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"caption": "Caila Quinn shares the details of her disappointment on the March 7 \"The Women Tell All\" follow-up to ABC's 'The Bachelor.' Some fans are rooting for her to be named the new lead of 'The Bachelorette' on Monday night",
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"title": "Caila Quinn shares the details of her disappointment on the March 7 \"The Women Tell All\" follow-up to ABC's The Bachelor. Some fans are rooting for her to be named the new lead of The Bachelorette on Monday night.",
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"disqusTitle": "What Would It Mean to Have a 'Hapa' Bachelorette?",
"title": "What Would It Mean to Have a 'Hapa' Bachelorette?",
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"content": "\u003cp>On a recent episode of \u003cem>The Bachelor,\u003c/em> the ABC dating reality show that ends its 20th season Monday night, contestant Caila Quinn brings Ben Higgins home to meet her interracial family.\u003c/p>\n\u003cp>\"Have you ever met Filipinos before?\" Quinn's mother asks, leading Higgins into a dining room where the table is filled with traditional Filipino food.\u003c/p>\n\u003cp>\"I don't know,\" he replies. \"No. I don't think so.\"\u003c/p>\n\u003cp>As they sit around the adobo and pancit, Quinn's father talks to Higgins, white man to white man. What comes with dating Quinn, the father says, \"is a very special Philippine community.\" Quinn grimaces.\u003c/p>\n\u003cp>\"I had no idea what I was getting into when I married Caila's mother,\" the father says. But being married to a Filipina, he assures Higgins, has been \"the most fun\" and \"magical.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This scene can be read as an attempt by \u003cem>The Bachelor\u003c/em> franchise to dispel criticisms \u003ca href=\"http://www.npr.org/sections/monkeysee/2012/10/16/162992776/a-judge-dismisses-the-bachelor-discrimination-lawsuit-but-not-its-concerns\" target=\"_blank\">(and the memory of a 2012 lawsuit)\u003c/a> concerning its whitewashed casts. It shows how these attempts can be clunky at best, offensive and creepy at worst.\u003c/p>\n\u003cp>Quinn's run also demonstrates how, as this rose-strewn, fantasy-fueled romance machine tries to include more people of color, diversification looks like biracial Asian-American — often known as \"\u003ca href=\"http://www.npr.org/sections/codeswitch/2014/12/15/370416571/half-asian-half-white-no-hapa\" target=\"_blank\">hapa\u003c/a>\" — women.\u003c/p>\n\u003cp>Among the 19 women who have won the \"final rose\" since \u003cem>The Bachelor \u003c/em>premiered in 2002, two — Tessa Horst and Catherine Giudici — have been biracial Asian-white. All other winners, aside from Mary Delgado in 2004 who was Cuban-American, appear to have been white. As these \u003ca href=\"http://www.karenx.com/blog/minorities-on-the-bachelor-when-do-they-get-eliminated/\" target=\"_blank\">handy graphics\u003c/a> by writer and video artist Karen X. Cheng show, in the previous seven years, the only women of color who lasted into the final few weeks were of mixed-race Asian-white background.\u003c/p>\n\u003cfigure id=\"attachment_21203\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-21203\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-800x449.jpg\" alt=\"Christopher Johnson (left) and Nathaniel Claybrooks unsuccessfully sued 'The Bachelor' and 'The Bachelorette' in 2012, claiming the shows kept contestants of color out of starring roles\" width=\"800\" height=\"449\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-800x449.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-768x431.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-1440x809.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-1920x1078.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-960x539.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Christopher Johnson (left) and Nathaniel Claybrooks unsuccessfully sued 'The Bachelor' and 'The Bachelorette' in 2012, claiming the shows kept contestants of color out of starring roles \u003ccite>(Photo: Mark Humphrey)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other women of color on \u003cem>The Bachelor\u003c/em> tend to follow a familiar pattern: They may face hostility and racial anxieties from other contestants, then disappear from the screen early in the season. The latest example is Jubilee Sharpe, this season's black military veteran who fielded \u003ca href=\"http://www.npr.org/2014/04/03/298736678/microaggressions-be-careful-what-you-say\" target=\"_blank\">microaggressions\u003c/a> from other contestants and suffered tension with the two biracial African-American and white women. On the show, these conflicts were coded with euphemisms: Sharpe was \"layered\" and \"complicated\" and \"different.