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"content": "\u003cp>\u003ci>It’s Tuesday morning and my phone is ringing. Before even looking at the screen, I know it’s my sister, Erikka. Every week for the past six months or so, my sister has spent 10 minutes telling me about her weekend escapades. The accounts are adventurous, liberating, and oddly enough, about love.\u003c/i>\u003c/p>\n\u003cp>\u003ci>My sister, a mother of two, has been through some harrowing experiences. Just about all of the foul things a young woman can be involved in while growing up in the inner city—from selling sex to selling crack—she’s done it. And she’s open about how those experiences have left marks on her, physically, mentally, and emotionally.\u003c/i>\u003c/p>\n\u003cp>\u003ci>Now recently married, my sister’s phone calls aren’t about the pain she’s experienced, and really aren’t about the romantic relationship she and her partner share. They’re more about her discovery of a loving community. And most importantly, her stories are about an East Oakland girl finding self-love near the Santa Cruz Mountains.\u003c/i>\u003c/p>\n\u003cp>\u003ci>Because it’s her story, I figured she’d be the best person to tell it.\u003c/i>\u003c/p>\n\u003cp>\u003ci>—Pendarvis Harshaw\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13892748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892748\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/Erikka.Lake_-800x555.jpg\" alt=\"Erikka Ransom and husband Dom at Lake Merritt in Oakland.\" width=\"800\" height=\"555\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka.Lake_-800x555.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka.Lake_-1020x708.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka.Lake_-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka.Lake_-768x533.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka.Lake_-1536x1066.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka.Lake_.jpg 1556w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Erikka Ransom and husband Dom at Lake Merritt in Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Love… We tend to throw the word around like confetti, \u003c/span>\u003cspan style=\"font-weight: 400\">but it means more and comes with so much responsibility. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I found my love when I was only 15. He was my neighbor, my friend, and the love of my life, even though he didn’t know it yet. We grew up together and separated when both our families moved from the Skyline Hills Apartment complex in the East Oakland hills. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We individually went through a great deal of hurt during our lives. Hard times financially, run-ins with the law, and relationships that scarred us for life.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In adulthood, we talked periodically, remaining good friends. We’d often discuss our relationships, and how they were missing \u003cem>something\u003c/em>. We were both suffering, both missing love.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">My last relationship ended after 11 years—there was no love there for me. His 20-year relationship ended just before mine.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">About four years ago I saw the love of my life again. I was driving down the street near Foothill Square in East Oakland. I had just moved into an apartment in the neighborhood. About a block away from my new home, I saw him outside taking a break from work. I almost left the car in drive as I jumped out! Happiness rushed back into my heart as I remembered love again. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Despite the pandemic, we married on July 27, 2020. We wanted to be together forever, so much that we held a small ceremony in our backyard, over an iPad, with the Justice of Peace. It was beautiful. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13892739\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13892739\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/Erikka.jpg\" alt=\"Erikka Ransom and husband Dom, pictured together.\" width=\"800\" height=\"804\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka-160x161.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka-768x772.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Erikka Ransom and husband Dom, pictured together. \u003ccite>(Courtesy Erikka Ransom)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’re both lovers of camping; time spent in nature actually helped solidify our relationship. We decided to find a place to enjoy the outdoors during the shelter-in-place orders. But most campsites were closed.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And then we found a place that was unlike any other: \u003ca href=\"https://www.lupinlodge.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Lupin Lodge\u003c/a>. \u003c/span>\u003c/p>\n\u003cp>This is a community that welcomes newcomers with open arms. We started going in August and we’ve been back every weekend, just because of the love we feel. The first day we were there, people invited us to eat with them, and asked if we needed anything. They even recited poems just to help us relax in a new environment. It was amazing.\u003c/p>\n\u003cp>I have to mention that Lupin is a “naturist community,” where people are free to be nude, so it was a little different than the camping experiences we’ve had in the past. During previous camping trips to places like Lake Camanche, I’d jump in the lake naked when no one was around. So once I found a place where I could walk around naked without having the police called on me, I was down!\u003c/p>\n\u003cp>There’s nothing sexual about it. It’s about being free. You feel the nature, and the love from everyone around you. And best of all: there’s no judgement. You could be fat, skinny or whatever, and people are just accepting. I’ve been self-conscious of my stretch marks for a long time, and I didn’t feel that when I was out there. I don’t know if I’ve ever been to a place where I felt no judgement, even when I’m fully clothed.\u003c/p>\n\u003cfigure id=\"attachment_13892752\" class=\"wp-caption alignright\" style=\"max-width: 320px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13892752\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/Lupin.jpg\" alt=\"Lupin Lodge. \" width=\"320\" height=\"400\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Lupin.jpg 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Lupin-160x200.jpg 160w\" sizes=\"(max-width: 320px) 100vw, 320px\">\u003cfigcaption class=\"wp-caption-text\">Lupin Lodge. \u003ccite>(Yelp)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>My husband, Dom, is a man’s man: a barber and Mustang driver. He was able to stand naked, and give handshakes and hugs to other naked men without feeling any type of way.\u003c/p>\n\u003cp>The experience was never weird or uncomfortable, like the movies about stereotypical “nudist colonies.” It was like meeting a family you didn’t know for the first time. And taking no time in really getting to \u003cem>know \u003c/em>them. People do yoga and play sports, sing songs and break bread. Most of all, people simply spread love.\u003c/p>\n\u003cp>We’ve recently purchased an RV trailer and more camping equipment, and now we make the trek from the East Bay to the Santa Cruz area weekly. Each time it’s refreshing to get away, if only for just a little while. The new family we have now has given us something to look forward to on the weekends; a blessing during these times.\u003c/p>\n\u003cp>It’s also made me question: where does love come from? In my life, I’ve learned that it’s possible to feel love from others, just as it’s possible to feel hate. They’re both strong feelings that people can sense, almost like pheromones.\u003c/p>\n\u003cp>And there’s also people who are able to send “fake love,” feelings that damage peoples’ ability to sense and accept real love. I experienced a lot of fake love in my life, and it’s refreshing to find the real thing. It takes time to find out what’s really real. Trips to nature, and being in your natural state can help.\u003c/p>\n\u003cp>In my opinion, the easiest way to decipher the real from the fake is that when you question love, maybe you should let it go. And when you feel love with your whole heart—be it the love of a person or a place—embrace it and give love back in return.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Love to all.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cem>—Erikka Ransom\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"alignright size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Correction: The original version of this story inaccurately referred to Lupin Lodge as a “naturalist community,” rather than a “naturist community.” The story has been edited to correct the term.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci>It’s Tuesday morning and my phone is ringing. Before even looking at the screen, I know it’s my sister, Erikka. Every week for the past six months or so, my sister has spent 10 minutes telling me about her weekend escapades. The accounts are adventurous, liberating, and oddly enough, about love.\u003c/i>\u003c/p>\n\u003cp>\u003ci>My sister, a mother of two, has been through some harrowing experiences. Just about all of the foul things a young woman can be involved in while growing up in the inner city—from selling sex to selling crack—she’s done it. And she’s open about how those experiences have left marks on her, physically, mentally, and emotionally.\u003c/i>\u003c/p>\n\u003cp>\u003ci>Now recently married, my sister’s phone calls aren’t about the pain she’s experienced, and really aren’t about the romantic relationship she and her partner share. They’re more about her discovery of a loving community. And most importantly, her stories are about an East Oakland girl finding self-love near the Santa Cruz Mountains.\u003c/i>\u003c/p>\n\u003cp>\u003ci>Because it’s her story, I figured she’d be the best person to tell it.\u003c/i>\u003c/p>\n\u003cp>\u003ci>—Pendarvis Harshaw\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13892748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892748\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/Erikka.Lake_-800x555.jpg\" alt=\"Erikka Ransom and husband Dom at Lake Merritt in Oakland.\" width=\"800\" height=\"555\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka.Lake_-800x555.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka.Lake_-1020x708.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka.Lake_-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka.Lake_-768x533.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka.Lake_-1536x1066.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka.Lake_.jpg 1556w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Erikka Ransom and husband Dom at Lake Merritt in Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Love… We tend to throw the word around like confetti, \u003c/span>\u003cspan style=\"font-weight: 400\">but it means more and comes with so much responsibility. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I found my love when I was only 15. He was my neighbor, my friend, and the love of my life, even though he didn’t know it yet. We grew up together and separated when both our families moved from the Skyline Hills Apartment complex in the East Oakland hills. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We individually went through a great deal of hurt during our lives. Hard times financially, run-ins with the law, and relationships that scarred us for life.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In adulthood, we talked periodically, remaining good friends. We’d often discuss our relationships, and how they were missing \u003cem>something\u003c/em>. We were both suffering, both missing love.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">My last relationship ended after 11 years—there was no love there for me. His 20-year relationship ended just before mine.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">About four years ago I saw the love of my life again. I was driving down the street near Foothill Square in East Oakland. I had just moved into an apartment in the neighborhood. About a block away from my new home, I saw him outside taking a break from work. I almost left the car in drive as I jumped out! Happiness rushed back into my heart as I remembered love again. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Despite the pandemic, we married on July 27, 2020. We wanted to be together forever, so much that we held a small ceremony in our backyard, over an iPad, with the Justice of Peace. It was beautiful. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13892739\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13892739\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/Erikka.jpg\" alt=\"Erikka Ransom and husband Dom, pictured together.\" width=\"800\" height=\"804\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka-160x161.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Erikka-768x772.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Erikka Ransom and husband Dom, pictured together. \u003ccite>(Courtesy Erikka Ransom)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’re both lovers of camping; time spent in nature actually helped solidify our relationship. We decided to find a place to enjoy the outdoors during the shelter-in-place orders. But most campsites were closed.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And then we found a place that was unlike any other: \u003ca href=\"https://www.lupinlodge.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Lupin Lodge\u003c/a>. \u003c/span>\u003c/p>\n\u003cp>This is a community that welcomes newcomers with open arms. We started going in August and we’ve been back every weekend, just because of the love we feel. The first day we were there, people invited us to eat with them, and asked if we needed anything. They even recited poems just to help us relax in a new environment. It was amazing.\u003c/p>\n\u003cp>I have to mention that Lupin is a “naturist community,” where people are free to be nude, so it was a little different than the camping experiences we’ve had in the past. During previous camping trips to places like Lake Camanche, I’d jump in the lake naked when no one was around. So once I found a place where I could walk around naked without having the police called on me, I was down!\u003c/p>\n\u003cp>There’s nothing sexual about it. It’s about being free. You feel the nature, and the love from everyone around you. And best of all: there’s no judgement. You could be fat, skinny or whatever, and people are just accepting. I’ve been self-conscious of my stretch marks for a long time, and I didn’t feel that when I was out there. I don’t know if I’ve ever been to a place where I felt no judgement, even when I’m fully clothed.\u003c/p>\n\u003cfigure id=\"attachment_13892752\" class=\"wp-caption alignright\" style=\"max-width: 320px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13892752\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/Lupin.jpg\" alt=\"Lupin Lodge. \" width=\"320\" height=\"400\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Lupin.jpg 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/Lupin-160x200.jpg 160w\" sizes=\"(max-width: 320px) 100vw, 320px\">\u003cfigcaption class=\"wp-caption-text\">Lupin Lodge. \u003ccite>(Yelp)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>My husband, Dom, is a man’s man: a barber and Mustang driver. He was able to stand naked, and give handshakes and hugs to other naked men without feeling any type of way.\u003c/p>\n\u003cp>The experience was never weird or uncomfortable, like the movies about stereotypical “nudist colonies.” It was like meeting a family you didn’t know for the first time. And taking no time in really getting to \u003cem>know \u003c/em>them. People do yoga and play sports, sing songs and break bread. Most of all, people simply spread love.\u003c/p>\n\u003cp>We’ve recently purchased an RV trailer and more camping equipment, and now we make the trek from the East Bay to the Santa Cruz area weekly. Each time it’s refreshing to get away, if only for just a little while. The new family we have now has given us something to look forward to on the weekends; a blessing during these times.\u003c/p>\n\u003cp>It’s also made me question: where does love come from? In my life, I’ve learned that it’s possible to feel love from others, just as it’s possible to feel hate. They’re both strong feelings that people can sense, almost like pheromones.\u003c/p>\n\u003cp>And there’s also people who are able to send “fake love,” feelings that damage peoples’ ability to sense and accept real love. I experienced a lot of fake love in my life, and it’s refreshing to find the real thing. It takes time to find out what’s really real. Trips to nature, and being in your natural state can help.\u003c/p>\n\u003cp>In my opinion, the easiest way to decipher the real from the fake is that when you question love, maybe you should let it go. And when you feel love with your whole heart—be it the love of a person or a place—embrace it and give love back in return.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Love to all.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cem>—Erikka Ransom\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"alignright size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Musicians To Know: Bay Area Rapper Champ Green Isn’t Stingy with the Rhythm or the Wisdom",
"headTitle": "Musicians To Know: Bay Area Rapper Champ Green Isn’t Stingy with the Rhythm or the Wisdom | KQED",
"content": "\u003cp>\u003ci data-stringify-type=\"italic\">Over 4 weeks, \u003c/i>\u003ci data-stringify-type=\"italic\">\u003ca class=\"c-link\" href=\"https://www.kqed.org/arts/13891641/four-bay-area-musicians-to-know-right-nowish\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.kqed.org/arts/13891641/four-bay-area-musicians-to-know-right-nowish\" data-sk=\"tooltip_parent\">Rightnowish is featuring artists with local roots\u003c/a>\u003c/i>\u003ci data-stringify-type=\"italic\"> who are taking the sounds of the Bay to a national stage.\u003cbr>\n\u003c/i>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC3715528401&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/champgreen/\" target=\"_blank\" rel=\"noopener noreferrer\">Champ Green\u003c/a> is probably your favorite Bay Area rapper’s favorite rapper. He’s been putting in work for some time, and over the past calendar year he’s been on a music-making mission. And he’s not showing any signs of slowing.\u003c/p>\n\u003cfigure id=\"attachment_13892652\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13892652 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/0-1-1-800x718.jpg\" alt='An illustration of Champ Green on the outside of a \"Hella Nuts\" Grounded Walnut Meat bag. You can see him smiling in the bottom right corner of the bag as he bites into a burger.' width=\"800\" height=\"718\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-1-800x718.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-1-1020x916.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-1-160x144.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-1-768x690.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-1.jpg 1439w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An illustration of Champ Green on the outside of “Hella Nuts” \u003ccite>(Mieko Scott)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>His clever wordplay and wisdom-filled rhymes can be found on a project \u003ca href=\"https://rootsandbranches.bandcamp.com/track/seed-15\" target=\"_blank\" rel=\"noopener noreferrer\">with DJ Basta\u003c/a>, a recent single and video \u003ca href=\"https://www.youtube.com/watch?v=tdzxSP1RWjc\" target=\"_blank\" rel=\"noopener noreferrer\">with Mistah FAB\u003c/a>, and multiple tracks with \u003ca href=\"https://www.instagram.com/grandnationxl_/\" target=\"_blank\" rel=\"noopener noreferrer\">the Grand Nationxl collective\u003c/a>. And next week he’s scheduled to release \u003cem>Pleasantly Plump 2\u003c/em> \u003ca href=\"https://www.instagram.com/p/CLFoxt8sgek/\" target=\"_blank\" rel=\"noopener noreferrer\">with DJ Twelvz\u003c/a>.\u003c/p>\n\u003cp>While his wordplay is on tracks, his face is on food. You can find him smiling on the packaging of the local plant-based food company \u003ca href=\"https://www.instagram.com/hella_nuts/\" target=\"_blank\" rel=\"noopener noreferrer\">Hella Nuts,\u003c/a> breaking stereotypes on what health looks like.\u003c/p>\n\u003cp>On top of all that, Champ, a friend of mine, is the walking embodiment of love. His latest project, \u003cem>Agape Elephant in The Room\u003c/em>, which dropped in December, is a testament to that love– and how it often gets overlooked.\u003c/p>\n\u003cp>Even with the competitive nature of the rap game, Champ says love has to be acknowledged. Today we talk about how Champ got love from his mother, game from the Town, and with each bar he spits he gives it all back.\u003c/p>\n\u003cfigure id=\"attachment_13892632\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892632\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/137117814_752315915397210_7949189052426708347_n-800x800.jpg\" alt=\"Champ Green, wearing a beanie cap and glasses, stands in a field with some small trees in the background.\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/137117814_752315915397210_7949189052426708347_n-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/137117814_752315915397210_7949189052426708347_n-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/137117814_752315915397210_7949189052426708347_n-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/137117814_752315915397210_7949189052426708347_n.jpg 828w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Champ Green, wearing a beanie cap and glasses, stands in a field with some small trees in the background. \u003ccite>(Courtesy of Champ Gree)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Champ Green.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Pen: Your most recent project was “Agape Elephant in the Room.” Why was that the title?\u003c/em>\u003c/p>\n\u003cp>Champ Green: It derived from the elephant in the room, so everybody says they don’t see the elephant, right? But it’s plain as day. So I’m the elephant with the big love in the room. Depending on the way you view it, either, I’m a problem or I’m the problem solver.\u003c/p>\n\u003cp>\u003cem>Pen: And for our folks who are unclear, what does agape mean?\u003c/em>\u003c/p>\n\u003cp>Champ Green: Unconditional love and the love of God, give you the unconditional love, that’s agape.\u003c/p>\n\u003cp>\u003cem>Pen: Looking at what you’re doing right now with Grand Nationxl collective, it seems like there’s a lot of love in that collective. You’re working with 10-dozen producers?\u003c/em>\u003c/p>\n\u003cp>Champ Green: I’ve been blessed to be a part of teams who kind of run ocean 12 or 13 or 11 game, which in order to get the job done, we have to be very, very good, or excellent. It’s like a real life Henry Ford machine. So the assembly line is heavy with a plethora of knowledge, a plethora of game and a potluck of camaraderie to the point where we get the job done and pull off the heist, respectfully.\u003c/p>\n\u003cp>\u003cem>Pen: Respectfully [[laughs]]… the Bay Area it breeds a lot of linguists, ya know obviously E40 is of it. But did the Bay influence [your wordplay ability] as well?\u003c/em>\u003c/p>\n\u003cp>Champ Green: Of course, most definitely. I think also, when we speak of hip hop, I’m damn, near just as old as hip hop. I think I’m forty two. So I have front row seats to the game. Right. And then I had three older siblings and I was just able to be saturated in it.\u003c/p>\n\u003cp>Champ Green: And also growing up in Oakland, every turf got their own little slang… it could be a bunch of your partners, y’all say what your little slick word, and then it could spread like wildfire because one of your partners may stay in the West and the other partner me stay in a Deep East and the other partna stay in Richmond and it’ll become a thing. So, in the words of Mac Mall, “serving game is my occupation.”\u003c/p>\n\u003cp>\u003cem>Pen: But you individually have a lexicon that you go through that you pull from. And I just wanted to break down just a couple of terms that I want to hear you define them. So when you say things like “…Who’s selling peanuts?… They going to George Washington Carve they niche out out this game.” What does that mean?