window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13907875": {
"type": "attachments",
"id": "arts_13907875",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13907875",
"found": true
},
"parent": 13907874,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1351199609_wide-7dcaa0e891c796e92d92a139425e638224af2f0f-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1351199609_wide-7dcaa0e891c796e92d92a139425e638224af2f0f-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1351199609_wide-7dcaa0e891c796e92d92a139425e638224af2f0f-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1351199609_wide-7dcaa0e891c796e92d92a139425e638224af2f0f-scaled-e1641839589473.jpg",
"width": 1920,
"height": 1080
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1351199609_wide-7dcaa0e891c796e92d92a139425e638224af2f0f-2048x1152.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1152
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1351199609_wide-7dcaa0e891c796e92d92a139425e638224af2f0f-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1351199609_wide-7dcaa0e891c796e92d92a139425e638224af2f0f-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1351199609_wide-7dcaa0e891c796e92d92a139425e638224af2f0f-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1351199609_wide-7dcaa0e891c796e92d92a139425e638224af2f0f-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1351199609_wide-7dcaa0e891c796e92d92a139425e638224af2f0f-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1641838890,
"modified": 1641839657,
"caption": "Actor and comedian Bob Saget, pictured in November 2021, has died at age 65.",
"description": null,
"title": "Actor and comedian Bob Saget, pictured in November 2021, has died at age 65.",
"credit": "Phillip Faraone/Getty Images",
"status": "inherit",
"altTag": "Bob Saget, wearing a casual blue suit smiles for cameras on the red carpet before a white backdrop.",
"isLoading": false,
"fetchFailed": false
},
"arts_13907777": {
"type": "attachments",
"id": "arts_13907777",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13907777",
"found": true
},
"parent": 13907776,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1237525461-05af93f58bcfc14458e4579a1a181423cc83e5b2-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1237525461-05af93f58bcfc14458e4579a1a181423cc83e5b2-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1237525461-05af93f58bcfc14458e4579a1a181423cc83e5b2-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1237525461-05af93f58bcfc14458e4579a1a181423cc83e5b2-scaled-e1641496338205.jpg",
"width": 1920,
"height": 1440
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1237525461-05af93f58bcfc14458e4579a1a181423cc83e5b2-2048x1536.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1536
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1237525461-05af93f58bcfc14458e4579a1a181423cc83e5b2-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1237525461-05af93f58bcfc14458e4579a1a181423cc83e5b2-1536x1152.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1152
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1237525461-05af93f58bcfc14458e4579a1a181423cc83e5b2-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1237525461-05af93f58bcfc14458e4579a1a181423cc83e5b2-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1237525461-05af93f58bcfc14458e4579a1a181423cc83e5b2-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
}
},
"publishDate": 1641494686,
"modified": 1641496464,
"caption": "Elizabeth Holmes and partner Billy Evans walk outside the federal court in San Jose, California on January 3, 2022. She was found guilty of four counts of tricking investors into pouring money into what she claimed was a revolutionary testing system.",
"description": null,
"title": "Elizabeth Holmes and partner Billy Evans walk outside the federal court in San Jose, California on January 3, 2022. She was found guilty of four counts of tricking investors into pouring money into what she claimed was a revolutionary testing system.",
"credit": "NICK OTTO/AFP via Getty Images",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13907754": {
"type": "attachments",
"id": "arts_13907754",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13907754",
"found": true
},
"parent": 13907753,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/2022-01-03-b3f3c5bd95371cdb007b61063214233acba87b2c-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/2022-01-03-b3f3c5bd95371cdb007b61063214233acba87b2c-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/2022-01-03-b3f3c5bd95371cdb007b61063214233acba87b2c-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/2022-01-03-b3f3c5bd95371cdb007b61063214233acba87b2c-e1641410015875.jpg",
"width": 1920,
"height": 1440
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/2022-01-03-b3f3c5bd95371cdb007b61063214233acba87b2c-2048x1536.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1536
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/2022-01-03-b3f3c5bd95371cdb007b61063214233acba87b2c-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/2022-01-03-b3f3c5bd95371cdb007b61063214233acba87b2c-1536x1152.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1152
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/2022-01-03-b3f3c5bd95371cdb007b61063214233acba87b2c-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/2022-01-03-b3f3c5bd95371cdb007b61063214233acba87b2c-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/2022-01-03-b3f3c5bd95371cdb007b61063214233acba87b2c-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
}
},
"publishDate": 1641408995,
"modified": 1641410063,
"caption": "Temura Morrison plays the title bounty hunter in 'The Book of Boba Fett.'",
"description": null,
"title": "Temura Morrison plays the title bounty hunter in 'The Book of Boba Fett.'",
"credit": null,
"status": "inherit",
"altTag": "A close up of Boba Fett wearing his iconic green and red helmet.",
"isLoading": false,
"fetchFailed": false
},
"arts_13907738": {
"type": "attachments",
"id": "arts_13907738",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13907738",
"found": true
},
"parent": 13907737,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/ap_862432864149-4d5ff9168210d99b12e590df1e831eafe0ab626f-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/ap_862432864149-4d5ff9168210d99b12e590df1e831eafe0ab626f-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/ap_862432864149-4d5ff9168210d99b12e590df1e831eafe0ab626f-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/ap_862432864149-4d5ff9168210d99b12e590df1e831eafe0ab626f-scaled-e1641407616460.jpg",
"width": 1920,
"height": 1440
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/ap_862432864149-4d5ff9168210d99b12e590df1e831eafe0ab626f-2048x1536.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1536
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/ap_862432864149-4d5ff9168210d99b12e590df1e831eafe0ab626f-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/ap_862432864149-4d5ff9168210d99b12e590df1e831eafe0ab626f-1536x1152.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1152
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/ap_862432864149-4d5ff9168210d99b12e590df1e831eafe0ab626f-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/ap_862432864149-4d5ff9168210d99b12e590df1e831eafe0ab626f-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/ap_862432864149-4d5ff9168210d99b12e590df1e831eafe0ab626f-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
}
},
"publishDate": 1641406677,
"modified": 1641407763,
"caption": "Elmo from 'Sesame Street' directly after Rocco landed on his last damn nerve. Probably.",
"description": null,
"title": "Elmo from 'Sesame Street' directly after Rocco landed on his last damn nerve. Probably.",
"credit": "Victoria Will/AP",
"status": "inherit",
"altTag": "Elmo, the fuzzy red 'Sesame Street' puppet, poses with his mouth open and his hands holding either side of his face.",
"isLoading": false,
"fetchFailed": false
},
"arts_13907683": {
"type": "attachments",
"id": "arts_13907683",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13907683",
"found": true
},
"parent": 13907681,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-74413529-35cfcf03d2a4d7d50fec1e31a79f13287b1d5b94-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-74413529-35cfcf03d2a4d7d50fec1e31a79f13287b1d5b94-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-74413529-35cfcf03d2a4d7d50fec1e31a79f13287b1d5b94-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-74413529-35cfcf03d2a4d7d50fec1e31a79f13287b1d5b94-scaled-e1641327749728.jpg",
"width": 1920,
"height": 1440
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-74413529-35cfcf03d2a4d7d50fec1e31a79f13287b1d5b94-2048x1536.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1536
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-74413529-35cfcf03d2a4d7d50fec1e31a79f13287b1d5b94-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-74413529-35cfcf03d2a4d7d50fec1e31a79f13287b1d5b94-1536x1152.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1152
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-74413529-35cfcf03d2a4d7d50fec1e31a79f13287b1d5b94-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-74413529-35cfcf03d2a4d7d50fec1e31a79f13287b1d5b94-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-74413529-35cfcf03d2a4d7d50fec1e31a79f13287b1d5b94-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
}
},
"publishDate": 1641327248,
"modified": 1641327784,
"caption": "Musician David Bowie speaks onstage while accepting the Webby Lifetime Achievement award at the 11th Annual Webby Awards in 2007.",
"description": null,
"title": "Musician David Bowie speaks onstage while accepting the Webby Lifetime Achievement award at the 11th Annual Webby Awards in 2007.",
"credit": "Bryan Bedder/Getty Images",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13902902": {
"type": "attachments",
"id": "arts_13902902",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13902902",
"found": true
},
"parent": 13902915,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/09/D7A4293-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/09/D7A4293-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/09/D7A4293.jpg",
"width": 800,
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/09/D7A4293-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1631506031,
"modified": 1631569778,
"caption": "Jacob Mohundro competes in the \"Set it off\" OTA Performance contest at Back with a Vengeance Ball at Lake Merritt Amphitheater on Saturday, Sept. 11, 2021. ",
"description": "Jacob Mohundro competes in the \"Set it off\" OTA Performance contest at Back with a Vengeance Ball at Lake Merritt Amphitheater on Saturday, Sept. 11, 2021. ",
"title": "Jacob Mohundro competes in the \"Set it off\" OTA Performance contest at Back with a Vengeance Ball at Lake Merritt Amphitheater on Saturday, Sept. 11, 2021.",
"credit": "Estefany Gonzalez ",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13907125": {
"type": "attachments",
"id": "arts_13907125",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13907125",
"found": true
},
"parent": 13907124,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/west-side-story-epk-df-20702_r_crop-9d951f7a8c5653614682ebcd8257255dfc707dca-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/west-side-story-epk-df-20702_r_crop-9d951f7a8c5653614682ebcd8257255dfc707dca-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/west-side-story-epk-df-20702_r_crop-9d951f7a8c5653614682ebcd8257255dfc707dca-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/west-side-story-epk-df-20702_r_crop-9d951f7a8c5653614682ebcd8257255dfc707dca.jpg",
"width": 1600,
"height": 1200
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/west-side-story-epk-df-20702_r_crop-9d951f7a8c5653614682ebcd8257255dfc707dca-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/west-side-story-epk-df-20702_r_crop-9d951f7a8c5653614682ebcd8257255dfc707dca-1536x1152.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1152
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/west-side-story-epk-df-20702_r_crop-9d951f7a8c5653614682ebcd8257255dfc707dca-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/west-side-story-epk-df-20702_r_crop-9d951f7a8c5653614682ebcd8257255dfc707dca-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
}
},
"publishDate": 1639083250,
"modified": 1639084218,
"caption": "Ariana DeBose (center) is Anita in 'West Side Story.'",
"description": null,
"title": "Ariana DeBose (center) is Anita in 'West Side Story.'",
"credit": null,
"status": "inherit",
"altTag": "Three women in red, yellow and orange dresses dance expressively on the street outside a bodega.",
"isLoading": false,
"fetchFailed": false
},
"arts_13906797": {
"type": "attachments",
"id": "arts_13906797",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13906797",
"found": true
},
"parent": 13906796,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/alec-baldwin-abc-news-1_wide-ff8b900cdacaf9ec9b04cc471006992debb4c34e-1038x576.jpe",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/alec-baldwin-abc-news-1_wide-ff8b900cdacaf9ec9b04cc471006992debb4c34e-160x90.jpe",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/alec-baldwin-abc-news-1_wide-ff8b900cdacaf9ec9b04cc471006992debb4c34e-672x372.jpe",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/alec-baldwin-abc-news-1_wide-ff8b900cdacaf9ec9b04cc471006992debb4c34e.jpe",
"width": 1226,
"height": 689
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/alec-baldwin-abc-news-1_wide-ff8b900cdacaf9ec9b04cc471006992debb4c34e-1020x573.jpe",
"width": 1020,
"mimeType": "image/jpeg",
"height": 573
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/alec-baldwin-abc-news-1_wide-ff8b900cdacaf9ec9b04cc471006992debb4c34e-800x450.jpe",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/alec-baldwin-abc-news-1_wide-ff8b900cdacaf9ec9b04cc471006992debb4c34e-768x432.jpe",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1638560024,
"modified": 1638560840,
"caption": "Alec Baldwin and anchor George Stephanopoulos talk during the ABC News special 'Alec Baldwin Unscripted.'",
"description": null,
"title": "Alec Baldwin and anchor George Stephanopoulos talk during the ABC News special 'Alec Baldwin Unscripted.'",
"credit": "Jeffrey Neira/ABC News",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13906716": {
"type": "attachments",
"id": "arts_13906716",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13906716",
"found": true
},
"parent": 13906713,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/home-alone-airbnb-01-exterior-credit-sarah-crowley-356844a7e42bbe5d720e0cd77c4aaeb8b5edc6aa-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/home-alone-airbnb-01-exterior-credit-sarah-crowley-356844a7e42bbe5d720e0cd77c4aaeb8b5edc6aa-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/home-alone-airbnb-01-exterior-credit-sarah-crowley-356844a7e42bbe5d720e0cd77c4aaeb8b5edc6aa-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/home-alone-airbnb-01-exterior-credit-sarah-crowley-356844a7e42bbe5d720e0cd77c4aaeb8b5edc6aa-scaled-e1638472268581.jpg",
"width": 1920,
"height": 1440
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/home-alone-airbnb-01-exterior-credit-sarah-crowley-356844a7e42bbe5d720e0cd77c4aaeb8b5edc6aa-2048x1536.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1536
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/home-alone-airbnb-01-exterior-credit-sarah-crowley-356844a7e42bbe5d720e0cd77c4aaeb8b5edc6aa-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/home-alone-airbnb-01-exterior-credit-sarah-crowley-356844a7e42bbe5d720e0cd77c4aaeb8b5edc6aa-1536x1152.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1152
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/home-alone-airbnb-01-exterior-credit-sarah-crowley-356844a7e42bbe5d720e0cd77c4aaeb8b5edc6aa-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/home-alone-airbnb-01-exterior-credit-sarah-crowley-356844a7e42bbe5d720e0cd77c4aaeb8b5edc6aa-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/12/home-alone-airbnb-01-exterior-credit-sarah-crowley-356844a7e42bbe5d720e0cd77c4aaeb8b5edc6aa-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
}
},
"publishDate": 1638471431,
"modified": 1638472293,
"caption": "The 'Home Alone' house in Winnetka, Ill. will be available to rent through Airbnb for one night later this month. The $25 stay will also include junk food, booby traps, a film screening and other holiday hijinks.",
"description": null,
"title": "The 'Home Alone' house in Winnetka, Ill. will be available to rent through Airbnb for one night later this month. The $25 stay will also include junk food, booby traps, a film screening and other holiday hijinks.",
"credit": null,
"status": "inherit",
"altTag": "The facade of the huge family home featured in 1990 movie, 'Home Alone,' as seen at night.",
"isLoading": false,
"fetchFailed": false
},
"arts_13906580": {
"type": "attachments",
"id": "arts_13906580",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13906580",
"found": true
},
"parent": 13906579,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/2021-11-29-49ce1b1664d53e5f1441f04969f8b0ed6c8b9d7a-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/2021-11-29-49ce1b1664d53e5f1441f04969f8b0ed6c8b9d7a-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/2021-11-29-49ce1b1664d53e5f1441f04969f8b0ed6c8b9d7a-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/2021-11-29-49ce1b1664d53e5f1441f04969f8b0ed6c8b9d7a-scaled-e1638214426984.jpg",
"width": 1920,
"height": 1440
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/2021-11-29-49ce1b1664d53e5f1441f04969f8b0ed6c8b9d7a-2048x1536.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1536
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/2021-11-29-49ce1b1664d53e5f1441f04969f8b0ed6c8b9d7a-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/2021-11-29-49ce1b1664d53e5f1441f04969f8b0ed6c8b9d7a-1536x1152.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1152
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/2021-11-29-49ce1b1664d53e5f1441f04969f8b0ed6c8b9d7a-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/2021-11-29-49ce1b1664d53e5f1441f04969f8b0ed6c8b9d7a-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/2021-11-29-49ce1b1664d53e5f1441f04969f8b0ed6c8b9d7a-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
}
},
"publishDate": 1638212958,
"modified": 1638214562,
"caption": "'The Beatles: Get Back' concludes with the band's legendary 1969 rooftop concert.",
"description": null,
"title": "'The Beatles: Get Back' concludes with the band's legendary 1969 rooftop concert.",
"credit": "Courtesy Apple Corps Ltd. / Disney +",
"status": "inherit",
"altTag": "The Beatles perform on a rooftop next to chimney stacks, while Yoko Ono and a crowd of conservatively dressed men look on.",
"isLoading": false,
"fetchFailed": false
},
"arts_13906441": {
"type": "attachments",
"id": "arts_13906441",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13906441",
"found": true
},
"parent": 13906436,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/GettyImages-1350956119-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/GettyImages-1350956119-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/GettyImages-1350956119-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/GettyImages-1350956119-scaled.jpg",
"width": 2560,
"height": 1707
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/GettyImages-1350956119-2048x1365.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1365
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/GettyImages-1350956119-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/GettyImages-1350956119-1536x1024.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1024
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/GettyImages-1350956119-1920x1280.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1280
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/GettyImages-1350956119-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/GettyImages-1350956119-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1637705870,
"modified": 1637705999,
"caption": "H.E.R. performs live at the Apollo Theater in Harlem, Nov. 2021.",
"description": null,
"title": "H.E.R. performs live at the Apollo Theater in Harlem, Nov. 2021.",
"credit": "Dimitrios Kambouris/Getty Images for SiriusXM",
"status": "inherit",
"altTag": "A Black woman wearing an oversized plaid shirt and sunglasses passionately plays an electric guitar on stage.",
"isLoading": false,
"fetchFailed": false
},
"arts_13906285": {
"type": "attachments",
"id": "arts_13906285",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13906285",
"found": true
},
"parent": 13906284,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/gettyimages-118421582_wide-4faeefe83e8266f7a80bfde7f3dbdddf8fb2d017-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/gettyimages-118421582_wide-4faeefe83e8266f7a80bfde7f3dbdddf8fb2d017-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/gettyimages-118421582_wide-4faeefe83e8266f7a80bfde7f3dbdddf8fb2d017-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/gettyimages-118421582_wide-4faeefe83e8266f7a80bfde7f3dbdddf8fb2d017-scaled-e1637257492901.jpg",
"width": 1920,
"height": 1080
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/gettyimages-118421582_wide-4faeefe83e8266f7a80bfde7f3dbdddf8fb2d017-2048x1152.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1152
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/gettyimages-118421582_wide-4faeefe83e8266f7a80bfde7f3dbdddf8fb2d017-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/gettyimages-118421582_wide-4faeefe83e8266f7a80bfde7f3dbdddf8fb2d017-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/gettyimages-118421582_wide-4faeefe83e8266f7a80bfde7f3dbdddf8fb2d017-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/gettyimages-118421582_wide-4faeefe83e8266f7a80bfde7f3dbdddf8fb2d017-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2021/11/gettyimages-118421582_wide-4faeefe83e8266f7a80bfde7f3dbdddf8fb2d017-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1637257310,
"modified": 1637257575,
"caption": "Rupert Grint, Emma Watson and Daniel Radcliffe pose together on the red carpet at the world premiere of 'Harry Potter and the Deathly Hallows, Part 2' in London on July 7, 2011 in London, England.",
"description": null,
"title": "Rupert Grint, Emma Watson and Daniel Radcliffe pose together on the red carpet at the world premiere of 'Harry Potter and the Deathly Hallows, Part 2' in London on July 7, 2011 in London, England.",
"credit": "Ian Gavan/Getty Images",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13907874": {
"type": "authors",
"id": "byline_arts_13907874",
"meta": {
"override": true
},
"slug": "byline_arts_13907874",
"name": "James Doubek",
"isLoading": false
},
"byline_arts_13907776": {
"type": "authors",
"id": "byline_arts_13907776",
"meta": {
"override": true
},
"slug": "byline_arts_13907776",
"name": "Linda Holmes",
"isLoading": false
},
"byline_arts_13907753": {
"type": "authors",
"id": "byline_arts_13907753",
"meta": {
"override": true
},
"slug": "byline_arts_13907753",
"name": "David Bianculli",
"isLoading": false
},
"byline_arts_13907737": {
"type": "authors",
"id": "byline_arts_13907737",
"meta": {
"override": true
},
"slug": "byline_arts_13907737",
"name": "Elizabeth Blair",
"isLoading": false
},
"byline_arts_13907681": {
"type": "authors",
"id": "byline_arts_13907681",
"meta": {
"override": true
},
"slug": "byline_arts_13907681",
"name": "Neda Ulaby",
"isLoading": false
},
"byline_arts_13907124": {
"type": "authors",
"id": "byline_arts_13907124",
"meta": {
"override": true
},
"slug": "byline_arts_13907124",
"name": "Justin Chang",
"isLoading": false
},
"byline_arts_13906796": {
"type": "authors",
"id": "byline_arts_13906796",
"meta": {
"override": true
},
"slug": "byline_arts_13906796",
"name": "Eric Deggans",
"isLoading": false
},
"byline_arts_13906579": {
"type": "authors",
"id": "byline_arts_13906579",
"meta": {
"override": true
},
"slug": "byline_arts_13906579",
"name": "David Bianculli",
"isLoading": false
},
"byline_arts_13906284": {
"type": "authors",
"id": "byline_arts_13906284",
"meta": {
"override": true
},
"slug": "byline_arts_13906284",
"name": "Sharon Pruitt-Young",
"isLoading": false
},
"kqedarts": {
"type": "authors",
"id": "92",
"meta": {
"index": "authors_1716337520",
"id": "92",
"found": true
},
"name": "KQED Arts",
"firstName": "KQED",
"lastName": "Arts",
"slug": "kqedarts",
"email": "arts@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Staff",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": "https://www.instagram.com/kqed_arts/",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
},
{
"site": "science",
"roles": [
"author"
]
},
{
"site": "food",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "KQED Arts | KQED",
"description": "KQED Staff",
"ogImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kqedarts"
},
"ralexandra": {
"type": "authors",
"id": "11242",
"meta": {
"index": "authors_1716337520",
"id": "11242",
"found": true
},
"name": "Rae Alexandra",
"firstName": "Rae",
"lastName": "Alexandra",
"slug": "ralexandra",
"email": "ralexandra@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Reporter/Producer",
"bio": "Rae Alexandra is a Reporter/Producer for KQED Arts & Culture, and the creator/author of the \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\">Rebel Girls From Bay Area History\u003c/a> and \u003ca href=\"https://www.kqed.org/bizarrebayarea\">Bizarre Bay Area\u003c/a> series. Her debut book, \u003ca href=\"https://citylights.com/politics-current-events-history/unsung-heroines35-women-who-changed/\">Unsung Heroines: 35 Women Who Changed the Bay Area\u003c/a> was published by City Lights in March 2026. In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture. Rae was born and raised in Wales and subsequently — even after two decades in Northern California — still uses phrases that regularly baffle her coworkers.",
"avatar": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Rae Alexandra | KQED",
"description": "Reporter/Producer",
"ogImgSrc": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ralexandra"
}
},
"pagesReducer": {
"arts_category_popculture": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"score": 14.403581
},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"title": "Pop Culture",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 103
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=popculture",
"seeMore": false,
"paginated": true,
"page": 103
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13907874": {
"type": "posts",
"id": "arts_13907874",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13907874",
"score": null,
"sort": [
1641839147000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1641839147,
"format": "standard",
"title": "Actor and Comedian Bob Saget Dies at 65",
"headTitle": "Actor and Comedian Bob Saget Dies at 65 | KQED",
"content": "\u003cp>Actor, comedian and director Bob Saget has died at age 65.\u003c/p>\n\u003cp>The Orange County Sheriff’s Office in Florida said deputies were called to the Ritz-Carlton in Orlando on Sunday after an unresponsive man was found in a hotel room.\u003c/p>\n\u003cp>“The man was identified as Robert Saget & pronounced deceased on scene. Detectives found no signs of foul play or drug use in this case,” \u003ca href=\"https://twitter.com/OrangeCoSheriff/status/1480340290917609473?s=20\">the sheriff’s office said\u003c/a>. Saget was on tour and had done a show near Jacksonville a day earlier.\u003c/p>\n\u003cp>Saget was a prominent presence on American television screens throughout the 1990s as the host of \u003cem>America’s Funniest Home Videos\u003c/em>, and the father Danny Tanner on \u003cem>Full House\u003c/em>, which was set in San Francisco.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=TJsPgsYbFDg\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He was also the narrator on the show \u003cem>How I Met Your Mother\u003c/em> from 2005 to 2014 and reprised the Danny Tanner role on the Netflix reboot \u003cem>Fuller House\u003c/em> between 2016 and 2020. And Saget often played himself or parodies of himself in one-time or recurring roles in TV shows and movies.\u003c/p>\n\u003cp>Tributes poured in on social media from Saget’s co-stars and friends.\u003c/p>\n\u003cp>“I am broken. I am gutted. I am in complete and utter shock. I will never ever have another friend like him. I love you so much Bobby,” \u003ca href=\"https://twitter.com/JohnStamos/status/1480354937267576833?s=20\">wrote\u003c/a> John Stamos, a \u003cem>Full House\u003c/em> co-star.\u003c/p>\n\u003cp>TV producer Norman Lear \u003ca href=\"https://twitter.com/TheNormanLear/status/1480349081847304192?s=20\">said\u003c/a> Saget was a close friend who “was as lovely a human as he was funny. And to my mind, he was hilarious.”\u003c/p>\n\u003cp>[aside postID='pop_50688']“I don’t even know what to say about Bob Saget. I loved him and was so lucky to work with someone so funny, soulful and kind,” \u003ca href=\"https://twitter.com/HimymCraig/status/1480347068006817795?s=20\">said\u003c/a> \u003cem>How I Met Your Mother\u003c/em> co-creator Craig Thomas.\u003c/p>\n\u003cp>Saget also had credits as a director, with his most notable being the cult favorite movie \u003cem>Dirty Work\u003c/em> from 1998 with \u003ca href=\"https://www.npr.org/2021/09/14/1037069333/norm-macdonald-dead-snl-comedian\">Norm Macdonald\u003c/a>.\u003c/p>\n\u003cp>Saget was a stand-up comedian as well, having started at age 17, he wrote in his \u003ca href=\"https://www.google.com/books/edition/Dirty_Daddy/AfpNAgAAQBAJ?hl=en&gbpv=1&pg=PT6&printsec=frontcover\">2014 memoir \u003cem>Dirty Daddy\u003c/em>\u003c/a>\u003cem>. \u003c/em>His jokes were known to be dirty — a marked contrast to his \u003cem>Full House\u003c/em> character’s loving and wholesome father persona.\u003c/p>\n\u003cp>“In my career I’ve had the fortune of being able to work continually in radically diverse creative worlds,” he wrote. “By day I’ve done some of the most family-friendly TV imaginable. Then, often in the same day, I’ve gone onstage in the L.A. comedy clubs and whirled off with an adolescent’s delight about my grandma’s projectile diarrhea.”\u003c/p>\n\u003cp>Saget’s 2014 comedy album \u003cem>That’s What I’m Talkin’ About\u003c/em> was nominated for a Grammy.\u003c/p>\n\u003cp>Saget \u003ca href=\"https://magazine.medlineplus.gov/article/dont-give-up-hope\">also advocated for\u003c/a> people facing scleroderma, a chronic autoimmune disease. His sister, Gay Saget, died of the disease in her 40s.\u003c/p>\n\u003cp>In his memoir, Saget said jokes have helped him deal with tragedy. And he offered what could have been his own parting words in the book’s introduction.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The goal of living a full life is so, at its end, you’ll have learned some things along the journey,” he wrote. “I’m nowhere near the end yet, but I’ve already had some incredible experiences. I’ve met and worked with some amazing people, I’ve lived, I’ve loved, I’ve cried … and through it all, I did it my way.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2022 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener noreferrer\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Actor+and+comedian+Bob+Saget+dies+at+65&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 608,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 18
