lesson though is that Elizabeth Berkeley had a flair for camp that would eventually be realized in her career-defining role as Nomi Malone in \u003cem>Showgirls.\u003c/em> Jessie's manic song and dance routine heralded fantastic things to come.\u003c/p>\n\u003cfigure id=\"attachment_13328\" class=\"wp-caption aligncenter\" style=\"max-width: 360px\">\u003cimg class=\"wp-image-13328 size-thumbnail\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/love_triangle02-360x300.jpg\" alt=\"love_triangle02\" width=\"360\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">🙁\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The Bayside Triangle\u003c/strong> (Season 4, Episode 5)\u003c/p>\n\u003cp>\u003cstrong>Plot:\u003c/strong> When walking hormone Zack decides to help Lisa put on a fashion show, it's only a matter of time before he ends up making out with her. Screech's heart is broken when he sees his supposed best friend locking lips with his forever crush. He then publicly humiliates the pair as emcee of Lisa's fashion show in a weird foreshadowing of Dustin Diamond's eventual memoir.\u003c/p>\n\u003cp>\u003cstrong>Intended Lesson:\u003c/strong> Bros before hos?\u003c/p>\n\u003cp>\u003cstrong>Real lesson:\u003c/strong> Screech always hated Zack...like Dustin Diamond hates everyone on the show who went on to continue to have a career.\u003c/p>\n\u003cp>http://youtu.be/GbgWk4Rl78w\u003c/p>\n\u003cp>\u003cstrong>School Song \u003c/strong>(Season 4, Episode 24)\u003c/p>\n\u003cp>\u003cstrong>Plot:\u003c/strong> Graduation is just around the corner, but, before they go, the six friends compete to see who can compose the new school anthem. Because Zack is Zack, he sabotages all his friends (remind me why they still hang out with him; is it because he has a cell phone?) and his composition \"Cool School\" makes it to the finals. But at last, after four years of his antics, the gang fights back and sabotages him. All is resolved at the end with Zack's friends yet again forgiving their buddy's psychopathic tendencies because that's what friends are for.\u003c/p>\n\u003cp>\u003cstrong>Intended Lesson:\u003c/strong> Cheaters never prosper.\u003c/p>\n\u003cp>\u003cstrong>Real Lesson:\u003c/strong> You can only push people so far before they fight back. It took four seasons, but Bayside eventually stood up to the reign of terror that was Zack Morris, even neutralizing his ability to freeze time. Also, how natural was Jessie in the role of the saboteur in this episode? Yet more proof that the high school valedictorian runs away to become the stair-pushing dancer in \u003cem>Showgirls.\u003c/em> Even if you can't entirely prove SBTB and \u003cem>Showgirls\u003c/em> are part of the same universe, you also can't entirely rule it out.\u003c/p>\n\u003cp>http://youtu.be/9UreyTaVWm0\u003c/p>\n\u003cp>\u003cstrong>Rockumentary\u003c/strong> (Season 3, Episode 22)\u003c/p>\n\u003cp>\u003cstrong>Plot:\u003c/strong> In a \u003cem>VH1: Behind the Music\u003c/em> type episode (which we hope inspires the tone of the upcoming telefilm), Casey Kasem tells the story of the gang's garage band \"The Zack Attack\" and the eventual rise, fall, and rise of the six friends as they shoot to fame. Naturally, there's some kind of misunderstanding and they go their separate ways in anger before eventually reuniting to sing their hit \"Friends Forever\" at a big benefit concert at Bayside. Then Zack wakes up. Years later, we're gifted with this \u003ca href=\"http://www.dailymotion.com/video/x9juow_zack-morris-mark-paul-gosselaar-200_news\">classic bit on Jimmy Fallon\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Intended Lesson:\u003c/strong> Friendsssss for evvvvvvaaaaaaahhh.\u003c/p>\n\u003cp>\u003cstrong>Real Lesson:\u003c/strong> Once you get famous, ditch your dead weight friends, who have stuck with you during your rise. Don't worry, if you ever have a crisis, they'll always come back. That's sort of the overall lesson of the series: No matter how poorly Zack treats his friends, they're all terrible codependents and will always return for his abuse. One can only hope the real \"behind the scenes\" story on Lifetime is half as juicy.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"http://www.mylifetime.com/movies/the-unauthorized-saved-by-the-bell-story?mkwid=sadwvsVYG%7Cdt_pcrid_42286122032_pkw_the%20unauthorized%20saved%20by%20the%20bell%20story_pmt_e&utm_source=ltd_tune_google&utm_medium=cpc&utm_term=the%20unauthorized%20saved%20by%20the%20bell%20story&utm_campaign=The+Unauthorized+Saved+by+the+Bell+Story_Show&paidlink=1&cmpid=PaidSearch_ltd_tune_google_The+Unauthorized+Saved+by+the+Bell+Story_Show_the%20unauthorized%20saved%20by%20the%20bell%20story&gclid=Cj0KEQjwveufBRDlsNb3kb-twMIBEiQASNH0xmWlCNePz8G4HfIsCH9BPohKbyhrAxXkWlZD-ot_y4kaAk_n8P8HAQ\">The Unauthorized Saved by the Bell Story\u003c/a> airs this Monday, September 1, 2014 on Lifetime. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13330\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/apa_saved_by_bell_jt_130125_wmain.jpg\" alt=\"apa_saved_by_bell_jt_130125_wmain\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/apa_saved_by_bell_jt_130125_wmain.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/apa_saved_by_bell_jt_130125_wmain-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>A big thank you is due to whomever keeps green-lighting all these \u003ca href=\"http://blogs.kqed.org/pop/2013/08/21/once-in-a-lifetime-new-made-for-tv-camp-classics/\">splendiferously kitsch telefilms on Lifetime. \u003c/a>The MacArthur-worthy minds that brought you \u003cem>Anna Nicole\u003c/em>, \u003cem>Jodi Arias: Dirty Little Secret\u003c/em> and the entire incest opus that is \u003cem>Flowers in the Attic\u003c/em> have now gifted us with \u003cem>\u003ca href=\"http://www.mylifetime.com/movies/the-unauthorized-saved-by-the-bell-story?mkwid=sadwvsVYG%7Cdt_pcrid_42286122032_pkw_the%20unauthorized%20saved%20by%20the%20bell%20story_pmt_e&utm_source=ltd_tune_google&utm_medium=cpc&utm_term=the%20unauthorized%20saved%20by%20the%20bell%20story&utm_campaign=The+Unauthorized+Saved+by+the+Bell+Story_Show&paidlink=1&cmpid=PaidSearch_ltd_tune_google_The+Unauthorized+Saved+by+the+Bell+Story_Show_the%20unauthorized%20saved%20by%20the%20bell%20story&gclid=Cj0KEQjwveufBRDlsNb3kb-twMIBEiQASNH0xmWlCNePz8G4HfIsCH9BPohKbyhrAxXkWlZD-ot_y4kaAk_n8P8HAQ\">The Unauthorized Saved by the Bell Story\u003c/a>\u003c/em>. Yes, readers; that Saturday morning hit that defined the non-grunge, bubblegum side of the '90s and made cellular phones the size of bricks popular is now getting a completely necessary behind-the-scenes treatment. So what if none of the actors look like the actors they're playing and who cares if this is in no way approved of or endorsed by the creators of the original show. They recreated the Max in all its geometric, Memphis design glory and that's all the counts.\u003c/p>\n\u003cp>Before we head back to Bayside High, let's take a time-out and look back on some of the lessons Zack Morris (Mark-Paul Gosselaar), Kelly Kapowski (Tiffani Thiessen) A.C. Slater (Mario Lopez), Jessie Spano (Nomi Malone, I mean, Elizabeth Berkeley), Lisa Turtle (Lark Voorhies) and Screech Powers (Dustin Diamond) taught a generation of millennials in after-school syndication. Sure, there were always official messages the show endorsed (don't drink and drive, don't smoke pot, \u003ca href=\"http://www.amazon.com/Behind-Bell-Dustin-Diamond/dp/0981239692\">don't let Screech ever write a book about the show\u003c/a>), but the subtext of \u003cem>Saved by the Bell\u003c/em> was always so much more attuned to what kids really needed to hear to survive high school.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13325\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/tumblr_m653pbsk7f1qzjqiao3_250.gif\" alt=\"sbtb prom 2\" width=\"245\" height=\"180\">\u003cimg class=\"aligncenter size-full wp-image-13324\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/tumblr_m653pbsk7f1qzjqiao4_250.gif\" alt=\"sbtb prom\" width=\"245\" height=\"180\">\u003c/p>\n\u003cp>\u003cstrong>The Prom \u003c/strong>(Season 2, Episode 1)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong> Plot:\u003c/strong> It's prom time at Bayside. Yes, apparently Bayside sophomores get to go to prom, which is held in the fall! Zack gets his dream-come-true when Kelly chooses him over Slater as a date, but his heart is shattered when she suddenly backs out. You see, Kelly's dad is some kind of weapons dealer and, with \"peace being declared,\" business is down! Kelly forks over the money she was going to use on a dress and tells Zack prom is off. When Zack finally finds out why, he makes a prom for two and squires Kelly away to a dreamy crepe-papered picnic bench. Meanwhile, all the \u003cem>Moonlighting-\u003c/em>type verbal foreplay between Jessie and Slater comes to a head at the big dance. Surprise: They're attracted to each other.\u003c/p>\n\u003cp>\u003cstrong>Intended Lesson:\u003c/strong> It is better to give than receive? No, wait... how about love don't cost a thing?\u003c/p>\n\u003cp>\u003cstrong>Real Lesson:\u003c/strong> Zack and Kelly's counter-prom was way more private and a thousand times more romantic than actual prom. If Kelly was ever going to let Zack skip a few bases, that would have been the night. The lesson here is clearly that, if you ditch prom for an alternative venue, you'll get to spend way more unsupervised time together and who knows what will happen. Also, poor girls are apparently easily impressed, since it doesn't look like Zack put that much effort into the set-up.\u003c/p>\n\u003cfigure id=\"attachment_13327\" class=\"wp-caption aligncenter\" style=\"max-width: 394px\">\u003cimg class=\"size-full wp-image-13327\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Screen-shot-2014-08-29-at-11.49.25-AM.png\" alt=\"Busted!\" width=\"394\" height=\"292\">\u003cfigcaption class=\"wp-caption-text\">Busted!\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The Fake I.D.'s\u003c/strong> (Season 3, Episode 9)\u003c/p>\n\u003cp>\u003cstrong>Plot:\u003c/strong> Zack and Kelly have broken up because...Tiffani Amber Theissen wanted to expand her good-girl range before playing resident tramp Valerie on \u003cem>90210\u003c/em>? It's not exactly clear. To get over Kelly, Zack gets Screech to make fake IDs for the guys so they can sneak into the Attic, an 18+ club. Once inside, Zack meets a college girl \u003cem>and\u003c/em> spots Kelly's new college boyfriend cheating on her. When Zack warns Kelly, she doesn't believe him. The episode ends in a boys vs. girls under-age off at The Attic and Zack's mom raids the place because these kids are not 18!\u003c/p>\n\u003cp>\u003cstrong>Intended Lesson:\u003c/strong> A true friend is the one who tells you the news you don't want to hear. And also, we assume: don't use a fake ID.