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"content": "\u003cp>Sony’s animated short film about the beauty of black hair, \u003ca href=\"https://www.youtube.com/watch?v=kNw8V_Fkw28&feature=youtu.be\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Hair Love\u003c/em>\u003c/a>, just got uploaded to YouTube—and it couldn’t be more timely.\u003c/p>\n\u003cp>In late November, \u003ca href=\"https://variety.com/2019/tv/news/americas-got-talent-gabrielle-union-julianne-hough-toxic-culture-ousted-judges-1203417447/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Variety\u003c/em> reported\u003c/a> that Gabriel Union was told her hairstyles were “too black” while judging on \u003cem>America’s Got Talent. \u003c/em>And earlier this week, Senator Cory Booker introduced \u003ca href=\"https://www.thecrownact.com/\" target=\"_blank\" rel=\"noopener noreferrer\">a bill\u003c/a> to ban discrimination against non-white hairstyles.\u003c/p>\n\u003cp>\u003cem>Hair Love\u003c/em>, a seven-minute short by Matthew A. Cherry, tells the story of Zuri, a gorgeous little girl with a big Afro. She needs some styling help from her doting dad for the first time, but he struggles to tame her curls. \u003cem>Hair Love\u003c/em>—also starring Issa Rae as Zuri’s mom—is about beauty, family and being there for the ones we love, no matter the challenge.\u003c/p>\n\u003cp>You can see the heartwarming film, which first hit theaters in August, in full below.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=kNw8V_Fkw28&feature=youtu.be\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Wondering about the best podcasts for trips, long drives or (let’s face it) airport delays?\u003c/p>\n\u003cp>With the holidays fast approaching, chances are you’ll find yourself hitting the road or sky, and in need of binge-worthy audio to entertain you. Never fear: below, we’ve collected seven of the most immersive, compelling and (sorry) \u003cem>transporting\u003c/em> podcast episodes to recently come out of KQED.\u003c/p>\n\u003cp>Cue up these picks on your podcast platform of choice—or scroll to the end to download the Spotify playlist—and you’ll never be bored while stuck in traffic or delayed at the airport.\u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/news/11782405/tunnels-under-san-francisco-inside-the-dark-dangerous-world-of-the-sewers\">Secret Tunnels Under San Francisco? \u003c/a>\u003cbr>\nFrom \u003cem>Bay Curious\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869970\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Every episode of \u003cem>Bay Curious\u003c/em> is sparked by audience curiosity about local conundrums–and they’ve received a \u003cem>lot\u003c/em> of questions about whether there’s a network of mystery tunnels under San Francisco. This dark-and-dirty episode takes listeners to a place it’s likely they will never actually visit; a very real labyrinth that sprawls deep underground—AKA the city’s vast sewer system.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Listen to the episode to explore this underworld with the \u003cem>Bay Curious\u003c/em> team. Between lethal gases, fast-flowing rivers of sewage and the risk of getting lost in the darkness, you’ll probably be glad to take this tour \u003cem>virtually\u003c/em> via your headphones, rather than IRL.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/11782405/tunnels-under-san-francisco-inside-the-dark-dangerous-world-of-the-sewers\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/secret-tunnels-under-san-francisco/id1172473406?i=1000455577910\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/news/11777723/blind-beekeeper-relies-on-the-sound-of-the-swarm-to-keep-her-hives-happy\">Blind Beekeeper Relies on Sound to Keep Her Hives Happy\u003c/a>\u003cbr>\nFrom \u003cem>The California Report Magazine\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-13869926 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679.jpg\" alt=\"\" width=\"1020\" height=\"679\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679-768x511.jpg 768w\" sizes=\"(max-width: 1020px) 100vw, 1020px\">\u003c/p>\n\u003cp>“I didn’t think I could be a good beekeeper without being able to see.” This special episode from \u003cem>The California Report Magazine\u003c/em>’s weekly podcast immerses the listener in the world of Aerial: a Bay area nurse who lost her sight after using tampered eyedrops. Navigating her new reality, she found purpose and meaning in the hobby she’d enjoyed since she was a teen: beekeeping.\u003c/p>\n\u003cp>Listen as Aerial explains how she knows whether her swarm—she calls them “her girls”—are happy, and how to hear their “waggle dance” (the movement bees make to tell others where to find pollen). After experiencing this episode, you’ll never hear bees again the same way.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/11777723/blind-beekeeper-relies-on-the-sound-of-the-swarm-to-keep-her-hives-happy\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/blind-beekeeper-relies-on-sound-to-keep-her-hives-happy/id1314750545?i=1000452376183\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/pop/102783/queer-eyes-jonathan-van-ness-on-turning-red-states-pink-one-makeover-at-a-time\">\u003cem>Queer Eye\u003c/em>‘s Jonathan Van Ness on Turning Red States Pink\u003c/a>\u003cbr>\nFrom \u003cem>The Cooler\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869925\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/Jonathan-Van-Ness.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/Jonathan-Van-Ness.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/Jonathan-Van-Ness-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/Jonathan-Van-Ness-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>The most engrossing podcast interviews are the ones where you feel you’ve been teleported into the room with the people in question—and this 2018 interview with the infamously personable \u003cem>Queer Eye\u003c/em> star Jonathan Van Ness on KQED’s pop culture podcast \u003cem>The Cooler\u003c/em> is no exception.\u003c/p>\n\u003cp>In a conversation that ranges from raucous to heartfelt and intimate, Van Ness talks to hosts Emmanuel Hapsis, Jamedra Brown-Fleischman and Carly Severn about growing up gay in a small town, dealing with online trolls, the healing power of figure skating and a particularly controversial moment from \u003cem>Queer Eye\u003c/em>’s second season.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/pop/102783/queer-eyes-jonathan-van-ness-on-turning-red-states-pink-one-makeover-at-a-time\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/queer-eyes-jonathan-van-ness-on-turning-red-states-pink/id1041117499?i=1000407027183\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/podcasts/42/joy-may-16th\">Joy\u003c/a>\u003cbr>\nfrom \u003cem>Truth Be Told \u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869927\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960.jpg\" alt=\"\" width=\"1920\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-160x80.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-800x400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-768x384.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-1020x510.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-1200x600.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Is it OK to feel joy when it feels like the world is burning? In the first episode of KQED’s advice show made by people of color for people of color, host Tonya Mosley brings us to her hometown of Detroit, Michigan—the “epicenter of pleasure in the midst of turmoil,” as she calls it. Mosley sits down with her grandmother Ernestine Mosley and \u003cem>New York Times\u003c/em> bestselling author Adrienne Maree Brown for some hard questions, deep laughs, and much-needed affirmations about why it’s not only OK to feel joy, but it’s absolutely necessary.\u003c/p>\n\u003cp>And stay tuned: \u003cem>Truth Be Told\u003c/em> returns for a second season in early 2020!\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/podcasts/42/joy-may-16th\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/joy-episode-1/id1462216572?i=1000438248776\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/news/11780279/native-american-occupation-at-alcatraz-50-years\">‘We’re Still Here’\u003c/a>\u003cbr>\nFrom\u003cem> The Bay\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869928\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/IMG_2671-1-1020x765.jpg\" alt=\"\" width=\"1020\" height=\"765\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765-768x576.jpg 768w\" sizes=\"(max-width: 1020px) 100vw, 1020px\">\u003c/p>\n\u003cp>In this episode of\u003cem> The Bay\u003c/em>, KQED reporter Alice Woelfle follows along with Native people from across the West Coast in a ceremonial canoe journey around Alcatraz Island. First, we hear the building of a tule boat, then the sound of paddle hitting the water as members of different tribes, territories, communities and families embark on their paddle around the island before returning to shore to be greeted by Ohlone elders.\u003c/p>\n\u003cp>The paddle commemorated the 50-year anniversary of the occupation of Alcatraz, a movement which lasted 19 months and brought widespread visibility for American Indian civil rights.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/11780279/native-american-occupation-at-alcatraz-50-years\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/were-still-here-canoe-journey-to-alcatraz-to-remember/id1350043452?i=1000453734022\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/arts/13859970/rightnowish-miko-marks-and-the-oakland-rollers\">Oakland’s Rollerskating Country Singer\u003c/a>\u003cbr>\nFrom \u003cem>Rightnowish\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869929\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/oakland-rollers-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/oakland-rollers-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/oakland-rollers-800x450-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/oakland-rollers-800x450-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Where do country singing and roller skating collide? On a small cul-de-sac on the southern side of Lake Merritt in Oakland, according to musician Miko Marks.\u003c/p>\n\u003cp>“As soon as I put these skates on, I feel like I’m a kid again,” Marks says in this episode of \u003cem>Rightnowish\u003c/em>, KQED’s new arts and culture podcast hosted by Pendarvis Harshaw. After nearly a decade of touring the nation as a country singer, Marks’s love for roller skating completely transformed her sense of play—and her music. Put on your skates (and your headphones!) and listen to the full episode to hear more about Marks’s new sound and new take on life with wheels.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/arts/13859970/rightnowish-miko-marks-and-the-oakland-rollers\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/oaklands-rollerskating-country-singer/id1482187648?i=1000455674283\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/mindshift/54326/childhood-as-resume-building-why-play-needs-a-comeback\">Childhood as ‘Resume-Building’: Why Play Needs A Comeback\u003c/a>\u003cbr>\nFrom \u003cem>MindShift\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869973\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/DSC5859-1.jpg\" alt=\"\" width=\"1920\" height=\"1281\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-1200x801.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Remember when you were a kid and there was a designated time just for playing? Free play—the kind of play where kids independently choose the activities and the rules—may be a thing of the past, according to this \u003cem>MindShift\u003c/em> episode. “We’re just seeing an out-of-balance life for kids,” says Scott Bedley, a fourth grade teacher, about the pressure for students to succeed academically from a very young age. “There is a learning value behind play if you just allow it to happen.”\u003c/p>\n\u003cp>Head back to the classroom with the \u003cem>MindShift\u003c/em> team to explore what play looks like today, and why it’s in need of a major comeback.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/mindshift/54326/childhood-as-resume-building-why-play-needs-a-comeback\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/childhood-as-resume-building-why-play-needs-a-comeback/id1078765985?i=1000448438239\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/6qS3AzC3Gv7nrON2PrezAS\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Wondering about the best podcasts for trips, long drives or (let’s face it) airport delays?\u003c/p>\n\u003cp>With the holidays fast approaching, chances are you’ll find yourself hitting the road or sky, and in need of binge-worthy audio to entertain you. Never fear: below, we’ve collected seven of the most immersive, compelling and (sorry) \u003cem>transporting\u003c/em> podcast episodes to recently come out of KQED.\u003c/p>\n\u003cp>Cue up these picks on your podcast platform of choice—or scroll to the end to download the Spotify playlist—and you’ll never be bored while stuck in traffic or delayed at the airport.\u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/news/11782405/tunnels-under-san-francisco-inside-the-dark-dangerous-world-of-the-sewers\">Secret Tunnels Under San Francisco? \u003c/a>\u003cbr>\nFrom \u003cem>Bay Curious\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869970\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Every episode of \u003cem>Bay Curious\u003c/em> is sparked by audience curiosity about local conundrums–and they’ve received a \u003cem>lot\u003c/em> of questions about whether there’s a network of mystery tunnels under San Francisco. This dark-and-dirty episode takes listeners to a place it’s likely they will never actually visit; a very real labyrinth that sprawls deep underground—AKA the city’s vast sewer system.