\u003c/em>\u003c/p>\n\u003cp>Champ Green: Everybody’s always focused on the big, you know, “I need to do it big like this”, but a peanut is small. So, I mean, you gotta start small to get big, but who really going to sell some peanuts who really gonna be on the front line in this underground railroad. You know, speaking the Sojourner Truth…\u003c/p>\n\u003cp>\u003cem>Pen: Essentially like, who’s selling peanuts, who’s doing the grunt work with historical context?\u003c/em>\u003c/p>\n\u003cp>Champ Green: Exactly… Then the inventor of peanut butter is George Washington Carver, right? He came up with roasted peanuts, peanuts in different ways. So how are you going to George Washington carve your niche out?\u003c/p>\n\u003cp>\u003cem>Pen: In your latest album, Agape Elephant in the Room, you released a single with Ian Kelly on that single. You have just crazy wordplay back and forth. That I wanted to quote, I might get it wrong so correct me if I do, but you go “longitude, latitude, horizontal, parallel telephone next person nextel communicate plant seed bean stock sky high sky’s limit moonwalk. HBCU…” The way that one thing leads to the next from the outside perspective, is almost like looking at a slinky go down stairs.\u003c/em>\u003c/p>\n\u003cp>Champ Green: OK\u003c/p>\n\u003cp>\u003cem>Pen: From the inside. How does your brain work ?\u003c/em>\u003c/p>\n\u003cp>Champ Green: Umm So, so I’m left handed. Right.\u003c/p>\n\u003cp>\u003cem>Pen: [laughs]\u003c/em>\u003c/p>\n\u003cp>Champ Green: Right, so i’m coming from the other side of the brain. But at the same time, my dominant hand is my left hand. But like, I play basketball and I shoot with my right. So I’ll be serving ambidextrous game at the same time in rare form.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci data-stringify-type=\"italic\">Over 4 weeks, \u003c/i>\u003ci data-stringify-type=\"italic\">\u003ca class=\"c-link\" href=\"https://www.kqed.org/arts/13891641/four-bay-area-musicians-to-know-right-nowish\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.kqed.org/arts/13891641/four-bay-area-musicians-to-know-right-nowish\" data-sk=\"tooltip_parent\">Rightnowish is featuring artists with local roots\u003c/a>\u003c/i>\u003ci data-stringify-type=\"italic\"> who are taking the sounds of the Bay to a national stage.\u003cbr>\n\u003c/i>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC3715528401&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/champgreen/\" target=\"_blank\" rel=\"noopener noreferrer\">Champ Green\u003c/a> is probably your favorite Bay Area rapper’s favorite rapper. He’s been putting in work for some time, and over the past calendar year he’s been on a music-making mission. And he’s not showing any signs of slowing.\u003c/p>\n\u003cfigure id=\"attachment_13892652\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13892652 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/0-1-1-800x718.jpg\" alt='An illustration of Champ Green on the outside of a \"Hella Nuts\" Grounded Walnut Meat bag. You can see him smiling in the bottom right corner of the bag as he bites into a burger.' width=\"800\" height=\"718\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-1-800x718.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-1-1020x916.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-1-160x144.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-1-768x690.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-1.jpg 1439w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An illustration of Champ Green on the outside of “Hella Nuts” \u003ccite>(Mieko Scott)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>His clever wordplay and wisdom-filled rhymes can be found on a project \u003ca href=\"https://rootsandbranches.bandcamp.com/track/seed-15\" target=\"_blank\" rel=\"noopener noreferrer\">with DJ Basta\u003c/a>, a recent single and video \u003ca href=\"https://www.youtube.com/watch?v=tdzxSP1RWjc\" target=\"_blank\" rel=\"noopener noreferrer\">with Mistah FAB\u003c/a>, and multiple tracks with \u003ca href=\"https://www.instagram.com/grandnationxl_/\" target=\"_blank\" rel=\"noopener noreferrer\">the Grand Nationxl collective\u003c/a>. And next week he’s scheduled to release \u003cem>Pleasantly Plump 2\u003c/em> \u003ca href=\"https://www.instagram.com/p/CLFoxt8sgek/\" target=\"_blank\" rel=\"noopener noreferrer\">with DJ Twelvz\u003c/a>.\u003c/p>\n\u003cp>While his wordplay is on tracks, his face is on food. You can find him smiling on the packaging of the local plant-based food company \u003ca href=\"https://www.instagram.com/hella_nuts/\" target=\"_blank\" rel=\"noopener noreferrer\">Hella Nuts,\u003c/a> breaking stereotypes on what health looks like.\u003c/p>\n\u003cp>On top of all that, Champ, a friend of mine, is the walking embodiment of love. His latest project, \u003cem>Agape Elephant in The Room\u003c/em>, which dropped in December, is a testament to that love– and how it often gets overlooked.\u003c/p>\n\u003cp>Even with the competitive nature of the rap game, Champ says love has to be acknowledged. Today we talk about how Champ got love from his mother, game from the Town, and with each bar he spits he gives it all back.\u003c/p>\n\u003cfigure id=\"attachment_13892632\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892632\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/137117814_752315915397210_7949189052426708347_n-800x800.jpg\" alt=\"Champ Green, wearing a beanie cap and glasses, stands in a field with some small trees in the background.\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/137117814_752315915397210_7949189052426708347_n-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/137117814_752315915397210_7949189052426708347_n-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/137117814_752315915397210_7949189052426708347_n-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/137117814_752315915397210_7949189052426708347_n.jpg 828w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Champ Green, wearing a beanie cap and glasses, stands in a field with some small trees in the background. \u003ccite>(Courtesy of Champ Gree)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Champ Green.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Pen: Your most recent project was “Agape Elephant in the Room.” Why was that the title?\u003c/em>\u003c/p>\n\u003cp>Champ Green: It derived from the elephant in the room, so everybody says they don’t see the elephant, right? But it’s plain as day. So I’m the elephant with the big love in the room. Depending on the way you view it, either, I’m a problem or I’m the problem solver.\u003c/p>\n\u003cp>\u003cem>Pen: And for our folks who are unclear, what does agape mean?\u003c/em>\u003c/p>\n\u003cp>Champ Green: Unconditional love and the love of God, give you the unconditional love, that’s agape.\u003c/p>\n\u003cp>\u003cem>Pen: Looking at what you’re doing right now with Grand Nationxl collective, it seems like there’s a lot of love in that collective. You’re working with 10-dozen producers?\u003c/em>\u003c/p>\n\u003cp>Champ Green: I’ve been blessed to be a part of teams who kind of run ocean 12 or 13 or 11 game, which in order to get the job done, we have to be very, very good, or excellent. It’s like a real life Henry Ford machine. So the assembly line is heavy with a plethora of knowledge, a plethora of game and a potluck of camaraderie to the point where we get the job done and pull off the heist, respectfully.\u003c/p>\n\u003cp>\u003cem>Pen: Respectfully [[laughs]]… the Bay Area it breeds a lot of linguists, ya know obviously E40 is of it. But did the Bay influence [your wordplay ability] as well?\u003c/em>\u003c/p>\n\u003cp>Champ Green: Of course, most definitely. I think also, when we speak of hip hop, I’m damn, near just as old as hip hop. I think I’m forty two. So I have front row seats to the game. Right. And then I had three older siblings and I was just able to be saturated in it.\u003c/p>\n\u003cp>Champ Green: And also growing up in Oakland, every turf got their own little slang… it could be a bunch of your partners, y’all say what your little slick word, and then it could spread like wildfire because one of your partners may stay in the West and the other partner me stay in a Deep East and the other partna stay in Richmond and it’ll become a thing. So, in the words of Mac Mall, “serving game is my occupation.”\u003c/p>\n\u003cp>\u003cem>Pen: But you individually have a lexicon that you go through that you pull from. And I just wanted to break down just a couple of terms that I want to hear you define them. So when you say things like “…Who’s selling peanuts?… They going to George Washington Carve they niche out out this game.” What does that mean?\u003c/em>\u003c/p>\n\u003cp>Champ Green: Everybody’s always focused on the big, you know, “I need to do it big like this”, but a peanut is small. So, I mean, you gotta start small to get big, but who really going to sell some peanuts who really gonna be on the front line in this underground railroad. You know, speaking the Sojourner Truth…\u003c/p>\n\u003cp>\u003cem>Pen: Essentially like, who’s selling peanuts, who’s doing the grunt work with historical context?\u003c/em>\u003c/p>\n\u003cp>Champ Green: Exactly… Then the inventor of peanut butter is George Washington Carver, right? He came up with roasted peanuts, peanuts in different ways. So how are you going to George Washington carve your niche out?\u003c/p>\n\u003cp>\u003cem>Pen: In your latest album, Agape Elephant in the Room, you released a single with Ian Kelly on that single. You have just crazy wordplay back and forth. That I wanted to quote, I might get it wrong so correct me if I do, but you go “longitude, latitude, horizontal, parallel telephone next person nextel communicate plant seed bean stock sky high sky’s limit moonwalk. HBCU…” The way that one thing leads to the next from the outside perspective, is almost like looking at a slinky go down stairs.\u003c/em>\u003c/p>\n\u003cp>Champ Green: OK\u003c/p>\n\u003cp>\u003cem>Pen: From the inside. How does your brain work ?\u003c/em>\u003c/p>\n\u003cp>Champ Green: Umm So, so I’m left handed. Right.\u003c/p>\n\u003cp>\u003cem>Pen: [laughs]\u003c/em>\u003c/p>\n\u003cp>Champ Green: Right, so i’m coming from the other side of the brain. But at the same time, my dominant hand is my left hand. But like, I play basketball and I shoot with my right. So I’ll be serving ambidextrous game at the same time in rare form.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Two months after its close, how do we even begin to take stock of everything that happened in 2020? Some aspects of the year were immediately tangible—emergencies that required emergency responses—while the causes and lingering effects of those emergencies may take years, perhaps decades, to truly parse.\u003c/p>\n\u003cp>In \u003ci>Terrain\u003c/i>, a new publication published by \u003ca href=\"https://www.proartscommons.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Pro Arts Gallery & Commons\u003c/a>, East Bay artists, writers and organizers narrow their focus to the area of downtown Oakland and Lake Merritt in 2020, approaching that particular temporal landscape through a variety of forms: essay, manifesto, poetry and first-person stories of supporting last summer’s protests.\u003c/p>\n\u003cp>The end result, edited by Sam Lefebvre (a former KQED Arts & Culture staff writer), is packaged as a beautifully designed, Risograph-printed booklet \u003ca href=\"https://www.proartscommons.org/store/terrain-art-and-crisis-by-sam-lefebvre\" target=\"_blank\" rel=\"noopener noreferrer\">now available\u003c/a> in an edition of 200 from Pro Arts. Its contents move from a critical analysis of last summer’s Black Lives Matter murals to localized distinctions between different types of mutual aid. Between these bigger-picture essays, more personal perspectives emerge. In one of these moments, the members of \u003ca href=\"https://www.momentscooperative.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Moments Cooperative & Community Space\u003c/a> (which took over the lease at the former E.M. Wolfman Books) set out their guiding principles, explaining that “community care is a denial of scalability, of efficiency. It is moving at the pace of the slowest among us, so we can arrive at the peak together and share the view.”\u003c/p>\n\u003cp>\u003ci>Terrain\u003c/i> is the kind of text I imagine we’ll be looking at for years to come, especially as we seek to remember and recapture the energy that brought about so much communal effort in the face of the enormous hardships of 2020. And in its sharply critical questioning of that energy, it’s a reminder of the constant need to ask who and what such efforts serve.\u003c/p>\n\u003cp>Five \u003ci>Terrain\u003c/i> contributors—essay writers alex cruse and Julian Francis Park; Tara Marsden of Moments Cooperative & Community Space; designer Dio Brooks; and editor Lefebvre—will join in a conversation at 6pm on Thursday, Feb. 11 for The Lab’s Forum series. \u003ca href=\"https://www.thelab.org/projects/2021/2/11/the-forum-terrain-contributors-art-amp-crisis-in-downtown-oakland\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Two months after its close, how do we even begin to take stock of everything that happened in 2020? Some aspects of the year were immediately tangible—emergencies that required emergency responses—while the causes and lingering effects of those emergencies may take years, perhaps decades, to truly parse.\u003c/p>\n\u003cp>In \u003ci>Terrain\u003c/i>, a new publication published by \u003ca href=\"https://www.proartscommons.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Pro Arts Gallery & Commons\u003c/a>, East Bay artists, writers and organizers narrow their focus to the area of downtown Oakland and Lake Merritt in 2020, approaching that particular temporal landscape through a variety of forms: essay, manifesto, poetry and first-person stories of supporting last summer’s protests.\u003c/p>\n\u003cp>The end result, edited by Sam Lefebvre (a former KQED Arts & Culture staff writer), is packaged as a beautifully designed, Risograph-printed booklet \u003ca href=\"https://www.proartscommons.org/store/terrain-art-and-crisis-by-sam-lefebvre\" target=\"_blank\" rel=\"noopener noreferrer\">now available\u003c/a> in an edition of 200 from Pro Arts. Its contents move from a critical analysis of last summer’s Black Lives Matter murals to localized distinctions between different types of mutual aid. Between these bigger-picture essays, more personal perspectives emerge. In one of these moments, the members of \u003ca href=\"https://www.momentscooperative.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Moments Cooperative & Community Space\u003c/a> (which took over the lease at the former E.M. Wolfman Books) set out their guiding principles, explaining that “community care is a denial of scalability, of efficiency. It is moving at the pace of the slowest among us, so we can arrive at the peak together and share the view.”\u003c/p>\n\u003cp>\u003ci>Terrain\u003c/i> is the kind of text I imagine we’ll be looking at for years to come, especially as we seek to remember and recapture the energy that brought about so much communal effort in the face of the enormous hardships of 2020. And in its sharply critical questioning of that energy, it’s a reminder of the constant need to ask who and what such efforts serve.\u003c/p>\n\u003cp>Five \u003ci>Terrain\u003c/i> contributors—essay writers alex cruse and Julian Francis Park; Tara Marsden of Moments Cooperative & Community Space; designer Dio Brooks; and editor Lefebvre—will join in a conversation at 6pm on Thursday, Feb. 11 for The Lab’s Forum series. \u003ca href=\"https://www.thelab.org/projects/2021/2/11/the-forum-terrain-contributors-art-amp-crisis-in-downtown-oakland\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Oaklanders Combat Chinatown Attacks with Volunteering, Mutual Aid",
"headTitle": "Oaklanders Combat Chinatown Attacks with Volunteering, Mutual Aid | KQED",
"content": "\u003cp>A disturbing video of a man shoving a 91-year-old elder to the ground in Oakland Chinatown made international headlines, and became a lightning rod in a heated debate about how to best combat anti-Asian racism and promote public safety.\u003c/p>\n\u003cp>Business leaders in Chinatown organized a press conference last Wednesday to put pressure on public officials to increase police foot patrols and surveillance cameras in the area. At the conference, Mayor Libby Schaaf pivoted from the tragedy to decry the movement to \u003ca href=\"https://www.kqed.org/news/11823958/defund-the-police-what-it-means-and-how-bay-area-cities-are-responding\" target=\"_blank\" rel=\"noopener noreferrer\">defund the police\u003c/a>—a call that emanated from racial justice protests last summer in the wake of George Floyd’s killing and police abuses against Black Americans and other people of color.\u003c/p>\n\u003cp>The racial dynamics of the situation are fraught. The Trump administration’s relentless scapegoating of Chinese people for the coronavirus has fueled hate and resentment, and anti-Asian hate crimes \u003ca href=\"https://www.thecut.com/2021/02/the-us-is-seeing-a-massive-spike-in-anti-asian-hate-crimes.html\" target=\"_blank\" rel=\"noopener noreferrer\">spiked across the country\u003c/a> in 2020. Meanwhile, because the \u003ca href=\"https://sanfrancisco.cbslocal.com/2021/02/09/update-suspect-arrested-in-oakland-chinatown-elderly-assaults/\" target=\"_blank\" rel=\"noopener noreferrer\">suspected attackers\u003c/a> in the Oakland Chinatown incident—and \u003ca href=\"https://sanfrancisco.cbslocal.com/2021/02/08/vicha-ratanapakdee-elderly-fatal-assault-suspect-antoine-watson-held-without-bail/\" target=\"_blank\" rel=\"noopener noreferrer\">another in San Francisco\u003c/a> that left an 84-year-old Thai man dead—were Black, racists have flocked to \u003ca href=\"https://twitter.com/OakMorr/status/1357178316315185158?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">social media\u003c/a> to perpetuate a false narrative of Black criminality.\u003c/p>\n\u003cp>The Oakland Police Department’s available data doesn’t conclusively point to a crime spike in Chinatown (according to data obtained by \u003ca href=\"https://oaklandside.org/2021/02/04/mayor-and-city-council-president-collide-over-policing-with-focus-on-crime-in-chinatown/\" target=\"_blank\" rel=\"noopener noreferrer\">Oaklandside\u003c/a>, overall crime reports in OPD’s Patrol Area 1, which includes Chinatown, are down 60% from last January, and robberies are down 40%). But some Chinatown leaders say that a number of attacks and robberies in recent weeks have left the community reeling, and that they need more police presence. [aside postid='arts_13880441,arts_13882499']\u003c/p>\n\u003cp>Other leaders and activists in Oakland Chinatown have taken a different approach: over 40 Asian American organizations from Oakland, San Francisco and around the Bay Area banded together to issue a \u003ca href=\"https://www.facebook.com/cpasf/photos/pcb.10158723682305211/10158723681350211/\" target=\"_blank\" rel=\"noopener noreferrer\">joint statement\u003c/a> calling for non-police safety measures that address crime at the root, such as volunteer neighborhood patrols and more culturally competent and language-accessible support for victims.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Many of the organizations represented in the statement serve working-class families, refugees, immigrants and monolingual elders—the very people who have borne the brunt of the economic fallout of the pandemic and the attendant discrimination. In a press conference yesterday, the organizers called for cross-racial unity and expressed skepticism of solutions that they say over-rely on law enforcement.\u003c/p>\n\u003cp>“In this current moment and historically—I’m just going to be explicit—policing has not meant safety for communities of color or young people,” said Stanley Pun, co-director of \u003ca href=\"https://www.aypal.org/\" target=\"_blank\" rel=\"noopener noreferrer\">AYPAL\u003c/a>, a youth nonprofit based in Oakland Chinatown that works with low-income Asian and Pacific Islander families. “We need to work together from a space of compassion, empathy and understanding to seek justice, not vengeance.”\u003c/p>\n\u003cp>Ener Chiu of the \u003ca href=\"https://ebaldc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">East Bay Asian Local Development Corporation\u003c/a>, an affordable housing nonprofit, highlighted the need for more community ambassador programs like the one his organization established two years ago. It deploys staff to clean trash and graffiti, connects merchants and residents to services and aims to foster a community atmosphere.\u003c/p>\n\u003cp>“It’s difficult to shove a senior citizen to the ground if you see yourself in them, if you have a relationship to them,” said Chiu. “It’s difficult to racially profile someone if you’re not afraid of them—if you’ve played together in our parks and recreation centers. But we need to invest in community safety and infrastructure and spaces and people who can bring those communities together and into relationship.”\u003c/p>\n\u003cp>Meanwhile, other activists and artists around the Bay Area have spoken out in solidarity and created mutual aid campaigns and fundraisers to support Oakland Chinatown’s elders. The \u003ca href=\"http://apen4ej.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Asian Pacific Environmental Network\u003c/a> has started \u003ca href=\"https://www.instagram.com/p/CK8IYzShlSY/\" target=\"_blank\" rel=\"noopener noreferrer\">soliciting volunteers\u003c/a> for a community foot patrol program they call Community Strolling. Volunteers will clean up trash, pass out red envelopes for Lunar New Year and build long-term relationships with residents, businesses and visitors in the hopes of strengthening community ties.\u003c/p>\n\u003cp>https://www.instagram.com/p/CK8IYzShlSY/\u003c/p>\n\u003cp>A group calling themselves \u003ca href=\"https://www.instagram.com/compassioninoakland/\" target=\"_blank\" rel=\"noopener noreferrer\">Compassion in Oakland\u003c/a> is also \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSfe9ao3dUPelXmX-i26bxpsMKGGZl7RnC-yvkilaTTR3pf5lg/viewform\" target=\"_blank\" rel=\"noopener noreferrer\">asking for volunteers\u003c/a> to escort Chinatown’s elders on walks and errands. There are two “Love Our People” rallies planned to condemn the violence in \u003ca href=\"https://actionnetwork.org/events/love-our-people-heal-our-communities\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland on Feb. 13\u003c/a> and \u003ca href=\"https://actionnetwork.org/events/love-our-people-heal-our-communities-sf-hosted-by-ccsj\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco on Feb. 14\u003c/a>. And writer and artist Eda Yu (who occasionally contributes to KQED Arts & Culture) and her partner Myles Thompson have organized a \u003ca href=\"https://www.gofundme.com/f/support-the-cause-against-antiasian-violence/\" target=\"_blank\" rel=\"noopener noreferrer\">GoFundMe\u003c/a> that raised over $120,000 for eight Asian American social justice organizations, including \u003ca href=\"https://stopaapihate.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Stop AAPI Hate\u003c/a> (which supports hate crime victims and advocates for restorative justice) and the \u003ca href=\"https://www.gofundme.com/f/vaccebs-mission-to-continue-the-efforts\" target=\"_blank\" rel=\"noopener noreferrer\">Vietnamese Community Center\u003c/a>, which delivers 30,000 meals a month, mostly to elders. The center burned down last week in an accidental fire.\u003c/p>\n\u003cp>Joining these calls for justice, Oakland rapper and Dope Era Clothing owner Mistah F.A.B. used his platform to advocate for Black and Asian unity in the face of white supremacy. “I can feel the frustration, the rage, the hurt, the hate,” he said on \u003ca href=\"https://www.instagram.com/p/CK46jnAFOmd/\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram\u003c/a>. Addressing the Black and Asian communities, he continued, “Us as the minorities, man, there’s already a war against us. And if we go to war with each other, then it’s more war, and they sit back and they’re laughing at us.”\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Asian American leaders have issued similar pleas. “I’ve seen the pitting of communities against each other,” said Lai Wa Wu of the \u003ca href=\"https://cpasf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Chinese Progressive Association\u003c/a>, an organization that supports working-class immigrants, at yesterday’s press conference. “But I have also seen the strength and the hope that have been summoned through the difficult conversations we’ve held, the ways we’ve created space to name our communities’ grief, speak to our ignored needs, let others bear witness and also holding faith in everyone’s potential to heal.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was updated to include information about the “Love Our People” rallies. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A disturbing video of a man shoving a 91-year-old elder to the ground in Oakland Chinatown made international headlines, and became a lightning rod in a heated debate about how to best combat anti-Asian racism and promote public safety.\u003c/p>\n\u003cp>Business leaders in Chinatown organized a press conference last Wednesday to put pressure on public officials to increase police foot patrols and surveillance cameras in the area. At the conference, Mayor Libby Schaaf pivoted from the tragedy to decry the movement to \u003ca href=\"https://www.kqed.org/news/11823958/defund-the-police-what-it-means-and-how-bay-area-cities-are-responding\" target=\"_blank\" rel=\"noopener noreferrer\">defund the police\u003c/a>—a call that emanated from racial justice protests last summer in the wake of George Floyd’s killing and police abuses against Black Americans and other people of color.\u003c/p>\n\u003cp>The racial dynamics of the situation are fraught. The Trump administration’s relentless scapegoating of Chinese people for the coronavirus has fueled hate and resentment, and anti-Asian hate crimes \u003ca href=\"https://www.thecut.com/2021/02/the-us-is-seeing-a-massive-spike-in-anti-asian-hate-crimes.html\" target=\"_blank\" rel=\"noopener noreferrer\">spiked across the country\u003c/a> in 2020. Meanwhile, because the \u003ca href=\"https://sanfrancisco.cbslocal.com/2021/02/09/update-suspect-arrested-in-oakland-chinatown-elderly-assaults/\" target=\"_blank\" rel=\"noopener noreferrer\">suspected attackers\u003c/a> in the Oakland Chinatown incident—and \u003ca href=\"https://sanfrancisco.cbslocal.com/2021/02/08/vicha-ratanapakdee-elderly-fatal-assault-suspect-antoine-watson-held-without-bail/\" target=\"_blank\" rel=\"noopener noreferrer\">another in San Francisco\u003c/a> that left an 84-year-old Thai man dead—were Black, racists have flocked to \u003ca href=\"https://twitter.com/OakMorr/status/1357178316315185158?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">social media\u003c/a> to perpetuate a false narrative of Black criminality.\u003c/p>\n\u003cp>The Oakland Police Department’s available data doesn’t conclusively point to a crime spike in Chinatown (according to data obtained by \u003ca href=\"https://oaklandside.org/2021/02/04/mayor-and-city-council-president-collide-over-policing-with-focus-on-crime-in-chinatown/\" target=\"_blank\" rel=\"noopener noreferrer\">Oaklandside\u003c/a>, overall crime reports in OPD’s Patrol Area 1, which includes Chinatown, are down 60% from last January, and robberies are down 40%). But some Chinatown leaders say that a number of attacks and robberies in recent weeks have left the community reeling, and that they need more police presence. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Other leaders and activists in Oakland Chinatown have taken a different approach: over 40 Asian American organizations from Oakland, San Francisco and around the Bay Area banded together to issue a \u003ca href=\"https://www.facebook.com/cpasf/photos/pcb.10158723682305211/10158723681350211/\" target=\"_blank\" rel=\"noopener noreferrer\">joint statement\u003c/a> calling for non-police safety measures that address crime at the root, such as volunteer neighborhood patrols and more culturally competent and language-accessible support for victims.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Many of the organizations represented in the statement serve working-class families, refugees, immigrants and monolingual elders—the very people who have borne the brunt of the economic fallout of the pandemic and the attendant discrimination. In a press conference yesterday, the organizers called for cross-racial unity and expressed skepticism of solutions that they say over-rely on law enforcement.\u003c/p>\n\u003cp>“In this current moment and historically—I’m just going to be explicit—policing has not meant safety for communities of color or young people,” said Stanley Pun, co-director of \u003ca href=\"https://www.aypal.org/\" target=\"_blank\" rel=\"noopener noreferrer\">AYPAL\u003c/a>, a youth nonprofit based in Oakland Chinatown that works with low-income Asian and Pacific Islander families. “We need to work together from a space of compassion, empathy and understanding to seek justice, not vengeance.”\u003c/p>\n\u003cp>Ener Chiu of the \u003ca href=\"https://ebaldc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">East Bay Asian Local Development Corporation\u003c/a>, an affordable housing nonprofit, highlighted the need for more community ambassador programs like the one his organization established two years ago. It deploys staff to clean trash and graffiti, connects merchants and residents to services and aims to foster a community atmosphere.\u003c/p>\n\u003cp>“It’s difficult to shove a senior citizen to the ground if you see yourself in them, if you have a relationship to them,” said Chiu. “It’s difficult to racially profile someone if you’re not afraid of them—if you’ve played together in our parks and recreation centers. But we need to invest in community safety and infrastructure and spaces and people who can bring those communities together and into relationship.”\u003c/p>\n\u003cp>Meanwhile, other activists and artists around the Bay Area have spoken out in solidarity and created mutual aid campaigns and fundraisers to support Oakland Chinatown’s elders. The \u003ca href=\"http://apen4ej.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Asian Pacific Environmental Network\u003c/a> has started \u003ca href=\"https://www.instagram.com/p/CK8IYzShlSY/\" target=\"_blank\" rel=\"noopener noreferrer\">soliciting volunteers\u003c/a> for a community foot patrol program they call Community Strolling. Volunteers will clean up trash, pass out red envelopes for Lunar New Year and build long-term relationships with residents, businesses and visitors in the hopes of strengthening community ties.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A group calling themselves \u003ca href=\"https://www.instagram.com/compassioninoakland/\" target=\"_blank\" rel=\"noopener noreferrer\">Compassion in Oakland\u003c/a> is also \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSfe9ao3dUPelXmX-i26bxpsMKGGZl7RnC-yvkilaTTR3pf5lg/viewform\" target=\"_blank\" rel=\"noopener noreferrer\">asking for volunteers\u003c/a> to escort Chinatown’s elders on walks and errands. There are two “Love Our People” rallies planned to condemn the violence in \u003ca href=\"https://actionnetwork.org/events/love-our-people-heal-our-communities\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland on Feb. 13\u003c/a> and \u003ca href=\"https://actionnetwork.org/events/love-our-people-heal-our-communities-sf-hosted-by-ccsj\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco on Feb. 14\u003c/a>. And writer and artist Eda Yu (who occasionally contributes to KQED Arts & Culture) and her partner Myles Thompson have organized a \u003ca href=\"https://www.gofundme.com/f/support-the-cause-against-antiasian-violence/\" target=\"_blank\" rel=\"noopener noreferrer\">GoFundMe\u003c/a> that raised over $120,000 for eight Asian American social justice organizations, including \u003ca href=\"https://stopaapihate.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Stop AAPI Hate\u003c/a> (which supports hate crime victims and advocates for restorative justice) and the \u003ca href=\"https://www.gofundme.com/f/vaccebs-mission-to-continue-the-efforts\" target=\"_blank\" rel=\"noopener noreferrer\">Vietnamese Community Center\u003c/a>, which delivers 30,000 meals a month, mostly to elders. The center burned down last week in an accidental fire.\u003c/p>\n\u003cp>Joining these calls for justice, Oakland rapper and Dope Era Clothing owner Mistah F.A.B. used his platform to advocate for Black and Asian unity in the face of white supremacy. “I can feel the frustration, the rage, the hurt, the hate,” he said on \u003ca href=\"https://www.instagram.com/p/CK46jnAFOmd/\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram\u003c/a>. Addressing the Black and Asian communities, he continued, “Us as the minorities, man, there’s already a war against us. And if we go to war with each other, then it’s more war, and they sit back and they’re laughing at us.”\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Asian American leaders have issued similar pleas. “I’ve seen the pitting of communities against each other,” said Lai Wa Wu of the \u003ca href=\"https://cpasf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Chinese Progressive Association\u003c/a>, an organization that supports working-class immigrants, at yesterday’s press conference. “But I have also seen the strength and the hope that have been summoned through the difficult conversations we’ve held, the ways we’ve created space to name our communities’ grief, speak to our ignored needs, let others bear witness and also holding faith in everyone’s potential to heal.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was updated to include information about the “Love Our People” rallies. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Musicians to Know: Jada Imani on Vibing with Hawaiian Frogs and Riffing Off Mac Dre",
"headTitle": "Musicians to Know: Jada Imani on Vibing with Hawaiian Frogs and Riffing Off Mac Dre | KQED",
"content": "\u003cfigure id=\"attachment_13892201\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892201\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/0-1-800x1199.jpg\" alt=\"Jada Imani sits in front of a couple of palm trees as she poses for a photo.\" width=\"800\" height=\"1199\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-800x1199.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-768x1151.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1.jpg 862w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jada Imani sits in front of a couple of palm trees as she poses for a photo. \u003ccite>(13thElement)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ci data-stringify-type=\"italic\">Over 4 weeks, \u003c/i>\u003ci data-stringify-type=\"italic\">\u003ca class=\"c-link\" href=\"https://www.kqed.org/arts/13891641/four-bay-area-musicians-to-know-right-nowish\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.kqed.org/arts/13891641/four-bay-area-musicians-to-know-right-nowish\" data-sk=\"tooltip_parent\">Rightnowish is featuring artists with local roots\u003c/a>\u003c/i>\u003ci data-stringify-type=\"italic\"> who are taking the sounds of the Bay to a national stage.\u003c/i>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2592114794\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Neo-soul and hip-hop artist \u003ca href=\"https://www.jadaimani.info/\" target=\"_blank\" rel=\"noopener noreferrer\">Jada Imani\u003c/a> gets her inspiration from a range of lived experiences: parking tickets, lessons from her parents, and Mac Dre lyrics.\u003c/p>\n\u003cp>Despite the pandemic, Jada has been dropping three-track EPs every first Friday since October, and plans to continue to do so until March. It’s a legacy of the collaborations and vibe she cultivated while organizing and hosting First Friday events at the \u003ca href=\"https://www.facebook.com/ABC4JUSTICE/\" target=\"_blank\" rel=\"noopener noreferrer\">Alan Blueford Center\u003c/a> in Oakland for over 3 years.\u003c/p>\n\u003cp>While honoring her origins, she’s also incorporating inspiration from her new surroundings — like Hawaiian tree frogs.\u003c/p>\n\u003cp>This week on Rightnowish we talk to Jada Imani about astrology, ‘high vibration clapbacks’ and how music was her access to culture when she was a small girl in a small town.\u003c/p>\n\u003cfigure id=\"attachment_13892214\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892214\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/0-2-800x1199.jpg\" alt=\"Jada Imani wears a mustard yellow jacket and poses holding a multicolored umbrella. \" width=\"800\" height=\"1199\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2-800x1199.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2-768x1151.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2.jpg 862w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jada Imani wears a mustard yellow jacket and poses holding a multicolored umbrella. \u003ccite>(13thElement)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/6ok3fmGwvwmuyGvuWxlv3Q\" width=\"100%\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Jada Imani.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>PEN: Where did you start learning about hip hop culture?\u003c/em>\u003c/p>\n\u003cp>JADA: I was born into it because my parents were both very young hip hop heads when they had us. And music was the only thing that we really had to grasp on to when it came to culture… We moved to the Bay when I was about 10 years old. But before that, we were in kind of the rural Midwest, in this little town called Belleville, right outside of east St. Louis. There wasn’t much happening, it was kind of desolate in a way. So it was hip hop and music that gave me life.\u003c/p>\n\u003cp>JADA: I think both of my parents have always been very conscious of the world they live in… And my dad especially was always very radical and very pro Black. And just like ‘you need to understand the world is not set up for us.’ And the music was the medium that he taught me through…\u003c/p>\n\u003cp>\u003cem>PEN: How has the Bay influenced your art?\u003c/em>\u003c/p>\n\u003cp>JADA: Oh, my gosh, in so many ways! The Bay taught me how to dance! The Bay has also influenced a lot of my style and the ability to rock thrift shops, not because that’s all you can afford growing up, but because you can make that fly.\u003c/p>\n\u003cp>JADA: One thing that I really admire about the Bay is that there is a strong activist history and there’s also a strong hyphy history. And when we’re talking about bringing those sounds together, like, what does it mean to talk about identity and power over a Bay slap rap? But, yeah, it’s hard to say what the Bay hasn’t done for me. I owe so much to the Bay [laughs] Especially with the first project we sampled Mac Dre, and it was like an ode to the Bay and that was like part of the tone.\u003c/p>\n\u003cp>\u003cem>PEN: You mentioned the Mac Dre line… That’s what inspired me to ask that question. You sampled the line “sometimes I’m not myself, sometimes I’m another man.”\u003c/em>\u003c/p>\n\u003cp>JADA: I really enjoyed that line in particular because he was like, you don’t know who I am. Or I can recreate who I am, or like, you might see me one way because of the body I live in, but, you know, what else is there? Also it’s just like some like sassy clapping back against misogyny. I was like sixteen feeling myself. Because so much of the reason why I feel like I couldn’t talk is because I was born into a girl’s body, and so much of what inspires me to write is clapping back at the patriarchy.\u003c/p>\n\u003cp>\u003cem>PEN: It’s a high vibration clapback, if you will.\u003c/em>\u003c/p>\n\u003cp>JADA: HA! Let’s go! High vibration clap back. I love it.\u003c/p>\n\u003cp>PEN: But another line that stands out to me correct me if I butcher it… “reading looks reading books, reading minds, reading charts.” Did I say that right?\u003c/p>\n\u003cp>JADA: “Reading books, reading charts, read myself, it’s a work of art, way more work than to fall apart…”\u003c/p>\n\u003cp>JADA: I was really– and I still am– an astrology nerd. So reading birth charts was part of my hustle when I didn’t want to get a nine to five and I wanted to only do things I genuinely enjoyed. I read birth charts for people. And then reading myself, you know, introspection is hard work, but you can’t let yourself fall apart. You got to keep reading into it.\u003c/p>\n\u003cp>\u003cem>PEN: … So, you’re calling us from Hawaii right now, where you’ve been for months, is it influencing the music that you’re producing?\u003c/em>\u003c/p>\n\u003cp>JADA: That’s such a big question because I’m constantly processing it… how few black folks are here. I see more white folks than brown folks, indigenous folks out here. And I’m like, who gets to be here, who doesn’t and why? I’m really grateful to have the access to the kind of retreat that I need to grow and heal from my own, like, hurts and things. And I’m hella grateful for that… And in terms of the overarching narrative that’s going on here with the history of colonization and how it shows up in the present day. I think about it all the time. There’s colonization all over, in the Bay, like there’s gentrification, all these things. But it hits different here. You know, it really does.\u003c/p>\n\u003cp>JADA: … The coqui frogs are really loud at night. They sound like birds. And so when I’m recording at night, they get into the recordings of the songs. And so it ended up being the whole soundscape of an EP… Literally sounds of rainforest entering the music now [laughs]\u003c/p>\n\u003cp>\u003cem>PEN: So being that your parents put a seed in you in terms of like hip hop history, culture, the importance of the art. What role do you play?\u003c/em>\u003c/p>\n\u003cp>JADA: I think I’m a weaver of community, like to hold space and open space whether it be the community center or a cafe where folks can cipher, for poets or hip hop artists to come together and see each other’s craft and like, love on each other…\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13892201\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892201\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/0-1-800x1199.jpg\" alt=\"Jada Imani sits in front of a couple of palm trees as she poses for a photo.\" width=\"800\" height=\"1199\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-800x1199.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1-768x1151.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-1.jpg 862w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jada Imani sits in front of a couple of palm trees as she poses for a photo. \u003ccite>(13thElement)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ci data-stringify-type=\"italic\">Over 4 weeks, \u003c/i>\u003ci data-stringify-type=\"italic\">\u003ca class=\"c-link\" href=\"https://www.kqed.org/arts/13891641/four-bay-area-musicians-to-know-right-nowish\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.kqed.org/arts/13891641/four-bay-area-musicians-to-know-right-nowish\" data-sk=\"tooltip_parent\">Rightnowish is featuring artists with local roots\u003c/a>\u003c/i>\u003ci data-stringify-type=\"italic\"> who are taking the sounds of the Bay to a national stage.\u003c/i>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2592114794\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Neo-soul and hip-hop artist \u003ca href=\"https://www.jadaimani.info/\" target=\"_blank\" rel=\"noopener noreferrer\">Jada Imani\u003c/a> gets her inspiration from a range of lived experiences: parking tickets, lessons from her parents, and Mac Dre lyrics.\u003c/p>\n\u003cp>Despite the pandemic, Jada has been dropping three-track EPs every first Friday since October, and plans to continue to do so until March. It’s a legacy of the collaborations and vibe she cultivated while organizing and hosting First Friday events at the \u003ca href=\"https://www.facebook.com/ABC4JUSTICE/\" target=\"_blank\" rel=\"noopener noreferrer\">Alan Blueford Center\u003c/a> in Oakland for over 3 years.\u003c/p>\n\u003cp>While honoring her origins, she’s also incorporating inspiration from her new surroundings — like Hawaiian tree frogs.\u003c/p>\n\u003cp>This week on Rightnowish we talk to Jada Imani about astrology, ‘high vibration clapbacks’ and how music was her access to culture when she was a small girl in a small town.\u003c/p>\n\u003cfigure id=\"attachment_13892214\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892214\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/0-2-800x1199.jpg\" alt=\"Jada Imani wears a mustard yellow jacket and poses holding a multicolored umbrella. \" width=\"800\" height=\"1199\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2-800x1199.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2-768x1151.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-2.jpg 862w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jada Imani wears a mustard yellow jacket and poses holding a multicolored umbrella. \u003ccite>(13thElement)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/6ok3fmGwvwmuyGvuWxlv3Q\" width=\"100%\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Jada Imani.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>PEN: Where did you start learning about hip hop culture?\u003c/em>\u003c/p>\n\u003cp>JADA: I was born into it because my parents were both very young hip hop heads when they had us. And music was the only thing that we really had to grasp on to when it came to culture… We moved to the Bay when I was about 10 years old. But before that, we were in kind of the rural Midwest, in this little town called Belleville, right outside of east St. Louis. There wasn’t much happening, it was kind of desolate in a way. So it was hip hop and music that gave me life.\u003c/p>\n\u003cp>JADA: I think both of my parents have always been very conscious of the world they live in… And my dad especially was always very radical and very pro Black. And just like ‘you need to understand the world is not set up for us.’ And the music was the medium that he taught me through…\u003c/p>\n\u003cp>\u003cem>PEN: How has the Bay influenced your art?\u003c/em>\u003c/p>\n\u003cp>JADA: Oh, my gosh, in so many ways! The Bay taught me how to dance! The Bay has also influenced a lot of my style and the ability to rock thrift shops, not because that’s all you can afford growing up, but because you can make that fly.\u003c/p>\n\u003cp>JADA: One thing that I really admire about the Bay is that there is a strong activist history and there’s also a strong hyphy history. And when we’re talking about bringing those sounds together, like, what does it mean to talk about identity and power over a Bay slap rap? But, yeah, it’s hard to say what the Bay hasn’t done for me. I owe so much to the Bay [laughs] Especially with the first project we sampled Mac Dre, and it was like an ode to the Bay and that was like part of the tone.\u003c/p>\n\u003cp>\u003cem>PEN: You mentioned the Mac Dre line… That’s what inspired me to ask that question. You sampled the line “sometimes I’m not myself, sometimes I’m another man.”\u003c/em>\u003c/p>\n\u003cp>JADA: I really enjoyed that line in particular because he was like, you don’t know who I am. Or I can recreate who I am, or like, you might see me one way because of the body I live in, but, you know, what else is there? Also it’s just like some like sassy clapping back against misogyny. I was like sixteen feeling myself. Because so much of the reason why I feel like I couldn’t talk is because I was born into a girl’s body, and so much of what inspires me to write is clapping back at the patriarchy.\u003c/p>\n\u003cp>\u003cem>PEN: It’s a high vibration clapback, if you will.\u003c/em>\u003c/p>\n\u003cp>JADA: HA! Let’s go! High vibration clap back. I love it.\u003c/p>\n\u003cp>PEN: But another line that stands out to me correct me if I butcher it… “reading looks reading books, reading minds, reading charts.” Did I say that right?\u003c/p>\n\u003cp>JADA: “Reading books, reading charts, read myself, it’s a work of art, way more work than to fall apart…”\u003c/p>\n\u003cp>JADA: I was really– and I still am– an astrology nerd. So reading birth charts was part of my hustle when I didn’t want to get a nine to five and I wanted to only do things I genuinely enjoyed. I read birth charts for people. And then reading myself, you know, introspection is hard work, but you can’t let yourself fall apart. You got to keep reading into it.\u003c/p>\n\u003cp>\u003cem>PEN: … So, you’re calling us from Hawaii right now, where you’ve been for months, is it influencing the music that you’re producing?\u003c/em>\u003c/p>\n\u003cp>JADA: That’s such a big question because I’m constantly processing it… how few black folks are here. I see more white folks than brown folks, indigenous folks out here. And I’m like, who gets to be here, who doesn’t and why? I’m really grateful to have the access to the kind of retreat that I need to grow and heal from my own, like, hurts and things. And I’m hella grateful for that… And in terms of the overarching narrative that’s going on here with the history of colonization and how it shows up in the present day. I think about it all the time. There’s colonization all over, in the Bay, like there’s gentrification, all these things. But it hits different here. You know, it really does.\u003c/p>\n\u003cp>JADA: … The coqui frogs are really loud at night. They sound like birds. And so when I’m recording at night, they get into the recordings of the songs. And so it ended up being the whole soundscape of an EP… Literally sounds of rainforest entering the music now [laughs]\u003c/p>\n\u003cp>\u003cem>PEN: So being that your parents put a seed in you in terms of like hip hop history, culture, the importance of the art. What role do you play?\u003c/em>\u003c/p>\n\u003cp>JADA: I think I’m a weaver of community, like to hold space and open space whether it be the community center or a cafe where folks can cipher, for poets or hip hop artists to come together and see each other’s craft and like, love on each other…\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Queen Iminah’s Musical Journey Through the African Diaspora",