\u003c/p>\n\u003cp>\u003cstrong> Real Lesson:\u003c/strong> Here's a lesson all high schoolers should have taken to heart. When it came time for the cool kids to get fake IDs, where did they turn? To the other cool kids? Wrong. They picked the biggest geek in school. Nerds often have superpowers they are willing to use for cool kids that don't bully them. The lesson here is clear: never pick on the seemingly uncool smart kid; if you're nice to them, they'll help you get into clubs. Lesson 2 is for the Screeches of the world: learn how to do useful stuff for popular kids and they'll let you hang out with them.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/bflYjF90t7c'\n title='//www.youtube.com/embed/bflYjF90t7c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Jessie's Song\u003c/strong> (Season 2, Episode 9)\u003c/p>\n\u003cp>\u003cstrong>Plot:\u003c/strong> Type-A queen bee Jessie Spano wants to have it all: a perfect 4.0, intellectual fulfillment as the show's token third-wave feminist, and now, a musical extracurricular for those college applications in the form of her new girl group Hot Sundae. But there's so much studying, so much rehearsal needed and so many Camille Paglia articles on women in media to read! The solution? Caffeine pills, duh (this was apparently before kids made a habit of selling their Ritalin at finals time). Because this is \u003cem>Saved by the Bell,\u003c/em> Jessie becomes a hopeless addict, who is eventually saved, not by the expected bell, but by childhood pal Zack who soothes the Pointer Sister out of her with memories of sneaking off to \u003cem>E.T.\u003c/em> as disobedient children.\u003c/p>\n\u003cp>\u003cstrong>Intended Lesson:\u003c/strong> There are a couple here. Just say no! and Don't over-commit! are easily the top two.\u003c/p>\n\u003cp>\u003cstrong>Real Lesson:\u003c/strong> Jessie's out-of-control meltdown makes any drug scenes in \u003cem>Sid & Nancy\u003c/em> look freakishly underplayed by comparison. The real lesson behind the lesson though is that Elizabeth Berkeley had a flair for camp that would eventually be realized in her career-defining role as Nomi Malone in \u003cem>Showgirls.\u003c/em> Jessie's manic song and dance routine heralded fantastic things to come.\u003c/p>\n\u003cfigure id=\"attachment_13328\" class=\"wp-caption aligncenter\" style=\"max-width: 360px\">\u003cimg class=\"wp-image-13328 size-thumbnail\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/love_triangle02-360x300.jpg\" alt=\"love_triangle02\" width=\"360\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">🙁\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The Bayside Triangle\u003c/strong> (Season 4, Episode 5)\u003c/p>\n\u003cp>\u003cstrong>Plot:\u003c/strong> When walking hormone Zack decides to help Lisa put on a fashion show, it's only a matter of time before he ends up making out with her. Screech's heart is broken when he sees his supposed best friend locking lips with his forever crush. He then publicly humiliates the pair as emcee of Lisa's fashion show in a weird foreshadowing of Dustin Diamond's eventual memoir.\u003c/p>\n\u003cp>\u003cstrong>Intended Lesson:\u003c/strong> Bros before hos?\u003c/p>\n\u003cp>\u003cstrong>Real lesson:\u003c/strong> Screech always hated Zack...like Dustin Diamond hates everyone on the show who went on to continue to have a career.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GbgWk4Rl78w'\n title='//www.youtube.com/embed/GbgWk4Rl78w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>School Song \u003c/strong>(Season 4, Episode 24)\u003c/p>\n\u003cp>\u003cstrong>Plot:\u003c/strong> Graduation is just around the corner, but, before they go, the six friends compete to see who can compose the new school anthem. Because Zack is Zack, he sabotages all his friends (remind me why they still hang out with him; is it because he has a cell phone?) and his composition \"Cool School\" makes it to the finals. But at last, after four years of his antics, the gang fights back and sabotages him. All is resolved at the end with Zack's friends yet again forgiving their buddy's psychopathic tendencies because that's what friends are for.\u003c/p>\n\u003cp>\u003cstrong>Intended Lesson:\u003c/strong> Cheaters never prosper.\u003c/p>\n\u003cp>\u003cstrong>Real Lesson:\u003c/strong> You can only push people so far before they fight back. It took four seasons, but Bayside eventually stood up to the reign of terror that was Zack Morris, even neutralizing his ability to freeze time. Also, how natural was Jessie in the role of the saboteur in this episode? Yet more proof that the high school valedictorian runs away to become the stair-pushing dancer in \u003cem>Showgirls.\u003c/em> Even if you can't entirely prove SBTB and \u003cem>Showgirls\u003c/em> are part of the same universe, you also can't entirely rule it out.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/9UreyTaVWm0'\n title='//www.youtube.com/embed/9UreyTaVWm0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Rockumentary\u003c/strong> (Season 3, Episode 22)\u003c/p>\n\u003cp>\u003cstrong>Plot:\u003c/strong> In a \u003cem>VH1: Behind the Music\u003c/em> type episode (which we hope inspires the tone of the upcoming telefilm), Casey Kasem tells the story of the gang's garage band \"The Zack Attack\" and the eventual rise, fall, and rise of the six friends as they shoot to fame. Naturally, there's some kind of misunderstanding and they go their separate ways in anger before eventually reuniting to sing their hit \"Friends Forever\" at a big benefit concert at Bayside. Then Zack wakes up. Years later, we're gifted with this \u003ca href=\"http://www.dailymotion.com/video/x9juow_zack-morris-mark-paul-gosselaar-200_news\">classic bit on Jimmy Fallon\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Intended Lesson:\u003c/strong> Friendsssss for evvvvvvaaaaaaahhh.\u003c/p>\n\u003cp>\u003cstrong>Real Lesson:\u003c/strong> Once you get famous, ditch your dead weight friends, who have stuck with you during your rise. Don't worry, if you ever have a crisis, they'll always come back. That's sort of the overall lesson of the series: No matter how poorly Zack treats his friends, they're all terrible codependents and will always return for his abuse. One can only hope the real \"behind the scenes\" story on Lifetime is half as juicy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "SanFranLand: New Web Series Shows What It's Like To Be A San Francisco Girl",
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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13123\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/sanfranland.jpg\" alt=\"sanfranland\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/sanfranland.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/sanfranland-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>There were several moments during the premiere screening of the \u003ca href=\"http://sanfranlandseries.com/\">new web series \u003cem>SanFranLand\u003c/em>\u003c/a> in the cellar of Monarch Bar on Wednesday night when the show's localized humor was so specific it was a near lesson in anthropology. The walk-in costume closet organized with options for every SF dress-up occasion from Burning Man to Bay to Breakers, the desensitization to the sight of the naked body at the Folsom Street Fair, the medical marijuana card procurement appointment and the constant battle with parking enforcement in San Francisco all get their moments in the spotlight in the 12 episode series (the first seven episodes are \u003ca href=\"http://sanfranlandseries.com\">available\u003c/a> right now).\u003c/p>\n\u003cp>The show, created by Ryan Lynch, is centered on the exploits of three roommates. Bobbi (Ashely Chaney) is fresh from Georgia and a broken engagement (we won't spoil how the engagement ends here). Seeking a change, she moves to San Francisco to live with elementary school teacher-by-day, DJ-by-night Tara (Chrissy Mazzeo) and start-up founder and scene-queen Coco Rocco (Liz Anderson). Bobbi, the outsider eyes through which we see the wonderland/Never-Neverland/adult Disneyland of the city, is presented with a challenge: say yes to everything that San Francisco affords as a way of breaking with the past. From there, the series becomes a celebration, both of a certain kind of party lifestyle that once thrived here and of a series of postcard-perfect locations around the city.\u003c/p>\n\u003cp>http://youtu.be/BiBIc-wYMws\u003c/p>\n\u003cp>\"I wrote this over three years ago,\" Lynch said of the journey to bring her tales of this city to the web. \"A lot has definitely changed in San Francisco in that time.\" She cites the obvious Google buses and housing shortage to name a few, but thinks the central spirit of a city where \"saying yes brings incredible opportunities\" is still present.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The sense that the series had captured a slightly vanished moment was one of the qualities that received the most reaction from the audience. Lynch says that, in the planned season 2, which she is beginning to script partially based on fan interaction, many of these shifts will be addressed, but that she's glad she was able to tell the story of the city as she experienced it.\u003c/p>\n\u003cp>Another reason Lynch was compelled to create \u003cem>SanFranLand\u003c/em> was to offer a uniquely female point of view on life here. The premise of San Francisco as a playground has been presented more than once, but a female ensemble view has been lacking in depictions of San Francisco.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Just about any era in San Francisco is interesting, but the past decade has been wrought with change and many cultural moments that have opened and snapped back shut like clam shells. So far, \u003cem>SanFranLand\u003c/em> has offered glimpses into one set of experiences the city can afford and it'll be interesting to see just what \"saying yes\" can bring.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13123\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/sanfranland.jpg\" alt=\"sanfranland\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/sanfranland.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/sanfranland-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>There were several moments during the premiere screening of the \u003ca href=\"http://sanfranlandseries.com/\">new web series \u003cem>SanFranLand\u003c/em>\u003c/a> in the cellar of Monarch Bar on Wednesday night when the show's localized humor was so specific it was a near lesson in anthropology. The walk-in costume closet organized with options for every SF dress-up occasion from Burning Man to Bay to Breakers, the desensitization to the sight of the naked body at the Folsom Street Fair, the medical marijuana card procurement appointment and the constant battle with parking enforcement in San Francisco all get their moments in the spotlight in the 12 episode series (the first seven episodes are \u003ca href=\"http://sanfranlandseries.com\">available\u003c/a> right now).