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"content": "\u003cp>Festival season kicks off this month in the Bay Area, and we’re really excited to bring you the the third annual \u003ca href=\"http://www.phonodelsol.com\">\u003cb>Phono del Sol Music & Food Festival\u003c/b>\u003c/a> on July 13. This episode features new music from \u003cb>Phono del Sol\u003c/b> performers \u003ca href=\"https://www.facebook.com/bblouse\">Blouse\u003c/a> and \u003ca href=\"https://www.facebook.com/paintedpalms\">Painted Palms\u003c/a>, two of the twelve great bands that will be performing. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Festival season kicks off this month in the Bay Area, and we’re really excited to bring you the the third annual \u003ca href=\"http://www.phonodelsol.com\">\u003cb>Phono del Sol Music & Food Festival\u003c/b>\u003c/a> on July 13. This episode features new music from \u003cb>Phono del Sol\u003c/b> performers \u003ca href=\"https://www.facebook.com/bblouse\">Blouse\u003c/a> and \u003ca href=\"https://www.facebook.com/paintedpalms\">Painted Palms\u003c/a>, two of the twelve great bands that will be performing. Speaking of all-day fun, the \u003ca href=\"http://www.burgerboogaloo.com/\">\u003cb>Burger Boogaloo\u003c/b>\u003c/a> brings \u003ca href=\"https://www.facebook.com/theoblivians\">Oblivians\u003c/a>, Redd Kross, Jonathan Richman, Fuzz and more to Oakland’s Mosswood Park on July 6 and 7.\u003c/p>\n\u003cp>Beyond the festivals, there are plenty more excellent shows coming up in July. \u003ca href=\"https://www.facebook.com/powerdovemusic\">Powerdove\u003c/a>‘s Annie Lewandowski started her band in the Bay Area; she’s back in town on the heels of \u003cem>Do You Burn?\u003c/em>, recorded with Deerhoof’s John Dieterich. If you’re in the mood for something heavier, there’s \u003ca href=\"https://www.facebook.com/hausuboys\">Hausu\u003c/a>‘s mix of indie rock and punk sounds, as well as SF’s \u003ca href=\"https://www.facebook.com/deafheaven\">Deafheaven\u003c/a> returning from tour after releasing the acclaimed \u003cem>Sunbather\u003c/em>.\u003c/p>\n\u003cp>Enjoy the podcast and then go see some concerts!\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/BrassBed\">Brass Bed\u003c/a> — “I’ll Be There With Bells On”\u003cbr>Joining Sea of Bees and Garrett Pierce on July 16 at the \u003ca href=\"http://www.rickshawstop.com/calendar/\">Rickshaw Stop\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/bblouse\">Blouse\u003c/a> — “No Shelter”\u003cbr>\u003ca href=\"https://www.facebook.com/paintedpalms\">Painted Palms\u003c/a> — “Upper Floors”\u003cbr>Both bands are performing at the \u003ca href=\"http://www.phonodelsol.com/\">\u003cb>Phono del Sol Music & Food Festival\u003c/b>\u003c/a> at Potrero del Sol Park on July 13.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>On Saturday, July 13, 2013, The Bay Bridged and Tiny Telephone are returning to Potrero del Sol Park for the third annual \u003cstrong>\u003ca href=\"http://www.phonodelsol.com/\">Phono del Sol Music & Food Festival\u003c/a>\u003c/strong>, an all-day, all-ages celebration of great music and food.\u003c/p>\n\u003cp>We’ve got twelve amazing bands set to perform, led by SF’s \u003ca href=\"http://www.phonodelsol.com/performers/thee-oh-sees/\">Thee Oh Sees\u003c/a> and LA-by-way-of-Portland band \u003ca href=\"http://www.phonodelsol.com/performers/yacht/\">YACHT\u003c/a>. They’ll be joined by garage pop duo \u003ca href=\"http://www.phonodelsol.com/performers/bleached/\">Bleached\u003c/a>, rapper \u003ca href=\"http://www.phonodelsol.com/performers/k-flay/\">K.Flay\u003c/a>, guitar shredder \u003ca href=\"http://www.phonodelsol.com/performers/marnie-stern/\">Marnie Stern\u003c/a>, and synth-pop duo \u003ca href=\"http://www.phonodelsol.com/performers/painted-palms/\">Painted Palms\u003c/a>, as well as \u003ca href=\"http://www.phonodelsol.com/performers/blouse/\">Blouse\u003c/a>, \u003ca href=\"http://www.phonodelsol.com/performers/radiation-city/\">Radiation City\u003c/a>, \u003ca href=\"http://www.phonodelsol.com/performers/social-studies/\">Social Studies\u003c/a>, \u003ca href=\"http://www.phonodelsol.com/performers/cool-ghouls/\">Cool Ghouls\u003c/a>, \u003ca href=\"http://www.phonodelsol.com/performers/surf-club/\">Surf Club\u003c/a> and \u003ca href=\"http://www.phonodelsol.com/performers/b-hamilton/\">B. Hamilton\u003c/a>. This mixtape collects songs from all twelve Phono del Sol artists, and, as you’ll hear, it’s an exciting mix of performers.\u003c/p>\n\u003cp>As the festival’s name indicates, though, Phono del Sol isn’t just a music festival. In addition the bands, the fest will also include eight local food trucks, local arts and crafts vendors, and a beer and wine garden. In other words, it’s a can’t-miss day of music, food, and tons of fun. \u003ca href=\"http://www.phonodelsol.com/tickets/\">Buy your tickets now!\u003c/a>\u003c/p>\n\u003cp>\u003cu>Track Listing:\u003c/u>\u003c/p>\n\u003cp>\u003cspan id=\"more-76843\">\u003c/span>\u003ca href=\"http://www.phonodelsol.com/performers/bleached/\">Bleached\u003c/a> — “Next Stop”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/thee-oh-sees/\">Thee Oh Sees\u003c/a> — “I Come From The Mountain”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/radiation-city/\">Radiation City\u003c/a> — “Zombies”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/painted-palms/\">Painted Palms\u003c/a> — “Carousel”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/yacht/\">YACHT\u003c/a> — “Second Summer”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/blouse/\">Blouse\u003c/a> — “Into Black”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/k-flay/\">K.Flay\u003c/a> — “Don’t Wait Up”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/marnie-stern/\">Marnie Stern\u003c/a> — “Year of the Glad”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/cool-ghouls/\">Cool Ghouls\u003c/a> — “Natural Life”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/social-studies/\">Social Studies\u003c/a> — “Terracur”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/b-hamilton/\">B. Hamilton\u003c/a> — “Turn Out the Lights”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/surf-club/\">Surf Club\u003c/a> — “Heaven”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Saturday, July 13, 2013, The Bay Bridged and Tiny Telephone are returning to Potrero del Sol Park for the third annual \u003cstrong>\u003ca href=\"http://www.phonodelsol.com/\">Phono del Sol Music & Food Festival\u003c/a>\u003c/strong>, an all-day, all-ages celebration of great music and food.\u003c/p>\n\u003cp>We’ve got twelve amazing bands set to perform, led by SF’s \u003ca href=\"http://www.phonodelsol.com/performers/thee-oh-sees/\">Thee Oh Sees\u003c/a> and LA-by-way-of-Portland band \u003ca href=\"http://www.phonodelsol.com/performers/yacht/\">YACHT\u003c/a>. They’ll be joined by garage pop duo \u003ca href=\"http://www.phonodelsol.com/performers/bleached/\">Bleached\u003c/a>, rapper \u003ca href=\"http://www.phonodelsol.com/performers/k-flay/\">K.Flay\u003c/a>, guitar shredder \u003ca href=\"http://www.phonodelsol.com/performers/marnie-stern/\">Marnie Stern\u003c/a>, and synth-pop duo \u003ca href=\"http://www.phonodelsol.com/performers/painted-palms/\">Painted Palms\u003c/a>, as well as \u003ca href=\"http://www.phonodelsol.com/performers/blouse/\">Blouse\u003c/a>, \u003ca href=\"http://www.phonodelsol.com/performers/radiation-city/\">Radiation City\u003c/a>, \u003ca href=\"http://www.phonodelsol.com/performers/social-studies/\">Social Studies\u003c/a>, \u003ca href=\"http://www.phonodelsol.com/performers/cool-ghouls/\">Cool Ghouls\u003c/a>, \u003ca href=\"http://www.phonodelsol.com/performers/surf-club/\">Surf Club\u003c/a> and \u003ca href=\"http://www.phonodelsol.com/performers/b-hamilton/\">B. Hamilton\u003c/a>. This mixtape collects songs from all twelve Phono del Sol artists, and, as you’ll hear, it’s an exciting mix of performers.