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"slug": "secondhand-san-francisco-13-vintage-stores-worth-digging-through",
"title": "Secondhand San Francisco: 13 Vintage Stores Worth Digging Through",
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"content": "\u003cp>I am not much of a shopper, but I like a good secondhand store. I can lose myself for hours sifting through the artifacts (large and small) of times gone by, probably because it reminds me more of archeology than of shopping. And it feels good to re-imagine yesterday’s throw-away as a treasure today. \u003c/p>\n\u003cp>If you are in search of a bargain, then spend your Sundays at the \u003ca href=\"http://sfgsa.org/index.aspx?page=1059\" target=\"_blank\" rel=\"noopener\">Alemany Flea Market\u003c/a>, where mountains of “collectibles” are on offer. As with all such bazaars, the relics you uncover there will have a direct relationship to the amount of energy you put into the dig. Similarly, the Mission district’s beloved \u003ca href=\"http://thrifttown.com/\" target=\"_blank\" rel=\"noopener\">Thrift Town\u003c/a> and \u003ca href=\"http://www.communitythriftsf.org/\" target=\"_blank\" rel=\"noopener\">Community Thrift\u003c/a>, located within a block of one another just off 17th Street, will also yield treasures to committed excavation. \u003c/p>\n\u003cp>The purveyors at the stores on this list have already done some of the digging for you, and as a result they are a little pricier than the larger emporiums. But half the fun is in the display. Many combine new, locally made items with interesting vintage ones. I have found the absolute perfect gift for many of my more finicky friends at just about every location on this list. Happy digging.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145884\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/apartment.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/apartment.jpg\" alt=\"The Apartment\" width=\"400\" height=\"600\" class=\"size-full wp-image-10145884\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Apartment\u003c/figcaption>\u003c/figure>\n\u003ch3>The Apartment\u003c/h3>\n\u003ch5>3469 18th St., San Francisco\u003cbr>\n(415) 255-1100\u003c/h5>\n\u003cp>Located just off Valencia, The Apartment has been in the Mission district (in one form or another) since 2001. What sets owners Lino and Lann apart is not just their sensibility, which is a little bit shabby chic, but also their warmth and sense of humor, which is on display in the store in more ways than one. What’s great about a good rummage store is the wit used in putting the space together. Lino and Lann have a playfulness that shows both in the things they collect and how they display them. When asked what kinds of items they look for, Lino says, “Functional, with character and style.” And quickly adds that he and Lann are proud to have helped furnish much of the neighborhood with their finds over the years. The Apartment is that kind of place.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145885\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/aria.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/aria.jpg\" alt=\"Aria\" width=\"400\" height=\"348\" class=\"size-full wp-image-10145885\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Aria\u003c/figcaption>\u003c/figure>\n\u003ch3>Aria\u003c/h3>\n\u003ch5>1522 Grant Ave., San Francisco\u003cbr>\n(415) 433-0219\u003c/h5>\n\u003cp>The term “curiosity shop” best describes Aria, which has been tucked at the end of Grant Street, not too far below Coit Tower since 1995. Stepping into the shop is like entering another era, there is a particular concentration on a certain kind of sculpture and texture that ineffably reflects the old-world charm of the shop’s North Beach neighborhood. Owner Bill Haskell travels to Europe a couple of times each year to replenish the stocks of biological and zoological maps, letterpress blocks, busts, dolls, keys and all number of other mysterious marvels that populate the shop. \u003ca href=\"http://www.atlasobscura.com/places/aria-antiques\" target=\"_blank\" rel=\"noopener\">Atlas Obscura\u003c/a> describes this place better than I ever could, even though it is one of my favorite places to visit in San Francisco: “Enchanting in its eccentricity, the walls are filled with strange and beautiful pieces that can easily transport one to Parisian street markets past, the atmosphere heady with the music of Tom Waits, Jacques Brel, and Serge Gainsbourg.”\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145886\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/bigdaddy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/bigdaddy.jpg\" alt=\"Big Daddy's Antiques\" width=\"400\" height=\"267\" class=\"size-full wp-image-10145886\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Big Daddy’s Antiques\u003c/figcaption>\u003c/figure>\n\u003ch3>Big Daddy’s Antiques\u003c/h3>\n\u003ch5>1550 17th St., San Francisco\u003cbr>\n\u003ca href=\"http://bdantiques.