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"caption": "Scotty Heath, founder of Oakland punk and metal label Tankcrimes, introduces the band Ghoul at a Tankcrimes showcase at the Oakland Metro Operahouse in February 2019.",
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"title": "With an Ear to the Underground, Oakland Punk and Metal Label Tankcrimes Thrives",
"headTitle": "With an Ear to the Underground, Oakland Punk and Metal Label Tankcrimes Thrives | KQED",
"content": "\u003cp>\u003cspan style=\"font-weight: 400\">Scotty “Karate” Heath wasn’t born in Oakland, but the impact he’s had on the city’s rich metal and punk DIY scene is incalculable. Seventeen years ago, he started a record label in his garage, and called it \u003ca href=\"https://www.tankcrimes.com/\" target=\"_blank\" rel=\"noopener\">Tankcrimes\u003c/a>. Heath had \u003c/span>\u003ca href=\"https://blowthescene.com/interviews/the-tankcrimes-interview-with-scotty-heath.html\" target=\"_blank\" rel=\"noopener\">\u003cspan style=\"font-weight: 400\">previously\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> put out a couple of records under the name Controlled by Plague, which was an existing label project that he’d inherited from a friend, but 2005 saw the first actual Tankcrimes release, a seven-inch EP from Bay Area deathgrind unit Population Reduction.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“The label started out of necessity; my own band needed a label and so did a handful of killer bands that had all began popping off around the Bay around the same time in the early 2000s,” Heath says. “It was always based within our local punk community. The manufacturing of the first half dozen or so releases were even funded by friends from the scene and some band members chipping in.” \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13864631\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13864631\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/scotty-tankcrimes-800x1200.jpg\" alt=\"Through shrewd business moves and an ear for underground sounds, Scotty "Karate" Heath transformed his DIY label Tankcrimes into one of the Bay Area's most prominent punk and metal hubs.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/scotty-tankcrimes.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/scotty-tankcrimes-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/scotty-tankcrimes-768x1152.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Through shrewd business moves and an ear for underground sounds, Scotty “Karate” Heath transformed his DIY label Tankcrimes into one of the Bay Area’s most prominent punk and metal hubs. \u003ccite>(Rob Coons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the early 2000s (prior to the mid-2000s thrash metal boom that helped kick the region’s metal scene into overdrive) the Bay Area already had a massive DIY infrastructure, with venues like\u003c/span>\u003cspan style=\"font-weight: 400\"> Mission Records, Burnt Ramen and 924 Gilman, and labels like Prank, 625, Six Weeks and Alternative Tentacles. Mordam Distribution and and the fanzine Maximum Rocknroll kept the scene weird and vibrant. Heath’s endeavor came out of that same hardcore punk scene, but his eventual willingness to embrace metal too added new dimensions to his label’s output. Now, Tankcrimes is better known for its thrash and sludge than its d-beat, which is a little ironic given Heath’s own status as a lifelong punk.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“All this stuff was there and we were still existing below that point of interest—until we weren’t anymore,” Heath explains. “All the underground labels I aspired to be when I started have all either shut down or slowed down to one or less releases a year. I think I started at a time when it was easier to adapt and evolve with the way people listen to music.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That initial spark grew into a wildfire as Heath’s friends continue to make boundary-smashing, genre-crushing metal and punk music, and he continues to unleash them into the world. Now, nearly two decades since he decided to take a chance on releasing that first record on his own, Tankcrimes boasts a formidable catalogue (\u003c/span>\u003ca href=\"https://www.discogs.com/label/117444-Tankcrimes?sort=year&sort_order=desc&page=1\" target=\"_blank\" rel=\"noopener\">\u003cspan style=\"font-weight: 400\">Discogs\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> notes 142 releases) and has released some of the most crucial metal and punk releases of the past decade from \u003ca href=\"https://www.municipalwaste.net/\" target=\"_blank\" rel=\"noopener\">Municipal Waste\u003c/a>, \u003ca href=\"https://toxicholocaust.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Toxic Holocaust\u003c/a>, \u003ca href=\"https://www.facebook.com/INEPSYOFFICIAL/\" target=\"_blank\" rel=\"noopener\">Inepsy\u003c/a>, \u003ca href=\"https://maniaxe.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Ghoul\u003c/a>, \u003ca href=\"https://necrot.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Necrot\u003c/a>, \u003ca href=\"http://www.annihilationtime.net/history.html\" target=\"_blank\" rel=\"noopener\">Annihilation Time\u003c/a> and \u003ca href=\"https://ironreagan.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Iron Reagan\u003c/a> as well as reissued classics from genre giants like Spazz and Dystopia, which continue to sell like gangbusters.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sean McGrath (better known as Digestor, the masked vocalist/guitarist for splatter punks Ghoul) has been working with Heath since he released Ghoul’s 2010 album, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Transmission Zero\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. In McGrath’s estimation, the label’s forward-thinking approach to DIY and coveted, small-scale physical releases are the major drivers behind its success.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13864635\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13864635\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/necrot-800x497.jpg\" alt=\"Oakland doom band Necrot performs at Tankcrimes' showcase at Eli's Mile High Club on Aug. 23. \" width=\"800\" height=\"497\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/necrot-800x497.