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Listen to the episode to explore this underworld with the \u003cem>Bay Curious\u003c/em> team. Between lethal gases, fast-flowing rivers of sewage and the risk of getting lost in the darkness, you’ll probably be glad to take this tour \u003cem>virtually\u003c/em> via your headphones, rather than IRL.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/11782405/tunnels-under-san-francisco-inside-the-dark-dangerous-world-of-the-sewers\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/secret-tunnels-under-san-francisco/id1172473406?i=1000455577910\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/news/11777723/blind-beekeeper-relies-on-the-sound-of-the-swarm-to-keep-her-hives-happy\">Blind Beekeeper Relies on Sound to Keep Her Hives Happy\u003c/a>\u003cbr>\nFrom \u003cem>The California Report Magazine\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-13869926 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679.jpg\" alt=\"\" width=\"1020\" height=\"679\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679-768x511.jpg 768w\" sizes=\"(max-width: 1020px) 100vw, 1020px\">\u003c/p>\n\u003cp>“I didn’t think I could be a good beekeeper without being able to see.” This special episode from \u003cem>The California Report Magazine\u003c/em>’s weekly podcast immerses the listener in the world of Aerial: a Bay area nurse who lost her sight after using tampered eyedrops. Navigating her new reality, she found purpose and meaning in the hobby she’d enjoyed since she was a teen: beekeeping.\u003c/p>\n\u003cp>Listen as Aerial explains how she knows whether her swarm—she calls them “her girls”—are happy, and how to hear their “waggle dance” (the movement bees make to tell others where to find pollen). After experiencing this episode, you’ll never hear bees again the same way.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/11777723/blind-beekeeper-relies-on-the-sound-of-the-swarm-to-keep-her-hives-happy\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/blind-beekeeper-relies-on-sound-to-keep-her-hives-happy/id1314750545?i=1000452376183\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/pop/102783/queer-eyes-jonathan-van-ness-on-turning-red-states-pink-one-makeover-at-a-time\">\u003cem>Queer Eye\u003c/em>‘s Jonathan Van Ness on Turning Red States Pink\u003c/a>\u003cbr>\nFrom \u003cem>The Cooler\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869925\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/Jonathan-Van-Ness.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/Jonathan-Van-Ness.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/Jonathan-Van-Ness-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/Jonathan-Van-Ness-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>The most engrossing podcast interviews are the ones where you feel you’ve been teleported into the room with the people in question—and this 2018 interview with the infamously personable \u003cem>Queer Eye\u003c/em> star Jonathan Van Ness on KQED’s pop culture podcast \u003cem>The Cooler\u003c/em> is no exception.\u003c/p>\n\u003cp>In a conversation that ranges from raucous to heartfelt and intimate, Van Ness talks to hosts Emmanuel Hapsis, Jamedra Brown-Fleischman and Carly Severn about growing up gay in a small town, dealing with online trolls, the healing power of figure skating and a particularly controversial moment from \u003cem>Queer Eye\u003c/em>’s second season.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/pop/102783/queer-eyes-jonathan-van-ness-on-turning-red-states-pink-one-makeover-at-a-time\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/queer-eyes-jonathan-van-ness-on-turning-red-states-pink/id1041117499?i=1000407027183\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/podcasts/42/joy-may-16th\">Joy\u003c/a>\u003cbr>\nfrom \u003cem>Truth Be Told \u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869927\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960.jpg\" alt=\"\" width=\"1920\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-160x80.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-800x400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-768x384.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-1020x510.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-1200x600.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Is it OK to feel joy when it feels like the world is burning? In the first episode of KQED’s advice show made by people of color for people of color, host Tonya Mosley brings us to her hometown of Detroit, Michigan—the “epicenter of pleasure in the midst of turmoil,” as she calls it. Mosley sits down with her grandmother Ernestine Mosley and \u003cem>New York Times\u003c/em> bestselling author Adrienne Maree Brown for some hard questions, deep laughs, and much-needed affirmations about why it’s not only OK to feel joy, but it’s absolutely necessary.\u003c/p>\n\u003cp>And stay tuned: \u003cem>Truth Be Told\u003c/em> returns for a second season in early 2020!\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/podcasts/42/joy-may-16th\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/joy-episode-1/id1462216572?i=1000438248776\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/news/11780279/native-american-occupation-at-alcatraz-50-years\">‘We’re Still Here’\u003c/a>\u003cbr>\nFrom\u003cem> The Bay\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869928\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/IMG_2671-1-1020x765.jpg\" alt=\"\" width=\"1020\" height=\"765\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765-768x576.jpg 768w\" sizes=\"(max-width: 1020px) 100vw, 1020px\">\u003c/p>\n\u003cp>In this episode of\u003cem> The Bay\u003c/em>, KQED reporter Alice Woelfle follows along with Native people from across the West Coast in a ceremonial canoe journey around Alcatraz Island. First, we hear the building of a tule boat, then the sound of paddle hitting the water as members of different tribes, territories, communities and families embark on their paddle around the island before returning to shore to be greeted by Ohlone elders.\u003c/p>\n\u003cp>The paddle commemorated the 50-year anniversary of the occupation of Alcatraz, a movement which lasted 19 months and brought widespread visibility for American Indian civil rights.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/11780279/native-american-occupation-at-alcatraz-50-years\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/were-still-here-canoe-journey-to-alcatraz-to-remember/id1350043452?i=1000453734022\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/arts/13859970/rightnowish-miko-marks-and-the-oakland-rollers\">Oakland’s Rollerskating Country Singer\u003c/a>\u003cbr>\nFrom \u003cem>Rightnowish\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869929\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/oakland-rollers-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/oakland-rollers-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/oakland-rollers-800x450-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/oakland-rollers-800x450-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Where do country singing and roller skating collide? On a small cul-de-sac on the southern side of Lake Merritt in Oakland, according to musician Miko Marks.\u003c/p>\n\u003cp>“As soon as I put these skates on, I feel like I’m a kid again,” Marks says in this episode of \u003cem>Rightnowish\u003c/em>, KQED’s new arts and culture podcast hosted by Pendarvis Harshaw. After nearly a decade of touring the nation as a country singer, Marks’s love for roller skating completely transformed her sense of play—and her music. Put on your skates (and your headphones!) and listen to the full episode to hear more about Marks’s new sound and new take on life with wheels.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/arts/13859970/rightnowish-miko-marks-and-the-oakland-rollers\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/oaklands-rollerskating-country-singer/id1482187648?i=1000455674283\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/mindshift/54326/childhood-as-resume-building-why-play-needs-a-comeback\">Childhood as ‘Resume-Building’: Why Play Needs A Comeback\u003c/a>\u003cbr>\nFrom \u003cem>MindShift\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869973\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/DSC5859-1.jpg\" alt=\"\" width=\"1920\" height=\"1281\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-1200x801.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Remember when you were a kid and there was a designated time just for playing? Free play—the kind of play where kids independently choose the activities and the rules—may be a thing of the past, according to this \u003cem>MindShift\u003c/em> episode. “We’re just seeing an out-of-balance life for kids,” says Scott Bedley, a fourth grade teacher, about the pressure for students to succeed academically from a very young age. “There is a learning value behind play if you just allow it to happen.”\u003c/p>\n\u003cp>Head back to the classroom with the \u003cem>MindShift\u003c/em> team to explore what play looks like today, and why it’s in need of a major comeback.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/mindshift/54326/childhood-as-resume-building-why-play-needs-a-comeback\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/childhood-as-resume-building-why-play-needs-a-comeback/id1078765985?i=1000448438239\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "how-the-money-adds-up-for-this-bernal-heights-sign-making-couple",
"title": "How the Money Adds Up for This San Francisco Sign-Making Couple",
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"content": "\u003cp>It’s telling that during my visit to Isaac Avila and Lauren D’Amato’s Bernal Heights live/work space, they don’t stop painting for the entire hour we talk.\u003c/p>\n\u003cp>[pullquote align='right' size='small']By the numbers…\u003c/p>\n\u003cul>\n\u003cli>Rent: $2,000/month\u003c/li>\n\u003cli>Studio rent: none (live/work space)\u003c/li>\n\u003cli>Total income: $2,000–$5,000/month\u003c/li>\n\u003c/ul>\n\u003cp>[/pullquote]\u003c/p>\n\u003cp>The couple began working together under the moniker \u003ca href=\"https://www.avilarosesigns.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Avila Rose Signs\u003c/a> a year and a half ago, setting themselves up as sign painters to do the kind of work they clearly love while also carving out time for their own art practices. \u003c/p>\n\u003cp>“Lauren wanted to get out of the sign shop, and I wanted to do more freelance work,” Avila says. That sign shop was New Bohemia Signs, where D’Amato apprenticed while getting her degree in painting at the San Francisco Art Institute, and where she worked full-time for three-and-a-half years. (Her family also paints signs, and once had shops in Los Angeles and New Jersey: “They got me started drawing young.”)\u003c/p>\n\u003cp>Born in Mexico City and a graduate of UC Berkeley’s MFA program, Avila has shown paintings and sculptures in a number of local project spaces and galleries—including a recent \u003ca href=\"http://rightwindow.blogspot.com/2019/09/bootleg-milagros-isaac-vazquez-avila.html\" rel=\"noopener noreferrer\" target=\"_blank\">two-person show\u003c/a> with D’Amato at San Francisco’s Right Window Gallery—but his personal work is mostly small-scale. He wanted to make murals, but couldn’t find the right collaborator. \u003c/p>\n\u003cp>Enter D’Amato, raised in the lowrider hub of Whittier, who was ready to hang out her own shingle. Or, as it turned out, \u003ci>their\u003c/i> shingle. “It was always my personal plan to be doing this, and when Isaac and I met and started dating, we realized there was a lot we could work on together,” D’Amato says.\u003c/p>\n\u003cp>As for picking up those formal sign painting skills, Avila says, “I’m still apprenticing, and will forever.” \u003c/p>\n\u003cp>Now they live, work and make art side-by-side in this space—a relative steal in San Francisco, with monthly rent set at $2,000. And though work by Avila Rose Signs adorns the Oakland Coliseum and countless motor vehicles currently roaming the West Coast, they’re still learning how to best advocate for their work—and deal with the financial roller coaster of running your own business. \u003c/p>\n\u003cfigure id=\"attachment_13869340\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_16-800x534.jpg\" alt=\"Lauren D'Amato in the Bernal Heights live/work space she shares with Isaac Avila.\" width=\"800\" height=\"534\" class=\"size-medium wp-image-13869340\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_16-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_16-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_16-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_16-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_16-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_16-1920x1281.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lauren D’Amato in the Bernal Heights live/work space she shares with Isaac Avila. \u003ccite>(Graham Holoch/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘We’re painting signs on a building, but we know how to use the computer!’\u003c/h2>\n\u003cp>D’Amato rattles off a list of jobs Avila Rose Signs does: exterior signage, super graphics, gold leaf, glass work, design. “We sign paint, but we’re also more than sign painters, because there’s a lot that goes into sign painting beyond just painting a sign,” Avila explains.\u003c/p>\n\u003cp>Some clients don’t seem to understand that—which might have something to do with preconceived notions about the so-called “low” art of sign painting and the “high” art of graphic design work. “We’re painting signs on a building, but we know how to use the computer!” D’Amato says.\u003c/p>\n\u003cp>They find themselves routinely needing to make clear the true value of their labor. “Are you going to reuse this sign and is it going to become your logo? Are we choosing all the colors and aesthetics that go along with your business to the point where we’re essentially doing branding but not getting paid for that?” D’Amato asks. “We’re still trying to make sure we’re getting compensated fairly. Especially because people doing that kind of work in the city are getting paid so much more money than we’re getting paid to do a lot of the same work.”