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"title": "Poly Styrene Documentary ‘I Am a Cliché’ is Much More Than a Punk Profile",
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"content": "\u003cp>Ostensibly, \u003cem>I Am a Cliché\u003c/em> is a profile of British punk icon Poly Styrene, who founded and fronted X-Ray Spex between 1976 and ’79. But this 95-minute documentary, directed by Poly’s daughter \u003ca href=\"https://www.instagram.com/celestabella/\" target=\"_blank\" rel=\"noopener noreferrer\">Celeste Bell-Dos Santos\u003c/a> and filmmaker \u003ca href=\"https://www.imdb.com/name/nm7098521/\" target=\"_blank\" rel=\"noopener noreferrer\">Paul Sng\u003c/a>, proves to be much, much more than that.\u003c/p>\n\u003cp>[aside postid='arts_13902953']\u003cem>Cliché\u003c/em> unpacks a lot. It’s about art on the margins. It’s about the race and gender barriers that have historically policed popular culture. It’s about mental illness, the stigma it carries, and society’s reluctance to deal with it. It’s about dysfunctional families and finding love. And, most surprisingly of all—because of Poly Styrene’s lifelong fear of a culture built on plastic and artifice—it’s about now.\u003c/p>\n\u003cp>That sounds like a lot. Maybe too much. But nothing about \u003cem>I Am a Cliché\u003c/em> feels in the least bit labored. It moves with ease and grace thanks in large part to the forthright narration and emotional grounding provided by Celeste. Styrene’s daughter—who spent portions of her childhood terrified of her own mother—is determined not just to tell her mother’s story, but also to grant the singer a new degree of understanding.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=stXSFuUOdeU\u003c/p>\n\u003cp>Poly Styrene’s story starts out simply enough: mixed-race girl grows up in working-class neighborhood of South London during a turbulent time in Britain. She discovers punk, takes the initiative to form a band, smashes expectations and breaks boundaries.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The impact of Poly—staunchly unconventional, even in a sea of snarling punks—is worth pausing on to appreciate. Rhoda Dakar of \u003ca href=\"https://en.wikipedia.org/wiki/The_Bodysnatchers_(band)\" target=\"_blank\" rel=\"noopener noreferrer\">The Bodysnatchers\u003c/a> explains that, in some ways, she and Poly were readily accepted into a punk scene dominated by white men, precisely for the ways that they didn’t fit into it.\u003c/p>\n\u003cp>“Back then,” Dakar explains, “it was fairly unusual to be biracial. In a way, we were embraced by punk because it was full of people that nobody else wanted. We were welcomed because we were already outsiders.”\u003c/p>\n\u003cp>It is Dakar and Poly’s other female peers in \u003cem>Cliché\u003c/em>, who best express the quagmire of being a woman in punk in 1970s Britain. Gina Birch from \u003ca href=\"http://www.theraincoats.net/\" target=\"_blank\" rel=\"noopener noreferrer\">The Raincoats\u003c/a> says: “A lot of men in the media didn’t want women to step into that place. To be given more power and more say and more visibility.”\u003c/p>\n\u003cp>Writer \u003ca href=\"https://www.viviengoldman.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Vivien Goldman\u003c/a> notes: “Everyone always talks about ‘\u003ca href=\"https://www.youtube.com/watch?v=ogypBUCb7DA\" target=\"_blank\" rel=\"noopener noreferrer\">Oh Bondage Up Yours\u003c/a>’ because, in a way, that sound cut through a sort of glass ceiling of what women singers could do with their voice.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=RUBXwxjoAus\u003c/p>\n\u003cp>Beyond her fearless on-stage persona, Poly was sensitive, empathic and deeply philosophical. She worried about humanity’s future; she worried about a life lived without substance. And unrelenting, sexist scrutiny of her body and image in the music press made her worry she wasn’t good enough.\u003c/p>\n\u003cp>[aside postid='arts_13852873']“She felt like journalists were celebrating her by insinuating that she was unattractive and overweight,” Celeste remembers. “[They were] totally not getting what she was trying to achieve by choosing not to overexpose her voluptuous form on stage.”\u003c/p>\n\u003cp>Poly’s situation was further destabilized by the fact that she was bipolar but initially misdiagnosed as schizophrenic. All of those elements together made the chaos and propulsion of touring particularly difficult for her. This became very apparent in 1977 when X-Ray Spex spent time in New York and played the legendary punk venue CBGB. (Sonic Youth’s Thurston Moore was in attendance and the memories he shares of the show in \u003cem>Cliché\u003c/em> are pure gold.)\u003c/p>\n\u003cfigure id=\"attachment_13907828\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907828\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Poly-mirror-800x538.png\" alt=\"The singer for X-Ray Spex, wearing a red and yellow band jacket, gazes into a mirror and applies make-up to her cheeks.