window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_10127278": {
"type": "attachments",
"id": "arts_10127278",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10127278",
"found": true
},
"parent": 127278,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/familycrest360-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/familycrest360.jpg",
"width": 640,
"height": 360
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/familycrest360-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/familycrest360-300x168.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 168
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/familycrest360-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/familycrest360-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/familycrest360-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/familycrest360-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1382114827,
"modified": 1382114827,
"caption": null,
"description": null,
"title": "Mixtape: The Orchestral Side of San Francisco Indie Rock-The Family Crest; photo by Christopher Howard",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10126861": {
"type": "attachments",
"id": "arts_10126861",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10126861",
"found": true
},
"parent": 126861,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/np-bloodorange-3606-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/np-bloodorange-3606.jpg",
"width": 640,
"height": 360
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/np-bloodorange-3606-300x168.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 168
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/np-bloodorange-3606-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1381355718,
"modified": 1381355718,
"caption": null,
"description": null,
"title": "October 2013-Blood Orange",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10126546": {
"type": "attachments",
"id": "arts_10126546",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10126546",
"found": true
},
"parent": 126546,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/bb-donovan-360-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/bb-donovan-360.jpg",
"width": 640,
"height": 360
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/bb-donovan-360-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/bb-donovan-360-300x168.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 168
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/bb-donovan-360-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/bb-donovan-360-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/bb-donovan-360-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/10/bb-donovan-360-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1380751678,
"modified": 1380751678,
"caption": null,
"description": null,
"title": "Live This Month: October 2013-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10126436": {
"type": "attachments",
"id": "arts_10126436",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10126436",
"found": true
},
"parent": 126436,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/hsb13360-400x224.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 224
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/hsb13360.jpg",
"width": 649,
"height": 365
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/hsb13360-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/hsb13360-300x168.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 168
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/hsb13360-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/hsb13360-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/hsb13360-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/hsb13360-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1380392340,
"modified": 1380392340,
"caption": null,
"description": null,
"title": "Hardly Strictly Bluegrass 2013-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10126072": {
"type": "attachments",
"id": "arts_10126072",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10126072",
"found": true
},
"parent": 126072,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/beatbroker-3606-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/beatbroker-3606.jpg",
"width": 640,
"height": 360
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/beatbroker-3606-300x168.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 168
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/beatbroker-3606-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1379539981,
"modified": 1379539981,
"caption": null,
"description": null,
"title": "Mixtape: Plugging into Bay Area Electronic Music-The Beat Broker",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10125958": {
"type": "attachments",
"id": "arts_10125958",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10125958",
"found": true
},
"parent": 125958,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/np-dancasey-360-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/np-dancasey-360.jpg",
"width": 640,
"height": 360
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/np-dancasey-360-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/np-dancasey-360-300x168.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 168
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/np-dancasey-360-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/np-dancasey-360-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/np-dancasey-360-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/np-dancasey-360-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1379188552,
"modified": 1379188552,
"caption": null,
"description": null,
"title": "September 2013-Dan Casey",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10125887": {
"type": "attachments",
"id": "arts_10125887",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10125887",
"found": true
},
"parent": 125887,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/beforethebrave360-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/beforethebrave360.jpg",
"width": 640,
"height": 360
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/beforethebrave360-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/beforethebrave360-300x168.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 168
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/beforethebrave360-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/beforethebrave360-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/beforethebrave360-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/beforethebrave360-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1379046579,
"modified": 1379046579,
"caption": null,
"description": null,
"title": "Getting 'Free' with Before the Brave-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10125641": {
"type": "attachments",
"id": "arts_10125641",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10125641",
"found": true
},
"parent": 125641,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/okkervil360-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/okkervil360.jpg",
"width": 640,
"height": 360
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/okkervil360-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/okkervil360-300x168.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 168
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/okkervil360-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/okkervil360-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/okkervil360-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/okkervil360-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1378503076,
"modified": 1378503076,
"caption": null,
"description": null,
"title": "Spending Time in 'The Silver Gymnasium' with Okkervil River-photo: Ben Sklar",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10125562": {
"type": "attachments",
"id": "arts_10125562",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10125562",
"found": true
},
"parent": 125562,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/bb-stoltz-360-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/bb-stoltz-360.jpg",
"width": 640,
"height": 360
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/bb-stoltz-360-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/bb-stoltz-360-300x168.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 168
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/bb-stoltz-360-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/bb-stoltz-360-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/bb-stoltz-360-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/09/bb-stoltz-360-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1378411091,
"modified": 1378411091,
"caption": null,
"description": null,
"title": "Live This Month: September 2013-Kelley Stoltz; photo by Rich Hirneisen",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10125396": {
"type": "attachments",
"id": "arts_10125396",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10125396",
"found": true
},
"parent": 125396,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/DestroyerPhotobyTedBoisKQED1-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/DestroyerPhotobyTedBoisKQED1.jpg",
"width": 640,
"height": 360
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/DestroyerPhotobyTedBoisKQED1-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/DestroyerPhotobyTedBoisKQED1-300x168.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 168
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/DestroyerPhotobyTedBoisKQED1-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/DestroyerPhotobyTedBoisKQED1-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/DestroyerPhotobyTedBoisKQED1-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/DestroyerPhotobyTedBoisKQED1-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1377962772,
"modified": 1377962772,
"caption": null,
"description": null,
"title": "Live This Fall: a Special Audio Guide to Bay Area Rock Concerts-Destroyer is at The Independent in November; Photo by Ted Bois",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10125312": {
"type": "attachments",
"id": "arts_10125312",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10125312",
"found": true
},
"parent": 125312,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/licoricepizza-360-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/licoricepizza-360.jpg",
"width": 640,
"height": 360
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/licoricepizza-360-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/licoricepizza-360-300x168.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 168
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/licoricepizza-360-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/licoricepizza-360-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/licoricepizza-360-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/licoricepizza-360-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1377804627,
"modified": 1377804627,
"caption": null,
"description": null,
"title": "Bay Acts Make Tracks: Fall's Top-10 Pop Releases-Vintage sign from defunct record store chain, Licorice Pizza; photo: Gabriel Coan.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10125198": {
"type": "attachments",
"id": "arts_10125198",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10125198",
"found": true
},
"parent": 125198,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/worldmusic-360-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/worldmusic-360.jpg",
"width": 640,
"height": 360
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/worldmusic-360-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/worldmusic-360-300x168.jpg",
"width": 300,
"mimeType": "image/jpeg",
"height": 168
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/worldmusic-360-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/worldmusic-360-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/worldmusic-360-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/08/worldmusic-360-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1377645586,
"modified": 1377645586,
"caption": null,
"description": null,
"title": "Global Music, Local Dates: Must-See World Music-Iranian composer and singer Susan Deyhim performs in October.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"128435": {
"type": "authors",
"id": "128435",
"meta": {
"override": true
},
"slug": "128435",
"name": "Jonathan Curiel",
"firstName": "Jonathan",
"lastName": "Curiel",
"bio": "Jonathan Curiel has written widely about music, film, books, art, photography and other cultural subjects. \u003ci>SF Weekly's\u003c/i> art critic, he is a former staff writer with the \u003ci>San Francisco Chronicle\u003c/i>, and has also written on the arts for \u003ca href=\"http://www.salon.com/\">Salon\u003c/a>, the \u003ci>Christian Science Monitor\u003c/i>, \u003ci>The Wire\u003c/i> (a London music magazine), \u003ci>Tablet\u003c/i> and \u003ci>GlobalPost\u003c/i>. He has researched architecture at England's Oxford University, taught music journalism at the UCLA Herb Alpert School of Music, and been a juror at the San Francisco International Film Festival.",
"email": "jonathancuriel@hotmail.com",
"isLoading": false
},
"aroscoemayo": {
"type": "authors",
"id": "74",
"meta": {
"index": "authors_1716337520",
"id": "74",
"found": true
},
"name": "Amanda Roscoe Mayo",
"firstName": "Amanda",
"lastName": "Roscoe Mayo",
"slug": "aroscoemayo",
"email": "FAKE_aroscoemayo@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": "Amanda Roscoe Mayo is an independent curator and arts and music journalist based in Chicago, exhibiting nationally and published internationally. She received her master's degree in curatorial practice from California College of the Arts in San Francisco. The exhibitions she produces are critically curated to engage a multi-generational dialogue with a focus on emerging artists. In addition to her numerous curatorial projects, she is a regular contributing music, arts, and film writer for Mosshouse and San Francisco Arts Quarterly (SFAQ). While in San Francisco she wrote for KQED Arts as a music and film journalist.",
"avatar": "https://secure.gravatar.com/avatar/705add037f6315db7f253a35dbf7bae4?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
}
],
"headData": {
"title": "Amanda Roscoe Mayo | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/705add037f6315db7f253a35dbf7bae4?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/705add037f6315db7f253a35dbf7bae4?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/aroscoemayo"
},
"kqedarts": {
"type": "authors",
"id": "92",
"meta": {
"index": "authors_1716337520",
"id": "92",
"found": true
},
"name": "KQED Arts",
"firstName": "KQED",
"lastName": "Arts",
"slug": "kqedarts",
"email": "arts@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Staff",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": "https://www.instagram.com/kqed_arts/",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
},
{
"site": "science",
"roles": [
"author"
]
},
{
"site": "food",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "KQED Arts | KQED",
"description": "KQED Staff",
"ogImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kqedarts"
}
},
"pagesReducer": {
"arts_category_music": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"score": 10.85072
},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"title": "Music",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 369
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=music",
"seeMore": false,
"paginated": true,
"page": 369
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_127278": {
"type": "posts",
"id": "arts_127278",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "127278",
"score": null,
"sort": [
1382114827000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1382114827,
"format": "audio",
"title": "Mixtape: The Orchestral Side of San Francisco Indie Rock",
"headTitle": "Mixtape: The Orchestral Side of San Francisco Indie Rock | KQED",
"content": "\u003cp>Guitars and drums may make up the core of indie rock, but a considerable number of Bay Area artists also use instruments more traditionally associated with an orchestra than a rock band. Adding strings, horns or woodwinds might seem pretentious to some — and, admittedly, genre names like “chamber rock” and “orchestral pop” probably don’t help that assessment — but when used deftly these instruments can heighten a song’s emotion, add weight to dynamic shifts, and provide layers of texture that generate wonderfully unexpected moments.\u003c/p>\n\u003cp>String and brass instruments are core components of a number of the bands included here, like \u003ca href=\"https://www.facebook.com/thefamilycrest\">The Family Crest\u003c/a>, who recently released an EP on \u003ca href=\"https://www.tenderlovingempire.com/products-page/featured-music/the-family-crest-the-headwinds-ep/\">Tender Loving Empire\u003c/a>, as well as \u003ca href=\"https://www.facebook.com/foxtailsbrigade\">Foxtails Brigade\u003c/a>, and \u003ca href=\"https://www.facebook.com/grayceon\">Grayceon\u003c/a>. Additionaly, Bay Area singer-songwriters like \u003ca href=\"https://www.facebook.com/johnvanderslicemusic\">John Vanderslice\u003c/a> and \u003ca href=\"https://www.facebook.com/ilovedoeeye\">Doe Eye\u003c/a> have access to an ascendant group of classically-trained talents: the \u003ca href=\"http://magikmagik.com\">Magik*Magik Orchestra\u003c/a>.\u003c/p>\n\u003cp>A number of the songs included in this mix feature Magik*Magik contributions; that shouldn’t be a surprise given the group’s prodigious talents, and a resume that includes recording and performing with the likes of Death Cab for Cutie, Radiohead’s Jonny Greenwood, The Dodos and Geographer. After being included on so many other people’s recordings, it’s only appropriate that Magik*Magik have an album of their own; the group’s debut solo effort is coming in 2014. Until then, they’re continuing to add wonderful components to many Bay Area artists’ compositions.\u003c/p>\n\u003cp>Enjoy the mix!\u003c/p>\n\u003cp>Track Listing:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan id=\"more-82632\">\u003c/span>\u003ca href=\"https://www.facebook.com/johnvanderslicemusic\">John Vanderslice\u003c/a> — “Harlequin Press”\u003cbr>\u003ca href=\"https://www.facebook.com/foxtailsbrigade\">Foxtails Brigade\u003c/a> — “Little Person”\u003cbr>\u003ca href=\"https://www.facebook.com/thefamilycrest\">The Family Crest\u003c/a> — “Love Don’t Go”\u003cbr>\u003ca href=\"https://www.facebook.com/tidelands.music\">Tidelands\u003c/a> — “Toaster”\u003cbr>\u003ca href=\"https://www.facebook.com/ilovedoeeye\">Doe Eye\u003c/a> — “Oh My God”\u003cbr>\u003ca href=\"https://www.facebook.com/judgementday\">Judgement Day\u003c/a> — “Forest Battle”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/TaughtMe/231174544974\">TaughtMe\u003c/a> — “The Truth (Really?) Every Time”\u003cbr>\u003ca href=\"https://www.facebook.com/DRMStheBand\">DRMS\u003c/a> — “Don’t Want This to Die”\u003cbr>\u003ca href=\"https://www.facebook.com/grayceon\">Grayceon\u003c/a> — “Shellmounds”\u003cbr>\u003ca href=\"https://www.facebook.com/WhiskermanLives\">Whiskerman\u003c/a> — “Blind Saint”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Kacey-Johansing/280936311745\">Kacey Johansing\u003c/a> — “Grand Ghosts”\u003cbr>\u003ca href=\"https://www.facebook.com/debbieneighermusic\">Debbie Neigher\u003c/a> — “Frames”\u003cbr>\u003ca href=\"https://www.facebook.com/gatcmusic\">Ghost & the City\u003c/a> — “Sweet Footed Betty”\u003c/p>\n\u003cfigure class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2013/10/familycrest360.jpg\" alt=\"The Family Crest by Christopher Howard\" class=\"size-full\">\u003cfigcaption class=\"wp-caption-text\">The Family Crest by Christopher Howard\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"flex-video embed-youtube\">\nhttp://ww2.kqed.org/arts/wp-content/uploads/sites/2/2013/10/familycrest360.jpg\n\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 384,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705049642,