\u003c/p>\n\u003cp>Every job is different. Depending on the customer, the job size and their level of involvement in designing a piece, their rates vary. Each charges $80–$100 an hour (double that if they’re both working on the job), and if they’re painting a large-scale wall piece, their rates are $25–$45 per square foot. They have special sliding scales for low-income clients and neighborhood businesses.\u003c/p>\n\u003cp>In 2018, they painted an enormous Oakland tree logo on the exterior of the Coliseum’s newly renovated Treehouse, along with more trees inside and a giant circular sign that now hangs near a pool table. In total, they charged around $17,000 for the project, factoring in expenses like driving to and from the Coliseum, hiring a boom lift ($150–$200 per day) and splitting a third of the proceeds with a fellow sign painter. They each took home between $3,000 and $4,000, after a few weeks of preparation and four solid days of painting.\u003c/p>\n\u003cfigure id=\"attachment_13869337\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_22-800x533.jpg\" alt=\"Isaac Avila and Lauren D'Amato with their dog Rico.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13869337\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_22-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_22-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_22-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_22-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_22-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_22-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Isaac Avila and Lauren D’Amato with their dog Rico. \u003ccite>(Graham Holoch/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘We’re incredibly lucky’\u003c/h2>\n\u003cp>Like many working artists, Avila and D’Amato have a monthly income that varies widely. Avila still works two days a week bartending at the Valencia bar Mosto, and D’Amato does custom work on 45-RPM record cases, cars and motorcycles to earn a bit of side money. Every now and then D’Amato will sell artwork or embellished furniture out of the studio. Depending on how many Avila Rose jobs they line up, they make a total combined income from all jobs of between $2,000 and $5,000 a month. \u003c/p>\n\u003cp>In San Francisco, that isn’t much. They’re able to live off that income thanks to not only their relatively low rent, but their shared penchant for frugality.\u003c/p>\n\u003cp>“We’re incredibly lucky,” D’Amato says, looking around the corner of the built-out warehouse she shares with Avila. One wall faces the street, letting in light from nearly floor-to-ceiling windows. The other surfaces are covered in hand-painted signs, mementos and beautiful found objects. They sleep in a lofted area over the kitchen, and their dog Rico doesn’t take up much space.\u003c/p>\n\u003cp>“The group that owns this building—they’re older, at later stages in their careers,” Avila says. “And they’re all pretty aware of the hardships of just being an artist and what it takes, especially if you’re trying to build something from scratch.” \u003c/p>\n\u003cp>Though the fact that they’re month-to-month does bring some anxiety, D’Amato and Avila know there’s no way they could be doing what they do—getting their own business off the ground—without the support of their landlords. Paying rent on both an apartment and a separate studio, let alone one with a woodshop that would let them use enamel paints and solvents, would be prohibitively expensive. \u003c/p>\n\u003cp>They keep their other spending low; D’Aamato doesn’t have health insurance, and she’s slowly chipping away at her art school loans. (She transferred into SFAI, so she’s in a slightly better situation than classmates with four years of loans.) As for materials, Avila’s sculptures are made from woodshop scraps, and they both pick up old glass, furniture and frames off the streets. The materials of their sign painting trade are expensive enough—a book of gold leaf is $45–$50, pints of enamel paint run $30–$50.\u003c/p>\n\u003cp>“I’ll be using the same brush for like half a year, and then I’ll say, ‘I think it’s time for me to make an investment in this because it’s the thing that’s making me money,’” D’Amato says. “And then I’ll buy a few more brushes.” \u003c/p>\n\u003cp>How much are brushes? “Oh, probably about $20,” she laughs. “That’s how careful we are.”\u003c/p>\n\u003cfigure id=\"attachment_13869335\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_23-800x533.jpg\" alt=\"In addition to sign painting and their own art, Isaac Avila and Lauren D'Amato host Kustom Sunday, a car culture meetup in San Francisco.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13869335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_23-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_23-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_23-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_23-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_23-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_23-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">In addition to sign painting and their own art, Isaac Avila and Lauren D’Amato host Kustom Sunday, a car culture meetup in San Francisco. \u003ccite>(Graham Holoch/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘I value all the work that we do’\u003c/h2>\n\u003cp>Last year, Avila and D’Amato also started hosting an event series called Kustom Sunday, first at the warehouse and now at off-site locations like Golden Gate Park. For D’Amato, it’s a way to establish herself as someone who does lettering, gilding and pin-striping on cars. “That’s such a hard thing to get into, especially as a young woman,” she says. She’s perfected her own style of blended floral work most often seen on traditional furniture, and never seen in enamel paint. \u003c/p>\n\u003cp>At Kustom Sundays, the couple invites DJs to play, a barbeque is lit and people line up for their custom paint jobs. Similarly, if D’Amato goes to a bar and sets up shop for a night, she can make between $700 and $1,000 painting motorcycle helmets, tanks and record boxes.\u003c/p>\n\u003cp>[aside label='Side Gigs and Successes' link1='https://www.kqed.org/arts/13861452/talk-to-us-bay-area-artists-whats-your-hustle,Are you a Bay Area artist? Tell us about your hustle.' target=_blank]\u003cbr>\nAvila says it currently feels like they can’t say no to anything that pays. But D’Amato points out how important it’s been to volunteer their labor to causes and communities they believe in. In the immediate, that means considering a trip up to the \u003ca href=\"http://www.bbcrc.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Black Butte Center for Railroad Culture\u003c/a>, where a community of sign painters periodically convenes to help restore historic railcars.\u003c/p>\n\u003cp>The question of why they stay in San Francisco is an easy one. For Avila, who’s been here since 2003, it’s the closest thing he has to a home. Growing up in Southern California, D’Amato spent plenty of time visiting her grandparents in the East Bay; when she finished up at SFAI, she knew she wasn’t done with the city. Despite the changes in the city’s demographics and the cost of living, they’re deeply tied to both their immediate neighborhood and the Bay Area’s artistic communities. \u003c/p>\n\u003cp>Merging their fine art backgrounds with the more rigid standards of sign painting, D’Amato and Avila enjoy being less traditional in their approach to Avila Rose Signs. \u003c/p>\n\u003cp>Or, as D’Amato puts it: “I just value all the work that we do.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "From their Bernal Heights home, Isaac Avila and Lauren D’Amato navigate the finances of painting, sign-making and custom side jobs.",
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"title": "How the Money Adds Up for This San Francisco Sign-Making Couple | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s telling that during my visit to Isaac Avila and Lauren D’Amato’s Bernal Heights live/work space, they don’t stop painting for the entire hour we talk.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "By the numbers…\u003c/p>\n\u003cul>\n\u003cli>Rent: $2,000/month\u003c/li>\n\u003cli>Studio rent: none (live/work space)\u003c/li>\n\u003cli>Total income: $2,000–$5,000/month\u003c/li>\n\u003c/ul>\n\u003cp>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The couple began working together under the moniker \u003ca href=\"https://www.avilarosesigns.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Avila Rose Signs\u003c/a> a year and a half ago, setting themselves up as sign painters to do the kind of work they clearly love while also carving out time for their own art practices. \u003c/p>\n\u003cp>“Lauren wanted to get out of the sign shop, and I wanted to do more freelance work,” Avila says. That sign shop was New Bohemia Signs, where D’Amato apprenticed while getting her degree in painting at the San Francisco Art Institute, and where she worked full-time for three-and-a-half years. (Her family also paints signs, and once had shops in Los Angeles and New Jersey: “They got me started drawing young.”)\u003c/p>\n\u003cp>Born in Mexico City and a graduate of UC Berkeley’s MFA program, Avila has shown paintings and sculptures in a number of local project spaces and galleries—including a recent \u003ca href=\"http://rightwindow.blogspot.com/2019/09/bootleg-milagros-isaac-vazquez-avila.html\" rel=\"noopener noreferrer\" target=\"_blank\">two-person show\u003c/a> with D’Amato at San Francisco’s Right Window Gallery—but his personal work is mostly small-scale. He wanted to make murals, but couldn’t find the right collaborator. \u003c/p>\n\u003cp>Enter D’Amato, raised in the lowrider hub of Whittier, who was ready to hang out her own shingle. Or, as it turned out, \u003ci>their\u003c/i> shingle. “It was always my personal plan to be doing this, and when Isaac and I met and started dating, we realized there was a lot we could work on together,” D’Amato says.\u003c/p>\n\u003cp>As for picking up those formal sign painting skills, Avila says, “I’m still apprenticing, and will forever.” \u003c/p>\n\u003cp>Now they live, work and make art side-by-side in this space—a relative steal in San Francisco, with monthly rent set at $2,000. And though work by Avila Rose Signs adorns the Oakland Coliseum and countless motor vehicles currently roaming the West Coast, they’re still learning how to best advocate for their work—and deal with the financial roller coaster of running your own business. \u003c/p>\n\u003cfigure id=\"attachment_13869340\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_16-800x534.jpg\" alt=\"Lauren D'Amato in the Bernal Heights live/work space she shares with Isaac Avila.\" width=\"800\" height=\"534\" class=\"size-medium wp-image-13869340\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_16-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_16-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_16-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_16-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_16-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_16-1920x1281.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lauren D’Amato in the Bernal Heights live/work space she shares with Isaac Avila. \u003ccite>(Graham Holoch/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘We’re painting signs on a building, but we know how to use the computer!’\u003c/h2>\n\u003cp>D’Amato rattles off a list of jobs Avila Rose Signs does: exterior signage, super graphics, gold leaf, glass work, design. “We sign paint, but we’re also more than sign painters, because there’s a lot that goes into sign painting beyond just painting a sign,” Avila explains.\u003c/p>\n\u003cp>Some clients don’t seem to understand that—which might have something to do with preconceived notions about the so-called “low” art of sign painting and the “high” art of graphic design work. “We’re painting signs on a building, but we know how to use the computer!” D’Amato says.\u003c/p>\n\u003cp>They find themselves routinely needing to make clear the true value of their labor. “Are you going to reuse this sign and is it going to become your logo? Are we choosing all the colors and aesthetics that go along with your business to the point where we’re essentially doing branding but not getting paid for that?” D’Amato asks. “We’re still trying to make sure we’re getting compensated fairly. Especially because people doing that kind of work in the city are getting paid so much more money than we’re getting paid to do a lot of the same work.”\u003c/p>\n\u003cp>Every job is different. Depending on the customer, the job size and their level of involvement in designing a piece, their rates vary. Each charges $80–$100 an hour (double that if they’re both working on the job), and if they’re painting a large-scale wall piece, their rates are $25–$45 per square foot. They have special sliding scales for low-income clients and neighborhood businesses.\u003c/p>\n\u003cp>In 2018, they painted an enormous Oakland tree logo on the exterior of the Coliseum’s newly renovated Treehouse, along with more trees inside and a giant circular sign that now hangs near a pool table. In total, they charged around $17,000 for the project, factoring in expenses like driving to and from the Coliseum, hiring a boom lift ($150–$200 per day) and splitting a third of the proceeds with a fellow sign painter. They each took home between $3,000 and $4,000, after a few weeks of preparation and four solid days of painting.\u003c/p>\n\u003cfigure id=\"attachment_13869337\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_22-800x533.jpg\" alt=\"Isaac Avila and Lauren D'Amato with their dog Rico.