"headTitle": "Queen Iminah’s Musical Journey Through the African Diaspora | KQED",
"content": "\u003cfigure id=\"attachment_13892039\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892039\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/0-4-800x660.jpg\" alt=\"Queen Iminah's new EP is a love letter from—and to—the African diaspora.\" width=\"800\" height=\"660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-4-800x660.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-4-1020x841.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-4-160x132.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-4-768x633.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-4-1536x1267.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-4.jpg 1734w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Queen Iminah’s new EP is a love letter from—and to—the African diaspora. \u003ccite>(GLM Studios)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Let’s start Black History Month with a dose of something to dance to, coming directly from the African Diaspora.\u003c/p>\n\u003cp>On Saturday, Feb. 6, Oakland’s \u003ca href=\"https://www.instagram.com/queen_iminah/\" target=\"_blank\" rel=\"noopener noreferrer\">Queen Iminah\u003c/a> will perform music from her debut project \u003cem>From Ghetto 2 Goddess\u003c/em> via livestream from \u003ca href=\"https://www.eventbrite.com/e/queen-iminah-tickets-136717590995\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco’s Great American Music Hall\u003c/a>.\u003c/p>\n\u003cp>The six-track EP is a blend of what some might call hip-hop, reggae, Afrobeat and R&B. Queen Iminah simply calls it “\u003cspan style=\"font-weight: 400\">melanated music.” Or better yet, “born-again African soul.”\u003c/span>\u003c/p>\n\u003cp>Just by looking at the EP’s featured artists—Ghana’s \u003ca href=\"https://twitter.com/ponobiom\" target=\"_blank\" rel=\"noopener noreferrer\">Yaa Pono\u003c/a>, Brooklyn’s \u003ca href=\"https://www.blakkamoore.com/\">Jahdan Blakkamoore\u003c/a> (originally from Guyana), and Oakland’s \u003ca href=\"https://www.instagram.com/dwaynewigginsofficial/\" target=\"_blank\" rel=\"noopener noreferrer\">D’wayne Wiggins\u003c/a>—a common thread emerges of the African diaspora. That theme carries over to the recording process, which occurred in studios in Ghana, Nigeria, Brooklyn and Oakland.[aside postID='bayareabites_139725']\u003c/p>\n\u003cp>“It all represents my lineage,” says Queen Iminah, who is African American and Jamaican, and became an ordained priestess in the Yoruba tradition after traveling to Nigeria.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Along with her bloodline and culture, the artist brings her passion as an academic to her craft as well. “People are educated through their art,” says Queen Iminah, who is the head of Oakland Unified School District’s \u003ca href=\"https://www.ousd.org/Page/15707\" target=\"_blank\" rel=\"noopener noreferrer\">African American Female Excellence program\u003c/a>.\u003c/p>\n\u003cp>True to form, her music is both spiritually enlightening and intellectually inspiring.\u003c/p>\n\u003cp>The song “Osun” comes on like a jam session, heavy on the percussion; Queen Iminah’s repetitive praise of the deity’s name makes me wonder if there’s even a difference between prayer and song. It helps that the track-ending guitar solo sounds like the strings were plucked from the heavens.\u003c/p>\n\u003cp>As a song more grounded in worldly ills, “Ife Me” is an uptempo reminder of the need for consensual respect, communication, and understanding in any relationship. “Yes means yes, and no means no / respect is key for us to grow,” sings Queen Iminah. And if you’re looking for a song to use as curriculum this month—or any month—I suggest “Warrior Queen.” It’s another uptempo recording, full of lyrics honoring women who lived as warriors, in many forms of the word.\u003c/p>\n\u003cfigure id=\"attachment_13892042\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13892042\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/0-5-1020x1212.jpg\" alt=\"Queen Iminah plays the drums while wearing a guitar over her shoulder.\" width=\"640\" height=\"760\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-5-1020x1212.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-5-800x951.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-5-160x190.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-5-768x913.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-5.jpg 1203w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Queen Iminah. \u003ccite>(Carol Dutra)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>African American luminaries\u003ca href=\"https://www.nytimes.com/1997/06/24/nyregion/betty-shabazz-a-rights-voice-dies-of-burns.html\" target=\"_blank\" rel=\"noopener noreferrer\"> Betty Shabazz\u003c/a>,\u003ca href=\"https://www.pbs.org/wgbh/americanexperience/features/freedomsummer-hamer/\" target=\"_blank\" rel=\"noopener noreferrer\"> Fannie Lou Hamer\u003c/a> and \u003ca href=\"https://www.npr.org/sections/president-biden-takes-office/2021/01/25/960417969/biden-administration-will-speed-up-efforts-to-put-harriet-tubman-on-20-bill\" target=\"_blank\" rel=\"noopener noreferrer\">Harriet Tubman\u003c/a> are mentioned on the same four-and-a-half-minute track as the \u003ca href=\"https://www.smithsonianmag.com/history/the-queen-who-would-be-king-130328511/\" target=\"_blank\" rel=\"noopener noreferrer\">Egyptian pharaoh Hatshepsut\u003c/a>; \u003ca href=\"https://www.metmuseum.org/toah/hd/pwmn_2/hd_pwmn_2.htm\" target=\"_blank\" rel=\"noopener noreferrer\"> Queen Nzinga\u003c/a>, who once ruled the Kingdoms of Ndongo and Matamba (modern day Angola); and \u003ca href=\"https://www.bbc.com/news/av/world-africa-44772345\" target=\"_blank\" rel=\"noopener noreferrer\">Yaa Asantewaa\u003c/a>, the Ghanaian warrior queen who fought against British colonizers in the 1800s.\u003c/p>\n\u003cp>\u003cem>From Ghetto 2 Goddess\u003c/em>, which officially drops in March, is named for what Queen Iminah describes as her “personal journey of ascension.” She says the term isn’t about being better than anyone—it just reflects her own experience in going from “hanging out in strip clubs and throwing my life away” to traveling the world, developing educational workshops and focusing on her art.\u003c/p>\n\u003cp>She’s been \u003ca href=\"https://www.instagram.com/p/CD-wudQsK4Q/\" target=\"_blank\" rel=\"noopener noreferrer\">open about her experiences\u003c/a> in the past, and hopes to continue to discuss her philosophy with the young women she works with, as well as anyone looking to better themselves and their community—especially people of the African Diaspora.\u003c/p>\n\u003cp>“It’s about breaking out of temporary oppression,” says Queen Iminah. “And embracing the multifaceted origins of humanity; all of the spectrums we come from.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Queen Iminah is joined by Jahi of Public Enemy’s PE 2.0 for a livestream on Saturday, Feb. 6, live from the Great American Music Hall. \u003ca href=\"https://www.slimspresents.com/e/queen-iminah-136717590995/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13892039\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892039\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/0-4-800x660.jpg\" alt=\"Queen Iminah's new EP is a love letter from—and to—the African diaspora.\" width=\"800\" height=\"660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-4-800x660.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-4-1020x841.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-4-160x132.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-4-768x633.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-4-1536x1267.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-4.jpg 1734w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Queen Iminah’s new EP is a love letter from—and to—the African diaspora. \u003ccite>(GLM Studios)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Let’s start Black History Month with a dose of something to dance to, coming directly from the African Diaspora.\u003c/p>\n\u003cp>On Saturday, Feb. 6, Oakland’s \u003ca href=\"https://www.instagram.com/queen_iminah/\" target=\"_blank\" rel=\"noopener noreferrer\">Queen Iminah\u003c/a> will perform music from her debut project \u003cem>From Ghetto 2 Goddess\u003c/em> via livestream from \u003ca href=\"https://www.eventbrite.com/e/queen-iminah-tickets-136717590995\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco’s Great American Music Hall\u003c/a>.\u003c/p>\n\u003cp>The six-track EP is a blend of what some might call hip-hop, reggae, Afrobeat and R&B. Queen Iminah simply calls it “\u003cspan style=\"font-weight: 400\">melanated music.” Or better yet, “born-again African soul.”\u003c/span>\u003c/p>\n\u003cp>Just by looking at the EP’s featured artists—Ghana’s \u003ca href=\"https://twitter.com/ponobiom\" target=\"_blank\" rel=\"noopener noreferrer\">Yaa Pono\u003c/a>, Brooklyn’s \u003ca href=\"https://www.blakkamoore.com/\">Jahdan Blakkamoore\u003c/a> (originally from Guyana), and Oakland’s \u003ca href=\"https://www.instagram.com/dwaynewigginsofficial/\" target=\"_blank\" rel=\"noopener noreferrer\">D’wayne Wiggins\u003c/a>—a common thread emerges of the African diaspora. That theme carries over to the recording process, which occurred in studios in Ghana, Nigeria, Brooklyn and Oakland.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It all represents my lineage,” says Queen Iminah, who is African American and Jamaican, and became an ordained priestess in the Yoruba tradition after traveling to Nigeria.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Along with her bloodline and culture, the artist brings her passion as an academic to her craft as well. “People are educated through their art,” says Queen Iminah, who is the head of Oakland Unified School District’s \u003ca href=\"https://www.ousd.org/Page/15707\" target=\"_blank\" rel=\"noopener noreferrer\">African American Female Excellence program\u003c/a>.\u003c/p>\n\u003cp>True to form, her music is both spiritually enlightening and intellectually inspiring.\u003c/p>\n\u003cp>The song “Osun” comes on like a jam session, heavy on the percussion; Queen Iminah’s repetitive praise of the deity’s name makes me wonder if there’s even a difference between prayer and song. It helps that the track-ending guitar solo sounds like the strings were plucked from the heavens.\u003c/p>\n\u003cp>As a song more grounded in worldly ills, “Ife Me” is an uptempo reminder of the need for consensual respect, communication, and understanding in any relationship. “Yes means yes, and no means no / respect is key for us to grow,” sings Queen Iminah. And if you’re looking for a song to use as curriculum this month—or any month—I suggest “Warrior Queen.” It’s another uptempo recording, full of lyrics honoring women who lived as warriors, in many forms of the word.\u003c/p>\n\u003cfigure id=\"attachment_13892042\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13892042\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/0-5-1020x1212.jpg\" alt=\"Queen Iminah plays the drums while wearing a guitar over her shoulder.\" width=\"640\" height=\"760\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-5-1020x1212.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-5-800x951.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-5-160x190.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-5-768x913.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/0-5.jpg 1203w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Queen Iminah. \u003ccite>(Carol Dutra)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>African American luminaries\u003ca href=\"https://www.nytimes.com/1997/06/24/nyregion/betty-shabazz-a-rights-voice-dies-of-burns.html\" target=\"_blank\" rel=\"noopener noreferrer\"> Betty Shabazz\u003c/a>,\u003ca href=\"https://www.pbs.org/wgbh/americanexperience/features/freedomsummer-hamer/\" target=\"_blank\" rel=\"noopener noreferrer\"> Fannie Lou Hamer\u003c/a> and \u003ca href=\"https://www.npr.org/sections/president-biden-takes-office/2021/01/25/960417969/biden-administration-will-speed-up-efforts-to-put-harriet-tubman-on-20-bill\" target=\"_blank\" rel=\"noopener noreferrer\">Harriet Tubman\u003c/a> are mentioned on the same four-and-a-half-minute track as the \u003ca href=\"https://www.smithsonianmag.com/history/the-queen-who-would-be-king-130328511/\" target=\"_blank\" rel=\"noopener noreferrer\">Egyptian pharaoh Hatshepsut\u003c/a>; \u003ca href=\"https://www.metmuseum.org/toah/hd/pwmn_2/hd_pwmn_2.htm\" target=\"_blank\" rel=\"noopener noreferrer\"> Queen Nzinga\u003c/a>, who once ruled the Kingdoms of Ndongo and Matamba (modern day Angola); and \u003ca href=\"https://www.bbc.com/news/av/world-africa-44772345\" target=\"_blank\" rel=\"noopener noreferrer\">Yaa Asantewaa\u003c/a>, the Ghanaian warrior queen who fought against British colonizers in the 1800s.\u003c/p>\n\u003cp>\u003cem>From Ghetto 2 Goddess\u003c/em>, which officially drops in March, is named for what Queen Iminah describes as her “personal journey of ascension.” She says the term isn’t about being better than anyone—it just reflects her own experience in going from “hanging out in strip clubs and throwing my life away” to traveling the world, developing educational workshops and focusing on her art.\u003c/p>\n\u003cp>She’s been \u003ca href=\"https://www.instagram.com/p/CD-wudQsK4Q/\" target=\"_blank\" rel=\"noopener noreferrer\">open about her experiences\u003c/a> in the past, and hopes to continue to discuss her philosophy with the young women she works with, as well as anyone looking to better themselves and their community—especially people of the African Diaspora.\u003c/p>\n\u003cp>“It’s about breaking out of temporary oppression,” says Queen Iminah. “And embracing the multifaceted origins of humanity; all of the spectrums we come from.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Queen Iminah is joined by Jahi of Public Enemy’s PE 2.0 for a livestream on Saturday, Feb. 6, live from the Great American Music Hall. \u003ca href=\"https://www.slimspresents.com/e/queen-iminah-136717590995/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Musicians To Know: Nappy Nina on Becoming the Rap Bill Nye and Missing Oakland",
"headTitle": "Musicians To Know: Nappy Nina on Becoming the Rap Bill Nye and Missing Oakland | KQED",
"content": "\u003cp>\u003cspan style=\"font-weight: 400\">\u003cem>For the next month, \u003ca href=\"https://www.kqed.org/arts/13891641/four-bay-area-musicians-to-know-right-nowish\">Rightnowish will be featuring artists with local roots\u003c/a> who are taking the sounds of the Bay to a national stage. \u003c/em>\u003cbr>\n\u003c/span>\u003cbr>\n\u003ca href=\"https://www.instagram.com/nappy_nina/\" target=\"_blank\" rel=\"noopener noreferrer\">Nappy Nina \u003c/a>is a lyricist with a smooth-sultry delivery that’s almost jazz-like, especially when coupled with some signature Boom-Bap production. In her songs, she raps about breakups, missing Oakland, the disappointing produce in Brooklyn, and navigating rough financial waters.\u003c/p>\n\u003cp>She’s gotten mentions from the \u003ca href=\"https://www.grammy.com/grammys/news/mexican-summer-continues-looking-glass-series-latest-nappy-nina-weight-release\" target=\"_blank\" rel=\"noopener noreferrer\">Grammys\u003c/a> and \u003ca href=\"https://daily.bandcamp.com/features/nappy-nina-feature\" target=\"_blank\" rel=\"noopener noreferrer\">Bandcamp.\u003c/a> And she’s been working on a streak of exciting projects. For the educational organization, Flocabulary, Nina was commissioned to pen a rhyme that tells the story of \u003ca href=\"https://www.flocabulary.com/unit/toni-morrison/\">Toni Morrison\u003c/a>. A few weeks ago, she dropped a new single, “\u003ca href=\"https://lucidhaus.bandcamp.com/album/pandemy-stimmy\" target=\"_blank\" rel=\"noopener noreferrer\">Pandemy Stimmy\u003c/a>,” which features Stas THEE Boss. Soon, she’ll release a new EP, Double Down, in collaboration with New Jersey-based producer, \u003ca href=\"https://www.instagram.com/_jwords/\" target=\"_blank\" rel=\"noopener noreferrer\">J Words\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13891535\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13891535\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/1Beat_2019_Nina-4-800x534.jpg\" alt=\"Nappy Nina looks off to her left as she poses for a photo.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/1Beat_2019_Nina-4-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/1Beat_2019_Nina-4-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/1Beat_2019_Nina-4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/1Beat_2019_Nina-4-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/1Beat_2019_Nina-4.jpg 1450w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nappy Nina looks off to her left as she poses for a photo. \u003ccite>(Alexia Webster)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This week on Rightnowish, we talk to Nappy Nina about her disdain for the term \u003cem>femcee\u003c/em>, how her Bay Area upbringing influences her craft and how some of my favorite songs came together.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC6743777419&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Nappy Nina.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>PEN: …OK, so for folks who’ve never been to East Oakland… how did it influence you? What did you see out there that made you grow into the artist that you are today?\u003c/em>\u003c/p>\n\u003cp>NINA: One of the main influences that I had growing up in East Oakland… just spending a lot of time with my pops, who’s really a community man. He has a couple of radio shows and he’s just really connected to a lot of folks in Oakland. A\u003cspan style=\"font-weight: 400\">nd I think seeing that has made me wanna carry on that tradition within my own work.\u003c/span>\u003c/p>\n\u003cp>\u003cem>PEN: Shout out to Pops. Greg Bridges deep into the jazz game. Did he put you in any jazz artists that stuck with you?\u003c/em>\u003c/p>\n\u003cp>NINA: He tried to put me on so much jazz when I was younger and I was so reluctant. [laughs] I kicked and screamed about it often, like I was in the jazz band in middle school. I play upright bass, I didn’t really appreciate it and hated it at the time. And now I’m just like, yo, why didn’t I just stick with it? That would have been ill.\u003c/p>\n\u003cp>\u003cem>PEN: I could see a middle school upright bass… like the bass is probably as big as you, right?\u003c/em>\u003c/p>\n\u003cp>NINA: Exactly. I had to carry it all around, like, it was just hella inconvenient.\u003c/p>\n\u003cp>\u003cem>PEN:… there’s this thing that you do of calling out “Mencees.”\u003c/em>\u003c/p>\n\u003cp>NINA: Yeah. (laughs)\u003c/p>\n\u003cp>\u003cem>PEN: What’s that all about?\u003c/em>\u003c/p>\n\u003cp>NINA: Man. One day I was just talking to my manager like I’m so frustrated with the “female emcee” lists… And I’ve been on this rampage for a long time. Like nobody is like, ‘Yo. So I know they’re a rapper, but they’re a man. So like just, you know, give them a break.’ There’s no qualifiers for dudes like that. And it’s fucking ridiculous that eight out of ten times somebody wants to give me props it’s on some, “Yeah. But like she’s a ill Femcee, ya mean,”… I hate it.\u003c/p>\n\u003cp>\u003cem>PEN: …I saw something you did recently. It’s an illustrated piece where you laid down some bars in recognition of Toni Morrison, is it called Flocabulary?\u003c/em>\u003c/p>\n\u003cp>NINA: Yeah. Flocabulary. Yeah. That was dope…So Flocabulary is like a dope app and tool for teachers to teach students, like about all types of different subjects through hip hop. And they reached out to me and they had this Toni Morrison piece in mind. And so I wrote first two verses and a hook. Last I heard, the program was sold to like all of L.A. public schools. So to think that a lot of young Cali kids are learning about Toni Morrison through me… just like makes me smile to the end, I was like, wait, I get to be like the rap Bill Nye. And they were like, yeah (laughs).\u003c/p>\n\u003cp>\u003cem>PEN: … Do you use your music as a catharsis?\u003c/em>\u003c/p>\n\u003cp>NINA : Yeah, always. Always. I don’t know if it’s like the healthiest thing, but I always feel like when I’m not feeling great, then I know that I can probably write some good shit. Definitely.\u003c/p>\n\u003cp>\u003cem>PEN: Again, you know, like I just I struggle with that. I put myself out there. You have any tips for people who are like maybe scared to release their vulnerabilities?\u003c/em>\u003c/p>\n\u003cp>NINA: I would just say that it’s all going to come out somehow… Like they may come out, you know, with somebody else are like deep in those moments when you’re by yourself, like they’re always going to find you. And for me, that’s kind of just seems like the easiest way to deal with it.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/6ok3fmGwvwmuyGvuWxlv3Q\" width=\"100%\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">\u003cem>For the next month, \u003ca href=\"https://www.kqed.org/arts/13891641/four-bay-area-musicians-to-know-right-nowish\">Rightnowish will be featuring artists with local roots\u003c/a> who are taking the sounds of the Bay to a national stage. \u003c/em>\u003cbr>\n\u003c/span>\u003cbr>\n\u003ca href=\"https://www.instagram.com/nappy_nina/\" target=\"_blank\" rel=\"noopener noreferrer\">Nappy Nina \u003c/a>is a lyricist with a smooth-sultry delivery that’s almost jazz-like, especially when coupled with some signature Boom-Bap production. In her songs, she raps about breakups, missing Oakland, the disappointing produce in Brooklyn, and navigating rough financial waters.\u003c/p>\n\u003cp>She’s gotten mentions from the \u003ca href=\"https://www.grammy.com/grammys/news/mexican-summer-continues-looking-glass-series-latest-nappy-nina-weight-release\" target=\"_blank\" rel=\"noopener noreferrer\">Grammys\u003c/a> and \u003ca href=\"https://daily.bandcamp.com/features/nappy-nina-feature\" target=\"_blank\" rel=\"noopener noreferrer\">Bandcamp.\u003c/a> And she’s been working on a streak of exciting projects. For the educational organization, Flocabulary, Nina was commissioned to pen a rhyme that tells the story of \u003ca href=\"https://www.flocabulary.com/unit/toni-morrison/\">Toni Morrison\u003c/a>. A few weeks ago, she dropped a new single, “\u003ca href=\"https://lucidhaus.bandcamp.com/album/pandemy-stimmy\" target=\"_blank\" rel=\"noopener noreferrer\">Pandemy Stimmy\u003c/a>,” which features Stas THEE Boss. Soon, she’ll release a new EP, Double Down, in collaboration with New Jersey-based producer, \u003ca href=\"https://www.instagram.com/_jwords/\" target=\"_blank\" rel=\"noopener noreferrer\">J Words\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13891535\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13891535\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/1Beat_2019_Nina-4-800x534.jpg\" alt=\"Nappy Nina looks off to her left as she poses for a photo.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/1Beat_2019_Nina-4-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/1Beat_2019_Nina-4-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/1Beat_2019_Nina-4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/1Beat_2019_Nina-4-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/1Beat_2019_Nina-4.jpg 1450w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nappy Nina looks off to her left as she poses for a photo. \u003ccite>(Alexia Webster)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This week on Rightnowish, we talk to Nappy Nina about her disdain for the term \u003cem>femcee\u003c/em>, how her Bay Area upbringing influences her craft and how some of my favorite songs came together.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC6743777419&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Nappy Nina.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>PEN: …OK, so for folks who’ve never been to East Oakland… how did it influence you? What did you see out there that made you grow into the artist that you are today?\u003c/em>\u003c/p>\n\u003cp>NINA: One of the main influences that I had growing up in East Oakland… just spending a lot of time with my pops, who’s really a community man. He has a couple of radio shows and he’s just really connected to a lot of folks in Oakland. A\u003cspan style=\"font-weight: 400\">nd I think seeing that has made me wanna carry on that tradition within my own work.\u003c/span>\u003c/p>\n\u003cp>\u003cem>PEN: Shout out to Pops. Greg Bridges deep into the jazz game. Did he put you in any jazz artists that stuck with you?\u003c/em>\u003c/p>\n\u003cp>NINA: He tried to put me on so much jazz when I was younger and I was so reluctant. [laughs] I kicked and screamed about it often, like I was in the jazz band in middle school. I play upright bass, I didn’t really appreciate it and hated it at the time. And now I’m just like, yo, why didn’t I just stick with it? That would have been ill.\u003c/p>\n\u003cp>\u003cem>PEN: I could see a middle school upright bass… like the bass is probably as big as you, right?\u003c/em>\u003c/p>\n\u003cp>NINA: Exactly. I had to carry it all around, like, it was just hella inconvenient.\u003c/p>\n\u003cp>\u003cem>PEN:… there’s this thing that you do of calling out “Mencees.”\u003c/em>\u003c/p>\n\u003cp>NINA: Yeah. (laughs)\u003c/p>\n\u003cp>\u003cem>PEN: What’s that all about?\u003c/em>\u003c/p>\n\u003cp>NINA: Man. One day I was just talking to my manager like I’m so frustrated with the “female emcee” lists… And I’ve been on this rampage for a long time. Like nobody is like, ‘Yo. So I know they’re a rapper, but they’re a man. So like just, you know, give them a break.’ There’s no qualifiers for dudes like that. And it’s fucking ridiculous that eight out of ten times somebody wants to give me props it’s on some, “Yeah. But like she’s a ill Femcee, ya mean,”… I hate it.\u003c/p>\n\u003cp>\u003cem>PEN: …I saw something you did recently. It’s an illustrated piece where you laid down some bars in recognition of Toni Morrison, is it called Flocabulary?\u003c/em>\u003c/p>\n\u003cp>NINA: Yeah. Flocabulary. Yeah. That was dope…So Flocabulary is like a dope app and tool for teachers to teach students, like about all types of different subjects through hip hop. And they reached out to me and they had this Toni Morrison piece in mind. And so I wrote first two verses and a hook. Last I heard, the program was sold to like all of L.A. public schools. So to think that a lot of young Cali kids are learning about Toni Morrison through me… just like makes me smile to the end, I was like, wait, I get to be like the rap Bill Nye. And they were like, yeah (laughs).\u003c/p>\n\u003cp>\u003cem>PEN: … Do you use your music as a catharsis?\u003c/em>\u003c/p>\n\u003cp>NINA : Yeah, always. Always. I don’t know if it’s like the healthiest thing, but I always feel like when I’m not feeling great, then I know that I can probably write some good shit. Definitely.\u003c/p>\n\u003cp>\u003cem>PEN: Again, you know, like I just I struggle with that. I put myself out there. You have any tips for people who are like maybe scared to release their vulnerabilities?\u003c/em>\u003c/p>\n\u003cp>NINA: I would just say that it’s all going to come out somehow… Like they may come out, you know, with somebody else are like deep in those moments when you’re by yourself, like they’re always going to find you. And for me, that’s kind of just seems like the easiest way to deal with it.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/6ok3fmGwvwmuyGvuWxlv3Q\" width=\"100%\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "reclaiming-the-legacy-of-oaklands-boogaloo-dance-culture",
