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"disqusTitle": "A Tribute to a California DJ Who Connected Lovers on the Air for 80 Years",
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"content": "\u003cp>Art Laboe, widely credited as the first DJ to play rock and roll on the West Coast, died earlier this month in Palm Springs at the age of 97, after a broadcasting career spanning some 80 years. He coined the term \"oldies but goodies,\" and his beloved radio show drew a racially diverse audience from across California and beyond. California Report Magazine host Sasha Khokha got a chance to interview him for a 2019 story. This week, we're reprising that piece as a tribute to Laboe. Listen to the story in the audio link above.\u003c/p>\n\u003cp>\u003cstrong>Original story, Feb. 8, 2019:\u003cbr>\n\u003c/strong>[dropcap]I[/dropcap] never knew who Art Laboe was, or what he meant to so many Californians, until I moved to Fresno, and started dating someone who grew up on Laboe's music. We would drive on country roads lined with orange groves and tune into Laboe's Sunday radio show, where people from all over the state would send in lovey-dovey dedications to each other. And then there was Laboe's signature on-air smooch into the microphone.\u003c/p>\n\u003cp>My now-husband Karl was a low-rider growing up, cruising in his Nissan mini-truck with tinted windows, custom-painted graphics on the side and a booming stereo. He would blast Laboe's show, which played songs by artists like Rick James, Teena Marie, Tierra and the Temptations — from the 12-inch woofers, while waxing his car and cleaning the custom spoke wheels with a toothbrush.\u003c/p>\n\u003cp>By the time I met Karl, he had moved away from the low-rider lifestyle, but not Art Laboe, or the love songs. He's one of generations of Californians — especially Chicanos and Latinx folks — who've grown up on Laboe's music, first listening as their grandparents did.\u003c/p>\n\u003cfigure id=\"attachment_11723560\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11723560\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/02/RS35135_1947-circa-Art-Laboe-in-KCMJ-Palm-Springs-studio-qut-800x958.jpg\" alt=\"\" width=\"800\" height=\"958\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35135_1947-circa-Art-Laboe-in-KCMJ-Palm-Springs-studio-qut-800x958.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35135_1947-circa-Art-Laboe-in-KCMJ-Palm-Springs-studio-qut-160x192.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35135_1947-circa-Art-Laboe-in-KCMJ-Palm-Springs-studio-qut-1020x1221.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35135_1947-circa-Art-Laboe-in-KCMJ-Palm-Springs-studio-qut-1002x1200.jpg 1002w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35135_1947-circa-Art-Laboe-in-KCMJ-Palm-Springs-studio-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Art Laboe developed a radio persona that was daring and rebellious for its time. Here he broadcasts from the Palm Springs studios of KCMJ in 1946 while getting a haircut. \u003ccite>(Courtesy of Art Laboe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After all, Laboe has been spinning oldies and love songs since 1943. He coined the term “oldies but goodies” and was one of the first DJs on the West Coast to play rock 'n' roll.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He still takes to the airwaves from a Palm Springs studio six nights a week from 7 p.m. to midnight, hosting \u003ca href=\"https://www.facebook.com/ArtLaboeConnection/\" target=\"_blank\" rel=\"noopener noreferrer\">The Art Laboe Connection\u003c/a> — a show broadcast on more than a dozen stations across California.\u003c/p>\n\u003cp>\u003cem>Watch a tribute to Art Laboe produced by videographer Bryan Mendez:\u003c/em>\u003cbr>\nhttps://www.youtube.com/watch?v=jx6zqCY8GMU\u003c/p>\n\u003cp>Laboe spends hours every day playing songs that are about the heart.\u003c/p>\n\u003cp>“Love is a powerful medicine, whether you’re falling in love, or out of love,” he says.\u003c/p>\n\u003ch3>Connecting loved ones, in and out of prison\u003c/h3>\n\u003cp>These days, many of those calling in with regular dedications have loved ones in prison.\u003c/p>\n\u003cp>\"He's just an amazing DJ. I would listen to him until my last breath,\" says longtime listener Rosie Morales, of Sylmar.\u003c/p>\n\u003cfigure id=\"attachment_11723897\" class=\"wp-caption alignright\" style=\"max-width: 351px\">\u003cimg class=\" wp-image-11723897\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/02/RS35166_DSCF7495-1-qut-800x531.jpg\" alt=\"\" width=\"351\" height=\"233\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35166_DSCF7495-1-qut-800x531.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35166_DSCF7495-1-qut-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35166_DSCF7495-1-qut-1020x677.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35166_DSCF7495-1-qut-1200x797.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35166_DSCF7495-1-qut.jpg 1920w\" sizes=\"(max-width: 351px) 100vw, 351px\">\u003cfigcaption class=\"wp-caption-text\">Art Laboe receives thousands of letters from incarcerated people each year. Some envelopes contain a week's work of dedications for their loved ones. \u003ccite>(Bryan Mendez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She calls in every single day with a dedication to her husband Scrappy, who's serving a life sentence in Kern Valley State Prison in Delano. She can't call her husband directly right now, because he's in solitary confinement. But she can hear Laboe smooch kisses sent by her husband into his microphone.\u003c/p>\n\u003cp>\"He's able to communicate to our loved ones when we can't,\" Morales says. \"He brings that spark into relationships.\"\u003c/p>\n\u003cp>“They’re there, man and wife, every night, man and wife, doing it to each other, dedications,\" Laboe laughs. \"Conjugal, but not conjugal.\"\u003c/p>\n\u003cp>Some incarcerated people send in a week's worth of dedications to their spouses or lovers, with a different love song for each day of the week.\u003c/p>\n\u003cfigure id=\"attachment_11723729\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11723729\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/02/RS35147_2018_1211_185557001-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35147_2018_1211_185557001-qut-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35147_2018_1211_185557001-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35147_2018_1211_185557001-qut-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35147_2018_1211_185557001-qut-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35147_2018_1211_185557001-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Art Laboe has been spinning love songs for 75 years. \u003ccite>(Bryan Mendez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"Art’s so concerned about the prisoners, because for every person that's inside there can be 10 or 20 family members on the outside affected by that person being in jail,\" says his longtime audio engineer, Joanna Morones, who answers phones to take dedications.\u003c/p>\n\u003cp>\"He really caters to that family dynamic, you know, and connecting them. We're told every night, ‘I can't go visit him. I won't be able to go see him for two weeks, but I can talk to him on the radio.’ The guys in prison sit there and wait to hear their wives’ voice on the radio,\" Morones says.\u003c/p>\n\u003ch3>Getting his start — thanks to the WWII draft\u003c/h3>\n\u003cp>Laboe's obsession with radio started when he was eight years old, when his sister sent his parents what he called \"this box that talked.\" He set up a ham radio station in his bedroom at age 14, broadcasting to his neighbors.\u003c/p>\n\u003cp>When he was 18, he walked into radio station KSAN in San Francisco and asked for a job.\u003c/p>\n\u003cp>He had no real experience, and he hadn’t yet honed his rich baritone. But he did have one thing: a radio operator’s license.\u003c/p>\n\u003cp>The station had lost its engineers to the draft — this was World War II. The manager offered him a job on the spot. As long as he changed his last name, which the manager thought sounded \"too ethnic\" for the airwaves in 1943.\u003c/p>\n\u003cp>So Art Egnoian — the son of Armenian immigrants — took the name of the station’s receptionist and became Art Laboe.\u003c/p>\n\u003cfigure id=\"attachment_11723557\" class=\"wp-caption aligncenter\" style=\"max-width: 768px\">\u003cimg class=\"size-full wp-image-11723557\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/02/RS35134_1945-KPMO-Art-Laboe-w-Eddie-Rodriquez-s-qut.jpg\" alt=\"\" width=\"768\" height=\"936\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35134_1945-KPMO-Art-Laboe-w-Eddie-Rodriquez-s-qut.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35134_1945-KPMO-Art-Laboe-w-Eddie-Rodriquez-s-qut-160x195.jpg 160w\" sizes=\"(max-width: 768px) 100vw, 768px\">\u003cfigcaption class=\"wp-caption-text\">Laboe claims to have invented the on-air dedication, where listeners write or call in to send music and love notes to each other on the air. Here he reads dedications with Eddie Rodriguez in 1945, at radio station KPMO in Pomona. \u003ccite>(Courtesy of Art Laboe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But his music, and his fan base, have never been whitewashed. Laboe has built a huge fan base, starting with the teenagers who attended his live concerts or dances back in the 1950s. He made a name for himself hosting rock 'n' roll concerts in the Los Angeles suburb of El Monte, pioneering racially integrated, all-ages dance parties with live bands.\u003c/p>\n\u003cp>\"I can do some nice talking in Armenian. But I can do almost that good in Spanish, too,\" Laboe smiles. \"I’m happy that [our concerts and shows appeal to] everybody. If you come to one of our concerts, you’ll see a mixture, a complete mixture of what we have in California.\"\u003c/p>\n\u003cfigure id=\"attachment_11723561\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11723561\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/02/RS35138_1958-Art-Laboe-KPOP-broadcast-event-s-qut-800x570.jpg\" alt=\"Laboe pioneered live broadcast events, talking to listeners from drive-ins and concert halls, and sometimes even pulling stunts like trying to get a lion to roar into his microphone.\" width=\"800\" height=\"570\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35138_1958-Art-Laboe-KPOP-broadcast-event-s-qut-800x570.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35138_1958-Art-Laboe-KPOP-broadcast-event-s-qut-160x114.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35138_1958-Art-Laboe-KPOP-broadcast-event-s-qut-1020x726.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35138_1958-Art-Laboe-KPOP-broadcast-event-s-qut.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laboe pioneered live broadcast events, talking to listeners from drive-ins and concert halls, and sometimes even pulling stunts like trying to get a lion to roar into his microphone. \u003ccite>(Courtesy of Art Laboe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At 94, Laboe is still hosting live shows across California and the west, wearing his signature bedazzled track suit and a sparkly bowler hat.\u003c/p>\n\u003cp>Laboe says he knows people his age always say this kind of thing, but he is nostalgic for the old days — a time when people used to have a little more kindness for each other.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“It would be good if we had a little bit more of what we used to have in the world,\" Laboe says. \"Nevertheless, people are people and they still have the same basic wants and needs. Everyone is capable of love and affection, if they could just have a little bit more of it for each other.\"\u003c/p>\n\n",
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"excerpt": "Widely credited as the first DJ to play rock and roll on the West Coast, Art Laboe died earlier this month in Palm Springs at the age of 97, after a broadcasting career spanning some 80 years.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Art Laboe, widely credited as the first DJ to play rock and roll on the West Coast, died earlier this month in Palm Springs at the age of 97, after a broadcasting career spanning some 80 years. He coined the term \"oldies but goodies,\" and his beloved radio show drew a racially diverse audience from across California and beyond. California Report Magazine host Sasha Khokha got a chance to interview him for a 2019 story. This week, we're reprising that piece as a tribute to Laboe. Listen to the story in the audio link above.\u003c/p>\n\u003cp>\u003cstrong>Original story, Feb. 8, 2019:\u003cbr>\n\u003c/strong>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">I\u003c/span>\u003c/p>\u003cp> never knew who Art Laboe was, or what he meant to so many Californians, until I moved to Fresno, and started dating someone who grew up on Laboe's music. We would drive on country roads lined with orange groves and tune into Laboe's Sunday radio show, where people from all over the state would send in lovey-dovey dedications to each other. And then there was Laboe's signature on-air smooch into the microphone.\u003c/p>\n\u003cp>My now-husband Karl was a low-rider growing up, cruising in his Nissan mini-truck with tinted windows, custom-painted graphics on the side and a booming stereo. He would blast Laboe's show, which played songs by artists like Rick James, Teena Marie, Tierra and the Temptations — from the 12-inch woofers, while waxing his car and cleaning the custom spoke wheels with a toothbrush.\u003c/p>\n\u003cp>By the time I met Karl, he had moved away from the low-rider lifestyle, but not Art Laboe, or the love songs. He's one of generations of Californians — especially Chicanos and Latinx folks — who've grown up on Laboe's music, first listening as their grandparents did.\u003c/p>\n\u003cfigure id=\"attachment_11723560\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11723560\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/02/RS35135_1947-circa-Art-Laboe-in-KCMJ-Palm-Springs-studio-qut-800x958.jpg\" alt=\"\" width=\"800\" height=\"958\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35135_1947-circa-Art-Laboe-in-KCMJ-Palm-Springs-studio-qut-800x958.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35135_1947-circa-Art-Laboe-in-KCMJ-Palm-Springs-studio-qut-160x192.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35135_1947-circa-Art-Laboe-in-KCMJ-Palm-Springs-studio-qut-1020x1221.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35135_1947-circa-Art-Laboe-in-KCMJ-Palm-Springs-studio-qut-1002x1200.jpg 1002w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35135_1947-circa-Art-Laboe-in-KCMJ-Palm-Springs-studio-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Art Laboe developed a radio persona that was daring and rebellious for its time. Here he broadcasts from the Palm Springs studios of KCMJ in 1946 while getting a haircut. \u003ccite>(Courtesy of Art Laboe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After all, Laboe has been spinning oldies and love songs since 1943. He coined the term “oldies but goodies” and was one of the first DJs on the West Coast to play rock 'n' roll.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He still takes to the airwaves from a Palm Springs studio six nights a week from 7 p.m. to midnight, hosting \u003ca href=\"https://www.facebook.com/ArtLaboeConnection/\" target=\"_blank\" rel=\"noopener noreferrer\">The Art Laboe Connection\u003c/a> — a show broadcast on more than a dozen stations across California.\u003c/p>\n\u003cp>\u003cem>Watch a tribute to Art Laboe produced by videographer Bryan Mendez:\u003c/em>\u003cbr>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/jx6zqCY8GMU'\n title='//www.youtube.com/embed/jx6zqCY8GMU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Laboe spends hours every day playing songs that are about the heart.\u003c/p>\n\u003cp>“Love is a powerful medicine, whether you’re falling in love, or out of love,” he says.\u003c/p>\n\u003ch3>Connecting loved ones, in and out of prison\u003c/h3>\n\u003cp>These days, many of those calling in with regular dedications have loved ones in prison.\u003c/p>\n\u003cp>\"He's just an amazing DJ. I would listen to him until my last breath,\" says longtime listener Rosie Morales, of Sylmar.\u003c/p>\n\u003cfigure id=\"attachment_11723897\" class=\"wp-caption alignright\" style=\"max-width: 351px\">\u003cimg class=\" wp-image-11723897\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/02/RS35166_DSCF7495-1-qut-800x531.jpg\" alt=\"\" width=\"351\" height=\"233\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35166_DSCF7495-1-qut-800x531.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35166_DSCF7495-1-qut-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35166_DSCF7495-1-qut-1020x677.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35166_DSCF7495-1-qut-1200x797.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35166_DSCF7495-1-qut.jpg 1920w\" sizes=\"(max-width: 351px) 100vw, 351px\">\u003cfigcaption class=\"wp-caption-text\">Art Laboe receives thousands of letters from incarcerated people each year. Some envelopes contain a week's work of dedications for their loved ones. \u003ccite>(Bryan Mendez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She calls in every single day with a dedication to her husband Scrappy, who's serving a life sentence in Kern Valley State Prison in Delano. She can't call her husband directly right now, because he's in solitary confinement. But she can hear Laboe smooch kisses sent by her husband into his microphone.\u003c/p>\n\u003cp>\"He's able to communicate to our loved ones when we can't,\" Morales says. \"He brings that spark into relationships.\"\u003c/p>\n\u003cp>“They’re there, man and wife, every night, man and wife, doing it to each other, dedications,\" Laboe laughs. \"Conjugal, but not conjugal.\"\u003c/p>\n\u003cp>Some incarcerated people send in a week's worth of dedications to their spouses or lovers, with a different love song for each day of the week.\u003c/p>\n\u003cfigure id=\"attachment_11723729\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11723729\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/02/RS35147_2018_1211_185557001-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35147_2018_1211_185557001-qut-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35147_2018_1211_185557001-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35147_2018_1211_185557001-qut-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35147_2018_1211_185557001-qut-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35147_2018_1211_185557001-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Art Laboe has been spinning love songs for 75 years. \u003ccite>(Bryan Mendez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"Art’s so concerned about the prisoners, because for every person that's inside there can be 10 or 20 family members on the outside affected by that person being in jail,\" says his longtime audio engineer, Joanna Morones, who answers phones to take dedications.\u003c/p>\n\u003cp>\"He really caters to that family dynamic, you know, and connecting them. We're told every night, ‘I can't go visit him. I won't be able to go see him for two weeks, but I can talk to him on the radio.’ The guys in prison sit there and wait to hear their wives’ voice on the radio,\" Morones says.\u003c/p>\n\u003ch3>Getting his start — thanks to the WWII draft\u003c/h3>\n\u003cp>Laboe's obsession with radio started when he was eight years old, when his sister sent his parents what he called \"this box that talked.\" He set up a ham radio station in his bedroom at age 14, broadcasting to his neighbors.\u003c/p>\n\u003cp>When he was 18, he walked into radio station KSAN in San Francisco and asked for a job.\u003c/p>\n\u003cp>He had no real experience, and he hadn’t yet honed his rich baritone. But he did have one thing: a radio operator’s license.\u003c/p>\n\u003cp>The station had lost its engineers to the draft — this was World War II. The manager offered him a job on the spot. As long as he changed his last name, which the manager thought sounded \"too ethnic\" for the airwaves in 1943.\u003c/p>\n\u003cp>So Art Egnoian — the son of Armenian immigrants — took the name of the station’s receptionist and became Art Laboe.\u003c/p>\n\u003cfigure id=\"attachment_11723557\" class=\"wp-caption aligncenter\" style=\"max-width: 768px\">\u003cimg class=\"size-full wp-image-11723557\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/02/RS35134_1945-KPMO-Art-Laboe-w-Eddie-Rodriquez-s-qut.jpg\" alt=\"\" width=\"768\" height=\"936\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35134_1945-KPMO-Art-Laboe-w-Eddie-Rodriquez-s-qut.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35134_1945-KPMO-Art-Laboe-w-Eddie-Rodriquez-s-qut-160x195.jpg 160w\" sizes=\"(max-width: 768px) 100vw, 768px\">\u003cfigcaption class=\"wp-caption-text\">Laboe claims to have invented the on-air dedication, where listeners write or call in to send music and love notes to each other on the air. Here he reads dedications with Eddie Rodriguez in 1945, at radio station KPMO in Pomona. \u003ccite>(Courtesy of Art Laboe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But his music, and his fan base, have never been whitewashed. Laboe has built a huge fan base, starting with the teenagers who attended his live concerts or dances back in the 1950s. He made a name for himself hosting rock 'n' roll concerts in the Los Angeles suburb of El Monte, pioneering racially integrated, all-ages dance parties with live bands.\u003c/p>\n\u003cp>\"I can do some nice talking in Armenian. But I can do almost that good in Spanish, too,\" Laboe smiles. \"I’m happy that [our concerts and shows appeal to] everybody. If you come to one of our concerts, you’ll see a mixture, a complete mixture of what we have in California.\"\u003c/p>\n\u003cfigure id=\"attachment_11723561\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11723561\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/02/RS35138_1958-Art-Laboe-KPOP-broadcast-event-s-qut-800x570.jpg\" alt=\"Laboe pioneered live broadcast events, talking to listeners from drive-ins and concert halls, and sometimes even pulling stunts like trying to get a lion to roar into his microphone.\" width=\"800\" height=\"570\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35138_1958-Art-Laboe-KPOP-broadcast-event-s-qut-800x570.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35138_1958-Art-Laboe-KPOP-broadcast-event-s-qut-160x114.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35138_1958-Art-Laboe-KPOP-broadcast-event-s-qut-1020x726.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/02/RS35138_1958-Art-Laboe-KPOP-broadcast-event-s-qut.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laboe pioneered live broadcast events, talking to listeners from drive-ins and concert halls, and sometimes even pulling stunts like trying to get a lion to roar into his microphone. \u003ccite>(Courtesy of Art Laboe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At 94, Laboe is still hosting live shows across California and the west, wearing his signature bedazzled track suit and a sparkly bowler hat.\u003c/p>\n\u003cp>Laboe says he knows people his age always say this kind of thing, but he is nostalgic for the old days — a time when people used to have a little more kindness for each other.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It would be good if we had a little bit more of what we used to have in the world,\" Laboe says. \"Nevertheless, people are people and they still have the same basic wants and needs. Everyone is capable of love and affection, if they could just have a little bit more of it for each other.\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "'Imperfect Paradise': A New Podcast Investigating LA County Sheriff Alex Villanueva's Unlikely Rise to Power",