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13869337\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_22-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_22-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_22-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_22-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_22-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_22-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Isaac Avila and Lauren D’Amato with their dog Rico. \u003ccite>(Graham Holoch/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘We’re incredibly lucky’\u003c/h2>\n\u003cp>Like many working artists, Avila and D’Amato have a monthly income that varies widely. Avila still works two days a week bartending at the Valencia bar Mosto, and D’Amato does custom work on 45-RPM record cases, cars and motorcycles to earn a bit of side money. Every now and then D’Amato will sell artwork or embellished furniture out of the studio. Depending on how many Avila Rose jobs they line up, they make a total combined income from all jobs of between $2,000 and $5,000 a month. \u003c/p>\n\u003cp>In San Francisco, that isn’t much. They’re able to live off that income thanks to not only their relatively low rent, but their shared penchant for frugality.\u003c/p>\n\u003cp>“We’re incredibly lucky,” D’Amato says, looking around the corner of the built-out warehouse she shares with Avila. One wall faces the street, letting in light from nearly floor-to-ceiling windows. The other surfaces are covered in hand-painted signs, mementos and beautiful found objects. They sleep in a lofted area over the kitchen, and their dog Rico doesn’t take up much space.\u003c/p>\n\u003cp>“The group that owns this building—they’re older, at later stages in their careers,” Avila says. “And they’re all pretty aware of the hardships of just being an artist and what it takes, especially if you’re trying to build something from scratch.” \u003c/p>\n\u003cp>Though the fact that they’re month-to-month does bring some anxiety, D’Amato and Avila know there’s no way they could be doing what they do—getting their own business off the ground—without the support of their landlords. Paying rent on both an apartment and a separate studio, let alone one with a woodshop that would let them use enamel paints and solvents, would be prohibitively expensive. \u003c/p>\n\u003cp>They keep their other spending low; D’Aamato doesn’t have health insurance, and she’s slowly chipping away at her art school loans. (She transferred into SFAI, so she’s in a slightly better situation than classmates with four years of loans.) As for materials, Avila’s sculptures are made from woodshop scraps, and they both pick up old glass, furniture and frames off the streets. The materials of their sign painting trade are expensive enough—a book of gold leaf is $45–$50, pints of enamel paint run $30–$50.\u003c/p>\n\u003cp>“I’ll be using the same brush for like half a year, and then I’ll say, ‘I think it’s time for me to make an investment in this because it’s the thing that’s making me money,’” D’Amato says. “And then I’ll buy a few more brushes.” \u003c/p>\n\u003cp>How much are brushes? “Oh, probably about $20,” she laughs. “That’s how careful we are.”\u003c/p>\n\u003cfigure id=\"attachment_13869335\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_23-800x533.jpg\" alt=\"In addition to sign painting and their own art, Isaac Avila and Lauren D'Amato host Kustom Sunday, a car culture meetup in San Francisco.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13869335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_23-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_23-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_23-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_23-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_23-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/KQED_The_Hustle_Avila_Rose_Signs_hires_23-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">In addition to sign painting and their own art, Isaac Avila and Lauren D’Amato host Kustom Sunday, a car culture meetup in San Francisco. \u003ccite>(Graham Holoch/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘I value all the work that we do’\u003c/h2>\n\u003cp>Last year, Avila and D’Amato also started hosting an event series called Kustom Sunday, first at the warehouse and now at off-site locations like Golden Gate Park. For D’Amato, it’s a way to establish herself as someone who does lettering, gilding and pin-striping on cars. “That’s such a hard thing to get into, especially as a young woman,” she says. She’s perfected her own style of blended floral work most often seen on traditional furniture, and never seen in enamel paint. \u003c/p>\n\u003cp>At Kustom Sundays, the couple invites DJs to play, a barbeque is lit and people line up for their custom paint jobs. Similarly, if D’Amato goes to a bar and sets up shop for a night, she can make between $700 and $1,000 painting motorcycle helmets, tanks and record boxes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Looking for things to do in the Bay Area this weekend? The Do List has you covered with concerts, festivals, exhibitions, plays, performances and more.\u003c/p>\n\u003cp>You can listen to this week’s episode above with Gabe Meline, Nastia Voynovskaya and Sam Lefebvre, or read about our picks below.\u003c/p>\n\u003cp>\u003cstrong>Fire Relief\u003c/strong>: First things first, this has been a trying week for people who live up in the North Bay. The Kincade Fire has caused evacuations across Sonoma County and, for the rest of the Bay Area, air quality alerts. To help, the California Academy of Sciences is offering free admission through Nov. 1 to those in mandatory evacuation zones – and also, the SFMOMA is offering free admission to its permanent collection to the general public. If you need to get out of the smoke this weekend, remember that the de Young and Legion of Honor also offer free admission on Saturdays to San Francisco residents, too. \u003ca href=\"https://www.kqed.org/arts/13869039/sfmoma-california-academy-of-sciences-offer-free-admission-for-fire-relief\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>FKA Twigs\u003c/strong>: British art-pop singer FKA Twigs is one of the most groundbreaking artists of the past decade—not just a triple threat, but a \u003cem>quintuple\u003c/em> threat. Her voice is an angelic falsetto; she writes uncomfortable, probing lyrics that flip gender stereotypes; her CGI music videos are out of this world. And, after taking a couple years off from touring due to health issues, she came back stronger than ever with an incredible new skillset: pole dancing, which she uses as a form of theatrical storytelling. She’ll be at Oakland’s Fox Theater on Nov. 6 and 7. \u003ca href=\"http://thefoxoakland.com/events/fka-twigs-magdalene\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Día de los Muertos\u003c/strong>: If you’ve got a kid who loved the Pixar film \u003cem>Coco\u003c/em>, you’ll have some opportunities to show them a deeper look at the tradition of Día de los Muertos. At the Oakland Museum of California, there’s an exhibit called \u003cem>¡El Movimiento Vivo!: Chicano Roots of El Día de los Muertos\u003c/em>, all about the Chicano activists who brought Day of the Dead traditions to the United States. You’ll see ofrendas, and hear stories from elders in Oaxaca. That’s up now through Feb. 16 of next year. \u003ca href=\"https://museumca.org/exhibit/%C2%A1el-movimiento-vivo-chicano-roots-el-d%C3%ADa-de-los-muertos\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And another Día de Los Muertos tradition is brewing in the East Bay: the Oakland Ballet’s \u003cem>Luna Mexicana\u003c/em>. This is a dance performance in partnership with Ballet Folklórico México Danza with a Frida Kahlo theme, but it’s also a celebration of music, costumes, candles, and food. Tamales and Mexican hot chocolate will be served in the gorgeous art-deco lobby of the Paramount Theater, another great way to introduce kids to this tradition. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Looking for things to do in the Bay Area this weekend? The Do List has you covered with concerts, festivals, exhibitions, plays, performances and more.\u003c/p>\n\u003cp>You can listen to this week’s episode above with Gabe Meline, Nastia Voynovskaya and Sam Lefebvre, or read about our picks below.\u003c/p>\n\u003cp>\u003cstrong>Fire Relief\u003c/strong>: First things first, this has been a trying week for people who live up in the North Bay. The Kincade Fire has caused evacuations across Sonoma County and, for the rest of the Bay Area, air quality alerts. To help, the California Academy of Sciences is offering free admission through Nov. 1 to those in mandatory evacuation zones – and also, the SFMOMA is offering free admission to its permanent collection to the general public. If you need to get out of the smoke this weekend, remember that the de Young and Legion of Honor also offer free admission on Saturdays to San Francisco residents, too. \u003ca href=\"https://www.kqed.org/arts/13869039/sfmoma-california-academy-of-sciences-offer-free-admission-for-fire-relief\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>FKA Twigs\u003c/strong>: British art-pop singer FKA Twigs is one of the most groundbreaking artists of the past decade—not just a triple threat, but a \u003cem>quintuple\u003c/em> threat. Her voice is an angelic falsetto; she writes uncomfortable, probing lyrics that flip gender stereotypes; her CGI music videos are out of this world. And, after taking a couple years off from touring due to health issues, she came back stronger than ever with an incredible new skillset: pole dancing, which she uses as a form of theatrical storytelling. She’ll be at Oakland’s Fox Theater on Nov. 6 and 7. \u003ca href=\"http://thefoxoakland.com/events/fka-twigs-magdalene\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Día de los Muertos\u003c/strong>: If you’ve got a kid who loved the Pixar film \u003cem>Coco\u003c/em>, you’ll have some opportunities to show them a deeper look at the tradition of Día de los Muertos. At the Oakland Museum of California, there’s an exhibit called \u003cem>¡El Movimiento Vivo!: Chicano Roots of El Día de los Muertos\u003c/em>, all about the Chicano activists who brought Day of the Dead traditions to the United States. You’ll see ofrendas, and hear stories from elders in Oaxaca. That’s up now through Feb. 16 of next year. \u003ca href=\"https://museumca.org/exhibit/%C2%A1el-movimiento-vivo-chicano-roots-el-d%C3%ADa-de-los-muertos\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And another Día de Los Muertos tradition is brewing in the East Bay: the Oakland Ballet’s \u003cem>Luna Mexicana\u003c/em>. This is a dance performance in partnership with Ballet Folklórico México Danza with a Frida Kahlo theme, but it’s also a celebration of music, costumes, candles, and food. Tamales and Mexican hot chocolate will be served in the gorgeous art-deco lobby of the Paramount Theater, another great way to introduce kids to this tradition. That’s on Friday and Saturday, Nov. 1 and 2, at the Paramount Theatre in Oakland. \u003ca href=\"http://oaklandballet.org/wp/luna-mexicana/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>. \u003c/p>\n\u003cp>\u003cstrong>Lucinda Williams\u003c/strong>: Sam plays in a band, and while they were on tour recently, they spent a lot of time listening to Lucinda Williams. She’s had an unusual career, in part because her breakthrough album arrived about 20 years after her first album. It’s called \u003cem>Car Wheels on a Gravel Road\u003c/em>, and it’s an achingly beautiful record about longing, forgetting and escape with an atmosphere of road-weary realism. In the van, on repeat, it served as a soundtrack for many of the same cities and landmarks referenced on the album. Twenty years since its release, Lucinda Williams plays the album in its entirety—plus a second career-wide set—on Saturday, Nov. 2, at the Fox Theater in Oakland. \u003ca href=\"http://thefoxoakland.com/events/lucinda-williams-band-buick-6\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>‘Blanket the Homeless’\u003c/strong>: So many of our neighbors have lost homes and been forced onto the streets during the Bay Area’s housing crisis, and the problem is only getting worse. A bunch of artists recently teamed up for a benefit compilation called \u003cem>Blanket the Homeless\u003c/em>, which raises money for an organization that passes out hygiene kits and supplies to unsheltered people in the Bay Area. The compilation features Fantastic Negrito, Rainbow Girls, the Stone Foxes and many more. The Stone Foxes’ Shannon Koehler and producer Scott Mickelson perform live for a benefit concert and record release show. That’s on Nov. 7, at the Independent in San Francisco. \u003ca href=\"http://blanketthehomeless.org/events/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Looking for things to do in the Bay Area this weekend? The Do List has you covered with concerts, festivals, exhibitions, plays, performances and more.\u003c/p>\n\u003cp>You can listen to this week’s episode above with Gabe Meline, Sarah Hotchkiss, Sam Lefebvre, Rae Alexandra and Grace Cheung, or read about our picks below.