\u003c/p>\n\u003cp>As the festival’s name indicates, though, Phono del Sol isn’t just a music festival. In addition the bands, the fest will also include eight local food trucks, local arts and crafts vendors, and a beer and wine garden. In other words, it’s a can’t-miss day of music, food, and tons of fun. \u003ca href=\"http://www.phonodelsol.com/tickets/\">Buy your tickets now!\u003c/a>\u003c/p>\n\u003cp>\u003cu>Track Listing:\u003c/u>\u003c/p>\n\u003cp>\u003cspan id=\"more-76843\">\u003c/span>\u003ca href=\"http://www.phonodelsol.com/performers/bleached/\">Bleached\u003c/a> — “Next Stop”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/thee-oh-sees/\">Thee Oh Sees\u003c/a> — “I Come From The Mountain”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/radiation-city/\">Radiation City\u003c/a> — “Zombies”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/painted-palms/\">Painted Palms\u003c/a> — “Carousel”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/yacht/\">YACHT\u003c/a> — “Second Summer”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/blouse/\">Blouse\u003c/a> — “Into Black”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/k-flay/\">K.Flay\u003c/a> — “Don’t Wait Up”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/marnie-stern/\">Marnie Stern\u003c/a> — “Year of the Glad”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/cool-ghouls/\">Cool Ghouls\u003c/a> — “Natural Life”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/social-studies/\">Social Studies\u003c/a> — “Terracur”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/b-hamilton/\">B. Hamilton\u003c/a> — “Turn Out the Lights”\u003cbr>\u003ca href=\"http://www.phonodelsol.com/performers/surf-club/\">Surf Club\u003c/a> — “Heaven”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>A whole slew of great Bay Area bands are celebrating the release of new albums this month, and we’ve included songs from a number of them in this episode. As we say in the show, \u003ca href=\"https://www.facebook.com/pages/The-Mantles/147297444375\">The Mantles\u003c/a> have long been one of our favorite local bands, and early cuts from \u003cem>Long Enough To Leave\u003c/em> indicate it’s another winner from this jangle-pop quartet. Similarly, the title track from \u003ca href=\"https://www.facebook.com/thespyrals\">The Spyrals\u003c/a>‘ new LP offers rock and roll equally (and skillfully) informed by the worlds of garage and psych. In addition, we’ve also included new music from local post-punk band \u003ca href=\"https://www.facebook.com/CreativeAdult\">Creative Adult\u003c/a> and East Bay Afro-indie soul band \u003ca href=\"https://www.facebook.com/hearbellsmusic\">Bells Atlas\u003c/a>.\u003c/p>\n\u003cp>On the touring front, \u003ca href=\"https://www.facebook.com/valleysvalleysvalleys\">Valleys\u003c/a> craft expansive atmospheric pop with a strong sense of dynamics, a sound that they’re able to deliver live despite only having two members. As \u003ca href=\"https://www.facebook.com/pages/Monster-Rally/195506680491737\">Monster Rally\u003c/a>, visual artist Ted Feighan crafts pop songs out of samples of old records; he’s put out several albums on Oakland’s Gold Robot Records. 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Total Control’s show finds the band sandwiched between Fuzz and Thee Oh Sees for what promises to be a hell of a show.\u003c/p>\n\u003cp>Enjoy the podcast and then go see some concerts!\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/The-Mantles/147297444375\">The Mantles\u003c/a> — “Brown Balloon”\u003cbr>Celebrating \u003cem>Long Enough To Leave\u003c/em> with shows at the \u003ca href=\"http://www.rickshawstop.com/calendar/\">Rickshaw Stop\u003c/a> on June 14 and the \u003ca href=\"https://www.facebook.com/events/546472748724850/\">White Horse Bar\u003c/a> on June 22.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/valleysvalleysvalleys\">Valleys\u003c/a> — “Hounds”\u003cbr>Coming to \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on June 26; Weeknight and Disappearing People also play.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/COLDCAVE\">Cold Cave\u003c/a> — “God Made The World”\u003cbr>Boyd Rice joins Wesley Eisold’s band at \u003ca href=\"http://publicsf.com/listing\">Public Works\u003c/a> on June 15.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/JAPANTHER/22378113409\">Japanther\u003c/a> — “Stolen Flowers”\u003cbr>Playing on June 28 at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> with Defiance, Ohio and Psilovision.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/CreativeAdult\">Creative Adult\u003c/a> — “Bulls In The Yard”\u003cbr>Supporting The New Trust at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on June 21.\u003c/p>\n\u003cp>\u003ca href=\"http://hengebeat.bandcamp.com/\">Total Control\u003c/a> — “The Hammer”\u003cbr>The Australian band’s US tour concludes with a show at the \u003ca href=\"http://www.sf-eagle.com\">Eagle Tavern\u003c/a> on June 8 and one at \u003ca href=\"http://www.uptownnightclub.com/\">The Uptown\u003c/a> on June 9.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Buffalo-Tooth/189782587748231\">Buffalo Tooth\u003c/a> — “Only Son”\u003cbr>Performing at the \u003ca href=\"http://hemlocktavern.com/calendar.php\">Hemlock Tavern\u003c/a> with The Trashies and Scraper on June 12.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/thespyrals\">The Spyrals\u003c/a> — “Out of Sight”\u003cbr>Celebrating the release of \u003cem>Out of Sight\u003c/em> at the \u003ca href=\"http://www.brickandmortarmusic.com/\">Brick & Mortar Music Hall\u003c/a> on June 26 with Deep Space, Disappearing People, Al Lover, Max Pain, and DJ Darragh Skelton.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/blitzentrapper\">Blitzen Trapper\u003c/a> — “Love the Way You Walk Away”\u003cbr>Joining Fruit Bats, Cass McCombs, Damien Jurado, Jessica Pratt and more at the \u003ca href=\"http://www.huichicamusicfestival.com/lineup/\">Huichica Music Festival\u003c/a> on June 14 and 15.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Monster-Rally/195506680491737\">Monster Rally\u003c/a> — “Honey”\u003cbr>Headlining the \u003ca href=\"http://www.brickandmortarmusic.com/\">Brick & Mortar Music Hall\u003c/a> on June 23, with support from Steezy Ray Vibes, Shortcircles, and duckyousucker.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/H3YD33J\">D33J\u003c/a> — “Park (Tape Version)”\u003cbr>D33J’s North American tour with Baths comes to the \u003ca href=\"http://www.slimspresents.com/calendar/\">Great American Music Hall\u003c/a> on June 29.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/handssounds\">Hands\u003c/a> — “Trouble”\u003cbr>On June 21, the LA band’s tour stops at \u003ca href=\"http://www.brickandmortarmusic.com/\">Brick & Mortar Music Hall\u003c/a>; also performing: Be Calm Honcho and Ally Hasche and The Bad Boys.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/hearbellsmusic\">Bells Atlas\u003c/a> — “Incessant Noise”\u003cbr>Throwing an album release party for \u003cem>Bells Atlas\u003c/em> at \u003ca href=\"http://www.thenewparish.com/\">The New Parish\u003c/a> on June 14 with The Seshen and DJ Treat-U-Nice.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>We’ve all thought about this – what to play during that certain time with your loved one (or the one you just met) to set the mood? The right music can really make a good intimate moment better; and bad music can end that moment altogether. So from the soft and sweet to hardcore, we’ve put together a list of some indie tracks to start your evening, or afternoon, or first thing in the morning off right; no matter what kind of music you’re into.\u003c/p>\n\u003cp>Tracklist:\u003c/p>\n\u003cp>\u003c/p>\u003cul>Jaime’s picks:\u003cbr>1. “Headache” — METZ, \u003ci>METZ\u003c/i>\u003cbr>2. “Plaster Casts of Everything” — Liars, \u003ci>Liars\u003c/i>\u003cbr>3. “Come With Me” — CEO, \u003ci>White Magic\u003c/i>\u003cbr>4. “Innh Dahh” — Matthew Dear, \u003ci>Black City\u003c/i>\n\u003cul>Olivia’s picks:\u003c/ul>\n\u003cp> 5. “Tin Man” — Future Islands, \u003ci>In Evening Air\u003c/i>\u003cbr>6. “15 Step” — Radiohead, \u003ci>In Rainbows\u003c/i>\u003cbr>7. “Zebra” — Beach House, \u003ci>Teen Dream\u003c/i>\u003cbr>8. “BTSTU” — Jai Paul, single\u003c/p>\n\u003cul>Dawson’s picks:\u003c/ul>\n\u003cp>9. “Sweet Talk” — Jessie Ware, \u003ci>Devotion\u003c/i>\u003cbr>10. “The Morning” — The Weeknd, \u003ci>Trilogy\u003c/i>\u003cbr>11. “Gaudy Side of Town” — Gayngs, \u003ci>Relayted\u003c/i>\u003cbr>12. “Heartbeats” — The Knife, \u003ci>Deep Cuts\u003c/i>\u003c/p>\n\u003c/ul>\u003cp>\u003c/p>\u003c/div>",