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/necrot-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/necrot-768x477.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/necrot-1020x633.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/necrot-1200x745.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/necrot.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland doom band Necrot performs at Tankcrimes’ showcase at Eli’s Mile High Club on Aug. 23. \u003ccite>(Chris Johnston)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">“He has multiple bands on his label [like Ghoul and Necrot] that have had an album on the Billboard charts, and he’s just one guy running the whole show from his garage,” McGrath tells KQED over email. “And that success is partially because he’s been smart about taking advantage of new distribution and promotion channels, but also by paying attention to what people are listening to, and trying new things to see what works/abandoning the things that don’t.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Tankcrimes’ typical run for an album is 1,000 CDs and 1,000 vinyl LPs (both formats typically sell out, Heath says), and he’s also embraced streaming in a big way, with most of the label’s releases available as pay-what-you-want downloads. His top sellers include the 2012 split EP between Municipal Waste and Toxic Holocaust, which he still struggles to keep in stock, as well as the aforementioned immensely popular reissues from Spazz and Dystopia. According to him, the defunct Bay Area crusty sludge outfit\u003c/span>\u003cspan style=\"font-weight: 400\"> “is our most popular band on streaming services as well, by far.”\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1137428150/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“He’s got that DIY punk ethos which is deeply held (he still rides around on a skateboard flyering light poles when he promotes a show), but he’s really focused on how things are done now, how they’ll be done in the future, and how that punk ethos can guide him there,” continues McGrath, whose own band’s albums are repressed every year. [aside postid='arts_13848663']\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Still Tankcrimes remains a family affair, and Heath counts himself lucky to be able to surround himself with friends for a living. “I don’t work for money, I work for growth,” he explains. “While I am talking about fan base there, it’s also the growth of the relationships, and growth as artists, and personal growth as individuals. When we say, ‘Tankcrimes Family,’ it’s real. The core of us, we have each others backs, we know each other’s secrets.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ami Lawless, the current vocalist for thrash punks Cliterati and a longtime bandmate of Heath’s in the crossover thrash project Vöetsek, describes him as “the little brother [their] parents never gave [them.]” \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13864634\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13864634\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/cliterati-800x533.jpg\" alt=\"Portland band Cliterati bring their queer-forward punk to the Tankcrimes showcase at Eli's Mile High Club on Aug. 23.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/cliterati-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/cliterati-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/cliterati-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/cliterati-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/cliterati-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/cliterati.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Portland band Cliterati bring their queer-forward punk to the Tankcrimes showcase at Eli’s Mile High Club on Aug. 23. \u003ccite>(Angelo Rossi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">“We know what to expect from each other and share a familial love and respect that goes deeper than a traditional band/label working relationship,” they explain (Lawless uses they/them pronouns). “What ya see is definitely what ya get, one of the most genuinely nice guys in the music business who strives to help the bands on his label as much as he can.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Continuing to build that strong sense of community is another important ingredient in Tankcrimes’ kitchen-sink recipe for underground achievement, and is something Heath takes seriously. He’s well-aware that the label’s growth has been a direct result of the relationships he’s built, and isn’t about to take that fact for granted.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“There is such an insane history in underground music [in the Bay] so I really want to do my part,” he explains. “I can only hope people see what we’re doing here as part of that lineage. From Dead Kennedys to Rancid, from Death Angel to Neurosis, from Too Short to Hieroglyphics to Lil B. There are many micro communities in the Bay existing under the banners of punk and metal. While we are just one of them, there is a certain energy at our shows that stems from the family-style support team we’ve put together, and the people can feel it.” \u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3650696870/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Heath has been booking metal and punk shows for as long as he’s lived in the Bay, but in recent years, Tankcrimes has also moved into the festival space with multi-day events like Brainsqueeze, as well as stacked, one-off ragers like the upcoming\u003c/span>\u003ca href=\"https://www.eventbrite.com/e/tankcrimes-takeover-of-elis-necrot-kicker-cliterati-deathgrave-tickets-67329160331\" target=\"_blank\" rel=\"noopener\">\u003cspan style=\"font-weight: 400\"> Tankcrimes Takeover\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> at Eli’s Mile High Club on Aug. 23.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Heath’s advice to other young punks or heshers who want to emulate Tankcrimes’ ongoing DIY success story is straightforward, but clearly comes from a place of compassion—much like his overall approach to the music business. “The number one thing that will hold a person back is fear,” Heath says. “Do not be afraid of what people will say. Do not be afraid of hard work. Do not be afraid of failure. Do not be afraid of success. Do not be afraid to ask for help. Do not be afraid to say yes.”