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Big Daddy’s owner Shane Brown started his career selling items at various California flea markets (including Alameda) years ago. As his interests and collection expanded, he decided to open a store in Los Angeles, which is an important detail when describing what goes on at Big Daddy’s. With additional locations in Aspen, CO and in San Francisco at the bottom of Potrero Hill, the company thinks big. Aimed at “interior designers, set decorators, landscape architects, photographers, event planners, and enthusiastic art & design lovers,” much of what you encounter at Big Daddy’s looks like something you might find on the set of a Hollywood film or in the pages of a magazine. It’s like Restoration Hardware, only with imagination. You can find genuine antique collectibles in the store’s old, barn-like, San Francisco location alongside newly fabricated mash-ups of interesting finds re-purposed and made new. Big Daddy’s employs a whole team of welders, word-workers and design professionals to remake many of the oddball elements they collect into exciting pieces of usable sculpture. Prices are steep, but pretty much everything they make is jumbo-sized, so none of it would fit into my little studio apartment anyway. I go to Big Daddy’s to witness the play of imagination and craftsmanship.\n\u003c/p>\u003c/div>\n\u003cfigure id=\"attachment_10159846\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/junkforsale1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/junkforsale1.jpg\" alt=\"A sign on display at The Apartment\" width=\"800\" height=\"533\" class=\"size-full wp-image-10159846\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/11/junkforsale1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/11/junkforsale1-400x266.jpg 400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A sign on display at The Apartment\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145887\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/collage.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/collage.jpg\" alt=\"Collage\" width=\"400\" height=\"373\" class=\"size-full wp-image-10145887\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Collage\u003c/figcaption>\u003c/figure>\n\u003ch3>Collage Gallery\u003c/h3>\n\u003ch5>1345 18th St., San Francisco\u003cbr>\n\u003ca href=\"http://collage-gallery.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Collage has been on Potrero Hill for 24 years, but was taken over three years ago by new owner Mary Petrin. What hasn’t changed is the store’s collection of letters, scavenged from theater marquees and business signs — there were letters culled from a defunct Office Max for sale when I was there. Petrin has instituted a new visual art program, which displays the work of local artists on one wall of the tiny space, and has begun to concentrate more on jewelry (of the steampunk/collage variety). During my visit, she was featuring the work of Jake Wrench — you gotta love that name — who restores old electronics, including clocks, flashlights, etc.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145888\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/farnsworth2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/farnsworth2.jpg\" alt=\"Farnsworth\" width=\"400\" height=\"314\" class=\"size-full wp-image-10145888\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Farnsworth\u003c/figcaption>\u003c/figure>\n\u003ch3>Farnsworth\u003c/h3>\n\u003ch5>393 Valencia St., San Francisco\u003cbr>\n\u003ca href=\"http://collage-gallery.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Walking into Farnsworth, which is just off Valencia, is like allowing your eyes a chance to rest. The atmosphere is calming; the decor is smooth. Owner Jeff Farnsworth, who has been at this location for 8 years, prefers designs from the early 1950s, “hard-edge, Bauhaus-derived” mostly furniture. Specializing in famous mid-20th-century designers, such as Charles and Ray Eames, Max Gottschalk and Finn Juhl, Farnsworth has a nice collection of smaller things on display as well, including beautiful modernist abstract sculptures, metal bookends, and limited-run, high-end design lamps (there was one shaped like a pill that filled me with desire).\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145889\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/bellecose.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/bellecose.jpg\" alt=\"Molte Cose\" width=\"400\" height=\"306\" class=\"size-full wp-image-10145889\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Molte Cose\u003c/figcaption>\u003c/figure>\n\u003ch3>Bonhomie, Molte Cose, Belle Cose\u003c/h3>\n\u003ch5>2036 – 2044 Polk St., San Francisco\u003cbr>\n\u003ca href=\"http://www.moltecose.