window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"pop_24730": {
"type": "attachments",
"id": "pop_24730",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "24730",
"found": true
},
"parent": 24712,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/05/bette-joan-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/05/bette-joan-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/05/bette-joan.jpg",
"width": 800,
"height": 450
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/05/bette-joan-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/05/bette-joan-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/05/bette-joan-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/05/bette-joan-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/05/bette-joan-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/05/bette-joan-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/05/bette-joan-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/05/bette-joan-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1463640411,
"modified": 1463640472,
"caption": "Cause baby now they had bad blood. Photo: Emmanuel Hapsis",
"description": null,
"title": "bette joan",
"credit": null,
"status": "inherit",
"fetchFailed": false,
"isLoading": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false
},
"authorsReducer": {
"ehapsis": {
"type": "authors",
"id": "27",
"meta": {
"index": "authors_1716337520",
"id": "27",
"found": true
},
"name": "Emmanuel Hapsis",
"firstName": "Emmanuel",
"lastName": "Hapsis",
"slug": "ehapsis",
"email": "ehapsis@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Emmanuel Hapsis is the creator and editor of KQED Pop and also the host of \u003cem>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>\u003c/em>. He studied creative writing at University of Maryland and went on to receive his MFA in the field from California College of the Arts. In his free time, he sings his heart out at karaoke.",
"avatar": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g",
"twitter": "xcusemybeauty",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Emmanuel Hapsis | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ehapsis"
}
},
"breakingNewsReducer": {},
"pagesReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"pop_33377": {
"type": "posts",
"id": "pop_33377",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "33377",
"score": null,
"sort": [
1472043632000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1472043632,
"format": "standard",
"disqusTitle": "Bette Davis v. Joan Crawford: The Hateful History Behind Old Hollywood's Nastiest Feud",
"title": "Bette Davis v. Joan Crawford: The Hateful History Behind Old Hollywood's Nastiest Feud",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>\u003cem>This piece was inspired by an episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>, KQED's weekly pop culture podcast. Give it a listen!\u003c/em>\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/05/BetteDavisJoanCrawford.mp3\" title=\"Bette Davis vs. Joan Crawford, The Shadiest Hollywood Feud of All Time\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>Fresh off hits like \u003cem>American Crime Story\u003c/em> and \u003cem>The People v. OJ Simpson\u003c/em>, Ryan Murphy recently announced his next project. Tentatively titled \u003cem>Feud\u003c/em>, the 8-episode season will focus on the rivalry between Bette Davis and Joan Crawford. Susan Sarandon will play Ms. Davis and Jessica Lange will star as Ms. Crawford. If you are familiar with this historic feud, you know the series will be must-see juiciness. But for those of you who aren’t up on your Old Hollywood drama, let me take you on a shade retrospective of Davis v. Crawford.\u003c/p>\n\u003cp>But before we get to the barbed one-liners, let's get some backstory:\u003c/p>\n\u003cfigure id=\"attachment_33507\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/joan-dance-fools-dance-1931.jpg\">\u003cimg class=\"wp-image-33507 size-thumbnail\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/joan-dance-fools-dance-1931-400x574.jpg\" alt=\"Joan Crawford cuts a rug.\" width=\"400\" height=\"574\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/08/joan-dance-fools-dance-1931-400x574.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/joan-dance-fools-dance-1931.jpg 500w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joan Crawford cuts a rug.\u003c/figcaption>\u003c/figure>\n\u003cp>Lucille Fay LeSueur was born to a single mother in Texas and spent her childhood moving from state to state, struggling to get a proper education. She dreamed of a better life as a famous dancer. After some time in various chorus lines, Lucille decided to switch gears and landed a $75 a week gig as an actress at MGM. The studio publicist didn't like the sound of her name (too close to \"sewer\") so he organized a \"Name the Star\" magazine contest. And a star (named Joan Crawford) was born!\u003c/p>\n\u003cfigure id=\"attachment_33505\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/Bette_davis_of_human_bondage.jpg\">\u003cimg class=\"wp-image-33505 size-thumbnail\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/Bette_davis_of_human_bondage-400x495.jpg\" alt=\"Bette Davis, slaying in Of Human Bondage.\" width=\"400\" height=\"495\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette_davis_of_human_bondage-400x495.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette_davis_of_human_bondage.jpg 558w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bette Davis, slaying in \u003cem>Of Human Bondage\u003c/em>.\u003c/figcaption>\u003c/figure>\n\u003cp>Ruth Elizabeth Davis, known early on as \"Betty,\" grew up in New England and had an easier upbringing. She was fortunate enough to attend boarding schools and receive theater training, which led to time on Broadway. Eventually, she made her way to LA, where success didn't seem likely at first. Upon arrival, the driver who was meant to pick her up left without her because he didn't see anyone that \"looked like an actress.\" Hollywood big wigs didn't think she was sexy enough. But Bette persisted and got her big break two years later with a lead role in \u003cem>The Man Who Played God. \u003c/em>Two years after that, her performance as a no-nonsense waitress in \u003cem>Of Human Bondage \u003c/em>got so much fanfare that, when she was snubbed at the Oscars, there was such an uproar that the Academy had to change their voting rules.