\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Scotty “Karate” Heath wasn’t born in Oakland, but the impact he’s had on the city’s rich metal and punk DIY scene is incalculable. Seventeen years ago, he started a record label in his garage, and called it \u003ca href=\"https://www.tankcrimes.com/\" target=\"_blank\" rel=\"noopener\">Tankcrimes\u003c/a>. Heath had \u003c/span>\u003ca href=\"https://blowthescene.com/interviews/the-tankcrimes-interview-with-scotty-heath.html\" target=\"_blank\" rel=\"noopener\">\u003cspan style=\"font-weight: 400\">previously\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> put out a couple of records under the name Controlled by Plague, which was an existing label project that he’d inherited from a friend, but 2005 saw the first actual Tankcrimes release, a seven-inch EP from Bay Area deathgrind unit Population Reduction.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“The label started out of necessity; my own band needed a label and so did a handful of killer bands that had all began popping off around the Bay around the same time in the early 2000s,” Heath says. “It was always based within our local punk community. The manufacturing of the first half dozen or so releases were even funded by friends from the scene and some band members chipping in.” \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13864631\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13864631\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/scotty-tankcrimes-800x1200.jpg\" alt=\"Through shrewd business moves and an ear for underground sounds, Scotty "Karate" Heath transformed his DIY label Tankcrimes into one of the Bay Area's most prominent punk and metal hubs.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/scotty-tankcrimes.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/scotty-tankcrimes-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/scotty-tankcrimes-768x1152.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Through shrewd business moves and an ear for underground sounds, Scotty “Karate” Heath transformed his DIY label Tankcrimes into one of the Bay Area’s most prominent punk and metal hubs. \u003ccite>(Rob Coons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the early 2000s (prior to the mid-2000s thrash metal boom that helped kick the region’s metal scene into overdrive) the Bay Area already had a massive DIY infrastructure, with venues like\u003c/span>\u003cspan style=\"font-weight: 400\"> Mission Records, Burnt Ramen and 924 Gilman, and labels like Prank, 625, Six Weeks and Alternative Tentacles. Mordam Distribution and and the fanzine Maximum Rocknroll kept the scene weird and vibrant. Heath’s endeavor came out of that same hardcore punk scene, but his eventual willingness to embrace metal too added new dimensions to his label’s output. Now, Tankcrimes is better known for its thrash and sludge than its d-beat, which is a little ironic given Heath’s own status as a lifelong punk.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“All this stuff was there and we were still existing below that point of interest—until we weren’t anymore,” Heath explains. “All the underground labels I aspired to be when I started have all either shut down or slowed down to one or less releases a year. I think I started at a time when it was easier to adapt and evolve with the way people listen to music.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That initial spark grew into a wildfire as Heath’s friends continue to make boundary-smashing, genre-crushing metal and punk music, and he continues to unleash them into the world. Now, nearly two decades since he decided to take a chance on releasing that first record on his own, Tankcrimes boasts a formidable catalogue (\u003c/span>\u003ca href=\"https://www.discogs.com/label/117444-Tankcrimes?sort=year&sort_order=desc&page=1\" target=\"_blank\" rel=\"noopener\">\u003cspan style=\"font-weight: 400\">Discogs\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> notes 142 releases) and has released some of the most crucial metal and punk releases of the past decade from \u003ca href=\"https://www.municipalwaste.net/\" target=\"_blank\" rel=\"noopener\">Municipal Waste\u003c/a>, \u003ca href=\"https://toxicholocaust.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Toxic Holocaust\u003c/a>, \u003ca href=\"https://www.facebook.com/INEPSYOFFICIAL/\" target=\"_blank\" rel=\"noopener\">Inepsy\u003c/a>, \u003ca href=\"https://maniaxe.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Ghoul\u003c/a>, \u003ca href=\"https://necrot.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Necrot\u003c/a>, \u003ca href=\"http://www.annihilationtime.net/history.html\" target=\"_blank\" rel=\"noopener\">Annihilation Time\u003c/a> and \u003ca href=\"https://ironreagan.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Iron Reagan\u003c/a> as well as reissued classics from genre giants like Spazz and Dystopia, which continue to sell like gangbusters.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sean McGrath (better known as Digestor, the masked vocalist/guitarist for splatter punks Ghoul) has been working with Heath since he released Ghoul’s 2010 album, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Transmission Zero\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. In McGrath’s estimation, the label’s forward-thinking approach to DIY and coveted, small-scale physical releases are the major drivers behind its success.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13864635\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13864635\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/necrot-800x497.jpg\" alt=\"Oakland doom band Necrot performs at Tankcrimes' showcase at Eli's Mile High Club on Aug. 23. \" width=\"800\" height=\"497\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/necrot-800x497.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/necrot-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/necrot-768x477.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/necrot-1020x633.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/necrot-1200x745.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/necrot.