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Teresa Nittolo opened Molte Cose (Many Things) 25 years ago. Ten years later, a second space opened, which she called Belle Cose (Beautiful Things) and then shortly thereafter she expanded into a third in a trio of what looks like 1930s storefronts on Polk Street near Broadway. Today, the third space is inhabited by Bonhomie, which is run by Nittolo’s former employee Liest Sutherland, but the three stores flow into one another fairly seamlessly. All combine eclectic collections of vintage goods with mostly new clothing by predominately local designers. Nittolo likes the basics, “things that won’t go out of style in a year,” and concentrates on bringing that sense of a classic style to life in her two stores. And obviously, Sutherland shares that aesthetic. The three spaces are full of timeless things.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145894\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/martinmattox.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/martinmattox.jpg\" alt=\"Martin Mattox\" width=\"400\" height=\"533\" class=\"size-full wp-image-10145894\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Martin Mattox\u003c/figcaption>\u003c/figure>\n\u003ch3>Martin Mattox\u003c/h3>\n\u003ch5>1104 Sanchez St., San Francisco\u003cbr>\n\u003ca href=\"http://martinmattox.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>I was on my way to the Noe Valley Farmers Market when I stumbled into Martin Mattox, which inhabits a garage/basement space under a building just off 24th Street on Sanchez. The thing that first caught my eye was the display of a Ball jar inside of a bell jar. It’s that kind of wit that powers the display inside the store. Though I would guess that half of what Martin Mattox has for sale is new, the way they mix and match old and unusual items, like stuffed animal heads or driftwood sculptures with contemporary clothing and housewares demonstrates a deep connection with classic design sensibilities of the past.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145890\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/mixed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/mixed.jpg\" alt=\"Mixed Nuts was closed when I showed up to take pictures!\" width=\"400\" height=\"391\" class=\"size-full wp-image-10145890\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/11/mixed.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/11/mixed-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/11/mixed-64x64.jpg 64w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mixed Nuts was closed when I showed up to take pictures!\u003c/figcaption>\u003c/figure>\n\u003ch3>Mixed Nuts\u003c/h3>\n\u003ch5>227 Fell St., San Francisco\u003cbr>\n3234 Balboa St., San Francisco\u003cbr>\n\u003ca href=\"http://mixednutssf.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Old-fashioned metal roller skates (the kind that fit over your tennis shoes), aviator sunglasses, a pith helmet, vintage board games… Mixed Nuts’ Hayes Valley location is stuffed full of items that seem to emanate from the 1970s wood-paneled playroom in my mind. The business started when Brandon Clark arrived in S.F. about five years ago and started working with John Rolston, who has a junk hauling business in the city. After recycling raw materials and donating items to Goodwill, the two would find themselves left with what John calls “precious junk,” which they either sold at Alemany each week or at Alameda once a month, or ended up collecting in their own apartments. Once Clark’s storefront apartment filled up, he decided it was time to open a real store and start passing some of this “cool old stuff” onto other San Franciscans to appreciate. Shortly thereafter he was joined by Anthony Williamson, a friend from design school, and the two opened a “design/build” company together — Clark majored in graphic design, Williamson in industrial design. When they are not doing household handyman work (small building projects, furniture design), the two collect and sell offbeat used items and locally made new ones (soap, t-shirts, jewelry) by their growing network of artist/craftsman friends.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145891\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/perish.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/perish.jpg\" alt=\"The Perish Trust\" width=\"400\" height=\"600\" class=\"size-full wp-image-10145891\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Perish Trust\u003c/figcaption>\u003c/figure>\n\u003ch3>The Perish Trust\u003c/h3>\n\u003ch5>728 Divisadero St., San Francisco\u003cbr>\n\u003ca href=\"http://www.theperishtrust.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Since 2008, The Perish Trust has been a pretty interesting self-described “general store.” The space is dominated by a great loft office made out of old windows and accessed by a solid, but rickety looking staircase that ascends to the left of the front desk. Classic housewares and locally-sourced handmade goods are offset by a collection of “curious original heirlooms” large and small. The eclectically curated space creates that narcotic feeling of stepping outside the flow of time when you enter the store. They share the space with other businesses, for a while, you’d encounter a line of folks waiting to try on a pair of Warby Parkers, the glass frame du jour (or maybe they are now “d’hier”). Today they share the space with Umami Mart, a Japanese kitchen store that has another location in downtown Oakland.