Emmanuel Hapsis is the creator and editor of KQED Pop and also the host of The Cooler. He studied creative writing at University of Maryland and went on to receive his MFA in the field from California College of the Arts. In his free time, he sings his heart out at karaoke.
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"content": "\u003cp>We’re baaaaack! Wondering what we’ve spent our summer hiatus doing? We’ll tell you all about not dying on a cruise, butchering the Italian language and running into the one and only Kimberly Kardashian!\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-113135\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/10/kim.gif\" alt=\"\" width=\"498\" height=\"323\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A lot has happened in the world of popular culture since our last episode, so it seems only right that we weigh in on the biggest stories of the summer in a segment we’re calling *guttural Kelly Clarkson voice * Since We’ve Been Gooooone!\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-113139\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/10/kelly-clarkson-yelling.gif\" alt=\"\" width=\"756\" height=\"476\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’ll weigh in on the chicken sandwich wars, why we are no longer thirsting after Justin Trudeau, the latest groan-worthy thing Scarlett Johansson has said, why we’ll take Lil Nas X over Kevin Hart any day of the week and how Ruth Bader Ginsburg has inspired us to outlive our nemeses.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-113136\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/10/rbg.gif\" alt=\"\" width=\"480\" height=\"270\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Then, we’ll take a look at how PR paved the way for Brad Pitt’s return, and why you shouldn’t fall for it.\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-113137\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/10/brad-pitt-friends.gif\" alt=\"\" width=\"600\" height=\"334\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Everyone knows what went down (no pun intended) with Clinton’s impeachment, but what about the only other president to be impeached? We’ll tell you the story of a grumpy racist dude from the 1860s who had it coming.\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-113138\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/10/impeachment-is-happening-liz.gif\" alt=\"\" width=\"400\" height=\"265\">\u003c/p>\n\u003cp>And we’ll also school you on the surprising profession of Ronald Reagan’s son and introduce you to Lindsay Lohan’s new kind-of-catchy prescription drug anthem (yep, you read that right).\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-113134\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/10/lindsay-lohan-dance.gif\" alt=\"\" width=\"220\" height=\"274\">\u003c/p>\n\u003cp>Listen to hear all about it!\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/thecooler/2019/10/CoolerOctoberEpisode.mp3\" title=\"Since We've Been Gone\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/10/scarjo.jpg\"]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next time! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener\">Subscribe and rate us five stars in iTunes\u003c/a>!\u003c/p>\n\n",
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"disqusTitle": "Goodbye, KQED Pop! Hello, Big Leagues!",