\u003c/p>\n\u003cp>The show, created by Ryan Lynch, is centered on the exploits of three roommates. Bobbi (Ashely Chaney) is fresh from Georgia and a broken engagement (we won't spoil how the engagement ends here). Seeking a change, she moves to San Francisco to live with elementary school teacher-by-day, DJ-by-night Tara (Chrissy Mazzeo) and start-up founder and scene-queen Coco Rocco (Liz Anderson). Bobbi, the outsider eyes through which we see the wonderland/Never-Neverland/adult Disneyland of the city, is presented with a challenge: say yes to everything that San Francisco affords as a way of breaking with the past. From there, the series becomes a celebration, both of a certain kind of party lifestyle that once thrived here and of a series of postcard-perfect locations around the city.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BiBIc-wYMws'\n title='//www.youtube.com/embed/BiBIc-wYMws'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\"I wrote this over three years ago,\" Lynch said of the journey to bring her tales of this city to the web. \"A lot has definitely changed in San Francisco in that time.\" She cites the obvious Google buses and housing shortage to name a few, but thinks the central spirit of a city where \"saying yes brings incredible opportunities\" is still present.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13096\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/robin.jpg\" alt=\"robin williams\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/robin.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/robin-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Devastating news from \u003ca href=\"http://www.marinsheriff.org/uploads/854.pdf\">the Marin County Sheriff\u003c/a>: Academy Award-winning actor, comedian and longtime Bay Area resident Robin Williams is dead at age 63. The actor, who publicly battled substance abuse issues and was recently admitted to a \"renewal center\" in an effort to maintain his sobriety, was found by members of his family this morning in his Tiburon home, the victim of an apparent suicide. Williams' publicist, Mara Buxbaum, confirmed the news and said the actor had recently been battling \"severe depression.\"\u003c/p>\n\u003cp>This is upsetting news for the generations of fans that loved, laughed and grew up with the star, as well as many Bay Area residents, who have proudly claimed Williams as an adoptive native son. From his early sitcom antics on his breakout hit \u003cem>Mork and Mindy\u003c/em> to the roles in films including \u003cem>Good Morning, Vietnam\u003c/em>, \u003cem>The Dead Poets Society\u003c/em> and \u003cem>Good Will Hunting,\u003c/em> San Franciscans have long had a sense of sharing the triumphs with the entertainer. The house that Williams' shared with his family for many years in the Sea Cliff district of San Francisco was famous to local children for its dinosaur topiary peaking above the garden wall like the playful friend we all imagined Robin Williams to be.\u003c/p>\n\u003cp>Williams' talent was truly multi-dimensional, from the lightning-fast comedy that propelled him to fame to the iconic San Francisco-set drag comedy \u003cem>Mrs. Doubtfire\u003c/em>, which remains a hallmark for millennials who saw the film as children. Where is Sean, Williams' unconventional therapist in \u003cem>Good Will Hunting,\u003c/em> who comforts a young Will? Where is his Tex Avery-witted Genie from \u003cem>Aladdin \u003c/em> to grant us a final wish? Or the loving gay father of \u003cem>The Birdcage\u003c/em> to help us \"keep it all inside?\" Where is our one last comforting whisper in Mrs. Doubtfire's gentle Scottish lilt?\u003c/p>\n\u003cp>http://youtu.be/KI2_bn89cow\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"disqusTitle": "What Were They Thinking: The Most Bizarre Musical Adaptations",
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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13029\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/07/carrie1.jpg\" alt=\"carrie\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/07/carrie1.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/07/carrie1-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Good news for anyone who loved the Oscar-winning film \u003cem>Shakespeare in Love\u003c/em>: the \u003ca href=\"http://news.msn.com/pop-culture/shakespeare-in-love-adapter-revels-in-rave-reviews-in-london\" target=\"_blank\" rel=\"noopener noreferrer\">recent musical adaptation\u003c/a> of the story of Shakespeare and his muse for \u003cem>Romeo and Juliet\u003c/em> is getting rave reviews in London. If you watched the original movie back in 1998 and thought, \"It's good, but what if the Bard had a power ballad explaining his feelings for Viola?\", then this is the musical for you.\u003c/p>\n\u003cp>In the past few years, the silver screen has become the go-to source for theater producers looking to create a sure-fire musical hit. It makes sense; if audiences loved the movie, of course they'll love it on stage with a couple of chorus lines and catchy hooks thrown in. Some have been successful (\u003cem>Hairspray\u003c/em>, \u003cem>The Producers\u003c/em>, \u003cem>The Lion King\u003c/em> and \u003cem>Monty Python's Spamalot)\u003c/em>, while others\u003cem> \u003c/em>sound like SNL parodies or show tune hallucinations. Wouldn't you have loved to have been in the meeting where some brave composer said: \"You know what I could write a killer score for? That Stephen King movie about the girl soaked in pig blood at her prom. Her mother can sing a whole \"Dirty Pillows\" number. And, at the end, the destruction of the gym can be a piece of interpretive dance!\" Seriously.\u003c/p>\n\u003cp>Here are some of our favorite odd musical adaptations, from supernatural feminist metaphors (\u003cem>The Witches of Eastwick\u003c/em>) to bungee jumping superheroes (\u003cem>Spider-Man: Turn Off The Dark\u003c/em>).\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>\u003cstrong>The Witches of Eastwick\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=AT43o2uRG8E&list=PLNXSK9RU25sj4Q_AZaW_BCpjWX-GffkRm\u003c/p>\n\u003cp>John Irving's novel of magical happenings was adapted into a film in 1987 starring Cher, Susan Sarandon and Michelle Pfeiffer as the titular witches. In 2000, composer Dana P. Rowe, lyricist John Dempsey and hit-making producer Cameron Mackintosh decided to take the story to the London stage. Five, six, seven, eight; spell, hex, curse, conjure JAZZ HANDS! This time, the witches were led by Lucie Arnaz, daughter of Lucille Ball and Desi Arnaz, with the devilish role portrayed in the film by Jack Nicholson going to \u003cem>Deadwood\u003c/em> actor Ian McShane. Problems surrounded the new production with rewrites, cast changes and special effects challenges, but the show has gone on to tour Europe and Australia (although never really becoming a hit with U.S. audiences). A musical about a polyamorous arrangement of witches and a gossipy small town chorus sounds like a good place to start. Unfortunatley, supernatural/horror elements never really worked in a musical setting, and don't even get us started on the infamous \"cherry-pit puking scene\" that made it into the show. Some things just shouldn't be sung about.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>\u003cstrong>The Fearless Vampire Killers\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>Out of all of Roman Polanski's films, 1967's \u003cem>The Fearless Vampire Killers\u003c/em> is probably the most appropriate for a musical adaptation (not that that means much; it's just a better choice than \u003cem>The Pianist\u003c/em> or \u003cem>Rosemary's Baby)\u003c/em>. The story of a 19th century professor hunting Eastern Europe for proof of vampires (and his eventual encounter with the bloodsuckers) was given a score by Jim Steinman and originally found success in Vienna in 1997. When the team tried to transfer the show to Broadway in 2002 (retitling it \u003cem>Dance of the Vampires\u003c/em>), the trouble began. Temperamental \u003cem>Phantom of the Opera\u003c/em> star Michael Crawford apparently insisted on changes to his Count character, and the horror or spoof question surrounding the tone of the show was never resolved. In the end, the musical looked and sounded like a Meatloaf music video and audiences stayed away. In addition to \u003cem>Dance of the Vampires, \u003c/em> adaptations of \u003cem>Dracula\u003c/em> and \u003cem>Interview with the Vampire\u003c/em> have also famously flopped on stage. Theater makers, take the hint; the undead are not musical material.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>\u003cstrong>Heathers\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>http://youtu.be/Gpad8LUEwsg\u003c/p>\n\u003cp>The 1988 mean teen classic starring Winona Ryder, Christian Slater and Shannen Doherty first found its way to the stage in a 2010 concert and is closing off-Broadway this August after a five month run. The show kind of works because it \u003cem>gets\u003c/em> that turning a story about murder via Draino, faked gay suicide pacts and the sinister side of adolescence into a bunch of chipper show tunes is kind of ridiculous; composers and lyricists Laurence O'Keefe and Kevin Murphy are totally in on the joke. The original \u003cem>Heathers\u003c/em> was almost operatic in its insanity and songs like \"My Dead Gay Son\" make good use of some of the most quotable lines from the film. That said, it's still a totally absurd premise for a musical, but the score helps keep the irony and darkness front and center.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>\u003cstrong>Rocky\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=f7-qD7oa1K8\u003c/p>\n\u003cp>The 1976 Academy Award-winning boxing classic \u003cem>Rocky\u003c/em> is known for a lot of things: great training montages, an underdog hero and stunning shots of Philly. What it's not known for is a particularly verbal or even enunciation-friendly leading man. The idea of mumbling, taken-one-too-many-punches-to-the-mouth Rocky singing a love ballad to Adrienne is laughable, although we can totally see Apollo Creed busting into song, since he was practically the James Brown of boxing. The adaption, originated in Hamburg in 2012 with music by Stephen Flaherty and lyrics by Thomas Meehan, is currently playing on Broadway. What works for the show is the athleticism in the choreography (jump ropes, for crying out loud!) and the fact that we get to hear \"Eye of the Tiger\" onstage. But the idea of Rocky Balboa singing is just too much. If we were going to turn a Stallone movie into a musical, our first choice would be \u003ca href=\"http://www.imdb.com/title/tt0105477/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Stop! Or My Mom Will Shoot!