},
"modified": 1705007337,
"excerpt": "Saget was a prominent presence on American TV throughout the 1990s in 'Full House' and 'America's Funniest Home Videos.'",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Saget was a prominent presence on American TV throughout the 1990s in 'Full House' and 'America's Funniest Home Videos.'",
"title": "Actor and Comedian Bob Saget Dies at 65 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Actor and Comedian Bob Saget Dies at 65",
"datePublished": "2022-01-10T10:25:47-08:00",
"dateModified": "2024-01-11T13:08:57-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "actor-and-comedian-bob-saget-dies-at-65",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1071728796&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Sun, 09 Jan 2022 20:24:00 -0500",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Mon, 10 Jan 2022 07:40:58 -0500",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2022/01/09/1071728796/actor-and-comedian-bob-saget-dies-at-65?ft=nprml&f=1071728796",
"nprImageAgency": "Getty Images",
"nprStoryId": "1071728796",
"nprByline": "James Doubek",
"sticky": false,
"nprImageCredit": "Phillip Faraone",
"showOnAuthorArchivePages": "No",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 10 Jan 2022 07:40:00 -0500",
"path": "/arts/13907874/actor-and-comedian-bob-saget-dies-at-65",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Actor, comedian and director Bob Saget has died at age 65.\u003c/p>\n\u003cp>The Orange County Sheriff’s Office in Florida said deputies were called to the Ritz-Carlton in Orlando on Sunday after an unresponsive man was found in a hotel room.\u003c/p>\n\u003cp>“The man was identified as Robert Saget & pronounced deceased on scene. Detectives found no signs of foul play or drug use in this case,” \u003ca href=\"https://twitter.com/OrangeCoSheriff/status/1480340290917609473?s=20\">the sheriff’s office said\u003c/a>. Saget was on tour and had done a show near Jacksonville a day earlier.\u003c/p>\n\u003cp>Saget was a prominent presence on American television screens throughout the 1990s as the host of \u003cem>America’s Funniest Home Videos\u003c/em>, and the father Danny Tanner on \u003cem>Full House\u003c/em>, which was set in San Francisco.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/TJsPgsYbFDg'\n title='//www.youtube.com/embed/TJsPgsYbFDg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He was also the narrator on the show \u003cem>How I Met Your Mother\u003c/em> from 2005 to 2014 and reprised the Danny Tanner role on the Netflix reboot \u003cem>Fuller House\u003c/em> between 2016 and 2020. And Saget often played himself or parodies of himself in one-time or recurring roles in TV shows and movies.\u003c/p>\n\u003cp>Tributes poured in on social media from Saget’s co-stars and friends.\u003c/p>\n\u003cp>“I am broken. I am gutted. I am in complete and utter shock. I will never ever have another friend like him. I love you so much Bobby,” \u003ca href=\"https://twitter.com/JohnStamos/status/1480354937267576833?s=20\">wrote\u003c/a> John Stamos, a \u003cem>Full House\u003c/em> co-star.\u003c/p>\n\u003cp>TV producer Norman Lear \u003ca href=\"https://twitter.com/TheNormanLear/status/1480349081847304192?s=20\">said\u003c/a> Saget was a close friend who “was as lovely a human as he was funny. And to my mind, he was hilarious.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "pop_50688",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“I don’t even know what to say about Bob Saget. I loved him and was so lucky to work with someone so funny, soulful and kind,” \u003ca href=\"https://twitter.com/HimymCraig/status/1480347068006817795?s=20\">said\u003c/a> \u003cem>How I Met Your Mother\u003c/em> co-creator Craig Thomas.\u003c/p>\n\u003cp>Saget also had credits as a director, with his most notable being the cult favorite movie \u003cem>Dirty Work\u003c/em> from 1998 with \u003ca href=\"https://www.npr.org/2021/09/14/1037069333/norm-macdonald-dead-snl-comedian\">Norm Macdonald\u003c/a>.\u003c/p>\n\u003cp>Saget was a stand-up comedian as well, having started at age 17, he wrote in his \u003ca href=\"https://www.google.com/books/edition/Dirty_Daddy/AfpNAgAAQBAJ?hl=en&gbpv=1&pg=PT6&printsec=frontcover\">2014 memoir \u003cem>Dirty Daddy\u003c/em>\u003c/a>\u003cem>. \u003c/em>His jokes were known to be dirty — a marked contrast to his \u003cem>Full House\u003c/em> character’s loving and wholesome father persona.\u003c/p>\n\u003cp>“In my career I’ve had the fortune of being able to work continually in radically diverse creative worlds,” he wrote. “By day I’ve done some of the most family-friendly TV imaginable. Then, often in the same day, I’ve gone onstage in the L.A. comedy clubs and whirled off with an adolescent’s delight about my grandma’s projectile diarrhea.”\u003c/p>\n\u003cp>Saget’s 2014 comedy album \u003cem>That’s What I’m Talkin’ About\u003c/em> was nominated for a Grammy.\u003c/p>\n\u003cp>Saget \u003ca href=\"https://magazine.medlineplus.gov/article/dont-give-up-hope\">also advocated for\u003c/a> people facing scleroderma, a chronic autoimmune disease. His sister, Gay Saget, died of the disease in her 40s.\u003c/p>\n\u003cp>In his memoir, Saget said jokes have helped him deal with tragedy. And he offered what could have been his own parting words in the book’s introduction.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The goal of living a full life is so, at its end, you’ll have learned some things along the journey,” he wrote. “I’m nowhere near the end yet, but I’ve already had some incredible experiences. I’ve met and worked with some amazing people, I’ve lived, I’ve loved, I’ve cried … and through it all, I did it my way.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2022 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener noreferrer\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Actor+and+comedian+Bob+Saget+dies+at+65&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13907874/actor-and-comedian-bob-saget-dies-at-65",
"authors": [
"byline_arts_13907874"
],
"categories": [
"arts_1",
"arts_968",
"arts_235",
"arts_75",
"arts_1564",
"arts_990"
],
"tags": [
"arts_10278",
"arts_1091"
],
"featImg": "arts_13907875",
"label": "arts"
},
"arts_13907776": {
"type": "posts",
"id": "arts_13907776",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13907776",
"score": null,
"sort": [
1641497723000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1641497723,
"format": "standard",
"title": "Elizabeth Holmes, Convicted of Fraud, is More Fascinating Than Ever",
"headTitle": "Elizabeth Holmes, Convicted of Fraud, is More Fascinating Than Ever | KQED",
"content": "\u003cp>Perhaps it’s only right for a story about a convicted criminal to start with a confession.\u003c/p>\n\u003cp>The following is a partial list of the media I have consumed on the topic of Elizabeth Holmes (no relation), recently convicted of four fraud-related charges for lying to investors in her company, Theranos.\u003c/p>\n\u003cul>\n\u003cli>The John Carreyrou book \u003ca href=\"https://www.goodreads.com/book/show/37976541-bad-blood\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Bad Blood: Secrets and Lies in a Silicon Valley Startup\u003c/em>\u003c/a>\u003c/li>\n\u003cli>The John Carreyrou podcast \u003ca href=\"https://www.threeuncannyfour.com/show/bad-blood/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Bad Blood: The Final Chapter\u003c/em>\u003c/a>\u003c/li>\n\u003cli>The ABC podcast \u003ca href=\"https://abcnews.go.com/Business/nightline-documentary-podcast-dropout-story-elizabeth-holmes-theranos/story?id=60365362\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Dropout\u003c/em>\u003c/a>\u003c/li>\n\u003cli>The Alex Gibney documentary \u003ca href=\"https://www.imdb.com/title/tt8488126/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Inventor: Out for Blood in Silicon Valley\u003c/em>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>I have listened to the Carreyrou book on audio — twice. I have watched the Gibney documentary, I believe, three times. If Theranos Fever is a disease, I am the patient who kept going back and putting my mouth directly on the water fountain, no matter how many times they tell me to stop, making myself sick all over again.\u003c/p>\n\u003ch3>The draw of the scam\u003c/h3>\n\u003cp>[aside postid='arts_13148571']Part of this, I admit, is rooted in a more general weakness for stories about brazen grabs for other people’s money, particularly people who have a lot of it. People who have enough money that they buy \u003cem>Magic Beans: The Painting\u003c/em>, \u003cem>Magic Beans: The Stock\u003c/em>, \u003cem>Magic Beans: The Experience\u003c/em>. There were two documentaries in 2019 about the ill-fated Fyre Festival, and I watched both. I would have watched three. (Who am I kidding? I would have watched ten. That iconic and possibly apocryphal \u003ca href=\"https://www.vice.com/en/article/mb8va8/the-full-story-of-the-legendary-fyre-festival-cheese-sandwich\" target=\"_blank\" rel=\"noopener noreferrer\">cheese sandwich\u003c/a>!) I love \u003cem>Sour Grapes\u003c/em>, about rich types who paid small fortunes for counterfeit wine, and \u003cem>Made You Look: A True Story About Fake Art\u003c/em>, about a massive bamboozle involving paintings.\u003c/p>\n\u003cp>As it related to investors, Theranos has always been, for me, a bit like \u003cem>Magic Beans: The Startup\u003c/em>: something rich people invested in because other rich people were doing it and said they should do it too. And when the magic evaporated, well, all those rich people were \u003cem>furious\u003c/em>. If you take this comparison to its logical conclusion, here’s the question: Was Elizabeth Holmes the seller, or was she, in fact, the beans? Did she make the shiny object, or was she herself the shiny object?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>If you have thus far avoided Theranos Fever, some basics: Holmes was a young Stanford dropout who wanted to be the Steve Jobs of biotech. (When she was still in college, she had this idea that you could put a patch on your arm that would detect your medical problem \u003cem>and \u003c/em>administer your medications through your skin. When I try to envision this, it’s always on George Jetson.) She carried her Jobs-iness through her adoption of a black-turtleneck uniform, her hiring of people who came from Apple, and her apparent conviction that a slick-looking interface was the lever you pulled to make money come out.\u003c/p>\n\u003cp>Later, she began to follow her dream of making a machine that could run hundreds of medical tests on a couple of drops of blood from pricking your finger. She raised a fortune from investors, got on the \u003ca href=\"https://fortune.com/2014/06/12/theranos-blood-holmes/\" target=\"_blank\" rel=\"noopener noreferrer\">cover of \u003cem>Fortune\u003c/em>\u003c/a>, hobnobbed with political and financial mucky-mucks of many stripes, was hailed as the rare woman to break through the very male world of Silicon Valley startup founders, and then \u003ca href=\"https://www.npr.org/2022/01/03/1063973490/elizabeth-holmes-trial-verdict-guilty-theranos\" target=\"_blank\" rel=\"noopener noreferrer\">saw it all go to pieces\u003c/a> when it turned out that the machines didn’t work the way she hoped and she, according to the charges on which she was just convicted, didn’t tell her investors the truth.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wtDaP18OGfw\u003c/p>\n\u003cp>Elizabeth Holmes belongs to a robust cohort of startup founders who have seen their reputations tank. (WeWork’s ousted Adam Neumann \u003ca href=\"https://www.cnbc.com/2021/11/09/ousted-wework-ceo-adam-neumann-47-billion-valuation-went-to-his-head.html\" target=\"_blank\" rel=\"noopener noreferrer\">saying a $47 billion valuation\u003c/a> might just have warped his perspective is \u003cem>amazing\u003c/em>.) But there’s something about the brazenness with which she operated that makes her mesmerizing to me. You can keep your high-level financial maneuvers and your sophisticated document manipulations: according to Carreyrou’s reporting and some of the \u003ca href=\"https://arstechnica.com/tech-policy/2021/10/theranos-devices-ran-demo-apps-that-blocked-error-messages-during-investor-pitches/\" target=\"_blank\" rel=\"noopener noreferrer\">trial testimony\u003c/a>, Theranos got around demands for demonstrations of its machines with painfully obvious dodges—moves about as complicated as making beeping noises with your mouth to make a toddler think you’re a robot.\u003c/p>\n\u003ch3>Self-made, indeed\u003c/h3>\n\u003cp>I keep asking myself: How did \u003cem>any \u003c/em>of this work? On \u003cem>anybody\u003c/em>? How did she have two former Secretaries of State on her board (Henry Kissinger and George Schultz), both over 90 years old, and wiggle around the doubts about her motives that one would think decades of experience in diplomacy would instill? How did a company like Walgreens, which undoubtedly wouldn’t change the length of the tail on the “W” logo without being certain that they understood every last possible consequence, \u003ca href=\"https://www.washingtonpost.com/technology/2021/10/13/theranos-walgreens-holmes/\" target=\"_blank\" rel=\"noopener noreferrer\">spend $140 million\u003c/a> on a doomed deal with Theranos?\u003c/p>\n\u003cp>Maybe it was her capacity for invention after all—not invention of the machine, but invention of herself.\u003c/p>\n\u003cp>[aside postid='science_1978159']Consider this: Elizabeth Holmes was touted at one point as the \u003ca href=\"https://www.forbes.com/profile/elizabeth-holmes/?sh=3ceea43147a7\" target=\"_blank\" rel=\"noopener noreferrer\">youngest-ever woman self-made billionaire\u003c/a>, but \u003cem>Forbes\u003c/em> revised her net worth from billions to zero in a single year. And it wasn’t because she gave all that money away or spent it on candy and magazines. It just no longer existed.\u003c/p>\n\u003cp>It’s almost charming, the \u003cem>verve \u003c/em>of this particular kind of operator, right? Imagine I walked up to you with my hand held behind my back, and I told you I had a unicorn horn of potentially unlimited value. Imagine I offered you a one percent interest in my unicorn horn, which you have not seen yet, for $10,000. And imagine you believed me. You paid me the money.\u003c/p>\n\u003cp>On the one hand, I only have $10,000. But on the other, I own a unicorn horn that has been valued by the market at one million dollars. \u003cem>I am a self-made millionaire.\u003c/em> You may have never even seen the unicorn horn, but I have the proof of its worth. Your belief in me has defined me! \u003cem>How impressive\u003c/em>, someone might say when walking past me, \u003cem>that yesterday she was broke, and today, she is a self-made millionaire! \u003c/em>\u003c/p>\n\u003cp>In this example, I do not actually have a unicorn horn, of course. And I don’t have a million dollars. But I have a \u003cem>story\u003c/em>. And Elizabeth Holmes did not have operational technology that could do hundreds of tests on a finger prick’s worth of blood, and she did not have billions of dollars. But she had a story.\u003c/p>\n\u003cfigure id=\"attachment_13907778\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907778\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-800x600.jpg\" alt=\"Elizabeth Holmes, in her trademark black turtleneck, blonde hair pulled back into a messy ponytail, leans forward to listen to someone.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Elizabeth Holmes speaks at the Fortune Global Forum in San Francisco in 2015. \u003ccite>(Jeff Chiu/AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Underestimate her at your peril\u003c/h3>\n\u003cp>We come, inevitably, to this: Most of the purveyors of magic beans who have become cultural (and sometimes criminal) legends have been men. Plenty of people before me have spent considerable time since Holmes came to power analyzing the complicated gender dynamics around her rise and fall. We know sexism is rampant in tech, in Silicon Valley, in press coverage, in everything. No one gets the chance to opt out of all relevant context. She’s sometimes argued that the treatment of her has been sexist compared to the treatment of other similarly sketchy startup founders, and it probably has been at times. Why wouldn’t it be? How couldn’t it be?\u003c/p>\n\u003cp>[aside postid='news_11900856']But the gender dynamics in the Theranos story pull in multiple directions. Skepticism—lack of faith in one’s work and ability—can be the result of bias. But maybe in this case, the many powerful men pulled into her orbit as investors or board members or public allies—or, in some cases, credulous journalists—were \u003cem>less \u003c/em>skeptical of her than they might have been if she weren’t a young woman. Maybe they just didn’t have their antennae up. When you see the way men like George Schultz acted around her, it doesn’t seem patronizing as much as just \u003cem>paternal\u003c/em>. Introducing her in 2015, \u003ca href=\"https://www.youtube.com/watch?v=CB5_68CIt_k&ab_channel=StanfordInstituteforEconomicPolicyResearch%28SIEPR%29\" target=\"_blank\" rel=\"noopener noreferrer\">Schultz said\u003c/a> his first thought when he met her was that she seemed like a friend of his granddaughter’s. He claimed that he quickly realized he’d underestimated her, and he began to rave about her accomplishments. But did he \u003cem>really\u003c/em> understand the ways he’d underestimated her?\u003c/p>\n\u003cp>What if the most important sexist misapprehension of Elizabeth Holmes was that some of her backers believed young women to be less driven, less capable, and therefore less dangerous to take at their word than young men? What if they underestimated not just her abilities, but also her ruthlessness? What if she keenly understood sexism and used it to her advantage? And what if, given the way Silicon Valley works, the way tech works, the way big money works, a woman less willing to exploit sexism would not have stood a chance?\u003c/p>\n\u003cp>Vanessa Friedman \u003ca href=\"https://www.nytimes.com/2021/12/17/style/elizabeth-holmes-trial-makeover.html\" target=\"_blank\" rel=\"noopener noreferrer\">wrote in the \u003cem>New York Times\u003c/em>\u003c/a> recently about Holmes’ image makeover before and at her trial. She described it as a transformation “from black-clad genius to besuited milquetoast.” Whatever the purpose of that change was, it’s hard to deny that the Elizabeth Holmes of her trial was a very different one from the Elizabeth you will see in any footage that was taken during the highest highs of her publicity swings. As the aforementioned Theranos enthusiast I am, I almost didn’t recognize her the first time I saw her during her trial. Different hair, different makeup, different clothes, different bearing, the abandonment of \u003cem>every \u003c/em>element of her Theranos-era style. (Except, of course, her deep voice, which I have considered mostly a distraction—if she artificially started speaking in a lower voice at some point because people didn’t take her seriously, that’s a modest and understandable manipulation.)\u003c/p>\n\u003cfigure id=\"attachment_13907781\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907781\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/GettyImages-1237525059-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-2048x1366.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Elizabeth Holmes (2nd L) walks with her partner Billy Evans (L), her mother Noel Holmes and a lawyer as they leave the Robert F. Peckham Federal Building on January 3, 2022 in San Jose. \u003ccite>(David Odisho/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This question also got a lot more prickly when Holmes testified about sexual and emotional abuse she said she suffered at the hands of Sunny Balwani, her significantly older former boyfriend and her number-two at Theranos. Raising the issue of intimate partner abuse in the context of this trial, to suggest Balwani was really the driver of the bad acts at Theranos, was \u003cem>really\u003c/em> complicated to navigate, only partly because so much of what had been reported about Elizabeth Holmes had focused on how forceful she was, how in charge.\u003c/p>\n\u003ch3>More to come\u003c/h3>\n\u003cp>Pop culture is not through with Elizabeth Holmes. Apple has a movie coming (perhaps not the connection to Apple that Holmes dreamed of) in which Jennifer Lawrence will play her. Adam McKay (\u003cem>The Big Short\u003c/em>) is directing, so it’s probably not going to be a particularly \u003cem>flattering \u003c/em>portrait. \u003ca href=\"https://www.theverge.com/2021/12/15/22838297/hulu-amanda-seyfried-elizabeth-holmes-theranos\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu has a limited series\u003c/a> coming much sooner, in March, in which Holmes is played by Amanda Seyfried. There were two podcasts, at least one big book, a big documentary … it only makes sense that there will be two high-profile fictional Elizabeths as well.\u003c/p>\n\u003cp>I know myself. I will watch both.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>https://twitter.com/U_pasana/status/1479157325797552128\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Elizabeth+Holmes%2C+convicted+of+fraud%2C+is+our+latest+seller+of+false+hope+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1913,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 23
},
"modified": 1705007347,
"excerpt": "It's possible that Holmes recognized—and then relied on—sexist notions in tech to keep the sham going for as long as she did.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "It's possible that Holmes recognized—and then relied on—sexist notions in tech to keep the sham going for as long as she did.",
"title": "Elizabeth Holmes, Convicted of Fraud, is More Fascinating Than Ever | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Elizabeth Holmes, Convicted of Fraud, is More Fascinating Than Ever",
"datePublished": "2022-01-06T11:35:23-08:00",
"dateModified": "2024-01-11T13:09:07-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "elizabeth-holmes-convicted-of-fraud-is-more-fascinating-than-ever",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1070525046&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Thu, 06 Jan 2022 09:27:01 -0500",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Thu, 06 Jan 2022 09:28:03 -0500",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2022/01/06/1070525046/elizabeth-holmes-theranos-trial-fraud?ft=nprml&f=1070525046",
"nprImageAgency": "AFP via Getty Images",
"nprStoryId": "1070525046",
"nprByline": "Linda Holmes",
"sticky": false,
"nprImageCredit": "Nick Otto",
"showOnAuthorArchivePages": "No",
"articleAge": "0",
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 06 Jan 2022 09:27:00 -0500",
"path": "/arts/13907776/elizabeth-holmes-convicted-of-fraud-is-more-fascinating-than-ever",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Perhaps it’s only right for a story about a convicted criminal to start with a confession.\u003c/p>\n\u003cp>The following is a partial list of the media I have consumed on the topic of Elizabeth Holmes (no relation), recently convicted of four fraud-related charges for lying to investors in her company, Theranos.\u003c/p>\n\u003cul>\n\u003cli>The John Carreyrou book \u003ca href=\"https://www.goodreads.com/book/show/37976541-bad-blood\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Bad Blood: Secrets and Lies in a Silicon Valley Startup\u003c/em>\u003c/a>\u003c/li>\n\u003cli>The John Carreyrou podcast \u003ca href=\"https://www.threeuncannyfour.com/show/bad-blood/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Bad Blood: The Final Chapter\u003c/em>\u003c/a>\u003c/li>\n\u003cli>The ABC podcast \u003ca href=\"https://abcnews.go.com/Business/nightline-documentary-podcast-dropout-story-elizabeth-holmes-theranos/story?id=60365362\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Dropout\u003c/em>\u003c/a>\u003c/li>\n\u003cli>The Alex Gibney documentary \u003ca href=\"https://www.imdb.com/title/tt8488126/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Inventor: Out for Blood in Silicon Valley\u003c/em>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>I have listened to the Carreyrou book on audio — twice. I have watched the Gibney documentary, I believe, three times. If Theranos Fever is a disease, I am the patient who kept going back and putting my mouth directly on the water fountain, no matter how many times they tell me to stop, making myself sick all over again.\u003c/p>\n\u003ch3>The draw of the scam\u003c/h3>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13148571",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Part of this, I admit, is rooted in a more general weakness for stories about brazen grabs for other people’s money, particularly people who have a lot of it. People who have enough money that they buy \u003cem>Magic Beans: The Painting\u003c/em>, \u003cem>Magic Beans: The Stock\u003c/em>, \u003cem>Magic Beans: The Experience\u003c/em>. There were two documentaries in 2019 about the ill-fated Fyre Festival, and I watched both. I would have watched three. (Who am I kidding? I would have watched ten. That iconic and possibly apocryphal \u003ca href=\"https://www.vice.com/en/article/mb8va8/the-full-story-of-the-legendary-fyre-festival-cheese-sandwich\" target=\"_blank\" rel=\"noopener noreferrer\">cheese sandwich\u003c/a>!) I love \u003cem>Sour Grapes\u003c/em>, about rich types who paid small fortunes for counterfeit wine, and \u003cem>Made You Look: A True Story About Fake Art\u003c/em>, about a massive bamboozle involving paintings.\u003c/p>\n\u003cp>As it related to investors, Theranos has always been, for me, a bit like \u003cem>Magic Beans: The Startup\u003c/em>: something rich people invested in because other rich people were doing it and said they should do it too. And when the magic evaporated, well, all those rich people were \u003cem>furious\u003c/em>. If you take this comparison to its logical conclusion, here’s the question: Was Elizabeth Holmes the seller, or was she, in fact, the beans? Did she make the shiny object, or was she herself the shiny object?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If you have thus far avoided Theranos Fever, some basics: Holmes was a young Stanford dropout who wanted to be the Steve Jobs of biotech. (When she was still in college, she had this idea that you could put a patch on your arm that would detect your medical problem \u003cem>and \u003c/em>administer your medications through your skin. When I try to envision this, it’s always on George Jetson.) She carried her Jobs-iness through her adoption of a black-turtleneck uniform, her hiring of people who came from Apple, and her apparent conviction that a slick-looking interface was the lever you pulled to make money come out.\u003c/p>\n\u003cp>Later, she began to follow her dream of making a machine that could run hundreds of medical tests on a couple of drops of blood from pricking your finger. She raised a fortune from investors, got on the \u003ca href=\"https://fortune.com/2014/06/12/theranos-blood-holmes/\" target=\"_blank\" rel=\"noopener noreferrer\">cover of \u003cem>Fortune\u003c/em>\u003c/a>, hobnobbed with political and financial mucky-mucks of many stripes, was hailed as the rare woman to break through the very male world of Silicon Valley startup founders, and then \u003ca href=\"https://www.npr.org/2022/01/03/1063973490/elizabeth-holmes-trial-verdict-guilty-theranos\" target=\"_blank\" rel=\"noopener noreferrer\">saw it all go to pieces\u003c/a> when it turned out that the machines didn’t work the way she hoped and she, according to the charges on which she was just convicted, didn’t tell her investors the truth.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wtDaP18OGfw'\n title='//www.youtube.com/embed/wtDaP18OGfw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Elizabeth Holmes belongs to a robust cohort of startup founders who have seen their reputations tank. (WeWork’s ousted Adam Neumann \u003ca href=\"https://www.cnbc.com/2021/11/09/ousted-wework-ceo-adam-neumann-47-billion-valuation-went-to-his-head.html\" target=\"_blank\" rel=\"noopener noreferrer\">saying a $47 billion valuation\u003c/a> might just have warped his perspective is \u003cem>amazing\u003c/em>.) But there’s something about the brazenness with which she operated that makes her mesmerizing to me. You can keep your high-level financial maneuvers and your sophisticated document manipulations: according to Carreyrou’s reporting and some of the \u003ca href=\"https://arstechnica.com/tech-policy/2021/10/theranos-devices-ran-demo-apps-that-blocked-error-messages-during-investor-pitches/\" target=\"_blank\" rel=\"noopener noreferrer\">trial testimony\u003c/a>, Theranos got around demands for demonstrations of its machines with painfully obvious dodges—moves about as complicated as making beeping noises with your mouth to make a toddler think you’re a robot.