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"disqusTitle": "First Clip of Lifetime's 'Full House' Movie Will Destroy Your Childhood Memories",
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"content": "\u003cp>[contextly_sidebar id=\"Lkia8tfIGJOI3MhbxCArWJkZTQ3eI3Oq\"]Last month, I wrote \"This is what the \u003cem>Full House\u003c/em> cast would have looked like in an alternate dimension where everything right is wrong\" about the atrocity that is \u003ca href=\"http://ww2.kqed.org/pop/2015/06/04/first-photo-of-lifetimes-full-house-tv-movie-will-damage-your-vision/\" target=\"_blank\">the first official cast photo from Lifetime's \u003cem>Full House\u003c/em> movie\u003c/a>. They couldn't find someone better than an ex of Miley Cyrus to pay homage to most '90s girls and gay boys' first crush Uncle Jesse. Same goes for the actor cast as Danny Tanner, whose most interesting credit on IMDb is that he played a Marine in \u003cem>Pirates of the Caribbean\u003c/em>…the video game. And the geometric shapes, funky musical notes and yarn people adornments from the Tanner girls' outfits were swapped out for boring floral patterns. It can't get any worse, I thought.\u003c/p>\n\u003cp>But it just did with this clip from the movie. Let's watch, shall we?\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"640\" height=\"360\" scrolling=\"no\" frameborder=\"0\" src=\"https://tv.yahoo.com/video/unauthorized-full-house-story-201253010.html?format=embed\" allowfullscreen=\"true\" mozallowfullscreen=\"true\" webkitallowfullscreen=\"true\" allowtransparency=\"true\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Okay, wait. Why are they in the living room from \u003cem>Everybody Loves Raymond\u003c/em>? It's like these producers have never even seen an episode of the show. Anyway, I digress...\u003c/p>\n\u003cp>The gang tries to stop Uncle Joey from dumping Michelle outside. Dark. Then, Uncle Jesse talks smack about the stupid babies he has to work with and tries to get them fired. And then Danny Tanner talks about wanting to install a pole and invite some strippers over in front of a young bemused Stephanie. Yikes.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As if this clip wasn't enough, Lifetime released more photos from the set. Because I'm a masochist, I'm going to go through and analyze them:\u003c/p>\n\u003cfigure id=\"attachment_17411\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery19.jpg\">\u003cimg class=\"wp-image-17411 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery19-800x1200.jpg\" alt=\"movies-tufhs-gallery19\" width=\"800\" height=\"1200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery19-800x1200.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery19-400x600.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery19-960x1440.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery19.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Lifetime\u003c/figcaption>\u003c/figure>\n\u003cp>Those creepy twins from \u003cem>The Shining\u003c/em> haven't aged a day!\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_17410\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery20.jpg\">\u003cimg class=\"wp-image-17410 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery20-800x490.jpg\" alt=\"movies-tufhs-gallery20\" width=\"800\" height=\"490\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery20-800x490.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery20-400x245.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery20-1440x881.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery20-1180x722.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery20-960x588.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery20.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Lifetime\u003c/figcaption>\u003c/figure>\n\u003cp>Was the budget on this project so low that they couldn't afford to hire a real dog to play Comet? Dear goddess, I hope so. If this movie is going to be this terrible, it might as well camp it up.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_17409\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery22.jpg\">\u003cimg class=\"wp-image-17409 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery22-800x490.jpg\" alt=\"movies-tufhs-gallery22\" width=\"800\" height=\"490\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery22-800x490.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery22-400x245.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery22-1440x881.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery22-1180x722.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery22-960x588.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery22.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Lifetime\u003c/figcaption>\u003c/figure>\n\u003cp>Looking over the Miley breakup texts. Stephanie is on her side.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_17407\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery24.jpg\">\u003cimg class=\"wp-image-17407 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery24-800x490.jpg\" alt=\"movies-tufhs-gallery24\" width=\"800\" height=\"490\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery24-800x490.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery24-400x245.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery24-1440x881.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery24-1180x722.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery24-960x588.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery24.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Lifetime\u003c/figcaption>\u003c/figure>\n\u003cp>The only thing San Franciscan about this living room is the subtle copy of \u003cem>San Francisco\u003c/em> magazine on the table. Nice work, set designers! Do Uncle Jesse and Michelle know there's a creepy lady intruder hiding next to the couch? Maybe Comet, who's kicking it in the background, would protect them, if he wasn't a stuffed animal.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_17405\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery28.jpg\">\u003cimg class=\"wp-image-17405 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery28-800x490.jpg\" alt=\"movies-tufhs-gallery28\" width=\"800\" height=\"490\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery28-800x490.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery28-400x245.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery28-1440x881.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery28-1180x722.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery28-960x588.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery28.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Lifetime\u003c/figcaption>\u003c/figure>\n\u003cp>This child actress is meeting with her lawyers. She plans to sue her parents for signing her up for this trainwreck of a TV movie.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_17406\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery27.jpg\">\u003cimg class=\"wp-image-17406 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery27-800x490.jpg\" alt=\"movies-tufhs-gallery27\" width=\"800\" height=\"490\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery27-800x490.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery27-400x245.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery27-1440x881.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery27-1180x722.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery27-960x588.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery27.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Lifetime\u003c/figcaption>\u003c/figure>\n\u003cp>Kimmy Gibbler is KILLING IT in the background, as she always does. And eternal HA HA HAs are in order for those insane wigs they put on Nicky and Alex. Oh no, I'm starting to get excited for this mess.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Are the producers idiots or evil geniuses? We'll find out on August 22, when \u003cem>The Unauthorized Full House Story\u003c/em> premieres on Lifetime.\u003c/p>\n\n",
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"excerpt": "John Stamos wants to fire the Olsen twins and Bob Saget wants strippers on set in the first clip from the Full House TV movie.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>Last month, I wrote \"This is what the \u003cem>Full House\u003c/em> cast would have looked like in an alternate dimension where everything right is wrong\" about the atrocity that is \u003ca href=\"http://ww2.kqed.org/pop/2015/06/04/first-photo-of-lifetimes-full-house-tv-movie-will-damage-your-vision/\" target=\"_blank\">the first official cast photo from Lifetime's \u003cem>Full House\u003c/em> movie\u003c/a>. They couldn't find someone better than an ex of Miley Cyrus to pay homage to most '90s girls and gay boys' first crush Uncle Jesse. Same goes for the actor cast as Danny Tanner, whose most interesting credit on IMDb is that he played a Marine in \u003cem>Pirates of the Caribbean\u003c/em>…the video game. And the geometric shapes, funky musical notes and yarn people adornments from the Tanner girls' outfits were swapped out for boring floral patterns. It can't get any worse, I thought.\u003c/p>\n\u003cp>But it just did with this clip from the movie. Let's watch, shall we?\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"640\" height=\"360\" scrolling=\"no\" frameborder=\"0\" src=\"https://tv.yahoo.com/video/unauthorized-full-house-story-201253010.html?format=embed\" allowfullscreen=\"true\" mozallowfullscreen=\"true\" webkitallowfullscreen=\"true\" allowtransparency=\"true\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Okay, wait. Why are they in the living room from \u003cem>Everybody Loves Raymond\u003c/em>? It's like these producers have never even seen an episode of the show. Anyway, I digress...\u003c/p>\n\u003cp>The gang tries to stop Uncle Joey from dumping Michelle outside. Dark. Then, Uncle Jesse talks smack about the stupid babies he has to work with and tries to get them fired. And then Danny Tanner talks about wanting to install a pole and invite some strippers over in front of a young bemused Stephanie. Yikes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As if this clip wasn't enough, Lifetime released more photos from the set. Because I'm a masochist, I'm going to go through and analyze them:\u003c/p>\n\u003cfigure id=\"attachment_17411\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery19.jpg\">\u003cimg class=\"wp-image-17411 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery19-800x1200.jpg\" alt=\"movies-tufhs-gallery19\" width=\"800\" height=\"1200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery19-800x1200.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery19-400x600.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery19-960x1440.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery19.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Lifetime\u003c/figcaption>\u003c/figure>\n\u003cp>Those creepy twins from \u003cem>The Shining\u003c/em> haven't aged a day!\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_17410\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery20.jpg\">\u003cimg class=\"wp-image-17410 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery20-800x490.jpg\" alt=\"movies-tufhs-gallery20\" width=\"800\" height=\"490\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery20-800x490.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery20-400x245.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery20-1440x881.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery20-1180x722.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery20-960x588.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery20.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Lifetime\u003c/figcaption>\u003c/figure>\n\u003cp>Was the budget on this project so low that they couldn't afford to hire a real dog to play Comet? Dear goddess, I hope so. If this movie is going to be this terrible, it might as well camp it up.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_17409\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery22.jpg\">\u003cimg class=\"wp-image-17409 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery22-800x490.jpg\" alt=\"movies-tufhs-gallery22\" width=\"800\" height=\"490\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery22-800x490.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery22-400x245.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery22-1440x881.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery22-1180x722.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery22-960x588.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery22.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Lifetime\u003c/figcaption>\u003c/figure>\n\u003cp>Looking over the Miley breakup texts. Stephanie is on her side.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_17407\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery24.jpg\">\u003cimg class=\"wp-image-17407 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery24-800x490.jpg\" alt=\"movies-tufhs-gallery24\" width=\"800\" height=\"490\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery24-800x490.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery24-400x245.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery24-1440x881.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery24-1180x722.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery24-960x588.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery24.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Lifetime\u003c/figcaption>\u003c/figure>\n\u003cp>The only thing San Franciscan about this living room is the subtle copy of \u003cem>San Francisco\u003c/em> magazine on the table. Nice work, set designers! Do Uncle Jesse and Michelle know there's a creepy lady intruder hiding next to the couch? Maybe Comet, who's kicking it in the background, would protect them, if he wasn't a stuffed animal.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_17405\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery28.jpg\">\u003cimg class=\"wp-image-17405 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery28-800x490.jpg\" alt=\"movies-tufhs-gallery28\" width=\"800\" height=\"490\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery28-800x490.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery28-400x245.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery28-1440x881.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery28-1180x722.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery28-960x588.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery28.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Lifetime\u003c/figcaption>\u003c/figure>\n\u003cp>This child actress is meeting with her lawyers. She plans to sue her parents for signing her up for this trainwreck of a TV movie.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_17406\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery27.jpg\">\u003cimg class=\"wp-image-17406 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/movies-tufhs-gallery27-800x490.jpg\" alt=\"movies-tufhs-gallery27\" width=\"800\" height=\"490\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery27-800x490.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery27-400x245.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery27-1440x881.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery27-1180x722.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery27-960x588.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/movies-tufhs-gallery27.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Lifetime\u003c/figcaption>\u003c/figure>\n\u003cp>Kimmy Gibbler is KILLING IT in the background, as she always does. And eternal HA HA HAs are in order for those insane wigs they put on Nicky and Alex. Oh no, I'm starting to get excited for this mess.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Are the producers idiots or evil geniuses? We'll find out on August 22, when \u003cem>The Unauthorized Full House Story\u003c/em> premieres on Lifetime.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It's a common scene: A friend from out of town is visiting. You show her around and explain some history about the neighborhoods you're exploring. \"This is the Mission. It used to be a predominantly Latino neighborhood, but it's been brutally gentrified.\" You tsk over $11 cocktails. And then you stop and wonder: \u003cem>Wait, am I a gentrifier?