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"content": "\u003cp>On June 17, software engineers at Google \u003ca href=\"http://googleresearch.blogspot.com/2015/06/inceptionism-going-deeper-into-neural.html\" target=\"_blank\" rel=\"noopener\">posted images\u003c/a> on the company’s research blog that sent the internet into a tizzy. When fed images of pure static, Google computers trained on image recognition output psychedelic bonanzas of swirling color, floating pagodas — and hybrid creatures part fish, part pig and part corgi.\u003c/p>\n\u003cfigure id=\"attachment_10828716\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10828716 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/static.gif\" alt=\"User-uploaded image on Psychic VR Lab\" width=\"640\" height=\"360\">\u003cfigcaption class=\"wp-caption-text\">User-uploaded image on Psychic VR Lab\u003c/figcaption>\u003c/figure>\n\u003cp>As of today, the original post has 2,324 comments, ranging in mood from the contemplative (“Beyond the eye candy, there is actually something deeply interesting in this line of work”) to the panic-stricken (“Should I be scared?”).\u003c/p>\n\u003cp>The research team released the code used to create these visualizations in a \u003ca href=\"http://googleresearch.blogspot.com/2015/07/deepdream-code-example-for-visualizing.html\" target=\"_blank\" rel=\"noopener\">follow-up post\u003c/a> on July 1 so others could play with what they’re calling “DeepDream” — computers dreaming of and rendering all manner of electric sheep.\u003c/p>\n\u003cfigure id=\"attachment_10828721\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10828721\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/path.gif\" alt=\"User-uploaded image on Psychic VR Lab\" width=\"640\" height=\"426\">\u003cfigcaption class=\"wp-caption-text\">User-uploaded image on Psychic VR Lab\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_10828715\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10828715\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/bomb.gif\" alt=\"User-uploaded image on Psychic VR Lab\" width=\"640\" height=\"543\">\u003cfigcaption class=\"wp-caption-text\">User-uploaded image on Psychic VR Lab\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_10828717\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10828717\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/trees.gif\" alt=\"User-uploaded image on Psychic VR Lab\" width=\"640\" height=\"426\">\u003cfigcaption class=\"wp-caption-text\">User-uploaded image on Psychic VR Lab\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_10828718\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10828718\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/water.gif\" alt=\"User-uploaded image on Psychic VR Lab\" width=\"640\" height=\"480\">\u003cfigcaption class=\"wp-caption-text\">User-uploaded image on Psychic VR Lab\u003c/figcaption>\u003c/figure>\n\u003cp>It wasn’t long before a number of sites popped up to let us non-coders simply upload images and wait for the deeply disturbing output. One of those, \u003ca href=\"http://dreamdeeply.com/\" target=\"_blank\" rel=\"noopener\">Dream Deeply\u003c/a>, even lets you choose between “a nap” and “a night’s sleep.” It essentially determines how long an image runs through the system’s feedback loop, becoming more and more divorced from its original content. Now there’s even a \u003ca href=\"https://www.reddit.com/r/deepdream/\" target=\"_blank\" rel=\"noopener\">Reddit thread\u003c/a> related to the project.\u003c/p>\n\u003cp>So what’s really going on here?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Google’s engineers created the visualization tool to try and understand what’s happening inside their artificial neural networks — meaning, roughly, computers that mimic the way a tangle of neurons fire in human brains.\u003c/p>\n\u003cp>So what’s with all the dogs, bugs and eyeballs? When over-analyzing the input, the networks seek out the images they were trained to identify. Some networks, \u003ca href=\"http://places.csail.mit.edu/\" target=\"_blank\" rel=\"noopener\">like MIT’s\u003c/a>, have been trained on places. Others, animals. The most popular sites providing uploading and processing services to the public right now seem only to understand dogs, pagodas, eyeballs, slugs and more dogs.\u003c/p>\n\u003cp>Most people uploading their images to sites like \u003ca href=\"http://deepdreamr.com/\" target=\"_blank\" rel=\"noopener\">deepdreamr\u003c/a>, \u003ca href=\"http://psychic-vr-lab.com/deepdream/\" target=\"_blank\" rel=\"noopener\">Psychic VR Lab\u003c/a> or Dream Deeply opt for selfies, which unfailingly yield grotesque portraits with a few too many eyeballs. For those who upload landscapes, DeepDream seems to want to fill bucolic, uninhabited spaces with creatures, structures and vehicles. The neural network doesn’t lack “understanding,” per se, but these images demonstrate a system running rampant, doing what it was trained to do to a ridiculous degree.\u003c/p>\n\u003cp>Humans are all subject to \u003ca href=\"https://en.wikipedia.org/wiki/Pareidolia\" target=\"_blank\" rel=\"noopener\">pareidolia\u003c/a> (finding significance in images or sounds, like seeing faces in trees and animals in clouds) and here humans have trained neural networks to look for significance in what to them is a field of random, multi-hued information.\u003c/p>\n\u003cp>What deeper truths or predictions can we infer from this bewildering glimpse into an artificial mind?\u003c/p>\n\u003cp>To find out what the future holds in a computer’s eyes, I uploaded a still from the 2013 sci-fi blockbuster \u003cem>Star Trek: Into Darkness\u003c/em> to Dream Deeply and told it to get a “full night’s sleep.” For those of you out of the loop, this is San Francisco in 2259 (aka Starfleet headquarters).\u003c/p>\n\u003cfigure id=\"attachment_10828722\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10828722\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/FutureSF.gif\" alt=\"Still from 'Star Trek: Into Darkness' dreamed deeply.\" width=\"640\" height=\"427\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Star Trek: Into Darkness’ dreamed deeply.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>While the city is filled with majestic golden-domed towers, apparently we haven’t abandoned our cars. Instead, we’ve chosen to merge with them to become four-wheeled, blue-suited creatures that will surely give me nightmares for weeks to come.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Google’s engineers created the visualization tool to try and understand what’s happening inside their artificial neural networks — meaning, roughly, computers that mimic the way a tangle of neurons fire in human brains.\u003c/p>\n\u003cp>So what’s with all the dogs, bugs and eyeballs? When over-analyzing the input, the networks seek out the images they were trained to identify. Some networks, \u003ca href=\"http://places.csail.mit.edu/\" target=\"_blank\" rel=\"noopener\">like MIT’s\u003c/a>, have been trained on places. Others, animals. The most popular sites providing uploading and processing services to the public right now seem only to understand dogs, pagodas, eyeballs, slugs and more dogs.\u003c/p>\n\u003cp>Most people uploading their images to sites like \u003ca href=\"http://deepdreamr.com/\" target=\"_blank\" rel=\"noopener\">deepdreamr\u003c/a>, \u003ca href=\"http://psychic-vr-lab.com/deepdream/\" target=\"_blank\" rel=\"noopener\">Psychic VR Lab\u003c/a> or Dream Deeply opt for selfies, which unfailingly yield grotesque portraits with a few too many eyeballs. For those who upload landscapes, DeepDream seems to want to fill bucolic, uninhabited spaces with creatures, structures and vehicles. The neural network doesn’t lack “understanding,” per se, but these images demonstrate a system running rampant, doing what it was trained to do to a ridiculous degree.\u003c/p>\n\u003cp>Humans are all subject to \u003ca href=\"https://en.wikipedia.org/wiki/Pareidolia\" target=\"_blank\" rel=\"noopener\">pareidolia\u003c/a> (finding significance in images or sounds, like seeing faces in trees and animals in clouds) and here humans have trained neural networks to look for significance in what to them is a field of random, multi-hued information.\u003c/p>\n\u003cp>What deeper truths or predictions can we infer from this bewildering glimpse into an artificial mind?\u003c/p>\n\u003cp>To find out what the future holds in a computer’s eyes, I uploaded a still from the 2013 sci-fi blockbuster \u003cem>Star Trek: Into Darkness\u003c/em> to Dream Deeply and told it to get a “full night’s sleep.” For those of you out of the loop, this is San Francisco in 2259 (aka Starfleet headquarters).\u003c/p>\n\u003cfigure id=\"attachment_10828722\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10828722\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/FutureSF.gif\" alt=\"Still from 'Star Trek: Into Darkness' dreamed deeply.\" width=\"640\" height=\"427\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Star Trek: Into Darkness’ dreamed deeply.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>While the city is filled with majestic golden-domed towers, apparently we haven’t abandoned our cars. Instead, we’ve chosen to merge with them to become four-wheeled, blue-suited creatures that will surely give me nightmares for weeks to come.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Eye of the Sluricane: A Dispatch from an E-40 Bottle Signing",
"title": "Eye of the Sluricane: A Dispatch from an E-40 Bottle Signing",
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"content": "\u003cp>Earl Stevens, better known as E-40, the Vallejo-born rap ambassador, really needs no introduction. His inimitable flow set him apart from his contemporaries in the ‘90s; in the mid-aughts, he heralded the hyphy movement’s arrival on the Billboard Hot 100, the Bay’s all-too-short moment in the mainstream sun.\u003c/p>\n\u003cp>The hip-hop icon's entrepreneurial endeavors are perhaps less well-known: a line of energy drinks called 40 Water, a brief dalliance with a diamond-encrusted toothpick manufacturer, and ownership of local Wingstop and Fatburger franchises (Vallejo, Benicia, Pleasant Hill).\u003c/p>\n\u003cp>His promotional prowess is at its best, though, when he's simply marketing E-40, the personality -- and a thoroughly Bay Area one at that. Take the \u003ca href=\"https://www.youtube.com/watch?v=bfYvtz3NbKE\" target=\"_blank\">Golden State Warriors-specific remix of “Choices (Yup),”\u003c/a> the call-and-response single that became synonymous with the team’s joyful ascent to the NBA Championship title a few weeks ago. You know the one: Draymond Green referenced it in his delightfully tipsy interview during the championship parade. The original, uncensored version of the song is decidedly NSFW; somehow it’s also become a network television-friendly rally cry for the ages. This is, ironically, a sign of Stevens’ top-shelf success: He's so beloved, he doesn’t have to choose.\u003c/p>\n\u003cp>Regardless -- as the song goes -- everybody got choices. And today you have chosen to wait in line for two hours at a BevMo! in Walnut Creek to get your hands on a signed bottle of E-40’s latest venture. It's called \u003ca href=\"http://www.bevmo.com/Shop/ProductDetail.aspx/Spirits/Prepared-Cocktails/E-40/SLURICANE-BY-E-40-36PF/44794\" target=\"_blank\">Sluricane\u003c/a>, and it looks like this:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/sluricane1.jpg\">\u003cimg class=\"aligncenter wp-image-10829483\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/sluricane1-400x267.jpg\" alt=\"sluricane1\" width=\"506\" height=\"337\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Released last November, the pre-bottled rum cocktail is a play on the classic New Orleans \"Hurricane,\" which is also the title of an \u003ca href=\"https://www.youtube.com/watch?v=ICvPTWLxLW4\" target=\"_blank\">E-40 and the Click track from 1995\u003c/a>. The beverage clocks in at 18 percent ABV, which makes the lyric “Sluricane, strong enough to start an engine, mayne” very appropriate. Its other main feature is that it is red. Bright, unnatural red. Photos don't really capture it. Think Robitussin, Red 40, and nuclear waste. We'll get to the taste in a minute.\u003c/p>\n\u003cdiv id=\"fb-root\">\u003c/div>\n\u003cp>\u003cscript>(function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = 'https://connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.11'; fjs.parentNode.insertBefore(js, fjs);}(document, 'script', 'facebook-jssdk'));\u003c/script>\u003c/p>\n\u003cdiv class=\"fb-post\" data-href=\"https://www.facebook.com/e40/photos/a.10151718377127050.1073741825.25529837049/10152948222447050/?type=1&permPage=1\" data-width=\"640\">\n\u003cblockquote cite=\"https://www.facebook.com/e40/posts/10152948222447050:0\" class=\"fb-xfbml-parse-ignore\">\n\u003cp>I am headed to Walnut Creek for today's bottle signage!!! 2940 N. Main St., Walnut Creek, CA 94596 July 9th ( 10am - 2pm ) E40Sluricane\u003c/p>\n\u003cp>Posted by \u003ca href=\"https://www.facebook.com/e40/\">E-40\u003c/a> on \u003ca href=\"https://www.facebook.com/e40/posts/10152948222447050:0\">Thursday, July 9, 2015\u003c/a>\u003c/p>\u003c/blockquote>\n\u003c/div>\n\u003cp>\u003cstrong>10:30am:\u003c/strong> Outside BevMo!, in a business park next to an IHOP and a Walgreens, Sluricane enthusiasts have formed a quickly-growing line. The group skews toward guys in their early 20s, though the few groups of girls are louder. There are a couple families, lots of Warriors jerseys, and some people clutching E-40 records. The pros have brought their own pens -- metallic gold Sharpies.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/IMG_7214.jpg\">\u003cimg class=\" size-thumbnail wp-image-10829388 alignleft\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/IMG_7214-400x400.jpg\" alt=\"IMG_7214\" width=\"400\" height=\"400\">\u003c/a>\u003c/p>\n\u003cp>Security guards mutter into walkie-talkies. Every five minutes a regular customer who just wants to buy some wine approaches, confused. Eventually a BevMo! employee is tasked with identifying these customers and escorting them safely inside, past the tomfoolery of the Sluricane line. Sometimes this employee misses:\u003c/p>\n\u003cp>\u003cstrong>Employee:\u003c/strong> “Excuse me, sir, the store is open, you can come right this way if you’re not…”\u003cbr>\n\u003cstrong>Unassuming-looking elderly man in khaki shorts:\u003c/strong> “No, no, I’m here for the Sluricane.”\u003cbr>\n\u003cstrong>Everyone else:\u003c/strong> *CHEERS LOUDLY*\u003c/p>\n\u003cp>\u003cb>10:58am: \u003c/b>Nearly a half-hour has passed and you have moved roughly two feet. Time to poll the neighbors. The girls in front of you with impeccable manicures drove down from Vacaville this morning after seeing a post on Facebook. They have not yet tried Sluricane. The guy behind you introduces himself as an MC in the rap trio Fort Knocks, up here from L.A. for a couple of shows. He gives you a CD. He doesn’t call women bitches in his raps, he wants you to know. Also, he and E-40 go back. And despite his past, he says, E-40’s a family man.\u003c/p>\n\u003cp>Okay, but what about Sluricane? He hasn't tried it either. “I drink more, like, gin and tonics.”\u003c/p>\n\u003cp>\u003cb>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/IMG_7217-e1436507885128-400x533.jpg\">\u003cimg class=\"alignright wp-image-17086 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/IMG_7217-e1436507885128-400x533.jpg\" alt=\"IMG_7217-e1436507885128-400x533\" width=\"400\" height=\"533\">\u003c/a>11:30am: \u003c/b>Finally indoors, in a line that snakes around the room. Everyone has been tempted by the drinking accessories at BevMo! before, but have you ever had the luxury of staring at them for hours on end? There is an entire line of wine glasses, cocktail trinkets and “party buckets” all designed to look like red Solo cups, when in fact they are sturdy, dishwasher-safe and reusable. The company is called \u003ca href=\"http://www.amazon.com/Red-Cup-Living/b/ref=bl_dp_s_web_6241096011?ie=UTF8&node=6241096011&field-lbr_brands_browse-bin=Red+Cup+Living\" target=\"_blank\">Red Cup Living\u003c/a>, and its motto is “It’s not just a cup. It’s a lifestyle.” Consider that for a while.\u003c/p>\n\u003cp>\u003cb>11:16am: \u003c/b>A store manager surveys the scene. They’ve been planning this for about a week, he says, including hiring security and having people from corporate come in to help. Is this a bigger crowd than he was expecting? Do they do this kind of thing often?\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/FullSizeRender-6.jpg\">\u003cimg class=\" size-thumbnail wp-image-10829397 alignleft\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/FullSizeRender-6-400x300.jpg\" alt=\"FullSizeRender (6)\" width=\"400\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp>“Not that often,” he says. “About five years ago, Dan Aykroyd did a vodka signing, and that was…” his eyes widen. It was bigger than this, you gather. He doesn’t want to insult anybody.\u003c/p>\n\u003cp>\u003cb>11:42am: \u003c/b>Stand in front of a greeting card display for so long that you remember you actually need to buy a birthday card for your mother. Pick out the dumbest one. The first customers have begun to return from their E-40 experience, traipsing past the line toward the checkout aisle gripping bottles of blindingly red Sluricane, grinning, dazzled, like they just got off a rollercoaster.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/FullSizeRender-5.jpg\">\u003cimg class=\" size-thumbnail wp-image-10829394 alignright\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/FullSizeRender-5-400x300.jpg\" alt=\"FullSizeRender (5)\" width=\"400\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>11:59am:\u003c/b> In a store full of \u003ci>beverage experts\u003c/i>, you have yet to hear anyone actually discuss the merits of Sluricane. Ask one employee if he has tried it. Would he recommend it? What would he pair it with? He has not tried it. He hands you off to another employee, his best bet for having tried it. He is wrong.\u003c/p>\n\u003cp>“It’s a rum cocktail, yeah? Sweet?” says Employee #2 , making a face. He says he came in at 5am today to barricade the line area “like Disneyland.” Look closer. Said barricade is made of Sluricane.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/IMG_2709.jpg\">\u003cimg class=\" size-thumbnail wp-image-10829396 alignleft\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/IMG_2709-400x300.jpg\" alt=\"IMG_2709\" width=\"400\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>12:15pm:\u003c/b> It can’t be an accident that one of the displays they have the line pass is a wall of \u003ca href=\"http://earlstevensselections.com/\" target=\"_blank\">Earl Stevens Selections\u003c/a>, a.k.a. E-40’s wines, currently available in three varietals (Moscato, Mangoscato, and “Function” Red Blend), all of which surprised the wine industry last year by selling \u003ca href=\"http://www.sacbee.com/food-drink/article2605430.html\">exceedingly well.\u003c/a> He will not be signing these today.\u003c/p>\n\u003cp>Sluricane, for its part, has racked up some dynamic reviews in its eight months on the market. From the \u003ca href=\"http://www.bevmo.com/Shop/ProductDetail.aspx/Spirits/Prepared-Cocktails/E-40/SLURICANE-BY-E-40-36PF/44794\" target=\"_blank\">BevMo! website\u003c/a>:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/Screen-Shot-2015-07-09-at-10.41.32-PM.png\">\u003cimg class=\" wp-image-10829384 aligncenter\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/Screen-Shot-2015-07-09-at-10.41.32-PM.png\" alt=\"\" width=\"573\" height=\"139\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>12:28pm: \u003c/b>With only one couple in front of you in line, the employee closest to the holy grail announces that you will have 30 seconds with Stevens. That is plenty of time, of course, and yet you still panic.