"excerpt": "Listen to the Bay Bridged mix of Bay Area bands that add strings, horns, woodwinds and more, including: Ghost and the City, John Vanderslice, Foxtails Brigade, The Family Crest Magik Magik Orchestra and more.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen to the Bay Bridged mix of Bay Area bands that add strings, horns, woodwinds and more, including: Ghost and the City, John Vanderslice, Foxtails Brigade, The Family Crest Magik Magik Orchestra and more.",
"title": "Mixtape: The Orchestral Side of San Francisco Indie Rock | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Mixtape: The Orchestral Side of San Francisco Indie Rock",
"datePublished": "2013-10-18T09:47:07-07:00",
"dateModified": "2024-01-12T00:54:02-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "mixtape_the_orchestral_side_of_san_francisco_indie_rock",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/Chamber_Rock_Mix.mp3",
"sticky": false,
"path": "/arts/127278/mixtape_the_orchestral_side_of_san_francisco_indie_rock",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Guitars and drums may make up the core of indie rock, but a considerable number of Bay Area artists also use instruments more traditionally associated with an orchestra than a rock band. Adding strings, horns or woodwinds might seem pretentious to some — and, admittedly, genre names like “chamber rock” and “orchestral pop” probably don’t help that assessment — but when used deftly these instruments can heighten a song’s emotion, add weight to dynamic shifts, and provide layers of texture that generate wonderfully unexpected moments.\u003c/p>\n\u003cp>String and brass instruments are core components of a number of the bands included here, like \u003ca href=\"https://www.facebook.com/thefamilycrest\">The Family Crest\u003c/a>, who recently released an EP on \u003ca href=\"https://www.tenderlovingempire.com/products-page/featured-music/the-family-crest-the-headwinds-ep/\">Tender Loving Empire\u003c/a>, as well as \u003ca href=\"https://www.facebook.com/foxtailsbrigade\">Foxtails Brigade\u003c/a>, and \u003ca href=\"https://www.facebook.com/grayceon\">Grayceon\u003c/a>. Additionaly, Bay Area singer-songwriters like \u003ca href=\"https://www.facebook.com/johnvanderslicemusic\">John Vanderslice\u003c/a> and \u003ca href=\"https://www.facebook.com/ilovedoeeye\">Doe Eye\u003c/a> have access to an ascendant group of classically-trained talents: the \u003ca href=\"http://magikmagik.com\">Magik*Magik Orchestra\u003c/a>.\u003c/p>\n\u003cp>A number of the songs included in this mix feature Magik*Magik contributions; that shouldn’t be a surprise given the group’s prodigious talents, and a resume that includes recording and performing with the likes of Death Cab for Cutie, Radiohead’s Jonny Greenwood, The Dodos and Geographer. After being included on so many other people’s recordings, it’s only appropriate that Magik*Magik have an album of their own; the group’s debut solo effort is coming in 2014. Until then, they’re continuing to add wonderful components to many Bay Area artists’ compositions.\u003c/p>\n\u003cp>Enjoy the mix!\u003c/p>\n\u003cp>Track Listing:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan id=\"more-82632\">\u003c/span>\u003ca href=\"https://www.facebook.com/johnvanderslicemusic\">John Vanderslice\u003c/a> — “Harlequin Press”\u003cbr>\u003ca href=\"https://www.facebook.com/foxtailsbrigade\">Foxtails Brigade\u003c/a> — “Little Person”\u003cbr>\u003ca href=\"https://www.facebook.com/thefamilycrest\">The Family Crest\u003c/a> — “Love Don’t Go”\u003cbr>\u003ca href=\"https://www.facebook.com/tidelands.music\">Tidelands\u003c/a> — “Toaster”\u003cbr>\u003ca href=\"https://www.facebook.com/ilovedoeeye\">Doe Eye\u003c/a> — “Oh My God”\u003cbr>\u003ca href=\"https://www.facebook.com/judgementday\">Judgement Day\u003c/a> — “Forest Battle”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/TaughtMe/231174544974\">TaughtMe\u003c/a> — “The Truth (Really?) Every Time”\u003cbr>\u003ca href=\"https://www.facebook.com/DRMStheBand\">DRMS\u003c/a> — “Don’t Want This to Die”\u003cbr>\u003ca href=\"https://www.facebook.com/grayceon\">Grayceon\u003c/a> — “Shellmounds”\u003cbr>\u003ca href=\"https://www.facebook.com/WhiskermanLives\">Whiskerman\u003c/a> — “Blind Saint”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Kacey-Johansing/280936311745\">Kacey Johansing\u003c/a> — “Grand Ghosts”\u003cbr>\u003ca href=\"https://www.facebook.com/debbieneighermusic\">Debbie Neigher\u003c/a> — “Frames”\u003cbr>\u003ca href=\"https://www.facebook.com/gatcmusic\">Ghost & the City\u003c/a> — “Sweet Footed Betty”\u003c/p>\n\u003cfigure class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2013/10/familycrest360.jpg\" alt=\"The Family Crest by Christopher Howard\" class=\"size-full\">\u003cfigcaption class=\"wp-caption-text\">The Family Crest by Christopher Howard\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"flex-video embed-youtube\">\nhttp://ww2.kqed.org/arts/wp-content/uploads/sites/2/2013/10/familycrest360.jpg\n\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/127278/mixtape_the_orchestral_side_of_san_francisco_indie_rock",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10127278",
"label": "arts_147"
},
"arts_126861": {
"type": "posts",
"id": "arts_126861",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "126861",
"score": null,
"sort": [
1381355718000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 146
},
"blocks": [],
"publishDate": 1381355718,
"format": "audio",
"title": "October 2013",
"headTitle": "October 2013 | KQED",
"content": "\u003cp>After three years, one third of the Noise Pop Team, Jaime Nabrynski, is leaving San Francisco and heading to New York to make all her big city dreams come true. She will join us from time to time from the East Coast, but for now we’re sending her off the best way we know how… with a mix of the best songs buzzing around Internet.There are some amazing new tracks from Blood Orange, Bill Calahan, Parquet Courts, Clams Casino and many more.\u003c/p>\n\u003cp>\u003cb>Tracklist:\u003c/b>\u003cbr>1. “Best Friends” — Holychild, single\u003cbr>2. “Chamaky” — Blood Orange, \u003ci>Cupid Deluxe\u003c/i>\u003cbr>3. “Tourniquet” — Jeremy Messersmith, \u003ci>Heart Murmurs\u003c/i>\u003cbr> 4. “You’ve Got Me Wonderin’ Now” — Parquet Courts, \u003ci>Tally Up All The Things That You Broke\u003c/i>\u003cbr> 5. “Edge” — Haim, \u003ci>Days are Gone\u003c/i> (UK Deluxe version)\u003cbr>6. “Small Plane” — Bill Callahan, \u003ci>Dream River\u003c/i>\u003cbr> 7. “Still Not Falling” — Shy Girls, \u003ci>Timeshare\u003c/i>\u003cbr> 8. “Truly Freaking Out” — Tim Kasher, \u003ci>Adult Film\u003c/i>\u003cbr>9. “Super Kiwi” — Yo La Tengo, \u003ci>Fade\u003c/i>\u003cbr> 10. “Crystals” — Clams Casino, \u003ci>Grand Theft Auto V\u003c/i> soundtrack\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 199,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 4
},
"modified": 1705049668,
"excerpt": "Listen to the Noise Pop new music podcast for October 2013, featuring: Blood Orange, Haim, Bill Callahan, Shy Girls, Clams Casino and more.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen to the Noise Pop new music podcast for October 2013, featuring: Blood Orange, Haim, Bill Callahan, Shy Girls, Clams Casino and more.",
"title": "October 2013 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "October 2013",
"datePublished": "2013-10-09T14:55:18-07:00",
"dateModified": "2024-01-12T00:54:28-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "october_2013",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/noisepop/",
"audioUrl": "http://traffic.libsyn.com/noisepop/October_13_Podcast.mp3",
"sticky": false,
"path": "/arts/126861/october_2013",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After three years, one third of the Noise Pop Team, Jaime Nabrynski, is leaving San Francisco and heading to New York to make all her big city dreams come true. She will join us from time to time from the East Coast, but for now we’re sending her off the best way we know how… with a mix of the best songs buzzing around Internet.There are some amazing new tracks from Blood Orange, Bill Calahan, Parquet Courts, Clams Casino and many more.\u003c/p>\n\u003cp>\u003cb>Tracklist:\u003c/b>\u003cbr>1. “Best Friends” — Holychild, single\u003cbr>2. “Chamaky” — Blood Orange, \u003ci>Cupid Deluxe\u003c/i>\u003cbr>3. “Tourniquet” — Jeremy Messersmith, \u003ci>Heart Murmurs\u003c/i>\u003cbr> 4. “You’ve Got Me Wonderin’ Now” — Parquet Courts, \u003ci>Tally Up All The Things That You Broke\u003c/i>\u003cbr> 5. “Edge” — Haim, \u003ci>Days are Gone\u003c/i> (UK Deluxe version)\u003cbr>6. “Small Plane” — Bill Callahan, \u003ci>Dream River\u003c/i>\u003cbr> 7. “Still Not Falling” — Shy Girls, \u003ci>Timeshare\u003c/i>\u003cbr> 8. “Truly Freaking Out” — Tim Kasher, \u003ci>Adult Film\u003c/i>\u003cbr>9. “Super Kiwi” — Yo La Tengo, \u003ci>Fade\u003c/i>\u003cbr> 10. “Crystals” — Clams Casino, \u003ci>Grand Theft Auto V\u003c/i> soundtrack\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/126861/october_2013",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_146"
],
"featImg": "arts_10126861",
"label": "arts_146"
},
"arts_126546": {
"type": "posts",
"id": "arts_126546",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "126546",
"score": null,
"sort": [
1380751678000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1380751678,
"format": "audio",
"title": "Live This Month: October 2013",
"headTitle": "Live This Month: October 2013 | KQED",
"content": "\u003cp>October brings the return of two of our favorite SF festivals: \u003ca href=\"http://www.hardlystrictlybluegrass.com/2013/\">Hardly Strictly Bluegrass\u003c/a> and the \u003ca href=\"http://www.treasureislandfestival.com/2013/\">Treasure Island Music Festival\u003c/a>. Both are local traditions that promise quality music offerings, and while we’re including bands from both in this episode, the whole episode could have been devoted to either festival’s prospective highlights. Beyond those two, and TIMF’s related night shows and pop-up shop parties (like, ahem, the \u003ca href=\"http://www.thebaybridged.com/2013/09/30/announcing-buried-treasure-our-treasure-island-music-festival-pop-up-shop-concert/\">rock and roll bingo party\u003c/a> we are presenting), other local highlights include a record release show for \u003ca href=\"http://www.dragcity.com/artists/mike-donovan\">Mike Donovan\u003c/a>, who has stepped out from Sic Alps to offer his solo debut, \u003cem>Wot\u003c/em>, on Drag City. \u003c/p>\n\u003cp>Other notable concert picks come from as far away as the Netherlands, with Dutch psych-pop artist \u003ca href=\"https://www.facebook.com/jaccogardnermusic\">Jacco Gardner\u003c/a> bringing the kaleidoscopic \u003cem>Cabinet of Curiosities\u003c/em> to The Chapel. Unlike Gardner, the band \u003ca href=\"https://www.facebook.com/overseasband\">Overseas\u003c/a> is a domestic outfit; while the group’s name may not ring a bell, its band members’ names and CVs — David Bazan of Pedro the Lion, Will Johnson of Centro-matic, and Bubba and Matt Kadane of Bedhead and The New Year — likely will.\u003c/p>\n\u003cp>Enjoy the podcast and then go see some concerts!\u003c/p>\n\u003cp>\u003cu>About the bands:\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://www.dragcity.com/artists/mike-donovan\">Mike Donovan\u003c/a> — “New Fieldhand Bop”\u003cbr>Bringing \u003cem>Wot\u003c/em> to the \u003ca href=\"http://www.rickshawstop.com/calendar/\">Rickshaw Stop\u003c/a> on October 11; Tal National, BreakArts, and G. Green support.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/tonymolina650\">Tony Molina\u003c/a> — “Don’t Come Back”\u003cbr>Playing at the \u003ca href=\"http://hemlocktavern.com/calendar.php?month=10&year=2013\">Hemlock Tavern\u003c/a> on October 8 and the \u003ca href=\"http://www.dnalounge.com/calendar/2013/10.html\">DNA Lounge\u003c/a> on October 14.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/crystalstiltsofficial\">Crystal Stilts\u003c/a> — “Star Crawl”\u003cbr>Co-headlining with Widowspeak at \u003ca href=\"http://www.thechapelsf.com/music/\">The Chapel\u003c/a>; Pure Bathing Culture opens the October 18 show.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/palmaviolets\">Palma Violets\u003c/a> — “Best of Friends”\u003cbr>Playing at \u003ca href=\"https://www.facebook.com/asucSUPERB\">UC Berkeley\u003c/a> on October 18 and at the \u003ca href=\"http://www.treasureislandfestival.com/2013/\">Treasure Island Music Festival\u003c/a> on October 20.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/jaccogardnermusic\">Jacco Gardner\u003c/a> — “Chameleon”\u003cbr>Supporting Allah-Las on October 5 at \u003ca href=\"http://www.thechapelsf.com/music/\">The Chapel\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/wearetyphoon\">Typhoon\u003c/a> — “Dreams of Cannibalism”\u003cbr>Playing at \u003ca href=\"http://www.theindependentsf.com/\">The Independent\u003c/a> on October 18 with Wild Ones.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SleepySun\">Sleepy Sun\u003c/a> — “Stivey Pond”\u003cbr>Celebrating the release of a new EP at the \u003ca href=\"http://www.brickandmortarmusic.com/\">Brick & Mortar Music Hall\u003c/a> on October 18 with Dylan Shearer.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/meatmarketbeat\">Meat Market\u003c/a> — “B&E BBQ”\u003cbr>Appearing alongside Fine Steps at \u003ca href=\"http://www.thebaybridged.com/2013/09/30/announcing-buried-treasure-our-treasure-island-music-festival-pop-up-shop-concert/\">The Bay Bridged’s “Buried Treasure” party\u003c/a> at San Franpsycho on October 10.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/hunxandhispunx\">Hunx & His Punx\u003c/a> — “You Think You’re Tough”\u003cbr>Performing at \u003ca href=\"http://www.thechapelsf.com/music/\">The Chapel\u003c/a> with Wet Drag on October 21.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/TheCaveSingers\">The Cave Singers\u003c/a> — “Have to Pretend”\u003cbr>Appearing on October 4 at \u003ca href=\"http://www.hardlystrictlybluegrass.com/2013/\">Hardly Strictly Bluegrass 2013\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://soundcloud.com/dustin-wong\">Dustin Wong\u003c/a> — “The Big She”\u003cbr>Dustin Wong’s tour with The Dodos comes to the \u003ca href=\"http://www.slimspresents.com/calendar/\">Great American Music Hall\u003c/a> on October 16.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/KirinJCallinan\">Kirin J Callinan\u003c/a> — “Embracism”\u003cbr>Joining Seatraffic and All Your Sisters on October 29 at the \u003ca href=\"http://www.rickshawstop.com/calendar/\">Rickshaw Stop\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/overseasband\">Overseas\u003c/a> — “Old Love”\u003cbr>Headlining \u003ca href=\"http://www.bottomofthehill.com/calendar.html#sthash.FxgcOsWC.dpbs\">Bottom of the Hill\u003c/a> on October 14 with Radar Brothers.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 492,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 19
},
"modified": 1705049682,
"excerpt": "Listen to The Bay Bridged mix of bands playing the Bay Area in October, including: Mike Donovan, Sleepy Sun, Crystal Stilts, Hunx and His Punx, The Cave Singers, and more.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen to The Bay Bridged mix of bands playing the Bay Area in October, including: Mike Donovan, Sleepy Sun, Crystal Stilts, Hunx and His Punx, The Cave Singers, and more.",
"title": "Live This Month: October 2013 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Live This Month: October 2013",
"datePublished": "2013-10-02T15:07:58-07:00",
"dateModified": "2024-01-12T00:54:42-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "live_this_month_october_2013",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/LTM_October_2013.mp3",
"sticky": false,