\" Sharpe stuck around longer than most black women, but was still eliminated within the first half of the season.\u003c/p>\n\u003cp>Now, ABC executives \u003ca href=\"http://variety.com/2016/tv/news/the-bachelor-bachelorette-black-diverse-contestant-abc-1201676020/\" target=\"_blank\">have hinted\u003c/a> that the next woman to lead the spinoff show \u003cem>The Bachelorette\u003c/em> will be — for the first time — a woman of color. Who is the rumored lucky lady? Caila Quinn, whose father tried and failed to sell Higgins on the advantages of Filipina wives this season. Anointing her as the first bachelorette of color would be a safe, predictable choice for the franchise. Producers could hold Quinn up as proof the shows are changing, while continuing to reflect and reinforce racial stereotypes.\u003c/p>\n\u003cp>To understand why only a narrow group of women of color — biracial Asian-white women — survive in this world is to delve into romantic tropes, the stuff \u003cem>The Bachelor\u003c/em> is made of.\u003c/p>\n\u003cp>\"As objects of beauty, these women are benefiting from two helpful stereotypes about female desirability,\" said Ann Morning, associate professor of sociology at New York University. One is whiteness as the persisting standard of beauty. The other is Asian women as sexualized, exotic and submissive.\u003c/p>\n\u003cp>Taken alone, the first stereotype can be detrimental. \"Today, being white is often perceived as a kind of boring, colorless identity,\" Morning said. But that stereotype about whiteness can work to balance negative stereotypes about Asian women.\u003c/p>\n\u003cp>Lily Anne Welty Tamai, curator of history at the Japanese American National Museum (and a friend of mine), explained where these stereotypes about Asian women come from. The trope of Puccini's 1904 \u003cem>Madama Butterfly\u003c/em> paved the way for American incarnations of a tragic love story between an American soldier and Asian woman in the mid-20th century, when American soldiers brought home war stories — and sometimes brides — from Asia, where women were often part of the conquest. Popular narratives included the 1957 film \u003cem>Sayonara\u003c/em> and the 1989 musical \u003cem>Miss Saigon.\u003c/em> (\"I guess they just never got around to making the Korea version,\" Tamai said.)\u003c/p>\n\u003cp>These stories cemented in the American consciousness the idea of the Asian woman as the foreign sex toy: the geisha, the china doll, the \"me love you long time\" sex worker.\u003c/p>\n\u003cp>\"Asian-American women today still experience the wrath of those legacies every day,\" said Joanne Rondilla, a lecturer of Asian Pacific American Studies at Arizona State University. Rondilla pointed to the \"Creepy White Guys\" Tumblr that collected offensive messages sent to Asian-American women via online dating platforms. In a similar vein, last year Mia Matsumiya created an \u003ca href=\"https://www.instagram.com/perv_magnet/\" target=\"_blank\">Instagram account\u003c/a> to post the thousand-plus \"messages from creeps, weirdos & fetishists\" she's received over the past decade. My personal favorite calling out of these dating dynamics is comedian Kristina Wong's incredible \u003ca href=\"http://myx.tv/show/video/latest/episode1-i-m-asian-american-and-i-want-reparations-for-yellow-fever\" target=\"_blank\">\u003cem>I'm Asian American and...\u003c/em> episode\u003c/a> in which she collects \"reparations for yellow fever\" on dates with white men.\u003c/p>\n\u003cp>On \u003cem>The Bachelor\u003c/em>, producers exercised these stereotypes about Asian-American women the last time they cast a single-race Asian-American woman. In 2010, contestant Channy Choch was introduced to viewers and bachelor Jake Pavelka with her inviting him in Cambodian to have sex with her. Later, she laughingly spoke to the camera about how Pavelka \"needs a little bit of Cambodian fever.\"\u003c/p>\n\u003cp>\"All her moments on screen highlight her Cambodian heritage and her sexual desires — usually both at once, drawing a link between these,\" Rachel Dubrofsky told me by email. Dubrofsky, associate professor of communication at the University of South Florida, wrote \u003ca href=\"http://www.amazon.com/The-Surveillance-Women-Reality-Television/dp/0739164988\" target=\"_blank\">a book\u003c/a> analyzing \u003cem>The Bachelor\u003c/em> franchise, and found that women of color win the prize of a proposal only when their \"racial difference is treated as not only unimportant, but as nonexistent.\"\u003c/p>\n\u003cp>What's exciting on Tinder, the show communicates, becomes unacceptable when matrimony is involved. \"If this show was called \u003cem>The Hookup\u003c/em>, and contestants were having one-night stands, we'd see more racially diverse pools of people,\" Morning said.