\n\u003c/p>\u003c/div>\n\u003cfigure id=\"attachment_10159845\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/liveinpast1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/liveinpast1.jpg\" alt=\"A sign on display at The Apartment\" width=\"800\" height=\"457\" class=\"size-full wp-image-10159845\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/11/liveinpast1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/11/liveinpast1-400x228.jpg 400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A sign on display at The Apartment\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145892\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/stuff.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/stuff.jpg\" alt=\"Stuff\" width=\"400\" height=\"600\" class=\"size-full wp-image-10145892\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Stuff\u003c/figcaption>\u003c/figure>\n\u003ch3>Stuff\u003c/h3>\n\u003ch5>150 Valencia St., San Francisco\u003cbr>\n\u003ca href=\"https://www.stuffsf.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Stuff has been at the end of Valencia street since 2011. They started out on the first floor of a huge former moving and storage space and then a year and half later opened a second floor. The space, started by the guys famous in the East Bay for Aunt Bill’s, houses 60 independent small business, that each inhabit, maintain and restock their own sections. But you wouldn’t know it by looking, there is a wildly funny sensibility at play inside the space, with items large and small wittily displayed with an almost camp sensibility. Statues seem to dance, there is a whole wall of cheeky amateur paintings of naked men and, it was pointed out to me, the pathway through both floors is marked by a rectangle of red carpet. “Who doesn’t love to walk the red carpet?” I was asked. Who indeed? Personal Note: I walked in there on my last birthday and found an extra large library flat file for $450, which was practically a robbery just waiting to take place. After looking for one that could house my oversized screen prints for years, it was indeed a happy birthday to me.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10148750\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/zonal.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/zonal.jpg\" alt=\"Zonal\" width=\"400\" height=\"600\" class=\"size-full wp-image-10148750\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Zonal\u003c/figcaption>\u003c/figure>\n\u003ch3>Zonal Home Interiors\u003c/h3>\n\u003ch5>568 Hayes St., San Francisco\u003cbr>\n\u003ca href=\"http://www.zonalhome.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Located in the heart of Hayes Valley for 24 years, Zonal has anchored that neighborhood through hard times and boom times. The tagline on the store’s website reads: “One Man, One Store, One Passion,” and that man is Russell Pritchard, who opened Zonal after relocating from NYC. Pritchard was one of the original Hayes Valley business owners who led the push to tear down the Central Freeway, which was damaged in the Loma Prieta earthquake. Back in the day, freeway pillars with “sidewalk closed” signs mounted onto them blocked the now-bustling thoroughfare. Pritchard and other neighborhood mainstays jousted for years with the city, painting over the signs that threatened to keep their little pocket of commerce secret. The store’s main focus is American primitive furniture, mostly due to Pritchard’s Saskatchewan roots. Settlers there took over parcels of land, using the trees to both build their own houses and populate them with roughly hewn furniture. Zonal is anchored by large pieces like this, supplemented with authentic, pre-WWII industrial pieces (old shop carts and worktables) along with fun and funky collectibles and a smattering of shelves, tables and chairs handcrafted by local artisans out of found elements (two old wooden ladders become a bookshelf). Additionally, Zonal has represented a handful of selected visual artists (collage, painting) for years. In 2014, Pritchard began sharing the space with Joan O’Connor, who lost the location for her Timeless Treasures store earlier this year. If you are looking for old business sign and marquee lettering, her collection is extensive and unmatched, inhabiting the back third of Zonal’s upstairs.