"path": "/arts/126546/live_this_month_october_2013",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>October brings the return of two of our favorite SF festivals: \u003ca href=\"http://www.hardlystrictlybluegrass.com/2013/\">Hardly Strictly Bluegrass\u003c/a> and the \u003ca href=\"http://www.treasureislandfestival.com/2013/\">Treasure Island Music Festival\u003c/a>. Both are local traditions that promise quality music offerings, and while we’re including bands from both in this episode, the whole episode could have been devoted to either festival’s prospective highlights. Beyond those two, and TIMF’s related night shows and pop-up shop parties (like, ahem, the \u003ca href=\"http://www.thebaybridged.com/2013/09/30/announcing-buried-treasure-our-treasure-island-music-festival-pop-up-shop-concert/\">rock and roll bingo party\u003c/a> we are presenting), other local highlights include a record release show for \u003ca href=\"http://www.dragcity.com/artists/mike-donovan\">Mike Donovan\u003c/a>, who has stepped out from Sic Alps to offer his solo debut, \u003cem>Wot\u003c/em>, on Drag City. \u003c/p>\n\u003cp>Other notable concert picks come from as far away as the Netherlands, with Dutch psych-pop artist \u003ca href=\"https://www.facebook.com/jaccogardnermusic\">Jacco Gardner\u003c/a> bringing the kaleidoscopic \u003cem>Cabinet of Curiosities\u003c/em> to The Chapel. Unlike Gardner, the band \u003ca href=\"https://www.facebook.com/overseasband\">Overseas\u003c/a> is a domestic outfit; while the group’s name may not ring a bell, its band members’ names and CVs — David Bazan of Pedro the Lion, Will Johnson of Centro-matic, and Bubba and Matt Kadane of Bedhead and The New Year — likely will.\u003c/p>\n\u003cp>Enjoy the podcast and then go see some concerts!\u003c/p>\n\u003cp>\u003cu>About the bands:\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://www.dragcity.com/artists/mike-donovan\">Mike Donovan\u003c/a> — “New Fieldhand Bop”\u003cbr>Bringing \u003cem>Wot\u003c/em> to the \u003ca href=\"http://www.rickshawstop.com/calendar/\">Rickshaw Stop\u003c/a> on October 11; Tal National, BreakArts, and G. Green support.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/tonymolina650\">Tony Molina\u003c/a> — “Don’t Come Back”\u003cbr>Playing at the \u003ca href=\"http://hemlocktavern.com/calendar.php?month=10&year=2013\">Hemlock Tavern\u003c/a> on October 8 and the \u003ca href=\"http://www.dnalounge.com/calendar/2013/10.html\">DNA Lounge\u003c/a> on October 14.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/crystalstiltsofficial\">Crystal Stilts\u003c/a> — “Star Crawl”\u003cbr>Co-headlining with Widowspeak at \u003ca href=\"http://www.thechapelsf.com/music/\">The Chapel\u003c/a>; Pure Bathing Culture opens the October 18 show.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/palmaviolets\">Palma Violets\u003c/a> — “Best of Friends”\u003cbr>Playing at \u003ca href=\"https://www.facebook.com/asucSUPERB\">UC Berkeley\u003c/a> on October 18 and at the \u003ca href=\"http://www.treasureislandfestival.com/2013/\">Treasure Island Music Festival\u003c/a> on October 20.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/jaccogardnermusic\">Jacco Gardner\u003c/a> — “Chameleon”\u003cbr>Supporting Allah-Las on October 5 at \u003ca href=\"http://www.thechapelsf.com/music/\">The Chapel\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/wearetyphoon\">Typhoon\u003c/a> — “Dreams of Cannibalism”\u003cbr>Playing at \u003ca href=\"http://www.theindependentsf.com/\">The Independent\u003c/a> on October 18 with Wild Ones.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SleepySun\">Sleepy Sun\u003c/a> — “Stivey Pond”\u003cbr>Celebrating the release of a new EP at the \u003ca href=\"http://www.brickandmortarmusic.com/\">Brick & Mortar Music Hall\u003c/a> on October 18 with Dylan Shearer.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/meatmarketbeat\">Meat Market\u003c/a> — “B&E BBQ”\u003cbr>Appearing alongside Fine Steps at \u003ca href=\"http://www.thebaybridged.com/2013/09/30/announcing-buried-treasure-our-treasure-island-music-festival-pop-up-shop-concert/\">The Bay Bridged’s “Buried Treasure” party\u003c/a> at San Franpsycho on October 10.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/hunxandhispunx\">Hunx & His Punx\u003c/a> — “You Think You’re Tough”\u003cbr>Performing at \u003ca href=\"http://www.thechapelsf.com/music/\">The Chapel\u003c/a> with Wet Drag on October 21.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/TheCaveSingers\">The Cave Singers\u003c/a> — “Have to Pretend”\u003cbr>Appearing on October 4 at \u003ca href=\"http://www.hardlystrictlybluegrass.com/2013/\">Hardly Strictly Bluegrass 2013\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://soundcloud.com/dustin-wong\">Dustin Wong\u003c/a> — “The Big She”\u003cbr>Dustin Wong’s tour with The Dodos comes to the \u003ca href=\"http://www.slimspresents.com/calendar/\">Great American Music Hall\u003c/a> on October 16.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/KirinJCallinan\">Kirin J Callinan\u003c/a> — “Embracism”\u003cbr>Joining Seatraffic and All Your Sisters on October 29 at the \u003ca href=\"http://www.rickshawstop.com/calendar/\">Rickshaw Stop\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/overseasband\">Overseas\u003c/a> — “Old Love”\u003cbr>Headlining \u003ca href=\"http://www.bottomofthehill.com/calendar.html#sthash.FxgcOsWC.dpbs\">Bottom of the Hill\u003c/a> on October 14 with Radar Brothers.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/126546/live_this_month_october_2013",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10126546",
"label": "arts_147"
},
"arts_126436": {
"type": "posts",
"id": "arts_126436",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "126436",
"score": null,
"sort": [
1380392340000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 146
},
"blocks": [],
"publishDate": 1380392340,
"format": "audio",
"title": "Hardly Strictly Bluegrass 2013",
"headTitle": "Hardly Strictly Bluegrass 2013 | KQED",
"content": "\u003cp>Can the Bay Area get any better? With the recent America’s Cup win, last weekend’s closing event to the nation-wide \u003ca href=\"http://stationtostation.com/\">Station to Station\u003c/a> art train tour, Noise Pop’s own upcoming \u003ca href=\"http://treasureislandfestival.com/2013/index.php\">Treasure Island Music Festival\u003c/a>, the voluptuous horror of the \u003ca href=\"http://www.folsomstreetevents.org/\">Folsom Street Fair\u003c/a> — the list goes on — it seems gluttonous to feast on another installment of \u003ca href=\"http://www.hardlystrictlybluegrass.com/2013/\">Hardly Strictly Bluegrass\u003c/a>. Yet, here we are again. The 13th annual FREE country-tinged music festival put on by the late Warren Hellman starts this Friday, October 4 at noon and runs through Sunday evening, October 6, 2013 with (I counted) 80 acts playing in Golden Gate Park.\u003c/p>\n\u003cp>In this episode we celebrate the beloved festival, one of San Francisco’s biggest events, by sampling a scant ten tunes by some of the acts in the 2013 line-up. Alongside the likes of Bonnie Raitt and Richard Thompson, we slip in some artists you may not know as well, but definitely should not miss. Seriously, these riches are embarrassing.\u003c/p>\n\u003cp>\u003cb>Track list:\u003c/b>\u003cbr>1. “Nick of Time” — Bonnie Raitt, \u003ci>Nick of Time\u003c/i>\u003cbr>2. “1952 Vincent Black Lightning” — Richard Thompson, \u003ci>Rumor and Sigh\u003c/i>\u003cbr>3. “The Plank” — Devil Makes Three, \u003ci>Devil Makes Three\u003c/i>\u003cbr>4. “Victory” — Trampled By Turtles, \u003ci>Palomino\u003c/i>\u003cbr>5. “Into the Wild” — LP, \u003ci>Into the Wild\u003c/i>\u003cbr>6. “Wolf ” — First Aid Kit, \u003ci>The Lion’s Roar\u003c/i>\u003cbr>7. “Let it go” — Tumbleweed Wanderers, \u003ci>Worn Down Welcome\u003c/i>\u003cbr>8. “Beach House” — Cave Singers, \u003ci>Welcome Joy\u003c/i>\u003cbr>9. “Tell Me (What’s On Your Mind)” — Allah-Las, \u003ci>Allah-Las\u003c/i>\u003cbr>10. “Cold Beverages” — G. Love & Special Sauce, \u003ci>G. Love & Special Sauce\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 293,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 5
},
"modified": 1705049690,
"excerpt": "Get ready to feast on the 13th Annual Hardly Strictly Bluegrass festival with this mix of just a few of the acts playing in Golden Gate Park this weekend (October 4-6), including: Trampled by Turtles, First Aid Kit, Cave Singers, Alla Lahs and other bands you have actually heard of.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Get ready to feast on the 13th Annual Hardly Strictly Bluegrass festival with this mix of just a few of the acts playing in Golden Gate Park this weekend (October 4-6), including: Trampled by Turtles, First Aid Kit, Cave Singers, Alla Lahs and other bands you have actually heard of.",
"title": "Hardly Strictly Bluegrass 2013 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Hardly Strictly Bluegrass 2013",
"datePublished": "2013-09-28T11:19:00-07:00",
"dateModified": "2024-01-12T00:54:50-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "hardly_strictly_bluegrass_2013",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/noisepop/",
"audioUrl": "http://traffic.libsyn.com/noisepop/HSB_Podcast_2013.mp3",
"sticky": false,
"path": "/arts/126436/hardly_strictly_bluegrass_2013",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Can the Bay Area get any better? With the recent America’s Cup win, last weekend’s closing event to the nation-wide \u003ca href=\"http://stationtostation.com/\">Station to Station\u003c/a> art train tour, Noise Pop’s own upcoming \u003ca href=\"http://treasureislandfestival.com/2013/index.php\">Treasure Island Music Festival\u003c/a>, the voluptuous horror of the \u003ca href=\"http://www.folsomstreetevents.org/\">Folsom Street Fair\u003c/a> — the list goes on — it seems gluttonous to feast on another installment of \u003ca href=\"http://www.hardlystrictlybluegrass.com/2013/\">Hardly Strictly Bluegrass\u003c/a>. Yet, here we are again. The 13th annual FREE country-tinged music festival put on by the late Warren Hellman starts this Friday, October 4 at noon and runs through Sunday evening, October 6, 2013 with (I counted) 80 acts playing in Golden Gate Park.\u003c/p>\n\u003cp>In this episode we celebrate the beloved festival, one of San Francisco’s biggest events, by sampling a scant ten tunes by some of the acts in the 2013 line-up. Alongside the likes of Bonnie Raitt and Richard Thompson, we slip in some artists you may not know as well, but definitely should not miss. Seriously, these riches are embarrassing.\u003c/p>\n\u003cp>\u003cb>Track list:\u003c/b>\u003cbr>1. “Nick of Time” — Bonnie Raitt, \u003ci>Nick of Time\u003c/i>\u003cbr>2. “1952 Vincent Black Lightning” — Richard Thompson, \u003ci>Rumor and Sigh\u003c/i>\u003cbr>3. “The Plank” — Devil Makes Three, \u003ci>Devil Makes Three\u003c/i>\u003cbr>4. “Victory” — Trampled By Turtles, \u003ci>Palomino\u003c/i>\u003cbr>5. “Into the Wild” — LP, \u003ci>Into the Wild\u003c/i>\u003cbr>6. “Wolf ” — First Aid Kit, \u003ci>The Lion’s Roar\u003c/i>\u003cbr>7. “Let it go” — Tumbleweed Wanderers, \u003ci>Worn Down Welcome\u003c/i>\u003cbr>8. “Beach House” — Cave Singers, \u003ci>Welcome Joy\u003c/i>\u003cbr>9. “Tell Me (What’s On Your Mind)” — Allah-Las, \u003ci>Allah-Las\u003c/i>\u003cbr>10. “Cold Beverages” — G. Love & Special Sauce, \u003ci>G. Love & Special Sauce\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/126436/hardly_strictly_bluegrass_2013",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_146"
],
"featImg": "arts_10126436",
"label": "arts_146"
},
"arts_126072": {
"type": "posts",
"id": "arts_126072",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "126072",
"score": null,
"sort": [
1379539981000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1379539981,
"format": "audio",
"title": "Mixtape: Plugging into Bay Area Electronic Music",
"headTitle": "Mixtape: Plugging into Bay Area Electronic Music | KQED",
"content": "\u003cp>As we’ve \u003ca href=\"http://www.thebaybridged.com/2010/10/26/a-bay-area-electronic-pop-mixtape-featuring-blackbird-blackbird-electric-sunset-ooooo-and-more-podcast-235/\">documented on the podcast before\u003c/a>, the Bay Area has hosted a vibrant scene of electronic music producers for years. But while we’ve primarily focused our coverage on electronic music’s pop side, SF is also home to a variety of innovative, compelling house and techno producers.\u003c/p>\n\u003cp>In addition to the large crop of talented artists, there are significant event producers like \u003ca href=\"https://www.facebook.com/pushthefeeling\">Push the Feeling\u003c/a>, the influential monthly that has hosted (and, indeed, drawn our attention to) many of the artists in this mix, as well as the longstanding \u003ca href=\"https://www.facebook.com/iceehot\">Icee Hot\u003c/a> and newer arrivals like Haçeteria. And if we’re talking about the ecosystem supporting local electronic artists, special mention must be made of \u003ca href=\"http://www.xlr8r.com/\">XLR8R\u003c/a>, which displays a continued commitment to featuring local talent while documenting the best of cutting-edge electronica worldwide.\u003c/p>\n\u003cp>This mixtape showcases eleven local electronic artists, with a special emphasis on music-makers serving up house-influenced sounds. Listening to the mix, it’s difficult to avoid the feeling that we’re in an exciting time for dance music in the Bay Area.\u003c/p>\n\u003cp>Enjoy the mix!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Track Listing:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/plazasf\">Plaza\u003c/a> — “Fish Water”\u003cbr>\u003ca href=\"https://soundcloud.com/naturalcurves\">Natural Curves\u003c/a> — “Can’t Stand It”\u003cbr>\u003ca href=\"https://www.facebook.com/matrixxman\">Matrixxman\u003c/a> — “A Witness”\u003cbr>\u003ca href=\"https://soundcloud.com/glenn-jackson\">Glenn Jackson\u003c/a> — “Save (Coyote Clean Up Remix)”\u003cbr>\u003ca href=\"http://beatbroker.net/\">The Beat Broker\u003c/a> — “Beat to the Street”\u003cbr>\u003ca href=\"https://www.facebook.com/REDREDRED000\">REDREDRED\u003c/a> — “Lucid Moving Circles”\u003cbr>\u003ca href=\"https://www.facebook.com/VinSol\">Vin Sol\u003c/a> — “Atlantic Ave.”\u003cbr>\u003ca href=\"https://www.facebook.com/PBDOAK\">Pale Blue Dot\u003c/a> — “Voyage”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/devonwho/112689878205\">Devonwho\u003c/a> — “pretendingtowalkslow (ft. Zeroh)”\u003cbr>\u003ca href=\"https://soundcloud.com/rochesolos\">Roche\u003c/a> — “A Night At The Hac”\u003cbr>\u003ca href=\"https://soundcloud.com/chautauqua-1\">Chautauqua\u003c/a> — “Tsu Tse”\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 280,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705049713,
"excerpt": "Listen to The Bay Bridged mix of Bay Area Electronic Music featuring: The Beat Broker, Pale Blue Dot, Matrixxman, Plaza, and more.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen to The Bay Bridged mix of Bay Area Electronic Music featuring: The Beat Broker, Pale Blue Dot, Matrixxman, Plaza, and more.",
"title": "Mixtape: Plugging into Bay Area Electronic Music | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Mixtape: Plugging into Bay Area Electronic Music",
"datePublished": "2013-09-18T14:33:01-07:00",
"dateModified": "2024-01-12T00:55:13-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "mixtape_plugging_into_bay_area_electronic_music",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/Electronic_Mix_2013.mp3",
"sticky": false,
"path": "/arts/126072/mixtape_plugging_into_bay_area_electronic_music",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As we’ve \u003ca href=\"http://www.thebaybridged.com/2010/10/26/a-bay-area-electronic-pop-mixtape-featuring-blackbird-blackbird-electric-sunset-ooooo-and-more-podcast-235/\">documented on the podcast before\u003c/a>, the Bay Area has hosted a vibrant scene of electronic music producers for years. But while we’ve primarily focused our coverage on electronic music’s pop side, SF is also home to a variety of innovative, compelling house and techno producers.\u003c/p>\n\u003cp>In addition to the large crop of talented artists, there are significant event producers like \u003ca href=\"https://www.facebook.com/pushthefeeling\">Push the Feeling\u003c/a>, the influential monthly that has hosted (and, indeed, drawn our attention to) many of the artists in this mix, as well as the longstanding \u003ca href=\"https://www.facebook.com/iceehot\">Icee Hot\u003c/a> and newer arrivals like Haçeteria. And if we’re talking about the ecosystem supporting local electronic artists, special mention must be made of \u003ca href=\"http://www.xlr8r.com/\">XLR8R\u003c/a>, which displays a continued commitment to featuring local talent while documenting the best of cutting-edge electronica worldwide.\u003c/p>\n\u003cp>This mixtape showcases eleven local electronic artists, with a special emphasis on music-makers serving up house-influenced sounds. Listening to the mix, it’s difficult to avoid the feeling that we’re in an exciting time for dance music in the Bay Area.\u003c/p>\n\u003cp>Enjoy the mix!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Track Listing:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/plazasf\">Plaza\u003c/a> — “Fish Water”\u003cbr>\u003ca href=\"https://soundcloud.com/naturalcurves\">Natural Curves\u003c/a> — “Can’t Stand It”\u003cbr>\u003ca href=\"https://www.facebook.com/matrixxman\">Matrixxman\u003c/a> — “A Witness”\u003cbr>\u003ca href=\"https://soundcloud.com/glenn-jackson\">Glenn Jackson\u003c/a> — “Save (Coyote Clean Up Remix)”\u003cbr>\u003ca href=\"http://beatbroker.net/\">The Beat Broker\u003c/a> — “Beat to the Street”\u003cbr>\u003ca href=\"https://www.facebook.com/REDREDRED000\">REDREDRED\u003c/a> — “Lucid Moving Circles”\u003cbr>\u003ca href=\"https://www.facebook.com/VinSol\">Vin Sol\u003c/a> — “Atlantic Ave.”\u003cbr>\u003ca href=\"https://www.facebook.com/PBDOAK\">Pale Blue Dot\u003c/a> — “Voyage”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/devonwho/112689878205\">Devonwho\u003c/a> — “pretendingtowalkslow (ft. Zeroh)”\u003cbr>\u003ca href=\"https://soundcloud.com/rochesolos\">Roche\u003c/a> — “A Night At The Hac”\u003cbr>\u003ca href=\"https://soundcloud.com/chautauqua-1\">Chautauqua\u003c/a> — “Tsu Tse”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/126072/mixtape_plugging_into_bay_area_electronic_music",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10126072",
"label": "arts_147"
},
"arts_125958": {
"type": "posts",
"id": "arts_125958",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "125958",
"score": null,
"sort": [
1379188552000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 146
},
"blocks": [],
"publishDate": 1379188552,
"format": "audio",
"title": "September 2013",
"headTitle": "September 2013 | KQED",