\u003c/p>\n\u003cp>Mixed-race Asian-white women become the perfect vehicles for diversity on this show because they are \"white enough to present to the family,\" as Morning said, while still being exotic enough to fill a quota. Morning suggested they also get a boost from the model minority myth and the recent idea that being multiracial is \"cool.\"\u003c/p>\n\u003cp>Until this season's Quinn family dinner scene, the ethnic identities of \u003ca href=\"http://www.npr.org/sections/codeswitch/2014/12/15/370416571/half-asian-half-white-no-hapa\" target=\"_blank\">hapa women\u003c/a> have been largely unremarked upon onscreen. Instead, only a vague, alluring, comfortable kind of distinction might be mentioned. \"She was different,\" \u003ca href=\"http://www.npr.org/sections/codeswitch/2014/01/06/260119028/the-first-latino-bachelor-makes-his-debut\" target=\"_blank\">bachelor Juan Pablo Galavis\u003c/a> said of contestant Sharleen Joynt, a Chinese-Canadian opera singer from season 18. \"She was elegant, and I was, like, surprised. She was so classy. And she's sexy.\"\u003c/p>\n\u003cp>Outside the final media product presented by makers of the show, more explicit exotification can happen. In 2007, bachelor Andy Baldwin chose Tessa Horst as his final pick. Throughout the season, Horst's Chinese-white background is never mentioned and, as Dubrofsky noted, \"is only briefly apparent during the hometown date where her [Asian] mom appears. ... Her mom, however, barely speaks, and is mostly seen in the background.\"\u003c/p>\n\u003cp>Only after the season had ended did we glimpse how Horst's race might have played into her relationship with Baldwin. At a press conference in Waikiki, \u003ca href=\"http://www.washingtonpost.com/wp-dyn/content/article/2007/05/26/AR2007052600267.html\" target=\"_blank\"> Baldwin said of his choice\u003c/a>, \"I always say the mutts are the most exotic and beautiful.\"\u003c/p>\n\u003cp>This is the kind of comment mixed-race Asian-American women contend with outside the sanitized space of \u003cem>The Bachelor\u003c/em>. \"We're exotified for being mixed,\" said Athena Mari Asklipiadis, a board member at Multiracial Americans of Southern California. \"If a man has an Asian fetish, he'll play that up in what he sees in me.\" She said fetishization also can come from Asian-American men who see her whiteness as exotic.\u003c/p>\n\u003cp>If Caila Quinn is cast as the first bachelorette of color, producers will probably continue to omit thornier realities. Her casting could represent some form of progress, though, if producers continue to highlight her Filipina heritage, however awkwardly. Portraying an Asian-American woman as the ultimate marriage material — and not as a sexualized joke — could signal a step toward better humanizing people of color in this space. But it also could be just another spin on the \"model minority\" myth.\u003c/p>\n\u003cp>And there's the question of how diverse her suitors would be. A bachelorette of color presents a dilemma for producers: either an interracial romance — still controversial to some viewers — or a relationship in which neither person is white (who will the white audience relate to?).\u003c/p>\n\u003cp>Myra Washington, assistant professor of communication at the University of New Mexico, predicted an increase in black contestants if Quinn becomes the bachelorette. \"Not Wesley Snipes black, because this is still TV,\" she said. She guessed there would be more mixed-race African-Americans, brown-skinned men, Latinos. But colonial legacies and systems of power die hard. \"I think she'll ultimately end up with a white dude,\" she said.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://akemijohnson.com/\" target=\"_blank\">Akemi Johnson\u003c/a> is a writer whose work has appeared in \u003c/em>The Nation\u003cem>, \u003c/em>The Journal\u003cem> and \u003c/em>The Asian American Literary Review\u003cem>. \u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=What+Would+It+Mean+To+Have+A+%27Hapa%27+Bachelorette%3F&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/div>\n\u003cdiv class=\"fullattribution\">\u003c/div>\n\u003cdiv class=\"fullattribution\">For more deep analysis of \u003cem>The Bachelor\u003c/em>, listen to this episode of \u003cem>The Cooler\u003c/em>:\u003c/div>\n\u003cdiv class=\"fullattribution\">\n\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/246677395&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\n\u003c/div>\n\n",