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"title": "Mixtape: San Francisco's Newest Psychedelic Sounds",
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"content": "\u003cp>It’s almost 18 months since we last did \u003ca href=\"http://www.thebaybridged.com/2011/12/23/2011-in-review-mixtape-highlights-from-sf-psych-drone-and-shoegaze/\">a psych-focused mixtape\u003c/a>, which means there’s quite a bit to catch up on. The Bay continues to be a vital source for top-notch mind-expanding bands, whether it’s the heady drones of \u003ca href=\"https://www.facebook.com/pages/Carlton-Melton-band-page/142609689122268\" target=\"_blank\" rel=\"noopener\">Carlton Melton\u003c/a> and \u003ca href=\"https://www.facebook.com/datepalmsofpsalms\" target=\"_blank\" rel=\"noopener\">Date Palms\u003c/a>, or the swaggering rock of \u003ca href=\"https://www.facebook.com/pages/Glitter-Wizard/77619029508\" target=\"_blank\" rel=\"noopener\">Glitter Wizard\u003c/a> and \u003ca href=\"https://www.facebook.com/CooCooBirds\" target=\"_blank\" rel=\"noopener\">Coo Coo Birds\u003c/a>.\u003c/p>\n\u003cp>Several of the groups included here have new records either out now or coming out soon. Prolific instrumental duo \u003ca href=\"https://www.facebook.com/pages/Barn-Owl/238373636592\" target=\"_blank\" rel=\"noopener\">Barn Owl\u003c/a> just released its fifth album, \u003cem>V\u003c/em>, on Thrill Jockey; meanwhile, cosmic rock group \u003ca href=\"https://www.facebook.com/Lumerians\" target=\"_blank\" rel=\"noopener\">Lumerians\u003c/a> is serving up \u003cem>The High Frontier\u003c/em> later this year. While we’ve been following some of these bands for years, it’s exciting that they’re joined here by a number of newer arrivals, like \u003ca href=\"http://troubleinmindrecs.com/bands/fuzz.html\" target=\"_blank\" rel=\"noopener\">Fuzz\u003c/a> (a heavy rock project from Ty Segall and Charlie Moothart), \u003ca href=\"https://www.facebook.com/GroupRhoda\" target=\"_blank\" rel=\"noopener\">Group Rhoda\u003c/a>‘s experimental synth songs, and electrified jams from \u003ca href=\"https://www.facebook.com/goldenvoid\" target=\"_blank\" rel=\"noopener\">Golden Void\u003c/a> and \u003ca href=\"https://www.facebook.com/PhilManleyLifeCoach\" target=\"_blank\" rel=\"noopener\">Life Coach\u003c/a> (both of which feature the guitar work of Isaiah Mitchell of Earthless).\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Track Listing:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://troubleinmindrecs.com/bands/fuzz.html\" target=\"_blank\" rel=\"noopener\">Fuzz\u003c/a> — “This Time I Got A Reason”\u003cbr>\u003ca href=\"https://www.facebook.com/datepalmsofpsalms\" target=\"_blank\" rel=\"noopener\">Date Palms\u003c/a> — “Yuba Reprise”\u003cbr>\u003ca href=\"https://www.facebook.com/GroupRhoda\" target=\"_blank\" rel=\"noopener\">Group Rhoda\u003c/a> — “Fire”\u003cbr>\u003ca href=\"https://www.facebook.com/Lumerians\" target=\"_blank\" rel=\"noopener\">Lumerians\u003c/a> — “Tawazula”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Glitter-Wizard/77619029508\" target=\"_blank\" rel=\"noopener\">Glitter Wizard\u003c/a> — “Motorider”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Carlton-Melton-band-page/142609689122268\" target=\"_blank\" rel=\"noopener\">Carlton Melton\u003c/a> — “Space Treader”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Disappearing-People/203599926337159\" target=\"_blank\" rel=\"noopener\">Disappearing People\u003c/a> — “1”\u003cbr>\u003ca href=\"https://www.facebook.com/TheElectricShepherd\" target=\"_blank\" rel=\"noopener\">Electric Shepherd\u003c/a> — “Imitation Gardens (pt. 1)”\u003cbr>\u003ca href=\"https://www.facebook.com/goldenvoid\" target=\"_blank\" rel=\"noopener\">Golden Void\u003c/a> — “Virtue”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Barn-Owl/238373636592\" target=\"_blank\" rel=\"noopener\">Barn Owl\u003c/a> — “The Long Shadow”\u003cbr>\u003ca href=\"https://www.facebook.com/CooCooBirds\" target=\"_blank\" rel=\"noopener\">Coo Coo Birds\u003c/a> — “Dealerman”\u003cbr>\u003ca href=\"https://www.facebook.com/PhilManleyLifeCoach\" target=\"_blank\" rel=\"noopener\">Life Coach\u003c/a> — “Fireball”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s almost 18 months since we last did \u003ca href=\"http://www.thebaybridged.com/2011/12/23/2011-in-review-mixtape-highlights-from-sf-psych-drone-and-shoegaze/\">a psych-focused mixtape\u003c/a>, which means there’s quite a bit to catch up on. The Bay continues to be a vital source for top-notch mind-expanding bands, whether it’s the heady drones of \u003ca href=\"https://www.facebook.com/pages/Carlton-Melton-band-page/142609689122268\" target=\"_blank\" rel=\"noopener\">Carlton Melton\u003c/a> and \u003ca href=\"https://www.facebook.com/datepalmsofpsalms\" target=\"_blank\" rel=\"noopener\">Date Palms\u003c/a>, or the swaggering rock of \u003ca href=\"https://www.facebook.com/pages/Glitter-Wizard/77619029508\" target=\"_blank\" rel=\"noopener\">Glitter Wizard\u003c/a> and \u003ca href=\"https://www.facebook.com/CooCooBirds\" target=\"_blank\" rel=\"noopener\">Coo Coo Birds\u003c/a>.\u003c/p>\n\u003cp>Several of the groups included here have new records either out now or coming out soon. Prolific instrumental duo \u003ca href=\"https://www.facebook.com/pages/Barn-Owl/238373636592\" target=\"_blank\" rel=\"noopener\">Barn Owl\u003c/a> just released its fifth album, \u003cem>V\u003c/em>, on Thrill Jockey; meanwhile, cosmic rock group \u003ca href=\"https://www.facebook.com/Lumerians\" target=\"_blank\" rel=\"noopener\">Lumerians\u003c/a> is serving up \u003cem>The High Frontier\u003c/em> later this year. While we’ve been following some of these bands for years, it’s exciting that they’re joined here by a number of newer arrivals, like \u003ca href=\"http://troubleinmindrecs.com/bands/fuzz.html\" target=\"_blank\" rel=\"noopener\">Fuzz\u003c/a> (a heavy rock project from Ty Segall and Charlie Moothart), \u003ca href=\"https://www.facebook.com/GroupRhoda\" target=\"_blank\" rel=\"noopener\">Group Rhoda\u003c/a>‘s experimental synth songs, and electrified jams from \u003ca href=\"https://www.facebook.com/goldenvoid\" target=\"_blank\" rel=\"noopener\">Golden Void\u003c/a> and \u003ca href=\"https://www.facebook.com/PhilManleyLifeCoach\" target=\"_blank\" rel=\"noopener\">Life Coach\u003c/a> (both of which feature the guitar work of Isaiah Mitchell of Earthless).\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Track Listing:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://troubleinmindrecs.com/bands/fuzz.html\" target=\"_blank\" rel=\"noopener\">Fuzz\u003c/a> — “This Time I Got A Reason”\u003cbr>\u003ca href=\"https://www.facebook.com/datepalmsofpsalms\" target=\"_blank\" rel=\"noopener\">Date Palms\u003c/a> — “Yuba Reprise”\u003cbr>\u003ca href=\"https://www.facebook.com/GroupRhoda\" target=\"_blank\" rel=\"noopener\">Group Rhoda\u003c/a> — “Fire”\u003cbr>\u003ca href=\"https://www.facebook.com/Lumerians\" target=\"_blank\" rel=\"noopener\">Lumerians\u003c/a> — “Tawazula”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Glitter-Wizard/77619029508\" target=\"_blank\" rel=\"noopener\">Glitter Wizard\u003c/a> — “Motorider”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Carlton-Melton-band-page/142609689122268\" target=\"_blank\" rel=\"noopener\">Carlton Melton\u003c/a> — “Space Treader”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Disappearing-People/203599926337159\" target=\"_blank\" rel=\"noopener\">Disappearing People\u003c/a> — “1”\u003cbr>\u003ca href=\"https://www.facebook.com/TheElectricShepherd\" target=\"_blank\" rel=\"noopener\">Electric Shepherd\u003c/a> — “Imitation Gardens (pt. 1)”\u003cbr>\u003ca href=\"https://www.facebook.com/goldenvoid\" target=\"_blank\" rel=\"noopener\">Golden Void\u003c/a> — “Virtue”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Barn-Owl/238373636592\" target=\"_blank\" rel=\"noopener\">Barn Owl\u003c/a> — “The Long Shadow”\u003cbr>\u003ca href=\"https://www.facebook.com/CooCooBirds\" target=\"_blank\" rel=\"noopener\">Coo Coo Birds\u003c/a> — “Dealerman”\u003cbr>\u003ca href=\"https://www.facebook.com/PhilManleyLifeCoach\" target=\"_blank\" rel=\"noopener\">Life Coach\u003c/a> — “Fireball”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "BottleRock Napa: A Music Festival in Wine Country",