\u003c/em>\u003c/p>\n\u003cp>\u003cem>Slate\u003c/em> sought to answer this question. They asked Ingrid Gould Ellen, a professor of public policy and urban planning at New York University, to help them concoct a formula. Ellen's input on what denotes gentrification: \"If your neighborhood’s median income is lower than the median income of your city, and your income is higher than your city’s median, you’re a gentrifier.\"\u003c/p>\n\u003cp>The result: a calculator that uses your income, the type of household you live in and your zip code to brand you a gentrifier or not.\u003c/p>\n\u003cp>While you wait for your results, a loading window flits from \"Opening a juice bar\" and \"Chasing a taco truck\" to \"Going to brunch\" and \"Sipping artisanal coffee.\" It's an attempt at humor because you might stop smiling after you find out your result.\u003c/p>\n\u003cp>\u003ca href=\"http://www.slate.com/articles/business/moneybox/2015/07/gentrification_calculator_are_you_a_neighborhood_gentrifier.html\" target=\"_blank\">Give it a whirl over at \u003cem>Slate\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It's a common scene: A friend from out of town is visiting. You show her around and explain some history about the neighborhoods you're exploring. \"This is the Mission. It used to be a predominantly Latino neighborhood, but it's been brutally gentrified.\" You tsk over $11 cocktails. And then you stop and wonder: \u003cem>Wait, am I a gentrifier?\u003c/em>\u003c/p>\n\u003cp>\u003cem>Slate\u003c/em> sought to answer this question. They asked Ingrid Gould Ellen, a professor of public policy and urban planning at New York University, to help them concoct a formula. Ellen's input on what denotes gentrification: \"If your neighborhood’s median income is lower than the median income of your city, and your income is higher than your city’s median, you’re a gentrifier.\"\u003c/p>\n\u003cp>The result: a calculator that uses your income, the type of household you live in and your zip code to brand you a gentrifier or not.\u003c/p>\n\u003cp>While you wait for your results, a loading window flits from \"Opening a juice bar\" and \"Chasing a taco truck\" to \"Going to brunch\" and \"Sipping artisanal coffee.\" It's an attempt at humor because you might stop smiling after you find out your result.\u003c/p>\n\u003cp>\u003ca href=\"http://www.slate.com/articles/business/moneybox/2015/07/gentrification_calculator_are_you_a_neighborhood_gentrifier.html\" target=\"_blank\">Give it a whirl over at \u003cem>Slate\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Passing through security at any airport is bound to be unpleasant. The lines are long, the space smells of damp socks and the pat-down process can feel pretty invasive. But what Morrissey says happened to him at SFO on Monday is next level.\u003c/p>\n\u003cp>On his blog, \u003ca href=\"http://www.true-to-you.net/morrissey_news_150729_03\" target=\"_blank\">True to You\u003c/a>, Morrissey writes that, after passing through the stand-up screeners with no incident, he \"was approached by an \"airport security officer\" who stopped me, crouched before me and groped my penis and testicles.\"\u003c/p>\n\u003cp>After being confronted, all the security officer in question had to say for himself was \"That's just your opinion.\"\u003c/p>\n\u003cp>Morrissey writes about what that response symbolizes for him:\u003c/p>\n\u003cblockquote>\u003cp>\"Of course, what the airport security officer was saying was: \u003cem>your opinion will never count in the eyes of the law.\u003c/em> The words \"that's just your opinion\" volunteered themselves from this 'officer's' mouth before he had even heard the question. He knew he could be confronted, but he also knew that he could never be challenged (even though the entire incident is most certainly on CCTV camera).\"\u003c/p>\u003c/blockquote>\n\u003cp>Morrissey happened to be traveling with two members of British Airways Special Services, who urged him to file a complaint. But Morrissey doesn't think it'll do any good:\u003c/p>\n\u003cblockquote>\u003cp>\"In the interests of imperishable bureaucracy my submitted complaint against this 'officer' will obviously be either unread or ignored because, as we all know, on matters of officialism it is not possible to be pleasantly surprised by anything at all. However, what is clear is that, should you find yourself traveling through San Francisco International Airport, you should expect sexual abuse from the so-called 'security officers' who, we are unconvincingly warned, are acting only for our security.\"\u003c/p>\u003c/blockquote>\n\u003cp>And we thought air travel couldn't get any worse.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.true-to-you.net/morrissey_news_150729_03\" target=\"_blank\">Read Morrissey's full account\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Passing through security at any airport is bound to be unpleasant. The lines are long, the space smells of damp socks and the pat-down process can feel pretty invasive. But what Morrissey says happened to him at SFO on Monday is next level.\u003c/p>\n\u003cp>On his blog, \u003ca href=\"http://www.true-to-you.net/morrissey_news_150729_03\" target=\"_blank\">True to You\u003c/a>, Morrissey writes that, after passing through the stand-up screeners with no incident, he \"was approached by an \"airport security officer\" who stopped me, crouched before me and groped my penis and testicles.\"\u003c/p>\n\u003cp>After being confronted, all the security officer in question had to say for himself was \"That's just your opinion.\"\u003c/p>\n\u003cp>Morrissey writes about what that response symbolizes for him:\u003c/p>\n\u003cblockquote>\u003cp>\"Of course, what the airport security officer was saying was: \u003cem>your opinion will never count in the eyes of the law.\u003c/em> The words \"that's just your opinion\" volunteered themselves from this 'officer's' mouth before he had even heard the question. He knew he could be confronted, but he also knew that he could never be challenged (even though the entire incident is most certainly on CCTV camera).\"\u003c/p>\u003c/blockquote>\n\u003cp>Morrissey happened to be traveling with two members of British Airways Special Services, who urged him to file a complaint. But Morrissey doesn't think it'll do any good:\u003c/p>\n\u003cblockquote>\u003cp>\"In the interests of imperishable bureaucracy my submitted complaint against this 'officer' will obviously be either unread or ignored because, as we all know, on matters of officialism it is not possible to be pleasantly surprised by anything at all. However, what is clear is that, should you find yourself traveling through San Francisco International Airport, you should expect sexual abuse from the so-called 'security officers' who, we are unconvincingly warned, are acting only for our security.\"\u003c/p>\u003c/blockquote>\n\u003cp>And we thought air travel couldn't get any worse.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "The Dos and Don'ts for a Perfect Outside Lands",
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"content": "\u003cp>The coldest summer music festival in the world returns to San Francisco next weekend. Over 100,000 people will trample their way through Golden Gate Park’s polo fields for the 8th annual \u003ca href=\"http://www.sfoutsidelands.com/\">Outside Lands\u003c/a>. And while the most important thing to do is \u003cdel>wear the cutest outfit possible!\u003c/del> enjoy the music, here’s a list of dos and don’ts to help you make the most of your weekend.\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DO Wear Layers \u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Outside Lands is just like Coachella, if you replace blistering heat and shirtless bros with smothering fog and fully clothed tech bros. As is the case with any outdoor activity in San Francisco, it’s essential to wear layers. While you may get greeted by the sun upon arrival, odds are the fog will blanket the venue by 5pm, leaving hordes of confused out-of-towners wondering what month it is. Don’t be a confused tourist! Wear layers. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DON’T\u003c/b> \u003cb>Party Too Hard and Miss Your Favorite Band\u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Many people like to party before they even get to Outside Lands. Others go too hard in the first few hours that they’re there. What all these people seem to forget is that the music doesn’t stop 'til around 10pm, so pace yourself, lest you black out during the headlining sets you paid good money to see. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DO Figure Out How You’re Getting Home\u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">You can take Muni to Outside Lands and get there quickly, but good luck getting home. As thousands of haggard zombies make their way out of the park, mayhem ensues. Muni lines leaving the park will be packed, but here’s an idea: Take a less crowded bus toward the ocean instead. Eventually it will turn around and you’ll actually have a seat. Another option: Take the South exit out of the festival, even if you’re trying to go north. Lincoln always seems less crowded than Fulton, so try walking up to Judah to take the N, or if you’re lucky, score an Uber or Lyft (but watch out for ridiculous surge pricing). \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DON'T Expect Perfection \u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Like most things in San Francisco, Outside Lands is far from perfect. But that’s okay, as long as you go in with the right expectations. In 2008, a train of fog nearly derailed Radiohead’s headlining set. And it’s pretty much a given that a few bands will arrive late, play truncated sets, or in some cases, \u003ca href=\"http://www.stereogum.com/1697598/chvrches-cancel-outside-lands-set-due-to-border-crossing-trouble/news/\">\u003cspan class=\"s3\">not show up at all\u003c/span>\u003c/a>. The sound isn’t always great either, especially when you watch from the sides. But, if you plant yourself near a speaker, things should be alright. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DO Bring Water \u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">You’re allowed to bring two factory-sealed water bottles (up to 1 liter each) through the gates. Save your money and spend it on better things, like… \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>Craft Beer! \u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Charging $10 for a Bud Light at a baseball game is larceny. Downing a nice craft beer while listening to great music is far more enjoyable. Over two dozen local breweries are represented at this year’s \u003ca href=\"http://www.sfoutsidelands.com/beer-lands\">\u003cspan class=\"s3\">Beer Lands\u003c/span>\u003c/a>. You’ll pay as much for one beer as you would a six-pack from the store, but at least it’ll taste good. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DON’T\u003c/b> \u003cb>Go With A Big Group \u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">You will get lost. Hell, if you go with more than four people, you’ll likely get split up at some point during the day, only to realize your cellphones don’t really work, it’s suddenly 55 degrees out, and you left your jacket in Sarah’s backpack. It’s way more practical to go with a small group of close friends and meet up with people once you’re there, that way you can have a blast and not feel obligated to keep up with the pack. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DO Stumble Through McLaren Pass\u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Sort of in the middle of everything but also incredibly easy to miss, McLaren Pass is home to carnies, chocolate, and GastroMagic. The latter is an underrated stage where chefs and audience members interact in a bizarre medley of sights, smells, and food demos. Last year, Brenda’s French Soul Food offered free beignets to anyone who twerked. You can check out this year’s lineup \u003ca href=\"http://www.sfoutsidelands.com/gastromagic\">\u003cspan class=\"s3\">here\u003c/span>\u003c/a>. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DON’T Bring A Selfie Stick \u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Just don’t. Technically \u003ca href=\"http://www.sfoutsidelands.com/festival-info/entry\">they’re allowed\u003c/a>, but that doesn’t mean you should have one. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DO Find The Shortest Porta Potty Lines \u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">There are a lot of Porta Pottys at Outside Lands. There are also a lot of Porta Potty lines. Less trafficked bathroom spots include: The tree-covered Porta Pottys on your right, if you’re walking toward Twin Peaks Stage from Lands End Stage, and the ones tucked behind McLaren Pass if you’re headed toward Sutro Stage. Memorize all the tiny blue squares on \u003ca href=\"http://www.sfoutsidelands.com/sites/default/files/content-files/files/OL14_FestivalMap.pdf\">\u003cspan class=\"s3\">this map\u003c/span>\u003c/a>. Your bladder will thank you later. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DON’T Endlessly Hop Between Stages \u003c/b>\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">The dilemma: Two bands you’re dying to see are playing at the same time. Do you watch one for 20 minutes then walk over to the other stage to see the second artist finish? No, because walking between stages takes a while, and if Cara suddenly has to pee, or your best friend from middle school appears out of nowhere and starts petting you, it could take even longer. Outside Lands isn’t a contest. You’re not on \u003ca href=\"https://www.youtube.com/watch?v=eBvOb6dO7G0\">\u003cspan class=\"s3\">Supermarket Sweep\u003c/span>\u003c/a>. So resist the urge to fill your proverbial shopping cart with as many \u003c/span>\u003cspan class=\"s1\">bands as possible, and just relax and enjoy the show. \u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The coldest summer music festival in the world returns to San Francisco next weekend. Over 100,000 people will trample their way through Golden Gate Park’s polo fields for the 8th annual \u003ca href=\"http://www.sfoutsidelands.com/\">Outside Lands\u003c/a>. And while the most important thing to do is \u003cdel>wear the cutest outfit possible!\u003c/del> enjoy the music, here’s a list of dos and don’ts to help you make the most of your weekend.\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DO Wear Layers \u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Outside Lands is just like Coachella, if you replace blistering heat and shirtless bros with smothering fog and fully clothed tech bros. As is the case with any outdoor activity in San Francisco, it’s essential to wear layers. While you may get greeted by the sun upon arrival, odds are the fog will blanket the venue by 5pm, leaving hordes of confused out-of-towners wondering what month it is. Don’t be a confused tourist! Wear layers. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DON’T\u003c/b> \u003cb>Party Too Hard and Miss Your Favorite Band\u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Many people like to party before they even get to Outside Lands. Others go too hard in the first few hours that they’re there. What all these people seem to forget is that the music doesn’t stop 'til around 10pm, so pace yourself, lest you black out during the headlining sets you paid good money to see. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DO Figure Out How You’re Getting Home\u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">You can take Muni to Outside Lands and get there quickly, but good luck getting home. As thousands of haggard zombies make their way out of the park, mayhem ensues. Muni lines leaving the park will be packed, but here’s an idea: Take a less crowded bus toward the ocean instead. Eventually it will turn around and you’ll actually have a seat. Another option: Take the South exit out of the festival, even if you’re trying to go north. Lincoln always seems less crowded than Fulton, so try walking up to Judah to take the N, or if you’re lucky, score an Uber or Lyft (but watch out for ridiculous surge pricing). \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DON'T Expect Perfection \u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Like most things in San Francisco, Outside Lands is far from perfect. But that’s okay, as long as you go in with the right expectations. In 2008, a train of fog nearly derailed Radiohead’s headlining set. And it’s pretty much a given that a few bands will arrive late, play truncated sets, or in some cases, \u003ca href=\"http://www.stereogum.com/1697598/chvrches-cancel-outside-lands-set-due-to-border-crossing-trouble/news/\">\u003cspan class=\"s3\">not show up at all\u003c/span>\u003c/a>. The sound isn’t always great either, especially when you watch from the sides. But, if you plant yourself near a speaker, things should be alright. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DO Bring Water \u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">You’re allowed to bring two factory-sealed water bottles (up to 1 liter each) through the gates. Save your money and spend it on better things, like… \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>Craft Beer! \u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Charging $10 for a Bud Light at a baseball game is larceny. Downing a nice craft beer while listening to great music is far more enjoyable. Over two dozen local breweries are represented at this year’s \u003ca href=\"http://www.sfoutsidelands.com/beer-lands\">\u003cspan class=\"s3\">Beer Lands\u003c/span>\u003c/a>. You’ll pay as much for one beer as you would a six-pack from the store, but at least it’ll taste good. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DON’T\u003c/b> \u003cb>Go With A Big Group \u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">You will get lost. Hell, if you go with more than four people, you’ll likely get split up at some point during the day, only to realize your cellphones don’t really work, it’s suddenly 55 degrees out, and you left your jacket in Sarah’s backpack. It’s way more practical to go with a small group of close friends and meet up with people once you’re there, that way you can have a blast and not feel obligated to keep up with the pack. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DO Stumble Through McLaren Pass\u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Sort of in the middle of everything but also incredibly easy to miss, McLaren Pass is home to carnies, chocolate, and GastroMagic. The latter is an underrated stage where chefs and audience members interact in a bizarre medley of sights, smells, and food demos. Last year, Brenda’s French Soul Food offered free beignets to anyone who twerked. You can check out this year’s lineup \u003ca href=\"http://www.sfoutsidelands.com/gastromagic\">\u003cspan class=\"s3\">here\u003c/span>\u003c/a>. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DON’T Bring A Selfie Stick \u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Just don’t. Technically \u003ca href=\"http://www.sfoutsidelands.com/festival-info/entry\">they’re allowed\u003c/a>, but that doesn’t mean you should have one. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DO Find The Shortest Porta Potty Lines \u003c/b>\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">There are a lot of Porta Pottys at Outside Lands. There are also a lot of Porta Potty lines. Less trafficked bathroom spots include: The tree-covered Porta Pottys on your right, if you’re walking toward Twin Peaks Stage from Lands End Stage, and the ones tucked behind McLaren Pass if you’re headed toward Sutro Stage. Memorize all the tiny blue squares on \u003ca href=\"http://www.sfoutsidelands.com/sites/default/files/content-files/files/OL14_FestivalMap.pdf\">\u003cspan class=\"s3\">this map\u003c/span>\u003c/a>. Your bladder will thank you later. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003cb>DON’T Endlessly Hop Between Stages \u003c/b>\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">The dilemma: Two bands you’re dying to see are playing at the same time. Do you watch one for 20 minutes then walk over to the other stage to see the second artist finish? No, because walking between stages takes a while, and if Cara suddenly has to pee, or your best friend from middle school appears out of nowhere and starts petting you, it could take even longer. Outside Lands isn’t a contest. You’re not on \u003ca href=\"https://www.youtube.com/watch?v=eBvOb6dO7G0\">\u003cspan class=\"s3\">Supermarket Sweep\u003c/span>\u003c/a>. So resist the urge to fill your proverbial shopping cart with as many \u003c/span>\u003cspan class=\"s1\">bands as possible, and just relax and enjoy the show. \u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Why Naomi Wolf Is, Like, Totally Wrong on Vocal Fry",
"title": "Why Naomi Wolf Is, Like, Totally Wrong on Vocal Fry",
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"content": "\u003cp>A lot has been written about vocal fry over the past few weeks. Most of these articles are made up of the same parts. First, they start things off with some Valley Girl/Kardashian joke. Then, they interview some linguist about the history of the speech pattern. And then comes the avalanche of judgment, mostly informed by what white men in positions of power think of the way some women speak (spoiler: these men think it's annoying and want these women to speak differently or shut up).\u003c/p>\n\u003cp>Yesterday, Naomi Wolf, author of seminal feminist text \u003cem>The Beauty Myth\u003c/em>, was trending for \u003ca href=\"http://www.theguardian.com/commentisfree/2015/jul/24/vocal-fry-strong-female-voice\" target=\"_blank\">something she wrote\u003c/a> for \u003cem>The Guardian\u003c/em> on this issue. I was excited for a voice of reason to enter the conversation. But then I read the headline: \"Young women, give up the vocal fry and reclaim your strong female voice.\" Et tu, Naomi Wolf? It didn't get much better from there.\u003c/p>\n\u003cp>The sub-header calls vocal fry a \"destructive speech pattern.\" And Wolf carries that message home by focusing on studies that brand women with vocal fry as \"less competent, less trustworthy, less educated and less hireable.\" She mentions that women don't use declarative sentences, don't sound confident enough, allow uptick to undersell their authority, etc. Notice a trend? Wolf places all the emphasis on what women are doing \"wrong,\" while turning a blind eye to the real story here: the ease with which men feel at liberty to police, ridicule and shame women's behavior.\u003c/p>\n\u003cp>I believe Wolf when she says that, for some (*cough* old white dudes *cough*), vocal fry, uptick or the word \"like\" might come across as insecure or unprofessional. But it's irresponsible to pass these opinions off as a mandate on a marginalized group. Instead of writing an essay about how men should quit imposing behavioral expectations on women (you should smile more, you should wear pants, you should only breastfeed in private, you should talk like this), Wolf's essay spends all of its time putting the onus on young women and pleads with them to get some voice lessons so they can succeed and fit in with the men who disdain their mannerisms.\u003c/p>\n\u003cp>This approach might seem familiar because it's the same framework that crops up in discussions of rape. The focus falls on how girls and women can change the way they dress and act to lessen the chances of sexual assault, instead of on how we can teach boys and men to not sexually assault.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Haven't women spent enough time following rules made by men? And why the gendering of vocal fry? Men do it too, as this segment from \u003cem>Culture Gabfest\u003c/em> attests:\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/215754305\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>But we don't get long essays about things men do wrong. Our culture is too busy picking women apart. We've become so good at it. So it's not a reach to assume that the uncertain uptick or the qualifying \"like\" could be consequences of a culture in which women—and what they have to say—aren't always valued, especially in professional settings.\u003c/p>\n\u003cp>Some people define the sound of professionalism based on what they've heard on the nightly news or NPR for years. A buttoned-up, serious white male tone. Those who don't naturally fit into that vocal category feel the need to conform. NPR's Gene Demby started \u003cem>Code Switch\u003c/em>, a blog about race, ethnicity and culture based on the practice of slipping into a \"more acceptable\" speech pattern to be taken seriously.\u003c/p>\n\u003cp>And if one doesn't conform, he/mostly she is ridiculed. The reviews section for NPR's \u003cem>Invisibilia\u003c/em> is riddled with complaints about host Alix Spiegel's vocal fry. For these people, anything insightful Spiegel contributes is cancelled out by her delivery.\u003c/p>\n\u003cp>In an essay titled \"\u003ca href=\"http://nymag.com/thecut/2015/07/can-we-just-like-get-over-the-way-women-talk.html\" target=\"_blank\">Can We Just, Like, Get Over the Way Women Talk?\u003c/a>,\" Ann Friedman discusses getting criticism from listeners of her podcast, \u003cem>Call Your Girlfriend,\u003c/em> and the negative impact of trying to cater to these detractors:\u003c/p>\n\u003cblockquote>\u003cp>\"It quickly became apparent that if we were to take the advice of all of our detractors — carefully enunciating, limiting our \u003ci>likes\u003c/i>, moderating our tone to avoid vocal fry — our podcast would sound very different. It would be stripped of its cadence and its meaning; it would lose the casual, friendly tone we wanted it to have and its special feeling of intimacy. It wouldn’t be ours anymore.\"\u003c/p>\u003c/blockquote>\n\u003cp>Jessica Grose, a cohost of the \u003cem>Slate \u003c/em>podcast, the \u003cem>DoubleX Gabfest, \u003c/em>echoed this sentiment on \u003cem>\u003ca href=\"http://www.npr.org/2015/07/23/425608745/from-upspeak-to-vocal-fry-are-we-policing-young-womens-voices\" target=\"_blank\">Fresh Air\u003c/a>\u003c/em>, when discussing how she employed a vocal coach to change her voice after receiving similar criticism:\u003c/p>\n\u003cblockquote>\u003cp>\"I felt like it was blunting my emotional range. I felt when I was self-conscious about my voice it lost that expressive, connective quality ... There was something lost when I wasn't being myself, whatever that is.\"\u003c/p>\u003c/blockquote>\n\u003cp>Like Friedman and Grose, I've also received this same kind of feedback about a podcast project I've been working on. \u003cem>Say \"like\" less. Get rid of the uptick. Be more authoritative.\u003c/em> The next time I went into the studio, I was so focused on these notes, on excising the bits of personal flair in my normal speech that I felt like a robot, like someone else. The authenticity was gone. Pretending to be someone you're not isn't healthy, especially if it's to please others or fit into a mold that makes someone else feel more comfortable. As someone who spent all of high school in the closet, I know how damaging that can be firsthand.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>But times are changing. Women, people of color, gay and trans people are finding themselves with a seat at the table, after being excluded or relegated to the token role for so long. And with that culture shift, the voices present are bound to vary. This threatens the status quo and inspires the kind of derisive comments on vocal fry that Wolf so prominently highlights in her piece. It's the sound of people accustomed to having the upper hand struggling against change, which is far more annoying to the ear than vocal fry could ever be.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A lot has been written about vocal fry over the past few weeks. Most of these articles are made up of the same parts. First, they start things off with some Valley Girl/Kardashian joke. Then, they interview some linguist about the history of the speech pattern. And then comes the avalanche of judgment, mostly informed by what white men in positions of power think of the way some women speak (spoiler: these men think it's annoying and want these women to speak differently or shut up).\u003c/p>\n\u003cp>Yesterday, Naomi Wolf, author of seminal feminist text \u003cem>The Beauty Myth\u003c/em>, was trending for \u003ca href=\"http://www.theguardian.com/commentisfree/2015/jul/24/vocal-fry-strong-female-voice\" target=\"_blank\">something she wrote\u003c/a> for \u003cem>The Guardian\u003c/em> on this issue. I was excited for a voice of reason to enter the conversation. But then I read the headline: \"Young women, give up the vocal fry and reclaim your strong female voice.\" Et tu, Naomi Wolf? It didn't get much better from there.\u003c/p>\n\u003cp>The sub-header calls vocal fry a \"destructive speech pattern.\" And Wolf carries that message home by focusing on studies that brand women with vocal fry as \"less competent, less trustworthy, less educated and less hireable.\" She mentions that women don't use declarative sentences, don't sound confident enough, allow uptick to undersell their authority, etc. Notice a trend? Wolf places all the emphasis on what women are doing \"wrong,\" while turning a blind eye to the real story here: the ease with which men feel at liberty to police, ridicule and shame women's behavior.\u003c/p>\n\u003cp>I believe Wolf when she says that, for some (*cough* old white dudes *cough*), vocal fry, uptick or the word \"like\" might come across as insecure or unprofessional. But it's irresponsible to pass these opinions off as a mandate on a marginalized group. Instead of writing an essay about how men should quit imposing behavioral expectations on women (you should smile more, you should wear pants, you should only breastfeed in private, you should talk like this), Wolf's essay spends all of its time putting the onus on young women and pleads with them to get some voice lessons so they can succeed and fit in with the men who disdain their mannerisms.\u003c/p>\n\u003cp>This approach might seem familiar because it's the same framework that crops up in discussions of rape. The focus falls on how girls and women can change the way they dress and act to lessen the chances of sexual assault, instead of on how we can teach boys and men to not sexually assault.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Haven't women spent enough time following rules made by men? And why the gendering of vocal fry? Men do it too, as this segment from \u003cem>Culture Gabfest\u003c/em> attests:\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/215754305&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/215754305'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>But we don't get long essays about things men do wrong. Our culture is too busy picking women apart. We've become so good at it. So it's not a reach to assume that the uncertain uptick or the qualifying \"like\" could be consequences of a culture in which women—and what they have to say—aren't always valued, especially in professional settings.\u003c/p>\n\u003cp>Some people define the sound of professionalism based on what they've heard on the nightly news or NPR for years. A buttoned-up, serious white male tone. Those who don't naturally fit into that vocal category feel the need to conform. NPR's Gene Demby started \u003cem>Code Switch\u003c/em>, a blog about race, ethnicity and culture based on the practice of slipping into a \"more acceptable\" speech pattern to be taken seriously.\u003c/p>\n\u003cp>And if one doesn't conform, he/mostly she is ridiculed. The reviews section for NPR's \u003cem>Invisibilia\u003c/em> is riddled with complaints about host Alix Spiegel's vocal fry. For these people, anything insightful Spiegel contributes is cancelled out by her delivery.\u003c/p>\n\u003cp>In an essay titled \"\u003ca href=\"http://nymag.com/thecut/2015/07/can-we-just-like-get-over-the-way-women-talk.html\" target=\"_blank\">Can We Just, Like, Get Over the Way Women Talk?\u003c/a>,\" Ann Friedman discusses getting criticism from listeners of her podcast, \u003cem>Call Your Girlfriend,\u003c/em> and the negative impact of trying to cater to these detractors:\u003c/p>\n\u003cblockquote>\u003cp>\"It quickly became apparent that if we were to take the advice of all of our detractors — carefully enunciating, limiting our \u003ci>likes\u003c/i>, moderating our tone to avoid vocal fry — our podcast would sound very different. It would be stripped of its cadence and its meaning; it would lose the casual, friendly tone we wanted it to have and its special feeling of intimacy. It wouldn’t be ours anymore.