\n\u003c/p>\u003c/div>\n\u003cp>If you have a favorite vintage/junk shop in San Francisco, please share in the comments below. Next up: A trip to the East Bay. Tell us what we should check out before we get there! \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I am not much of a shopper, but I like a good secondhand store. I can lose myself for hours sifting through the artifacts (large and small) of times gone by, probably because it reminds me more of archeology than of shopping. And it feels good to re-imagine yesterday’s throw-away as a treasure today. \u003c/p>\n\u003cp>If you are in search of a bargain, then spend your Sundays at the \u003ca href=\"http://sfgsa.org/index.aspx?page=1059\" target=\"_blank\" rel=\"noopener\">Alemany Flea Market\u003c/a>, where mountains of “collectibles” are on offer. As with all such bazaars, the relics you uncover there will have a direct relationship to the amount of energy you put into the dig. Similarly, the Mission district’s beloved \u003ca href=\"http://thrifttown.com/\" target=\"_blank\" rel=\"noopener\">Thrift Town\u003c/a> and \u003ca href=\"http://www.communitythriftsf.org/\" target=\"_blank\" rel=\"noopener\">Community Thrift\u003c/a>, located within a block of one another just off 17th Street, will also yield treasures to committed excavation. \u003c/p>\n\u003cp>The purveyors at the stores on this list have already done some of the digging for you, and as a result they are a little pricier than the larger emporiums. But half the fun is in the display. Many combine new, locally made items with interesting vintage ones. I have found the absolute perfect gift for many of my more finicky friends at just about every location on this list. Happy digging.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145884\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/apartment.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/apartment.jpg\" alt=\"The Apartment\" width=\"400\" height=\"600\" class=\"size-full wp-image-10145884\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Apartment\u003c/figcaption>\u003c/figure>\n\u003ch3>The Apartment\u003c/h3>\n\u003ch5>3469 18th St., San Francisco\u003cbr>\n(415) 255-1100\u003c/h5>\n\u003cp>Located just off Valencia, The Apartment has been in the Mission district (in one form or another) since 2001. What sets owners Lino and Lann apart is not just their sensibility, which is a little bit shabby chic, but also their warmth and sense of humor, which is on display in the store in more ways than one. What’s great about a good rummage store is the wit used in putting the space together. Lino and Lann have a playfulness that shows both in the things they collect and how they display them. When asked what kinds of items they look for, Lino says, “Functional, with character and style.” And quickly adds that he and Lann are proud to have helped furnish much of the neighborhood with their finds over the years. The Apartment is that kind of place.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145885\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/aria.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/aria.jpg\" alt=\"Aria\" width=\"400\" height=\"348\" class=\"size-full wp-image-10145885\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Aria\u003c/figcaption>\u003c/figure>\n\u003ch3>Aria\u003c/h3>\n\u003ch5>1522 Grant Ave., San Francisco\u003cbr>\n(415) 433-0219\u003c/h5>\n\u003cp>The term “curiosity shop” best describes Aria, which has been tucked at the end of Grant Street, not too far below Coit Tower since 1995. Stepping into the shop is like entering another era, there is a particular concentration on a certain kind of sculpture and texture that ineffably reflects the old-world charm of the shop’s North Beach neighborhood. Owner Bill Haskell travels to Europe a couple of times each year to replenish the stocks of biological and zoological maps, letterpress blocks, busts, dolls, keys and all number of other mysterious marvels that populate the shop. \u003ca href=\"http://www.atlasobscura.com/places/aria-antiques\" target=\"_blank\" rel=\"noopener\">Atlas Obscura\u003c/a> describes this place better than I ever could, even though it is one of my favorite places to visit in San Francisco: “Enchanting in its eccentricity, the walls are filled with strange and beautiful pieces that can easily transport one to Parisian street markets past, the atmosphere heady with the music of Tom Waits, Jacques Brel, and Serge Gainsbourg.”\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145886\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/bigdaddy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/bigdaddy.jpg\" alt=\"Big Daddy's Antiques\" width=\"400\" height=\"267\" class=\"size-full wp-image-10145886\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Big Daddy’s Antiques\u003c/figcaption>\u003c/figure>\n\u003ch3>Big Daddy’s Antiques\u003c/h3>\n\u003ch5>1550 17th St., San Francisco\u003cbr>\n\u003ca href=\"http://bdantiques.