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland doom band Necrot performs at Tankcrimes’ showcase at Eli’s Mile High Club on Aug. 23. \u003ccite>(Chris Johnston)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">“He has multiple bands on his label [like Ghoul and Necrot] that have had an album on the Billboard charts, and he’s just one guy running the whole show from his garage,” McGrath tells KQED over email. “And that success is partially because he’s been smart about taking advantage of new distribution and promotion channels, but also by paying attention to what people are listening to, and trying new things to see what works/abandoning the things that don’t.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Tankcrimes’ typical run for an album is 1,000 CDs and 1,000 vinyl LPs (both formats typically sell out, Heath says), and he’s also embraced streaming in a big way, with most of the label’s releases available as pay-what-you-want downloads. His top sellers include the 2012 split EP between Municipal Waste and Toxic Holocaust, which he still struggles to keep in stock, as well as the aforementioned immensely popular reissues from Spazz and Dystopia. According to him, the defunct Bay Area crusty sludge outfit\u003c/span>\u003cspan style=\"font-weight: 400\"> “is our most popular band on streaming services as well, by far.”\u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1137428150/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“He’s got that DIY punk ethos which is deeply held (he still rides around on a skateboard flyering light poles when he promotes a show), but he’s really focused on how things are done now, how they’ll be done in the future, and how that punk ethos can guide him there,” continues McGrath, whose own band’s albums are repressed every year. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Still Tankcrimes remains a family affair, and Heath counts himself lucky to be able to surround himself with friends for a living. “I don’t work for money, I work for growth,” he explains. “While I am talking about fan base there, it’s also the growth of the relationships, and growth as artists, and personal growth as individuals. When we say, ‘Tankcrimes Family,’ it’s real. The core of us, we have each others backs, we know each other’s secrets.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ami Lawless, the current vocalist for thrash punks Cliterati and a longtime bandmate of Heath’s in the crossover thrash project Vöetsek, describes him as “the little brother [their] parents never gave [them.]” \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13864634\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13864634\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/cliterati-800x533.jpg\" alt=\"Portland band Cliterati bring their queer-forward punk to the Tankcrimes showcase at Eli's Mile High Club on Aug. 23.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/cliterati-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/cliterati-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/cliterati-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/cliterati-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/cliterati-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/cliterati.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Portland band Cliterati bring their queer-forward punk to the Tankcrimes showcase at Eli’s Mile High Club on Aug. 23. \u003ccite>(Angelo Rossi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">“We know what to expect from each other and share a familial love and respect that goes deeper than a traditional band/label working relationship,” they explain (Lawless uses they/them pronouns). “What ya see is definitely what ya get, one of the most genuinely nice guys in the music business who strives to help the bands on his label as much as he can.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Continuing to build that strong sense of community is another important ingredient in Tankcrimes’ kitchen-sink recipe for underground achievement, and is something Heath takes seriously. He’s well-aware that the label’s growth has been a direct result of the relationships he’s built, and isn’t about to take that fact for granted.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“There is such an insane history in underground music [in the Bay] so I really want to do my part,” he explains. “I can only hope people see what we’re doing here as part of that lineage. From Dead Kennedys to Rancid, from Death Angel to Neurosis, from Too Short to Hieroglyphics to Lil B. There are many micro communities in the Bay existing under the banners of punk and metal. While we are just one of them, there is a certain energy at our shows that stems from the family-style support team we’ve put together, and the people can feel it.” \u003c/span>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3650696870/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Heath has been booking metal and punk shows for as long as he’s lived in the Bay, but in recent years, Tankcrimes has also moved into the festival space with multi-day events like Brainsqueeze, as well as stacked, one-off ragers like the upcoming\u003c/span>\u003ca href=\"https://www.eventbrite.com/e/tankcrimes-takeover-of-elis-necrot-kicker-cliterati-deathgrave-tickets-67329160331\" target=\"_blank\" rel=\"noopener\">\u003cspan style=\"font-weight: 400\"> Tankcrimes Takeover\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> at Eli’s Mile High Club on Aug. 23.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Heath’s advice to other young punks or heshers who want to emulate Tankcrimes’ ongoing DIY success story is straightforward, but clearly comes from a place of compassion—much like his overall approach to the music business. “The number one thing that will hold a person back is fear,” Heath says. “Do not be afraid of what people will say. Do not be afraid of hard work. Do not be afraid of failure. Do not be afraid of success. Do not be afraid to ask for help. Do not be afraid to say yes.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"order": 8
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"order": 9
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"hidden-brain": {
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"source": "NPR"
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"how-i-built-this": {
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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