"title": "Reclaiming the Legacy of Oakland’s Boogaloo Dance Culture",
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"headTitle": "Reclaiming the Legacy of Oakland’s Boogaloo Dance Culture | KQED",
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"content": "\u003cp>\u003cem>Editor’s note: This episode was filmed under strict guidelines due to the coronavirus pandemic. Safety parameters were followed to protect the health of the dancers and video production team.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://youtube.com/playlist?list=PLeGdTT0--8Kh9ohLGAYIVzVb-TKwEAxER\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>If Cities Could Dance\u003c/em>\u003c/a> \u003cem>is KQED Arts’ award-winning video series featuring dancers across the country who represent their city’s signature moves. \u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/ICCD401_Oakland_Captions.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Download English Transcript.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Will Randolph was just eight years old when he witnessed something that would change his life forever.\u003c/p>\n\u003cp>The young East Oakland resident was at a New Years’ Eve party thrown by the Pointer Sisters, his neighbors at the time, marveling at two teenagers moving in an animated fashion, craning their necks and striking poses. Randolph remembers thinking to himself: “What in the world is that?”\u003c/p>\n\u003cp>That night launched a six decade-long love affair with boogaloo, a dance form invented by African American youth in Oakland. Taking inspiration from James Brown, the Temptations, Charlie Chaplin, cartoon characters, and sci-fi robots, boogaloo innovators created a repertoire of original moves like the “Dime Stop,” the “Hit,” the “Mack Pose,” and the “Ditallion.” San Francisco and Richmond soon developed variants of boogaloo, respectively known as strutting and robottin’.\u003c/p>\n\u003cfigure id=\"attachment_13891301\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13891301 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140-800x949.jpg\" alt=\"The Black Resurgents form a semi circle around TV host Jay Patton and post for a photo\" width=\"800\" height=\"949\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140-800x949.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140-1020x1210.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140-160x190.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140-768x911.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140-1295x1536.jpg 1295w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140-1726x2048.jpg 1726w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140.jpg 1888w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Black Resurgents back stage on the Jay Payton Show, a music and dance variety \u003ccite>(Courtesy William Randolph, The Black Resurgents)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Today, these techniques are collectively known in the world of hip-hop dance as “the funk styles,” owing to their development during the funk era. As dance historian Traci Bartlow notes, boogaloo preceded the emergence of hip-hop culture, whose name “was not even thought of for another 10 years.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But despite its pioneering status, boogaloo’s cultural contributions are little-known outside of Bay Area dance circles. That’s why, for the past 20 years, Randolph and other veteran boogaloos have spread the word in an attempt to revive boogaloo, maintain its cultural traditions, and pass them on to a new generation–bridging the gap between boogaloo, pop-locking and contemporary dance forms like turf dancing.\u003c/p>\n\u003cp>“Turfing in the millennium,” Randolph says, “is what boogaloo was in the ’70s.”\u003c/p>\n\u003cp>Randolph’s stories of boogaloo’s evolution and development have a folkloric, even legendary, quality. In 1971, while urban renewal and white flight were underway and East Oakland’s population rapidly became predominantly African American, he and a handful of his classmates at Elmhurst Junior High began entering talent show competitions. Inspired by the Black Panthers and the social justice movements of the post-civil rights era, they named themselves the Black Resurgents.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/3KXUkne9GxQi43KSpN3Lo5\" width=\"100%\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Throughout the 1970s, boogaloo became the preeminent form of African American youth culture in Oakland. Numerous boogaloo groups formed in the East, including the Black Resurgents and their chief rivals, the Black Messengers. Castlemont High School and Arroyo Park became centers for group competitions. Boogaloo culture also spread to West Oakland, where groups like S.S. Enterprise and Derrick and Company held forth at McClymonds High School and Mosswood Park. (Talent shows at the Oakland Auditorium, centrally situated near Lake Merritt, became a place where dancers from both East and West Oakland converged.)\u003c/p>\n\u003cp>Bartlow, Randolph’s former neighbor, recalls watching the Black Resurgents practice at his home on 96th Ave. and Sunnyside—a formative experience which inspired her to become a dance student and cultural historian. Boogaloo’s concurrent evolution with funk music, she says, resulted in an explosion of youthful expression that reverberated across the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13891302\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13891302\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-800x449.jpg\" alt=\"Traci Bartlow, wearing a beaded tank with the words "Boogaloo, Robbottin', Struttin'," poses for the camera. Her arms are linked with dancers on both sides, their backs turned to show the backs of their shirts that read "TURF Inc" on one and "1971" on the other\" width=\"800\" height=\"449\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-800x449.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-768x431.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-1536x862.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-2048x1150.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-1920x1078.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Traci Bartlow poses with dancers of The Black Resurgents and TURFinc \u003ccite>(Elie Khadra, KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Bass stirred something deep in the souls of Bay Area youth. Talent shows with dances were common all over San Francisco, Oakland and of course, the legendary Richmond Auditorium.”\u003c/p>\n\u003cp>Boogaloo, she says, was seemingly everywhere: “On the blocks, in the recreation centers, the courtyard at public schools. Or even in living rooms with the furniture pushed back. Dancers were blasting funk music and working out free-form body movements that had complex rhythms, visual illusions and robotic moves.”\u003c/p>\n\u003cp>“We were just a bunch of poor kids that didn’t have a lot of money but had massive imaginations,” explains William “Boogaloo Bill” Bilal, a founding member of S.S. Enterprise and a practitioner of the West Oakland style of boogaloo.\u003c/p>\n\u003cp>Boogaloo’s popularity declined in the mid-’80s, when hip-hop emerged and breakdancing briefly became a national trend. The Bay Area’s boogaloo dancers had begun to age out, and with limited career opportunities compared to their counterparts in New York and Los Angeles, the artform became obscured. “It was all but left for dead on the road,” says Bilal.\u003c/p>\n\u003cfigure id=\"attachment_13891344\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/BoogalooBill_McClymonds2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13891344 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/BoogalooBill_McClymonds2-800x450.jpg\" alt=\"William Bilal, a.k.a. Boogaloo Bill, dances outside McClymonds High School in West Oakland\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BoogalooBill_McClymonds2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BoogalooBill_McClymonds2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BoogalooBill_McClymonds2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BoogalooBill_McClymonds2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BoogalooBill_McClymonds2-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BoogalooBill_McClymonds2.jpg 1703w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">William Bilal, a.k.a. Boogaloo Bill, dances outside McClymonds High School in West Oakland \u003ccite>(Spencer Wilkinson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But boogaloo never truly died. Its movement vocabulary was adopted—some say appropriated—into the Southern California dance known as locking, eventually widely recognized as pop-locking, which itself became part of hip-hop dance’s canon. Then, in the late ’90s and early 2000s, turf dancing emerged from the same Oakland streets which had birthed the funk boogaloo 30 years earlier.\u003c/p>\n\u003cp>Turfing shares much in common with boogaloo: it’s highly interpretive and improvisational, and varies stylistically from neighborhood to neighborhood. Unknowingly, turfers adapted many boogaloo movements without being aware of their origin.\u003cbr>\n“People need to know where the foundation comes from,” says Johnny “Johnny 5” Lopez, founder of TURFinc. “I just feel like boogaloo started almost everything there is about dancing.”\u003c/p>\n\u003cp>In recent years, turfing and boogaloo have occasionally shared the same stage at TURFinc’s “all styles” events (which have also incorporated breaking and freestyle dance) and at the Oakland Museum of California. Randolph and fellow veterans like “OG Mike” Predovic of the Boogaloo Conservatory have become mentors to turfers like Lopez and Levi “iDummy” Allen.\u003c/p>\n\u003cp>In 2000, Randolph founded the BRS Alliance (the acronym stands for Boogaloo, Robottin’, Strutting) with Richmond’s Ralph “Plik Plok” Montejo and San Francisco’s Lonnie “Pop Tart” Green. Together with Bilal’s Original Boogaloo Movement and numerous Facebook groups, they’ve created a growing online presence and produce an annual “Original Boogaloo Reunion Barbeque” at Oakland’s Shoreline Middle Harbor Park since 2011.\u003c/p>\n\u003cfigure id=\"attachment_13891315\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/harrybarry.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13891315 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/harrybarry-800x450.jpg\" alt=\"Harry Berry, a.k.a. The Legendary Frisco Popper, at one of the Original Boogaloo Reunion BBQ\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/harrybarry-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/harrybarry-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/harrybarry-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/harrybarry-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/harrybarry-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/harrybarry.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Harry Berry, a.k.a. The Legendary Frisco Popper, at one of the Original Boogaloo Reunion BBQ \u003ccite>(Spencer Wilkinson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The boogaloo BBQ has not only become a place where veteran dancers interact and relive their glory years, but also a stomping ground for turfers and young dance students who have developed an interest in learning one of the original styles of street dance. Although 2020’s event was cancelled due to COVID, prior years have been graced by legendary boogaloos like Larry Thompson of Pirate and the Easy Walkers; Fayzo and Boogaloo Dana of Demons of the Mind; Darrin “Dub” Hodges of Gentlemen of Production; Kerney Myers, John Murphy, and Chuck Powell of the Black Messengers; and Money B of Playboyz Inc.—along with dance enthusiasts like Agatha “Agatron” Rupniewski of Mix’d Elements.\u003c/p>\n\u003cp>For his part, Randolph is hoping that the upcoming 50th anniversary of the Black Resurgents in November 2021 will be a flashpoint for the culture.\u003c/p>\n\u003cp>But the pandemic and painful loss have thrown the future of live events into question, and the culture is beginning to lose many of its OGs. Randolph’s brother, E. Vic Randolph “The Crowd Pleaser,” passed away not long after he was filmed for this \u003cem>If Cities Could Dance\u003c/em> episode, and other recent deaths of veteran dancers “Boogaloo Dan” Hodges, Harry Berry, and Dan “Reo Robot” Moore have shaken the boogaloo community to its core.\u003c/p>\n\u003cp>Even more chillingly, the name boogaloo has been co-opted by a violent extremist group called the “Boogaloo Bois” who have been linked to murders in Oakland and Santa Cruz and riots in Minneapolis. “We all started hearing about the so-called boogaloo bois creating chaos right here in the Town,” says the Resurgents’ Ricky Wilson Gantt. “I had a gamut of emotions when I heard that,” says Bilal, adding “if [the boogaloo bois] really and truly understood what the definition of boogaloo is, they never would have chosen it as a name in the first place.” He notes that the word ‘boogaloo’ has been part of the African American vernacular for decades, and traces its roots back to slavery.\u003c/p>\n\u003cp>Though national media has overlooked the boogaloo dancers and their history, the true boogaloo believers remain committed to their cause.\u003c/p>\n\u003cp>”There is a notion in our community,” Randolph concludes,” that we have to protect the art form’s name, that we have to protect the culture. This culture did not destroy lives. It saves lives.” \u003cem>— Text by Eric Arnold\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://uploads.knightlab.com/storymapjs/4d72621d07063db4c4778f6461829723/if-cities-could-dance-oakland/index.html\" frameborder=\"0\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>In a previous post we incorrectly introduced E. Vic Randolph “The Crowd Pleaser.” His family informed us that Vic passed away due to heart failure caused by hypertension, not COVID-19 as previously stated.\u003c/em>\u003c/p>\n\n",
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"headline": "Reclaiming the Legacy of Oakland’s Boogaloo Dance Culture",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Editor’s note: This episode was filmed under strict guidelines due to the coronavirus pandemic. Safety parameters were followed to protect the health of the dancers and video production team.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://youtube.com/playlist?list=PLeGdTT0--8Kh9ohLGAYIVzVb-TKwEAxER\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>If Cities Could Dance\u003c/em>\u003c/a> \u003cem>is KQED Arts’ award-winning video series featuring dancers across the country who represent their city’s signature moves. \u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/ICCD401_Oakland_Captions.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Download English Transcript.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Will Randolph was just eight years old when he witnessed something that would change his life forever.\u003c/p>\n\u003cp>The young East Oakland resident was at a New Years’ Eve party thrown by the Pointer Sisters, his neighbors at the time, marveling at two teenagers moving in an animated fashion, craning their necks and striking poses. Randolph remembers thinking to himself: “What in the world is that?”\u003c/p>\n\u003cp>That night launched a six decade-long love affair with boogaloo, a dance form invented by African American youth in Oakland. Taking inspiration from James Brown, the Temptations, Charlie Chaplin, cartoon characters, and sci-fi robots, boogaloo innovators created a repertoire of original moves like the “Dime Stop,” the “Hit,” the “Mack Pose,” and the “Ditallion.” San Francisco and Richmond soon developed variants of boogaloo, respectively known as strutting and robottin’.\u003c/p>\n\u003cfigure id=\"attachment_13891301\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13891301 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140-800x949.jpg\" alt=\"The Black Resurgents form a semi circle around TV host Jay Patton and post for a photo\" width=\"800\" height=\"949\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140-800x949.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140-1020x1210.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140-160x190.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140-768x911.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140-1295x1536.jpg 1295w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140-1726x2048.jpg 1726w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BRS_Posters_Jay_Payton-scaled-e1610693156140.jpg 1888w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Black Resurgents back stage on the Jay Payton Show, a music and dance variety \u003ccite>(Courtesy William Randolph, The Black Resurgents)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Today, these techniques are collectively known in the world of hip-hop dance as “the funk styles,” owing to their development during the funk era. As dance historian Traci Bartlow notes, boogaloo preceded the emergence of hip-hop culture, whose name “was not even thought of for another 10 years.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But despite its pioneering status, boogaloo’s cultural contributions are little-known outside of Bay Area dance circles. That’s why, for the past 20 years, Randolph and other veteran boogaloos have spread the word in an attempt to revive boogaloo, maintain its cultural traditions, and pass them on to a new generation–bridging the gap between boogaloo, pop-locking and contemporary dance forms like turf dancing.\u003c/p>\n\u003cp>“Turfing in the millennium,” Randolph says, “is what boogaloo was in the ’70s.”\u003c/p>\n\u003cp>Randolph’s stories of boogaloo’s evolution and development have a folkloric, even legendary, quality. In 1971, while urban renewal and white flight were underway and East Oakland’s population rapidly became predominantly African American, he and a handful of his classmates at Elmhurst Junior High began entering talent show competitions. Inspired by the Black Panthers and the social justice movements of the post-civil rights era, they named themselves the Black Resurgents.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/3KXUkne9GxQi43KSpN3Lo5\" width=\"100%\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Throughout the 1970s, boogaloo became the preeminent form of African American youth culture in Oakland. Numerous boogaloo groups formed in the East, including the Black Resurgents and their chief rivals, the Black Messengers. Castlemont High School and Arroyo Park became centers for group competitions. Boogaloo culture also spread to West Oakland, where groups like S.S. Enterprise and Derrick and Company held forth at McClymonds High School and Mosswood Park. (Talent shows at the Oakland Auditorium, centrally situated near Lake Merritt, became a place where dancers from both East and West Oakland converged.)\u003c/p>\n\u003cp>Bartlow, Randolph’s former neighbor, recalls watching the Black Resurgents practice at his home on 96th Ave. and Sunnyside—a formative experience which inspired her to become a dance student and cultural historian. Boogaloo’s concurrent evolution with funk music, she says, resulted in an explosion of youthful expression that reverberated across the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13891302\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13891302\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-800x449.jpg\" alt=\"Traci Bartlow, wearing a beaded tank with the words "Boogaloo, Robbottin', Struttin'," poses for the camera. Her arms are linked with dancers on both sides, their backs turned to show the backs of their shirts that read "TURF Inc" on one and "1971" on the other\" width=\"800\" height=\"449\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-800x449.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-768x431.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-1536x862.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-2048x1150.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/Screen-Shot-2021-01-12-at-12.58.40-PM-2-1920x1078.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Traci Bartlow poses with dancers of The Black Resurgents and TURFinc \u003ccite>(Elie Khadra, KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Bass stirred something deep in the souls of Bay Area youth. Talent shows with dances were common all over San Francisco, Oakland and of course, the legendary Richmond Auditorium.”\u003c/p>\n\u003cp>Boogaloo, she says, was seemingly everywhere: “On the blocks, in the recreation centers, the courtyard at public schools. Or even in living rooms with the furniture pushed back. Dancers were blasting funk music and working out free-form body movements that had complex rhythms, visual illusions and robotic moves.”\u003c/p>\n\u003cp>“We were just a bunch of poor kids that didn’t have a lot of money but had massive imaginations,” explains William “Boogaloo Bill” Bilal, a founding member of S.S. Enterprise and a practitioner of the West Oakland style of boogaloo.