window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"news_11885163": {
"type": "attachments",
"id": "news_11885163",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11885163",
"found": true
},
"parent": 11885160,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/low-rider-vax-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/low-rider-vax-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/low-rider-vax-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/low-rider-vax-scaled.jpg",
"width": 2560,
"height": 1440
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/low-rider-vax-2048x1152.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1152
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/low-rider-vax-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/low-rider-vax-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/low-rider-vax-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/low-rider-vax-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
}
},
"publishDate": 1629047387,
"modified": 1629153014,
"caption": "Carlos Huaman poses for a photo with his 1961 Chevy Impala at the King of the Streets' 40th anniversary lowrider show and hopping contest at the Cow Palace in Daly City on August 14, 2021. ‘It’s candy Aztec gold paint,’ he said. ",
"description": "Carlos Huaman poses for a photo with is 1961 Chevy Impala at the King of the Streets 40th Anniversary lowrider show and hopping contest at the Cow Palace in Daly City on August 14, 2021. ‘It’s candy Aztec gold paint,’ he said. ",
"title": "low-rider-vax",
"credit": "Sara Hosseini/KQED",
"status": "inherit",
"altTag": "man with yellow lowrider car",
"isLoading": false,
"fetchFailed": false
},
"news_11883846": {
"type": "attachments",
"id": "news_11883846",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11883846",
"found": true
},
"parent": 11883845,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/RS50285_002_Berkeley_SmallPressStory_07192021-qut-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/RS50285_002_Berkeley_SmallPressStory_07192021-qut-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/RS50285_002_Berkeley_SmallPressStory_07192021-qut-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/RS50285_002_Berkeley_SmallPressStory_07192021-qut.jpg",
"width": 1920,
"height": 1280
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/RS50285_002_Berkeley_SmallPressStory_07192021-qut-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/RS50285_002_Berkeley_SmallPressStory_07192021-qut-1536x1024.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1024
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/RS50285_002_Berkeley_SmallPressStory_07192021-qut-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
}
},
"publishDate": 1628173705,
"modified": 1628620758,
"caption": "The Small Press Distribution offices in Berkeley on July 19, 2021, have operated at this location since 1995.",
"description": null,
"title": "RS50285_002_Berkeley_SmallPressStory_07192021-qut",
"credit": "Beth LaBerge/KQED",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"news_11883786": {
"type": "attachments",
"id": "news_11883786",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11883786",
"found": true
},
"parent": 11883780,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/PG_FrancisCustodio-sized-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/PG_FrancisCustodio-sized-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/PG_FrancisCustodio-sized-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/PG_FrancisCustodio-sized.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/PG_FrancisCustodio-sized-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/PG_FrancisCustodio-sized-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/08/PG_FrancisCustodio-sized-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
}
},
"publishDate": 1628119836,
"modified": 1628271775,
"caption": "Patricio Ginelsa (left) directs childhood friend Francis Custodio in \u003ci>Lumpia With a Vengeance\u003c/i>.",
"description": "Patricio Ginelsa (left) directs childhood friend Francis Custodio in \u003ci>Lumpia With a Vengeance\u003c/i>.",
"title": "PG_FrancisCustodio-sized",
"credit": "\u003ca href=\"https://jcasasphotography.com/\">J.J Casas\u003c/a>/Courtesy \u003ca href=\"https://www.kidheroes.net/\">Kid Heroes Productions\u003c/a>",
"status": "inherit",
"altTag": "Patricio Ginelsa (left) directs childhood friend Francis Custodio in \"Lumpia With a Vengeance.\"",
"isLoading": false,
"fetchFailed": false
},
"news_11882634": {
"type": "attachments",
"id": "news_11882634",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11882634",
"found": true
},
"parent": 11882513,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49633_WeHadaLittleRealEstateProblem_INS1_38_14EJoeClift-qut-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49633_WeHadaLittleRealEstateProblem_INS1_38_14EJoeClift-qut-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49633_WeHadaLittleRealEstateProblem_INS1_38_14EJoeClift-qut-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49633_WeHadaLittleRealEstateProblem_INS1_38_14EJoeClift-qut.jpg",
"width": 1920,
"height": 1280
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49633_WeHadaLittleRealEstateProblem_INS1_38_14EJoeClift-qut-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49633_WeHadaLittleRealEstateProblem_INS1_38_14EJoeClift-qut-1536x1024.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1024
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49633_WeHadaLittleRealEstateProblem_INS1_38_14EJoeClift-qut-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
}
},
"publishDate": 1627422059,
"modified": 1627679504,
"caption": "Joey Clift is a Native American comedy writer working on the Netflix series Spirit Rangers. Clift is featured in the book, \"We Had a Little Real Estate Problem,\" which examines the history of Native Americans in comedy.\n",
"description": null,
"title": "RS49633_WeHadaLittleRealEstateProblem_INS1_38_14EJoeClift-qut",
"credit": "Robyn von Swank",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"news_11882808": {
"type": "attachments",
"id": "news_11882808",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11882808",
"found": true
},
"parent": 11882379,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0272-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0272-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0272-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0272.jpg",
"width": 2500,
"height": 1667
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0272-2048x1366.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1366
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0272-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0272-1536x1024.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1024
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0272-1920x1280.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1280
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0272-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
}
},
"publishDate": 1627503119,
"modified": 1628104133,
"caption": "A view from the Saint Francis neighborhood in Daly City. ",
"description": "A view from the Saint Francis neighborhood in Daly City. ",
"title": "07272021_MinoBucheli_DalyCity-0272",
"credit": "Sebastian Miño-Bucheli/KQED",
"status": "inherit",
"altTag": "A view from the Saint Francis neighborhood in Daly City.",
"isLoading": false,
"fetchFailed": false
},
"news_11882075": {
"type": "attachments",
"id": "news_11882075",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11882075",
"found": true
},
"parent": 11881696,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/E-40.DeFremery-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/E-40.DeFremery-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/E-40.DeFremery-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/E-40.DeFremery.jpg",
"width": 1920,
"height": 1283
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/E-40.DeFremery-1020x682.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 682
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/E-40.DeFremery-1536x1026.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1026
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/07/E-40.DeFremery-800x535.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 535
}
},
"publishDate": 1626933789,
"modified": 1626933814,
"caption": "E-40 at DeFremery Park in West Oakland, Oct. 12, 2018.",
"description": "E-40 at DeFremery Park in West Oakland, Oct. 12, 2018.",
"title": "E-40.DeFremery",
"credit": "Pendarvis Harshaw/KQED",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"news_11879940": {
"type": "attachments",