\u003c/p>\n\u003cp>Because here is the thing: You have tried Sluricane. You have willingly consumed Sluricane on three separate occasions since its release last year, given it three separate chances. Each time it has failed. Sluricane tastes like suffocatingly over-scented Banana Boat sunscreen, Jolly Ranchers, lipgloss and battery acid. It tastes like something a witch would give children in a fairytale to mask the taste of poison. If Strawberry Shortcake were an alcoholic, she would wake up in a pool of Sluricane. You love E-40, but you cannot tell E-40 you love Sluricane, because Sluricane is f--ing terrible.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/IMG_7222.jpg\">\u003cimg class=\" size-thumbnail wp-image-10829395 aligncenter\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/IMG_7222-400x300.jpg\" alt=\"IMG_7222\" width=\"400\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>12:35pm. \u003c/b>It’s over in an instant. He is warm, deep-voiced and friendly, and happily signs your mother’s birthday card in addition to two bottles, adding that you’re a good daughter. “I try,” you say. “Hey, and also -- I know you like to eat. What would you pair Sluricane with, food-wise?”\u003c/p>\n\u003cp>He laughs. “Well, it’s a cocktail, not a wine, so -- I think it goes with everything,\" he says. He thinks. “Pasta?”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Float toward the checkout lanes. Pasta. Sluricane is getting another go-around. This time, with pasta.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Earl Stevens, better known as E-40, the Vallejo-born rap ambassador, really needs no introduction. His inimitable flow set him apart from his contemporaries in the ‘90s; in the mid-aughts, he heralded the hyphy movement’s arrival on the Billboard Hot 100, the Bay’s all-too-short moment in the mainstream sun.\u003c/p>\n\u003cp>The hip-hop icon's entrepreneurial endeavors are perhaps less well-known: a line of energy drinks called 40 Water, a brief dalliance with a diamond-encrusted toothpick manufacturer, and ownership of local Wingstop and Fatburger franchises (Vallejo, Benicia, Pleasant Hill).\u003c/p>\n\u003cp>His promotional prowess is at its best, though, when he's simply marketing E-40, the personality -- and a thoroughly Bay Area one at that. Take the \u003ca href=\"https://www.youtube.com/watch?v=bfYvtz3NbKE\" target=\"_blank\">Golden State Warriors-specific remix of “Choices (Yup),”\u003c/a> the call-and-response single that became synonymous with the team’s joyful ascent to the NBA Championship title a few weeks ago. You know the one: Draymond Green referenced it in his delightfully tipsy interview during the championship parade. The original, uncensored version of the song is decidedly NSFW; somehow it’s also become a network television-friendly rally cry for the ages. This is, ironically, a sign of Stevens’ top-shelf success: He's so beloved, he doesn’t have to choose.\u003c/p>\n\u003cp>Regardless -- as the song goes -- everybody got choices. And today you have chosen to wait in line for two hours at a BevMo! in Walnut Creek to get your hands on a signed bottle of E-40’s latest venture. It's called \u003ca href=\"http://www.bevmo.com/Shop/ProductDetail.aspx/Spirits/Prepared-Cocktails/E-40/SLURICANE-BY-E-40-36PF/44794\" target=\"_blank\">Sluricane\u003c/a>, and it looks like this:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/sluricane1.jpg\">\u003cimg class=\"aligncenter wp-image-10829483\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/sluricane1-400x267.jpg\" alt=\"sluricane1\" width=\"506\" height=\"337\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Released last November, the pre-bottled rum cocktail is a play on the classic New Orleans \"Hurricane,\" which is also the title of an \u003ca href=\"https://www.youtube.com/watch?v=ICvPTWLxLW4\" target=\"_blank\">E-40 and the Click track from 1995\u003c/a>. The beverage clocks in at 18 percent ABV, which makes the lyric “Sluricane, strong enough to start an engine, mayne” very appropriate. Its other main feature is that it is red. Bright, unnatural red. Photos don't really capture it. Think Robitussin, Red 40, and nuclear waste. We'll get to the taste in a minute.\u003c/p>\n\u003cdiv id=\"fb-root\">\u003c/div>\n\u003cp>\u003cscript>(function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = 'https://connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.11'; fjs.parentNode.insertBefore(js, fjs);}(document, 'script', 'facebook-jssdk'));\u003c/script>\u003c/p>\n\u003cdiv class=\"fb-post\" data-href=\"https://www.facebook.com/e40/photos/a.10151718377127050.1073741825.25529837049/10152948222447050/?type=1&permPage=1\" data-width=\"640\">\n\u003cblockquote cite=\"https://www.facebook.com/e40/posts/10152948222447050:0\" class=\"fb-xfbml-parse-ignore\">\n\u003cp>I am headed to Walnut Creek for today's bottle signage!!! 2940 N. Main St., Walnut Creek, CA 94596 July 9th ( 10am - 2pm ) E40Sluricane\u003c/p>\n\u003cp>Posted by \u003ca href=\"https://www.facebook.com/e40/\">E-40\u003c/a> on \u003ca href=\"https://www.facebook.com/e40/posts/10152948222447050:0\">Thursday, July 9, 2015\u003c/a>\u003c/p>\u003c/blockquote>\n\u003c/div>\n\u003cp>\u003cstrong>10:30am:\u003c/strong> Outside BevMo!, in a business park next to an IHOP and a Walgreens, Sluricane enthusiasts have formed a quickly-growing line. The group skews toward guys in their early 20s, though the few groups of girls are louder. There are a couple families, lots of Warriors jerseys, and some people clutching E-40 records. The pros have brought their own pens -- metallic gold Sharpies.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/IMG_7214.jpg\">\u003cimg class=\" size-thumbnail wp-image-10829388 alignleft\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/IMG_7214-400x400.jpg\" alt=\"IMG_7214\" width=\"400\" height=\"400\">\u003c/a>\u003c/p>\n\u003cp>Security guards mutter into walkie-talkies. Every five minutes a regular customer who just wants to buy some wine approaches, confused. Eventually a BevMo! employee is tasked with identifying these customers and escorting them safely inside, past the tomfoolery of the Sluricane line. Sometimes this employee misses:\u003c/p>\n\u003cp>\u003cstrong>Employee:\u003c/strong> “Excuse me, sir, the store is open, you can come right this way if you’re not…”\u003cbr>\n\u003cstrong>Unassuming-looking elderly man in khaki shorts:\u003c/strong> “No, no, I’m here for the Sluricane.”\u003cbr>\n\u003cstrong>Everyone else:\u003c/strong> *CHEERS LOUDLY*\u003c/p>\n\u003cp>\u003cb>10:58am: \u003c/b>Nearly a half-hour has passed and you have moved roughly two feet. Time to poll the neighbors. The girls in front of you with impeccable manicures drove down from Vacaville this morning after seeing a post on Facebook. They have not yet tried Sluricane. The guy behind you introduces himself as an MC in the rap trio Fort Knocks, up here from L.A. for a couple of shows. He gives you a CD. He doesn’t call women bitches in his raps, he wants you to know. Also, he and E-40 go back. And despite his past, he says, E-40’s a family man.\u003c/p>\n\u003cp>Okay, but what about Sluricane? He hasn't tried it either. “I drink more, like, gin and tonics.”\u003c/p>\n\u003cp>\u003cb>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/IMG_7217-e1436507885128-400x533.jpg\">\u003cimg class=\"alignright wp-image-17086 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/IMG_7217-e1436507885128-400x533.jpg\" alt=\"IMG_7217-e1436507885128-400x533\" width=\"400\" height=\"533\">\u003c/a>11:30am: \u003c/b>Finally indoors, in a line that snakes around the room. Everyone has been tempted by the drinking accessories at BevMo! before, but have you ever had the luxury of staring at them for hours on end? There is an entire line of wine glasses, cocktail trinkets and “party buckets” all designed to look like red Solo cups, when in fact they are sturdy, dishwasher-safe and reusable. The company is called \u003ca href=\"http://www.amazon.com/Red-Cup-Living/b/ref=bl_dp_s_web_6241096011?ie=UTF8&node=6241096011&field-lbr_brands_browse-bin=Red+Cup+Living\" target=\"_blank\">Red Cup Living\u003c/a>, and its motto is “It’s not just a cup. It’s a lifestyle.” Consider that for a while.\u003c/p>\n\u003cp>\u003cb>11:16am: \u003c/b>A store manager surveys the scene. They’ve been planning this for about a week, he says, including hiring security and having people from corporate come in to help. Is this a bigger crowd than he was expecting? Do they do this kind of thing often?\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/FullSizeRender-6.jpg\">\u003cimg class=\" size-thumbnail wp-image-10829397 alignleft\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/FullSizeRender-6-400x300.jpg\" alt=\"FullSizeRender (6)\" width=\"400\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp>“Not that often,” he says. “About five years ago, Dan Aykroyd did a vodka signing, and that was…” his eyes widen. It was bigger than this, you gather. He doesn’t want to insult anybody.\u003c/p>\n\u003cp>\u003cb>11:42am: \u003c/b>Stand in front of a greeting card display for so long that you remember you actually need to buy a birthday card for your mother. Pick out the dumbest one. The first customers have begun to return from their E-40 experience, traipsing past the line toward the checkout aisle gripping bottles of blindingly red Sluricane, grinning, dazzled, like they just got off a rollercoaster.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/FullSizeRender-5.jpg\">\u003cimg class=\" size-thumbnail wp-image-10829394 alignright\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/FullSizeRender-5-400x300.jpg\" alt=\"FullSizeRender (5)\" width=\"400\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>11:59am:\u003c/b> In a store full of \u003ci>beverage experts\u003c/i>, you have yet to hear anyone actually discuss the merits of Sluricane. Ask one employee if he has tried it. Would he recommend it? What would he pair it with? He has not tried it. He hands you off to another employee, his best bet for having tried it. He is wrong.\u003c/p>\n\u003cp>“It’s a rum cocktail, yeah? Sweet?” says Employee #2 , making a face. He says he came in at 5am today to barricade the line area “like Disneyland.” Look closer. Said barricade is made of Sluricane.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/IMG_2709.jpg\">\u003cimg class=\" size-thumbnail wp-image-10829396 alignleft\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/IMG_2709-400x300.jpg\" alt=\"IMG_2709\" width=\"400\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>12:15pm:\u003c/b> It can’t be an accident that one of the displays they have the line pass is a wall of \u003ca href=\"http://earlstevensselections.com/\" target=\"_blank\">Earl Stevens Selections\u003c/a>, a.k.a. E-40’s wines, currently available in three varietals (Moscato, Mangoscato, and “Function” Red Blend), all of which surprised the wine industry last year by selling \u003ca href=\"http://www.sacbee.com/food-drink/article2605430.html\">exceedingly well.\u003c/a> He will not be signing these today.\u003c/p>\n\u003cp>Sluricane, for its part, has racked up some dynamic reviews in its eight months on the market. From the \u003ca href=\"http://www.bevmo.com/Shop/ProductDetail.aspx/Spirits/Prepared-Cocktails/E-40/SLURICANE-BY-E-40-36PF/44794\" target=\"_blank\">BevMo! website\u003c/a>:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/Screen-Shot-2015-07-09-at-10.41.32-PM.png\">\u003cimg class=\" wp-image-10829384 aligncenter\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/Screen-Shot-2015-07-09-at-10.41.32-PM.png\" alt=\"\" width=\"573\" height=\"139\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>12:28pm: \u003c/b>With only one couple in front of you in line, the employee closest to the holy grail announces that you will have 30 seconds with Stevens. That is plenty of time, of course, and yet you still panic.\u003c/p>\n\u003cp>Because here is the thing: You have tried Sluricane. You have willingly consumed Sluricane on three separate occasions since its release last year, given it three separate chances. Each time it has failed. Sluricane tastes like suffocatingly over-scented Banana Boat sunscreen, Jolly Ranchers, lipgloss and battery acid. It tastes like something a witch would give children in a fairytale to mask the taste of poison. If Strawberry Shortcake were an alcoholic, she would wake up in a pool of Sluricane. You love E-40, but you cannot tell E-40 you love Sluricane, because Sluricane is f--ing terrible.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/IMG_7222.jpg\">\u003cimg class=\" size-thumbnail wp-image-10829395 aligncenter\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/IMG_7222-400x300.jpg\" alt=\"IMG_7222\" width=\"400\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp>\u003cb>12:35pm. \u003c/b>It’s over in an instant. He is warm, deep-voiced and friendly, and happily signs your mother’s birthday card in addition to two bottles, adding that you’re a good daughter. “I try,” you say. “Hey, and also -- I know you like to eat. What would you pair Sluricane with, food-wise?”\u003c/p>\n\u003cp>He laughs. “Well, it’s a cocktail, not a wine, so -- I think it goes with everything,\" he says. He thinks. “Pasta?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Mainstream films have a longstanding reputation of being a space for white men, so much so that a phenomenon like \u003ca target=\"_blank\" href=\"https://en.wikipedia.org/wiki/Bechdel_test\" rel=\"noopener\">The Bechdel Test\u003c/a>, which grades movies based on whether two women speak to each other about something other than a man, is necessary. Now there’s a similar litmus \u003ca href=\"http://ww2.kqed.org/pop/tumblr-video-series-every-single-word-dylan-marron-reveals-how-rarely-people-of-color-speak-in-popular-films\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"http://ww2.kqed.org/pop/tumblr-video-series-every-single-word-dylan-marron-reveals-how-rarely-people-of-color-speak-in-popular-films\" target=\"_blank\" title=\"Video Series Reveals How Rarely People of Color Speak in Popular Films\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "\u003cp>Mainstream films have a longstanding reputation of being a space for white men, so much so that a phenomenon like \u003ca target=\"_blank\" href=\"https://en.wikipedia.org/wiki/Bechdel_test\" rel=\"noopener\">The Bechdel Test\u003c/a>, which grades movies based on whether two women speak to each other about something other than a man, is necessary. Now there's a similar litmus \u003ca href=\"http://ww2.kqed.org/pop/tumblr-video-series-every-single-word-dylan-marron-reveals-how-rarely-people-of-color-speak-in-popular-films\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> ...read more\u003c/a>",
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"content": "\u003cp>Hey guys, remember the '80s? The big hair, the leather vests, the wild, drug-fueled orgies on the Slayer tour bus after the show? Or that time you listened to so much Mötley Crüe you got addicted to heroin, joined a sex cult and killed your sister's parakeet in ritual sacrifice?\u003c/p>\n\u003cp>The causal relationship in that last sentence might seem tenuous, but if you were a teenager during the Reagan administration, that kind of rhetoric was far from a punchline -- it was on the \u003cem>Senate floor, \u003c/em>as Tipper Gore's \u003ca href=\"https://en.wikipedia.org/wiki/Parents_Music_Resource_Center\" target=\"_blank\">Parents Music Resource Center\u003c/a> attempted to prove that music with lyrics about sex, drugs and violence actually compelled teenagers to partake in those activities themselves.\u003c/p>\n\u003cp>Now, some 20 years after Dee Snider took the stand before members of Congress to argue that Twisted Sister's lyrics were not, in fact, leading teens down a path toward Satan, science has finally backed him up.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=S0Vyr1TylTE\u003c/p>\n\u003cp>According to \u003ca href=\"http://www.tandfonline.com/doi/abs/10.1080/15298868.2015.1036918?journalCode=psai20&#.VZ2FsflVgSX\" target=\"_blank\">a new study\u003c/a> published by the International Society for Self and Identity, adults who identified as metal fans during their adolescence reported being \"significantly happier in their youth and better adjusted currently\" than their non-metalhead counterparts.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The study, which was led by a psychology professor at Humboldt State University (because of course it was), surveyed the experiences of 377 adult participants who self-identified as former teenage \"heavy metal groupies, musicians, and fans.\" The findings?\u003c/p>\n\u003cblockquote>\u003cp>Results revealed that metal enthusiasts did often experience traumatic and risky “sex, drugs, and rock-n-roll” lives. However, the “metalhead” identity also served as a protective factor against negative outcomes. They were significantly happier in their youth and better adjusted currently than either middle-aged or current college-age youth comparison groups. Thus, participation in fringe style cultures may enhance identity development in troubled youth.\u003c/p>\u003c/blockquote>\n\u003cp>In other words: When you're a teenager and everything kind of sucks (redundant), it's good to have people around who understand you, enjoy similar interests and function as a community. The feeling of belonging to something is good for you, whether it's the Future Farmers of America or a sweaty mass of people wearing leather pants and screaming about the jackal that holds the soul of the Antichrist crying bloody tears of death into an abyss or whatever. Either can help define your sense of self at a time when it seems like there's no one else like you; neither is an early indicator of a life of despondency and crime.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>On the other hand: Jury's still out on \u003ca href=\"http://www.nydailynews.com/news/national/direction-fan-killed-pet-dog-twitter-snub-stars-article-1.1453490\" target=\"_blank\">One Direction fans\u003c/a>. Maybe check back in 20 years?\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hey guys, remember the '80s? The big hair, the leather vests, the wild, drug-fueled orgies on the Slayer tour bus after the show? Or that time you listened to so much Mötley Crüe you got addicted to heroin, joined a sex cult and killed your sister's parakeet in ritual sacrifice?\u003c/p>\n\u003cp>The causal relationship in that last sentence might seem tenuous, but if you were a teenager during the Reagan administration, that kind of rhetoric was far from a punchline -- it was on the \u003cem>Senate floor, \u003c/em>as Tipper Gore's \u003ca href=\"https://en.wikipedia.org/wiki/Parents_Music_Resource_Center\" target=\"_blank\">Parents Music Resource Center\u003c/a> attempted to prove that music with lyrics about sex, drugs and violence actually compelled teenagers to partake in those activities themselves.\u003c/p>\n\u003cp>Now, some 20 years after Dee Snider took the stand before members of Congress to argue that Twisted Sister's lyrics were not, in fact, leading teens down a path toward Satan, science has finally backed him up.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/S0Vyr1TylTE'\n title='//www.youtube.com/embed/S0Vyr1TylTE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>According to \u003ca href=\"http://www.tandfonline.com/doi/abs/10.1080/15298868.2015.1036918?journalCode=psai20&#.VZ2FsflVgSX\" target=\"_blank\">a new study\u003c/a> published by the International Society for Self and Identity, adults who identified as metal fans during their adolescence reported being \"significantly happier in their youth and better adjusted currently\" than their non-metalhead counterparts.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The study, which was led by a psychology professor at Humboldt State University (because of course it was), surveyed the experiences of 377 adult participants who self-identified as former teenage \"heavy metal groupies, musicians, and fans.\" The findings?\u003c/p>\n\u003cblockquote>\u003cp>Results revealed that metal enthusiasts did often experience traumatic and risky “sex, drugs, and rock-n-roll” lives. However, the “metalhead” identity also served as a protective factor against negative outcomes. They were significantly happier in their youth and better adjusted currently than either middle-aged or current college-age youth comparison groups. Thus, participation in fringe style cultures may enhance identity development in troubled youth.