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"headTitle": "‘Imperfect Paradise’: A New Podcast Investigating LA County Sheriff Alex Villanueva’s Unlikely Rise to Power | KQED",
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"content": "\u003cp>\u003cem>This week’s \u003ca href=\"https://www.kqed.org/californiareportmagazine\">California Report Magazine\u003c/a> features the first episode of the new LAist Studios podcast, Imperfect Paradise: The Sheriff. \u003c/em>\u003c/p>\n\u003cp>In 2018, Alex Villanueva ran a long-shot campaign for LA County Sheriff, framing himself as a progressive reformer and underdog maverick He was a retired lieutenant with almost no leadership experience. But he ran a savvy campaign, winning the endorsements of the LA County Democratic party, the deputies union, and immigrants rights groups, as well as the votes of Angelenos critical of former President Trump and supportive of police reform.\u003c/p>\n\u003cp>But soon after taking office, Villanueva became embroiled in a series of scandals of his own making. He \u003ca class=\"Link\" href=\"https://laist.com/news/criminal-justice/sheriff-villanueva-steps-into-countys-conflict-with-law-firm-over-mandoyan-case\">rehired a deputy\u003c/a> fired for domestic violence and lying. He \u003ca class=\"Link\" href=\"https://laist.com/news/criminal-justice/sheriff-villanueva-subpoena-continues-to-defy\">downplayed the severity of the department’s deputy gang problem.\u003c/a> And he opened a criminal investigation into \u003ca class=\"Link\" href=\"https://laist.com/news/criminal-justice/villanueva-abuse-of-power-subpoena-criminal-investigations-huntsman-oversight\">the inspector general who oversees the sheriff’s department\u003c/a> — among other controversies.\u003c/p>\n\u003cp>In the latest season of Imperfect Paradise: The Sheriff, \u003ca class=\"Link\" href=\"https://laist.com/people/frank-stoltze\">Frank Stoltze\u003c/a>, LAist’s civics and democracy correspondent, looks at Villanueva’s tenure as sheriff and asks: How could someone who ran as a progressive reformer end up as a darling of Fox News? How could LA County voters end up with someone so completely different from who they thought they were voting for?\u003c/p>\n\u003cp>\u003cstrong>[\u003ca href=\"https://laist.com/news/criminal-justice/alex-villanuevas-unlikely-rise-to-power-7-takeaways-from-our-new-podcast-about-the-sheriff\">7 Takeaways From the Podcast\u003c/a>]\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/10/IPS3-Ad-Newsletter-Banner-970x2501-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11928910\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/10/IPS3-Ad-Newsletter-Banner-970x2501-1-800x206.jpg\" alt=\"A banner illustration for the podcast.\" width=\"800\" height=\"206\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/IPS3-Ad-Newsletter-Banner-970x2501-1-800x206.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/IPS3-Ad-Newsletter-Banner-970x2501-1-160x41.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/IPS3-Ad-Newsletter-Banner-970x2501-1.jpg 970w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Over five episodes, Stoltze and his team of producers explore how Villanueva became head of the largest law enforcement agency west of the Mississippi, and how his leadership has left him vulnerable ahead of this fall’s election. The show draws on extensive interviews from \u003ca class=\"Link\" href=\"https://laist.com/news/are-la-sheriffs-deputies-harassing-the-families-of-people-they-shoot-and-kill\" target=\"_blank\" rel=\"noopener noreferrer\">families affected by deputy shootings and alleged harassment\u003c/a>, current and former department officials, LA County supervisors, the inspector general, and whistleblowers who are afraid to speak out without anonymity.\u003c/p>\n\u003cp>Filled with new reporting on the sheriff’s department, an exclusive sit-down with Villanueva,\u003cb> \u003c/b>and hosted by a reporter with 30 years of experience covering criminal justice in LA County, Imperfect Paradise: The Sheriff provides an unprecedented look at Villanueva and his legacy.\u003c/p>\n\u003cp>The first two episodes are set to air on October 5, with the rest released on a weekly basis.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Listen & subscribe to Imperfect Paradise: The Sheriff, now on\u003c/em>\u003ca title=\"https://protect-us.mimecast.com/s/LE0gCYEM4NtkyW1gC0Ycp6?domain=podcasts.apple.com\" href=\"https://protect-us.mimecast.com/s/LE0gCYEM4NtkyW1gC0Ycp6?domain=podcasts.apple.com\" target=\"_blank\" rel=\"noopener noreferrer\"> \u003c/a>\u003cem>\u003cu>\u003ca title=\"https://protect-us.mimecast.com/s/LE0gCYEM4NtkyW1gC0Ycp6?domain=podcasts.apple.com\" href=\"https://protect-us.mimecast.com/s/LE0gCYEM4NtkyW1gC0Ycp6?domain=podcasts.apple.com\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/u>,\u003c/em>\u003ca title=\"https://protect-us.mimecast.com/s/qwwcCZ6W5NuPWq4xFjed4M?domain=open.spotify.com\" href=\"https://protect-us.mimecast.com/s/qwwcCZ6W5NuPWq4xFjed4M?domain=open.spotify.com\" target=\"_blank\" rel=\"noopener noreferrer\"> \u003c/a>\u003cem>\u003cu>\u003ca title=\"https://protect-us.mimecast.com/s/qwwcCZ6W5NuPWq4xFjed4M?domain=open.spotify.com\" href=\"https://protect-us.mimecast.com/s/qwwcCZ6W5NuPWq4xFjed4M?domain=open.spotify.com\" target=\"_blank\" rel=\"noopener noreferrer\">Spotify\u003c/a>\u003c/u> or wherever you listen to podcasts.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This week’s \u003ca href=\"https://www.kqed.org/californiareportmagazine\">California Report Magazine\u003c/a> features the first episode of the new LAist Studios podcast, Imperfect Paradise: The Sheriff. \u003c/em>\u003c/p>\n\u003cp>In 2018, Alex Villanueva ran a long-shot campaign for LA County Sheriff, framing himself as a progressive reformer and underdog maverick He was a retired lieutenant with almost no leadership experience. But he ran a savvy campaign, winning the endorsements of the LA County Democratic party, the deputies union, and immigrants rights groups, as well as the votes of Angelenos critical of former President Trump and supportive of police reform.\u003c/p>\n\u003cp>But soon after taking office, Villanueva became embroiled in a series of scandals of his own making. He \u003ca class=\"Link\" href=\"https://laist.com/news/criminal-justice/sheriff-villanueva-steps-into-countys-conflict-with-law-firm-over-mandoyan-case\">rehired a deputy\u003c/a> fired for domestic violence and lying. He \u003ca class=\"Link\" href=\"https://laist.com/news/criminal-justice/sheriff-villanueva-subpoena-continues-to-defy\">downplayed the severity of the department’s deputy gang problem.\u003c/a> And he opened a criminal investigation into \u003ca class=\"Link\" href=\"https://laist.com/news/criminal-justice/villanueva-abuse-of-power-subpoena-criminal-investigations-huntsman-oversight\">the inspector general who oversees the sheriff’s department\u003c/a> — among other controversies.\u003c/p>\n\u003cp>In the latest season of Imperfect Paradise: The Sheriff, \u003ca class=\"Link\" href=\"https://laist.com/people/frank-stoltze\">Frank Stoltze\u003c/a>, LAist’s civics and democracy correspondent, looks at Villanueva’s tenure as sheriff and asks: How could someone who ran as a progressive reformer end up as a darling of Fox News? How could LA County voters end up with someone so completely different from who they thought they were voting for?\u003c/p>\n\u003cp>\u003cstrong>[\u003ca href=\"https://laist.com/news/criminal-justice/alex-villanuevas-unlikely-rise-to-power-7-takeaways-from-our-new-podcast-about-the-sheriff\">7 Takeaways From the Podcast\u003c/a>]\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/10/IPS3-Ad-Newsletter-Banner-970x2501-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11928910\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/10/IPS3-Ad-Newsletter-Banner-970x2501-1-800x206.jpg\" alt=\"A banner illustration for the podcast.\" width=\"800\" height=\"206\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/IPS3-Ad-Newsletter-Banner-970x2501-1-800x206.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/IPS3-Ad-Newsletter-Banner-970x2501-1-160x41.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/IPS3-Ad-Newsletter-Banner-970x2501-1.jpg 970w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Over five episodes, Stoltze and his team of producers explore how Villanueva became head of the largest law enforcement agency west of the Mississippi, and how his leadership has left him vulnerable ahead of this fall’s election. The show draws on extensive interviews from \u003ca class=\"Link\" href=\"https://laist.com/news/are-la-sheriffs-deputies-harassing-the-families-of-people-they-shoot-and-kill\" target=\"_blank\" rel=\"noopener noreferrer\">families affected by deputy shootings and alleged harassment\u003c/a>, current and former department officials, LA County supervisors, the inspector general, and whistleblowers who are afraid to speak out without anonymity.\u003c/p>\n\u003cp>Filled with new reporting on the sheriff’s department, an exclusive sit-down with Villanueva,\u003cb> \u003c/b>and hosted by a reporter with 30 years of experience covering criminal justice in LA County, Imperfect Paradise: The Sheriff provides an unprecedented look at Villanueva and his legacy.\u003c/p>\n\u003cp>The first two episodes are set to air on October 5, with the rest released on a weekly basis.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Listen & subscribe to Imperfect Paradise: The Sheriff, now on\u003c/em>\u003ca title=\"https://protect-us.mimecast.com/s/LE0gCYEM4NtkyW1gC0Ycp6?domain=podcasts.apple.com\" href=\"https://protect-us.mimecast.com/s/LE0gCYEM4NtkyW1gC0Ycp6?domain=podcasts.apple.com\" target=\"_blank\" rel=\"noopener noreferrer\"> \u003c/a>\u003cem>\u003cu>\u003ca title=\"https://protect-us.mimecast.com/s/LE0gCYEM4NtkyW1gC0Ycp6?domain=podcasts.apple.com\" href=\"https://protect-us.mimecast.com/s/LE0gCYEM4NtkyW1gC0Ycp6?domain=podcasts.apple.com\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/u>,\u003c/em>\u003ca title=\"https://protect-us.mimecast.com/s/qwwcCZ6W5NuPWq4xFjed4M?domain=open.spotify.com\" href=\"https://protect-us.mimecast.com/s/qwwcCZ6W5NuPWq4xFjed4M?domain=open.spotify.com\" target=\"_blank\" rel=\"noopener noreferrer\"> \u003c/a>\u003cem>\u003cu>\u003ca title=\"https://protect-us.mimecast.com/s/qwwcCZ6W5NuPWq4xFjed4M?domain=open.spotify.com\" href=\"https://protect-us.mimecast.com/s/qwwcCZ6W5NuPWq4xFjed4M?domain=open.spotify.com\" target=\"_blank\" rel=\"noopener noreferrer\">Spotify\u003c/a>\u003c/u> or wherever you listen to podcasts.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "disgraced-la-council-leader-resigns-amid-swelling-anger-over-racist-remarks",
"title": "Disgraced LA Council Leader Resigns Amid Swelling Anger Over Racist Remarks",
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"headTitle": "Disgraced LA Council Leader Resigns Amid Swelling Anger Over Racist Remarks | KQED",
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"content": "\u003cp>Former Los Angeles City Council President Nury Martinez on Wednesday announced she was resigning her seat amid recently revealed racist remarks she made last year during a closed-door meeting.\u003c/p>\n\u003cp>\u003ca href=\"https://www.latimes.com/california/story/2022-10-09/city-council-leaked-audio-nury-martinez-kevin-de-leon-gil-cedillo\">In the leaked recording\u003c/a>, which surfaced online this weekend, Martinez crudely disparaged the Black son of a white council member, among a slew of other racist snipes.\u003c/p>\n\u003cp>Her resignation statement did not mention those remarks, though in words directed at her daughter, she said: “I know I have fallen short recently of the expectations we have for our family. I vow to you that I will strive to be a better woman to make you proud.”\u003c/p>\n\u003cp>Martinez’s press release follows three days of angry protests at LA City Hall, with a growing number of local and national leaders, including President Biden, calling for her and the two other Democratic council members involved in the conversation to step down.[pullquote size=\"medium\" align=\"right\" citation=\"Mitch O'Farrell, acting president, LA City Council\"]‘For Los Angeles to heal, and for its City Council to govern, there must be accountability … I repeat my call on Councilmembers De León and Cedillo to also resign. There is no other way forward.’[/pullquote]The resignation also comes just hours after California Attorney General Rob Bonta said \u003ca href=\"https://www.latimes.com/california/story/2022-10-12/california-attorney-general-rob-bonta-redistricting-investigation-leaked-audio\">he would investigate Los Angeles’ redistricting process\u003c/a> that Martinez was discussing with fellow Councilmembers Kevin de León and Gil Cedillo, in which they schemed to protect Latino political strength in council districts. Bonta said the investigation could lead to civil liability or criminal charges, depending on what is found.\u003c/p>\n\u003cp>“It’s clear an investigation is sorely needed to help restore confidence in the redistricting process for the people of LA,” Bonta said.\u003c/p>\n\u003cp>Martinez, the first Latina to lead the Council, \u003ca href=\"https://apnews.com/article/los-angeles-city-council-nury-martinez-resignation-19571bf8ce0524dfa84b5784ce30f65d\">had stepped down as president on Monday\u003c/a> while still holding onto her seat. At the time, she said she was ashamed of her racist language, but stopped short of resigning.\u003c/p>\n\u003cp>In the recorded conversation, Martinez said that Councilmember Mike Bonin, who is white, handled his young Black son as if he were an “accessory” and said “parece changuito,” or “he’s like a monkey,” \u003ca href=\"https://www.latimes.com/california/story/2022-10-09/city-council-leaked-audio-nury-martinez-kevin-de-leon-gil-cedillo\">The Los Angeles Times reported Sunday\u003c/a>. She also referred to Bonin as a “little bitch.”\u003c/p>\n\u003cp>At another point on the hour-long recording, Martinez called Indigenous immigrants from the Mexican state of Oaxaca ugly, and made crass remarks about Jews and Armenians.\u003c/p>\n\u003cp>The council reconvened Wednesday, possibly to censure the three members, but it was unable to do business because a crowd of about 50 protesters drowned out the acting president, chanting slogans like, “No meeting without resignation.”\u003c/p>\n\u003cfigure id=\"attachment_11928686\" class=\"wp-caption alignnone\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11928686\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/10/GettyImages-1243898841-1.jpg\" alt=\"An angry crowd raise their fists in the City Hall Council chamber with a black woman in the center and foreground\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243898841-1.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243898841-1-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243898841-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243898841-1-160x107.jpg 160w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Protesters calling for the resignation of LA City Council members Nury Martinez, Kevin de León and Gil Cedillo at the Council meeting at City Hall on Tuesday. \u003ccite>(Gary Coronado/Los Angeles Times via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A minimum of 10 out of 15 members necessary for a quorum had assembled, but the meeting was adjourned after one left. None of the three embattled council members showed up.\u003c/p>\n\u003cp>The Council cannot expel its own members. But acting Council President Mitch O’Farrell said that with no sign of anger subsiding, he didn’t think the body could resume its work until all three members stepped down.\u003c/p>\n\u003cp>“For Los Angeles to heal, and for its City Council to govern, there must be accountability,” he said in a statement. “I repeat my call on Councilmembers De León and Cedillo to also resign. There is no other way forward.”\u003c/p>\n\u003cp>The scene at City Hall was similarly raucous on Tuesday, when a large group of mostly African American and Latino protesters packed the Council chamber, chanting, “Resign, resign, resign,” and carrying signs with messages like “Take out the Trash” and “Shame on You!”\u003c/p>\n\u003cp>“These council members have to go! Their career needs to end,” said LA resident William Gude, one of the first to arrive that day.\u003c/p>\n\u003cp>He was joined by fellow resident Orma Mendez, who said, “We don’t need racists! We have to stand up and fight for our rights.”\u003c/p>\n\u003cp>During the session, Councilmember Bonin fought back tears when describing his reaction to the recording, and the emotional toll it had taken on his family and the city as a whole.\u003c/p>\n\u003cp>“I’m a dad who loves his son in ways that words cannot capture,” he said. “And I take a lot of hits and, hell, I know I invite a bunch of them. But my son? Man, that makes my soul bleed and it makes my temper burn. And I know I’m not alone because Los Angeles has spoken and it feels the same way.”\u003c/p>\n\u003cfigure id=\"attachment_11928688\" class=\"wp-caption alignnone\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11928688\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/10/GettyImages-1243902379-1.jpg\" alt=\"A white man in a suit with no tie wipes a tear from his eye as he stands behind a dais with people in the council chamber looking on\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243902379-1.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243902379-1-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243902379-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243902379-1-160x107.jpg 160w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">LA City Council member Mike Bonin sheds tears as he speaks about the racist comments directed toward his son during Tuesday’s council meeting. \u003ccite>(Irfan Khan/Los Angeles Times via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Martinez made history in 2019 when she became the first Latina elected to the Council presidency and described herself as “a glass-ceiling shattering leader who brings profound life experience as the proud daughter of working-class immigrants” on her website. She is the daughter of Mexican immigrants and was born and raised in the San Fernando Valley.\u003c/p>\n\u003cp>The scandal and its aftermath have inevitably resurfaced a larger conversation in Los Angeles about race, politics and power. The nation’s second largest city has a long history of political alliances built on racial, religious and geographic tensions and rivalries that often spill over into housing, education, jobs and prisons.\u003c/p>\n\u003cp>There have already been discussions about expanding the city’s 15-member City Council. At its current size, each Council member represents well over a quarter of a million people. A bigger Council, like those in New York or Chicago, some argue, would make it easier for elected officials to represent LA’s kaleidoscope of communities. Some reform advocates have also pushed to reexamine how the current City Council districts were drawn up, and to consider adopting new ones.\u003c/p>\n\u003cp>“One thing is we want to evaluate the redistricting process and ensure that redistricting isn’t used for City Council members to keep their seats safe but rather to ensure that everybody’s voices are heard,” said LA resident Shekinah Deocares, who attended Tuesday’s Council meeting. “We also want to create a system of accountability to make sure things like this don’t happen again.”\u003c/p>\n\u003cp>In a statement Tuesday, Los Angeles City Attorney Mike Feuer said, “It should be clear to everyone by now that leaving the power to draw their own district lines in the hands of the politicians who stand to benefit from how those lines are drawn is a massive conflict of interest and an invitation to the sort of backroom dealing this outrageous conversation revealed.”\u003c/p>\n\u003cp>\u003cem>This story includes reporting from KQED’s Saul Gonzalez and The Associated Press.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Former Los Angeles City Council President Nury Martinez on Wednesday announced she was resigning her seat amid recently revealed racist remarks she made last year during a closed-door meeting.\u003c/p>\n\u003cp>\u003ca href=\"https://www.latimes.com/california/story/2022-10-09/city-council-leaked-audio-nury-martinez-kevin-de-leon-gil-cedillo\">In the leaked recording\u003c/a>, which surfaced online this weekend, Martinez crudely disparaged the Black son of a white council member, among a slew of other racist snipes.\u003c/p>\n\u003cp>Her resignation statement did not mention those remarks, though in words directed at her daughter, she said: “I know I have fallen short recently of the expectations we have for our family. I vow to you that I will strive to be a better woman to make you proud.”\u003c/p>\n\u003cp>Martinez’s press release follows three days of angry protests at LA City Hall, with a growing number of local and national leaders, including President Biden, calling for her and the two other Democratic council members involved in the conversation to step down.\u003c/p>\u003c/div>",