\"\u003c/p>\u003c/blockquote>\n\u003cp>Jessica Grose, a cohost of the \u003cem>Slate \u003c/em>podcast, the \u003cem>DoubleX Gabfest, \u003c/em>echoed this sentiment on \u003cem>\u003ca href=\"http://www.npr.org/2015/07/23/425608745/from-upspeak-to-vocal-fry-are-we-policing-young-womens-voices\" target=\"_blank\">Fresh Air\u003c/a>\u003c/em>, when discussing how she employed a vocal coach to change her voice after receiving similar criticism:\u003c/p>\n\u003cblockquote>\u003cp>\"I felt like it was blunting my emotional range. I felt when I was self-conscious about my voice it lost that expressive, connective quality ... There was something lost when I wasn't being myself, whatever that is.\"\u003c/p>\u003c/blockquote>\n\u003cp>Like Friedman and Grose, I've also received this same kind of feedback about a podcast project I've been working on. \u003cem>Say \"like\" less. Get rid of the uptick. Be more authoritative.\u003c/em> The next time I went into the studio, I was so focused on these notes, on excising the bits of personal flair in my normal speech that I felt like a robot, like someone else. The authenticity was gone. Pretending to be someone you're not isn't healthy, especially if it's to please others or fit into a mold that makes someone else feel more comfortable. As someone who spent all of high school in the closet, I know how damaging that can be firsthand.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But times are changing. Women, people of color, gay and trans people are finding themselves with a seat at the table, after being excluded or relegated to the token role for so long. And with that culture shift, the voices present are bound to vary. This threatens the status quo and inspires the kind of derisive comments on vocal fry that Wolf so prominently highlights in her piece. It's the sound of people accustomed to having the upper hand struggling against change, which is far more annoying to the ear than vocal fry could ever be.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Instagram isn't just for selfies or \u003ca href=\"http://ww2.kqed.org/pop/2013/07/17/please-like-me-how-instagram-and-facebook-feed-our-insecurity/\" target=\"_blank\">validating your self-worth\u003c/a> anymore. It can also serve as a platform for an artistic project. A few months ago, I wrote about \u003ca href=\"http://ww2.kqed.org/pop/2015/04/24/sad-animal-facts-your-new-favorite-slightly-depressing-instagram/\" target=\"_blank\">Sad Animal Facts\u003c/a>, an account that juxtaposes cute animals with, you guessed it, sad facts. And now, an artist named Tisha Cherry is making art out of food, more specifically recreating masterpieces by the likes of Magritte, Frida Kahlo, van Gogh and Picasso out of Oreos. Check out some of my favorites below and \u003ca href=\"https://instagram.com/tishacherry/\" target=\"_blank\">head over to her Instagram\u003c/a> for other edible works like a Drake portrait made out of melted ice cream.\u003c/p>\n\u003cp>https://instagram.com/p/3W3VAXg2kI/?taken-by=tishacherry\u003c/p>\n\u003cp>https://instagram.com/p/1qUry4A2ll/?taken-by=tishacherry\u003c/p>\n\u003cp>https://instagram.com/p/0aJnJUA2lF/?taken-by=tishacherry\u003c/p>\n\u003cp>https://instagram.com/p/2CP9Ycg2li/?taken-by=tishacherry\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://instagram.com/p/0eTke3A2kO/?taken-by=tishacherry\u003c/p>\n\u003cp>https://instagram.com/p/2ENCIsA2lK/?taken-by=tishacherry\u003c/p>\n\u003cp>https://instagram.com/p/1gxao-g2ps/?taken-by=tishacherry\u003cbr>\n \u003c/p>\n\u003cp>Technically, this last one is not based on anything you'd find in an art museum, but Steph Curry's likeness \u003cem>should\u003c/em> be on the walls of the SFMoMA or something. \u003ca href=\"http://ww2.kqed.org/pop/2015/06/17/why-riley-curry-is-the-true-mvp-of-the-nba-finals/\" target=\"_blank\">Riley's too\u003c/a>, obviously.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://instagram.com/p/2eu4rcg2gZ/?taken-by=tishacherry\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>https://instagram.com/p/0eTke3A2kO/?taken-by=tishacherry\u003c/p>\n\u003cp>https://instagram.com/p/2ENCIsA2lK/?taken-by=tishacherry\u003c/p>\n\u003cp>https://instagram.com/p/1gxao-g2ps/?taken-by=tishacherry\u003cbr>\n \u003c/p>\n\u003cp>Technically, this last one is not based on anything you'd find in an art museum, but Steph Curry's likeness \u003cem>should\u003c/em> be on the walls of the SFMoMA or something. \u003ca href=\"http://ww2.kqed.org/pop/2015/06/17/why-riley-curry-is-the-true-mvp-of-the-nba-finals/\" target=\"_blank\">Riley's too\u003c/a>, obviously.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://instagram.com/p/2eu4rcg2gZ/?taken-by=tishacherry\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>I've always wanted to take a road trip across America. Due to a long history of getting pulled over for dumb stuff and a general fear of driving, it's never happened. So I've lived vicariously through books, hitching a ride with Jack Kerouac or piggy backing along with Cheryl Strayed on toe-nail-murdering hiking trails.\u003c/p>\n\u003cp>\u003cem>Atlas Obscura\u003c/em> took this interest in American wanderlust and created something out of it: a map charting the courses described in titles like \u003cem>On the Road\u003c/em>, \u003cem>Wild\u003c/em>, \u003cem>Zen and the Art of Motorcycle Maintenance\u003c/em> and \u003cem>The Electric Kool-Aid Acid Test\u003c/em>\u003cstrong>\u003cem>. \u003c/em>\u003c/strong>Check out \u003ca href=\"http://www.atlasobscura.com/articles/the-obsessively-detailed-map-of-american-literatures-most-epic-road-trips\" target=\"_blank\">their interactive map\u003c/a>. It might be enough to inspire you to hit the open road or at least read about it.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Not a day goes by without some think piece on Millennials. A quick Google search shows that, within the last 24 hours, articles have been written about \u003ca href=\"http://www.cnbc.com/2015/07/24/are-millennials-ready-to-lead-depends-on-who-you-ask.html\" target=\"_blank\">whether we're ready to lead\u003c/a>, how \u003ca href=\"http://www.billboard.com/articles/business/6641809/millennials-stare-at-their-phones-for-30-percent-of-live-shows-and-other\" target=\"_blank\">we stare at our phones\u003c/a> for 30% of live shows, how \u003ca href=\"http://www.blufftontoday.com/bluffton-news/2015-07-23/making-buses-cool-clean-fuel-apps-may-hook-millennials#.VbKW4uhViZ4\" target=\"_blank\">apps might help us\u003c/a> think buses are cool, how we're \u003ca href=\"http://www.autospies.com/news/Millennials-Not-Interested-In-Owning-Average-Cars-But-Do-Lease-The-Hell-Out-Of-These-Brands-85945/\" target=\"_blank\">not interested in average cars\u003c/a>, how we think \u003ca href=\"http://nationalinterest.org/blog/the-buzz/us-millenials-say-america-was-wrong-drop-atomic-bombs-japan-13409\" target=\"_blank\">dropping the atomic bomb on Japan was way harsh\u003c/a>, and on and on.\u003c/p>\n\u003cp>Two years ago, \u003cem>Time Magazine\u003c/em> called us the \"Me Me Me Generation\" and branded anyone born between 1980 and 1995 as \"narcissistic, overconfident, entitled and lazy.\" Many of the essays on Millennials tend to be written by Baby Boomers and come from a place of judgment. But there's a shift happening. Now pieces about how you can get in with or learn how to deal with Millennials are cropping up. If you can't beat 'em, join 'em, right?\u003c/p>\n\u003cp>\u003cem>The Huffington Post\u003c/em> published an article today called \u003ca href=\"http://www.huffingtonpost.com/jan-golden/impress-tech-savvy-millennials_b_7817836.html?ncid=txtlnkusaolp00000592\" target=\"_blank\">\"5 Ways To Impress Tech-Savvy Millennials.\"\u003c/a> The post is harmless and doesn't condescend like most of the other articles written by someone from an older generation. It also happens to be hilarious in how it misunderstands what will actually impress a young(ish) person.\u003c/p>\n\u003cp>Jan Golden, the writer of the piece and founder of something called BoomerWebSchool.com, wants to help older individuals avoid judgment from \"the most notorious eye-rollers.\" These shady Millennials might be \"heading up an event for a nonprofit you're passionate about\" or sitting in the \"audience at a meet-up you're holding to promote your new book,\" after all. How does a Luddite get the Millennial stamp of approval?\u003c/p>\n\u003cp>\u003cstrong>Tip 1:\u003c/strong> \u003cem>\"Instead of taking out a pad of paper, open your notes app and take notes on your smartphone.\"\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Millennials might be more aware of the rainforests, but they still use paper. No need to hide your legal pads. But yes, we might eye roll if you print out a gazillion copies of something for a 30 minute meeting. Think of the Amazon! And the notes app is only for your karaoke song ideas list. Everyone knows that.\u003c/p>\n\u003cp>\u003cstrong>Tip 2:\u003c/strong> \u003cem>\"If someone you meet is short on business cards, pull out your smartphone to take a picture of their card instead of taking their last one.\"\u003c/em>\u003c/p>\n\u003cp>This situation has never happened and will never happen. Next.\u003c/p>\n\u003cp>\u003cstrong>Tip 3:\u003c/strong> \u003cem>\"If you encounter small print, use your smartphone camera as a magnifying glass that zooms in text so you can clearly read it. You'll feel like MacGyver -- but don't say it out loud, since 30-somethings likely won't know who you're talking about.\"\u003c/em>\u003c/p>\n\u003cp>That's pretty clever. But denigrating someone for the quality of their eyesight is not something that happens outside of third grade. And 30-somethings know who MacGyver is. One never forgets a feathery mullet.\u003c/p>\n\u003cp>\u003cstrong>Tip 4:\u003c/strong> \u003cem>\"If you encounter something interesting [on social media], mention it when you meet a millennial. Say, for instance, 'I saw that awesome photo of the new product you posted on Insta. Tell me more about it.'\"\u003c/em>\u003c/p>\n\u003cp>We do love Instagram, that's true. And you should totally join and like all of our photos. It's the surest way to our hearts. But calling it Insta is doing the most, as the kids say (urban dictionary translation: \"Trying way too hard to be impressive but only causing self-embarrassment\").\u003c/p>\n\u003cp>\u003cstrong>Tip 5:\u003c/strong> \u003cem>\"To really blow a millennial's mind, pull out your smartphone and pay at the register.\"\u003c/em>\u003c/p>\n\u003cp>The only way to get us to care about what you do at the register is to buy us stuff. Millennials, like most other humans, like free things.\u003c/p>\n\u003cp>\u003cstrong>Tip 6:\u003c/strong> \u003cem>\"Expressing amazement at what you hear about advancements in technology is a good way to out yourself as a dinosaur.\"\u003c/em>\u003c/p>\n\u003cp>Have you met a Millennial? We are all about expressing amazement with abandon. We deal exclusively in superlatives. Everything is either awesome, epic or iconic. Still getting excited about things means you're still curious about the world and aspire to know things beyond what you grew up with. This makes you a more interesting person. Oh, and no sweat on being a dinosaur; \u003ca href=\"http://ww2.kqed.org/pop/2015/07/24/jurassic-park-parody-puts-everyone-in-heels-including-the-dinosaurs/\" target=\"_blank\">they're cool again\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Tip 7:\u003c/strong> \u003cem>\"When you find yourself in a situation trying to increase your tech savviness, don't ask a younger person a lame question. Save those questions for friends and family, or, better yet, research and fix these issues yourself.\"\u003c/em>\u003c/p>\n\u003cp>Yes! Now we're getting somewhere! Questions are fine. Most Millennials are nice and don't mind helping out another human being. But, before you seek us out for an explanation of what a gif is or how to retweet someone, you could always Google it or find a YouTube tutorial. We do it all the time, when we don't know how to do something, and you can too!\u003c/p>\n\u003cp>Now, if I may suggest some tips on how older people can get in the good graces of Millennials:\u003c/p>\n\u003cp>\u003cstrong>Tip 1:\u003c/strong> \u003cem>Treat us like equals.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>That's about it! Now everyone can stop picking our generation apart for clicks and magazine covers, right? Right.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Not a day goes by without some think piece on Millennials. A quick Google search shows that, within the last 24 hours, articles have been written about \u003ca href=\"http://www.cnbc.com/2015/07/24/are-millennials-ready-to-lead-depends-on-who-you-ask.html\" target=\"_blank\">whether we're ready to lead\u003c/a>, how \u003ca href=\"http://www.billboard.com/articles/business/6641809/millennials-stare-at-their-phones-for-30-percent-of-live-shows-and-other\" target=\"_blank\">we stare at our phones\u003c/a> for 30% of live shows, how \u003ca href=\"http://www.blufftontoday.com/bluffton-news/2015-07-23/making-buses-cool-clean-fuel-apps-may-hook-millennials#.VbKW4uhViZ4\" target=\"_blank\">apps might help us\u003c/a> think buses are cool, how we're \u003ca href=\"http://www.autospies.com/news/Millennials-Not-Interested-In-Owning-Average-Cars-But-Do-Lease-The-Hell-Out-Of-These-Brands-85945/\" target=\"_blank\">not interested in average cars\u003c/a>, how we think \u003ca href=\"http://nationalinterest.org/blog/the-buzz/us-millenials-say-america-was-wrong-drop-atomic-bombs-japan-13409\" target=\"_blank\">dropping the atomic bomb on Japan was way harsh\u003c/a>, and on and on.\u003c/p>\n\u003cp>Two years ago, \u003cem>Time Magazine\u003c/em> called us the \"Me Me Me Generation\" and branded anyone born between 1980 and 1995 as \"narcissistic, overconfident, entitled and lazy.\" Many of the essays on Millennials tend to be written by Baby Boomers and come from a place of judgment. But there's a shift happening. Now pieces about how you can get in with or learn how to deal with Millennials are cropping up. If you can't beat 'em, join 'em, right?\u003c/p>\n\u003cp>\u003cem>The Huffington Post\u003c/em> published an article today called \u003ca href=\"http://www.huffingtonpost.com/jan-golden/impress-tech-savvy-millennials_b_7817836.html?ncid=txtlnkusaolp00000592\" target=\"_blank\">\"5 Ways To Impress Tech-Savvy Millennials.\"\u003c/a> The post is harmless and doesn't condescend like most of the other articles written by someone from an older generation. It also happens to be hilarious in how it misunderstands what will actually impress a young(ish) person.\u003c/p>\n\u003cp>Jan Golden, the writer of the piece and founder of something called BoomerWebSchool.com, wants to help older individuals avoid judgment from \"the most notorious eye-rollers.\" These shady Millennials might be \"heading up an event for a nonprofit you're passionate about\" or sitting in the \"audience at a meet-up you're holding to promote your new book,\" after all. How does a Luddite get the Millennial stamp of approval?\u003c/p>\n\u003cp>\u003cstrong>Tip 1:\u003c/strong> \u003cem>\"Instead of taking out a pad of paper, open your notes app and take notes on your smartphone.\"\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Millennials might be more aware of the rainforests, but they still use paper. No need to hide your legal pads. But yes, we might eye roll if you print out a gazillion copies of something for a 30 minute meeting. Think of the Amazon! And the notes app is only for your karaoke song ideas list. Everyone knows that.\u003c/p>\n\u003cp>\u003cstrong>Tip 2:\u003c/strong> \u003cem>\"If someone you meet is short on business cards, pull out your smartphone to take a picture of their card instead of taking their last one.\"\u003c/em>\u003c/p>\n\u003cp>This situation has never happened and will never happen. Next.\u003c/p>\n\u003cp>\u003cstrong>Tip 3:\u003c/strong> \u003cem>\"If you encounter small print, use your smartphone camera as a magnifying glass that zooms in text so you can clearly read it. You'll feel like MacGyver -- but don't say it out loud, since 30-somethings likely won't know who you're talking about.\"\u003c/em>\u003c/p>\n\u003cp>That's pretty clever. But denigrating someone for the quality of their eyesight is not something that happens outside of third grade. And 30-somethings know who MacGyver is. One never forgets a feathery mullet.\u003c/p>\n\u003cp>\u003cstrong>Tip 4:\u003c/strong> \u003cem>\"If you encounter something interesting [on social media], mention it when you meet a millennial. Say, for instance, 'I saw that awesome photo of the new product you posted on Insta. Tell me more about it.'