\u003c/p>\u003c/blockquote>\n\u003cp>In other words: When you're a teenager and everything kind of sucks (redundant), it's good to have people around who understand you, enjoy similar interests and function as a community. The feeling of belonging to something is good for you, whether it's the Future Farmers of America or a sweaty mass of people wearing leather pants and screaming about the jackal that holds the soul of the Antichrist crying bloody tears of death into an abyss or whatever. Either can help define your sense of self at a time when it seems like there's no one else like you; neither is an early indicator of a life of despondency and crime.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>On the other hand: Jury's still out on \u003ca href=\"http://www.nydailynews.com/news/national/direction-fan-killed-pet-dog-twitter-snub-stars-article-1.1453490\" target=\"_blank\">One Direction fans\u003c/a>. Maybe check back in 20 years?\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Oops, she did it again. Paula Deen, who has been off the radar since her 2013 admission of using the N-word and wanting to hire \"slaves\" to cater a pre-Civil War era wedding, shared a photo on social media that depicts her dressed as \u003cem>I Love Lucy\u003c/em>'s title character, alongside her son who is in full brownface as Ricky Ricardo.\u003c/p>\n\u003cp>For someone who has more or less lost her career over being racially insensitive, one would expect at least a smidgen of evolution on the issue, yet here we are, discussing why Deen deemed this photo appropriate for a silly #TransformationTuesday share.\u003c/p>\n\u003cp>It's safe to assume that Deen employs publicists to keep her on brand and out of any more controversy. But there's only so much a publicist can do to cover up the true belief system of their employer. If Paula Deen's attitudes on race are problematic, they will bubble up in some form, no matter how many prepared statements she memorizes.\u003c/p>\n\u003cp>Take her 2014 apology tour, for instance. On \u003cem>The Today Show\u003c/em>, Matt Lauer asked what she had learned. Deen decided to use the moment to plug her products:\u003c/p>\n\u003cp>\u003cem>\"I’ve learned so much over the year; it’s going to require another book. We are working on a documentary that’s going to air on [my] network because I feel like everybody needs to know the whole entire story.”\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After Lauer repeated the question, Deen snapped back: “I’m getting to that...Now I forgot what I was going to say.”\u003c/p>\n\u003cp>She eventually got around to saying: \"It’s the power of words, I don’t care how old they are, words are so powerful. They can hurt, they can make people happy. Well, my words hurt people. They disappointed people, frankly I disappointed myself.\"\u003c/p>\n\u003cp>And images can hurt people too, as she's learning today.\u003c/p>\n\u003cp>Deen is part of a certain generation that's not exactly known for its progressive attitudes (Donald Trump, who's had a lot to say about Mexicans recently, was born six months before Deen). And she comes from the South, a region where racism is so rampant and unapologetic that black churches are still burned to the ground in 2015. It's sadly not surprising that Deen felt comfortable enough to share those details about her plantation wedding idea in 2013. It didn't occur to her that the history of slavery might be more than just an aesthetic palette she's nostalgic for. That same flavor of ignorance also finds itself all over this latest faux pas.\u003c/p>\n\u003cp>Some people defend Deen by saying that she just can't help it; she's an older person from the South. It's true that we all are products of how we were raised and where we come from, but it's too easy to treat our origins as unalterable facets of who we are. We can't blame Deen for being brought up in a world where racial epithets and offensive depictions of other races was the norm, but we can blame her for perpetuating that ideology and refusing to educate herself.\u003c/p>\n\u003cp>There is comfort in ignorance, in not admitting prejudice and how you might be contributing to it. That's a comfort rich white people like Paula Deen and Donald Trump can afford...for now.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>There are racists among us. Confederate flags still fly over government buildings. Mexican immigrants are stripped of their humanity and labeled illegal. But a new generation is rising up, climbing flagpoles to bring down racism and promote empathy. Progress can seem slow at times, but there's no doubt that we're on the move, and Deen serves as a reminder of where we've been and why we refuse to go back.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oops, she did it again. Paula Deen, who has been off the radar since her 2013 admission of using the N-word and wanting to hire \"slaves\" to cater a pre-Civil War era wedding, shared a photo on social media that depicts her dressed as \u003cem>I Love Lucy\u003c/em>'s title character, alongside her son who is in full brownface as Ricky Ricardo.\u003c/p>\n\u003cp>For someone who has more or less lost her career over being racially insensitive, one would expect at least a smidgen of evolution on the issue, yet here we are, discussing why Deen deemed this photo appropriate for a silly #TransformationTuesday share.\u003c/p>\n\u003cp>It's safe to assume that Deen employs publicists to keep her on brand and out of any more controversy. But there's only so much a publicist can do to cover up the true belief system of their employer. If Paula Deen's attitudes on race are problematic, they will bubble up in some form, no matter how many prepared statements she memorizes.\u003c/p>\n\u003cp>Take her 2014 apology tour, for instance. On \u003cem>The Today Show\u003c/em>, Matt Lauer asked what she had learned. Deen decided to use the moment to plug her products:\u003c/p>\n\u003cp>\u003cem>\"I’ve learned so much over the year; it’s going to require another book. We are working on a documentary that’s going to air on [my] network because I feel like everybody needs to know the whole entire story.”\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After Lauer repeated the question, Deen snapped back: “I’m getting to that...Now I forgot what I was going to say.”\u003c/p>\n\u003cp>She eventually got around to saying: \"It’s the power of words, I don’t care how old they are, words are so powerful. They can hurt, they can make people happy. Well, my words hurt people. They disappointed people, frankly I disappointed myself.\"\u003c/p>\n\u003cp>And images can hurt people too, as she's learning today.\u003c/p>\n\u003cp>Deen is part of a certain generation that's not exactly known for its progressive attitudes (Donald Trump, who's had a lot to say about Mexicans recently, was born six months before Deen). And she comes from the South, a region where racism is so rampant and unapologetic that black churches are still burned to the ground in 2015. It's sadly not surprising that Deen felt comfortable enough to share those details about her plantation wedding idea in 2013. It didn't occur to her that the history of slavery might be more than just an aesthetic palette she's nostalgic for. That same flavor of ignorance also finds itself all over this latest faux pas.\u003c/p>\n\u003cp>Some people defend Deen by saying that she just can't help it; she's an older person from the South. It's true that we all are products of how we were raised and where we come from, but it's too easy to treat our origins as unalterable facets of who we are. We can't blame Deen for being brought up in a world where racial epithets and offensive depictions of other races was the norm, but we can blame her for perpetuating that ideology and refusing to educate herself.\u003c/p>\n\u003cp>There is comfort in ignorance, in not admitting prejudice and how you might be contributing to it. That's a comfort rich white people like Paula Deen and Donald Trump can afford...for now.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>There are racists among us. Confederate flags still fly over government buildings. Mexican immigrants are stripped of their humanity and labeled illegal. But a new generation is rising up, climbing flagpoles to bring down racism and promote empathy. Progress can seem slow at times, but there's no doubt that we're on the move, and Deen serves as a reminder of where we've been and why we refuse to go back.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "After Sketchy Science, Shark Week Promises to Turn Over a New Fin",
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"content": "\u003cp>It has been called the “Super Bowl of the ocean.”\u003c/p>\n\u003cp>Shark Week is a ratings bonanza for the Discovery Channel with more than 40 million people tuning in last year. Shark Week \u003ca href=\"http://www.discovery.com/tv-shows/shark-week/\" target=\"_blank\" rel=\"noopener\">kicked off this weekend\u003c/a> with the most hours of programming ever in its 28-year history But many scientists think the huge audiences — and the hype — have come at the expense of real science.\u003c/p>\n\u003cp>A generation of shark scientists cut their teeth on Shark Week.\u003c/p>\n\u003cp>“I’ve loved sharks since I was a little kid,” says 29-year-old marine biologist Jonathan Davis.\u003c/p>\n\u003cp>“I’ve always dreamed of being on Shark Week,” he says. “It was my ultimate goal when I was a kid. I always watched it, and it was extremely informative when I was younger.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So imagine Davis’ joy when Shark Week producers called him two years ago to make a documentary, which they said would be about his research on bull sharks in Louisiana’s Lake Pontchartrain. As a graduate student at the University of New Orleans, Davis was thrilled when they paid for a day of tracking and tagging sharks.\u003c/p>\n\u003cp>The producers interviewed Davis about his work and at the end, he says, they casually asked if he ever heard of a legendary shark of the bayous called the Rooken.\u003c/p>\n\u003cp>“And I said, ‘No, of course not. That sounds like a ridiculous fisherman story,’ ” Davis says.\u003c/p>\n\u003cp>You can guess what happened next. To his horror, Davis found himself \u003ca href=\"http://www.npr.org/2014/08/30/344562317/when-wildlife-documentaries-jump-the-shark\" target=\"_blank\" rel=\"noopener\">featured on a “documentary”\u003c/a> that had little to do with his research.\u003cem> Voodoo Shark\u003c/em> strongly suggested that Davis believed in the Rooken.\u003c/p>\n\u003cp>“There’s no way I could’ve known they were going to portray it like that,” he says.\u003c/p>\n\u003cp>\u003cem>Voodoo Shark\u003c/em> shows Davis and his team doing real research, pulling sharks out of the water and tagging them on the deck. Davis says he did not see any unusual sharks. What was unusual was a producer’s reaction when they hooked a big one.\u003c/p>\n\u003cp>“One of the guys was like, “Oh, maybe you should just let it bite you, that would be so exciting.’ And I was just thinking to myself, ‘Are you kidding me? You really think I wanna let the shark bite me just for ratings? Are you serious?’ ”\u003c/p>\n\u003cp>Ellen Prager, a marine scientist who has taught at the University of Miami and writes books for children about sharks, says she and her colleagues have a list of things that drive them crazy about Shark Week, such as the emphasis on sharks attacking people and feeding frenzies.\u003c/p>\n\u003cp>“That’s not what you typically see in nature,” Prager says. “And in fact, some of the shark researchers I know have hardly ever even seen sharks feeding in the wild.”\u003c/p>\n\u003cp>Then there’s the frenzy of factual errors. David Shiffman, who studies sharks at the University of Miami, has spent the past few years calling out Shark Week in public.\u003c/p>\n\u003cp>“Shark Week two years ago did not appreciate it when I recommended an 8-year-old neighbor to fact check the scripts for them,” he says. “Because that 8-year-old knew more about sharks than whoever was writing those scripts did.”\u003c/p>\n\u003cp>All these scientists agree that Shark Week hit bottom two years ago with an infamous, fictionalized “documentary” about a 100-foot, 80-ton shark they called “the serial killer of the seas.”\u003c/p>\n\u003caside class=\"pullquote alignright\">\nIt was presented in such a way that you could very easily watch it and not know it was fictional.\u003cbr>\n\u003ccite>Scientist David Shiffman on ‘Megalodon’\u003c/cite>\u003cbr>\n\u003c/aside>\n\u003cp>That shark, named Megalodon, also happens to be extinct — and has been for more than a million years. But Discovery resurrected Megalodon, with made-up stories of sightings and attacks. The narrator even threw in some exciting Nazi connections.\u003c/p>\n\u003cp>“If the shark that’s in the Nazi U-boat photo is in fact the same shark that’s in the shark iPhoto that was taken just after the boat attack, then that means there’s been a 50-ton monster in these waters for over 70 years,” said one character in the movie.\u003c/p>\n\u003cp>\u003cem>Megalodon: The Monster Shark Lives\u003c/em> was the highest-rated program in Shark Week history. Even though the network ran a disclaimer saying it was fake, experts like Shiffman were unimpressed.\u003c/p>\n\u003cp>“It was presented in such a way that you could very easily watch it and not know it was fictional,” he says.\u003c/p>\n\u003cp>But Discovery says it’s turning over a new leaf — or a new fin — when it comes to Shark week, says Howard Swartz, who recently took over as head of development and production.\u003c/p>\n\u003cp>“This year we’re focusing quite a bit on research and science, more so probably than we have in the past,” Swartz says.\u003c/p>\n\u003cp>The Discovery Channel has promised it will produce no more fake documentaries.\u003c/p>\n\u003cp>“We’ve toyed with a lot of different types of storytelling over the years,” Swartz says. “And I just think now in a forward-looking direction, I think we wanna focus more on the research angle.”\u003c/p>\n\u003cp>But how do you make anything as sexy as a 50-ton Nazi-affiliated shark? Swartz says you go to Cuba, where there are stories about a monster great white roaming the coasts.\u003c/p>\n\u003cp>“Allegedly, a 21-foot, 7,000-pound great white,” Swartz says. “So the question was, you know was that the biggest great white ever caught? And if it was, was there something unique to these Cuban waters that these animals are growing so big or attracting animals so big?”\u003c/p>\n\u003cp>This year, Shark Week sent some of its shows in advance to some critics, including Shiffman. He says sharks need the Discovery Channel to not demonize them.\u003c/p>\n\u003cp>“When I say one out of every four species of sharks, skates and rays are threatened with extinction, there are some people that say, ‘Good it should be more of them going extinct. Sharks are bad! Sharks are scary!’ But they’re not!”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Shiffman says sharks are beautiful and wild. He hopes this year Shark Week will make them reality stars. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=After+Sketchy+Science%2C+Shark+Week+Promises+To+Turn+Over+A+New+Fin&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So imagine Davis’ joy when Shark Week producers called him two years ago to make a documentary, which they said would be about his research on bull sharks in Louisiana’s Lake Pontchartrain. As a graduate student at the University of New Orleans, Davis was thrilled when they paid for a day of tracking and tagging sharks.\u003c/p>\n\u003cp>The producers interviewed Davis about his work and at the end, he says, they casually asked if he ever heard of a legendary shark of the bayous called the Rooken.\u003c/p>\n\u003cp>“And I said, ‘No, of course not. That sounds like a ridiculous fisherman story,’ ” Davis says.\u003c/p>\n\u003cp>You can guess what happened next. To his horror, Davis found himself \u003ca href=\"http://www.npr.org/2014/08/30/344562317/when-wildlife-documentaries-jump-the-shark\" target=\"_blank\" rel=\"noopener\">featured on a “documentary”\u003c/a> that had little to do with his research.\u003cem> Voodoo Shark\u003c/em> strongly suggested that Davis believed in the Rooken.\u003c/p>\n\u003cp>“There’s no way I could’ve known they were going to portray it like that,” he says.\u003c/p>\n\u003cp>\u003cem>Voodoo Shark\u003c/em> shows Davis and his team doing real research, pulling sharks out of the water and tagging them on the deck. Davis says he did not see any unusual sharks. What was unusual was a producer’s reaction when they hooked a big one.\u003c/p>\n\u003cp>“One of the guys was like, “Oh, maybe you should just let it bite you, that would be so exciting.’ And I was just thinking to myself, ‘Are you kidding me? You really think I wanna let the shark bite me just for ratings? Are you serious?’ ”\u003c/p>\n\u003cp>Ellen Prager, a marine scientist who has taught at the University of Miami and writes books for children about sharks, says she and her colleagues have a list of things that drive them crazy about Shark Week, such as the emphasis on sharks attacking people and feeding frenzies.\u003c/p>\n\u003cp>“That’s not what you typically see in nature,” Prager says. “And in fact, some of the shark researchers I know have hardly ever even seen sharks feeding in the wild.”\u003c/p>\n\u003cp>Then there’s the frenzy of factual errors. David Shiffman, who studies sharks at the University of Miami, has spent the past few years calling out Shark Week in public.\u003c/p>\n\u003cp>“Shark Week two years ago did not appreciate it when I recommended an 8-year-old neighbor to fact check the scripts for them,” he says. “Because that 8-year-old knew more about sharks than whoever was writing those scripts did.”\u003c/p>\n\u003cp>All these scientists agree that Shark Week hit bottom two years ago with an infamous, fictionalized “documentary” about a 100-foot, 80-ton shark they called “the serial killer of the seas.”\u003c/p>\n\u003caside class=\"pullquote alignright\">\nIt was presented in such a way that you could very easily watch it and not know it was fictional.\u003cbr>\n\u003ccite>Scientist David Shiffman on ‘Megalodon’\u003c/cite>\u003cbr>\n\u003c/aside>\n\u003cp>That shark, named Megalodon, also happens to be extinct — and has been for more than a million years. But Discovery resurrected Megalodon, with made-up stories of sightings and attacks. The narrator even threw in some exciting Nazi connections.\u003c/p>\n\u003cp>“If the shark that’s in the Nazi U-boat photo is in fact the same shark that’s in the shark iPhoto that was taken just after the boat attack, then that means there’s been a 50-ton monster in these waters for over 70 years,” said one character in the movie.\u003c/p>\n\u003cp>\u003cem>Megalodon: The Monster Shark Lives\u003c/em> was the highest-rated program in Shark Week history. Even though the network ran a disclaimer saying it was fake, experts like Shiffman were unimpressed.\u003c/p>\n\u003cp>“It was presented in such a way that you could very easily watch it and not know it was fictional,” he says.\u003c/p>\n\u003cp>But Discovery says it’s turning over a new leaf — or a new fin — when it comes to Shark week, says Howard Swartz, who recently took over as head of development and production.\u003c/p>\n\u003cp>“This year we’re focusing quite a bit on research and science, more so probably than we have in the past,” Swartz says.\u003c/p>\n\u003cp>The Discovery Channel has promised it will produce no more fake documentaries.\u003c/p>\n\u003cp>“We’ve toyed with a lot of different types of storytelling over the years,” Swartz says. “And I just think now in a forward-looking direction, I think we wanna focus more on the research angle.”\u003c/p>\n\u003cp>But how do you make anything as sexy as a 50-ton Nazi-affiliated shark? Swartz says you go to Cuba, where there are stories about a monster great white roaming the coasts.