\u003c/p>\n\u003cp>Boogaloo’s popularity declined in the mid-’80s, when hip-hop emerged and breakdancing briefly became a national trend. The Bay Area’s boogaloo dancers had begun to age out, and with limited career opportunities compared to their counterparts in New York and Los Angeles, the artform became obscured. “It was all but left for dead on the road,” says Bilal.\u003c/p>\n\u003cfigure id=\"attachment_13891344\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/BoogalooBill_McClymonds2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13891344 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/BoogalooBill_McClymonds2-800x450.jpg\" alt=\"William Bilal, a.k.a. Boogaloo Bill, dances outside McClymonds High School in West Oakland\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BoogalooBill_McClymonds2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BoogalooBill_McClymonds2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BoogalooBill_McClymonds2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BoogalooBill_McClymonds2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BoogalooBill_McClymonds2-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/BoogalooBill_McClymonds2.jpg 1703w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">William Bilal, a.k.a. Boogaloo Bill, dances outside McClymonds High School in West Oakland \u003ccite>(Spencer Wilkinson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But boogaloo never truly died. Its movement vocabulary was adopted—some say appropriated—into the Southern California dance known as locking, eventually widely recognized as pop-locking, which itself became part of hip-hop dance’s canon. Then, in the late ’90s and early 2000s, turf dancing emerged from the same Oakland streets which had birthed the funk boogaloo 30 years earlier.\u003c/p>\n\u003cp>Turfing shares much in common with boogaloo: it’s highly interpretive and improvisational, and varies stylistically from neighborhood to neighborhood. Unknowingly, turfers adapted many boogaloo movements without being aware of their origin.\u003cbr>\n“People need to know where the foundation comes from,” says Johnny “Johnny 5” Lopez, founder of TURFinc. “I just feel like boogaloo started almost everything there is about dancing.”\u003c/p>\n\u003cp>In recent years, turfing and boogaloo have occasionally shared the same stage at TURFinc’s “all styles” events (which have also incorporated breaking and freestyle dance) and at the Oakland Museum of California. Randolph and fellow veterans like “OG Mike” Predovic of the Boogaloo Conservatory have become mentors to turfers like Lopez and Levi “iDummy” Allen.\u003c/p>\n\u003cp>In 2000, Randolph founded the BRS Alliance (the acronym stands for Boogaloo, Robottin’, Strutting) with Richmond’s Ralph “Plik Plok” Montejo and San Francisco’s Lonnie “Pop Tart” Green. Together with Bilal’s Original Boogaloo Movement and numerous Facebook groups, they’ve created a growing online presence and produce an annual “Original Boogaloo Reunion Barbeque” at Oakland’s Shoreline Middle Harbor Park since 2011.\u003c/p>\n\u003cfigure id=\"attachment_13891315\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/harrybarry.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13891315 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/01/harrybarry-800x450.jpg\" alt=\"Harry Berry, a.k.a. The Legendary Frisco Popper, at one of the Original Boogaloo Reunion BBQ\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/harrybarry-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/harrybarry-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/harrybarry-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/harrybarry-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/harrybarry-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/01/harrybarry.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Harry Berry, a.k.a. The Legendary Frisco Popper, at one of the Original Boogaloo Reunion BBQ \u003ccite>(Spencer Wilkinson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The boogaloo BBQ has not only become a place where veteran dancers interact and relive their glory years, but also a stomping ground for turfers and young dance students who have developed an interest in learning one of the original styles of street dance. Although 2020’s event was cancelled due to COVID, prior years have been graced by legendary boogaloos like Larry Thompson of Pirate and the Easy Walkers; Fayzo and Boogaloo Dana of Demons of the Mind; Darrin “Dub” Hodges of Gentlemen of Production; Kerney Myers, John Murphy, and Chuck Powell of the Black Messengers; and Money B of Playboyz Inc.—along with dance enthusiasts like Agatha “Agatron” Rupniewski of Mix’d Elements.\u003c/p>\n\u003cp>For his part, Randolph is hoping that the upcoming 50th anniversary of the Black Resurgents in November 2021 will be a flashpoint for the culture.\u003c/p>\n\u003cp>But the pandemic and painful loss have thrown the future of live events into question, and the culture is beginning to lose many of its OGs. Randolph’s brother, E. Vic Randolph “The Crowd Pleaser,” passed away not long after he was filmed for this \u003cem>If Cities Could Dance\u003c/em> episode, and other recent deaths of veteran dancers “Boogaloo Dan” Hodges, Harry Berry, and Dan “Reo Robot” Moore have shaken the boogaloo community to its core.\u003c/p>\n\u003cp>Even more chillingly, the name boogaloo has been co-opted by a violent extremist group called the “Boogaloo Bois” who have been linked to murders in Oakland and Santa Cruz and riots in Minneapolis. “We all started hearing about the so-called boogaloo bois creating chaos right here in the Town,” says the Resurgents’ Ricky Wilson Gantt. “I had a gamut of emotions when I heard that,” says Bilal, adding “if [the boogaloo bois] really and truly understood what the definition of boogaloo is, they never would have chosen it as a name in the first place.” He notes that the word ‘boogaloo’ has been part of the African American vernacular for decades, and traces its roots back to slavery.\u003c/p>\n\u003cp>Though national media has overlooked the boogaloo dancers and their history, the true boogaloo believers remain committed to their cause.\u003c/p>\n\u003cp>”There is a notion in our community,” Randolph concludes,” that we have to protect the art form’s name, that we have to protect the culture. This culture did not destroy lives. It saves lives.” \u003cem>— Text by Eric Arnold\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://uploads.knightlab.com/storymapjs/4d72621d07063db4c4778f6461829723/if-cities-could-dance-oakland/index.html\" frameborder=\"0\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>In a previous post we incorrectly introduced E. Vic Randolph “The Crowd Pleaser.” His family informed us that Vic passed away due to heart failure caused by hypertension, not COVID-19 as previously stated.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>Rightnowish\u003c/em> is an arts and culture show about what people are experiencing in the Bay Area right now… ish. We see artists at the frontline of history. Our role is to raise them up and introduce them to their neighbors.\u003c/p>\n\u003cp>If you’re new to the podcast, here are a few episodes that we hope will give you an idea of what we’re about:\u003c/p>\n\u003ch3>\u003cstrong>For those looking for a turbo-shot of inspiration…\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13870187/room-302-home-of-oaklands-own-tiny-desk\">Room 302: Home of Oakland’s Own ‘Tiny Desk’\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>The Oakland School of The Arts has had so many talented students, including Kehlani and Zendaya. At this student-run talent showcase, you might catch a glimpse of the next big name. In this episode, we sit in on performances from their live-music series \u003cem>Off The Table \u003c/em>and glean some wisdom from the talented teacher and her skilled students.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC9527868418\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For those looking for local wisdom…\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13875177/dorothy-lazard-rightnowish\">This Librarian Holds the Keys to Oakland’s History\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>Who raised Jack London? What was the story behind the “Black Consciousness Movement?” How did a Black Filmmakers Hall of Fame get started in Oakland? The woman with these answers and more is Dorothy Lazard. She’s the keeper of Oakland’s history and a cornerstone of her community, making her the embodiment of the quintessential \u003cem>Rightnowish\u003c/em> guest.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC1079186470\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For those with a sweet-tooth…\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13886452/victor-got-slapped-for-his-cheesecake\">The East Bay Poet Bringing Cheesecake to Your Door\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>Sometimes you need a little sugar rush. Poet Victor Harris hand makes and hand delivers cheesecakes in the East Bay. And these cheesecakes are good — so good that his maple peach bourbon cake once got him slapped. This episode is guaranteed to make you hungry (and happy)!\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2368224463\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For those who love love (and revolution)…\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13874735/fredrika-newton-huey-p-revolutionary-love\">Fredrika Newton + Huey P. = Revolutionary Love\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>What’s it like to love one of America’s most notable activists? How do you have a healthy relationship while combating oppression? How do you make time for joy and the tunes of Isaac Hayes? Fredrika Newton talks about what it was like to love Huey, the man behind the symbol.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2070425265\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For Oakland kids, born and raised…\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13868502/from-d-boys-to-dope-art\">From D-Boys to Dope Art\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>Timothy B. has been throwing up big beautiful murals for some time now, but his story goes way deeper than fresh paint on a wall. His life story parallels so many lives of Oakland kids whose childhoods were shaped by the war on drugs. He was born into d-boy royalty as the son of Timothy Bluitt Senior of the legendary “6-9 Mob.”\u003c/p>\n\u003cp>But when his father was locked up for two decades, it was up to Dana Bluitt, Tim Jr.’s mom, to hold the family together.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2198604807\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For those who want to slow down…\u003cbr>\n\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13885733/sometimes-it-takes-time-erina-alejo-the-third-generation-renter\">‘Sometimes, It Takes Time’: Erina Alejo, the Third-Generation Renter\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>Photographer Erina Alejo has a massive archive that they release in a slow but thoughtful trickle. “How do we take time and put grace and care into how we tell stories?”\u003c/p>\n\u003cp>Much of Alejo’s collection of photography has focused on housing issues. They take photos of people waiting to speak at City Hall and revisit the same public trash can to document the changing world around it. They’ve also published a book titled, \u003cem>A Hxstory of Renting\u003c/em>.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC5549687522\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For those fighting for social change…\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13886833/the-abolitionist-fighting-sex-trafficking-with-words-and-altars\">Abolitionist Fighting Sex Trafficking with Words and Altars\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>Regina Y. Evans is a costume designer, playwright and abolitionist working to end the sex trafficking of minors. Part of her work includes assembling altars on Oakland’s International Boulevard, a hub for adult sex workers as well as the sex trafficking of minors.\u003c/p>\n\u003cp>With the help of a growing community, the altars are decorated with art, flowers, letters and fabric—and since the start of the pandemic—she’s been adding hand sanitizer, condoms and PPE. Regina says her team builds these altars as an offering, and that she doesn’t directly approach the women. Instead, she allows the altars to be an opening for interactions.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC7908706129\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For those following stories of Bay Area displacement…\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong> \u003ca href=\"https://www.kqed.org/arts/13863493/rightnowish-jamie-facciola-lucy-the-dog-and-the-furniture-hunt\">Oakland’s Street Sofas and the Bay Area Housing Crisis\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>When you see abandoned furniture on the side of the street, ever wonder how it got there? Who it belonged to? What’s gonna happen to it now? “There’s so many stories in the furniture. I think it can tell us a lot about who is coming and who is going. It definitely shows turnover of some kind,” says Oakland’s Jamie Facciola.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC9479532635\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For those who care about the past, present and future of the Town… \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13874528/hennessy-pound-cake-long-commutes-and-filmmaking\">Hennessy Pound Cake, Long Commutes and Filmmaking\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>A few years ago, filmmaker Danielle Thompson and her family were evicted from their home in Oakland and moved to Pittsburg, a city 40 miles away. Using that experience as fuel, Danielle produced her first documentary film, \u003cem>Displaced\u003c/em>.\u003c/p>\n\u003cp>She hopes to one day be successful enough to afford to move back to the hometown where she has so many great memories.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC5325550521\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Rightnowish\u003c/em> is an arts and culture show about what people are experiencing in the Bay Area right now… ish. We see artists at the frontline of history. Our role is to raise them up and introduce them to their neighbors.\u003c/p>\n\u003cp>If you’re new to the podcast, here are a few episodes that we hope will give you an idea of what we’re about:\u003c/p>\n\u003ch3>\u003cstrong>For those looking for a turbo-shot of inspiration…\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13870187/room-302-home-of-oaklands-own-tiny-desk\">Room 302: Home of Oakland’s Own ‘Tiny Desk’\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>The Oakland School of The Arts has had so many talented students, including Kehlani and Zendaya. At this student-run talent showcase, you might catch a glimpse of the next big name. In this episode, we sit in on performances from their live-music series \u003cem>Off The Table \u003c/em>and glean some wisdom from the talented teacher and her skilled students.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC9527868418\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For those looking for local wisdom…\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13875177/dorothy-lazard-rightnowish\">This Librarian Holds the Keys to Oakland’s History\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>Who raised Jack London? What was the story behind the “Black Consciousness Movement?” How did a Black Filmmakers Hall of Fame get started in Oakland? The woman with these answers and more is Dorothy Lazard. She’s the keeper of Oakland’s history and a cornerstone of her community, making her the embodiment of the quintessential \u003cem>Rightnowish\u003c/em> guest.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC1079186470\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For those with a sweet-tooth…\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13886452/victor-got-slapped-for-his-cheesecake\">The East Bay Poet Bringing Cheesecake to Your Door\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>Sometimes you need a little sugar rush. Poet Victor Harris hand makes and hand delivers cheesecakes in the East Bay. And these cheesecakes are good — so good that his maple peach bourbon cake once got him slapped. This episode is guaranteed to make you hungry (and happy)!\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2368224463\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For those who love love (and revolution)…\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13874735/fredrika-newton-huey-p-revolutionary-love\">Fredrika Newton + Huey P. = Revolutionary Love\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>What’s it like to love one of America’s most notable activists? How do you have a healthy relationship while combating oppression? How do you make time for joy and the tunes of Isaac Hayes? Fredrika Newton talks about what it was like to love Huey, the man behind the symbol.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2070425265\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For Oakland kids, born and raised…\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13868502/from-d-boys-to-dope-art\">From D-Boys to Dope Art\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>Timothy B. has been throwing up big beautiful murals for some time now, but his story goes way deeper than fresh paint on a wall. His life story parallels so many lives of Oakland kids whose childhoods were shaped by the war on drugs. He was born into d-boy royalty as the son of Timothy Bluitt Senior of the legendary “6-9 Mob.”\u003c/p>\n\u003cp>But when his father was locked up for two decades, it was up to Dana Bluitt, Tim Jr.’s mom, to hold the family together.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2198604807\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For those who want to slow down…\u003cbr>\n\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13885733/sometimes-it-takes-time-erina-alejo-the-third-generation-renter\">‘Sometimes, It Takes Time’: Erina Alejo, the Third-Generation Renter\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>Photographer Erina Alejo has a massive archive that they release in a slow but thoughtful trickle. “How do we take time and put grace and care into how we tell stories?”\u003c/p>\n\u003cp>Much of Alejo’s collection of photography has focused on housing issues. They take photos of people waiting to speak at City Hall and revisit the same public trash can to document the changing world around it. They’ve also published a book titled, \u003cem>A Hxstory of Renting\u003c/em>.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC5549687522\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For those fighting for social change…\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13886833/the-abolitionist-fighting-sex-trafficking-with-words-and-altars\">Abolitionist Fighting Sex Trafficking with Words and Altars\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>Regina Y. Evans is a costume designer, playwright and abolitionist working to end the sex trafficking of minors. Part of her work includes assembling altars on Oakland’s International Boulevard, a hub for adult sex workers as well as the sex trafficking of minors.\u003c/p>\n\u003cp>With the help of a growing community, the altars are decorated with art, flowers, letters and fabric—and since the start of the pandemic—she’s been adding hand sanitizer, condoms and PPE. Regina says her team builds these altars as an offering, and that she doesn’t directly approach the women. Instead, she allows the altars to be an opening for interactions.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC7908706129\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For those following stories of Bay Area displacement…\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong> \u003ca href=\"https://www.kqed.org/arts/13863493/rightnowish-jamie-facciola-lucy-the-dog-and-the-furniture-hunt\">Oakland’s Street Sofas and the Bay Area Housing Crisis\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>When you see abandoned furniture on the side of the street, ever wonder how it got there? Who it belonged to? What’s gonna happen to it now? “There’s so many stories in the furniture. I think it can tell us a lot about who is coming and who is going. It definitely shows turnover of some kind,” says Oakland’s Jamie Facciola.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC9479532635\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch3>\u003cstrong>For those who care about the past, present and future of the Town… \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13874528/hennessy-pound-cake-long-commutes-and-filmmaking\">Hennessy Pound Cake, Long Commutes and Filmmaking\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>A few years ago, filmmaker Danielle Thompson and her family were evicted from their home in Oakland and moved to Pittsburg, a city 40 miles away. Using that experience as fuel, Danielle produced her first documentary film, \u003cem>Displaced\u003c/em>.\u003c/p>\n\u003cp>She hopes to one day be successful enough to afford to move back to the hometown where she has so many great memories.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC5325550521\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "e-40-and-too-horts-verzuz-battle-a-treasure-trove-of-bay-area-hip-hop-culture",
"title": "E-40 and Too $hort’s Verzuz Battle: A Treasure Trove of Bay Area Hip-Hop Culture",
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"headTitle": "E-40 and Too $hort’s Verzuz Battle: A Treasure Trove of Bay Area Hip-Hop Culture | KQED",