\" width=\"800\" height=\"538\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Poly-mirror-800x538.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Poly-mirror-1020x687.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Poly-mirror-160x108.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Poly-mirror-768x517.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Poly-mirror-1536x1034.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Poly-mirror-2048x1379.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Poly-mirror-1920x1292.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Poly Styrene getting ready to perform, sometime in the late 1970s. \u003ccite>('I Am a Cliché')\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While the rest of her band simply found New York fascinating and fun, Poly was so overwhelmed by the rampant consumerism, seedy underbelly and drug culture of the city that she never quite recovered from the trip. Celeste says New York annihilated the last shreds of “whatever innocence [Poly Styrene] had left.”\u003c/p>\n\u003cp>And Poly’s own writings prove it. After returning to London, she wrote:\u003c/p>\n\u003cblockquote>\u003cp>New York totally blew me apart. I saw everything I’d been writing about, but extreme and for real. For them it wasn’t a joke, it was the way they lived. For me, it was all a joke … It’s so bad that you think ‘God, if that’s what it’s gonna be like, I don’t want it.’ The weird thing about all the plastic is that people don’t actually like it. But in order to cope with it, they develop a perverse kind of fondness for it. Which is what I did … That was what was so frightening about New York.\u003c/p>\u003c/blockquote>\n\u003cp>Viewed from 2022, Poly’s fears about the future—and in particular a culture dominated by plastic (in all senses of the word)—seem positively prophetic. That they were shrugged off by most people in her own time can’t help but feel tragic.\u003c/p>\n\u003cp>By 1979, Poly’s inner struggles led her to break up the band at the peak of its powers. “Poly Styrene had to die,” Celeste explains, “so that Marianne Elliott [Styrene’s real name] could survive.”\u003c/p>\n\u003cp>For a time after X-Ray Spex, Celeste and her mother lived in a Hare Krishna community. Later, the two lived alone and Poly lapsed into a severe state of depression. Celeste describes being hungry and neglected to the degree that, at the age of eight, she climbed out of a window to get to the social service employees who had come to check on her. Celeste later declared in court that she would rather live with her grandmother—a choice that caused long-term rifts in the family.\u003c/p>\n\u003cp>[aside postid='arts_13894169']Almost a decade before Poly’s death from cancer in 2011, mother and daughter reunited and became close. But much remained a mystery about Poly when Celeste suddenly lost her. “By the time I started to really appreciate how lucky I was to have such a remarkable woman as a mother and a role model,” Celeste says, “it was too late. She was leaving her body.”\u003c/p>\n\u003cp>If it sounds like I’ve told you the whole story laid bare in \u003cem>I Am a Cliché\u003c/em>, fear not—I’ve barely scratched the surface. I haven’t yet mentioned that it’s also a brilliant snapshot of British punk in its late-’70s heyday. Or that it’s about the importance of community, empathy and tolerance. Or that, at its core, it’s a beautiful meditation on what parents and children owe to one other. More than that, it’s about the tiny earthquakes that rumble around the world and forever change it when marginalized people elbow their way into closed-off spaces, and force other people to listen to them.\u003c/p>\n\u003cp>Poly Styrene was one of those people. Her legacy is bigger than you might think.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>‘I Am a Cliché’ arrives in movie theaters across the U.S. on Wednesday, Feb. 2, 2022. It will be available on demand starting Feb. 4, and begins streaming on Showtime in June. \u003ca href=\"https://www.polystyrenefilm.net/release\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ostensibly, \u003cem>I Am a Cliché\u003c/em> is a profile of British punk icon Poly Styrene, who founded and fronted X-Ray Spex between 1976 and ’79. But this 95-minute documentary, directed by Poly’s daughter \u003ca href=\"https://www.instagram.com/celestabella/\" target=\"_blank\" rel=\"noopener noreferrer\">Celeste Bell-Dos Santos\u003c/a> and filmmaker \u003ca href=\"https://www.imdb.com/name/nm7098521/\" target=\"_blank\" rel=\"noopener noreferrer\">Paul Sng\u003c/a>, proves to be much, much more than that.