\u003c/p>\n\u003cp>“Allegedly, a 21-foot, 7,000-pound great white,” Swartz says. “So the question was, you know was that the biggest great white ever caught? And if it was, was there something unique to these Cuban waters that these animals are growing so big or attracting animals so big?”\u003c/p>\n\u003cp>This year, Shark Week sent some of its shows in advance to some critics, including Shiffman. He says sharks need the Discovery Channel to not demonize them.\u003c/p>\n\u003cp>“When I say one out of every four species of sharks, skates and rays are threatened with extinction, there are some people that say, ‘Good it should be more of them going extinct. Sharks are bad! Sharks are scary!’ But they’re not!”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Shiffman says sharks are beautiful and wild. He hopes this year Shark Week will make them reality stars. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=After+Sketchy+Science%2C+Shark+Week+Promises+To+Turn+Over+A+New+Fin&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>By Adam Wenger\u003c/strong>\u003c/p>\n\u003cp>A few weeks ago, \u003cem>San Andreas \u003c/em>defiantly debuted at No. 1 at the box office, despite being largely panned by critics. The summer blockbuster, which attempts to show how doomed we all are when the next big earthquake hits, is the latest poorly received film that audiences nevertheless embraced. Inspired by Dwayne “The Rock” Johnson’s ability to consistently turn tripe into gold, here’s a look at the worst reviewed films to earn over $500 million* at the box office.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Day After Tomorrow\u003c/em> (2004)\u003c/strong>\u003c/p>\n\u003cp>https://youtu.be/S32HK2W9sFs\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>Worldwide gross: $544 Million \u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 44 percent \u003c/em>\u003c/p>\n\u003cp>Another film that rankled critics and scientists alike, \u003cem>The Day After Tomorrow\u003c/em> depicts climate change gone bad, very bad. It’s an apocalyptic Ice Age story that’s as scientifically accurate as Kylie Jenner’s \u003ca href=\"https://twitter.com/KylieJenner/status/602988071596924928\">tweets\u003c/a>. \u003cem>Rolling Stone \u003c/em>film critic Peter Travers gave \u003cem>The Day After Tomorrow \u003c/em>a one star rating, writing: “The only truly scary thing about this doomsday popcorn flick is the monumental ineptitude of the acting, writing and directing.”\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Armageddon\u003c/em> (1998)\u003c/strong>\u003c/p>\n\u003cp>https://youtu.be/kg_jH47u480\u003c/p>\n\u003cp>\u003cem>Worldwide gross: $553 Million \u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 39 percent\u003c/em>\u003c/p>\n\u003cp>Space cowboys who save the planet? Ben Affleck doing \u003ca href=\"https://www.youtube.com/watch?v=aD25aAsDqZ8\">naughty things with animal crackers\u003c/a>? Michael Bay’s space blockbuster is a film no one who grew up in the '90s wants to admit they liked, but everyone saw. Like a cheesy bowl of French onion soup, it was a rich recipe for commercial success that didn’t settle well with critics. Roger Ebert called it “an assault on the eyes, the ears, the brain, common sense and the human desire to be entertained.”\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Hangover II\u003c/em> (2011)\u003c/strong>\u003c/p>\n\u003cp>https://youtu.be/KRBzWtOy1PY\u003c/p>\n\u003cp>\u003cem>Worldwide gross: $587 million \u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 34 percent \u003c/em>\u003c/p>\n\u003cp>One of the most highly anticipated comedy sequels in recent memory, \u003cem>The Hangover II \u003c/em>was destined for box office greatness. It didn’t really matter what was on screen. They could have filmed Zach Galifianakis throwing up for two hours and made money. Needless to say, the second installment felt about as good as your second hangover, or as the the \u003cem>Wall Street Journal\u003c/em> put it: “rancid and predictable.” You knew exactly what you were in for, yet it still hurt.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Smurfs\u003c/em>\u003c/strong>\u003cstrong> (2011)\u003c/strong>\u003c/p>\n\u003cp>https://youtu.be/xQeKlKcLBOk\u003c/p>\n\u003cp>\u003cem>Worldwide gross: $562 million \u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 22 percent \u003c/em>\u003c/p>\n\u003cp>Is this the worst children's show-to-film adaptation of all time? No. That would be \u003cem>Inspector Gadget. \u003c/em>But \u003cem>The Smurfs\u003c/em> is certainly one of the most painful to make a boatload of money. Lured by Katy Perry and crippling nostalgia, parents who grew up with the tiny blue creatures took their kids to theaters in droves. Hollywood cashed in. Critics sighed. \u003cem>TheWrap \u003c/em>\u003ca href=\"http://www.thewrap.com/movies/column-post/family-entertainment-goes-bad-worse-smurfs-29534/\">called it\u003c/a> a “a poopy cerulean diaper” that “does for children’s entertainment what lead paint does for children’s toys.”\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Fifty Shades of Grey\u003c/em> (2015)\u003c/strong>\u003c/p>\n\u003cp>https://youtu.be/6FDTMRK7-24\u003c/p>\n\u003cp>\u003cem>Worldwide gross: $570 million \u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 25 percent \u003c/em>\u003c/p>\n\u003cp>Hollywood optioned this erotic novel faster than your mom could Google “What is S&M?” A turgid marketing campaign, a good dose of curiosity, and a built-in fan base all worked together to whip up the perfect storm. Terrible reviews couldn’t stop fans. Though Peter Travers called it “about as erotic as an ad for Pottery Barn,” \u003cem>Fifty Shades \u003c/em>would go on to become just the sixth R-rated film to ever top $500 million.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Twilight Saga: Breaking Dawn - Part 1\u003c/em> (2012)\u003c/strong>\u003c/p>\n\u003cp>https://youtu.be/PQNLfo-SOR4\u003c/p>\n\u003cp>\u003cem>Worldwide gross: $712 million\u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 24 percent \u003c/em>\u003c/p>\n\u003cp>Of all the films in the Twilight Saga, it’s \u003cem>Breaking Dawn - Part 1 \u003c/em>that made the most money in the face of terrible reviews. The movie earned over $500 million worldwide in just 12 days, which coincidentally is the current record for time needed to get Kristen Stewart to smile in a room filled with kittens. \u003cem>Slate\u003c/em> called it a “terrible movie.” Roger Ebert actually liked it, but he also called \u003cem>Fast Times at Ridgemont High\u003c/em> \u003ca href=\"http://www.rogerebert.com/reviews/fast-times-at-ridgemont-high-1982\">a failure\u003c/a>. Even the best make mistakes.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Pirates of the Caribbean: On Stranger Tides\u003c/em> (2011)\u003c/strong>\u003c/p>\n\u003cp>https://youtu.be/t5AqJww06bw\u003c/p>\n\u003cp>\u003cem>Worldwide gross: $1 billion \u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 33 percent \u003c/em>\u003c/p>\n\u003cp>Calling this film a shipwreck is generous. Shipwrecks aren’t all bad; sometimes they leave treasure behind, or inspire James Cameron to build a \u003ca href=\"http://en.wikipedia.org/wiki/Titanic_%281997_film%29#/media/File:TitanicBaja.jpg\">really expensive fake boat\u003c/a>! Keeping with the water-themed metaphors, \u003cem>On Stranger Tides\u003c/em>, the fourth installment in this Disney franchise, is a clogged toilet. You really want to flush the excrement away, but no matter how hard you try, the turd keeps floating back with a vengeance. \u003cem>The Wall Street Journal\u003c/em>’s Joe Morgenstern was so upset with the film’s score, he “wanted to chloroform an entire orchestra.” Naturally, a fifth film is scheduled for release in 2017.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Transformers: Age of Extinction\u003c/em> (2014)\u003c/strong>\u003c/p>\n\u003cp>https://youtu.be/pbI980iUb78\u003c/p>\n\u003cp>\u003cem>Worldwide gross: $1.1 billion\u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 18 percent \u003c/em>\u003c/p>\n\u003cp>\u003cem>USA Today\u003c/em> called the sequel “deafening, deadening and about two hours too long,” while \u003cem>New York Post\u003c/em> critic Kyle Smith wondered whether it was all an inside joke. “You get the feeling the guy who wrote \u003cem>Transformers: Age of Extinction\u003c/em> used the entire script as a passive-aggressive running joke on his boss, director Michael Bay.\" Believe it or not, it wasn’t. Even more shocking: Replacing Shia LaBeouf with Mark Walbergh wasn’t enough to make this film watchable.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Passion of the Christ\u003c/em> (2004)\u003c/strong>\u003c/p>\n\u003cp>https://youtu.be/oSMA5UU8eI4\u003c/p>\n\u003cp>\u003cem>Worldwide gross: $612 million \u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 49 percent \u003c/em>\u003c/p>\n\u003cp>Back when Mel Gibson was still relevant, he made \u003cem>The\u003c/em> \u003cem>Passion of the Christ.\u003c/em> Depending on whom you ask, it’s either the most moving, intense film of 2004, or a gory, offensive piece of garbage. Roger Ebert gave it four stars, while the \u003cem>New York Daily News \u003c/em>called it \"the most virulently anti-Semitic movie made since the German propaganda films of World War II.” Not up for debate: The movie’s enormous box office haul.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>*Total global box office revenue, not adjusted for inflation, courtesy \u003c/em>\u003ca href=\"http://boxofficemojo.com\">\u003cem>boxofficemojo.com\u003c/em>\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Worldwide gross: $544 Million \u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 44 percent \u003c/em>\u003c/p>\n\u003cp>Another film that rankled critics and scientists alike, \u003cem>The Day After Tomorrow\u003c/em> depicts climate change gone bad, very bad. It’s an apocalyptic Ice Age story that’s as scientifically accurate as Kylie Jenner’s \u003ca href=\"https://twitter.com/KylieJenner/status/602988071596924928\">tweets\u003c/a>. \u003cem>Rolling Stone \u003c/em>film critic Peter Travers gave \u003cem>The Day After Tomorrow \u003c/em>a one star rating, writing: “The only truly scary thing about this doomsday popcorn flick is the monumental ineptitude of the acting, writing and directing.”\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Armageddon\u003c/em> (1998)\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kg_jH47u480'\n title='//www.youtube.com/embed/kg_jH47u480'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Worldwide gross: $553 Million \u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 39 percent\u003c/em>\u003c/p>\n\u003cp>Space cowboys who save the planet? Ben Affleck doing \u003ca href=\"https://www.youtube.com/watch?v=aD25aAsDqZ8\">naughty things with animal crackers\u003c/a>? Michael Bay’s space blockbuster is a film no one who grew up in the '90s wants to admit they liked, but everyone saw. Like a cheesy bowl of French onion soup, it was a rich recipe for commercial success that didn’t settle well with critics. Roger Ebert called it “an assault on the eyes, the ears, the brain, common sense and the human desire to be entertained.”\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Hangover II\u003c/em> (2011)\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/KRBzWtOy1PY'\n title='//www.youtube.com/embed/KRBzWtOy1PY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Worldwide gross: $587 million \u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 34 percent \u003c/em>\u003c/p>\n\u003cp>One of the most highly anticipated comedy sequels in recent memory, \u003cem>The Hangover II \u003c/em>was destined for box office greatness. It didn’t really matter what was on screen. They could have filmed Zach Galifianakis throwing up for two hours and made money. Needless to say, the second installment felt about as good as your second hangover, or as the the \u003cem>Wall Street Journal\u003c/em> put it: “rancid and predictable.” You knew exactly what you were in for, yet it still hurt.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Smurfs\u003c/em>\u003c/strong>\u003cstrong> (2011)\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/xQeKlKcLBOk'\n title='//www.youtube.com/embed/xQeKlKcLBOk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Worldwide gross: $562 million \u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 22 percent \u003c/em>\u003c/p>\n\u003cp>Is this the worst children's show-to-film adaptation of all time? No. That would be \u003cem>Inspector Gadget. \u003c/em>But \u003cem>The Smurfs\u003c/em> is certainly one of the most painful to make a boatload of money. Lured by Katy Perry and crippling nostalgia, parents who grew up with the tiny blue creatures took their kids to theaters in droves. Hollywood cashed in. Critics sighed. \u003cem>TheWrap \u003c/em>\u003ca href=\"http://www.thewrap.com/movies/column-post/family-entertainment-goes-bad-worse-smurfs-29534/\">called it\u003c/a> a “a poopy cerulean diaper” that “does for children’s entertainment what lead paint does for children’s toys.”\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Fifty Shades of Grey\u003c/em> (2015)\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6FDTMRK7-24'\n title='//www.youtube.com/embed/6FDTMRK7-24'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Worldwide gross: $570 million \u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 25 percent \u003c/em>\u003c/p>\n\u003cp>Hollywood optioned this erotic novel faster than your mom could Google “What is S&M?” A turgid marketing campaign, a good dose of curiosity, and a built-in fan base all worked together to whip up the perfect storm. Terrible reviews couldn’t stop fans. Though Peter Travers called it “about as erotic as an ad for Pottery Barn,” \u003cem>Fifty Shades \u003c/em>would go on to become just the sixth R-rated film to ever top $500 million.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Twilight Saga: Breaking Dawn - Part 1\u003c/em> (2012)\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PQNLfo-SOR4'\n title='//www.youtube.com/embed/PQNLfo-SOR4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Worldwide gross: $712 million\u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 24 percent \u003c/em>\u003c/p>\n\u003cp>Of all the films in the Twilight Saga, it’s \u003cem>Breaking Dawn - Part 1 \u003c/em>that made the most money in the face of terrible reviews. The movie earned over $500 million worldwide in just 12 days, which coincidentally is the current record for time needed to get Kristen Stewart to smile in a room filled with kittens. \u003cem>Slate\u003c/em> called it a “terrible movie.” Roger Ebert actually liked it, but he also called \u003cem>Fast Times at Ridgemont High\u003c/em> \u003ca href=\"http://www.rogerebert.com/reviews/fast-times-at-ridgemont-high-1982\">a failure\u003c/a>. Even the best make mistakes.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Pirates of the Caribbean: On Stranger Tides\u003c/em> (2011)\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/t5AqJww06bw'\n title='//www.youtube.com/embed/t5AqJww06bw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Worldwide gross: $1 billion \u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 33 percent \u003c/em>\u003c/p>\n\u003cp>Calling this film a shipwreck is generous. Shipwrecks aren’t all bad; sometimes they leave treasure behind, or inspire James Cameron to build a \u003ca href=\"http://en.wikipedia.org/wiki/Titanic_%281997_film%29#/media/File:TitanicBaja.jpg\">really expensive fake boat\u003c/a>! Keeping with the water-themed metaphors, \u003cem>On Stranger Tides\u003c/em>, the fourth installment in this Disney franchise, is a clogged toilet. You really want to flush the excrement away, but no matter how hard you try, the turd keeps floating back with a vengeance. \u003cem>The Wall Street Journal\u003c/em>’s Joe Morgenstern was so upset with the film’s score, he “wanted to chloroform an entire orchestra.” Naturally, a fifth film is scheduled for release in 2017.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Transformers: Age of Extinction\u003c/em> (2014)\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pbI980iUb78'\n title='//www.youtube.com/embed/pbI980iUb78'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Worldwide gross: $1.1 billion\u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 18 percent \u003c/em>\u003c/p>\n\u003cp>\u003cem>USA Today\u003c/em> called the sequel “deafening, deadening and about two hours too long,” while \u003cem>New York Post\u003c/em> critic Kyle Smith wondered whether it was all an inside joke. “You get the feeling the guy who wrote \u003cem>Transformers: Age of Extinction\u003c/em> used the entire script as a passive-aggressive running joke on his boss, director Michael Bay.\" Believe it or not, it wasn’t. Even more shocking: Replacing Shia LaBeouf with Mark Walbergh wasn’t enough to make this film watchable.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Passion of the Christ\u003c/em> (2004)\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oSMA5UU8eI4'\n title='//www.youtube.com/embed/oSMA5UU8eI4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Worldwide gross: $612 million \u003c/em>\u003c/p>\n\u003cp>\u003cem>Rotten Tomatoes score: 49 percent \u003c/em>\u003c/p>\n\u003cp>Back when Mel Gibson was still relevant, he made \u003cem>The\u003c/em> \u003cem>Passion of the Christ.\u003c/em> Depending on whom you ask, it’s either the most moving, intense film of 2004, or a gory, offensive piece of garbage. Roger Ebert gave it four stars, while the \u003cem>New York Daily News \u003c/em>called it \"the most virulently anti-Semitic movie made since the German propaganda films of World War II.” Not up for debate: The movie’s enormous box office haul.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>*Total global box office revenue, not adjusted for inflation, courtesy \u003c/em>\u003ca href=\"http://boxofficemojo.com\">\u003cem>boxofficemojo.com\u003c/em>\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "5 Affordable Bay Area Road Trips to Take This 4th of July Weekend",
"headTitle": "5 Affordable Bay Area Road Trips to Take This 4th of July Weekend | KQED",