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"content": "‘For Los Angeles to heal, and for its City Council to govern, there must be accountability … I repeat my call on Councilmembers De León and Cedillo to also resign. There is no other way forward.’",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The resignation also comes just hours after California Attorney General Rob Bonta said \u003ca href=\"https://www.latimes.com/california/story/2022-10-12/california-attorney-general-rob-bonta-redistricting-investigation-leaked-audio\">he would investigate Los Angeles’ redistricting process\u003c/a> that Martinez was discussing with fellow Councilmembers Kevin de León and Gil Cedillo, in which they schemed to protect Latino political strength in council districts. Bonta said the investigation could lead to civil liability or criminal charges, depending on what is found.\u003c/p>\n\u003cp>“It’s clear an investigation is sorely needed to help restore confidence in the redistricting process for the people of LA,” Bonta said.\u003c/p>\n\u003cp>Martinez, the first Latina to lead the Council, \u003ca href=\"https://apnews.com/article/los-angeles-city-council-nury-martinez-resignation-19571bf8ce0524dfa84b5784ce30f65d\">had stepped down as president on Monday\u003c/a> while still holding onto her seat. At the time, she said she was ashamed of her racist language, but stopped short of resigning.\u003c/p>\n\u003cp>In the recorded conversation, Martinez said that Councilmember Mike Bonin, who is white, handled his young Black son as if he were an “accessory” and said “parece changuito,” or “he’s like a monkey,” \u003ca href=\"https://www.latimes.com/california/story/2022-10-09/city-council-leaked-audio-nury-martinez-kevin-de-leon-gil-cedillo\">The Los Angeles Times reported Sunday\u003c/a>. She also referred to Bonin as a “little bitch.”\u003c/p>\n\u003cp>At another point on the hour-long recording, Martinez called Indigenous immigrants from the Mexican state of Oaxaca ugly, and made crass remarks about Jews and Armenians.\u003c/p>\n\u003cp>The council reconvened Wednesday, possibly to censure the three members, but it was unable to do business because a crowd of about 50 protesters drowned out the acting president, chanting slogans like, “No meeting without resignation.”\u003c/p>\n\u003cfigure id=\"attachment_11928686\" class=\"wp-caption alignnone\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11928686\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/10/GettyImages-1243898841-1.jpg\" alt=\"An angry crowd raise their fists in the City Hall Council chamber with a black woman in the center and foreground\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243898841-1.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243898841-1-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243898841-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243898841-1-160x107.jpg 160w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Protesters calling for the resignation of LA City Council members Nury Martinez, Kevin de León and Gil Cedillo at the Council meeting at City Hall on Tuesday. \u003ccite>(Gary Coronado/Los Angeles Times via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A minimum of 10 out of 15 members necessary for a quorum had assembled, but the meeting was adjourned after one left. None of the three embattled council members showed up.\u003c/p>\n\u003cp>The Council cannot expel its own members. But acting Council President Mitch O’Farrell said that with no sign of anger subsiding, he didn’t think the body could resume its work until all three members stepped down.\u003c/p>\n\u003cp>“For Los Angeles to heal, and for its City Council to govern, there must be accountability,” he said in a statement. “I repeat my call on Councilmembers De León and Cedillo to also resign. There is no other way forward.”\u003c/p>\n\u003cp>The scene at City Hall was similarly raucous on Tuesday, when a large group of mostly African American and Latino protesters packed the Council chamber, chanting, “Resign, resign, resign,” and carrying signs with messages like “Take out the Trash” and “Shame on You!”\u003c/p>\n\u003cp>“These council members have to go! Their career needs to end,” said LA resident William Gude, one of the first to arrive that day.\u003c/p>\n\u003cp>He was joined by fellow resident Orma Mendez, who said, “We don’t need racists! We have to stand up and fight for our rights.”\u003c/p>\n\u003cp>During the session, Councilmember Bonin fought back tears when describing his reaction to the recording, and the emotional toll it had taken on his family and the city as a whole.\u003c/p>\n\u003cp>“I’m a dad who loves his son in ways that words cannot capture,” he said. “And I take a lot of hits and, hell, I know I invite a bunch of them. But my son? Man, that makes my soul bleed and it makes my temper burn. And I know I’m not alone because Los Angeles has spoken and it feels the same way.”\u003c/p>\n\u003cfigure id=\"attachment_11928688\" class=\"wp-caption alignnone\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11928688\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/10/GettyImages-1243902379-1.jpg\" alt=\"A white man in a suit with no tie wipes a tear from his eye as he stands behind a dais with people in the council chamber looking on\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243902379-1.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243902379-1-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243902379-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/10/GettyImages-1243902379-1-160x107.jpg 160w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">LA City Council member Mike Bonin sheds tears as he speaks about the racist comments directed toward his son during Tuesday’s council meeting. \u003ccite>(Irfan Khan/Los Angeles Times via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Martinez made history in 2019 when she became the first Latina elected to the Council presidency and described herself as “a glass-ceiling shattering leader who brings profound life experience as the proud daughter of working-class immigrants” on her website. She is the daughter of Mexican immigrants and was born and raised in the San Fernando Valley.\u003c/p>\n\u003cp>The scandal and its aftermath have inevitably resurfaced a larger conversation in Los Angeles about race, politics and power. The nation’s second largest city has a long history of political alliances built on racial, religious and geographic tensions and rivalries that often spill over into housing, education, jobs and prisons.\u003c/p>\n\u003cp>There have already been discussions about expanding the city’s 15-member City Council. At its current size, each Council member represents well over a quarter of a million people. A bigger Council, like those in New York or Chicago, some argue, would make it easier for elected officials to represent LA’s kaleidoscope of communities. Some reform advocates have also pushed to reexamine how the current City Council districts were drawn up, and to consider adopting new ones.\u003c/p>\n\u003cp>“One thing is we want to evaluate the redistricting process and ensure that redistricting isn’t used for City Council members to keep their seats safe but rather to ensure that everybody’s voices are heard,” said LA resident Shekinah Deocares, who attended Tuesday’s Council meeting. “We also want to create a system of accountability to make sure things like this don’t happen again.”\u003c/p>\n\u003cp>In a statement Tuesday, Los Angeles City Attorney Mike Feuer said, “It should be clear to everyone by now that leaving the power to draw their own district lines in the hands of the politicians who stand to benefit from how those lines are drawn is a massive conflict of interest and an invitation to the sort of backroom dealing this outrageous conversation revealed.”\u003c/p>\n\u003cp>\u003cem>This story includes reporting from KQED’s Saul Gonzalez and The Associated Press.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "bay-area-chicana-blues-singers-new-album-is-a-celebration-of-spanish-a-language-she-fought-to-learn",
"title": "Bay Area Chicana Blues Singer's New Album Is a Celebration of Spanish — a Language She Fought to Learn",
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"headTitle": "Bay Area Chicana Blues Singer’s New Album Is a Celebration of Spanish — a Language She Fought to Learn | KQED",
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"content": "\u003cp>When singer Marina Crouse was a child in Southern California, Spanish surrounded her but was not a language she spoke. She’s a fourth-generation Californian and a Chicana, but when she was born, in the late 1960s, speaking English was heavily prioritized.\u003c/p>\n\u003cp>“People now value being bilingual, but at that time, and before that, it was not necessarily valued,” says Crouse, who now lives in El Cerrito.\u003c/p>\n\u003cp>Eventually, as an adult, she made a concerted effort to learn Spanish. It was a pursuit she became so committed to that she has since become a Spanish professor at Diablo Valley College in Pleasant Hill.\u003c/p>\n\u003cp>But Crouse’s study of language and literature came only after she pursued a career in music.\u003c/p>\n\u003cfigure id=\"attachment_11916613\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11916613 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/06/IMG_8464-800x640.jpg\" alt=\"A women sings into a microphone.\" width=\"800\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8464-800x640.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8464-1020x816.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8464-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8464-1536x1229.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8464-1920x1536.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8464.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Singer Marina Crouse is well-known for her throaty blues. But her new album features Spanish songs originally sung by ‘crossover‘ artist Eydie Gormé. \u003ccite>(R Hakins/Freight and Salvage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I studied classical music [in college] and I thought I was going to be maybe an opera singer,” says Crouse.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But it was expensive to hire a teacher, and Crouse’s family couldn’t afford to help support her education. Crouse, who grew up in a lower-income, single-parent home, needed financial security, and wasn’t sure her love of music would translate into a true career.\u003c/p>\n\u003cp>Still, after college, graduate school, and a divorce, Crouse’s daughter encouraged her to return to music. She discovered that her bold, brassy voice was perfect for singing blues, and released her first album, “Never Too Soon,” in 2018.\u003c/p>\n\u003cp>https://youtu.be/O1-xmJmLTCQ\u003c/p>\n\u003cp>Now, Crouse is back with a new album , “\u003ca href=\"https://www.marinacrouse.com/music\">Canto de Mi Corazón\u003c/a>” (released by the Bay Area’s Little Village Foundation), that celebrates her love of the Spanish language. It’s also a tribute to an artist whose work has long inspired her.\u003c/p>\n\u003cfigure id=\"attachment_11916683\" class=\"wp-caption alignright\" style=\"max-width: 240px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/06/IMG_8543.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11916683 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/06/IMG_8543.jpg\" alt=\"A woman holds a record cover of an album called 'Amor' by Eydie Gormé and The Trio Los Panchos.\" width=\"240\" height=\"320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8543.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8543-160x213.jpg 160w\" sizes=\"(max-width: 240px) 100vw, 240px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Marina Crouse holds a copy of the album ‘Amor’ performed by Eydie Gormé and The Trio Los Panchos. Crouse remembers her grandmother playing the record whenever she would visit her as a child in Los Angeles. \u003ccite>(Courtesy Marina Crouse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Like Crouse, the renowned singer \u003ca href=\"https://en.wikipedia.org/wiki/Eydie_Gorm%C3%A9\">Eydie Gormé\u003c/a> — who rose to stardom in the 1950s and 1960s — recorded in both English and Spanish. But Gormé’s background was a bit different: Her parents were Turkish-born Jews who emigrated to New York and spoke Ladino, a language derived from Spanish by Jews who were expelled from their homeland during the Spanish Inquisition. \u003ca href=\"https://www.youtube.com/watch?v=kQeGLk4nGus&ab_channel=iTubeNL\">Gormé performed in Spanish\u003c/a> with a group called The Trio Los Panchos, becoming among the earliest so-called “crossover” artists.\u003c/p>\n\u003cp>“Her music, and the music she did in Spanish with Trio Los Panchos, was probably the most memorable music for me growing up,” says Crouse, whose new album pays tribute to Gormé, with versions of the songs “Piel Canela, Sabor a Mi” and “Cuando Vuelva a tu Lado.” She sings the entire album in Spanish.\u003c/p>\n\u003cp>Crouse, who grew up in Los Angeles, says her childhood was difficult. She moved around a lot and attended many different schools, she recalls.\u003c/p>\n\u003cp>But when she was a child, her grandmother’s house was an anchor for her. And that’s where she first encountered Gormé’s music, immediately noticing how happy it made her grandmother.\u003c/p>\n\u003cfigure id=\"attachment_11916611\" class=\"wp-caption alignright\" style=\"max-width: 232px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/06/Granny-.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11916611\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/06/Granny-.jpg\" alt=\"A young girl and a baby sit on an elderly woman's lap.\" width=\"232\" height=\"185\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/Granny-.jpg 451w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/Granny--160x128.jpg 160w\" sizes=\"(max-width: 232px) 100vw, 232px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Marina Crouse (left) says listening to Eydie Gormé’s records in Spanish with her grandmother is among her favorite memories from a childhood that was otherwise turbulent. \u003ccite>(Courtesy Marina Crouse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“She had one of these big stereos that look like a 1960s TV console,” Crouse says. “And you would lift up the heavy top and put the records on in there and then the speakers were on each side.”\u003c/p>\n\u003cp>Crouse remembers studying the album covers, reading the names of songs and looking at the pictures. Even though she didn’t understand the lyrics back then, the music — and the experience — left a lasting impression.\u003c/p>\n\u003cp>“It was this sort of magical thing. And the music was so beautiful,” she says.\u003c/p>\n\u003cp>“Piel Canela” is one of Crouse’s favorite tracks on the new album.\u003c/p>\n\u003cp>“The lyrics are just so gorgeous,” she says. “It’s about brown skin, and the beauty of brown skin.”\u003c/p>\n\u003cp>Crouse says singing in Spanish “feels incredible” after the frustration she experienced as a child, when people often assumed she spoke Spanish, and she sometimes felt ashamed because she didn’t.\u003c/p>\n\u003cp>“I used to sort of phonetically sing along, but I didn’t really understand what they were talking about,” she says. “After spending all these years studying Spanish and teaching literature and poetry and really, you know, sinking into words, it just feels … it sounds very cliché — it just feels like home.”\u003c/p>\n\u003cp>https://youtu.be/p046AdGMDc4\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Marina Crouse plans to celebrate her new album at a \u003ca href=\"https://www.bandsintown.com/artist-rsvp/11902503?event_id=103493680&utm_campaign=event&utm_medium=api&app_id=WIX_marina-crouse-sings&utm_source=public_api&came_from=267&spn=0&signature=ZZea27e3c573a72de12bebfee46904818726858739fbb90311044b19ab85c27f88\">record release party \u003c/a>July 23 at The Sound Room in Oakland. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When singer Marina Crouse was a child in Southern California, Spanish surrounded her but was not a language she spoke. She’s a fourth-generation Californian and a Chicana, but when she was born, in the late 1960s, speaking English was heavily prioritized.\u003c/p>\n\u003cp>“People now value being bilingual, but at that time, and before that, it was not necessarily valued,” says Crouse, who now lives in El Cerrito.\u003c/p>\n\u003cp>Eventually, as an adult, she made a concerted effort to learn Spanish. It was a pursuit she became so committed to that she has since become a Spanish professor at Diablo Valley College in Pleasant Hill.\u003c/p>\n\u003cp>But Crouse’s study of language and literature came only after she pursued a career in music.\u003c/p>\n\u003cfigure id=\"attachment_11916613\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11916613 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/06/IMG_8464-800x640.jpg\" alt=\"A women sings into a microphone.\" width=\"800\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8464-800x640.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8464-1020x816.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8464-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8464-1536x1229.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8464-1920x1536.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8464.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Singer Marina Crouse is well-known for her throaty blues. But her new album features Spanish songs originally sung by ‘crossover‘ artist Eydie Gormé. \u003ccite>(R Hakins/Freight and Salvage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I studied classical music [in college] and I thought I was going to be maybe an opera singer,” says Crouse.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But it was expensive to hire a teacher, and Crouse’s family couldn’t afford to help support her education. Crouse, who grew up in a lower-income, single-parent home, needed financial security, and wasn’t sure her love of music would translate into a true career.\u003c/p>\n\u003cp>Still, after college, graduate school, and a divorce, Crouse’s daughter encouraged her to return to music. She discovered that her bold, brassy voice was perfect for singing blues, and released her first album, “Never Too Soon,” in 2018.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/O1-xmJmLTCQ'\n title='//www.youtube.com/embed/O1-xmJmLTCQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Now, Crouse is back with a new album , “\u003ca href=\"https://www.marinacrouse.com/music\">Canto de Mi Corazón\u003c/a>” (released by the Bay Area’s Little Village Foundation), that celebrates her love of the Spanish language. It’s also a tribute to an artist whose work has long inspired her.\u003c/p>\n\u003cfigure id=\"attachment_11916683\" class=\"wp-caption alignright\" style=\"max-width: 240px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/06/IMG_8543.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11916683 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/06/IMG_8543.jpg\" alt=\"A woman holds a record cover of an album called 'Amor' by Eydie Gormé and The Trio Los Panchos.\" width=\"240\" height=\"320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8543.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/IMG_8543-160x213.jpg 160w\" sizes=\"(max-width: 240px) 100vw, 240px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Marina Crouse holds a copy of the album ‘Amor’ performed by Eydie Gormé and The Trio Los Panchos. Crouse remembers her grandmother playing the record whenever she would visit her as a child in Los Angeles. \u003ccite>(Courtesy Marina Crouse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Like Crouse, the renowned singer \u003ca href=\"https://en.wikipedia.org/wiki/Eydie_Gorm%C3%A9\">Eydie Gormé\u003c/a> — who rose to stardom in the 1950s and 1960s — recorded in both English and Spanish. But Gormé’s background was a bit different: Her parents were Turkish-born Jews who emigrated to New York and spoke Ladino, a language derived from Spanish by Jews who were expelled from their homeland during the Spanish Inquisition. \u003ca href=\"https://www.youtube.com/watch?v=kQeGLk4nGus&ab_channel=iTubeNL\">Gormé performed in Spanish\u003c/a> with a group called The Trio Los Panchos, becoming among the earliest so-called “crossover” artists.\u003c/p>\n\u003cp>“Her music, and the music she did in Spanish with Trio Los Panchos, was probably the most memorable music for me growing up,” says Crouse, whose new album pays tribute to Gormé, with versions of the songs “Piel Canela, Sabor a Mi” and “Cuando Vuelva a tu Lado.” She sings the entire album in Spanish.