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"excerpt": "ABC is set to announce a new lead for \u003cem>The \u003c/em>\u003cem>Bachelorette \u003c/em>on Monday night. But would choosing Caila Quinn, who is Asian and white, be a sign of progress in casting diversity or something else?",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On a recent episode of \u003cem>The Bachelor,\u003c/em> the ABC dating reality show that ends its 20th season Monday night, contestant Caila Quinn brings Ben Higgins home to meet her interracial family.\u003c/p>\n\u003cp>\"Have you ever met Filipinos before?\" Quinn's mother asks, leading Higgins into a dining room where the table is filled with traditional Filipino food.\u003c/p>\n\u003cp>\"I don't know,\" he replies. \"No. I don't think so.\"\u003c/p>\n\u003cp>As they sit around the adobo and pancit, Quinn's father talks to Higgins, white man to white man. What comes with dating Quinn, the father says, \"is a very special Philippine community.\" Quinn grimaces.\u003c/p>\n\u003cp>\"I had no idea what I was getting into when I married Caila's mother,\" the father says. But being married to a Filipina, he assures Higgins, has been \"the most fun\" and \"magical.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This scene can be read as an attempt by \u003cem>The Bachelor\u003c/em> franchise to dispel criticisms \u003ca href=\"http://www.npr.org/sections/monkeysee/2012/10/16/162992776/a-judge-dismisses-the-bachelor-discrimination-lawsuit-but-not-its-concerns\" target=\"_blank\">(and the memory of a 2012 lawsuit)\u003c/a> concerning its whitewashed casts. It shows how these attempts can be clunky at best, offensive and creepy at worst.\u003c/p>\n\u003cp>Quinn's run also demonstrates how, as this rose-strewn, fantasy-fueled romance machine tries to include more people of color, diversification looks like biracial Asian-American — often known as \"\u003ca href=\"http://www.npr.org/sections/codeswitch/2014/12/15/370416571/half-asian-half-white-no-hapa\" target=\"_blank\">hapa\u003c/a>\" — women.\u003c/p>\n\u003cp>Among the 19 women who have won the \"final rose\" since \u003cem>The Bachelor \u003c/em>premiered in 2002, two — Tessa Horst and Catherine Giudici — have been biracial Asian-white. All other winners, aside from Mary Delgado in 2004 who was Cuban-American, appear to have been white. As these \u003ca href=\"http://www.karenx.com/blog/minorities-on-the-bachelor-when-do-they-get-eliminated/\" target=\"_blank\">handy graphics\u003c/a> by writer and video artist Karen X. Cheng show, in the previous seven years, the only women of color who lasted into the final few weeks were of mixed-race Asian-white background.\u003c/p>\n\u003cfigure id=\"attachment_21203\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-21203\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-800x449.jpg\" alt=\"Christopher Johnson (left) and Nathaniel Claybrooks unsuccessfully sued 'The Bachelor' and 'The Bachelorette' in 2012, claiming the shows kept contestants of color out of starring roles\" width=\"800\" height=\"449\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-800x449.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-768x431.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-1440x809.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-1920x1078.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/ap_120418112369_wide-ad117d6faa790b2aa905fe8fe7579b4e05543f7d-960x539.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Christopher Johnson (left) and Nathaniel Claybrooks unsuccessfully sued 'The Bachelor' and 'The Bachelorette' in 2012, claiming the shows kept contestants of color out of starring roles \u003ccite>(Photo: Mark Humphrey)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other women of color on \u003cem>The Bachelor\u003c/em> tend to follow a familiar pattern: They may face hostility and racial anxieties from other contestants, then disappear from the screen early in the season. The latest example is Jubilee Sharpe, this season's black military veteran who fielded \u003ca href=\"http://www.npr.org/2014/04/03/298736678/microaggressions-be-careful-what-you-say\" target=\"_blank\">microaggressions\u003c/a> from other contestants and suffered tension with the two biracial African-American and white women. On the show, these conflicts were coded with euphemisms: Sharpe was \"layered\" and \"complicated\" and \"different.\" Sharpe stuck around longer than most black women, but was still eliminated within the first half of the season.\u003c/p>\n\u003cp>Now, ABC executives \u003ca href=\"http://variety.com/2016/tv/news/the-bachelor-bachelorette-black-diverse-contestant-abc-1201676020/\" target=\"_blank\">have hinted\u003c/a> that the next woman to lead the spinoff show \u003cem>The Bachelorette\u003c/em> will be — for the first time — a woman of color. Who is the rumored lucky lady? Caila Quinn, whose father tried and failed to sell Higgins on the advantages of Filipina wives this season. Anointing her as the first bachelorette of color would be a safe, predictable choice for the franchise. Producers could hold Quinn up as proof the shows are changing, while continuing to reflect and reinforce racial stereotypes.