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the '30s and '40s, both Joan and Bette were at the top of their game. Joan was the movie star, better known for her looks and off-screen hook-ups (she was married to Douglass Fairbanks Jr. and had a thing with Clark Gable, among other notable men), while Bette was considered a serious character actress, intensely focused on her craft.\u003c/p>\n\u003cp>Back in the day, actors were more or less owned by a studio and couldn’t work on any other productions, unless specifically loaned out. Crawford was part of MGM and Davis was part of Warner Bros. so, even though they were competing for America’s attention, they rarely had to compete for the same roles.\u003c/p>\n\u003cfigure id=\"attachment_33465\" class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/franchot-tone-and-bette-davis-in-dangerous-1935.jpg\">\u003cimg class=\"size-thumbnail wp-image-33465\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/franchot-tone-and-bette-davis-in-dangerous-1935-400x305.jpg\" alt=\"Franchot and Bette on the set of Dangerous.\" width=\"400\" height=\"305\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/08/franchot-tone-and-bette-davis-in-dangerous-1935-400x305.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/franchot-tone-and-bette-davis-in-dangerous-1935.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Franchot and Bette on the set of \u003cem>Dangerous\u003c/em>.\u003c/figcaption>\u003c/figure>\n\u003cp>Things started to bubble in 1935 when Bette was filming \u003cem>Dangerous\u003c/em> with a hot(ish) guy named Franchot Tone. She developed a crush on him. \"I fell in love with Franchot, professionally and privately. Everything about him reflected his elegance, from his name to his manners,\" Bette said.\u003c/p>\n\u003cfigure id=\"attachment_33509\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/BLOG-franchot.jpg\">\u003cimg class=\"size-thumbnail wp-image-33509\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/BLOG-franchot-400x498.jpg\" alt=\"Franchot and Joan get hot and heavy.\" width=\"400\" height=\"498\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/08/BLOG-franchot-400x498.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/BLOG-franchot.jpg 720w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Franchot and Joan, connoisseurs in PDA.\u003c/figcaption>\u003c/figure>\n\u003cp>Unfortunately for her, Joan got to him first. Rumor has it that she invited Tone to her home and met him naked in the solarium. It wasn't long before Joan started visiting the set, much to Bette's chagrin. “He was madly in love with her. They met each day for lunch. He would return to the set, his face covered in lipstick. I was jealous of course.” Joan and Franchot married once filming wrapped.\u003c/p>\n\u003cp>Decades later, Bette would open up about this time in her life to journalist Michael Thorton: \"She took him from me. She did it coldly, deliberately and with complete ruthlessness. I have never forgiven her for that and never will.\"\u003c/p>\n\u003cp>\u003cem>Dangerous\u003c/em> was met with critical acclaim and\u003cem> \u003c/em>Bette Davis was nominated for an Oscar. Because she was relatively new to the game and didn't believe she would win, Bette wore a simple navy blue dress to the ceremony. The voters proved her wrong and her name was called. According to legend, Franchot got up and embraced her, while his now-wife Joan refused to get up and had her back to Bette. After being called out for her rude behavior by Franchot, Joan allegedly looked Bette up and down and snidely said \"Dear Bette! What a \u003cem>lovely\u003c/em> frock.\"\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160.gif\">\u003cimg class=\"aligncenter size-full wp-image-33471\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160.gif\" alt=\"Bette-Movie-Quotes-bette-davis-33800643-160-160\" width=\"160\" height=\"160\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160.gif 160w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160-32x32.gif 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160-50x50.gif 50w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160-64x64.gif 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160-96x96.gif 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160-128x128.gif 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160-150x150.gif 150w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160.gif\">\u003cimg class=\"aligncenter size-full wp-image-33472\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160.gif\" alt=\"Bette-Movie-Quotes-bette-davis-33800618-160-160\" width=\"160\" height=\"160\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160.gif 160w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160-32x32.gif 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160-50x50.gif 50w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160-64x64.gif 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160-96x96.gif 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160-128x128.gif 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160-150x150.gif 150w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/a>\u003c/p>\n\u003cp>All was quiet on the western front for a while after that...until Joan left MGM and got hired -- where else? -- Warner Bros! Now Bette and Joan were directly competing for the same roles. Around this time, Bette was considering the titular role in \u003cem>Mildred Pierce\u003c/em>, which she eventually turned down. Joan ended up snagging it and won an Oscar for her work.\u003c/p>\n\u003cfigure id=\"attachment_33474\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/tumblr_nhk0j1K4DS1rdfgw4o1_500.gif\">\u003cimg class=\"wp-image-33474 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/tumblr_nhk0j1K4DS1rdfgw4o1_500.gif\" alt=\"joan crawford twirl gif\" width=\"500\" height=\"376\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joan is feeling herself.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_33473\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003cimg class=\"wp-image-33473 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/giphy.gif\" alt=\"giphy\" width=\"500\" height=\"338\">\u003cfigcaption class=\"wp-caption-text\">Bette is not here for it.