\u003c/p>\n\u003cp>\u003cstrong>‘Get Out’ with Live Score\u003c/strong>: The San Francisco Symphony performs a live score alongside a screening of \u003cem>Get Out\u003c/em> on the night before Halloween, and it’s basically the perfect way to get through a movie that is so damn stressful. When Rae saw \u003cem>Get Out\u003c/em> in a movie theater, the crowd was literally screaming at the screen for half the film, so, if nothing else, it might be an interesting night for the musicians. That’s on Wednesday, Oct. 30, at Davies Symphony Hall in San Francisco. \u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2019-20/Film-Get-Out.aspx\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>. \u003c/p>\n\u003cp>\u003cstrong>‘SOFT POWER’\u003c/strong>: The phrase “soft power” appeared in the Reagan era; it’s the idea that if you’re a country, instead of exerting power through threats or payments, you can attract and co-opt people through “soft” assets like culture, values and policies. SFMOMA co-opts this phrase for an impressive group show—the first from their new contemporary curatorial department—gathering artists who examine their roles as citizens and social actors. There’s a whole bunch of new commissions, an exciting change of pace in a museum often faulted for its static presentations of more canonical modernist art. \u003cem>SOFT POWER\u003c/em> opens Saturday, Oct. 26, at SFMOMA in San Francisco. \u003ca href=\"https://www.kqed.org/arts/13868797/soft-power-sfmoma-review\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Tompkins Square Anniversary\u003c/strong>: The San Francisco label Tompkins Square is known in part for acoustic guitar stylists of the past and present, many of them working in the generally fingerpicked, so-called American primitive guitar tradition of figures like John Fahey. On Friday, the label celebrates its 14th anniversary with a show featuring two guitarists, Kinloch Nelson and Kendra Amalie. Tompkins Square recently released a collection of Nelson’s late 1960s recordings, as well as a new volume of its \u003cem>Imaginational Anthem\u003c/em> compilation featuring Amalie, a contemporary singer-songwriter. This is a fittingly small, intimate setting for the music. That’s on Friday, Oct. 25, at the Lost Church in San Francisco. \u003ca href=\"https://www.facebook.com/events/the-lost-church-san-francisco/tompkins-square-label-14th-anniversary-concert/722440604847436/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>DogFest Bay Area\u003c/strong>: What do you get when you mix dogs and costumes? DogFest Bay Area, a Halloween-themed festival celebrating the adorable doggos around us. There’s plenty of treats for both humans and animals, and it raises money for Canine Companions for Independence. Family-friendly and with a costume contest, it’s a totally free event, and there’s also great places around Jack London to sit, eat and dog-watch if you want to make a whole day of it. That’s on Saturday, Oct. 26, at Jack London Square in Oakland. \u003ca href=\"https://secure.cci.org/site/TR;jsessionid=00000000.app334b?fr_id=1691&pg=entry&NONCE_TOKEN=FDAEED280A9B0342D111E7C91C273613\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>‘Nosferatu’ With Live Organ\u003c/strong>: On Halloween night, Dorothy Papadakos sits at Grace Cathedral’s giant pipe organ to accompany two movies from the silent film era: \u003cem>Nosferatu\u003c/em> (10pm) and \u003cem>Dr. Jekyll and Mr. Hyde\u003c/em> (7pm). We’re talking two bonafide early horror movie classics—how can you not love Max Schreck as Nosferatu? But the setting here is the thing: there are 7,466 pipes in the Grace Cathedral organ, and combined with the cathedral’s famous high ceilings, causing a seven-second echo, it’s truly going to be a sight and sound to behold. That’s on Thursday, Oct. 31, at Grace Cathedral in San Francisco. \u003ca href=\"https://www.sfjazz.org/tickets/productions/dr-jekyll-mr-hyde-dorothy-papadakos/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Looking for things to do in the Bay Area this weekend? The Do List has you covered with concerts, festivals, exhibitions, plays, performances and more.\u003c/p>\n\u003cp>You can listen to this week’s episode above with Gabe Meline, Sarah Hotchkiss, Sam Lefebvre, Rae Alexandra and Grace Cheung, or read about our picks below.\u003c/p>\n\u003cp>\u003cstrong>‘Get Out’ with Live Score\u003c/strong>: The San Francisco Symphony performs a live score alongside a screening of \u003cem>Get Out\u003c/em> on the night before Halloween, and it’s basically the perfect way to get through a movie that is so damn stressful. When Rae saw \u003cem>Get Out\u003c/em> in a movie theater, the crowd was literally screaming at the screen for half the film, so, if nothing else, it might be an interesting night for the musicians. That’s on Wednesday, Oct. 30, at Davies Symphony Hall in San Francisco. \u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2019-20/Film-Get-Out.aspx\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>. \u003c/p>\n\u003cp>\u003cstrong>‘SOFT POWER’\u003c/strong>: The phrase “soft power” appeared in the Reagan era; it’s the idea that if you’re a country, instead of exerting power through threats or payments, you can attract and co-opt people through “soft” assets like culture, values and policies. SFMOMA co-opts this phrase for an impressive group show—the first from their new contemporary curatorial department—gathering artists who examine their roles as citizens and social actors. There’s a whole bunch of new commissions, an exciting change of pace in a museum often faulted for its static presentations of more canonical modernist art. \u003cem>SOFT POWER\u003c/em> opens Saturday, Oct. 26, at SFMOMA in San Francisco. \u003ca href=\"https://www.kqed.org/arts/13868797/soft-power-sfmoma-review\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Tompkins Square Anniversary\u003c/strong>: The San Francisco label Tompkins Square is known in part for acoustic guitar stylists of the past and present, many of them working in the generally fingerpicked, so-called American primitive guitar tradition of figures like John Fahey. On Friday, the label celebrates its 14th anniversary with a show featuring two guitarists, Kinloch Nelson and Kendra Amalie. Tompkins Square recently released a collection of Nelson’s late 1960s recordings, as well as a new volume of its \u003cem>Imaginational Anthem\u003c/em> compilation featuring Amalie, a contemporary singer-songwriter. This is a fittingly small, intimate setting for the music. That’s on Friday, Oct. 25, at the Lost Church in San Francisco. \u003ca href=\"https://www.facebook.com/events/the-lost-church-san-francisco/tompkins-square-label-14th-anniversary-concert/722440604847436/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>DogFest Bay Area\u003c/strong>: What do you get when you mix dogs and costumes? DogFest Bay Area, a Halloween-themed festival celebrating the adorable doggos around us. There’s plenty of treats for both humans and animals, and it raises money for Canine Companions for Independence. Family-friendly and with a costume contest, it’s a totally free event, and there’s also great places around Jack London to sit, eat and dog-watch if you want to make a whole day of it. That’s on Saturday, Oct. 26, at Jack London Square in Oakland. \u003ca href=\"https://secure.cci.org/site/TR;jsessionid=00000000.app334b?fr_id=1691&pg=entry&NONCE_TOKEN=FDAEED280A9B0342D111E7C91C273613\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>‘Nosferatu’ With Live Organ\u003c/strong>: On Halloween night, Dorothy Papadakos sits at Grace Cathedral’s giant pipe organ to accompany two movies from the silent film era: \u003cem>Nosferatu\u003c/em> (10pm) and \u003cem>Dr. Jekyll and Mr. Hyde\u003c/em> (7pm). We’re talking two bonafide early horror movie classics—how can you not love Max Schreck as Nosferatu? But the setting here is the thing: there are 7,466 pipes in the Grace Cathedral organ, and combined with the cathedral’s famous high ceilings, causing a seven-second echo, it’s truly going to be a sight and sound to behold. That’s on Thursday, Oct. 31, at Grace Cathedral in San Francisco. \u003ca href=\"https://www.sfjazz.org/tickets/productions/dr-jekyll-mr-hyde-dorothy-papadakos/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Looking for things to do in the Bay Area this weekend? The Do List has you covered with concerts, festivals, exhibitions, plays, performances and more.\u003c/p>\n\u003cp>You can listen to this week’s episode above with Gabe Meline, Nastia Voynovskaya and Grace Cheung, or read about our picks below.\u003c/p>\n\u003cp>\u003cstrong>Kendrick Scott Oracle\u003c/strong>: Kendrick Scott’s a leader in this new style of jazz drumming that’s exploding right now; a mix of jazz and skittering electronica-style beats played on the drums. Some of the players in this style have taken all the swing out of jazz drumming, but not Scott. He’s recorded for Blue Note Records, and his music often references social change, such as his \u003ca href=\"https://youtu.be/CcyJlQLu6-8\" rel=\"noopener noreferrer\" target=\"_blank\">tribute to Philando Castile\u003c/a>. With his group the Kendrick Scott Oracle, his show this week in San Jose is part of a new series called Black Cab Jazz, where the capacity is just over 100 seats. That’s on Sunday, Oct. 20, at the Hammer Theater Center’s black box theater in San Jose. \u003ca href=\"https://hammertheatre.com/event/sj-jazz-hammer-theatre-cabaret-kendrick-scott/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘Primary Wurld’\u003c/strong>: This group show at SWIM Gallery comes with a unique twist. All the installations, outfits, performers, snacks and even the audience will be in primary colors: blue, red or yellow. The curator, Baby Buu, seems really serious about this—there will actually be someone at the door checking outfits to make sure showgoers comply with the dress code. They’re keeping the art itself pretty hush-hush, but some interesting looking sculptures and club-kid looks related to the show have popped up on Instagram. The overall goal, though, is an immersive experience where the audience becomes the art. \u003cem>Primary Wurld\u003c/em> takes place on Saturday, Oct. 19, at SWIM Gallery in San Francisco. \u003ca href=\"http://www.luggagestoregallery.org/2019/09/primary-wurld/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Armenian Food Festival\u003c/strong>: When you think of Armenians in California, you might think of the Kardashians. But if you’re looking for traditional Armenian cuisine, it’s not exactly a staple of their TV show. Those curious about Armenian food are in luck, though, because fall is when Armenian churches in the Bay Area break out the food and dance. For 77 years, the St. John Armenian Church has held their food festival, where you can expect to see bread and butter (probably in the form of phyllo dough desserts), plus candied nuts and fruits, kufta and more. Proceeds benefit Armenian charities. That’s on Saturday and Sunday, Oct. 19 and 20, at St. John Armenian Church in San Francisco. \u003ca href=\"https://stjohnarmenianchurch.com/food-festival\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Headlands Center for the Arts Open House\u003c/strong>: If you’re looking to get out of town, the remote and beautiful Headlands Center for the Arts in the Marin Headlands holds an open house on Sunday. This isn’t your regular open house: it’s in a former Army barracks building that’s 100 years old, overlooking the Pacific Ocean. So if you get tired of seeing the studios of artists-in-residence—and I guarantee you won’t, the art is often astounding—but if you do, you can always go on a hike, or walk down to the beach. In fact, the building itself is art, since famous artists like Ann Hamilton and David Ireland added to it, and the bathrooms there are the weirdest and most fun bathrooms I’ve seen in years. That’s an open house on Sunday, Oct. 20, at the Headlands Center for the Arts. \u003ca href=\"http://www.headlands.org/event/fall-open-house-7/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Rock the Ship Festival\u003c/strong>: It seems only natural that the punk label Pirates Press Records would throw a show on the water. The centerpiece of the Rock the Ship festival comes on Saturday, Oct. 19, with an all-day punk rock extravaganza on the U.S.S. Hornet in Alameda, with influential British underground bands Cock Sparrer and Subhumans as headliners. Also playing: CJ Ramone, the Ramones’ bassist in the ’90s; all-woman anarcho-punk band Bad Cop/Bad Cop; and Oakland’s own Harrington Saints, plus lots of others. Off the ship and back on land, the festival also hosts four nights of shows at Starline Social Club in Oakland, Oct. 17–20. \u003ca href=\"http://www.rocktheshipfestival.com\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Looking for things to do in the Bay Area this weekend? The Do List has you covered with concerts, festivals, exhibitions, plays, performances and more.\u003c/p>\n\u003cp>You can listen to this week’s episode above with Gabe Meline, Nastia Voynovskaya and Grace Cheung, or read about our picks below.