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"disqusTitle": "#LoveWins: The Best Reactions to the Supreme Court's Marriage Equality Ruling",
"title": "#LoveWins: The Best Reactions to the Supreme Court's Marriage Equality Ruling",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>The day has finally come! After a seemingly endless string of \u003ca href=\"http://ww2.kqed.org/pop/2013/06/25/animated-gifs-to-get-you-through-the-prop-8doma-waiting-game/\" target=\"_blank\">ballot initiatives\u003c/a> and \u003ca href=\"http://ww2.kqed.org/pop/2013/06/26/the-best-celebrity-reactions-to-the-prop-8-and-doma-rulings/\" target=\"_blank\">court battles\u003c/a>, marriage equality is finally the law of the land, thanks to Ruth Bader Ginsburg, Sonia Sotomayor, Elena Kagan, Stephen Breyer and swing-vote Anthony Kennedy. Our friends at \u003ca href=\"http://ww2.kqed.org/news/2015/06/26/bay-area-reacts-to-the-same-sex-marriage-supreme-court-decision\" target=\"_blank\">KQED News captured\u003c/a> how the Bay Area is reacting to the news. But what about the internet, which is known to have a lot of feelings on, well, basically everything. Here are the best reactions from around the web:\u003c/p>\n\u003cp>This was the scene outside of the Supreme Court when the news was announced. Keep an eye out for the woman dressed up as Ruth Bader Ginsburg jumping up and down:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=WsxHr2Ezvzo\u003c/p>\n\u003cp>Vox \u003ca href=\"http://www.vox.com/2015/6/26/8851155/marriage-equality-map\" target=\"_blank\">created an educational animated gif\u003c/a> that captures the progress of equality, starting with Massachusetts becoming the first state to legalize marriage for gay couples in 2003. It was the sixth jurisdiction in the world (after the Netherlands, Belgium, Ontario, British Columbia and Quebec) to do so. How far we've come!\u003c/p>\n\u003cfigure id=\"attachment_16933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/same-sex_marriage.0.gif\">\u003cimg class=\"size-full wp-image-16933\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/same-sex_marriage.0.gif\" alt=\"Photo: Vox\" width=\"800\" height=\"450\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://www.vox.com/2015/6/26/8851155/marriage-equality-map\">Vox\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Facebook created a tool that superimposes a rainbow over your profile photo. Visit their \u003ca href=\"https://www.facebook.com/celebratepride\" target=\"_blank\">Celebrate Pride page\u003c/a> to try it out:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/celebratepride\">\u003cimg class=\"aligncenter wp-image-16936 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/Screen-Shot-2015-06-26-at-12.04.50-PM.png\" alt=\"Screen Shot 2015-06-26 at 12.04.50 PM\" width=\"355\" height=\"514\">\u003c/a>\u003c/p>\n\u003cp>The HuffPost UK eased concerns about what might happen now that gay people can marry in all 50 states:\u003c/p>\n\u003cp>https://twitter.com/HuffPostUK/status/614446088897081345\u003c/p>\n\u003cp>George Takei pretty much summed up what it was like logging into social media this morning:\u003c/p>\n\u003cp>https://twitter.com/GeorgeTakei/status/614453392220528640\u003c/p>\n\u003cp>Ben & Jerry's was more than ready for this moment, armed with a rebranded cookie dough flavor:\u003c/p>\n\u003cp>https://twitter.com/benandjerrys/status/614449208913973248\u003c/p>\n\u003cp>\u003cem>BuzzFeed\u003c/em> used \u003ca href=\"http://ww2.kqed.org/pop/2015/02/27/thedress-how-well-do-you-see-color-take-this-test-to-find-out/\" target=\"_blank\">the infamous dress\u003c/a> to make a statement:\u003c/p>\n\u003cp>https://twitter.com/BuzzFeedFashion/status/614447099900526592\u003c/p>\n\u003cp>Ian McKellen was pretty stoked and broke out the confetti.\u003c/p>\n\u003cp>https://vine.co/v/eJuAqVHgXKd\u003c/p>\n\u003cp>But maybe not as stoked as Joe Biden:\u003c/p>\n\u003cp>https://twitter.com/JillBidenVeep/status/614439317558181889\u003c/p>\n\u003cp>Other celebrities also got into the celebration:\u003c/p>\n\u003cdiv>\u003ca class=\"embedly-card\" href=\"http://www.vulture.com/2015/06/celebs-react-to-scotus-same-sex-marriage-ruling.html\">How Celebrities Are Reacting to the Supreme Court Legalizing Same-Sex Marriage\u003c/a>\u003c/div>\n\u003cp>But not everyone was feeling the love. Many were wondering what Antonin Scalia, the court's most outspoken member, would have to say about all of this. And he did not disappoint. He started out with a classic \u003cem>no homo\u003c/em> clarification:\u003c/p>\n\u003cp>https://twitter.com/ashfein/status/614437368746102784\u003c/p>\n\u003cp>He went on to ask a lot of incredulous questions:\u003c/p>\n\u003cp>https://twitter.com/kalhan/status/614435745764384768\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/tumblr_n06404ivY21r67n1ro1_400.gif\">\u003cimg class=\"aligncenter size-full wp-image-16935\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/tumblr_n06404ivY21r67n1ro1_400.gif\" alt=\"amy really\" width=\"379\" height=\"316\">\u003c/a>\u003c/p>\n\u003cp>And then he instructed us to find the nearest hippie:\u003c/p>\n\u003cp>https://twitter.com/DugBegley/status/614442506206486528\u003c/p>\n\u003cp>I looked into where that might be in San Francisco:\u003c/p>\n\u003cp>https://twitter.com/xcusemybeauty/status/614500974221078528\u003c/p>\n\u003cp>\u003cem>Slate\u003c/em> went a step further and created a Scalia insult generator:\u003c/p>\n\u003cdiv>\u003ca class=\"embedly-card\" href=\"http://www.slate.com/articles/news_and_politics/low_concept/2015/06/justice_scalia_insult_generator_how_the_supreme_court_justice_would_mock.html\">How Would Scalia Insult You? Find Out With Slate's Generator.\u003c/a>\u003c/div>\n\u003cp> \u003c/p>\n\u003cp>But let's not allow him to have the last word. The only way this post can end is with a few Care Bear stares:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/CareBearLove.gif\">\u003cimg class=\"aligncenter size-full wp-image-16937\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/CareBearLove.gif\" alt=\"CareBearLove\" width=\"495\" height=\"220\">\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/tumblr_m0akdg02NY1qhjijzo1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-16939\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/tumblr_m0akdg02NY1qhjijzo1_500.gif\" alt=\"tumblr_m0akdg02NY1qhjijzo1_500\" width=\"500\" height=\"368\">\u003c/a>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/tumblr_mrg8tphK2n1sut0doo1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-16938\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/tumblr_mrg8tphK2n1sut0doo1_500.gif\" alt=\"tumblr_mrg8tphK2n1sut0doo1_500\" width=\"500\" height=\"322\">\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/carebears.gif\">\u003cimg class=\"aligncenter size-full wp-image-16940\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/carebears.gif\" alt=\"carebears\" width=\"500\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Happy Pride, y'all! <3\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The day has finally come! After a seemingly endless string of \u003ca href=\"http://ww2.kqed.org/pop/2013/06/25/animated-gifs-to-get-you-through-the-prop-8doma-waiting-game/\" target=\"_blank\">ballot initiatives\u003c/a> and \u003ca href=\"http://ww2.kqed.org/pop/2013/06/26/the-best-celebrity-reactions-to-the-prop-8-and-doma-rulings/\" target=\"_blank\">court battles\u003c/a>, marriage equality is finally the law of the land, thanks to Ruth Bader Ginsburg, Sonia Sotomayor, Elena Kagan, Stephen Breyer and swing-vote Anthony Kennedy. Our friends at \u003ca href=\"http://ww2.kqed.org/news/2015/06/26/bay-area-reacts-to-the-same-sex-marriage-supreme-court-decision\" target=\"_blank\">KQED News captured\u003c/a> how the Bay Area is reacting to the news. But what about the internet, which is known to have a lot of feelings on, well, basically everything. Here are the best reactions from around the web:\u003c/p>\n\u003cp>This was the scene outside of the Supreme Court when the news was announced. Keep an eye out for the woman dressed up as Ruth Bader Ginsburg jumping up and down:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WsxHr2Ezvzo'\n title='//www.youtube.com/embed/WsxHr2Ezvzo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Vox \u003ca href=\"http://www.vox.com/2015/6/26/8851155/marriage-equality-map\" target=\"_blank\">created an educational animated gif\u003c/a> that captures the progress of equality, starting with Massachusetts becoming the first state to legalize marriage for gay couples in 2003. It was the sixth jurisdiction in the world (after the Netherlands, Belgium, Ontario, British Columbia and Quebec) to do so. How far we've come!\u003c/p>\n\u003cfigure id=\"attachment_16933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/same-sex_marriage.0.gif\">\u003cimg class=\"size-full wp-image-16933\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/same-sex_marriage.0.gif\" alt=\"Photo: Vox\" width=\"800\" height=\"450\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://www.vox.com/2015/6/26/8851155/marriage-equality-map\">Vox\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Facebook created a tool that superimposes a rainbow over your profile photo. Visit their \u003ca href=\"https://www.facebook.com/celebratepride\" target=\"_blank\">Celebrate Pride page\u003c/a> to try it out:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>George Takei pretty much summed up what it was like logging into social media this morning:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Ben & Jerry's was more than ready for this moment, armed with a rebranded cookie dough flavor:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cem>BuzzFeed\u003c/em> used \u003ca href=\"http://ww2.kqed.org/pop/2015/02/27/thedress-how-well-do-you-see-color-take-this-test-to-find-out/\" target=\"_blank\">the infamous dress\u003c/a> to make a statement:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Ian McKellen was pretty stoked and broke out the confetti.\u003c/p>\n\u003cp>https://vine.co/v/eJuAqVHgXKd\u003c/p>\n\u003cp>But maybe not as stoked as Joe Biden:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Other celebrities also got into the celebration:\u003c/p>\n\u003cdiv>\u003ca class=\"embedly-card\" href=\"http://www.vulture.com/2015/06/celebs-react-to-scotus-same-sex-marriage-ruling.html\">How Celebrities Are Reacting to the Supreme Court Legalizing Same-Sex Marriage\u003c/a>\u003c/div>\n\u003cp>But not everyone was feeling the love. Many were wondering what Antonin Scalia, the court's most outspoken member, would have to say about all of this. And he did not disappoint. He started out with a classic \u003cem>no homo\u003c/em> clarification:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>He went on to ask a lot of incredulous questions:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/tumblr_n06404ivY21r67n1ro1_400.gif\">\u003cimg class=\"aligncenter size-full wp-image-16935\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/tumblr_n06404ivY21r67n1ro1_400.gif\" alt=\"amy really\" width=\"379\" height=\"316\">\u003c/a>\u003c/p>\n\u003cp>And then he instructed us to find the nearest hippie:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>I looked into where that might be in San Francisco:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cem>Slate\u003c/em> went a step further and created a Scalia insult generator:\u003c/p>\n\u003cdiv>\u003ca class=\"embedly-card\" href=\"http://www.slate.com/articles/news_and_politics/low_concept/2015/06/justice_scalia_insult_generator_how_the_supreme_court_justice_would_mock.html\">How Would Scalia Insult You? Find Out With Slate's Generator.\u003c/a>\u003c/div>\n\u003cp> \u003c/p>\n\u003cp>But let's not allow him to have the last word. The only way this post can end is with a few Care Bear stares:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/CareBearLove.gif\">\u003cimg class=\"aligncenter size-full wp-image-16937\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/CareBearLove.gif\" alt=\"CareBearLove\" width=\"495\" height=\"220\">\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/tumblr_m0akdg02NY1qhjijzo1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-16939\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/tumblr_m0akdg02NY1qhjijzo1_500.gif\" alt=\"tumblr_m0akdg02NY1qhjijzo1_500\" width=\"500\" height=\"368\">\u003c/a>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/tumblr_mrg8tphK2n1sut0doo1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-16938\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/tumblr_mrg8tphK2n1sut0doo1_500.gif\" alt=\"tumblr_mrg8tphK2n1sut0doo1_500\" width=\"500\" height=\"322\">\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/carebears.gif\">\u003cimg class=\"aligncenter size-full wp-image-16940\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/carebears.gif\" alt=\"carebears\" width=\"500\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Happy Pride, y'all! <3\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Another day, another dollar made off of relics from the '90s. Yesterday it was \u003ca href=\"http://ww2.kqed.org/pop/2015/06/24/oh-dear-god-perez-hilton-cast-as-danny-tanner-in-full-house-musical/\" target=\"_blank\">a musical adaptation of \u003cem>Full House\u003c/em>\u003c/a> starring Perez Hilton (still cringing). Today it's \u003cem>Clueless\u003c/em>' turn. The movie's writer and director Amy Heckerling has confirmed that she's written a script for a stage production that will be a \"jukebox musical,\" meaning it will consist of music we already know à la \u003cem>Mamma Mia!, \u003c/em>instead of original songs.\u003c/p>\n\u003cp>So okay, I don't want to be a traitor to my generation and all, but \u003cem>Clueless\u003c/em> finding its way to Broadway doesn't seem as odious to me as \u003ca href=\"http://ww2.kqed.org/pop/2015/05/14/why-the-craft-remake-is-bad-news-for-the-future-of-film/\" target=\"_blank\">\u003cem>The Craft\u003c/em> remake \u003c/a>or \u003ca href=\"http://ww2.kqed.org/pop/2013/08/23/5-reasons-why-adapting-reality-bites-is-a-terrible-idea-winona-ryder-ben-stiller/\" target=\"_blank\">the \u003cem>Reality Bites\u003c/em> one\u003c/a>. For starters, Amy Heckerling is running the ship, not just consulting. She created Cher's world and knows how to navigate it. Second, the music from that movie is amazing, even the Mighty Mighty Bosstones number! Just imagine Coolio's \"Rollin' with My Homies\" blasting in some hallowed Broadway theater while a '90s clog flies! Are you as totally butt crazy in love\u003cspan style=\"line-height: 1.5\"> with this idea as I am? \u003c/span>\u003c/p>\n\u003cp>The only thing I'm nervous about is casting. So is Heckerling: \"Well, casting—that's like going to be like the main problem.” I like totally agree, especially after finding a 2014 quote attributed to Heckerling about casting a well-known pop star as Cher: \"Katy Perry has expressed interest, and I love her to death.