"title": "Goodbye, KQED Pop! Hello, Big Leagues!",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Back in 2013, KQED Pop was born. A healthy little Aquarius with a purpose: to carve out an intersectional space in public media for Millennials and other pop-culture obsessives; to prove that there's a way to write about music, television, movies and the zeitgeist at large in a smart, fun and personal way; and to smash the elitist myth of \"high art\" and \"low art\" (a breakup song by Ariana Grande is just as worthy of discussion as a Virginia Woolf novel!).\u003c/p>\n\u003cp>Over the years, we've covered a lot of bases.\u003c/p>\n\u003cp>Do you remember when we reinvestigated Nipplegate and discovered that, geez, we \u003cem>really\u003c/em> owe Janet Jackson a huge apology?\u003c/p>\n\u003cblockquote class=\"embedly-card\" data-card-controls=\"1\" data-card-align=\"center\" data-card-theme=\"light\" data-card-key=\"315412bdcd554e5fab14e2295681d82f\">\n\u003ch4>\u003ca href=\"https://www.kqed.org/pop/20175/nipplegate-revisited-why-america-owes-janet-jackson-a-huge-apology\">Nipplegate Revisited: Why America Owes Janet Jackson a Huge Apology\u003c/a>\u003c/h4>\n\u003cp>Fast forward 11 years, and it was Janet's turn to carry on the family legacy of slaying at America's most popular sporting event. She pretty much did that -- although we forget -- with live renditions of hits like \"Rhythm Nation\" and \"All for You.\"\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003cscript async src=\"//cdn.embedly.com/widgets/platform.js\" charset=\"UTF-8\">\u003c/script>\u003c/p>\n\u003cp>Or when we defended Kim Kardashian against very angry NPR fans?\u003c/p>\n\u003cblockquote class=\"embedly-card\" data-card-controls=\"1\" data-card-align=\"center\" data-card-theme=\"light\" data-card-key=\"315412bdcd554e5fab14e2295681d82f\">\n\u003ch4>\u003ca href=\"https://www.kqed.org/pop/16808/kim-kardashian-appears-on-wait-wait-dont-tell-me-fans-go-postal\">Kim Kardashian Appears on 'Wait Wait...Don't Tell Me,' NPR Fans Go Postal\u003c/a>\u003c/h4>\n\u003cp>NPR and the Kardashians don't usually find themselves in the same sentence, but it happens. This blog has done its best to prove that one can talk about pop culture and \"low art\" in a smart, interesting way. And the producers behind the news quiz show Wait Wait...Don't Tell Me!\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003cscript async src=\"//cdn.embedly.com/widgets/platform.js\" charset=\"UTF-8\">\u003c/script>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Or when we told the true story of a married woman who hid a secret lover in her attic FOR A DECADE???\u003c/p>\n\u003cblockquote class=\"embedly-card\" data-card-controls=\"1\" data-card-align=\"center\" data-card-theme=\"light\" data-card-key=\"315412bdcd554e5fab14e2295681d82f\">\n\u003ch4>\u003ca href=\"https://www.kqed.org/pop/27643/meet-walburga-the-married-woman-who-hid-a-secret-lover-in-her-attic-for-a-decade\">Meet Walburga, the Married Woman Who Hid a Secret Lover in Her Attic for a Decade\u003c/a>\u003c/h4>\n\u003cp>That worker turns out to be a 17-year-old by the name of Otto, who has no idea what he's about to get into. Dolly allegedly answers the door in \"a silk robe, stockings, heavy perfume and nothing else\" (not unlike what Joan Crawford did in her solarium to seduce Franchot Tone).\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003cscript async src=\"//cdn.embedly.com/widgets/platform.js\" charset=\"UTF-8\">\u003c/script>\u003c/p>\n\u003cp>Or when we fearlessly attended a Gwyneth Paltrow \u003cdel>cult\u003c/del> Goop event to find out what all the fuss was about?\u003c/p>\n\u003cblockquote class=\"embedly-card\" data-card-controls=\"1\" data-card-align=\"center\" data-card-theme=\"light\" data-card-key=\"315412bdcd554e5fab14e2295681d82f\">\n\u003ch4>\u003ca href=\"https://www.kqed.org/pop/23854/deep-breaths-a-dispatch-from-the-gwyneth-paltrow-industrial-complex\">Deep Breaths: A Dispatch From the Gwyneth Paltrow Industrial Complex\u003c/a>\u003c/h4>\n\u003cp>If I'm not here to add on the hate-pile, you might ask, then why did I join a couple hundred Gwyneth fans on the street in downtown San Francisco yesterday, all for the privilege of getting an up-close-and-personal look at her line of children's clothes, face washes, and frying pans, then wait in line for nearly 90 minutes to have her royal blondness sign a cookbook for my mother?