"id": "news_11879940",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11879940",
"found": true
},
"parent": 11879912,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera124-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera124-160x111.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 111
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera124-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera124.jpg",
"width": 2000,
"height": 1385
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera124-1020x706.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 706
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera124-1536x1064.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1064
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera124-1920x1330.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1330
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera124-800x554.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 554
}
},
"publishDate": 1625079730,
"modified": 1625250988,
"caption": "Juan Felipe Herrera and his former students performing for an ACTAVANDO Contra COVID event at the Madera Flea Market on June 13, 2021.",
"description": "Juan Felipe Herrera and his former students performing for an ACTAVANDO Contra COVID event at the Madera Flea Market on June 13, 2021.",
"title": "ACTA_ContraCovid_Madera124",
"credit": "Courtesy of Jenn Emerling/ACTA",
"status": "inherit",
"altTag": "A group of artists, all dressed in colorful gear, pose for a photo.",
"isLoading": false,
"fetchFailed": false
},
"news_11879335": {
"type": "attachments",
"id": "news_11879335",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11879335",
"found": true
},
"parent": 11879334,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Black-Lesbian-Contingent-Pride-1020x670-1-1020x576.jpeg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Black-Lesbian-Contingent-Pride-1020x670-1-160x105.jpeg",
"width": 160,
"mimeType": "image/jpeg",
"height": 105
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Black-Lesbian-Contingent-Pride-1020x670-1-672x372.jpeg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Black-Lesbian-Contingent-Pride-1020x670-1.jpeg",
"width": 1020,
"height": 670
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Black-Lesbian-Contingent-Pride-1020x670-1-800x525.jpeg",
"width": 800,
"mimeType": "image/jpeg",
"height": 525
}
},
"publishDate": 1624643303,
"modified": 1624643339,
"caption": "Black lesbian contingent, San Francisco Pride Parade, 1991. ",
"description": null,
"title": "Black-Lesbian-Contingent-Pride-1020x670",
"credit": "Courtesy of H. Lenn Keller/ Oakland Museum of California",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"news_11879070": {
"type": "attachments",
"id": "news_11879070",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11879070",
"found": true
},
"parent": 11879038,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Berkeley-Rep-exterior-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Berkeley-Rep-exterior-160x125.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 125
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Berkeley-Rep-exterior-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Berkeley-Rep-exterior.jpg",
"width": 1920,
"height": 1497
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Berkeley-Rep-exterior-1020x795.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 795
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Berkeley-Rep-exterior-1536x1198.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1198
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Berkeley-Rep-exterior-800x624.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 624
}
},
"publishDate": 1624477585,
"modified": 1624484962,
"caption": "Exterior of Berkeley Repertory Theatre",
"description": null,
"title": "Berkeley-Rep-exterior",
"credit": "\u003ca href=\"https://www.flickr.com/photos/rocor/14353591619/in/photolist-nSnUHz-fLJA46-bUX1ss-4f4jRL-6Vn8WN-agWBft-xbSGF-6cUS88-TQCKo7-U1qAmU-6cUS7D-6cZ1Aj-6cZ1zU-91cTSM-dNYdw-4tdgKM-6ZatRX-QM1yde-6Zev5w-p1X4N-D5Vv9t-dNYcQ-5EpH41-bDRCZi-5Y7Pox-6ZazUT-dNYdg-buQYeA-U5xL94-TSYwP6-nSnU8M-TuzTZj-U3KVQx-4BHUbG-U1qxum-Srvjo8-5Ekq2e-5EpGYo-5Ekq4H-5Ekq6n-5EkqcM-5EkqaB-5EpH25-5EpGYU-xyAfT4-5EpH1m-bDRCJe-5ZtoN7-x3uc1V-5EkpX8\">rocor\u003c/a>/Flickr",
"status": "inherit",
"altTag": "Exterior of Berkeley Rep theater",
"isLoading": false,
"fetchFailed": false
},
"news_11879049": {
"type": "attachments",
"id": "news_11879049",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11879049",
"found": true
},
"parent": 11879024,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48246_008_Oakland_MillsCollege_03242021-qut-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48246_008_Oakland_MillsCollege_03242021-qut-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48246_008_Oakland_MillsCollege_03242021-qut-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48246_008_Oakland_MillsCollege_03242021-qut.jpg",
"width": 1920,
"height": 1280
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48246_008_Oakland_MillsCollege_03242021-qut-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48246_008_Oakland_MillsCollege_03242021-qut-1536x1024.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1024
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48246_008_Oakland_MillsCollege_03242021-qut-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
}
},
"publishDate": 1624475412,
"modified": 1624475434,
"caption": "The Littlefield Concert Hall at Mills College in Oakland on March 24, 2021.",
"description": null,
"title": "The Littlefield Concert Hall at Mills College in Oakland on March 24, 2021.",
"credit": "Beth LaBerge/KQED",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"news_11879009": {
"type": "attachments",
"id": "news_11879009",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11879009",
"found": true
},
"parent": 11878995,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Beach-Blanket-BabylongSan-Francisco-Skyline-Hat-cropped-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Beach-Blanket-BabylongSan-Francisco-Skyline-Hat-cropped-160x114.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 114
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Beach-Blanket-BabylongSan-Francisco-Skyline-Hat-cropped-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Beach-Blanket-BabylongSan-Francisco-Skyline-Hat-cropped-scaled.jpg",
"width": 2560,
"height": 1829
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Beach-Blanket-BabylongSan-Francisco-Skyline-Hat-cropped-2048x1464.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1464
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Beach-Blanket-BabylongSan-Francisco-Skyline-Hat-cropped-1020x729.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 729
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Beach-Blanket-BabylongSan-Francisco-Skyline-Hat-cropped-1536x1098.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1098
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Beach-Blanket-BabylongSan-Francisco-Skyline-Hat-cropped-1920x1372.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1372
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/Beach-Blanket-BabylongSan-Francisco-Skyline-Hat-cropped-800x572.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 572
}
},
"publishDate": 1624468333,
"modified": 1624468431,
"caption": "Steve Silver's sketch of a San Francisco skyline hat from Beach Blanket Babylon next to the on-stage character.",
"description": null,
"title": "Beach-Blanket-BabylongSan-Francisco-Skyline-Hat-cropped",
"credit": "Courtesy Beach Blanket Babylon",
"status": "inherit",
"altTag": "Sketch of Beach Blanket Babylon's San Francisco hat next to on-stage character",
"isLoading": false,
"fetchFailed": false
},
"news_11878731": {
"type": "attachments",
"id": "news_11878731",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11878731",
"found": true
},
"parent": 11878712,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/020_Oakland_BlackLiberationWalkingTourParty_06192021-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/020_Oakland_BlackLiberationWalkingTourParty_06192021-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/020_Oakland_BlackLiberationWalkingTourParty_06192021-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/020_Oakland_BlackLiberationWalkingTourParty_06192021.jpg",
"width": 1920,
"height": 1280
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/020_Oakland_BlackLiberationWalkingTourParty_06192021-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/020_Oakland_BlackLiberationWalkingTourParty_06192021-1536x1024.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1024