\u003c/figcaption>\u003c/figure>\n\u003cp>Years of competition and sh*t talk ensued. Here are some highlights:\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Joan on Bette:\u003c/strong>\u003c/p>\n\u003cp>“Poor Bette! She looks like she’s never had a happy day... or night!... in her life.”\u003c/p>\n\u003cp>“Miss Davis was always partial to covering up her face in motion pictures. She called it ‘art.’ Others might call it camouflage, a cover-up for the absence of any real beauty.”\u003c/p>\n\u003cp>“I don’t hate Bette Davis, even though the press wants me to; I resent her. I don’t see how she built a career out of mannerisms instead of real acting ability. She’s a phony, but I guess the public likes that.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/joan1.gif\">\u003cimg class=\"aligncenter size-full wp-image-33475\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/joan1.gif\" alt=\"joan crawford kennel gif\" width=\"500\" height=\"355\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Bette on Joan:\u003c/strong>\u003c/p>\n\u003cp>\"She has slept with every male star at MGM except Lassie.\"\u003c/p>\n\u003cp>\"I wouldn't piss on Joan Crawford if she were on fire.\"\u003c/p>\n\u003cp>\"Why am I so good at playing bitches? I think it’s because I’m not a bitch. Maybe that’s why Miss Crawford always plays ladies.\"\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/tumblr_mp7twaJ6tZ1qaad4ao1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-33477\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/tumblr_mp7twaJ6tZ1qaad4ao1_500.gif\" alt=\"tumblr_mp7twaJ6tZ1qaad4ao1_500\" width=\"500\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp>Eventually, due to Hollywood being grossed out by the idea of women over 29, both actors weren’t in such demand anymore. Work was so hard to come by that Bette resorted to putting out an ad in \u003cem>Variety\u003c/em> that read:\u003c/p>\n\u003cblockquote>\u003cp>\"Thirty years experience as an actress in motion pictures. Mobile still and more affable than rumor would have it. Wants steady employment in Hollywood (Has had Broadway).\"\u003c/p>\u003c/blockquote>\n\u003cp>In 1961, now in her fifties, Bette was performing on Broadway in Tennessee Williams’ \u003cem>\u003cspan class=\"italic\">The Night of the Iguana\u003c/span>\u003c/em>\u003cspan class=\"italic\">. One night, an unexpected Joan showed up backstage, gave Bette a novel called\u003c/span> \u003cem>\u003cspan class=\"italic\">Whatever Happened to Baby Jane? \u003c/span>\u003c/em>\u003cspan class=\"italic\">and proposed that they star in the adaptation. \u003c/span>They would play two has-been child star sisters living together. Bette’s character spends the entire film tormenting Joan’s character, who is paralyzed and can't defend herself, so it's no wonder that Bette said \u003cem>Hell yes.\u003c/em>\u003c/p>\n\u003cp>Getting Bette to sign on was the first challenge. The more daunting task was getting someone in Hollywood to finance a movie starring older women. Studio after studio, including Bette and Joan's former home Warner Bros, turned down the idea or claimed they would only be interested if the leading women were replaced with younger talent. Eventually, a small production company called Seven Arts said yes and handed over some meager funds. Both women had to take a drastic pay cut, in exchange for a percentage of the profits, in order to get the ball rolling.\u003c/p>\n\u003cfigure id=\"attachment_33526\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/crawford-davis.jpg\">\u003cimg class=\"size-medium wp-image-33526\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/crawford-davis-800x541.jpg\" alt=\"Joan and Bette on set.\" width=\"800\" height=\"541\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/08/crawford-davis-800x541.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/crawford-davis-400x271.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/crawford-davis-768x520.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/crawford-davis-1180x798.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/crawford-davis-960x650.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/crawford-davis.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joan and Bette on set.\u003c/figcaption>\u003c/figure>\n\u003cp>As you might expect, the petty shenanigans on set were of Biblical proportions. For instance, Joan had been married to the CEO of Pepsi and advocated for Pepsi product-placement in the film. Bette responded by having a Coca-Cola machine installed on set. And it didn't take long for the bad behavior to migrate from behind-the-scenes to in front of the camera.\u003c/p>\n\u003cp>Concerned that Bette would actually hurt her during a scene that required the two actresses to fight, Joan requested a body double, but there was one close-up shot that required her participation. During this take, whether by accident or not, Bette gave Joan's head such a kick that Joan required stitches. What did Bette have to say for herself? “I barely touched her.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/WHTBJJ.gif\">\u003cimg class=\"aligncenter size-full wp-image-33515\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/WHTBJJ.gif\" alt=\"WHTBJJ\" width=\"245\" height=\"160\">\u003c/a>\u003c/p>\n\u003cp>Joan wanted revenge and got it while filming a later scene, which involved Bette dragging her across the room. To prepare, Joan, who knew Bette had a history of back problems, strapped on a weightlifters' belt to make herself as heavy as possible. \"There is a way of making it easy on the actor who is doing the carrying, but Crawford wanted Bette to suffer,\" director Robert Aldrich later said. And suffer she did.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/giphy_1.gif\">\u003cimg class=\"aligncenter size-full wp-image-33516\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/giphy_1.gif\" alt=\"whatever happened to baby jane drag body joan bette\" width=\"245\" height=\"130\">\u003c/a>\u003c/p>\n\u003cp>\u003cem>\u003cspan class=\"italic\">Whatever Happened to Baby Jane? \u003c/span>\u003c/em>\u003cspan class=\"italic\">turned out to be a huge hit. Bette and Joan got rich all over again, thanks to the profit percentages they had agreed to in the budget negotiations. The movie also raked it in with five Oscar nods total. Davis was nominated for Best Actress. \u003ca href=\"http://big.assets.huffingtonpost.com/gretchencandycanes422.gif\">And none for\u003c/a> Joan Crawford.