"content": "\u003cp>Last episode, we played songs catchy and infectious enough to earn a spot on our “Indie Song of Summer” playlist. This week though, we’re playing songs with structures and sounds a little too unique for summer pop, but just challenging enough to enjoy, from the appealing dissonance of Suuns to the curious and intense noises of Oneohtrix Point Never.\u003c/p>\n\u003cp>\u003cb>Track list:\u003c/b>\u003cbr> 1. “Byegone” — Volcano Choir, \u003ci>Repave\u003c/i>\u003cbr> 2. “Birds” — Death Grips, single\u003cbr> 3. “Empty City” — Dan Casey, \u003ci>Empty City\u003c/i>\u003cbr> 4. “A Lizard State” — King Krule, \u003ci>6 Feet Beneath The Moon\u003c/i>\u003cbr> 5. “Golden Arrow” — Darkside, \u003ci>Psychic\u003c/i>\u003cbr> 6. “2020” — Suuns, \u003ci>Images Du Futur\u003c/i>\u003cbr> 7. “Wayward Son” — Zachary Cale, \u003ci>Blue Rider\u003c/i>\u003cbr> 8. “Problem Areas” — Oneohtrix Point Never, \u003ci>R Plus Seven\u003c/i>\u003cbr> 9. “What Death Leaves Behind” — Los Campesinos, \u003ci>No Blues\u003c/i>\u003cbr> 10. “Anytime Soon” — Andy Stott, \u003ci>Adult Swim Singles Program\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 170,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 4
},
"modified": 1705049722,
"excerpt": "Listen to the Noise Pop mix of \"challenging\" music for September 2013, including tunes by Dan Casey, Volcano Choir, Darkside, Suuns, and Los Campesinos, among others.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen to the Noise Pop mix of "challenging" music for September 2013, including tunes by Dan Casey, Volcano Choir, Darkside, Suuns, and Los Campesinos, among others.",
"title": "September 2013 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "September 2013",
"datePublished": "2013-09-14T12:55:52-07:00",
"dateModified": "2024-01-12T00:55:22-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "september_2013",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/noisepop/",
"audioUrl": "http://traffic.libsyn.com/noisepop/September_2013_Podcast.mp3",
"sticky": false,
"path": "/arts/125958/september_2013",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Last episode, we played songs catchy and infectious enough to earn a spot on our “Indie Song of Summer” playlist. This week though, we’re playing songs with structures and sounds a little too unique for summer pop, but just challenging enough to enjoy, from the appealing dissonance of Suuns to the curious and intense noises of Oneohtrix Point Never.\u003c/p>\n\u003cp>\u003cb>Track list:\u003c/b>\u003cbr> 1. “Byegone” — Volcano Choir, \u003ci>Repave\u003c/i>\u003cbr> 2. “Birds” — Death Grips, single\u003cbr> 3. “Empty City” — Dan Casey, \u003ci>Empty City\u003c/i>\u003cbr> 4. “A Lizard State” — King Krule, \u003ci>6 Feet Beneath The Moon\u003c/i>\u003cbr> 5. “Golden Arrow” — Darkside, \u003ci>Psychic\u003c/i>\u003cbr> 6. “2020” — Suuns, \u003ci>Images Du Futur\u003c/i>\u003cbr> 7. “Wayward Son” — Zachary Cale, \u003ci>Blue Rider\u003c/i>\u003cbr> 8. “Problem Areas” — Oneohtrix Point Never, \u003ci>R Plus Seven\u003c/i>\u003cbr> 9. “What Death Leaves Behind” — Los Campesinos, \u003ci>No Blues\u003c/i>\u003cbr> 10. “Anytime Soon” — Andy Stott, \u003ci>Adult Swim Singles Program\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/125958/september_2013",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_146"
],
"featImg": "arts_10125958",
"label": "arts_146"
},
"arts_125887": {
"type": "posts",
"id": "arts_125887",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "125887",
"score": null,
"sort": [
1379046579000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1379046579,
"format": "standard",
"title": "Getting 'Free' with Before the Brave",
"headTitle": "Getting ‘Free’ with Before the Brave | KQED",
"content": "\u003cp>Before the Brave is the Bay Area’s answer to Mumford and Sons and The Head and The Heart. Jason Perry Stevens, the visionary behind the band, sat down with me over a watermelon habanero margarita one “warm” summer evening in San Francisco to discuss “Free,” the band’s new single, the group’s trajectory, and whether or not pizza is a breakfast food. (Stevens thinks it is, if it’s cold.)\u003c/p>\n\u003cp>It’s impossible to leave a Before the Brave show without a smile plastered across your face. To say Stevens sings his heart out is an understatement. His raspy vocals emphasize the emotive lyrics at all the right moments. The band swells and dips creating arcs not just in each song but also throughout the set. Stevens has a hands-off approach when it comes to songwriting with the band, inviting members to bring their talents to the table to create the most positive outcome for a song. When I asked him about the writing process and how it affects the live show he answered, “I don’t necessarily want you to think intellectually about what the song is saying, I just want you to feel something.”\u003c/p>\n\u003cp>There is a subtle spiritual message to the music, however. More and more indie bands are popping on to the circuit who are not labeled as such, but are part of a subversive movement speaking openly about their spiritual beliefs. \u003ca href=\"http://www.youtube.com/watch?v=40eP9Wsfphg\">Ivan and Alyosha\u003c/a> and the aforementioned \u003ca href=\"http://www.theheadandtheheart.com/\">The Head and the Heart\u003c/a> are two great West Coast examples. I speculated about this aspect to Before the Brave and Stevens gave me his take on being careful not to pigeonhole the band with a certain message, “I’m saying this is how I see the world and you don’t have to accept it, but I’m going to write from what my experience is and how I interpret the world. That’s not the purpose of the band, we’re not trying to reach people in that way necessarily.” It’s a fair point that everyone struggles, regardless of their belief system.\u003c/p>\n\u003cp>Before the Brave’s new single, “Free” speaks to this theme in a simple way. Stevens outlined the meaning behind the song, “In our lives we deal a lot with disappointment and not necessarily from others but from ourselves. I deal with so much depression because I’m not good enough or I do dumb things a lot, and this song is just about wanting to be free from all of that. I know that there’s a hope for me that I’m going to be free from that struggle some day.”\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"270\" src=\"//www.youtube.com/embed/X-XNk3Gu384\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>The majority of the band is from the West Coast and it’s gratifying to hear such enthusiastic music as part of the San Francisco music scene. Beth Garber the female vocalist is also the voice behind You’re the Queen Cosset. Kyle Redmond Tesse, who plays drums, is a founding member (with Stevens) of the band, and Josh Ruff plays bass. This past winter they shared a stage with \u003ca href=\"http://www.youtube.com/watch?v=NjzKkyQoe1U\">Thao and the Get Down Stay Down\u003c/a> at Great American Music Hall during Noise Pop Music Fest. The dark and intimate setting of Thee Parkside will undoubtedly be a great place to get roused by the band’s lively set. Stevens reiterated something simple but wise when speaking about the content of the music, “I am who I am and I’m not going to be ashamed of that.” A healthy reminder that it’s always OK to rock out and be happy, which in and of itself is a freeing feeling.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Before the Brave plays Thee Parkside TODAY, Sunday, September 15, 2013. For \u003ca href=\"http://www.theeparkside.com/\">more information\u003c/a>, visit theeparkside.com.\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 659,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705049724,
"excerpt": "Jason Perry Stevens, the singer and guitarist of Before the Brave discusses \"Free,\" the band's latest single.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Jason Perry Stevens, the singer and guitarist of Before the Brave discusses "Free," the band's latest single.",
"title": "Getting 'Free' with Before the Brave | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Getting 'Free' with Before the Brave",
"datePublished": "2013-09-12T21:29:39-07:00",
"dateModified": "2024-01-12T00:55:24-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "getting_free_with_before_the_brave",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/music/",
"sticky": false,
"path": "/arts/125887/getting_free_with_before_the_brave",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Before the Brave is the Bay Area’s answer to Mumford and Sons and The Head and The Heart. Jason Perry Stevens, the visionary behind the band, sat down with me over a watermelon habanero margarita one “warm” summer evening in San Francisco to discuss “Free,” the band’s new single, the group’s trajectory, and whether or not pizza is a breakfast food. (Stevens thinks it is, if it’s cold.)\u003c/p>\n\u003cp>It’s impossible to leave a Before the Brave show without a smile plastered across your face. To say Stevens sings his heart out is an understatement. His raspy vocals emphasize the emotive lyrics at all the right moments. The band swells and dips creating arcs not just in each song but also throughout the set. Stevens has a hands-off approach when it comes to songwriting with the band, inviting members to bring their talents to the table to create the most positive outcome for a song. When I asked him about the writing process and how it affects the live show he answered, “I don’t necessarily want you to think intellectually about what the song is saying, I just want you to feel something.”\u003c/p>\n\u003cp>There is a subtle spiritual message to the music, however. More and more indie bands are popping on to the circuit who are not labeled as such, but are part of a subversive movement speaking openly about their spiritual beliefs. \u003ca href=\"http://www.youtube.com/watch?v=40eP9Wsfphg\">Ivan and Alyosha\u003c/a> and the aforementioned \u003ca href=\"http://www.theheadandtheheart.com/\">The Head and the Heart\u003c/a> are two great West Coast examples. I speculated about this aspect to Before the Brave and Stevens gave me his take on being careful not to pigeonhole the band with a certain message, “I’m saying this is how I see the world and you don’t have to accept it, but I’m going to write from what my experience is and how I interpret the world. That’s not the purpose of the band, we’re not trying to reach people in that way necessarily.” It’s a fair point that everyone struggles, regardless of their belief system.\u003c/p>\n\u003cp>Before the Brave’s new single, “Free” speaks to this theme in a simple way. Stevens outlined the meaning behind the song, “In our lives we deal a lot with disappointment and not necessarily from others but from ourselves. I deal with so much depression because I’m not good enough or I do dumb things a lot, and this song is just about wanting to be free from all of that. I know that there’s a hope for me that I’m going to be free from that struggle some day.”\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"270\" src=\"//www.youtube.com/embed/X-XNk3Gu384\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>The majority of the band is from the West Coast and it’s gratifying to hear such enthusiastic music as part of the San Francisco music scene. Beth Garber the female vocalist is also the voice behind You’re the Queen Cosset. Kyle Redmond Tesse, who plays drums, is a founding member (with Stevens) of the band, and Josh Ruff plays bass. This past winter they shared a stage with \u003ca href=\"http://www.youtube.com/watch?v=NjzKkyQoe1U\">Thao and the Get Down Stay Down\u003c/a> at Great American Music Hall during Noise Pop Music Fest. The dark and intimate setting of Thee Parkside will undoubtedly be a great place to get roused by the band’s lively set. Stevens reiterated something simple but wise when speaking about the content of the music, “I am who I am and I’m not going to be ashamed of that.” A healthy reminder that it’s always OK to rock out and be happy, which in and of itself is a freeing feeling.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Before the Brave plays Thee Parkside TODAY, Sunday, September 15, 2013. For \u003ca href=\"http://www.theeparkside.com/\">more information\u003c/a>, visit theeparkside.com.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/125887/getting_free_with_before_the_brave",
"authors": [
"74"
],
"categories": [
"arts_69"
],
"featImg": "arts_10125887",
"label": "arts"
},
"arts_125641": {
"type": "posts",
"id": "arts_125641",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "125641",
"score": null,
"sort": [
1378503076000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1378503076,
"format": "standard",
"title": "Spending Time in 'The Silver Gymnasium' with Okkervil River",
"headTitle": "Spending Time in ‘The Silver Gymnasium’ with Okkervil River | KQED",
"content": "\u003cp>No matter where you are in the world there are days that feel exactly like they did when you were a kid. That light through the trees takes you back to crisp Midwest autumn, or humid summer nights recall memories of catching lightning bugs and playing cops and robbers with the neighbors. Nostalgia is often thought of with a positive connotation, but not always. Will Sheff, the creative force behind Okkervil River writes about his experience growing up in the small town (less than 500 people) of Meridian, NH. \u003ci>The Silver Gymnasium\u003c/i> is peppered with teenage struggles, loss and love, standing out from the crowd, and the familiar challenge (to a certain generation) of taping songs off the radio.\u003c/p>\n\u003cp>The album does not take chronological shape, but rather focuses on a particular moment in the young Sheff’s life, a coming of age account is bookended by the before and after, focusing not just on the pinnacle moment but largely the 1980s. The first track, “It Was My Season” sets the tone for the project. It’s not emotional in the sense that the memories are opening up old wounds, but is told from the perspective of someone who has made peace with the past. In the song Sheff dates the moment for us singing about the immediacy of teenage love and “if you want to stop our ‘thing’ you’ll stop my heart. All this pain inside’s still just too sharp.” Clever breadcrumbs lead the way to Meridian, NH in the late 1980s with mentions of VCRs and Ataris.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"270\" src=\"//www.youtube.com/embed/PjLP1n3h7Vc\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\u003c/center>\n\u003cp>This concept album isn’t just a story; it’s the story of the memory. Sheff’s lyrics have always been intellectual and narrative, but what he captures on \u003ci>The Silver Gymnasium\u003c/i> is the feeling of the memory coupled with the disorienting realization that memories are not always accurate representations of truth. It is often the feeling we remember most clearly rather than the specific events that caused that feeling. This record goes beyond being picked last in gym class with songs like “Down Down the Deep River,” about experiencing the first major tragedy in one’s life. Parental reassurance plays a large part here as Sheff sings words from his father, “…you’ll be alright because I’ll be right here. Oh, kid, I’m not going anywhere, I swear I’ll try to not be going anywhere. Though it’s not all right, it’s so far from all right.”\u003c/p>\n\u003cp>The performance of the lyrics is unique to Okkervil River. Sheff’s writing style holds a cadence more closely redolent of prose. He has the musical ability to insert words inside of beats that don’t follow a typical methodology, speeding up certain sentences, slowing down others, putting emphasis in unexpected places. Magnified in songs like “Pink Slips,” “Stay Young,” and “Walking With Frankie,” Sheff rarely sounds out of breath, but there is a slight emotional strain and concentration on making sure the words get out. This is what makes \u003ci>The Silver Gymnasium\u003c/i> so exciting.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/09/06/okkervil500.jpg\" style=\"margin-bottom: 10px;\" alt=\"okkervil river\">\u003c/center>\n\u003cp>Okkervil River is not unfamiliar with the singer-songwriter tag. In a lot of ways this album does not deviate from that genre; the focus is on the lead singer who, additionally, has written all the songs. The sound is more full, though, resonating beyond the typical singer-songwriter front. A full band backs Sheff with the usual compliment of instrumentation but horns, wineglasses, synthesizers, and casio keys also make appearances. This album is pretty pop for the band, the upbeat orchestral moments allow the listener to access the darkness in a more “real” way than on previous Okkervil River records. It allows for a choice, we can be right alongside Sheff’s anxiety and young adult downfalls and or we can focus on the happy confusion and triumph found on the roller coaster ride of growing up. Personal growth aside, this record is by no means innovative, but the quality of songwriting is unmatched.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The Silver Gymnasium\u003c/i> is out Snow on ATO Records. For \u003ca href=\"http://okkervilriver.com/\">more information on Will Sheff and the incredible animated artwork accompanying the album\u003c/a>, visit okkervilriver.com.\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 727,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705049736,
"excerpt": "\u003ci>The Silver Gymnasium\u003c/i> is peppered with teenage struggles, loss and love, standing out from the crowd, and the familiar challenge (to a certain generation) of taping songs off the radio.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Silver Gymnasium is peppered with teenage struggles, loss and love, standing out from the crowd, and the familiar challenge (to a certain generation) of taping songs off the radio.",
"title": "Spending Time in 'The Silver Gymnasium' with Okkervil River | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Spending Time in 'The Silver Gymnasium' with Okkervil River",
"datePublished": "2013-09-06T14:31:16-07:00",
"dateModified": "2024-01-12T00:55:36-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "spending_time_in_the_silver_gymnasium_with_okkervil_river",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/music/",
"sticky": false,