\"\u003c/p>\n\u003cp>I didn't know how to feel about this so I asked\u003ca href=\"http://ww2.kqed.org/pop/author/esilvers/\" target=\"_blank\"> a coworker\u003c/a> to direct my emotions and she summed it up perfectly: \"I mean, she's not the most annoying possibility.\" We naturally started brainstorming other casting ideas. Zendaya as Dionne. Lorde as Tai. No one as Josh, unless it's Paul Rudd again. We're crossing our fingers that Brittany Murphy (miss you, bb) pulls some strings in heaven to get us the cast this musical deserves.\u003c/p>\n\u003cp>In honor of this news and the fact that it's almost Friday, let's listen to the whole soundtrack right now!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://embed.spotify.com/?uri=spotify%3Aalbum%3A3OrviLrUARxsTuGdWdQTMh\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/ee6b5ce0-df03-0132-4637-0ebc4eccb42f.gif\">\u003cimg class=\"aligncenter size-full wp-image-16927\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/06/ee6b5ce0-df03-0132-4637-0ebc4eccb42f.gif\" alt=\"tai clueless dance\" width=\"500\" height=\"255\">\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Another day, another dollar made off of relics from the '90s. Yesterday it was \u003ca href=\"http://ww2.kqed.org/pop/2015/06/24/oh-dear-god-perez-hilton-cast-as-danny-tanner-in-full-house-musical/\" target=\"_blank\">a musical adaptation of \u003cem>Full House\u003c/em>\u003c/a> starring Perez Hilton (still cringing). Today it's \u003cem>Clueless\u003c/em>' turn. The movie's writer and director Amy Heckerling has confirmed that she's written a script for a stage production that will be a \"jukebox musical,\" meaning it will consist of music we already know à la \u003cem>Mamma Mia!, \u003c/em>instead of original songs.\u003c/p>\n\u003cp>So okay, I don't want to be a traitor to my generation and all, but \u003cem>Clueless\u003c/em> finding its way to Broadway doesn't seem as odious to me as \u003ca href=\"http://ww2.kqed.org/pop/2015/05/14/why-the-craft-remake-is-bad-news-for-the-future-of-film/\" target=\"_blank\">\u003cem>The Craft\u003c/em> remake \u003c/a>or \u003ca href=\"http://ww2.kqed.org/pop/2013/08/23/5-reasons-why-adapting-reality-bites-is-a-terrible-idea-winona-ryder-ben-stiller/\" target=\"_blank\">the \u003cem>Reality Bites\u003c/em> one\u003c/a>. For starters, Amy Heckerling is running the ship, not just consulting. She created Cher's world and knows how to navigate it. Second, the music from that movie is amazing, even the Mighty Mighty Bosstones number! Just imagine Coolio's \"Rollin' with My Homies\" blasting in some hallowed Broadway theater while a '90s clog flies! Are you as totally butt crazy in love\u003cspan style=\"line-height: 1.5\"> with this idea as I am? \u003c/span>\u003c/p>\n\u003cp>The only thing I'm nervous about is casting. So is Heckerling: \"Well, casting—that's like going to be like the main problem.” I like totally agree, especially after finding a 2014 quote attributed to Heckerling about casting a well-known pop star as Cher: \"Katy Perry has expressed interest, and I love her to death.\"\u003c/p>\n\u003cp>I didn't know how to feel about this so I asked\u003ca href=\"http://ww2.kqed.org/pop/author/esilvers/\" target=\"_blank\"> a coworker\u003c/a> to direct my emotions and she summed it up perfectly: \"I mean, she's not the most annoying possibility.\" We naturally started brainstorming other casting ideas. Zendaya as Dionne. Lorde as Tai. No one as Josh, unless it's Paul Rudd again. We're crossing our fingers that Brittany Murphy (miss you, bb) pulls some strings in heaven to get us the cast this musical deserves.\u003c/p>\n\u003cp>In honor of this news and the fact that it's almost Friday, let's listen to the whole soundtrack right now!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Rilke says, \"Be patient toward all that is unsolved in your own heart, and try to love the questions themselves.\" Questions can frustrate, but their very existence offers a type of promise. The questions are almost always more satisfying, more intriguing, more true than the answers. Attempts at answering are the reason for every groan-worthy twist ending and every disappointment when a promising, complex set-up devolves into a simplistic conclusion. It's easy to ask the provocative questions, but harder to find deserving answers.\u003c/p>\n\u003cp>When I began watching \u003cem>\u003ca href=\"http://www.avclub.com/video/did-wayward-pines-just-deliver-one-most-audacious--220778\">Wayward Pines\u003c/a>\u003c/em>, I purposefully didn't read any reviews, not so much because I wanted to avoid spoilers, but because I wanted to have my own experience of it. And so I have. The 10 episode series, currently midway through its run, focuses on the sinister and idyllic town of Wayward Pines, a place where people wake up after car crashes and other accidents, only to find it's a bit harder to get out than it was to get in.\u003c/p>\n\u003cp>There is a sheer pleasure to the mysteries of \u003cem>Wayward Pines\u003c/em>, played out overtly and for full dramatic effect. The mystery is really the only thing about this show, as episode after episode revels in the dreamy, illogical and inexplicable. I have a bad feeling the conclusion of the series is going to disappoint, but I don't care—in a \u003cem>good\u003c/em> way. I'm loving the questions because they're truly enough.\u003c/p>\n\u003cp>Is it the future, the past, some kind of vortex, a dying dream? I don't care! I just like this creepy town, the fog, the rain, the serendipity, the love triangles, the overt danger in every frame, the watchful surveillance. I like Matt Dillon running around in the woods with a map and Juliette Lewis tending bar. I like how everyone whispers the truth just outside the camera's range.\u003c/p>\n\u003cp>What does it mean to be stuck somewhere? Why do we let it happen? Are we ever really that isolated and helpless? Are some things for our own good? Must we give up certain freedoms in order to be safe? Do we really want what we claim to long for most? Questions, questions, questions.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I recently went on a trip into the deserts of Central Nevada and the small towns within. In each new place, shimmering mirage-like at the horizon and then appearing fully, I yelled with delight and mild trepidation, \"It's Wayward Pines!\" Granted there weren't pine trees after we got through the mountains, but there was some similarity, mainly the distinct sense that we might get trapped in these places, and that others before us had.\u003c/p>\n\u003cp>We searched for ghost towns, the kind that are marked with signs and called such on the map. But we soon realized that it was the real towns where people still lived that seemed even ghostier. These former boom towns had lost most of their inhabitants long ago. I started to wonder why some people had stayed. Or why I always think escaping is better.\u003c/p>\n\u003cp>I grew up in the country. I spent a great deal of my adolescence writing the age-old narrative of escape to the big city. But I'm not a city girl in my heart. Or maybe I am, accidentally, these last 15 years finally taking their urban toll. The remoteness of these places in the desert struck at some anxiousness I didn't know I possessed. I glanced from time to time at the silent, useless artifact of my cell phone. The roads stretched forever, dried lake beds running alongside. There was nothing and no one. It was gorgeous, vast, and unsettling.\u003c/p>\n\u003cp>Who thought to stop and live here once upon a time? Gold was the answer long ago, but why now? Why have people stayed? One town had a graduating high school class of five, we read in the local paper.\u003c/p>\n\u003cp>Wayward Pines almost seems like a nice place to live. It's welcoming, small, untouched by contemporary concerns, perhaps even a safe haven from some terrible alternative. And isn't that so often why we stay somewhere, for fear that leaving would only bring more harm?\u003c/p>\n\u003cp>These days, we are weary of our connectedness, our constant stimulation. People pay to have their phones taken from them. What if we lived in a place where our calls never even made it out, as when Matt Dillon calls and calls his wife to no avail? I had a similar feeling in the desert, no signal for miles. How rare it actually is to be truly disconnected. How quiet and strange it gets, our brains and bodies reacting, first in rebellion, and then in relief.\u003c/p>\n\u003cp>In Ellen Meloy's \u003cem>\u003ca href=\"http://thewitness.org/agw/callardreview042204.html\">The Anthropology of Turquoise\u003c/a>\u003c/em>, she describes a kind of knowing she calls \"indirect and sideways,\" one especially inspired by being in the desert. Her book begins with a W.G. Sebald quote that describes the colors of duck feathers as \"the only possible answers to the questions that are on my mind.\" Color, texture, and profound sensory experience as the answer, as the reflection of our humanity no less, those are the kind of answers I want. I want there to be multiple realities laying side by side, some full of zombie devolved humans that Matt Dillion can't escape, some that open up into the eternity of the desert, some that are our own inexplicable, inconclusive, beautiful, mournful lives.\u003c/p>\n\u003cp>One of my favorite scenes is when Matt Dillon tries to escape the town initially, and just drives in circles. It makes me think of the perfect adult lives we curate for ourselves, lives we think we want, only to be entrapped by them so easily and tell ourselves that this is it. But, of course, the idyllic is in fact often the nightmarish, what we think we want is not at all what we want. We are so willing to police and limit ourselves. \u003ca href=\"https://www.youtube.com/watch?v=OnuFYYJHaY0\">Warpaint's\u003c/a> Shannyn Sossamon, as the brand new real estate agent, offers a free house to a dazed and newly captive townsperson. \u003cem>Just smile and say thank you\u003c/em>, she whispers to him, while out of range of surveillance. And he does.\u003c/p>\n\u003cp>\u003cem>Wayward Pines\u003c/em> is a nice dark mythology for these crowded, connected and surveilled times. We create the reality we live inside. We adhere to it so completely. We are not as stuck by geography or even by time as we imagine ourselves to be. Our lives are made of endless questions and thin, ever-changing attempts at answering them.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Wayward Pines is everywhere, in any city or former boom town that someone cannot bring themselves to leave. Matt Dillion is all of us, bellowing that he wants to escape, but perhaps not so sure he really does, running to the edge, expecting to see one reality and finding an altogether different world instead.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Rilke says, \"Be patient toward all that is unsolved in your own heart, and try to love the questions themselves.\" Questions can frustrate, but their very existence offers a type of promise. The questions are almost always more satisfying, more intriguing, more true than the answers. Attempts at answering are the reason for every groan-worthy twist ending and every disappointment when a promising, complex set-up devolves into a simplistic conclusion. It's easy to ask the provocative questions, but harder to find deserving answers.\u003c/p>\n\u003cp>When I began watching \u003cem>\u003ca href=\"http://www.avclub.com/video/did-wayward-pines-just-deliver-one-most-audacious--220778\">Wayward Pines\u003c/a>\u003c/em>, I purposefully didn't read any reviews, not so much because I wanted to avoid spoilers, but because I wanted to have my own experience of it. And so I have. The 10 episode series, currently midway through its run, focuses on the sinister and idyllic town of Wayward Pines, a place where people wake up after car crashes and other accidents, only to find it's a bit harder to get out than it was to get in.\u003c/p>\n\u003cp>There is a sheer pleasure to the mysteries of \u003cem>Wayward Pines\u003c/em>, played out overtly and for full dramatic effect. The mystery is really the only thing about this show, as episode after episode revels in the dreamy, illogical and inexplicable. I have a bad feeling the conclusion of the series is going to disappoint, but I don't care—in a \u003cem>good\u003c/em> way. I'm loving the questions because they're truly enough.\u003c/p>\n\u003cp>Is it the future, the past, some kind of vortex, a dying dream? I don't care! I just like this creepy town, the fog, the rain, the serendipity, the love triangles, the overt danger in every frame, the watchful surveillance. I like Matt Dillon running around in the woods with a map and Juliette Lewis tending bar. I like how everyone whispers the truth just outside the camera's range.\u003c/p>\n\u003cp>What does it mean to be stuck somewhere? Why do we let it happen? Are we ever really that isolated and helpless? Are some things for our own good? Must we give up certain freedoms in order to be safe? Do we really want what we claim to long for most? Questions, questions, questions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I recently went on a trip into the deserts of Central Nevada and the small towns within. In each new place, shimmering mirage-like at the horizon and then appearing fully, I yelled with delight and mild trepidation, \"It's Wayward Pines!\" Granted there weren't pine trees after we got through the mountains, but there was some similarity, mainly the distinct sense that we might get trapped in these places, and that others before us had.\u003c/p>\n\u003cp>We searched for ghost towns, the kind that are marked with signs and called such on the map. But we soon realized that it was the real towns where people still lived that seemed even ghostier. These former boom towns had lost most of their inhabitants long ago. I started to wonder why some people had stayed. Or why I always think escaping is better.