\u003c/p>\n\u003cp>\u003cstrong>Kendrick Scott Oracle\u003c/strong>: Kendrick Scott’s a leader in this new style of jazz drumming that’s exploding right now; a mix of jazz and skittering electronica-style beats played on the drums. Some of the players in this style have taken all the swing out of jazz drumming, but not Scott. He’s recorded for Blue Note Records, and his music often references social change, such as his \u003ca href=\"https://youtu.be/CcyJlQLu6-8\" rel=\"noopener noreferrer\" target=\"_blank\">tribute to Philando Castile\u003c/a>. With his group the Kendrick Scott Oracle, his show this week in San Jose is part of a new series called Black Cab Jazz, where the capacity is just over 100 seats. That’s on Sunday, Oct. 20, at the Hammer Theater Center’s black box theater in San Jose. \u003ca href=\"https://hammertheatre.com/event/sj-jazz-hammer-theatre-cabaret-kendrick-scott/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘Primary Wurld’\u003c/strong>: This group show at SWIM Gallery comes with a unique twist. All the installations, outfits, performers, snacks and even the audience will be in primary colors: blue, red or yellow. The curator, Baby Buu, seems really serious about this—there will actually be someone at the door checking outfits to make sure showgoers comply with the dress code. They’re keeping the art itself pretty hush-hush, but some interesting looking sculptures and club-kid looks related to the show have popped up on Instagram. The overall goal, though, is an immersive experience where the audience becomes the art. \u003cem>Primary Wurld\u003c/em> takes place on Saturday, Oct. 19, at SWIM Gallery in San Francisco. \u003ca href=\"http://www.luggagestoregallery.org/2019/09/primary-wurld/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Armenian Food Festival\u003c/strong>: When you think of Armenians in California, you might think of the Kardashians. But if you’re looking for traditional Armenian cuisine, it’s not exactly a staple of their TV show. Those curious about Armenian food are in luck, though, because fall is when Armenian churches in the Bay Area break out the food and dance. For 77 years, the St. John Armenian Church has held their food festival, where you can expect to see bread and butter (probably in the form of phyllo dough desserts), plus candied nuts and fruits, kufta and more. Proceeds benefit Armenian charities. That’s on Saturday and Sunday, Oct. 19 and 20, at St. John Armenian Church in San Francisco. \u003ca href=\"https://stjohnarmenianchurch.com/food-festival\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Headlands Center for the Arts Open House\u003c/strong>: If you’re looking to get out of town, the remote and beautiful Headlands Center for the Arts in the Marin Headlands holds an open house on Sunday. This isn’t your regular open house: it’s in a former Army barracks building that’s 100 years old, overlooking the Pacific Ocean. So if you get tired of seeing the studios of artists-in-residence—and I guarantee you won’t, the art is often astounding—but if you do, you can always go on a hike, or walk down to the beach. In fact, the building itself is art, since famous artists like Ann Hamilton and David Ireland added to it, and the bathrooms there are the weirdest and most fun bathrooms I’ve seen in years. That’s an open house on Sunday, Oct. 20, at the Headlands Center for the Arts. \u003ca href=\"http://www.headlands.org/event/fall-open-house-7/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Rock the Ship Festival\u003c/strong>: It seems only natural that the punk label Pirates Press Records would throw a show on the water. The centerpiece of the Rock the Ship festival comes on Saturday, Oct. 19, with an all-day punk rock extravaganza on the U.S.S. Hornet in Alameda, with influential British underground bands Cock Sparrer and Subhumans as headliners. Also playing: CJ Ramone, the Ramones’ bassist in the ’90s; all-woman anarcho-punk band Bad Cop/Bad Cop; and Oakland’s own Harrington Saints, plus lots of others. Off the ship and back on land, the festival also hosts four nights of shows at Starline Social Club in Oakland, Oct. 17–20. \u003ca href=\"http://www.rocktheshipfestival.com\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It may have been eight years since Beyoncé first declared, \u003cem>“\u003ca href=\"https://www.youtube.com/watch?v=VBmMU_iwe6U\" target=\"_blank\" rel=\"noopener\">Who run the world? Girls!\u003c/a>“\u003c/em> but global statistics firmly demonstrate the opposite. In 2018, only 24 CEOs on \u003cem>Fortune\u003c/em>‘s annual \u003ca href=\"https://www.cnbc.com/2018/05/21/2018s-fortune-500-companies-have-just-24-female-ceos.html\" target=\"_blank\" rel=\"noopener\">500 list\u003c/a> were female. Though there are more female senators than ever before, \u003ca href=\"https://cawp.rutgers.edu/current-numbers\" target=\"_blank\" rel=\"noopener\">76% of Congress\u003c/a> is still male. Earlier this year, the first all-female \u003ca href=\"https://www.theatlantic.com/science/archive/2019/03/nasa-spacesuit-women-spacewalk/585805/\" target=\"_blank\" rel=\"noopener\">spacewalk was canceled\u003c/a> because the International Space Station didn’t have enough space suits for women.\u003c/p>\n\u003cp>The fourth annual WorldWideWomen Girls’ Festival aims to address these kinds of imbalances early with over 100 workshops, mentoring sessions and performances specifically designed to prep girls for the road to reach their goals, no matter what challenges might arise. Held on Nov. 9 at the Palace of Fine Arts, the festival includes STEM training, advice from female professionals and athletes, an interactive expo, a wide range of workshops, and even a “gentle” \u003cem>Shark Tank\u003c/em>-style “\u003ca href=\"https://worldwidewomengirlsfestival.org/girls-festival/program/17/girlpreneur-competition-2\" target=\"_blank\" rel=\"noopener\">Girlpreneur\u003c/a>” competition with a first place prize of $1,000.\u003c/p>\n\u003cp>The day-long event isn’t all business, though—there will also be a fashion show, a range of music and dance performances, a slam poetry contest, self-defense classes and an obstacle course set up by the \u003ca href=\"http://ufsw.org/\" target=\"_blank\" rel=\"noopener\">United Fire Service Women\u003c/a>. You can also get your retail fix with 35 pop-up shops, plus a marketplace of services and products from female-owned businesses.\u003c/p>\n\u003cp>Speaking at last year’s festival, Maureen Broderick, founder and CEO of \u003ca href=\"https://www.youtube.com/watch?v=IPbqBbRSWic\" target=\"_blank\" rel=\"noopener\">WorldWide Women\u003c/a>, summed up what she hoped attendees would get from the event. “I want them to take away connections,” she said. “I want them to take away possibilities and excitement and ‘Oh my gosh, I like technology,’ ‘I like science,’ ‘I want to be a filmmaker,’ ‘I want to be an entrepreneur.’ I want them to take away all the possibilities.”\u003c/p>\n\u003cp>You can see more of what went on at last year’s festival in the video below.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=IPbqBbRSWic\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It may have been eight years since Beyoncé first declared, \u003cem>“\u003ca href=\"https://www.youtube.com/watch?v=VBmMU_iwe6U\" target=\"_blank\" rel=\"noopener\">Who run the world? Girls!\u003c/a>“\u003c/em> but global statistics firmly demonstrate the opposite. In 2018, only 24 CEOs on \u003cem>Fortune\u003c/em>‘s annual \u003ca href=\"https://www.cnbc.com/2018/05/21/2018s-fortune-500-companies-have-just-24-female-ceos.html\" target=\"_blank\" rel=\"noopener\">500 list\u003c/a> were female. Though there are more female senators than ever before, \u003ca href=\"https://cawp.rutgers.edu/current-numbers\" target=\"_blank\" rel=\"noopener\">76% of Congress\u003c/a> is still male. Earlier this year, the first all-female \u003ca href=\"https://www.theatlantic.com/science/archive/2019/03/nasa-spacesuit-women-spacewalk/585805/\" target=\"_blank\" rel=\"noopener\">spacewalk was canceled\u003c/a> because the International Space Station didn’t have enough space suits for women.\u003c/p>\n\u003cp>The fourth annual WorldWideWomen Girls’ Festival aims to address these kinds of imbalances early with over 100 workshops, mentoring sessions and performances specifically designed to prep girls for the road to reach their goals, no matter what challenges might arise. Held on Nov. 9 at the Palace of Fine Arts, the festival includes STEM training, advice from female professionals and athletes, an interactive expo, a wide range of workshops, and even a “gentle” \u003cem>Shark Tank\u003c/em>-style “\u003ca href=\"https://worldwidewomengirlsfestival.org/girls-festival/program/17/girlpreneur-competition-2\" target=\"_blank\" rel=\"noopener\">Girlpreneur\u003c/a>” competition with a first place prize of $1,000.\u003c/p>\n\u003cp>The day-long event isn’t all business, though—there will also be a fashion show, a range of music and dance performances, a slam poetry contest, self-defense classes and an obstacle course set up by the \u003ca href=\"http://ufsw.org/\" target=\"_blank\" rel=\"noopener\">United Fire Service Women\u003c/a>. You can also get your retail fix with 35 pop-up shops, plus a marketplace of services and products from female-owned businesses.\u003c/p>\n\u003cp>Speaking at last year’s festival, Maureen Broderick, founder and CEO of \u003ca href=\"https://www.youtube.com/watch?v=IPbqBbRSWic\" target=\"_blank\" rel=\"noopener\">WorldWide Women\u003c/a>, summed up what she hoped attendees would get from the event. “I want them to take away connections,” she said. “I want them to take away possibilities and excitement and ‘Oh my gosh, I like technology,’ ‘I like science,’ ‘I want to be a filmmaker,’ ‘I want to be an entrepreneur.’ I want them to take away all the possibilities.”\u003c/p>\n\u003cp>You can see more of what went on at last year’s festival in the video below.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "5 Rule-Breaking Decor Ideas From Betsey Johnson's (For Sale) Malibu Beach House",
"headTitle": "5 Rule-Breaking Decor Ideas From Betsey Johnson’s (For Sale) Malibu Beach House | KQED",
"content": "\u003cp>If you’ve got a spare $2 million lying around and a hankering to pay $2,706 a month in HOA fees alone, you might be pleased to know that Betsey Johnson’s second home is for sale right now.\u003c/p>\n\u003cp>As absolutely everyone who has ever laid eyes on her might anticipate, Johnson’s Paradise Cove, Malibu property is a hot pink, two-bed, two-bath mobile home, made of wall-to-wall decor ideas that are the opposite of what you’re supposed to do to the inside of places where humans live.\u003c/p>\n\u003cp>Weirdly though, Johnson’s crazy decor is done with such panache, you might be tempted to copy her kitschy style. The good news is, you totally can! The designer \u003ca href=\"https://www.brainyquote.com/authors/betsey-johnson-quotes\" target=\"_blank\" rel=\"noopener\">once said\u003c/a>: “My customer isn’t wrapped up in labels and money,” and her home isn’t either.\u003c/p>\n\u003cp>You don’t have to be a one percent-er to make these work:\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>1. Pick a Stupidly Bright Color and Run (Everywhere) With it\u003c/strong>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867900 aligncenter\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/b9c7db7da0308dd8aba8b267c69d8ff7f41e182f_original-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b9c7db7da0308dd8aba8b267c69d8ff7f41e182f_original-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b9c7db7da0308dd8aba8b267c69d8ff7f41e182f_original-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b9c7db7da0308dd8aba8b267c69d8ff7f41e182f_original-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b9c7db7da0308dd8aba8b267c69d8ff7f41e182f_original-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b9c7db7da0308dd8aba8b267c69d8ff7f41e182f_original.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cfigure id=\"attachment_13867881\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867881\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/5437a7f7626622f7ce514ac3baef11d95325599a_original-800x533.jpg\" alt='\"The Yellow Room\" is the master bedroom.' width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/5437a7f7626622f7ce514ac3baef11d95325599a_original-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/5437a7f7626622f7ce514ac3baef11d95325599a_original-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/5437a7f7626622f7ce514ac3baef11d95325599a_original-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/5437a7f7626622f7ce514ac3baef11d95325599a_original-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/5437a7f7626622f7ce514ac3baef11d95325599a_original.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“The Yellow Room” is the master bedroom. \u003ccite>(Compass.com)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Remember when you were a kid, and you wanted to do this to your bedroom, and your mom was like “That’s too bright and painting ceilings the same color as the walls is bad”? Betsey Johnson just proved mom wrong about \u003cem>all\u003c/em> of it, so pick a color that stings your eyeballs, put it absolutely everywhere, and never sleep through your alarm again.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>2. Put Tons of Art in the Bathroom\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13867882\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867882\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/b2845659fe398460810c274eb882123c98aee9a6_original-800x533.jpg\" alt=\"This is how you bathroom.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b2845659fe398460810c274eb882123c98aee9a6_original-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b2845659fe398460810c274eb882123c98aee9a6_original-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b2845659fe398460810c274eb882123c98aee9a6_original-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b2845659fe398460810c274eb882123c98aee9a6_original-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b2845659fe398460810c274eb882123c98aee9a6_original.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">This is how you bathroom.\u003c/figcaption>\u003c/figure>\n\u003cp>If you listen to boring, sensible people, the bathroom is no place for works of art. “Of all the places you can display art at home, the bath has long been the most controversial,” \u003ca href=\"https://www.architecturaldigest.com/gallery/what-not-to-do-displaying-art-in-bathroom\" target=\"_blank\" rel=\"noopener\">\u003cem>Architectural Digest\u003c/em> notes\u003c/a>. “Bathrooms (more specifically, tubs and showers) produce a lot of moisture and steam, a dangerous environment for precious pieces.” Betsey Johnson doesn’t care and neither should you. Go ahead: give yourself something nice to look at while you’re taking care of, um, personal business.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>3. Naked Breasts in the Living Room Are Fine, Thanks For Asking\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13867901\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867901\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/32846be998706e10118201de5ed3b494e62302ee_original-1-800x533.jpg\" alt=\"Boobs in the living room are a-okay.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/32846be998706e10118201de5ed3b494e62302ee_original-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/32846be998706e10118201de5ed3b494e62302ee_original-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/32846be998706e10118201de5ed3b494e62302ee_original-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/32846be998706e10118201de5ed3b494e62302ee_original-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/32846be998706e10118201de5ed3b494e62302ee_original-1.