"content": "\u003cp>Among the perks of leaving San Francisco over the 4th of July weekend: sunlight, fireworks that aren’t swallowed by fog, and bodies of water you actually want to swim in. Nothing says America like a good old-fashioned road trip. Here are some affordable options to satisfy your wanderlust.\u003c/p>\n\u003cp>\u003cstrong>Russian River, Guerneville \u003c/strong>\u003cbr>\n\u003cem>Distance from SF: 2.5 hours\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_17008\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/6196640157_1ae9279c5a_b.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-17008\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/6196640157_1ae9279c5a_b.jpg\" alt=\"Photo: gerry la londe-berg, Flickr\" width=\"1024\" height=\"768\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/6196640157_1ae9279c5a_b.jpg 1024w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/6196640157_1ae9279c5a_b-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/6196640157_1ae9279c5a_b-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/6196640157_1ae9279c5a_b-960x720.jpg 960w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: gerry la londe-berg, \u003ca href=\"https://www.flickr.com/photos/desertbuzz/6196640157/in/photolist-arzpep-2bPYPZ-8oKjY7-8oGaGD-8oG83P-8oKgqy-8oKis5-8oG9sz-8oKgMj-bbuwyF-5ophPd-5ophPh-eyPoAr-5ophP7-5opmGC-5ophPm-5ophPu-2JfY8-5opmGs-5QB3Up-2bPexD-2bQ8kr-2bPYF4-2bQ8iB-pKKozK-qpY3uN-pKKoRM-pKKmtv-2bQ8jg-2bQ8nB-2bPPig-2bPPhD-2bPesD-2bPeqB-2bPPiV-4D3NpP-2bPzND-2bPzQ8-2bTotY-2bPYEK-2bPzJT-hAJAD-pL5EaW-qGV1xM-6EibaB-cGaw6d-cG9VT3-cGawTh-cG9X8j-cG9Rxy\">Flickr\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Cheap lodging, great beer, and the weirdest hodgepodge of people outside Haight-Ashbury await in Guerneville. This eclectic town boasts a mixture of tourists, hippies and a vibrant LGBTQ community. While it’s tempting to spend the day people-watching at the town’s only Safeway, most people go there for the Russian River. Raft and swim all day for free, hike through the \u003ca href=\"http://www.tripadvisor.com/Attraction_Review-g32465-d116914-Reviews-Armstrong_Redwood_State_Reserve-Guerneville_Sonoma_County_California.html\">redwoods\u003c/a>, and then head to the town plaza and iconic bridge to watch the fireworks show at night. If you’re really on a tight budget, find a designated driver and make it a day trip; it’s less than three hours from San Francisco.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Nevada City\u003c/strong>\u003cbr>\n\u003cem>Distance from SF: 3.5 hours\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_17009\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/nevada-city.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-17009\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/nevada-city.jpg\" alt=\"Photo: Wiki Commons\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/nevada-city.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/nevada-city-400x267.jpg 400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://commons.wikimedia.org/wiki/File:Nevada_City_Downtown_Historic_District-75.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Don’t let the name fool you; Nevada City is not in Nevada. The former miners’ town is in California, about an hour closer than Tahoe and just as gorgeous. Better yet, it’s more affordable. Plenty of lodges, hotels, and Airbnb listings offer rooms for under $200. Though you can normally cool off at the South Yuba River, \u003ca href=\"https://www.kqed.org/news/11953792/visiting-rivers-is-extra-dangerous-this-summer-if-you-were-planning-a-trip-heres-what-to-know\">that’s not advised this year\u003c/a>. But you can enjoy homemade ice cream at \u003ca href=\"http://treatsnevadacity.com/\" target=\"_blank\" rel=\"noopener\">Treats\u003c/a>, and stare in wonder as your bartender at the \u003ca href=\"https://mineshaftsaloon.com/\" target=\"_blank\" rel=\"noopener\">Mine Shaft Saloon\u003c/a> informs you that one gin and tonic costs as much as a piece of toast back home.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>American River, Sacramento \u003c/strong>\u003cbr>\n\u003cem>Distance from SF: 2.5 hours\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_17011\" class=\"wp-caption aligncenter\" style=\"max-width: 2409px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-17011\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit.jpg\" alt=\"Photo: Wiki Commons\" width=\"2409\" height=\"1962\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit.jpg 2409w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit-400x326.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit-800x652.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit-1440x1173.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit-1180x961.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit-960x782.jpg 960w\" sizes=\"(max-width: 2409px) 100vw, 2409px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/History_of_Sacramento,_California#/media/File:Tower_Bridge_Sacramento_edit.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>If you’re looking to sit by a river and drink beers with the governor, your best chance is at the American River. Just a short drive from downtown Sacramento, the river is filled with tattooed bros and tipsy locals. It’s less scenic than the Russian River, but with cheap hotels, motels and Airbnb options nearby, it’s just as affordable. Plus, you’re guaranteed to get a tan; the average high in July is 92 degrees! Though \u003ca href=\"https://www.kqed.org/news/11953792/visiting-rivers-is-extra-dangerous-this-summer-if-you-were-planning-a-trip-heres-what-to-know\">swimming in the river is not advised this year\u003c/a>, you can watch the fireworks from River Cats Stadium in Old Sacramento and grab \u003ca href=\"http://oldsacramento.com/\">cheap beer specials\u003c/a> from a number of local bars.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Santa Cruz\u003c/strong>\u003cbr>\n\u003cem>Distance from SF: Less than 2 hours\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_17013\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/5061258981_da56a8f126_b.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-17013\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/5061258981_da56a8f126_b-800x534.jpg\" alt=\"Photo: Tobias Toft, Flickr\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/5061258981_da56a8f126_b-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5061258981_da56a8f126_b-400x267.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5061258981_da56a8f126_b-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5061258981_da56a8f126_b.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Tobias Toft, \u003ca href=\"https://www.flickr.com/photos/tobiastoft/5061258981/in/photolist-8HfgXT-og2QW-AB2TA-AB2ZU-rsGKU-rsGiZ-rsGJ1-rsGMU-rsGog-mSvpbV-rsGDJ-rsGrU-rsGmr-NW3sh-rsGAf-rsGBZ-rsGu7-rsGq3-rsGSb-rsGFj-txJeSq-sB1FS1-r21ZDe-c91Bef-8P44vV-2rBYKw-9D2C4d-NW3sf-rsGxR-rsGfe-rsGUs-rsGwf-rsGGu-7Ggo6h-7GcrSn-4tti7-c6Zs9s-5Ket5q-5KafhF-BPqQD-a2YRbz-BPqMo-a3kDph-63U4Ft-a32GAE-mSv5yB-FEM5s-FEM33-5pgJfP-axTcmi\">Flickr\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>You’ve had that Santa Cruz Beach Boardwalk \u003ca href=\"https://www.youtube.com/watch?v=Z3DV5ukbexI\">jingle\u003c/a> stuck in your head too long. It’s time you soaked up some warm California sun. Unlike San Francisco, this seaside town actually gets warm in July, with average highs reaching the mid-70s. The food and drinks are affordable, the people are weird and there’s a ton of free or cheap entertainment available. Take a \u003ca href=\"http://alltrails.com/trail/us/california/west-cliff-drive-santa-cruz\">sunset stroll\u003c/a> along the ocean, hike through nearby Big Basin Redwoods State Park and ride the historic Giant Dipper wooden coaster at the admission-free Boardwalk. Then, top it off with a fireworks show right on the beach.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Big Sur\u003c/strong>\u003cbr>\n\u003cem>Distance from SF: 3.5 to 6 hours, depending on the route \u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_17014\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/McWay_Falls_04-17-2009.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-17014\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/McWay_Falls_04-17-2009-800x529.jpg\" alt=\"Photo: Wiki Commons\" width=\"800\" height=\"529\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/McWay_Falls_04-17-2009-800x529.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/McWay_Falls_04-17-2009-400x265.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/McWay_Falls_04-17-2009-1440x953.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/McWay_Falls_04-17-2009-1180x781.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/McWay_Falls_04-17-2009-960x635.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/McWay_Falls_04-17-2009.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Big_Sur#/media/File:McWay_Falls_04-17-2009.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>Driving down the Pacific Coast Highway (a.k.a. Hwy. 1) is a rite of passage for anyone who lives in California. And while it’s tempting to stop at that fancy beachside Taco Bell in Pacifica and call it a day, you owe it to yourself to spend a weekend in Big Sur. Get there fast by shooting down 101 and cutting over to PCH once you pass through Gilroy. Or, if you’d rather take the scenic route, stick to Hwy. 1 all the way down the coast, stopping in Half Moon Bay, Monterey, and Carmel along the way. There are a ton of \u003ca href=\"http://www.bigsurcalifornia.org/camping.html\">camping options\u003c/a>, though most are on a first-come, first-serve basis, so get there early, enjoy stunning views of the Pacific and keep your hands on the wheel.\u003c/p>\n\n",
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"excerpt": "What's more American than taking a road trip?",
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"description": "What's more American than taking a road trip?",
"title": "5 Affordable Bay Area Road Trips to Take This 4th of July Weekend | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Among the perks of leaving San Francisco over the 4th of July weekend: sunlight, fireworks that aren’t swallowed by fog, and bodies of water you actually want to swim in. Nothing says America like a good old-fashioned road trip. Here are some affordable options to satisfy your wanderlust.\u003c/p>\n\u003cp>\u003cstrong>Russian River, Guerneville \u003c/strong>\u003cbr>\n\u003cem>Distance from SF: 2.5 hours\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_17008\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/6196640157_1ae9279c5a_b.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-17008\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/6196640157_1ae9279c5a_b.jpg\" alt=\"Photo: gerry la londe-berg, Flickr\" width=\"1024\" height=\"768\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/6196640157_1ae9279c5a_b.jpg 1024w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/6196640157_1ae9279c5a_b-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/6196640157_1ae9279c5a_b-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/6196640157_1ae9279c5a_b-960x720.jpg 960w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: gerry la londe-berg, \u003ca href=\"https://www.flickr.com/photos/desertbuzz/6196640157/in/photolist-arzpep-2bPYPZ-8oKjY7-8oGaGD-8oG83P-8oKgqy-8oKis5-8oG9sz-8oKgMj-bbuwyF-5ophPd-5ophPh-eyPoAr-5ophP7-5opmGC-5ophPm-5ophPu-2JfY8-5opmGs-5QB3Up-2bPexD-2bQ8kr-2bPYF4-2bQ8iB-pKKozK-qpY3uN-pKKoRM-pKKmtv-2bQ8jg-2bQ8nB-2bPPig-2bPPhD-2bPesD-2bPeqB-2bPPiV-4D3NpP-2bPzND-2bPzQ8-2bTotY-2bPYEK-2bPzJT-hAJAD-pL5EaW-qGV1xM-6EibaB-cGaw6d-cG9VT3-cGawTh-cG9X8j-cG9Rxy\">Flickr\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Cheap lodging, great beer, and the weirdest hodgepodge of people outside Haight-Ashbury await in Guerneville. This eclectic town boasts a mixture of tourists, hippies and a vibrant LGBTQ community. While it’s tempting to spend the day people-watching at the town’s only Safeway, most people go there for the Russian River. Raft and swim all day for free, hike through the \u003ca href=\"http://www.tripadvisor.com/Attraction_Review-g32465-d116914-Reviews-Armstrong_Redwood_State_Reserve-Guerneville_Sonoma_County_California.html\">redwoods\u003c/a>, and then head to the town plaza and iconic bridge to watch the fireworks show at night. If you’re really on a tight budget, find a designated driver and make it a day trip; it’s less than three hours from San Francisco.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Nevada City\u003c/strong>\u003cbr>\n\u003cem>Distance from SF: 3.5 hours\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_17009\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/nevada-city.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-17009\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/nevada-city.jpg\" alt=\"Photo: Wiki Commons\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/nevada-city.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/nevada-city-400x267.jpg 400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://commons.wikimedia.org/wiki/File:Nevada_City_Downtown_Historic_District-75.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Don’t let the name fool you; Nevada City is not in Nevada. The former miners’ town is in California, about an hour closer than Tahoe and just as gorgeous. Better yet, it’s more affordable. Plenty of lodges, hotels, and Airbnb listings offer rooms for under $200. Though you can normally cool off at the South Yuba River, \u003ca href=\"https://www.kqed.org/news/11953792/visiting-rivers-is-extra-dangerous-this-summer-if-you-were-planning-a-trip-heres-what-to-know\">that’s not advised this year\u003c/a>. But you can enjoy homemade ice cream at \u003ca href=\"http://treatsnevadacity.com/\" target=\"_blank\" rel=\"noopener\">Treats\u003c/a>, and stare in wonder as your bartender at the \u003ca href=\"https://mineshaftsaloon.com/\" target=\"_blank\" rel=\"noopener\">Mine Shaft Saloon\u003c/a> informs you that one gin and tonic costs as much as a piece of toast back home.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>American River, Sacramento \u003c/strong>\u003cbr>\n\u003cem>Distance from SF: 2.5 hours\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_17011\" class=\"wp-caption aligncenter\" style=\"max-width: 2409px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-17011\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit.jpg\" alt=\"Photo: Wiki Commons\" width=\"2409\" height=\"1962\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit.jpg 2409w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit-400x326.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit-800x652.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit-1440x1173.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit-1180x961.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/Tower_Bridge_Sacramento_edit-960x782.jpg 960w\" sizes=\"(max-width: 2409px) 100vw, 2409px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/History_of_Sacramento,_California#/media/File:Tower_Bridge_Sacramento_edit.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>If you’re looking to sit by a river and drink beers with the governor, your best chance is at the American River. Just a short drive from downtown Sacramento, the river is filled with tattooed bros and tipsy locals. It’s less scenic than the Russian River, but with cheap hotels, motels and Airbnb options nearby, it’s just as affordable. Plus, you’re guaranteed to get a tan; the average high in July is 92 degrees! Though \u003ca href=\"https://www.kqed.org/news/11953792/visiting-rivers-is-extra-dangerous-this-summer-if-you-were-planning-a-trip-heres-what-to-know\">swimming in the river is not advised this year\u003c/a>, you can watch the fireworks from River Cats Stadium in Old Sacramento and grab \u003ca href=\"http://oldsacramento.com/\">cheap beer specials\u003c/a> from a number of local bars.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Santa Cruz\u003c/strong>\u003cbr>\n\u003cem>Distance from SF: Less than 2 hours\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_17013\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/5061258981_da56a8f126_b.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-17013\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/5061258981_da56a8f126_b-800x534.jpg\" alt=\"Photo: Tobias Toft, Flickr\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/5061258981_da56a8f126_b-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5061258981_da56a8f126_b-400x267.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5061258981_da56a8f126_b-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5061258981_da56a8f126_b.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Tobias Toft, \u003ca href=\"https://www.flickr.com/photos/tobiastoft/5061258981/in/photolist-8HfgXT-og2QW-AB2TA-AB2ZU-rsGKU-rsGiZ-rsGJ1-rsGMU-rsGog-mSvpbV-rsGDJ-rsGrU-rsGmr-NW3sh-rsGAf-rsGBZ-rsGu7-rsGq3-rsGSb-rsGFj-txJeSq-sB1FS1-r21ZDe-c91Bef-8P44vV-2rBYKw-9D2C4d-NW3sf-rsGxR-rsGfe-rsGUs-rsGwf-rsGGu-7Ggo6h-7GcrSn-4tti7-c6Zs9s-5Ket5q-5KafhF-BPqQD-a2YRbz-BPqMo-a3kDph-63U4Ft-a32GAE-mSv5yB-FEM5s-FEM33-5pgJfP-axTcmi\">Flickr\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>You’ve had that Santa Cruz Beach Boardwalk \u003ca href=\"https://www.youtube.com/watch?v=Z3DV5ukbexI\">jingle\u003c/a> stuck in your head too long. It’s time you soaked up some warm California sun. Unlike San Francisco, this seaside town actually gets warm in July, with average highs reaching the mid-70s. The food and drinks are affordable, the people are weird and there’s a ton of free or cheap entertainment available. Take a \u003ca href=\"http://alltrails.com/trail/us/california/west-cliff-drive-santa-cruz\">sunset stroll\u003c/a> along the ocean, hike through nearby Big Basin Redwoods State Park and ride the historic Giant Dipper wooden coaster at the admission-free Boardwalk. Then, top it off with a fireworks show right on the beach.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Big Sur\u003c/strong>\u003cbr>\n\u003cem>Distance from SF: 3.5 to 6 hours, depending on the route \u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_17014\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/McWay_Falls_04-17-2009.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-17014\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/McWay_Falls_04-17-2009-800x529.jpg\" alt=\"Photo: Wiki Commons\" width=\"800\" height=\"529\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/McWay_Falls_04-17-2009-800x529.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/McWay_Falls_04-17-2009-400x265.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/McWay_Falls_04-17-2009-1440x953.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/McWay_Falls_04-17-2009-1180x781.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/McWay_Falls_04-17-2009-960x635.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/McWay_Falls_04-17-2009.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Big_Sur#/media/File:McWay_Falls_04-17-2009.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>Driving down the Pacific Coast Highway (a.k.a. Hwy. 1) is a rite of passage for anyone who lives in California. And while it’s tempting to stop at that fancy beachside Taco Bell in Pacifica and call it a day, you owe it to yourself to spend a weekend in Big Sur. Get there fast by shooting down 101 and cutting over to PCH once you pass through Gilroy. Or, if you’d rather take the scenic route, stick to Hwy. 1 all the way down the coast, stopping in Half Moon Bay, Monterey, and Carmel along the way. There are a ton of \u003ca href=\"http://www.bigsurcalifornia.org/camping.html\">camping options\u003c/a>, though most are on a first-come, first-serve basis, so get there early, enjoy stunning views of the Pacific and keep your hands on the wheel.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Celebrities Try on Their Artist Hats, Find Not All Berets Fit",
"headTitle": "Celebrities Try on Their Artist Hats, Find Not All Berets Fit | KQED",
