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"slug": "museum-stores-are-secretly-the-best-places-to-buy-gifts-heres-why",
"title": "Museum Stores Are Secretly the Best Places to Buy Gifts—Here’s Why",
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"content": "\u003cp>Does the thought of finding well-designed, locally relevant and thoughtful gifts for your loved ones fill you with dread? Never fear: the anxiety of lackluster gift-giving can be eradicated by real experts in the world, people who’ve already done the hard work of finding all that good stuff.\u003c/p>\n\u003cp>They are the managers, retail directors, buyers and distinguished employees of Bay Area museum stores… and they’re here to help. We asked representatives from five Bay Area arts institutions for their personal gift recommendations; all you have to worry about now is wrapping.\u003c/p>\n\u003ch2>Ceramics and Food to Fill Them\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://www.thecjm.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Contemporary Jewish Museum\u003c/a>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13870654\" class=\"wp-caption aligncenter\" style=\"max-width: 972px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/NorishZine_crop.jpg\" alt=\"A cooking zine in a wooden box sits to the right of a glass vase of flowers on a white counter.\" width=\"972\" height=\"816\" class=\"size-full wp-image-13870654\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/NorishZine_crop.jpg 972w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/NorishZine_crop-160x134.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/NorishZine_crop-800x672.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/NorishZine_crop-768x645.jpg 768w\" sizes=\"(max-width: 972px) 100vw, 972px\">\u003cfigcaption class=\"wp-caption-text\">‘Nourish Co. All Day: A Mini Cookbook’ \u003ccite>(Courtesy of Nourish Co.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gravity Goldberg, director of public programs and visitor experience at the Contemporary Jewish Museum, had an especially hard time picking just one item. \u003c/p>\n\u003cp>“This fall we’ve been having a series of ceramic pop-ups in conjunction with our \u003ca href=\"https://www.kqed.org/arts/13867880/at-the-cjm-20-years-of-annabeth-rosens-earthen-humor\" rel=\"noopener noreferrer\" target=\"_blank\">Annabeth Rosen exhibition\u003c/a>, so we’ve been working each month with a different, mostly local ceramics artist,” Goldberg says. She’s fallen in love with a number of items, like \u003ca href=\"https://www.sarahkersten.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Sarah Kersten\u003c/a>’s fermentation jar and \u003ca href=\"https://www.cestbonclay.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Cassie Brown\u003c/a>’s Bauhaus-esque take on a black vase. \u003c/p>\n\u003cp>But for a lower price point, Goldberg recommends a \u003ca href=\"https://nourish-co.com/shop/nourish-co-all-day\" rel=\"noopener noreferrer\" target=\"_blank\">mini-cookbook zine\u003c/a> by Nourish Co. ($15), a lifestyle brand run by San Francisco-based Kristin Eriko Posner, who is Japanese American and Jewish. \u003c/p>\n\u003cp>“It’s full of recipes that are Japanese-Jewish. She does a Jewish donburi, it’s fun! It’s a cute little Hanukkah stocking stuffer,” Goldberg says.\u003c/p>\n\u003ch2>Gifts for Hosting and Cooking\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"http://www.asianart.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Asian Art Museum\u003c/a>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13870657\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/umeboshi_crop.jpg\" alt=\"Japanese salty plums in two jars and on a plate with chopsticks.\" width=\"1000\" height=\"608\" class=\"size-full wp-image-13870657\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/umeboshi_crop.jpg 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/umeboshi_crop-160x97.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/umeboshi_crop-800x486.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/umeboshi_crop-768x467.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">Umeboshi savory plum pickles by Yumé Boshi. \u003ccite>(Courtesy of Yumé Boshi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With the exhibition schedule a bit different from years past, as the Asian Art Museum undergoes a \u003ca href=\"https://www.kqed.org/arts/13809355/asian-art-museum-moves-toward-90-million-transformation\" rel=\"noopener noreferrer\" target=\"_blank\">major expansion project\u003c/a>, Director of Retail Françoise Sengens decided the organizing principle of this year’s winter display would be—quite simply—food. \u003c/p>\n\u003cp>“Whatever your holidays are, there is always a big meal that people share with family and friends. So I investigated artisans and small companies, mostly Asian American, in San Francisco and the Bay Area,” she says. “We decided to bring in a lot of products, gourmet food and gifts for hosting and cooking.”