\u003c/p>\n\u003cp>Crouse, who grew up in Los Angeles, says her childhood was difficult. She moved around a lot and attended many different schools, she recalls.\u003c/p>\n\u003cp>But when she was a child, her grandmother’s house was an anchor for her. And that’s where she first encountered Gormé’s music, immediately noticing how happy it made her grandmother.\u003c/p>\n\u003cfigure id=\"attachment_11916611\" class=\"wp-caption alignright\" style=\"max-width: 232px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/06/Granny-.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11916611\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/06/Granny-.jpg\" alt=\"A young girl and a baby sit on an elderly woman's lap.\" width=\"232\" height=\"185\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/Granny-.jpg 451w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/Granny--160x128.jpg 160w\" sizes=\"(max-width: 232px) 100vw, 232px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Marina Crouse (left) says listening to Eydie Gormé’s records in Spanish with her grandmother is among her favorite memories from a childhood that was otherwise turbulent. \u003ccite>(Courtesy Marina Crouse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“She had one of these big stereos that look like a 1960s TV console,” Crouse says. “And you would lift up the heavy top and put the records on in there and then the speakers were on each side.”\u003c/p>\n\u003cp>Crouse remembers studying the album covers, reading the names of songs and looking at the pictures. Even though she didn’t understand the lyrics back then, the music — and the experience — left a lasting impression.\u003c/p>\n\u003cp>“It was this sort of magical thing. And the music was so beautiful,” she says.\u003c/p>\n\u003cp>“Piel Canela” is one of Crouse’s favorite tracks on the new album.\u003c/p>\n\u003cp>“The lyrics are just so gorgeous,” she says. “It’s about brown skin, and the beauty of brown skin.”\u003c/p>\n\u003cp>Crouse says singing in Spanish “feels incredible” after the frustration she experienced as a child, when people often assumed she spoke Spanish, and she sometimes felt ashamed because she didn’t.\u003c/p>\n\u003cp>“I used to sort of phonetically sing along, but I didn’t really understand what they were talking about,” she says. “After spending all these years studying Spanish and teaching literature and poetry and really, you know, sinking into words, it just feels … it sounds very cliché — it just feels like home.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/p046AdGMDc4'\n title='//www.youtube.com/embed/p046AdGMDc4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>\u003cem>Marina Crouse plans to celebrate her new album at a \u003ca href=\"https://www.bandsintown.com/artist-rsvp/11902503?event_id=103493680&utm_campaign=event&utm_medium=api&app_id=WIX_marina-crouse-sings&utm_source=public_api&came_from=267&spn=0&signature=ZZea27e3c573a72de12bebfee46904818726858739fbb90311044b19ab85c27f88\">record release party \u003c/a>July 23 at The Sound Room in Oakland. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>U.S. Response to War in Ukraine\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">This week, President Joe Biden traveled to Europe for emergency summits with other world leaders. He announced plans to ship liquified natural gas to Europe to reduce dependence on Russian oil and gas as well as more sanctions. We get reaction from California Congressmember Adam Schiff, D-Burbank, on how the U.S. is responding to the conflict in Ukraine.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guest:\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">U.S. Rep. Adam Schiff, D-Calif.\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>California Cryptocurrency Bill\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">What if you could pay your state taxes using digital money? Colorado Gov. \u003c/span>\u003cspan style=\"font-weight: 400\">Jared Polis says his state will begin to accept cryptocurrency payments for state taxes and fees as early as this summer. Here\u003c/span>\u003cspan style=\"font-weight: 400\"> in the Golden State\u003c/span>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003cspan style=\"font-weight: 400\">State Sen. Sydney Kamlager has introduced a bill that aims to do something similar. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guest:\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">State Sen. Sydney Kamlager, D-Los Angeles\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>This Week in California News and Politics\u003c/b>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">This week, Gov. Gavin Newsom proposed an $11 billion package to offset the burden of gas prices that have been rising over the past several weeks. His plan would send up to two $400 payments to registered vehicle owners and includes grants and reduced fares for public transit users. We also discuss international attempts to regulate high-tech companies, and the Los Angeles mayor’s race.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guests:\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Jeremy B. White, Politico California politics reporter\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Rachael Myrow, KQED Silicon Valley News Desk senior editor\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Something Beautiful: Happy Hollow Park and Zoo\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">In this week’s Something Beautiful, we visit Happy Hollow, a small zoo and amusement park in San Jose that features rides for young children.\u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>U.S. Response to War in Ukraine\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">This week, President Joe Biden traveled to Europe for emergency summits with other world leaders. He announced plans to ship liquified natural gas to Europe to reduce dependence on Russian oil and gas as well as more sanctions. We get reaction from California Congressmember Adam Schiff, D-Burbank, on how the U.S. is responding to the conflict in Ukraine.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guest:\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">U.S. Rep. Adam Schiff, D-Calif.\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>California Cryptocurrency Bill\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">What if you could pay your state taxes using digital money? Colorado Gov. \u003c/span>\u003cspan style=\"font-weight: 400\">Jared Polis says his state will begin to accept cryptocurrency payments for state taxes and fees as early as this summer. Here\u003c/span>\u003cspan style=\"font-weight: 400\"> in the Golden State\u003c/span>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003cspan style=\"font-weight: 400\">State Sen. Sydney Kamlager has introduced a bill that aims to do something similar. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guest:\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">State Sen. Sydney Kamlager, D-Los Angeles\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>This Week in California News and Politics\u003c/b>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">This week, Gov. Gavin Newsom proposed an $11 billion package to offset the burden of gas prices that have been rising over the past several weeks. His plan would send up to two $400 payments to registered vehicle owners and includes grants and reduced fares for public transit users. We also discuss international attempts to regulate high-tech companies, and the Los Angeles mayor’s race.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guests:\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Jeremy B. White, Politico California politics reporter\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Rachael Myrow, KQED Silicon Valley News Desk senior editor\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Something Beautiful: Happy Hollow Park and Zoo\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">In this week’s Something Beautiful, we visit Happy Hollow, a small zoo and amusement park in San Jose that features rides for young children.\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Legendary LA Jazz Vocalist Ernie Andrews Dies at 94",
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"content": "\u003cp>Los Angeles vocalist Ernie Andrews was one of jazz’s great ballad and blues men. A suave song stylist whose career spanned almost eight decades, he was one of the last direct links to the glory days of the Central Avenue scene in the 1940s, when LA boasted one of the nation’s most fecund and innovative Black music scenes. While Andrews never quite became a star, he was an indispensable figure in Southern California until his death on Feb. 21 at the age of 94.\u003c/p>\n\u003cfigure id=\"attachment_11907743\" class=\"wp-caption alignright\" style=\"max-width: 371px\">\u003cimg class=\"wp-image-11907743\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/03/RS54142_Ernie-Andrews-How-About-Me-HighNote-HCD-7151-qut-800x800.jpg\" alt=\"\" width=\"371\" height=\"371\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/03/RS54142_Ernie-Andrews-How-About-Me-HighNote-HCD-7151-qut-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/03/RS54142_Ernie-Andrews-How-About-Me-HighNote-HCD-7151-qut-1020x1020.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/03/RS54142_Ernie-Andrews-How-About-Me-HighNote-HCD-7151-qut-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/03/RS54142_Ernie-Andrews-How-About-Me-HighNote-HCD-7151-qut-1536x1536.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2022/03/RS54142_Ernie-Andrews-How-About-Me-HighNote-HCD-7151-qut.jpg 1920w\" sizes=\"(max-width: 371px) 100vw, 371px\">\u003cfigcaption class=\"wp-caption-text\">Ernie Andrews released the album 'How About Me' in 2006. \u003ccite>(Courtesy HighNote Records)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Born in Philadelphia in 1927, Andrews spent several formative years as a teenager in New Orleans, where he started performing professionally. By the time he enrolled at Jefferson High (alongside classmates such as future tenor sax legend Dexter Gordon and trombonist/arranger Melba Liston), he was ready for the big time. After Andrews won a talent show at Central Avenue’s Lincoln Theatre, songwriter Joe Greene approached him about recording some of his material. Andrews wasn’t 18 yet when he scored a minor hit in 1945 with Greene’s “Soothe Me” (a song memorably revived by Shirley Horn in 1991).\u003c/p>\n\u003cp>Inspired by Billy Eckstine’s suave balladry and Jimmy Rushing’s Kansas City blues, Andrews had his own idiosyncratic sound from the beginning. Tall, lean and dapper, he infused even upbeat tunes with a melancholic air, but without a trace of self-pity. A master of dynamics, he could start a ballad with a supple purr and build to a fierce roar, then bring his volume down again without particularly calling attention to the shifts. He also honed a repertoire brimming with songs few other artists performed. While scatting wasn’t his forte, he could belt the blues with authority, or take a pop tune like James Taylor’s “Fire and Rain” and turn it into a jazz epic. Yet for much of his career he was overlooked by record labels and, sadly, under-documented.\u003c/p>\n\u003cp>https://youtu.be/hvis7fL7RCs\u003c/p>\n\u003cp>The confounding thing about Andrews isn’t that he was underappreciated. That’s pretty much the rule rather than the exception when it comes to male jazz singers. What’s so frustrating is that he seemed to come close to popular acclaim so many times. In hindsight, touring and recording as a member of trumpeter Harry James's band during his prime years from the late 1950s through the mid-'60s undermined Andrews’s ability to establish himself as a solo act. During this time before the British Invasion, jazz still occupied some prime cultural real estate.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Alto saxophone great Cannonball Adderley made the first attempt at reintroducing Andrews to jazz fans. He’d helped make vocalist Nancy Wilson a star in 1962 and tried the same thing with Andrews two years later with the album \"\u003ca href=\"https://www.allmusic.com/album/live-session%21-mw0000696378\">Live Session\u003c/a>,\" which describes the vocalist on the cover copy as “the exciting new voice,” blithely ignoring that he was already a well-traveled veteran with a hit two decades earlier. My favorite track is “\u003ca href=\"https://www.youtube.com/watch?v=S8Y78o7d3KA\">I’m Always Drunk in San Francisco\u003c/a>,” which could have done for Andrews what “I Left My Heart in San Francisco” did for Tony Bennett, but it never took off.\u003c/p>\n\u003cp>https://youtu.be/S8Y78o7d3KA\u003c/p>\n\u003cp>Guitar great Kenny Burrell featured Andrews on his high-profile \"\u003ca href=\"https://www.youtube.com/watch?v=fEFSeH3pD3E\">Ellington Is Forever\u003c/a>\" projects in the mid-1970s, another showcase that briefly raised the vocalist’s profile. At the same time, he also became the go-to vocalist for several big bands around Southern California, particularly the Capp-Pierce Juggernaut and later \u003ca href=\"https://www.youtube.com/watch?v=IbHmcIRptew\">Gene Harris and the Philip Morris Superband\u003c/a>, an all-star aggregation that toured the world underwritten by the tobacco company. The young lions took a swing at elevating Andrews when the Harper Brothers featured him on their 1992 album \"You Can Hide Inside the Music,\" which may have helped change his luck.\u003c/p>\n\u003cp>https://youtu.be/kK8O6Zuy-N0\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Over the next 12 years, he recorded more consistently than ever before, making half a dozen excellent albums for Muse and HighNote between 1993 and 2005. The last valiant effort to document the ageless Andrews was in 2014 when he was 86 years old and the Clayton-Hamilton Jazz Orchestra recorded \"The LA Treasures Project: Live at Alvas Showroom.\" The album also featured the commanding jazz and blues vocalist Barbara Morrison. They both sound magnificent, with Andrews displaying his impeccable phrasing on the classic Sammy Cahn and Jule Styne ballad “\u003ca href=\"https://www.youtube.com/watch?v=DJ2Uv0VlEUc\">Time After Time\u003c/a>.” Andrews sounds like he’s a lion in winter gently growling about his devotion, embodying jazz’s imperative to sing what you’ve lived.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Los Angeles vocalist Ernie Andrews was one of jazz’s great ballad and blues men. A suave song stylist whose career spanned almost eight decades, he was one of the last direct links to the glory days of the Central Avenue scene in the 1940s, when LA boasted one of the nation’s most fecund and innovative Black music scenes. While Andrews never quite became a star, he was an indispensable figure in Southern California until his death on Feb. 21 at the age of 94.\u003c/p>\n\u003cfigure id=\"attachment_11907743\" class=\"wp-caption alignright\" style=\"max-width: 371px\">\u003cimg class=\"wp-image-11907743\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/03/RS54142_Ernie-Andrews-How-About-Me-HighNote-HCD-7151-qut-800x800.jpg\" alt=\"\" width=\"371\" height=\"371\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2022/03/RS54142_Ernie-Andrews-How-About-Me-HighNote-HCD-7151-qut-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2022/03/RS54142_Ernie-Andrews-How-About-Me-HighNote-HCD-7151-qut-1020x1020.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2022/03/RS54142_Ernie-Andrews-How-About-Me-HighNote-HCD-7151-qut-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2022/03/RS54142_Ernie-Andrews-How-About-Me-HighNote-HCD-7151-qut-1536x1536.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2022/03/RS54142_Ernie-Andrews-How-About-Me-HighNote-HCD-7151-qut.jpg 1920w\" sizes=\"(max-width: 371px) 100vw, 371px\">\u003cfigcaption class=\"wp-caption-text\">Ernie Andrews released the album 'How About Me' in 2006. \u003ccite>(Courtesy HighNote Records)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Born in Philadelphia in 1927, Andrews spent several formative years as a teenager in New Orleans, where he started performing professionally. By the time he enrolled at Jefferson High (alongside classmates such as future tenor sax legend Dexter Gordon and trombonist/arranger Melba Liston), he was ready for the big time. After Andrews won a talent show at Central Avenue’s Lincoln Theatre, songwriter Joe Greene approached him about recording some of his material. Andrews wasn’t 18 yet when he scored a minor hit in 1945 with Greene’s “Soothe Me” (a song memorably revived by Shirley Horn in 1991).\u003c/p>\n\u003cp>Inspired by Billy Eckstine’s suave balladry and Jimmy Rushing’s Kansas City blues, Andrews had his own idiosyncratic sound from the beginning. Tall, lean and dapper, he infused even upbeat tunes with a melancholic air, but without a trace of self-pity. A master of dynamics, he could start a ballad with a supple purr and build to a fierce roar, then bring his volume down again without particularly calling attention to the shifts. He also honed a repertoire brimming with songs few other artists performed. While scatting wasn’t his forte, he could belt the blues with authority, or take a pop tune like James Taylor’s “Fire and Rain” and turn it into a jazz epic. Yet for much of his career he was overlooked by record labels and, sadly, under-documented.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hvis7fL7RCs'\n title='//www.youtube.com/embed/hvis7fL7RCs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The confounding thing about Andrews isn’t that he was underappreciated. That’s pretty much the rule rather than the exception when it comes to male jazz singers. What’s so frustrating is that he seemed to come close to popular acclaim so many times. In hindsight, touring and recording as a member of trumpeter Harry James's band during his prime years from the late 1950s through the mid-'60s undermined Andrews’s ability to establish himself as a solo act. During this time before the British Invasion, jazz still occupied some prime cultural real estate.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Alto saxophone great Cannonball Adderley made the first attempt at reintroducing Andrews to jazz fans. He’d helped make vocalist Nancy Wilson a star in 1962 and tried the same thing with Andrews two years later with the album \"\u003ca href=\"https://www.allmusic.com/album/live-session%21-mw0000696378\">Live Session\u003c/a>,\" which describes the vocalist on the cover copy as “the exciting new voice,” blithely ignoring that he was already a well-traveled veteran with a hit two decades earlier. My favorite track is “\u003ca href=\"https://www.youtube.com/watch?v=S8Y78o7d3KA\">I’m Always Drunk in San Francisco\u003c/a>,” which could have done for Andrews what “I Left My Heart in San Francisco” did for Tony Bennett, but it never took off.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/S8Y78o7d3KA'\n title='//www.youtube.com/embed/S8Y78o7d3KA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Guitar great Kenny Burrell featured Andrews on his high-profile \"\u003ca href=\"https://www.youtube.com/watch?v=fEFSeH3pD3E\">Ellington Is Forever\u003c/a>\" projects in the mid-1970s, another showcase that briefly raised the vocalist’s profile. At the same time, he also became the go-to vocalist for several big bands around Southern California, particularly the Capp-Pierce Juggernaut and later \u003ca href=\"https://www.youtube.com/watch?v=IbHmcIRptew\">Gene Harris and the Philip Morris Superband\u003c/a>, an all-star aggregation that toured the world underwritten by the tobacco company. The young lions took a swing at elevating Andrews when the Harper Brothers featured him on their 1992 album \"You Can Hide Inside the Music,\" which may have helped change his luck.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kK8O6Zuy-N0'\n title='//www.youtube.com/embed/kK8O6Zuy-N0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>Over the next 12 years, he recorded more consistently than ever before, making half a dozen excellent albums for Muse and HighNote between 1993 and 2005. The last valiant effort to document the ageless Andrews was in 2014 when he was 86 years old and the Clayton-Hamilton Jazz Orchestra recorded \"The LA Treasures Project: Live at Alvas Showroom.\" The album also featured the commanding jazz and blues vocalist Barbara Morrison. They both sound magnificent, with Andrews displaying his impeccable phrasing on the classic Sammy Cahn and Jule Styne ballad “\u003ca href=\"https://www.youtube.com/watch?v=DJ2Uv0VlEUc\">Time After Time\u003c/a>.” Andrews sounds like he’s a lion in winter gently growling about his devotion, embodying jazz’s imperative to sing what you’ve lived.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>Oakland Mayor Libby Schaaf\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">We talk with Oakland Mayor Libby Schaaf about the latest news, including plans to end the city’s Safe Oakland Streets, recent developments on the Oakland A’s proposed new stadium at Howard Terminal, her support of the Oakland Unified School District board’s plan to close or merge 15 schools, and whether the culture of Oakland’s police department has improved enough.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guest:\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Mayor Libby Schaaf, D-Oakland\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>This Week in California News and Politics\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Gov. Gavin Newsom is facing criticism after photos surfaced of him and other politicians, including San Francisco Mayor London Breed, without masks at the NFC Championship game in Los Angeles last Sunday, in violation of SoFi Stadium rules. We also talk about the end of death row at San Quentin State Prison, a new study that finds that alleviating poverty can help a baby’s brain development, and a contentious recall in Shasta County that is pitting Republicans against Republicans.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guests:\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Scott Shafer, KQED politics and government senior editor\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Alexis Madrigal, KQED Forum co-host\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Something Beautiful: Oakland Zoo’s Glowfari\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">This week’s Something Beautiful is the Oakland Zoo’s annual Glowfari, where larger-than-life animal lanterns prowl the grounds alongside the zoo’s usual critters.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Oakland Mayor Libby Schaaf\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">We talk with Oakland Mayor Libby Schaaf about the latest news, including plans to end the city’s Safe Oakland Streets, recent developments on the Oakland A’s proposed new stadium at Howard Terminal, her support of the Oakland Unified School District board’s plan to close or merge 15 schools, and whether the culture of Oakland’s police department has improved enough.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guest:\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Mayor Libby Schaaf, D-Oakland\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>This Week in California News and Politics\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">Gov. Gavin Newsom is facing criticism after photos surfaced of him and other politicians, including San Francisco Mayor London Breed, without masks at the NFC Championship game in Los Angeles last Sunday, in violation of SoFi Stadium rules. We also talk about the end of death row at San Quentin State Prison, a new study that finds that alleviating poverty can help a baby’s brain development, and a contentious recall in Shasta County that is pitting Republicans against Republicans.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guests:\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Scott Shafer, KQED politics and government senior editor\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Alexis Madrigal, KQED Forum co-host\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Something Beautiful: Oakland Zoo’s Glowfari\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">This week’s Something Beautiful is the Oakland Zoo’s annual Glowfari, where larger-than-life animal lanterns prowl the grounds alongside the zoo’s usual critters.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Traffic Deaths in California Are on the Rise. Here's How LA and Other Big Cities Are Trying to Change That",