\u003c/p>\n\u003ch3>Self-made, indeed\u003c/h3>\n\u003cp>I keep asking myself: How did \u003cem>any \u003c/em>of this work? On \u003cem>anybody\u003c/em>? How did she have two former Secretaries of State on her board (Henry Kissinger and George Schultz), both over 90 years old, and wiggle around the doubts about her motives that one would think decades of experience in diplomacy would instill? How did a company like Walgreens, which undoubtedly wouldn’t change the length of the tail on the “W” logo without being certain that they understood every last possible consequence, \u003ca href=\"https://www.washingtonpost.com/technology/2021/10/13/theranos-walgreens-holmes/\" target=\"_blank\" rel=\"noopener noreferrer\">spend $140 million\u003c/a> on a doomed deal with Theranos?\u003c/p>\n\u003cp>Maybe it was her capacity for invention after all—not invention of the machine, but invention of herself.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "science_1978159",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Consider this: Elizabeth Holmes was touted at one point as the \u003ca href=\"https://www.forbes.com/profile/elizabeth-holmes/?sh=3ceea43147a7\" target=\"_blank\" rel=\"noopener noreferrer\">youngest-ever woman self-made billionaire\u003c/a>, but \u003cem>Forbes\u003c/em> revised her net worth from billions to zero in a single year. And it wasn’t because she gave all that money away or spent it on candy and magazines. It just no longer existed.\u003c/p>\n\u003cp>It’s almost charming, the \u003cem>verve \u003c/em>of this particular kind of operator, right? Imagine I walked up to you with my hand held behind my back, and I told you I had a unicorn horn of potentially unlimited value. Imagine I offered you a one percent interest in my unicorn horn, which you have not seen yet, for $10,000. And imagine you believed me. You paid me the money.\u003c/p>\n\u003cp>On the one hand, I only have $10,000. But on the other, I own a unicorn horn that has been valued by the market at one million dollars. \u003cem>I am a self-made millionaire.\u003c/em> You may have never even seen the unicorn horn, but I have the proof of its worth. Your belief in me has defined me! \u003cem>How impressive\u003c/em>, someone might say when walking past me, \u003cem>that yesterday she was broke, and today, she is a self-made millionaire! \u003c/em>\u003c/p>\n\u003cp>In this example, I do not actually have a unicorn horn, of course. And I don’t have a million dollars. But I have a \u003cem>story\u003c/em>. And Elizabeth Holmes did not have operational technology that could do hundreds of tests on a finger prick’s worth of blood, and she did not have billions of dollars. But she had a story.\u003c/p>\n\u003cfigure id=\"attachment_13907778\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907778\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-800x600.jpg\" alt=\"Elizabeth Holmes, in her trademark black turtleneck, blonde hair pulled back into a messy ponytail, leans forward to listen to someone.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Elizabeth Holmes speaks at the Fortune Global Forum in San Francisco in 2015. \u003ccite>(Jeff Chiu/AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Underestimate her at your peril\u003c/h3>\n\u003cp>We come, inevitably, to this: Most of the purveyors of magic beans who have become cultural (and sometimes criminal) legends have been men. Plenty of people before me have spent considerable time since Holmes came to power analyzing the complicated gender dynamics around her rise and fall. We know sexism is rampant in tech, in Silicon Valley, in press coverage, in everything. No one gets the chance to opt out of all relevant context. She’s sometimes argued that the treatment of her has been sexist compared to the treatment of other similarly sketchy startup founders, and it probably has been at times. Why wouldn’t it be? How couldn’t it be?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "news_11900856",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>But the gender dynamics in the Theranos story pull in multiple directions. Skepticism—lack of faith in one’s work and ability—can be the result of bias. But maybe in this case, the many powerful men pulled into her orbit as investors or board members or public allies—or, in some cases, credulous journalists—were \u003cem>less \u003c/em>skeptical of her than they might have been if she weren’t a young woman. Maybe they just didn’t have their antennae up. When you see the way men like George Schultz acted around her, it doesn’t seem patronizing as much as just \u003cem>paternal\u003c/em>. Introducing her in 2015, \u003ca href=\"https://www.youtube.com/watch?v=CB5_68CIt_k&ab_channel=StanfordInstituteforEconomicPolicyResearch%28SIEPR%29\" target=\"_blank\" rel=\"noopener noreferrer\">Schultz said\u003c/a> his first thought when he met her was that she seemed like a friend of his granddaughter’s. He claimed that he quickly realized he’d underestimated her, and he began to rave about her accomplishments. But did he \u003cem>really\u003c/em> understand the ways he’d underestimated her?\u003c/p>\n\u003cp>What if the most important sexist misapprehension of Elizabeth Holmes was that some of her backers believed young women to be less driven, less capable, and therefore less dangerous to take at their word than young men? What if they underestimated not just her abilities, but also her ruthlessness? What if she keenly understood sexism and used it to her advantage? And what if, given the way Silicon Valley works, the way tech works, the way big money works, a woman less willing to exploit sexism would not have stood a chance?\u003c/p>\n\u003cp>Vanessa Friedman \u003ca href=\"https://www.nytimes.com/2021/12/17/style/elizabeth-holmes-trial-makeover.html\" target=\"_blank\" rel=\"noopener noreferrer\">wrote in the \u003cem>New York Times\u003c/em>\u003c/a> recently about Holmes’ image makeover before and at her trial. She described it as a transformation “from black-clad genius to besuited milquetoast.” Whatever the purpose of that change was, it’s hard to deny that the Elizabeth Holmes of her trial was a very different one from the Elizabeth you will see in any footage that was taken during the highest highs of her publicity swings. As the aforementioned Theranos enthusiast I am, I almost didn’t recognize her the first time I saw her during her trial. Different hair, different makeup, different clothes, different bearing, the abandonment of \u003cem>every \u003c/em>element of her Theranos-era style. (Except, of course, her deep voice, which I have considered mostly a distraction—if she artificially started speaking in a lower voice at some point because people didn’t take her seriously, that’s a modest and understandable manipulation.)\u003c/p>\n\u003cfigure id=\"attachment_13907781\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907781\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/GettyImages-1237525059-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-2048x1366.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Elizabeth Holmes (2nd L) walks with her partner Billy Evans (L), her mother Noel Holmes and a lawyer as they leave the Robert F. Peckham Federal Building on January 3, 2022 in San Jose. \u003ccite>(David Odisho/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This question also got a lot more prickly when Holmes testified about sexual and emotional abuse she said she suffered at the hands of Sunny Balwani, her significantly older former boyfriend and her number-two at Theranos. Raising the issue of intimate partner abuse in the context of this trial, to suggest Balwani was really the driver of the bad acts at Theranos, was \u003cem>really\u003c/em> complicated to navigate, only partly because so much of what had been reported about Elizabeth Holmes had focused on how forceful she was, how in charge.\u003c/p>\n\u003ch3>More to come\u003c/h3>\n\u003cp>Pop culture is not through with Elizabeth Holmes. Apple has a movie coming (perhaps not the connection to Apple that Holmes dreamed of) in which Jennifer Lawrence will play her. Adam McKay (\u003cem>The Big Short\u003c/em>) is directing, so it’s probably not going to be a particularly \u003cem>flattering \u003c/em>portrait. \u003ca href=\"https://www.theverge.com/2021/12/15/22838297/hulu-amanda-seyfried-elizabeth-holmes-theranos\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu has a limited series\u003c/a> coming much sooner, in March, in which Holmes is played by Amanda Seyfried. There were two podcasts, at least one big book, a big documentary … it only makes sense that there will be two high-profile fictional Elizabeths as well.\u003c/p>\n\u003cp>I know myself. I will watch both.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1479157325797552128"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Elizabeth+Holmes%2C+convicted+of+fraud%2C+is+our+latest+seller+of+false+hope+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13907776/elizabeth-holmes-convicted-of-fraud-is-more-fascinating-than-ever",
"authors": [
"byline_arts_13907776"
],
"categories": [
"arts_1",
"arts_2303",
"arts_75"
],
"tags": [
"arts_2767",
"arts_977",
"arts_5234",
"arts_3001",
"arts_1935"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13907777",
"label": "arts_137"
},
"arts_13907753": {
"type": "posts",
"id": "arts_13907753",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13907753",
"score": null,
"sort": [
1641417347000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1641417347,
"format": "standard",
"title": "'The Book of Boba Fett' Adds an Impressive Chapter to the 'Star Wars' Saga",
"headTitle": "‘The Book of Boba Fett’ Adds an Impressive Chapter to the ‘Star Wars’ Saga | KQED",
"content": "\u003cp>In one of the final episodes of the brilliant AMC drama series \u003ca href=\"https://www.npr.org/2011/10/10/141078543/breaking-bad-horror-leave-viewers-wanting-more\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Breaking Bad\u003c/em>\u003c/a>\u003cem>, \u003c/em>a supporting character named Saul Goodman, a shifty lawyer played by \u003ca href=\"https://www.npr.org/2013/08/06/209222363/bob-odenkirk-brings-some-laughs-to-breaking-bad\" target=\"_blank\" rel=\"noopener noreferrer\">Bob Odenkirk\u003c/a>, reveals his secret plan for survival. He’ll adopt a new identity, and, in the best case, if things work out, manage a Cinnabon in Omaha. And that’s exactly what happened, at the start of an equally wonderful spinoff series, \u003ca href=\"https://www.npr.org/2015/02/04/383785664/better-call-saul-the-prequel-to-breaking-bad-is-as-good-as-the-first\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Better Call Saul\u003c/em>\u003c/a>\u003cem>, \u003c/em>which took this peripheral character and made him the star of his own show.\u003c/p>\n\u003cp>[aside postid='pop_12821']That’s what Jon Favreau, the creator of \u003cem>The Book of Boba Fett\u003c/em>, is doing with this new Disney+ fantasy series. Favreau directed the first \u003cem>Iron Man \u003c/em>movie, the one that established the modern Marvel superhero universe. He also created \u003ca href=\"https://www.npr.org/2020/10/30/929505050/return-of-the-mandalorian-and-baby-yoda\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Mandalorian\u003c/em>\u003c/a>\u003cem>, \u003c/em>so he’s already worked that same magic for the \u003ca href=\"https://www.npr.org/tags/126926701/star-wars\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Star Wars\u003c/em>\u003c/a> universe as well. And with his new \u003cem>Boba Fett\u003c/em> spinoff, he does it again, impressively.\u003c/p>\n\u003cp>You can get way, way deep into the weeds describing and dissecting this \u003cem>Star Wars \u003c/em>stuff—after all, there’s close to 50 years of onscreen history—but I’ll try not to. All you need to know, really, is that Boba Fett is a bounty hunter who first showed up in \u003cem>The Empire Strikes Back, \u003c/em>and appeared to die in the next film, \u003cem>Return of the Jedi. \u003c/em>Decades later, in a series of\u003cem> Star Wars\u003c/em> movie prequels, Boba Fett’s father was introduced, played by Temuera Morrison.\u003c/p>\n\u003cp>On TV, Morrison now plays the role of the son, Boba Fett—first in \u003cem>The Mandalorian, \u003c/em>and also in this new series. In \u003cem>The Mandalorian\u003c/em>, Boba and his fellow bounty hunter, Fennec, helped rescue Baby Yoda from its evil captors—and reappeared, in a teaser clip at the end of last season, to kill another \u003cem>Star Wars \u003c/em>villain, a descendant of Jabba the Hut. I know, that seems pretty deep into the weeds already, but stay with me. These are the building blocks for \u003cem>The Book of Boba Fett.\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=rOJ1cw6mohw\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The premiere episode was the only one shown to critics, but it’s a good one. It’s written by Favreau, and is one of three episodes directed by Robert Rodriguez, who’s really comfortable with action, humor and special effects. \u003cem>The Book of Boba Fett\u003c/em> is loaded with all three. It explains, in flashbacks, how Boba escaped death long ago—and also picks up the current story line, with Boba and Fennec trying to rule the city after killing its ruthless dictator.\u003c/p>\n\u003cp>Boba hopes to establish a more benevolent rule—but his partner Fennec has other ideas. She’s played by Ming-Na Wen, who played one martial-arts expert in the ABC series \u003cem>Marvel’s Agents of S.H.I.E.L.D.\u003c/em>, and portrays an even tougher character here.\u003c/p>\n\u003cp>[aside postid='pop_83529']The biggest name in \u003cem>The Book of Boba Fett,\u003c/em> so far, is guest star Jennifer Beals, who makes a small appearance in the premiere episode. But it’s the story, and the way it’s told, that really propels the series. The first 10 minutes contain no dialogue, which is a bold move, but it works. The characters are well-defined, the action is exciting and the special effects are as good as in any S\u003cem>tar Wars \u003c/em>movie. When Boba Fett squares off against a giant, six-limbed lizard creature, that battle scene is better than anything in any \u003ca href=\"https://www.npr.org/2021/03/29/982277005/godzilla-vs-kong-is-a-flawed-monster-movie-mashup\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Godzilla \u003c/em>\u003c/a>movie, old or new.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The music by \u003ca href=\"https://www.npr.org/2019/02/23/697124438/how-ludwig-g-ransson-helped-orchestrate-americas-conversation-on-race-in-2018\" target=\"_blank\" rel=\"noopener noreferrer\">Ludwig Göransson\u003c/a>, who also provides music for \u003cem>The Mandalorian,\u003c/em> is majestically weird—an odd cross between a \u003ca href=\"https://www.npr.org/artists/15003640/john-williams-composer\" target=\"_blank\" rel=\"noopener noreferrer\">John Williams\u003c/a> score and a spaghetti Western. Many of the same writers and directors from \u003cem>The Mandalorian\u003c/em> also are doing double duty for \u003cem>The Book of Boba Fett—\u003c/em>and in my book, that means this latest \u003cem>Star Wars\u003c/em> chapter is in really good hands.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27The+Book+of+Boba+Fett%27+adds+an+impressive+chapter+to+the+%27Star+Wars%27+saga&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 680,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705007348,
"excerpt": "Picking up where 'The Mandalorian' left off, this new fantasy series features well-defined characters and exciting action.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Picking up where 'The Mandalorian' left off, this new fantasy series features well-defined characters and exciting action.",
"title": "'The Book of Boba Fett' Adds an Impressive Chapter to the 'Star Wars' Saga | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'The Book of Boba Fett' Adds an Impressive Chapter to the 'Star Wars' Saga",
"datePublished": "2022-01-05T13:15:47-08:00",
"dateModified": "2024-01-11T13:09:08-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the-book-of-boba-fett-adds-an-impressive-chapter-to-the-star-wars-saga",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1069855604&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Mon, 03 Jan 2022 13:49:55 -0500",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Mon, 03 Jan 2022 13:50:13 -0500",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2022/01/03/1069855604/book-of-boba-fett-star-wars-review?ft=nprml&f=1069855604",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/fa/2022/01/20220103_fa_02.mp3?orgId=427869011&topicId=1163&d=434&p=13&story=1069855604&ft=nprml&f=1069855604",
"nprImageAgency": "Disney+",
"nprAudioM3u": "http://api.npr.org/m3u/11069955478-9a3891.m3u?orgId=427869011&topicId=1163&d=434&p=13&story=1069855604&ft=nprml&f=1069855604",
"nprStoryId": "1069855604",
"nprByline": "David Bianculli",
"sticky": false,
"showOnAuthorArchivePages": "No",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 03 Jan 2022 13:50:00 -0500",
"path": "/arts/13907753/the-book-of-boba-fett-adds-an-impressive-chapter-to-the-star-wars-saga",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/fa/2022/01/20220103_fa_02.mp3?orgId=427869011&topicId=1163&d=434&p=13&story=1069855604&ft=nprml&f=1069855604",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In one of the final episodes of the brilliant AMC drama series \u003ca href=\"https://www.npr.org/2011/10/10/141078543/breaking-bad-horror-leave-viewers-wanting-more\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Breaking Bad\u003c/em>\u003c/a>\u003cem>, \u003c/em>a supporting character named Saul Goodman, a shifty lawyer played by \u003ca href=\"https://www.npr.org/2013/08/06/209222363/bob-odenkirk-brings-some-laughs-to-breaking-bad\" target=\"_blank\" rel=\"noopener noreferrer\">Bob Odenkirk\u003c/a>, reveals his secret plan for survival. He’ll adopt a new identity, and, in the best case, if things work out, manage a Cinnabon in Omaha. And that’s exactly what happened, at the start of an equally wonderful spinoff series, \u003ca href=\"https://www.npr.org/2015/02/04/383785664/better-call-saul-the-prequel-to-breaking-bad-is-as-good-as-the-first\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Better Call Saul\u003c/em>\u003c/a>\u003cem>, \u003c/em>which took this peripheral character and made him the star of his own show.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "pop_12821",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>That’s what Jon Favreau, the creator of \u003cem>The Book of Boba Fett\u003c/em>, is doing with this new Disney+ fantasy series. Favreau directed the first \u003cem>Iron Man \u003c/em>movie, the one that established the modern Marvel superhero universe. He also created \u003ca href=\"https://www.npr.org/2020/10/30/929505050/return-of-the-mandalorian-and-baby-yoda\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Mandalorian\u003c/em>\u003c/a>\u003cem>, \u003c/em>so he’s already worked that same magic for the \u003ca href=\"https://www.npr.org/tags/126926701/star-wars\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Star Wars\u003c/em>\u003c/a> universe as well. And with his new \u003cem>Boba Fett\u003c/em> spinoff, he does it again, impressively.\u003c/p>\n\u003cp>You can get way, way deep into the weeds describing and dissecting this \u003cem>Star Wars \u003c/em>stuff—after all, there’s close to 50 years of onscreen history—but I’ll try not to. All you need to know, really, is that Boba Fett is a bounty hunter who first showed up in \u003cem>The Empire Strikes Back, \u003c/em>and appeared to die in the next film, \u003cem>Return of the Jedi. \u003c/em>Decades later, in a series of\u003cem> Star Wars\u003c/em> movie prequels, Boba Fett’s father was introduced, played by Temuera Morrison.\u003c/p>\n\u003cp>On TV, Morrison now plays the role of the son, Boba Fett—first in \u003cem>The Mandalorian, \u003c/em>and also in this new series. In \u003cem>The Mandalorian\u003c/em>, Boba and his fellow bounty hunter, Fennec, helped rescue Baby Yoda from its evil captors—and reappeared, in a teaser clip at the end of last season, to kill another \u003cem>Star Wars \u003c/em>villain, a descendant of Jabba the Hut. I know, that seems pretty deep into the weeds already, but stay with me. These are the building blocks for \u003cem>The Book of Boba Fett.\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/rOJ1cw6mohw'\n title='//www.youtube.com/embed/rOJ1cw6mohw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The premiere episode was the only one shown to critics, but it’s a good one. It’s written by Favreau, and is one of three episodes directed by Robert Rodriguez, who’s really comfortable with action, humor and special effects. \u003cem>The Book of Boba Fett\u003c/em> is loaded with all three. It explains, in flashbacks, how Boba escaped death long ago—and also picks up the current story line, with Boba and Fennec trying to rule the city after killing its ruthless dictator.\u003c/p>\n\u003cp>Boba hopes to establish a more benevolent rule—but his partner Fennec has other ideas. She’s played by Ming-Na Wen, who played one martial-arts expert in the ABC series \u003cem>Marvel’s Agents of S.H.I.E.L.D.\u003c/em>, and portrays an even tougher character here.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "pop_83529",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>The biggest name in \u003cem>The Book of Boba Fett,\u003c/em> so far, is guest star Jennifer Beals, who makes a small appearance in the premiere episode. But it’s the story, and the way it’s told, that really propels the series. The first 10 minutes contain no dialogue, which is a bold move, but it works. The characters are well-defined, the action is exciting and the special effects are as good as in any S\u003cem>tar Wars \u003c/em>movie. When Boba Fett squares off against a giant, six-limbed lizard creature, that battle scene is better than anything in any \u003ca href=\"https://www.npr.org/2021/03/29/982277005/godzilla-vs-kong-is-a-flawed-monster-movie-mashup\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Godzilla \u003c/em>\u003c/a>movie, old or new.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The music by \u003ca href=\"https://www.npr.org/2019/02/23/697124438/how-ludwig-g-ransson-helped-orchestrate-americas-conversation-on-race-in-2018\" target=\"_blank\" rel=\"noopener noreferrer\">Ludwig Göransson\u003c/a>, who also provides music for \u003cem>The Mandalorian,\u003c/em> is majestically weird—an odd cross between a \u003ca href=\"https://www.npr.org/artists/15003640/john-williams-composer\" target=\"_blank\" rel=\"noopener noreferrer\">John Williams\u003c/a> score and a spaghetti Western. Many of the same writers and directors from \u003cem>The Mandalorian\u003c/em> also are doing double duty for \u003cem>The Book of Boba Fett—\u003c/em>and in my book, that means this latest \u003cem>Star Wars\u003c/em> chapter is in really good hands.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27The+Book+of+Boba+Fett%27+adds+an+impressive+chapter+to+the+%27Star+Wars%27+saga&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13907753/the-book-of-boba-fett-adds-an-impressive-chapter-to-the-star-wars-saga",
"authors": [
"byline_arts_13907753"
],
"categories": [
"arts_1",
"arts_74",
"arts_75",
"arts_990"
],
"tags": [
"arts_3114",
"arts_3241",
"arts_5422"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13907754",
"label": "arts_137"
},
"arts_13907737": {
"type": "posts",
"id": "arts_13907737",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13907737",
"score": null,
"sort": [
1641407852000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1641407852,
"format": "standard",
"title": "We Are All Elmo: The Puppet's Very Relatable Feud With a Rock Just Went Viral",
"headTitle": "We Are All Elmo: The Puppet’s Very Relatable Feud With a Rock Just Went Viral | KQED",
"content": "\u003cp>Elmo losing his last nerve feels so good right now. With omicron raging and the prospect of more mass shutdowns, the beloved Muppet yelling about his pal Zoe’s pet rock—”Rocco’s just a rock!”—is downright cathartic. Thank you to Twitter user @wumbooty for sharing this video clip, which is now trending. We too have tears in our eyes from laughing.\u003c/p>\n\u003cp>https://twitter.com/wumbooty/status/1478193742075023365\u003c/p>\n\u003cp>To Sesame Workshop, this is Episode 4077 from May 3, 2004, titled “Elmo feels he’s treated unfairly by Rocco” and written by Christine Ferraro. But to us, this episode could be called “We are Elmo.”\u003c/p>\n\u003cp>This \u003cem>Sesame Street \u003c/em>episode is, of course, some kind of lesson in sharing and waiting your turn. Zoe asks if she can join Elmo’s playdate with their friend Gabi, and brings along her rock friend, Rocco. When Elmo wants to say the alphabet, Zoe says Rocco wants to jump. They compromise. When Elmo wants to go next on the tire swing, Zoe says no; it’s Rocco’s turn. But when Zoe won’t let Elmo take Rocco’s oatmeal cookie (because, hey, rocks can’t eat), Elmo can’t take it anymore. “Rocco’s a rock, Zoe. Rocco won’t know the difference.”\u003c/p>\n\u003cp>https://twitter.com/formermerc/status/1478421750669053958\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As of this writing, @wumbooty’s Tweet has over 112,000 likes and counting. “Elmo ended him when he said ‘Rocco shouldn’t talk with his mouth full’ at the end of this segment,” \u003ca href=\"https://twitter.com/Sil3nt_H/status/1478409116762529798?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">tweets\u003c/a> Helio Carrasco. “Elmo vs Rocco has been one of my favorite battles while watching SS with my kid.” User @KoolKat \u003ca href=\"https://twitter.com/Sil3nt_H/status/1478409116762529798?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">wonders\u003c/a>: “Was Elmo always like this?” And \u003ca href=\"https://twitter.com/@ShariAnnSG\" target=\"_blank\" rel=\"noopener noreferrer\">@ShariAnnSG\u003c/a>, speaking our minds: “Idk if I should’ve found this thread as funny as I did!!”\u003c/p>\n\u003cp>https://twitter.com/jonnyjukeboxx/status/1478417205956165633\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>How about we split the difference and say: We’re all pretty fed up with everything right now, and Elmo is the perfect red vessel for our frustrations.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=What%27s+making+us+smile%3F+That+time+Elmo+lost+his+cool+over+Rocco&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 375,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705007352,
"excerpt": "We're all pretty fed up with everything right now, and Elmo is the perfect red vessel for our frustrations. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "We're all pretty fed up with everything right now, and Elmo is the perfect red vessel for our frustrations. ",
"title": "We Are All Elmo: The Puppet's Very Relatable Feud With a Rock Just Went Viral | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "We Are All Elmo: The Puppet's Very Relatable Feud With a Rock Just Went Viral",
"datePublished": "2022-01-05T10:37:32-08:00",
"dateModified": "2024-01-11T13:09:12-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "we-are-all-elmo-the-puppets-very-relatable-feud-with-a-rock-just-went-viral",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1070308372&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Tue, 04 Jan 2022 18:22:25 -0500",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Tue, 04 Jan 2022 19:39:13 -0500",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2022/01/04/1070308372/elmo-sesame-street-rocco?ft=nprml&f=1070308372",
"nprImageAgency": "AP",
"nprStoryId": "1070308372",
"nprByline": "Elizabeth Blair",
"sticky": false,
"nprImageCredit": "Victoria Will",
"showOnAuthorArchivePages": "No",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 04 Jan 2022 19:39:00 -0500",
"path": "/arts/13907737/we-are-all-elmo-the-puppets-very-relatable-feud-with-a-rock-just-went-viral",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Elmo losing his last nerve feels so good right now. With omicron raging and the prospect of more mass shutdowns, the beloved Muppet yelling about his pal Zoe’s pet rock—”Rocco’s just a rock!”—is downright cathartic. Thank you to Twitter user @wumbooty for sharing this video clip, which is now trending. We too have tears in our eyes from laughing.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1478193742075023365"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>To Sesame Workshop, this is Episode 4077 from May 3, 2004, titled “Elmo feels he’s treated unfairly by Rocco” and written by Christine Ferraro. But to us, this episode could be called “We are Elmo.”\u003c/p>\n\u003cp>This \u003cem>Sesame Street \u003c/em>episode is, of course, some kind of lesson in sharing and waiting your turn. Zoe asks if she can join Elmo’s playdate with their friend Gabi, and brings along her rock friend, Rocco. When Elmo wants to say the alphabet, Zoe says Rocco wants to jump. They compromise. When Elmo wants to go next on the tire swing, Zoe says no; it’s Rocco’s turn. But when Zoe won’t let Elmo take Rocco’s oatmeal cookie (because, hey, rocks can’t eat), Elmo can’t take it anymore. “Rocco’s a rock, Zoe. Rocco won’t know the difference.”\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1478421750669053958"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As of this writing, @wumbooty’s Tweet has over 112,000 likes and counting. “Elmo ended him when he said ‘Rocco shouldn’t talk with his mouth full’ at the end of this segment,” \u003ca href=\"https://twitter.com/Sil3nt_H/status/1478409116762529798?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">tweets\u003c/a> Helio Carrasco. “Elmo vs Rocco has been one of my favorite battles while watching SS with my kid.” User @KoolKat \u003ca href=\"https://twitter.com/Sil3nt_H/status/1478409116762529798?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">wonders\u003c/a>: “Was Elmo always like this?” And \u003ca href=\"https://twitter.com/@ShariAnnSG\" target=\"_blank\" rel=\"noopener noreferrer\">@ShariAnnSG\u003c/a>, speaking our minds: “Idk if I should’ve found this thread as funny as I did!!”\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1478417205956165633"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\n\u003cp>How about we split the difference and say: We’re all pretty fed up with everything right now, and Elmo is the perfect red vessel for our frustrations.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=What%27s+making+us+smile%3F+That+time+Elmo+lost+his+cool+over+Rocco&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13907737/we-are-all-elmo-the-puppets-very-relatable-feud-with-a-rock-just-went-viral",