"path": "/arts/125641/spending_time_in_the_silver_gymnasium_with_okkervil_river",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>No matter where you are in the world there are days that feel exactly like they did when you were a kid. That light through the trees takes you back to crisp Midwest autumn, or humid summer nights recall memories of catching lightning bugs and playing cops and robbers with the neighbors. Nostalgia is often thought of with a positive connotation, but not always. Will Sheff, the creative force behind Okkervil River writes about his experience growing up in the small town (less than 500 people) of Meridian, NH. \u003ci>The Silver Gymnasium\u003c/i> is peppered with teenage struggles, loss and love, standing out from the crowd, and the familiar challenge (to a certain generation) of taping songs off the radio.\u003c/p>\n\u003cp>The album does not take chronological shape, but rather focuses on a particular moment in the young Sheff’s life, a coming of age account is bookended by the before and after, focusing not just on the pinnacle moment but largely the 1980s. The first track, “It Was My Season” sets the tone for the project. It’s not emotional in the sense that the memories are opening up old wounds, but is told from the perspective of someone who has made peace with the past. In the song Sheff dates the moment for us singing about the immediacy of teenage love and “if you want to stop our ‘thing’ you’ll stop my heart. All this pain inside’s still just too sharp.” Clever breadcrumbs lead the way to Meridian, NH in the late 1980s with mentions of VCRs and Ataris.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"270\" src=\"//www.youtube.com/embed/PjLP1n3h7Vc\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\u003c/center>\n\u003cp>This concept album isn’t just a story; it’s the story of the memory. Sheff’s lyrics have always been intellectual and narrative, but what he captures on \u003ci>The Silver Gymnasium\u003c/i> is the feeling of the memory coupled with the disorienting realization that memories are not always accurate representations of truth. It is often the feeling we remember most clearly rather than the specific events that caused that feeling. This record goes beyond being picked last in gym class with songs like “Down Down the Deep River,” about experiencing the first major tragedy in one’s life. Parental reassurance plays a large part here as Sheff sings words from his father, “…you’ll be alright because I’ll be right here. Oh, kid, I’m not going anywhere, I swear I’ll try to not be going anywhere. Though it’s not all right, it’s so far from all right.”\u003c/p>\n\u003cp>The performance of the lyrics is unique to Okkervil River. Sheff’s writing style holds a cadence more closely redolent of prose. He has the musical ability to insert words inside of beats that don’t follow a typical methodology, speeding up certain sentences, slowing down others, putting emphasis in unexpected places. Magnified in songs like “Pink Slips,” “Stay Young,” and “Walking With Frankie,” Sheff rarely sounds out of breath, but there is a slight emotional strain and concentration on making sure the words get out. This is what makes \u003ci>The Silver Gymnasium\u003c/i> so exciting.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/09/06/okkervil500.jpg\" style=\"margin-bottom: 10px;\" alt=\"okkervil river\">\u003c/center>\n\u003cp>Okkervil River is not unfamiliar with the singer-songwriter tag. In a lot of ways this album does not deviate from that genre; the focus is on the lead singer who, additionally, has written all the songs. The sound is more full, though, resonating beyond the typical singer-songwriter front. A full band backs Sheff with the usual compliment of instrumentation but horns, wineglasses, synthesizers, and casio keys also make appearances. This album is pretty pop for the band, the upbeat orchestral moments allow the listener to access the darkness in a more “real” way than on previous Okkervil River records. It allows for a choice, we can be right alongside Sheff’s anxiety and young adult downfalls and or we can focus on the happy confusion and triumph found on the roller coaster ride of growing up. Personal growth aside, this record is by no means innovative, but the quality of songwriting is unmatched.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The Silver Gymnasium\u003c/i> is out Snow on ATO Records. For \u003ca href=\"http://okkervilriver.com/\">more information on Will Sheff and the incredible animated artwork accompanying the album\u003c/a>, visit okkervilriver.com.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/125641/spending_time_in_the_silver_gymnasium_with_okkervil_river",
"authors": [
"74"
],
"categories": [
"arts_69"
],
"featImg": "arts_10125641",
"label": "arts"
},
"arts_125562": {
"type": "posts",
"id": "arts_125562",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "125562",
"score": null,
"sort": [
1378411091000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1378411091,
"format": "audio",
"title": "Live This Month: September 2013",
"headTitle": "Live This Month: September 2013 | KQED",
"content": "\u003cp>This month’s episode is stacked with album release shows for Bay Area bands, with Bay Bridged favorites like \u003ca href=\"https://www.facebook.com/terrymalts\">Terry Malts\u003c/a> and \u003ca href=\"http://www.kelleystoltz.com/\">Kelley Stoltz\u003c/a> introducing new albums we’re really excited about. We’re also proud to be presenting a series of September concerts celebrating the release of \u003cem>These Strange Days\u003c/em>, a brand new compilation of local bands curated by \u003ca href=\"http://www.20sidedrecords.com/\">20 Sided Records\u003c/a>. Two more local releases mentioned in this episode are also worth noting: a new LP from \u003ca href=\"https://www.facebook.com/pages/The-Wrong-Words/400643386857\">The Wrong Words\u003c/a>, who are embarking on a US tour in September, and \u003cem>Borderlines\u003c/em>, the debut full length from \u003ca href=\"https://www.facebook.com/onlyevileyes\">Evil Eyes\u003c/a>.\u003c/p>\n\u003cp>Looking at who’s coming into town this month, the always reliable \u003ca href=\"http://www.burgerrecords.org\">Burger Records\u003c/a> is bringing the Burgerama tour to SF, with \u003ca href=\"https://www.facebook.com/togetherpangea\">together PANGEA\u003c/a> joined by the equally rad Cosmonauts and Gap Dream. If you’re looking for something gloomier, though, consider the gothic sounds of \u003ca href=\"https://www.facebook.com/zjzjzj\">Zola Jesus\u003c/a>, whose amazing voice feels even more powerful live, or \u003ca href=\"https://www.facebook.com/TrueWidowOfficial\">True Widow\u003c/a>‘s weighty doom-rock.\u003c/p>\n\u003cp>Enjoy the podcast and then go see some concerts!\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/terrymalts\">Terry Malts\u003c/a> — “I Was Not There”\u003cbr>Headlining a record release show on September 5 with Synthetic ID and Pinhead at \u003ca href=\"http://theeparkside.com/\">Thee Parkside\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/The-Wrong-Words/400643386857\">The Wrong Words\u003c/a> — “And It’s Not So Pretty”\u003cbr>Kicking off a US tour at \u003ca href=\"http://theknockoutsf.com/\">The Knockout\u003c/a> on September 7, then returning to SF to play at the \u003ca href=\"http://hemlocktavern.com/calendar.php\">Hemlock Tavern\u003c/a> on September 28.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/togetherpangea\">together PANGEA\u003c/a> — “Snakedog”\u003cbr>The Burgerama Tour — which also includes Cosmonauts and Gap Dream — comes to \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on September 16.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/HotLunchRocks\">Hot Lunch\u003c/a> — “Killer Smile”\u003cbr>Supporting The Shrine at \u003ca href=\"http://www.thechapelsf.com/calendar/\">The Chapel\u003c/a> on September 6; Carlton Melton also performs.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/onlyevileyes\">Evil Eyes\u003c/a> — “Shake The Dust”\u003cbr>Performing at \u003ca href=\"http://theeparkside.com/\">Thee Parkside\u003c/a> with Cocktails and The Electric Magpie on September 12.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/rosewindows?ref=br_rs\">Rose Windows\u003c/a> — “Native Dreams”\u003cbr>Appearing at the \u003ca href=\"http://www.brickandmortarmusic.com/\">Brick and Mortar Music Hall\u003c/a> on September 19.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/thelovelanguage\">The Love Language\u003c/a> — “Calm Down”\u003cbr>The band’s tour with Bleeding Rainbow arrives at the \u003ca href=\"http://www.rickshawstop.com/calendar/\">Rickshaw Stop\u003c/a> on September 10; Permanent Collection supports.\u003c/p>\n\u003cp>\u003ca href=\"http://www.kelleystoltz.com/\">Kelley Stoltz\u003c/a> — “Kim Chee Taco Man”\u003cbr>Coming to \u003ca href=\"http://www.thechapelsf.com/calendar/\">The Chapel\u003c/a> on September 28 with The Mantles and Sopwith Camel.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/Lixisound\">Li Xi\u003c/a> — “Solstice”\u003cbr>Headlining a \u003ca href=\"http://www.20sidedrecords.com/\">20 Sided Records\u003c/a> compilation release party on September 5 at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/porcelainraft\">Porcelain Raft\u003c/a> — “Think Of The Ocean”\u003cbr>Playing at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on September 23; The Tambo Rays and Teenage Sweater also perform.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/zjzjzj\">Zola Jesus\u003c/a> — “Avalanche (Slow)”\u003cbr>Appearing with J.G. Thirlwell on September 26 at the \u003ca href=\"http://www.palaceoffinearts.org/\">Palace of Fine Arts\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://music.sisuband.com/\">SISU\u003c/a> — “Harpoons”\u003cbr>Dirty Beaches and Chasms join SISU on September 22 at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/TrueWidowOfficial\">True Widow\u003c/a> — “Four Teeth”\u003cbr>Supporting Chelsea Wolfe on September 30 at the \u003ca href=\"http://www.slimspresents.com/calendar/\">Great American Music Hall\u003c/a>.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 484,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 18
},
"modified": 1705049741,
"excerpt": "Listen to The Bay Bridged mix of bands playing the Bay Area in September, including: Zola Jesus, Terry Malts, The Wrong Words, Hot Lunch, Evil Eyes, Kelley Stoltz, and more.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen to The Bay Bridged mix of bands playing the Bay Area in September, including: Zola Jesus, Terry Malts, The Wrong Words, Hot Lunch, Evil Eyes, Kelley Stoltz, and more.",
"title": "Live This Month: September 2013 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Live This Month: September 2013",
"datePublished": "2013-09-05T12:58:11-07:00",
"dateModified": "2024-01-12T00:55:41-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "live_this_month_september_2013",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/LTM_September_2013.mp3",
"sticky": false,
"path": "/arts/125562/live_this_month_september_2013",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This month’s episode is stacked with album release shows for Bay Area bands, with Bay Bridged favorites like \u003ca href=\"https://www.facebook.com/terrymalts\">Terry Malts\u003c/a> and \u003ca href=\"http://www.kelleystoltz.com/\">Kelley Stoltz\u003c/a> introducing new albums we’re really excited about. We’re also proud to be presenting a series of September concerts celebrating the release of \u003cem>These Strange Days\u003c/em>, a brand new compilation of local bands curated by \u003ca href=\"http://www.20sidedrecords.com/\">20 Sided Records\u003c/a>. Two more local releases mentioned in this episode are also worth noting: a new LP from \u003ca href=\"https://www.facebook.com/pages/The-Wrong-Words/400643386857\">The Wrong Words\u003c/a>, who are embarking on a US tour in September, and \u003cem>Borderlines\u003c/em>, the debut full length from \u003ca href=\"https://www.facebook.com/onlyevileyes\">Evil Eyes\u003c/a>.\u003c/p>\n\u003cp>Looking at who’s coming into town this month, the always reliable \u003ca href=\"http://www.burgerrecords.org\">Burger Records\u003c/a> is bringing the Burgerama tour to SF, with \u003ca href=\"https://www.facebook.com/togetherpangea\">together PANGEA\u003c/a> joined by the equally rad Cosmonauts and Gap Dream. If you’re looking for something gloomier, though, consider the gothic sounds of \u003ca href=\"https://www.facebook.com/zjzjzj\">Zola Jesus\u003c/a>, whose amazing voice feels even more powerful live, or \u003ca href=\"https://www.facebook.com/TrueWidowOfficial\">True Widow\u003c/a>‘s weighty doom-rock.\u003c/p>\n\u003cp>Enjoy the podcast and then go see some concerts!\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/terrymalts\">Terry Malts\u003c/a> — “I Was Not There”\u003cbr>Headlining a record release show on September 5 with Synthetic ID and Pinhead at \u003ca href=\"http://theeparkside.com/\">Thee Parkside\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/The-Wrong-Words/400643386857\">The Wrong Words\u003c/a> — “And It’s Not So Pretty”\u003cbr>Kicking off a US tour at \u003ca href=\"http://theknockoutsf.com/\">The Knockout\u003c/a> on September 7, then returning to SF to play at the \u003ca href=\"http://hemlocktavern.com/calendar.php\">Hemlock Tavern\u003c/a> on September 28.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/togetherpangea\">together PANGEA\u003c/a> — “Snakedog”\u003cbr>The Burgerama Tour — which also includes Cosmonauts and Gap Dream — comes to \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on September 16.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/HotLunchRocks\">Hot Lunch\u003c/a> — “Killer Smile”\u003cbr>Supporting The Shrine at \u003ca href=\"http://www.thechapelsf.com/calendar/\">The Chapel\u003c/a> on September 6; Carlton Melton also performs.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/onlyevileyes\">Evil Eyes\u003c/a> — “Shake The Dust”\u003cbr>Performing at \u003ca href=\"http://theeparkside.com/\">Thee Parkside\u003c/a> with Cocktails and The Electric Magpie on September 12.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/rosewindows?ref=br_rs\">Rose Windows\u003c/a> — “Native Dreams”\u003cbr>Appearing at the \u003ca href=\"http://www.brickandmortarmusic.com/\">Brick and Mortar Music Hall\u003c/a> on September 19.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/thelovelanguage\">The Love Language\u003c/a> — “Calm Down”\u003cbr>The band’s tour with Bleeding Rainbow arrives at the \u003ca href=\"http://www.rickshawstop.com/calendar/\">Rickshaw Stop\u003c/a> on September 10; Permanent Collection supports.\u003c/p>\n\u003cp>\u003ca href=\"http://www.kelleystoltz.com/\">Kelley Stoltz\u003c/a> — “Kim Chee Taco Man”\u003cbr>Coming to \u003ca href=\"http://www.thechapelsf.com/calendar/\">The Chapel\u003c/a> on September 28 with The Mantles and Sopwith Camel.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/Lixisound\">Li Xi\u003c/a> — “Solstice”\u003cbr>Headlining a \u003ca href=\"http://www.20sidedrecords.com/\">20 Sided Records\u003c/a> compilation release party on September 5 at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/porcelainraft\">Porcelain Raft\u003c/a> — “Think Of The Ocean”\u003cbr>Playing at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on September 23; The Tambo Rays and Teenage Sweater also perform.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/zjzjzj\">Zola Jesus\u003c/a> — “Avalanche (Slow)”\u003cbr>Appearing with J.G. Thirlwell on September 26 at the \u003ca href=\"http://www.palaceoffinearts.org/\">Palace of Fine Arts\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://music.sisuband.com/\">SISU\u003c/a> — “Harpoons”\u003cbr>Dirty Beaches and Chasms join SISU on September 22 at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/TrueWidowOfficial\">True Widow\u003c/a> — “Four Teeth”\u003cbr>Supporting Chelsea Wolfe on September 30 at the \u003ca href=\"http://www.slimspresents.com/calendar/\">Great American Music Hall\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/125562/live_this_month_september_2013",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10125562",
"label": "arts_147"
},
"arts_125396": {
"type": "posts",
"id": "arts_125396",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "125396",
"score": null,
"sort": [
1377962772000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1377962772,
"format": "audio",
"title": "Live This Fall: a Special Audio Guide to Bay Area Rock Concerts",
"headTitle": "Live This Fall: a Special Audio Guide to Bay Area Rock Concerts | KQED",