\u003c/p>\n\u003cp>I grew up in the country. I spent a great deal of my adolescence writing the age-old narrative of escape to the big city. But I'm not a city girl in my heart. Or maybe I am, accidentally, these last 15 years finally taking their urban toll. The remoteness of these places in the desert struck at some anxiousness I didn't know I possessed. I glanced from time to time at the silent, useless artifact of my cell phone. The roads stretched forever, dried lake beds running alongside. There was nothing and no one. It was gorgeous, vast, and unsettling.\u003c/p>\n\u003cp>Who thought to stop and live here once upon a time? Gold was the answer long ago, but why now? Why have people stayed? One town had a graduating high school class of five, we read in the local paper.\u003c/p>\n\u003cp>Wayward Pines almost seems like a nice place to live. It's welcoming, small, untouched by contemporary concerns, perhaps even a safe haven from some terrible alternative. And isn't that so often why we stay somewhere, for fear that leaving would only bring more harm?\u003c/p>\n\u003cp>These days, we are weary of our connectedness, our constant stimulation. People pay to have their phones taken from them. What if we lived in a place where our calls never even made it out, as when Matt Dillon calls and calls his wife to no avail? I had a similar feeling in the desert, no signal for miles. How rare it actually is to be truly disconnected. How quiet and strange it gets, our brains and bodies reacting, first in rebellion, and then in relief.\u003c/p>\n\u003cp>In Ellen Meloy's \u003cem>\u003ca href=\"http://thewitness.org/agw/callardreview042204.html\">The Anthropology of Turquoise\u003c/a>\u003c/em>, she describes a kind of knowing she calls \"indirect and sideways,\" one especially inspired by being in the desert. Her book begins with a W.G. Sebald quote that describes the colors of duck feathers as \"the only possible answers to the questions that are on my mind.\" Color, texture, and profound sensory experience as the answer, as the reflection of our humanity no less, those are the kind of answers I want. I want there to be multiple realities laying side by side, some full of zombie devolved humans that Matt Dillion can't escape, some that open up into the eternity of the desert, some that are our own inexplicable, inconclusive, beautiful, mournful lives.\u003c/p>\n\u003cp>One of my favorite scenes is when Matt Dillon tries to escape the town initially, and just drives in circles. It makes me think of the perfect adult lives we curate for ourselves, lives we think we want, only to be entrapped by them so easily and tell ourselves that this is it. But, of course, the idyllic is in fact often the nightmarish, what we think we want is not at all what we want. We are so willing to police and limit ourselves. \u003ca href=\"https://www.youtube.com/watch?v=OnuFYYJHaY0\">Warpaint's\u003c/a> Shannyn Sossamon, as the brand new real estate agent, offers a free house to a dazed and newly captive townsperson. \u003cem>Just smile and say thank you\u003c/em>, she whispers to him, while out of range of surveillance. And he does.\u003c/p>\n\u003cp>\u003cem>Wayward Pines\u003c/em> is a nice dark mythology for these crowded, connected and surveilled times. We create the reality we live inside. We adhere to it so completely. We are not as stuck by geography or even by time as we imagine ourselves to be. Our lives are made of endless questions and thin, ever-changing attempts at answering them.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>It’s 7:30 pm on a mild evening in San Francisco’s Mission District, and so far the soundtrack at \u003ca href=\"http://missionbowlingclub.com/\" target=\"_blank\" rel=\"noopener\">Mission Bowling Club\u003c/a> has been a steady stream of classic ’60s soul tunes. But all of a sudden the opening drumbeats to Pharrell’s “Happy” kick out over the speakers, and Amy Tan is \u003ci>feelin’ \u003c/i>it.\u003c/p>\n\u003cp>In jeans and sneakers, flanked by her husband and a rowdy group of friends, the tiny author of \u003ci>The Joy Luck Club\u003c/i> and a half-dozen other best-selling novels is seriously boogeying, shimmying her hips from side to side as she waits for her ball to return.\u003c/p>\n\u003cp>Her bowling style is decidedly different from that of famed Chez Panisse restaurateur and \u003ca href=\"http://www.slowfood.com/\" target=\"_blank\" rel=\"noopener\">Slow Food\u003c/a> thought leader Alice Waters, who, in the next lane down, radiates calm determination in a deep blue caftan as she focuses, pitches the ball forward, and knocks out a remaining pin for a spare. Victory. A fist in the air. A few yards behind Waters, beloved \u003ci>Tales from the City\u003c/i> author Armistead Maupin (lavender button-up shirt, hearty laugh) eyes a fresh tray of crispy fried chicken.\u003c/p>\n\u003cp>Forget \u003cem>Dancing With the Stars\u003c/em>: Bowling with San Francisco literary royalty is waaay better. Especially when it’s a \u003ca href=\"http://www.kitchensisters.org/support/\" target=\"_blank\" rel=\"noopener\">fundraiser for public radio\u003c/a> — NPR’s \u003ca href=\"http://www.kitchensisters.org/\" target=\"_blank\" rel=\"noopener\">Kitchen Sisters\u003c/a>, in which producer-hosts Davia Nelson and Nikki Silva explore the ways communities come together through food. Especially when the bowling alley has an open bar and one of the best burgers in the city. Even Michael Pollan (he of “eat food — not too much — mostly plants” fame) seemed to agree.\u003c/p>\n\u003cp>And \u003ci>especially \u003c/i>when you get to watch the fundraiser’s celebrity guests (which also included author Ayelet Waldman and Pollan’s wife, the artist Judith Belzer; writer-director Roman Coppola was scheduled but couldn’t make it) get straight-up schooled on the lanes by a 91-year-old lady in pearl earrings.\u003c/p>\n\u003cfigure id=\"attachment_10797358\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Capture.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10797358 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Capture-400x359.png\" alt='\"Amazing\" Grace Mulloy (Photo: Kitchen Sisters/Instagram)' width=\"400\" height=\"359\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/Capture-400x359.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/Capture.png 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">“Amazing” Grace Mulloy (Photo: Kitchen Sisters/Instagram)\u003c/figcaption>\u003c/figure>\n\u003cp>That would be the amazing Grace Mulloy, the titular Grace of “Bowling with Grace,” as the Kitchen Sisters dubbed their fundraiser party Tuesday night.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A lifelong bowler, Mulloy — whose granddaughter works with the Kitchen Sisters — was indisputably the star of the evening, knocking out strike after strike despite her status as legally blind. The foodie celebrities around her, whose scores mostly hovered in the 70 to 90 range, looked on with awe.\u003c/p>\n\u003cp>“It’s always nice to have an excuse for a party,” Mulloy said at the start of the evening, as the place began to fill up and the bowlers — VIPs and non-VIPs who had paid $150 a ticket alike — mixed and mingled themselves into teams.\u003c/p>\n\u003cp>At the bar, as attendees tried to choose from nine cheeky celebrity-inspired cocktails (an Amy Black & Tan or an Alice Scotch & Waters, anyone? Or might I pour you The Pollanator?) a deeply tanned older gentleman in a starched green suit and dark sunglasses was giving a younger man what seemed to be advice about some kind of health food store investment.\u003c/p>\n\u003cp>“Why should I go to Whole Foods if I can get chia seeds and almond butter at the corner store?” he demanded to know. “These are the kinds of things you have to think about.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/FullSizeRender-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-10797359\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/FullSizeRender-1-400x533.jpg\" alt=\"FullSizeRender (1)\" width=\"306\" height=\"408\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/FullSizeRender-1-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/FullSizeRender-1-450x600.jpg 450w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/FullSizeRender-1-885x1180.jpg 885w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/FullSizeRender-1.jpg 960w\" sizes=\"(max-width: 306px) 100vw, 306px\">\u003c/a>\u003c/p>\n\u003cp>Are they, though?\u003c/p>\n\u003cp>On a bench in Michael Pollan’s lane, someone’s 6- or 7-year-old kid seemed content to sit, belly out, with an iPad full of games and a very fancy pair of headphones blocking out the cacophony of literary icons mingling all around him. He was successfully ignoring everything — until an adult passing by absentmindedly placed a cookie from Tartine directly in front of his face. He glanced out for less than a second, gobbled it in one bite, and went back to his iPad. Fun guessing game: Which of the radiantly wealthy people around him were his parents? It was impossible to tell.\u003c/p>\n\u003cp>If the kid was ready to go well before last call at 10 p.m., you couldn’t really blame him — and he wasn’t alone. After Armistead Maupin emceed the raffle (one lucky bowler went home with a stylish PUBLIC bike — but not before a slew of dad jokes and the fake winner “Harry Pair of Testes” getting called at least three times), patrons started to trickle out. Alice Waters, looking continuously victorious, appeared to float.\u003c/p>\n\u003cp>Not Amy Tan, though. Taking a break from dancing, seemingly giddy after having received some tips from the masterful Molloy, Tan shared her new technique.\u003c/p>\n\u003cp>“She taught me about my deviation, my natural angle, I guess. I’m a deviant!” Tan said excitedly.\u003c/p>\n\u003cp>Go on with your bad self, Amy Tan.\u003c/p>\n\u003cp>And besides, as Mulloy apparently likes to tell people: “If you have one bad frame, keep bowling. Don’t worry about it. Don’t slow your roll.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Words to live by, especially in a surreal, schmoozy room full of local literati on a Tuesday night in the city — and \u003cem>especially\u003c/em> after one has had a few Ayelet Wallbangers (vodka, grapefruit juice, and Galliano). Onto the next frame.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s 7:30 pm on a mild evening in San Francisco’s Mission District, and so far the soundtrack at \u003ca href=\"http://missionbowlingclub.com/\" target=\"_blank\" rel=\"noopener\">Mission Bowling Club\u003c/a> has been a steady stream of classic ’60s soul tunes. But all of a sudden the opening drumbeats to Pharrell’s “Happy” kick out over the speakers, and Amy Tan is \u003ci>feelin’ \u003c/i>it.\u003c/p>\n\u003cp>In jeans and sneakers, flanked by her husband and a rowdy group of friends, the tiny author of \u003ci>The Joy Luck Club\u003c/i> and a half-dozen other best-selling novels is seriously boogeying, shimmying her hips from side to side as she waits for her ball to return.\u003c/p>\n\u003cp>Her bowling style is decidedly different from that of famed Chez Panisse restaurateur and \u003ca href=\"http://www.slowfood.com/\" target=\"_blank\" rel=\"noopener\">Slow Food\u003c/a> thought leader Alice Waters, who, in the next lane down, radiates calm determination in a deep blue caftan as she focuses, pitches the ball forward, and knocks out a remaining pin for a spare. Victory. A fist in the air. A few yards behind Waters, beloved \u003ci>Tales from the City\u003c/i> author Armistead Maupin (lavender button-up shirt, hearty laugh) eyes a fresh tray of crispy fried chicken.\u003c/p>\n\u003cp>Forget \u003cem>Dancing With the Stars\u003c/em>: Bowling with San Francisco literary royalty is waaay better. Especially when it’s a \u003ca href=\"http://www.kitchensisters.org/support/\" target=\"_blank\" rel=\"noopener\">fundraiser for public radio\u003c/a> — NPR’s \u003ca href=\"http://www.kitchensisters.org/\" target=\"_blank\" rel=\"noopener\">Kitchen Sisters\u003c/a>, in which producer-hosts Davia Nelson and Nikki Silva explore the ways communities come together through food. Especially when the bowling alley has an open bar and one of the best burgers in the city. Even Michael Pollan (he of “eat food — not too much — mostly plants” fame) seemed to agree.\u003c/p>\n\u003cp>And \u003ci>especially \u003c/i>when you get to watch the fundraiser’s celebrity guests (which also included author Ayelet Waldman and Pollan’s wife, the artist Judith Belzer; writer-director Roman Coppola was scheduled but couldn’t make it) get straight-up schooled on the lanes by a 91-year-old lady in pearl earrings.\u003c/p>\n\u003cfigure id=\"attachment_10797358\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Capture.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10797358 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Capture-400x359.png\" alt='\"Amazing\" Grace Mulloy (Photo: Kitchen Sisters/Instagram)' width=\"400\" height=\"359\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/Capture-400x359.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/Capture.png 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">“Amazing” Grace Mulloy (Photo: Kitchen Sisters/Instagram)\u003c/figcaption>\u003c/figure>\n\u003cp>That would be the amazing Grace Mulloy, the titular Grace of “Bowling with Grace,” as the Kitchen Sisters dubbed their fundraiser party Tuesday night.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A lifelong bowler, Mulloy — whose granddaughter works with the Kitchen Sisters — was indisputably the star of the evening, knocking out strike after strike despite her status as legally blind. The foodie celebrities around her, whose scores mostly hovered in the 70 to 90 range, looked on with awe.\u003c/p>\n\u003cp>“It’s always nice to have an excuse for a party,” Mulloy said at the start of the evening, as the place began to fill up and the bowlers — VIPs and non-VIPs who had paid $150 a ticket alike — mixed and mingled themselves into teams.\u003c/p>\n\u003cp>At the bar, as attendees tried to choose from nine cheeky celebrity-inspired cocktails (an Amy Black & Tan or an Alice Scotch & Waters, anyone? Or might I pour you The Pollanator?) a deeply tanned older gentleman in a starched green suit and dark sunglasses was giving a younger man what seemed to be advice about some kind of health food store investment.\u003c/p>\n\u003cp>“Why should I go to Whole Foods if I can get chia seeds and almond butter at the corner store?” he demanded to know. “These are the kinds of things you have to think about.