"authors": [
"byline_arts_13907737"
],
"categories": [
"arts_1",
"arts_75",
"arts_990"
],
"tags": [
"arts_1191"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13907738",
"label": "arts_137"
},
"arts_13907681": {
"type": "posts",
"id": "arts_13907681",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13907681",
"score": null,
"sort": [
1641328189000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1641328189,
"format": "standard",
"title": "There's a Growing Constellation of Stars Selling Off Back Catalogs for Galactic Sums",
"headTitle": "There’s a Growing Constellation of Stars Selling Off Back Catalogs for Galactic Sums | KQED",
"content": "\u003cp>Cue “Changes.”\u003c/p>\n\u003cp>Warner Chappell Music has bought the publishing rights to David Bowie’s catalog of songs for what may be more than $250 million, according to some reports. The musician died almost exactly five years ago, on Jan. 10, 2016, after a diagnosis of liver cancer.\u003c/p>\n\u003cp>“This fantastic pact with the David Bowie estate opens up a universe of opportunities to take his extraordinary music into dynamic new places,” enthused WCM’s co-chair and COO, Carianne Marshall \u003ca href=\"https://www.wmg.com/news/warner-chappell-acquires-david-bowie-music-publishing-catalog-36046\" target=\"_blank\" rel=\"noopener noreferrer\">in a statement\u003c/a>. “This isn’t merely a catalog, but a living, breathing collection of timeless songs that are as powerful and resonant today as they were when they were first written.”\u003c/p>\n\u003cp>[aside postid='arts_13898899']The announcement follows a string of similar ones over the past two years; Bruce Springsteen, Paul Simon, Bob Dylan, Stevie Nicks and Neil Young are just some of the stars who have recently sold off substantial rights to their music.\u003c/p>\n\u003cp>(It should be noted: There are huge differences between royalties for songwriting and performance. Some of these deals are just for publishing, as with the Bowie deal; others also include the original recordings, known as masters.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Springsteen sold his entire back catalog—including songwriting and recordings—to Sony Music Group, according to a \u003ca href=\"https://www.sonymusic.com/sonymusic/smg-announces-acquisition-of-bruce-springsteens-music/\" target=\"_blank\" rel=\"noopener noreferrer\">Dec. 16 announcement\u003c/a>. Industry reports placed the purchase at north of $500 million.\u003c/p>\n\u003cp>Even before the official announcement of the purchase in May, Sony Music Group’s chairman, Rob Stringer, told investors he’s spent about $1.5 billion just on music acquisitions since the beginning of the year.\u003c/p>\n\u003cp>“Including rights to some of the most iconic artists of all time, such as Paul Simon,” he gloated.\u003c/p>\n\u003cfigure id=\"attachment_13907684\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907684\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bruce Springsteen onstage in New York, November 2021. \u003ccite>(Jamie McCarthy/Getty Images for SUFH)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://people.miami.edu/profile/selton@miami.edu\" target=\"_blank\" rel=\"noopener noreferrer\">Serona Elton\u003c/a> used to work with the major labels. Now she’s a professor and associate dean at the \u003ca href=\"https://www.frost.miami.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">University of Miami Frost School of Music\u003c/a>. She compares being a celebrity musician with a catalog of hits to owning property someplace like Austin, Texas. “It’s scorching hot,” she exclaims. “Hot, hot, hot!”\u003c/p>\n\u003cp>“All of a sudden the market is crazy and everyone’s paying ridiculous sums of money,” she says. “And people worry it’s a bubble. Maybe it’s the right time to sell.”\u003c/p>\n\u003cp>But we’re talking about huge musicians who are not exactly starving artists, and famously careful about creative control. Why sell off so much of their precious back catalogs?\u003c/p>\n\u003cp>“The pandemic is part of it,” explains \u003ca href=\"http://www.tatianacirisano.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Tatiana Cirisano\u003c/a>, a music analyst at \u003ca href=\"https://www.midiaresearch.com/\" target=\"_blank\" rel=\"noopener noreferrer\">MIDiA Research\u003c/a>. “Touring has been stalled for some time. It could be stalled again. ”\u003c/p>\n\u003cp>[aside postid='arts_12168401']Even Springsteen took a hit when it came to revenues from live performances and touring last year. And, Cirisano points out, these musicians’ accountants know very well that capital gains taxes may change unfavorably for people holding such assets. Moreover—to be blunt—many of these musicians are senior citizens. They’re planning their estates.\u003c/p>\n\u003cp>When \u003ca href=\"https://www.universalmusic.com/universal-music-publishing-group-acquires-bob-dylans-entire-catalog-of-songs/\" target=\"_blank\" rel=\"noopener noreferrer\">Bob Dylan sold his entire songwriting catalog\u003c/a> to Universal Music Publishing Group last year, it included music he’d written more than 50 years ago. So he’s taking a lump sum now, rather than counting on royalties from whenever “Mr. Tambourine Man” goes viral on whatever platform might be most popular in a few decades. Even younger artists like Shakira and Calvin Harris recently sold parts of their back catalogs because corporations are paying so much for them.\u003c/p>\n\u003cp>Rob Stringer of Sony Music Group told investors this spring not to worry about the price of these acquisitions. Stocks go up and down, but lucrative music rights feel safer, he noted, due to Spotify, Apple and other streaming and subscription services.\u003c/p>\n\u003cp>“The number of users of paid music streaming services went up by almost 100 million in 2020 to 443 million globally, ” he explained. “Many research analysts are projecting this figure to well exceed one billion by 2030. In the music publishing market, streaming is driving similar sustained growth. The publishing industry achieved its seventh straight year of consecutive expansion, rising 5.2 percent in 2020,” he continued.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Synergy is also the name of the game here; when Sony buys up Springsteen’s music, they can use it more easily in movies and TV made by Sony studios. Other artists on Sony labels can sample or cover his songs, and whenever a Bruce Springsteen biopic comes out, you can bet a Sony movie studio will make it.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=David+Bowie+joins+constellation+of+stars+selling+off+back+catalogs+for+galactic+sums&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 792,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 19
},
"modified": 1705007356,
"excerpt": "David Bowie, Bruce Springsteen and Stevie Nicks recently sold off their back catalogs. Why forgo creative control?",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "David Bowie, Bruce Springsteen and Stevie Nicks recently sold off their back catalogs. Why forgo creative control?",
"title": "There's a Growing Constellation of Stars Selling Off Back Catalogs for Galactic Sums | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "There's a Growing Constellation of Stars Selling Off Back Catalogs for Galactic Sums",
"datePublished": "2022-01-04T12:29:49-08:00",
"dateModified": "2024-01-11T13:09:16-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "david-bowie-joins-constellation-of-stars-selling-off-back-catalogs-for-galactic-sums",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1066388302&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Tue, 04 Jan 2022 11:23:34 -0500",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Tue, 04 Jan 2022 11:39:59 -0500",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2022/01/04/1066388302/bruce-springsteen-neil-young-songs-music-catalogs?ft=nprml&f=1066388302",
"nprImageAgency": "Getty Images",
"nprStoryId": "1066388302",
"nprByline": "Neda Ulaby",
"sticky": false,
"nprImageCredit": "Bryan Bedder",
"showOnAuthorArchivePages": "No",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 04 Jan 2022 11:39:00 -0500",
"path": "/arts/13907681/david-bowie-joins-constellation-of-stars-selling-off-back-catalogs-for-galactic-sums",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Cue “Changes.”\u003c/p>\n\u003cp>Warner Chappell Music has bought the publishing rights to David Bowie’s catalog of songs for what may be more than $250 million, according to some reports. The musician died almost exactly five years ago, on Jan. 10, 2016, after a diagnosis of liver cancer.\u003c/p>\n\u003cp>“This fantastic pact with the David Bowie estate opens up a universe of opportunities to take his extraordinary music into dynamic new places,” enthused WCM’s co-chair and COO, Carianne Marshall \u003ca href=\"https://www.wmg.com/news/warner-chappell-acquires-david-bowie-music-publishing-catalog-36046\" target=\"_blank\" rel=\"noopener noreferrer\">in a statement\u003c/a>. “This isn’t merely a catalog, but a living, breathing collection of timeless songs that are as powerful and resonant today as they were when they were first written.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13898899",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>The announcement follows a string of similar ones over the past two years; Bruce Springsteen, Paul Simon, Bob Dylan, Stevie Nicks and Neil Young are just some of the stars who have recently sold off substantial rights to their music.\u003c/p>\n\u003cp>(It should be noted: There are huge differences between royalties for songwriting and performance. Some of these deals are just for publishing, as with the Bowie deal; others also include the original recordings, known as masters.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Springsteen sold his entire back catalog—including songwriting and recordings—to Sony Music Group, according to a \u003ca href=\"https://www.sonymusic.com/sonymusic/smg-announces-acquisition-of-bruce-springsteens-music/\" target=\"_blank\" rel=\"noopener noreferrer\">Dec. 16 announcement\u003c/a>. Industry reports placed the purchase at north of $500 million.\u003c/p>\n\u003cp>Even before the official announcement of the purchase in May, Sony Music Group’s chairman, Rob Stringer, told investors he’s spent about $1.5 billion just on music acquisitions since the beginning of the year.\u003c/p>\n\u003cp>“Including rights to some of the most iconic artists of all time, such as Paul Simon,” he gloated.\u003c/p>\n\u003cfigure id=\"attachment_13907684\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907684\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/gettyimages-1352185071_slide-d75ec374d0205a842bd02f672bca8400d540b918-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bruce Springsteen onstage in New York, November 2021. \u003ccite>(Jamie McCarthy/Getty Images for SUFH)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://people.miami.edu/profile/selton@miami.edu\" target=\"_blank\" rel=\"noopener noreferrer\">Serona Elton\u003c/a> used to work with the major labels. Now she’s a professor and associate dean at the \u003ca href=\"https://www.frost.miami.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">University of Miami Frost School of Music\u003c/a>. She compares being a celebrity musician with a catalog of hits to owning property someplace like Austin, Texas. “It’s scorching hot,” she exclaims. “Hot, hot, hot!”\u003c/p>\n\u003cp>“All of a sudden the market is crazy and everyone’s paying ridiculous sums of money,” she says. “And people worry it’s a bubble. Maybe it’s the right time to sell.”\u003c/p>\n\u003cp>But we’re talking about huge musicians who are not exactly starving artists, and famously careful about creative control. Why sell off so much of their precious back catalogs?\u003c/p>\n\u003cp>“The pandemic is part of it,” explains \u003ca href=\"http://www.tatianacirisano.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Tatiana Cirisano\u003c/a>, a music analyst at \u003ca href=\"https://www.midiaresearch.com/\" target=\"_blank\" rel=\"noopener noreferrer\">MIDiA Research\u003c/a>. “Touring has been stalled for some time. It could be stalled again. ”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_12168401",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Even Springsteen took a hit when it came to revenues from live performances and touring last year. And, Cirisano points out, these musicians’ accountants know very well that capital gains taxes may change unfavorably for people holding such assets. Moreover—to be blunt—many of these musicians are senior citizens. They’re planning their estates.\u003c/p>\n\u003cp>When \u003ca href=\"https://www.universalmusic.com/universal-music-publishing-group-acquires-bob-dylans-entire-catalog-of-songs/\" target=\"_blank\" rel=\"noopener noreferrer\">Bob Dylan sold his entire songwriting catalog\u003c/a> to Universal Music Publishing Group last year, it included music he’d written more than 50 years ago. So he’s taking a lump sum now, rather than counting on royalties from whenever “Mr. Tambourine Man” goes viral on whatever platform might be most popular in a few decades. Even younger artists like Shakira and Calvin Harris recently sold parts of their back catalogs because corporations are paying so much for them.\u003c/p>\n\u003cp>Rob Stringer of Sony Music Group told investors this spring not to worry about the price of these acquisitions. Stocks go up and down, but lucrative music rights feel safer, he noted, due to Spotify, Apple and other streaming and subscription services.\u003c/p>\n\u003cp>“The number of users of paid music streaming services went up by almost 100 million in 2020 to 443 million globally, ” he explained. “Many research analysts are projecting this figure to well exceed one billion by 2030. In the music publishing market, streaming is driving similar sustained growth. The publishing industry achieved its seventh straight year of consecutive expansion, rising 5.2 percent in 2020,” he continued.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Synergy is also the name of the game here; when Sony buys up Springsteen’s music, they can use it more easily in movies and TV made by Sony studios. Other artists on Sony labels can sample or cover his songs, and whenever a Bruce Springsteen biopic comes out, you can bet a Sony movie studio will make it.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=David+Bowie+joins+constellation+of+stars+selling+off+back+catalogs+for+galactic+sums&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13907681/david-bowie-joins-constellation-of-stars-selling-off-back-catalogs-for-galactic-sums",
"authors": [
"byline_arts_13907681"
],
"categories": [
"arts_1",
"arts_69",
"arts_75"
],
"tags": [
"arts_1537",
"arts_1341",
"arts_905"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13907683",
"label": "arts_137"
},
"arts_13906683": {
"type": "posts",
"id": "arts_13906683",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13906683",
"score": null,
"sort": [
1639156176000
]
},
"guestAuthors": [],
"slug": "i-left-my-pod-for-this-your-stories-of-re-entering-the-world-in-2021",
"title": "I Left My Pod For This: Your Stories of Re-Entering the World in 2021",
"publishDate": 1639156176,
"format": "standard",
"headTitle": "I Left My Pod For This: Your Stories of Re-Entering the World in 2021 | KQED",
"labelTerm": {},
"content": "\u003cp>Looking back over the last 12 months, it’s hard to find many discernible features of 2021 that extend beyond the ongoing fight against COVID-19. The fear and unknowns of 2020 subsided with the release of vaccines—but relief was short-lived because of the emergence of the delta, and more recently, the omicron variant.\u003c/p>\n\u003cp>[aside postid='arts_13906845']Still, 2021 was undoubtedly the year that people began to emerge from their pods again, as bars, theaters and restaurants reopened (albeit with vaccine mandates and mask rules). It was the year that we cautiously found our way back to one another, tip-toeing into each other’s dining rooms, buying our first concert tickets in well over a year, and reacquainting ourselves with our beloved, long-lost bartenders.\u003c/p>\n\u003cp>For me, the greatest thrill came in October: seeing \u003ca href=\"https://www.youtube.com/watch?v=wMehItNQKAA\" target=\"_blank\" rel=\"noopener noreferrer\">Idles\u003c/a> at the Warfield. The seething and primal sounds of their albums \u003cem>Brutalism\u003c/em> and \u003cem>Joy as an Act of Resistance \u003c/em>had almost single-handedly kept me sane during the long months of shelter in place. In the pandemic, Idles became my therapy \u003cem>and\u003c/em> my meditation. So being in the same room as the band; hearing these songs live for the very first time; surrendering in a sea of raging bodies, was a surreal and supremely emotional experience. I didn’t know whether to stomp or cry—so I did both.\u003c/p>\n\u003cp>It was that experience that inspired us at KQED Arts & Culture to ask you, the readers, what it was that finally pried you out of your COVID pods and back into the world in 2021. Your responses reflected both the joys of reconnecting with people, and the trepidation of doing so mid-pandemic. Here’s what you told us.\u003c/p>\n\u003ch2>Live Music\u003c/h2>\n\u003cfigure id=\"attachment_13899160\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13899160\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/Sunami.MAIN_.jpg\" alt=\"Josef Alfonso, singer of Sunami, at the Real Bay Shit show in San Jose on June 19, 2021.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/Sunami.MAIN_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/Sunami.MAIN_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/Sunami.MAIN_-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Josef Alfonso, singer of Sunami, at the Real Bay Shit show in San Jose on June 19, 2021. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The announcement that some local music venues would require proof of vaccination is what finally pushed me and my wife out of the house. We bought tickets to see Andrew St. James, Zelma Stone and French Cassette at \u003ca href=\"https://thechapelsf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Chapel\u003c/a>. We told ourselves if we were just the least bit uncomfortable, we’d walk out. But any anxiety quickly faded once inside, and we felt reassured by Chapel staff’s gracious yet diligent enforcement of COVID-related protocols. For the most part, the audience seemed to share this sense of responsibility and there wasn’t any behavior to give us pause. We had such an incredible time, we went out to see another show at \u003ca href=\"http://www.makeoutroom.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Makeout Room\u003c/a> a week later. We’re still being uber-cautious, but have gradually expanded our activities. We’ve been inside at restaurants and bars a few times, and have more live music shows ahead of us.” — \u003cem>Mark Barbeau, San Francisco\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906688 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/Screen-Shot-2021-12-01-at-1.20.27-PM-800x1008.png\" alt=\"\" width=\"800\" height=\"1008\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Screen-Shot-2021-12-01-at-1.20.27-PM-800x1008.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Screen-Shot-2021-12-01-at-1.20.27-PM-160x202.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Screen-Shot-2021-12-01-at-1.20.27-PM-768x968.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Screen-Shot-2021-12-01-at-1.20.27-PM.png 944w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>“My partner and I attended a California Symphony performance, \u003ca href=\"https://www.smuinballet.org/events/the-christmas-ballet/\" target=\"_blank\" rel=\"noopener noreferrer\">Smuin’s Christmas Ballet\u003c/a>, and a performance of Wintertime at the Berkeley Rep. Finally! It was all terrific. It was wonderful seeing and being with folks we hadn’t seen in a while.” — \u003cem>Mark J. Powers, San Ramon\u003c/em>\u003c/p>\n\u003ch2>Dancing\u003c/h2>\n\u003cfigure id=\"attachment_13903423\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13903423\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/D7A5135.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A5135.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A5135-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A5135-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Lights On Festival on Saturday, Sept. 18, 2021. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“After 30+ years of marching in the San Francisco St. Patrick’s Day parade personally, and with four generations of my family before me having marched, there was definitely a void in 2020 when the SF parade was canceled. One year later, we knew we had to do something to share our Irish spirit and pride with the community! Wearing our green, the \u003ca href=\"https://healyirishdancers.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Healy School of Irish Dance\u003c/a> set out to march down Magnolia in Larkspur to lift the spirits of whomever was lucky enough to be out and Irish that day! It was truly a breath of fresh air to be in person and performing with our dancers. It was rejuvenating and uplifting to bring cheer to so many bystanders who enjoyed our spontaneous performances throughout our mini route.” — Alisa Belew, Larkspur\u003c/p>\n\u003cp>“During Pride weekend, I danced at some Castro nightclub surrounded by perspiring men who stripped their masks and shirts off with the same abandon. Despite my vaccination there were simply too many people in close proximity. I quickly masked up and continued wiggling on the dance floor, careful to distance myself from the laboriously breathing mouths. Since that night, I’ve avoided crowded events—save for a couple of outdoor protests. My pod fluctuates among the vaccinated who enjoy outdoor activities and quiet dinners. But the silent alarm of omicron is steadily creeping upon my senses—I’ll keep my mask on.” — \u003cem>Justin Ebrahemi, San Francisco\u003c/em>\u003c/p>\n\u003ch2>Going Back to Work\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906702 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-800x533.jpg\" alt=\"A bartender wearing black sleeveless denim jacket pours out a cocktail.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>“I was forced to go back to work because we need money to survive.” — \u003cem>Julia Brooks, Brisbane\u003c/em>\u003c/p>\n\u003cp>“I’m a bartender at \u003ca href=\"https://www.zeitgeistsf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Zeitgeist\u003c/a> and in the ‘before times,’ I do recall having to shut people down when they were sitting at the bar Facetiming hella loud. But after 2020, people seemed to be even less aware of their general surroundings. Reopening definitely had people on their phones more. I remember a few weeks [into reopening], this lady and her baby in a stroller just wandered into the beer garden. She walked right past the sign that said ‘Please wait to be seated.’ After she’d done one lap of the yard, I said ‘Excuse me! Can I help you?’ Because I thought maybe she was just looking to join someone she knew already there. She holds up her phone like, ‘Oh it’s OK, I’m just showing my followers.’ I had to step in front of her and say ‘You either have to stay as a customer and let me check you in like everyone else, or please leave and stop live streaming.’ She laughed and pointed the phone at me as she walked out. Working at a bar mid-pandemic, my zen game had to get pretty tight.” — \u003cem>Nathan McDaniel, San Francisco\u003c/em>\u003c/p>\n\u003ch2>Performing\u003c/h2>\n\u003cfigure id=\"attachment_13896010\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13896010\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench-800x566.jpg\" alt=\"\" width=\"800\" height=\"566\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench-800x566.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench-1020x722.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench-768x543.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench-1536x1087.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench-1920x1358.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lisa Ramirez stars in Oakland Theater Project’s The Waste Land. \u003ccite>(Carson French)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Getting back to performing at \u003ca href=\"https://bazaarcafe.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bazaar Cafe\u003c/a>‘s open mic once that started up again. Performing over a Zoom call is just not the same as actually being able to make eye contact with a real audience so you can gage their reaction to what you’re doing. Actual applause is also nice.” — \u003cem>\u003ca href=\"http://www.duckswithpants.com/\" target=\"_blank\" rel=\"noopener noreferrer\">E.G. Phillips\u003c/a>, San Francisco\u003c/em>\u003c/p>\n\u003cp>“It was a collage of experiences with deejaying in public again. I remember playing at the \u003ca href=\"https://www.calacademy.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Academy of Sciences\u003c/a> and getting a round of applause at the end of my set. And also being compelled to say a few words before another night of DJing, thanking everyone there. Also, there was that one weekend where people felt free—July 4th. I was in L.A. and just remember not feeling sure on what to play but getting the biggest reactions from songs I wouldn’t think would work.” — \u003cem>\u003ca href=\"https://soundcloud.com/kingmost\" target=\"_blank\" rel=\"noopener noreferrer\">King Most\u003c/a>, San Francisco\u003c/em>\u003c/p>\n\u003cp>[aside postid='arts_13893070']“Performing at Stern Grove [with \u003ca href=\"https://theseshen.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Seshen\u003c/a>] def felt like a re-emergence. That was the first time the band was back on stage in front of an audience since we played our album release party, February 2020. I remember the first time hearing the crowd cheer after the end of a song that day. Chills, and it almost brought me to tears.” — \u003cem>Kumar Butler, Oakland\u003c/em>\u003c/p>\n\u003cp>“Performing live in front of an audience at [Woodside cultural center] \u003ca href=\"https://filoli.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Filoli\u003c/a> a few weeks back. Suddenly, it felt like things were opening up again and that we’re getting back on track!” — \u003cem>James Lanman, San Francisco\u003c/em>\u003c/p>\n\u003cp>“My full-time job is singing and playing guitar in a cover band called \u003ca href=\"https://www.roxygunnproject.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Roxy Gunn Project\u003c/a>. Our very first gig back was super weird. We’d been streaming for over a year and just playing in my living room in front of a camera. All of sudden we were in front of nearly one hundred people who weren’t allowed, at that time, to dance, cheer, or sing along. They could clap if they wanted but that was it. It was quite a sight! Not to mention we had to essentially relearn how to perform for an audience again. I would be lying if I said I wasn’t winded after the first two songs.” — \u003cem>Roxy Gunn, Las Vegas\u003c/em>\u003c/p>\n\u003ch2>Still Waiting…\u003c/h2>\n\u003cfigure id=\"attachment_13878261\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13878261\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Thao.Zoom_-800x450.jpg\" alt=\"Thao and the Get Down Stay Down's new video was shot entirely on Zoom.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Thao.Zoom_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Thao.Zoom_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Thao.Zoom_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Thao.Zoom_-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Thao.Zoom_.jpg 1666w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Thao and the Get Down Stay Down’s music video for “Phenom” was shot entirely on Zoom. \u003ccite>(YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Transplant recipients like me are still in our pods. I’m 53 and I had a kidney transplant 14 years ago. Transplant drugs increase the risk for contracting illnesses—it’s possible to be hospitalized for something like food poisoning. I’ve had three full doses of the vaccine, which they hope will bring up my immune response closer to the average person’s response with two doses. Since the start of the pandemic we’ve had everything delivered. We stopped eating out completely, including no take out. We only do outdoor activities, even with vaccinated family and friends. I miss simple things like hanging out with my kid without anyone taking a C19 test, museums, open studio events, concerts, wandering the aisles of Trader Joe’s for snacks, and having coffee indoors with friends. I’ve adjusted to outdoor art events, attending online art lectures and workshops, coffee in the park, and watching live streams of our son’s performances—but I don’t know when life will shift for my little family. I’ve been doing risk assessment for 14 years since my transplant, wearing masks when needed, washing my hands all the time. But now feeling isolated and left behind by the world—feeling the threat of other people’s ignorance—is taking its toll. ‘Return to the world’ is a long ways away.” — \u003cem>Sarah Logan, East Bay\u003c/em>\u003c/p>\n\u003cp>“What are we acting like the pandemic is over?! It’s still in full swing last time I checked…” — @melancholera, Instagram\u003c/p>\n\u003ch2>Personal Commitments\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906701 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/md-duran-1VqHRwxcCCw-unsplash-800x533.jpg\" alt=\"A woman wearing a cap and gown, viewed from behind, looking onwards to her graduating classmates.