\u003c/span>\u003c/p>\n\u003cp>Joan was not happy for her co-star, to say the least. She actively campaigned against Bette during the Oscar season and hatched a secret plan to humiliate her at the ceremony. Bette lost that year's title to Anne Bancroft and couldn't believe her eyes when none other than Joan, herself, waltzed on stage to collect the award. (Joan had called all the other nominees and offered to accept the award on their behalf, should they win.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=eqjO39TX5RY\u003c/p>\n\u003cp>“I almost dropped dead! I was paralyzed with shock. To deliberately upstage me like that! Her behavior was despicable. I will never forget the look she gave me. It was triumphant. It clearly said: 'You didn't win, and I am elated!'\" Bette later said.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-33469\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/tumblr_m11mnl6GKq1qj71muo1_500.gif\" alt=\"tumblr_m11mnl6GKq1qj71muo1_500\" width=\"500\" height=\"333\">\u003c/p>\n\u003cp>A few years later, Robert Aldrich wanted to get the old gang back together again for \u003cem>Hush... Hush, Sweet Charlotte\u003c/em>. The public's interest in the Bette and Joan rivalry had made them so much money the first time around; why not have another go? Both stars agreed, but the film was immediately plagued by drama.\u003c/p>\n\u003cp>First, the production had to be delayed a month due to Joan wanting to attend a Pepsi sales conference. Once filming did start, Joan complained about no one coming to collect her and her team (a maid, a makeup artist and a hairdresser), after they had landed in Baton Rouge. She also complained about the accommodation, which was too close to garbage cans. Bette snapped, \"Oh, Joan, pull yourself together. This is Baton Rouge, not Beverly Hills!\"\u003c/p>\n\u003cfigure id=\"attachment_33541\" class=\"wp-caption aligncenter\" style=\"max-width: 360px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/joan-crawford-is-embarrassed-for-you-o.gif\">\u003cimg class=\"size-full wp-image-33541\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/joan-crawford-is-embarrassed-for-you-o.gif\" alt=\"Joan misses LA, where everywhere you go has valet.\" width=\"360\" height=\"238\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joan misses LA, where everywhere you go has valet.\u003c/figcaption>\u003c/figure>\n\u003cp>Joan also suspected that Bette had too much control over the director and was plotting against her: \"She's practically directing the picture for him right in front of me, so God knows what else she's up to behind my back. I might wind up on the cutting-room floor.\" And Bette's behavior on set didn't assuage that paranoia; Joan would say \"Hello\" or \"Good morning\" every day and Bette would simply ignore her.\u003c/p>\n\u003cp>As the shoot continued, Joan began complained of exhaustion and refused to work or speak to the director. The suspicion was that she planned to feign illness to get out of the movie. Insurance doctors and private detectives were involved and the studio's insurance company gave the director an ultimatum: either replace Joan or it's a wrap.\u003c/p>\n\u003cp>The film left Joan behind, who promptly checked herself into a hospital. Olivia de Havilland, a friend of Bette's, was selected as her replacement. Back on set, Bette toasted Joan's exit and Olivia's entrance with a glass full of Coca-Cola.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/bettedavisamen.gif\">\u003cimg class=\"aligncenter size-full wp-image-33542\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/bettedavisamen.gif\" alt=\"bette+davis+amen\" width=\"243\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>Bette and Joan would never work together again. Joan died first, but even death didn't soften Bette towards her former co-star. \"You should never say bad things about the dead, you should only say good. Joan Crawford is dead. Good.”\u003c/p>\n\u003cp>Was their feud real? Or was it a media creation, which Bette and Joan capitalized on? Most likely a bit of both. They say that what you hate in someone else is what you hate in yourself. Maybe these two women always found themselves at odds because they were just too similar.\u003c/p>\n\u003cp>Both came from single-mother households. Both were headstrong Alpha leading ladies trying to survive in a world that only allowed for one. Both were Aries (\u003ca href=\"https://ww2.kqed.org/pop/2016/06/21/will-our-next-president-be-hillary-or-trump-astrologers-think-they-know/\">if you believe in that sort of thing\u003c/a>). Both struggled with love (four marriages each) and parenting (their children wrote tell-alls about them).\u003c/p>\n\u003cp>Just imagine what could have been if they had realized how much they had in common...\u003c/p>\n\u003cfigure id=\"attachment_33528\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/BD.gif\">\u003cimg class=\"size-full wp-image-33528\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/BD.gif\" alt=\":-(\" width=\"500\" height=\"262\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">🙁\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>For even more Bette and Joan thoughts and feelings, get a load of this episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>:\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/264856470&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n",
"disqusIdentifier": "33377 http://ww2.kqed.org/pop/?p=33377",
"disqusUrl": "https://ww2.kqed.org/pop/2016/08/24/bette-davis-v-joan-crawford-the-hateful-history-behind-old-hollywoods-nastiest-feud/",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": true,
"hasPolis": false,
"wordCount": 2322,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 50
},
"modified": 1491612486,
"excerpt": "The Old Hollywood rivalry that makes Mariah vs. Jennifer Lopez look like child's play.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Old Hollywood rivalry that makes Mariah vs. Jennifer Lopez look like child's play.",