\u003c/p>\n\u003cp>The centerpiece of the store is a display of \u003ca href=\"https://www.jadechocolates.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Jade Chocolates\u003c/a> ($7.95–$34.95), a San Francisco-based company that makes artisan chocolates blended with teas, spices and tropical fruits—all flavors from Asia and the Pacific Islands. \u003c/p>\n\u003cp>But Sengens also recommends a range of tasty treats made by Oakland-based food company \u003ca href=\"https://yumeboshiplum.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Yumé Boshi\u003c/a> ($19.95–$22.95). Their small-batch Japanese preserves are made using traditional methods, and simple, locally sourced ingredients. Look for their plum syrup (great in cocktails), jars of Japanese salty plums and a mandarinquat and ume plum marmalade.\u003c/p>\n\u003ch2>‘Black is Beautiful’ in Past and Present Publications\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://www.moadsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Museum of the African Diaspora\u003c/a>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13870642\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/Black-Is-Beautiful_Umber_1600.jpg\" alt=\"A book cover and a magazine cover.\" width=\"1600\" height=\"700\" class=\"size-full wp-image-13870642\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Black-Is-Beautiful_Umber_1600.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Black-Is-Beautiful_Umber_1600-160x70.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Black-Is-Beautiful_Umber_1600-800x350.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Black-Is-Beautiful_Umber_1600-768x336.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Black-Is-Beautiful_Umber_1600-1020x446.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Black-Is-Beautiful_Umber_1600-1200x525.jpg 1200w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">‘Black is Beautiful’ exhibition catalog and the “Sound Issue” of ‘Umber Magazine.’ \u003ccite>(Courtesy of MoAD)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When the Museum of the African Diaspora opens \u003ci>\u003ca href=\"https://www.moadsf.org/exhibition/black-is-beautiful-the-photography-of-kwame-brathwaite/\" rel=\"noopener noreferrer\" target=\"_blank\">Black is Beautiful\u003c/a>\u003c/i> on Dec. 4, an exhibition of Kwame Brathewaite’s photography, Visitor Experience Manager Nia McAllister thinks you’re going to want to bring part of the show home with you. \u003c/p>\n\u003cp>This key figure in the second Harlem Renaissance co-founded the African Jazz Arts Society Studios and Grandassa Models, a modeling agency for black women. His powerful images of black men and women with natural hair and clothes celebrating their African roots illustrated the movement that gives the show its name. A catalog ($40) featuring all of the above can be found in MoAD’s small but mighty museum store.\u003c/p>\n\u003cp>If you’re looking for something a bit more rooted in Bay Area artistic production, McAllister has that covered too. “Something we try to feature in the bookstore at MoAD is local black artists and black creatives,” she says, suggesting an Oakland-based publication called \u003ci>\u003ca href=\"https://www.kqed.org/arts/13861253/rightnowish-mike-nicholls-and-umber-magazine\" rel=\"noopener noreferrer\" target=\"_blank\">Umber Magazine\u003c/a>\u003c/i>. \u003c/p>\n\u003cp>“It’s collectively owned by three people of color and it features the visual arts and culture of black and brown people,” McAllister explains. The museum stocks both the magazine’s luxurious “Sound Issue” ($25) and their latest zine, an eight-page large-format publication \u003ci>Umber\u003c/i> describes as “a visual tactile mixtape” ($10).\u003c/p>\n\u003ch2>An Introduction to Electronic Music\n\u003ch2>\n\u003c/h2>\u003c/h2>\u003cp>\u003cb>\u003ca href=\"https://www.sfmoma.org/\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Museum of Modern Art\u003c/a>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13870651\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/Blipblox2_1000x_crop.jpg\" alt=\"A white plastic device covered in blue, red and green knobs and levers.\" width=\"1000\" height=\"644\" class=\"size-full wp-image-13870651\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Blipblox2_1000x_crop.jpg 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Blipblox2_1000x_crop-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Blipblox2_1000x_crop-800x515.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Blipblox2_1000x_crop-768x495.