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cem>Cliché\u003c/em> unpacks a lot. It’s about art on the margins. It’s about the race and gender barriers that have historically policed popular culture. It’s about mental illness, the stigma it carries, and society’s reluctance to deal with it. It’s about dysfunctional families and finding love. And, most surprisingly of all—because of Poly Styrene’s lifelong fear of a culture built on plastic and artifice—it’s about now.\u003c/p>\n\u003cp>That sounds like a lot. Maybe too much. But nothing about \u003cem>I Am a Cliché\u003c/em> feels in the least bit labored. It moves with ease and grace thanks in large part to the forthright narration and emotional grounding provided by Celeste. Styrene’s daughter—who spent portions of her childhood terrified of her own mother—is determined not just to tell her mother’s story, but also to grant the singer a new degree of understanding.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/stXSFuUOdeU'\n title='//www.youtube.com/embed/stXSFuUOdeU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Poly Styrene’s story starts out simply enough: mixed-race girl grows up in working-class neighborhood of South London during a turbulent time in Britain. She discovers punk, takes the initiative to form a band, smashes expectations and breaks boundaries.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The impact of Poly—staunchly unconventional, even in a sea of snarling punks—is worth pausing on to appreciate. Rhoda Dakar of \u003ca href=\"https://en.wikipedia.org/wiki/The_Bodysnatchers_(band)\" target=\"_blank\" rel=\"noopener noreferrer\">The Bodysnatchers\u003c/a> explains that, in some ways, she and Poly were readily accepted into a punk scene dominated by white men, precisely for the ways that they didn’t fit into it.\u003c/p>\n\u003cp>“Back then,” Dakar explains, “it was fairly unusual to be biracial. In a way, we were embraced by punk because it was full of people that nobody else wanted. We were welcomed because we were already outsiders.”\u003c/p>\n\u003cp>It is Dakar and Poly’s other female peers in \u003cem>Cliché\u003c/em>, who best express the quagmire of being a woman in punk in 1970s Britain. Gina Birch from \u003ca href=\"http://www.theraincoats.net/\" target=\"_blank\" rel=\"noopener noreferrer\">The Raincoats\u003c/a> says: “A lot of men in the media didn’t want women to step into that place. To be given more power and more say and more visibility.”\u003c/p>\n\u003cp>Writer \u003ca href=\"https://www.viviengoldman.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Vivien Goldman\u003c/a> notes: “Everyone always talks about ‘\u003ca href=\"https://www.youtube.com/watch?v=ogypBUCb7DA\" target=\"_blank\" rel=\"noopener noreferrer\">Oh Bondage Up Yours\u003c/a>’ because, in a way, that sound cut through a sort of glass ceiling of what women singers could do with their voice.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RUBXwxjoAus'\n title='//www.youtube.com/embed/RUBXwxjoAus'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Beyond her fearless on-stage persona, Poly was sensitive, empathic and deeply philosophical. She worried about humanity’s future; she worried about a life lived without substance. And unrelenting, sexist scrutiny of her body and image in the music press made her worry she wasn’t good enough.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“She felt like journalists were celebrating her by insinuating that she was unattractive and overweight,” Celeste remembers. “[They were] totally not getting what she was trying to achieve by choosing not to overexpose her voluptuous form on stage.”\u003c/p>\n\u003cp>Poly’s situation was further destabilized by the fact that she was bipolar but initially misdiagnosed as schizophrenic. All of those elements together made the chaos and propulsion of touring particularly difficult for her. This became very apparent in 1977 when X-Ray Spex spent time in New York and played the legendary punk venue CBGB. (Sonic Youth’s Thurston Moore was in attendance and the memories he shares of the show in \u003cem>Cliché\u003c/em> are pure gold.)\u003c/p>\n\u003cfigure id=\"attachment_13907828\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907828\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Poly-mirror-800x538.png\" alt=\"The singer for X-Ray Spex, wearing a red and yellow band jacket, gazes into a mirror and applies make-up to her cheeks.\" width=\"800\" height=\"538\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Poly-mirror-800x538.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Poly-mirror-1020x687.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Poly-mirror-160x108.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Poly-mirror-768x517.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Poly-mirror-1536x1034.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Poly-mirror-2048x1379.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Poly-mirror-1920x1292.