"content": "\u003cp>This special bonus episode of our podcast surveys some of the many noteworthy concerts taking place in San Francisco this fall. It’s produced in conjunction with KQED Arts’ \u003ca href=\"http://www.kqed.org/arts/preview\">Fall Arts Guide\u003c/a>, which offers a complete preview of upcoming highlights from the Bay Area arts world.\u003c/p>\n\u003cdiv class=\"article-pic-right\">\u003ca href=\"http://www.kqed.org/arts/preview\">\u003cimg decoding=\"async\" alt=\"Get all our critics' fall picks\" src=\"http://u.s.kqed.net/2013/08/29/artspreviewfall2013inset.png\">\u003c/a>\u003c/div>\n\u003cp>In this episode, Ben, Christian, and Jason offer some individual picks for must-see shows in the months ahead, alongside songs from the artists discussed. Along the way, we chat about the undeniable appeal of \u003ca href=\"https://www.facebook.com/TheeOhSees\">Thee Oh Sees\u003c/a>‘ live shows, the emergence of music festivals outside of San Francisco proper, and much more. Obviously, this mix only scratches the surface of the variety of great shows headed our way in the coming months, but it’s full of events worth seeking out.\u003c/p>\n\u003cp>Enjoy the podcast and then go see some concerts!\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/whywithaquestionmark\">WHY?\u003c/a> — “Strawberries”\u003cbr>\nPerforming as part of Anticon Records’ fifteen-year anniversary party on September 5 at \u003ca href=\"http://1015.com/events/1015/090513\">1015 Folsom\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Ty-Segall/112044832224062\">Ty Segall\u003c/a> — “Sleeper”\u003cbr>\nPlaying his new album \u003cem>Sleeper\u003c/em> at the \u003ca href=\"http://www.slimspresents.com/calendar/?dmonth=9&dyear=2013\">Great American Music Hall\u003c/a> on September 2 and \u003ca href=\"http://www.thenewparish.com/\">The New Parish\u003c/a> on September 5\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/TRAILSANDWAYS\">Trails and Ways\u003c/a> — “Como Te Vas”\u003cbr>\nOne of the 70+ bands appearing at the \u003ca href=\"http://c2sv.com/\">C2SV Technology Conference and Music Festival\u003c/a> from September 26-29\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/mossheadmusic\">Mosshead\u003c/a> — “Real Blood”\u003cbr>\nPerforming at one of \u003ca href=\"http://www.thebaybridged.com/2013/08/12/20-sided-records-dropping-new-comp-celebrating-with-four-shows-presented-by-the-bay-bridged/\">20 Sided Records’ compilation release parties\u003c/a> at \u003ca href=\"http://www.bottomofthehill.com/calendar.html#sthash.Ht9UJJfN.dpbs\">Bottom of the Hill\u003c/a> on September 5 alongside Li Xi, Wild Pack of Canaries, and Cannons and Clouds.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/ohdaughter\">Daughter\u003c/a> — “Smother”\u003cbr>\nComing to \u003ca href=\"http://thefillmore.com/\">The Fillmore\u003c/a> on October 7.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/younggalaxy\">Young Galaxy\u003c/a> — “Youth is Wasted on the Young”\u003cbr>\nHeadlining the \u003ca href=\"http://www.rickshawstop.com/calendar/\">Rickshaw Stop\u003c/a> on October 1 with Mister Lies and Silver Swans.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/poolsidemusic\">Poolside\u003c/a> — “If We Make It”\u003cbr>\nPlaying at the \u003ca href=\"http://www.treasureislandfestival.com/2013/\">Treasure Island Music Festival\u003c/a> on October 19.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/TheeOhSees\">Thee Oh Sees\u003c/a> — “Maze Fancier”\u003cbr>\nPlaying a three-night residency at \u003ca href=\"http://www.thechapelsf.com/\">The Chapel\u003c/a> from October 10-12 with OBN III’s and The Blind Shake.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/tameimpala\">Tame Impala\u003c/a> — “Elephant”\u003cbr>\nThe Flaming Lips and White Denim perform alongside Tame Impala on October 31 at the \u003ca href=\"http://www.apeconcerts.com/venue_bgc.cfm\">Bill Graham Civic Auditorium\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.mergerecords.com/artists/destroyer\">Destroyer\u003c/a> — “Blue Eyes”\u003cbr>\nAppearing at \u003ca href=\"http://www.theindependentsf.com/\">The Independent\u003c/a> for a solo performance on November 4.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/WymondMiles\">Wymond Miles\u003c/a> — “Pale Moon”\u003cbr>\nPlaying at \u003ca href=\"http://www.thechapelsf.com/\">The Chapel\u003c/a> on September 12 (with Weekend and Disappears) and November 9 (with Crocodiles).\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 403,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 16
},
"modified": 1705049744,
"excerpt": "Listen to The Bay Bridged special music mix of bands playing the Bay Area this fall, including: Ty Segall, Why?, Daughter, Thee Oh Sees, Tame Impala, Destroyer, and more.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen to The Bay Bridged special music mix of bands playing the Bay Area this fall, including: Ty Segall, Why?, Daughter, Thee Oh Sees, Tame Impala, Destroyer, and more.",
"title": "Live This Fall: a Special Audio Guide to Bay Area Rock Concerts | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Live This Fall: a Special Audio Guide to Bay Area Rock Concerts",
"datePublished": "2013-08-31T08:26:12-07:00",
"dateModified": "2024-01-12T00:55:44-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "live_this_fall_a_special_audio_guide_to_bay_area_rock_concerts",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/LiveThisFall2013.mp3",
"sticky": false,
"path": "/arts/125396/live_this_fall_a_special_audio_guide_to_bay_area_rock_concerts",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This special bonus episode of our podcast surveys some of the many noteworthy concerts taking place in San Francisco this fall. It’s produced in conjunction with KQED Arts’ \u003ca href=\"http://www.kqed.org/arts/preview\">Fall Arts Guide\u003c/a>, which offers a complete preview of upcoming highlights from the Bay Area arts world.\u003c/p>\n\u003cdiv class=\"article-pic-right\">\u003ca href=\"http://www.kqed.org/arts/preview\">\u003cimg decoding=\"async\" alt=\"Get all our critics' fall picks\" src=\"http://u.s.kqed.net/2013/08/29/artspreviewfall2013inset.png\">\u003c/a>\u003c/div>\n\u003cp>In this episode, Ben, Christian, and Jason offer some individual picks for must-see shows in the months ahead, alongside songs from the artists discussed. Along the way, we chat about the undeniable appeal of \u003ca href=\"https://www.facebook.com/TheeOhSees\">Thee Oh Sees\u003c/a>‘ live shows, the emergence of music festivals outside of San Francisco proper, and much more. Obviously, this mix only scratches the surface of the variety of great shows headed our way in the coming months, but it’s full of events worth seeking out.\u003c/p>\n\u003cp>Enjoy the podcast and then go see some concerts!\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/whywithaquestionmark\">WHY?\u003c/a> — “Strawberries”\u003cbr>\nPerforming as part of Anticon Records’ fifteen-year anniversary party on September 5 at \u003ca href=\"http://1015.com/events/1015/090513\">1015 Folsom\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Ty-Segall/112044832224062\">Ty Segall\u003c/a> — “Sleeper”\u003cbr>\nPlaying his new album \u003cem>Sleeper\u003c/em> at the \u003ca href=\"http://www.slimspresents.com/calendar/?dmonth=9&dyear=2013\">Great American Music Hall\u003c/a> on September 2 and \u003ca href=\"http://www.thenewparish.com/\">The New Parish\u003c/a> on September 5\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/TRAILSANDWAYS\">Trails and Ways\u003c/a> — “Como Te Vas”\u003cbr>\nOne of the 70+ bands appearing at the \u003ca href=\"http://c2sv.com/\">C2SV Technology Conference and Music Festival\u003c/a> from September 26-29\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/mossheadmusic\">Mosshead\u003c/a> — “Real Blood”\u003cbr>\nPerforming at one of \u003ca href=\"http://www.thebaybridged.com/2013/08/12/20-sided-records-dropping-new-comp-celebrating-with-four-shows-presented-by-the-bay-bridged/\">20 Sided Records’ compilation release parties\u003c/a> at \u003ca href=\"http://www.bottomofthehill.com/calendar.html#sthash.Ht9UJJfN.dpbs\">Bottom of the Hill\u003c/a> on September 5 alongside Li Xi, Wild Pack of Canaries, and Cannons and Clouds.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/ohdaughter\">Daughter\u003c/a> — “Smother”\u003cbr>\nComing to \u003ca href=\"http://thefillmore.com/\">The Fillmore\u003c/a> on October 7.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/younggalaxy\">Young Galaxy\u003c/a> — “Youth is Wasted on the Young”\u003cbr>\nHeadlining the \u003ca href=\"http://www.rickshawstop.com/calendar/\">Rickshaw Stop\u003c/a> on October 1 with Mister Lies and Silver Swans.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/poolsidemusic\">Poolside\u003c/a> — “If We Make It”\u003cbr>\nPlaying at the \u003ca href=\"http://www.treasureislandfestival.com/2013/\">Treasure Island Music Festival\u003c/a> on October 19.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/TheeOhSees\">Thee Oh Sees\u003c/a> — “Maze Fancier”\u003cbr>\nPlaying a three-night residency at \u003ca href=\"http://www.thechapelsf.com/\">The Chapel\u003c/a> from October 10-12 with OBN III’s and The Blind Shake.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/tameimpala\">Tame Impala\u003c/a> — “Elephant”\u003cbr>\nThe Flaming Lips and White Denim perform alongside Tame Impala on October 31 at the \u003ca href=\"http://www.apeconcerts.com/venue_bgc.cfm\">Bill Graham Civic Auditorium\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.mergerecords.com/artists/destroyer\">Destroyer\u003c/a> — “Blue Eyes”\u003cbr>\nAppearing at \u003ca href=\"http://www.theindependentsf.com/\">The Independent\u003c/a> for a solo performance on November 4.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/WymondMiles\">Wymond Miles\u003c/a> — “Pale Moon”\u003cbr>\nPlaying at \u003ca href=\"http://www.thechapelsf.com/\">The Chapel\u003c/a> on September 12 (with Weekend and Disappears) and November 9 (with Crocodiles).\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/125396/live_this_fall_a_special_audio_guide_to_bay_area_rock_concerts",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10125396",
"label": "arts_147"
},
"arts_125312": {
"type": "posts",
"id": "arts_125312",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "125312",
"score": null,
"sort": [
1377804627000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1377804627,
"format": "standard",
"title": "Bay Acts Make Tracks: Fall's Top-10 Pop Releases",
"headTitle": "Bay Acts Make Tracks: Fall’s Top-10 Pop Releases | KQED",
"content": "\u003cp>When it comes to the local scene, the Bay Area is connected by two cities fertile with overwhelming talent. 2013 has already seen notable releases from a number of great local artists like Giraffage, Deafheaven and sayknowledge, and this is a trend which will continue for the remainder of the year.\u003c/p>\n\u003cp>With the Bay’s best hip hop release of the year, plenty of garage-y goodness and albums from old friends and exciting newcomers all on the way, the next few months are going to continue to expand the boundaries of our already prolific community. The sky’s the limit; let’s get into the most exciting local releases coming up this fall.\u003c/p>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/dodos-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003cdiv class=\"article-pic-right\">\u003ca href=\"http://www.kqed.org/arts/preview\">\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/08/29/artspreviewfall2013inset.png\" alt=\"Get all our critics' fall picks\">\u003c/a>\u003c/div>\n\u003ch5>The Dodos, \u003ci>Carrier\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Aug. 27\u003cbr>A new album by The Dodos is always cause for celebration, though their newest comes cloaked in sadness and introspection. The passing of their guitarist Chris Reimer hangs over the album, both in spirit and in the texture provided by the large helpings of electric guitar that are all over it. \u003ci>Carrier\u003c/i> is unquestionably melancholy, but over the course of the album’s eleven honest and beautiful songs, it delivers catharsis in the acceptance that while we may lose those we love, the lessons we learn from them will live on with us. The Dodos will be performing at Great American Music Hall on Oct. 16.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/meatmarket-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Meat Market, \u003ci>Too Tired\u003c/i> EP\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 3\u003cbr>Oakland’s Meat Market are starting off a strong September if you’re a fan of rocking out, as their new EP’s title track builds on the sound of their stellar, self-titled debut, filling 2-plus minutes with plenty of energy and oh so much guitar.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/thevisibles-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>The Visibles, \u003ci>The Visibles\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 10\u003cbr>Even though it’s been out digitally for a few months, The Visibles’ self-titled debut finally gets its proper release on September 10 and is too good to not include on this list. A little bit of folk, a little bit of psych rock and some enjoyable song-crafting make for a charming and catchy record that has us longing to see more of The Visibles. Check out lead single “Clarendon Hills” and hit up their LP release party Sept. 6 at Rickshaw Stop.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/soothsayer-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>The Fresh & Onlys, \u003ci>Soothsayer\u003c/i> EP\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 24\u003cbr>San Francisco’s fantastic indie poppers The Fresh & Onlys are back with a half-dozen new songs meant to carry us through until the follow up to \u003ci>Long Slow Dance\u003c/i> arrives next year. Um, thank you, Onlys. Expect plenty more magic from the band that gave us songs and videos like “Presence of Mind.” You can catch them at The Chapel on Sept. 20 with Woods.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/stoltz-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Kelley Stoltz, \u003ci>Double Exposure\u003c/i> \u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 24\u003cbr>It’s been awhile since Kelley Stoltz delivered a new album, as he’s been keeping busy working with Sonny & the Sunsets, The Mantles and more. But the wait is nearly over, as \u003ci>Double Exposure\u003c/i> arrives next month from his new home on Jack White’s Third Man Records. First taste “Kim Chee Taco Man” is a slice of garage goodness that leaves us wanting more. Stoltz will be playing a record release show at The Chapel on Sept. 28.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/dirty-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Everyone Is Dirty, \u003ci>side-effect\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Oct. 1 \u003cbr>Getting Converse-sponsored studio time this summer was just the tip of the iceberg for Oakland’s grungy, violin-wielding Everyone Is Dirty. With a string of raucous live shows and a great video for “Mama, No!!!” in the bag, they’re about to deliver a 3-song EP that should greatly expand their fan base ahead of a debut full-length, which arrives in January. They play the Brick & Mortar Music Hall in SF on October 24.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" src=\"//player.vimeo.com/video/62121612?title=0&byline=0&portrait=0&color=c9ff23\" width=\"480\" height=\"270\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/fuzz-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Fuzz, \u003ci>Fuzz\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Oct. 1\u003cbr>The insatiable Ty Segall is back again with the debut album from his grimy rock trio that live up to the name “Fuzz.” Lead single “Loose Sutures” is a proto-metal freakout that’s drenched in glorious reverb, and the album seems destined to continue Segall’s incredible streak of successes. Fuzz have no local dates scheduled as of yet, though an extensive tour is looming so that could change at any moment.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/dancasey-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Dan Casey, \u003ci>Empty City\u003c/i> \u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Late October\u003cbr>A Dan Casey by any other name (Yalls, Steezy Ray Vibes) is a wonderful thing, but now we welcome a release with the alter-egos tucked away, and if the first taste is any indication, we’re in for a treat. Title track “Empty City” is a beautiful creature, building slowly until the glory can’t be held back any longer. Recently featured on NPR, this is a man heading in the right direction and we’re happy to join him.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F106257337\">\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/a1-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>A-1, untitled mixtape\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>November \u003cbr>When it comes to Bay Area hip hop, no one is doing it better than super-versatile San Francisco MC, A-1. Last year’s \u003ci>The Thurl Tape\u003c/i> is still in heavy rotation and the recent video for “Retinas” is a brilliant reminder why. The man can tackle any topic admirably, as he proved on “Guns Off,” the vital and criminally underheard song about the death of Trayvon Martin. For his upcoming mixtape, A-1 will be flowing over beats by the best producers in the Soundcloud community, which means that the future is about to arrive. Don’t sleep.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"360\" src=\"//www.youtube.com/embed/V2s5jOsf5mw\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/theseshen-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>The Seshen, \u003ci>2000 Seasons\u003c/i> EP (tentative title)\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>November\u003cbr>Once you’re in their presence, it’s impossible not to be won over by the Bay’s electro-pop champions, The Seshen. Last year’s self-titled triumph took us to “Oblivion” and their upcoming EP promises to add another edge to an already brilliant sound that has been crushing it at venues all over the area. Any group that counts J Dilla, Erykah Badu, Beach House and Little Dragon as influences and pulls off a sound that’s both exceptional and exceptionally their own is the goods, as far as I’m concerned.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cp>\u003c/p>\u003ch2>The Best of the Rest\u003c/h2>\n\u003cp>Not all great music is confined to the Bay. Some truly fantastic albums by big names and future big names are also getting ready to drop, so here are a few of the ones we’re most excited about.\u003c/p>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/holyghost-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Holy Ghost!, \u003ci>Dynamics\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 10\u003cbr>The new Holy Ghost! songs have all been incredible, ratcheting up the excitement for the DFA duo’s impending full-length. “Okay” is a bouncy synth romp and the video for the James Murphy-produced, non-album cut “Teenagers In Heat” shows off the fun side of a band that’s about to make some serious noise. \u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/kissland-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>The Weeknd, \u003ci>Kiss Land\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 10\u003cbr>The weather’s about to get colder and the days are about to get shorter, so it’s the perfect time to revisit the dark world of Abel Tesfaye, the brooding genius behind the gritty R&B of The Weeknd. His trilogy of mixtapes painted a grim picture of lonely, drug-ravaged nights, so we’re interested to see where a couple years of fame find him on his debut studio album.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/haim-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Haim \u003ci>Days Are Gone\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 30\u003cbr>The excruciating wait for Haim’s debut album is finally almost over. The trio of sisters have seen their star rise tremendously this year with amazing performances at high-profile festivals and a brilliant new single, “The Wire.” \u003ci>Days Are Gone\u003c/i> should see them reach the next level of success.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"270\" src=\"//www.youtube.com/embed/1TffpkE2GU4\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/lorde-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Lorde, \u003ci>Pure Heroine\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 30\u003cbr>The 16-year-old New Zealander is on a rapid ascent to the top of the charts, with a firestorm of buzz behind her and an EP that already secured her a #1 hit in “Royals.” Basically, this girl is killing it. A world tour and the release of her debut album round out a stunning year from a woman you’ll be hearing for a long time.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/reflektor-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>The Arcade Fire, \u003ci>Reflektor\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Oct. 29\u003cbr>We practically consider it a holiday when Montreal’s finest release a new album, but this one could be the best of the bunch. They casually announced the release to a fan on Twitter and have now been leaving street art hints that suggest it’ll be called \u003ci>Reflektor\u003c/i>. All we needed to hear was that LCD Soundsystem’s James Murphy, who worked on the album, called it “really f-ing epic.”\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": true,