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2021/06/020_Oakland_BlackLiberationWalkingTourParty_06192021-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
}
},
"publishDate": 1624216382,
"modified": 1624216400,
"caption": "People dance to Samba Funk during the Black Liberation Walking Tour launch party and Juneteenth Celebration at SPARC-it-Place in Oakland on June 19, 2021.",
"description": null,
"title": "020_Oakland_BlackLiberationWalkingTourParty_06192021",
"credit": "Beth LaBerge/KQED",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_news_11881696": {
"type": "authors",
"id": "byline_news_11881696",
"meta": {
"override": true
},
"slug": "byline_news_11881696",
"name": "Pendarvis Harshaw and Olivia Allen-Price",
"isLoading": false
},
"astupi": {
"type": "authors",
"id": "70",
"meta": {
"index": "authors_1716337520",
"id": "70",
"found": true
},
"name": "Amanda Stupi",
"firstName": "Amanda",
"lastName": "Stupi",
"slug": "astupi",
"email": "astupi@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "Senior Engagement Producer",
"bio": "Amanda joined KQED Science’s engagement team as a Senior Audience Engagement Strategist in the spring of 2019. She has helped craft messaging around wildfires, the coronavirus pandemic, climate change and many other stories. She has also brought KQED Science to new platforms such as Reddit’s Ask Me Anything series. Prior to joining KQED Science, Amanda spent seven years as an engagement producer with Forum, KQED’s daily live call-in show. She got her start in radio at KALW's weekly call in show, City Visions, before going on to an internship and stint at NPR's Talk of the Nation.\r\n\r\nPrior to journalism, Amanda taught English at Lowell High School. She's a native of Petaluma and currently lives under the \"South San Francisco the Industrial City\" sign in South City. She believes that engagement is vital to news’s future and that good journalism listens as much as it asks questions.",
"avatar": "https://secure.gravatar.com/avatar/e981c503e5c162da701dcaccfbf87e35?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
},
{
"site": "stateofhealth",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": []
},
{
"site": "perspectives",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Amanda Stupi | KQED",
"description": "Senior Engagement Producer",
"ogImgSrc": "https://secure.gravatar.com/avatar/e981c503e5c162da701dcaccfbf87e35?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/e981c503e5c162da701dcaccfbf87e35?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/astupi"
},
"katrinaschwartz": {
"type": "authors",
"id": "234",
"meta": {
"index": "authors_1716337520",
"id": "234",
"found": true
},
"name": "Katrina Schwartz",
"firstName": "Katrina",
"lastName": "Schwartz",
"slug": "katrinaschwartz",
"email": "kschwartz@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"news"
],
"title": "Producer",
"bio": "Katrina Schwartz is a journalist based in San Francisco. She's worked at KPCC public radio in LA and has reported on air and online for KQED since 2010. She covered how teaching and learning is changing for MindShift between 2012 and 2020. She is the co-host of the MindShift podcast and now produces KQED's Bay Curious podcast.",
"avatar": "https://secure.gravatar.com/avatar/edb4ee79070447a018538c9aae6eeecf28786515b8a0c30e43b6b7dce5aa44c8?s=600&d=blank&r=g",
"twitter": "kschwart",
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "mindshift",
"roles": [
"administrator"
]
},
{
"site": "stateofhealth",
"roles": [
"author"
]
},
{
"site": "science",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Katrina Schwartz | KQED",
"description": "Producer",
"ogImgSrc": "https://secure.gravatar.com/avatar/edb4ee79070447a018538c9aae6eeecf28786515b8a0c30e43b6b7dce5aa44c8?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/edb4ee79070447a018538c9aae6eeecf28786515b8a0c30e43b6b7dce5aa44c8?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/katrinaschwartz"
},
"kqed": {
"type": "authors",
"id": "236",
"meta": {
"index": "authors_1716337520",
"id": "236",
"found": true
},
"name": "KQED News Staff",
"firstName": "KQED News Staff",
"lastName": null,
"slug": "kqed",
"email": "faq@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/ef0e801a68c4c54afa9180db14084167?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "futureofyou",
"roles": [
"author"
]
}
],
"headData": {
"title": "KQED News Staff | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/ef0e801a68c4c54afa9180db14084167?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/ef0e801a68c4c54afa9180db14084167?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kqed"
},
"shossaini": {
"type": "authors",
"id": "3214",
"meta": {
"index": "authors_1716337520",
"id": "3214",
"found": true
},
"name": "Sara Hossaini",
"firstName": "Sara",
"lastName": "Hossaini",
"slug": "shossaini",
"email": "shossaini@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"news"
],
"title": "KQED Reporter",
"bio": "Sara Hossaini came to general assignment reporting at KQED in 2013 after two winters reporting at Wyoming Public Radio. She holds a bachelor's degree in broadcast journalism from the University of Nebraska-Lincoln. Her radio romance began after a bitter breakup with documentary film (Ok, maybe it's still complicated). Her first simultaneous jobs in San Francisco were as Associate Producer on a PBS film series through the Center for Asian American Media and as a butler. She likes to trot, plot and make things with her hands.",
"avatar": "https://secure.gravatar.com/avatar/060e9f56b9554e17942e89f413242774?s=600&d=blank&r=g",
"twitter": "mshossaini",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "stateofhealth",
"roles": [
"author"
]
}
],
"headData": {
"title": "Sara Hossaini | KQED",
"description": "KQED Reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/060e9f56b9554e17942e89f413242774?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/060e9f56b9554e17942e89f413242774?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/shossaini"
},
"pgilstrap": {
"type": "authors",
"id": "11275",
"meta": {
"index": "authors_1716337520",
"id": "11275",
"found": true
},
"name": "Peter Gilstrap",
"firstName": "Peter",
"lastName": "Gilstrap",
"slug": "pgilstrap",
"email": "pgilstrap@sbcglobal.net",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/2bf93e4a8c1e35493845045175273916?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "news",
"roles": [
"author"
]
}
],
"headData": {
"title": "Peter Gilstrap | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/2bf93e4a8c1e35493845045175273916?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/2bf93e4a8c1e35493845045175273916?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/pgilstrap"
},
"hmcdede": {
"type": "authors",
"id": "11635",
"meta": {
"index": "authors_1716337520",
"id": "11635",
"found": true
},
"name": "Holly McDede",
"firstName": "Holly",
"lastName": "McDede",
"slug": "hmcdede",
"email": "hmcdede@KQED.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/999d9bf31bb3a2f0511932d99526cb3e?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"edit_others_posts",
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"editor"
]
},
{
"site": "perspectives",
"roles": [
"administrator"
]
}
],
"headData": {
"title": "Holly McDede | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/999d9bf31bb3a2f0511932d99526cb3e?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/999d9bf31bb3a2f0511932d99526cb3e?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/hmcdede"
},
"harzate": {
"type": "authors",
"id": "11727",
"meta": {
"index": "authors_1716337520",
"id": "11727",
"found": true
},
"name": "Héctor Alejandro Arzate",
"firstName": "Héctor Alejandro",
"lastName": "Arzate",
"slug": "harzate",
"email": "harzate@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/23c72c3afa19f2c6801c5db997a908d8?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "news",
"roles": [
"author"
]
}
],
"headData": {
"title": "Héctor Alejandro Arzate | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/23c72c3afa19f2c6801c5db997a908d8?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/23c72c3afa19f2c6801c5db997a908d8?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/harzate"
},
"mjohnson": {
"type": "authors",
"id": "11729",
"meta": {
"index": "authors_1716337520",
"id": "11729",
"found": true
},
"name": "MJ Johnson",
"firstName": "MJ",
"lastName": "Johnson",
"slug": "mjohnson",
"email": "mjohnson@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": " \u003ci>MJ Johnson is a visual journalist and writer who was born and raised in Japan. She received her B.A. in Journalism from San Francisco State University and has worked as a local reporter for the San Francisco Examiner and the Golden Gate Xpress. Her interest in journalism comes from a desire to absorb and understand media through a multicultural lens, leading her to cover stories on race, identity and history. \u003c/i>",