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Big Daddy’s owner Shane Brown started his career selling items at various California flea markets (including Alameda) years ago. As his interests and collection expanded, he decided to open a store in Los Angeles, which is an important detail when describing what goes on at Big Daddy’s. With additional locations in Aspen, CO and in San Francisco at the bottom of Potrero Hill, the company thinks big. Aimed at “interior designers, set decorators, landscape architects, photographers, event planners, and enthusiastic art & design lovers,” much of what you encounter at Big Daddy’s looks like something you might find on the set of a Hollywood film or in the pages of a magazine. It’s like Restoration Hardware, only with imagination. You can find genuine antique collectibles in the store’s old, barn-like, San Francisco location alongside newly fabricated mash-ups of interesting finds re-purposed and made new. Big Daddy’s employs a whole team of welders, word-workers and design professionals to remake many of the oddball elements they collect into exciting pieces of usable sculpture. Prices are steep, but pretty much everything they make is jumbo-sized, so none of it would fit into my little studio apartment anyway. I go to Big Daddy’s to witness the play of imagination and craftsmanship.\n\u003c/p>\u003c/div>\n\u003cfigure id=\"attachment_10159846\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/junkforsale1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/junkforsale1.jpg\" alt=\"A sign on display at The Apartment\" width=\"800\" height=\"533\" class=\"size-full wp-image-10159846\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/11/junkforsale1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/11/junkforsale1-400x266.jpg 400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A sign on display at The Apartment\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145887\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/collage.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/collage.jpg\" alt=\"Collage\" width=\"400\" height=\"373\" class=\"size-full wp-image-10145887\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Collage\u003c/figcaption>\u003c/figure>\n\u003ch3>Collage Gallery\u003c/h3>\n\u003ch5>1345 18th St., San Francisco\u003cbr>\n\u003ca href=\"http://collage-gallery.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Collage has been on Potrero Hill for 24 years, but was taken over three years ago by new owner Mary Petrin. What hasn’t changed is the store’s collection of letters, scavenged from theater marquees and business signs — there were letters culled from a defunct Office Max for sale when I was there. Petrin has instituted a new visual art program, which displays the work of local artists on one wall of the tiny space, and has begun to concentrate more on jewelry (of the steampunk/collage variety). During my visit, she was featuring the work of Jake Wrench — you gotta love that name — who restores old electronics, including clocks, flashlights, etc.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145888\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/farnsworth2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/farnsworth2.jpg\" alt=\"Farnsworth\" width=\"400\" height=\"314\" class=\"size-full wp-image-10145888\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Farnsworth\u003c/figcaption>\u003c/figure>\n\u003ch3>Farnsworth\u003c/h3>\n\u003ch5>393 Valencia St., San Francisco\u003cbr>\n\u003ca href=\"http://collage-gallery.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Walking into Farnsworth, which is just off Valencia, is like allowing your eyes a chance to rest. The atmosphere is calming; the decor is smooth. Owner Jeff Farnsworth, who has been at this location for 8 years, prefers designs from the early 1950s, “hard-edge, Bauhaus-derived” mostly furniture. Specializing in famous mid-20th-century designers, such as Charles and Ray Eames, Max Gottschalk and Finn Juhl, Farnsworth has a nice collection of smaller things on display as well, including beautiful modernist abstract sculptures, metal bookends, and limited-run, high-end design lamps (there was one shaped like a pill that filled me with desire).\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145889\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/bellecose.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/bellecose.jpg\" alt=\"Molte Cose\" width=\"400\" height=\"306\" class=\"size-full wp-image-10145889\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Molte Cose\u003c/figcaption>\u003c/figure>\n\u003ch3>Bonhomie, Molte Cose, Belle Cose\u003c/h3>\n\u003ch5>2036 – 2044 Polk St., San Francisco\u003cbr>\n\u003ca href=\"http://www.moltecose.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Teresa Nittolo opened Molte Cose (Many Things) 25 years ago. Ten years later, a second space opened, which she called Belle Cose (Beautiful Things) and then shortly thereafter she expanded into a third in a trio of what looks like 1930s storefronts on Polk Street near Broadway. Today, the third space is inhabited by Bonhomie, which is run by Nittolo’s former employee Liest Sutherland, but the three stores flow into one another fairly seamlessly. All combine eclectic collections of vintage goods with mostly new clothing by predominately local designers. Nittolo likes the basics, “things that won’t go out of style in a year,” and concentrates on bringing that sense of a classic style to life in her two stores. And obviously, Sutherland shares that aesthetic. The three spaces are full of timeless things.