"content": "\u003cp>Celebrities aren’t just at the checkout aisle at the supermarket anymore. They’ve infiltrated the art world.\u003c/p>\n\u003cp>Just a few weeks ago, MoMA’s \u003ca href=\"http://www.newyorker.com/culture/cultural-comment/moma-embarrassing-bjork-crush\" target=\"_blank\" rel=\"noopener\">“embarrassing”\u003c/a> Björk show closed. Two years before, actress Tilda Swinton \u003ca href=\"http://www.vulture.com/2013/03/jerry-saltz-moma-sleeping-tilda-swinton.html\" target=\"_blank\" rel=\"noopener\">slept in a glass case\u003c/a> in the museum’s atrium, \u003ca href=\"http://www.serpentinegalleries.org/exhibitions-events/maybe\" target=\"_blank\" rel=\"noopener\">reprising a similar stunt\u003c/a> the actress pulled off at The Serpentine Gallery in London back in the mid-1990s. And now San Francisco’s Contemporary Jewish Museum opens \u003cem>\u003ca href=\"http://www.thecjm.org/on-view/upcoming/amy-winehouse-a-family-portrait/about\" target=\"_blank\" rel=\"noopener\">Amy Winehouse: A Family Portrait\u003c/a>\u003c/em> at the end of July, though to be fair, the exhibition is more about the late British pop star’s life and legacy than any serious attempt to classify her as a visual artist.\u003c/p>\n\u003cp>Art history is filled with multi-talented individuals who float effortlessly through the artistic disciplines. But it is also filled with dilettantes.\u003c/p>\n\u003cp>Here are seven chameleons (or crossover artists, if you will) who shifted from stage or screen to the white cube — to mixed results.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10786891\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10786891 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Franco400-400x264.jpg\" alt=\"James Franco, 'New Film Still #42,' 2013. (Courtesy of Pace Gallery)\" width=\"400\" height=\"264\">\u003cfigcaption class=\"wp-caption-text\">James Franco, ‘New Film Still #42,’ 2013. (Courtesy of Pace Gallery)\u003c/figcaption>\u003c/figure>\n\u003ch3>James Franco\u003c/h3>\n\u003cp>Where hasn’t this man dabbled? It’s hard to keep track of all his side projects, let alone separate the spoofs from the serious offerings. The most glaring of the latter was a much-maligned 2014 exhibition of photographs at New York’s Pace Gallery. \u003cem>\u003ca href=\"http://www.pacegallery.com/newyork/exhibitions/12662/new-film-stills\" target=\"_blank\" rel=\"noopener\">New Film Stills\u003c/a>\u003c/em> recreated images from Cindy Sherman’s seminal series \u003cem>Untitled Film Series\u003c/em> — with Franco posing in drag as the young Sherman. The artist statement had something to do with role-reversal — Sherman, an artist, looked to film; Franco, an actor, looks to art. But the final word came from Sherman herself. In \u003ca href=\"http://observer.com/2014/04/cindy-sherman-on-james-francos-new-show-i-dont-know-that-i-can-say-its-art/\" target=\"_blank\" rel=\"noopener\">a candid moment\u003c/a> with the \u003cem>Observer\u003c/em> she said, “I don’t know that I can say it’s art.”\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10786892\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10786892 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Gordon400-400x300.jpg\" alt=\"Kim Gordon, 'Chelsea Enclave,' 2015. (Courtesy of 303 Gallery)\" width=\"400\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">Kim Gordon, ‘Chelsea Enclave,’ 2015. (Courtesy of 303 Gallery)\u003c/figcaption>\u003c/figure>\n\u003ch3>Kim Gordon\u003c/h3>\n\u003cp>This might be a little known fact, but Kim Gordon has always been an artist. Before Sonic Youth, before her fashion line, before moving to New York, Gordon studied art. She works in painting and sculpture, with a messy, punk-rock aesthetic of splatters and drips, silver spray paint and glitter. In her current solo show at 303 Gallery, \u003ca href=\"http://www.303gallery.com/exhibition/index.php?exhid=277&p=images\" target=\"_blank\" rel=\"noopener\">\u003cem>Design Office: The City is a Garden\u003c/em>\u003c/a>, crumpled resin-covered canvases hold their shape like fake rocks, their surfaces covered with black text that takes jabs at New York’s highly manicured and antiseptic redevelopment.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10786902\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10786902 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Picasso400-400x225.jpg\" alt=\"'Picasso Baby: A Performance Art Film,' 2013. (Courtesy of HBO Films)\" width=\"400\" height=\"225\">\u003cfigcaption class=\"wp-caption-text\">‘Picasso Baby: A Performance Art Film,’ 2013. (Courtesy of HBO Films)\u003c/figcaption>\u003c/figure>\n\u003ch3>Jay-Z\u003c/h3>\n\u003cp>Jay-Z aired his first \u003ca href=\"https://vimeo.com/80930630\" target=\"_blank\" rel=\"noopener\">“performance art video”\u003c/a> on HBO, a ten-minute version of a six-hour performance at Pace Gallery in 2013. The artwork doubles as a music video for “Picasso Baby” — a song about living large with expensive art. Inside the gallery, Jay-Z raps for a celebrity audience, some of whom take turns sitting on a bench to gaze at the performer. The event was “explicitly inspired” by Marina Abramović’s \u003cem>The Artist Is Present\u003c/em>, and Abramović herself makes an appearance. Jay-Z likens the event to a concert in a different setting, ignoring the strange blend of celebrity cameos, adoring fans and armchair philosophizing. “We’re artists, we’re alike, we’re cousins,” he says.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10787048\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10787048 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Cyrus400-400x277.jpg\" alt=\"Miley Cyrus artwork on view at Miami Basel, 2014. (Photo by V Magazine)\" width=\"400\" height=\"277\">\u003cfigcaption class=\"wp-caption-text\">Miley Cyrus’ artwork on view at Miami Basel, 2014. (Photo by V Magazine)\u003c/figcaption>\u003c/figure>\n\u003ch3>Miley Cyrus\u003c/h3>\n\u003cp>The child star turned tongue-waggling pop figure who brought us “Wrecking Ball,” also produces readymade sculpture. As Cyrus puts it in her \u003ca href=\"https://news.artnet.com/people/miley-cyrus-makes-erotic-sculptures-95337\" target=\"_blank\" rel=\"noopener\">artist statement\u003c/a>, courtesy of artnet News: “I had a bunch of f**king junk and s**t, and so instead of letting it be junk and s**t, I turned it into something that made me happy.” The pieces, over-the-top assemblages of cheap toys, craft materials, drug paraphernalia and plastic beads, appeared at Art Basel Miami in 2014 thanks to former Los Angeles Museum of Contemporary Art director Jeffrey Deitch.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10786894\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10786894 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/LaBoeuf400-400x269.jpg\" alt=\"LaBeouf, Rönkkö & Turner, '#iamsorry,' 2014. (Courtesy of the artists)\" width=\"400\" height=\"269\">\u003cfigcaption class=\"wp-caption-text\">LaBeouf, Rönkkö & Turner, ‘#iamsorry,’ 2014. (Courtesy of the artists)\u003c/figcaption>\u003c/figure>\n\u003ch3>Shia LaBeouf\u003c/h3>\n\u003cp>Like Cyrus, Shia LaBeouf is another grown up child star who decided he could do it all. LaBeouf’s career as a performance artist can be traced back to the “existential crisis” he suffered after Oakland cartoonist Daniel Clowes accused him of plagiarism in 2013. \u003ca href=\"http://thecampaignbook.com/\" target=\"_blank\" rel=\"noopener\">Collaborating\u003c/a> with artists Nastja Säde Rönkkö and Luke Turner, LaBeouf wore a paper bag over his head proclaiming “I AM NOT FAMOUS ANYMORE,” commissioned some skywriting, staged an endurance performance at Los Angeles’ Cohen Gallery and overall, showed himself to have an amazing talent for appropriating and regurgitating the words and work of others.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10787051\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10787051 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Shawkat400b-e1434931096580-400x327.jpg\" alt=\"Alia Shawkat, 'bin laden.' (Courtesy of the artist)\" width=\"400\" height=\"327\">\u003cfigcaption class=\"wp-caption-text\">Alia Shawkat, ‘bin laden.’ (Courtesy of the artist)\u003c/figcaption>\u003c/figure>\n\u003ch3>Alia Shawkat\u003c/h3>\n\u003cp>Remember Maeby Fünke from television’s \u003cem>Arrested Development\u003c/em>? She makes art now! Alia Shawkat, the actress behind the con artist character and other screen projects, creates mixed media works on paper. Her pieces (for sale on \u003ca href=\"http://mutantalia.com/\" target=\"_blank\" rel=\"noopener\">her website\u003c/a>) are full of strange cartoonish characters, Raymond Pettibon-like comics and surreal scenes of human and nonhuman intermingling. Watch Shawkat host a series of \u003ca href=\"https://www.youtube.com/watch?v=W7KAymZOsLI&list=PLLdkjkOBv9VRyBdiN3jUUxpalpB9t108y\" target=\"_blank\" rel=\"noopener\">artist interviews for MOCAtv\u003c/a> and revel in her endearingly awkward giggle.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10786896\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10786896 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Sly400-400x339.jpg\" alt=\"Stallone at his museum opening in Nice, 2015. (Courtesy of the artist)\" width=\"400\" height=\"339\">\u003cfigcaption class=\"wp-caption-text\">Stallone at his museum opening in Nice, 2015. (Courtesy of the artist)\u003c/figcaption>\u003c/figure>\n\u003ch3>Sylvester Stallone\u003c/h3>\n\u003cp>Yes, Sly is a painter. \u003cem>Real Love: Paintings 1975-2015\u003c/em>, his recent retrospective at the Galerie Contemporaine du Musée de Nice, spanned four decades and charted the film actor’s development as an artist from figurative works to large abstract canvases. Stallone’s paintings are expressionistic, full of bright colors, heavy brushstrokes, fellow celebrities and recurring images of clocks. No word yet on an American museum retrospective. But like Rocky and Apollo Creed, I believe “America is the land of opportunity.”\u003c/p>\n\u003c/div>\n\u003ch3>The list goes on…\u003c/h3>\n\u003cp>Dennis Hopper was an \u003ca href=\"http://dennishopper.com/art/\" target=\"_blank\" rel=\"noopener\">accomplished photographer\u003c/a>. Mark Mothersbaugh returned to his visual roots with a \u003ca href=\"http://mcadenver.org/myopia.php\" target=\"_blank\" rel=\"noopener\">solo museum exhibition\u003c/a>. Director \u003ca href=\"http://www.gagosian.com/exhibitions/february-26-2011--james-franco--gus-van-sant\" target=\"_blank\" rel=\"noopener\">Gus Van Sant paints\u003c/a>. Pierce Brosnan, Viggo Mortensen and Johnny Depp dabble in oils. Lucy Liu has some pretty interesting work and a \u003ca href=\"http://lucyliu.net/\" target=\"_blank\" rel=\"noopener\">really nice website\u003c/a>. And \u003ca href=\"http://moby-photography.com/\" target=\"_blank\" rel=\"noopener\">Moby takes pictures\u003c/a> of his concert crowds.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Other suggestions for artists leaping off the magazine racks? Leave ’em in the comments.\u003c/em>\u003c/p>\n\n",
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"excerpt": "When high-profile actors and musicians shift their attention to visual art, the results range from quality to disaster.",
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"title": "Celebrities Try on Their Artist Hats, Find Not All Berets Fit | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Celebrities aren’t just at the checkout aisle at the supermarket anymore. They’ve infiltrated the art world.\u003c/p>\n\u003cp>Just a few weeks ago, MoMA’s \u003ca href=\"http://www.newyorker.com/culture/cultural-comment/moma-embarrassing-bjork-crush\" target=\"_blank\" rel=\"noopener\">“embarrassing”\u003c/a> Björk show closed. Two years before, actress Tilda Swinton \u003ca href=\"http://www.vulture.com/2013/03/jerry-saltz-moma-sleeping-tilda-swinton.html\" target=\"_blank\" rel=\"noopener\">slept in a glass case\u003c/a> in the museum’s atrium, \u003ca href=\"http://www.serpentinegalleries.org/exhibitions-events/maybe\" target=\"_blank\" rel=\"noopener\">reprising a similar stunt\u003c/a> the actress pulled off at The Serpentine Gallery in London back in the mid-1990s. And now San Francisco’s Contemporary Jewish Museum opens \u003cem>\u003ca href=\"http://www.thecjm.org/on-view/upcoming/amy-winehouse-a-family-portrait/about\" target=\"_blank\" rel=\"noopener\">Amy Winehouse: A Family Portrait\u003c/a>\u003c/em> at the end of July, though to be fair, the exhibition is more about the late British pop star’s life and legacy than any serious attempt to classify her as a visual artist.\u003c/p>\n\u003cp>Art history is filled with multi-talented individuals who float effortlessly through the artistic disciplines. But it is also filled with dilettantes.\u003c/p>\n\u003cp>Here are seven chameleons (or crossover artists, if you will) who shifted from stage or screen to the white cube — to mixed results.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10786891\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10786891 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Franco400-400x264.jpg\" alt=\"James Franco, 'New Film Still #42,' 2013. (Courtesy of Pace Gallery)\" width=\"400\" height=\"264\">\u003cfigcaption class=\"wp-caption-text\">James Franco, ‘New Film Still #42,’ 2013. (Courtesy of Pace Gallery)\u003c/figcaption>\u003c/figure>\n\u003ch3>James Franco\u003c/h3>\n\u003cp>Where hasn’t this man dabbled? It’s hard to keep track of all his side projects, let alone separate the spoofs from the serious offerings. The most glaring of the latter was a much-maligned 2014 exhibition of photographs at New York’s Pace Gallery. \u003cem>\u003ca href=\"http://www.pacegallery.com/newyork/exhibitions/12662/new-film-stills\" target=\"_blank\" rel=\"noopener\">New Film Stills\u003c/a>\u003c/em> recreated images from Cindy Sherman’s seminal series \u003cem>Untitled Film Series\u003c/em> — with Franco posing in drag as the young Sherman. The artist statement had something to do with role-reversal — Sherman, an artist, looked to film; Franco, an actor, looks to art. But the final word came from Sherman herself. In \u003ca href=\"http://observer.com/2014/04/cindy-sherman-on-james-francos-new-show-i-dont-know-that-i-can-say-its-art/\" target=\"_blank\" rel=\"noopener\">a candid moment\u003c/a> with the \u003cem>Observer\u003c/em> she said, “I don’t know that I can say it’s art.”\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10786892\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10786892 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Gordon400-400x300.jpg\" alt=\"Kim Gordon, 'Chelsea Enclave,' 2015. (Courtesy of 303 Gallery)\" width=\"400\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">Kim Gordon, ‘Chelsea Enclave,’ 2015. (Courtesy of 303 Gallery)\u003c/figcaption>\u003c/figure>\n\u003ch3>Kim Gordon\u003c/h3>\n\u003cp>This might be a little known fact, but Kim Gordon has always been an artist. Before Sonic Youth, before her fashion line, before moving to New York, Gordon studied art. She works in painting and sculpture, with a messy, punk-rock aesthetic of splatters and drips, silver spray paint and glitter. In her current solo show at 303 Gallery, \u003ca href=\"http://www.303gallery.com/exhibition/index.php?exhid=277&p=images\" target=\"_blank\" rel=\"noopener\">\u003cem>Design Office: The City is a Garden\u003c/em>\u003c/a>, crumpled resin-covered canvases hold their shape like fake rocks, their surfaces covered with black text that takes jabs at New York’s highly manicured and antiseptic redevelopment.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10786902\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10786902 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Picasso400-400x225.jpg\" alt=\"'Picasso Baby: A Performance Art Film,' 2013. (Courtesy of HBO Films)\" width=\"400\" height=\"225\">\u003cfigcaption class=\"wp-caption-text\">‘Picasso Baby: A Performance Art Film,’ 2013. (Courtesy of HBO Films)\u003c/figcaption>\u003c/figure>\n\u003ch3>Jay-Z\u003c/h3>\n\u003cp>Jay-Z aired his first \u003ca href=\"https://vimeo.com/80930630\" target=\"_blank\" rel=\"noopener\">“performance art video”\u003c/a> on HBO, a ten-minute version of a six-hour performance at Pace Gallery in 2013. The artwork doubles as a music video for “Picasso Baby” — a song about living large with expensive art. Inside the gallery, Jay-Z raps for a celebrity audience, some of whom take turns sitting on a bench to gaze at the performer. The event was “explicitly inspired” by Marina Abramović’s \u003cem>The Artist Is Present\u003c/em>, and Abramović herself makes an appearance. Jay-Z likens the event to a concert in a different setting, ignoring the strange blend of celebrity cameos, adoring fans and armchair philosophizing. “We’re artists, we’re alike, we’re cousins,” he says.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10787048\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10787048 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Cyrus400-400x277.jpg\" alt=\"Miley Cyrus artwork on view at Miami Basel, 2014. (Photo by V Magazine)\" width=\"400\" height=\"277\">\u003cfigcaption class=\"wp-caption-text\">Miley Cyrus’ artwork on view at Miami Basel, 2014. (Photo by V Magazine)\u003c/figcaption>\u003c/figure>\n\u003ch3>Miley Cyrus\u003c/h3>\n\u003cp>The child star turned tongue-waggling pop figure who brought us “Wrecking Ball,” also produces readymade sculpture. As Cyrus puts it in her \u003ca href=\"https://news.artnet.com/people/miley-cyrus-makes-erotic-sculptures-95337\" target=\"_blank\" rel=\"noopener\">artist statement\u003c/a>, courtesy of artnet News: “I had a bunch of f**king junk and s**t, and so instead of letting it be junk and s**t, I turned it into something that made me happy.” The pieces, over-the-top assemblages of cheap toys, craft materials, drug paraphernalia and plastic beads, appeared at Art Basel Miami in 2014 thanks to former Los Angeles Museum of Contemporary Art director Jeffrey Deitch.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10786894\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10786894 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/LaBoeuf400-400x269.jpg\" alt=\"LaBeouf, Rönkkö & Turner, '#iamsorry,' 2014. (Courtesy of the artists)\" width=\"400\" height=\"269\">\u003cfigcaption class=\"wp-caption-text\">LaBeouf, Rönkkö & Turner, ‘#iamsorry,’ 2014. (Courtesy of the artists)\u003c/figcaption>\u003c/figure>\n\u003ch3>Shia LaBeouf\u003c/h3>\n\u003cp>Like Cyrus, Shia LaBeouf is another grown up child star who decided he could do it all. LaBeouf’s career as a performance artist can be traced back to the “existential crisis” he suffered after Oakland cartoonist Daniel Clowes accused him of plagiarism in 2013. \u003ca href=\"http://thecampaignbook.com/\" target=\"_blank\" rel=\"noopener\">Collaborating\u003c/a> with artists Nastja Säde Rönkkö and Luke Turner, LaBeouf wore a paper bag over his head proclaiming “I AM NOT FAMOUS ANYMORE,” commissioned some skywriting, staged an endurance performance at Los Angeles’ Cohen Gallery and overall, showed himself to have an amazing talent for appropriating and regurgitating the words and work of others.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10787051\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10787051 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Shawkat400b-e1434931096580-400x327.jpg\" alt=\"Alia Shawkat, 'bin laden.' (Courtesy of the artist)\" width=\"400\" height=\"327\">\u003cfigcaption class=\"wp-caption-text\">Alia Shawkat, ‘bin laden.’ (Courtesy of the artist)\u003c/figcaption>\u003c/figure>\n\u003ch3>Alia Shawkat\u003c/h3>\n\u003cp>Remember Maeby Fünke from television’s \u003cem>Arrested Development\u003c/em>? She makes art now! Alia Shawkat, the actress behind the con artist character and other screen projects, creates mixed media works on paper. Her pieces (for sale on \u003ca href=\"http://mutantalia.com/\" target=\"_blank\" rel=\"noopener\">her website\u003c/a>) are full of strange cartoonish characters, Raymond Pettibon-like comics and surreal scenes of human and nonhuman intermingling. Watch Shawkat host a series of \u003ca href=\"https://www.youtube.com/watch?v=W7KAymZOsLI&list=PLLdkjkOBv9VRyBdiN3jUUxpalpB9t108y\" target=\"_blank\" rel=\"noopener\">artist interviews for MOCAtv\u003c/a> and revel in her endearingly awkward giggle.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10786896\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10786896 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Sly400-400x339.jpg\" alt=\"Stallone at his museum opening in Nice, 2015. (Courtesy of the artist)\" width=\"400\" height=\"339\">\u003cfigcaption class=\"wp-caption-text\">Stallone at his museum opening in Nice, 2015. (Courtesy of the artist)\u003c/figcaption>\u003c/figure>\n\u003ch3>Sylvester Stallone\u003c/h3>\n\u003cp>Yes, Sly is a painter. \u003cem>Real Love: Paintings 1975-2015\u003c/em>, his recent retrospective at the Galerie Contemporaine du Musée de Nice, spanned four decades and charted the film actor’s development as an artist from figurative works to large abstract canvases. Stallone’s paintings are expressionistic, full of bright colors, heavy brushstrokes, fellow celebrities and recurring images of clocks. No word yet on an American museum retrospective. But like Rocky and Apollo Creed, I believe “America is the land of opportunity.”\u003c/p>\n\u003c/div>\n\u003ch3>The list goes on…\u003c/h3>\n\u003cp>Dennis Hopper was an \u003ca href=\"http://dennishopper.com/art/\" target=\"_blank\" rel=\"noopener\">accomplished photographer\u003c/a>. Mark Mothersbaugh returned to his visual roots with a \u003ca href=\"http://mcadenver.org/myopia.php\" target=\"_blank\" rel=\"noopener\">solo museum exhibition\u003c/a>. Director \u003ca href=\"http://www.gagosian.com/exhibitions/february-26-2011--james-franco--gus-van-sant\" target=\"_blank\" rel=\"noopener\">Gus Van Sant paints\u003c/a>. Pierce Brosnan, Viggo Mortensen and Johnny Depp dabble in oils. Lucy Liu has some pretty interesting work and a \u003ca href=\"http://lucyliu.net/\" target=\"_blank\" rel=\"noopener\">really nice website\u003c/a>. And \u003ca href=\"http://moby-photography.com/\" target=\"_blank\" rel=\"noopener\">Moby takes pictures\u003c/a> of his concert crowds.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Other suggestions for artists leaping off the magazine racks? Leave ’em in the comments.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Kim Kardashian Talks Gun Control, Feminism and Everything Else at Commonwealth Club Event",