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Boobs in the living room are a-okay. \u003ccite>(Compass.com)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There’s a school of thought that suggests that, if one \u003cem>is\u003c/em> going to display naked breasts in a home, they should probably stay within the confines of the bedroom. But where’s the fun in that? Johnson proves that nudes in the living room are perfectly delightful. Even the \u003ca href=\"https://www.wsj.com/articles/hanging-nude-paintings-in-your-home-so-out-theyre-in-1501174849\" target=\"_blank\" rel=\"noopener\">\u003cem>Wall Street Journal\u003c/em> \u003c/a>thinks so, recently noting: “After falling out of style for years—sensitivities ran higher over the perceived objectification of women—naked folks are so out they’re arguably in.” Don’t fear the bosoms.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>4. Tacky Crap is Awesome\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13867903\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867903\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/3bea345a72e0ca168bd11152ca7a328e45e9b2d7_original-1-800x533.jpg\" alt=\"You too can have this many pink flowers.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/3bea345a72e0ca168bd11152ca7a328e45e9b2d7_original-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/3bea345a72e0ca168bd11152ca7a328e45e9b2d7_original-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/3bea345a72e0ca168bd11152ca7a328e45e9b2d7_original-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/3bea345a72e0ca168bd11152ca7a328e45e9b2d7_original-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/3bea345a72e0ca168bd11152ca7a328e45e9b2d7_original-1.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">You too can have this many pink flowers. \u003ccite>(Compass.com)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sure, sitting amongst wall-to-wall pink florals might make you feel nauseated. And adding clashing prints and gaudy tableware to the mix can only make things worse. But sometimes—just sometimes—camp is king. As home decor magazine \u003cem>Domino\u003c/em> \u003ca href=\"https://www.domino.com/content/kitsch-interior-design-trend-summer-2018/\" target=\"_blank\" rel=\"noopener\">recently advised\u003c/a>: “Don’t let the vibrant fuchsia scare you.”\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>5. Clutter is Your Best Friend\u003c/strong>\u003c/p>\n\u003cp>Let’s compare and contrast for a second. Would you rather live in Kim Kardashian and Kanye West’s empty, cold museum of a home? (WON’T YOU THINK OF THE CHILDREN, KIMYE?)\u003c/p>\n\u003cp>https://www.instagram.com/p/Bxc–bfAUPZ/\u003c/p>\n\u003cp>Or would you rather live in fluffy rugged, throw pillow bliss with all of the books and flowers and paintings and sculptures and shell-shaped vases and globes your heart could desire?\u003c/p>\n\u003cfigure id=\"attachment_13867886\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867886\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/c4fdfc5d7aaf07cfd7a2b49db802cc07ef9f3fe7_original-800x533.jpg\" alt=\"Get more pillows for your couch already.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/c4fdfc5d7aaf07cfd7a2b49db802cc07ef9f3fe7_original-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/c4fdfc5d7aaf07cfd7a2b49db802cc07ef9f3fe7_original-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/c4fdfc5d7aaf07cfd7a2b49db802cc07ef9f3fe7_original-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/c4fdfc5d7aaf07cfd7a2b49db802cc07ef9f3fe7_original-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/c4fdfc5d7aaf07cfd7a2b49db802cc07ef9f3fe7_original.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Get more pillows for your couch already.\u003c/figcaption>\u003c/figure>\n\u003cp>Be like Betsey. Embrace the clutter. Stay happy.\u003c/p>\n\u003cp>Also, feel free to put too much crap outside too.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867904 aligncenter\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/fec2f1889d6220e70292d5b1fbc2b78e2f0aced1_original-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/fec2f1889d6220e70292d5b1fbc2b78e2f0aced1_original-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/fec2f1889d6220e70292d5b1fbc2b78e2f0aced1_original-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/fec2f1889d6220e70292d5b1fbc2b78e2f0aced1_original-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/fec2f1889d6220e70292d5b1fbc2b78e2f0aced1_original-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/fec2f1889d6220e70292d5b1fbc2b78e2f0aced1_original-1.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>You can check out the complete listing \u003ca href=\"https://www.compass.com/listing/232-paradise-cove-road-malibu-ca-90265/328248380094495313/?origin_type=Listing%20Card&origin=Consumer%20Browse%20SEO\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "Betsey Johnson's mobile home will inspire you to lower your taste level.",
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"title": "5 Rule-Breaking Decor Ideas From Betsey Johnson's (For Sale) Malibu Beach House | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you’ve got a spare $2 million lying around and a hankering to pay $2,706 a month in HOA fees alone, you might be pleased to know that Betsey Johnson’s second home is for sale right now.\u003c/p>\n\u003cp>As absolutely everyone who has ever laid eyes on her might anticipate, Johnson’s Paradise Cove, Malibu property is a hot pink, two-bed, two-bath mobile home, made of wall-to-wall decor ideas that are the opposite of what you’re supposed to do to the inside of places where humans live.\u003c/p>\n\u003cp>Weirdly though, Johnson’s crazy decor is done with such panache, you might be tempted to copy her kitschy style. The good news is, you totally can! The designer \u003ca href=\"https://www.brainyquote.com/authors/betsey-johnson-quotes\" target=\"_blank\" rel=\"noopener\">once said\u003c/a>: “My customer isn’t wrapped up in labels and money,” and her home isn’t either.\u003c/p>\n\u003cp>You don’t have to be a one percent-er to make these work:\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>1. Pick a Stupidly Bright Color and Run (Everywhere) With it\u003c/strong>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867900 aligncenter\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/b9c7db7da0308dd8aba8b267c69d8ff7f41e182f_original-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b9c7db7da0308dd8aba8b267c69d8ff7f41e182f_original-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b9c7db7da0308dd8aba8b267c69d8ff7f41e182f_original-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b9c7db7da0308dd8aba8b267c69d8ff7f41e182f_original-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b9c7db7da0308dd8aba8b267c69d8ff7f41e182f_original-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b9c7db7da0308dd8aba8b267c69d8ff7f41e182f_original.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cfigure id=\"attachment_13867881\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867881\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/5437a7f7626622f7ce514ac3baef11d95325599a_original-800x533.jpg\" alt='\"The Yellow Room\" is the master bedroom.' width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/5437a7f7626622f7ce514ac3baef11d95325599a_original-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/5437a7f7626622f7ce514ac3baef11d95325599a_original-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/5437a7f7626622f7ce514ac3baef11d95325599a_original-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/5437a7f7626622f7ce514ac3baef11d95325599a_original-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/5437a7f7626622f7ce514ac3baef11d95325599a_original.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“The Yellow Room” is the master bedroom. \u003ccite>(Compass.com)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Remember when you were a kid, and you wanted to do this to your bedroom, and your mom was like “That’s too bright and painting ceilings the same color as the walls is bad”? Betsey Johnson just proved mom wrong about \u003cem>all\u003c/em> of it, so pick a color that stings your eyeballs, put it absolutely everywhere, and never sleep through your alarm again.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>2. Put Tons of Art in the Bathroom\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13867882\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867882\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/b2845659fe398460810c274eb882123c98aee9a6_original-800x533.jpg\" alt=\"This is how you bathroom.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b2845659fe398460810c274eb882123c98aee9a6_original-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b2845659fe398460810c274eb882123c98aee9a6_original-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b2845659fe398460810c274eb882123c98aee9a6_original-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b2845659fe398460810c274eb882123c98aee9a6_original-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/b2845659fe398460810c274eb882123c98aee9a6_original.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">This is how you bathroom.\u003c/figcaption>\u003c/figure>\n\u003cp>If you listen to boring, sensible people, the bathroom is no place for works of art. “Of all the places you can display art at home, the bath has long been the most controversial,” \u003ca href=\"https://www.architecturaldigest.com/gallery/what-not-to-do-displaying-art-in-bathroom\" target=\"_blank\" rel=\"noopener\">\u003cem>Architectural Digest\u003c/em> notes\u003c/a>. “Bathrooms (more specifically, tubs and showers) produce a lot of moisture and steam, a dangerous environment for precious pieces.” Betsey Johnson doesn’t care and neither should you. Go ahead: give yourself something nice to look at while you’re taking care of, um, personal business.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>3. Naked Breasts in the Living Room Are Fine, Thanks For Asking\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13867901\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867901\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/32846be998706e10118201de5ed3b494e62302ee_original-1-800x533.jpg\" alt=\"Boobs in the living room are a-okay.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/32846be998706e10118201de5ed3b494e62302ee_original-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/32846be998706e10118201de5ed3b494e62302ee_original-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/32846be998706e10118201de5ed3b494e62302ee_original-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/32846be998706e10118201de5ed3b494e62302ee_original-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/32846be998706e10118201de5ed3b494e62302ee_original-1.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Boobs in the living room are a-okay. \u003ccite>(Compass.com)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There’s a school of thought that suggests that, if one \u003cem>is\u003c/em> going to display naked breasts in a home, they should probably stay within the confines of the bedroom. But where’s the fun in that? Johnson proves that nudes in the living room are perfectly delightful. Even the \u003ca href=\"https://www.wsj.com/articles/hanging-nude-paintings-in-your-home-so-out-theyre-in-1501174849\" target=\"_blank\" rel=\"noopener\">\u003cem>Wall Street Journal\u003c/em> \u003c/a>thinks so, recently noting: “After falling out of style for years—sensitivities ran higher over the perceived objectification of women—naked folks are so out they’re arguably in.” Don’t fear the bosoms.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>4. Tacky Crap is Awesome\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13867903\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867903\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/3bea345a72e0ca168bd11152ca7a328e45e9b2d7_original-1-800x533.jpg\" alt=\"You too can have this many pink flowers.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/3bea345a72e0ca168bd11152ca7a328e45e9b2d7_original-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/3bea345a72e0ca168bd11152ca7a328e45e9b2d7_original-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/3bea345a72e0ca168bd11152ca7a328e45e9b2d7_original-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/3bea345a72e0ca168bd11152ca7a328e45e9b2d7_original-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/3bea345a72e0ca168bd11152ca7a328e45e9b2d7_original-1.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">You too can have this many pink flowers. \u003ccite>(Compass.com)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sure, sitting amongst wall-to-wall pink florals might make you feel nauseated. And adding clashing prints and gaudy tableware to the mix can only make things worse. But sometimes—just sometimes—camp is king. As home decor magazine \u003cem>Domino\u003c/em> \u003ca href=\"https://www.domino.com/content/kitsch-interior-design-trend-summer-2018/\" target=\"_blank\" rel=\"noopener\">recently advised\u003c/a>: “Don’t let the vibrant fuchsia scare you.”\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>5. Clutter is Your Best Friend\u003c/strong>\u003c/p>\n\u003cp>Let’s compare and contrast for a second. Would you rather live in Kim Kardashian and Kanye West’s empty, cold museum of a home? (WON’T YOU THINK OF THE CHILDREN, KIMYE?)\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Or would you rather live in fluffy rugged, throw pillow bliss with all of the books and flowers and paintings and sculptures and shell-shaped vases and globes your heart could desire?\u003c/p>\n\u003cfigure id=\"attachment_13867886\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867886\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/c4fdfc5d7aaf07cfd7a2b49db802cc07ef9f3fe7_original-800x533.jpg\" alt=\"Get more pillows for your couch already.