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"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>\u003cspan style=\"font-weight: 400\">he Bay Area’s hip-hop culture is as rich as the soil from which it grows. We should value it like the property in the region.\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the bedroom closet of this little apartment I’ve been renting for just over a year (in Sacramento because the Bay is too damn expensive), I’ve got a little bit of that history tucked off in a shoebox. It’s full of printed photos and digital images archived on external drives. It’s my stash of golden nuggets that I’ve mined during my 15-plus years of being a documentarian, and lifetime of soaking up \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">game\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> in the Bay. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Since our rich Bay Area hip-hop culture will be center stage this coming weekend, I figured it’s time to share a little bit of the wealth. \u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"https://www.billboard.com/articles/columns/hip-hop/9389058/verzuz-battles-ranked-instagram\" target=\"_blank\" rel=\"noopener noreferrer\">Verzuz\u003c/a>, the online musical battle series backed by mega-producers Timbaland and Swizz Beatz, is scheduled to feature Bay Area superstars \u003ca href=\"https://www.instagram.com/p/CIwO8zqDVw3/\" target=\"_blank\" rel=\"noopener noreferrer\">E-40 and Too $hort\u003c/a> on Saturday, Dec. 19.\u003c/p>\n\u003cfigure id=\"attachment_13890442\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13890442\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/12/E-40-in-NY-800x455.jpg\" alt=\"Me in New York pointing to a small poster advertising the release of E-40's My Ghetto Report Card\" width=\"800\" height=\"455\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/E-40-in-NY-800x455.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/E-40-in-NY-1020x580.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/E-40-in-NY-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/E-40-in-NY-768x437.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/E-40-in-NY.jpg 1023w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Me in New York pointing to a small poster advertising the release of E-40’s My Ghetto Report Card in late January, 2006. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Just after the event’s announcement on Sunday, a virtual chat room titled “The Bay Is In The Area” on the all-audio social media app Clubhouse got a surprise appearance from Mr. 40 Water himself. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">E-40 Fonzarelli explained that during the upcoming battle he’ll be wearing his rapper hat, so he can’t be “the goon with the spoon,” for catering purposes. He said his Bay Area rap Mount Rushmore includes himself, Too $hort, Mac Dre and MC Hammer (with a nod to Tupac, but Pac is also on the overall hip-hop Mount Rushmore, so there’s that). \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I asked 40 Belafonte about his 1996 track “\u003c/span>\u003ca href=\"https://genius.com/E-40-record-haters-lyrics\">\u003cspan style=\"font-weight: 400\">Record Haters\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">,” (a diss to Brooklyn rapper AZ and NBA star Rasheed Wallace), in which Uncle Earl says, “My niggas 3X Krazy laced me/ \u003c/span>\u003cspan style=\"font-weight: 400\">Taught me how to say ‘fa sheezy.’” \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13890440\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13890440\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/12/PEN-and-DWAYNE-800x528.png\" alt=\"Pendarvis Harshaw wearing a "100% Intelligent Black Child" shirt while standing next to D'Wayne Wiggins backstage at the S.O.S. Hurricane Katrina Benefit Concert in Oakland.\" width=\"800\" height=\"528\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/PEN-and-DWAYNE-800x528.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/PEN-and-DWAYNE-1020x673.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/PEN-and-DWAYNE-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/PEN-and-DWAYNE-768x506.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/PEN-and-DWAYNE-1536x1013.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/PEN-and-DWAYNE-2048x1350.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/PEN-and-DWAYNE-1920x1266.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pendarvis Harshaw wearing a “100% Intelligent Black Child” shirt while standing next to D’Wayne Wiggins backstage at the S.O.S. Hurricane Katrina Benefit Concert in Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">My question: did 3x Krazy, a popular East Oakland rap group from the late ’90s and early ’00s consisting of Keak Da Sneak, Agerman and Bart, really teach The Ambassador how to say “fa sheezy”? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Mr. Charlie Hustle confirmed that they did indeed. And then The Ballatician went on to explain how that term gave birth to a new way of speaking, one that’s evident in Lil Wayne’s usage of “Lil Weezy,” Kanye West’s moniker of “Kanyeezy” and more. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It was a preview of the larger lesson on the etymology of popular slang we’re sure to get during the upcoming battle. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Earl Stevens told the attendees of the chat that he “hardly has enough time to eat a pistachio,” so he’d have to exit the convo. It’s true—the 53-year-old fixture from the hillside in Vallejo dropped multiple albums in 2020, and he’s working on \u003ca href=\"https://hiphopdx.com/news/id.59525/title.too-short-explains-snoop-dogg-ice-cube-e-40-supergroup-is-for-hip-hop-not-the-bag#signup\" target=\"_blank\" rel=\"noopener noreferrer\">an album with Snoop, Too $hort and Ice Cube\u003c/a> for 2021. But before he left the virtual room, he mentioned he’d be posting old photos ahead of this weekend’s battle, just to let people see a bit of his story. Which is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">lightweight\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> our story. Our culture. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It got me to thinking about that collection in my closet.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>\u003cspan style=\"font-weight: 400\">t’s not \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">all\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> there. I’ve lost all the airbrushed shirts. And I’m wounded because those size 38, baggy Girbaud jeans with the straps that I wore when I weighed 140 pounds would probably fit well right about now. But a\u003c/span>\u003cspan style=\"font-weight: 400\">t least \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=zdst63FWSCs\">\u003cspan style=\"font-weight: 400\">my video of Stomper goin’ dumb\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> still exists.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I hold tight to what I do have: my photos of that time\u003ca href=\"https://www.kqed.org/arts/13854043/when-nipsey-hussle-brought-his-marathon-mindset-to-oakland\" target=\"_blank\" rel=\"noopener noreferrer\"> Nipsey Hussle brought the Jacka on stage\u003c/a> in December of 2013. (Both of them are now deceased.) Dear to me, too, are the pictures from that evening \u003ca href=\"http://hiphopandpolitics.com/2012/03/15/oaklands-townhall-on-misogyny-teen-violence-the-influence-of-rap-music-w-too-short/\" target=\"_blank\" rel=\"noopener noreferrer\">Rev. Dereca Blackmon and Too $hort\u003c/a> sat in Oakland’s City Hall chambers and held a conversation about misogyny in hip-hop in March of 2012.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Arguably my most important stash of printed photos is from \u003c/span>\u003cspan style=\"font-weight: 400\">October 2005. A little more than a month after Hurricane Katrina ravaged the gulf coast, there was a \u003ca href=\"https://archive.upcoming.org/event/bay-area-saving-ourselves-sos-benefit-concert-32878\" target=\"_blank\" rel=\"noopener noreferrer\">Saving Ourselves S.O.S. Hurricane Katrina Benefit\u003c/a> concert held at the Henry J. Kaiser Convention Center in Oakland in effort to support folks in the south. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Backed by Comcast Cable and The First African Methodist Episcopal (A.M.E.) Church of Oakland\u003c/span>, the event was organized by former Oakland City Councilperson Desley Brooks, the late trumpeter \u003ca href=\"https://www.kqed.org/arts/13869182/oaktown-jazz-workshops-a-beacon-of-youth-music-programs-turns-25\" target=\"_blank\" rel=\"noopener noreferrer\">Khalil Shaheed\u003c/a> and Tony! Toni! Toné!’s Dwayne Wiggins. \u003cspan style=\"font-weight: 400\">The show featured jazz greats Bobby Hutcherson and Nicholas Payton. Hip-hop and R&B artists like Spice-1, EA-Ski and Jennifer Johns were also in the building. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It was one of the first events I ever covered. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13890445\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13890445\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/12/Left-Frontline-800x1067.jpg\" alt=\"Dr. Ameer Loggins when he was known as Left, half of the the Frontline duo.\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Left-Frontline-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Left-Frontline-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Left-Frontline-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Left-Frontline-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Left-Frontline-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Left-Frontline-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Left-Frontline-scaled.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dr. Ameer Loggins, aka Left, half of the the Frontline duo posing for a photo at the Henry J. Kaiser Auditorium. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">En route to the show I hit the Walgreens on 14th and Broadway and liberated two disposable cameras. I had a digital video camera and a small voice recorder too, but those have since vanished. All that’s left are the photos from the disposable cameras.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Within the stack of image after image of people in airbrushed T-shirts is a photo of Keak The Sneak—wearing an airbrushed T-shirt of himself. I took the photo right after he told me about his family roots in Alabama, and why the event meant so much to him. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13890439\" class=\"wp-caption alignnone\" style=\"max-width: 419px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-13890439\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/12/Keak-800x1162.png\" alt=\"East Oakland emcee Keak Da Sneak wearing an airbrushed shirt of Keak Da Sneak.\" width=\"419\" height=\"608\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak-800x1162.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak-1020x1481.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak-160x232.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak-768x1115.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak-1058x1536.png 1058w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak-1410x2048.png 1410w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak-1920x2789.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak.png 1941w\" sizes=\"(max-width: 419px) 100vw, 419px\">\u003cfigcaption class=\"wp-caption-text\">East Oakland rapper Keak Da Sneak wearing an airbrushed shirt of Keak Da Sneak. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">There’s also a photo of rapper San Quinn in the dressing room, surrounded by his folks from the City, including Big Rich, Ya Boy (also known as Rich Rocka) and Bailey, whose song “U C It” (featuring J. Valentine) was getting a lot of spins at the time. After the photo, I recall Quinn pulling me aside and suggesting I interview a firefighter who was in the room—saying he was the real star. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The night ended with a good friend of mine, Jesus El, being harassed and arrested by the Oakland Police Department. The overly aggressive officers made for an anti-climatic ending to the evening, and simultaneously exemplified another aspect of Bay Area hip-hop culture.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But what came from that night was a small sample—a couple of golden nuggets—of what the culture was like at the time. (My Lord, did we really wear that many airbrushed shirts?) \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13890441\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13890441 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/12/Quinn-800x600.jpg\" alt=\"San Francisco rappers, including Ya Boy (sunglasses), San Quinn (center, far back), Bailey (Blue SF hat) and Big Rich (far right) pose for a photo at the Henry J. Kaiser Auditorium in Oakland. October 2005. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Quinn-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Quinn-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Quinn-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Quinn-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Quinn-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Quinn-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Quinn-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco rappers, including Ya Boy (sunglasses), San Quinn (center, far back), Bailey (Blue SF hat) and Big Rich (far right) pose for a photo at the Henry J. Kaiser Auditorium in Oakland. October 2005.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">It also shows the importance of\u003c/span>\u003cspan style=\"font-weight: 400\"> someone valuing the story of the Bay Area’s hip-hop culture. \u003c/span>And with that said, I’m kicking myself because there should be so much more.\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>\u003cspan style=\"font-weight: 400\"> should have the video I shot from the night before Husalah turned himself in to face federal time. I should have the photos from that evening I sat in on a studio session with a group of youngsters named \u003ca href=\"https://www.youtube.com/watch?v=X03wPJpQG4U&ab_channel=kellymdickpromotions\" target=\"_blank\" rel=\"noopener noreferrer\">Poplyfe\u003c/a>, which featured a vocalist named \u003ca href=\"https://www.kqed.org/arts/13830316/kehlani-is-queering-mainstream-pop-and-the-bay-area-is-here-for-it\" target=\"_blank\" rel=\"noopener noreferrer\">Kehlani\u003c/a>. I should have the tapes from the day I interviewed journalist \u003ca href=\"http://www.daveyd.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Davey D\u003c/a>, when he told me about Tupac living on the other side of the Lake—a conversation that lasted two hours and concluded with me going to the Federation’s video shoot for the song “\u003ca href=\"https://www.youtube.com/watch?v=kuVwF80ydqA\" target=\"_blank\" rel=\"noopener noreferrer\">18 Dummy\u003c/a>,” on Alameda’s Naval Air Station. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13890443\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13890443\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/12/Goapele-in-SF-800x1204.png\" alt=\"Goapele singing at an event at SF State in 2005. \" width=\"800\" height=\"1204\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Goapele-in-SF-800x1204.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Goapele-in-SF-160x241.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Goapele-in-SF-768x1156.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Goapele-in-SF.png 876w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Also found in my archives: a photo of Goapele singing at an event at San Francisco State University in 2005. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’m hella salty about all the stories untold, photos unpublished and videos unshared, because I know each tale pushes the value of the culture that much further.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cem>… all the more reason to share what I do have. \u003c/em> \u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"https://www.hot97.com/hip-hop-news/hot-news/ashanti-vs-keyshia-cole-verzuz-cancelled-singer-tested-postive-for-covid-19/\" target=\"_blank\" rel=\"noopener noreferrer\">If this weekend’s event happens\u003c/a>, I’m sure it’ll bring about more gold than one can hold. [aside postid='arts_13890048']\u003c/p>\n\u003cp>My hope is that the event not only pushes our region a step further down the path of the recognition it deserves, but also inspires other folks to dig in their crates, closets and computer chips and share some of the cultural riches they’re sitting on.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2198604807\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>\u003cspan style=\"font-weight: 400\">he Bay Area’s hip-hop culture is as rich as the soil from which it grows. We should value it like the property in the region.\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the bedroom closet of this little apartment I’ve been renting for just over a year (in Sacramento because the Bay is too damn expensive), I’ve got a little bit of that history tucked off in a shoebox. It’s full of printed photos and digital images archived on external drives. It’s my stash of golden nuggets that I’ve mined during my 15-plus years of being a documentarian, and lifetime of soaking up \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">game\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> in the Bay. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Since our rich Bay Area hip-hop culture will be center stage this coming weekend, I figured it’s time to share a little bit of the wealth. \u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"https://www.billboard.com/articles/columns/hip-hop/9389058/verzuz-battles-ranked-instagram\" target=\"_blank\" rel=\"noopener noreferrer\">Verzuz\u003c/a>, the online musical battle series backed by mega-producers Timbaland and Swizz Beatz, is scheduled to feature Bay Area superstars \u003ca href=\"https://www.instagram.com/p/CIwO8zqDVw3/\" target=\"_blank\" rel=\"noopener noreferrer\">E-40 and Too $hort\u003c/a> on Saturday, Dec. 19.\u003c/p>\n\u003cfigure id=\"attachment_13890442\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13890442\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/12/E-40-in-NY-800x455.jpg\" alt=\"Me in New York pointing to a small poster advertising the release of E-40's My Ghetto Report Card\" width=\"800\" height=\"455\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/E-40-in-NY-800x455.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/E-40-in-NY-1020x580.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/E-40-in-NY-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/E-40-in-NY-768x437.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/E-40-in-NY.jpg 1023w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Me in New York pointing to a small poster advertising the release of E-40’s My Ghetto Report Card in late January, 2006. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Just after the event’s announcement on Sunday, a virtual chat room titled “The Bay Is In The Area” on the all-audio social media app Clubhouse got a surprise appearance from Mr. 40 Water himself. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">E-40 Fonzarelli explained that during the upcoming battle he’ll be wearing his rapper hat, so he can’t be “the goon with the spoon,” for catering purposes. He said his Bay Area rap Mount Rushmore includes himself, Too $hort, Mac Dre and MC Hammer (with a nod to Tupac, but Pac is also on the overall hip-hop Mount Rushmore, so there’s that). \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I asked 40 Belafonte about his 1996 track “\u003c/span>\u003ca href=\"https://genius.com/E-40-record-haters-lyrics\">\u003cspan style=\"font-weight: 400\">Record Haters\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">,” (a diss to Brooklyn rapper AZ and NBA star Rasheed Wallace), in which Uncle Earl says, “My niggas 3X Krazy laced me/ \u003c/span>\u003cspan style=\"font-weight: 400\">Taught me how to say ‘fa sheezy.’” \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13890440\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13890440\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/12/PEN-and-DWAYNE-800x528.png\" alt=\"Pendarvis Harshaw wearing a "100% Intelligent Black Child" shirt while standing next to D'Wayne Wiggins backstage at the S.O.S. Hurricane Katrina Benefit Concert in Oakland.\" width=\"800\" height=\"528\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/PEN-and-DWAYNE-800x528.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/PEN-and-DWAYNE-1020x673.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/PEN-and-DWAYNE-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/PEN-and-DWAYNE-768x506.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/PEN-and-DWAYNE-1536x1013.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/PEN-and-DWAYNE-2048x1350.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/PEN-and-DWAYNE-1920x1266.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pendarvis Harshaw wearing a “100% Intelligent Black Child” shirt while standing next to D’Wayne Wiggins backstage at the S.O.S. Hurricane Katrina Benefit Concert in Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">My question: did 3x Krazy, a popular East Oakland rap group from the late ’90s and early ’00s consisting of Keak Da Sneak, Agerman and Bart, really teach The Ambassador how to say “fa sheezy”? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Mr. Charlie Hustle confirmed that they did indeed. And then The Ballatician went on to explain how that term gave birth to a new way of speaking, one that’s evident in Lil Wayne’s usage of “Lil Weezy,” Kanye West’s moniker of “Kanyeezy” and more. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It was a preview of the larger lesson on the etymology of popular slang we’re sure to get during the upcoming battle. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Earl Stevens told the attendees of the chat that he “hardly has enough time to eat a pistachio,” so he’d have to exit the convo. It’s true—the 53-year-old fixture from the hillside in Vallejo dropped multiple albums in 2020, and he’s working on \u003ca href=\"https://hiphopdx.com/news/id.59525/title.too-short-explains-snoop-dogg-ice-cube-e-40-supergroup-is-for-hip-hop-not-the-bag#signup\" target=\"_blank\" rel=\"noopener noreferrer\">an album with Snoop, Too $hort and Ice Cube\u003c/a> for 2021. But before he left the virtual room, he mentioned he’d be posting old photos ahead of this weekend’s battle, just to let people see a bit of his story. Which is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">lightweight\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> our story. Our culture. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It got me to thinking about that collection in my closet.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>\u003cspan style=\"font-weight: 400\">t’s not \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">all\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> there. I’ve lost all the airbrushed shirts. And I’m wounded because those size 38, baggy Girbaud jeans with the straps that I wore when I weighed 140 pounds would probably fit well right about now. But a\u003c/span>\u003cspan style=\"font-weight: 400\">t least \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=zdst63FWSCs\">\u003cspan style=\"font-weight: 400\">my video of Stomper goin’ dumb\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> still exists.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I hold tight to what I do have: my photos of that time\u003ca href=\"https://www.kqed.org/arts/13854043/when-nipsey-hussle-brought-his-marathon-mindset-to-oakland\" target=\"_blank\" rel=\"noopener noreferrer\"> Nipsey Hussle brought the Jacka on stage\u003c/a> in December of 2013. (Both of them are now deceased.) Dear to me, too, are the pictures from that evening \u003ca href=\"http://hiphopandpolitics.com/2012/03/15/oaklands-townhall-on-misogyny-teen-violence-the-influence-of-rap-music-w-too-short/\" target=\"_blank\" rel=\"noopener noreferrer\">Rev. Dereca Blackmon and Too $hort\u003c/a> sat in Oakland’s City Hall chambers and held a conversation about misogyny in hip-hop in March of 2012.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Arguably my most important stash of printed photos is from \u003c/span>\u003cspan style=\"font-weight: 400\">October 2005. A little more than a month after Hurricane Katrina ravaged the gulf coast, there was a \u003ca href=\"https://archive.upcoming.org/event/bay-area-saving-ourselves-sos-benefit-concert-32878\" target=\"_blank\" rel=\"noopener noreferrer\">Saving Ourselves S.O.S. Hurricane Katrina Benefit\u003c/a> concert held at the Henry J. Kaiser Convention Center in Oakland in effort to support folks in the south. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Backed by Comcast Cable and The First African Methodist Episcopal (A.M.E.) Church of Oakland\u003c/span>, the event was organized by former Oakland City Councilperson Desley Brooks, the late trumpeter \u003ca href=\"https://www.kqed.org/arts/13869182/oaktown-jazz-workshops-a-beacon-of-youth-music-programs-turns-25\" target=\"_blank\" rel=\"noopener noreferrer\">Khalil Shaheed\u003c/a> and Tony! Toni! Toné!’s Dwayne Wiggins. \u003cspan style=\"font-weight: 400\">The show featured jazz greats Bobby Hutcherson and Nicholas Payton. Hip-hop and R&B artists like Spice-1, EA-Ski and Jennifer Johns were also in the building. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It was one of the first events I ever covered. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13890445\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13890445\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/12/Left-Frontline-800x1067.jpg\" alt=\"Dr. Ameer Loggins when he was known as Left, half of the the Frontline duo.\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Left-Frontline-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Left-Frontline-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Left-Frontline-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Left-Frontline-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Left-Frontline-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Left-Frontline-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Left-Frontline-scaled.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dr. Ameer Loggins, aka Left, half of the the Frontline duo posing for a photo at the Henry J. Kaiser Auditorium. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">En route to the show I hit the Walgreens on 14th and Broadway and liberated two disposable cameras. I had a digital video camera and a small voice recorder too, but those have since vanished. All that’s left are the photos from the disposable cameras.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Within the stack of image after image of people in airbrushed T-shirts is a photo of Keak The Sneak—wearing an airbrushed T-shirt of himself. I took the photo right after he told me about his family roots in Alabama, and why the event meant so much to him. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13890439\" class=\"wp-caption alignnone\" style=\"max-width: 419px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-13890439\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/12/Keak-800x1162.png\" alt=\"East Oakland emcee Keak Da Sneak wearing an airbrushed shirt of Keak Da Sneak.