"avatar": "https://secure.gravatar.com/avatar/62308b3d5f2db77681f1d24bbe76b6de?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "news",
"roles": []
}
],
"headData": {
"title": "MJ Johnson | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/62308b3d5f2db77681f1d24bbe76b6de?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/62308b3d5f2db77681f1d24bbe76b6de?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/mjohnson"
}
},
"pagesReducer": {
"news_category_arts-and-culture": {
"type": "terms",
"id": "news_223",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "223",
"score": 11.23892
},
"featImg": null,
"name": "Arts and Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts and Culture Archives | KQED News",
"ogDescription": null
},
"ttid": 231,
"slug": "arts-and-culture",
"isLoading": false,
"title": "Arts and Culture",
"pageMeta": {
"site": "news",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 34
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/news?category=arts-and-culture",
"seeMore": false,
"paginated": true,
"page": 34
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"news_11885160": {
"type": "posts",
"id": "news_11885160",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11885160",
"score": null,
"sort": [
1629065756000
]
},
"guestAuthors": [],
"slug": "sf-lowrider-fest-watch-these-cars-bounce-and-get-a-vaccine-too",
"title": "SF Lowrider Fest: Watch These Cars Bounce and Get a Vaccine, Too",
"publishDate": 1629065756,
"format": "audio",
"headTitle": "SF Lowrider Fest: Watch These Cars Bounce and Get a Vaccine, Too | KQED",
"labelTerm": {
"site": "news"
},
"content": "\u003cp>Fans of lowrider car culture celebrated with a purpose over the weekend: The 40th annual “King of the Streets” lowrider car show at Daly City’s Cow Palace also included a vaccination clinic.\u003c/p>\n\u003cp>“It’s about being creative, just like lowriders, we’re creative,” said San Francisco Lowrider Council founder Roberto Y. Hernández.\u003c/p>\n\u003cp>While the usual hydraulic-propelled car-hopping contest took place, the lowrider council also came up with the idea to offer cash incentives to help reach unvaccinated folks, especially in the Latino community. And alongside the usual arts and crafts vendors, the council provided custom-made lowrider masks.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sanfranciscolowridercouncil.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Lowrider Council\u003c/a> was initially founded in 1981 in an effort to push back against the racial profiling of young Latino men by the San Francisco Police Department. Hernández was arrested 113 times by San Francisco police under then-Mayor Dianne Feinstein, according to an event press release from the council.\u003c/p>\n\u003cp>Hernandez, along with others, filed a civil rights lawsuit against the city of San Francisco, and forced the removal of some police officers. Over the years, the council has collaborated with social justice organizations such as the United Farm Workers, Black Lives Matter and others calling for justice for Alex Nieto, a young Latino man killed by SFPD in 2014.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At Saturday’s event, the focus was on vaccinations.\u003c/p>\n\u003cp>“Eventually, you’re going to need a vaccine to go to indoor events,” Hernández said. “So let’s just get everybody vaccinated so that you don’t feel deprived of not being able to participate in things that you’re used to participating in.”\u003c/p>\n\u003cp>San Francisco Mayor London Breed announced Aug. 12 that the city will soon require proof of vaccination against COVID-19 to enter public indoor spaces including bars, restaurants and gyms. The new rule goes into effect Aug. 20. [aside postID=news_11884778]\u003c/p>\n\u003cp>“This is serious,” 58-year-old Marcus Gregory told KQED at the lowrider festival. He heard about the event from his friend, 59-year-old Ricky Ervin.\u003c/p>\n\u003cp>“I just want to … be on the safe side,” Gregory said. After his jab, he was up and headed toward the waiting area, where his friend Ricky sat with a Band-Aid on his arm.\u003c/p>\n\u003cp>Ervin said he’s been spreading the word after hearing about the event on the news. Each of them received a $100 Target gift card and a free “King of the Streets” T-shirt for their participation.\u003c/p>\n\u003cp>Pascal García-Montpetit, who is the health coordinator of the Latino Task Force, said vaccination rates in San Francisco are high — \u003ca href=\"https://sf.gov/data/covid-19-vaccinations\" target=\"_blank\" rel=\"noopener noreferrer\">77% of SF residents have had at least one dose\u003c/a> — but also noted the people coming to get their vaccines sometimes need a bit more encouragement.\u003c/p>\n\u003cp>“We do have to have these longer conversations with people,” he said, “with these extra incentives to help get them across that finish line.”\u003c/p>\n\u003cp>Catalina Cervantes Torres ended up getting COVID-19 before she decided to get vaccinated.\u003c/p>\n\u003cp>“I hadn’t planned on getting one [a vaccine] but a few months ago I got COVID and decided to do it,” she told KQED in Spanish. She came with her husband to admire the cars — and to get her shot.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Vacúnate ya, [vaccinate now] low and slow,” Hernandez said. “Winner takes home bragging rights and is the king of the streets all year long.”\u003c/p>\n\n",
"blocks": [],
"excerpt": "Fans of lowrider car culture celebrated with a purpose over the weekend: The 40th annual 'King of the Streets' lowrider car show and hopping contest at the Cow Palace included a vaccination clinic.",
"status": "publish",
"parent": 0,
"modified": 1740613570,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 18,
"wordCount": 605
},
"headData": {
"title": "SF Lowrider Fest: Watch These Cars Bounce and Get a Vaccine, Too | KQED",
"description": "Fans of lowrider car culture celebrated with a purpose over the weekend: The 40th annual 'King of the Streets' lowrider car show and hopping contest at the Cow Palace included a vaccination clinic.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "SF Lowrider Fest: Watch These Cars Bounce and Get a Vaccine, Too",
"datePublished": "2021-08-15T15:15:56-07:00",
"dateModified": "2025-02-26T15:46:10-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/2021/08/HossainiLowRiderVaccines.mp3",
"sticky": false,
"path": "/news/11885160/sf-lowrider-fest-watch-these-cars-bounce-and-get-a-vaccine-too",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Fans of lowrider car culture celebrated with a purpose over the weekend: The 40th annual “King of the Streets” lowrider car show at Daly City’s Cow Palace also included a vaccination clinic.\u003c/p>\n\u003cp>“It’s about being creative, just like lowriders, we’re creative,” said San Francisco Lowrider Council founder Roberto Y. Hernández.\u003c/p>\n\u003cp>While the usual hydraulic-propelled car-hopping contest took place, the lowrider council also came up with the idea to offer cash incentives to help reach unvaccinated folks, especially in the Latino community. And alongside the usual arts and crafts vendors, the council provided custom-made lowrider masks.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sanfranciscolowridercouncil.com/\" target=\"_blank\" rel=\"noopener noreferrer\">The Lowrider Council\u003c/a> was initially founded in 1981 in an effort to push back against the racial profiling of young Latino men by the San Francisco Police Department. Hernández was arrested 113 times by San Francisco police under then-Mayor Dianne Feinstein, according to an event press release from the council.\u003c/p>\n\u003cp>Hernandez, along with others, filed a civil rights lawsuit against the city of San Francisco, and forced the removal of some police officers. Over the years, the council has collaborated with social justice organizations such as the United Farm Workers, Black Lives Matter and others calling for justice for Alex Nieto, a young Latino man killed by SFPD in 2014.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At Saturday’s event, the focus was on vaccinations.\u003c/p>\n\u003cp>“Eventually, you’re going to need a vaccine to go to indoor events,” Hernández said. “So let’s just get everybody vaccinated so that you don’t feel deprived of not being able to participate in things that you’re used to participating in.”\u003c/p>\n\u003cp>San Francisco Mayor London Breed announced Aug. 12 that the city will soon require proof of vaccination against COVID-19 to enter public indoor spaces including bars, restaurants and gyms. The new rule goes into effect Aug. 20. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "news_11884778",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“This is serious,” 58-year-old Marcus Gregory told KQED at the lowrider festival. He heard about the event from his friend, 59-year-old Ricky Ervin.\u003c/p>\n\u003cp>“I just want to … be on the safe side,” Gregory said. After his jab, he was up and headed toward the waiting area, where his friend Ricky sat with a Band-Aid on his arm.\u003c/p>\n\u003cp>Ervin said he’s been spreading the word after hearing about the event on the news. Each of them received a $100 Target gift card and a free “King of the Streets” T-shirt for their participation.\u003c/p>\n\u003cp>Pascal García-Montpetit, who is the health coordinator of the Latino Task Force, said vaccination rates in San Francisco are high — \u003ca href=\"https://sf.gov/data/covid-19-vaccinations\" target=\"_blank\" rel=\"noopener noreferrer\">77% of SF residents have had at least one dose\u003c/a> — but also noted the people coming to get their vaccines sometimes need a bit more encouragement.\u003c/p>\n\u003cp>“We do have to have these longer conversations with people,” he said, “with these extra incentives to help get them across that finish line.”\u003c/p>\n\u003cp>Catalina Cervantes Torres ended up getting COVID-19 before she decided to get vaccinated.\u003c/p>\n\u003cp>“I hadn’t planned on getting one [a vaccine] but a few months ago I got COVID and decided to do it,” she told KQED in Spanish. She came with her husband to admire the cars — and to get her shot.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Vacúnate ya, [vaccinate now] low and slow,” Hernandez said. “Winner takes home bragging rights and is the king of the streets all year long.”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11885160/sf-lowrider-fest-watch-these-cars-bounce-and-get-a-vaccine-too",
"authors": [
"3214"
],
"categories": [
"news_223",
"news_457",
"news_28250",
"news_8"
],
"tags": [
"news_27989",
"news_27504",
"news_22044",
"news_29644",
"news_27626",
"news_18543",
"news_29792",
"news_38",
"news_981"
],
"featImg": "news_11885163",
"label": "news"
},
"news_11883845": {
"type": "posts",
"id": "news_11883845",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11883845",
"score": null,
"sort": [
1628621046000
]
},
"guestAuthors": [],
"slug": "how-former-employees-at-a-berkeley-bastion-for-literary-presses-ignited-a-reckoning",
"title": "How Former Employees at a Berkeley Bastion for Literary Presses Ignited a Reckoning",
"publishDate": 1628621046,
"format": "audio",
"headTitle": "How Former Employees at a Berkeley Bastion for Literary Presses Ignited a Reckoning | KQED",
"labelTerm": {
"site": "news"
},
"content": "\u003cp>When J. Worthen was hired as a warehouse assistant at Small Press Distribution in Berkeley in 2014, they hoped to work there for the rest of their career. The mission of Small Press Distribution, or SPD, is to make writing by underrepresented communities more accessible. Worthen loved having a role in helping to make that happen.\u003c/p>\n\u003cp>But by 2018, Worthen said it became impossible to ignore the divide between the nonprofit’s mission and how they were being treated because of their sexual orientation and gender identity.\u003c/p>\n\u003cp>During a trip to Tampa, Florida, for the Association of Writers and Writing Programs conference that year, Worthen was eating dinner with their boss, Brent Cunningham, and Abigail Beckel, the founder of \u003ca href=\"https://rosemetalpress.com/\">Rose Metal Press\u003c/a>, one of SPD’s publishers.\u003c/p>\n\u003cp>Out of nowhere, according to Worthen and Beckel, Cunningham said Worthen was asexual, and went on to ask a series of intrusive questions. Worthen said at one point he asked whether they would still be asexual if they weren’t so close to their sister.\u003c/p>\n\u003cp>“I really was in escape mode. I didn’t know how to address it at the moment without jeopardizing my job,” Worthen said. “[Rose Metal Press] is one of SPD’s top publishers. He had no problem creating an uncomfortable situation for both of us.”\u003c/p>\n\u003cp>Beckel said she thought Cunningham’s behavior was “wildly inappropriate.”\u003c/p>\n\u003cp>A few months later, Worthen published an \u003ca href=\"https://www.vidaweb.org/body-of-a-poem-neither-here-nor-there-asexual-and-agender-in-the-literary-world/\">essay\u003c/a> that described the experience. While Worthen did not name anyone in their piece, they still expected to lose their job, or for there to be some sort of reaction from the organization.\u003c/p>\n\u003cp>Instead, Cunningham “liked” the essay on Facebook and after that, Worthen said, they never heard from members of the SPD board or leadership about the incident until Cunningham apologized over two years later.\u003c/p>\n\u003cp>“It felt like I didn’t exist. It just felt like the experience meant nothing to the people who played a part in it,” they said.\u003c/p>\n\u003cfigure id=\"attachment_11883911\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11883911\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/gQ-pw7hXa-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/08/gQ-pw7hXa-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/08/gQ-pw7hXa-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/08/gQ-pw7hXa-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/08/gQ-pw7hXa.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">J. Worthen, who started as a warehouse assistant at Small Press Distribution in 2014, says they loved playing a role in helping to make literature accessible. \u003ccite>(Photo courtesy of J. Worthen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cunningham, who left SPD in June, said in a statement that he “profoundly misread” the dinner and a number of situations with Worthen. Worthen said Cunningham referred to them as “my J.” and commented on their cheap lunches and “Midwestern work ethic.”\u003c/p>\n\u003cp>“I deeply apologize for any and all comments I made that were insensitive, and regret them. I never intended to hurt but now understand the unintended impact of my words. I have worked on and will continue to work on rooting out as much unconscious bias as I can in the hopes of being a better ally to marginalized people going forward,” Cunningham said in the statement.\u003c/p>\n\u003cp>Worthen said the issue was not just Cunningham’s behavior but the way the SPD board responded when employees came forward and denounced his behavior in posts \u003ca href=\"https://wearespd.medium.com/?p=21ce94bf25e0\">online\u003c/a>. In February 2021, Worthen says, they filed a harassment complaint when a different employee persistently misgendered them and sent them condescending messages. Cunningham was one of two people who determined whether that behavior violated SPD policies, emails shared with KQED show, even though a majority of SPD employees had previously penned an open letter that called for his termination or resignation. [pullquote size='medium' align='right' citation='J. Worthen, a former employee at SPD']‘I really felt like this could kill me, staying in a situation with no end in sight, having to deal with the person who harmed me, while the people who should have been holding him accountable were protecting him.’[/pullquote]\u003c/p>\n\u003cp>Alan Bernheimer, the president of the SPD board of directors, did not comment on the work dinner or respond to questions related to the complaint about Cunningham’s behavior or how the board responded. He also declined interview requests and declined to answer almost all questions sent to him with criticism or allegations about Cunningham or SPD.\u003c/p>\n\u003cp>SPD did, however, hire a law firm, Oppenheimer Investigations Group, to conduct an independent assessment of the nonprofit earlier this year.\u003c/p>\n\u003cp>“The OIG assessment concluded that SPD needed a reboot of its management, workplace policies, and relationship between staff and leaders,” Bernheimer wrote in a statement to KQED. “The OIG report was completed the first week in March, and we announced [Cunningham’s] departure as [executive director] on March 8.”\u003c/p>\n\u003cp>In response to a series of questions sent to him last month, Bernheimer wrote in an email sent to KQED seemingly by mistake, “For any response we provide, we should strongly consider aligning with what Brent [Cunningham] is telling her [KQED reporter Holly McDede].”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11884265\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/KQED-Response-800x314.png\" alt=\"\" width=\"800\" height=\"314\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/KQED-Response-800x314.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/KQED-Response-1020x401.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/KQED-Response-160x63.