\"\u003c/em>\u003c/p>\n\u003cp>We do love Instagram, that's true. And you should totally join and like all of our photos. It's the surest way to our hearts. But calling it Insta is doing the most, as the kids say (urban dictionary translation: \"Trying way too hard to be impressive but only causing self-embarrassment\").\u003c/p>\n\u003cp>\u003cstrong>Tip 5:\u003c/strong> \u003cem>\"To really blow a millennial's mind, pull out your smartphone and pay at the register.\"\u003c/em>\u003c/p>\n\u003cp>The only way to get us to care about what you do at the register is to buy us stuff. Millennials, like most other humans, like free things.\u003c/p>\n\u003cp>\u003cstrong>Tip 6:\u003c/strong> \u003cem>\"Expressing amazement at what you hear about advancements in technology is a good way to out yourself as a dinosaur.\"\u003c/em>\u003c/p>\n\u003cp>Have you met a Millennial? We are all about expressing amazement with abandon. We deal exclusively in superlatives. Everything is either awesome, epic or iconic. Still getting excited about things means you're still curious about the world and aspire to know things beyond what you grew up with. This makes you a more interesting person. Oh, and no sweat on being a dinosaur; \u003ca href=\"http://ww2.kqed.org/pop/2015/07/24/jurassic-park-parody-puts-everyone-in-heels-including-the-dinosaurs/\" target=\"_blank\">they're cool again\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Tip 7:\u003c/strong> \u003cem>\"When you find yourself in a situation trying to increase your tech savviness, don't ask a younger person a lame question. Save those questions for friends and family, or, better yet, research and fix these issues yourself.\"\u003c/em>\u003c/p>\n\u003cp>Yes! Now we're getting somewhere! Questions are fine. Most Millennials are nice and don't mind helping out another human being. But, before you seek us out for an explanation of what a gif is or how to retweet someone, you could always Google it or find a YouTube tutorial. We do it all the time, when we don't know how to do something, and you can too!\u003c/p>\n\u003cp>Now, if I may suggest some tips on how older people can get in the good graces of Millennials:\u003c/p>\n\u003cp>\u003cstrong>Tip 1:\u003c/strong> \u003cem>Treat us like equals.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>That's about it! Now everyone can stop picking our generation apart for clicks and magazine covers, right? Right.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>If you have a pulse and aren't agoraphobic, you've probably seen \u003cem>Jurassic World\u003c/em>. And you probably noticed that the heroine of the film, played by Bryce Dallas Howard (\u003ca href=\"http://cdn.hellogiggles.com/wp-content/uploads/2015/06/10/08-jessica-chastain-bryce-dall-500x375c.jpg\" target=\"_blank\">not Jessica Chastain\u003c/a>), was forced to wear heels for the entire movie, even while fleeing lethal pterodactyls. Surely an amusement park as large as Jurassic World would have some sensible footwear options in the gift shop (maybe with light up dino eyes or something)? Apparently not. Some argued that the heels were a tongue-in-cheek call-back to monster movies of yore. Others thought it was just sexist.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/channel/UCp90lfsLScR5jPF4GrBmBUw\" target=\"_blank\">XVP Comedy\u003c/a> spun the debate into comedic gold by putting all the male characters from previous \u003cem>Jurassic Park\u003c/em> movies in heels of their own. And they didn't stop there; the dinosaurs and even the mosquito immortalized in amber got the stiletto treatment. How does it feel, fellas? #JusticeforBryceDallasHowardsFeet!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_RZi6NCuLbQ\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you have a pulse and aren't agoraphobic, you've probably seen \u003cem>Jurassic World\u003c/em>. And you probably noticed that the heroine of the film, played by Bryce Dallas Howard (\u003ca href=\"http://cdn.hellogiggles.com/wp-content/uploads/2015/06/10/08-jessica-chastain-bryce-dall-500x375c.jpg\" target=\"_blank\">not Jessica Chastain\u003c/a>), was forced to wear heels for the entire movie, even while fleeing lethal pterodactyls. Surely an amusement park as large as Jurassic World would have some sensible footwear options in the gift shop (maybe with light up dino eyes or something)? Apparently not. Some argued that the heels were a tongue-in-cheek call-back to monster movies of yore. Others thought it was just sexist.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/channel/UCp90lfsLScR5jPF4GrBmBUw\" target=\"_blank\">XVP Comedy\u003c/a> spun the debate into comedic gold by putting all the male characters from previous \u003cem>Jurassic Park\u003c/em> movies in heels of their own. And they didn't stop there; the dinosaurs and even the mosquito immortalized in amber got the stiletto treatment. How does it feel, fellas? #JusticeforBryceDallasHowardsFeet!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_RZi6NCuLbQ'\n title='//www.youtube.com/embed/_RZi6NCuLbQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "12 Surprising Things I Learned at the Amy Winehouse Exhibit",
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"content": "\u003cfigure id=\"attachment_17235\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/5_Amy_Winehouse_.jpg\">\u003cimg class=\"size-medium wp-image-17235\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/5_Amy_Winehouse_-800x807.jpg\" alt=\"Amy Winehouse chilling in her flat. Photo: Mark Okoh / Camera Press London\" width=\"800\" height=\"807\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-800x807.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-400x404.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-1440x1453.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-1400x1412.jpg 1400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-1180x1190.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-960x968.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-75x75.jpg 75w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Amy Winehouse chilling in her flat. Photo: Mark Okoh / Camera Press London\u003c/figcaption>\u003c/figure>\n\u003cp>Four years ago today, Amy Winehouse died. But her impact on music lives on, in the form of \u003cem>Amy\u003c/em>, a new documentary about her life in theaters now, as well as a traveling museum exhibit called \u003cem>\u003ca href=\"http://www.thecjm.org/on-view/upcoming/amy-winehouse-a-family-portrait/about\" target=\"_blank\">Amy Winehouse: A Family Portrait\u003c/a>\u003c/em>, which has made its way from London to San Francisco's Contemporary Jewish Museum.\u003c/p>\n\u003cp>I was apprehensive about the exhibit at first because it feels weird for us, complete strangers, to go rifling through her belongings so soon after her death. There comes a point where we must draw the line between our adoration for a celebrity and letting them have the dignity of resting in peace (\u003ca href=\"http://ww2.kqed.org/pop/2015/04/09/why-the-selena-hologram-is-a-really-bad-idea/\" target=\"_blank\">Selena's hologram comes to mind\u003c/a>).\u003c/p>\n\u003cp>But the show does its best to navigate this tricky space, by working with Amy's immediate family to move the spotlight off of the tragedy and spectacle of her life and onto mementos that project a simple truth: Amy Winehouse was just a girl. Yes, a very talented, famous girl, but ultimately a human being just like you or me.\u003c/p>\n\u003cp>Here are some humanizing details about Amy that surprised me:\u003c/p>\n\u003cfigure id=\"attachment_17238\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/1_Amy_Winehouse.jpg\">\u003cimg class=\"size-medium wp-image-17238\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/1_Amy_Winehouse-800x1202.jpg\" alt=\"A young Amy outside her Grandma’s flat in Southgate. Photo: The Winehouse family\" width=\"800\" height=\"1202\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-800x1202.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-400x601.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-1440x2164.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-1400x2104.jpg 1400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-1180x1773.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-960x1443.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A young Amy outside her Grandma’s flat in Southgate. Photo: The Winehouse family\u003c/figcaption>\u003c/figure>\n\u003cp>1. Amy is so defined by London, but she was almost an American! Her ancestor, Harris Winehouse, emigrated from Minsk, Belarus to London in 1890, and was soon followed by his family. The only problem? He meant to go to New York. Oops.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>2. Amy's grandmother, Cynthia, was a bad ass. She believed herself to be a medium and taught Amy how to read tarot cards. \"Nan\" also held a grudge (\u003cem>broyges\u003c/em> in Yiddish) against Amy's brother for not saying hello to her when he was eight. That's one way to teach the youth to respect their elders!\u003c/p>\n\u003cp>3. Amy loved \u003ca href=\"http://ww2.kqed.org/pop/2013/08/16/the-smiths-and-charlie-brown-a-match-made-in-miserable-heaven/\" target=\"_blank\">Snoopy\u003c/a> growing up and well into adulthood. She collected any books featuring the cartoon pup that she could get her hands on.\u003c/p>\n\u003cp>4. Amy always wanted to live in Camden, a hip neighborhood in London. When she was old enough, she got a job selling candles at the market there.\u003c/p>\n\u003cp>5. Amy was an OK cook, but made a mean meatball.\u003c/p>\n\u003cp>6. She was essentially expelled from two different schools. During a class at Sylvia Young Theatre School, she decided it was a good time as any to pierce her ears with a drawing pin.\u003c/p>\n\u003cp>7. Her music collection was wide-ranging. There are artists you would expect: Miles Davis, Ella Fitzgerald, Aretha Franklin, Ray Charles and Louis Armstrong. And some you might not: Adam Sandler, Mickey Mouse Club, Marilyn Monroe, Beck and George Michael.\u003c/p>\n\u003cp>8. Her brother says that Amy was insecure about how intelligent she was. She would leave Jackie Collins novels out, while hiding books by Dostoyevsky. She was also obsessed with word puzzles.\u003c/p>\n\u003cfigure id=\"attachment_17237\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/4_JML_Install_shot.jpg\">\u003cimg class=\"size-medium wp-image-17237\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/4_JML_Install_shot-800x510.jpg\" alt=\"Photo: Ian Lillicrapp / Jewish Museum London\" width=\"800\" height=\"510\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-800x510.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-400x255.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-1440x919.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-1400x893.jpg 1400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-1180x753.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-960x613.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Ian Lillicrapp / Jewish Museum London\u003c/figcaption>\u003c/figure>\n\u003cp>9. Don't let the omnipresent ballet flats fool you. Amy loved shoes in a Carrie Bradshaw kind of way. The exhibit showcases heels by the high-fashion likes of Yves Saint Laurent, Christian Louboutin, Fendi, Ferragamo, and Miu Miu.\u003c/p>\n\u003cp>10. Speaking of Ms. Bradshaw, Amy loved \u003cem>Sex and the City\u003c/em>, if her DVD/VHS collection (seen in this close-up below) is any indication. Other favorite shows and movies include \u003cem>Will & Grace\u003c/em>, \u003cem>Jackass The Movie\u003c/em>, \u003cem>MTV Yoga\u003c/em>, \u003cem>Beaches\u003c/em>, \u003cem>Dirty Dancing\u003c/em>, \u003cem>Tootsie\u003c/em>, \u003cem>Ghost World\u003c/em>, \u003cem>The Craft\u003c/em>, \u003cem>The Birdcage\u003c/em>, and all the Audrey Hepburn movies.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/amy-winehouse-dvd-collection.jpg\">\u003cimg class=\"aligncenter size-full wp-image-17241\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/amy-winehouse-dvd-collection.jpg\" alt=\"amy-winehouse-dvd-collection\" width=\"621\" height=\"1485\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/amy-winehouse-dvd-collection.jpg 621w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/amy-winehouse-dvd-collection-400x957.jpg 400w\" sizes=\"(max-width: 621px) 100vw, 621px\">\u003c/a>\u003c/p>\n\u003cp>11. The most interesting part of the exhibit for me was the tracklist from Amy's \"Songs on my Chill-Out Tape.\" Anyone who has made a mix for a crush knows how soul-revealing the medium can be. Seeing the school uniform she wore, the records she touched and her collection of designer shoes is all personal, but this artifact, written in \u003ca href=\"http://i3.cdnds.net/12/29/amy_list.jpg\" target=\"_blank\">her own bubbly handwriting\u003c/a> really projects Amy's humanity and personal taste. Give her mix a listen:\u003c/p>\n\u003cp>https://open.spotify.com/user/excusemybeauty/playlist/4VRREKznKDWikJyRDr65Jx\u003c/p>\n\u003cp>12. Carole King's \"So Far Away,\" a favorite song of Amy's which makes an appearance as the penultimate track on her mix, was played at her funeral. *fights to hold in sob*\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"http://www.thecjm.org/on-view/upcoming/amy-winehouse-a-family-portrait/about\" target=\"_blank\">Amy Winehouse: A Family Portrait\u003c/a>\u003c/em> opens today and runs through November 1, 2015 at the Contemporary Jewish Museum in San Francisco. To read more about the exhibit, check out my colleague \u003ca href=\"http://ww2.kqed.org/arts/2015/07/22/why-cant-we-leave-amy-winehouse-alone/\" target=\"_blank\">Gabe Meline's take\u003c/a> on why we can't leave Amy Winehouse alone.\u003c/p>\n\n",
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"excerpt": "From a love of Adam Sandler and Snoopy to a found tracklist to a \"Chill-Out\" mix, CJM's Amy Winehouse exhibit shows a whole new human side to the late singer.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_17235\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/5_Amy_Winehouse_.jpg\">\u003cimg class=\"size-medium wp-image-17235\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/5_Amy_Winehouse_-800x807.jpg\" alt=\"Amy Winehouse chilling in her flat. Photo: Mark Okoh / Camera Press London\" width=\"800\" height=\"807\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-800x807.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-400x404.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-1440x1453.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-1400x1412.jpg 1400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-1180x1190.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-960x968.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-75x75.jpg 75w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Amy Winehouse chilling in her flat. Photo: Mark Okoh / Camera Press London\u003c/figcaption>\u003c/figure>\n\u003cp>Four years ago today, Amy Winehouse died. But her impact on music lives on, in the form of \u003cem>Amy\u003c/em>, a new documentary about her life in theaters now, as well as a traveling museum exhibit called \u003cem>\u003ca href=\"http://www.thecjm.org/on-view/upcoming/amy-winehouse-a-family-portrait/about\" target=\"_blank\">Amy Winehouse: A Family Portrait\u003c/a>\u003c/em>, which has made its way from London to San Francisco's Contemporary Jewish Museum.\u003c/p>\n\u003cp>I was apprehensive about the exhibit at first because it feels weird for us, complete strangers, to go rifling through her belongings so soon after her death. There comes a point where we must draw the line between our adoration for a celebrity and letting them have the dignity of resting in peace (\u003ca href=\"http://ww2.kqed.org/pop/2015/04/09/why-the-selena-hologram-is-a-really-bad-idea/\" target=\"_blank\">Selena's hologram comes to mind\u003c/a>).\u003c/p>\n\u003cp>But the show does its best to navigate this tricky space, by working with Amy's immediate family to move the spotlight off of the tragedy and spectacle of her life and onto mementos that project a simple truth: Amy Winehouse was just a girl. Yes, a very talented, famous girl, but ultimately a human being just like you or me.\u003c/p>\n\u003cp>Here are some humanizing details about Amy that surprised me:\u003c/p>\n\u003cfigure id=\"attachment_17238\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/1_Amy_Winehouse.jpg\">\u003cimg class=\"size-medium wp-image-17238\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/1_Amy_Winehouse-800x1202.jpg\" alt=\"A young Amy outside her Grandma’s flat in Southgate. Photo: The Winehouse family\" width=\"800\" height=\"1202\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-800x1202.