\" width=\"419\" height=\"608\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak-800x1162.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak-1020x1481.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak-160x232.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak-768x1115.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak-1058x1536.png 1058w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak-1410x2048.png 1410w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak-1920x2789.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Keak.png 1941w\" sizes=\"(max-width: 419px) 100vw, 419px\">\u003cfigcaption class=\"wp-caption-text\">East Oakland rapper Keak Da Sneak wearing an airbrushed shirt of Keak Da Sneak. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">There’s also a photo of rapper San Quinn in the dressing room, surrounded by his folks from the City, including Big Rich, Ya Boy (also known as Rich Rocka) and Bailey, whose song “U C It” (featuring J. Valentine) was getting a lot of spins at the time. After the photo, I recall Quinn pulling me aside and suggesting I interview a firefighter who was in the room—saying he was the real star. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The night ended with a good friend of mine, Jesus El, being harassed and arrested by the Oakland Police Department. The overly aggressive officers made for an anti-climatic ending to the evening, and simultaneously exemplified another aspect of Bay Area hip-hop culture.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But what came from that night was a small sample—a couple of golden nuggets—of what the culture was like at the time. (My Lord, did we really wear that many airbrushed shirts?) \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13890441\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13890441 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/12/Quinn-800x600.jpg\" alt=\"San Francisco rappers, including Ya Boy (sunglasses), San Quinn (center, far back), Bailey (Blue SF hat) and Big Rich (far right) pose for a photo at the Henry J. Kaiser Auditorium in Oakland. October 2005. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Quinn-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Quinn-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Quinn-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Quinn-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Quinn-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Quinn-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Quinn-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco rappers, including Ya Boy (sunglasses), San Quinn (center, far back), Bailey (Blue SF hat) and Big Rich (far right) pose for a photo at the Henry J. Kaiser Auditorium in Oakland. October 2005.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">It also shows the importance of\u003c/span>\u003cspan style=\"font-weight: 400\"> someone valuing the story of the Bay Area’s hip-hop culture. \u003c/span>And with that said, I’m kicking myself because there should be so much more.\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>\u003cspan style=\"font-weight: 400\"> should have the video I shot from the night before Husalah turned himself in to face federal time. I should have the photos from that evening I sat in on a studio session with a group of youngsters named \u003ca href=\"https://www.youtube.com/watch?v=X03wPJpQG4U&ab_channel=kellymdickpromotions\" target=\"_blank\" rel=\"noopener noreferrer\">Poplyfe\u003c/a>, which featured a vocalist named \u003ca href=\"https://www.kqed.org/arts/13830316/kehlani-is-queering-mainstream-pop-and-the-bay-area-is-here-for-it\" target=\"_blank\" rel=\"noopener noreferrer\">Kehlani\u003c/a>. I should have the tapes from the day I interviewed journalist \u003ca href=\"http://www.daveyd.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Davey D\u003c/a>, when he told me about Tupac living on the other side of the Lake—a conversation that lasted two hours and concluded with me going to the Federation’s video shoot for the song “\u003ca href=\"https://www.youtube.com/watch?v=kuVwF80ydqA\" target=\"_blank\" rel=\"noopener noreferrer\">18 Dummy\u003c/a>,” on Alameda’s Naval Air Station. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13890443\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13890443\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/12/Goapele-in-SF-800x1204.png\" alt=\"Goapele singing at an event at SF State in 2005. \" width=\"800\" height=\"1204\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Goapele-in-SF-800x1204.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Goapele-in-SF-160x241.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Goapele-in-SF-768x1156.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/Goapele-in-SF.png 876w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Also found in my archives: a photo of Goapele singing at an event at San Francisco State University in 2005. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’m hella salty about all the stories untold, photos unpublished and videos unshared, because I know each tale pushes the value of the culture that much further.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cem>… all the more reason to share what I do have. \u003c/em> \u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"https://www.hot97.com/hip-hop-news/hot-news/ashanti-vs-keyshia-cole-verzuz-cancelled-singer-tested-postive-for-covid-19/\" target=\"_blank\" rel=\"noopener noreferrer\">If this weekend’s event happens\u003c/a>, I’m sure it’ll bring about more gold than one can hold. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>My hope is that the event not only pushes our region a step further down the path of the recognition it deserves, but also inspires other folks to dig in their crates, closets and computer chips and share some of the cultural riches they’re sitting on.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Vincent-Ray Williams III is the \u003ca href=\"https://www.oaklandlgbtqcenter.org/operationscoordinator\" target=\"_blank\" rel=\"noopener noreferrer\">Operations Coordinator\u003c/a> at Oakland’s LGBTQ Community Center. Through this position Vincent has a hand in developing the Center’s \u003ca href=\"https://www.oaklandlgbtqcenter.org/clinic\" target=\"_blank\" rel=\"noopener noreferrer\">Glenn Burke Wellness Clinic.\u003c/a>\u003c/p>\n\u003cp>The clinic, which is named after the Oakland A’s player who was discriminated against for being the first openly gay major league player, is set to open early next year. Vincent says the clinic will focus on HIV/ AIDS testing and prevention.\u003c/p>\n\u003cp>Vincent, who was born HIV positive, says dispelling negative notions of people living with the virus is the work he finds most purposeful.\u003c/p>\n\u003cfigure id=\"attachment_13889952\" class=\"wp-caption alignnone\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13889952\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/12/FB_IMG_1602995068227.jpg\" alt=\"Vincent-Ray Williams III cleaning up garbage in Oakland as a part of his community service.\" width=\"720\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/FB_IMG_1602995068227.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/FB_IMG_1602995068227-160x213.jpg 160w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Vincent-Ray Williams III cleaning up garbage in Oakland as a part of his community service. \u003ccite>(Vincent-Ray Williams III)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On top of the work he does at the center, Vincent also \u003ca href=\"https://www.instagram.com/urbanparkcleanup/\" target=\"_blank\" rel=\"noopener noreferrer\">organizes community cleanups\u003c/a> in Oakland.\u003c/p>\n\u003cp>This week on Rightnowish, we discuss all of the work Vincent does and how his life story aligns with the man who invented the high five.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC6116812430\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Vincent-Ray Williams III.\u003c/strong>\u003c/p>\n\u003cp>VINCENT: Ya know, I’m a pansexual man and I never really felt like I had a place where I fit in… My whole life I always had this view of the LGBTQ community that was negative, because I had a negative view of myself.\u003c/p>\n\u003cp>VINCENT: What ended up happening for me is I came here – the Oakland LGBTQ Center – for a support group. I was apprehensive to come here because other places that I’ve been, I didn’t feel like I belonged for a few different reasons… because it was predominantly white. I need to be able to walk in and see a Black or brown person because I’m Black and I’m Puerto Rican. But also, I’ve always been one of those kinds of people where if you haven’t been anywhere but you’re trying to advise me on how I should approach something then you’re misinforming me because tried and true solution come through people that have actually been through some shit, that have tried some shit, that I’ve found out what shit works.That’s how I feel about it. And that’s exactly what the Oakland LGBTQ Community Center is.\u003c/p>\n\u003cp>\u003cem>PEN: Why name it after Glenn Burke, who was Glenn Burke?\u003c/em>\u003c/p>\n\u003cp>VINCENT: Glenn Burke was a Black man in Major League Baseball, played for the A’s. The first out gay Black man in MLB. He created the high five. He found out he was HIV positive. They blackballed him. This is a Black man who had found the courage to be comfortable in his own skin and not care what anyone else thought about it while still remaining professional and inspiring so many other people. And what better than to name the clinic after an Oakland native who made so many sacrifices just to let people know that it was OK to be who they are than to name it after Glen Burke.\u003c/p>\n\u003cp>\u003cem>PEN: How does Glenn Burke’s story impact you personally?\u003c/em>\u003c/p>\n\u003cp>VINCENT: You know part of Glenn Burke’s story was that without a job he found himself on the streets of San Francisco in the Castro selling himself. I come from a long path of substance abuse and drug addiction, you know. And at one point I found myself in a position where I didn’t know what else to do to take care of myself than to sell myself on the street. I can definitely relate on an emotional level with his story and I’m obsessed with everything baseball. I played in high school and I played in college a little bit so that story hits close to home with me.\u003c/p>\n\u003cp>\u003cem>PEN: So many parallels. At what point did you find out that you were HIV positive?\u003c/em>\u003c/p>\n\u003cp>VINCENT: I was 13 years old, I was in a group home — probably like my 80th group home I had ever been at this point — and I remember that a social worker sat me down and she said, ‘hey, we need to talk to you.’ And I said, ‘yeah what’s up?’ And she said, ‘your biological father, he passed away.’ And I’m like, ‘oh, no worries. I don’t care. Whatever. I never met him.’ She said, ‘well, we want to let you know that he died of HIV or AIDS.’ I was like, ‘oh, that sucks.’ And she was like, ‘yeah well, we also need to tell you, because you’re old enough to understand that all those medications that you take, they’re also for HIV.’\u003c/p>\n\u003cp>VINCENT: You know that broke my heart. I didn’t know. I just knew that I had to take these medications every day. It was explained to me that I had been born with HIV. Finding out about it at 13 was really a turning point for me emotionally, because I didn’t know that it wasn’t a death sentence. I knew the stigma behind it. I was like, oh, man, if you got HIV or AIDS, you gonna die. You gonna give it to people. You’re never going to be happy. Nobody’s ever going to love you. And so I found myself in a darker hole…And it’s been a process, I mean, change happens over years and sometimes, you know, [laughs] a whole lifetime, but it’s definitely been a process.\u003c/p>\n\u003cp>\u003cem>PEN: Man, much respect to that, I definitely know that change isn’t a light switch. So, yeah, I fully understand.\u003c/em>\u003c/p>\n\u003cp>\u003cem>PEN: How would you advise other people to do away with that stigma? How do you, yeah how do you even approach someone who stereotypes people living with HIV and AIDS?\u003c/em>\u003c/p>\n\u003cp>VINCENT: … It’s about education. I’ve had occasion where people would ask me, hey, Vince, do I need to get some more forks and spoons specifically for you? So when you come here, you can eat. I can look at that negatively and I can be like, oh, they’re trying to put me in a box. But see, that’s where you get a kind of foot in to start educating. Well, hey, you know what? Like, that’s not how transmission works.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Vincent-Ray Williams III is the \u003ca href=\"https://www.oaklandlgbtqcenter.org/operationscoordinator\" target=\"_blank\" rel=\"noopener noreferrer\">Operations Coordinator\u003c/a> at Oakland’s LGBTQ Community Center. Through this position Vincent has a hand in developing the Center’s \u003ca href=\"https://www.oaklandlgbtqcenter.org/clinic\" target=\"_blank\" rel=\"noopener noreferrer\">Glenn Burke Wellness Clinic.\u003c/a>\u003c/p>\n\u003cp>The clinic, which is named after the Oakland A’s player who was discriminated against for being the first openly gay major league player, is set to open early next year. Vincent says the clinic will focus on HIV/ AIDS testing and prevention.\u003c/p>\n\u003cp>Vincent, who was born HIV positive, says dispelling negative notions of people living with the virus is the work he finds most purposeful.\u003c/p>\n\u003cfigure id=\"attachment_13889952\" class=\"wp-caption alignnone\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13889952\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/12/FB_IMG_1602995068227.jpg\" alt=\"Vincent-Ray Williams III cleaning up garbage in Oakland as a part of his community service.\" width=\"720\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/FB_IMG_1602995068227.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/12/FB_IMG_1602995068227-160x213.jpg 160w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Vincent-Ray Williams III cleaning up garbage in Oakland as a part of his community service. \u003ccite>(Vincent-Ray Williams III)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On top of the work he does at the center, Vincent also \u003ca href=\"https://www.instagram.com/urbanparkcleanup/\" target=\"_blank\" rel=\"noopener noreferrer\">organizes community cleanups\u003c/a> in Oakland.\u003c/p>\n\u003cp>This week on Rightnowish, we discuss all of the work Vincent does and how his life story aligns with the man who invented the high five.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC6116812430\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Vincent-Ray Williams III.\u003c/strong>\u003c/p>\n\u003cp>VINCENT: Ya know, I’m a pansexual man and I never really felt like I had a place where I fit in… My whole life I always had this view of the LGBTQ community that was negative, because I had a negative view of myself.\u003c/p>\n\u003cp>VINCENT: What ended up happening for me is I came here – the Oakland LGBTQ Center – for a support group. I was apprehensive to come here because other places that I’ve been, I didn’t feel like I belonged for a few different reasons… because it was predominantly white. I need to be able to walk in and see a Black or brown person because I’m Black and I’m Puerto Rican. But also, I’ve always been one of those kinds of people where if you haven’t been anywhere but you’re trying to advise me on how I should approach something then you’re misinforming me because tried and true solution come through people that have actually been through some shit, that have tried some shit, that I’ve found out what shit works.That’s how I feel about it. And that’s exactly what the Oakland LGBTQ Community Center is.\u003c/p>\n\u003cp>\u003cem>PEN: Why name it after Glenn Burke, who was Glenn Burke?\u003c/em>\u003c/p>\n\u003cp>VINCENT: Glenn Burke was a Black man in Major League Baseball, played for the A’s. The first out gay Black man in MLB. He created the high five. He found out he was HIV positive. They blackballed him. This is a Black man who had found the courage to be comfortable in his own skin and not care what anyone else thought about it while still remaining professional and inspiring so many other people. And what better than to name the clinic after an Oakland native who made so many sacrifices just to let people know that it was OK to be who they are than to name it after Glen Burke.\u003c/p>\n\u003cp>\u003cem>PEN: How does Glenn Burke’s story impact you personally?\u003c/em>\u003c/p>\n\u003cp>VINCENT: You know part of Glenn Burke’s story was that without a job he found himself on the streets of San Francisco in the Castro selling himself. I come from a long path of substance abuse and drug addiction, you know. And at one point I found myself in a position where I didn’t know what else to do to take care of myself than to sell myself on the street. I can definitely relate on an emotional level with his story and I’m obsessed with everything baseball. I played in high school and I played in college a little bit so that story hits close to home with me.\u003c/p>\n\u003cp>\u003cem>PEN: So many parallels. At what point did you find out that you were HIV positive?\u003c/em>\u003c/p>\n\u003cp>VINCENT: I was 13 years old, I was in a group home — probably like my 80th group home I had ever been at this point — and I remember that a social worker sat me down and she said, ‘hey, we need to talk to you.’ And I said, ‘yeah what’s up?’ And she said, ‘your biological father, he passed away.’ And I’m like, ‘oh, no worries. I don’t care. Whatever. I never met him.’ She said, ‘well, we want to let you know that he died of HIV or AIDS.’ I was like, ‘oh, that sucks.’ And she was like, ‘yeah well, we also need to tell you, because you’re old enough to understand that all those medications that you take, they’re also for HIV.’\u003c/p>\n\u003cp>VINCENT: You know that broke my heart. I didn’t know. I just knew that I had to take these medications every day. It was explained to me that I had been born with HIV. Finding out about it at 13 was really a turning point for me emotionally, because I didn’t know that it wasn’t a death sentence. I knew the stigma behind it. I was like, oh, man, if you got HIV or AIDS, you gonna die. You gonna give it to people. You’re never going to be happy. Nobody’s ever going to love you. And so I found myself in a darker hole…And it’s been a process, I mean, change happens over years and sometimes, you know, [laughs] a whole lifetime, but it’s definitely been a process.\u003c/p>\n\u003cp>\u003cem>PEN: Man, much respect to that, I definitely know that change isn’t a light switch. So, yeah, I fully understand.\u003c/em>\u003c/p>\n\u003cp>\u003cem>PEN: How would you advise other people to do away with that stigma? How do you, yeah how do you even approach someone who stereotypes people living with HIV and AIDS?\u003c/em>\u003c/p>\n\u003cp>VINCENT: … It’s about education. I’ve had occasion where people would ask me, hey, Vince, do I need to get some more forks and spoons specifically for you? So when you come here, you can eat. I can look at that negatively and I can be like, oh, they’re trying to put me in a box. But see, that’s where you get a kind of foot in to start educating. Well, hey, you know what? Like, that’s not how transmission works.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "UPDATED: OMCA Postpones Reopening Due to Rise in Coronavirus Cases",
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"content": "\u003cp>\u003ci>This story was originally published on Nov. 12 and has been updated to reflect new developments.\u003c/i>\u003c/p>\n\u003cp>Days after announcing it would reopen to the public on Nov. 27 after eight months of closure, new state-issued restrictions required the Oakland Museum of California to reverse course. On Monday, \u003ca href=\"https://www.kqed.org/news/11847641/california-tightens-coronavirus-restrictions-most-counties-must-close-nonessential-indoor-businesses\" rel=\"noopener noreferrer\" target=\"_blank\">Gov. Gavin Newsom announced\u003c/a> 41 counties in the state are now in the most restrictive “purple” tier—including Alameda County.\u003c/p>\n\u003cp>OMCA’s reopening date is now up in the air. “OMCA staff and visitor safety remain a top priority and the Museum looks forward to welcoming the community back once it is determined safe to do so,” stated today’s press release.\u003c/p>\n\u003cp>Members would have gained entry to the museum as early as Nov. 20. Plans were in place to observe new safety protocols and manage capacity, with limited hours scheduled through the end of the year: Friday—Sunday, 11am–5pm. As with other recently reopened Bay Area museums, visitors would need to wear masks and reserve tickets for timed entry.\u003c/p>\n\u003cp>[aside postID='arts_13865204']OMCA’s signature interactive displays have been removed, but when the museum does reopen, visitors will be able to explore, for the first time, OMCA’s redesigned gardens, which are free and open to the public during museum hours. According to the museum’s original reopening announcement, the gardens boast new paving, newly installed sculptures, new native trees and plantings, a new lawn and a stage to be used for future performances and events. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>One silver lining to the pandemic was OMCA’s ability to make this progress on its “\u003ca href=\"https://www.kqed.org/arts/13865204/oakland-museum-of-california-to-undergo-20m-renovation-to-exterior-courtyard\" rel=\"noopener noreferrer\" target=\"_blank\">campus transformation\u003c/a>” led by Hood Design Studio and Mark Cavagnero Associates. The renovations will eventually include two new entrances, opening OMCA up to foot traffic from Lake Merritt and 10th Street, and a redesigned café (home to \u003ca href=\"https://www.kqed.org/bayareabites/136360/chef-tanya-hollands-town-fare-raises-the-oakland-museums-culinary-profile\" rel=\"noopener noreferrer\" target=\"_blank\">Town Fare by Tanya Holland\u003c/a> when COVID-19 safety protocols allow).\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci>This story was originally published on Nov. 12 and has been updated to reflect new developments.\u003c/i>\u003c/p>\n\u003cp>Days after announcing it would reopen to the public on Nov. 27 after eight months of closure, new state-issued restrictions required the Oakland Museum of California to reverse course. On Monday, \u003ca href=\"https://www.kqed.org/news/11847641/california-tightens-coronavirus-restrictions-most-counties-must-close-nonessential-indoor-businesses\" rel=\"noopener noreferrer\" target=\"_blank\">Gov. Gavin Newsom announced\u003c/a> 41 counties in the state are now in the most restrictive “purple” tier—including Alameda County.\u003c/p>\n\u003cp>OMCA’s reopening date is now up in the air. “OMCA staff and visitor safety remain a top priority and the Museum looks forward to welcoming the community back once it is determined safe to do so,” stated today’s press release.\u003c/p>\n\u003cp>Members would have gained entry to the museum as early as Nov. 20. Plans were in place to observe new safety protocols and manage capacity, with limited hours scheduled through the end of the year: Friday—Sunday, 11am–5pm. As with other recently reopened Bay Area museums, visitors would need to wear masks and reserve tickets for timed entry.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>OMCA’s signature interactive displays have been removed, but when the museum does reopen, visitors will be able to explore, for the first time, OMCA’s redesigned gardens, which are free and open to the public during museum hours. According to the museum’s original reopening announcement, the gardens boast new paving, newly installed sculptures, new native trees and plantings, a new lawn and a stage to be used for future performances and events. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>One silver lining to the pandemic was OMCA’s ability to make this progress on its “\u003ca href=\"https://www.kqed.org/arts/13865204/oakland-museum-of-california-to-undergo-20m-renovation-to-exterior-courtyard\" rel=\"noopener noreferrer\" target=\"_blank\">campus transformation\u003c/a>” led by Hood Design Studio and Mark Cavagnero Associates. The renovations will eventually include two new entrances, opening OMCA up to foot traffic from Lake Merritt and 10th Street, and a redesigned café (home to \u003ca href=\"https://www.kqed.org/bayareabites/136360/chef-tanya-hollands-town-fare-raises-the-oakland-museums-culinary-profile\" rel=\"noopener noreferrer\" target=\"_blank\">Town Fare by Tanya Holland\u003c/a> when COVID-19 safety protocols allow).\u003c/p>\n\n\u003c/div>\u003c/p>",
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