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145894\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/martinmattox.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/martinmattox.jpg\" alt=\"Martin Mattox\" width=\"400\" height=\"533\" class=\"size-full wp-image-10145894\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Martin Mattox\u003c/figcaption>\u003c/figure>\n\u003ch3>Martin Mattox\u003c/h3>\n\u003ch5>1104 Sanchez St., San Francisco\u003cbr>\n\u003ca href=\"http://martinmattox.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>I was on my way to the Noe Valley Farmers Market when I stumbled into Martin Mattox, which inhabits a garage/basement space under a building just off 24th Street on Sanchez. The thing that first caught my eye was the display of a Ball jar inside of a bell jar. It’s that kind of wit that powers the display inside the store. Though I would guess that half of what Martin Mattox has for sale is new, the way they mix and match old and unusual items, like stuffed animal heads or driftwood sculptures with contemporary clothing and housewares demonstrates a deep connection with classic design sensibilities of the past.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145890\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/mixed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/mixed.jpg\" alt=\"Mixed Nuts was closed when I showed up to take pictures!\" width=\"400\" height=\"391\" class=\"size-full wp-image-10145890\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/11/mixed.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/11/mixed-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/11/mixed-64x64.jpg 64w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mixed Nuts was closed when I showed up to take pictures!\u003c/figcaption>\u003c/figure>\n\u003ch3>Mixed Nuts\u003c/h3>\n\u003ch5>227 Fell St., San Francisco\u003cbr>\n3234 Balboa St., San Francisco\u003cbr>\n\u003ca href=\"http://mixednutssf.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Old-fashioned metal roller skates (the kind that fit over your tennis shoes), aviator sunglasses, a pith helmet, vintage board games… Mixed Nuts’ Hayes Valley location is stuffed full of items that seem to emanate from the 1970s wood-paneled playroom in my mind. The business started when Brandon Clark arrived in S.F. about five years ago and started working with John Rolston, who has a junk hauling business in the city. After recycling raw materials and donating items to Goodwill, the two would find themselves left with what John calls “precious junk,” which they either sold at Alemany each week or at Alameda once a month, or ended up collecting in their own apartments. Once Clark’s storefront apartment filled up, he decided it was time to open a real store and start passing some of this “cool old stuff” onto other San Franciscans to appreciate. Shortly thereafter he was joined by Anthony Williamson, a friend from design school, and the two opened a “design/build” company together — Clark majored in graphic design, Williamson in industrial design. When they are not doing household handyman work (small building projects, furniture design), the two collect and sell offbeat used items and locally made new ones (soap, t-shirts, jewelry) by their growing network of artist/craftsman friends.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145891\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/perish.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/perish.jpg\" alt=\"The Perish Trust\" width=\"400\" height=\"600\" class=\"size-full wp-image-10145891\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Perish Trust\u003c/figcaption>\u003c/figure>\n\u003ch3>The Perish Trust\u003c/h3>\n\u003ch5>728 Divisadero St., San Francisco\u003cbr>\n\u003ca href=\"http://www.theperishtrust.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Since 2008, The Perish Trust has been a pretty interesting self-described “general store.” The space is dominated by a great loft office made out of old windows and accessed by a solid, but rickety looking staircase that ascends to the left of the front desk. Classic housewares and locally-sourced handmade goods are offset by a collection of “curious original heirlooms” large and small. The eclectically curated space creates that narcotic feeling of stepping outside the flow of time when you enter the store. They share the space with other businesses, for a while, you’d encounter a line of folks waiting to try on a pair of Warby Parkers, the glass frame du jour (or maybe they are now “d’hier”). Today they share the space with Umami Mart, a Japanese kitchen store that has another location in downtown Oakland.