"hasPolis": false,
"wordCount": 1443,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 74
},
"modified": 1705049748,
"excerpt": "A Bay Area bonanza of new releases just out or coming soon by The Dodos, A-1, The Seshen, The Fresh & Onlys, Kelley Stoltz, Fuzz and many more, compiled by the good folks at Noise Pop.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A Bay Area bonanza of new releases just out or coming soon by The Dodos, A-1, The Seshen, The Fresh & Onlys, Kelley Stoltz, Fuzz and many more, compiled by the good folks at Noise Pop.",
"title": "Bay Acts Make Tracks: Fall's Top-10 Pop Releases | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Bay Acts Make Tracks: Fall's Top-10 Pop Releases",
"datePublished": "2013-08-29T12:30:27-07:00",
"dateModified": "2024-01-12T00:55:48-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "bay_acts_make_tracks_falls_top10_pop_releases",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/music/",
"sticky": false,
"path": "/arts/125312/bay_acts_make_tracks_falls_top10_pop_releases",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When it comes to the local scene, the Bay Area is connected by two cities fertile with overwhelming talent. 2013 has already seen notable releases from a number of great local artists like Giraffage, Deafheaven and sayknowledge, and this is a trend which will continue for the remainder of the year.\u003c/p>\n\u003cp>With the Bay’s best hip hop release of the year, plenty of garage-y goodness and albums from old friends and exciting newcomers all on the way, the next few months are going to continue to expand the boundaries of our already prolific community. The sky’s the limit; let’s get into the most exciting local releases coming up this fall.\u003c/p>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/dodos-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003cdiv class=\"article-pic-right\">\u003ca href=\"http://www.kqed.org/arts/preview\">\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/08/29/artspreviewfall2013inset.png\" alt=\"Get all our critics' fall picks\">\u003c/a>\u003c/div>\n\u003ch5>The Dodos, \u003ci>Carrier\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Aug. 27\u003cbr>A new album by The Dodos is always cause for celebration, though their newest comes cloaked in sadness and introspection. The passing of their guitarist Chris Reimer hangs over the album, both in spirit and in the texture provided by the large helpings of electric guitar that are all over it. \u003ci>Carrier\u003c/i> is unquestionably melancholy, but over the course of the album’s eleven honest and beautiful songs, it delivers catharsis in the acceptance that while we may lose those we love, the lessons we learn from them will live on with us. The Dodos will be performing at Great American Music Hall on Oct. 16.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/meatmarket-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Meat Market, \u003ci>Too Tired\u003c/i> EP\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 3\u003cbr>Oakland’s Meat Market are starting off a strong September if you’re a fan of rocking out, as their new EP’s title track builds on the sound of their stellar, self-titled debut, filling 2-plus minutes with plenty of energy and oh so much guitar.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/thevisibles-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>The Visibles, \u003ci>The Visibles\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 10\u003cbr>Even though it’s been out digitally for a few months, The Visibles’ self-titled debut finally gets its proper release on September 10 and is too good to not include on this list. A little bit of folk, a little bit of psych rock and some enjoyable song-crafting make for a charming and catchy record that has us longing to see more of The Visibles. Check out lead single “Clarendon Hills” and hit up their LP release party Sept. 6 at Rickshaw Stop.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/soothsayer-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>The Fresh & Onlys, \u003ci>Soothsayer\u003c/i> EP\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 24\u003cbr>San Francisco’s fantastic indie poppers The Fresh & Onlys are back with a half-dozen new songs meant to carry us through until the follow up to \u003ci>Long Slow Dance\u003c/i> arrives next year. Um, thank you, Onlys. Expect plenty more magic from the band that gave us songs and videos like “Presence of Mind.” You can catch them at The Chapel on Sept. 20 with Woods.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/stoltz-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Kelley Stoltz, \u003ci>Double Exposure\u003c/i> \u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 24\u003cbr>It’s been awhile since Kelley Stoltz delivered a new album, as he’s been keeping busy working with Sonny & the Sunsets, The Mantles and more. But the wait is nearly over, as \u003ci>Double Exposure\u003c/i> arrives next month from his new home on Jack White’s Third Man Records. First taste “Kim Chee Taco Man” is a slice of garage goodness that leaves us wanting more. Stoltz will be playing a record release show at The Chapel on Sept. 28.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/dirty-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Everyone Is Dirty, \u003ci>side-effect\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Oct. 1 \u003cbr>Getting Converse-sponsored studio time this summer was just the tip of the iceberg for Oakland’s grungy, violin-wielding Everyone Is Dirty. With a string of raucous live shows and a great video for “Mama, No!!!” in the bag, they’re about to deliver a 3-song EP that should greatly expand their fan base ahead of a debut full-length, which arrives in January. They play the Brick & Mortar Music Hall in SF on October 24.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" src=\"//player.vimeo.com/video/62121612?title=0&byline=0&portrait=0&color=c9ff23\" width=\"480\" height=\"270\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/fuzz-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Fuzz, \u003ci>Fuzz\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Oct. 1\u003cbr>The insatiable Ty Segall is back again with the debut album from his grimy rock trio that live up to the name “Fuzz.” Lead single “Loose Sutures” is a proto-metal freakout that’s drenched in glorious reverb, and the album seems destined to continue Segall’s incredible streak of successes. Fuzz have no local dates scheduled as of yet, though an extensive tour is looming so that could change at any moment.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/dancasey-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Dan Casey, \u003ci>Empty City\u003c/i> \u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Late October\u003cbr>A Dan Casey by any other name (Yalls, Steezy Ray Vibes) is a wonderful thing, but now we welcome a release with the alter-egos tucked away, and if the first taste is any indication, we’re in for a treat. Title track “Empty City” is a beautiful creature, building slowly until the glory can’t be held back any longer. Recently featured on NPR, this is a man heading in the right direction and we’re happy to join him.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F106257337\">\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/a1-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>A-1, untitled mixtape\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>November \u003cbr>When it comes to Bay Area hip hop, no one is doing it better than super-versatile San Francisco MC, A-1. Last year’s \u003ci>The Thurl Tape\u003c/i> is still in heavy rotation and the recent video for “Retinas” is a brilliant reminder why. The man can tackle any topic admirably, as he proved on “Guns Off,” the vital and criminally underheard song about the death of Trayvon Martin. For his upcoming mixtape, A-1 will be flowing over beats by the best producers in the Soundcloud community, which means that the future is about to arrive. Don’t sleep.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"360\" src=\"//www.youtube.com/embed/V2s5jOsf5mw\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/theseshen-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>The Seshen, \u003ci>2000 Seasons\u003c/i> EP (tentative title)\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>November\u003cbr>Once you’re in their presence, it’s impossible not to be won over by the Bay’s electro-pop champions, The Seshen. Last year’s self-titled triumph took us to “Oblivion” and their upcoming EP promises to add another edge to an already brilliant sound that has been crushing it at venues all over the area. Any group that counts J Dilla, Erykah Badu, Beach House and Little Dragon as influences and pulls off a sound that’s both exceptional and exceptionally their own is the goods, as far as I’m concerned.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cp>\u003c/p>\u003ch2>The Best of the Rest\u003c/h2>\n\u003cp>Not all great music is confined to the Bay. Some truly fantastic albums by big names and future big names are also getting ready to drop, so here are a few of the ones we’re most excited about.\u003c/p>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/holyghost-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Holy Ghost!, \u003ci>Dynamics\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 10\u003cbr>The new Holy Ghost! songs have all been incredible, ratcheting up the excitement for the DFA duo’s impending full-length. “Okay” is a bouncy synth romp and the video for the James Murphy-produced, non-album cut “Teenagers In Heat” shows off the fun side of a band that’s about to make some serious noise. \u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/kissland-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>The Weeknd, \u003ci>Kiss Land\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 10\u003cbr>The weather’s about to get colder and the days are about to get shorter, so it’s the perfect time to revisit the dark world of Abel Tesfaye, the brooding genius behind the gritty R&B of The Weeknd. His trilogy of mixtapes painted a grim picture of lonely, drug-ravaged nights, so we’re interested to see where a couple years of fame find him on his debut studio album.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/haim-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Haim \u003ci>Days Are Gone\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 30\u003cbr>The excruciating wait for Haim’s debut album is finally almost over. The trio of sisters have seen their star rise tremendously this year with amazing performances at high-profile festivals and a brilliant new single, “The Wire.” \u003ci>Days Are Gone\u003c/i> should see them reach the next level of success.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"270\" src=\"//www.youtube.com/embed/1TffpkE2GU4\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/lorde-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Lorde, \u003ci>Pure Heroine\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 30\u003cbr>The 16-year-old New Zealander is on a rapid ascent to the top of the charts, with a firestorm of buzz behind her and an EP that already secured her a #1 hit in “Royals.” Basically, this girl is killing it. A world tour and the release of her debut album round out a stunning year from a woman you’ll be hearing for a long time.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/reflektor-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>The Arcade Fire, \u003ci>Reflektor\u003c/i>\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Oct. 29\u003cbr>We practically consider it a holiday when Montreal’s finest release a new album, but this one could be the best of the bunch. They casually announced the release to a fan on Twitter and have now been leaving street art hints that suggest it’ll be called \u003ci>Reflektor\u003c/i>. All we needed to hear was that LCD Soundsystem’s James Murphy, who worked on the album, called it “really f-ing epic.”\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/125312/bay_acts_make_tracks_falls_top10_pop_releases",
"authors": [
"82"
],
"categories": [
"arts_69"
],
"featImg": "arts_10125312",
"label": "arts"
},
"arts_125198": {
"type": "posts",
"id": "arts_125198",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "125198",
"score": null,
"sort": [
1377645586000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1377645586,
"format": "standard",
"title": "Global Music, Local Dates: Must-See World Music",
"headTitle": "Global Music, Local Dates: Must-See World Music | KQED",
"content": "\u003cp>Cities that are international destinations — like Paris, Barcelona, London, and San Francisco — have international reputations for the arts. The world’s best artists want to perform in these metropolises, which is why San Francisco and the greater Bay Area always draw the crème de la crème of world-music stars. This fall, the crème is \u003ci> magnifique\u003c/i>. Acclaimed musicians from Cuba, Mexico, Jamaica, Iran, Israel, Ireland, and Mali are turning the Bay Area into a global village. Here are nine world-music concerts you won’t want to miss: \u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/jimmycliff-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003cdiv class=\"article-pic-right\">\u003ca href=\"http://www.kqed.org/arts/preview\">\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/08/29/artspreviewfall2013inset.png\" alt=\"Get all our critics' fall picks\">\u003c/a>\u003c/div>\n\u003ch5>Jimmy Cliff\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 11\u003cbr>The Fillmore (1805 Geary Blvd., SF)\u003cbr>It doesn’t matter that Jimmy Cliff hasn’t had a major hit in 30 years. In the 1970s, Cliff hit it big with songs like “Many Rivers to Cross,” “The Harder They Come,” and “You Can Get It If You Want,” which combined reggae aesthetics with pop sensibilities. The songs appeared on the soundtrack to \u003ci>The Harder They Come\u003c/i>, the 1972 drama that also starred Cliff. Like Bob Marley, Cliff is one of Jamaica’s historic musical figures — someone whose songs will always seem fresh and oh-so relevant to the times that people live in.\u003cbr>For \u003ca href=\"http://thefillmore.com/ai1ec_event/jimmy-cliff/\">tickets and information\u003c/a>, visit thefillmore.com.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/buenavista-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Orquesta Buena Vista Social Club\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 22\u003cbr>Davies Symphony Hall (201 Van Ness Ave., SF) \u003cbr>Surviving members of the Cuban group that re-emerged in 1996 — and became a musical sensation across the world — are reuniting for a tour that takes them around the United States. Key members of the group (most notably singer/guitarist Compay Segundo and singer Ibrahim Ferrer) have passed away, but vocalist Omara Portuondo (at age 82) and vocalist/singer Eliades Ochoa (a young 67) lead a revamped ensemble that (God bless ’em) is thriving anew.\u003cbr> For \u003ca href=\"http://www.sfjazz.org/events/season2/orquestra-buena-vista-social-club\">tickets and information\u003c/a>, visit sfjazz.org.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"360\" src=\"//www.youtube.com/embed/tGbRZ73NvlY\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/waterboys-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>The Waterboys\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Oct. 6\u003cbr>Great American Music Hall (859 O’Farrell St., SF)\u003cbr>Celtic music meets rock ‘n’ roll with the Waterboys, a band with origins in Ireland and the greater U.K. that has been drawing audiences for 30 years. The music of the Waterboys is made for dancing and for feeling deeply about the subjects the group sings about – whether it’s relationships or matters of history. There’s a good reason the Waterboys have endured with fans: Their music is entirely authentic and full of passion. As always, singer/songwriter/composer/founder Mike Scott leads the group’s high-stepping ways.\u003cbr> For \u003ca href=\"http://gamhtickets.com/events/340267%22\">tickets and information\u003c/a>, visit gamhtickets.com.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/idanraichel-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>The Idan Raichel Project\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Oct. 12\u003cbr>Nourse Theater (275 Hayes St., SF) \u003cbr>The great Israeli keyboardist with dreadlocks, who fuses music from Arab, Israel, Ethiopian and other cultures to create his own distinct music, is the living embodiment of “globalized culture.” Raichel composes songs in Hebrew, French, English and other languages, and he brings on swaths of other musicians whose worldviews are also directed outward. The result is what he calls “The Idan Raichel Project,” which lets him veer off into many different directions — often in a way that inspires his audience to dance the night away.