\u003c/em> \u003c/a>without a doubt.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>\u003cstrong>Spider-Man: Turn Off The Dark\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>http://youtu.be/4hiS2u9QCJg\u003c/p>\n\u003cp>Superheroes have a troubled history in musical theater (see notorious 1966 show and 1975 television special \u003cem>It's A Bird... It's A Plane... It's Superman\u003c/em>), but that didn't stop \u003cem>Lion King\u003c/em> director Julie Taymor and U2 composer and lyricists Bono and The Edge from trying to wring a few songs out of Spider-Man. The production is one of the most notorious in recent Broadway history; a year before opening, stunt disasters, rewrites, sky rocking budgets and the eventual dismissal of Taymor from the show all made the musical highly anticipated for all the wrong reasons. When the show finally opened in 2011, it had the distinction of having the most previews in Broadway history (182, to be exact) and was also the most expensive show ever produced for the Great White Way. While critics were dazzled by the stunts and Eiko Ishioka's costumes, everything else was blasted. Call me old fashioned, but the Green Goblin is so much less menacing when he's playing the piano.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>\u003cstrong>Carrie\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>http://youtu.be/sYgRMHv68W4\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The 1988, $8 million musical adaptation of \u003cem>Carrie\u003c/em> seems like a really bizarre idea, even in light of the cult status the blood-soaked flop has earned in subsequent revivals. \u003cem>Fame\u003c/em> composer and lyricist Michael Gore and Dean Pitchford wrote the score, Debbie Allen choreographed and legit diva Betty Buckley (the singer of \"Memory\" in \u003cem>Cats\u003c/em>) was cast as Carrie's religious fanatic mom, but not even those pros could turn the musical that never should have been into a hit. Critical response was negative and audiences were bewildered during the short 15 performance run; some performances ended with both boos and standing ovations. Some fun facts from the show: the original actress playing Carrie's mother in previews resigned from the show after nearly being decapitated by a set piece, a song about Carrie's period scare in the locker room was sadly cut in try-outs and the actresses that played Carrie through the productions almost were electrocuted multiple times when their mics shorted out after getting drenched with blood at the prom. No matter what may come, we're betting \u003cem>Carrie\u003c/em> will hold its spot as the most absurd musical adaptation ever (unless I finally get to produce my all-singing tribute to the sexual-compulsive film \u003cem>Shame\u003c/em> sometime in the next few years!).\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13029\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/07/carrie1.jpg\" alt=\"carrie\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/07/carrie1.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/07/carrie1-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Good news for anyone who loved the Oscar-winning film \u003cem>Shakespeare in Love\u003c/em>: the \u003ca href=\"http://news.msn.com/pop-culture/shakespeare-in-love-adapter-revels-in-rave-reviews-in-london\" target=\"_blank\" rel=\"noopener noreferrer\">recent musical adaptation\u003c/a> of the story of Shakespeare and his muse for \u003cem>Romeo and Juliet\u003c/em> is getting rave reviews in London. If you watched the original movie back in 1998 and thought, \"It's good, but what if the Bard had a power ballad explaining his feelings for Viola?\", then this is the musical for you.\u003c/p>\n\u003cp>In the past few years, the silver screen has become the go-to source for theater producers looking to create a sure-fire musical hit. It makes sense; if audiences loved the movie, of course they'll love it on stage with a couple of chorus lines and catchy hooks thrown in. Some have been successful (\u003cem>Hairspray\u003c/em>, \u003cem>The Producers\u003c/em>, \u003cem>The Lion King\u003c/em> and \u003cem>Monty Python's Spamalot)\u003c/em>, while others\u003cem> \u003c/em>sound like SNL parodies or show tune hallucinations. Wouldn't you have loved to have been in the meeting where some brave composer said: \"You know what I could write a killer score for? That Stephen King movie about the girl soaked in pig blood at her prom. Her mother can sing a whole \"Dirty Pillows\" number. And, at the end, the destruction of the gym can be a piece of interpretive dance!\" Seriously.\u003c/p>\n\u003cp>Here are some of our favorite odd musical adaptations, from supernatural feminist metaphors (\u003cem>The Witches of Eastwick\u003c/em>) to bungee jumping superheroes (\u003cem>Spider-Man: Turn Off The Dark\u003c/em>).\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>\u003cstrong>The Witches of Eastwick\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/AT43o2uRG8E'\n title='//www.youtube.com/embed/AT43o2uRG8E'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>John Irving's novel of magical happenings was adapted into a film in 1987 starring Cher, Susan Sarandon and Michelle Pfeiffer as the titular witches. In 2000, composer Dana P. Rowe, lyricist John Dempsey and hit-making producer Cameron Mackintosh decided to take the story to the London stage. Five, six, seven, eight; spell, hex, curse, conjure JAZZ HANDS! This time, the witches were led by Lucie Arnaz, daughter of Lucille Ball and Desi Arnaz, with the devilish role portrayed in the film by Jack Nicholson going to \u003cem>Deadwood\u003c/em> actor Ian McShane. Problems surrounded the new production with rewrites, cast changes and special effects challenges, but the show has gone on to tour Europe and Australia (although never really becoming a hit with U.S. audiences). A musical about a polyamorous arrangement of witches and a gossipy small town chorus sounds like a good place to start. Unfortunatley, supernatural/horror elements never really worked in a musical setting, and don't even get us started on the infamous \"cherry-pit puking scene\" that made it into the show. Some things just shouldn't be sung about.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>\u003cstrong>The Fearless Vampire Killers\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>Out of all of Roman Polanski's films, 1967's \u003cem>The Fearless Vampire Killers\u003c/em> is probably the most appropriate for a musical adaptation (not that that means much; it's just a better choice than \u003cem>The Pianist\u003c/em> or \u003cem>Rosemary's Baby)\u003c/em>. The story of a 19th century professor hunting Eastern Europe for proof of vampires (and his eventual encounter with the bloodsuckers) was given a score by Jim Steinman and originally found success in Vienna in 1997. When the team tried to transfer the show to Broadway in 2002 (retitling it \u003cem>Dance of the Vampires\u003c/em>), the trouble began. Temperamental \u003cem>Phantom of the Opera\u003c/em> star Michael Crawford apparently insisted on changes to his Count character, and the horror or spoof question surrounding the tone of the show was never resolved. In the end, the musical looked and sounded like a Meatloaf music video and audiences stayed away. In addition to \u003cem>Dance of the Vampires, \u003c/em> adaptations of \u003cem>Dracula\u003c/em> and \u003cem>Interview with the Vampire\u003c/em> have also famously flopped on stage. Theater makers, take the hint; the undead are not musical material.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>\u003cstrong>Heathers\u003c/strong>\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Gpad8LUEwsg'\n title='//www.youtube.com/embed/Gpad8LUEwsg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The 1988 mean teen classic starring Winona Ryder, Christian Slater and Shannen Doherty first found its way to the stage in a 2010 concert and is closing off-Broadway this August after a five month run. The show kind of works because it \u003cem>gets\u003c/em> that turning a story about murder via Draino, faked gay suicide pacts and the sinister side of adolescence into a bunch of chipper show tunes is kind of ridiculous; composers and lyricists Laurence O'Keefe and Kevin Murphy are totally in on the joke. The original \u003cem>Heathers\u003c/em> was almost operatic in its insanity and songs like \"My Dead Gay Son\" make good use of some of the most quotable lines from the film. That said, it's still a totally absurd premise for a musical, but the score helps keep the irony and darkness front and center.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>\u003cstrong>Rocky\u003c/strong>\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/f7-qD7oa1K8'\n title='//www.youtube.com/embed/f7-qD7oa1K8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The 1976 Academy Award-winning boxing classic \u003cem>Rocky\u003c/em> is known for a lot of things: great training montages, an underdog hero and stunning shots of Philly. What it's not known for is a particularly verbal or even enunciation-friendly leading man. The idea of mumbling, taken-one-too-many-punches-to-the-mouth Rocky singing a love ballad to Adrienne is laughable, although we can totally see Apollo Creed busting into song, since he was practically the James Brown of boxing. The adaption, originated in Hamburg in 2012 with music by Stephen Flaherty and lyrics by Thomas Meehan, is currently playing on Broadway. What works for the show is the athleticism in the choreography (jump ropes, for crying out loud!) and the fact that we get to hear \"Eye of the Tiger\" onstage. But the idea of Rocky Balboa singing is just too much. If we were going to turn a Stallone movie into a musical, our first choice would be \u003ca href=\"http://www.imdb.com/title/tt0105477/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Stop! Or My Mom Will Shoot!\u003c/em> \u003c/a>without a doubt.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>\u003cstrong>Spider-Man: Turn Off The Dark\u003c/strong>\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4hiS2u9QCJg'\n title='//www.youtube.com/embed/4hiS2u9QCJg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Superheroes have a troubled history in musical theater (see notorious 1966 show and 1975 television special \u003cem>It's A Bird... It's A Plane... It's Superman\u003c/em>), but that didn't stop \u003cem>Lion King\u003c/em> director Julie Taymor and U2 composer and lyricists Bono and The Edge from trying to wring a few songs out of Spider-Man. The production is one of the most notorious in recent Broadway history; a year before opening, stunt disasters, rewrites, sky rocking budgets and the eventual dismissal of Taymor from the show all made the musical highly anticipated for all the wrong reasons. When the show finally opened in 2011, it had the distinction of having the most previews in Broadway history (182, to be exact) and was also the most expensive show ever produced for the Great White Way. While critics were dazzled by the stunts and Eiko Ishioka's costumes, everything else was blasted. Call me old fashioned, but the Green Goblin is so much less menacing when he's playing the piano.