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/KQED-Response.png 1360w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>He did not answer any specific questions after that, writing instead, “No further comment.”\u003c/p>\n\u003cp>Worthen, who learned they had cancer in 2019, worried the stress of staying at SPD could affect their health. Soon after they filed the complaint, they decided to leave the organization.\u003c/p>\n\u003cp>“I really felt like this could kill me, staying in a situation with no end in sight, having to deal with the person who harmed me, while the people who should have been holding him accountable were protecting him,” they said. “I needed to get away from that so that I can heal from cancer and have a fighting chance.”\u003c/p>\n\u003cfigure id=\"attachment_11884059\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11884059\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/SPD-Warehouse-Overview-Better-800x456.jpeg\" alt=\"\" width=\"800\" height=\"456\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Warehouse-Overview-Better-800x456.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Warehouse-Overview-Better-1020x582.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Warehouse-Overview-Better-160x91.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Warehouse-Overview-Better-1536x876.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Warehouse-Overview-Better.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Small Press Distribution currently warehouses some 350,000 books. \u003ccite>(Photo courtesy of Sam Lefebvre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>A Reckoning for Literary Spaces\u003c/h3>\n\u003cp>Since its founding in 1969, Berkeley-based Small Press Distribution has distinguished itself as the place for indie publishers to get experimental, avant-garde works in the hands of booksellers and customers nationwide. The nonprofit has a staff of fewer than a dozen people and works with some 400 presses, and has distributed titles that have won prestigious awards, like Pulitzer in poetry winner “Olio” by Tyehimba Jess. On its website, SPD emphasizes this commitment: “Everything we do is aimed at helping essential but underrepresented literary communities participate fully in the marketplace and in the culture at large.”\u003c/p>\n\u003cp>But some former employees said that incidents like what Worthen experienced, and an overall lack of personal or professional boundaries, were part of a broader problem at SPD. They said management seemed to push the idea that employees were more like friends than co-workers. Workers said that contributed to a toxic environment where staff concerns were not taken seriously or addressed through formal mechanisms, and it felt impossible to hold people accountable.\u003c/p>\n\u003cp>Bernheimer said in a public statement that human resources departments were not commonplace when SPD was founded in 1969, particularly in small nonprofits.\u003c/p>\n\u003cp>“But it’s inexcusable that we failed to grow with the times and that SPD employees suffered as a result,” Bernheimer wrote. “We believe a holistic HR approach, run by specialized experts, will preclude recurrences, as well as foster a healthy workplace with interactional and procedural justice for all.” [pullquote size='medium' align='right' citation='Jeffrey Lependorf, former executive director at SPD']‘For many years, long before me, SPD was a small group of poets trying to get books out … We were not HR professionals. We were artists running an arts organization. We were doing our best to learn and to institute HR processes. We, in many ways, did a good job, and failed a lot in our best efforts. I think that’s fair to say.’[/pullquote]\u003c/p>\n\u003cp>Nonprofits have a \u003ca href=\"https://www.theatlantic.com/business/archive/2016/08/the-plight-of-the-overworked-nonprofit-employee/497081/\">reputation\u003c/a> for low pay, burnout and high turnover. Some former employees said they expected disorganization or poor treatment at SPD because those issues are common in arts nonprofits, bookstores and other creative industries. Former employees said the SPD board, which included poets and publishers, was absent or out of touch when it came to working conditions at SPD.\u003c/p>\n\u003cp>Cunningham said in a written statement that the working conditions and the culture at SPD were not meaningfully different from or worse than those at any under-resourced nonprofit. He said the primary obstacle to any change was always a lack of resources rather than a lack of will, and that there was also a lack of agreement or articulation among the staff about the real, practical changes they wanted to see.\u003c/p>\n\u003cp>“For many years, long before me, SPD was a small group of poets trying to get books out,” said Jeffrey Lependorf, who was the executive director at SPD until 2020. “We were not HR professionals. We were artists running an arts organization. We were doing our best to learn and to institute HR processes. We, in many ways, did a good job, and failed a lot in our best efforts. I think that’s fair to say.”\u003c/p>\n\u003cp>Bernheimer said since allegations were first made online in December, the SPD board has invited staff to attend board meetings and created a staff-board liaison process to improve communication.\u003c/p>\n\u003cfigure id=\"attachment_11884055\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11884055 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/Clay-Banes-800x596.jpg\" alt=\"\" width=\"800\" height=\"596\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/Clay-Banes-800x596.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/Clay-Banes-1020x760.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/Clay-Banes-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/Clay-Banes.jpg 1180w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Clay Banes, a former Small Press Distribution employee, also worked at Pegasus Books in Berkeley, where he organized a reading series. \u003ccite>(Photo courtesy of Clay Banes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But while some of the longstanding problems at SPD may be common to many organizations, SPD holds a unique position as the only nonprofit literary distributor in the country. Small literary presses rooted in social justice and committed to bringing underrepresented voices to readers have few other distribution options.\u003c/p>\n\u003cp>“There’s pretty much no other. Whoever has existed, SPD is the one left standing. Even as we speak, everything is getting consolidated in the commercial distributing world,” Clay Banes, a former employee at SPD, said. “So many writers, so many publishers, so many poets, for the most part, none of these people want to get into the fray of this. No one wants to harm SPD, including me.”\u003c/p>\n\u003cp>But the pandemic caused workers all over the country to question not only their safety but also how they’re valued on the job — including at nonprofits and bookstores. Current and former Black and trans booksellers at Pegasus Books in Berkeley and Oakland created an \u003ca href=\"https://www.instagram.com/p/CEK89VTpFOC/\">anti-racist bookstore initiative\u003c/a> to demand better treatment. Booksellers at \u003ca href=\"https://twitter.com/moesbooksunion?lang=en\">Moe’s Books in Berkeley\u003c/a> and \u003ca href=\"https://twitter.com/bscworkers?lang=en\">Bookshop Santa Cruz\u003c/a> voted to form unions this year, a rare move for any independent bookstore.\u003c/p>\n\u003cfigure id=\"attachment_11883930\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11883930\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/RS50297_014_Berkeley_SmallPressStory_07192021-qut-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/RS50297_014_Berkeley_SmallPressStory_07192021-qut-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/RS50297_014_Berkeley_SmallPressStory_07192021-qut-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/RS50297_014_Berkeley_SmallPressStory_07192021-qut-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/RS50297_014_Berkeley_SmallPressStory_07192021-qut-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/RS50297_014_Berkeley_SmallPressStory_07192021-qut-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rows of books line the second floor at Moe’s Books in Berkeley on July 19, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I think there still is a perception that somehow these professions are special or have cultural capital,” said Amy Wilson, a poet, an organizer and a master’s student at the CUNY School of Labor and Urban Studies. “But what workers are saying is you can’t eat [or] can’t pay your rent with cultural capital.”