"title": "Bette Davis v. Joan Crawford: The Hateful History Behind Old Hollywood's Nastiest Feud | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Bette Davis v. Joan Crawford: The Hateful History Behind Old Hollywood's Nastiest Feud",
"datePublished": "2016-08-24T06:00:32-07:00",
"dateModified": "2017-04-07T17:48:06-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"author": {
"@type": "Person",
"name": "Emmanuel Hapsis",
"jobTitle": "KQED Contributor",
"url": "https://www.kqed.org/author/ehapsis"
}
}
},
"guestAuthors": [],
"slug": "bette-davis-v-joan-crawford-the-hateful-history-behind-old-hollywoods-nastiest-feud",
"status": "publish",
"path": "/pop/33377/bette-davis-v-joan-crawford-the-hateful-history-behind-old-hollywoods-nastiest-feud",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This piece was inspired by an episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>, KQED's weekly pop culture podcast. Give it a listen!\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "audio",
"attributes": {
"named": {
"program": "The Cooler",
"image": "https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg",
"label": "src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/05/BetteDavisJoanCrawford.mp3\" title=\"Bette Davis vs. Joan Crawford, The Shadiest Hollywood Feud of All Time\""
},
"numeric": [
"src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/05/BetteDavisJoanCrawford.mp3\" title=\"Bette",
"Davis",
"vs.",
"Joan",
"Crawford,",
"The",
"Shadiest",
"Hollywood",
"Feud",
"of",
"All",
"Time\""
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>Fresh off hits like \u003cem>American Crime Story\u003c/em> and \u003cem>The People v. OJ Simpson\u003c/em>, Ryan Murphy recently announced his next project. Tentatively titled \u003cem>Feud\u003c/em>, the 8-episode season will focus on the rivalry between Bette Davis and Joan Crawford. Susan Sarandon will play Ms. Davis and Jessica Lange will star as Ms. Crawford. If you are familiar with this historic feud, you know the series will be must-see juiciness. But for those of you who aren’t up on your Old Hollywood drama, let me take you on a shade retrospective of Davis v. Crawford.\u003c/p>\n\u003cp>But before we get to the barbed one-liners, let's get some backstory:\u003c/p>\n\u003cfigure id=\"attachment_33507\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/joan-dance-fools-dance-1931.jpg\">\u003cimg class=\"wp-image-33507 size-thumbnail\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/joan-dance-fools-dance-1931-400x574.jpg\" alt=\"Joan Crawford cuts a rug.\" width=\"400\" height=\"574\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/08/joan-dance-fools-dance-1931-400x574.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/joan-dance-fools-dance-1931.jpg 500w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joan Crawford cuts a rug.\u003c/figcaption>\u003c/figure>\n\u003cp>Lucille Fay LeSueur was born to a single mother in Texas and spent her childhood moving from state to state, struggling to get a proper education. She dreamed of a better life as a famous dancer. After some time in various chorus lines, Lucille decided to switch gears and landed a $75 a week gig as an actress at MGM. The studio publicist didn't like the sound of her name (too close to \"sewer\") so he organized a \"Name the Star\" magazine contest. And a star (named Joan Crawford) was born!\u003c/p>\n\u003cfigure id=\"attachment_33505\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/Bette_davis_of_human_bondage.jpg\">\u003cimg class=\"wp-image-33505 size-thumbnail\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/Bette_davis_of_human_bondage-400x495.jpg\" alt=\"Bette Davis, slaying in Of Human Bondage.\" width=\"400\" height=\"495\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette_davis_of_human_bondage-400x495.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette_davis_of_human_bondage.jpg 558w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bette Davis, slaying in \u003cem>Of Human Bondage\u003c/em>.\u003c/figcaption>\u003c/figure>\n\u003cp>Ruth Elizabeth Davis, known early on as \"Betty,\" grew up in New England and had an easier upbringing. She was fortunate enough to attend boarding schools and receive theater training, which led to time on Broadway. Eventually, she made her way to LA, where success didn't seem likely at first. Upon arrival, the driver who was meant to pick her up left without her because he didn't see anyone that \"looked like an actress.\" Hollywood big wigs didn't think she was sexy enough. But Bette persisted and got her big break two years later with a lead role in \u003cem>The Man Who Played God. \u003c/em>Two years after that, her performance as a no-nonsense waitress in \u003cem>Of Human Bondage \u003c/em>got so much fanfare that, when she was snubbed at the Oscars, there was such an uproar that the Academy had to change their voting rules.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the '30s and '40s, both Joan and Bette were at the top of their game. Joan was the movie star, better known for her looks and off-screen hook-ups (she was married to Douglass Fairbanks Jr. and had a thing with Clark Gable, among other notable men), while Bette was considered a serious character actress, intensely focused on her craft.\u003c/p>\n\u003cp>Back in the day, actors were more or less owned by a studio and couldn’t work on any other productions, unless specifically loaned out. Crawford was part of MGM and Davis was part of Warner Bros. so, even though they were competing for America’s attention, they rarely had to compete for the same roles.\u003c/p>\n\u003cfigure id=\"attachment_33465\" class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/franchot-tone-and-bette-davis-in-dangerous-1935.jpg\">\u003cimg class=\"size-thumbnail wp-image-33465\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/franchot-tone-and-bette-davis-in-dangerous-1935-400x305.jpg\" alt=\"Franchot and Bette on the set of Dangerous.\" width=\"400\" height=\"305\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/08/franchot-tone-and-bette-davis-in-dangerous-1935-400x305.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/franchot-tone-and-bette-davis-in-dangerous-1935.