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-400x601.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-1440x2164.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-1400x2104.jpg 1400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-1180x1773.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-960x1443.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A young Amy outside her Grandma’s flat in Southgate. Photo: The Winehouse family\u003c/figcaption>\u003c/figure>\n\u003cp>1. Amy is so defined by London, but she was almost an American! Her ancestor, Harris Winehouse, emigrated from Minsk, Belarus to London in 1890, and was soon followed by his family. The only problem? He meant to go to New York. Oops.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>2. Amy's grandmother, Cynthia, was a bad ass. She believed herself to be a medium and taught Amy how to read tarot cards. \"Nan\" also held a grudge (\u003cem>broyges\u003c/em> in Yiddish) against Amy's brother for not saying hello to her when he was eight. That's one way to teach the youth to respect their elders!\u003c/p>\n\u003cp>3. Amy loved \u003ca href=\"http://ww2.kqed.org/pop/2013/08/16/the-smiths-and-charlie-brown-a-match-made-in-miserable-heaven/\" target=\"_blank\">Snoopy\u003c/a> growing up and well into adulthood. She collected any books featuring the cartoon pup that she could get her hands on.\u003c/p>\n\u003cp>4. Amy always wanted to live in Camden, a hip neighborhood in London. When she was old enough, she got a job selling candles at the market there.\u003c/p>\n\u003cp>5. Amy was an OK cook, but made a mean meatball.\u003c/p>\n\u003cp>6. She was essentially expelled from two different schools. During a class at Sylvia Young Theatre School, she decided it was a good time as any to pierce her ears with a drawing pin.\u003c/p>\n\u003cp>7. Her music collection was wide-ranging. There are artists you would expect: Miles Davis, Ella Fitzgerald, Aretha Franklin, Ray Charles and Louis Armstrong. And some you might not: Adam Sandler, Mickey Mouse Club, Marilyn Monroe, Beck and George Michael.\u003c/p>\n\u003cp>8. Her brother says that Amy was insecure about how intelligent she was. She would leave Jackie Collins novels out, while hiding books by Dostoyevsky. She was also obsessed with word puzzles.\u003c/p>\n\u003cfigure id=\"attachment_17237\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/4_JML_Install_shot.jpg\">\u003cimg class=\"size-medium wp-image-17237\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/4_JML_Install_shot-800x510.jpg\" alt=\"Photo: Ian Lillicrapp / Jewish Museum London\" width=\"800\" height=\"510\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-800x510.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-400x255.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-1440x919.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-1400x893.jpg 1400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-1180x753.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-960x613.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Ian Lillicrapp / Jewish Museum London\u003c/figcaption>\u003c/figure>\n\u003cp>9. Don't let the omnipresent ballet flats fool you. Amy loved shoes in a Carrie Bradshaw kind of way. The exhibit showcases heels by the high-fashion likes of Yves Saint Laurent, Christian Louboutin, Fendi, Ferragamo, and Miu Miu.\u003c/p>\n\u003cp>10. Speaking of Ms. Bradshaw, Amy loved \u003cem>Sex and the City\u003c/em>, if her DVD/VHS collection (seen in this close-up below) is any indication. Other favorite shows and movies include \u003cem>Will & Grace\u003c/em>, \u003cem>Jackass The Movie\u003c/em>, \u003cem>MTV Yoga\u003c/em>, \u003cem>Beaches\u003c/em>, \u003cem>Dirty Dancing\u003c/em>, \u003cem>Tootsie\u003c/em>, \u003cem>Ghost World\u003c/em>, \u003cem>The Craft\u003c/em>, \u003cem>The Birdcage\u003c/em>, and all the Audrey Hepburn movies.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/amy-winehouse-dvd-collection.jpg\">\u003cimg class=\"aligncenter size-full wp-image-17241\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/amy-winehouse-dvd-collection.jpg\" alt=\"amy-winehouse-dvd-collection\" width=\"621\" height=\"1485\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/amy-winehouse-dvd-collection.jpg 621w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/amy-winehouse-dvd-collection-400x957.jpg 400w\" sizes=\"(max-width: 621px) 100vw, 621px\">\u003c/a>\u003c/p>\n\u003cp>11. The most interesting part of the exhibit for me was the tracklist from Amy's \"Songs on my Chill-Out Tape.\" Anyone who has made a mix for a crush knows how soul-revealing the medium can be. Seeing the school uniform she wore, the records she touched and her collection of designer shoes is all personal, but this artifact, written in \u003ca href=\"http://i3.cdnds.net/12/29/amy_list.jpg\" target=\"_blank\">her own bubbly handwriting\u003c/a> really projects Amy's humanity and personal taste. Give her mix a listen:\u003c/p>\n\u003cp>https://open.spotify.com/user/excusemybeauty/playlist/4VRREKznKDWikJyRDr65Jx\u003c/p>\n\u003cp>12. Carole King's \"So Far Away,\" a favorite song of Amy's which makes an appearance as the penultimate track on her mix, was played at her funeral. *fights to hold in sob*\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"http://www.thecjm.org/on-view/upcoming/amy-winehouse-a-family-portrait/about\" target=\"_blank\">Amy Winehouse: A Family Portrait\u003c/a>\u003c/em> opens today and runs through November 1, 2015 at the Contemporary Jewish Museum in San Francisco. To read more about the exhibit, check out my colleague \u003ca href=\"http://ww2.kqed.org/arts/2015/07/22/why-cant-we-leave-amy-winehouse-alone/\" target=\"_blank\">Gabe Meline's take\u003c/a> on why we can't leave Amy Winehouse alone.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Why Can't We Leave Amy Winehouse Alone?",
"headTitle": "Why Can’t We Leave Amy Winehouse Alone? | KQED",
"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>Event Information\u003c/h3>\n\u003ch2>‘Amy’\u003c/h2>\n\u003cdiv class=\"event-desc\">Documentary of the singer’s rise and fall in wide release.\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.amy-movie.com/\" target=\"_blank\" rel=\"noopener\">Event Details\u003c/a>\u003c/li>\n\u003c/ul>\n\u003ch2>‘Amy Winehouse: A Family Portrait’\u003c/h2>\n\u003cdiv class=\"event-desc\">The singer’s personal effects on display.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>July 23–Nov. 1, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Contemporary Jewish Museum\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.thecjm.org/on-view/upcoming/amy-winehouse-a-family-portrait/about\" target=\"_blank\" rel=\"noopener\">Event Details\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Amy Winehouse is having a moment, and it’s an awkward one. The singer, who died in 2011, is both the subject of a documentary, \u003cem>Amy\u003c/em>, in wide release now, and a museum exhibit, \u003cem>Amy Winehouse: A Family Portrait\u003c/em>, which after its initial London run is opening at the Contemporary Jewish Museum this week.\u003c/p>\n\u003cp>Before her death of alcohol poisoning at age 27, Winehouse was many things: a brilliant songwriter, a transformative singer, a fashion icon. But from the moment her breakthrough single “Rehab” was released, Winehouse was also incessant tabloid fodder, a paparazzi paycheck, and — as her issues with drug use became more publicized — a \u003ca href=\"https://www.youtube.com/watch?v=goT0auqNe4w\" target=\"_blank\" rel=\"noopener\">television late-show punchline\u003c/a>. Her decline coincided with an unprecedented rise in social media, and until the end of her life, Amy Winehouse saw her innermost demons on display for all the world to gawk at, from every newspaper box and smartphone screen.\u003c/p>\n\u003cp>I remember very clearly the day Amy Winehouse died, in part because I jotted down a hodgepodge of thoughts throughout the day. \u003ca href=\"http://citysound.bohemian.com/2011/07/24/amy-winehouse-july-23-the-timeline/\" target=\"_blank\" rel=\"noopener\">You can read them here\u003c/a>, but the first is the relevant one:\u003c/p>\n\u003cblockquote>\u003cp>All I can think is that the media killed Amy Winehouse… That concert in Belgrade — even I clicked on the link, and after about ten seconds of the video I couldn’t watch anymore. \u003cem>But I clicked on the link\u003c/em>. Another click means another vote that tells the media AMY WINEHOUSE DISASTER = SITE TRAFFIC VICTORY, and I cast it, and you cast it, and we all cast it… This, I know: When the media places your life in a certain frame, over and over, you cannot grow out of that frame. Here is the narrative since 2008: “Amy Winehouse: Hopeless Addict.” Over and over. How could she be anything but? Jesus, we all killed Amy Winehouse.\u003c/p>\u003c/blockquote>\n\u003cp>This month’s headlines echo the same sentiment: “\u003ca href=\"http://pitchfork.com/thepitch/801-we-all-destroyed-amy-winehouse/\" target=\"_blank\" rel=\"noopener\">We All Destroyed Amy Winehouse\u003c/a>,” “\u003ca href=\"http://inthesetimes.com/article/18179/amy_winehouse_documentary_mental_illness_media\" target=\"_blank\" rel=\"noopener\">How Amy Winehouse’s Pain Was Commodified\u003c/a>,” “\u003ca href=\"http://www.thestranger.com/film/feature/2015/07/08/22508337/who-killed-amy-winehouse\" target=\"_blank\" rel=\"noopener\">Powerful New Documentary Amy Holds Us All Accountable\u003c/a>,” “\u003ca href=\"http://www.salon.com/2015/07/02/did_the_internet_kill_amy_winehouse_the_director_of_a_heartbreaking_new_documentary_on_the_rise_and_fall_of_a_%E2%80%9Cdigital_girl%E2%80%9D/\" target=\"_blank\" rel=\"noopener\">Did the Internet kill Amy Winehouse?\u003c/a>”\u003c/p>\n\u003cp>And so now we, as fans, are put in a predicament with the documentary and this museum exhibit. Both attempt earnestly to present Amy Winehouse the human being, but the effort is achieved by mining things she surely hoped to keep private, from her personal voicemails and handwritten journal entries to her Adam Sandler CDs. How are we all not posthumously complicit in the very thing that killed her? Or can we pretend to be free of guilt now, since she’s not here to be ruined by it?\u003c/p>\n\u003cfigure id=\"attachment_10854331\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/AmyGuitar.jpg\" alt=\"A young Amy Winehouse plays the guitar in the film 'Amy.' (Photo: A24 Films)\" width=\"640\" height=\"457\" class=\"size-full wp-image-10854331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyGuitar.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyGuitar-400x286.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A young Amy Winehouse plays the guitar in the film ‘Amy.’ (Photo: A24 Films)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Of the two\u003c/strong>, the film \u003cem>Amy\u003c/em> is the more revealing. Told entirely in archival footage — no present-day talking heads appear onscreen, only voices — the film pulls us along from the start, opening with camcorder footage of Winehouse at age 14: singing “Happy Birthday” at a friend’s party, eating lollipops, making cross-eyed faces. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Soon, we see yellow lined paper covered in Winehouse’s bubbly teenage-girl handwriting, little heart doodles and all. And as her rise to fame is documented, the same handwriting shows up again, this time superimposed over paparazzi photos of Winehouse in the park, her whale-tail sticking out of postage-stamp–sized shorts, with new boyfriend Blake Fielder.\u003c/p>\n\u003cp>Fielder comes off as opportunistic scum in the film, as does Winehouse’s father, who barges into a post-overdose retreat on St. Lucia meant to clear Winehouse’s head with his reality-show camera crew and a condemning attitude toward his daughter. But the real villains in the \u003cem>Amy\u003c/em>’s second half are the photographers and their constant, violent hailstorm of camera shutters. Winehouse can go nowhere without the machine-gun firing of flashes in her face, and it’s no surprise that she chooses to stay inside — where, ironically, she takes pictures of herself, her face increasingly sunken-in and marred by the effects of heavy crack cocaine and alcohol use.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wqmwcEtU2Js\u003c/p>\n\u003cp>What \u003cem>Amy\u003c/em> does best is remind us that Winehouse’s music was her own. While revisionists will try to pin the success of her breakthrough album \u003cem>Back to Black\u003c/em> on producer Mark Ronson, there are many scenes in \u003cem>Amy\u003c/em> of Winehouse playing guitar, and constructing inventive melodies over complex jazz chords. Because of the beehive-hairdo lead singer she turned into, few ever knew that Winehouse wrote the entirety of the songs on \u003cem>Back to Black\u003c/em>, and the film is a welcome reminder.\u003c/p>\n\u003cp>It’s a reminder that can be had with each listen to her singing — her otherworldly phrasing, her sly lyrics, and, in \u003cem>Amy\u003c/em>, her heartbreak as she repeats the last word of the album’s title track, alone in a studio’s isolation booth: “black… black… black…”\u003c/p>\n\u003cfigure id=\"attachment_10854333\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/AmyEntrance.jpg\" alt=\"Entrance image to 'Amy Winehouse: A Family Portrait,' on view July 23–Nov. 1, 2015, at the Contemporary Jewish Museum, San Francisco. (Photo: Mark Okoh/Camera Press London)\" width=\"640\" height=\"646\" class=\"size-full wp-image-10854333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance-400x404.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance-594x600.jpg 594w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance-75x75.jpg 75w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Entrance image to ‘Amy Winehouse: A Family Portrait,’ on view July 23–Nov. 1, 2015, at the Contemporary Jewish Museum, San Francisco. (Photo: Mark Okoh/Camera Press London)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Winehouse’s own music\u003c/strong> doesn’t play over the speakers at \u003cem>Amy Winehouse: A Family Portrait\u003c/em>. Instead, visitors hear songs inspired by a playlist titled “Songs on My Chill-Out Tape,” photocopied and framed in bubbly-Winehouse-cursive. It’s a strange feeling to walk into an exhibit dedicated to Amy Winehouse and hear the Offspring’s angsty 1994 hit “\u003ca href=\"https://www.youtube.com/watch?v=Abrn8aVQ76Q\" target=\"_blank\" rel=\"noopener\">Self Esteem\u003c/a>,” just as it’s strange that the exhibit’s first stateside appearance is in San Francisco, a city where Winehouse \u003ca href=\"https://www.youtube.com/watch?v=DMkllifDPK4\" target=\"_blank\" rel=\"noopener\">only performed once\u003c/a>. \u003c/p>\n\u003cp>There’s a separate conversation to be had about museums opening their doors to musical celebrity, be it Björk’s \u003ca href=\"http://www.vulture.com/2015/03/momas-bjork-disaster.html\" target=\"_blank\" rel=\"noopener\">widely lambasted exhibition at New York’s MoMA\u003c/a>, or PJ Harvey’s intriguing \u003ca href=\"http://pitchfork.com/news/58102-pj-harvey-begins-recording-new-album-in-public/\" target=\"_blank\" rel=\"noopener\">\u003cem>Recording in Progress\u003c/em> at Somerset House\u003c/a> in London. But there’s an extra delicacy to the Contemporary Jewish Museum’s exhibition in the fact that Amy Winehouse died just four short years ago. (As if to underscore this discomfort, the exhibit’s opening date, July 23, is the exact anniversary of her death.)\u003c/p>\n\u003cp>In \u003cem>Amy\u003c/em>, the only hint of Winehouse’s Jewish heritage comes during her funeral, where scattered attendees wear yarmulkes. Winehouse was descended from Jewish immigrants from Eastern Europe, but didn’t attend synagogue, which makes this exhibit of personal effects assembled by her siblings Alex and Riva more a use of Jewish ancestry than Jewish faith; thus, we get framed chicken soup recipes, photos from her great-grandparents’ barbershop, and a family tree that traces back to Belarus, Russia and Poland. \u003c/p>\n\u003cfigure id=\"attachment_10854411\" class=\"wp-caption alignright\" style=\"max-width: 428px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/AmySouthgate.jpg\" alt=\"A young Amy outside her Grandma’s flat in Southgate. (Photo: The Winehouse family/ Contemporary Jewish Museum, San Francisco)\" width=\"428\" height=\"640\" class=\"size-full wp-image-10854411\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmySouthgate.jpg 428w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmySouthgate-400x598.