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"content": "\u003cp>The worst day of Koi Finley’s life happened last January when she learned her father had just been struck and killed by a hit-and-run driver in downtown Los Angeles during his regular weekend bike ride. He was 46.\u003c/p>\n\u003cp>“That’s the craziest thing that anyone can tell you, that your father was literally hit by somebody,” Finley said. “‘Somebody killed your dad.'”\u003c/p>\n\u003cp>More than a year later, Finley, 19, is still grappling with the senselessness of her dad’s death, and the understanding that it is part of a larger, ongoing tragedy playing out on California’s streets.\u003c/p>\n\u003cp>There were an estimated 3,246 traffic fatalities across the state during the first nine months of 2021, a 17% increase from the same time period the previous year, \u003ca href=\"https://crashstats.nhtsa.dot.gov/Api/Public/ViewPublication/813240\">according to just-released National Traffic Highway Safety Administration data.\u003c/a>\u003c/p>\n\u003cp>The uptick was even sharper in Los Angeles, where Finley’s father was one of nearly 300 non-motorists killed in traffic accidents in 2021 — an increase of 20% from 2020. Of those deaths, 132 people were pedestrians.\u003c/p>\n\u003cfigure id=\"attachment_11903813\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/unnamed-2-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11903813 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/unnamed-2-scaled.jpg\" alt=\"A young woman standing in a walkway.\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/unnamed-2-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/unnamed-2-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/unnamed-2-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/unnamed-2-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/unnamed-2-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/unnamed-2-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/unnamed-2-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Koi Finley in Los Angeles on Jan. 18, 2022. \u003ccite>(Saul Gonzalez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Every single one of those numbers is a tragedy,” said LA Department of Transportation General Manager Seleta Reynolds. “If we cannot get people from A to B and guarantee that they are safe, and that when somebody leaves in the morning, they’ll come home safely at night, then we haven’t fulfilled sort of a basic responsibility.”\u003c/p>\n\u003cp>Reynolds says her most important tool to reduce traffic injuries and deaths is a program called Vision Zero.\u003c/p>\n\u003cp>Inspired by traffic safety initiatives in Europe, and adopted by LA in 2015, the initiative has set the ambitious goal of eliminating all traffic-related fatalities in the city by the year 2025.[pullquote align=\"right\" size=\"medium\" citation=\"Seleta Reynolds, general manager, LA Department of Transportation\"]‘Every single one of those numbers is a tragedy. If we cannot get people from A to B and guarantee that they are safe, and that when somebody leaves in the morning, they’ll come home safely at night, then we haven’t fulfilled sort of a basic responsibility.’[/pullquote]Similar programs exist in other major urban areas around the state, including \u003ca href=\"https://www.visionzerosf.org/\">San Francisco\u003c/a> and \u003ca href=\"https://www.sandiego.gov/vision-zero\">San Diego\u003c/a>.\u003c/p>\n\u003cp>To reach their goal, LA officials are focused on improving what they call “high-injury network streets” — the 6% of all streets in the city that account for 70% of pedestrian deaths and injuries. Most are concentrated in the San Fernando Valley and South LA.\u003c/p>\n\u003cp>What do these streets have in common? They’re flat and wide, with relatively few traffic lights and crosswalks — all factors that often entice motorists to speed. Reynolds says speed is the No. 1 determinant of the severity of a car crash.\u003c/p>\n\u003cp>Through Vision Zero, the city is trying to remove lanes of traffic, widen bike lanes, and install additional crosswalks with big signs and flashing beacons to more effectively alert drivers to pedestrians and cyclists.\u003c/p>\n\u003cp>One example of these changes is a stretch of Adams Boulevard, south of the 10 Freeway in the city’s West Adams neighborhood. Like many other dangerous streets, it runs through predominantly lower-income Black and Latino neighborhoods.\u003c/p>\n\u003cp>“Motorists have used this roadway, this corridor, almost as a speedway,” says Yolanda Davis-Overstreet, a vice president of the West Adams Neighborhood Council and a traffic safety advocate.\u003c/p>\n\u003cp>Pedestrian safety is very much a racial and social justice issue, she notes, because so many of LA’s most dangerous streets run through communities of color, and Black and Latino residents make up a disproportionate number of traffic deaths.\u003c/p>\n\u003cfigure id=\"attachment_11903814\" class=\"wp-caption aligncenter\" style=\"max-width: 1880px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/0.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11903814\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/0.jpeg\" alt=\"A woman standing on a street corner.\" width=\"1880\" height=\"1410\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/0.jpeg 1880w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/0-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/0-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/0-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/0-1536x1152.jpeg 1536w\" sizes=\"(max-width: 1880px) 100vw, 1880px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Yolanda Davis-Overstreet, a traffic safety advocate in Los Angeles, observes traffic on Dec. 18, 2022, along Adams Boulevard, where multiple pedestrians have been killed in collisions. \u003ccite>(Saul Gonzalez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It is a justice issue and it is a safety issue in the community,” said Davis-Overstreet. “Our Black and Brown lives that have been lost because of the conditions we’ve lived under for decades.”\u003c/p>\n\u003cp>The recent safety upgrades along Adams Boulevard, she says, like the removal of a lane of traffic in each direction and the placement of enhanced crosswalks with big overhead lights, are a step in the right direction.\u003c/p>\n\u003cp>“It’s a behavioral change, where we have to slow it down,” said Davis-Overstreet on a recent morning, as she stood along the street watching the traffic go by.[aside label=\"Related Coverage\" tag=\"traffic-safety\"]The U.S. Department of Transportation just announced its own $5 billion safety initiative to fund local projects aimed at reducing dangerous speeding and improving pedestrian and cyclist infrastructure.\u003c/p>\n\u003cp>But despite LA’s efforts, traffic-related deaths and injuries have increased almost every year since the Vision Zero project was launched here in 2015, prompting some city leaders and safety advocates to accuse traffic officials of not moving nearly fast enough to make the streets safer.\u003c/p>\n\u003cp>Some critics argue that not enough money is being spent on the improvements, while others say local officials are prioritizing the plan’s implementation and failing to meet certain per-year metrics to reduce deaths and injuries.\u003c/p>\n\u003cp>But Seleta Reynolds, of LA’s Department of Transportation, says Vision Zero is only part of the solution to reducing traffic deaths.\u003c/p>\n\u003cp>She points to factors beyond traffic planners’ control, like America’s continuing love affair with big, heavy vehicles that greatly increase the chances a pedestrian or cyclist will die if hit.\u003c/p>\n\u003cp>Then there’s the challenge of distracted driving and the development of increasingly sophisticated car infotainment systems that keep motorists’ attention focused on screens instead of their surroundings, she said.\u003c/p>\n\u003cp>“About 80% of people driving are … actively using technology,” Reynolds said. “We also know that the majority of crashes happen when people driving take their eyes off the road for more than two seconds.”\u003c/p>\n\u003cfigure id=\"attachment_11903923\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/Crosswalk2-scaled-e1643926956960.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11903923\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/Crosswalk2-scaled-e1643926956960.jpg\" alt=\"A lone person crossing a broad street, with the sun rising behind her.\" width=\"1920\" height=\"1439\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A woman crosses a large boulevard in Los Angeles’s MacArthur Park neighborhood. \u003ccite>(Saul Gonzalez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Reynolds also blames her city’s persistently high traffic fatality and injury rates on bad driving habits picked up by motorists during the early months of the pandemic, when streets were much emptier, and drivers were more prone to speed — an inclination that she says many drivers have unfortunately retained.\u003c/p>\n\u003cp>Although Reynolds acknowledges the city probably won’t meet the program’s goal of eliminating traffic deaths by 2025, she says aspiring to reach the Vision Zero goal is still worth it.\u003c/p>\n\u003cp>“We’ve set a milestone. We’ve set a year. And if we don’t get there, then I hope it will invite a lot of accountability and dialogue and discussion,” she said.\u003c/p>\n\u003cp>But that offers little comfort to Koi Finley, who is still grieving the loss of her father and worries that the streets are still just as dangerous as they were when he was killed.\u003c/p>\n\u003cp>“The city has said they want to make changes and fix things, but I feel like it hasn’t been a huge priority,” she said. “Something needs to be done. Something has to come from all of this, all of this heartache, all of this struggle.”[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The worst day of Koi Finley’s life happened last January when she learned her father had just been struck and killed by a hit-and-run driver in downtown Los Angeles during his regular weekend bike ride. He was 46.\u003c/p>\n\u003cp>“That’s the craziest thing that anyone can tell you, that your father was literally hit by somebody,” Finley said. “‘Somebody killed your dad.'”\u003c/p>\n\u003cp>More than a year later, Finley, 19, is still grappling with the senselessness of her dad’s death, and the understanding that it is part of a larger, ongoing tragedy playing out on California’s streets.\u003c/p>\n\u003cp>There were an estimated 3,246 traffic fatalities across the state during the first nine months of 2021, a 17% increase from the same time period the previous year, \u003ca href=\"https://crashstats.nhtsa.dot.gov/Api/Public/ViewPublication/813240\">according to just-released National Traffic Highway Safety Administration data.\u003c/a>\u003c/p>\n\u003cp>The uptick was even sharper in Los Angeles, where Finley’s father was one of nearly 300 non-motorists killed in traffic accidents in 2021 — an increase of 20% from 2020. Of those deaths, 132 people were pedestrians.\u003c/p>\n\u003cfigure id=\"attachment_11903813\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/unnamed-2-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11903813 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/unnamed-2-scaled.jpg\" alt=\"A young woman standing in a walkway.\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/unnamed-2-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/unnamed-2-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/unnamed-2-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/unnamed-2-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/unnamed-2-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/unnamed-2-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/unnamed-2-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Koi Finley in Los Angeles on Jan. 18, 2022. \u003ccite>(Saul Gonzalez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Every single one of those numbers is a tragedy,” said LA Department of Transportation General Manager Seleta Reynolds. “If we cannot get people from A to B and guarantee that they are safe, and that when somebody leaves in the morning, they’ll come home safely at night, then we haven’t fulfilled sort of a basic responsibility.”\u003c/p>\n\u003cp>Reynolds says her most important tool to reduce traffic injuries and deaths is a program called Vision Zero.\u003c/p>\n\u003cp>Inspired by traffic safety initiatives in Europe, and adopted by LA in 2015, the initiative has set the ambitious goal of eliminating all traffic-related fatalities in the city by the year 2025.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Similar programs exist in other major urban areas around the state, including \u003ca href=\"https://www.visionzerosf.org/\">San Francisco\u003c/a> and \u003ca href=\"https://www.sandiego.gov/vision-zero\">San Diego\u003c/a>.\u003c/p>\n\u003cp>To reach their goal, LA officials are focused on improving what they call “high-injury network streets” — the 6% of all streets in the city that account for 70% of pedestrian deaths and injuries. Most are concentrated in the San Fernando Valley and South LA.\u003c/p>\n\u003cp>What do these streets have in common? They’re flat and wide, with relatively few traffic lights and crosswalks — all factors that often entice motorists to speed. Reynolds says speed is the No. 1 determinant of the severity of a car crash.\u003c/p>\n\u003cp>Through Vision Zero, the city is trying to remove lanes of traffic, widen bike lanes, and install additional crosswalks with big signs and flashing beacons to more effectively alert drivers to pedestrians and cyclists.\u003c/p>\n\u003cp>One example of these changes is a stretch of Adams Boulevard, south of the 10 Freeway in the city’s West Adams neighborhood. Like many other dangerous streets, it runs through predominantly lower-income Black and Latino neighborhoods.\u003c/p>\n\u003cp>“Motorists have used this roadway, this corridor, almost as a speedway,” says Yolanda Davis-Overstreet, a vice president of the West Adams Neighborhood Council and a traffic safety advocate.\u003c/p>\n\u003cp>Pedestrian safety is very much a racial and social justice issue, she notes, because so many of LA’s most dangerous streets run through communities of color, and Black and Latino residents make up a disproportionate number of traffic deaths.\u003c/p>\n\u003cfigure id=\"attachment_11903814\" class=\"wp-caption aligncenter\" style=\"max-width: 1880px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/0.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11903814\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/0.jpeg\" alt=\"A woman standing on a street corner.\" width=\"1880\" height=\"1410\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/0.jpeg 1880w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/0-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/0-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/0-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/0-1536x1152.jpeg 1536w\" sizes=\"(max-width: 1880px) 100vw, 1880px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Yolanda Davis-Overstreet, a traffic safety advocate in Los Angeles, observes traffic on Dec. 18, 2022, along Adams Boulevard, where multiple pedestrians have been killed in collisions. \u003ccite>(Saul Gonzalez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It is a justice issue and it is a safety issue in the community,” said Davis-Overstreet. “Our Black and Brown lives that have been lost because of the conditions we’ve lived under for decades.”\u003c/p>\n\u003cp>The recent safety upgrades along Adams Boulevard, she says, like the removal of a lane of traffic in each direction and the placement of enhanced crosswalks with big overhead lights, are a step in the right direction.\u003c/p>\n\u003cp>“It’s a behavioral change, where we have to slow it down,” said Davis-Overstreet on a recent morning, as she stood along the street watching the traffic go by.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The U.S. Department of Transportation just announced its own $5 billion safety initiative to fund local projects aimed at reducing dangerous speeding and improving pedestrian and cyclist infrastructure.\u003c/p>\n\u003cp>But despite LA’s efforts, traffic-related deaths and injuries have increased almost every year since the Vision Zero project was launched here in 2015, prompting some city leaders and safety advocates to accuse traffic officials of not moving nearly fast enough to make the streets safer.\u003c/p>\n\u003cp>Some critics argue that not enough money is being spent on the improvements, while others say local officials are prioritizing the plan’s implementation and failing to meet certain per-year metrics to reduce deaths and injuries.\u003c/p>\n\u003cp>But Seleta Reynolds, of LA’s Department of Transportation, says Vision Zero is only part of the solution to reducing traffic deaths.\u003c/p>\n\u003cp>She points to factors beyond traffic planners’ control, like America’s continuing love affair with big, heavy vehicles that greatly increase the chances a pedestrian or cyclist will die if hit.\u003c/p>\n\u003cp>Then there’s the challenge of distracted driving and the development of increasingly sophisticated car infotainment systems that keep motorists’ attention focused on screens instead of their surroundings, she said.\u003c/p>\n\u003cp>“About 80% of people driving are … actively using technology,” Reynolds said. “We also know that the majority of crashes happen when people driving take their eyes off the road for more than two seconds.”\u003c/p>\n\u003cfigure id=\"attachment_11903923\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/Crosswalk2-scaled-e1643926956960.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11903923\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/Crosswalk2-scaled-e1643926956960.jpg\" alt=\"A lone person crossing a broad street, with the sun rising behind her.\" width=\"1920\" height=\"1439\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A woman crosses a large boulevard in Los Angeles’s MacArthur Park neighborhood. \u003ccite>(Saul Gonzalez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Reynolds also blames her city’s persistently high traffic fatality and injury rates on bad driving habits picked up by motorists during the early months of the pandemic, when streets were much emptier, and drivers were more prone to speed — an inclination that she says many drivers have unfortunately retained.\u003c/p>\n\u003cp>Although Reynolds acknowledges the city probably won’t meet the program’s goal of eliminating traffic deaths by 2025, she says aspiring to reach the Vision Zero goal is still worth it.\u003c/p>\n\u003cp>“We’ve set a milestone. We’ve set a year. And if we don’t get there, then I hope it will invite a lot of accountability and dialogue and discussion,” she said.\u003c/p>\n\u003cp>But that offers little comfort to Koi Finley, who is still grieving the loss of her father and worries that the streets are still just as dangerous as they were when he was killed.\u003c/p>\n\u003cp>“The city has said they want to make changes and fix things, but I feel like it hasn’t been a huge priority,” she said. “Something needs to be done. Something has to come from all of this, all of this heartache, all of this struggle.”\u003c/p>\u003c/div>",