\n\u003c/p>\u003c/div>\n\u003cfigure id=\"attachment_10159845\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/liveinpast1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/liveinpast1.jpg\" alt=\"A sign on display at The Apartment\" width=\"800\" height=\"457\" class=\"size-full wp-image-10159845\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/11/liveinpast1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/11/liveinpast1-400x228.jpg 400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A sign on display at The Apartment\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10145892\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/stuff.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/stuff.jpg\" alt=\"Stuff\" width=\"400\" height=\"600\" class=\"size-full wp-image-10145892\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Stuff\u003c/figcaption>\u003c/figure>\n\u003ch3>Stuff\u003c/h3>\n\u003ch5>150 Valencia St., San Francisco\u003cbr>\n\u003ca href=\"https://www.stuffsf.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Stuff has been at the end of Valencia street since 2011. They started out on the first floor of a huge former moving and storage space and then a year and half later opened a second floor. The space, started by the guys famous in the East Bay for Aunt Bill’s, houses 60 independent small business, that each inhabit, maintain and restock their own sections. But you wouldn’t know it by looking, there is a wildly funny sensibility at play inside the space, with items large and small wittily displayed with an almost camp sensibility. Statues seem to dance, there is a whole wall of cheeky amateur paintings of naked men and, it was pointed out to me, the pathway through both floors is marked by a rectangle of red carpet. “Who doesn’t love to walk the red carpet?” I was asked. Who indeed? Personal Note: I walked in there on my last birthday and found an extra large library flat file for $450, which was practically a robbery just waiting to take place. After looking for one that could house my oversized screen prints for years, it was indeed a happy birthday to me.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10148750\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/zonal.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/11/zonal.jpg\" alt=\"Zonal\" width=\"400\" height=\"600\" class=\"size-full wp-image-10148750\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Zonal\u003c/figcaption>\u003c/figure>\n\u003ch3>Zonal Home Interiors\u003c/h3>\n\u003ch5>568 Hayes St., San Francisco\u003cbr>\n\u003ca href=\"http://www.zonalhome.com/\" target=\"_blank\" rel=\"noopener\">Information\u003c/a>\u003c/h5>\n\u003cp>Located in the heart of Hayes Valley for 24 years, Zonal has anchored that neighborhood through hard times and boom times. The tagline on the store’s website reads: “One Man, One Store, One Passion,” and that man is Russell Pritchard, who opened Zonal after relocating from NYC. Pritchard was one of the original Hayes Valley business owners who led the push to tear down the Central Freeway, which was damaged in the Loma Prieta earthquake. Back in the day, freeway pillars with “sidewalk closed” signs mounted onto them blocked the now-bustling thoroughfare. Pritchard and other neighborhood mainstays jousted for years with the city, painting over the signs that threatened to keep their little pocket of commerce secret. The store’s main focus is American primitive furniture, mostly due to Pritchard’s Saskatchewan roots. Settlers there took over parcels of land, using the trees to both build their own houses and populate them with roughly hewn furniture. Zonal is anchored by large pieces like this, supplemented with authentic, pre-WWII industrial pieces (old shop carts and worktables) along with fun and funky collectibles and a smattering of shelves, tables and chairs handcrafted by local artisans out of found elements (two old wooden ladders become a bookshelf). Additionally, Zonal has represented a handful of selected visual artists (collage, painting) for years. In 2014, Pritchard began sharing the space with Joan O’Connor, who lost the location for her Timeless Treasures store earlier this year. If you are looking for old business sign and marquee lettering, her collection is extensive and unmatched, inhabiting the back third of Zonal’s upstairs.\n\u003c/p>\u003c/div>\n\u003cp>If you have a favorite vintage/junk shop in San Francisco, please share in the comments below. Next up: A trip to the East Bay. Tell us what we should check out before we get there! \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
},
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
},
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"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
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"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
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