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmySouthgate-401x600.jpg 401w\" sizes=\"(max-width: 428px) 100vw, 428px\">\u003cfigcaption class=\"wp-caption-text\">A young Amy outside her Grandma’s flat in Southgate. (Photo: The Winehouse family/ Contemporary Jewish Museum, San Francisco)\u003c/figcaption>\u003c/figure>\n\u003cp>This same wall contains Amy’s handwritten application to Sylvia Young Theatre School, in which she declares, “I have this dream to be very famous. To work on stage. It’s a life-long ambition.” Notably, this is in contrast to statements she would make about fame that were included in \u003cem>Amy\u003c/em> (“I don’t think I could handle it,” Winehouse says, pre-\u003cem>Back to Black\u003c/em>. “I’m sure I’d go mad”), but a 1994 class photo hints that Winehouse was ready for anything the world might throw her way. She’s easy to spot, dead center, hunched forward before her schoolmates with a determined look in her young eyes.\u003c/p>\n\u003cp>One wall is dedicated to Winehouse’s music, and obsessives will find themselves craning their necks to read the spines of select LPs and CDs from her collection. (Along with expected titles from Aretha Franklin, Dinah Washington and Mary J. Blige — artists who had a clear influence on her phrasing — there’s a sizable amount of hip-hop: Dead Prez, Ghostface Killah, Talib Kweli, Kid Koala, Common, Jungle Brothers and others.) The music wall also contains Winehouse’s black Regal resonator guitar, which, according to brother Alex, “is probably the worst musical instrument ever made,” yet its presence here is another reminder of Winehouse’s songwriting ability.\u003c/p>\n\u003cp>Two more walls showcase Winehouse’s wardrobe, a mix of thrift-store \u003cem>Swingers\u003c/em> chic and high fashion. Shoes are the thing here, with Fendi, Yves Saint-Laurent, Ferragamo and Louboutin pairs on display, but the most striking item is a Luella Bartley dress worn at Glastonbury in 2008 with an impossibly tiny waist. It instantly recalls Winehouse’s ongoing struggles with bulimia — a disease her mother essentially pooh-poohs in \u003cem>Amy\u003c/em> — and the viewer is compelled to get a sideways view to see just how thin Winehouse forced her own body to become.\u003c/p>\n\u003cp>And there it is, creeping back up again, the icky feeling that we’re mining Winehouse’s personal demons and private life but pretending to ourselves that it’s homage. Two examples from the exhibit come to mind, and one is a vintage white-and-gold 1950s cocktail bar that Winehouse owned. Winehouse drank heavily, ultimately destroying herself with alcohol, but the family’s description painstakingly asserts that “She never actually used the bar for its actual purpose; it was more of a good place to put letters and bills, rather than drinks.”\u003c/p>\n\u003cfigure id=\"attachment_10854412\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/AmyCenterDresses.jpg\" alt=\"Installation view from 'Amy Winehouse: A Family Portrait,' Jewish Museum London, July 3–September 15, 2013. (Photo: Ian Lillicrapp)\" width=\"1100\" height=\"702\" class=\"size-full wp-image-10854412\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyCenterDresses.jpg 1100w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyCenterDresses-400x255.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyCenterDresses-800x511.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyCenterDresses-960x613.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Installation view from ‘Amy Winehouse: A Family Portrait,’ Jewish Museum London, July 3–September 15, 2013. (Photo: Ian Lillicrapp)\u003c/figcaption>\u003c/figure>\n\u003cp>The other is bound to be the running joke of the show: an assortment of refrigerator magnets, “collected by Amy,” the majority of which are the type displayed at a novelty store next to the X-ray goggles and rubber dog poop. You’ve seen these before: the 1950s housewife captioned with “I don’t suffer from insanity — I enjoy every minute of it” or “Ran into my ex… put it in reverse and hit him again.” The only magnets remotely personal to Winehouse are a few from Miami, where she and Fielder were married, or Austin, where she performed at South by Southwest. The others are so laughably banal, as if someone ransacked her apartment after she died and grabbed whatever was left, that one wonders why we’re not also ogling drawers of her twist-ties and bins of her discarded Q-tips.\u003c/p>\n\u003cp>A companion exhibit, \u003cem>You Know I’m No Good\u003c/em>, with work by Jennie Ottinger, Rachel Harrison, and Jason Jagel, adds an artistic reaction to Winehouse’s legacy, and raises valid questions about black appropriation and the predatory act of capturing one’s image. Parents brought here by their teenage children may find more of interest in it than in staring at a rack of Winehouse’s suspenders and belts. \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Does any of this voyeurism deepen our appreciation of Winehouse’s artistry? Not especially. \u003cem>You Know I’m No Good\u003c/em> takes its title from one of Winehouse’s most self-examining songs, but as we already know, Any Winehouse \u003cem>was\u003c/em> good. So good, in fact, that even four years after her death, we evidently still can’t leave her alone.\u003c/p>\n\n",
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"excerpt": "Amy Winehouse's private life is at the heart of a new documentary and museum exhibit, and viewers can't help but feel posthumously complicit in the very thing that helped cause her decline.",
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"description": "Amy Winehouse's private life is at the heart of a new documentary and museum exhibit, and viewers can't help but feel posthumously complicit in the very thing that helped cause her decline.",
"title": "Why Can't We Leave Amy Winehouse Alone? | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>Event Information\u003c/h3>\n\u003ch2>‘Amy’\u003c/h2>\n\u003cdiv class=\"event-desc\">Documentary of the singer’s rise and fall in wide release.\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.amy-movie.com/\" target=\"_blank\" rel=\"noopener\">Event Details\u003c/a>\u003c/li>\n\u003c/ul>\n\u003ch2>‘Amy Winehouse: A Family Portrait’\u003c/h2>\n\u003cdiv class=\"event-desc\">The singer’s personal effects on display.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>July 23–Nov. 1, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Contemporary Jewish Museum\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.thecjm.org/on-view/upcoming/amy-winehouse-a-family-portrait/about\" target=\"_blank\" rel=\"noopener\">Event Details\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Amy Winehouse is having a moment, and it’s an awkward one. The singer, who died in 2011, is both the subject of a documentary, \u003cem>Amy\u003c/em>, in wide release now, and a museum exhibit, \u003cem>Amy Winehouse: A Family Portrait\u003c/em>, which after its initial London run is opening at the Contemporary Jewish Museum this week.\u003c/p>\n\u003cp>Before her death of alcohol poisoning at age 27, Winehouse was many things: a brilliant songwriter, a transformative singer, a fashion icon. But from the moment her breakthrough single “Rehab” was released, Winehouse was also incessant tabloid fodder, a paparazzi paycheck, and — as her issues with drug use became more publicized — a \u003ca href=\"https://www.youtube.com/watch?v=goT0auqNe4w\" target=\"_blank\" rel=\"noopener\">television late-show punchline\u003c/a>. Her decline coincided with an unprecedented rise in social media, and until the end of her life, Amy Winehouse saw her innermost demons on display for all the world to gawk at, from every newspaper box and smartphone screen.\u003c/p>\n\u003cp>I remember very clearly the day Amy Winehouse died, in part because I jotted down a hodgepodge of thoughts throughout the day. \u003ca href=\"http://citysound.bohemian.com/2011/07/24/amy-winehouse-july-23-the-timeline/\" target=\"_blank\" rel=\"noopener\">You can read them here\u003c/a>, but the first is the relevant one:\u003c/p>\n\u003cblockquote>\u003cp>All I can think is that the media killed Amy Winehouse… That concert in Belgrade — even I clicked on the link, and after about ten seconds of the video I couldn’t watch anymore. \u003cem>But I clicked on the link\u003c/em>. Another click means another vote that tells the media AMY WINEHOUSE DISASTER = SITE TRAFFIC VICTORY, and I cast it, and you cast it, and we all cast it… This, I know: When the media places your life in a certain frame, over and over, you cannot grow out of that frame. Here is the narrative since 2008: “Amy Winehouse: Hopeless Addict.” Over and over. How could she be anything but? Jesus, we all killed Amy Winehouse.\u003c/p>\u003c/blockquote>\n\u003cp>This month’s headlines echo the same sentiment: “\u003ca href=\"http://pitchfork.com/thepitch/801-we-all-destroyed-amy-winehouse/\" target=\"_blank\" rel=\"noopener\">We All Destroyed Amy Winehouse\u003c/a>,” “\u003ca href=\"http://inthesetimes.com/article/18179/amy_winehouse_documentary_mental_illness_media\" target=\"_blank\" rel=\"noopener\">How Amy Winehouse’s Pain Was Commodified\u003c/a>,” “\u003ca href=\"http://www.thestranger.com/film/feature/2015/07/08/22508337/who-killed-amy-winehouse\" target=\"_blank\" rel=\"noopener\">Powerful New Documentary Amy Holds Us All Accountable\u003c/a>,” “\u003ca href=\"http://www.salon.com/2015/07/02/did_the_internet_kill_amy_winehouse_the_director_of_a_heartbreaking_new_documentary_on_the_rise_and_fall_of_a_%E2%80%9Cdigital_girl%E2%80%9D/\" target=\"_blank\" rel=\"noopener\">Did the Internet kill Amy Winehouse?\u003c/a>”\u003c/p>\n\u003cp>And so now we, as fans, are put in a predicament with the documentary and this museum exhibit. Both attempt earnestly to present Amy Winehouse the human being, but the effort is achieved by mining things she surely hoped to keep private, from her personal voicemails and handwritten journal entries to her Adam Sandler CDs. How are we all not posthumously complicit in the very thing that killed her? Or can we pretend to be free of guilt now, since she’s not here to be ruined by it?\u003c/p>\n\u003cfigure id=\"attachment_10854331\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/AmyGuitar.jpg\" alt=\"A young Amy Winehouse plays the guitar in the film 'Amy.' (Photo: A24 Films)\" width=\"640\" height=\"457\" class=\"size-full wp-image-10854331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyGuitar.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyGuitar-400x286.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A young Amy Winehouse plays the guitar in the film ‘Amy.’ (Photo: A24 Films)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Of the two\u003c/strong>, the film \u003cem>Amy\u003c/em> is the more revealing. Told entirely in archival footage — no present-day talking heads appear onscreen, only voices — the film pulls us along from the start, opening with camcorder footage of Winehouse at age 14: singing “Happy Birthday” at a friend’s party, eating lollipops, making cross-eyed faces. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Soon, we see yellow lined paper covered in Winehouse’s bubbly teenage-girl handwriting, little heart doodles and all. And as her rise to fame is documented, the same handwriting shows up again, this time superimposed over paparazzi photos of Winehouse in the park, her whale-tail sticking out of postage-stamp–sized shorts, with new boyfriend Blake Fielder.\u003c/p>\n\u003cp>Fielder comes off as opportunistic scum in the film, as does Winehouse’s father, who barges into a post-overdose retreat on St. Lucia meant to clear Winehouse’s head with his reality-show camera crew and a condemning attitude toward his daughter. But the real villains in the \u003cem>Amy\u003c/em>’s second half are the photographers and their constant, violent hailstorm of camera shutters. Winehouse can go nowhere without the machine-gun firing of flashes in her face, and it’s no surprise that she chooses to stay inside — where, ironically, she takes pictures of herself, her face increasingly sunken-in and marred by the effects of heavy crack cocaine and alcohol use.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wqmwcEtU2Js'\n title='//www.youtube.com/embed/wqmwcEtU2Js'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>What \u003cem>Amy\u003c/em> does best is remind us that Winehouse’s music was her own. While revisionists will try to pin the success of her breakthrough album \u003cem>Back to Black\u003c/em> on producer Mark Ronson, there are many scenes in \u003cem>Amy\u003c/em> of Winehouse playing guitar, and constructing inventive melodies over complex jazz chords. Because of the beehive-hairdo lead singer she turned into, few ever knew that Winehouse wrote the entirety of the songs on \u003cem>Back to Black\u003c/em>, and the film is a welcome reminder.\u003c/p>\n\u003cp>It’s a reminder that can be had with each listen to her singing — her otherworldly phrasing, her sly lyrics, and, in \u003cem>Amy\u003c/em>, her heartbreak as she repeats the last word of the album’s title track, alone in a studio’s isolation booth: “black… black… black…”\u003c/p>\n\u003cfigure id=\"attachment_10854333\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/AmyEntrance.jpg\" alt=\"Entrance image to 'Amy Winehouse: A Family Portrait,' on view July 23–Nov. 1, 2015, at the Contemporary Jewish Museum, San Francisco. (Photo: Mark Okoh/Camera Press London)\" width=\"640\" height=\"646\" class=\"size-full wp-image-10854333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance-400x404.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance-594x600.jpg 594w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyEntrance-75x75.jpg 75w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Entrance image to ‘Amy Winehouse: A Family Portrait,’ on view July 23–Nov. 1, 2015, at the Contemporary Jewish Museum, San Francisco. (Photo: Mark Okoh/Camera Press London)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Winehouse’s own music\u003c/strong> doesn’t play over the speakers at \u003cem>Amy Winehouse: A Family Portrait\u003c/em>. Instead, visitors hear songs inspired by a playlist titled “Songs on My Chill-Out Tape,” photocopied and framed in bubbly-Winehouse-cursive. It’s a strange feeling to walk into an exhibit dedicated to Amy Winehouse and hear the Offspring’s angsty 1994 hit “\u003ca href=\"https://www.youtube.com/watch?v=Abrn8aVQ76Q\" target=\"_blank\" rel=\"noopener\">Self Esteem\u003c/a>,” just as it’s strange that the exhibit’s first stateside appearance is in San Francisco, a city where Winehouse \u003ca href=\"https://www.youtube.com/watch?v=DMkllifDPK4\" target=\"_blank\" rel=\"noopener\">only performed once\u003c/a>. \u003c/p>\n\u003cp>There’s a separate conversation to be had about museums opening their doors to musical celebrity, be it Björk’s \u003ca href=\"http://www.vulture.com/2015/03/momas-bjork-disaster.html\" target=\"_blank\" rel=\"noopener\">widely lambasted exhibition at New York’s MoMA\u003c/a>, or PJ Harvey’s intriguing \u003ca href=\"http://pitchfork.com/news/58102-pj-harvey-begins-recording-new-album-in-public/\" target=\"_blank\" rel=\"noopener\">\u003cem>Recording in Progress\u003c/em> at Somerset House\u003c/a> in London. But there’s an extra delicacy to the Contemporary Jewish Museum’s exhibition in the fact that Amy Winehouse died just four short years ago. (As if to underscore this discomfort, the exhibit’s opening date, July 23, is the exact anniversary of her death.)\u003c/p>\n\u003cp>In \u003cem>Amy\u003c/em>, the only hint of Winehouse’s Jewish heritage comes during her funeral, where scattered attendees wear yarmulkes. Winehouse was descended from Jewish immigrants from Eastern Europe, but didn’t attend synagogue, which makes this exhibit of personal effects assembled by her siblings Alex and Riva more a use of Jewish ancestry than Jewish faith; thus, we get framed chicken soup recipes, photos from her great-grandparents’ barbershop, and a family tree that traces back to Belarus, Russia and Poland. \u003c/p>\n\u003cfigure id=\"attachment_10854411\" class=\"wp-caption alignright\" style=\"max-width: 428px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/AmySouthgate.jpg\" alt=\"A young Amy outside her Grandma’s flat in Southgate. (Photo: The Winehouse family/ Contemporary Jewish Museum, San Francisco)\" width=\"428\" height=\"640\" class=\"size-full wp-image-10854411\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmySouthgate.jpg 428w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmySouthgate-400x598.