\u003c/p>\n\u003ch3>Toxicity in the Workplace\u003c/h3>\n\u003cp>Many of the former workers who spoke to KQED said they had tried to fix the culture and structure at SPD internally, but not enough seemed to change. The environment became increasingly hostile in 2019, they said, when employees were told SPD was in the midst of a financial crisis.\u003c/p>\n\u003cp>“SPD is making available books that don’t make a lot of money,” said Jeffrey Lependorf, then-executive director of SPD. “And the book industry at that time was facing tough times. And we were a part of it.”\u003c/p>\n\u003cp>Employees said it seemed like workers who were vocal about changes they wanted to see at SPD were also under the most scrutiny during SPD’s financial challenges.\u003c/p>\n\u003cp>“It’s like SPD could fall apart at any moment, [so] we have to be hypervigilant and never change how we do anything,” said E Conner, who worked at SPD during that time.\u003c/p>\n\u003cfigure id=\"attachment_11883932\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11883932\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/E-Conner-800x672.jpg\" alt=\"\" width=\"800\" height=\"672\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-800x672.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-1020x857.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-160x134.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-1536x1291.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-2048x1721.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-1920x1614.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E Conner worked at Small Press Distribution until late last year. \u003ccite>(Photo courtesy of E Conner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Former employees said managers began an “efficiency audit” to identify redundancies. As part of that effort, staff said they were asked to describe in detail what they did during the day. But Conner said it felt like even when she explained how she spent her workday, the manager didn’t believe her.\u003c/p>\n\u003cp>“As I was explaining what I did, I was told, ‘But you don’t really do that, right?'” Conner said. “And I explained that ‘I’m just trying to tell you what I do.’ Everybody was terrified we were going to lose our jobs.”\u003c/p>\n\u003cp>Another former employee at SPD, Nich Malone, said he was outspoken about some of the issues at SPD, like the lack of clear job descriptions or the need for professional boundaries. But he said his suggestions only seemed to make some of his bosses uncomfortable, and the efficiency audit felt like an attempt to wear him down.\u003c/p>\n\u003cp>“It was literally, like, sitting in a room for an hour, not doing work, so you could justify your job,” Malone said. “It would sort of break you down so that you work harder so that you’d keep your job.”\u003c/p>\n\u003cp>While these audits were happening, Lependorf lived on the other side of the country — another issue that employees said they found frustrating as they, and their lower-paid co-workers, faced the threat of layoffs. “He lived and worked in Hudson, New York, while Small Press Distribution is in Berkeley, California,” Conner said. “The knowledge and the skill to navigate through this very chaotic organization was all on the lower-paid workers to do, and do well.”\u003c/p>\n\u003cp>Lependorf said the remote position made sense for years, considering that many valuable ties in the publishing industry are in New York. But he said his distance from the nonprofit seemed less practical as the climate at the workplace became more toxic.\u003c/p>\n\u003cp>“There were issues of misgendering, there were issues of gender bias, there were issues of crossing boundaries, and [it] became more difficult … it was certainly difficult for me not being present,” he said. “I was in a position of being a little helpless to deal with some of that.”\u003c/p>\n\u003cp>He said management was working hard to make sure employees could keep their jobs, but he could also understand how the financial issues made staff feel threatened.\u003c/p>\n\u003cp>“We were really, really trying to listen. We were out there trying to pull in pennies to keep everyone employed,” he said. “You don’t want to scare your staff, but you also don’t want to hide things from them. It’s a tricky balance.”\u003c/p>\n\u003cfigure id=\"attachment_11884456\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11884456\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/SPD-Kitchen-wall-800x472.jpeg\" alt=\"\" width=\"800\" height=\"472\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Kitchen-wall-800x472.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Kitchen-wall-1020x601.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Kitchen-wall-160x94.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Kitchen-wall-1536x906.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Kitchen-wall.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Poetry covers the walls of the break room at Small Press Distribution in Berkeley. \u003ccite>(Photo courtesy of Sam Lefebvre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lependorf left SPD last year, and Cunningham said Lependorf’s departure was the solution to the financial challenges. (Lependorf said he was planning to leave within a year or two anyway.) Cunningham, who became executive director after Lependorf left, said he could not comment on personnel matters out of concern for privacy. Cunningham said of himself that he treated all employees fairly and equally, and that while in leadership at SPD, he did not witness any other SPD director treating any employee in a way he would call unfair, unequal or retaliatory.\u003c/p>\n\u003cp>Then around the time of the nonprofit’s financial issues, staff learned from management about errors related to payroll. SPD leadership said in a statement last year that a total of five employees had been underpaid, and that staff had also been given pay stubs that were not in compliance with the law; they did not show hourly wages or hours worked.\u003c/p>\n\u003cp>One person was underpaid a total of more than $4,000 throughout most of 2019, documents shared with KQED show.\u003c/p>\n\u003cp>The SPD board of directors, Cunningham and SPD Finance Director Andrew Pai released a statement saying that as soon as the payroll errors came to their attention, leaders apologized to staff, informed all staff of the error and remedied the mistakes — including paying missing wages with interest to those affected. They said they also switched to a different payroll processing company that complies with current regulations.\u003c/p>\n\u003cfigure id=\"attachment_11883934\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11883934 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/E-Conner-Desk-800x760.jpg\" alt=\"\" width=\"800\" height=\"760\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-Desk-800x760.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-Desk-1020x969.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-Desk-160x152.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-Desk-1536x1460.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-Desk-2048x1946.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-Desk-1920x1824.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E Conner’s desk at Small Press Distribution, where she worked until late 2020. She advocated for better working conditions while an employee there. \u003ccite>(Photo courtesy of E Conner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Former employee Malone said that these financial issues and mismanagement contributed to the hostile environment at SPD, where employees felt they had to justify their positions, and eventually it became too much. Malone decided to leave last March.\u003c/p>\n\u003cp>“I just figured, if I could leave the organization, that means my friend who is also on the chopping block, at least … they probably won’t lose their job,” he said. “I couldn’t still be part of something that I loved so much, watching it slowly die.”\u003c/p>\n\u003cp>More than 60% of employees who worked at SPD in September 2019 have since left the nonprofit. [ad fullwidth]\u003c/p>\n\u003ch3>The Conversation Moves Online\u003c/h3>\n\u003cp>It took a Medium \u003ca href=\"https://damagedbookworker.medium.com/terrorized-by-spd-612014765e7c\">post\u003c/a> published last December by a former employee to force the conversation open about working conditions at SPD. Hundreds of writers, publishers and community members signed an \u003ca href=\"https://docs.google.com/document/d/1ZJKgNqaN_FZ7GWKiciKDFQQZgLZ1JI895b_Z3Apx5Ic/edit\">open letter calling for Cunningham to resign from his leadership position at SPD. \u003c/a>\u003c/p>\n\u003cp>We’re using a pseudonym — Marisela — to protect the identity of the former employee who wrote the post because of concern that being identified would put their safety or employment opportunities at risk.