\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003cscript async src=\"//cdn.embedly.com/widgets/platform.js\" charset=\"UTF-8\">\u003c/script>\u003c/p>\n\u003cp>Or that time we put our atheism aside to pray at the altar of Beyoncé?\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/pop/103388/how-a-beyonce-themed-mass-got-an-atheist-to-believe-in-something\">https://www.kqed.org/pop/103388/how-a-beyonce-themed-mass-got-an-atheist-to-believe-in-something\u003c/a>\u003c/p>\n\u003cp>Or when we sadly had to break up with Morrissey?\u003c/p>\n\u003cblockquote class=\"embedly-card\" data-card-controls=\"1\" data-card-align=\"center\" data-card-theme=\"light\" data-card-key=\"315412bdcd554e5fab14e2295681d82f\">\n\u003ch4>\u003ca href=\"https://www.kqed.org/pop/97306/we-need-to-stop-enabling-morrissey\">We Need to Stop Enabling Morrissey\u003c/a>\u003c/h4>\n\u003cp>Morrissey has a long and awful history of canceling his concerts at the last minute, for a variety of reasons that have been increasingly difficult to believe. San Francisco got the message loud and clear that Moz cares not for this city, or his fans therein, with the spate of dates he canceled between December 2011 and April 2013.\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003cscript async src=\"//cdn.embedly.com/widgets/platform.js\" charset=\"UTF-8\">\u003c/script>\u003c/p>\n\u003cp>Over 10 million hits later, KQED Pop has successfully shown that pop culture—and the diverse audiences that love sharp commentary on it—bring immense value to public media. That's why, starting tomorrow, the content you've loved over the years will find a new home on the pages of \u003ca href=\"https://www.kqed.org/arts\">KQED Arts & Culture\u003c/a>. We're joining the big leagues!\u003c/p>\n\u003cp>As for me, I won't be writing as much, because I'm moving to New York to live my \u003cem>Felicity\u003c/em> fantasy.\u003c/p>\n\u003cp>https://twitter.com/xcusemybeauty/status/1149319992602701824\u003c/p>\n\u003cp>But my partner in crime, \u003ca href=\"https://www.kqed.org/author/ralexandra\">Rae Alexandra\u003c/a>, will stay on as a pop culture writer. (Recap fans, I *might* return for the last season of \u003ca href=\"https://www.kqed.org/pop/tag/poldark\">\u003cem>Poldark\u003c/em> \u003c/a>and the next season of \u003ca href=\"https://www.kqed.org/pop/tag/victoria\">\u003cem>Victoria\u003c/em>\u003c/a>. Stay tuned.) And listeners of KQED Pop's spin-off podcast, \u003cem>\u003ca href=\"https://podcasts.apple.com/us/podcast/the-cooler/id1041117499\">The Cooler\u003c/a>, \u003c/em>don't you worry about a thing; the show will live on with me staying on as producer and host!\u003c/p>\n\u003cp>So let's pour one out for KQED Pop.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-111441\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/04/pour-one-out-rbg.gif\" alt=\"\" width=\"480\" height=\"226\">\u003c/p>\n\u003cp>The blog itself might be gone, but its spirit will live on as a part of KQED Arts & Culture. Make sure to follow them on \u003ca href=\"https://www.facebook.com/kqedarts/\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/KQEDarts\">Twitter\u003c/a> to continue getting the content you love.\u003c/p>\n\u003cp>As for me, you can stalk me on \u003ca href=\"https://twitter.com/xcusemybeauty\">Twitter\u003c/a> and \u003ca href=\"https://www.instagram.com/excusemybeauty/\">Instagram\u003c/a>.\u003c/p>\n\u003cp style=\"text-align: center\">*super deep voice like that dude from the \u003cem>Dirty Dancing\u003c/em> soundtrack* \u003cem>\u003cbr>\nI've had the time of my life.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Thanks for reading.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Back in 2013, KQED Pop was born. A healthy little Aquarius with a purpose: to carve out an intersectional space in public media for Millennials and other pop-culture obsessives; to prove that there's a way to write about music, television, movies and the zeitgeist at large in a smart, fun and personal way; and to smash the elitist myth of \"high art\" and \"low art\" (a breakup song by Ariana Grande is just as worthy of discussion as a Virginia Woolf novel!).