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cem>\u003cstrong>Carrie\u003c/strong>\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sYgRMHv68W4'\n title='//www.youtube.com/embed/sYgRMHv68W4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The 1988, $8 million musical adaptation of \u003cem>Carrie\u003c/em> seems like a really bizarre idea, even in light of the cult status the blood-soaked flop has earned in subsequent revivals. \u003cem>Fame\u003c/em> composer and lyricist Michael Gore and Dean Pitchford wrote the score, Debbie Allen choreographed and legit diva Betty Buckley (the singer of \"Memory\" in \u003cem>Cats\u003c/em>) was cast as Carrie's religious fanatic mom, but not even those pros could turn the musical that never should have been into a hit. Critical response was negative and audiences were bewildered during the short 15 performance run; some performances ended with both boos and standing ovations. Some fun facts from the show: the original actress playing Carrie's mother in previews resigned from the show after nearly being decapitated by a set piece, a song about Carrie's period scare in the locker room was sadly cut in try-outs and the actresses that played Carrie through the productions almost were electrocuted multiple times when their mics shorted out after getting drenched with blood at the prom. No matter what may come, we're betting \u003cem>Carrie\u003c/em> will hold its spot as the most absurd musical adaptation ever (unless I finally get to produce my all-singing tribute to the sexual-compulsive film \u003cem>Shame\u003c/em> sometime in the next few years!).\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_12977\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-12977 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/07/san-francisco-wait-wait-dont-tell-me.jpg\" alt=\"Photo: Flickr and NPR\" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/07/san-francisco-wait-wait-dont-tell-me.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/07/san-francisco-wait-wait-dont-tell-me-400x266.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://www.flickr.com/photos/lucasmaystre/3677897422/\">Lucas Maystre\u003c/a>, via Flickr and NPR\u003c/figcaption>\u003c/figure>\n\u003cp>For the next few weeks, NPR game show favorite \u003cem>Wait, Wait... Don't Tell Me!\u003c/em> will be in residence at the Nourse Theatre in San Francisco, taping shows every Thursday night. If this is the first you're hearing of it, sorry, tickets sold out in a record six hours. The Peabody Award-winning program has never before undertaken an extended residency in any city outside their native Chicago, but as host Peter Sagal summed up backstage after the show, \"How could we not want to be here? It's San Francisco!\" It was acknowledged throughout the night that Northern California, and San Francisco especially, is fertile ground for public radio listeners, as evidenced by the NPR devoted groupieship in attendance. There haven't been so many tote bags in one place since the last National Archivist Association picnic.\u003c/p>\n\u003cp>The hour-long show, hosted by Sagal and announcer Bill Kurtis (the narrator of every A&E true crime program worth its salt) features a rotating panel of three who are quizzed on a variety of topics in the news that week or are occasionally called to the aid of phone-in guests from around the country. Last Thursday's panel consisted of the \u003cem>Washington Post\u003c/em>'s Roxanne Roberts, humorist Roy Blount Jr. and comedian Bobcat Goldwait. The Not My Job guests for the next few weeks will be pulled from the local luminary population. Last week, Chef Thomas Keller (The French Laundry) filled the slot, dressed in what Sagal remarked were \"the most pristine chef whites ever...even for radio.\"\u003c/p>\n\u003cp>Here are some highlights and behind-the-scenes dish on the premiere taping and a look ahead to what's coming up in the next two weeks.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Audience\u003c/strong>\u003c/p>\n\u003cp>The best thing about any game show is sitting in the audience. If any contestant or panelist contemplated the question for a moment too long, the crowd at Nourse was ready to help them. 80 percent of the time they were right, which I suppose speaks well of our local news habits. A tip for anyone attending: Study up before the show so you can get the nuances of the joke about the Iranian election. Even at the taping of brainy NPR game shows, people get extremely excited, so watching the fervor amp up as we get to the fill-in-the-blank round or as a panelist struggles to recall the name of the head of the CIA's kitchen is something to behold.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Local Humor\u003c/strong>\u003c/p>\n\u003cp>Sagal and the show's writers are tailoring some of the humor to the temporary SF locale. Real estate references, jokes about start-up culture (\"so you all have a million dollars of app starter money in your pockets tonight, right?\") and the availability of medical marijuana peppered the night, and Sagal is looking forward to getting to explore the city for more material. \"It's this really interesting time for the city,\" Sagal said after the taping. \"A lot of the old chakra, hippie stuff is dying out so the jokes from 10 years ago don't work.\" Addressing both the housing crisis and the overall changes to the city in recent years, Sagal commented that in spite of the current climate \"tech billionaires, from what I've seen, have yet to stamp out the real San Francisco.\" He sure knows how to reassure listeners.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Fun with Foodies\u003c/strong>\u003c/p>\n\u003cp>One of Sagal's on-going targets of the night was the Bay Area's foodie culture, so imagine how much fun he and Chef Thomas Keller had playfully sparring. Sagal's main point of contention was the prices at Keller's Michelin-starred restaurants, but Keller was a good sport. The internationally lauded chef even brought signature amuse bouche from his Yountville kitchen for the panel, which silenced any jokes from Sagal only for the moment his mouth was full. Keller won the night when he also produced a bag of In-N-Out Burger when the amuse bouche did not sate the host, showing he was not only prepared to laugh at himself, he was just all around prepared.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Art Linkletter, Anyone?\u003c/strong>\u003c/p>\n\u003cp>In one of the night's more surreal running jokes, Roy Blount Jr. tried to make an elaborate quip about Art Linkletter work in the context of...actually, the context got lost because the author's reference was so bizarre and archaic. As Blount struggled to eventually find a way to make the \u003cem>Kids Say the Darndest Things\u003c/em> host into some kind of punch-line throughout the evening, it became apparent it was actually the perfect example of NPR humor. Get a grandfatherly writer to make an old-timey reference for a dose of Americana quaintness on the airwaves and everyone laughs in nodding affection. For the record, Linkletter was VERY big in family programming in the '60s, so take that, young people!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Upcoming Local Guests\u003c/strong>\u003c/p>\n\u003cp>This week, local drag impresario Peaches Christ will be taking the Not My Job guest spot. If you can still score black market tickets to the show, it'll be a treat to see what she wears for the radio.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And the final NMJ guest will be Amy Tan, so be prepared for some kind of stunt where she will either have to specify parts of the skeleton as an homage to \u003cem>The Bonesetter's Daughter\u003c/em> or name that serotonin for a \u003cem>Joy Luck Club\u003c/em> rapid-fire round.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_12977\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-12977 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/07/san-francisco-wait-wait-dont-tell-me.jpg\" alt=\"Photo: Flickr and NPR\" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/07/san-francisco-wait-wait-dont-tell-me.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/07/san-francisco-wait-wait-dont-tell-me-400x266.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://www.flickr.com/photos/lucasmaystre/3677897422/\">Lucas Maystre\u003c/a>, via Flickr and NPR\u003c/figcaption>\u003c/figure>\n\u003cp>For the next few weeks, NPR game show favorite \u003cem>Wait, Wait... Don't Tell Me!\u003c/em> will be in residence at the Nourse Theatre in San Francisco, taping shows every Thursday night. If this is the first you're hearing of it, sorry, tickets sold out in a record six hours. The Peabody Award-winning program has never before undertaken an extended residency in any city outside their native Chicago, but as host Peter Sagal summed up backstage after the show, \"How could we not want to be here? It's San Francisco!\" It was acknowledged throughout the night that Northern California, and San Francisco especially, is fertile ground for public radio listeners, as evidenced by the NPR devoted groupieship in attendance. There haven't been so many tote bags in one place since the last National Archivist Association picnic.\u003c/p>\n\u003cp>The hour-long show, hosted by Sagal and announcer Bill Kurtis (the narrator of every A&E true crime program worth its salt) features a rotating panel of three who are quizzed on a variety of topics in the news that week or are occasionally called to the aid of phone-in guests from around the country. Last Thursday's panel consisted of the \u003cem>Washington Post\u003c/em>'s Roxanne Roberts, humorist Roy Blount Jr. and comedian Bobcat Goldwait. The Not My Job guests for the next few weeks will be pulled from the local luminary population. Last week, Chef Thomas Keller (The French Laundry) filled the slot, dressed in what Sagal remarked were \"the most pristine chef whites ever...even for radio.\"\u003c/p>\n\u003cp>Here are some highlights and behind-the-scenes dish on the premiere taping and a look ahead to what's coming up in the next two weeks.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Audience\u003c/strong>\u003c/p>\n\u003cp>The best thing about any game show is sitting in the audience. If any contestant or panelist contemplated the question for a moment too long, the crowd at Nourse was ready to help them. 80 percent of the time they were right, which I suppose speaks well of our local news habits. A tip for anyone attending: Study up before the show so you can get the nuances of the joke about the Iranian election. Even at the taping of brainy NPR game shows, people get extremely excited, so watching the fervor amp up as we get to the fill-in-the-blank round or as a panelist struggles to recall the name of the head of the CIA's kitchen is something to behold.