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Franchot and Bette on the set of \u003cem>Dangerous\u003c/em>.\u003c/figcaption>\u003c/figure>\n\u003cp>Things started to bubble in 1935 when Bette was filming \u003cem>Dangerous\u003c/em> with a hot(ish) guy named Franchot Tone. She developed a crush on him. \"I fell in love with Franchot, professionally and privately. Everything about him reflected his elegance, from his name to his manners,\" Bette said.\u003c/p>\n\u003cfigure id=\"attachment_33509\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/BLOG-franchot.jpg\">\u003cimg class=\"size-thumbnail wp-image-33509\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/BLOG-franchot-400x498.jpg\" alt=\"Franchot and Joan get hot and heavy.\" width=\"400\" height=\"498\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/08/BLOG-franchot-400x498.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/BLOG-franchot.jpg 720w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Franchot and Joan, connoisseurs in PDA.\u003c/figcaption>\u003c/figure>\n\u003cp>Unfortunately for her, Joan got to him first. Rumor has it that she invited Tone to her home and met him naked in the solarium. It wasn't long before Joan started visiting the set, much to Bette's chagrin. “He was madly in love with her. They met each day for lunch. He would return to the set, his face covered in lipstick. I was jealous of course.” Joan and Franchot married once filming wrapped.\u003c/p>\n\u003cp>Decades later, Bette would open up about this time in her life to journalist Michael Thorton: \"She took him from me. She did it coldly, deliberately and with complete ruthlessness. I have never forgiven her for that and never will.\"\u003c/p>\n\u003cp>\u003cem>Dangerous\u003c/em> was met with critical acclaim and\u003cem> \u003c/em>Bette Davis was nominated for an Oscar. Because she was relatively new to the game and didn't believe she would win, Bette wore a simple navy blue dress to the ceremony. The voters proved her wrong and her name was called. According to legend, Franchot got up and embraced her, while his now-wife Joan refused to get up and had her back to Bette. After being called out for her rude behavior by Franchot, Joan allegedly looked Bette up and down and snidely said \"Dear Bette! What a \u003cem>lovely\u003c/em> frock.\"\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160.gif\">\u003cimg class=\"aligncenter size-full wp-image-33471\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160.gif\" alt=\"Bette-Movie-Quotes-bette-davis-33800643-160-160\" width=\"160\" height=\"160\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160.gif 160w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160-32x32.gif 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160-50x50.gif 50w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160-64x64.gif 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160-96x96.gif 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160-128x128.gif 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800643-160-160-150x150.gif 150w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160.gif\">\u003cimg class=\"aligncenter size-full wp-image-33472\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160.gif\" alt=\"Bette-Movie-Quotes-bette-davis-33800618-160-160\" width=\"160\" height=\"160\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160.gif 160w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160-32x32.gif 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160-50x50.gif 50w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160-64x64.gif 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160-96x96.gif 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160-128x128.gif 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/Bette-Movie-Quotes-bette-davis-33800618-160-160-150x150.gif 150w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/a>\u003c/p>\n\u003cp>All was quiet on the western front for a while after that...until Joan left MGM and got hired -- where else? -- Warner Bros! Now Bette and Joan were directly competing for the same roles. Around this time, Bette was considering the titular role in \u003cem>Mildred Pierce\u003c/em>, which she eventually turned down. Joan ended up snagging it and won an Oscar for her work.\u003c/p>\n\u003cfigure id=\"attachment_33474\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/tumblr_nhk0j1K4DS1rdfgw4o1_500.gif\">\u003cimg class=\"wp-image-33474 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/tumblr_nhk0j1K4DS1rdfgw4o1_500.gif\" alt=\"joan crawford twirl gif\" width=\"500\" height=\"376\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joan is feeling herself.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_33473\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003cimg class=\"wp-image-33473 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/giphy.gif\" alt=\"giphy\" width=\"500\" height=\"338\">\u003cfigcaption class=\"wp-caption-text\">Bette is not here for it.\u003c/figcaption>\u003c/figure>\n\u003cp>Years of competition and sh*t talk ensued. Here are some highlights:\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Joan on Bette:\u003c/strong>\u003c/p>\n\u003cp>“Poor Bette! She looks like she’s never had a happy day... or night!... in her life.”\u003c/p>\n\u003cp>“Miss Davis was always partial to covering up her face in motion pictures. She called it ‘art.’ Others might call it camouflage, a cover-up for the absence of any real beauty.”\u003c/p>\n\u003cp>“I don’t hate Bette Davis, even though the press wants me to; I resent her. I don’t see how she built a career out of mannerisms instead of real acting ability. She’s a phony, but I guess the public likes that.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/joan1.gif\">\u003cimg class=\"aligncenter size-full wp-image-33475\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/joan1.gif\" alt=\"joan crawford kennel gif\" width=\"500\" height=\"355\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Bette on Joan:\u003c/strong>\u003c/p>\n\u003cp>\"She has slept with every male star at MGM except Lassie.\"\u003c/p>\n\u003cp>\"I wouldn't piss on Joan Crawford if she were on fire.\"\u003c/p>\n\u003cp>\"Why am I so good at playing bitches? I think it’s because I’m not a bitch. Maybe that’s why Miss Crawford always plays ladies.