\u003c/p>\n\u003cp>Over the years, we've covered a lot of bases.\u003c/p>\n\u003cp>Do you remember when we reinvestigated Nipplegate and discovered that, geez, we \u003cem>really\u003c/em> owe Janet Jackson a huge apology?\u003c/p>\n\u003cblockquote class=\"embedly-card\" data-card-controls=\"1\" data-card-align=\"center\" data-card-theme=\"light\" data-card-key=\"315412bdcd554e5fab14e2295681d82f\">\n\u003ch4>\u003ca href=\"https://www.kqed.org/pop/20175/nipplegate-revisited-why-america-owes-janet-jackson-a-huge-apology\">Nipplegate Revisited: Why America Owes Janet Jackson a Huge Apology\u003c/a>\u003c/h4>\n\u003cp>Fast forward 11 years, and it was Janet's turn to carry on the family legacy of slaying at America's most popular sporting event. She pretty much did that -- although we forget -- with live renditions of hits like \"Rhythm Nation\" and \"All for You.\"\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003cscript async src=\"//cdn.embedly.com/widgets/platform.js\" charset=\"UTF-8\">\u003c/script>\u003c/p>\n\u003cp>Or when we defended Kim Kardashian against very angry NPR fans?\u003c/p>\n\u003cblockquote class=\"embedly-card\" data-card-controls=\"1\" data-card-align=\"center\" data-card-theme=\"light\" data-card-key=\"315412bdcd554e5fab14e2295681d82f\">\n\u003ch4>\u003ca href=\"https://www.kqed.org/pop/16808/kim-kardashian-appears-on-wait-wait-dont-tell-me-fans-go-postal\">Kim Kardashian Appears on 'Wait Wait...Don't Tell Me,' NPR Fans Go Postal\u003c/a>\u003c/h4>\n\u003cp>NPR and the Kardashians don't usually find themselves in the same sentence, but it happens. This blog has done its best to prove that one can talk about pop culture and \"low art\" in a smart, interesting way. And the producers behind the news quiz show Wait Wait...Don't Tell Me!\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003cscript async src=\"//cdn.embedly.com/widgets/platform.js\" charset=\"UTF-8\">\u003c/script>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Or when we told the true story of a married woman who hid a secret lover in her attic FOR A DECADE???\u003c/p>\n\u003cblockquote class=\"embedly-card\" data-card-controls=\"1\" data-card-align=\"center\" data-card-theme=\"light\" data-card-key=\"315412bdcd554e5fab14e2295681d82f\">\n\u003ch4>\u003ca href=\"https://www.kqed.org/pop/27643/meet-walburga-the-married-woman-who-hid-a-secret-lover-in-her-attic-for-a-decade\">Meet Walburga, the Married Woman Who Hid a Secret Lover in Her Attic for a Decade\u003c/a>\u003c/h4>\n\u003cp>That worker turns out to be a 17-year-old by the name of Otto, who has no idea what he's about to get into. Dolly allegedly answers the door in \"a silk robe, stockings, heavy perfume and nothing else\" (not unlike what Joan Crawford did in her solarium to seduce Franchot Tone).\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003cscript async src=\"//cdn.embedly.com/widgets/platform.js\" charset=\"UTF-8\">\u003c/script>\u003c/p>\n\u003cp>Or when we fearlessly attended a Gwyneth Paltrow \u003cdel>cult\u003c/del> Goop event to find out what all the fuss was about?\u003c/p>\n\u003cblockquote class=\"embedly-card\" data-card-controls=\"1\" data-card-align=\"center\" data-card-theme=\"light\" data-card-key=\"315412bdcd554e5fab14e2295681d82f\">\n\u003ch4>\u003ca href=\"https://www.kqed.org/pop/23854/deep-breaths-a-dispatch-from-the-gwyneth-paltrow-industrial-complex\">Deep Breaths: A Dispatch From the Gwyneth Paltrow Industrial Complex\u003c/a>\u003c/h4>\n\u003cp>If I'm not here to add on the hate-pile, you might ask, then why did I join a couple hundred Gwyneth fans on the street in downtown San Francisco yesterday, all for the privilege of getting an up-close-and-personal look at her line of children's clothes, face washes, and frying pans, then wait in line for nearly 90 minutes to have her royal blondness sign a cookbook for my mother?