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Local Humor\u003c/strong>\u003c/p>\n\u003cp>Sagal and the show's writers are tailoring some of the humor to the temporary SF locale. Real estate references, jokes about start-up culture (\"so you all have a million dollars of app starter money in your pockets tonight, right?\") and the availability of medical marijuana peppered the night, and Sagal is looking forward to getting to explore the city for more material. \"It's this really interesting time for the city,\" Sagal said after the taping. \"A lot of the old chakra, hippie stuff is dying out so the jokes from 10 years ago don't work.\" Addressing both the housing crisis and the overall changes to the city in recent years, Sagal commented that in spite of the current climate \"tech billionaires, from what I've seen, have yet to stamp out the real San Francisco.\" He sure knows how to reassure listeners.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Fun with Foodies\u003c/strong>\u003c/p>\n\u003cp>One of Sagal's on-going targets of the night was the Bay Area's foodie culture, so imagine how much fun he and Chef Thomas Keller had playfully sparring. Sagal's main point of contention was the prices at Keller's Michelin-starred restaurants, but Keller was a good sport. The internationally lauded chef even brought signature amuse bouche from his Yountville kitchen for the panel, which silenced any jokes from Sagal only for the moment his mouth was full. Keller won the night when he also produced a bag of In-N-Out Burger when the amuse bouche did not sate the host, showing he was not only prepared to laugh at himself, he was just all around prepared.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Art Linkletter, Anyone?\u003c/strong>\u003c/p>\n\u003cp>In one of the night's more surreal running jokes, Roy Blount Jr. tried to make an elaborate quip about Art Linkletter work in the context of...actually, the context got lost because the author's reference was so bizarre and archaic. As Blount struggled to eventually find a way to make the \u003cem>Kids Say the Darndest Things\u003c/em> host into some kind of punch-line throughout the evening, it became apparent it was actually the perfect example of NPR humor. Get a grandfatherly writer to make an old-timey reference for a dose of Americana quaintness on the airwaves and everyone laughs in nodding affection. For the record, Linkletter was VERY big in family programming in the '60s, so take that, young people!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Upcoming Local Guests\u003c/strong>\u003c/p>\n\u003cp>This week, local drag impresario Peaches Christ will be taking the Not My Job guest spot. If you can still score black market tickets to the show, it'll be a treat to see what she wears for the radio.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And the final NMJ guest will be Amy Tan, so be prepared for some kind of stunt where she will either have to specify parts of the skeleton as an homage to \u003cem>The Bonesetter's Daughter\u003c/em> or name that serotonin for a \u003cem>Joy Luck Club\u003c/em> rapid-fire round.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Lost In Translation: Some American TV Shows Don't Quite Survive The Foreign Exchange",
"title": "Lost In Translation: Some American TV Shows Don't Quite Survive The Foreign Exchange",
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"content": "\u003cfigure id=\"attachment_12798\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/07/09/lost-in-translation-american-tv-shows-that-dont-quite-survive-the-foreign-exchange-modern-family-iran/gossip-girl-china/\" rel=\"attachment wp-att-12798\">\u003cimg class=\"wp-image-12798 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/07/gossip-girl-china.jpg\" alt=\"Photo: CW and Wikipedia\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/07/gossip-girl-china.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/07/gossip-girl-china-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: CW and \u003ca href=\"http://en.wikipedia.org/wiki/Tiananmen#mediaviewer/File:Tiananmen_beijing_Panorama.jpg\">Wikipedia\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>One of the things that makes the family on \u003cem>Modern Family\u003c/em> so gosh darn modern is the inclusion of married gay couple Mitchell and Cameron and their daughter, Lily. That's what families look like in the 21st century; people have gay family members with families of their own, not to mention divorces, remarriages, step-children and zany Columbian second wives that become breakout stars.\u003c/p>\n\u003cp>Iran didn't seem to get that memo when they decided to create \u003cem>Haft Sang\u003c/em>, an unlicensed version of the show; Mitch, Cam and Lily's characters are nowhere to be found. For a side by side comparison of the two shows, check this out:\u003c/p>\n\u003cp>http://youtu.be/_gKAF_t8wY8\u003c/p>\n\u003cp>Foreign versions of your American television favorites are nothing new, but, over the decades, some have landed much further from the original creator's vision than others. From swapping cops and lawyers for bobbies and barristers on \u003cem>Law & Order UK\u003c/em> to the less inflammatory animated antics of \u003cem>Al Shamshoon\u003c/em> (a.k.a. \u003cem>The Simpsons\u003c/em>) in the United Arab Emirates, here's some shows that got lost in translation:\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Al Shamshoon\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>http://youtu.be/L7Eyyz-kGzc\u003c/p>\n\u003cp>Remaking \u003cem>The Simpsons\u003c/em> for audiences in Dubai (actually, just redubbing) probably wasn't so hard once they got rid of Homer's (renamed Omar) drinking, epic pork consumption and any jokes that have to do with religion. Bring on the laughs! In this version, Omar and his wife Mona are constantly battling with their ill-behaved son, Badir. Is it really \u003cem>The Simpsons\u003c/em> without all-knowing, precocious and decidedly feminist Lisa and all the guys meeting at Moe's? No, it's \u003cem>Al Shamshoon\u003c/em>.\u003c/p>\n\u003cp>\u003cstrong>Does it work? \u003c/strong> Why you little! *chokes remake*\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Chrysa Koritsia\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/ttMbM1WTH6g\u003c/p>\n\u003cp>In 2008, Greek broadcaster ET1 premiered a modern version of universally beloved \u003cem>The Golden Girls\u003c/em> and, despite having to update and Hellenize a few things here and there, mostly stuck with the original concept. Sophia is Sophia, Dorothy is Dora, Rose is Fifi (we hope her stories all start with \"back on Skorpios...\"), Blanche is Bela, and they're all still ladies of a certain age with opinions on everything. Although nothing will ever replace the original series, the Greek version retains much of the humor, mood and overall tone of the American original. Greece also works in lieu of the original Miami setting, although we'd love to see the show get ultra-Greek and have that special episode one day where the girls deal with the Greek economic situation or get John Stamos to guest star as Bella's younger, American-born lover.\u003c/p>\n\u003cp>\u003cstrong>Does it work?\u003c/strong> Thank you for being a friend; it does.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Moya prekrasnaya nyanya\u003c/strong> (\u003c/em>\u003cstrong>\u003cem>My Fair Nanny\u003c/em>\u003c/strong>)\u003c/p>\n\u003cp>http://youtu.be/5MihJtnOstg\u003c/p>\n\u003cp>The Russian remake of the Fran Drescher sitcom \u003cem>The Nanny\u003c/em> has been a huge success since it debuted in 2004, and owes its popularity to sticking close to the original stories. Viktoria (Drescher's role in the original) becomes the accidental nanny for a wealthy family headed by handsome widower Maxim. Misunderstandings ensue immediately as blue collar meets blue blood (or proletariat meets oligarch?). What's sadly lacking here is the nanny character's strong Jewish heritage, which was such a hallmark of the original series and a major source of humor as Fran infused a little ethnic flavor into the stuffy WASP/Brit family. Russia's relationship with its Jewish population remains...complicated, to be kind, so Viktoria's culture clash story is as a Ukrainian living in Russia. In light of recent events in the Ukraine, we're not sure how to feel about that.\u003c/p>\n\u003cp>\u003cstrong>Does it work?\u003c/strong> A lot of Russians seem to think so, but all I can say in the spirit of the original \u003cem>Nanny\u003c/em> is \"oy.\"\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Law & Order: UK\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/EjZ_dXzeBUw\u003c/p>\n\u003cp>There are so many versions of \u003cem>Law & Order\u003c/em> out there. \u003cem>SVU\u003c/em>, \u003cem>LA\u003c/em>, \u003cem>Criminal Intent\u003c/em>, \u003cem>Trial by Jury \u003c/em>(and it wouldn't be surprising if a junior \"hall monitors and crossing guards\" version was in the works over at Nickelodeon). And that's just in the U.S. In the British series (because Brits love their crime procedurals as much as us Yanks), the laws are different and the cops don't carry guns, yet the spirit is the same. But it's so hard to take English trials seriously with those wigs. Can you ever picture Jack McCoy (Sam Waterston in the original US version) cross examining a murderer wearing one of those horse hair toppers? How does anything get done in their legal system, while everyone is working so hard to suppress the giggles?\u003c/p>\n\u003cp>\u003cstrong>Does it work?\u003c/strong> Wigs aside, it's a bit of alright.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Gossip Girl: China\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/OJ4v03wxRLQ\u003c/p>\n\u003cp>From decadent Park Avenue and anonymous websites to...communist, censorship-giddy, Internet-blocking China? It's unclear how the CW series could possibly translate under the strict content policies of China. According to the press release, “the series [is] about the lives of the students of the prestigious Shanghai International University, the school of choice of the rich and powerful. Each week, the main characters’ trust, love and friendship are tested, with all the behind-the-scenes tales recorded in a blog. In the beginning, they are confused and lost, however over time, they discover who they really are and eventually find the right path to pursue their dreams.” But what about all the sex, drugs and backstabbing?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Does it work?\u003c/strong> In spite of the nouveau wealth of Shanghai, no. The cultural shift just doesn't flow.\u003c/p>\n\n",