"headTitle": "BottleRock Napa: A Music Festival in Wine Country | KQED",
"content": "\u003cp>\u003cb>BottleRock\u003c/b> set up shop in wine country for five days this past week at the Napa Expo Center. It was \u003ci>hot\u003c/i>, in the 80s and sunny as could be. The crowd was extremely eclectic, filled with Napa locals, Sacramento folks, well-dressed wine aficionados, and young pseudo hipsters. With bands like Zac Brown Band, The Black Keys, and Dwight Yoakam, the music pot was melted.\u003c/p>\n\u003cp>It was interesting to be outside the circuit of music festivals that usually cater to indie lovers such as myself. I was surrounded by people sipping wine — and as Sharon Van Etten put it, “Capri-sun cocktails” — discussing the previous day’s acts with fervor. While waiting for Edward Sharpe and the Magnetic Zeros to take the stage on Saturday, the group around me recounted the Black Keys’ closing performance on Friday night.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/TheBlackKeysPhotographerJeromeBrunetBottleRock11.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>The Black Keys. Photo courtesy of Jerome Brunet and BottleRock Napa Valley\u003c/center>\n\u003cp>The Black Keys was a special set. As I mentioned in my pre-festival \u003ca href=\"http://www.kqed.org/arts/music/article.jsp?essid=120462\">wish list\u003c/a>, I was excited to see their creative stage set-up in the spirit of blues brothers’ rock. This tour’s stage consisted of a wall of various light fixtures, antique to new. The band members themselves seemed a bit fatigued on the tail end of their world tour, but they played to an audience that was more than excited to scream along with every word, going ballistic during their favorite songs.\u003c/p>\n\u003cp>One highlight was their performance of “Little Black Submarines” off their 2011 release, \u003ci>El Camino\u003c/i>. The song built slowly and beautifully with singer Dan Auerbach soloing on his Harmony guitar, spotlit on a dark stage. The lights went out just before the bridge, exploding moments later with drummer Pat Carney joining in, pushing the momentum forward and transforming the downbeat soul rock song into a rock and roll jam. The Black Keys were in full form. It’s about time for a new album (rumor has it they’re recording this summer) so I expect an even more evolved tour from them the next time around. Needless to say, no one left \u003cb>BottleRock\u003c/b> Friday night without having sufficiently rocked out, myself included. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/BestCoastPhotographerPaigeParsonsBottleRock1.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Best Coast. Photo courtesy of Paige Parsons and BottleRock Napa Valley\u003c/center>\n\u003cp>There were three main stages at \u003cb>BottleRock\u003c/b>, one very large, one medium sized, and one small and intimate. The medium-sized Citi Stage proved to be my favorite on Saturday. I only strayed for Best Coast at the Willpower Stage upon my arrival to the fest in the early afternoon. They were a pleasant surprise. I didn’t enjoy Best Coast at \u003ca href=\"http://www.kqed.org/arts/music/article.jsp?essid=109564\">Treasure Island last year\u003c/a> as much as I hoped I would. This time, their set closely resembled the soaring surf rock on their records. Best Coast was spot on early in the day and the “best” (pun intended), way to start the festival for me on Saturday in Napa. \u003c/p>\n\u003cp>After Best Coast I settled at the Citi Stage for Sharon Van Etten. I absolutely adore Van Etten’s dark and airy folk songs, but was skeptical as to how they would translate on a blazing hot summer day, with the sun beating down. Her set was transcendent and powerful. Her electric guitar pierced the heat and transported us to a cooler, darker place, so much so I almost forgot how much I was sweating.\u003c/p>\n\u003cp>Dwight Yoakam graced the Citi Stage with his presence after Allen Stone. The band donned sequined western wear blazers and Dwight rocked his cowboy hat and double denim. He had a story about each song, playing old favorites such as “Honky Tonk Man” and “A Thousand Miles From Nowhere.” He gave us some sage advice not to look directly into the sun, and thanked us for coming out in the heat of the day for some country and Western.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/EdSharpe3.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Edward Sharpe and the Magnetic Zeros. Photo courtesy of BottleRock Napa Valley\u003c/center>\n\u003cp>I counted ten members of Edward Sharpe and the Magnetic Zeros on stage at \u003cb>BottleRock\u003c/b>, the usual number. What always intrigues me about this Los Angeles-based band is how comfortable they are on stage. Singers Alexander Ebert and Jade Castrinos interact with each other and the audience with ease and excitement. Ebert engaged the crowd with questions, story telling, and feedback. The set ended on the highest of notes and a cloud of dust with the popular track “Home.”\u003c/p>\n\u003cp>Sunday was even warmer with a bit more of a breeze. I sought refuge under the wind-screened pavilion of the Miner Stage for Mavis Staples. She commanded that stage and that microphone like a Roman emperor and when the first notes of “The Weight” began to play with “I rode into Nazareth…” all the heat-stricken people under that pavilion shot to their feet. Throughout her set I was breathless and in disbelief that I was standing before this living legend who could provide such deliverance with her voice. Near the end of her performance of “Freedom Highway” she trailed on and on: “Made up my mind and I won’t turn around… I will be on freedom highway until Dr. King’s dream has been realized. I \u003ci>won’t\u003c/i> turn around.”\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/GroupLovePhotographerDylanBonickBottleRock3.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>GROUPLOVE. Photo courtesy of Dylan Bonick and BottleRock Napa Valley\u003c/center>\n\u003cp>Without comparison to Mavis Staples, because let’s just be honest, that would be music blasphemy, GROUPLOVE stole my heart at \u003cb>BottleRock\u003c/b>. Hannah Hooper told terrible joke, “Hey Napa, you guys got any grapes?” and it was impossible to be upset in the face of her infectious charisma. Every song they played had the audience smiling, jumping, and climbing as high into the air as they could. The band seemed to be enjoying themselves too. “Slow” began just like that, slow, with Hooper showcasing her gorgeous emotive vocals. The musical arrangement built steadily and rapidly with just a touch of agitation foreshadowing the eruption at the finale of the song. All eyes were on the band as they threw their heads back and forth in perfect time.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>I tend to enjoy seeing folk bands and low key music live at a festival, but \u003cb>BottleRock\u003c/b> was too hot for that. The sweat was already rolling down everyone’s back, so what’s left is to dance, it makes the heat bearable. Tickets are already available for next year’s fest, scheduled for May 9-11, 2014, a bold move without a line-up, but there really is something for everyone at this festival. For \u003ca href=\"http://bottlerocknapavalley.com/\">more information\u003c/a> visit bottlerocknapavalley.com.\u003c/p>\n\n",