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">Blipblox, “a real synth made for kids,” by Playtime Engineering. \u003ccite>(Courtesy of SFMOMA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Camille Verboort, a buyer for the San Francisco Museum of Modern Art store, spotted her recommendation earlier this year at a toy fair. “I saw this product, and it stopped me in my tracks,” she remembers. The \u003ca href=\"https://museumstore.sfmoma.org/blipbox-410000382189.html\" rel=\"noopener noreferrer\" target=\"_blank\">Blipblox\u003c/a> ($189) is a synthesizer for children ages three and up, a technically complicated but easy-to-use instrument that kids can experiment with and grow into, eventually plugging into computers to create their own recorded music. \u003c/p>\n\u003cp>Made by the Potrero Hill-based company Playtime Engineering, Verboort saw in the Blipblox not just a fun and educational product, but something that expanded on the museum’s holdings, specifically Brian Eno’s ambient music installations. “Part of my job is to bring in products that relate to our collection and the exhibitions we have, to further educate people about the artists we feature in the museum,” Verboort explains.\u003c/p>\n\u003cp>The Blipblox, along with a selection of other noise-making art-related toys, are available in SFMOMA’s store in what Verboort calls “the family jam band” section. \u003c/p>\n\u003ch2>Colors and Concoctions\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://creativegrowth.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Creative Growth Art Center\u003c/a>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13870647\" class=\"wp-caption aligncenter\" style=\"max-width: 1271px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/Creative_Growth_Coloring_Book_GlassesComp.jpg\" alt=\"A coloring book cover and four tall clear glasses with intricate black line drawings on them.\" width=\"1271\" height=\"426\" class=\"size-full wp-image-13870647\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Creative_Growth_Coloring_Book_GlassesComp.jpg 1271w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Creative_Growth_Coloring_Book_GlassesComp-160x54.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Creative_Growth_Coloring_Book_GlassesComp-800x268.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Creative_Growth_Coloring_Book_GlassesComp-768x257.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Creative_Growth_Coloring_Book_GlassesComp-1020x342.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Creative_Growth_Coloring_Book_GlassesComp-1200x402.jpg 1200w\" sizes=\"(max-width: 1271px) 100vw, 1271px\">\u003cfigcaption class=\"wp-caption-text\">A Creative Growth coloring book and Dinah Simpson’s detailed highball glasses. \u003ccite>(Courtesy of Creative Growth)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Creative Growth, a nonprofit founded in 1974, provides artists with disabilities professional studio space, exhibitions and representation. And because they work with over 150 artists, Megan Mirro, the organization’s communications and partnerships associate, has a recommendation that showcases the range of practices they support—and invites participation. The \u003ca href=\"http://creative-growth.shoplightspeed.com/creative-growth-coloring-book.html\" rel=\"noopener noreferrer\" target=\"_blank\">Creative Growth coloring book\u003c/a> ($15) is collection of black-and-white drawings by 39 studio artists, primed and ready for colorful collaboration.\u003c/p>\n\u003cp>For someone more interested in mixing drinks than watercolors, Mirro recommends a set of \u003ca href=\"http://creative-growth.shoplightspeed.com/dinah-shapiro-totem-glasses-set.html\" rel=\"noopener noreferrer\" target=\"_blank\">four highball glasses\u003c/a> featuring designs by artist Dinah Shapiro ($40). “We chose to design a glass with her because she’s an artist who concocts a lot of her own drink combinations here in the studio,” Mirro explains. “She likes to mix iced tea with yogurts and other types of juices.” \u003c/p>\n\u003cp>The four glasses are a retrospective of sorts—each one comes from a different period of work in the studio, where Shapiro has been making art since 1983.\u003c/p>\n\u003cp>If you’d like to see far more work from the artists at Creative Growth, stop by their \u003ca href=\"https://creativegrowth.org/exhibitions/holiday-studio-sale-2019\" rel=\"noopener noreferrer\" target=\"_blank\">holiday studio sale\u003c/a> Dec. 6, 2019–Jan. 17, 2020, where a wide variety of textiles, paintings, drawings and ceramics are available for purchase. “It’s one of the best introductions to our space,” Mirro says. “You can find artwork from the ’70s when we started, or a brand new, hot-off-the-kiln ceramics piece.