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/FullSizeRender-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-10797359\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/FullSizeRender-1-400x533.jpg\" alt=\"FullSizeRender (1)\" width=\"306\" height=\"408\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/FullSizeRender-1-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/FullSizeRender-1-450x600.jpg 450w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/FullSizeRender-1-885x1180.jpg 885w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/FullSizeRender-1.jpg 960w\" sizes=\"(max-width: 306px) 100vw, 306px\">\u003c/a>\u003c/p>\n\u003cp>Are they, though?\u003c/p>\n\u003cp>On a bench in Michael Pollan’s lane, someone’s 6- or 7-year-old kid seemed content to sit, belly out, with an iPad full of games and a very fancy pair of headphones blocking out the cacophony of literary icons mingling all around him. He was successfully ignoring everything — until an adult passing by absentmindedly placed a cookie from Tartine directly in front of his face. He glanced out for less than a second, gobbled it in one bite, and went back to his iPad. Fun guessing game: Which of the radiantly wealthy people around him were his parents? It was impossible to tell.\u003c/p>\n\u003cp>If the kid was ready to go well before last call at 10 p.m., you couldn’t really blame him — and he wasn’t alone. After Armistead Maupin emceed the raffle (one lucky bowler went home with a stylish PUBLIC bike — but not before a slew of dad jokes and the fake winner “Harry Pair of Testes” getting called at least three times), patrons started to trickle out. Alice Waters, looking continuously victorious, appeared to float.\u003c/p>\n\u003cp>Not Amy Tan, though. Taking a break from dancing, seemingly giddy after having received some tips from the masterful Molloy, Tan shared her new technique.\u003c/p>\n\u003cp>“She taught me about my deviation, my natural angle, I guess. I’m a deviant!” Tan said excitedly.\u003c/p>\n\u003cp>Go on with your bad self, Amy Tan.\u003c/p>\n\u003cp>And besides, as Mulloy apparently likes to tell people: “If you have one bad frame, keep bowling. Don’t worry about it. Don’t slow your roll.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Words to live by, especially in a surreal, schmoozy room full of local literati on a Tuesday night in the city — and \u003cem>especially\u003c/em> after one has had a few Ayelet Wallbangers (vodka, grapefruit juice, and Galliano). Onto the next frame.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Here's Your Stoner's Guide to Great America",
"headTitle": "Here’s Your Stoner’s Guide to Great America | KQED",
"content": "\u003cp>\u003cem>\u003cstrong>This article originally published in 2015\u003c/strong>.\u003c/em>\u003c/p>\n\u003cp>This weekend, the surviving members of the Grateful Dead celebrate the band’s 50th anniversary with a \u003ca href=\"http://www.levisstadium.com/events/event/grateful-dead/\" target=\"_blank\" rel=\"noopener noreferrer\">pair of shows\u003c/a> at Levi’s Stadium in Santa Clara. And though the concert itself should provide more than a few trips down amnesia lane, everyone knows where the real action is at a Dead show: out in the parking lot. \u003c/p>\n\u003cp>Funny thing about Levi’s Stadium—it shares a parking lot with \u003ca href=\"https://www.cagreatamerica.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Great America\u003c/a>, the amusement park currently celebrating its own milestone anniversary of 40 years. And it just so happens that it will be open all day during the Grateful Dead shows and “fully staffed,” according to a park employee.\u003c/p>\n\u003cp>“We’re expecting a huge crowd,” attested the employee, who asked not to be named. “It’s going to be crazy.”\u003c/p>\n\u003cp>The Dead’s fan base is an adventurous bunch. Deadheads also, generally and historically, like to maintain \u003cem>a certain state of mind\u003c/em>. And though there are plenty of leisurely rides at Great America to enhance the stoned experience, there are also a few guaranteed vibe-killers in the park from which to steer clear.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I recently spent a day at Great America with Cassie, a 28-year-old who showed up for the occasion in a vintage \u003ca href=\"https://s-media-cache-ak0.pinimg.com/236x/1e/91/c4/1e91c4199e10c48c89ee81e84f3a0c43.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">Mouse/Kelley Grateful Dead T-shirt\u003c/a>. On the way there, we listened to the Dead’s set from \u003ca href=\"https://archive.org/details/gd73-06-10.sbd.hollister.174.sbeok.shnf\" target=\"_blank\" rel=\"noopener noreferrer\">6/10/1973 at RFK Stadium\u003c/a>, and talked about her seasonal trimming job in Humboldt County while looking up the smoking sections scattered around the park. In other words: she proved a perfect test subject for the typical stoner experience at Great America.\u003c/p>\n\u003cp>So here, Deadheads, without further ado, is your guide to 10 rides at Great America, each of them tested by a very stoned fan and rated on a scale of one to five Dancing Bears.\u003c/p>\n\u003cfigure id=\"attachment_10794270\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GADeltaFlyer.jpg\" alt=\"Delta Flyer.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794270\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GADeltaFlyer.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GADeltaFlyer-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Delta Flyer.\u003c/figcaption>\u003c/figure>\n\u003ch3>Delta Flyer\u003c/h3>\n\u003cp>There’s no better way to see Great America than high in the air, and for those who didn’t grow up in the Bay Area going to the park every summer, the Delta Flyer is a smooth tram ride that offers a good introduction to the lay of the land. Hum a little bit of “Catfish John” (“Walking in his footsteps in the Sweet Delta Dawn”) and map out your day. Said Cassie, de-boarding the gondola: “It was fun to start the day off like that.”\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB5.jpg\" alt=\"GAB5\" height=\"88\" class=\"alignleft size-full wp-image-10794288\">\u003c/p>\n\u003cfigure id=\"attachment_10794271\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GAPsychoMouse.jpg\" alt=\"Psycho Mouse.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAPsychoMouse.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAPsychoMouse-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Psycho Mouse.\u003c/figcaption>\u003c/figure>\n\u003ch3>Psycho Mouse\u003c/h3>\n\u003cp>“This is a very aesthetically pleasing ride,” said Cassie, waiting in line and staring into the roller coaster’s mouse-themed design. But the ride, similar to Goofy’s Sky School at Disney’s California Adventure, was decidedly un-mellow. “It was kind of aggressive, and jarring,” said Cassie, after being jolted back and forth on the Psycho Mouse’s sharp turns, high above the Earth. “But come on, look at that mouse! He’s so cute!”\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB31.jpg\" alt=\"GAB3\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794741\">\u003c/p>\n\u003cfigure id=\"attachment_10794272\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GAGrizzly.jpg\" alt=\"The Grizzly.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794272\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAGrizzly.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAGrizzly-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Grizzly.\u003c/figcaption>\u003c/figure>\n\u003ch3>The Grizzly\u003c/h3>\n\u003cp>Built in 1986, the Grizzly was Great America’s first all-wooden roller coaster, giving it an organic feel and a beach-boardwalk look. For those who like to zone out on how things are made, the ride’s complex construction opens up the imagination to questions of design and engineering, and indeed, Cassie lingered an extra minute examining the interlocking wooden pilings before climbing aboard. This one was a winner: “It wasn’t scary at all,” Cassie said. “It was just fun, and not horrifying, and I like the sound it makes.”\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB45.jpg\" alt=\"GAB45\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794740\">\u003c/p>\n\u003cfigure id=\"attachment_10794273\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GABarneyOldfield.jpg\" alt=\"Barney Oldfield Speedway.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794273\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GABarneyOldfield.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GABarneyOldfield-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Barney Oldfield Speedway.\u003c/figcaption>\u003c/figure>\n\u003ch3>Barney Oldfield Speedway\u003c/h3>\n\u003cp>Your basic, anyone-can-drive-a-car attraction, complete with superfluous steering wheel and lazy pace. In addition to its close-up views of the Grizzly, this ride also happened to provide the best employee-watching of the day. “\u003ca href=\"https://www.youtube.com/watch?v=_nOpJMQ3-VE\" target=\"_blank\" rel=\"noopener noreferrer\">New Speedway Boogie\u003c/a>” would’ve made a good soundtrack to this ride, except as Cassie noted, “I don’t think ‘speed’ is really an issue.” The cars drive slowly, and the boarding area is filled with constant, noxious exhaust — not the type of fumes a Deadhead wants to inhale.\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB21.jpg\" alt=\"GAB2\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794739\">\u003c/p>\n\u003cfigure id=\"attachment_10794274\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GADemon.jpg\" alt=\"The Demon.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794274\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GADemon.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GADemon-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Demon.\u003c/figcaption>\u003c/figure>\n\u003ch3>The Demon\u003c/h3>\n\u003cp>The grand old dame of Great America’s roller coasters, the Demon is now 35 years old, its double-loop and double-corkscrew the same as when it opened in 1980. I’d guessed it would be too harsh for Cassie, but afterward, her flushed face told a different story. “That was incredible! It almost makes me want to lower the scores of all the other rides, it was so great!” she said. The ride is angular and unpredictable, the thrill-ride equivalent of \u003ca href=\"http://ww2.kqed.org/arts/2015/06/11/ornette-coleman-shape-of-jazz-bay-area/\" target=\"_blank\" rel=\"noopener noreferrer\">Ornette Coleman playing with the dead at the Oakland Coliseum\u003c/a>, but ultimately satisfying. “This one had the fear,” Cassie said, “but I \u003cem>liked\u003c/em> it.”\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB5.jpg\" alt=\"GAB5\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794288\">\u003c/p>\n\u003cfigure id=\"attachment_10794275\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GARapids.jpg\" alt=\"The Rapids.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794275\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GARapids.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GARapids-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Rapids.\u003c/figcaption>\u003c/figure>\n\u003ch3>Logger’s Run\u003c/h3>\n\u003cp>You’ll want to cool down with some \u003ca href=\"https://www.youtube.com/watch?v=671AgW9xSiA\" target=\"_blank\" rel=\"noopener noreferrer\">ripples in still water\u003c/a>, and Great America has an entire waterpark called Boomerang Bay, if you bring your swimsuit. We didn’t, so we confined ourselves to the water rides. Whitewater Falls was exhilarating, but short; the Rapids (pictured) were only slightly rapid, and too tame. Also, both aforementioned rides allow random spectators to shoot water at you from a cannon, which is a serious bummer. The winner of the three was Logger’s Run, which lifts high above the park and rushes down in a thrilling descent. And you can’t argue with Cassie’s logic: “I like that you’re inside of a log.”\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB45.jpg\" alt=\"GAB45\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794740\">\u003c/p>\n\u003cfigure id=\"attachment_10794276\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GAGoldStriker.jpg\" alt=\"Gold Striker.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794276\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAGoldStriker.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAGoldStriker-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Gold Striker.\u003c/figcaption>\u003c/figure>\n\u003ch3>Gold Striker\u003c/h3>\n\u003cp>This gigantic wooden roller coaster is like \u003ca href=\"http://www.discogs.com/Grateful-Dead-Dark-Star/release/3549571\" target=\"_blank\" rel=\"noopener noreferrer\">“Dark Star” from \u003cem>Europe ’72\u003c/em>\u003c/a> played at 78 rpm: it’s long, it’s fast, and the twists and turns are wild and unpredictable. Gold Striker was also Cassie’s favorite ride of the day, owing to its height (108 ft.), speed (54 mph), and nonstop thrill factor. “It just doesn’t let up!” she said afterward, smiling and out of breath. We rode it twice and it was insane both times, from the initial drop through the tunnel to the \u003ca href=\"http://www.azlyrics.com/lyrics/gratefuldead/andwebidyougoodnight.html\" target=\"_blank\" rel=\"noopener noreferrer\">beast at the ending of the wood\u003c/a>. One word of advice from Cassie, though: “It definitely takes your stomach to the breaking point,” she says. “Don’t go on it after eating curly fries.”\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB5.jpg\" alt=\"GAB5\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794288\">\u003c/p>\n\u003cfigure id=\"attachment_10794277\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GAHMBEndeavor.jpg\" alt=\"H.M.B. Endeavor.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794277\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAHMBEndeavor.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAHMBEndeavor-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">H.M.B. Endeavor.\u003c/figcaption>\u003c/figure>\n\u003ch3>H.M.B. Endeavor\u003c/h3>\n\u003cp>So, this was a bad idea. The H.M.B. Endeavor is a classic county-fair pirate ship ride, except that instead of simply swinging back and forth, it actually goes all the way upside down. And. Just. Stays. There. After hanging upside down for five or six seconds, there’s a huge rush of blood to your head, and not the good kind. Nauseous afterward, Cassie reported: “I felt freaked out on it, to be honest. I was \u003cem>very\u003c/em> aware of this tiny shoulder harness being the only thing keeping me from imminent death.” Stay away, Deadheads.\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB21.jpg\" alt=\"GAB2\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794739\">\u003c/p>\n\u003cfigure id=\"attachment_10794285\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GAVortex.jpg\" alt=\"The Vortex.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794285\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAVortex.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAVortex-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Vortex.\u003c/figcaption>\u003c/figure>\n\u003ch3>The Vortex\u003c/h3>\n\u003cp>An upside-down ride whose schtick is that riders stand up instead of sit down, the Vortex is little more than a gimmick. It felt punishing. “I have a serious case of sea legs,” said Cassie afterward, “and a headache.” However, the ride’s rating was bumped higher by the fact that Cassie saw a Nirvana video playing on the “Fun TV” screen in line. Go figure.\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB31.jpg\" alt=\"GAB3\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794741\">\u003c/p>\n\u003cfigure id=\"attachment_10794286\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GAColumbia.jpg\" alt=\"Carousel Columbia.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794286\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAColumbia.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAColumbia-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Carousel Columbia.\u003c/figcaption>\u003c/figure>\n\u003ch3>Carousel Columbia\u003c/h3>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>After a long day, there’s no better way to bid goodnight to the park than a ride on this, the tallest carousel in the western United States. We climbed aboard the upper deck, hopped on some horses, and \u003ca href=\"https://www.youtube.com/watch?v=1PU-Fuu6T4A\" target=\"_blank\" rel=\"noopener noreferrer\">turned on our love light\u003c/a> for a nostalgic spin to childlike innocence. With the twirling nature of the ride and the noodling organ music, there’s probably no finer way to chill out before a Grateful Dead show.\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB5.jpg\" alt=\"GAB5\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794288\">\u003c/p>\n\n",