\u003c/p>\n\u003cp>To understand why only a narrow group of women of color — biracial Asian-white women — survive in this world is to delve into romantic tropes, the stuff \u003cem>The Bachelor\u003c/em> is made of.\u003c/p>\n\u003cp>\"As objects of beauty, these women are benefiting from two helpful stereotypes about female desirability,\" said Ann Morning, associate professor of sociology at New York University. One is whiteness as the persisting standard of beauty. The other is Asian women as sexualized, exotic and submissive.\u003c/p>\n\u003cp>Taken alone, the first stereotype can be detrimental. \"Today, being white is often perceived as a kind of boring, colorless identity,\" Morning said. But that stereotype about whiteness can work to balance negative stereotypes about Asian women.\u003c/p>\n\u003cp>Lily Anne Welty Tamai, curator of history at the Japanese American National Museum (and a friend of mine), explained where these stereotypes about Asian women come from. The trope of Puccini's 1904 \u003cem>Madama Butterfly\u003c/em> paved the way for American incarnations of a tragic love story between an American soldier and Asian woman in the mid-20th century, when American soldiers brought home war stories — and sometimes brides — from Asia, where women were often part of the conquest. Popular narratives included the 1957 film \u003cem>Sayonara\u003c/em> and the 1989 musical \u003cem>Miss Saigon.\u003c/em> (\"I guess they just never got around to making the Korea version,\" Tamai said.)\u003c/p>\n\u003cp>These stories cemented in the American consciousness the idea of the Asian woman as the foreign sex toy: the geisha, the china doll, the \"me love you long time\" sex worker.\u003c/p>\n\u003cp>\"Asian-American women today still experience the wrath of those legacies every day,\" said Joanne Rondilla, a lecturer of Asian Pacific American Studies at Arizona State University. Rondilla pointed to the \"Creepy White Guys\" Tumblr that collected offensive messages sent to Asian-American women via online dating platforms. In a similar vein, last year Mia Matsumiya created an \u003ca href=\"https://www.instagram.com/perv_magnet/\" target=\"_blank\">Instagram account\u003c/a> to post the thousand-plus \"messages from creeps, weirdos & fetishists\" she's received over the past decade. My personal favorite calling out of these dating dynamics is comedian Kristina Wong's incredible \u003ca href=\"http://myx.tv/show/video/latest/episode1-i-m-asian-american-and-i-want-reparations-for-yellow-fever\" target=\"_blank\">\u003cem>I'm Asian American and...\u003c/em> episode\u003c/a> in which she collects \"reparations for yellow fever\" on dates with white men.\u003c/p>\n\u003cp>On \u003cem>The Bachelor\u003c/em>, producers exercised these stereotypes about Asian-American women the last time they cast a single-race Asian-American woman. In 2010, contestant Channy Choch was introduced to viewers and bachelor Jake Pavelka with her inviting him in Cambodian to have sex with her. Later, she laughingly spoke to the camera about how Pavelka \"needs a little bit of Cambodian fever.\"\u003c/p>\n\u003cp>\"All her moments on screen highlight her Cambodian heritage and her sexual desires — usually both at once, drawing a link between these,\" Rachel Dubrofsky told me by email. Dubrofsky, associate professor of communication at the University of South Florida, wrote \u003ca href=\"http://www.amazon.com/The-Surveillance-Women-Reality-Television/dp/0739164988\" target=\"_blank\">a book\u003c/a> analyzing \u003cem>The Bachelor\u003c/em> franchise, and found that women of color win the prize of a proposal only when their \"racial difference is treated as not only unimportant, but as nonexistent.\"\u003c/p>\n\u003cp>What's exciting on Tinder, the show communicates, becomes unacceptable when matrimony is involved. \"If this show was called \u003cem>The Hookup\u003c/em>, and contestants were having one-night stands, we'd see more racially diverse pools of people,\" Morning said.\u003c/p>\n\u003cp>Mixed-race Asian-white women become the perfect vehicles for diversity on this show because they are \"white enough to present to the family,\" as Morning said, while still being exotic enough to fill a quota. Morning suggested they also get a boost from the model minority myth and the recent idea that being multiracial is \"cool.\"\u003c/p>\n\u003cp>Until this season's Quinn family dinner scene, the ethnic identities of \u003ca href=\"http://www.npr.org/sections/codeswitch/2014/12/15/370416571/half-asian-half-white-no-hapa\" target=\"_blank\">hapa women\u003c/a> have been largely unremarked upon onscreen. Instead, only a vague, alluring, comfortable kind of distinction might be mentioned. \"She was different,\" \u003ca href=\"http://www.npr.org/sections/codeswitch/2014/01/06/260119028/the-first-latino-bachelor-makes-his-debut\" target=\"_blank\">bachelor Juan Pablo Galavis\u003c/a> said of contestant Sharleen Joynt, a Chinese-Canadian opera singer from season 18. \"She was elegant, and I was, like, surprised. She was so classy. And she's sexy.