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Does the thought of finding well-designed, locally relevant and thoughtful gifts for your loved ones fill you with dread? Never fear: the anxiety of lackluster gift-giving can be eradicated by real experts in the world, people who’ve already done the hard work of finding all that good stuff.\u003c/p>\n\u003cp>They are the managers, retail directors, buyers and distinguished employees of Bay Area museum stores… and they’re here to help. We asked representatives from five Bay Area arts institutions for their personal gift recommendations; all you have to worry about now is wrapping.\u003c/p>\n\u003ch2>Ceramics and Food to Fill Them\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://www.thecjm.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Contemporary Jewish Museum\u003c/a>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13870654\" class=\"wp-caption aligncenter\" style=\"max-width: 972px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/NorishZine_crop.jpg\" alt=\"A cooking zine in a wooden box sits to the right of a glass vase of flowers on a white counter.\" width=\"972\" height=\"816\" class=\"size-full wp-image-13870654\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/NorishZine_crop.jpg 972w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/NorishZine_crop-160x134.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/NorishZine_crop-800x672.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/NorishZine_crop-768x645.jpg 768w\" sizes=\"(max-width: 972px) 100vw, 972px\">\u003cfigcaption class=\"wp-caption-text\">‘Nourish Co. All Day: A Mini Cookbook’ \u003ccite>(Courtesy of Nourish Co.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gravity Goldberg, director of public programs and visitor experience at the Contemporary Jewish Museum, had an especially hard time picking just one item. \u003c/p>\n\u003cp>“This fall we’ve been having a series of ceramic pop-ups in conjunction with our \u003ca href=\"https://www.kqed.org/arts/13867880/at-the-cjm-20-years-of-annabeth-rosens-earthen-humor\" rel=\"noopener noreferrer\" target=\"_blank\">Annabeth Rosen exhibition\u003c/a>, so we’ve been working each month with a different, mostly local ceramics artist,” Goldberg says. She’s fallen in love with a number of items, like \u003ca href=\"https://www.sarahkersten.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Sarah Kersten\u003c/a>’s fermentation jar and \u003ca href=\"https://www.cestbonclay.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Cassie Brown\u003c/a>’s Bauhaus-esque take on a black vase. \u003c/p>\n\u003cp>But for a lower price point, Goldberg recommends a \u003ca href=\"https://nourish-co.com/shop/nourish-co-all-day\" rel=\"noopener noreferrer\" target=\"_blank\">mini-cookbook zine\u003c/a> by Nourish Co. ($15), a lifestyle brand run by San Francisco-based Kristin Eriko Posner, who is Japanese American and Jewish. \u003c/p>\n\u003cp>“It’s full of recipes that are Japanese-Jewish. She does a Jewish donburi, it’s fun! It’s a cute little Hanukkah stocking stuffer,” Goldberg says.\u003c/p>\n\u003ch2>Gifts for Hosting and Cooking\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"http://www.asianart.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Asian Art Museum\u003c/a>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13870657\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/umeboshi_crop.jpg\" alt=\"Japanese salty plums in two jars and on a plate with chopsticks.\" width=\"1000\" height=\"608\" class=\"size-full wp-image-13870657\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/umeboshi_crop.jpg 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/umeboshi_crop-160x97.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/umeboshi_crop-800x486.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/umeboshi_crop-768x467.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">Umeboshi savory plum pickles by Yumé Boshi. \u003ccite>(Courtesy of Yumé Boshi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With the exhibition schedule a bit different from years past, as the Asian Art Museum undergoes a \u003ca href=\"https://www.kqed.org/arts/13809355/asian-art-museum-moves-toward-90-million-transformation\" rel=\"noopener noreferrer\" target=\"_blank\">major expansion project\u003c/a>, Director of Retail Françoise Sengens decided the organizing principle of this year’s winter display would be—quite simply—food. \u003c/p>\n\u003cp>“Whatever your holidays are, there is always a big meal that people share with family and friends. So I investigated artisans and small companies, mostly Asian American, in San Francisco and the Bay Area,” she says. “We decided to bring in a lot of products, gourmet food and gifts for hosting and cooking.”\u003c/p>\n\u003cp>The centerpiece of the store is a display of \u003ca href=\"https://www.jadechocolates.