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"excerpt": "As the Grateful Dead gears up for two shows across from from Great America this weekend, here's your stoner's guide to the amusement park.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>This article originally published in 2015\u003c/strong>.\u003c/em>\u003c/p>\n\u003cp>This weekend, the surviving members of the Grateful Dead celebrate the band’s 50th anniversary with a \u003ca href=\"http://www.levisstadium.com/events/event/grateful-dead/\" target=\"_blank\" rel=\"noopener noreferrer\">pair of shows\u003c/a> at Levi’s Stadium in Santa Clara. And though the concert itself should provide more than a few trips down amnesia lane, everyone knows where the real action is at a Dead show: out in the parking lot. \u003c/p>\n\u003cp>Funny thing about Levi’s Stadium—it shares a parking lot with \u003ca href=\"https://www.cagreatamerica.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Great America\u003c/a>, the amusement park currently celebrating its own milestone anniversary of 40 years. And it just so happens that it will be open all day during the Grateful Dead shows and “fully staffed,” according to a park employee.\u003c/p>\n\u003cp>“We’re expecting a huge crowd,” attested the employee, who asked not to be named. “It’s going to be crazy.”\u003c/p>\n\u003cp>The Dead’s fan base is an adventurous bunch. Deadheads also, generally and historically, like to maintain \u003cem>a certain state of mind\u003c/em>. And though there are plenty of leisurely rides at Great America to enhance the stoned experience, there are also a few guaranteed vibe-killers in the park from which to steer clear.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I recently spent a day at Great America with Cassie, a 28-year-old who showed up for the occasion in a vintage \u003ca href=\"https://s-media-cache-ak0.pinimg.com/236x/1e/91/c4/1e91c4199e10c48c89ee81e84f3a0c43.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">Mouse/Kelley Grateful Dead T-shirt\u003c/a>. On the way there, we listened to the Dead’s set from \u003ca href=\"https://archive.org/details/gd73-06-10.sbd.hollister.174.sbeok.shnf\" target=\"_blank\" rel=\"noopener noreferrer\">6/10/1973 at RFK Stadium\u003c/a>, and talked about her seasonal trimming job in Humboldt County while looking up the smoking sections scattered around the park. In other words: she proved a perfect test subject for the typical stoner experience at Great America.\u003c/p>\n\u003cp>So here, Deadheads, without further ado, is your guide to 10 rides at Great America, each of them tested by a very stoned fan and rated on a scale of one to five Dancing Bears.\u003c/p>\n\u003cfigure id=\"attachment_10794270\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GADeltaFlyer.jpg\" alt=\"Delta Flyer.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794270\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GADeltaFlyer.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GADeltaFlyer-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Delta Flyer.\u003c/figcaption>\u003c/figure>\n\u003ch3>Delta Flyer\u003c/h3>\n\u003cp>There’s no better way to see Great America than high in the air, and for those who didn’t grow up in the Bay Area going to the park every summer, the Delta Flyer is a smooth tram ride that offers a good introduction to the lay of the land. Hum a little bit of “Catfish John” (“Walking in his footsteps in the Sweet Delta Dawn”) and map out your day. Said Cassie, de-boarding the gondola: “It was fun to start the day off like that.”\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB5.jpg\" alt=\"GAB5\" height=\"88\" class=\"alignleft size-full wp-image-10794288\">\u003c/p>\n\u003cfigure id=\"attachment_10794271\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GAPsychoMouse.jpg\" alt=\"Psycho Mouse.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794271\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAPsychoMouse.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAPsychoMouse-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Psycho Mouse.\u003c/figcaption>\u003c/figure>\n\u003ch3>Psycho Mouse\u003c/h3>\n\u003cp>“This is a very aesthetically pleasing ride,” said Cassie, waiting in line and staring into the roller coaster’s mouse-themed design. But the ride, similar to Goofy’s Sky School at Disney’s California Adventure, was decidedly un-mellow. “It was kind of aggressive, and jarring,” said Cassie, after being jolted back and forth on the Psycho Mouse’s sharp turns, high above the Earth. “But come on, look at that mouse! He’s so cute!”\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB31.jpg\" alt=\"GAB3\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794741\">\u003c/p>\n\u003cfigure id=\"attachment_10794272\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GAGrizzly.jpg\" alt=\"The Grizzly.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794272\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAGrizzly.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAGrizzly-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Grizzly.\u003c/figcaption>\u003c/figure>\n\u003ch3>The Grizzly\u003c/h3>\n\u003cp>Built in 1986, the Grizzly was Great America’s first all-wooden roller coaster, giving it an organic feel and a beach-boardwalk look. For those who like to zone out on how things are made, the ride’s complex construction opens up the imagination to questions of design and engineering, and indeed, Cassie lingered an extra minute examining the interlocking wooden pilings before climbing aboard. This one was a winner: “It wasn’t scary at all,” Cassie said. “It was just fun, and not horrifying, and I like the sound it makes.”\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB45.jpg\" alt=\"GAB45\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794740\">\u003c/p>\n\u003cfigure id=\"attachment_10794273\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GABarneyOldfield.jpg\" alt=\"Barney Oldfield Speedway.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794273\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GABarneyOldfield.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GABarneyOldfield-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Barney Oldfield Speedway.\u003c/figcaption>\u003c/figure>\n\u003ch3>Barney Oldfield Speedway\u003c/h3>\n\u003cp>Your basic, anyone-can-drive-a-car attraction, complete with superfluous steering wheel and lazy pace. In addition to its close-up views of the Grizzly, this ride also happened to provide the best employee-watching of the day. “\u003ca href=\"https://www.youtube.com/watch?v=_nOpJMQ3-VE\" target=\"_blank\" rel=\"noopener noreferrer\">New Speedway Boogie\u003c/a>” would’ve made a good soundtrack to this ride, except as Cassie noted, “I don’t think ‘speed’ is really an issue.” The cars drive slowly, and the boarding area is filled with constant, noxious exhaust — not the type of fumes a Deadhead wants to inhale.\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB21.jpg\" alt=\"GAB2\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794739\">\u003c/p>\n\u003cfigure id=\"attachment_10794274\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GADemon.jpg\" alt=\"The Demon.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794274\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GADemon.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GADemon-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Demon.\u003c/figcaption>\u003c/figure>\n\u003ch3>The Demon\u003c/h3>\n\u003cp>The grand old dame of Great America’s roller coasters, the Demon is now 35 years old, its double-loop and double-corkscrew the same as when it opened in 1980. I’d guessed it would be too harsh for Cassie, but afterward, her flushed face told a different story. “That was incredible! It almost makes me want to lower the scores of all the other rides, it was so great!” she said. The ride is angular and unpredictable, the thrill-ride equivalent of \u003ca href=\"http://ww2.kqed.org/arts/2015/06/11/ornette-coleman-shape-of-jazz-bay-area/\" target=\"_blank\" rel=\"noopener noreferrer\">Ornette Coleman playing with the dead at the Oakland Coliseum\u003c/a>, but ultimately satisfying. “This one had the fear,” Cassie said, “but I \u003cem>liked\u003c/em> it.”\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB5.jpg\" alt=\"GAB5\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794288\">\u003c/p>\n\u003cfigure id=\"attachment_10794275\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GARapids.jpg\" alt=\"The Rapids.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794275\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GARapids.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GARapids-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Rapids.\u003c/figcaption>\u003c/figure>\n\u003ch3>Logger’s Run\u003c/h3>\n\u003cp>You’ll want to cool down with some \u003ca href=\"https://www.youtube.com/watch?v=671AgW9xSiA\" target=\"_blank\" rel=\"noopener noreferrer\">ripples in still water\u003c/a>, and Great America has an entire waterpark called Boomerang Bay, if you bring your swimsuit. We didn’t, so we confined ourselves to the water rides. Whitewater Falls was exhilarating, but short; the Rapids (pictured) were only slightly rapid, and too tame. Also, both aforementioned rides allow random spectators to shoot water at you from a cannon, which is a serious bummer. The winner of the three was Logger’s Run, which lifts high above the park and rushes down in a thrilling descent. And you can’t argue with Cassie’s logic: “I like that you’re inside of a log.”\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB45.jpg\" alt=\"GAB45\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794740\">\u003c/p>\n\u003cfigure id=\"attachment_10794276\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GAGoldStriker.jpg\" alt=\"Gold Striker.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794276\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAGoldStriker.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAGoldStriker-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Gold Striker.\u003c/figcaption>\u003c/figure>\n\u003ch3>Gold Striker\u003c/h3>\n\u003cp>This gigantic wooden roller coaster is like \u003ca href=\"http://www.discogs.com/Grateful-Dead-Dark-Star/release/3549571\" target=\"_blank\" rel=\"noopener noreferrer\">“Dark Star” from \u003cem>Europe ’72\u003c/em>\u003c/a> played at 78 rpm: it’s long, it’s fast, and the twists and turns are wild and unpredictable. Gold Striker was also Cassie’s favorite ride of the day, owing to its height (108 ft.), speed (54 mph), and nonstop thrill factor. “It just doesn’t let up!” she said afterward, smiling and out of breath. We rode it twice and it was insane both times, from the initial drop through the tunnel to the \u003ca href=\"http://www.azlyrics.com/lyrics/gratefuldead/andwebidyougoodnight.html\" target=\"_blank\" rel=\"noopener noreferrer\">beast at the ending of the wood\u003c/a>. One word of advice from Cassie, though: “It definitely takes your stomach to the breaking point,” she says. “Don’t go on it after eating curly fries.”\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB5.jpg\" alt=\"GAB5\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794288\">\u003c/p>\n\u003cfigure id=\"attachment_10794277\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GAHMBEndeavor.jpg\" alt=\"H.M.B. Endeavor.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794277\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAHMBEndeavor.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAHMBEndeavor-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">H.M.B. Endeavor.\u003c/figcaption>\u003c/figure>\n\u003ch3>H.M.B. Endeavor\u003c/h3>\n\u003cp>So, this was a bad idea. The H.M.B. Endeavor is a classic county-fair pirate ship ride, except that instead of simply swinging back and forth, it actually goes all the way upside down. And. Just. Stays. There. After hanging upside down for five or six seconds, there’s a huge rush of blood to your head, and not the good kind. Nauseous afterward, Cassie reported: “I felt freaked out on it, to be honest. I was \u003cem>very\u003c/em> aware of this tiny shoulder harness being the only thing keeping me from imminent death.” Stay away, Deadheads.\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB21.jpg\" alt=\"GAB2\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794739\">\u003c/p>\n\u003cfigure id=\"attachment_10794285\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GAVortex.jpg\" alt=\"The Vortex.