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"excerpt": "A recap of last weekend's rollicking wine-country music festival, from the overheated trenches.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>BottleRock\u003c/b> set up shop in wine country for five days this past week at the Napa Expo Center. It was \u003ci>hot\u003c/i>, in the 80s and sunny as could be. The crowd was extremely eclectic, filled with Napa locals, Sacramento folks, well-dressed wine aficionados, and young pseudo hipsters. With bands like Zac Brown Band, The Black Keys, and Dwight Yoakam, the music pot was melted.\u003c/p>\n\u003cp>It was interesting to be outside the circuit of music festivals that usually cater to indie lovers such as myself. I was surrounded by people sipping wine — and as Sharon Van Etten put it, “Capri-sun cocktails” — discussing the previous day’s acts with fervor. While waiting for Edward Sharpe and the Magnetic Zeros to take the stage on Saturday, the group around me recounted the Black Keys’ closing performance on Friday night.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/TheBlackKeysPhotographerJeromeBrunetBottleRock11.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>The Black Keys. Photo courtesy of Jerome Brunet and BottleRock Napa Valley\u003c/center>\n\u003cp>The Black Keys was a special set. As I mentioned in my pre-festival \u003ca href=\"http://www.kqed.org/arts/music/article.jsp?essid=120462\">wish list\u003c/a>, I was excited to see their creative stage set-up in the spirit of blues brothers’ rock. This tour’s stage consisted of a wall of various light fixtures, antique to new. The band members themselves seemed a bit fatigued on the tail end of their world tour, but they played to an audience that was more than excited to scream along with every word, going ballistic during their favorite songs.\u003c/p>\n\u003cp>One highlight was their performance of “Little Black Submarines” off their 2011 release, \u003ci>El Camino\u003c/i>. The song built slowly and beautifully with singer Dan Auerbach soloing on his Harmony guitar, spotlit on a dark stage. The lights went out just before the bridge, exploding moments later with drummer Pat Carney joining in, pushing the momentum forward and transforming the downbeat soul rock song into a rock and roll jam. The Black Keys were in full form. It’s about time for a new album (rumor has it they’re recording this summer) so I expect an even more evolved tour from them the next time around. Needless to say, no one left \u003cb>BottleRock\u003c/b> Friday night without having sufficiently rocked out, myself included. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/BestCoastPhotographerPaigeParsonsBottleRock1.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Best Coast. Photo courtesy of Paige Parsons and BottleRock Napa Valley\u003c/center>\n\u003cp>There were three main stages at \u003cb>BottleRock\u003c/b>, one very large, one medium sized, and one small and intimate. The medium-sized Citi Stage proved to be my favorite on Saturday. I only strayed for Best Coast at the Willpower Stage upon my arrival to the fest in the early afternoon. They were a pleasant surprise. I didn’t enjoy Best Coast at \u003ca href=\"http://www.kqed.org/arts/music/article.jsp?essid=109564\">Treasure Island last year\u003c/a> as much as I hoped I would. This time, their set closely resembled the soaring surf rock on their records. Best Coast was spot on early in the day and the “best” (pun intended), way to start the festival for me on Saturday in Napa. \u003c/p>\n\u003cp>After Best Coast I settled at the Citi Stage for Sharon Van Etten. I absolutely adore Van Etten’s dark and airy folk songs, but was skeptical as to how they would translate on a blazing hot summer day, with the sun beating down. Her set was transcendent and powerful. Her electric guitar pierced the heat and transported us to a cooler, darker place, so much so I almost forgot how much I was sweating.\u003c/p>\n\u003cp>Dwight Yoakam graced the Citi Stage with his presence after Allen Stone. The band donned sequined western wear blazers and Dwight rocked his cowboy hat and double denim. He had a story about each song, playing old favorites such as “Honky Tonk Man” and “A Thousand Miles From Nowhere.” He gave us some sage advice not to look directly into the sun, and thanked us for coming out in the heat of the day for some country and Western.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/EdSharpe3.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Edward Sharpe and the Magnetic Zeros. Photo courtesy of BottleRock Napa Valley\u003c/center>\n\u003cp>I counted ten members of Edward Sharpe and the Magnetic Zeros on stage at \u003cb>BottleRock\u003c/b>, the usual number. What always intrigues me about this Los Angeles-based band is how comfortable they are on stage. Singers Alexander Ebert and Jade Castrinos interact with each other and the audience with ease and excitement. Ebert engaged the crowd with questions, story telling, and feedback. The set ended on the highest of notes and a cloud of dust with the popular track “Home.”\u003c/p>\n\u003cp>Sunday was even warmer with a bit more of a breeze. I sought refuge under the wind-screened pavilion of the Miner Stage for Mavis Staples. She commanded that stage and that microphone like a Roman emperor and when the first notes of “The Weight” began to play with “I rode into Nazareth…” all the heat-stricken people under that pavilion shot to their feet. Throughout her set I was breathless and in disbelief that I was standing before this living legend who could provide such deliverance with her voice. Near the end of her performance of “Freedom Highway” she trailed on and on: “Made up my mind and I won’t turn around… I will be on freedom highway until Dr. King’s dream has been realized. I \u003ci>won’t\u003c/i> turn around.”\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/GroupLovePhotographerDylanBonickBottleRock3.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>GROUPLOVE. Photo courtesy of Dylan Bonick and BottleRock Napa Valley\u003c/center>\n\u003cp>Without comparison to Mavis Staples, because let’s just be honest, that would be music blasphemy, GROUPLOVE stole my heart at \u003cb>BottleRock\u003c/b>. Hannah Hooper told terrible joke, “Hey Napa, you guys got any grapes?” and it was impossible to be upset in the face of her infectious charisma. Every song they played had the audience smiling, jumping, and climbing as high into the air as they could. The band seemed to be enjoying themselves too. “Slow” began just like that, slow, with Hooper showcasing her gorgeous emotive vocals. The musical arrangement built steadily and rapidly with just a touch of agitation foreshadowing the eruption at the finale of the song. All eyes were on the band as they threw their heads back and forth in perfect time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Maybe it was the week of freakishly hot (for San Francisco) weather and the start of summer, but this playlist is chock full of songs intended to help you loosen up or lose your cool. Also our most expletive-laden playlist in a while, this playlist features bangers from Savages and Deafheaven and intense R&B jams from Twigs and Until the Ribbon Breaks.\u003c/p>\n\u003cp>Tracklist:\u003c/p>\n\u003cp>1. “You and Me” — Disclosure ft. Eliza Doolittle, \u003ci>Settle\u003c/i>\u003cbr>2. “Shut Up” — Savages, \u003ci>Silence Yourself\u003c/i>\u003cbr>3. “How?s That” — Twigs, \u003ci>Twigs EP\u003c/i>\u003cbr>4. “Will “The Thrill”” — Cayucas, \u003ci>Bigfoot\u003c/i>\u003cbr>5. “Dream House” — Deafheaven, \u003ci>Sunbather\u003c/i>\u003cbr>6. “Head In The Cloud” — Cobalt Cranes, \u003ci>Head in the Clouds\u003c/i>\u003cbr>7. “Chain Smoker” — Chance The Rapper, \u003ci>Acid Rap\u003c/i> mixtape\u003cbr>8. “Get Free” — Major Lazer featuring Amber Coffman from the Dirty Projectors, \u003ci>Free The Universe\u003c/i>\u003cbr>9. “She’s on Fire” — King Tuff, \u003ci>Garage Swim\u003c/i>\u003cbr>10. “Pressure” — Until The Ribbon Breaks ft. Mr. MFV eXquire, single\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Maybe it was the week of freakishly hot (for San Francisco) weather and the start of summer, but this playlist is chock full of songs intended to help you loosen up or lose your cool. Also our most expletive-laden playlist in a while, this playlist features bangers from Savages and Deafheaven and intense R&B jams from Twigs and Until the Ribbon Breaks.