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"slug": "underpaid-and-burned-out-many-outreach-workers-for-unhoused-californians-are-leaving-their-jobs",
"title": "Underpaid and Burned Out: Many Outreach Workers for Unhoused Californians Are Leaving Their Jobs",
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"content": "\u003cp>\u003ca href=\"https://calmatters.org/calmatters-en-espanol/2022/01/la-escasez-de-trabajadores-sociales-podria-bloquear-la-estrategia-para-indigentes-en-california/\">\u003cem>Leer en español.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>In the middle of March last year,\u003ca href=\"https://www.latimes.com/homeless-housing/story/2021-03-13/echo-park-encampment-exposes-bigger-la-homeless-issues\"> Los Angeles officials were gearing up to clear an encampment of 200 unhoused persons\u003c/a> at Echo Park Lake.\u003c/p>\n\u003cp>For Denise Velazquez, 53, then an outreach worker with the Los Angeles Homeless Services Authority, her task was clear: Get 10 people indoors.\u003c/p>\n\u003cp>She helped her clients — who were cold, tired and desperate to shower — pack their bags and sign intake forms. She gave them hope that warmth was around the corner: hotel rooms under \u003ca href=\"https://calmatters.org/california-divide/2022/01/california-homeless-permanent-supportive-housing/\">Project Roomkey, the state’s program to shelter unhoused people most at risk of catching COVID-19\u003c/a>.\u003c/p>\n\u003cp>But orders changed overnight. Her agency had access to only three beds, and when she told her clients, they yelled, spit and lunged at her partner. Velazquez says she broke their trust — and that broke her heart.\u003c/p>\n\u003cp>“My stomach is feeling so uncomfortable and heart broken,” Velazquez wrote in an email to her supervisor on March 18, 2021.\u003c/p>\n\u003cp>LAHSA spokesperson Ahmad Chapman said various local service providers placed 176 of those at the Echo Park encampment in interim housing programs.\u003c/p>\n\u003cp>In the weeks that followed, Velazquez said her health deteriorated. Her blood pressure spiked, her diabetes worsened, and her anxiety and depression spiraled. Her employer granted her a medical leave of absence, but therapy revealed that the only way to heal, she said, was to quit. Abandoning her clients broke her heart all over again.\u003c/p>\n\u003cfigure id=\"attachment_11903130\" class=\"wp-caption alignnone\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11903130\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN03.jpg\" alt=\"Two hands hold up a pair of boots. The boots are very worn out and stained with dirt and water.\" width=\"1200\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN03.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN03-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN03-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN03-160x107.jpg 160w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Denise Velazquez holds the boots she got when she started working in homelessness outreach. \u003ccite>(Raquel Natalicchio/CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Turnover has long plagued the homeless services field. COVID-19 has only made the problem worse as \u003ca href=\"https://calmatters.org/series/california-workers-covid/\">the omicron surge causes worker shortages across California’s economy\u003c/a>. And without enough service workers, the state’s ambitious, multibillion-dollar strategy for reducing homelessness is unlikely to work.\u003c/p>\n\u003cp>Most people who enter social work know to expect small paychecks; they’re driven by compassion and a desire for positive change. But caring too much can be crushing when \u003ca href=\"https://calmatters.org/housing/homeless/2021/11/california-homeless-camps-clearing-plan/\">housing is elusive\u003c/a>, \u003ca href=\"https://calmatters.org/projects/mentally-ill-forced-treatment-conservatorship-california-debate/\">mental health services scant\u003c/a>, and communication splintered among the myriad entities who decide the fate of the unhoused.\u003c/p>\n\u003cp>“We’re paying these folks pennies on the dollar to burn themselves out completely,” said Tami McVay, assistant program director at \u003ca href=\"https://www.selfhelpenterprises.org/\">Self-Help Enterprises\u003c/a>, which serves lower-income communities in the San Joaquin Valley.\u003c/p>\n\u003cp>[aside postID=\"news_11901253\" hero=\"https://ww2.kqed.org/app/uploads/sites/10/2021/09/021_SanFrancisco_NewsomRecallEvent_09142021-1020x680.jpg\"]When you bring up staff turnover or vacancies with any provider or advocate, they nod vigorously. The mostly government-contracted private organizations serving people experiencing homelessness have waged an uphill battle to recruit and retain workers into their fast-growing workforce, including some formerly homeless individuals.\u003c/p>\n\u003cp>LA-based \u003ca href=\"https://epath.org/\">People Assisting the Homeless\u003c/a>, or PATH, which serves about a fifth of the state’s unhoused population, has hired seven recruiters to help fill 340 vacancies, out of 1,100 jobs, said CEO Jennifer Hark Dietz. It’s now taking an average of four months to fill any given spot.\u003c/p>\n\u003cp>And that’s before the latest homelessness budget, approved last summer by Gov. Gavin Newsom and the Legislature, \u003ca href=\"https://calmatters.org/explainers/californias-homelessness-crisis-explained/#a5795160-28e3-11ea-963d-8304ae9d247c\">floods providers with $12 billion over the next two years\u003c/a>. The state says the funding will require thousands of new positions in the homeless response system.\u003c/p>\n\u003cp>“We have all this money,” said Farrah McDaid Ting, a senior legislative representative with the California State Association of Counties. “Can we really do this if we don’t have the people? I think there could be a real limitation.”\u003c/p>\n\u003cfigure id=\"attachment_11903126\" class=\"wp-caption alignnone\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11903126\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN05.jpg\" alt=\"Mel Tillekeratne stands against one of the walls of a Shower of Hope facility.\" width=\"1200\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN05.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN05-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN05-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN05-160x107.jpg 160w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Mel Tillekeratne, executive director of The Shower of Hope. \u003ccite>(Raquel Natalicchio/CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Good jobs wanted\u003c/h3>\n\u003cp>At the root of the worker shortage — which advocates say is really a shortage of good jobs — is low wages. Most homeless services organizations CalMatters spoke with pay starting frontline workers between $16 and $18 an hour, barely higher than minimum wage. They openly admit it’s far too little for the grueling labor, and often isn’t enough to live in expensive California cities.\u003c/p>\n\u003cp>“In the homeless services sector, it’s like: You didn’t get this paperwork in on time, I lost my housing, or my legs are hurting, I think I might have a blood clot,” said Mel Tillekeratne, executive director of \u003ca href=\"http://theshowerofhope.org/\">The Shower of Hope, which runs 22 mobile shower sites across Los Angeles County\u003c/a>. “It’s an unbelievably high amount of stress. I’ve seen so many outreach workers completely checked out.”\u003c/p>\n\u003cp>According to the U.S. Bureau of Labor Statistics, people employed in emergency and other relief services — including homeless service providers — \u003ca href=\"https://data.bls.gov/PDQWeb/en\">made an average annual salary of $49,616 in 2020\u003c/a>.\u003c/p>\n\u003cp>[pullquote align=\"right\" size=\"medium\" citation=\"Earl Edwards, doctoral candidate at UCLA\"]‘A lot of individuals didn’t see a pathway for them to stay doing this work.’[/pullquote]Why not pay more? Tillekeratne says government contracts usually cap personnel costs. He had to raise money privately, for example, to offer hazard pay at the start of the pandemic. Federal and state grants usually come in bursts and have short timelines, forcing organizations to fill temporary positions before they expire.\u003c/p>\n\u003cp>If they don’t leave homeless services completely, workers will switch jobs for $1 or $2 more an hour. Or, if they get promoted, they often lose direct contact with clients, adding to a sense that frontline work is undervalued, said Earl Edwards, a doctoral candidate at the University of California, Los Angeles \u003ca href=\"https://www.capolicylab.org/wp-content/uploads/2021/10/Inequity-in-the-PSH-System-in-Los-Angeles.pdf\">who interviewed 11 case managers\u003c/a>.\u003c/p>\n\u003cp>“A lot of individuals didn’t see a pathway for them to stay doing this work,” Edwards said.\u003c/p>\n\u003cp>Most organizations that serve unhoused individuals often hire people who are just exiting homelessness themselves: “That also adds an additional level of trauma,” he said. Shelter workers in Fresno constantly reach out about “unstable living arrangements of their own, asking for housing,” said Katie Wilbur, executive director of \u003ca href=\"https://www.rhcommunitybuilders.com/\">RH Community Builders\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11903133\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11903133\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/012622-Homeless-Services-RN-CM-11.jpg\" alt=\"A person receives a haircut outdoors. The barber touches the hair of the person receiving the haircut.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/012622-Homeless-Services-RN-CM-11.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/012622-Homeless-Services-RN-CM-11-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/012622-Homeless-Services-RN-CM-11-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/012622-Homeless-Services-RN-CM-11-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/012622-Homeless-Services-RN-CM-11-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/012622-Homeless-Services-RN-CM-11-1920x1278.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A volunteer barber cuts an unhoused person’s hair at Trinity Church in Riverside. Those who are unhoused come once a week to the church where they are offered haircuts, clothes, food and a shower. \u003ccite>(Raquel Natalicchio/CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The fewer employees with master’s degrees in social work often earn higher salaries, but even those aren’t high enough to keep them from more lucrative jobs, explains \u003ca href=\"https://www.apu.edu/bas/faculty/dgallup/\">Donna Gallup\u003c/a>, an assistant professor at Azusa Pacific’s Department of Social Work, who runs a pilot program to recruit more students into the homeless services field.\u003c/p>\n\u003cp>“If you have an opportunity as a graduate student, with student debt, you may select a school, a hospital or another nonprofit where you are not having to work with a stigmatized population that is very demanding, and the work conditions, especially with COVID,” Gallup said. “It has been a challenge.”\u003c/p>\n\u003cp>[aside postID=\"news_11877585\" hero=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS49286_002_LakeCounty_ProjectHomekey_05142021-qut-1020x680.jpg\"]Newsom’s \u003ca href=\"https://calmatters.org/politics/2022/01/california-budget-newsom/\">proposed 2022 budget, which still has to be negotiated with the Legislature\u003c/a>, includes $1.7 billion over three years to expand the state’s health and human services workforce “with improved diversity, wages and health equity outcomes,” said Rodger Butler, a spokesperson for the \u003ca href=\"https://www.chhs.ca.gov/\">California Health and Human Services Agency\u003c/a>. But even that may not be enough.\u003c/p>\n\u003cp>“Until … funding is commensurate to offer living wages across positions in the sector, it’ll be hard to train our way out of this crisis,” said Mari Castaldi, senior legislative advocate on homelessness at \u003ca href=\"https://www.housingca.org/\">Housing California\u003c/a>.\u003c/p>\n\u003cp>To increase the wages of the lowest-paid workers, the nonprofit is calling for a supplemental appropriation — \u003ca href=\"https://calmatters.org/explainers/californias-homelessness-crisis-explained/#a5795160-28e3-11ea-963d-8304ae9d247c\">on top of $2 billion over two years in flexible spending in last year’s budget\u003c/a> that cities and counties will use to pay nonprofit partners to run most of these homelessness programs.\u003c/p>\n\u003cp>“We don’t think it makes sense to say to service providers, ‘You get to choose between serving the number of clients that you set forth to serve, or increasing wages,’” Castaldi said.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-11903124\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN12.jpg\" alt=\"\" width=\"1200\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN12.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN12-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN12-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN12-160x107.jpg 160w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003c/p>\n\u003ch3>\u003cstrong>Underpaid and burned out\u003c/strong>\u003c/h3>\n\u003cp>But pay is only one part of the problem, says Deborah Son, executive director of the National Association of Social Workers’ California chapter. She represents 9,000 of the state’s roughly 75,000 certified social workers — and says all of them are affected by\u003ca href=\"https://calmatters.org/explainers/housing-costs-high-california/\"> the severe shortage of affordable housing in California\u003c/a>.\u003c/p>\n\u003cp>“We can bulk up the workforce and get people jobs and create jobs,” she said, “but if we don’t create the housing structures that are necessary, and we’re talking about the intricate systems necessary, your efforts become moot.”\u003c/p>\n\u003cp>Following her stint at LAHSA, Velazquez found a new job at homeless services nonprofit \u003ca href=\"https://unionstationhs.org/\">Union Station Homeless Services\u003c/a> as a care coordinator, earning $24 an hour. Half of her 20 clients are in housing, and her job is to keep them there. Her other clients are trying — unsuccessfully since September — \u003ca href=\"https://calmatters.org/california-divide/2019/08/section-8-voucher-discrimination-california-housing-crisis/\">to get into a place using housing vouchers, which cover two-thirds of the rent\u003c/a>.\u003c/p>\n\u003cp>[aside postID=\"news_11870625\" hero=\"https://ww2.kqed.org/app/uploads/sites/10/2021/04/RS43040_011_KQED_SanFrancisco_TentEncampments_05052020-qut-1020x680.jpg\"]“There’s not enough apartments, and landlords don’t want them,” she said. “Legally [landlords] can’t say, ‘No, I’m not going to take a voucher.’ But they can say, ‘Oh, but your client has to have 650 credit score, and no evictions, and no criminal record.’”\u003c/p>\n\u003cp>“This is where the burnout comes,” she added. “It’s like, a case manager can do and do and do and we still feel we’re not doing it.”\u003c/p>\n\u003cp>In her new job, Velazquez said she feels heard when she brings up concerns. She gets a day off every two weeks to unwind, checks in with her supervisor regularly and participates in training and meditation.\u003c/p>\n\u003cp>Her own self-care is essential, too, she explains, holding up an angel aura quartz around her neck, which she uses to steel herself for difficult encounters. “This is like my sanctuary, away from everything,” she said, gesturing around her two-bedroom in Monterey Park. “When I sit in that chair, I feel like I’m getting a hug from my grandpa.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-11903128\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN11.jpg\" alt=\"\" width=\"1200\" height=\"804\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN11.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN11-800x536.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN11-1020x683.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN11-160x107.jpg 160w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003c/p>\n\u003ch3>\u003cstrong>The impact on clients\u003c/strong>\u003c/h3>\n\u003cp>Clients feel the brunt of turnover just as acutely.\u003c/p>\n\u003cp>A recent study found that in the last decade, \u003ca href=\"https://www.capolicylab.org/inequity-in-the-psh-system-in-los-angeles/\">more than a fifth of the 16,026 people in Los Angeles placed in permanent supportive housing\u003c/a> — which pairs rental assistance with case management, substance use programs and mental health treatment — plunged back into homelessness. Black tenants were the most likely to return to the streets or a shelter, and they cited high case-manager turnover as one of several factors.\u003c/p>\n\u003cp>“When you have a case manager who is trying to help you create long-term goals, but they’re only staying for three to six months, it prevents you from actually being able to follow through,” said Edwards of UCLA, a co-author of the study.\u003c/p>\n\u003cp>[aside label ='Related Coverage' tag='housing']Some tenants he spoke with were already on their sixth or seventh case manager while in permanent housing. In turn, some clients didn’t bother to learn their case manager’s names for a couple of months, making their jobs that much harder.\u003c/p>\n\u003cp>“Once you have one you can actually work with, next thing you know, you get a notice on your door, ‘Oh, well, hi, this will be my last week.’ And you’re like, ‘Damn. You just got here,’” said Theresa Winkler, who lives with her husband in permanent supportive housing in downtown LA’s Skid Row neighborhood.\u003c/p>\n\u003cp>Winkler, 58, said she has been living in permanent supportive housing for about a decade and was unhoused for about half her life before that. She said she has been clean from crack, heroin and alcohol for 15 years, and continues to seek help for post-traumatic stress disorder, anxiety and depression. But cycling through caseworker after caseworker — at least three in the last two years — is “straight frustrating.”\u003c/p>\n\u003cfigure id=\"attachment_11903122\" class=\"wp-caption alignnone\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11903122\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN09.jpg\" alt=\"A wide shot of a multi-story residential structure.\" width=\"1200\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN09.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN09-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN09-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN09-160x107.jpg 160w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Residences in the Skid Row Housing Trust in Skid Row in Los Angeles. \u003ccite>(Raquel Natalicchio/CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“With addiction, a relapse happens weeks before you pick up,” she explained. “If you know yourself and you see it coming, you’re able to go downstairs, talk to your caseworker, and tell her, ‘Hey, look, can I talk to you for a few minutes?’ But if you don’t have anybody you can trust to go in and talk to — because that’s the biggest word right there, trust — then hey, I’m back out there doing what I was doing in the beginning.”\u003c/p>\n\u003cp>Her husband, her doctors and her 12-step recovery program have helped her stay on track and find solace. So has reflecting on her progress.\u003c/p>\n\u003cp>“It’s nice for me to finally say, ‘You know what? I finally found peace,’” she said. “Because it’s hard to find peace. Look at where I’m at. I’m in the pits of hell.”\u003cbr>\n[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Burnout and COVID are causing service workers for unhoused Californians to leave. Low pay makes it difficult to recruit new workers — but they're essential to the state's plans to reduce homelessness.",