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794285\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAVortex.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAVortex-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Vortex.\u003c/figcaption>\u003c/figure>\n\u003ch3>The Vortex\u003c/h3>\n\u003cp>An upside-down ride whose schtick is that riders stand up instead of sit down, the Vortex is little more than a gimmick. It felt punishing. “I have a serious case of sea legs,” said Cassie afterward, “and a headache.” However, the ride’s rating was bumped higher by the fact that Cassie saw a Nirvana video playing on the “Fun TV” screen in line. Go figure.\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB31.jpg\" alt=\"GAB3\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794741\">\u003c/p>\n\u003cfigure id=\"attachment_10794286\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/06/GAColumbia.jpg\" alt=\"Carousel Columbia.\" width=\"640\" height=\"427\" class=\"size-full wp-image-10794286\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAColumbia.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/GAColumbia-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Carousel Columbia.\u003c/figcaption>\u003c/figure>\n\u003ch3>Carousel Columbia\u003c/h3>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After a long day, there’s no better way to bid goodnight to the park than a ride on this, the tallest carousel in the western United States. We climbed aboard the upper deck, hopped on some horses, and \u003ca href=\"https://www.youtube.com/watch?v=1PU-Fuu6T4A\" target=\"_blank\" rel=\"noopener noreferrer\">turned on our love light\u003c/a> for a nostalgic spin to childlike innocence. With the twirling nature of the ride and the noodling organ music, there’s probably no finer way to chill out before a Grateful Dead show.\u003cbr>\n\u003cstrong>Dancing Bear Rating:\u003c/strong>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/GAB5.jpg\" alt=\"GAB5\" width=\"400\" height=\"88\" class=\"alignleft size-full wp-image-10794288\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>NPR and the Kardashians don't usually find themselves in the same sentence, but it happens. This blog has done its best to prove that one can talk about pop culture and \"low art\" in a smart, interesting way. And the producers behind the news quiz show \u003cem>Wait Wait...Don't Tell Me!\u003c/em> took the same approach this weekend, when they invited Kim Kardashian to appear on the program.\u003c/p>\n\u003cp>Some fans were outraged, to say the least. One commenter called Kim Kardashian \"a shameless strumpet.\" Another commenter's faith in science was shaken: \"This woman makes me question the theory of evolution.\" Some felt contaminated: \"NPR is my sanctuary and now it has been sullied by the vapid KK.\" And others wagged a finger: \"...shame on all of you at WWDTM for allowing this vapid, vacuous waste of space more media time.\" You get the picture.\u003c/p>\n\u003cp>I know people like this. You do too. Maybe you are one of them. There's nothing wrong with knowing what you do and don't care about. Do you, by all means. Where it becomes weird, in my opinion, is when people write off all pop culture as a badge of honor and deny knowledge of people like Kim Kardashian to broadcast something about themselves: \u003cem>I am smarter than that. I don't have time to know anything about that. I'm too busy reading Russian novels and acing the Sunday \u003c/em>New York Times\u003cem> crossword\u003c/em>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>This preoccupation with identity and how one is perceived by others also happens to be something Kim Kardashian knows a lot about. She meticulously crafts how the public sees her (in full face, at all times, mostly) and what they find out about her. In this same way, the people leaving these incensed comments or posting about how they wish Kim would just go away on their Facebook pages are also maintaining some idea of themselves that they want to project or would like to believe about themselves. Kim puts beauty first, others lead with intelligence, but, in the end, it's ultimately the same thing: a facade.\u003c/p>\n\u003cp>So an episode of your favorite show featured a guest you didn't like. If it's truly your favorite show, you'll find a way to deal. Or maybe your beloved hosts know what they're doing and will cover someone like Kim Kardashian in a way that'll be amusing to you. But it's hard to know that if you refuse to listen based on some intellectual principle and instead go right for the comment section to proclaim that Kim Kardashian will beget the downfall of civilization and how you have lost all faith in NPR.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>During the brief WWDTM segment, Kim was self-aware and poked fun at herself. \"I get it; it's a bunch of selfies,\" she responded, when the hosts chuckled about her photography project. She played along when host Mike Pesca translated the word \"South\" into Swahili, Sudanese and Hungarian and offered the results as potential baby names. And she was a good sport when quizzed about Kim Jong-un. If Kim can find the humor in the midst of such ridicule, certainly the supposedly more-evolved, better educated fans of \u003cem>Wait Wait...Don't Tell Me!\u003c/em> can do the same.\u003c/p>\n\u003cp>I went to grad school. My \u003ca href=\"http://www.nytimes.com/2013/03/17/magazine/the-inscrutable-brilliance-of-anne-carson.html?_r=0\" target=\"_blank\" rel=\"noopener noreferrer\">favorite writer\u003c/a> is an experimental classicist. I've read \u003cem>Ulysses\u003c/em> in its entirety. And I also know all the names of the Kardashians and why they're mad at each other. Learning that information didn't cancel out my degrees or any of my brain cells. Neither did listening to this radio segment. Kim Kardashian is a part of our culture, whether we like it or not. She doesn't have the power to destroy you or your favorite public radio show. But she could probably school some of us on how to lighten up.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"290\" src=\"http://www.npr.org/player/embed/413926893/414189338\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Is '94110,' San Francisco's Techie TV Drama, Just Performance Art?",
"headTitle": "Is ‘94110,’ San Francisco’s Techie TV Drama, Just Performance Art? | KQED",
"content": "\u003cp>When \u003ca href=\"http://sfist.com/2015/04/20/tv_pilot_94110_posts_mission_castin.php\" target=\"_blank\" rel=\"noopener\">news hit last month\u003c/a> of a television production company holding auditions for a new reality series called \u003cem>94110\u003c/em>, about “six leading technology executives living, learning, and loving together in San Francisco’s Mission District,” \u003ca href=\"https://twitter.com/DocPop/status/589827803220037632/photo/1\" target=\"_blank\" rel=\"noopener\">many on Twitter\u003c/a> and other online forums asked, “Is this real?”\u003c/p>\n\u003cp>Despite criticisms of the show’s \u003ca href=\"http://sfist.com/2015/05/07/here_are_the_roles_that_tv_pilot_94.php\" target=\"_blank\" rel=\"noopener\">character profiles\u003c/a> and \u003ca href=\"http://sfist.com/2015/05/18/monologues_for_mission_pilot_94110.php\" target=\"_blank\" rel=\"noopener\">dialogue\u003c/a>, close to \u003ca href=\"http://missionlocal.org/2015/05/close-to-100-actors-audition-for-parts-in-94110/\" target=\"_blank\" rel=\"noopener\">100 local actors auditioned\u003c/a> for the show over a two-day period in May. \u003c/p>\n\u003cp>But now, with more information known about the team behind \u003cem>94110\u003c/em>, skepticism of the show’s validity seems warranted, especially when considering that a noted prankster is involved. The point person for the show — described by one producer as “Mark Zuckerberg fan fiction” — is Oakland performance artist Scott Vermeire.\u003c/p>\n\u003cfigure id=\"attachment_10703874\" class=\"wp-caption alignright\" style=\"max-width: 288px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/05/Not-Smiling-Scott-Vermeire.jpeg\" alt=\"Scott Vermeire (Courtesy of Scott Vermeire)\" width=\"288\" height=\"434\" class=\"size-full wp-image-10703874\">\u003cfigcaption class=\"wp-caption-text\">Scott Vermeire (Courtesy of Scott Vermeire)\u003c/figcaption>\u003c/figure>\n\u003cp>For anyone hoping to take the show at face value, Vermeire’s association with \u003cem>94110\u003c/em> is a red flag. Like mischief-making actor Sascha Baron Cohen of \u003cem>Borat\u003c/em> and \u003cem>Ali G\u003c/em> fame, Vermeire portrays absurd characters, invents ridiculous products, and sells both in remarkably believable fashion. His past projects include “\u003ca href=\"https://www.youtube.com/watch?t=15&v=vKTmClPyHA0\" target=\"_blank\" rel=\"noopener\">Blinder\u003c/a>,” with Vermeire acting as a corporate salesman for a Google Glass app that allows users to pixelate unwelcome people out of view (suggested targets: the homeless and elderly); his band \u003ca href=\"http://www.sadvicious.com/\" target=\"_blank\" rel=\"noopener\">Sad Vicious\u003c/a>, which identifies as “San Jose’s Most Hated Band™”; and his contributions to the \u003ca href=\"http://wondermentconsortium.com/\" target=\"_blank\" rel=\"noopener\">Wonderment Consortium\u003c/a>, the Oakland-based art collective which launched the infamous Kickstarter campaign to build \u003ca href=\"http://www.dailydot.com/culture/kickstarter-tom-hanks-paper-mache-statue/\" target=\"_blank\" rel=\"noopener\">a papier-mâché statue of Tom Hanks’ \u003cem>Castaway\u003c/em> character\u003c/a> in front of as many Bay Area high schools as possible.\u003c/p>\n\u003cp>Vermeire isn’t a producer on \u003ci>94110\u003c/i> — the “award-winning” producers have so far been kept anonymous. But he is the director of marketing and communications for the show, and I reached out to him last month. Vermeire told me that his association with the TV show doesn’t disqualify it from being a real project, pointing to his real-life status as a successful businessman (Vermeire is co-owner of the \u003ca href=\"http://prmeatco.com/\" target=\"_blank\" rel=\"noopener\">Prather Ranch Meat Company,\u003c/a> inside San Francisco’s Ferry Building). \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“First and foremost, I’m an entrepreneur,” Vermeire replied. “I’m also a media artist and yes, I’m funny. But this project capitalizes mostly on my skills as a visionary, my ability to communicate a new idea to a broad audience. The producers of \u003cem>94110\u003c/em> had seen some work I did with a group called Thunderball Media, and they liked my tenacity, so here we are.”\u003c/p>\n\u003cp>Here’s the thing — Thunderball Media* is not a real company, and it probably never was; it’s the company Vermeire pretends to represent when he performs “Blinder.” That’s how hard Vermeire sells his concepts: he never lets on that they’re a joke, no matter how lunatic they appear.\u003c/p>\n\u003cfigure id=\"attachment_10702677\" class=\"wp-caption alignright\" style=\"max-width: 620px\">\u003ca href=\"http://missionlocal.org/2015/05/close-to-100-actors-audition-for-parts-in-94110/\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/05/94110-auditions.jpg\" alt=\"Outside the <i>94110</i> auditions at SFAQ (Courtesy of Jenny Manrique/Mission Local)\" width=\"620\" height=\"413\" class=\"size-full wp-image-10702677\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/05/94110-auditions.jpg 620w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/05/94110-auditions-400x266.jpg 400w\" sizes=\"(max-width: 620px) 100vw, 620px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Outside the \u003ci>94110\u003c/i> auditions at SFAQ (Courtesy of Jenny Manrique/Mission Local)\u003c/figcaption>\u003c/figure>\n\u003cp>I then contacted Andrew McClintock, the Publisher and Editor-in-Chief of the arts magazine \u003cem>\u003ca href=\"http://sfaq.us/\" target=\"_blank\" rel=\"noopener\">SF Arts Quarterly,\u003c/a>\u003c/em> which hosted the auditions for \u003ci>94110\u003c/i> at the publication’s office on O’Farrell Street.\u003c/p>\n\u003cp>When asked about SFAQ’s role in the creation of \u003ci>94110\u003c/i>, McClintock was straightforward with his answer: none at all, except for offering the space for two days. But he also added that he has no desire for involvement with the project “in any capacity moving forward.” \u003c/p>\n\u003cp>“In hindsight, this TV show goes against what we stand for, and we don’t feel the production team was 100-percent upfront with us,” McClintock said. “I have since terminated communication with them.”\u003c/p>\n\u003cp>Vermeire has stated that the producers require those close to the project to sign non-disclosure agreements, which may explain McClintock’s inability to explain what exactly went wrong. But when asked why the producers insisted on remaining anonymous, his answer was vague but telling.\u003c/p>\n\u003cp>“We thought it was for a reason,” McClintock said, “that it didn’t turn out to be.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Records show that a Thunderball Media \u003ca href=\"http://www.corporationwiki.com/California/Santa-Monica/thunderball-media-llc/46673683.aspx\" target=\"_blank\" rel=\"noopener\">did exist for a time in Santa Monica\u003c/a>, but when asked, Vermeire said that the company was based in San Francisco.\u003c/em>\u003c/p>\n\n",