"title": "Kim Kardashian Talks Gun Control, Feminism and Everything Else at Commonwealth Club Event",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>[contextly_sidebar id=\"Wp7QYExPfLA2pOuAH2UcDeSlYrAao4YU\"]\u003c/p>\n\u003cp>When INFORUM, the Commonwealth Club's Innovation Lab, announced that they would be hosting Kim Kardashian, people freaked out, to put it mildly. The reaction was similar to the outrage many felt after her appearance on NPR's \u003cem>Wait Wait...Don't Tell Me!\u003c/em>, which this blog has covered \u003ca href=\"http://ww2.kqed.org/pop/2015/06/15/kim-kardashian-appears-on-wait-wait-dont-tell-me-fans-go-postal/\" target=\"_blank\">pretty\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/2015/06/29/the-real-reason-behind-the-outrage-over-kim-kardashian-being-on-npr/\" target=\"_blank\">prominently\u003c/a>. If there's anything we've learned in the last two weeks, it's that Kim Kardashian is a guaranteed conversation-starter. So with that in mind, two of us who attended the event went home, opened up Facebook chat, and had at it.\u003c/p>\n\u003cp>\u003cstrong>Gabe Meline:\u003c/strong> So Emmanuel! We saw Kim Kardashian at the Commonwealth Club tonight, and I think it's safe to say that it didn't go as well as we'd hoped!\u003c/p>\n\u003cp>\u003cstrong>Emmanuel Hapsis: \u003c/strong>Yes, definitely safe to say that. Adele singing \"We could have had it aaaaallllll!\" keeps playing in my head.\u003c/p>\n\u003cp>\u003cstrong>GM: \u003c/strong>It’s rare that she gets put in an interview situation like this, where the goal is intelligent conversation on smart topics. Knowing this, you’d think she, or at least her publicist, would have prepared a little more. But if this were her attempt at winning over the highbrow crowd, she really came up short. Shall we recount the missed chances?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>As painful as that will be, yes, let's do it. Her publicist should totally just make her memorize an answer to expected questions. Like for \"Do you consider yourself a feminist?\", she could have simply said \"Duh\" and then quoted Bell Hooks or \u003ca href=\"http://ww2.kqed.org/pop/2013/12/16/beyonce-and-chimamanda-ngozi-adichie-make-feminism-go-viral/\" target=\"_blank\">Chimamanda Ngozi Adichie\u003c/a> or Malala or \u003ca href=\"http://ww2.kqed.org/pop/emma-watson-most-inspiring-quotes-international-womens-day-facebook-feminism-speech\" target=\"_blank\">Emma Watson\u003c/a> or even \u003ca href=\"http://ww2.kqed.org/pop/2013/12/16/beyonce-and-chimamanda-ngozi-adichie-make-feminism-go-viral/\" target=\"_blank\">Beyonce\u003c/a>. Instead, she said, \"I guess people would call me a feminist, so I guess you could, but I don't really like to put labels on things. I'm not really one to say 'I'm a feminist, and this is what I believe in so you have to believe in this, and, like, free the nipple!' kind of person. I'm not that person at all.\" My reaction to that moment can be best summed up with this Tyra Banks gif:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tyra-rooting-for-you.gif\">\u003cimg class=\"aligncenter size-full wp-image-16986\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tyra-rooting-for-you.gif\" alt=\"tyra-rooting-for-you\" width=\"500\" height=\"303\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>GM: \u003c/strong>Yeah. Like, come on, really? How controversial is it to just say, “Yeah, women should be treated fairly and have equal pay”?\u003c/p>\n\u003cp>And so many of her answers were like an eighth grader who hadn't studied for the test, who \"answers\" with thinly veiled rewordings of the question. I'm paraphrasing here:\u003c/p>\n\u003cp>\u003cem>Q: How do you plan on having a conversation with your children about racism?\u003c/em>\u003c/p>\n\u003cp>\u003cem>A: Well, we’re going to have a conversation with them about racism.\u003c/em>\u003c/p>\n\u003cp>It wasn't just the important questions, either; she even ducked frivolous questions.\u003c/p>\n\u003cp>\u003cem>Q: Tell me how to use lighting and angles to achieve the best selfie.\u003c/em>\u003c/p>\n\u003cp>\u003cem>A: Oh, well, lighting is really important. And it's good to get the right angle.\u003c/em>\u003c/p>\n\u003cp>You know?\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>And the platitudes. My god, the platitudes.\u003c/p>\n\u003cp>\u003cem>Q: What advice would you give a young female entrepreneur who's trying to make it in a man's world?\u003c/em>\u003c/p>\n\u003cp>\u003cem>A: Be determined! Have a good work ethic!\u003c/em>\u003c/p>\n\u003cp>\u003cem>Q: What would you say to a girl struggling with body image?\u003c/em>\u003c/p>\n\u003cp>\u003cem>A: Have confidence! Be proud of who you are!\u003c/em>\u003c/p>\n\u003cp>\u003cem>Q: What advice do you have for women facing discrimination and sexism in the workplace?\u003c/em>\u003c/p>\n\u003cp>\u003cem>A: Stay focused!\u003c/em>\u003c/p>\n\u003cp>It was all so pageant-y and safe. I loved when LaDoris Cordell (the interviewer) added \"Lawyer up!\" after Kim failed to give a legitimate answer to that last question.\u003c/p>\n\u003cp>\u003cstrong>GM: \u003c/strong>Kudos to\u003cstrong> \u003c/strong>LaDoris Cordell, who actually asked some pointed questions. Like about \u003ca href=\"http://www.billboard.com/files/media/kim-kardashian-paper-cover-full-billboard-650.jpg\" target=\"_blank\">the famous \u003cem>Paper\u003c/em> magazine cover\u003c/a>: “Your photo was a recreation of a photo of an African-American woman, in the same pose, that was denounced as degrading or objectifying the black female body. Were you surprised at the reaction to that photo, and were you aware of the earlier photo of the black woman?” It’s pretty crazy for Kim to sit there and say, face-to-face with a respected black woman, “I can see how someone would think that, but that wasn’t my intention. The photographer, it was his idea.” And just leave it at that.\u003c/p>\n\u003cp>Or how about when the audience was able to ask questions, and one was simply, “Do you think you promote an unhealthy body image?” Kim’s answer was like, “No, because my makeup is inexpensive, and my new website coming soon is going to have a lot of tutorials on how to do your brows!”\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>Kim so readily saying that she would absolutely pose for that \u003cem>Paper\u003c/em> magazine photograph again, despite knowing the loaded history behind the image, seemed kind of selfish to me...which happens to be the name of her book of selfies! So maybe she bombed that question so I would call her selfish and plug her book?? Wow, she really \u003cem>is\u003c/em> good at marketing!\u003c/p>\n\u003cp>\u003cstrong>GM: \u003c/strong>Ah, yes, her book, two copies of which were given out to each attendee in that bizarre-looking tote bag with a stencil of her face on it. Is this an appropriate time to note that due to low ticket sales, this event was moved from the Paramount Theatre (3,040 seats) to the Castro Theatre (1,400 seats)?\u003c/p>\n\u003cp>I imagine that Cordell also was strongly advised and/or forced via the mucky trenches of the celebrity-publicist industrial complex to ask about certain subjects, like the softball questions about Kim's app (the developers, Glu Mobile, sponsored the event) or her work with the Children's Hospital. That was a letdown.\u003c/p>\n\u003cp>But hey, enough wallowing. What did you *like* about the conversation? As someone with a Master's Degree in Kardashian, what stood out?\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>Wait, I need to get one more negative thing out or it will stay inside my body and slowly poison me until I drop dead days from now, while I'm innocently scrolling through Taylor Swift's Instagram feed!\u003c/p>\n\u003cp>When she was asked about whether she was surprised about the \u003ca href=\"http://ww2.kqed.org/pop/2013/06/20/little-known-facts-about-supreme-court-justices-prop8-doma-scalia-ginsburg/\" target=\"_blank\">Supreme Court\u003c/a>’s \u003ca href=\"http://ww2.kqed.org/pop/2015/06/26/lovewins-the-best-reactions-to-the-supreme-courts-marriage-equality-ruling/\" target=\"_blank\">marriage equality decision\u003c/a>, she said \"It's about time.\" \u003cem>Yay, she got it right!\u003c/em>, I thought. But she wasn't finished: \"I'm proud of Obama for getting it done.\"\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/luke-noooo.jpeg\">\u003cimg class=\"aligncenter size-full wp-image-16987\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/luke-noooo.jpeg\" alt=\"luke noooo\" width=\"620\" height=\"331\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/luke-noooo.jpeg 620w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/luke-noooo-400x214.jpeg 400w\" sizes=\"(max-width: 620px) 100vw, 620px\">\u003c/a>\u003c/p>\n\u003cp>Maybe she missed the day in eighth grade when her History teacher explained how the three branches of government work?\u003c/p>\n\u003cp>But on the positive tip: I think she was charming, gracious and funny, for the most part.\u003c/p>\n\u003cp>I liked when she opened up about \u003ca href=\"http://ww2.kqed.org/pop/2015/06/01/caitlyn-jenner-on-vanity-fair-cover-im-free/\" target=\"_blank\">Caitlyn Jenner\u003c/a> and how she has made her a less judgmental and more compassionate person.\u003c/p>\n\u003cp>I also loved that she brought up the need for stricter gun control laws, when asked to give an idea to change the world. It's obviously a hot button issue in America right now so I appreciated that she stepped out of her safe stock answers and got a bit real with that one.\u003c/p>\n\u003cp>And her anecdote about being obsessed with eBay back in the day and making a profit off of reselling Manolo Blahnik Timbaland shoes from a J. Lo music video was like an early aughts time capsule. I loved that blast from the past.\u003c/p>\n\u003cp>\u003cstrong>GM: \u003c/strong>Yeah, there were a few moments where you were like, \"Oh yeah, she's actually a person with a family and a life.\" My personal favorite part was when she was asked if she could interview anyone in the world, who it would be. And she answered, \"Donda West.\" (For those who don't know, that's Kanye's mother, who passed away in 2007.)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/rihanna-cry.gif\">\u003cimg class=\"aligncenter size-full wp-image-16989\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/rihanna-cry.gif\" alt=\"rihanna cry\" width=\"500\" height=\"278\">\u003c/a>\u003c/p>\n\u003cp>I just realized I have one last gripe too. She talked about how Kanye advised her on her app, how he envisioned and supported her book, how he had all these creative entrepreneurial ideas. And when asked if she gives any advice to Kanye, she was all, \"Yes, I tell him what to wear, and that we need more storage space in our kitchen.\"\u003c/p>\n\u003cp>This all goes back to the question you mentioned, about if it’s realistic for young women to be successful in a male-dominated business culture, and I thought her answer was telling: “I see so much from social media. There’s this generation of girls that are beautiful, but I don’t see a strong work ethic.”\u003c/p>\n\u003cp>What I took away from that, and from her answers about body image and objectification of women in the media, is that Kim operates under the assumption that it's not just her goal to be as beautiful as possible, but it's *every girl's goal* to be as beautiful as possible. They just have to work hard at it and they'll be successful for their beauty -- not their talent. Numerous examples of this cropped up, like her \"I can't code, I leave that to the developers, I just tell them that the dress in the video game needs straps\" comment.\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>Yeah, I was bummed when she kept being demure about her achievements and giving Kanye so much credit.\u003c/p>\n\u003cp>\u003cstrong>GM:\u003c/strong> There are a lot of reasons why I root for Kim Kardashian, and my favorite theory about her is that she helps young women accept their own bodies by showing, openly and publicly, just how much time, effort and money goes into maintaining her own body. More than any celebrity before her, she broadcasts the 24/7 work of her wardrobe and makeup team, and even her plastic surgeons. If I were a teenage girl, I'd look at the unattainable effort Kim Kardashian is putting into her look, and I'd feel a lot better about how I look after 10 minutes in front of the mirror.\u003c/p>\n\u003cp>But to reduce a woman's role to helping dress her husband, or to assume all girls could be successful if they were just prettier is, to borrow a phrase from \u003ca href=\"http://ww2.kqed.org/pop/2013/06/20/little-known-facts-about-supreme-court-justices-prop8-doma-scalia-ginsburg/\" target=\"_blank\">Antonin Scalia\u003c/a>, pure applesauce.\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>Like you, I root for Kim. Anyone who follows this blog knows that, considering the posts I've written about the outrage that followed her appearance on \u003cem>Wait Wait...Don't Tell Me!\u003c/em> Despite her not sounding as smart as I'd hoped she would tonight, I still think NPR shows geared toward celebrities and comedy should feel free to have her on. I still think public radio is a place where people \u003ca href=\"http://ww2.kqed.org/pop/2015/06/15/kim-kardashian-appears-on-wait-wait-dont-tell-me-fans-go-postal/\" target=\"_blank\">should be able to discuss Kim\u003c/a> and other facets of pop culture in a thoughtful way. And I still believe that a lot of the negative attention she gets is fueled by \u003ca href=\"http://ww2.kqed.org/pop/2015/06/29/the-real-reason-behind-the-outrage-over-kim-kardashian-being-on-npr/\" target=\"_blank\">sexism and slut-shaming\u003c/a>.\u003c/p>\n\u003cp>While we're on the topic of that whole NPR hubbub, Cordell asked her what she thought about it. Kim seemed like she had never heard of NPR before, which I think is hysterical. Here are all these people flogging themselves because they're so upset that Kim wants to destroy their sanctuary and she's like...who?\u003c/p>\n\u003cp>When pressed to give a response to why she thinks people freaked out so much, she said \"I don't know and I don't care.\" So there you have it, thousands of people who commented on the issue. And contrary to the opinion of some of my friends that my essay had gotten big enough that she had probably seen it, now we know that she has definitely not.\u003c/p>\n\u003cp>\u003cstrong>GM: \u003c/strong>At any rate, I think we can agree: there may be a whole college course to be taught on Kim Kardashian, but based on tonight, Kim Kardashian is not the right person to teach it.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>EH: \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/khloe-kardashian-amen.gif\">\u003cimg class=\"aligncenter size-full wp-image-16991\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/khloe-kardashian-amen.gif\" alt=\"khloe-kardashian-amen\" width=\"500\" height=\"282\">\u003c/a>\u003c/strong>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>When INFORUM, the Commonwealth Club's Innovation Lab, announced that they would be hosting Kim Kardashian, people freaked out, to put it mildly. The reaction was similar to the outrage many felt after her appearance on NPR's \u003cem>Wait Wait...Don't Tell Me!\u003c/em>, which this blog has covered \u003ca href=\"http://ww2.kqed.org/pop/2015/06/15/kim-kardashian-appears-on-wait-wait-dont-tell-me-fans-go-postal/\" target=\"_blank\">pretty\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/2015/06/29/the-real-reason-behind-the-outrage-over-kim-kardashian-being-on-npr/\" target=\"_blank\">prominently\u003c/a>. If there's anything we've learned in the last two weeks, it's that Kim Kardashian is a guaranteed conversation-starter. So with that in mind, two of us who attended the event went home, opened up Facebook chat, and had at it.\u003c/p>\n\u003cp>\u003cstrong>Gabe Meline:\u003c/strong> So Emmanuel! We saw Kim Kardashian at the Commonwealth Club tonight, and I think it's safe to say that it didn't go as well as we'd hoped!\u003c/p>\n\u003cp>\u003cstrong>Emmanuel Hapsis: \u003c/strong>Yes, definitely safe to say that. Adele singing \"We could have had it aaaaallllll!\" keeps playing in my head.\u003c/p>\n\u003cp>\u003cstrong>GM: \u003c/strong>It’s rare that she gets put in an interview situation like this, where the goal is intelligent conversation on smart topics. Knowing this, you’d think she, or at least her publicist, would have prepared a little more. But if this were her attempt at winning over the highbrow crowd, she really came up short. Shall we recount the missed chances?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>As painful as that will be, yes, let's do it. Her publicist should totally just make her memorize an answer to expected questions. Like for \"Do you consider yourself a feminist?\", she could have simply said \"Duh\" and then quoted Bell Hooks or \u003ca href=\"http://ww2.kqed.org/pop/2013/12/16/beyonce-and-chimamanda-ngozi-adichie-make-feminism-go-viral/\" target=\"_blank\">Chimamanda Ngozi Adichie\u003c/a> or Malala or \u003ca href=\"http://ww2.kqed.org/pop/emma-watson-most-inspiring-quotes-international-womens-day-facebook-feminism-speech\" target=\"_blank\">Emma Watson\u003c/a> or even \u003ca href=\"http://ww2.kqed.org/pop/2013/12/16/beyonce-and-chimamanda-ngozi-adichie-make-feminism-go-viral/\" target=\"_blank\">Beyonce\u003c/a>. Instead, she said, \"I guess people would call me a feminist, so I guess you could, but I don't really like to put labels on things. I'm not really one to say 'I'm a feminist, and this is what I believe in so you have to believe in this, and, like, free the nipple!' kind of person. I'm not that person at all.\" My reaction to that moment can be best summed up with this Tyra Banks gif:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tyra-rooting-for-you.gif\">\u003cimg class=\"aligncenter size-full wp-image-16986\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tyra-rooting-for-you.gif\" alt=\"tyra-rooting-for-you\" width=\"500\" height=\"303\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>GM: \u003c/strong>Yeah. Like, come on, really? How controversial is it to just say, “Yeah, women should be treated fairly and have equal pay”?\u003c/p>\n\u003cp>And so many of her answers were like an eighth grader who hadn't studied for the test, who \"answers\" with thinly veiled rewordings of the question. I'm paraphrasing here:\u003c/p>\n\u003cp>\u003cem>Q: How do you plan on having a conversation with your children about racism?\u003c/em>\u003c/p>\n\u003cp>\u003cem>A: Well, we’re going to have a conversation with them about racism.\u003c/em>\u003c/p>\n\u003cp>It wasn't just the important questions, either; she even ducked frivolous questions.\u003c/p>\n\u003cp>\u003cem>Q: Tell me how to use lighting and angles to achieve the best selfie.\u003c/em>\u003c/p>\n\u003cp>\u003cem>A: Oh, well, lighting is really important. And it's good to get the right angle.\u003c/em>\u003c/p>\n\u003cp>You know?\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>And the platitudes. My god, the platitudes.\u003c/p>\n\u003cp>\u003cem>Q: What advice would you give a young female entrepreneur who's trying to make it in a man's world?\u003c/em>\u003c/p>\n\u003cp>\u003cem>A: Be determined! Have a good work ethic!\u003c/em>\u003c/p>\n\u003cp>\u003cem>Q: What would you say to a girl struggling with body image?\u003c/em>\u003c/p>\n\u003cp>\u003cem>A: Have confidence! Be proud of who you are!\u003c/em>\u003c/p>\n\u003cp>\u003cem>Q: What advice do you have for women facing discrimination and sexism in the workplace?\u003c/em>\u003c/p>\n\u003cp>\u003cem>A: Stay focused!\u003c/em>\u003c/p>\n\u003cp>It was all so pageant-y and safe. I loved when LaDoris Cordell (the interviewer) added \"Lawyer up!\" after Kim failed to give a legitimate answer to that last question.