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Jade Chocolates\u003c/a> ($7.95–$34.95), a San Francisco-based company that makes artisan chocolates blended with teas, spices and tropical fruits—all flavors from Asia and the Pacific Islands. \u003c/p>\n\u003cp>But Sengens also recommends a range of tasty treats made by Oakland-based food company \u003ca href=\"https://yumeboshiplum.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Yumé Boshi\u003c/a> ($19.95–$22.95). Their small-batch Japanese preserves are made using traditional methods, and simple, locally sourced ingredients. Look for their plum syrup (great in cocktails), jars of Japanese salty plums and a mandarinquat and ume plum marmalade.\u003c/p>\n\u003ch2>‘Black is Beautiful’ in Past and Present Publications\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://www.moadsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Museum of the African Diaspora\u003c/a>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13870642\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/Black-Is-Beautiful_Umber_1600.jpg\" alt=\"A book cover and a magazine cover.\" width=\"1600\" height=\"700\" class=\"size-full wp-image-13870642\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Black-Is-Beautiful_Umber_1600.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Black-Is-Beautiful_Umber_1600-160x70.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Black-Is-Beautiful_Umber_1600-800x350.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Black-Is-Beautiful_Umber_1600-768x336.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Black-Is-Beautiful_Umber_1600-1020x446.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Black-Is-Beautiful_Umber_1600-1200x525.jpg 1200w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">‘Black is Beautiful’ exhibition catalog and the “Sound Issue” of ‘Umber Magazine.’ \u003ccite>(Courtesy of MoAD)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When the Museum of the African Diaspora opens \u003ci>\u003ca href=\"https://www.moadsf.org/exhibition/black-is-beautiful-the-photography-of-kwame-brathwaite/\" rel=\"noopener noreferrer\" target=\"_blank\">Black is Beautiful\u003c/a>\u003c/i> on Dec. 4, an exhibition of Kwame Brathewaite’s photography, Visitor Experience Manager Nia McAllister thinks you’re going to want to bring part of the show home with you. \u003c/p>\n\u003cp>This key figure in the second Harlem Renaissance co-founded the African Jazz Arts Society Studios and Grandassa Models, a modeling agency for black women. His powerful images of black men and women with natural hair and clothes celebrating their African roots illustrated the movement that gives the show its name. A catalog ($40) featuring all of the above can be found in MoAD’s small but mighty museum store.\u003c/p>\n\u003cp>If you’re looking for something a bit more rooted in Bay Area artistic production, McAllister has that covered too. “Something we try to feature in the bookstore at MoAD is local black artists and black creatives,” she says, suggesting an Oakland-based publication called \u003ci>\u003ca href=\"https://www.kqed.org/arts/13861253/rightnowish-mike-nicholls-and-umber-magazine\" rel=\"noopener noreferrer\" target=\"_blank\">Umber Magazine\u003c/a>\u003c/i>. \u003c/p>\n\u003cp>“It’s collectively owned by three people of color and it features the visual arts and culture of black and brown people,” McAllister explains. The museum stocks both the magazine’s luxurious “Sound Issue” ($25) and their latest zine, an eight-page large-format publication \u003ci>Umber\u003c/i> describes as “a visual tactile mixtape” ($10).\u003c/p>\n\u003ch2>An Introduction to Electronic Music\n\u003ch2>\n\u003c/h2>\u003c/h2>\u003cp>\u003cb>\u003ca href=\"https://www.sfmoma.org/\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Museum of Modern Art\u003c/a>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13870651\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/Blipblox2_1000x_crop.jpg\" alt=\"A white plastic device covered in blue, red and green knobs and levers.\" width=\"1000\" height=\"644\" class=\"size-full wp-image-13870651\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Blipblox2_1000x_crop.jpg 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Blipblox2_1000x_crop-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Blipblox2_1000x_crop-800x515.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Blipblox2_1000x_crop-768x495.