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"excerpt": "Those following the story behind \u003ci>94110\u003c/i>, the San Francisco-based TV drama being put together these past few months, have probably asked themselves, \"Is this real?\" A cursory look at the players involved in the project would justify those suspicions. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When \u003ca href=\"http://sfist.com/2015/04/20/tv_pilot_94110_posts_mission_castin.php\" target=\"_blank\" rel=\"noopener\">news hit last month\u003c/a> of a television production company holding auditions for a new reality series called \u003cem>94110\u003c/em>, about “six leading technology executives living, learning, and loving together in San Francisco’s Mission District,” \u003ca href=\"https://twitter.com/DocPop/status/589827803220037632/photo/1\" target=\"_blank\" rel=\"noopener\">many on Twitter\u003c/a> and other online forums asked, “Is this real?”\u003c/p>\n\u003cp>Despite criticisms of the show’s \u003ca href=\"http://sfist.com/2015/05/07/here_are_the_roles_that_tv_pilot_94.php\" target=\"_blank\" rel=\"noopener\">character profiles\u003c/a> and \u003ca href=\"http://sfist.com/2015/05/18/monologues_for_mission_pilot_94110.php\" target=\"_blank\" rel=\"noopener\">dialogue\u003c/a>, close to \u003ca href=\"http://missionlocal.org/2015/05/close-to-100-actors-audition-for-parts-in-94110/\" target=\"_blank\" rel=\"noopener\">100 local actors auditioned\u003c/a> for the show over a two-day period in May. \u003c/p>\n\u003cp>But now, with more information known about the team behind \u003cem>94110\u003c/em>, skepticism of the show’s validity seems warranted, especially when considering that a noted prankster is involved. The point person for the show — described by one producer as “Mark Zuckerberg fan fiction” — is Oakland performance artist Scott Vermeire.\u003c/p>\n\u003cfigure id=\"attachment_10703874\" class=\"wp-caption alignright\" style=\"max-width: 288px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/05/Not-Smiling-Scott-Vermeire.jpeg\" alt=\"Scott Vermeire (Courtesy of Scott Vermeire)\" width=\"288\" height=\"434\" class=\"size-full wp-image-10703874\">\u003cfigcaption class=\"wp-caption-text\">Scott Vermeire (Courtesy of Scott Vermeire)\u003c/figcaption>\u003c/figure>\n\u003cp>For anyone hoping to take the show at face value, Vermeire’s association with \u003cem>94110\u003c/em> is a red flag. Like mischief-making actor Sascha Baron Cohen of \u003cem>Borat\u003c/em> and \u003cem>Ali G\u003c/em> fame, Vermeire portrays absurd characters, invents ridiculous products, and sells both in remarkably believable fashion. His past projects include “\u003ca href=\"https://www.youtube.com/watch?t=15&v=vKTmClPyHA0\" target=\"_blank\" rel=\"noopener\">Blinder\u003c/a>,” with Vermeire acting as a corporate salesman for a Google Glass app that allows users to pixelate unwelcome people out of view (suggested targets: the homeless and elderly); his band \u003ca href=\"http://www.sadvicious.com/\" target=\"_blank\" rel=\"noopener\">Sad Vicious\u003c/a>, which identifies as “San Jose’s Most Hated Band™”; and his contributions to the \u003ca href=\"http://wondermentconsortium.com/\" target=\"_blank\" rel=\"noopener\">Wonderment Consortium\u003c/a>, the Oakland-based art collective which launched the infamous Kickstarter campaign to build \u003ca href=\"http://www.dailydot.com/culture/kickstarter-tom-hanks-paper-mache-statue/\" target=\"_blank\" rel=\"noopener\">a papier-mâché statue of Tom Hanks’ \u003cem>Castaway\u003c/em> character\u003c/a> in front of as many Bay Area high schools as possible.\u003c/p>\n\u003cp>Vermeire isn’t a producer on \u003ci>94110\u003c/i> — the “award-winning” producers have so far been kept anonymous. But he is the director of marketing and communications for the show, and I reached out to him last month. Vermeire told me that his association with the TV show doesn’t disqualify it from being a real project, pointing to his real-life status as a successful businessman (Vermeire is co-owner of the \u003ca href=\"http://prmeatco.com/\" target=\"_blank\" rel=\"noopener\">Prather Ranch Meat Company,\u003c/a> inside San Francisco’s Ferry Building). \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“First and foremost, I’m an entrepreneur,” Vermeire replied. “I’m also a media artist and yes, I’m funny. But this project capitalizes mostly on my skills as a visionary, my ability to communicate a new idea to a broad audience. The producers of \u003cem>94110\u003c/em> had seen some work I did with a group called Thunderball Media, and they liked my tenacity, so here we are.”\u003c/p>\n\u003cp>Here’s the thing — Thunderball Media* is not a real company, and it probably never was; it’s the company Vermeire pretends to represent when he performs “Blinder.” That’s how hard Vermeire sells his concepts: he never lets on that they’re a joke, no matter how lunatic they appear.\u003c/p>\n\u003cfigure id=\"attachment_10702677\" class=\"wp-caption alignright\" style=\"max-width: 620px\">\u003ca href=\"http://missionlocal.org/2015/05/close-to-100-actors-audition-for-parts-in-94110/\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/05/94110-auditions.jpg\" alt=\"Outside the <i>94110</i> auditions at SFAQ (Courtesy of Jenny Manrique/Mission Local)\" width=\"620\" height=\"413\" class=\"size-full wp-image-10702677\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/05/94110-auditions.jpg 620w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/05/94110-auditions-400x266.jpg 400w\" sizes=\"(max-width: 620px) 100vw, 620px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Outside the \u003ci>94110\u003c/i> auditions at SFAQ (Courtesy of Jenny Manrique/Mission Local)\u003c/figcaption>\u003c/figure>\n\u003cp>I then contacted Andrew McClintock, the Publisher and Editor-in-Chief of the arts magazine \u003cem>\u003ca href=\"http://sfaq.us/\" target=\"_blank\" rel=\"noopener\">SF Arts Quarterly,\u003c/a>\u003c/em> which hosted the auditions for \u003ci>94110\u003c/i> at the publication’s office on O’Farrell Street.\u003c/p>\n\u003cp>When asked about SFAQ’s role in the creation of \u003ci>94110\u003c/i>, McClintock was straightforward with his answer: none at all, except for offering the space for two days. But he also added that he has no desire for involvement with the project “in any capacity moving forward.” \u003c/p>\n\u003cp>“In hindsight, this TV show goes against what we stand for, and we don’t feel the production team was 100-percent upfront with us,” McClintock said. “I have since terminated communication with them.”\u003c/p>\n\u003cp>Vermeire has stated that the producers require those close to the project to sign non-disclosure agreements, which may explain McClintock’s inability to explain what exactly went wrong. But when asked why the producers insisted on remaining anonymous, his answer was vague but telling.\u003c/p>\n\u003cp>“We thought it was for a reason,” McClintock said, “that it didn’t turn out to be.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Records show that a Thunderball Media \u003ca href=\"http://www.corporationwiki.com/California/Santa-Monica/thunderball-media-llc/46673683.aspx\" target=\"_blank\" rel=\"noopener\">did exist for a time in Santa Monica\u003c/a>, but when asked, Vermeire said that the company was based in San Francisco.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Drones and Dresses at Silicon Valley's First Fashion Week",
"headTitle": "Drones and Dresses at Silicon Valley’s First Fashion Week | KQED",
"content": "\u003cp>Putting on a major fashion week under most circumstances is a demanding enterprise. You need beautiful clothes, talented designers and breathtaking models — not to mention sponsors.\u003c/p>\n\u003cp>To create a fashion week for Silicon Valley, Chris Lindland, the CEO of \u003ca href=\"https://www.betabrand.com/\" target=\"_blank\" rel=\"noopener\">Betabrand\u003c/a>, faced a different set of demands, like figuring out how to fit drones and robots into clothes and convincing software engineers to strut their stuff on the runway.\u003c/p>\n\u003cp>But it’s the unique challenge of combining drones, engineers and Burning Man aesthetics with fashion that inspired Lindland to launch \u003ca href=\"http://www.sv-fashionweek.com/\" target=\"_blank\" rel=\"noopener\">\u003cstrong>Silicon Valley Fashion Week?\u003c/strong>\u003c/a> in the first place (and yes, that question mark is intentional).\u003c/p>\n\u003cp>“It’s coming up with a big idea that’s like, ‘oh god, that would be either brilliant or a gigantic failure,’ and then going for it,” Leland says.\u003c/p>\n\u003cp>The fashion week, which takes place May 12-14 at the Chapel in San Francisco, features three nights of tech-centric style. The first night, sponsored by \u003ca href=\"http://www.genze.com/\" target=\"_blank\" rel=\"noopener\">GenZe\u003c/a>, focuses on “Electric Motion,” showcasing electric scooters, electric skateboards and other commuting-themed products. The second night is dedicated to “Tech Wearables,” and is sponsored by \u003ca href=\"http://www.pchintl.com/\" target=\"_blank\" rel=\"noopener\">PHC\u003c/a>. And the third night, “Funded Fashion,” supported by Betabrand, celebrates with a parade of outfits created through crowdfunding.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The title of the event is deliberately posed as a question: should Silicon Valley have a fashion week? While Lindland wants the question to spark conversation, he himself is convinced that the fashion snobs in New York have grossly underestimated the Valley’s influence on style.\u003c/p>\n\u003cp>“Internet fashion is no joke — it’s becoming a huge industry,” Lindland states.\u003c/p>\n\u003cp>Buying a ticket might be tricky — according to Lindland, the 1,000 tickets for the fashion week sold out in just three days. In fact, enthusiasm for the event is so great that Lindland is considering adding a fourth day, and he’s looking even further ahead than that.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I hope we keep extending it as long as \u003cem>Beach Blanket Babylon\u003c/em> has been running in San Francisco.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Putting on a major fashion week under most circumstances is a demanding enterprise. You need beautiful clothes, talented designers and breathtaking models — not to mention sponsors.\u003c/p>\n\u003cp>To create a fashion week for Silicon Valley, Chris Lindland, the CEO of \u003ca href=\"https://www.betabrand.com/\" target=\"_blank\" rel=\"noopener\">Betabrand\u003c/a>, faced a different set of demands, like figuring out how to fit drones and robots into clothes and convincing software engineers to strut their stuff on the runway.\u003c/p>\n\u003cp>But it’s the unique challenge of combining drones, engineers and Burning Man aesthetics with fashion that inspired Lindland to launch \u003ca href=\"http://www.sv-fashionweek.com/\" target=\"_blank\" rel=\"noopener\">\u003cstrong>Silicon Valley Fashion Week?\u003c/strong>\u003c/a> in the first place (and yes, that question mark is intentional).\u003c/p>\n\u003cp>“It’s coming up with a big idea that’s like, ‘oh god, that would be either brilliant or a gigantic failure,’ and then going for it,” Leland says.\u003c/p>\n\u003cp>The fashion week, which takes place May 12-14 at the Chapel in San Francisco, features three nights of tech-centric style. The first night, sponsored by \u003ca href=\"http://www.genze.com/\" target=\"_blank\" rel=\"noopener\">GenZe\u003c/a>, focuses on “Electric Motion,” showcasing electric scooters, electric skateboards and other commuting-themed products. The second night is dedicated to “Tech Wearables,” and is sponsored by \u003ca href=\"http://www.pchintl.com/\" target=\"_blank\" rel=\"noopener\">PHC\u003c/a>. And the third night, “Funded Fashion,” supported by Betabrand, celebrates with a parade of outfits created through crowdfunding.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The title of the event is deliberately posed as a question: should Silicon Valley have a fashion week? While Lindland wants the question to spark conversation, he himself is convinced that the fashion snobs in New York have grossly underestimated the Valley’s influence on style.\u003c/p>\n\u003cp>“Internet fashion is no joke — it’s becoming a huge industry,” Lindland states.\u003c/p>\n\u003cp>Buying a ticket might be tricky — according to Lindland, the 1,000 tickets for the fashion week sold out in just three days. In fact, enthusiasm for the event is so great that Lindland is considering adding a fourth day, and he’s looking even further ahead than that.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I hope we keep extending it as long as \u003cem>Beach Blanket Babylon\u003c/em> has been running in San Francisco.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "OBSESSED: Everything We Can't Stop Talking About This Week",
"headTitle": "OBSESSED: Everything We Can’t Stop Talking About This Week | KQED",
"content": "\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over a Gchat horror film, a wacky YCBA exhibit, a so-bad-it’s-good plane movie, and more!\u003c/p>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">A Horror Film Short Set Entirely on Gchat\u003c/h2>\n\u003cp>https://vimeo.com/126097718\u003c/p>\n\u003cp class=\"p1\">Horror obsessives like me live in constant pursuit of the next big scare, the new idea that’s going to reinvent the genre. Obviously, this means a life of constant, crushing disappointment. I had really high hopes for \u003ca href=\"https://vimeo.com/126097718\">\u003cspan class=\"s1\">\u003ci>Green Dot\u003c/i>\u003c/span>\u003c/a>, a new \u003ca href=\"http://www.fastcocreate.com/3045543/this-chilling-5-minute-short-takes-place-entirely-in-a-g-mail-conversation-that-may-be-haunt?utm_source=facebook\">\u003cspan class=\"s1\">5-minute horror short\u003c/span>\u003c/a> that takes place (much like my own life!) entirely on Gmail’s Gchat instant messenger. Let’s get the bad news out of the way: it’s not very good. The intriguing concept (which unseen entity are you really talking to?) just becomes banal in execution, with a bad Nine Inch Nails soundtrack and a ‘twist’ you can see limping up your driveway from a mile away. BUT the good news: it’s actually an awesome idea, and I’m excited to think how another movie (note: \u003ci>not\u003c/i> \u003ca href=\"https://www.youtube.com/watch?v=Q72LWqCx3pc\">\u003cspan class=\"s1\">\u003ci>Unfriended\u003c/i>\u003c/span>\u003c/a>) could use it to create this decade’s answer to the \u003ca href=\"http://en.wikipedia.org/wiki/Ring_%28film%29\">\u003cspan class=\"s1\">‘tech-dread’ Asian horror\u003c/span>\u003c/a> of the late ’90s. You guys… \u003ci>Nightmare on AIM Street!\u003c/i>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10563173\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10563173 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/04/sarah-hotchkiss.jpg\" alt=\"sarah hotchkiss\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/sarah-hotchkiss.