\" width=\"800\" height=\"533\">\u003c/p>\n\u003cp>“The first time I was in a large crowd of people was in June of 2021 at my college graduation at the University of Oregon. Things had to be changed such as the ceremony was moved outdoors instead of inside our basketball arena like it always is. There was a mask requirement and, being college students, not a lot of people followed it. But it was still super nice to have an in-person ceremony of some sort.” — \u003cem>Ashley Ng, Danville\u003c/em>\u003c/p>\n\u003cp>“I joined a fitness center that held its classes outdoors. When we were finally able to workout indoors, it was like ‘Wow! We can be inside together!’ It felt hopeful, like things were getting better. I recently let down my guard (i.e. my mask) to eat inside my home with a good friend. Now with the new virus, I will not do that again.” — \u003cem>Julie Twichell, Berkeley\u003c/em>\u003c/p>\n\u003cp>“When I flew home to NYC to visit my family at the end of July, I was cautiously excited. Ironically, I am more nervous about my visit at end of the year, despite being boostered.” — \u003cem>Vicki Shu, Oakland\u003c/em>\u003c/p>\n\u003ch2>Getting Creative\u003c/h2>\n\u003cfigure id=\"attachment_13905969\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13905969\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/KQED_Incline_Gallery_web17_1200-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/KQED_Incline_Gallery_web17_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/KQED_Incline_Gallery_web17_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/KQED_Incline_Gallery_web17_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/KQED_Incline_Gallery_web17_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/KQED_Incline_Gallery_web17_1200.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lauren D’Amato and Isaac Vazquez Avila of Avila Rose Signs add gilding to Incline Gallery’s window in preparation for the reopening. \u003ccite>(Graham Holoch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Being an artist, seeing exhibits was the best way for me to come back into the world. After my second shot, being a senior and getting vaccinated earlier, in April I went to the \u003ca href=\"https://www.kqed.org/arts/13894558/immersive-van-gogh-review-san-francisco\" target=\"_blank\" rel=\"noopener noreferrer\">Immersive van Gogh experience\u003c/a>. Surrounded in beauty inspired two solid weeks of studio work.” — \u003cem>Denys Adida, Oakland\u003c/em>\u003c/p>\n\u003cp>“Gallery openings and artist talks!” — \u003cem>Max Blue, San Francisco\u003c/em>\u003c/p>\n\u003cp>“I wrote a book entitled, \u003cem>Travels With An Artist\u003c/em>. It is the story of my pioneer Alaskan family as well as incidents of my very exciting life as an artist, anecdotes from experiences and ending with my the way I managed COVID. The last year was hard but I hope for a better year ahead.” — \u003cem>Helen Ann Licht, Berkeley\u003c/em>\u003c/p>\n\u003ch2>Hitting the Movies\u003c/h2>\n\u003cfigure id=\"attachment_13872204\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13872204\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/GrandLake-FredDunn-800x534.jpg\" alt=\"Oakland's Grand Lake Theater as captured in "Sights of Northern California."\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/GrandLake-FredDunn-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/GrandLake-FredDunn-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/GrandLake-FredDunn-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/GrandLake-FredDunn-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/GrandLake-FredDunn.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland’s Grand Lake Theater as captured in “Sights of Northern California.” \u003ccite>(Fred Dunn / CC BY-NC 2.0)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I got to see \u003cem>Rocky Horror\u003c/em> for the first time in the theater this year! For Pride! In costume! With everything these past two years it was such a pleasure. And now a tradition—I’ve started going to the Balboa Theatre the last Saturday of each month to watch \u003ca href=\"https://bawdycaste.com/\" target=\"_blank\" rel=\"noopener noreferrer\">the Bawdy Caste\u003c/a>.” — \u003cem>Shaylyn Martos, Oakland\u003c/em>\u003c/p>\n\u003cp>[aside postid='arts_13902724']“The first time I felt some normalcy returning to the world was when I went to the movies in person to see \u003ca href=\"https://www.kqed.org/arts/13902470/shang-chi-bus-fight-chase-muni-chinatown-san-francisco\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Shang-Chi and the Legend of the Ten Rings\u003c/em>\u003c/a>. The last time that I saw a film in person was in March 2020 at the DisOrient Asian American Film Festival in Eugene, OR. I thought it was very important to support Asian representation on the big screen, since there were very few role models that looked like me on the big screen or TV when I was growing up here in the Bay Area. It was wonderful to do something together as a family outside the house.” — \u003cem>Susie Willemsz-Geeroms, San Francisco\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“I’m a big fan of seeing movies in the theater. It can make a mediocre movie into a memorable night, and it was the biggest social casualty for me during the pandemic. It was a year and six months, almost to the day, between my last pre-pandemic movie and the one that got me back in theaters. A lovely friend surprised me with a movie ticket and refreshments for my birthday this summer, and even though I was hesitant, I dove back in. It was like pulling your favorite blanket out of the closet in the fall; like melting into your favorite chair; like putting on your favorite album. Those two hours made me remember what life was like pre-pandemic. And it made me hopeful that someday we can return to normalcy.” — \u003cem>Joe Dissolvo, Baltimore\u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "COVID be damned, in 2021 we started tip-toeing back out and reacquainting ourselves with things we once took for granted.",
"status": "publish",
"parent": 0,
"modified": 1726771250,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 31,
"wordCount": 2459
},
"headData": {
"title": "I Left My Pod For This: Your Stories of Re-Entering the World in 2021 | KQED",
"description": "COVID be damned, in 2021 we started tip-toeing back out and reacquainting ourselves with things we once took for granted.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "I Left My Pod For This: Your Stories of Re-Entering the World in 2021",
"datePublished": "2021-12-10T09:09:36-08:00",
"dateModified": "2024-09-19T11:40:50-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"source": "2021 recapped",
"sourceUrl": "https://www.kqed.org/arts/tag/2021-recapped",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"path": "/arts/13906683/i-left-my-pod-for-this-your-stories-of-re-entering-the-world-in-2021",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Looking back over the last 12 months, it’s hard to find many discernible features of 2021 that extend beyond the ongoing fight against COVID-19. The fear and unknowns of 2020 subsided with the release of vaccines—but relief was short-lived because of the emergence of the delta, and more recently, the omicron variant.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13906845",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Still, 2021 was undoubtedly the year that people began to emerge from their pods again, as bars, theaters and restaurants reopened (albeit with vaccine mandates and mask rules). It was the year that we cautiously found our way back to one another, tip-toeing into each other’s dining rooms, buying our first concert tickets in well over a year, and reacquainting ourselves with our beloved, long-lost bartenders.\u003c/p>\n\u003cp>For me, the greatest thrill came in October: seeing \u003ca href=\"https://www.youtube.com/watch?v=wMehItNQKAA\" target=\"_blank\" rel=\"noopener noreferrer\">Idles\u003c/a> at the Warfield. The seething and primal sounds of their albums \u003cem>Brutalism\u003c/em> and \u003cem>Joy as an Act of Resistance \u003c/em>had almost single-handedly kept me sane during the long months of shelter in place. In the pandemic, Idles became my therapy \u003cem>and\u003c/em> my meditation. So being in the same room as the band; hearing these songs live for the very first time; surrendering in a sea of raging bodies, was a surreal and supremely emotional experience. I didn’t know whether to stomp or cry—so I did both.\u003c/p>\n\u003cp>It was that experience that inspired us at KQED Arts & Culture to ask you, the readers, what it was that finally pried you out of your COVID pods and back into the world in 2021. Your responses reflected both the joys of reconnecting with people, and the trepidation of doing so mid-pandemic. Here’s what you told us.\u003c/p>\n\u003ch2>Live Music\u003c/h2>\n\u003cfigure id=\"attachment_13899160\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13899160\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/Sunami.MAIN_.jpg\" alt=\"Josef Alfonso, singer of Sunami, at the Real Bay Shit show in San Jose on June 19, 2021.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/Sunami.MAIN_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/Sunami.MAIN_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/Sunami.MAIN_-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Josef Alfonso, singer of Sunami, at the Real Bay Shit show in San Jose on June 19, 2021. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The announcement that some local music venues would require proof of vaccination is what finally pushed me and my wife out of the house. We bought tickets to see Andrew St. James, Zelma Stone and French Cassette at \u003ca href=\"https://thechapelsf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Chapel\u003c/a>. We told ourselves if we were just the least bit uncomfortable, we’d walk out. But any anxiety quickly faded once inside, and we felt reassured by Chapel staff’s gracious yet diligent enforcement of COVID-related protocols. For the most part, the audience seemed to share this sense of responsibility and there wasn’t any behavior to give us pause. We had such an incredible time, we went out to see another show at \u003ca href=\"http://www.makeoutroom.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Makeout Room\u003c/a> a week later. We’re still being uber-cautious, but have gradually expanded our activities. We’ve been inside at restaurants and bars a few times, and have more live music shows ahead of us.” — \u003cem>Mark Barbeau, San Francisco\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906688 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/Screen-Shot-2021-12-01-at-1.20.27-PM-800x1008.png\" alt=\"\" width=\"800\" height=\"1008\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Screen-Shot-2021-12-01-at-1.20.27-PM-800x1008.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Screen-Shot-2021-12-01-at-1.20.27-PM-160x202.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Screen-Shot-2021-12-01-at-1.20.27-PM-768x968.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Screen-Shot-2021-12-01-at-1.20.27-PM.png 944w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>“My partner and I attended a California Symphony performance, \u003ca href=\"https://www.smuinballet.org/events/the-christmas-ballet/\" target=\"_blank\" rel=\"noopener noreferrer\">Smuin’s Christmas Ballet\u003c/a>, and a performance of Wintertime at the Berkeley Rep. Finally! It was all terrific. It was wonderful seeing and being with folks we hadn’t seen in a while.” — \u003cem>Mark J. Powers, San Ramon\u003c/em>\u003c/p>\n\u003ch2>Dancing\u003c/h2>\n\u003cfigure id=\"attachment_13903423\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13903423\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/D7A5135.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A5135.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A5135-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/D7A5135-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Lights On Festival on Saturday, Sept. 18, 2021. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“After 30+ years of marching in the San Francisco St. Patrick’s Day parade personally, and with four generations of my family before me having marched, there was definitely a void in 2020 when the SF parade was canceled. One year later, we knew we had to do something to share our Irish spirit and pride with the community! Wearing our green, the \u003ca href=\"https://healyirishdancers.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Healy School of Irish Dance\u003c/a> set out to march down Magnolia in Larkspur to lift the spirits of whomever was lucky enough to be out and Irish that day! It was truly a breath of fresh air to be in person and performing with our dancers. It was rejuvenating and uplifting to bring cheer to so many bystanders who enjoyed our spontaneous performances throughout our mini route.” — Alisa Belew, Larkspur\u003c/p>\n\u003cp>“During Pride weekend, I danced at some Castro nightclub surrounded by perspiring men who stripped their masks and shirts off with the same abandon. Despite my vaccination there were simply too many people in close proximity. I quickly masked up and continued wiggling on the dance floor, careful to distance myself from the laboriously breathing mouths. Since that night, I’ve avoided crowded events—save for a couple of outdoor protests. My pod fluctuates among the vaccinated who enjoy outdoor activities and quiet dinners. But the silent alarm of omicron is steadily creeping upon my senses—I’ll keep my mask on.” — \u003cem>Justin Ebrahemi, San Francisco\u003c/em>\u003c/p>\n\u003ch2>Going Back to Work\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906702 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-800x533.jpg\" alt=\"A bartender wearing black sleeveless denim jacket pours out a cocktail.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/artem-pochepetsky-YIUawXx7xm0-unsplash-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>“I was forced to go back to work because we need money to survive.” — \u003cem>Julia Brooks, Brisbane\u003c/em>\u003c/p>\n\u003cp>“I’m a bartender at \u003ca href=\"https://www.zeitgeistsf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Zeitgeist\u003c/a> and in the ‘before times,’ I do recall having to shut people down when they were sitting at the bar Facetiming hella loud. But after 2020, people seemed to be even less aware of their general surroundings. Reopening definitely had people on their phones more. I remember a few weeks [into reopening], this lady and her baby in a stroller just wandered into the beer garden. She walked right past the sign that said ‘Please wait to be seated.’ After she’d done one lap of the yard, I said ‘Excuse me! Can I help you?’ Because I thought maybe she was just looking to join someone she knew already there. She holds up her phone like, ‘Oh it’s OK, I’m just showing my followers.’ I had to step in front of her and say ‘You either have to stay as a customer and let me check you in like everyone else, or please leave and stop live streaming.’ She laughed and pointed the phone at me as she walked out. Working at a bar mid-pandemic, my zen game had to get pretty tight.” — \u003cem>Nathan McDaniel, San Francisco\u003c/em>\u003c/p>\n\u003ch2>Performing\u003c/h2>\n\u003cfigure id=\"attachment_13896010\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13896010\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench-800x566.jpg\" alt=\"\" width=\"800\" height=\"566\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench-800x566.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench-1020x722.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench-768x543.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench-1536x1087.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench-1920x1358.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/04/TheWasteLand_LisaRamirez2_photocredit_CarsonFrench.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lisa Ramirez stars in Oakland Theater Project’s The Waste Land. \u003ccite>(Carson French)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Getting back to performing at \u003ca href=\"https://bazaarcafe.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Bazaar Cafe\u003c/a>‘s open mic once that started up again. Performing over a Zoom call is just not the same as actually being able to make eye contact with a real audience so you can gage their reaction to what you’re doing. Actual applause is also nice.” — \u003cem>\u003ca href=\"http://www.duckswithpants.com/\" target=\"_blank\" rel=\"noopener noreferrer\">E.G. Phillips\u003c/a>, San Francisco\u003c/em>\u003c/p>\n\u003cp>“It was a collage of experiences with deejaying in public again. I remember playing at the \u003ca href=\"https://www.calacademy.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Academy of Sciences\u003c/a> and getting a round of applause at the end of my set. And also being compelled to say a few words before another night of DJing, thanking everyone there. Also, there was that one weekend where people felt free—July 4th. I was in L.A. and just remember not feeling sure on what to play but getting the biggest reactions from songs I wouldn’t think would work.” — \u003cem>\u003ca href=\"https://soundcloud.com/kingmost\" target=\"_blank\" rel=\"noopener noreferrer\">King Most\u003c/a>, San Francisco\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13893070",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“Performing at Stern Grove [with \u003ca href=\"https://theseshen.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Seshen\u003c/a>] def felt like a re-emergence. That was the first time the band was back on stage in front of an audience since we played our album release party, February 2020. I remember the first time hearing the crowd cheer after the end of a song that day. Chills, and it almost brought me to tears.” — \u003cem>Kumar Butler, Oakland\u003c/em>\u003c/p>\n\u003cp>“Performing live in front of an audience at [Woodside cultural center] \u003ca href=\"https://filoli.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Filoli\u003c/a> a few weeks back. Suddenly, it felt like things were opening up again and that we’re getting back on track!” — \u003cem>James Lanman, San Francisco\u003c/em>\u003c/p>\n\u003cp>“My full-time job is singing and playing guitar in a cover band called \u003ca href=\"https://www.roxygunnproject.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Roxy Gunn Project\u003c/a>. Our very first gig back was super weird. We’d been streaming for over a year and just playing in my living room in front of a camera. All of sudden we were in front of nearly one hundred people who weren’t allowed, at that time, to dance, cheer, or sing along. They could clap if they wanted but that was it. It was quite a sight! Not to mention we had to essentially relearn how to perform for an audience again. I would be lying if I said I wasn’t winded after the first two songs.” — \u003cem>Roxy Gunn, Las Vegas\u003c/em>\u003c/p>\n\u003ch2>Still Waiting…\u003c/h2>\n\u003cfigure id=\"attachment_13878261\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13878261\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Thao.Zoom_-800x450.jpg\" alt=\"Thao and the Get Down Stay Down's new video was shot entirely on Zoom.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Thao.Zoom_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Thao.Zoom_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Thao.Zoom_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Thao.Zoom_-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Thao.Zoom_.jpg 1666w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Thao and the Get Down Stay Down’s music video for “Phenom” was shot entirely on Zoom. \u003ccite>(YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Transplant recipients like me are still in our pods. I’m 53 and I had a kidney transplant 14 years ago. Transplant drugs increase the risk for contracting illnesses—it’s possible to be hospitalized for something like food poisoning. I’ve had three full doses of the vaccine, which they hope will bring up my immune response closer to the average person’s response with two doses. Since the start of the pandemic we’ve had everything delivered. We stopped eating out completely, including no take out. We only do outdoor activities, even with vaccinated family and friends. I miss simple things like hanging out with my kid without anyone taking a C19 test, museums, open studio events, concerts, wandering the aisles of Trader Joe’s for snacks, and having coffee indoors with friends. I’ve adjusted to outdoor art events, attending online art lectures and workshops, coffee in the park, and watching live streams of our son’s performances—but I don’t know when life will shift for my little family. I’ve been doing risk assessment for 14 years since my transplant, wearing masks when needed, washing my hands all the time. But now feeling isolated and left behind by the world—feeling the threat of other people’s ignorance—is taking its toll. ‘Return to the world’ is a long ways away.” — \u003cem>Sarah Logan, East Bay\u003c/em>\u003c/p>\n\u003cp>“What are we acting like the pandemic is over?! It’s still in full swing last time I checked…” — @melancholera, Instagram\u003c/p>\n\u003ch2>Personal Commitments\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906701 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/md-duran-1VqHRwxcCCw-unsplash-800x533.jpg\" alt=\"A woman wearing a cap and gown, viewed from behind, looking onwards to her graduating classmates.\" width=\"800\" height=\"533\">\u003c/p>\n\u003cp>“The first time I was in a large crowd of people was in June of 2021 at my college graduation at the University of Oregon. Things had to be changed such as the ceremony was moved outdoors instead of inside our basketball arena like it always is. There was a mask requirement and, being college students, not a lot of people followed it. But it was still super nice to have an in-person ceremony of some sort.” — \u003cem>Ashley Ng, Danville\u003c/em>\u003c/p>\n\u003cp>“I joined a fitness center that held its classes outdoors. When we were finally able to workout indoors, it was like ‘Wow! We can be inside together!’ It felt hopeful, like things were getting better. I recently let down my guard (i.e. my mask) to eat inside my home with a good friend. Now with the new virus, I will not do that again.” — \u003cem>Julie Twichell, Berkeley\u003c/em>\u003c/p>\n\u003cp>“When I flew home to NYC to visit my family at the end of July, I was cautiously excited. Ironically, I am more nervous about my visit at end of the year, despite being boostered.” — \u003cem>Vicki Shu, Oakland\u003c/em>\u003c/p>\n\u003ch2>Getting Creative\u003c/h2>\n\u003cfigure id=\"attachment_13905969\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13905969\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/KQED_Incline_Gallery_web17_1200-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/KQED_Incline_Gallery_web17_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/KQED_Incline_Gallery_web17_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/KQED_Incline_Gallery_web17_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/KQED_Incline_Gallery_web17_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/KQED_Incline_Gallery_web17_1200.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lauren D’Amato and Isaac Vazquez Avila of Avila Rose Signs add gilding to Incline Gallery’s window in preparation for the reopening. \u003ccite>(Graham Holoch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Being an artist, seeing exhibits was the best way for me to come back into the world. After my second shot, being a senior and getting vaccinated earlier, in April I went to the \u003ca href=\"https://www.kqed.org/arts/13894558/immersive-van-gogh-review-san-francisco\" target=\"_blank\" rel=\"noopener noreferrer\">Immersive van Gogh experience\u003c/a>. Surrounded in beauty inspired two solid weeks of studio work.” — \u003cem>Denys Adida, Oakland\u003c/em>\u003c/p>\n\u003cp>“Gallery openings and artist talks!” — \u003cem>Max Blue, San Francisco\u003c/em>\u003c/p>\n\u003cp>“I wrote a book entitled, \u003cem>Travels With An Artist\u003c/em>. It is the story of my pioneer Alaskan family as well as incidents of my very exciting life as an artist, anecdotes from experiences and ending with my the way I managed COVID. The last year was hard but I hope for a better year ahead.” — \u003cem>Helen Ann Licht, Berkeley\u003c/em>\u003c/p>\n\u003ch2>Hitting the Movies\u003c/h2>\n\u003cfigure id=\"attachment_13872204\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13872204\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/GrandLake-FredDunn-800x534.jpg\" alt=\"Oakland's Grand Lake Theater as captured in "Sights of Northern California."\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/GrandLake-FredDunn-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/GrandLake-FredDunn-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/GrandLake-FredDunn-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/GrandLake-FredDunn-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/GrandLake-FredDunn.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland’s Grand Lake Theater as captured in “Sights of Northern California.” \u003ccite>(Fred Dunn / CC BY-NC 2.0)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I got to see \u003cem>Rocky Horror\u003c/em> for the first time in the theater this year! For Pride! In costume! With everything these past two years it was such a pleasure. And now a tradition—I’ve started going to the Balboa Theatre the last Saturday of each month to watch \u003ca href=\"https://bawdycaste.com/\" target=\"_blank\" rel=\"noopener noreferrer\">the Bawdy Caste\u003c/a>.” — \u003cem>Shaylyn Martos, Oakland\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13902724",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“The first time I felt some normalcy returning to the world was when I went to the movies in person to see \u003ca href=\"https://www.kqed.org/arts/13902470/shang-chi-bus-fight-chase-muni-chinatown-san-francisco\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Shang-Chi and the Legend of the Ten Rings\u003c/em>\u003c/a>. The last time that I saw a film in person was in March 2020 at the DisOrient Asian American Film Festival in Eugene, OR. I thought it was very important to support Asian representation on the big screen, since there were very few role models that looked like me on the big screen or TV when I was growing up here in the Bay Area. It was wonderful to do something together as a family outside the house.” — \u003cem>Susie Willemsz-Geeroms, San Francisco\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’m a big fan of seeing movies in the theater. It can make a mediocre movie into a memorable night, and it was the biggest social casualty for me during the pandemic. It was a year and six months, almost to the day, between my last pre-pandemic movie and the one that got me back in theaters. A lovely friend surprised me with a movie ticket and refreshments for my birthday this summer, and even though I was hesitant, I dove back in. It was like pulling your favorite blanket out of the closet in the fall; like melting into your favorite chair; like putting on your favorite album. Those two hours made me remember what life was like pre-pandemic. And it made me hopeful that someday we can return to normalcy.” — \u003cem>Joe Dissolvo, Baltimore\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13906683/i-left-my-pod-for-this-your-stories-of-re-entering-the-world-in-2021",
"authors": [
"11242"
],
"categories": [
"arts_1",
"arts_75"
],
"tags": [
"arts_16311",
"arts_10127",
"arts_10278",
"arts_10416"
],
"featImg": "arts_13902902",
"label": "source_arts_13906683"
},
"arts_13907124": {
"type": "posts",
"id": "arts_13907124",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13907124",
"score": null,
"sort": [
1639084709000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1639084709,
"format": "standard",
"title": "Steven Spielberg's 'West Side Story' Will Make You Believe in Movies Again",
"headTitle": "Steven Spielberg’s ‘West Side Story’ Will Make You Believe in Movies Again | KQED",