\"\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/tumblr_mp7twaJ6tZ1qaad4ao1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-33477\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/tumblr_mp7twaJ6tZ1qaad4ao1_500.gif\" alt=\"tumblr_mp7twaJ6tZ1qaad4ao1_500\" width=\"500\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp>Eventually, due to Hollywood being grossed out by the idea of women over 29, both actors weren’t in such demand anymore. Work was so hard to come by that Bette resorted to putting out an ad in \u003cem>Variety\u003c/em> that read:\u003c/p>\n\u003cblockquote>\u003cp>\"Thirty years experience as an actress in motion pictures. Mobile still and more affable than rumor would have it. Wants steady employment in Hollywood (Has had Broadway).\"\u003c/p>\u003c/blockquote>\n\u003cp>In 1961, now in her fifties, Bette was performing on Broadway in Tennessee Williams’ \u003cem>\u003cspan class=\"italic\">The Night of the Iguana\u003c/span>\u003c/em>\u003cspan class=\"italic\">. One night, an unexpected Joan showed up backstage, gave Bette a novel called\u003c/span> \u003cem>\u003cspan class=\"italic\">Whatever Happened to Baby Jane? \u003c/span>\u003c/em>\u003cspan class=\"italic\">and proposed that they star in the adaptation. \u003c/span>They would play two has-been child star sisters living together. Bette’s character spends the entire film tormenting Joan’s character, who is paralyzed and can't defend herself, so it's no wonder that Bette said \u003cem>Hell yes.\u003c/em>\u003c/p>\n\u003cp>Getting Bette to sign on was the first challenge. The more daunting task was getting someone in Hollywood to finance a movie starring older women. Studio after studio, including Bette and Joan's former home Warner Bros, turned down the idea or claimed they would only be interested if the leading women were replaced with younger talent. Eventually, a small production company called Seven Arts said yes and handed over some meager funds. Both women had to take a drastic pay cut, in exchange for a percentage of the profits, in order to get the ball rolling.\u003c/p>\n\u003cfigure id=\"attachment_33526\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/crawford-davis.jpg\">\u003cimg class=\"size-medium wp-image-33526\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/crawford-davis-800x541.jpg\" alt=\"Joan and Bette on set.\" width=\"800\" height=\"541\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/08/crawford-davis-800x541.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/crawford-davis-400x271.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/crawford-davis-768x520.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/crawford-davis-1180x798.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/crawford-davis-960x650.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/08/crawford-davis.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joan and Bette on set.\u003c/figcaption>\u003c/figure>\n\u003cp>As you might expect, the petty shenanigans on set were of Biblical proportions. For instance, Joan had been married to the CEO of Pepsi and advocated for Pepsi product-placement in the film. Bette responded by having a Coca-Cola machine installed on set. And it didn't take long for the bad behavior to migrate from behind-the-scenes to in front of the camera.\u003c/p>\n\u003cp>Concerned that Bette would actually hurt her during a scene that required the two actresses to fight, Joan requested a body double, but there was one close-up shot that required her participation. During this take, whether by accident or not, Bette gave Joan's head such a kick that Joan required stitches. What did Bette have to say for herself? “I barely touched her.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/WHTBJJ.gif\">\u003cimg class=\"aligncenter size-full wp-image-33515\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/WHTBJJ.gif\" alt=\"WHTBJJ\" width=\"245\" height=\"160\">\u003c/a>\u003c/p>\n\u003cp>Joan wanted revenge and got it while filming a later scene, which involved Bette dragging her across the room. To prepare, Joan, who knew Bette had a history of back problems, strapped on a weightlifters' belt to make herself as heavy as possible. \"There is a way of making it easy on the actor who is doing the carrying, but Crawford wanted Bette to suffer,\" director Robert Aldrich later said. And suffer she did.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/giphy_1.gif\">\u003cimg class=\"aligncenter size-full wp-image-33516\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/giphy_1.gif\" alt=\"whatever happened to baby jane drag body joan bette\" width=\"245\" height=\"130\">\u003c/a>\u003c/p>\n\u003cp>\u003cem>\u003cspan class=\"italic\">Whatever Happened to Baby Jane? \u003c/span>\u003c/em>\u003cspan class=\"italic\">turned out to be a huge hit. Bette and Joan got rich all over again, thanks to the profit percentages they had agreed to in the budget negotiations. The movie also raked it in with five Oscar nods total. Davis was nominated for Best Actress. \u003ca href=\"http://big.assets.huffingtonpost.com/gretchencandycanes422.gif\">And none for\u003c/a> Joan Crawford.\u003c/span>\u003c/p>\n\u003cp>Joan was not happy for her co-star, to say the least. She actively campaigned against Bette during the Oscar season and hatched a secret plan to humiliate her at the ceremony. Bette lost that year's title to Anne Bancroft and couldn't believe her eyes when none other than Joan, herself, waltzed on stage to collect the award. (Joan had called all the other nominees and offered to accept the award on their behalf, should they win.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eqjO39TX5RY'\n title='//www.youtube.com/embed/eqjO39TX5RY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“I almost dropped dead! I was paralyzed with shock. To deliberately upstage me like that! Her behavior was despicable. I will never forget the look she gave me. It was triumphant. It clearly said: 'You didn't win, and I am elated!'\" Bette later said.