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Poly Styrene getting ready to perform, sometime in the late 1970s. \u003ccite>('I Am a Cliché')\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While the rest of her band simply found New York fascinating and fun, Poly was so overwhelmed by the rampant consumerism, seedy underbelly and drug culture of the city that she never quite recovered from the trip. Celeste says New York annihilated the last shreds of “whatever innocence [Poly Styrene] had left.”\u003c/p>\n\u003cp>And Poly’s own writings prove it. After returning to London, she wrote:\u003c/p>\n\u003cblockquote>\u003cp>New York totally blew me apart. I saw everything I’d been writing about, but extreme and for real. For them it wasn’t a joke, it was the way they lived. For me, it was all a joke … It’s so bad that you think ‘God, if that’s what it’s gonna be like, I don’t want it.’ The weird thing about all the plastic is that people don’t actually like it. But in order to cope with it, they develop a perverse kind of fondness for it. Which is what I did … That was what was so frightening about New York.\u003c/p>\u003c/blockquote>\n\u003cp>Viewed from 2022, Poly’s fears about the future—and in particular a culture dominated by plastic (in all senses of the word)—seem positively prophetic. That they were shrugged off by most people in her own time can’t help but feel tragic.\u003c/p>\n\u003cp>By 1979, Poly’s inner struggles led her to break up the band at the peak of its powers. “Poly Styrene had to die,” Celeste explains, “so that Marianne Elliott [Styrene’s real name] could survive.”\u003c/p>\n\u003cp>For a time after X-Ray Spex, Celeste and her mother lived in a Hare Krishna community. Later, the two lived alone and Poly lapsed into a severe state of depression. Celeste describes being hungry and neglected to the degree that, at the age of eight, she climbed out of a window to get to the social service employees who had come to check on her. Celeste later declared in court that she would rather live with her grandmother—a choice that caused long-term rifts in the family.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Almost a decade before Poly’s death from cancer in 2011, mother and daughter reunited and became close. But much remained a mystery about Poly when Celeste suddenly lost her. “By the time I started to really appreciate how lucky I was to have such a remarkable woman as a mother and a role model,” Celeste says, “it was too late. She was leaving her body.”\u003c/p>\n\u003cp>If it sounds like I’ve told you the whole story laid bare in \u003cem>I Am a Cliché\u003c/em>, fear not—I’ve barely scratched the surface. I haven’t yet mentioned that it’s also a brilliant snapshot of British punk in its late-’70s heyday. Or that it’s about the importance of community, empathy and tolerance. Or that, at its core, it’s a beautiful meditation on what parents and children owe to one other. More than that, it’s about the tiny earthquakes that rumble around the world and forever change it when marginalized people elbow their way into closed-off spaces, and force other people to listen to them.\u003c/p>\n\u003cp>Poly Styrene was one of those people. Her legacy is bigger than you might think.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>‘I Am a Cliché’ arrives in movie theaters across the U.S. on Wednesday, Feb. 2, 2022. It will be available on demand starting Feb. 4, and begins streaming on Showtime in June. \u003ca href=\"https://www.polystyrenefilm.net/release\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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},
"closealltabs": {
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"tagline": "The conversation starts here",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"order": 15
},
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"rss": "https://rss.art19.com/masters-of-scale"
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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},
"morning-edition": {
"id": "morning-edition",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
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"order": 11
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
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},
"pbs-newshour": {
"id": "pbs-newshour",
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"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/pbs-newshour",
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"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
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},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
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"officialWebsiteLink": "/perspectives/",
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"order": 14
},
"link": "/perspectives",
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