\u003c/p>\n\u003cp>\u003cstrong>GM: \u003c/strong>Kudos to\u003cstrong> \u003c/strong>LaDoris Cordell, who actually asked some pointed questions. Like about \u003ca href=\"http://www.billboard.com/files/media/kim-kardashian-paper-cover-full-billboard-650.jpg\" target=\"_blank\">the famous \u003cem>Paper\u003c/em> magazine cover\u003c/a>: “Your photo was a recreation of a photo of an African-American woman, in the same pose, that was denounced as degrading or objectifying the black female body. Were you surprised at the reaction to that photo, and were you aware of the earlier photo of the black woman?” It’s pretty crazy for Kim to sit there and say, face-to-face with a respected black woman, “I can see how someone would think that, but that wasn’t my intention. The photographer, it was his idea.” And just leave it at that.\u003c/p>\n\u003cp>Or how about when the audience was able to ask questions, and one was simply, “Do you think you promote an unhealthy body image?” Kim’s answer was like, “No, because my makeup is inexpensive, and my new website coming soon is going to have a lot of tutorials on how to do your brows!”\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>Kim so readily saying that she would absolutely pose for that \u003cem>Paper\u003c/em> magazine photograph again, despite knowing the loaded history behind the image, seemed kind of selfish to me...which happens to be the name of her book of selfies! So maybe she bombed that question so I would call her selfish and plug her book?? Wow, she really \u003cem>is\u003c/em> good at marketing!\u003c/p>\n\u003cp>\u003cstrong>GM: \u003c/strong>Ah, yes, her book, two copies of which were given out to each attendee in that bizarre-looking tote bag with a stencil of her face on it. Is this an appropriate time to note that due to low ticket sales, this event was moved from the Paramount Theatre (3,040 seats) to the Castro Theatre (1,400 seats)?\u003c/p>\n\u003cp>I imagine that Cordell also was strongly advised and/or forced via the mucky trenches of the celebrity-publicist industrial complex to ask about certain subjects, like the softball questions about Kim's app (the developers, Glu Mobile, sponsored the event) or her work with the Children's Hospital. That was a letdown.\u003c/p>\n\u003cp>But hey, enough wallowing. What did you *like* about the conversation? As someone with a Master's Degree in Kardashian, what stood out?\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>Wait, I need to get one more negative thing out or it will stay inside my body and slowly poison me until I drop dead days from now, while I'm innocently scrolling through Taylor Swift's Instagram feed!\u003c/p>\n\u003cp>When she was asked about whether she was surprised about the \u003ca href=\"http://ww2.kqed.org/pop/2013/06/20/little-known-facts-about-supreme-court-justices-prop8-doma-scalia-ginsburg/\" target=\"_blank\">Supreme Court\u003c/a>’s \u003ca href=\"http://ww2.kqed.org/pop/2015/06/26/lovewins-the-best-reactions-to-the-supreme-courts-marriage-equality-ruling/\" target=\"_blank\">marriage equality decision\u003c/a>, she said \"It's about time.\" \u003cem>Yay, she got it right!\u003c/em>, I thought. But she wasn't finished: \"I'm proud of Obama for getting it done.\"\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/luke-noooo.jpeg\">\u003cimg class=\"aligncenter size-full wp-image-16987\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/luke-noooo.jpeg\" alt=\"luke noooo\" width=\"620\" height=\"331\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/luke-noooo.jpeg 620w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/luke-noooo-400x214.jpeg 400w\" sizes=\"(max-width: 620px) 100vw, 620px\">\u003c/a>\u003c/p>\n\u003cp>Maybe she missed the day in eighth grade when her History teacher explained how the three branches of government work?\u003c/p>\n\u003cp>But on the positive tip: I think she was charming, gracious and funny, for the most part.\u003c/p>\n\u003cp>I liked when she opened up about \u003ca href=\"http://ww2.kqed.org/pop/2015/06/01/caitlyn-jenner-on-vanity-fair-cover-im-free/\" target=\"_blank\">Caitlyn Jenner\u003c/a> and how she has made her a less judgmental and more compassionate person.\u003c/p>\n\u003cp>I also loved that she brought up the need for stricter gun control laws, when asked to give an idea to change the world. It's obviously a hot button issue in America right now so I appreciated that she stepped out of her safe stock answers and got a bit real with that one.\u003c/p>\n\u003cp>And her anecdote about being obsessed with eBay back in the day and making a profit off of reselling Manolo Blahnik Timbaland shoes from a J. Lo music video was like an early aughts time capsule. I loved that blast from the past.\u003c/p>\n\u003cp>\u003cstrong>GM: \u003c/strong>Yeah, there were a few moments where you were like, \"Oh yeah, she's actually a person with a family and a life.\" My personal favorite part was when she was asked if she could interview anyone in the world, who it would be. And she answered, \"Donda West.\" (For those who don't know, that's Kanye's mother, who passed away in 2007.)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/rihanna-cry.gif\">\u003cimg class=\"aligncenter size-full wp-image-16989\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/rihanna-cry.gif\" alt=\"rihanna cry\" width=\"500\" height=\"278\">\u003c/a>\u003c/p>\n\u003cp>I just realized I have one last gripe too. She talked about how Kanye advised her on her app, how he envisioned and supported her book, how he had all these creative entrepreneurial ideas. And when asked if she gives any advice to Kanye, she was all, \"Yes, I tell him what to wear, and that we need more storage space in our kitchen.\"\u003c/p>\n\u003cp>This all goes back to the question you mentioned, about if it’s realistic for young women to be successful in a male-dominated business culture, and I thought her answer was telling: “I see so much from social media. There’s this generation of girls that are beautiful, but I don’t see a strong work ethic.”\u003c/p>\n\u003cp>What I took away from that, and from her answers about body image and objectification of women in the media, is that Kim operates under the assumption that it's not just her goal to be as beautiful as possible, but it's *every girl's goal* to be as beautiful as possible. They just have to work hard at it and they'll be successful for their beauty -- not their talent. Numerous examples of this cropped up, like her \"I can't code, I leave that to the developers, I just tell them that the dress in the video game needs straps\" comment.\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>Yeah, I was bummed when she kept being demure about her achievements and giving Kanye so much credit.\u003c/p>\n\u003cp>\u003cstrong>GM:\u003c/strong> There are a lot of reasons why I root for Kim Kardashian, and my favorite theory about her is that she helps young women accept their own bodies by showing, openly and publicly, just how much time, effort and money goes into maintaining her own body. More than any celebrity before her, she broadcasts the 24/7 work of her wardrobe and makeup team, and even her plastic surgeons. If I were a teenage girl, I'd look at the unattainable effort Kim Kardashian is putting into her look, and I'd feel a lot better about how I look after 10 minutes in front of the mirror.\u003c/p>\n\u003cp>But to reduce a woman's role to helping dress her husband, or to assume all girls could be successful if they were just prettier is, to borrow a phrase from \u003ca href=\"http://ww2.kqed.org/pop/2013/06/20/little-known-facts-about-supreme-court-justices-prop8-doma-scalia-ginsburg/\" target=\"_blank\">Antonin Scalia\u003c/a>, pure applesauce.\u003c/p>\n\u003cp>\u003cstrong>EH: \u003c/strong>Like you, I root for Kim. Anyone who follows this blog knows that, considering the posts I've written about the outrage that followed her appearance on \u003cem>Wait Wait...Don't Tell Me!\u003c/em> Despite her not sounding as smart as I'd hoped she would tonight, I still think NPR shows geared toward celebrities and comedy should feel free to have her on. I still think public radio is a place where people \u003ca href=\"http://ww2.kqed.org/pop/2015/06/15/kim-kardashian-appears-on-wait-wait-dont-tell-me-fans-go-postal/\" target=\"_blank\">should be able to discuss Kim\u003c/a> and other facets of pop culture in a thoughtful way. And I still believe that a lot of the negative attention she gets is fueled by \u003ca href=\"http://ww2.kqed.org/pop/2015/06/29/the-real-reason-behind-the-outrage-over-kim-kardashian-being-on-npr/\" target=\"_blank\">sexism and slut-shaming\u003c/a>.\u003c/p>\n\u003cp>While we're on the topic of that whole NPR hubbub, Cordell asked her what she thought about it. Kim seemed like she had never heard of NPR before, which I think is hysterical. Here are all these people flogging themselves because they're so upset that Kim wants to destroy their sanctuary and she's like...who?\u003c/p>\n\u003cp>When pressed to give a response to why she thinks people freaked out so much, she said \"I don't know and I don't care.\" So there you have it, thousands of people who commented on the issue. And contrary to the opinion of some of my friends that my essay had gotten big enough that she had probably seen it, now we know that she has definitely not.\u003c/p>\n\u003cp>\u003cstrong>GM: \u003c/strong>At any rate, I think we can agree: there may be a whole college course to be taught on Kim Kardashian, but based on tonight, Kim Kardashian is not the right person to teach it.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>EH: \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/khloe-kardashian-amen.gif\">\u003cimg class=\"aligncenter size-full wp-image-16991\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/khloe-kardashian-amen.gif\" alt=\"khloe-kardashian-amen\" width=\"500\" height=\"282\">\u003c/a>\u003c/strong>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Everyone has an opinion on Kim Kardashian and that's never been clearer than in the two weeks since she appeared on NPR's \u003cem>Wait Wait...Don't Tell Me!\u003c/em> for a harmless 10-minute segment. She was charming, self-aware and a good sport. But many listeners didn't feel that way and took their outrage to social media, as well as the comment section of NPR's site.\u003c/p>\n\u003cp>[contextly_sidebar id=\"4OvLTtJTpVsoQobBzSZQwLlNgXGJ25tD\"]I wrote \u003ca href=\"http://ww2.kqed.org/pop/2015/06/15/kim-kardashian-appears-on-wait-wait-dont-tell-me-fans-go-postal/\" target=\"_blank\">a piece defending Kim\u003c/a> against these attacks, which got the attention of \u003ca href=\"http://www.washingtonpost.com/news/morning-mix/wp/2015/06/19/kim-kardashian-appeared-on-npr-and-listeners-are-outraged/\" target=\"_blank\">\u003cem>The Washington Post\u003c/em> \u003c/a>and the \u003ca href=\"http://www.npr.org/sections/ombudsman/2015/06/17/415203751/what-s-all-the-kommotion-about-kim-kardashian-west-on-wait-wait\" target=\"_blank\">NPR Ombudsman\u003c/a>, and led to a guest appearance on \u003ca href=\"http://www.kqed.org/a/forum/R201506291030\" target=\"_blank\">KQED's \u003cem>Forum\u003c/em>\u003c/a> to get to the bottom of the backlash.\u003c/p>\n\u003cp>During the 30-minute segment, many people chimed in with their views on whether someone like Kim should be allowed on NPR. But there was one comment by a caller that really hit at what this whole thing is really about.\u003c/p>\n\u003cp>Gina from Oakland had this to say:\u003c/p>\n\u003cp>\u003cem>\"I was just listening to this and I couldn't help feeling there was an undercurrent of gender bias going on...Because she's a woman and because there's a sexual element to her fame, I think that actually is driving some of the discomfort, the ability for people to kind of pooh-pooh her and dismiss her.\"\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I agreed wholeheartedly:\u003c/p>\n\u003cp>\u003cem>\"When we talk about her sex tape, I just keep thinking of the male celebrities who have had sex tapes. When we're talking about Rob Lowe or...Colin Farrell, that never comes up and that isn't used to discredit everything they've accomplished. But with Kim, because she's a woman and we're used to shaming women for their sexuality, it's just easier for us to pile on and I think it's wrong.\"\u003c/em>\u003c/p>\n\u003cp>Listen to the full exchange:\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/212547026\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>A huge portion of the comments I've read in response to Kim's \u003cem>WWDTM\u003c/em> appearance mention her sex tape or resort to name-calling. And there are a lot of words for these people to choose from—strumpet, harlot, floozy, hussy, trollop, trash, bimbo, whore, slut, and on and on. On the flip side, you would be hard pressed to find equally derisive language to describe a sexual man. They get called lotharios, players, pimps, studs or, most often, nothing at all. Women are placed under a different level of scrutiny in our culture and nowhere is that clearer than within discussions about Kim.\u003c/p>\n\u003cp>Just this weekend, a concertgoer at the Glastonbury music festival printed a still from Kim's sex tape on a flag and waved it during Kanye West's set. That's how pervasive this culture of slut-shaming is. Her sexuality is being used as a weapon against her and her husband. And people don't bat an eye.\u003c/p>\n\u003cp>Kim's sexual past doesn't negate her success. She has an \u003ca href=\"http://www.celebritynetworth.com/richest-celebrities/models/kim-kardashian-net-worth/\" target=\"_blank\">estimated net worth of $85 million\u003c/a>. She has created fashion and cosmetic lines, clothing stores, an app worth $200 million, and a reality show that's in its tenth season. Regardless of whether you like her or her products, she is a prominent businesswoman, who, yes, has had sex before and has cleverly used our culture's obsession with objectifying women to her advantage. Like host Joshua Johnson said on today's \u003cem>Forum\u003c/em> segment: Don't hate the player, hate the game.\u003c/p>\n\u003cp>We might disagree on whether Kim warrants a discussion worthy of NPR. But hopefully we can all come to realize that this debate is about something much deeper and more insidious than the value of reality television or celebrity culture. If you're one of the people who thinks Kim's perspective shouldn't be heard on public radio, it's time to take a moment and ask yourself what's really behind that belief and what you can do to stop it.\u003c/p>\n\u003cp>Listen to the entire \u003cem>Forum\u003c/em> segment:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/212534396\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\n",
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"excerpt": "A caller on today's KQED Forum brought up a good point that could explain what's really fueling all the outrage over Kim Kardashian being on NPR.",
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"description": "A caller on today's KQED Forum brought up a good point that could explain what's really fueling all the outrage over Kim Kardashian being on NPR.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Everyone has an opinion on Kim Kardashian and that's never been clearer than in the two weeks since she appeared on NPR's \u003cem>Wait Wait...Don't Tell Me!\u003c/em> for a harmless 10-minute segment. She was charming, self-aware and a good sport. But many listeners didn't feel that way and took their outrage to social media, as well as the comment section of NPR's site.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>I wrote \u003ca href=\"http://ww2.kqed.org/pop/2015/06/15/kim-kardashian-appears-on-wait-wait-dont-tell-me-fans-go-postal/\" target=\"_blank\">a piece defending Kim\u003c/a> against these attacks, which got the attention of \u003ca href=\"http://www.washingtonpost.com/news/morning-mix/wp/2015/06/19/kim-kardashian-appeared-on-npr-and-listeners-are-outraged/\" target=\"_blank\">\u003cem>The Washington Post\u003c/em> \u003c/a>and the \u003ca href=\"http://www.npr.org/sections/ombudsman/2015/06/17/415203751/what-s-all-the-kommotion-about-kim-kardashian-west-on-wait-wait\" target=\"_blank\">NPR Ombudsman\u003c/a>, and led to a guest appearance on \u003ca href=\"http://www.kqed.org/a/forum/R201506291030\" target=\"_blank\">KQED's \u003cem>Forum\u003c/em>\u003c/a> to get to the bottom of the backlash.\u003c/p>\n\u003cp>During the 30-minute segment, many people chimed in with their views on whether someone like Kim should be allowed on NPR. But there was one comment by a caller that really hit at what this whole thing is really about.\u003c/p>\n\u003cp>Gina from Oakland had this to say:\u003c/p>\n\u003cp>\u003cem>\"I was just listening to this and I couldn't help feeling there was an undercurrent of gender bias going on...Because she's a woman and because there's a sexual element to her fame, I think that actually is driving some of the discomfort, the ability for people to kind of pooh-pooh her and dismiss her.\"\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I agreed wholeheartedly:\u003c/p>\n\u003cp>\u003cem>\"When we talk about her sex tape, I just keep thinking of the male celebrities who have had sex tapes. When we're talking about Rob Lowe or...Colin Farrell, that never comes up and that isn't used to discredit everything they've accomplished. But with Kim, because she's a woman and we're used to shaming women for their sexuality, it's just easier for us to pile on and I think it's wrong.\"\u003c/em>\u003c/p>\n\u003cp>Listen to the full exchange:\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/212547026&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/212547026'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>A huge portion of the comments I've read in response to Kim's \u003cem>WWDTM\u003c/em> appearance mention her sex tape or resort to name-calling. And there are a lot of words for these people to choose from—strumpet, harlot, floozy, hussy, trollop, trash, bimbo, whore, slut, and on and on. On the flip side, you would be hard pressed to find equally derisive language to describe a sexual man. They get called lotharios, players, pimps, studs or, most often, nothing at all. Women are placed under a different level of scrutiny in our culture and nowhere is that clearer than within discussions about Kim.\u003c/p>\n\u003cp>Just this weekend, a concertgoer at the Glastonbury music festival printed a still from Kim's sex tape on a flag and waved it during Kanye West's set. That's how pervasive this culture of slut-shaming is. Her sexuality is being used as a weapon against her and her husband. And people don't bat an eye.\u003c/p>\n\u003cp>Kim's sexual past doesn't negate her success. She has an \u003ca href=\"http://www.celebritynetworth.com/richest-celebrities/models/kim-kardashian-net-worth/\" target=\"_blank\">estimated net worth of $85 million\u003c/a>. She has created fashion and cosmetic lines, clothing stores, an app worth $200 million, and a reality show that's in its tenth season. Regardless of whether you like her or her products, she is a prominent businesswoman, who, yes, has had sex before and has cleverly used our culture's obsession with objectifying women to her advantage. Like host Joshua Johnson said on today's \u003cem>Forum\u003c/em> segment: Don't hate the player, hate the game.\u003c/p>\n\u003cp>We might disagree on whether Kim warrants a discussion worthy of NPR. But hopefully we can all come to realize that this debate is about something much deeper and more insidious than the value of reality television or celebrity culture. If you're one of the people who thinks Kim's perspective shouldn't be heard on public radio, it's time to take a moment and ask yourself what's really behind that belief and what you can do to stop it.\u003c/p>\n\u003cp>Listen to the entire \u003cem>Forum\u003c/em> segment:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/212534396&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/212534396'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
"id": "science-friday",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
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"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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