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-33469\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/tumblr_m11mnl6GKq1qj71muo1_500.gif\" alt=\"tumblr_m11mnl6GKq1qj71muo1_500\" width=\"500\" height=\"333\">\u003c/p>\n\u003cp>A few years later, Robert Aldrich wanted to get the old gang back together again for \u003cem>Hush... Hush, Sweet Charlotte\u003c/em>. The public's interest in the Bette and Joan rivalry had made them so much money the first time around; why not have another go? Both stars agreed, but the film was immediately plagued by drama.\u003c/p>\n\u003cp>First, the production had to be delayed a month due to Joan wanting to attend a Pepsi sales conference. Once filming did start, Joan complained about no one coming to collect her and her team (a maid, a makeup artist and a hairdresser), after they had landed in Baton Rouge. She also complained about the accommodation, which was too close to garbage cans. Bette snapped, \"Oh, Joan, pull yourself together. This is Baton Rouge, not Beverly Hills!\"\u003c/p>\n\u003cfigure id=\"attachment_33541\" class=\"wp-caption aligncenter\" style=\"max-width: 360px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/joan-crawford-is-embarrassed-for-you-o.gif\">\u003cimg class=\"size-full wp-image-33541\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/joan-crawford-is-embarrassed-for-you-o.gif\" alt=\"Joan misses LA, where everywhere you go has valet.\" width=\"360\" height=\"238\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joan misses LA, where everywhere you go has valet.\u003c/figcaption>\u003c/figure>\n\u003cp>Joan also suspected that Bette had too much control over the director and was plotting against her: \"She's practically directing the picture for him right in front of me, so God knows what else she's up to behind my back. I might wind up on the cutting-room floor.\" And Bette's behavior on set didn't assuage that paranoia; Joan would say \"Hello\" or \"Good morning\" every day and Bette would simply ignore her.\u003c/p>\n\u003cp>As the shoot continued, Joan began complained of exhaustion and refused to work or speak to the director. The suspicion was that she planned to feign illness to get out of the movie. Insurance doctors and private detectives were involved and the studio's insurance company gave the director an ultimatum: either replace Joan or it's a wrap.\u003c/p>\n\u003cp>The film left Joan behind, who promptly checked herself into a hospital. Olivia de Havilland, a friend of Bette's, was selected as her replacement. Back on set, Bette toasted Joan's exit and Olivia's entrance with a glass full of Coca-Cola.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/bettedavisamen.gif\">\u003cimg class=\"aligncenter size-full wp-image-33542\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/bettedavisamen.gif\" alt=\"bette+davis+amen\" width=\"243\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>Bette and Joan would never work together again. Joan died first, but even death didn't soften Bette towards her former co-star. \"You should never say bad things about the dead, you should only say good. Joan Crawford is dead. Good.”\u003c/p>\n\u003cp>Was their feud real? Or was it a media creation, which Bette and Joan capitalized on? Most likely a bit of both. They say that what you hate in someone else is what you hate in yourself. Maybe these two women always found themselves at odds because they were just too similar.\u003c/p>\n\u003cp>Both came from single-mother households. Both were headstrong Alpha leading ladies trying to survive in a world that only allowed for one. Both were Aries (\u003ca href=\"https://ww2.kqed.org/pop/2016/06/21/will-our-next-president-be-hillary-or-trump-astrologers-think-they-know/\">if you believe in that sort of thing\u003c/a>). Both struggled with love (four marriages each) and parenting (their children wrote tell-alls about them).\u003c/p>\n\u003cp>Just imagine what could have been if they had realized how much they had in common...\u003c/p>\n\u003cfigure id=\"attachment_33528\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/BD.gif\">\u003cimg class=\"size-full wp-image-33528\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/08/BD.gif\" alt=\":-(\" width=\"500\" height=\"262\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">🙁\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>For even more Bette and Joan thoughts and feelings, get a load of this episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>:\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/264856470&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/33377/bette-davis-v-joan-crawford-the-hateful-history-behind-old-hollywoods-nastiest-feud",
"authors": [
"27"
],
"categories": [
"pop_51"
],
"tags": [
"pop_1100"
],
"featImg": "pop_24730",
"label": "pop",
"isLoading": false,
"hasAllInfo": true
}
},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "\"KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1MDAyODE4NTgz",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "\"KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9zZXJpZXMvamVycnlicm93bi9mZWVkL3BvZGNhc3Qv"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vc29sZG91dA"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM4MjU5Nzg2MzI3",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM0NTcwODQ2MjY2",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"pfsSessionReducer": {},
"subscriptionsReducer": {},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"pop_51": {
"type": "terms",
"id": "pop_51",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "51",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Movies",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Movies Archives | KQED Arts",
"ogDescription": null
},
"ttid": 51,
"slug": "movies",
"isLoading": false,
"link": "/pop/category/movies"
},
"pop_1100": {
"type": "terms",
"id": "pop_1100",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "1100",
"found": true
},
"relationships": {},
"featImg": null,
"name": "history",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "history Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1101,
"slug": "history",
"isLoading": false,
"link": "/pop/tag/history"
}
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"localStorageReducer": {},
"browserHistoryReducer": [],
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {},
"restaurantData": []
},
"location": {
"pathname": "/arts/11974579/bette-davis-v-joan-crawford-the-hateful-history-behind-old-hollywoods-nastiest-feud",
"previousPathname": "/"
}
}