"content": "\u003cp>A lot of us had our doubts when we heard that \u003ca href=\"https://www.npr.org/tags/456833620/steven-spielberg\" target=\"_blank\" rel=\"noopener noreferrer\">Steven Spielberg \u003c/a>would be directing a new version of \u003cem>West Side Story\u003c/em>, and not just because of Hollywood remake fatigue. In the decades since it first appeared on Broadway in 1957, the \u003cem>Romeo and Juliet\u003c/em>-inspired story of two warring New York street gangs has generated more than its share of criticism, especially over the writing and the casting of its Puerto Rican characters. Even the beloved 1961 movie inspires groans now for having cast Natalie Wood in the lead role of María, and for forcing \u003ca href=\"https://www.npr.org/2021/06/07/1003905260/rita-moreno-on-west-side-story-and-becoming-the-role-model-she-needed\" target=\"_blank\" rel=\"noopener noreferrer\">Rita Moreno\u003c/a>, the only Puerto Rican in the cast, to wear dark brown makeup as Anita.\u003c/p>\n\u003cp>Sixty years later, Moreno is an executive producer on Spielberg’s \u003cem>West Side Story\u003c/em>. She also gives a poignant performance in the new role of Valentina, the widow of Doc, the drugstore owner. By her presence, Moreno teaches us how to approach this movie, as both an affectionate tribute and a gentle corrective.\u003c/p>\n\u003cp>[aside postid='arts_13898635']Spielberg and his regular screenwriter of late, the playwright \u003ca href=\"https://www.npr.org/2013/02/15/172007880/kushners-lincoln-is-strange-but-also-savvy\" target=\"_blank\" rel=\"noopener noreferrer\">Tony Kushner\u003c/a>, give us a tougher, grimier vision of the Upper West Side in the 1950s. We see the working-class neighborhood of San Juan Hill, home to mostly Black and Latino residents, being demolished to make way for new developments like Lincoln Center. There’s a heightened sense of hostility between the Puerto Rican gang known as the Sharks and their white rivals, the Jets, and their rumbles are startlingly violent.\u003c/p>\n\u003cp>Adding to the realism is the fact that the Sharks are played by actors of Latino descent. They include David Alvarez as Bernardo, the brash leader of the Sharks, and Ariana DeBose as his girlfriend, Anita. Both actors are superb, as is Rachel Zegler, making a fine screen debut as Bernardo’s little sister, María.\u003c/p>\n\u003cp>The story hasn’t changed: María falls into an ill-fated romance with Tony, a former member of the Jets, played by Ansel Elgort. Early in the film, the two meet surreptitiously on María’s fire escape, singing “Tonight,” one of the many classic \u003ca href=\"https://www.npr.org/sections/deceptivecadence/2018/08/24/641208843/the-complex-life-of-leonard-bernstein-a-once-in-a-century-talent\" target=\"_blank\" rel=\"noopener noreferrer\">Leonard Bernstein\u003c/a>–\u003ca href=\"https://www.npr.org/artists/15871266/stephen-sondheim\" target=\"_blank\" rel=\"noopener noreferrer\">Stephen Sondheim\u003c/a> songs gloriously revived in the movie.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=A5GJLwWiYSg\u003c/p>\n\u003cp>What’s remarkable about this and the other numbers is how brilliantly Spielberg directs them. \u003cem>West Side Story\u003c/em> is the first musical he’s ever made, but it’s no surprise that he’s a natural at it: Few other American filmmakers have a more instinctive sense of rhythm and visual flow, or more direct access to your emotions.\u003c/p>\n\u003cp>Spielberg stages the numbers like an old-school Hollywood classicist, with none of the overly jumpy editing that might distract from the dancing. When the Jets and the Sharks meet up at a school dance, their clashing tempers and bodies pull you in with an almost physical force. And when Anita and Bernardo sing “America,” their rousing song about the pleasures and perils of assimilation, the scene builds from a domestic squabble to a joyous party in the streets, which Spielberg shoots in a vibrant whirl of color and movement.\u003c/p>\n\u003cp>The Tony-winning choreographer Justin Peck wrings some clever variations on Jerome Robbins’ original dance moves, whether it’s the Jets wreaking havoc in a police station house during their big comic-relief number, “Gee, Officer Krupke,” or Tony and his friends tossing around a pistol during a tense performance of the song “Cool.”\u003c/p>\n\u003cp>[aside postid='pop_13021']Speaking of Tony’s friends: As Riff, the leader of the Jets, Mike Faist gives one of the movie’s standout performances. The weak link in the cast is Elgort: He can sing and dance, but there’s an emotional flatness to his acting that doesn’t quite gel with the much livelier Zegler.\u003c/p>\n\u003cp>Spielberg can’t solve everything that’s creaky and dated about \u003cem>West Side Story\u003c/em> as a text. But he knows that the show still has something resonant to say about racism and violence in any era, including ours. The reason the movie works so well stems, I think, from a curious paradox: This \u003cem>West Side Story\u003c/em> may be grittier and more realistic than the original movie, but it also feels more thrillingly old-fashioned than anything a Hollywood studio has released in ages.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>By the end, I wasn’t moved so much by Tony and María’s sweet, somewhat drippy romance or the fatalistic drama between the Jets and the Sharks. I was moved by Spielberg’s conviction, his sheer faith in the transporting power of movies. For two-and-a-half hours, he makes you a believer again.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Steven+Spielberg%27s+%27West+Side+Story%27+will+make+you+believe+in+movies+again&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 816,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 13
},
"modified": 1705007404,
"excerpt": "Few other American filmmakers have a more instinctive sense of rhythm and visual flow, or more direct access to your emotions.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Few other American filmmakers have a more instinctive sense of rhythm and visual flow, or more direct access to your emotions.",
"title": "Steven Spielberg's 'West Side Story' Will Make You Believe in Movies Again | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Steven Spielberg's 'West Side Story' Will Make You Believe in Movies Again",
"datePublished": "2021-12-09T13:18:29-08:00",
"dateModified": "2024-01-11T13:10:04-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "steven-spielbergs-west-side-story-will-make-you-believe-in-movies-again",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1062380664&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Thu, 09 Dec 2021 07:00:30 -0500",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Thu, 09 Dec 2021 07:00:30 -0500",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2021/12/09/1062380664/steven-spielbergs-west-side-story-review?ft=nprml&f=1062380664",
"nprImageAgency": "20th Century Studios",
"nprStoryId": "1062380664",
"nprByline": "Justin Chang",
"sticky": false,
"showOnAuthorArchivePages": "No",
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 09 Dec 2021 07:00:00 -0500",
"path": "/arts/13907124/steven-spielbergs-west-side-story-will-make-you-believe-in-movies-again",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A lot of us had our doubts when we heard that \u003ca href=\"https://www.npr.org/tags/456833620/steven-spielberg\" target=\"_blank\" rel=\"noopener noreferrer\">Steven Spielberg \u003c/a>would be directing a new version of \u003cem>West Side Story\u003c/em>, and not just because of Hollywood remake fatigue. In the decades since it first appeared on Broadway in 1957, the \u003cem>Romeo and Juliet\u003c/em>-inspired story of two warring New York street gangs has generated more than its share of criticism, especially over the writing and the casting of its Puerto Rican characters. Even the beloved 1961 movie inspires groans now for having cast Natalie Wood in the lead role of María, and for forcing \u003ca href=\"https://www.npr.org/2021/06/07/1003905260/rita-moreno-on-west-side-story-and-becoming-the-role-model-she-needed\" target=\"_blank\" rel=\"noopener noreferrer\">Rita Moreno\u003c/a>, the only Puerto Rican in the cast, to wear dark brown makeup as Anita.\u003c/p>\n\u003cp>Sixty years later, Moreno is an executive producer on Spielberg’s \u003cem>West Side Story\u003c/em>. She also gives a poignant performance in the new role of Valentina, the widow of Doc, the drugstore owner. By her presence, Moreno teaches us how to approach this movie, as both an affectionate tribute and a gentle corrective.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13898635",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Spielberg and his regular screenwriter of late, the playwright \u003ca href=\"https://www.npr.org/2013/02/15/172007880/kushners-lincoln-is-strange-but-also-savvy\" target=\"_blank\" rel=\"noopener noreferrer\">Tony Kushner\u003c/a>, give us a tougher, grimier vision of the Upper West Side in the 1950s. We see the working-class neighborhood of San Juan Hill, home to mostly Black and Latino residents, being demolished to make way for new developments like Lincoln Center. There’s a heightened sense of hostility between the Puerto Rican gang known as the Sharks and their white rivals, the Jets, and their rumbles are startlingly violent.\u003c/p>\n\u003cp>Adding to the realism is the fact that the Sharks are played by actors of Latino descent. They include David Alvarez as Bernardo, the brash leader of the Sharks, and Ariana DeBose as his girlfriend, Anita. Both actors are superb, as is Rachel Zegler, making a fine screen debut as Bernardo’s little sister, María.\u003c/p>\n\u003cp>The story hasn’t changed: María falls into an ill-fated romance with Tony, a former member of the Jets, played by Ansel Elgort. Early in the film, the two meet surreptitiously on María’s fire escape, singing “Tonight,” one of the many classic \u003ca href=\"https://www.npr.org/sections/deceptivecadence/2018/08/24/641208843/the-complex-life-of-leonard-bernstein-a-once-in-a-century-talent\" target=\"_blank\" rel=\"noopener noreferrer\">Leonard Bernstein\u003c/a>–\u003ca href=\"https://www.npr.org/artists/15871266/stephen-sondheim\" target=\"_blank\" rel=\"noopener noreferrer\">Stephen Sondheim\u003c/a> songs gloriously revived in the movie.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/A5GJLwWiYSg'\n title='//www.youtube.com/embed/A5GJLwWiYSg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>What’s remarkable about this and the other numbers is how brilliantly Spielberg directs them. \u003cem>West Side Story\u003c/em> is the first musical he’s ever made, but it’s no surprise that he’s a natural at it: Few other American filmmakers have a more instinctive sense of rhythm and visual flow, or more direct access to your emotions.\u003c/p>\n\u003cp>Spielberg stages the numbers like an old-school Hollywood classicist, with none of the overly jumpy editing that might distract from the dancing. When the Jets and the Sharks meet up at a school dance, their clashing tempers and bodies pull you in with an almost physical force. And when Anita and Bernardo sing “America,” their rousing song about the pleasures and perils of assimilation, the scene builds from a domestic squabble to a joyous party in the streets, which Spielberg shoots in a vibrant whirl of color and movement.\u003c/p>\n\u003cp>The Tony-winning choreographer Justin Peck wrings some clever variations on Jerome Robbins’ original dance moves, whether it’s the Jets wreaking havoc in a police station house during their big comic-relief number, “Gee, Officer Krupke,” or Tony and his friends tossing around a pistol during a tense performance of the song “Cool.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "pop_13021",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Speaking of Tony’s friends: As Riff, the leader of the Jets, Mike Faist gives one of the movie’s standout performances. The weak link in the cast is Elgort: He can sing and dance, but there’s an emotional flatness to his acting that doesn’t quite gel with the much livelier Zegler.\u003c/p>\n\u003cp>Spielberg can’t solve everything that’s creaky and dated about \u003cem>West Side Story\u003c/em> as a text. But he knows that the show still has something resonant to say about racism and violence in any era, including ours. The reason the movie works so well stems, I think, from a curious paradox: This \u003cem>West Side Story\u003c/em> may be grittier and more realistic than the original movie, but it also feels more thrillingly old-fashioned than anything a Hollywood studio has released in ages.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>By the end, I wasn’t moved so much by Tony and María’s sweet, somewhat drippy romance or the fatalistic drama between the Jets and the Sharks. I was moved by Spielberg’s conviction, his sheer faith in the transporting power of movies. For two-and-a-half hours, he makes you a believer again.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Steven+Spielberg%27s+%27West+Side+Story%27+will+make+you+believe+in+movies+again&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13907124/steven-spielbergs-west-side-story-will-make-you-believe-in-movies-again",
"authors": [
"byline_arts_13907124"
],
"categories": [
"arts_1",
"arts_74",
"arts_75"
],
"tags": [
"arts_977",
"arts_13825",
"arts_5422",
"arts_1928"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13907125",
"label": "arts_137"
},
"arts_13906796": {
"type": "posts",
"id": "arts_13906796",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13906796",
"score": null,
"sort": [
1638560875000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1638560875,
"format": "standard",
"title": "Alec Baldwin Says He's Confident He's Not at Fault in 'Rust' Shooting",
"headTitle": "Alec Baldwin Says He’s Confident He’s Not at Fault in ‘Rust’ Shooting | KQED",
"content": "\u003cp>Police haven’t even issued a final report about the shooting accident which took the life of cinematographer Halyna Hutchins on the set on the western film \u003cem>Rust. \u003c/em>But star Alec Baldwin—who held the gun which fired the deadly bullet—went on national TV Thursday to answer probing questions about a tragedy that has attracted loads of national attention.\u003c/p>\n\u003cp>It’s not something a big-name celebrity at the heart of a gigantic public controversy usually attempts. But after his measured, prime-time interview with ABC anchor George Stephanopoulos—where the actor broke down in tears several times while describing aspects of the tragedy—Baldwin emerged as a man who pushed back on criticism and told his story, without raising any new, damaging questions.\u003c/p>\n\u003cp>[aside postid='arts_13905217']\u003cem>Alec Baldwin Unscripted\u003c/em> featured an hourlong report on the accident, including a lengthy interview with the actor. He expressed remorse and regret for the incident, but remained confident he wouldn’t be charged with a crime and was not at fault.\u003c/p>\n\u003cp>“Someone is responsible for what happened, and I can’t say who that is,” Baldwin told Stephanopoulos in the interview, which was recorded in advance. “But I know it’s not me.”\u003c/p>\n\u003cp>Hutchins was killed when a Colt .45 revolver Baldwin was holding unexpectedly fired a bullet, striking her and the film’s director Joel Souza, who was injured in the shoulder. Baldwin told Stephanopoulos that he was following Hutchins’ instructions while aiming the gun, as the cinematographer was looking at a monitor, trying to figure out the best position for filming a scene.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The actor said they were running through a “marking rehearsal,” which involved him adjusting the gun’s position several times. Baldwin said he pulled back the gun’s hammer, cocking it, but insisted he never pulled the trigger.\u003c/p>\n\u003cp>“I cock the gun. I go, ‘Can you see that? Can you see that? Can you see that?'” he added. “And then I let go of the hammer of the gun, and the gun goes off.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Eu8jODyHmlk\u003c/p>\n\u003ch3>Why is he speaking out now?\u003c/h3>\n\u003cp>Baldwin told Stephanopoulos he was talking now—even though he is named in two civil lawsuits already and police have not issued a final report to the district attorney—to combat “a number of misconceptions” about what happened.\u003c/p>\n\u003cp>“I feel like I really can’t wait for that process to end,” the actor said. “I wanted to … say that I would go to any lengths to undo what happened.”\u003c/p>\n\u003cp>During the interview, Baldwin—who was also a producer on the film—made several important points about the circumstances of the incident, which also seemed focused on limiting his perceived culpability:\u003c/p>\n\u003cp>• He stressed he was a “purely creative producer,” who focused only on casting and the script, not who was hired in technical jobs or why.\u003c/p>\n\u003cp>• He said he hadn’t been told of any safety concerns on the film’s set before the accident.\u003c/p>\n\u003cp>• Some Hollywood professionals, including star actor George Clooney, have said \u003ca href=\"https://www.yahoo.com/entertainment/george-clooney-comments-rust-shooting-alec-baldwin-halyna-hutchins-set-safety-222146936.html?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAG1mHVPuSfdQtGYu7e063H1AShJVU43jWkj9qES72fy8cgKrkm6O595FH2PKjZAllTsS9gew0xChkRLwUvdOWO5a-FT2XW_GSR2yIwpdDnrhvZjf2c6zYMu_-keQDnJUCOJdq3u1D69tmQkAsrTt89rWl7KHinc42NholHq_6Y78\" target=\"_blank\" rel=\"noopener noreferrer\">they always personally check firearms \u003c/a>they are using to make sure they are safe. But Baldwin insisted his practice over 40 years of acting was to trust the professionals hired to oversee the props, including guns\u003cstrong>. \u003c/strong>When Stephanopoulos asked him directly, “What is the actor’s responsibility?” Baldwin replied, “To do what the prop/armorer tells him to do.”\u003c/p>\n\u003cp>• He said assistant director Dave Halls handed him the prop weapon, telling him it was a “cold gun,” meaning it wasn’t dangerous. Speaking about Hutchins, Baldwin noted, “she and I had this thing in common; we both thought [the gun] was empty … and it wasn’t.”\u003c/p>\n\u003cp>• While carefully declining to name anyone specifically who might be responsible, Baldwin swatted away a theory advanced by an attorney for Hannah Gutierrez Reed, who served as the film’s armorer and key prop assistant, that the bullet could have wound up in his gun as an act of intentional sabotage.\u003c/p>\n\u003cp>(Attorneys for both Gutierrez Reed and Halls, contacted by NPR after the special aired, say they have no new comments to add in the wake of Baldwin’s statements.)\u003c/p>\n\u003cp>• He teared up while talking about how well-regarded Hutchins was by her colleagues—and how her young son will grow up without a mother—but Baldwin also said he feels no guilt. Because, the actor said, he is not responsible for what happened.\u003c/p>\n\u003cp>“There’s only one question to be resolved … only one,” Baldwin said. “That is: Where did the live round come from?”\u003c/p>\n\u003ch3>Well-prepared and on-message\u003c/h3>\n\u003cp>Last night’s report also featured interviews with other sources, including an arms vendor who said he provided guns and dummy rounds to the production. But Thursday’s report was centered on the interview with Baldwin, featuring lots of promotional ads for a longer, two-hour program next week on ABC’s newsmagazine \u003cem>20/20\u003c/em> about the accident.\u003c/p>\n\u003cp>Stephanopoulos, who told viewers of \u003cem>Good Morning America\u003c/em> on Thursday that he had known Baldwin for years, asked substantive questions, but wasn’t overbearing. Baldwin seemed well-prepared and on message, speaking in a forum that had journalistic credibility, but wouldn’t be too bruising. The program itself occasionally had the feel of a highly produced \u003cem>Dateline NBC\u003c/em> episode, with ominous music swirling in crucial moments.\u003c/p>\n\u003cp>[aside postid='arts_13906102']While insisting he didn’t want to sound like a victim, Baldwin did note that he’s struggled with the public criticism sparked by the accident, marveling that former president \u003ca href=\"https://www.insider.com/trump-claims-alec-baldwin-shot-rust-crew-members-on-purpose-2021-11\" target=\"_blank\" rel=\"noopener noreferrer\">Donald Trump weighed in to accuse him of purposefully shooting Hutchins\u003c/a>, calling it “surreal.” Saying the accident was the worst thing that ever happened in his life, the actor added that he dreams about the shooting “constantly” and isn’t sleeping.\u003c/p>\n\u003cp>But when Stephanopoulos asked if his acting career was over, Baldwin said he wasn’t sure, adding he’s scheduled to start production on a new film in January.\u003c/p>\n\u003cp>It is tough to know how much this interview contributed to public understanding of the accident, beyond fortifying Baldwin’s contention that he is not substantially at fault.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>But it should serve as a master class on how a celebrity can get their story ahead of a damaging public controversy, even as lawsuits are flying and a police investigation is ongoing.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, \u003c/em>\u003ca href=\"https://www.npr.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>visit NPR.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Alec+Baldwin+says+he%27s+confident+he%27s+not+at+fault+in+%27Rust%27+shooting&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/a>\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1143,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 26
},
"modified": 1705007426,
"excerpt": "In an hour-long interview Thursday night, Baldwin got his story out ahead of public controversy, even as lawsuits are flying.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "In an hour-long interview Thursday night, Baldwin got his story out ahead of public controversy, even as lawsuits are flying.",
"title": "Alec Baldwin Says He's Confident He's Not at Fault in 'Rust' Shooting | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Alec Baldwin Says He's Confident He's Not at Fault in 'Rust' Shooting",
"datePublished": "2021-12-03T11:47:55-08:00",
"dateModified": "2024-01-11T13:10:26-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "alec-baldwin-says-hes-confident-hes-not-at-fault-in-rust-shooting",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1061135807&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Fri, 03 Dec 2021 13:13:47 -0500",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Fri, 03 Dec 2021 13:14:51 -0500",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2021/12/03/1061135807/alec-baldwin-says-hes-confident-hes-not-at-fault-in-rust-shooting?ft=nprml&f=1061135807",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/me/2021/12/20211203_me_alec_baldwin_participates_in_first_tv_interview_since_fatal_shooting_on_rust_set.mp3?orgId=1&topicId=1138&d=197&story=1061135807&ft=nprml&f=1061135807",
"nprImageAgency": "ABC News",
"nprAudioM3u": "http://api.npr.org/m3u/11061264179-26dfbf.m3u?orgId=1&topicId=1138&d=197&story=1061135807&ft=nprml&f=1061135807",
"nprStoryId": "1061135807",
"nprByline": "Eric Deggans",
"sticky": false,
"nprImageCredit": "Jeffrey Neira",
"showOnAuthorArchivePages": "No",
"nprRetrievedStory": "1",
"nprPubDate": "Fri, 03 Dec 2021 13:13:00 -0500",
"path": "/arts/13906796/alec-baldwin-says-hes-confident-hes-not-at-fault-in-rust-shooting",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/me/2021/12/20211203_me_alec_baldwin_participates_in_first_tv_interview_since_fatal_shooting_on_rust_set.mp3?orgId=1&topicId=1138&d=197&story=1061135807&ft=nprml&f=1061135807",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Police haven’t even issued a final report about the shooting accident which took the life of cinematographer Halyna Hutchins on the set on the western film \u003cem>Rust. \u003c/em>But star Alec Baldwin—who held the gun which fired the deadly bullet—went on national TV Thursday to answer probing questions about a tragedy that has attracted loads of national attention.\u003c/p>\n\u003cp>It’s not something a big-name celebrity at the heart of a gigantic public controversy usually attempts. But after his measured, prime-time interview with ABC anchor George Stephanopoulos—where the actor broke down in tears several times while describing aspects of the tragedy—Baldwin emerged as a man who pushed back on criticism and told his story, without raising any new, damaging questions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13905217",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cem>Alec Baldwin Unscripted\u003c/em> featured an hourlong report on the accident, including a lengthy interview with the actor. He expressed remorse and regret for the incident, but remained confident he wouldn’t be charged with a crime and was not at fault.\u003c/p>\n\u003cp>“Someone is responsible for what happened, and I can’t say who that is,” Baldwin told Stephanopoulos in the interview, which was recorded in advance. “But I know it’s not me.”\u003c/p>\n\u003cp>Hutchins was killed when a Colt .45 revolver Baldwin was holding unexpectedly fired a bullet, striking her and the film’s director Joel Souza, who was injured in the shoulder. Baldwin told Stephanopoulos that he was following Hutchins’ instructions while aiming the gun, as the cinematographer was looking at a monitor, trying to figure out the best position for filming a scene.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The actor said they were running through a “marking rehearsal,” which involved him adjusting the gun’s position several times. Baldwin said he pulled back the gun’s hammer, cocking it, but insisted he never pulled the trigger.\u003c/p>\n\u003cp>“I cock the gun. I go, ‘Can you see that? Can you see that? Can you see that?'” he added. “And then I let go of the hammer of the gun, and the gun goes off.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Eu8jODyHmlk'\n title='//www.youtube.com/embed/Eu8jODyHmlk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch3>Why is he speaking out now?\u003c/h3>\n\u003cp>Baldwin told Stephanopoulos he was talking now—even though he is named in two civil lawsuits already and police have not issued a final report to the district attorney—to combat “a number of misconceptions” about what happened.\u003c/p>\n\u003cp>“I feel like I really can’t wait for that process to end,” the actor said. “I wanted to … say that I would go to any lengths to undo what happened.”\u003c/p>\n\u003cp>During the interview, Baldwin—who was also a producer on the film—made several important points about the circumstances of the incident, which also seemed focused on limiting his perceived culpability:\u003c/p>\n\u003cp>• He stressed he was a “purely creative producer,” who focused only on casting and the script, not who was hired in technical jobs or why.\u003c/p>\n\u003cp>• He said he hadn’t been told of any safety concerns on the film’s set before the accident.\u003c/p>\n\u003cp>• Some Hollywood professionals, including star actor George Clooney, have said \u003ca href=\"https://www.yahoo.com/entertainment/george-clooney-comments-rust-shooting-alec-baldwin-halyna-hutchins-set-safety-222146936.html?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAG1mHVPuSfdQtGYu7e063H1AShJVU43jWkj9qES72fy8cgKrkm6O595FH2PKjZAllTsS9gew0xChkRLwUvdOWO5a-FT2XW_GSR2yIwpdDnrhvZjf2c6zYMu_-keQDnJUCOJdq3u1D69tmQkAsrTt89rWl7KHinc42NholHq_6Y78\" target=\"_blank\" rel=\"noopener noreferrer\">they always personally check firearms \u003c/a>they are using to make sure they are safe. But Baldwin insisted his practice over 40 years of acting was to trust the professionals hired to oversee the props, including guns\u003cstrong>. \u003c/strong>When Stephanopoulos asked him directly, “What is the actor’s responsibility?” Baldwin replied, “To do what the prop/armorer tells him to do.”\u003c/p>\n\u003cp>• He said assistant director Dave Halls handed him the prop weapon, telling him it was a “cold gun,” meaning it wasn’t dangerous. Speaking about Hutchins, Baldwin noted, “she and I had this thing in common; we both thought [the gun] was empty … and it wasn’t.”\u003c/p>\n\u003cp>• While carefully declining to name anyone specifically who might be responsible, Baldwin swatted away a theory advanced by an attorney for Hannah Gutierrez Reed, who served as the film’s armorer and key prop assistant, that the bullet could have wound up in his gun as an act of intentional sabotage.\u003c/p>\n\u003cp>(Attorneys for both Gutierrez Reed and Halls, contacted by NPR after the special aired, say they have no new comments to add in the wake of Baldwin’s statements.)\u003c/p>\n\u003cp>• He teared up while talking about how well-regarded Hutchins was by her colleagues—and how her young son will grow up without a mother—but Baldwin also said he feels no guilt. Because, the actor said, he is not responsible for what happened.\u003c/p>\n\u003cp>“There’s only one question to be resolved … only one,” Baldwin said. “That is: Where did the live round come from?”\u003c/p>\n\u003ch3>Well-prepared and on-message\u003c/h3>\n\u003cp>Last night’s report also featured interviews with other sources, including an arms vendor who said he provided guns and dummy rounds to the production. But Thursday’s report was centered on the interview with Baldwin, featuring lots of promotional ads for a longer, two-hour program next week on ABC’s newsmagazine \u003cem>20/20\u003c/em> about the accident.\u003c/p>\n\u003cp>Stephanopoulos, who told viewers of \u003cem>Good Morning America\u003c/em> on Thursday that he had known Baldwin for years, asked substantive questions, but wasn’t overbearing. Baldwin seemed well-prepared and on message, speaking in a forum that had journalistic credibility, but wouldn’t be too bruising. The program itself occasionally had the feel of a highly produced \u003cem>Dateline NBC\u003c/em> episode, with ominous music swirling in crucial moments.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13906102",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>While insisting he didn’t want to sound like a victim, Baldwin did note that he’s struggled with the public criticism sparked by the accident, marveling that former president \u003ca href=\"https://www.insider.com/trump-claims-alec-baldwin-shot-rust-crew-members-on-purpose-2021-11\" target=\"_blank\" rel=\"noopener noreferrer\">Donald Trump weighed in to accuse him of purposefully shooting Hutchins\u003c/a>, calling it “surreal.” Saying the accident was the worst thing that ever happened in his life, the actor added that he dreams about the shooting “constantly” and isn’t sleeping.\u003c/p>\n\u003cp>But when Stephanopoulos asked if his acting career was over, Baldwin said he wasn’t sure, adding he’s scheduled to start production on a new film in January.\u003c/p>\n\u003cp>It is tough to know how much this interview contributed to public understanding of the accident, beyond fortifying Baldwin’s contention that he is not substantially at fault.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But it should serve as a master class on how a celebrity can get their story ahead of a damaging public controversy, even as lawsuits are flying and a police investigation is ongoing.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, \u003c/em>\u003ca href=\"https://www.npr.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>visit NPR.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Alec+Baldwin+says+he%27s+confident+he%27s+not+at+fault+in+%27Rust%27+shooting&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/a>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13906796/alec-baldwin-says-hes-confident-hes-not-at-fault-in-rust-shooting",