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"excerpt": "In light of Iran cutting out the gays from their version of Modern Family, we decided to take a look at other foreign takes on American shows and whether they got it right.",
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"description": "In light of Iran cutting out the gays from their version of Modern Family, we decided to take a look at other foreign takes on American shows and whether they got it right.",
"title": "Lost In Translation: Some American TV Shows Don't Quite Survive The Foreign Exchange | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_12798\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/07/09/lost-in-translation-american-tv-shows-that-dont-quite-survive-the-foreign-exchange-modern-family-iran/gossip-girl-china/\" rel=\"attachment wp-att-12798\">\u003cimg class=\"wp-image-12798 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/07/gossip-girl-china.jpg\" alt=\"Photo: CW and Wikipedia\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/07/gossip-girl-china.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/07/gossip-girl-china-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: CW and \u003ca href=\"http://en.wikipedia.org/wiki/Tiananmen#mediaviewer/File:Tiananmen_beijing_Panorama.jpg\">Wikipedia\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>One of the things that makes the family on \u003cem>Modern Family\u003c/em> so gosh darn modern is the inclusion of married gay couple Mitchell and Cameron and their daughter, Lily. That's what families look like in the 21st century; people have gay family members with families of their own, not to mention divorces, remarriages, step-children and zany Columbian second wives that become breakout stars.\u003c/p>\n\u003cp>Iran didn't seem to get that memo when they decided to create \u003cem>Haft Sang\u003c/em>, an unlicensed version of the show; Mitch, Cam and Lily's characters are nowhere to be found. For a side by side comparison of the two shows, check this out:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_gKAF_t8wY8'\n title='//www.youtube.com/embed/_gKAF_t8wY8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Foreign versions of your American television favorites are nothing new, but, over the decades, some have landed much further from the original creator's vision than others. From swapping cops and lawyers for bobbies and barristers on \u003cem>Law & Order UK\u003c/em> to the less inflammatory animated antics of \u003cem>Al Shamshoon\u003c/em> (a.k.a. \u003cem>The Simpsons\u003c/em>) in the United Arab Emirates, here's some shows that got lost in translation:\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Al Shamshoon\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/L7Eyyz-kGzc'\n title='//www.youtube.com/embed/L7Eyyz-kGzc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Remaking \u003cem>The Simpsons\u003c/em> for audiences in Dubai (actually, just redubbing) probably wasn't so hard once they got rid of Homer's (renamed Omar) drinking, epic pork consumption and any jokes that have to do with religion. Bring on the laughs! In this version, Omar and his wife Mona are constantly battling with their ill-behaved son, Badir. Is it really \u003cem>The Simpsons\u003c/em> without all-knowing, precocious and decidedly feminist Lisa and all the guys meeting at Moe's? No, it's \u003cem>Al Shamshoon\u003c/em>.\u003c/p>\n\u003cp>\u003cstrong>Does it work? \u003c/strong> Why you little! *chokes remake*\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Chrysa Koritsia\u003c/em>\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ttMbM1WTH6g'\n title='//www.youtube.com/embed/ttMbM1WTH6g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In 2008, Greek broadcaster ET1 premiered a modern version of universally beloved \u003cem>The Golden Girls\u003c/em> and, despite having to update and Hellenize a few things here and there, mostly stuck with the original concept. Sophia is Sophia, Dorothy is Dora, Rose is Fifi (we hope her stories all start with \"back on Skorpios...\"), Blanche is Bela, and they're all still ladies of a certain age with opinions on everything. Although nothing will ever replace the original series, the Greek version retains much of the humor, mood and overall tone of the American original. Greece also works in lieu of the original Miami setting, although we'd love to see the show get ultra-Greek and have that special episode one day where the girls deal with the Greek economic situation or get John Stamos to guest star as Bella's younger, American-born lover.\u003c/p>\n\u003cp>\u003cstrong>Does it work?\u003c/strong> Thank you for being a friend; it does.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Moya prekrasnaya nyanya\u003c/strong> (\u003c/em>\u003cstrong>\u003cem>My Fair Nanny\u003c/em>\u003c/strong>)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5MihJtnOstg'\n title='//www.youtube.com/embed/5MihJtnOstg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The Russian remake of the Fran Drescher sitcom \u003cem>The Nanny\u003c/em> has been a huge success since it debuted in 2004, and owes its popularity to sticking close to the original stories. Viktoria (Drescher's role in the original) becomes the accidental nanny for a wealthy family headed by handsome widower Maxim. Misunderstandings ensue immediately as blue collar meets blue blood (or proletariat meets oligarch?). What's sadly lacking here is the nanny character's strong Jewish heritage, which was such a hallmark of the original series and a major source of humor as Fran infused a little ethnic flavor into the stuffy WASP/Brit family. Russia's relationship with its Jewish population remains...complicated, to be kind, so Viktoria's culture clash story is as a Ukrainian living in Russia. In light of recent events in the Ukraine, we're not sure how to feel about that.\u003c/p>\n\u003cp>\u003cstrong>Does it work?\u003c/strong> A lot of Russians seem to think so, but all I can say in the spirit of the original \u003cem>Nanny\u003c/em> is \"oy.\"\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Law & Order: UK\u003c/em>\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EjZ_dXzeBUw'\n title='//www.youtube.com/embed/EjZ_dXzeBUw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There are so many versions of \u003cem>Law & Order\u003c/em> out there. \u003cem>SVU\u003c/em>, \u003cem>LA\u003c/em>, \u003cem>Criminal Intent\u003c/em>, \u003cem>Trial by Jury \u003c/em>(and it wouldn't be surprising if a junior \"hall monitors and crossing guards\" version was in the works over at Nickelodeon). And that's just in the U.S. In the British series (because Brits love their crime procedurals as much as us Yanks), the laws are different and the cops don't carry guns, yet the spirit is the same. But it's so hard to take English trials seriously with those wigs. Can you ever picture Jack McCoy (Sam Waterston in the original US version) cross examining a murderer wearing one of those horse hair toppers? How does anything get done in their legal system, while everyone is working so hard to suppress the giggles?\u003c/p>\n\u003cp>\u003cstrong>Does it work?\u003c/strong> Wigs aside, it's a bit of alright.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Gossip Girl: China\u003c/em>\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OJ4v03wxRLQ'\n title='//www.youtube.com/embed/OJ4v03wxRLQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>From decadent Park Avenue and anonymous websites to...communist, censorship-giddy, Internet-blocking China? It's unclear how the CW series could possibly translate under the strict content policies of China. According to the press release, “the series [is] about the lives of the students of the prestigious Shanghai International University, the school of choice of the rich and powerful. Each week, the main characters’ trust, love and friendship are tested, with all the behind-the-scenes tales recorded in a blog. In the beginning, they are confused and lost, however over time, they discover who they really are and eventually find the right path to pursue their dreams.” But what about all the sex, drugs and backstabbing?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Does it work?\u003c/strong> In spite of the nouveau wealth of Shanghai, no. The cultural shift just doesn't flow.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "6 Movies That Will Make You Proud To Be An American",
"title": "6 Movies That Will Make You Proud To Be An American",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cfigure id=\"attachment_12697\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/07/01/movies-that-will-make-you-proud-to-be-an-american-4th-of-july/michelle-williams-kirsten-d/\" rel=\"attachment wp-att-12697\">\u003cimg class=\"size-full wp-image-12697\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/07/michelle-williams-kirsten-d.jpg\" alt=\"Photo: Columbia Pictures\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/07/michelle-williams-kirsten-d.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/07/michelle-williams-kirsten-d-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Columbia Pictures\u003c/figcaption>\u003c/figure>\n\u003cp>Forget \u003cem>The Patriot\u003c/em> and other faux Revolutionary War pastiches. If you're looking to celebrate America this July 4th, tune into some films that make you proud to \u003cem>be\u003c/em> an American, instead of just lulling yourself to sleep with historically inaccurate representations of an idealized American past. From the spirit of Tom Joad whispering \"I'll be there\" in the proletariat fable \u003cem>The Grapes of Wrath to \u003c/em>the \"Deep Throats\" of the Nixon-Watergate comedy \u003cem>Dick\u003c/em> keeping the world safe for democracy, these films are about gut, determination and the best qualities our young nation has fostered.\u003c/p>\n\u003cp>\u003cstrong>Drop Dead Gorgeous\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/chfHv-uou3k\u003c/p>\n\u003cp>So...maybe this movie about deadly beauty queens isn't exactly the kind of film that makes American society look great. Actually, it makes everyone look bad (but in a hysterical way). That said, you've never seen patriotism on display with such gusto until you've witnessed the \"Proud to be American\" pageant opener that comes in the middle of the story. The epic monument themed hats actually do make me feel proud of my country, especially the four-headed Mount Rushmore.