\u003cbr> For \u003ca href=\"http://www.ciis.edu/Public_Programs/Public_Programs_Events/Idan_Raichel_FA13.html\">tickets and information\u003c/a>, visit ciis.edu.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/deyhim-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Sussan Deyhim\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Oct. 27\u003cbr>Yoshi’s San Francisco (1330 Fillmore St., SF)\u003cbr>A master of mystical/experimental music, Deyhim has a voice that sounds like it was gifted to her by angels. She can go fast. She can go slow. Whatever speed Deyhim goes with her music, it’s a chance to get lost in a feeling of wonder. You don’t have to understand Persian to understand that Deyhim is exposing herself and her audience to songs that bring out highly rapturous emotions.\u003cbr>For \u003ca href=\"http://www.yoshis.com/sanfrancisco/livemusic/artist/show/3724\">tickets and information\u003c/a>, visit yoshis.com.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/mariza-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Mariza\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>October 30\u003cbr>Zellerbach Hall (UC Berkeley campus)\u003cbr>Mariza has helped bring \u003ci>fado\u003c/i> music to dizzying new heights. \u003ci>Fado\u003c/i> is often called Portugal’s version of the blues. It’s about surviving hard times, but it’s also infectious and thrilling. Whether she sings with Sting or with a full orchestras or by herself, Mariza inhabits \u003ci>fado\u003c/i> in a way that gets under your skin. And that’s a good thing.\u003cbr>For \u003ca href=\"http://www.calperfs.berkeley.edu/performances/2013-14/world-stage/mariza.php\">tickets and information\u003c/a>, visit calperfs.berkeley.edu.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"360\" src=\"//www.youtube.com/embed/5ElLSBx9Jo8\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/mariachivargas-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Mariachi Vargas de Tecalitlán\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Nov. 3\u003cbr>Zellerbach Hall (UC Berkeley campus)\u003cbr>There’s Mariachi music and then there’s mariachi music by Mariachi Vargas de Tecalitlán, a group that was founded more than 100 years ago in Jalisco, Mexico. Mariachi Vargas de Tecalitlán has made more than 50 albums, and its performance at UC Berkeley is a chance to see why it’s considered the best mariachi group of its kind. When Mariachi Vargas de Tecalitlán gets on stage, its violins, trumpets and other instruments — not to mention the shout-outs from its singers — work in kinetic harmony.\u003cbr>For \u003ca href=\"http://www.calperfs.berkeley.edu/performances/2013-14/world-stage/mariachi-vargas-de-tecalitlan.php\">tickets and information\u003c/a>, visit calperfs.berkeley.edu.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/kayhan-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Kayhan Kalhor and Ali Bahrami Fard\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Nov. 14\u003cbr>SFJAZZ Center (201 Franklin St., SF) \u003cbr>The most important musician to have emerged from Iran in the past 20 years, Kalhor usually plays \u003ci>kamancheh\u003c/i>, a Persian spike fiddle, but for his 2012 album, \u003ci>I Will Not Stand Alone\u003c/i>, he debuted a \u003ci>shah-kaman\u003c/i>, a new version of his instrument that has sympathetic strings. The album also saw Kalhor working with Ali Bahrami Fard, who plays bass santur. Kalhor, who has performed regularly with Yo-Yo Ma and a who’s who of other big U.S. names, performs with Fard for this concert, which showcases Kalhor’s ability to pair his instrument with perfectly complementary sounds.\u003cbr>For \u003ca href=\"http://www.sfjazz.org/events/season2/kalhor-fard\">tickets and information\u003c/a>, visit sfjazz.org.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/rokia-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Rokia Traore\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Nov. 22\u003cbr>Nourse Theater (275 Hayes St., SF)\u003cbr>One of Mali’s foremost singer-songwriters — and one of the country’s select women to tour internationally — Traore worked most recently with Toni Morrison and Peter Sellars on a new Shakespearean version of \u003ci>Desdemona\u003c/i>. Traore’s instrument of choice is the guitar. She often sounds folky, stripping a song of all pretensions and leaving a sparse instrumentation that accentuates a voice that yearns in the best way imaginable.\u003cbr>For \u003ca href=\"http://www.ciis.edu/Public_Programs/Public_Programs_Events/Rokia_Traore_FA13.html\">tickets and information\u003c/a>, visit ciis.edu.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"360\" src=\"//www.youtube.com/embed/Z9PYBNt8aR4\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1052,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 45
},
"modified": 1705049751,
"excerpt": "Nine world music concerts you won't want to miss.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Nine world music concerts you won't want to miss.",
"title": "Global Music, Local Dates: Must-See World Music | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Global Music, Local Dates: Must-See World Music",
"datePublished": "2013-08-27T16:19:46-07:00",
"dateModified": "2024-01-12T00:55:51-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [
{
"userLogin": "jonathan-curiel",
"firstName": "Jonathan",
"lastName": "Curiel",
"website": "",
"displayName": "Jonathan Curiel",
"linkedAccount": "jcuriel",
"nickname": "",
"description": "Jonathan Curiel has written widely about music, film, books, art, photography and other cultural subjects. \u003ci>SF Weekly's\u003c/i> art critic, he is a former staff writer with the \u003ci>San Francisco Chronicle\u003c/i>, and has also written on the arts for \u003ca href=\"http://www.salon.com/\">Salon\u003c/a>, the \u003ci>Christian Science Monitor\u003c/i>, \u003ci>The Wire\u003c/i> (a London music magazine), \u003ci>Tablet\u003c/i> and \u003ci>GlobalPost\u003c/i>. He has researched architecture at England's Oxford University, taught music journalism at the UCLA Herb Alpert School of Music, and been a juror at the San Francisco International Film Festival.",
"userEmail": "jonathancuriel@hotmail.com",
"ID": "128435",
"type": "guest-author",
"userNicename": "jonathan-curiel"
}
],
"slug": "global_music_local_dates_mustsee_world_music",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/music/",
"sticky": false,
"path": "/arts/125198/global_music_local_dates_mustsee_world_music",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Cities that are international destinations — like Paris, Barcelona, London, and San Francisco — have international reputations for the arts. The world’s best artists want to perform in these metropolises, which is why San Francisco and the greater Bay Area always draw the crème de la crème of world-music stars. This fall, the crème is \u003ci> magnifique\u003c/i>. Acclaimed musicians from Cuba, Mexico, Jamaica, Iran, Israel, Ireland, and Mali are turning the Bay Area into a global village. Here are nine world-music concerts you won’t want to miss: \u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/jimmycliff-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003cdiv class=\"article-pic-right\">\u003ca href=\"http://www.kqed.org/arts/preview\">\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/08/29/artspreviewfall2013inset.png\" alt=\"Get all our critics' fall picks\">\u003c/a>\u003c/div>\n\u003ch5>Jimmy Cliff\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 11\u003cbr>The Fillmore (1805 Geary Blvd., SF)\u003cbr>It doesn’t matter that Jimmy Cliff hasn’t had a major hit in 30 years. In the 1970s, Cliff hit it big with songs like “Many Rivers to Cross,” “The Harder They Come,” and “You Can Get It If You Want,” which combined reggae aesthetics with pop sensibilities. The songs appeared on the soundtrack to \u003ci>The Harder They Come\u003c/i>, the 1972 drama that also starred Cliff. Like Bob Marley, Cliff is one of Jamaica’s historic musical figures — someone whose songs will always seem fresh and oh-so relevant to the times that people live in.\u003cbr>For \u003ca href=\"http://thefillmore.com/ai1ec_event/jimmy-cliff/\">tickets and information\u003c/a>, visit thefillmore.com.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/buenavista-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Orquesta Buena Vista Social Club\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Sept. 22\u003cbr>Davies Symphony Hall (201 Van Ness Ave., SF) \u003cbr>Surviving members of the Cuban group that re-emerged in 1996 — and became a musical sensation across the world — are reuniting for a tour that takes them around the United States. Key members of the group (most notably singer/guitarist Compay Segundo and singer Ibrahim Ferrer) have passed away, but vocalist Omara Portuondo (at age 82) and vocalist/singer Eliades Ochoa (a young 67) lead a revamped ensemble that (God bless ’em) is thriving anew.\u003cbr> For \u003ca href=\"http://www.sfjazz.org/events/season2/orquestra-buena-vista-social-club\">tickets and information\u003c/a>, visit sfjazz.org.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"360\" src=\"//www.youtube.com/embed/tGbRZ73NvlY\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/waterboys-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>The Waterboys\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Oct. 6\u003cbr>Great American Music Hall (859 O’Farrell St., SF)\u003cbr>Celtic music meets rock ‘n’ roll with the Waterboys, a band with origins in Ireland and the greater U.K. that has been drawing audiences for 30 years. The music of the Waterboys is made for dancing and for feeling deeply about the subjects the group sings about – whether it’s relationships or matters of history. There’s a good reason the Waterboys have endured with fans: Their music is entirely authentic and full of passion. As always, singer/songwriter/composer/founder Mike Scott leads the group’s high-stepping ways.\u003cbr> For \u003ca href=\"http://gamhtickets.com/events/340267%22\">tickets and information\u003c/a>, visit gamhtickets.com.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/idanraichel-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>The Idan Raichel Project\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Oct. 12\u003cbr>Nourse Theater (275 Hayes St., SF) \u003cbr>The great Israeli keyboardist with dreadlocks, who fuses music from Arab, Israel, Ethiopian and other cultures to create his own distinct music, is the living embodiment of “globalized culture.” Raichel composes songs in Hebrew, French, English and other languages, and he brings on swaths of other musicians whose worldviews are also directed outward. The result is what he calls “The Idan Raichel Project,” which lets him veer off into many different directions — often in a way that inspires his audience to dance the night away.\u003cbr> For \u003ca href=\"http://www.ciis.edu/Public_Programs/Public_Programs_Events/Idan_Raichel_FA13.html\">tickets and information\u003c/a>, visit ciis.edu.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/deyhim-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Sussan Deyhim\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Oct. 27\u003cbr>Yoshi’s San Francisco (1330 Fillmore St., SF)\u003cbr>A master of mystical/experimental music, Deyhim has a voice that sounds like it was gifted to her by angels. She can go fast. She can go slow. Whatever speed Deyhim goes with her music, it’s a chance to get lost in a feeling of wonder. You don’t have to understand Persian to understand that Deyhim is exposing herself and her audience to songs that bring out highly rapturous emotions.\u003cbr>For \u003ca href=\"http://www.yoshis.com/sanfrancisco/livemusic/artist/show/3724\">tickets and information\u003c/a>, visit yoshis.com.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/mariza-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Mariza\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>October 30\u003cbr>Zellerbach Hall (UC Berkeley campus)\u003cbr>Mariza has helped bring \u003ci>fado\u003c/i> music to dizzying new heights. \u003ci>Fado\u003c/i> is often called Portugal’s version of the blues. It’s about surviving hard times, but it’s also infectious and thrilling. Whether she sings with Sting or with a full orchestras or by herself, Mariza inhabits \u003ci>fado\u003c/i> in a way that gets under your skin. And that’s a good thing.\u003cbr>For \u003ca href=\"http://www.calperfs.berkeley.edu/performances/2013-14/world-stage/mariza.php\">tickets and information\u003c/a>, visit calperfs.berkeley.edu.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"360\" src=\"//www.youtube.com/embed/5ElLSBx9Jo8\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/mariachivargas-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Mariachi Vargas de Tecalitlán\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Nov. 3\u003cbr>Zellerbach Hall (UC Berkeley campus)\u003cbr>There’s Mariachi music and then there’s mariachi music by Mariachi Vargas de Tecalitlán, a group that was founded more than 100 years ago in Jalisco, Mexico. Mariachi Vargas de Tecalitlán has made more than 50 albums, and its performance at UC Berkeley is a chance to see why it’s considered the best mariachi group of its kind. When Mariachi Vargas de Tecalitlán gets on stage, its violins, trumpets and other instruments — not to mention the shout-outs from its singers — work in kinetic harmony.\u003cbr>For \u003ca href=\"http://www.calperfs.berkeley.edu/performances/2013-14/world-stage/mariachi-vargas-de-tecalitlan.php\">tickets and information\u003c/a>, visit calperfs.berkeley.edu.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/kayhan-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Kayhan Kalhor and Ali Bahrami Fard\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Nov. 14\u003cbr>SFJAZZ Center (201 Franklin St., SF) \u003cbr>The most important musician to have emerged from Iran in the past 20 years, Kalhor usually plays \u003ci>kamancheh\u003c/i>, a Persian spike fiddle, but for his 2012 album, \u003ci>I Will Not Stand Alone\u003c/i>, he debuted a \u003ci>shah-kaman\u003c/i>, a new version of his instrument that has sympathetic strings. The album also saw Kalhor working with Ali Bahrami Fard, who plays bass santur. Kalhor, who has performed regularly with Yo-Yo Ma and a who’s who of other big U.S. names, performs with Fard for this concert, which showcases Kalhor’s ability to pair his instrument with perfectly complementary sounds.\u003cbr>For \u003ca href=\"http://www.sfjazz.org/events/season2/kalhor-fard\">tickets and information\u003c/a>, visit sfjazz.org.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cdiv class=\"clearfix10\">\u003c!-- -->\u003c/div>\n\u003cdiv class=\"features-list\">\u003c!-- features-list -->\u003c!-- image -->\t \n\u003cdiv class=\"features-list-pic-left\">\u003c!-- features-list-pic-left -->\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/rokia-400.jpg\" width=\"98\" height=\"98\" alt=\"\" style=\"margin-bottom: 10px;\"> \u003c/div>\n\u003cp>\u003c!-- features-list-pic-left --> \u003c!-- title -->\u003c/p>\n\u003ch5>Rokia Traore\u003c/h5>\n\u003cp>\u003c!-- short description -->\u003c/p>\n\u003cp>Nov. 22\u003cbr>Nourse Theater (275 Hayes St., SF)\u003cbr>One of Mali’s foremost singer-songwriters — and one of the country’s select women to tour internationally — Traore worked most recently with Toni Morrison and Peter Sellars on a new Shakespearean version of \u003ci>Desdemona\u003c/i>. Traore’s instrument of choice is the guitar. She often sounds folky, stripping a song of all pretensions and leaving a sparse instrumentation that accentuates a voice that yearns in the best way imaginable.\u003cbr>For \u003ca href=\"http://www.ciis.edu/Public_Programs/Public_Programs_Events/Rokia_Traore_FA13.html\">tickets and information\u003c/a>, visit ciis.edu.\u003c/p>\n\u003c/div>\n\u003cp>\u003c!-- /features-list -->\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"360\" src=\"//www.youtube.com/embed/Z9PYBNt8aR4\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/125198/global_music_local_dates_mustsee_world_music",
"authors": [
"128435"
],
"categories": [
"arts_69"
],
"featImg": "arts_10125198",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=music": {
"isFetching": false,
"latestQuery": {
"from": 4416,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 4928,
"relation": "eq"
},
"items": [
"arts_127278",
"arts_126861",
"arts_126546",
"arts_126436",
"arts_126072",
"arts_125958",
"arts_125887",
"arts_125641",
"arts_125562",
"arts_125396",
"arts_125312",
"arts_125198"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_music": {
"isLoading": true
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_147": {
"type": "terms",
"id": "arts_147",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "147",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-thebaybridged1.png",
"name": "The Bay Bridged",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Bay Bridged Archives | KQED Arts",
"ogDescription": null
},
"ttid": 148,
"slug": "the-bay-bridged",
"isLoading": false,
"link": "/arts/affiliate/the-bay-bridged"
},
"arts_146": {
"type": "terms",
"id": "arts_146",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "146",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/masthead-noisepop1.png",
"name": "Noise Pop",
"description": "The Noise Pop Podcast is a bi-monthly series showcasing noteworthy new releases from the independent and underground music scene, produced by Noise Pop: San Francisco’s favorite indie music, arts and film festival. KQED Arts has discontinued distributing the podcast, but you can find it \u003ca href=\"http://www.noisepop.com/podcast/\" target=\"_blank\">on their website\u003c/a>. ",
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "The Noise Pop Podcast is a bi-monthly series showcasing noteworthy new releases from the independent and underground music scene, produced by Noise Pop: San Francisco’s favorite indie music, arts and film festival. KQED Arts has discontinued distributing the podcast, but you can find it on their website.",
"title": "Noise Pop Archives | KQED Arts",
"ogDescription": null
},
"ttid": 147,
"slug": "noise-pop",
"isLoading": false,
"link": "/arts/affiliate/noise-pop"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
}
}