\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003cscript async src=\"//cdn.embedly.com/widgets/platform.js\" charset=\"UTF-8\">\u003c/script>\u003c/p>\n\u003cp>Or that time we put our atheism aside to pray at the altar of Beyoncé?\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/pop/103388/how-a-beyonce-themed-mass-got-an-atheist-to-believe-in-something\">https://www.kqed.org/pop/103388/how-a-beyonce-themed-mass-got-an-atheist-to-believe-in-something\u003c/a>\u003c/p>\n\u003cp>Or when we sadly had to break up with Morrissey?\u003c/p>\n\u003cblockquote class=\"embedly-card\" data-card-controls=\"1\" data-card-align=\"center\" data-card-theme=\"light\" data-card-key=\"315412bdcd554e5fab14e2295681d82f\">\n\u003ch4>\u003ca href=\"https://www.kqed.org/pop/97306/we-need-to-stop-enabling-morrissey\">We Need to Stop Enabling Morrissey\u003c/a>\u003c/h4>\n\u003cp>Morrissey has a long and awful history of canceling his concerts at the last minute, for a variety of reasons that have been increasingly difficult to believe. San Francisco got the message loud and clear that Moz cares not for this city, or his fans therein, with the spate of dates he canceled between December 2011 and April 2013.\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003cscript async src=\"//cdn.embedly.com/widgets/platform.js\" charset=\"UTF-8\">\u003c/script>\u003c/p>\n\u003cp>Over 10 million hits later, KQED Pop has successfully shown that pop culture—and the diverse audiences that love sharp commentary on it—bring immense value to public media. That's why, starting tomorrow, the content you've loved over the years will find a new home on the pages of \u003ca href=\"https://www.kqed.org/arts\">KQED Arts & Culture\u003c/a>. We're joining the big leagues!\u003c/p>\n\u003cp>As for me, I won't be writing as much, because I'm moving to New York to live my \u003cem>Felicity\u003c/em> fantasy.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>But my partner in crime, \u003ca href=\"https://www.kqed.org/author/ralexandra\">Rae Alexandra\u003c/a>, will stay on as a pop culture writer. (Recap fans, I *might* return for the last season of \u003ca href=\"https://www.kqed.org/pop/tag/poldark\">\u003cem>Poldark\u003c/em> \u003c/a>and the next season of \u003ca href=\"https://www.kqed.org/pop/tag/victoria\">\u003cem>Victoria\u003c/em>\u003c/a>. Stay tuned.) And listeners of KQED Pop's spin-off podcast, \u003cem>\u003ca href=\"https://podcasts.apple.com/us/podcast/the-cooler/id1041117499\">The Cooler\u003c/a>, \u003c/em>don't you worry about a thing; the show will live on with me staying on as producer and host!\u003c/p>\n\u003cp>So let's pour one out for KQED Pop.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-111441\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/04/pour-one-out-rbg.gif\" alt=\"\" width=\"480\" height=\"226\">\u003c/p>\n\u003cp>The blog itself might be gone, but its spirit will live on as a part of KQED Arts & Culture. Make sure to follow them on \u003ca href=\"https://www.facebook.com/kqedarts/\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/KQEDarts\">Twitter\u003c/a> to continue getting the content you love.\u003c/p>\n\u003cp>As for me, you can stalk me on \u003ca href=\"https://twitter.com/xcusemybeauty\">Twitter\u003c/a> and \u003ca href=\"https://www.instagram.com/excusemybeauty/\">Instagram\u003c/a>.\u003c/p>\n\u003cp style=\"text-align: center\">*super deep voice like that dude from the \u003cem>Dirty Dancing\u003c/em> soundtrack* \u003cem>\u003cbr>\nI've had the time of my life.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Thanks for reading.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"onourwatch": {
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
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