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmySouthgate-401x600.jpg 401w\" sizes=\"(max-width: 428px) 100vw, 428px\">\u003cfigcaption class=\"wp-caption-text\">A young Amy outside her Grandma’s flat in Southgate. (Photo: The Winehouse family/ Contemporary Jewish Museum, San Francisco)\u003c/figcaption>\u003c/figure>\n\u003cp>This same wall contains Amy’s handwritten application to Sylvia Young Theatre School, in which she declares, “I have this dream to be very famous. To work on stage. It’s a life-long ambition.” Notably, this is in contrast to statements she would make about fame that were included in \u003cem>Amy\u003c/em> (“I don’t think I could handle it,” Winehouse says, pre-\u003cem>Back to Black\u003c/em>. “I’m sure I’d go mad”), but a 1994 class photo hints that Winehouse was ready for anything the world might throw her way. She’s easy to spot, dead center, hunched forward before her schoolmates with a determined look in her young eyes.\u003c/p>\n\u003cp>One wall is dedicated to Winehouse’s music, and obsessives will find themselves craning their necks to read the spines of select LPs and CDs from her collection. (Along with expected titles from Aretha Franklin, Dinah Washington and Mary J. Blige — artists who had a clear influence on her phrasing — there’s a sizable amount of hip-hop: Dead Prez, Ghostface Killah, Talib Kweli, Kid Koala, Common, Jungle Brothers and others.) The music wall also contains Winehouse’s black Regal resonator guitar, which, according to brother Alex, “is probably the worst musical instrument ever made,” yet its presence here is another reminder of Winehouse’s songwriting ability.\u003c/p>\n\u003cp>Two more walls showcase Winehouse’s wardrobe, a mix of thrift-store \u003cem>Swingers\u003c/em> chic and high fashion. Shoes are the thing here, with Fendi, Yves Saint-Laurent, Ferragamo and Louboutin pairs on display, but the most striking item is a Luella Bartley dress worn at Glastonbury in 2008 with an impossibly tiny waist. It instantly recalls Winehouse’s ongoing struggles with bulimia — a disease her mother essentially pooh-poohs in \u003cem>Amy\u003c/em> — and the viewer is compelled to get a sideways view to see just how thin Winehouse forced her own body to become.\u003c/p>\n\u003cp>And there it is, creeping back up again, the icky feeling that we’re mining Winehouse’s personal demons and private life but pretending to ourselves that it’s homage. Two examples from the exhibit come to mind, and one is a vintage white-and-gold 1950s cocktail bar that Winehouse owned. Winehouse drank heavily, ultimately destroying herself with alcohol, but the family’s description painstakingly asserts that “She never actually used the bar for its actual purpose; it was more of a good place to put letters and bills, rather than drinks.”\u003c/p>\n\u003cfigure id=\"attachment_10854412\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/07/AmyCenterDresses.jpg\" alt=\"Installation view from 'Amy Winehouse: A Family Portrait,' Jewish Museum London, July 3–September 15, 2013. (Photo: Ian Lillicrapp)\" width=\"1100\" height=\"702\" class=\"size-full wp-image-10854412\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyCenterDresses.jpg 1100w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyCenterDresses-400x255.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyCenterDresses-800x511.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/07/AmyCenterDresses-960x613.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Installation view from ‘Amy Winehouse: A Family Portrait,’ Jewish Museum London, July 3–September 15, 2013. (Photo: Ian Lillicrapp)\u003c/figcaption>\u003c/figure>\n\u003cp>The other is bound to be the running joke of the show: an assortment of refrigerator magnets, “collected by Amy,” the majority of which are the type displayed at a novelty store next to the X-ray goggles and rubber dog poop. You’ve seen these before: the 1950s housewife captioned with “I don’t suffer from insanity — I enjoy every minute of it” or “Ran into my ex… put it in reverse and hit him again.” The only magnets remotely personal to Winehouse are a few from Miami, where she and Fielder were married, or Austin, where she performed at South by Southwest. The others are so laughably banal, as if someone ransacked her apartment after she died and grabbed whatever was left, that one wonders why we’re not also ogling drawers of her twist-ties and bins of her discarded Q-tips.\u003c/p>\n\u003cp>A companion exhibit, \u003cem>You Know I’m No Good\u003c/em>, with work by Jennie Ottinger, Rachel Harrison, and Jason Jagel, adds an artistic reaction to Winehouse’s legacy, and raises valid questions about black appropriation and the predatory act of capturing one’s image. Parents brought here by their teenage children may find more of interest in it than in staring at a rack of Winehouse’s suspenders and belts. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Does any of this voyeurism deepen our appreciation of Winehouse’s artistry? Not especially. \u003cem>You Know I’m No Good\u003c/em> takes its title from one of Winehouse’s most self-examining songs, but as we already know, Any Winehouse \u003cem>was\u003c/em> good. So good, in fact, that even four years after her death, we evidently still can’t leave her alone.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Taylor Swift's White Privilege Leads to Bad Blood on Twitter with Nicki Minaj",
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"content": "\u003cp>Another day, another feud. I have \u003ca href=\"http://ww2.kqed.org/pop/2013/08/14/katy-perry-vs-lady-gaga-what-todays-stan-wars-say-about-our-culture/\" target=\"_blank\">written about stan wars\u003c/a> in the past and how our culture is obsessed with pitting women against each other. It's a bummer when the cycle continues. But this episode is unlike the others because its genesis is in the very idea of putting an end to pitting women against women! Confused? Allow me to break it down for you.\u003c/p>\n\u003cp>The VMA nominations were announced this week. \u003cem>Who cares?\u003c/em> you might be thinking. \u003cem>MTV doesn't even play music videos anymore.\u003c/em> Both valid points, but the awards still mean something to the artists. This became clear when Nicki Minaj took to Twitter to voice her confusion over \"Anaconda\" not being nominated for Video of the Year, despite breaking YouTube records and causing an international stir.\u003c/p>\n\u003cp>https://twitter.com/NICKIMINAJ/status/623571674076614656\u003c/p>\n\u003cp>https://twitter.com/NICKIMINAJ/status/623572863577034752\u003c/p>\n\u003cp>https://twitter.com/NICKIMINAJ/status/623574103757209600\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Nicki was trying to draw attention to race still being a factor when it comes to the level of respect an artist receives. And she has a point (remember this year's \u003ca href=\"http://ww2.kqed.org/pop/2015-oscars-nominations-snubs-and-surprises-making-internet-angry-selma-jennifer-aniston\" target=\"_blank\">super white Oscars\u003c/a>?).\u003c/p>\n\u003cp>So what does this have to do with Taylor Swift? Not much, really. Yes, Nicki is surely referencing Taylor in that last tweet (Swift is the only female other than Nicki's BFF Beyonce in that category), but her overall message has little to do with Swift and everything to do with an industry that consistently values one type of artist over another.\u003c/p>\n\u003cp>Taylor didn't see it that way:\u003c/p>\n\u003cp>https://twitter.com/taylorswift13/status/623616796277506048\u003c/p>\n\u003cp>Nicki responded with an um, what?\u003c/p>\n\u003cp>https://twitter.com/NICKIMINAJ/status/623618047673106433\u003c/p>\n\u003cp>Before getting back to her point:\u003c/p>\n\u003cp>https://twitter.com/NICKIMINAJ/status/623617003153035264\u003c/p>\n\u003cp>And Taylor did her best to backtrack and came off as patronizing:\u003c/p>\n\u003cp>https://twitter.com/taylorswift13/status/623628086614036480\u003c/p>\n\u003cp>I love you, Taylor, but you done goofed. And most of the media agrees. \u003cem>The Guardian\u003c/em> called Swift's reply \"faux-feminist and tone deaf.\" \u003cem>The Atlantic\u003c/em> further questioned Taylor's approach: \"When female solidarity shuts down someone’s honest expression of frustration at society, inequality, and racial and body-type bias, that’s hardly progressive.\" And Gawker had some strong words for Taylor's brand of feminism: \"Swift isn’t here to help women—she’s here to make bank...Her plan—to be as famous and as rich as she can possibly be—is working, and by using other women as tools of her self-promotion, she is distilling feminism for her own benefit.\"\u003c/p>\n\u003cp>This \u003ca href=\"http://ww2.kqed.org/pop/2013/03/05/the-debate-of-our-times-taylor-swift/\" target=\"_blank\">isn't the first time\u003c/a> Taylor has misused feminism to strike back. Let's rewind back to 2013 when Tina Fey and Amy Poehler made some joke while hosting the Golden Globes about Taylor taking some \"me time\" instead of dating so much, which caused Taylor to respond with:\u003c/p>\n\u003cblockquote>\u003cp>“You know, Katie Couric is one of my favorite people, because she said to me she had heard a quote that she loved, that said, ‘There’s a special place in hell for women who don’t help other women.'”\u003c/p>\u003c/blockquote>\n\u003cp>Oy vey. And this from someone who in 2012 said this about whether she defined herself as a feminist:\u003c/p>\n\u003cblockquote>\u003cp>“I don’t really think about things as guys versus girls. I never have. I was raised by parents who brought me up to think if you work as hard as guys, you can go far in life.”\u003c/p>\u003c/blockquote>\n\u003cp>It's great that Taylor has done some reading and thinking and realized that she was a feminist after all and should do her best, as we all should, to promote the equality of the sexes. But it's important to not get so focused on one issue that you begin missing the forest for the trees.\u003c/p>\n\u003cp>Taylor meant well in her response to Nicki; she thought she was bringing attention to the latent sexism that's been programmed into us by our patriarchal society. But she failed to notice the racial component of Nicki's message because that's not something that Taylor knows a lot about. She doesn't know what it's like to have her skin color dictate who will meet with her, sign her to a label, play her records, give her awards, etc. It's just not on her radar. Just like feminism wasn't on her radar back when she insisted that she wasn't someone who thought of \"things as guys versus girls.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The good news is that these are the kind of situations that help us grow. Taylor missed the point because of her white privilege. She knows that now and will hopefully mature and learn more about race and a host of other things that aren't part of her lived experience. Just like we all do. The only difference is we get to do it without the entire world watching.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Another day, another feud. I have \u003ca href=\"http://ww2.kqed.org/pop/2013/08/14/katy-perry-vs-lady-gaga-what-todays-stan-wars-say-about-our-culture/\" target=\"_blank\">written about stan wars\u003c/a> in the past and how our culture is obsessed with pitting women against each other. It's a bummer when the cycle continues. But this episode is unlike the others because its genesis is in the very idea of putting an end to pitting women against women! Confused? Allow me to break it down for you.\u003c/p>\n\u003cp>The VMA nominations were announced this week. \u003cem>Who cares?\u003c/em> you might be thinking. \u003cem>MTV doesn't even play music videos anymore.\u003c/em> Both valid points, but the awards still mean something to the artists. This became clear when Nicki Minaj took to Twitter to voice her confusion over \"Anaconda\" not being nominated for Video of the Year, despite breaking YouTube records and causing an international stir.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Nicki was trying to draw attention to race still being a factor when it comes to the level of respect an artist receives. And she has a point (remember this year's \u003ca href=\"http://ww2.kqed.org/pop/2015-oscars-nominations-snubs-and-surprises-making-internet-angry-selma-jennifer-aniston\" target=\"_blank\">super white Oscars\u003c/a>?).\u003c/p>\n\u003cp>So what does this have to do with Taylor Swift? Not much, really. Yes, Nicki is surely referencing Taylor in that last tweet (Swift is the only female other than Nicki's BFF Beyonce in that category), but her overall message has little to do with Swift and everything to do with an industry that consistently values one type of artist over another.\u003c/p>\n\u003cp>Taylor didn't see it that way:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Nicki responded with an um, what?\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Before getting back to her point:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>And Taylor did her best to backtrack and came off as patronizing:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>I love you, Taylor, but you done goofed. And most of the media agrees. \u003cem>The Guardian\u003c/em> called Swift's reply \"faux-feminist and tone deaf.\" \u003cem>The Atlantic\u003c/em> further questioned Taylor's approach: \"When female solidarity shuts down someone’s honest expression of frustration at society, inequality, and racial and body-type bias, that’s hardly progressive.\" And Gawker had some strong words for Taylor's brand of feminism: \"Swift isn’t here to help women—she’s here to make bank...Her plan—to be as famous and as rich as she can possibly be—is working, and by using other women as tools of her self-promotion, she is distilling feminism for her own benefit.\"\u003c/p>\n\u003cp>This \u003ca href=\"http://ww2.kqed.org/pop/2013/03/05/the-debate-of-our-times-taylor-swift/\" target=\"_blank\">isn't the first time\u003c/a> Taylor has misused feminism to strike back. Let's rewind back to 2013 when Tina Fey and Amy Poehler made some joke while hosting the Golden Globes about Taylor taking some \"me time\" instead of dating so much, which caused Taylor to respond with:\u003c/p>\n\u003cblockquote>\u003cp>“You know, Katie Couric is one of my favorite people, because she said to me she had heard a quote that she loved, that said, ‘There’s a special place in hell for women who don’t help other women.'”\u003c/p>\u003c/blockquote>\n\u003cp>Oy vey. And this from someone who in 2012 said this about whether she defined herself as a feminist:\u003c/p>\n\u003cblockquote>\u003cp>“I don’t really think about things as guys versus girls. I never have. I was raised by parents who brought me up to think if you work as hard as guys, you can go far in life.”\u003c/p>\u003c/blockquote>\n\u003cp>It's great that Taylor has done some reading and thinking and realized that she was a feminist after all and should do her best, as we all should, to promote the equality of the sexes. But it's important to not get so focused on one issue that you begin missing the forest for the trees.\u003c/p>\n\u003cp>Taylor meant well in her response to Nicki; she thought she was bringing attention to the latent sexism that's been programmed into us by our patriarchal society. But she failed to notice the racial component of Nicki's message because that's not something that Taylor knows a lot about. She doesn't know what it's like to have her skin color dictate who will meet with her, sign her to a label, play her records, give her awards, etc. It's just not on her radar. Just like feminism wasn't on her radar back when she insisted that she wasn't someone who thought of \"things as guys versus girls.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The good news is that these are the kind of situations that help us grow. Taylor missed the point because of her white privilege. She knows that now and will hopefully mature and learn more about race and a host of other things that aren't part of her lived experience. Just like we all do. The only difference is we get to do it without the entire world watching.\u003c/p>\n\n\u003c/div>\u003c/p>",
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