\u003c/p>\n\u003cp>\u003cstrong>Mr. Smith Goes to Washington\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>http://youtu.be/GD-lFCsYOPs\u003c/p>\n\u003cp>If there were a Mr. America in classic Hollywood, it would have been Jimmy Stewart. Everything about the bashful, stammering every-man was apple pie and old glory, and his roles reflected that. Stewart and director Frank Capra were a dream team of wholesomeness in their collaborations (especially Christmas favorite \u003cem>It's a Wonderful Life\u003c/em>), but \u003cem>Mr. Smith\u003c/em> also has a certain amount of bite when talking about the political process. When former scout ranger Stewart heads to Washington as the hand-picked replacement for a deceased Senator, business as usual in the corrupt capital is expected. The way Smith turns the halls of government on its head, including his famous \"liberty is far too precious a thing to be buried in books\" speech, will make anyone want to turn on CSPAN and pay attention to the legislative process, even if it is for the first time.\u003c/p>\n\u003cp>\u003cstrong>Norma Rae\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/45CX8W9peTs\u003c/p>\n\u003cp>If there's nothing more American than fighting for your rights, there's something extra American about fighting for the rights of others. Sally Field's Academy Award winning performance as factory worker turned activist Norma Rae sparked a conversation about work conditions and the importance of labor unions that bled over into real life. Years before Julia Roberts played \u003cem>Erin Brockovich,\u003c/em> Sally was our citizen activist movie heroine that we aspired to be. Instead of waving a flag this 4th, stand on a table and hold up a sign that says \"UNION!\"\u003c/p>\n\u003cp>\u003cstrong>The Grapes of Wrath\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/i2JR3FmvVAw\u003c/p>\n\u003cp>John Steinbeck's eternal story of a Oklahoma Dust Bowl family searching for a new life in California ends with one of the most American speeches in all of movie history, lifted straight from the novel. Henry Fonda sells Tom Joad's monologue about brotherhood, injustice and the rights of man like no one else; it's impossible to imagine any other actor in the role. \"Well, maybe it's like Casey said, a fella ain't got a soul of his own, just a little piece of a big soul.\" Just try and sit through it without shedding a tear for your country.\u003c/p>\n\u003cp>\u003cstrong>Lincoln\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/qiSAbAuLhqs\u003c/p>\n\u003cp>There are many biopics of Abraham Lincoln (\u003cem>Young Mr. Lincoln \u003c/em> starring Henry Fonda and \u003cem>Abe Lincoln in Illinois\u003c/em> with Raymond Massey are among the best), but this Steven Spielberg film (from a screenplay by Tony Kushner) is by far the most intimate yet encompassing story that shows Lincoln the president and Abraham Lincoln, the man. Daniel Day Lewis rightly won the Academy Award for his masterful performance as Lincoln, but the entire cast deserves praise, especially Sally Field as Mary Todd and Joseph Gordon Levitt as the Lincolns' eldest son. Hearing Lincoln's speeches in Lewis' majestic voice makes all your high school history text books come to life in a way they never did when you were cutting fourth period.\u003c/p>\n\u003cp>\u003cstrong>Dick\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/33ALTtt4SIY\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Some people look at the Nixon/Watergate scandal as a shameful period in American history. Thanks to Kirsten Dunst and Michelle Williams in the movie \u003cem>Dick,\u003c/em> I look at it as a period of great comedy. Before the identity of Deep Throat was revealed, \u003cem>Dick\u003c/em> floated the theory that two high school girls (Dunst and Williams) were actually the source that exposed the greatest scandal in presidential history. I almost \u003cem>wish\u003c/em> it were true that an intern in love with Nixon was the source of the big reveal to the \u003cem>Washington Post,\u003c/em> but overall, I'm just proud a filmmaker found the laughs in the Nixon presidency, which, corruption and scandals aside, was \u003cem>hysterical\u003c/em>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_12697\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/07/01/movies-that-will-make-you-proud-to-be-an-american-4th-of-july/michelle-williams-kirsten-d/\" rel=\"attachment wp-att-12697\">\u003cimg class=\"size-full wp-image-12697\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/07/michelle-williams-kirsten-d.jpg\" alt=\"Photo: Columbia Pictures\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/07/michelle-williams-kirsten-d.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/07/michelle-williams-kirsten-d-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Columbia Pictures\u003c/figcaption>\u003c/figure>\n\u003cp>Forget \u003cem>The Patriot\u003c/em> and other faux Revolutionary War pastiches. If you're looking to celebrate America this July 4th, tune into some films that make you proud to \u003cem>be\u003c/em> an American, instead of just lulling yourself to sleep with historically inaccurate representations of an idealized American past. From the spirit of Tom Joad whispering \"I'll be there\" in the proletariat fable \u003cem>The Grapes of Wrath to \u003c/em>the \"Deep Throats\" of the Nixon-Watergate comedy \u003cem>Dick\u003c/em> keeping the world safe for democracy, these films are about gut, determination and the best qualities our young nation has fostered.\u003c/p>\n\u003cp>\u003cstrong>Drop Dead Gorgeous\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/chfHv-uou3k'\n title='//www.youtube.com/embed/chfHv-uou3k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>So...maybe this movie about deadly beauty queens isn't exactly the kind of film that makes American society look great. Actually, it makes everyone look bad (but in a hysterical way). That said, you've never seen patriotism on display with such gusto until you've witnessed the \"Proud to be American\" pageant opener that comes in the middle of the story. The epic monument themed hats actually do make me feel proud of my country, especially the four-headed Mount Rushmore.\u003c/p>\n\u003cp>\u003cstrong>Mr. Smith Goes to Washington\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GD-lFCsYOPs'\n title='//www.youtube.com/embed/GD-lFCsYOPs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If there were a Mr. America in classic Hollywood, it would have been Jimmy Stewart. Everything about the bashful, stammering every-man was apple pie and old glory, and his roles reflected that. Stewart and director Frank Capra were a dream team of wholesomeness in their collaborations (especially Christmas favorite \u003cem>It's a Wonderful Life\u003c/em>), but \u003cem>Mr. Smith\u003c/em> also has a certain amount of bite when talking about the political process. When former scout ranger Stewart heads to Washington as the hand-picked replacement for a deceased Senator, business as usual in the corrupt capital is expected. The way Smith turns the halls of government on its head, including his famous \"liberty is far too precious a thing to be buried in books\" speech, will make anyone want to turn on CSPAN and pay attention to the legislative process, even if it is for the first time.\u003c/p>\n\u003cp>\u003cstrong>Norma Rae\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/45CX8W9peTs'\n title='//www.youtube.com/embed/45CX8W9peTs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If there's nothing more American than fighting for your rights, there's something extra American about fighting for the rights of others. Sally Field's Academy Award winning performance as factory worker turned activist Norma Rae sparked a conversation about work conditions and the importance of labor unions that bled over into real life. Years before Julia Roberts played \u003cem>Erin Brockovich,\u003c/em> Sally was our citizen activist movie heroine that we aspired to be. Instead of waving a flag this 4th, stand on a table and hold up a sign that says \"UNION!\"\u003c/p>\n\u003cp>\u003cstrong>The Grapes of Wrath\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/i2JR3FmvVAw'\n title='//www.youtube.com/embed/i2JR3FmvVAw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>John Steinbeck's eternal story of a Oklahoma Dust Bowl family searching for a new life in California ends with one of the most American speeches in all of movie history, lifted straight from the novel. Henry Fonda sells Tom Joad's monologue about brotherhood, injustice and the rights of man like no one else; it's impossible to imagine any other actor in the role. \"Well, maybe it's like Casey said, a fella ain't got a soul of his own, just a little piece of a big soul.\" Just try and sit through it without shedding a tear for your country.\u003c/p>\n\u003cp>\u003cstrong>Lincoln\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/qiSAbAuLhqs'\n title='//www.youtube.com/embed/qiSAbAuLhqs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There are many biopics of Abraham Lincoln (\u003cem>Young Mr. Lincoln \u003c/em> starring Henry Fonda and \u003cem>Abe Lincoln in Illinois\u003c/em> with Raymond Massey are among the best), but this Steven Spielberg film (from a screenplay by Tony Kushner) is by far the most intimate yet encompassing story that shows Lincoln the president and Abraham Lincoln, the man. Daniel Day Lewis rightly won the Academy Award for his masterful performance as Lincoln, but the entire cast deserves praise, especially Sally Field as Mary Todd and Joseph Gordon Levitt as the Lincolns' eldest son. Hearing Lincoln's speeches in Lewis' majestic voice makes all your high school history text books come to life in a way they never did when you were cutting fourth period.\u003c/p>\n\u003cp>\u003cstrong>Dick\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/33ALTtt4SIY'\n title='//www.youtube.com/embed/33ALTtt4SIY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>Some people look at the Nixon/Watergate scandal as a shameful period in American history. Thanks to Kirsten Dunst and Michelle Williams in the movie \u003cem>Dick,\u003c/em> I look at it as a period of great comedy. Before the identity of Deep Throat was revealed, \u003cem>Dick\u003c/em> floated the theory that two high school girls (Dunst and Williams) were actually the source that exposed the greatest scandal in presidential history. I almost \u003cem>wish\u003c/em> it were true that an intern in love with Nixon was the source of the big reveal to the \u003cem>Washington Post,\u003c/em> but overall, I'm just proud a filmmaker found the laughs in the Nixon presidency, which, corruption and scandals aside, was \u003cem>hysterical\u003c/em>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
"site": "radio",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
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"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
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"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
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"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
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