\u003c/p>\n\u003cp>Tracklist:\u003c/p>\n\u003cp>1. “You and Me” — Disclosure ft. Eliza Doolittle, \u003ci>Settle\u003c/i>\u003cbr>2. “Shut Up” — Savages, \u003ci>Silence Yourself\u003c/i>\u003cbr>3. “How?s That” — Twigs, \u003ci>Twigs EP\u003c/i>\u003cbr>4. “Will “The Thrill”” — Cayucas, \u003ci>Bigfoot\u003c/i>\u003cbr>5. “Dream House” — Deafheaven, \u003ci>Sunbather\u003c/i>\u003cbr>6. “Head In The Cloud” — Cobalt Cranes, \u003ci>Head in the Clouds\u003c/i>\u003cbr>7. “Chain Smoker” — Chance The Rapper, \u003ci>Acid Rap\u003c/i> mixtape\u003cbr>8. “Get Free” — Major Lazer featuring Amber Coffman from the Dirty Projectors, \u003ci>Free The Universe\u003c/i>\u003cbr>9. “She’s on Fire” — King Tuff, \u003ci>Garage Swim\u003c/i>\u003cbr>10. “Pressure” — Until The Ribbon Breaks ft. Mr. MFV eXquire, single\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003ca href=\"http://bottlerocknapavalley.com/\">BottleRock\u003c/a> begins tomorrow, May 8, 2013, in Napa Valley. As if anyone needs a reason to go to wine country, here are more than a few. KQED Arts is going for the music but there’s comedy, food, wine and craft beer to keep festival-goers happy. The lineup is diverse, with older bands like Cake, Jane’s Addiction, and Dwight Yoakam paired with indie favorites from all genres. Like most large festivals there are a few stages and overlapping sets, but here are my must sees for BottleRock 2013.\u003c/p>\n\u003cp>\u003cb>\u003cu>WEDNESDAY: May 8\u003c/u>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Family of the Year\u003c/b> is a sweet dance psych-rock pop band from Los Angeles. They’ll kick things off in proper California style. And while fellow Angelenos Best Coast will be performing at the festival later in the week, Family of the Year is the better choice.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=mHeK0Cwr9sg?rel=0&w=480&h=270]\u003c/p>\n\u003cp>\u003cb>\u003cu>THURSDAY: May 9\u003c/u>\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Delta Spirit\u003c/b> is another incredible California band. I first saw them in Austin, TX seven years ago as an opening band. To this day I can’t remember who headlined the concert — Delta Spirit completely stole the show. Today, their songwriting remains strong and heads a call for progress and hope. On stage, in the sun, before an audience is where they really shine. Don’t miss this gem early in the day.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=xIHx9CYPgQo?rel=0&w=480&h=270]\u003c/p>\n\u003cp>I’ve heard about \u003cb>The Avett Brothers\u003c/b> for years and I’m looking forward to hearing them live as the headliners for Thursday night. Their folk-pop-bluegrass combination should compliment a warm summer night in Napa nicely.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=e5CMDmxtpbc?rel=0&w=480&h=360]\u003c/p>\n\u003cp>\u003cb>\u003cu>FRIDAY: May 10\u003c/u>\u003c/b>\u003c/p>\n\u003cp>Dare I say it but I’m most excited for Friday at BottleRock: one of my favorite live bands is performing. \u003cb>The Black Keys\u003c/b> can command a stage as a duo better than most five- to eight-piece bands. They are first and foremost a blues band, capable of rocking every second of their set. Usually a full band joins them for at least half of their performance, and their stage design is always intriguing. For a hard-working blues band, they don’t take themselves too seriously — expect stage props. Plus, you’ll want to dance like this guy in their video for “Lonely Boy.”\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=a_426RiwST8?rel=0&w=480&h=270]\u003c/p>\n\u003cp>Other highlights on my Friday radar are \u003cb>Alabama Shakes\u003c/b>, \u003cb>Dirty Projectors\u003c/b>, and of course \u003cb>The Flaming Lips\u003c/b>. I haven’t yet had the pleasure of seeing Oklahoma-based band The Flaming Lips at a festival, but I’ve seen the pictures and heard the tales. I can’t wait to see what they’ve got in store for this show. Here’s a taste from their David Letterman appearance.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=ng-9vMA1moY?rel=0&w=480&h=270]\u003c/p>\n\u003cp>\u003cb>\u003cu>SATURDAY: May 11\u003c/u>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Edward Sharpe and the Magnetic Zeros\u003c/b> will be out in full force before sunset on Saturday. This 20-person (sometimes more) band is a treat to see live. They transform the stage with great Americana folk music, creating one special moment after another with call and response verses, banjos, and an upright bass.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=08WeoqWilRQ?rel=0&w=480&h=270]\u003c/p>\n\u003cp>Saturday yields some of my other favorites as well, featuring \u003cb>Tift Merrit\u003c/b>, \u003cb>Sharon Van Etten\u003c/b>, \u003cb>Iron and Wine\u003c/b>, and \u003cb>Dwight Yoakam\u003c/b>. \u003c/p>\n\u003cp>\u003cu>\u003cb>SUNDAY: May 12\u003c/b>\u003c/u>\u003c/p>\n\u003cp>Sunday is for reminiscing about the ’90s with \u003cb>Cake\u003c/b>, \u003cb>The Wallflowers\u003c/b>, and \u003cb>Train\u003c/b>. If you’d prefer to stay in the present, \u003cb>GROUPLOVE\u003c/b>‘s lifted vocals, upbeat harmonies, and climbing hooks will have you dancing in the sun.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=1x1wjGKHjBI?rel=0&w=480&h=270]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>BottleRock runs May 8-12, 2013 at the Napa Expo in Napa Valley. For \u003ca href=\"http://bottlerocknapavalley.com/\">tickets and more information\u003c/a>, visit bottlerocknapavalley.com.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://bottlerocknapavalley.com/\">BottleRock\u003c/a> begins tomorrow, May 8, 2013, in Napa Valley. As if anyone needs a reason to go to wine country, here are more than a few. KQED Arts is going for the music but there’s comedy, food, wine and craft beer to keep festival-goers happy. The lineup is diverse, with older bands like Cake, Jane’s Addiction, and Dwight Yoakam paired with indie favorites from all genres. Like most large festivals there are a few stages and overlapping sets, but here are my must sees for BottleRock 2013.\u003c/p>\n\u003cp>\u003cb>\u003cu>WEDNESDAY: May 8\u003c/u>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Family of the Year\u003c/b> is a sweet dance psych-rock pop band from Los Angeles. They’ll kick things off in proper California style. And while fellow Angelenos Best Coast will be performing at the festival later in the week, Family of the Year is the better choice.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mHeK0Cwr9sg?rel=0'\n title='//www.youtube.com/embed/mHeK0Cwr9sg?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cu>THURSDAY: May 9\u003c/u>\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Delta Spirit\u003c/b> is another incredible California band. I first saw them in Austin, TX seven years ago as an opening band. To this day I can’t remember who headlined the concert — Delta Spirit completely stole the show. Today, their songwriting remains strong and heads a call for progress and hope. On stage, in the sun, before an audience is where they really shine. Don’t miss this gem early in the day.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/xIHx9CYPgQo?rel=0'\n title='//www.youtube.com/embed/xIHx9CYPgQo?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>I’ve heard about \u003cb>The Avett Brothers\u003c/b> for years and I’m looking forward to hearing them live as the headliners for Thursday night. Their folk-pop-bluegrass combination should compliment a warm summer night in Napa nicely.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/e5CMDmxtpbc?rel=0'\n title='//www.youtube.com/embed/e5CMDmxtpbc?