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">Blipblox, “a real synth made for kids,” by Playtime Engineering. \u003ccite>(Courtesy of SFMOMA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Camille Verboort, a buyer for the San Francisco Museum of Modern Art store, spotted her recommendation earlier this year at a toy fair. “I saw this product, and it stopped me in my tracks,” she remembers. The \u003ca href=\"https://museumstore.sfmoma.org/blipbox-410000382189.html\" rel=\"noopener noreferrer\" target=\"_blank\">Blipblox\u003c/a> ($189) is a synthesizer for children ages three and up, a technically complicated but easy-to-use instrument that kids can experiment with and grow into, eventually plugging into computers to create their own recorded music. \u003c/p>\n\u003cp>Made by the Potrero Hill-based company Playtime Engineering, Verboort saw in the Blipblox not just a fun and educational product, but something that expanded on the museum’s holdings, specifically Brian Eno’s ambient music installations. “Part of my job is to bring in products that relate to our collection and the exhibitions we have, to further educate people about the artists we feature in the museum,” Verboort explains.\u003c/p>\n\u003cp>The Blipblox, along with a selection of other noise-making art-related toys, are available in SFMOMA’s store in what Verboort calls “the family jam band” section. \u003c/p>\n\u003ch2>Colors and Concoctions\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://creativegrowth.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Creative Growth Art Center\u003c/a>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13870647\" class=\"wp-caption aligncenter\" style=\"max-width: 1271px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/Creative_Growth_Coloring_Book_GlassesComp.jpg\" alt=\"A coloring book cover and four tall clear glasses with intricate black line drawings on them.\" width=\"1271\" height=\"426\" class=\"size-full wp-image-13870647\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Creative_Growth_Coloring_Book_GlassesComp.jpg 1271w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Creative_Growth_Coloring_Book_GlassesComp-160x54.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Creative_Growth_Coloring_Book_GlassesComp-800x268.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Creative_Growth_Coloring_Book_GlassesComp-768x257.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Creative_Growth_Coloring_Book_GlassesComp-1020x342.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/Creative_Growth_Coloring_Book_GlassesComp-1200x402.jpg 1200w\" sizes=\"(max-width: 1271px) 100vw, 1271px\">\u003cfigcaption class=\"wp-caption-text\">A Creative Growth coloring book and Dinah Simpson’s detailed highball glasses. \u003ccite>(Courtesy of Creative Growth)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Creative Growth, a nonprofit founded in 1974, provides artists with disabilities professional studio space, exhibitions and representation. And because they work with over 150 artists, Megan Mirro, the organization’s communications and partnerships associate, has a recommendation that showcases the range of practices they support—and invites participation. The \u003ca href=\"http://creative-growth.shoplightspeed.com/creative-growth-coloring-book.html\" rel=\"noopener noreferrer\" target=\"_blank\">Creative Growth coloring book\u003c/a> ($15) is collection of black-and-white drawings by 39 studio artists, primed and ready for colorful collaboration.\u003c/p>\n\u003cp>For someone more interested in mixing drinks than watercolors, Mirro recommends a set of \u003ca href=\"http://creative-growth.shoplightspeed.com/dinah-shapiro-totem-glasses-set.html\" rel=\"noopener noreferrer\" target=\"_blank\">four highball glasses\u003c/a> featuring designs by artist Dinah Shapiro ($40). “We chose to design a glass with her because she’s an artist who concocts a lot of her own drink combinations here in the studio,” Mirro explains. “She likes to mix iced tea with yogurts and other types of juices.” \u003c/p>\n\u003cp>The four glasses are a retrospective of sorts—each one comes from a different period of work in the studio, where Shapiro has been making art since 1983.\u003c/p>\n\u003cp>If you’d like to see far more work from the artists at Creative Growth, stop by their \u003ca href=\"https://creativegrowth.org/exhibitions/holiday-studio-sale-2019\" rel=\"noopener noreferrer\" target=\"_blank\">holiday studio sale\u003c/a> Dec. 6, 2019–Jan. 17, 2020, where a wide variety of textiles, paintings, drawings and ceramics are available for purchase. “It’s one of the best introductions to our space,” Mirro says. “You can find artwork from the ’70s when we started, or a brand new, hot-off-the-kiln ceramics piece.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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},
"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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"rss": "http://feeds.revealradio.org/revealpodcast"
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},
"rightnowish": {
"id": "rightnowish",
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