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"title": "Underpaid and Burned Out: Many Outreach Workers for Unhoused Californians Are Leaving Their Jobs | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://calmatters.org/calmatters-en-espanol/2022/01/la-escasez-de-trabajadores-sociales-podria-bloquear-la-estrategia-para-indigentes-en-california/\">\u003cem>Leer en español.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>In the middle of March last year,\u003ca href=\"https://www.latimes.com/homeless-housing/story/2021-03-13/echo-park-encampment-exposes-bigger-la-homeless-issues\"> Los Angeles officials were gearing up to clear an encampment of 200 unhoused persons\u003c/a> at Echo Park Lake.\u003c/p>\n\u003cp>For Denise Velazquez, 53, then an outreach worker with the Los Angeles Homeless Services Authority, her task was clear: Get 10 people indoors.\u003c/p>\n\u003cp>She helped her clients — who were cold, tired and desperate to shower — pack their bags and sign intake forms. She gave them hope that warmth was around the corner: hotel rooms under \u003ca href=\"https://calmatters.org/california-divide/2022/01/california-homeless-permanent-supportive-housing/\">Project Roomkey, the state’s program to shelter unhoused people most at risk of catching COVID-19\u003c/a>.\u003c/p>\n\u003cp>But orders changed overnight. Her agency had access to only three beds, and when she told her clients, they yelled, spit and lunged at her partner. Velazquez says she broke their trust — and that broke her heart.\u003c/p>\n\u003cp>“My stomach is feeling so uncomfortable and heart broken,” Velazquez wrote in an email to her supervisor on March 18, 2021.\u003c/p>\n\u003cp>LAHSA spokesperson Ahmad Chapman said various local service providers placed 176 of those at the Echo Park encampment in interim housing programs.\u003c/p>\n\u003cp>In the weeks that followed, Velazquez said her health deteriorated. Her blood pressure spiked, her diabetes worsened, and her anxiety and depression spiraled. Her employer granted her a medical leave of absence, but therapy revealed that the only way to heal, she said, was to quit. Abandoning her clients broke her heart all over again.\u003c/p>\n\u003cfigure id=\"attachment_11903130\" class=\"wp-caption alignnone\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11903130\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN03.jpg\" alt=\"Two hands hold up a pair of boots. The boots are very worn out and stained with dirt and water.\" width=\"1200\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN03.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN03-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN03-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN03-160x107.jpg 160w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Denise Velazquez holds the boots she got when she started working in homelessness outreach. \u003ccite>(Raquel Natalicchio/CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Turnover has long plagued the homeless services field. COVID-19 has only made the problem worse as \u003ca href=\"https://calmatters.org/series/california-workers-covid/\">the omicron surge causes worker shortages across California’s economy\u003c/a>. And without enough service workers, the state’s ambitious, multibillion-dollar strategy for reducing homelessness is unlikely to work.\u003c/p>\n\u003cp>Most people who enter social work know to expect small paychecks; they’re driven by compassion and a desire for positive change. But caring too much can be crushing when \u003ca href=\"https://calmatters.org/housing/homeless/2021/11/california-homeless-camps-clearing-plan/\">housing is elusive\u003c/a>, \u003ca href=\"https://calmatters.org/projects/mentally-ill-forced-treatment-conservatorship-california-debate/\">mental health services scant\u003c/a>, and communication splintered among the myriad entities who decide the fate of the unhoused.\u003c/p>\n\u003cp>“We’re paying these folks pennies on the dollar to burn themselves out completely,” said Tami McVay, assistant program director at \u003ca href=\"https://www.selfhelpenterprises.org/\">Self-Help Enterprises\u003c/a>, which serves lower-income communities in the San Joaquin Valley.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>When you bring up staff turnover or vacancies with any provider or advocate, they nod vigorously. The mostly government-contracted private organizations serving people experiencing homelessness have waged an uphill battle to recruit and retain workers into their fast-growing workforce, including some formerly homeless individuals.\u003c/p>\n\u003cp>LA-based \u003ca href=\"https://epath.org/\">People Assisting the Homeless\u003c/a>, or PATH, which serves about a fifth of the state’s unhoused population, has hired seven recruiters to help fill 340 vacancies, out of 1,100 jobs, said CEO Jennifer Hark Dietz. It’s now taking an average of four months to fill any given spot.\u003c/p>\n\u003cp>And that’s before the latest homelessness budget, approved last summer by Gov. Gavin Newsom and the Legislature, \u003ca href=\"https://calmatters.org/explainers/californias-homelessness-crisis-explained/#a5795160-28e3-11ea-963d-8304ae9d247c\">floods providers with $12 billion over the next two years\u003c/a>. The state says the funding will require thousands of new positions in the homeless response system.\u003c/p>\n\u003cp>“We have all this money,” said Farrah McDaid Ting, a senior legislative representative with the California State Association of Counties. “Can we really do this if we don’t have the people? I think there could be a real limitation.”\u003c/p>\n\u003cfigure id=\"attachment_11903126\" class=\"wp-caption alignnone\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11903126\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN05.jpg\" alt=\"Mel Tillekeratne stands against one of the walls of a Shower of Hope facility.\" width=\"1200\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN05.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN05-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN05-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN05-160x107.jpg 160w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Mel Tillekeratne, executive director of The Shower of Hope. \u003ccite>(Raquel Natalicchio/CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Good jobs wanted\u003c/h3>\n\u003cp>At the root of the worker shortage — which advocates say is really a shortage of good jobs — is low wages. Most homeless services organizations CalMatters spoke with pay starting frontline workers between $16 and $18 an hour, barely higher than minimum wage. They openly admit it’s far too little for the grueling labor, and often isn’t enough to live in expensive California cities.\u003c/p>\n\u003cp>“In the homeless services sector, it’s like: You didn’t get this paperwork in on time, I lost my housing, or my legs are hurting, I think I might have a blood clot,” said Mel Tillekeratne, executive director of \u003ca href=\"http://theshowerofhope.org/\">The Shower of Hope, which runs 22 mobile shower sites across Los Angeles County\u003c/a>. “It’s an unbelievably high amount of stress. I’ve seen so many outreach workers completely checked out.”\u003c/p>\n\u003cp>According to the U.S. Bureau of Labor Statistics, people employed in emergency and other relief services — including homeless service providers — \u003ca href=\"https://data.bls.gov/PDQWeb/en\">made an average annual salary of $49,616 in 2020\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "‘A lot of individuals didn’t see a pathway for them to stay doing this work.’",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Why not pay more? Tillekeratne says government contracts usually cap personnel costs. He had to raise money privately, for example, to offer hazard pay at the start of the pandemic. Federal and state grants usually come in bursts and have short timelines, forcing organizations to fill temporary positions before they expire.\u003c/p>\n\u003cp>If they don’t leave homeless services completely, workers will switch jobs for $1 or $2 more an hour. Or, if they get promoted, they often lose direct contact with clients, adding to a sense that frontline work is undervalued, said Earl Edwards, a doctoral candidate at the University of California, Los Angeles \u003ca href=\"https://www.capolicylab.org/wp-content/uploads/2021/10/Inequity-in-the-PSH-System-in-Los-Angeles.pdf\">who interviewed 11 case managers\u003c/a>.\u003c/p>\n\u003cp>“A lot of individuals didn’t see a pathway for them to stay doing this work,” Edwards said.\u003c/p>\n\u003cp>Most organizations that serve unhoused individuals often hire people who are just exiting homelessness themselves: “That also adds an additional level of trauma,” he said. Shelter workers in Fresno constantly reach out about “unstable living arrangements of their own, asking for housing,” said Katie Wilbur, executive director of \u003ca href=\"https://www.rhcommunitybuilders.com/\">RH Community Builders\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11903133\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11903133\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/012622-Homeless-Services-RN-CM-11.jpg\" alt=\"A person receives a haircut outdoors. The barber touches the hair of the person receiving the haircut.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/012622-Homeless-Services-RN-CM-11.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/012622-Homeless-Services-RN-CM-11-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/012622-Homeless-Services-RN-CM-11-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/012622-Homeless-Services-RN-CM-11-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/012622-Homeless-Services-RN-CM-11-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/012622-Homeless-Services-RN-CM-11-1920x1278.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A volunteer barber cuts an unhoused person’s hair at Trinity Church in Riverside. Those who are unhoused come once a week to the church where they are offered haircuts, clothes, food and a shower. \u003ccite>(Raquel Natalicchio/CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The fewer employees with master’s degrees in social work often earn higher salaries, but even those aren’t high enough to keep them from more lucrative jobs, explains \u003ca href=\"https://www.apu.edu/bas/faculty/dgallup/\">Donna Gallup\u003c/a>, an assistant professor at Azusa Pacific’s Department of Social Work, who runs a pilot program to recruit more students into the homeless services field.\u003c/p>\n\u003cp>“If you have an opportunity as a graduate student, with student debt, you may select a school, a hospital or another nonprofit where you are not having to work with a stigmatized population that is very demanding, and the work conditions, especially with COVID,” Gallup said. “It has been a challenge.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Newsom’s \u003ca href=\"https://calmatters.org/politics/2022/01/california-budget-newsom/\">proposed 2022 budget, which still has to be negotiated with the Legislature\u003c/a>, includes $1.7 billion over three years to expand the state’s health and human services workforce “with improved diversity, wages and health equity outcomes,” said Rodger Butler, a spokesperson for the \u003ca href=\"https://www.chhs.ca.gov/\">California Health and Human Services Agency\u003c/a>. But even that may not be enough.\u003c/p>\n\u003cp>“Until … funding is commensurate to offer living wages across positions in the sector, it’ll be hard to train our way out of this crisis,” said Mari Castaldi, senior legislative advocate on homelessness at \u003ca href=\"https://www.housingca.org/\">Housing California\u003c/a>.\u003c/p>\n\u003cp>To increase the wages of the lowest-paid workers, the nonprofit is calling for a supplemental appropriation — \u003ca href=\"https://calmatters.org/explainers/californias-homelessness-crisis-explained/#a5795160-28e3-11ea-963d-8304ae9d247c\">on top of $2 billion over two years in flexible spending in last year’s budget\u003c/a> that cities and counties will use to pay nonprofit partners to run most of these homelessness programs.\u003c/p>\n\u003cp>“We don’t think it makes sense to say to service providers, ‘You get to choose between serving the number of clients that you set forth to serve, or increasing wages,’” Castaldi said.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-11903124\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN12.jpg\" alt=\"\" width=\"1200\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN12.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN12-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN12-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN12-160x107.jpg 160w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003c/p>\n\u003ch3>\u003cstrong>Underpaid and burned out\u003c/strong>\u003c/h3>\n\u003cp>But pay is only one part of the problem, says Deborah Son, executive director of the National Association of Social Workers’ California chapter. She represents 9,000 of the state’s roughly 75,000 certified social workers — and says all of them are affected by\u003ca href=\"https://calmatters.org/explainers/housing-costs-high-california/\"> the severe shortage of affordable housing in California\u003c/a>.\u003c/p>\n\u003cp>“We can bulk up the workforce and get people jobs and create jobs,” she said, “but if we don’t create the housing structures that are necessary, and we’re talking about the intricate systems necessary, your efforts become moot.”\u003c/p>\n\u003cp>Following her stint at LAHSA, Velazquez found a new job at homeless services nonprofit \u003ca href=\"https://unionstationhs.org/\">Union Station Homeless Services\u003c/a> as a care coordinator, earning $24 an hour. Half of her 20 clients are in housing, and her job is to keep them there. Her other clients are trying — unsuccessfully since September — \u003ca href=\"https://calmatters.org/california-divide/2019/08/section-8-voucher-discrimination-california-housing-crisis/\">to get into a place using housing vouchers, which cover two-thirds of the rent\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“There’s not enough apartments, and landlords don’t want them,” she said. “Legally [landlords] can’t say, ‘No, I’m not going to take a voucher.’ But they can say, ‘Oh, but your client has to have 650 credit score, and no evictions, and no criminal record.’”\u003c/p>\n\u003cp>“This is where the burnout comes,” she added. “It’s like, a case manager can do and do and do and we still feel we’re not doing it.”\u003c/p>\n\u003cp>In her new job, Velazquez said she feels heard when she brings up concerns. She gets a day off every two weeks to unwind, checks in with her supervisor regularly and participates in training and meditation.\u003c/p>\n\u003cp>Her own self-care is essential, too, she explains, holding up an angel aura quartz around her neck, which she uses to steel herself for difficult encounters. “This is like my sanctuary, away from everything,” she said, gesturing around her two-bedroom in Monterey Park. “When I sit in that chair, I feel like I’m getting a hug from my grandpa.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-11903128\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN11.jpg\" alt=\"\" width=\"1200\" height=\"804\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN11.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN11-800x536.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN11-1020x683.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN11-160x107.jpg 160w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003c/p>\n\u003ch3>\u003cstrong>The impact on clients\u003c/strong>\u003c/h3>\n\u003cp>Clients feel the brunt of turnover just as acutely.\u003c/p>\n\u003cp>A recent study found that in the last decade, \u003ca href=\"https://www.capolicylab.org/inequity-in-the-psh-system-in-los-angeles/\">more than a fifth of the 16,026 people in Los Angeles placed in permanent supportive housing\u003c/a> — which pairs rental assistance with case management, substance use programs and mental health treatment — plunged back into homelessness. Black tenants were the most likely to return to the streets or a shelter, and they cited high case-manager turnover as one of several factors.\u003c/p>\n\u003cp>“When you have a case manager who is trying to help you create long-term goals, but they’re only staying for three to six months, it prevents you from actually being able to follow through,” said Edwards of UCLA, a co-author of the study.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Some tenants he spoke with were already on their sixth or seventh case manager while in permanent housing. In turn, some clients didn’t bother to learn their case manager’s names for a couple of months, making their jobs that much harder.\u003c/p>\n\u003cp>“Once you have one you can actually work with, next thing you know, you get a notice on your door, ‘Oh, well, hi, this will be my last week.’ And you’re like, ‘Damn. You just got here,’” said Theresa Winkler, who lives with her husband in permanent supportive housing in downtown LA’s Skid Row neighborhood.\u003c/p>\n\u003cp>Winkler, 58, said she has been living in permanent supportive housing for about a decade and was unhoused for about half her life before that. She said she has been clean from crack, heroin and alcohol for 15 years, and continues to seek help for post-traumatic stress disorder, anxiety and depression. But cycling through caseworker after caseworker — at least three in the last two years — is “straight frustrating.”\u003c/p>\n\u003cfigure id=\"attachment_11903122\" class=\"wp-caption alignnone\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11903122\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN09.jpg\" alt=\"A wide shot of a multi-story residential structure.\" width=\"1200\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN09.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN09-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN09-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/01262022-HOMELESS-SERVICES-RN09-160x107.jpg 160w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Residences in the Skid Row Housing Trust in Skid Row in Los Angeles. \u003ccite>(Raquel Natalicchio/CalMatters)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“With addiction, a relapse happens weeks before you pick up,” she explained. “If you know yourself and you see it coming, you’re able to go downstairs, talk to your caseworker, and tell her, ‘Hey, look, can I talk to you for a few minutes?’ But if you don’t have anybody you can trust to go in and talk to — because that’s the biggest word right there, trust — then hey, I’m back out there doing what I was doing in the beginning.”\u003c/p>\n\u003cp>Her husband, her doctors and her 12-step recovery program have helped her stay on track and find solace. So has reflecting on her progress.\u003c/p>\n\u003cp>“It’s nice for me to finally say, ‘You know what? I finally found peace,’” she said. “Because it’s hard to find peace. Look at where I’m at. I’m in the pits of hell.”\u003cbr>\n\u003c/p>\u003c/div>",
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"title": "Einstein and Hubble Once Looked Into These Iconic LA Telescopes. Now, You Can Rent Them",
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"content": "\u003cp>When night falls, you can stand almost anywhere in the San Gabriel Valley, look to the north at Mt. Wilson in the distance, and see the glowing lights of TV and radio antennae spiking into the darkness.\u003c/p>\n\u003cp>But that’s not all that’s up there.\u003c/p>\n\u003cp>Among the pine trees and coyotes, high above the humdrum, terra firma existence of Los Angeles mortals, sits the \u003ca href=\"https://www.mtwilson.edu/\">Mt. Wilson Observatory\u003c/a>.\u003c/p>\n\u003cp>For over a century, it’s been a gateway to the heavens.\u003c/p>\n\u003cp>The twin, chalk-white domes atop the ridge are home to two aging but still mighty telescopes. The 60- and 100-inch machines are arguably the most important in the history of astronomy.\u003cbr>\n[ad fullwidth]\u003cbr>\nSuperstars of astro science like Edwin Hubble, George Ellery Hale and Albert Einstein have looked through them.\u003c/p>\n\u003cp>And you can, too.\u003c/p>\n\u003cp>In fact, anyone can rent the scopes for the whole night. The rental includes an astronomer to guide your trip through the astonishing wonders of the dark and endless firmament. And snacks.\u003c/p>\n\u003cp>The 100-ton dome wails like a metallic banshee as it slowly turns to accommodate the view of the 60-inch telescope, a move it’s been making since things began here so long ago.\u003c/p>\n\u003cp>“In 1908, it was the largest telescope in the world,” said telescope operator Tom Mason. He’s one of a devoted cadre of amateur astronomers and retired engineers who keep things going atop Mt. Wilson. He’s been volunteering at the observatory for 17 years.\u003c/p>\n\u003cfigure id=\"attachment_11899383\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11899383 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/12/RS52421_IMG_3416-qut.jpg\" alt=\"A man wearing glasses sits on a chair in front of a desk and several computer screens. He looks at the camera.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52421_IMG_3416-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52421_IMG_3416-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52421_IMG_3416-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52421_IMG_3416-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52421_IMG_3416-qut-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Tom Mason has been guiding visitors through the heavens for 17 years. \u003ccite>(Peter Gilstrap)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It was the first telescope placed on a mountain this size,” he continued. “It was the first real enactment of the mirror-reflecting-type telescope. So you have a lot of history here.”\u003c/p>\n\u003cp>In the early part of the 20th century, conventional wisdom held that refracting telescopes were the only professional-grade instruments. Mt. Wilson’s mirror-based, reflecting technology proved that notion untrue, setting a new industry standard.\u003c/p>\n\u003cp>The telescope is a sight to behold. It’s an industrial latticework of tubular steel angled toward a crack in the dome like a cannon. It’s about the size of a crouching Tyrannosaurus rex. It’s painted baby blue.\u003c/p>\n\u003cp>The tube got here 113 years ago on the back of a truck that barely made it up the winding dirt road from Pasadena.\u003c/p>\n\u003cfigure id=\"attachment_11899385\" class=\"wp-caption alignnone\" style=\"max-width: 1705px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11899385 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/12/RS52424_p15150coll2_1549_full-qut-scaled.jpg\" alt=\"Albert Einstein wears a suit and stands on the steps leading to the Observatory\" width=\"1705\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52424_p15150coll2_1549_full-qut-scaled.jpg 1705w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52424_p15150coll2_1549_full-qut-800x1201.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52424_p15150coll2_1549_full-qut-1020x1532.