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cu>FRIDAY: May 10\u003c/u>\u003c/b>\u003c/p>\n\u003cp>Dare I say it but I’m most excited for Friday at BottleRock: one of my favorite live bands is performing. \u003cb>The Black Keys\u003c/b> can command a stage as a duo better than most five- to eight-piece bands. They are first and foremost a blues band, capable of rocking every second of their set. Usually a full band joins them for at least half of their performance, and their stage design is always intriguing. For a hard-working blues band, they don’t take themselves too seriously — expect stage props. Plus, you’ll want to dance like this guy in their video for “Lonely Boy.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/a_426RiwST8?rel=0'\n title='//www.youtube.com/embed/a_426RiwST8?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Other highlights on my Friday radar are \u003cb>Alabama Shakes\u003c/b>, \u003cb>Dirty Projectors\u003c/b>, and of course \u003cb>The Flaming Lips\u003c/b>. I haven’t yet had the pleasure of seeing Oklahoma-based band The Flaming Lips at a festival, but I’ve seen the pictures and heard the tales. I can’t wait to see what they’ve got in store for this show. Here’s a taste from their David Letterman appearance.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ng-9vMA1moY?rel=0'\n title='//www.youtube.com/embed/ng-9vMA1moY?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cu>SATURDAY: May 11\u003c/u>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Edward Sharpe and the Magnetic Zeros\u003c/b> will be out in full force before sunset on Saturday. This 20-person (sometimes more) band is a treat to see live. They transform the stage with great Americana folk music, creating one special moment after another with call and response verses, banjos, and an upright bass.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/08WeoqWilRQ?rel=0'\n title='//www.youtube.com/embed/08WeoqWilRQ?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Saturday yields some of my other favorites as well, featuring \u003cb>Tift Merrit\u003c/b>, \u003cb>Sharon Van Etten\u003c/b>, \u003cb>Iron and Wine\u003c/b>, and \u003cb>Dwight Yoakam\u003c/b>. \u003c/p>\n\u003cp>\u003cu>\u003cb>SUNDAY: May 12\u003c/b>\u003c/u>\u003c/p>\n\u003cp>Sunday is for reminiscing about the ’90s with \u003cb>Cake\u003c/b>, \u003cb>The Wallflowers\u003c/b>, and \u003cb>Train\u003c/b>. If you’d prefer to stay in the present, \u003cb>GROUPLOVE\u003c/b>‘s lifted vocals, upbeat harmonies, and climbing hooks will have you dancing in the sun.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1x1wjGKHjBI?rel=0'\n title='//www.youtube.com/embed/1x1wjGKHjBI?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>BottleRock runs May 8-12, 2013 at the Napa Expo in Napa Valley. For \u003ca href=\"http://bottlerocknapavalley.com/\">tickets and more information\u003c/a>, visit bottlerocknapavalley.com.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Few recent artists have transitioned from lo-fi to hi-fi better than \u003ca href=\"https://www.facebook.com/kurtvileofphilly\" target=\"_blank\" rel=\"noopener\">Kurt Vile\u003c/a>, whose latest album, \u003cem>Wakin on a Pretty Daze\u003c/em>, is another winner from the Philly-based musician, full of long, languid songs that feel spacious but not aimless. A sense of space also guides \u003ca href=\"http://www.clinicvoot.org/\" target=\"_blank\" rel=\"noopener\">Clinic\u003c/a>‘s psych-pop offering \u003cem>Free Reign\u003c/em>; in fact, the group just released an alternate collection, \u003cem>Free Reign II\u003c/em>, with the original album’s songs reconfigured in an appropriately mind-expanding fashion by Oneohtrix Point Never’s Daniel Lopatin. More tightly constructed is \u003ca href=\"https://www.facebook.com/Shoutoutlouds\" target=\"_blank\" rel=\"noopener\">Shout Out Louds\u003c/a>‘ album \u003cem>Optica\u003c/em>. The Swedish band’s new release fuses elements of disco and chamber pop into lively, addictive tunes.\u003c/p>\n\u003cp>Like Vile, \u003ca href=\"https://www.facebook.com/pages/Mikal-Cronin/258115417544637\" target=\"_blank\" rel=\"noopener\">Mikal Cronin\u003c/a> is also making the move from low to high fidelity look easy. Cronin’s been making great music for a while now, solo and as a member of Moonhearts and Ty Segall’s band, but \u003cem>MCII\u003c/em>, arriving on Merge Records, feels like the big screen debut of a real power pop talent. Meanwhile, Sacramento’s \u003ca href=\"https://www.facebook.com/teramelosmusic\" target=\"_blank\" rel=\"noopener\">Tera Melos\u003c/a> just released a new album of frenzied, mathy rock called \u003cem>X’ed Out\u003c/em> and are embarking on a US tour to support. With new records also arriving recently from \u003ca href=\"https://www.facebook.com/coolghouls\" target=\"_blank\" rel=\"noopener\">Cool Ghouls\u003c/a> and \u003ca href=\"https://www.facebook.com/metalmother\" target=\"_blank\" rel=\"noopener\">Metal Mother\u003c/a>, it’s certainly a busy time for Bay Area bands.\u003c/p>\n\u003cp>Enjoy the podcast and then go see some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/kurtvileofphilly\" target=\"_blank\" rel=\"noopener\">Kurt Vile\u003c/a> — “Never Run Away”\u003cbr>Kurt Vile and the Violators, The Fresh & Onlys, and Steve Gunn play on May 8 \u003ca href=\"http://www.theindependentsf.com/\" target=\"_blank\" rel=\"noopener\">at The Independent\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/coolghouls\" target=\"_blank\" rel=\"noopener\">Cool Ghouls\u003c/a> — “Grace”\u003cbr>Playing a free show \u003ca href=\"http://www.brickandmortarmusic.com/\" target=\"_blank\" rel=\"noopener\">at the Brick & Mortar Music Hall\u003c/a> on May 7; also performing are Pyyramids and Hindu Pirates\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/blanktapes\" target=\"_blank\" rel=\"noopener\">The Blank Tapes\u003c/a> — “Holy Roller”\u003cbr>Coming to \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> on May 9 and \u003ca href=\"http://www.thenewparish.com\" target=\"_blank\" rel=\"noopener\">The New Parish\u003c/a> on May 23\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/do.the.eggroll\" target=\"_blank\" rel=\"noopener\">Peach Kelli Pop\u003c/a> — “Dreamphone”\u003cbr>Performing at \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> on May 11 and \u003ca href=\"http://www.thenewparish.com/\" target=\"_blank\" rel=\"noopener\">The New Parish\u003c/a> on May 18\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Disappears/130849953637535\" target=\"_blank\" rel=\"noopener\">Disappears\u003c/a> — “Replicate”\u003cbr>\u003ca href=\"http://www.bottomofthehill.com/calendar.html\" target=\"_blank\" rel=\"noopener\">Playing Bottom of the Hill\u003c/a> on May 18 with LENZ and The Tambo Rays\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/teramelosmusic\" target=\"_blank\" rel=\"noopener\">Tera Melos\u003c/a> — “Tropic Lame”\u003cbr>TTNG and E V Kain support this Sacramento band on May 25 \u003ca href=\"http://www.bottomofthehill.com/calendar.html\" target=\"_blank\" rel=\"noopener\">at Bottom of the Hill\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://www.clinicvoot.org/\" target=\"_blank\" rel=\"noopener\">Clinic\u003c/a> — “Miss You”\u003cbr>Headlining the \u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">Rickshaw Stop\u003c/a> with No Joy on May 2\u003c/p>\n\u003cp>\u003ca href=\"https://sites.google.com/site/yellowelectric/\" target=\"_blank\" rel=\"noopener\">Grouper\u003c/a> — “Vital”\u003cbr>Joined by Ilyas Ahmed, Grouper performs at the Hemlock Tavern on May 28 with Danny Paul Grody and Irwin Swirnoff\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/metalmother\" target=\"_blank\" rel=\"noopener\">Metal Mother\u003c/a> — “Prism”\u003cbr>Celebrating the new album \u003cem>Ionika\u003c/em> at \u003ca href=\"http://publicsf.com/events/tearistmetal-mother-record-releaseuncanny-valleysome-ember-8851\" target=\"_blank\" rel=\"noopener\">Public Works\u003c/a> on May 2; Tearist, Uncanny Valley, and Some Ember also perform\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/Shoutoutlouds\" target=\"_blank\" rel=\"noopener\">Shout Out Louds\u003c/a> — “Blue Ice”\u003cbr>On May 22, the Swedish band’s tour with Haerts \u003ca href=\"http://www.slimspresents.com/\" target=\"_blank\" rel=\"noopener\">comes to the Great