"authors": [
"byline_arts_13906796"
],
"categories": [
"arts_1",
"arts_74",
"arts_75",
"arts_990"
],
"tags": [
"arts_8482",
"arts_11323",
"arts_977"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13906797",
"label": "arts_137"
},
"arts_13906713": {
"type": "posts",
"id": "arts_13906713",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13906713",
"score": null,
"sort": [
1638472620000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1638472620,
"format": "standard",
"title": "The 'Home Alone' House Could Be Yours for a Night",
"headTitle": "The ‘Home Alone’ House Could Be Yours for a Night | KQED",
"content": "\u003cp>Calling all fans of Christmas movie classics: The iconic house from the 1990 film \u003cem>Home Alone \u003c/em>will be available to rent on Airbnb for one night only this holiday season.\u003c/p>\n\u003cp>Up to four lucky mischief makers will be able to stay in the McCallister family’s house on the night of Dec. 12 for just $25, the \u003ca href=\"https://news.airbnb.com/a-holiday-wish-come-true-the-real-life-home-alone-house-is-now-bookable/\" target=\"_blank\" rel=\"noopener noreferrer\">rental company announced\u003c/a> on Wednesday. Renters can request to \u003ca href=\"https://www.airbnb.com/rooms/53274539?source_impression_id=p3_1638455535_V0sTAi8NhPr4Bike\" target=\"_blank\" rel=\"noopener noreferrer\">book the suburban Chicago property\u003c/a> beginning Dec. 7 at 1 p.m. CT.\u003c/p>\n\u003cp>[aside postid='pop_10304']That’s thanks to elder brother Buzz, aka actor Devin Ratray, who is hosting the stay—even though he and his family (everyone except the pet tarantula, this time) will be out of town on their annual holiday trip.\u003c/p>\n\u003cp>“You may not remember me as particularly accommodating,” ‘Buzz’ said in a statement. “But I’ve grown up, and I’d be happy to share my family home—my pizza, even—with you this holiday season. Just try not to let my tarantula, Axl, loose this time.”\u003c/p>\n\u003cp>It is not clear who owns the house, or how exactly it made its way to Airbnb. The family who owned the property at the time of filming sold it to the current owners in 2012 for $1.5 million, according to the \u003cem>\u003ca href=\"https://www.chicagotribune.com/real-estate/ct-biz-home-alone-house-may5-photogallery.html\" target=\"_blank\" rel=\"noopener noreferrer\">Chicago Tribune\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.instagram.com/p/CW8O1u2FLXB/\u003c/p>\n\u003cp>While the house is certainly the main attraction, it’s not the only advertised perk of the overnight stay (no Kevin included though, sorry).\u003c/p>\n\u003cp>\u003ca href=\"https://people.com/travel/home-alone-airbnb-devin-ratray-hosting-exclusive/\" target=\"_blank\" rel=\"noopener noreferrer\">Ratray told \u003cem>People\u003c/em> that anything fans could possibly remember from the first movie will be available\u003c/a>—short of paint cans in the face. He said he hopes it will be snowing like it was in the film, and is excited about giving fans the opportunity to experience the house for themselves.\u003c/p>\n\u003cp>[aside postid='pop_10603']“You’ve seen the movie so many times, you’ve seen the Christmas tree in the front room, you’ve seen the staircase, people running up and down, you’ve seen the kitchen where Buzz lovingly barfed up all the cheese pizza. Now you get to walk through that,” he said, adding that the mess has long since been cleaned up.\u003c/p>\n\u003cp>Airbnb says it will welcome its guests with a “cozy holiday scene” including twinkling lights and a Christmas tree, as well as a meet-and-greet with a real tarantula, a LEGO set to take home and “all of the ’90s favorites their hearts desire,” from Chicago pizza to a candlelit dinner of microwavable mac and cheese.\u003c/p>\n\u003cp>It also promises booby traps (“but don’t worry—you’ll be setting them, not sidestepping them!”) and “surprisingly searing splashes of aftershave and ample opportunity to scream into the mirror.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=jEDaVHmw7r4\u003c/p>\n\u003cp>“This holiday season, we’re playing by my little bro’s rules, so feel free to eat junk food, watch rubbish on TV, borrow my dad’s aftershave and choose your own adventure with a legendary battle plan as a guide,” Buzz writes in the property listing. “Just stay out of my room, okay?”\u003c/p>\n\u003cp>Guests will wrap up their night of hijinks with a screening of the franchise’s latest installment, \u003cem>Home Sweet Home Alone\u003c/em>. The \u003ca href=\"https://www.imdb.com/title/tt11012066/\" target=\"_blank\" rel=\"noopener noreferrer\">new film\u003c/a>, out now on Disney+, follows a married couple trying to steal an heirloom from a resourceful kiddo whose family left him behind on a holiday trip to Japan.\u003c/p>\n\u003cp>And, like the best presents, this gift also gives: Airbnb says it will make a one-time donation to Chicago’s \u003ca href=\"https://larabida.org/\" target=\"_blank\" rel=\"noopener noreferrer\">La Rabida Children’s Hospital\u003c/a>, though does not specify the dollar amount.\u003c/p>\n\u003cp>[aside postid='pop_97685']The listing describes the 2 bedroom, 1.5 bathroom house as being tucked away on a picturesque street in the Chicago suburb of Winnetka, and calls the neighborhood a friendly one “despite past encounters with crooks and folklore about Old Man Marley.”\u003c/p>\n\u003cp>Airbnb adds that guests are responsible for their own travel to and from Chicago, and those hoping to reserve the home must adhere to local COVID-19 guidelines and company safety practices.\u003c/p>\n\u003cp>It’s also monitoring local infection rates and mandates as the omicron variant spreads, and says it will offer guests a $1,000 travel credit if the stay ultimately has to be cancelled.\u003c/p>\n\u003cp>Here’s hoping these lucky renters will be able to safely get—and stay—home alone after all.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>This story originally appeared on \u003ca href=\"https://www.npr.org/live-updates/morning-edition-2021-12-02#the-home-alone-house-could-be-yours-for-one-night-only\" target=\"_blank\" rel=\"noopener noreferrer\">the \u003cem>Morning Edition\u003c/em> live blog\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+%27Home+Alone%27+house+could+be+yours+for+a+night+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 789,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 20
},
"modified": 1705007432,
"excerpt": "The home will be available to rent on Airbnb later this month. \"Just stay out of my room,\" says host Buzz McCallister.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The home will be available to rent on Airbnb later this month. "Just stay out of my room," says host Buzz McCallister.",
"title": "The 'Home Alone' House Could Be Yours for a Night | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The 'Home Alone' House Could Be Yours for a Night",
"datePublished": "2021-12-02T11:17:00-08:00",
"dateModified": "2024-01-11T13:10:32-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the-home-alone-house-could-be-yours-for-a-night",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1060923424&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Thu, 02 Dec 2021 13:52:32 -0500",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Thu, 02 Dec 2021 13:52:32 -0500",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2021/12/02/1060923424/home-alone-house-airbnb-rental?ft=nprml&f=1060923424",
"nprImageAgency": "Airbnb",
"nprStoryId": "1060923424",
"sticky": false,
"nprImageCredit": "Sarah Crowley",
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 02 Dec 2021 13:52:00 -0500",
"path": "/arts/13906713/the-home-alone-house-could-be-yours-for-a-night",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Calling all fans of Christmas movie classics: The iconic house from the 1990 film \u003cem>Home Alone \u003c/em>will be available to rent on Airbnb for one night only this holiday season.\u003c/p>\n\u003cp>Up to four lucky mischief makers will be able to stay in the McCallister family’s house on the night of Dec. 12 for just $25, the \u003ca href=\"https://news.airbnb.com/a-holiday-wish-come-true-the-real-life-home-alone-house-is-now-bookable/\" target=\"_blank\" rel=\"noopener noreferrer\">rental company announced\u003c/a> on Wednesday. Renters can request to \u003ca href=\"https://www.airbnb.com/rooms/53274539?source_impression_id=p3_1638455535_V0sTAi8NhPr4Bike\" target=\"_blank\" rel=\"noopener noreferrer\">book the suburban Chicago property\u003c/a> beginning Dec. 7 at 1 p.m. CT.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "pop_10304",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>That’s thanks to elder brother Buzz, aka actor Devin Ratray, who is hosting the stay—even though he and his family (everyone except the pet tarantula, this time) will be out of town on their annual holiday trip.\u003c/p>\n\u003cp>“You may not remember me as particularly accommodating,” ‘Buzz’ said in a statement. “But I’ve grown up, and I’d be happy to share my family home—my pizza, even—with you this holiday season. Just try not to let my tarantula, Axl, loose this time.”\u003c/p>\n\u003cp>It is not clear who owns the house, or how exactly it made its way to Airbnb. The family who owned the property at the time of filming sold it to the current owners in 2012 for $1.5 million, according to the \u003cem>\u003ca href=\"https://www.chicagotribune.com/real-estate/ct-biz-home-alone-house-may5-photogallery.html\" target=\"_blank\" rel=\"noopener noreferrer\">Chicago Tribune\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "instagramLink",
"attributes": {
"named": {
"instagramUrl": "https://www.instagram.com/p/CW8O1u2FLXB/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>While the house is certainly the main attraction, it’s not the only advertised perk of the overnight stay (no Kevin included though, sorry).\u003c/p>\n\u003cp>\u003ca href=\"https://people.com/travel/home-alone-airbnb-devin-ratray-hosting-exclusive/\" target=\"_blank\" rel=\"noopener noreferrer\">Ratray told \u003cem>People\u003c/em> that anything fans could possibly remember from the first movie will be available\u003c/a>—short of paint cans in the face. He said he hopes it will be snowing like it was in the film, and is excited about giving fans the opportunity to experience the house for themselves.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "pop_10603",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“You’ve seen the movie so many times, you’ve seen the Christmas tree in the front room, you’ve seen the staircase, people running up and down, you’ve seen the kitchen where Buzz lovingly barfed up all the cheese pizza. Now you get to walk through that,” he said, adding that the mess has long since been cleaned up.\u003c/p>\n\u003cp>Airbnb says it will welcome its guests with a “cozy holiday scene” including twinkling lights and a Christmas tree, as well as a meet-and-greet with a real tarantula, a LEGO set to take home and “all of the ’90s favorites their hearts desire,” from Chicago pizza to a candlelit dinner of microwavable mac and cheese.\u003c/p>\n\u003cp>It also promises booby traps (“but don’t worry—you’ll be setting them, not sidestepping them!”) and “surprisingly searing splashes of aftershave and ample opportunity to scream into the mirror.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/jEDaVHmw7r4'\n title='//www.youtube.com/embed/jEDaVHmw7r4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“This holiday season, we’re playing by my little bro’s rules, so feel free to eat junk food, watch rubbish on TV, borrow my dad’s aftershave and choose your own adventure with a legendary battle plan as a guide,” Buzz writes in the property listing. “Just stay out of my room, okay?”\u003c/p>\n\u003cp>Guests will wrap up their night of hijinks with a screening of the franchise’s latest installment, \u003cem>Home Sweet Home Alone\u003c/em>. The \u003ca href=\"https://www.imdb.com/title/tt11012066/\" target=\"_blank\" rel=\"noopener noreferrer\">new film\u003c/a>, out now on Disney+, follows a married couple trying to steal an heirloom from a resourceful kiddo whose family left him behind on a holiday trip to Japan.\u003c/p>\n\u003cp>And, like the best presents, this gift also gives: Airbnb says it will make a one-time donation to Chicago’s \u003ca href=\"https://larabida.org/\" target=\"_blank\" rel=\"noopener noreferrer\">La Rabida Children’s Hospital\u003c/a>, though does not specify the dollar amount.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "pop_97685",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>The listing describes the 2 bedroom, 1.5 bathroom house as being tucked away on a picturesque street in the Chicago suburb of Winnetka, and calls the neighborhood a friendly one “despite past encounters with crooks and folklore about Old Man Marley.”\u003c/p>\n\u003cp>Airbnb adds that guests are responsible for their own travel to and from Chicago, and those hoping to reserve the home must adhere to local COVID-19 guidelines and company safety practices.\u003c/p>\n\u003cp>It’s also monitoring local infection rates and mandates as the omicron variant spreads, and says it will offer guests a $1,000 travel credit if the stay ultimately has to be cancelled.\u003c/p>\n\u003cp>Here’s hoping these lucky renters will be able to safely get—and stay—home alone after all.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>This story originally appeared on \u003ca href=\"https://www.npr.org/live-updates/morning-edition-2021-12-02#the-home-alone-house-could-be-yours-for-one-night-only\" target=\"_blank\" rel=\"noopener noreferrer\">the \u003cem>Morning Edition\u003c/em> live blog\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+%27Home+Alone%27+house+could+be+yours+for+a+night+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13906713/the-home-alone-house-could-be-yours-for-a-night",
"authors": [
"92"
],
"categories": [
"arts_1",
"arts_74",
"arts_75"
],
"tags": [
"arts_3388",
"arts_977",
"arts_3247"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13906716",
"label": "arts_137"
},
"arts_13906579": {
"type": "posts",
"id": "arts_13906579",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13906579",
"score": null,
"sort": [
1638214989000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1638214989,
"format": "standard",
"title": "The Long and Winding Beatles Docuseries Will Enchant Die-Hard and Casual Fans",
"headTitle": "The Long and Winding Beatles Docuseries Will Enchant Die-Hard and Casual Fans | KQED",
"content": "\u003cp>As I see it, there are two very different audiences for \u003cem>Get Back, \u003c/em>\u003ca href=\"https://www.npr.org/2019/01/30/689961544/peter-jackson-to-direct-documentary-on-the-beatles-recording-let-it-be\" target=\"_blank\" rel=\"noopener noreferrer\">Peter Jackson\u003c/a>‘s new documentary about \u003ca href=\"https://www.npr.org/artists/15229570/the-beatles\" target=\"_blank\" rel=\"noopener noreferrer\">The Beatles\u003c/a>‘ \u003cem>Let It Be \u003c/em>sessions. There are the most rabid fans, who will watch it and recognize instantly the stuff they’ve never heard or seen before. And for them—well, for us, because I’m part of that group—this Disney+ docuseries is a true treasure. For everyone else, the first part of \u003cem>The Beatles: Get Back \u003c/em>may be slow going.\u003c/p>\n\u003cp>[aside postid='arts_13890087']What you’re basically doing is watching John Lennon, Paul McCartney, George Harrison and Ringo Starr rehearse, revise and procrastinate. They debate a lot about where to stage their planned concert and even what songs to include. At one point, they decide to revisit a lot of compositions they wrote and abandoned much earlier in their careers, in case they could use some to pad out the set list. One such song, “One After 909,” makes the cut, and ends up being one of the album’s high-energy highlights. Another number with a blatant country flavor, “Because I Know You Love Me So,” surfaces for the first time here, with Paul dismissing it as soon as they finish performing it.\u003c/p>\n\u003cp>There are joys even in this early stretch, because you get to see the original \u003cem>Let It Be \u003c/em>documentary, directed by Michael Lindsay-Hogg, take shape. At first, The Beatles and the film crew assemble on a cavernous movie soundstage to rehearse, and on Day 1, Lindsay-Hogg actually approaches the Beatles and asks them to play more quietly so that he can record their conversations.\u003c/p>\n\u003cp>As tensions rise during early rehearsals, the cameras captures everything, including the moment when George responds to a casual call for a lunch break by telling his fellow Beatles, just as casually, that he’s taking a break from the band—effective immediately. He ends up gone for days.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Auta2lagtw4\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The tension behind that temporary breakup is the drama that dominated the original \u003cem>Let It Be\u003c/em> film, but it’s only one of three major elements in Jackson’s expanded three-part docuseries. Part one, the first day of the TV series, is about the breakup. Part two is about the reconciliation—and the energy infusion that comes when the group moves to a smaller and friendlier rehearsal space, and when keyboard player \u003ca href=\"https://www.npr.org/2011/01/20/133085213/billy-preston-the-fifth-beatle-reborn\" target=\"_blank\" rel=\"noopener noreferrer\">Billy Preston \u003c/a>drops by and instantly is invited to sit in on the sessions. And the focus of part three is the complete concert, which The Beatles finally decide to hold as an impromptu event on the roof of their own building.\u003c/p>\n\u003cp>[aside postid='arts_10742450']The \u003ca href=\"https://www.npr.org/sections/allsongs/2019/01/30/688814122/remembering-the-beatles-rooftop-gig-50-years-later-with-someone-who-was-there\" target=\"_blank\" rel=\"noopener noreferrer\">rooftop concert\u003c/a> here, with much more music and material than in the original \u003cem>Let It Be \u003c/em>movie, is the part that should excite and enchant even the most casual Beatles fans. The concert is amazing—and so is the group’s joyful reaction listening to the playback immediately afterward. It’s a great end to this particular story, but not to the story of The Beatles. Earlier, this documentary shows them rehearsing not only songs for the \u003cem>Let It Be \u003c/em>album, but for three of their respective upcoming solo albums. They also rehearse lots of songs that would end up on \u003ca href=\"https://www.npr.org/2012/10/21/163096246/the-trail-abbey-road-blazed-still-glows\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Abbey Road\u003c/em>\u003c/a>\u003cem>, \u003c/em>which they would begin recording immediately after that rooftop concert. And to me, watching and hearing songs like Harrison’s “Something” take shape, with input from Lennon, is priceless.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So my final verdict on \u003cem>The Beatles: Get Back\u003c/em> documentary is this: Even if you don’t know much about The Beatles, or don’t care much about them, you should watch the final third of this new TV show—then, after you’re persuaded of their brilliance and are hooked, then work your way backward. But if you know and love the group enough to get excited by learning about their creative process, and by witnessing it in real time, this new documentary is made for you. And for me.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+long+and+winding+Beatles+docuseries+will+enchant+die-hard+and+casual+fans+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 709,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 9
},
"modified": 1705007443,
"excerpt": "Peter Jackson's wondrous 'Get Back' offers an inside look at the band's creative process, as well as fresh live footage. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Peter Jackson's wondrous 'Get Back' offers an inside look at the band's creative process, as well as fresh live footage. ",
"title": "The Long and Winding Beatles Docuseries Will Enchant Die-Hard and Casual Fans | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Long and Winding Beatles Docuseries Will Enchant Die-Hard and Casual Fans",
"datePublished": "2021-11-29T11:43:09-08:00",
"dateModified": "2024-01-11T13:10:43-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the-long-and-winding-beatles-docuseries-will-enchant-die-hard-and-casual-fans",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1059727840&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Mon, 29 Nov 2021 13:34:19 -0500",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Mon, 29 Nov 2021 13:41:21 -0500",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2021/11/29/1059727840/the-beatles-get-back-review?ft=nprml&f=1059727840",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/fa/2021/11/20211129_fa_02.mp3?orgId=427869011&topicId=1163&d=500&p=13&story=1059727840&ft=nprml&f=1059727840",
"nprImageAgency": "Courtesy Apple Corps Ltd. / Disney +",
"nprAudioM3u": "http://api.npr.org/m3u/11059809830-36e94f.m3u?orgId=427869011&topicId=1163&d=500&p=13&story=1059727840&ft=nprml&f=1059727840",
"nprStoryId": "1059727840",
"nprByline": "David Bianculli",
"sticky": false,
"showOnAuthorArchivePages": "No",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 29 Nov 2021 13:44:00 -0500",
"path": "/arts/13906579/the-long-and-winding-beatles-docuseries-will-enchant-die-hard-and-casual-fans",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/fa/2021/11/20211129_fa_02.mp3?orgId=427869011&topicId=1163&d=500&p=13&story=1059727840&ft=nprml&f=1059727840",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As I see it, there are two very different audiences for \u003cem>Get Back, \u003c/em>\u003ca href=\"https://www.npr.org/2019/01/30/689961544/peter-jackson-to-direct-documentary-on-the-beatles-recording-let-it-be\" target=\"_blank\" rel=\"noopener noreferrer\">Peter Jackson\u003c/a>‘s new documentary about \u003ca href=\"https://www.npr.org/artists/15229570/the-beatles\" target=\"_blank\" rel=\"noopener noreferrer\">The Beatles\u003c/a>‘ \u003cem>Let It Be \u003c/em>sessions. There are the most rabid fans, who will watch it and recognize instantly the stuff they’ve never heard or seen before. And for them—well, for us, because I’m part of that group—this Disney+ docuseries is a true treasure. For everyone else, the first part of \u003cem>The Beatles: Get Back \u003c/em>may be slow going.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13890087",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>What you’re basically doing is watching John Lennon, Paul McCartney, George Harrison and Ringo Starr rehearse, revise and procrastinate. They debate a lot about where to stage their planned concert and even what songs to include. At one point, they decide to revisit a lot of compositions they wrote and abandoned much earlier in their careers, in case they could use some to pad out the set list. One such song, “One After 909,” makes the cut, and ends up being one of the album’s high-energy highlights. Another number with a blatant country flavor, “Because I Know You Love Me So,” surfaces for the first time here, with Paul dismissing it as soon as they finish performing it.\u003c/p>\n\u003cp>There are joys even in this early stretch, because you get to see the original \u003cem>Let It Be \u003c/em>documentary, directed by Michael Lindsay-Hogg, take shape. At first, The Beatles and the film crew assemble on a cavernous movie soundstage to rehearse, and on Day 1, Lindsay-Hogg actually approaches the Beatles and asks them to play more quietly so that he can record their conversations.\u003c/p>\n\u003cp>As tensions rise during early rehearsals, the cameras captures everything, including the moment when George responds to a casual call for a lunch break by telling his fellow Beatles, just as casually, that he’s taking a break from the band—effective immediately. He ends up gone for days.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Auta2lagtw4'\n title='//www.youtube.com/embed/Auta2lagtw4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The tension behind that temporary breakup is the drama that dominated the original \u003cem>Let It Be\u003c/em> film, but it’s only one of three major elements in Jackson’s expanded three-part docuseries. Part one, the first day of the TV series, is about the breakup. Part two is about the reconciliation—and the energy infusion that comes when the group moves to a smaller and friendlier rehearsal space, and when keyboard player \u003ca href=\"https://www.npr.org/2011/01/20/133085213/billy-preston-the-fifth-beatle-reborn\" target=\"_blank\" rel=\"noopener noreferrer\">Billy Preston \u003c/a>drops by and instantly is invited to sit in on the sessions. And the focus of part three is the complete concert, which The Beatles finally decide to hold as an impromptu event on the roof of their own building.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_10742450",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>The \u003ca href=\"https://www.npr.org/sections/allsongs/2019/01/30/688814122/remembering-the-beatles-rooftop-gig-50-years-later-with-someone-who-was-there\" target=\"_blank\" rel=\"noopener noreferrer\">rooftop concert\u003c/a> here, with much more music and material than in the original \u003cem>Let It Be \u003c/em>movie, is the part that should excite and enchant even the most casual Beatles fans. The concert is amazing—and so is the group’s joyful reaction listening to the playback immediately afterward. It’s a great end to this particular story, but not to the story of The Beatles. Earlier, this documentary shows them rehearsing not only songs for the \u003cem>Let It Be \u003c/em>album, but for three of their respective upcoming solo albums. They also rehearse lots of songs that would end up on \u003ca href=\"https://www.npr.org/2012/10/21/163096246/the-trail-abbey-road-blazed-still-glows\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Abbey Road\u003c/em>\u003c/a>\u003cem>, \u003c/em>which they would begin recording immediately after that rooftop concert. And to me, watching and hearing songs like Harrison’s “Something” take shape, with input from Lennon, is priceless.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So my final verdict on \u003cem>The Beatles: Get Back\u003c/em> documentary is this: Even if you don’t know much about The Beatles, or don’t care much about them, you should watch the final third of this new TV show—then, after you’re persuaded of their brilliance and are hooked, then work your way backward. But if you know and love the group enough to get excited by learning about their creative process, and by witnessing it in real time, this new documentary is made for you. And for me.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+long+and+winding+Beatles+docuseries+will+enchant+die-hard+and+casual+fans+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13906579/the-long-and-winding-beatles-docuseries-will-enchant-die-hard-and-casual-fans",
"authors": [
"byline_arts_13906579"
],
"categories": [
"arts_1",
"arts_69",
"arts_75",
"arts_990"
],
"tags": [
"arts_8530",
"arts_3114",
"arts_13672"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13906580",
"label": "arts_137"
},
"arts_13906436": {
"type": "posts",
"id": "arts_13906436",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13906436",
"score": null,
"sort": [
1637708714000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1637708714,
"format": "standard",
"title": "H.E.R. Leads Bay Area Grammy Nominations With 8 Nods",
"headTitle": "H.E.R. Leads Bay Area Grammy Nominations With 8 Nods | KQED",
"content": "\u003cp>The nominees for the 64th annual Grammy Awards were announced today, and while jazz musician John Batiste leads with 11 nominations, Vallejo-raised artist H.E.R. is not far behind, with an impressive eight nominations under her belt. (More than both Billie Eilish and Olivia Rodrigo!)\u003c/p>\n\u003cp>The singer-songwriter is up for Album of the Year and Best R&B album for \u003cem>Back of My Mind\u003c/em>; Best R&B Performance and Best R&B Song for “Damage”; Song of the Year, Best Traditional R&B Performance and Best Song Written for Visual Media for “Fight For You”; and Best Contemporary Christian Music Performance/Song for “Hold Us Together (Hope Mix).”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=PAFAfhod9TU\u003c/p>\n\u003cp>The only other Bay Area artist in a contemporary category is Saweetie, who’s nominated for Best New Artist. She’s also up for Best Rap Song for “Best Friend,” her track featuring Doja Cat.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_xJUCsyMQes\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Bay Area classical music fared a little better, fortunately. San Francisco Symphony Music Director Laureate Michael Tilson Thomas is included in a Best Classical Compendium nomination for his work on \u003cem>American Originals—A New World, A New Canon\u003c/em>.\u003c/p>\n\u003cp>San Francisco-based composer Jake Heggie received a Best Classical Solo Vocal Album nod for his work on Jamie Barton’s “Unexpected Shadows” record.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=CHqrh1Dl4oA\u003c/p>\n\u003cp>San Francisco Symphony collaborative partner Nico Muhly received a Best Orchestral Performance nomination for “Muhly: Throughline.” And in the same category, Berkeley composer John Adams wrote two of the pieces that resulted in a nomination for Nashville Symphony Orchestra conductor Giancarlo Guerrero.\u003c/p>\n\u003cp>And… uh. That’s it!\u003c/p>\n\u003cp>How much you care about any of this is probably contingent on how enraged you are by the many prior sins of the Recording Academy. Most notably, side-lining Black artists into smaller categories, which leads to shocking snubs. Like that time in 2017 when Beyoncé didn’t win Album of the Year for \u003cem>Lemonade\u003c/em>. (Some of us have never recovered.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Still, it’s nice to have someone local to root for. Go get ’em, H.E.R.!\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 382,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1705007458,