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52424_p15150coll2_1549_full-qut-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52424_p15150coll2_1549_full-qut-1023x1536.jpg 1023w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52424_p15150coll2_1549_full-qut-1364x2048.jpg 1364w\" sizes=\"(max-width: 1705px) 100vw, 1705px\">\u003cfigcaption class=\"wp-caption-text\">Albert Einstein at the Mt. Wilson Observatory in 1931 on one of his many research visits. \u003ccite>(Peter Gilstrap)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The unbelievably delicate, 60-inch mirror that’s the reflecting heart of the scope arrived by a team of pack mules.\u003c/p>\n\u003cp>Since the machine opened its enormous eye on the skies, it’s lived to become the grandparent of virtually every modern scope in existence.\u003c/p>\n\u003cp>And while Los Angeles constantly grows and mutates upon itself, demolishing and building, again and again, year after year, on Mt. Wilson, things barely change.\u003c/p>\n\u003cp>“Now, do we have the technology to hook this up to a computer and guide it?” asks Mason. “Yes. But Mt. Wilson is not willing to trust it to a computer and that’s why we still operate it by hand.”\u003c/p>\n\u003cp>\u003cem>They don’t trust it to a computer.\u003c/em> It’s a notion that’s absolutely breathtaking in this day and age. The observatory operates on a DC power system that’s been refurbished over the years.\u003c/p>\n\u003cp>The operator’s desk is a simple control center that features buttons. Buttons you press to make things move. That’s it.\u003c/p>\n\u003cp>And don’t even think about cell reception up here.\u003c/p>\n\u003cp>That means you can look down the scope’s eyepiece at an ancient, long-dead star still beaming its ghost light toward Earth, but you can’t text anyone about it.\u003c/p>\n\u003cfigure id=\"attachment_11899370\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11899370\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/12/RS52420_IMG_3395-qut.jpg\" alt=\"A large metallic building wit a dome on top of the ceiling in a green, rural setting.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52420_IMG_3395-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52420_IMG_3395-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52420_IMG_3395-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52420_IMG_3395-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52420_IMG_3395-qut-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The home of the 60-inch telescope atop Mt. Wilson, one of the most historic scopes on the planet. \u003ccite>(Peter Gilstrap)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>This little dust spot, Earth\u003c/strong>\u003c/h3>\n\u003cp>Many celestial mysteries were solved at the observatory.\u003c/p>\n\u003cp>Scientist Harlow Shapley worked at Mt. Wilson from 1914 to 1921. He used the telescopes to determine the size of the Milky Way galaxy. Yes, the size of the galaxy. This guy you’ve never heard of did that.\u003c/p>\n\u003cp>[pullquote align=\"right\" size=\"medium\" citation=\"Tom Mason, telescope operator\"]‘So as big as it is out there, and everything that’s out there, you just keep going.’[/pullquote]He also found that Earth was not the center of that galaxy.\u003c/p>\n\u003cp>“So what did that do? That moved us out here off one of the arms of the galaxy,” said Mason. “Great discovery right here with the 60-inch telescope.”\u003c/p>\n\u003cp>And a blow to the ego of those who thought Earth was king of the hill.\u003c/p>\n\u003cp>“Well, our ego’s been blown a couple of times up here, ’cause we thought we were the only galaxy, and then Edwin Hubble came along and discovered that, yes, there is another galaxy out there. And now we’re in the billions-of-galaxies type thing,” said Mason.\u003c/p>\n\u003cp>It’s enough to make a person feel a bit tiny.\u003c/p>\n\u003cp>“Yes, it does,” Mason said. “Because of how big this is, but also as a Christian, it also brings my attention to something. The Scripture says, ‘Oh, Lord, oh, Lord, what is man that you are mindful of him, compared to this great universe you made?’\u003c/p>\n\u003cp>“So as big as it is out there, and everything that’s out there, you just keep going and keep going and keep going, and we keep learning about it. And [there’s] this little dust spot, the Earth, and then I’m a dust spot on that Earth. And He’s mindful of me. That’s also exciting.”\u003c/p>\n\u003cp>[aside label ='Related Stories' tag='science']Mason is a member of Christ Community Church in West Covina. Tonight some of his fellow church members are renting the telescope.\u003c/p>\n\u003cp>Vicki Heim is part of the congregation. When it comes to her favorite heavenly sighting, she doesn’t hesitate.\u003c/p>\n\u003cp>“Oh, I just love Saturn. That’s my favorite,” she said.\u003c/p>\n\u003cp>For Heim, the God-versus-science question is a nonissue. “To me, it just couldn’t be anything else but God’s creation,” she said. “Just no possibility.”\u003c/p>\n\u003cp>And that includes the telescope? Heim glances at the contraption peeping at the heavens. “Yeah,” she said, laughing. “Yeah.”\u003c/p>\n\u003ch3>\u003cstrong>A sanctuary of science\u003c/strong>\u003c/h3>\n\u003cp>For the 60-inch scope, your rental tab is $1,050 for a half-night and $1,700 for the entire night. Plus, you get coffee, cold cuts and brownies to go with the quasars, nebulas and white dwarfs.\u003c/p>\n\u003cp>So, how did this sanctuary of science become a fun night out for anyone with a credit card? Just too much light. Astronomy loves the darkness.\u003c/p>\n\u003cp>By the late 1990s, Los Angeles had become ground zero for light pollution. As scientific research was moving from Mt. Wilson to low-wattage places like Chile, the decision was made to open the facility to the public.\u003c/p>\n\u003cp>This rare opportunity has drawn all kinds of people up the mountain. Some come to marvel, and — though there’s a strict no-booze policy — others come to party.\u003c/p>\n\u003cp>“As a matter of fact, in the other dome tonight, there’s even a birthday party going on,” said Mason. “We’ve had engagements here, we’ve even had a wedding party that stopped by after the wedding before they started their honeymoon. Now, they didn’t stay too long, but that’s up to them.”\u003c/p>\n\u003ch3>\u003cstrong>A “divine order to things”\u003c/strong>\u003c/h3>\n\u003cp>Sunshine Daye came from Long Beach with an open mind and no real idea of what she would experience. She’s not part of the church group. A friend gave her a ticket.\u003c/p>\n\u003cp>As she stepped away from gazing through the telescope, she looked stunned — even with her mask on.\u003c/p>\n\u003cfigure id=\"attachment_11899388\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11899388 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/12/RS52422_IMG_3417-qut.jpg\" alt=\"A person stands in front of a very large telescope and holds their face mask in their hands.\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52422_IMG_3417-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52422_IMG_3417-qut-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52422_IMG_3417-qut-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52422_IMG_3417-qut-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52422_IMG_3417-qut-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52422_IMG_3417-qut-1536x2048.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Like Albert Einstein before her, Sunshine Daye traveled up Mt. Wilson to gaze through the scope. \u003ccite>(Peter Gilstrap)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Wow. I’m looking at what appears to be like dots, but they’re actually the planets, and as I fine-tune the eyepiece, I can actually see how different the two planets are. It’s amazing to be able to see that far,” she said.\u003c/p>\n\u003cp>So, looking through this mountaintop window into the distant reaches of space, what does she think about?\u003c/p>\n\u003cp>“I think about what’s happening out there in the sky is actually happening inside of me. Like all my cells and capillaries, my organs, how things are just kind of orbiting and rotating, how my lungs fill with air. There’s just like this divine order to things,” said Daye.\u003c/p>\n\u003cp>“Those are things I get to think about when I come to places like this. Having it to rent out and to be able to come and see this is absolutely awesome.”\u003c/p>\n\u003cp>\u003cem>This story was originally broadcast on \u003ca href=\"https://www.kcrw.com/news/shows/greater-la/observatory-la-sheriff-alex-villanueva-oc\">KCRW’s Greater LA\u003c/a>.\u003c/em>\u003cbr>\n[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Thanks to a devoted team of volunteers, the Mt. Wilson Observatory, located outside Los Angeles, keeps its doors open to the public, making this important piece of scientific history available to all.",
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"title": "Einstein and Hubble Once Looked Into These Iconic LA Telescopes. Now, You Can Rent Them | KQED",
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"headline": "Einstein and Hubble Once Looked Into These Iconic LA Telescopes. Now, You Can Rent Them",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When night falls, you can stand almost anywhere in the San Gabriel Valley, look to the north at Mt. Wilson in the distance, and see the glowing lights of TV and radio antennae spiking into the darkness.\u003c/p>\n\u003cp>But that’s not all that’s up there.\u003c/p>\n\u003cp>Among the pine trees and coyotes, high above the humdrum, terra firma existence of Los Angeles mortals, sits the \u003ca href=\"https://www.mtwilson.edu/\">Mt. Wilson Observatory\u003c/a>.\u003c/p>\n\u003cp>For over a century, it’s been a gateway to the heavens.\u003c/p>\n\u003cp>The twin, chalk-white domes atop the ridge are home to two aging but still mighty telescopes. The 60- and 100-inch machines are arguably the most important in the history of astronomy.\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cbr>\nSuperstars of astro science like Edwin Hubble, George Ellery Hale and Albert Einstein have looked through them.\u003c/p>\n\u003cp>And you can, too.\u003c/p>\n\u003cp>In fact, anyone can rent the scopes for the whole night. The rental includes an astronomer to guide your trip through the astonishing wonders of the dark and endless firmament. And snacks.\u003c/p>\n\u003cp>The 100-ton dome wails like a metallic banshee as it slowly turns to accommodate the view of the 60-inch telescope, a move it’s been making since things began here so long ago.\u003c/p>\n\u003cp>“In 1908, it was the largest telescope in the world,” said telescope operator Tom Mason. He’s one of a devoted cadre of amateur astronomers and retired engineers who keep things going atop Mt. Wilson. He’s been volunteering at the observatory for 17 years.\u003c/p>\n\u003cfigure id=\"attachment_11899383\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11899383 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/12/RS52421_IMG_3416-qut.jpg\" alt=\"A man wearing glasses sits on a chair in front of a desk and several computer screens. He looks at the camera.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52421_IMG_3416-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52421_IMG_3416-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52421_IMG_3416-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52421_IMG_3416-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52421_IMG_3416-qut-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Tom Mason has been guiding visitors through the heavens for 17 years. \u003ccite>(Peter Gilstrap)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It was the first telescope placed on a mountain this size,” he continued. “It was the first real enactment of the mirror-reflecting-type telescope. So you have a lot of history here.”\u003c/p>\n\u003cp>In the early part of the 20th century, conventional wisdom held that refracting telescopes were the only professional-grade instruments. Mt. Wilson’s mirror-based, reflecting technology proved that notion untrue, setting a new industry standard.\u003c/p>\n\u003cp>The telescope is a sight to behold. It’s an industrial latticework of tubular steel angled toward a crack in the dome like a cannon. It’s about the size of a crouching Tyrannosaurus rex. It’s painted baby blue.\u003c/p>\n\u003cp>The tube got here 113 years ago on the back of a truck that barely made it up the winding dirt road from Pasadena.\u003c/p>\n\u003cfigure id=\"attachment_11899385\" class=\"wp-caption alignnone\" style=\"max-width: 1705px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11899385 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/12/RS52424_p15150coll2_1549_full-qut-scaled.jpg\" alt=\"Albert Einstein wears a suit and stands on the steps leading to the Observatory\" width=\"1705\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52424_p15150coll2_1549_full-qut-scaled.jpg 1705w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52424_p15150coll2_1549_full-qut-800x1201.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52424_p15150coll2_1549_full-qut-1020x1532.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52424_p15150coll2_1549_full-qut-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52424_p15150coll2_1549_full-qut-1023x1536.jpg 1023w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52424_p15150coll2_1549_full-qut-1364x2048.jpg 1364w\" sizes=\"(max-width: 1705px) 100vw, 1705px\">\u003cfigcaption class=\"wp-caption-text\">Albert Einstein at the Mt. Wilson Observatory in 1931 on one of his many research visits. \u003ccite>(Peter Gilstrap)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The unbelievably delicate, 60-inch mirror that’s the reflecting heart of the scope arrived by a team of pack mules.\u003c/p>\n\u003cp>Since the machine opened its enormous eye on the skies, it’s lived to become the grandparent of virtually every modern scope in existence.\u003c/p>\n\u003cp>And while Los Angeles constantly grows and mutates upon itself, demolishing and building, again and again, year after year, on Mt. Wilson, things barely change.\u003c/p>\n\u003cp>“Now, do we have the technology to hook this up to a computer and guide it?” asks Mason. “Yes. But Mt. Wilson is not willing to trust it to a computer and that’s why we still operate it by hand.”\u003c/p>\n\u003cp>\u003cem>They don’t trust it to a computer.\u003c/em> It’s a notion that’s absolutely breathtaking in this day and age. The observatory operates on a DC power system that’s been refurbished over the years.\u003c/p>\n\u003cp>The operator’s desk is a simple control center that features buttons. Buttons you press to make things move. That’s it.\u003c/p>\n\u003cp>And don’t even think about cell reception up here.\u003c/p>\n\u003cp>That means you can look down the scope’s eyepiece at an ancient, long-dead star still beaming its ghost light toward Earth, but you can’t text anyone about it.\u003c/p>\n\u003cfigure id=\"attachment_11899370\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11899370\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/12/RS52420_IMG_3395-qut.jpg\" alt=\"A large metallic building wit a dome on top of the ceiling in a green, rural setting.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52420_IMG_3395-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52420_IMG_3395-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52420_IMG_3395-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52420_IMG_3395-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52420_IMG_3395-qut-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The home of the 60-inch telescope atop Mt. Wilson, one of the most historic scopes on the planet. \u003ccite>(Peter Gilstrap)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>This little dust spot, Earth\u003c/strong>\u003c/h3>\n\u003cp>Many celestial mysteries were solved at the observatory.\u003c/p>\n\u003cp>Scientist Harlow Shapley worked at Mt. Wilson from 1914 to 1921. He used the telescopes to determine the size of the Milky Way galaxy. Yes, the size of the galaxy. This guy you’ve never heard of did that.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>He also found that Earth was not the center of that galaxy.\u003c/p>\n\u003cp>“So what did that do? That moved us out here off one of the arms of the galaxy,” said Mason. “Great discovery right here with the 60-inch telescope.”\u003c/p>\n\u003cp>And a blow to the ego of those who thought Earth was king of the hill.\u003c/p>\n\u003cp>“Well, our ego’s been blown a couple of times up here, ’cause we thought we were the only galaxy, and then Edwin Hubble came along and discovered that, yes, there is another galaxy out there. And now we’re in the billions-of-galaxies type thing,” said Mason.\u003c/p>\n\u003cp>It’s enough to make a person feel a bit tiny.\u003c/p>\n\u003cp>“Yes, it does,” Mason said. “Because of how big this is, but also as a Christian, it also brings my attention to something. The Scripture says, ‘Oh, Lord, oh, Lord, what is man that you are mindful of him, compared to this great universe you made?’\u003c/p>\n\u003cp>“So as big as it is out there, and everything that’s out there, you just keep going and keep going and keep going, and we keep learning about it. And [there’s] this little dust spot, the Earth, and then I’m a dust spot on that Earth. And He’s mindful of me. That’s also exciting.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Mason is a member of Christ Community Church in West Covina. Tonight some of his fellow church members are renting the telescope.\u003c/p>\n\u003cp>Vicki Heim is part of the congregation. When it comes to her favorite heavenly sighting, she doesn’t hesitate.\u003c/p>\n\u003cp>“Oh, I just love Saturn. That’s my favorite,” she said.\u003c/p>\n\u003cp>For Heim, the God-versus-science question is a nonissue. “To me, it just couldn’t be anything else but God’s creation,” she said. “Just no possibility.”\u003c/p>\n\u003cp>And that includes the telescope? Heim glances at the contraption peeping at the heavens. “Yeah,” she said, laughing. “Yeah.”\u003c/p>\n\u003ch3>\u003cstrong>A sanctuary of science\u003c/strong>\u003c/h3>\n\u003cp>For the 60-inch scope, your rental tab is $1,050 for a half-night and $1,700 for the entire night. Plus, you get coffee, cold cuts and brownies to go with the quasars, nebulas and white dwarfs.\u003c/p>\n\u003cp>So, how did this sanctuary of science become a fun night out for anyone with a credit card? Just too much light. Astronomy loves the darkness.\u003c/p>\n\u003cp>By the late 1990s, Los Angeles had become ground zero for light pollution. As scientific research was moving from Mt. Wilson to low-wattage places like Chile, the decision was made to open the facility to the public.\u003c/p>\n\u003cp>This rare opportunity has drawn all kinds of people up the mountain. Some come to marvel, and — though there’s a strict no-booze policy — others come to party.\u003c/p>\n\u003cp>“As a matter of fact, in the other dome tonight, there’s even a birthday party going on,” said Mason. “We’ve had engagements here, we’ve even had a wedding party that stopped by after the wedding before they started their honeymoon. Now, they didn’t stay too long, but that’s up to them.”\u003c/p>\n\u003ch3>\u003cstrong>A “divine order to things”\u003c/strong>\u003c/h3>\n\u003cp>Sunshine Daye came from Long Beach with an open mind and no real idea of what she would experience. She’s not part of the church group. A friend gave her a ticket.\u003c/p>\n\u003cp>As she stepped away from gazing through the telescope, she looked stunned — even with her mask on.\u003c/p>\n\u003cfigure id=\"attachment_11899388\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11899388 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/12/RS52422_IMG_3417-qut.jpg\" alt=\"A person stands in front of a very large telescope and holds their face mask in their hands.\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52422_IMG_3417-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52422_IMG_3417-qut-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52422_IMG_3417-qut-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52422_IMG_3417-qut-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52422_IMG_3417-qut-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/12/RS52422_IMG_3417-qut-1536x2048.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Like Albert Einstein before her, Sunshine Daye traveled up Mt. Wilson to gaze through the scope. \u003ccite>(Peter Gilstrap)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Wow. I’m looking at what appears to be like dots, but they’re actually the planets, and as I fine-tune the eyepiece, I can actually see how different the two planets are. It’s amazing to be able to see that far,” she said.\u003c/p>\n\u003cp>So, looking through this mountaintop window into the distant reaches of space, what does she think about?\u003c/p>\n\u003cp>“I think about what’s happening out there in the sky is actually happening inside of me. Like all my cells and capillaries, my organs, how things are just kind of orbiting and rotating, how my lungs fill with air. There’s just like this divine order to things,” said Daye.\u003c/p>\n\u003cp>“Those are things I get to think about when I come to places like this. Having it to rent out and to be able to come and see this is absolutely awesome.”\u003c/p>\n\u003cp>\u003cem>This story was originally broadcast on \u003ca href=\"https://www.kcrw.com/news/shows/greater-la/observatory-la-sheriff-alex-villanueva-oc\">KCRW’s Greater LA\u003c/a>.\u003c/em>\u003cbr>\n\u003c/p>\u003c/div>",
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"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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},
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"id": "baycurious",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
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"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
},
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"meta": {
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"source": "WNYC"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
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