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/sarah-hotchkiss-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/sarah-hotchkiss-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/sarah-hotchkiss-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/sarah-hotchkiss-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/shotchkiss/\">Sarah Hotchkiss\u003c/a>\u003c/i> \u003cbr> Visual Arts Editor, \u003cbr> KQED Arts\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Shana Moulton as Cynthia\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10606197\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/04/ShanaMoulton.gif.gif\" alt=\"ShanaMoulton.gif\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>The central video in Shana Moulton’s current exhibition at Yerba Buena Center for the Arts, \u003ci>\u003ca href=\"http://ybca.org/shana-moulton\" target=\"”_blank”\" rel=\"noopener\">Picture Puzzle Pattern Door\u003c/a>\u003c/i> (on view through Aug. 2), combines Enya, a Shakira Activia Yogurt commercial, biofeedback devices and magical wiggly gloves for a hilarious sendup of women’s wellness products, the trappings of the New Age movement and pseudo-psychedelic spiritual questing. Pharmaceutical logos become jaunty dancing characters. Woodsy structures become portals to inner probiotic harmony. Throughout, Moulton plays “Cynthia,” a silent woman with worried eyes, a fantastic bowl cut and a penchant for muumuus. Parts of Cynthia’s world may be familiar, but the sheer oversaturation of wacky kitsch, combined with Moulton’s constantly straight face makes that world a total and bizarre pleasure to visit.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">\u003cem>Non-Stop\u003c/em>\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=jiHDJ19A3dk\u003c/p>\n\u003cp>I was prepared to write about \u003ca href=\"http://ww2.kqed.org/pop/2013/12/16/beyonce-and-chimamanda-ngozi-adichie-make-feminism-go-viral/\">Chimamanda Ngozi Adichie\u003c/a>’s \u003cem>Americanah\u003c/em> for this week’s column, but then I found out that Lupita Nyong’o is going to star in the film adaptation, which obviously led me to her IMDb page. There wasn’t much non-\u003cem>12 Years A Slave\u003c/em> work there, other than \u003cem>Non-Stop\u003c/em>, a movie starring Liam Neeson, Julianne Moore, and \u003cem>Downton\u003c/em>’s Mary Crawley. What? When did this happen? 2014, apparently.\u003c/p>\n\u003cp>Neeson plays an alcoholic air marshall who hates flying. \u003cem>Okay, I’m in\u003c/em>, you’re probably thinking. But there’s more! Some crazy person threatens to kill someone on the flight every 20 minutes. \u003ca href=\"http://media.giphy.com/media/ftXvsSyRzKXXG/giphy.gif\">Now we’re talking\u003c/a>. The premise is absurd, but the movie easily enters so-bad-it’s-good territory. Neeson’s character loses his damn mind! There’s mile-high club action and a cramped murder in a plane bathroom! And Mary Crawley has a job (what would the Countess think of her being a flight attendant?)! What more could you want from a second-rate flick about planes? Well, yeah, snakes, but you know what I mean.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over a Gchat horror film, a wacky YCBA exhibit, a so-bad-it’s-good plane movie, and more!\u003c/p>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">A Horror Film Short Set Entirely on Gchat\u003c/h2>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp class=\"p1\">Horror obsessives like me live in constant pursuit of the next big scare, the new idea that’s going to reinvent the genre. Obviously, this means a life of constant, crushing disappointment. I had really high hopes for \u003ca href=\"https://vimeo.com/126097718\">\u003cspan class=\"s1\">\u003ci>Green Dot\u003c/i>\u003c/span>\u003c/a>, a new \u003ca href=\"http://www.fastcocreate.com/3045543/this-chilling-5-minute-short-takes-place-entirely-in-a-g-mail-conversation-that-may-be-haunt?utm_source=facebook\">\u003cspan class=\"s1\">5-minute horror short\u003c/span>\u003c/a> that takes place (much like my own life!) entirely on Gmail’s Gchat instant messenger. Let’s get the bad news out of the way: it’s not very good. The intriguing concept (which unseen entity are you really talking to?) just becomes banal in execution, with a bad Nine Inch Nails soundtrack and a ‘twist’ you can see limping up your driveway from a mile away. BUT the good news: it’s actually an awesome idea, and I’m excited to think how another movie (note: \u003ci>not\u003c/i> \u003ca href=\"https://www.youtube.com/watch?v=Q72LWqCx3pc\">\u003cspan class=\"s1\">\u003ci>Unfriended\u003c/i>\u003c/span>\u003c/a>) could use it to create this decade’s answer to the \u003ca href=\"http://en.wikipedia.org/wiki/Ring_%28film%29\">\u003cspan class=\"s1\">‘tech-dread’ Asian horror\u003c/span>\u003c/a> of the late ’90s. You guys… \u003ci>Nightmare on AIM Street!\u003c/i>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10563173\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10563173 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/04/sarah-hotchkiss.jpg\" alt=\"sarah hotchkiss\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/sarah-hotchkiss.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/sarah-hotchkiss-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/sarah-hotchkiss-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/sarah-hotchkiss-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/sarah-hotchkiss-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/shotchkiss/\">Sarah Hotchkiss\u003c/a>\u003c/i> \u003cbr> Visual Arts Editor, \u003cbr> KQED Arts\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Shana Moulton as Cynthia\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10606197\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/04/ShanaMoulton.gif.gif\" alt=\"ShanaMoulton.gif\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>The central video in Shana Moulton’s current exhibition at Yerba Buena Center for the Arts, \u003ci>\u003ca href=\"http://ybca.org/shana-moulton\" target=\"”_blank”\" rel=\"noopener\">Picture Puzzle Pattern Door\u003c/a>\u003c/i> (on view through Aug. 2), combines Enya, a Shakira Activia Yogurt commercial, biofeedback devices and magical wiggly gloves for a hilarious sendup of women’s wellness products, the trappings of the New Age movement and pseudo-psychedelic spiritual questing. Pharmaceutical logos become jaunty dancing characters. Woodsy structures become portals to inner probiotic harmony. Throughout, Moulton plays “Cynthia,” a silent woman with worried eyes, a fantastic bowl cut and a penchant for muumuus. Parts of Cynthia’s world may be familiar, but the sheer oversaturation of wacky kitsch, combined with Moulton’s constantly straight face makes that world a total and bizarre pleasure to visit.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">\u003cem>Non-Stop\u003c/em>\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/jiHDJ19A3dk'\n title='//www.youtube.com/embed/jiHDJ19A3dk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I was prepared to write about \u003ca href=\"http://ww2.kqed.org/pop/2013/12/16/beyonce-and-chimamanda-ngozi-adichie-make-feminism-go-viral/\">Chimamanda Ngozi Adichie\u003c/a>’s \u003cem>Americanah\u003c/em> for this week’s column, but then I found out that Lupita Nyong’o is going to star in the film adaptation, which obviously led me to her IMDb page. There wasn’t much non-\u003cem>12 Years A Slave\u003c/em> work there, other than \u003cem>Non-Stop\u003c/em>, a movie starring Liam Neeson, Julianne Moore, and \u003cem>Downton\u003c/em>’s Mary Crawley. What? When did this happen? 2014, apparently.\u003c/p>\n\u003cp>Neeson plays an alcoholic air marshall who hates flying. \u003cem>Okay, I’m in\u003c/em>, you’re probably thinking. But there’s more! Some crazy person threatens to kill someone on the flight every 20 minutes. \u003ca href=\"http://media.giphy.com/media/ftXvsSyRzKXXG/giphy.gif\">Now we’re talking\u003c/a>. The premise is absurd, but the movie easily enters so-bad-it’s-good territory. Neeson’s character loses his damn mind! There’s mile-high club action and a cramped murder in a plane bathroom! And Mary Crawley has a job (what would the Countess think of her being a flight attendant?)! What more could you want from a second-rate flick about planes? Well, yeah, snakes, but you know what I mean.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>This is the third entry in a series of essays from actor and co-creator of the Superego podcast, Jeremy Carter. He has been performing improv comedy for over 20 years.\u003c/em>\u003c/p>\n\u003cp>Bouts of depression and anger are like a monster that shows up out of the blue — perhaps a hillbilly uncle that shows up drunk while you’re trying to put children to sleep and do your taxes. But, HERE HE IS!\u003c/p>\n\u003cp>And he wants you to feed him, and drink with him, and stay up late, or sleep way too much, and hate the things that he hates, even though you don’t.\u003c/p>\n\u003cp>There is not necessarily a reason for my depression that is biological; and the anger, well, that comes from extended periods of depression. However, I can say that money doesn’t help, mainly because it is the worst. In ten thousand years of social evolution, how haven’t we come up with something better than money? \u003c/p>\n\u003cp>In entertainment, it’s hard enough to make money, which is why being asked to work for free — as if it was something you’d do anyway — is so insulting. For example; “You’ll play our wedding! There’s no money in it, but you’ll work for food, right?” Or, “we hired you to do this project, but can you write it, as well? It’s creative. You’re creative. No, we won’t pay you more for it.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>You wouldn’t treat an employee of another field like this, would you? Do you ever just assume that your accountant would help you with your taxes because he loves crunching numbers? “There’s no pay, but here’s a two-for-one coupon for Steak & Shake!”\u003c/p>\n\u003cp>And by the way, do financial services inspire you? What if, when you go out for an evening with friends, every bar and restaurant played the stock report for ambient sound? Have you ever heard anyone say, “After dinner, let’s go check out that new financial seminar that’s touring!”?\u003c/p>\n\u003cp>I’ve rambled.\u003c/p>\n\u003cp>My woes and freakouts aren’t just about financial issues, but not being nagged on a monthly basis to pay somebody for being alive would be a nice change. The reality is that much of my sadness, anxiety, frustration is the result of not being able to support even a meager existence. I’d go get a “regular” job if I thought there was a chance of financial support and job security, but even those are hard to find. (Well done economic vampires and businessmen of the last thirty years! You’ve increased your fat bottom line to the point that the rest of your beloved country is being choked out.)\u003c/p>\n\u003cp>Then again, getting sad, or angry, or discouraged on a regular basis may just be part of the artist’s life. And though I don’t think mentally unstable people are more creative, I think having occasional emotional instability is a part of the creative process.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I can’t speak for everyone, but as artists, even if it seems we aren’t doing anything, we are. We’re thinking, experiencing, discovering, observing! Our minds refuse to shut off. Our ideas slam into one another and generate new ideas. Many evolve too quickly to write down. Many are terrible! And many just make us/you/them sad. But we’re looking for the idea that will inspire and you have to look everywhere. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>You wouldn’t treat an employee of another field like this, would you? Do you ever just assume that your accountant would help you with your taxes because he loves crunching numbers? “There’s no pay, but here’s a two-for-one coupon for Steak & Shake!”\u003c/p>\n\u003cp>And by the way, do financial services inspire you? What if, when you go out for an evening with friends, every bar and restaurant played the stock report for ambient sound? Have you ever heard anyone say, “After dinner, let’s go check out that new financial seminar that’s touring!”?\u003c/p>\n\u003cp>I’ve rambled.\u003c/p>\n\u003cp>My woes and freakouts aren’t just about financial issues, but not being nagged on a monthly basis to pay somebody for being alive would be a nice change. The reality is that much of my sadness, anxiety, frustration is the result of not being able to support even a meager existence. I’d go get a “regular” job if I thought there was a chance of financial support and job security, but even those are hard to find. (Well done economic vampires and businessmen of the last thirty years! You’ve increased your fat bottom line to the point that the rest of your beloved country is being choked out.)\u003c/p>\n\u003cp>Then again, getting sad, or angry, or discouraged on a regular basis may just be part of the artist’s life. And though I don’t think mentally unstable people are more creative, I think having occasional emotional instability is a part of the creative process.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I can’t speak for everyone, but as artists, even if it seems we aren’t doing anything, we are. We’re thinking, experiencing, discovering, observing! Our minds refuse to shut off. Our ideas slam into one another and generate new ideas. Many evolve too quickly to write down. Many are terrible! And many just make us/you/them sad. But we’re looking for the idea that will inspire and you have to look everywhere. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"meta": {
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"id": "fresh-air",
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"hidden-brain": {
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
},
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},
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"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"meta": {
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"rss": "https://rss.art19.com/masters-of-scale"
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
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"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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},
"link": "/radio/program/on-the-media",
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"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
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},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
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"officialWebsiteLink": "/perspectives/",
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
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"npr": "https://www.npr.org/podcasts/432309616/perspectives",
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"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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"rss": "https://feeds.npr.org/510289/podcast.xml"
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},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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