"excerpt": "Saweetie and the San Francisco Symphony also received nods.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Saweetie and the San Francisco Symphony also received nods.",
"title": "H.E.R. Leads Bay Area Grammy Nominations With 8 Nods | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "H.E.R. Leads Bay Area Grammy Nominations With 8 Nods",
"datePublished": "2021-11-23T15:05:14-08:00",
"dateModified": "2024-01-11T13:10:58-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "her-saweetie-grammy-awards-san-francisco-symphony-doja-cat-grammys",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13906436/her-saweetie-grammy-awards-san-francisco-symphony-doja-cat-grammys",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The nominees for the 64th annual Grammy Awards were announced today, and while jazz musician John Batiste leads with 11 nominations, Vallejo-raised artist H.E.R. is not far behind, with an impressive eight nominations under her belt. (More than both Billie Eilish and Olivia Rodrigo!)\u003c/p>\n\u003cp>The singer-songwriter is up for Album of the Year and Best R&B album for \u003cem>Back of My Mind\u003c/em>; Best R&B Performance and Best R&B Song for “Damage”; Song of the Year, Best Traditional R&B Performance and Best Song Written for Visual Media for “Fight For You”; and Best Contemporary Christian Music Performance/Song for “Hold Us Together (Hope Mix).”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PAFAfhod9TU'\n title='//www.youtube.com/embed/PAFAfhod9TU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The only other Bay Area artist in a contemporary category is Saweetie, who’s nominated for Best New Artist. She’s also up for Best Rap Song for “Best Friend,” her track featuring Doja Cat.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_xJUCsyMQes'\n title='//www.youtube.com/embed/_xJUCsyMQes'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bay Area classical music fared a little better, fortunately. San Francisco Symphony Music Director Laureate Michael Tilson Thomas is included in a Best Classical Compendium nomination for his work on \u003cem>American Originals—A New World, A New Canon\u003c/em>.\u003c/p>\n\u003cp>San Francisco-based composer Jake Heggie received a Best Classical Solo Vocal Album nod for his work on Jamie Barton’s “Unexpected Shadows” record.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/CHqrh1Dl4oA'\n title='//www.youtube.com/embed/CHqrh1Dl4oA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>San Francisco Symphony collaborative partner Nico Muhly received a Best Orchestral Performance nomination for “Muhly: Throughline.” And in the same category, Berkeley composer John Adams wrote two of the pieces that resulted in a nomination for Nashville Symphony Orchestra conductor Giancarlo Guerrero.\u003c/p>\n\u003cp>And… uh. That’s it!\u003c/p>\n\u003cp>How much you care about any of this is probably contingent on how enraged you are by the many prior sins of the Recording Academy. Most notably, side-lining Black artists into smaller categories, which leads to shocking snubs. Like that time in 2017 when Beyoncé didn’t win Album of the Year for \u003cem>Lemonade\u003c/em>. (Some of us have never recovered.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Still, it’s nice to have someone local to root for. Go get ’em, H.E.R.!\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13906436/her-saweetie-grammy-awards-san-francisco-symphony-doja-cat-grammys",
"authors": [
"11242"
],
"categories": [
"arts_1",
"arts_69",
"arts_75"
],
"tags": [
"arts_6187",
"arts_1677",
"arts_1366",
"arts_1367",
"arts_8682"
],
"featImg": "arts_13906441",
"label": "arts"
},
"arts_13906284": {
"type": "posts",
"id": "arts_13906284",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13906284",
"score": null,
"sort": [
1637257860000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1637257860,
"format": "standard",
"title": "The Cast of the Harry Potter Films is Reuniting, But Without J.K. Rowling",
"headTitle": "The Cast of the Harry Potter Films is Reuniting, But Without J.K. Rowling | KQED",
"content": "\u003cp>Harry Potter fans have something big to look forward to in the new year. The cast and crew of the movies will be reuniting for a look back on the franchise. But one person you shouldn’t count on seeing? Author J.K. Rowling.\u003c/p>\n\u003cp>“Harry Potter 20th Anniversary: Return to Hogwarts” is being billed as a retrospective to celebrate the 20\u003csup>th\u003c/sup> anniversary of the first Harry Potter film’s release and is slated to hit HBO Max on New Year’s Day, the streaming service \u003ca href=\"https://pressroom.warnermedia.com/us/media-release/hbo-max/first-time-ever-daniel-radcliffe-rupert-grint-emma-watson-and-legendary-cast-members\" target=\"_blank\" rel=\"noopener noreferrer\">announced on Tuesday\u003c/a>.\u003c/p>\n\u003cp>[aside postid='pop_108458']Director Christopher Columbus, who directed the first two Potter films, Daniel Radcliffe, Emma Watson, Rupert Grint and other actors from the eight films will gather for a journey back to Hogwarts to discuss the making of Harry Potter and the impact of the franchise, according to HBO Max. It will be the first time they’ve reunited for such a project since the final film premiered in 2011, the streaming service said.\u003c/p>\n\u003cp>However, while Rowling will be featured in archived footage, she will not be appearing for the special, a source close to the production confirmed to NPR. They did not comment on why Rowling will not appear or whether she was asked to participate and declined.\u003c/p>\n\u003cfigure id=\"attachment_13906286\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906286\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-1920x1080.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">J.K. Rowling arrives at the U.K. premiere of “Fantastic Beasts: The Crimes of Grindelwald” at Cineworld in London on November 13, 2018. \u003ccite>(John Phillips/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rowling has, in recent years, been the subject of controversy. In 2019, she drew condemnation for her tweets in \u003ca href=\"https://www.npr.org/2019/12/20/790319846/why-author-j-k-rowling-is-facing-backlash-from-lgbtq-activists\" target=\"_blank\" rel=\"noopener noreferrer\">support\u003c/a> of Maya Forstater, a researcher whose transphobic statements cost her her job (though that decision was later successfully \u003ca href=\"https://www.bbc.com/news/uk-57426579\" target=\"_blank\" rel=\"noopener noreferrer\">appealed\u003c/a>). Rowling went on to defend her support of Forstater in an \u003ca href=\"https://www.jkrowling.com/opinions/j-k-rowling-writes-about-her-reasons-for-speaking-out-on-sex-and-gender-issues/\" target=\"_blank\" rel=\"noopener noreferrer\">essay\u003c/a> about gender, and her comments have divided the fanbase and \u003ca href=\"https://www.npr.org/2020/06/10/873472683/harry-potters-magic-fades-when-his-creator-tweets\" target=\"_blank\" rel=\"noopener noreferrer\">alienated\u003c/a> many readers.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postid='pop_9588']Following Rowling’s comments, several actors from the Potter films spoke out in defense of trans people and to denounce Rowling’s actions. Radcliffe did so in an \u003ca href=\"https://www.thetrevorproject.org/blog/daniel-radcliffe-responds-to-j-k-rowlings-tweets-on-gender-identity/\" target=\"_blank\" rel=\"noopener noreferrer\">essay\u003c/a> of his own; Watson shared her \u003ca href=\"https://twitter.com/EmmaWatson/status/1270826851070619649\" target=\"_blank\" rel=\"noopener noreferrer\">support\u003c/a> for trans people on Twitter, and Grint spoke out in the U.K.’s Sunday Times and, later, in an interview with \u003cem>\u003ca href=\"https://www.esquire.com/entertainment/tv/a35875730/rupert-grint-servant-season-2-interview/\" target=\"_blank\" rel=\"noopener noreferrer\">Esquire\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Rowling’s tweets have continued to stir controversy. Last year, her apparent \u003ca href=\"https://twitter.com/jk_rowling/status/1269382518362509313?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Etweet\" target=\"_blank\" rel=\"noopener noreferrer\">mockery\u003c/a> of gender-inclusive language used by a media outlet garnered more backlash.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+cast+of+the+Harry+Potter+films+is+reuniting%2C+but+without+J.K.+Rowling&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 409,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 9
},
"modified": 1705007471,
"excerpt": "Daniel Radcliffe, Emma Watson and Rupert Grint will appear in an HBO Max special next year celebrating the film franchise.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Daniel Radcliffe, Emma Watson and Rupert Grint will appear in an HBO Max special next year celebrating the film franchise.",
"title": "The Cast of the Harry Potter Films is Reuniting, But Without J.K. Rowling | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Cast of the Harry Potter Films is Reuniting, But Without J.K. Rowling",
"datePublished": "2021-11-18T09:51:00-08:00",
"dateModified": "2024-01-11T13:11:11-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the-cast-of-the-harry-potter-films-is-reuniting-but-without-j-k-rowling",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1056645248&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Wed, 17 Nov 2021 16:52:18 -0500",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Wed, 17 Nov 2021 16:52:18 -0500",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2021/11/17/1056645248/hary-potter-cast-reunion-j-k-rowling?ft=nprml&f=1056645248",
"nprImageAgency": "Getty Images",
"nprStoryId": "1056645248",
"nprByline": "Sharon Pruitt-Young",
"sticky": false,
"nprImageCredit": "Ian Gavan",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 17 Nov 2021 16:52:00 -0500",
"path": "/arts/13906284/the-cast-of-the-harry-potter-films-is-reuniting-but-without-j-k-rowling",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Harry Potter fans have something big to look forward to in the new year. The cast and crew of the movies will be reuniting for a look back on the franchise. But one person you shouldn’t count on seeing? Author J.K. Rowling.\u003c/p>\n\u003cp>“Harry Potter 20th Anniversary: Return to Hogwarts” is being billed as a retrospective to celebrate the 20\u003csup>th\u003c/sup> anniversary of the first Harry Potter film’s release and is slated to hit HBO Max on New Year’s Day, the streaming service \u003ca href=\"https://pressroom.warnermedia.com/us/media-release/hbo-max/first-time-ever-daniel-radcliffe-rupert-grint-emma-watson-and-legendary-cast-members\" target=\"_blank\" rel=\"noopener noreferrer\">announced on Tuesday\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "pop_108458",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Director Christopher Columbus, who directed the first two Potter films, Daniel Radcliffe, Emma Watson, Rupert Grint and other actors from the eight films will gather for a journey back to Hogwarts to discuss the making of Harry Potter and the impact of the franchise, according to HBO Max. It will be the first time they’ve reunited for such a project since the final film premiered in 2011, the streaming service said.\u003c/p>\n\u003cp>However, while Rowling will be featured in archived footage, she will not be appearing for the special, a source close to the production confirmed to NPR. They did not comment on why Rowling will not appear or whether she was asked to participate and declined.\u003c/p>\n\u003cfigure id=\"attachment_13906286\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906286\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-2048x1152.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/gettyimages-1067071942_wide-51e3990bc672080e04dc131878d8df89a380b81f-1920x1080.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">J.K. Rowling arrives at the U.K. premiere of “Fantastic Beasts: The Crimes of Grindelwald” at Cineworld in London on November 13, 2018. \u003ccite>(John Phillips/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rowling has, in recent years, been the subject of controversy. In 2019, she drew condemnation for her tweets in \u003ca href=\"https://www.npr.org/2019/12/20/790319846/why-author-j-k-rowling-is-facing-backlash-from-lgbtq-activists\" target=\"_blank\" rel=\"noopener noreferrer\">support\u003c/a> of Maya Forstater, a researcher whose transphobic statements cost her her job (though that decision was later successfully \u003ca href=\"https://www.bbc.com/news/uk-57426579\" target=\"_blank\" rel=\"noopener noreferrer\">appealed\u003c/a>). Rowling went on to defend her support of Forstater in an \u003ca href=\"https://www.jkrowling.com/opinions/j-k-rowling-writes-about-her-reasons-for-speaking-out-on-sex-and-gender-issues/\" target=\"_blank\" rel=\"noopener noreferrer\">essay\u003c/a> about gender, and her comments have divided the fanbase and \u003ca href=\"https://www.npr.org/2020/06/10/873472683/harry-potters-magic-fades-when-his-creator-tweets\" target=\"_blank\" rel=\"noopener noreferrer\">alienated\u003c/a> many readers.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "pop_9588",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Following Rowling’s comments, several actors from the Potter films spoke out in defense of trans people and to denounce Rowling’s actions. Radcliffe did so in an \u003ca href=\"https://www.thetrevorproject.org/blog/daniel-radcliffe-responds-to-j-k-rowlings-tweets-on-gender-identity/\" target=\"_blank\" rel=\"noopener noreferrer\">essay\u003c/a> of his own; Watson shared her \u003ca href=\"https://twitter.com/EmmaWatson/status/1270826851070619649\" target=\"_blank\" rel=\"noopener noreferrer\">support\u003c/a> for trans people on Twitter, and Grint spoke out in the U.K.’s Sunday Times and, later, in an interview with \u003cem>\u003ca href=\"https://www.esquire.com/entertainment/tv/a35875730/rupert-grint-servant-season-2-interview/\" target=\"_blank\" rel=\"noopener noreferrer\">Esquire\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Rowling’s tweets have continued to stir controversy. Last year, her apparent \u003ca href=\"https://twitter.com/jk_rowling/status/1269382518362509313?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Etweet\" target=\"_blank\" rel=\"noopener noreferrer\">mockery\u003c/a> of gender-inclusive language used by a media outlet garnered more backlash.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+cast+of+the+Harry+Potter+films+is+reuniting%2C+but+without+J.K.+Rowling&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13906284/the-cast-of-the-harry-potter-films-is-reuniting-but-without-j-k-rowling",
"authors": [
"byline_arts_13906284"
],
"categories": [
"arts_1",
"arts_74",
"arts_75"
],
"tags": [
"arts_928",
"arts_977",
"arts_1376"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13906285",
"label": "arts_137"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=popculture": {
"isFetching": false,
"latestQuery": {
"from": 1224,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 2977,
"relation": "eq"
},
"items": [
"arts_13907874",
"arts_13907776",
"arts_13907753",
"arts_13907737",
"arts_13907681",
"arts_13906683",
"arts_13907124",
"arts_13906796",
"arts_13906713",
"arts_13906579",
"arts_13906436",
"arts_13906284"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_popculture": {
"isLoading": true
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"source_arts_13906683": {
"type": "terms",
"id": "source_arts_13906683",
"meta": {
"override": true
},
"name": "2021 recapped",
"link": "https://www.kqed.org/arts/tag/2021-recapped",
"isLoading": false
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_968": {
"type": "terms",
"id": "arts_968",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "968",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Comedy",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 986,
"slug": "comedy",
"isLoading": false,
"link": "/arts/category/comedy"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_1564": {
"type": "terms",
"id": "arts_1564",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1564",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Remembrance",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Remembrance Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1576,
"slug": "remembrance",
"isLoading": false,
"link": "/arts/category/remembrance"
},
"arts_990": {
"type": "terms",
"id": "arts_990",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "990",
"found": true
},
"relationships": {},
"featImg": null,
"name": "TV",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "TV Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1008,
"slug": "tv",
"isLoading": false,
"link": "/arts/category/tv"
},
"arts_10278": {
"type": "terms",
"id": "arts_10278",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10278",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10290,
"slug": "featured-arts",
"isLoading": false,
"link": "/arts/tag/featured-arts"
},
"arts_1091": {
"type": "terms",
"id": "arts_1091",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1091",
"found": true
},
"relationships": {},
"featImg": null,
"name": "obit",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "obit Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1108,
"slug": "obit",
"isLoading": false,
"link": "/arts/tag/obit"
},
"arts_2303": {
"type": "terms",
"id": "arts_2303",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2303",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Commentary",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2315,
"slug": "commentary",
"isLoading": false,
"link": "/arts/category/commentary"
},
"arts_2767": {
"type": "terms",
"id": "arts_2767",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2767",
"found": true
},
"relationships": {},
"featImg": null,
"name": "commentary",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2779,
"slug": "commentary",
"isLoading": false,
"link": "/arts/tag/commentary"
},
"arts_977": {
"type": "terms",
"id": "arts_977",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "977",
"found": true
},
"relationships": {},
"name": "Film",
"slug": "film",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Film Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 995,
"isLoading": false,
"link": "/arts/tag/film"
},
"arts_5234": {
"type": "terms",
"id": "arts_5234",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5234",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Hulu",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Hulu Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5246,
"slug": "hulu",
"isLoading": false,
"link": "/arts/tag/hulu"
},
"arts_3001": {
"type": "terms",
"id": "arts_3001",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3001",
"found": true
},
"relationships": {},
"featImg": null,
"name": "silicon valley",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "silicon valley Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3013,
"slug": "silicon-valley",
"isLoading": false,
"link": "/arts/tag/silicon-valley"
},
"arts_1935": {
"type": "terms",
"id": "arts_1935",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1935",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tech",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tech Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1947,
"slug": "tech",
"isLoading": false,
"link": "/arts/tag/tech"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
},
"arts_74": {
"type": "terms",
"id": "arts_74",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "74",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Movies",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Movies Archives | KQED Arts",
"ogDescription": null
},
"ttid": 75,
"slug": "movies",
"isLoading": false,
"link": "/arts/category/movies"
},
"arts_3114": {
"type": "terms",
"id": "arts_3114",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3114",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Disney",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Disney Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3126,
"slug": "disney",
"isLoading": false,
"link": "/arts/tag/disney"
},
"arts_3241": {
"type": "terms",
"id": "arts_3241",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3241",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Star Wars",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Star Wars Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3253,
"slug": "star-wars",
"isLoading": false,
"link": "/arts/tag/star-wars"
},
"arts_5422": {
"type": "terms",
"id": "arts_5422",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5422",
"found": true
},
"relationships": {},
"featImg": null,
"name": "television",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "television Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5434,
"slug": "television",
"isLoading": false,
"link": "/arts/tag/television"
},
"arts_1191": {
"type": "terms",
"id": "arts_1191",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1191",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Sesame Street",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Sesame Street in the Bay: Fun & Learning for the Bay's Little Ones",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Learn with Elmo, Grover & friends in sunny San Francisco! KQED shares Sesame Street's Bay Area adventures, songs, and educational resources.",
"metaRobotsNoIndex": "index",
"title": "Sesame Street in the Bay: Fun & Learning for the Bay's Little Ones",
"ogDescription": null
},
"ttid": 1203,
"slug": "sesame-street",
"isLoading": false,
"link": "/arts/tag/sesame-street"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_1537": {
"type": "terms",
"id": "arts_1537",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1537",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Bob Dylan",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Bob Dylan Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1549,
"slug": "bob-dylan",
"isLoading": false,
"link": "/arts/tag/bob-dylan"
},
"arts_1341": {
"type": "terms",
"id": "arts_1341",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1341",
"found": true
},
"relationships": {},
"featImg": null,
"name": "David Bowie",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "David Bowie Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1353,
"slug": "david-bowie",
"isLoading": false,
"link": "/arts/tag/david-bowie"
},
"arts_905": {
"type": "terms",
"id": "arts_905",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "905",
"found": true
},
"relationships": {},
"featImg": null,
"name": "rock",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "rock Archives | KQED Arts",
"ogDescription": null
},
"ttid": 923,
"slug": "rock",
"isLoading": false,
"link": "/arts/tag/rock"
},
"arts_16311": {
"type": "terms",
"id": "arts_16311",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "16311",
"found": true
},
"relationships": {},
"featImg": null,
"name": "2021 recapped",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "2021 recapped Archives | KQED Arts",
"ogDescription": null
},
"ttid": 16323,
"slug": "2021-recapped",
"isLoading": false,
"link": "/arts/tag/2021-recapped"
},
"arts_10127": {
"type": "terms",
"id": "arts_10127",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10127",
"found": true
},
"relationships": {},
"featImg": null,
"name": "covid-19",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "covid-19 Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10139,
"slug": "covid-19",
"isLoading": false,
"link": "/arts/tag/covid-19"
},
"arts_10416": {
"type": "terms",
"id": "arts_10416",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10416",
"found": true
},
"relationships": {},
"featImg": null,
"name": "shelter in place",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "shelter in place Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10428,
"slug": "shelter-in-place",
"isLoading": false,
"link": "/arts/tag/shelter-in-place"
},
"arts_13825": {
"type": "terms",
"id": "arts_13825",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "13825",
"found": true
},
"relationships": {},
"featImg": null,
"name": "musicals",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "musicals Archives | KQED Arts",
"ogDescription": null
},
"ttid": 13837,
"slug": "musicals",
"isLoading": false,
"link": "/arts/tag/musicals"
},
"arts_1928": {
"type": "terms",
"id": "arts_1928",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1928",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tony kushner",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tony kushner Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1940,
"slug": "tony-kushner",
"isLoading": false,
"link": "/arts/tag/tony-kushner"
},
"arts_8482": {
"type": "terms",
"id": "arts_8482",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "8482",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ABC",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ABC Archives | KQED Arts",
"ogDescription": null
},
"ttid": 8494,
"slug": "abc",
"isLoading": false,
"link": "/arts/tag/abc"
},
"arts_11323": {
"type": "terms",
"id": "arts_11323",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "11323",
"found": true
},
"relationships": {},
"featImg": null,
"name": "celebrities",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "celebrities Archives | KQED Arts",
"ogDescription": null
},
"ttid": 11335,
"slug": "celebrities",
"isLoading": false,
"link": "/arts/tag/celebrities"
},
"arts_3388": {
"type": "terms",
"id": "arts_3388",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3388",
"found": true
},
"relationships": {},
"featImg": null,
"name": "christmas",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "christmas Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3400,
"slug": "christmas",
"isLoading": false,
"link": "/arts/tag/christmas"
},
"arts_3247": {
"type": "terms",
"id": "arts_3247",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3247",
"found": true
},
"relationships": {},
"featImg": null,
"name": "holidays",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "holidays Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3259,
"slug": "holidays",
"isLoading": false,
"link": "/arts/tag/holidays"
},
"arts_8530": {
"type": "terms",
"id": "arts_8530",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "8530",
"found": true
},
"relationships": {},
"featImg": null,
"name": "1970s",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "1970s Archives | KQED Arts",
"ogDescription": null
},
"ttid": 8542,
"slug": "1970s",
"isLoading": false,
"link": "/arts/tag/1970s"
},
"arts_13672": {
"type": "terms",
"id": "arts_13672",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "13672",
"found": true
},
"relationships": {},
"name": "Documentaries",
"slug": "documentaries",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Documentaries | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 13684,
"isLoading": false,
"link": "/arts/tag/documentaries"
},
"arts_6187": {
"type": "terms",
"id": "arts_6187",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6187",
"found": true
},
"relationships": {},
"featImg": null,
"name": "h.e.r.",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "h.e.r. Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6199,
"slug": "h-e-r",
"isLoading": false,
"link": "/arts/tag/h-e-r"
},
"arts_1677": {
"type": "terms",
"id": "arts_1677",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1677",
"found": true
},
"relationships": {},
"featImg": null,
"name": "john adams",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "john adams Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1689,
"slug": "john-adams",
"isLoading": false,
"link": "/arts/tag/john-adams"
},
"arts_1366": {
"type": "terms",
"id": "arts_1366",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1366",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Michael Tilson Thomas",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Michael Tilson Thomas Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1378,
"slug": "michael-tilson-thomas",
"isLoading": false,
"link": "/arts/tag/michael-tilson-thomas"
},
"arts_1367": {
"type": "terms",
"id": "arts_1367",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1367",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco Symphony",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Symphony Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1379,
"slug": "san-francisco-symphony",
"isLoading": false,
"link": "/arts/tag/san-francisco-symphony"
},
"arts_8682": {
"type": "terms",
"id": "arts_8682",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "8682",
"found": true
},
"relationships": {},
"featImg": null,
"name": "saweetie",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "saweetie Archives | KQED Arts",
"ogDescription": null
},
"ttid": 8694,
"slug": "saweetie",
"isLoading": false,
"link": "/arts/tag/saweetie"
},
"arts_928": {
"type": "terms",
"id": "arts_928",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "928",
"found": true
},
"relationships": {},
"featImg": null,
"name": "books",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 946,
"slug": "books",
"isLoading": false,
"link": "/arts/tag/books"
},
"arts_1376": {
"type": "terms",
"id": "arts_1376",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1376",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Harry Potter",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Harry Potter Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1388,
"slug": "harry-potter",
"isLoading": false,
"link": "/arts/tag/harry-potter"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}