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/c4fdfc5d7aaf07cfd7a2b49db802cc07ef9f3fe7_original-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/c4fdfc5d7aaf07cfd7a2b49db802cc07ef9f3fe7_original-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/c4fdfc5d7aaf07cfd7a2b49db802cc07ef9f3fe7_original-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/c4fdfc5d7aaf07cfd7a2b49db802cc07ef9f3fe7_original-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/c4fdfc5d7aaf07cfd7a2b49db802cc07ef9f3fe7_original.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Get more pillows for your couch already.\u003c/figcaption>\u003c/figure>\n\u003cp>Be like Betsey. Embrace the clutter. Stay happy.\u003c/p>\n\u003cp>Also, feel free to put too much crap outside too.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867904 aligncenter\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/fec2f1889d6220e70292d5b1fbc2b78e2f0aced1_original-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/fec2f1889d6220e70292d5b1fbc2b78e2f0aced1_original-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/fec2f1889d6220e70292d5b1fbc2b78e2f0aced1_original-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/fec2f1889d6220e70292d5b1fbc2b78e2f0aced1_original-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/fec2f1889d6220e70292d5b1fbc2b78e2f0aced1_original-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/fec2f1889d6220e70292d5b1fbc2b78e2f0aced1_original-1.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>You can check out the complete listing \u003ca href=\"https://www.compass.com/listing/232-paradise-cove-road-malibu-ca-90265/328248380094495313/?origin_type=Listing%20Card&origin=Consumer%20Browse%20SEO\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cb>\u003ci>Please note: We are experiencing technical difficulties with this story. It was originally published in 2019; this year’s Pet Parade took place on Oct. 30, 2022.\u003c/i>\u003c/b>\u003c/p>\n\u003cp>What’s your favorite thing about Halloween? For \u003ca href=\"http://www.farleyscoffee.com/farleys-sf/\" target=\"_blank\" rel=\"noopener noreferrer\">Farley’s\u003c/a> in San Francisco, the highlight of spooky season is your pets, dressed up in ridiculous costumes, parading around Potrero Hill and competing for trophies. This year will be the coffee shop’s 30th annual parade, and it’s open to any and all pets. Owner \u003ca href=\"https://www.youtube.com/watch?v=u6_sxYJUEGI&t=61s\" target=\"_blank\" rel=\"noopener noreferrer\">Chris Hillyard says\u003c/a> that, in addition to dogs and cats, “goldfish, iguanas [and] even parakeets,” have previously participated. (The event is worth attending for the reptilian possibilities alone.)\u003c/p>\n\u003cp>Hillyard’s father, who opened Farley’s in 1989, came up with the idea for the parade shortly after opening the café. “It was his idea to bring everyone together, to bring their pets out just for a good, fun, silly activity,” \u003ca href=\"https://www.youtube.com/watch?v=u6_sxYJUEGI&t=61s\" target=\"_blank\" rel=\"noopener noreferrer\">Hillyard explained\u003c/a> in 2013. “It grew from there, with about 15, 25 entrants the first year. Now we usually have about 100 different people dressing up their animals. It’s special every year.”\u003c/p>\n\u003cp>This year’s parade starts on the corner of 18th and Arkansas Streets at 1pm and moves up to Texas Street, where judging starts at 1:30pm. An hour later, the dog party will be treated to a live set by The Placeholders. The event is also sponsored by \u003ca href=\"https://www.pawtrero.com/service/events/\" target=\"_blank\" rel=\"noopener noreferrer\">Pawtrero Hill BathHouse & Feed Co\u003c/a>.\u003c/p>\n\u003cp>If you’re in need of ideas for the pet in your life, check out these cuties. The possibilities are endless.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-13867646 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/doggy-halloween-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/doggy-halloween-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/doggy-halloween-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/doggy-halloween-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/doggy-halloween-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/doggy-halloween-1200x1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/doggy-halloween-1920x1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/doggy-halloween.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"excerpt": "Cats, dogs, guinea pigs, iguanas and other animals are invited to compete in the coffee shop's annual costume contest. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>\u003ci>Please note: We are experiencing technical difficulties with this story. It was originally published in 2019; this year’s Pet Parade took place on Oct. 30, 2022.\u003c/i>\u003c/b>\u003c/p>\n\u003cp>What’s your favorite thing about Halloween? For \u003ca href=\"http://www.farleyscoffee.com/farleys-sf/\" target=\"_blank\" rel=\"noopener noreferrer\">Farley’s\u003c/a> in San Francisco, the highlight of spooky season is your pets, dressed up in ridiculous costumes, parading around Potrero Hill and competing for trophies. This year will be the coffee shop’s 30th annual parade, and it’s open to any and all pets. Owner \u003ca href=\"https://www.youtube.com/watch?v=u6_sxYJUEGI&t=61s\" target=\"_blank\" rel=\"noopener noreferrer\">Chris Hillyard says\u003c/a> that, in addition to dogs and cats, “goldfish, iguanas [and] even parakeets,” have previously participated. (The event is worth attending for the reptilian possibilities alone.)\u003c/p>\n\u003cp>Hillyard’s father, who opened Farley’s in 1989, came up with the idea for the parade shortly after opening the café. “It was his idea to bring everyone together, to bring their pets out just for a good, fun, silly activity,” \u003ca href=\"https://www.youtube.com/watch?v=u6_sxYJUEGI&t=61s\" target=\"_blank\" rel=\"noopener noreferrer\">Hillyard explained\u003c/a> in 2013. “It grew from there, with about 15, 25 entrants the first year. Now we usually have about 100 different people dressing up their animals. It’s special every year.”\u003c/p>\n\u003cp>This year’s parade starts on the corner of 18th and Arkansas Streets at 1pm and moves up to Texas Street, where judging starts at 1:30pm. An hour later, the dog party will be treated to a live set by The Placeholders. The event is also sponsored by \u003ca href=\"https://www.pawtrero.com/service/events/\" target=\"_blank\" rel=\"noopener noreferrer\">Pawtrero Hill BathHouse & Feed Co\u003c/a>.\u003c/p>\n\u003cp>If you’re in need of ideas for the pet in your life, check out these cuties. The possibilities are endless.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Banksy Has a Line of Homewares Now—But For the Best Possible Reason",
"headTitle": "Banksy Has a Line of Homewares Now—But For the Best Possible Reason | KQED",
"content": "\u003cp>It’s called \u003ca href=\"https://grossdomesticproduct.com/\" target=\"_blank\" rel=\"noopener\">\u003ci>Gross Domestic Product\u003c/i>\u003c/a> and it’s currently on display in a large locked storefront in Croydon, a blue-collar borough of greater London. The collection of Banksy creations appeared overnight and was greeted as a pleasant surprise by locals on Oct. 1. The renegade artist announced its arrival via social media.\u003c/p>\n\u003cp>https://www.instagram.com/p/B3FAJKonJ_z/\u003c/p>\n\u003cp>Though the storefront does feature a variety of original Banksy artworks, as well as the infamous Union Jack “stab vest” worn by London emcee \u003ca href=\"https://www.kqed.org/pop/97349/everyone-loves-this-british-mc-for-getting-trapped-in-a-bathroom-stall\" target=\"_blank\" rel=\"noopener\">Stormzy\u003c/a> during his \u003ca href=\"https://www.youtube.com/watch?v=9vgar9pInkg\" target=\"_blank\" rel=\"noopener\">Glastonbury Festival\u003c/a> set last year, \u003ci>Gross Domestic Product\u003c/i> really is a new line of homewares, designed by Banksy, that will go on sale shortly at a new, dedicated website.\u003c/p>\n\u003cfigure id=\"attachment_13867522\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867522\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-800x534.jpg\" alt=\"The stab vest Banksy designed for Stormzy's headline set at the Glastonbury Festival, on display in the Gross Domestic Product store, Croydon, England.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The stab vest Banksy designed for Stormzy’s headline set at the Glastonbury Festival, on display in the Gross Domestic Product store, Croydon, England. \u003ccite>(Chris J Ratcliffe/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The range is exactly what you’d expect from the always provocative street artist. There’s a rug that appears to be made from the pelt of Frosted Flakes mascot Tony the Tiger. There are throw pillows that instruct: “LIFE’S TOO SHORT TO TAKE ADVICE FROM A CUSHION.” There are curtain pullbacks made from heavy chains and padlocks, wall clocks that resemble rats running on exercise wheels, and a crib surrounded by CCTV cameras. There are even welcome mats made of life jackets, that were sewn together by refugees from detainment camps in Greece. (All proceeds from the sale will go back to the people that made them.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=43&v=AAQYdtzGcU8\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The reason for this unexpected dystopian pop-up shop? A greeting card company is contesting Banksy’s trademark to his own work. “Banksy is in a difficult position because he doesn’t produce his own range of shoddy merchandise and the law is quite clear,” his lawyer \u003ca href=\"https://www.thisiscolossal.com/2019/10/gross-domestic-product/\" target=\"_blank\" rel=\"noopener\">Mark Stephens explained\u003c/a>. “If the trademark holder is not using the mark then it can be transferred to someone who will.” As such, Banksy needed to prove the trademark was still active—\u003ci>Gross Domestic Product\u003c/i> is the result.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Mugs, plates and clothing are also visible in the windows, and in a statement, Banksy said: “We hope to offer something for everyone, prices start from £10 but availability will be limited.” \u003ca href=\"https://www.thisiscolossal.com/2019/10/gross-domestic-product/\" target=\"_blank\" rel=\"noopener\">The artist also clarified\u003c/a> that: “I still encourage anyone to copy, borrow, steal and amend my art for amusement, academic research or activism. I just don’t want [the greeting card company] to get sole custody of my name.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Though the storefront does feature a variety of original Banksy artworks, as well as the infamous Union Jack “stab vest” worn by London emcee \u003ca href=\"https://www.kqed.org/pop/97349/everyone-loves-this-british-mc-for-getting-trapped-in-a-bathroom-stall\" target=\"_blank\" rel=\"noopener\">Stormzy\u003c/a> during his \u003ca href=\"https://www.youtube.com/watch?v=9vgar9pInkg\" target=\"_blank\" rel=\"noopener\">Glastonbury Festival\u003c/a> set last year, \u003ci>Gross Domestic Product\u003c/i> really is a new line of homewares, designed by Banksy, that will go on sale shortly at a new, dedicated website.\u003c/p>\n\u003cfigure id=\"attachment_13867522\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867522\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-800x534.jpg\" alt=\"The stab vest Banksy designed for Stormzy's headline set at the Glastonbury Festival, on display in the Gross Domestic Product store, Croydon, England.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GettyImages-1172919452.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The stab vest Banksy designed for Stormzy’s headline set at the Glastonbury Festival, on display in the Gross Domestic Product store, Croydon, England. \u003ccite>(Chris J Ratcliffe/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The range is exactly what you’d expect from the always provocative street artist. There’s a rug that appears to be made from the pelt of Frosted Flakes mascot Tony the Tiger. There are throw pillows that instruct: “LIFE’S TOO SHORT TO TAKE ADVICE FROM A CUSHION.” There are curtain pullbacks made from heavy chains and padlocks, wall clocks that resemble rats running on exercise wheels, and a crib surrounded by CCTV cameras. There are even welcome mats made of life jackets, that were sewn together by refugees from detainment camps in Greece. (All proceeds from the sale will go back to the people that made them.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/AAQYdtzGcU8'\n title='//www.youtube.com/embed/AAQYdtzGcU8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The reason for this unexpected dystopian pop-up shop? A greeting card company is contesting Banksy’s trademark to his own work. “Banksy is in a difficult position because he doesn’t produce his own range of shoddy merchandise and the law is quite clear,” his lawyer \u003ca href=\"https://www.thisiscolossal.com/2019/10/gross-domestic-product/\" target=\"_blank\" rel=\"noopener\">Mark Stephens explained\u003c/a>. “If the trademark holder is not using the mark then it can be transferred to someone who will.” As such, Banksy needed to prove the trademark was still active—\u003ci>Gross Domestic Product\u003c/i> is the result.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Mugs, plates and clothing are also visible in the windows, and in a statement, Banksy said: “We hope to offer something for everyone, prices start from £10 but availability will be limited.” \u003ca href=\"https://www.thisiscolossal.com/2019/10/gross-domestic-product/\" target=\"_blank\" rel=\"noopener\">The artist also clarified\u003c/a> that: “I still encourage anyone to copy, borrow, steal and amend my art for amusement, academic research or activism. I just don’t want [the greeting card company] to get sole custody of my name.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"soldout": {
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"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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