\"\u003c/p>\n\u003cp>Outside the final media product presented by makers of the show, more explicit exotification can happen. In 2007, bachelor Andy Baldwin chose Tessa Horst as his final pick. Throughout the season, Horst's Chinese-white background is never mentioned and, as Dubrofsky noted, \"is only briefly apparent during the hometown date where her [Asian] mom appears. ... Her mom, however, barely speaks, and is mostly seen in the background.\"\u003c/p>\n\u003cp>Only after the season had ended did we glimpse how Horst's race might have played into her relationship with Baldwin. At a press conference in Waikiki, \u003ca href=\"http://www.washingtonpost.com/wp-dyn/content/article/2007/05/26/AR2007052600267.html\" target=\"_blank\"> Baldwin said of his choice\u003c/a>, \"I always say the mutts are the most exotic and beautiful.\"\u003c/p>\n\u003cp>This is the kind of comment mixed-race Asian-American women contend with outside the sanitized space of \u003cem>The Bachelor\u003c/em>. \"We're exotified for being mixed,\" said Athena Mari Asklipiadis, a board member at Multiracial Americans of Southern California. \"If a man has an Asian fetish, he'll play that up in what he sees in me.\" She said fetishization also can come from Asian-American men who see her whiteness as exotic.\u003c/p>\n\u003cp>If Caila Quinn is cast as the first bachelorette of color, producers will probably continue to omit thornier realities. Her casting could represent some form of progress, though, if producers continue to highlight her Filipina heritage, however awkwardly. Portraying an Asian-American woman as the ultimate marriage material — and not as a sexualized joke — could signal a step toward better humanizing people of color in this space. But it also could be just another spin on the \"model minority\" myth.\u003c/p>\n\u003cp>And there's the question of how diverse her suitors would be. A bachelorette of color presents a dilemma for producers: either an interracial romance — still controversial to some viewers — or a relationship in which neither person is white (who will the white audience relate to?).\u003c/p>\n\u003cp>Myra Washington, assistant professor of communication at the University of New Mexico, predicted an increase in black contestants if Quinn becomes the bachelorette. \"Not Wesley Snipes black, because this is still TV,\" she said. She guessed there would be more mixed-race African-Americans, brown-skinned men, Latinos. But colonial legacies and systems of power die hard. \"I think she'll ultimately end up with a white dude,\" she said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://akemijohnson.com/\" target=\"_blank\">Akemi Johnson\u003c/a> is a writer whose work has appeared in \u003c/em>The Nation\u003cem>, \u003c/em>The Journal\u003cem> and \u003c/em>The Asian American Literary Review\u003cem>. \u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=What+Would+It+Mean+To+Have+A+%27Hapa%27+Bachelorette%3F&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/div>\n\u003cdiv class=\"fullattribution\">\u003c/div>\n\u003cdiv class=\"fullattribution\">For more deep analysis of \u003cem>The Bachelor\u003c/em>, listen to this episode of \u003cem>The Cooler\u003c/em>:\u003c/div>\n\u003cdiv class=\"fullattribution\">\n\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/246677395&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\n\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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},
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
},
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},
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},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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},
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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},
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"meta": {
"site": "radio",
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},
"link": "/radio/program/freakonomics-radio",
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},
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"id": "fresh-air",
"title": "Fresh Air",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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},
"hidden-brain": {
"id": "hidden-brain",
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
},
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"soldout": {
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