American Music Hall\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Mikal-Cronin/258115417544637\" target=\"_blank\" rel=\"noopener\">Mikal Cronin\u003c/a> — “Shout It Out”\u003cbr>Celebrating the release of \u003cem>MCII\u003c/em> \u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">at the Rickshaw Stop\u003c/a> on May 25\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/blowkisses\" target=\"_blank\" rel=\"noopener\">Kisses\u003c/a> — “Funny Heartbeat”\u003cbr>\u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">Coming to the Rickshaw Stop\u003c/a> on May 14; Sister Crayon and Astronauts, etc. support\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/CHVRCHES\" target=\"_blank\" rel=\"noopener\">CHVRCHES\u003c/a> — “Recover”\u003cbr>The Scottish buzz band \u003ca href=\"http://mezzaninesf.com/\" target=\"_blank\" rel=\"noopener\">performs at the Mezzanine\u003c/a> on May 29 with Still Corners\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/suunsband\" target=\"_blank\" rel=\"noopener\">Suuns\u003c/a> — “2020”\u003cbr>Appearing at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\" target=\"_blank\" rel=\"noopener\">Bottom of the Hill\u003c/a> on May 28 with Wymond Miles and Foli\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Few recent artists have transitioned from lo-fi to hi-fi better than \u003ca href=\"https://www.facebook.com/kurtvileofphilly\" target=\"_blank\" rel=\"noopener\">Kurt Vile\u003c/a>, whose latest album, \u003cem>Wakin on a Pretty Daze\u003c/em>, is another winner from the Philly-based musician, full of long, languid songs that feel spacious but not aimless. A sense of space also guides \u003ca href=\"http://www.clinicvoot.org/\" target=\"_blank\" rel=\"noopener\">Clinic\u003c/a>‘s psych-pop offering \u003cem>Free Reign\u003c/em>; in fact, the group just released an alternate collection, \u003cem>Free Reign II\u003c/em>, with the original album’s songs reconfigured in an appropriately mind-expanding fashion by Oneohtrix Point Never’s Daniel Lopatin. More tightly constructed is \u003ca href=\"https://www.facebook.com/Shoutoutlouds\" target=\"_blank\" rel=\"noopener\">Shout Out Louds\u003c/a>‘ album \u003cem>Optica\u003c/em>. The Swedish band’s new release fuses elements of disco and chamber pop into lively, addictive tunes.\u003c/p>\n\u003cp>Like Vile, \u003ca href=\"https://www.facebook.com/pages/Mikal-Cronin/258115417544637\" target=\"_blank\" rel=\"noopener\">Mikal Cronin\u003c/a> is also making the move from low to high fidelity look easy. Cronin’s been making great music for a while now, solo and as a member of Moonhearts and Ty Segall’s band, but \u003cem>MCII\u003c/em>, arriving on Merge Records, feels like the big screen debut of a real power pop talent. Meanwhile, Sacramento’s \u003ca href=\"https://www.facebook.com/teramelosmusic\" target=\"_blank\" rel=\"noopener\">Tera Melos\u003c/a> just released a new album of frenzied, mathy rock called \u003cem>X’ed Out\u003c/em> and are embarking on a US tour to support. With new records also arriving recently from \u003ca href=\"https://www.facebook.com/coolghouls\" target=\"_blank\" rel=\"noopener\">Cool Ghouls\u003c/a> and \u003ca href=\"https://www.facebook.com/metalmother\" target=\"_blank\" rel=\"noopener\">Metal Mother\u003c/a>, it’s certainly a busy time for Bay Area bands.\u003c/p>\n\u003cp>Enjoy the podcast and then go see some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/kurtvileofphilly\" target=\"_blank\" rel=\"noopener\">Kurt Vile\u003c/a> — “Never Run Away”\u003cbr>Kurt Vile and the Violators, The Fresh & Onlys, and Steve Gunn play on May 8 \u003ca href=\"http://www.theindependentsf.com/\" target=\"_blank\" rel=\"noopener\">at The Independent\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/coolghouls\" target=\"_blank\" rel=\"noopener\">Cool Ghouls\u003c/a> — “Grace”\u003cbr>Playing a free show \u003ca href=\"http://www.brickandmortarmusic.com/\" target=\"_blank\" rel=\"noopener\">at the Brick & Mortar Music Hall\u003c/a> on May 7; also performing are Pyyramids and Hindu Pirates\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/blanktapes\" target=\"_blank\" rel=\"noopener\">The Blank Tapes\u003c/a> — “Holy Roller”\u003cbr>Coming to \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> on May 9 and \u003ca href=\"http://www.thenewparish.com\" target=\"_blank\" rel=\"noopener\">The New Parish\u003c/a> on May 23\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/do.the.eggroll\" target=\"_blank\" rel=\"noopener\">Peach Kelli Pop\u003c/a> — “Dreamphone”\u003cbr>Performing at \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> on May 11 and \u003ca href=\"http://www.thenewparish.com/\" target=\"_blank\" rel=\"noopener\">The New Parish\u003c/a> on May 18\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Disappears/130849953637535\" target=\"_blank\" rel=\"noopener\">Disappears\u003c/a> — “Replicate”\u003cbr>\u003ca href=\"http://www.bottomofthehill.com/calendar.html\" target=\"_blank\" rel=\"noopener\">Playing Bottom of the Hill\u003c/a> on May 18 with LENZ and The Tambo Rays\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/teramelosmusic\" target=\"_blank\" rel=\"noopener\">Tera Melos\u003c/a> — “Tropic Lame”\u003cbr>TTNG and E V Kain support this Sacramento band on May 25 \u003ca href=\"http://www.bottomofthehill.com/calendar.html\" target=\"_blank\" rel=\"noopener\">at Bottom of the Hill\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://www.clinicvoot.org/\" target=\"_blank\" rel=\"noopener\">Clinic\u003c/a> — “Miss You”\u003cbr>Headlining the \u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">Rickshaw Stop\u003c/a> with No Joy on May 2\u003c/p>\n\u003cp>\u003ca href=\"https://sites.google.com/site/yellowelectric/\" target=\"_blank\" rel=\"noopener\">Grouper\u003c/a> — “Vital”\u003cbr>Joined by Ilyas Ahmed, Grouper performs at the Hemlock Tavern on May 28 with Danny Paul Grody and Irwin Swirnoff\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/metalmother\" target=\"_blank\" rel=\"noopener\">Metal Mother\u003c/a> — “Prism”\u003cbr>Celebrating the new album \u003cem>Ionika\u003c/em> at \u003ca href=\"http://publicsf.com/events/tearistmetal-mother-record-releaseuncanny-valleysome-ember-8851\" target=\"_blank\" rel=\"noopener\">Public Works\u003c/a> on May 2; Tearist, Uncanny Valley, and Some Ember also perform\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/Shoutoutlouds\" target=\"_blank\" rel=\"noopener\">Shout Out Louds\u003c/a> — “Blue Ice”\u003cbr>On May 22, the Swedish band’s tour with Haerts \u003ca href=\"http://www.slimspresents.com/\" target=\"_blank\" rel=\"noopener\">comes to the Great American Music Hall\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Mikal-Cronin/258115417544637\" target=\"_blank\" rel=\"noopener\">Mikal Cronin\u003c/a> — “Shout It Out”\u003cbr>Celebrating the release of \u003cem>MCII\u003c/em> \u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">at the Rickshaw Stop\u003c/a> on May 25\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/blowkisses\" target=\"_blank\" rel=\"noopener\">Kisses\u003c/a> — “Funny Heartbeat”\u003cbr>\u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">Coming to the Rickshaw Stop\u003c/a> on May 14; Sister Crayon and Astronauts, etc. support\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/CHVRCHES\" target=\"_blank\" rel=\"noopener\">CHVRCHES\u003c/a> — “Recover”\u003cbr>The Scottish buzz band \u003ca href=\"http://mezzaninesf.com/\" target=\"_blank\" rel=\"noopener\">performs at the Mezzanine\u003c/a> on May 29 with Still Corners\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/suunsband\" target=\"_blank\" rel=\"noopener\">Suuns\u003c/a> — “2020”\u003cbr>Appearing at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\" target=\"_blank\" rel=\"noopener\">Bottom of the Hill\u003c/a> on May 28 with Wymond Miles and Foli\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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},
"rightnowish": {
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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