\u003c/p>\n\u003cp>In the post, Marisela described how management continued to ask them to perform intensive physical labor in the warehouse in spite of a reported physical disability.\u003c/p>\n\u003cp>They wrote that Cunningham would regularly “unload” to them about his personal life. They said he would approach their desk in the morning and begin complaining about personal issues with his family — emotional labor that Marisela, as well as several other former employees, said made them uncomfortable, particularly from a boss. Marisela described feeling like a “captive audience” as he overshared details about his life.\u003c/p>\n\u003cp>Marisela was also the employee who was underpaid more than $4,000 in 2019, documents shared with KQED show.\u003c/p>\n\u003cfigure id=\"attachment_11883938\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11883938\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/img_d1d3773d8182-1_edit-2-1-800x600.jpeg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/img_d1d3773d8182-1_edit-2-1-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/img_d1d3773d8182-1_edit-2-1-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/img_d1d3773d8182-1_edit-2-1-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/img_d1d3773d8182-1_edit-2-1.jpeg 1331w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A former employee at Small Press Distribution, who asked to be called Marisela, published a piece about working conditions at Small Press Distribution last December. \u003ccite>(Photo courtesy of Marisela and Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Marisela said over a month before first learning they were underpaid, they had to borrow money from a church to pay rent. They said their mental and physical health continued to decline, and the stress was making it impossible to work there. They felt like they had no choice but to leave.\u003c/p>\n\u003cp>In a statement, Cunningham said he apologizes for and regrets “any instance of sharing too much personal information with staff members.” He also said he responded to all safety and employee health concerns as soon as they came to his attention.\u003c/p>\n\u003cp>A few days after Marisela handed in their resignation, SPD offered them a $2,500 severance agreement. In order to receive the money, Marisela would also have to sign nondisclosure and nondisparagement clauses, requiring them to pay $500 for every instance they disparaged SPD or broke the agreement.\u003c/p>\n\u003cp>While Marisela did not sign it, and thus did not receive any severance pay, they said it made them afraid to talk about their experience at SPD for months.\u003c/p>\n\u003cp>“I didn’t have any other resources. I didn’t expect them to do that. It did what they wanted it to do. I felt like disappearing was my only option,” Marisela said.\u003c/p>\n\u003cp>SPD Board President Bernheimer said the nonprofit has “rarely but occasionally offered severance to departing employees and, like the vast majority of organizations, used agreements that provided for confidentiality and mutual non-disparagement.”\u003c/p>\n\u003cp>Then, less than a month after Marisela quit, the pandemic hit. Marisela was not only unemployed but even more isolated. By December 2020, they decided to come forward publicly. [pullquote size='medium' align='right' citation='Marisela, a former worker at SPD']‘I felt like I physically needed to speak the truth, or my body was going to cave in … This whole thing has been an act of survival. I didn’t feel like I had any other choice.’[/pullquote]\u003c/p>\n\u003cp>“I felt like I physically needed to speak the truth, or my body was going to cave in,” Marisela said. “This whole thing has been an act of survival. I didn’t feel like I had any other choice.”\u003c/p>\n\u003cp>That post launched a reckoning at SPD that previous, internal demands for change had not. Bernheimer said after the post was published, SPD added a board member with HR experience, and brought in a law firm to conduct an assessment of employee concerns and the nonprofit’s culture.\u003c/p>\n\u003cp>The law firm found Cunningham was insensitive around issues related to gender identity and ethnicity, according to a portion of the assessment shared with KQED and publicly. The SPD board said he stepped down as executive director in March after the report was complete, though he continued to work for SPD in other roles for months afterward. The SPD board has not released that assessment, citing privacy concerns.\u003c/p>\n\u003ch3>A Boycott and Social Media Campaign\u003c/h3>\n\u003cp>But seeking accountability through social media has also been complicated and, at times, hostile. Since December, Marisela has been running Twitter and Instagram accounts aimed at keeping the pressure on SPD and and bringing attention to working conditions in the book industry. Then, in March, someone set up a Twitter account to mock them. Marisela said soon after that account was suspended, someone claiming to be a friend of Cunningham sent them an abusive and threatening email, which they shared with KQED, telling Marisela to “move on.”\u003c/p>\n\u003cp>https://www.instagram.com/p/CMxzrjhB6AR/\u003c/p>\n\u003cp>Many of the people who have advocated for change at SPD say they’re doing so in spite of backlash from the literary community.\u003c/p>\n\u003cp>“For a lot of people, it’s not just a fear of losing their job. It’s a fear of losing social access,” said Conner, who left SPD last year. “And I will say I’ve lost a lot of friends. A lot of friends. There’s a lot bound up in why it was so hard for anybody to say anything publicly for so long. It’s work, it’s art, it’s this whole community and really important things for people, their livelihood, and what they’re trying to create.”\u003c/p>\n\u003cp>Since the issues at SPD have been shared online, a few presses have been trying to find other ways to distribute their books. But that hasn’t been an easy process.\u003c/p>\n\u003cp>“I don’t think there’s an awareness about how much the publishers have to lose, and the books they represent,” said KMA Sullivan, founder and publisher at Portland, Oregon-based \u003ca href=\"https://www.yesyesbooks.com\">YesYes Books\u003c/a>, which describes itself online as a publisher of provocative collections of poetry, fiction and experimental art. “Presses are just trying to survive. Does that mean we shouldn’t speak out for justice? Of course not, we should.”\u003c/p>\n\u003cp>https://twitter.com/YesYesBooks/status/1393252835421085697\u003c/p>\n\u003cp>Game Over Books, a Boston-based publishing company of emerging and marginalized writers, announced it was ending its ties with SPD last year. Founder Josh Savory said they are still searching for a distributor.\u003c/p>\n\u003cp>“What SPD does is [get] your books into bookstores, libraries, university bookstores. You can’t just go to most stores and say, ‘Please carry our books,'” he said. “And without distribution, I think that you’re doing a disservice to your writers and your authors and their work.”\u003c/p>\n\u003cp>It’s also not clear what impact the social media callouts have had on the willingness of the SPD board to adopt changes.\u003c/p>\n\u003cp>This tension all came to a head in June when members of a recently formed group of anti-capitalist writers and publishers called Poets Union weighed in. The group, which is not an actual union or tied to SPD, decided to boycott SPD. One SPD employee released a \u003ca href=\"https://docs.google.com/document/d/1IzIF2s2IZ5EXzkqfYNdLkQKvNbjiexW2rUpWcxmJu98/edit\">statement \u003c/a>anonymously supporting the boycott and saying that she had no faith in the SPD board and felt isolated.\u003c/p>\n\u003cp>In an email sent to staff, and later \u003ca href=\"https://drive.google.com/file/d/1I57aq8arehBdBjh4AVn2kYw28WKSytmw/view\">shared online\u003c/a>, the interim executive director of SPD Cindy Myers wrote in response: “Torpedoing your employer on social media is truly not acceptable, in any organization. What is really needed is a statement from staff that conveys confidence that SPD is solving its problems collaboratively and is not a hostile workplace. I can’t make that statement for you – and you don’t have to make that statement at all, it’s really up to you. But I am telling you, that is what is called for.”\u003c/p>\n\u003cp>Myers declined interview requests.\u003c/p>\n\u003cp>After the email was sent, SPD employees released a \u003ca href=\"https://myemail.constantcontact.com/SPD-Staff-Response-to-Poetry-Workers-Union-Boycott.html?soid=1103707940910&aid=P6F7nYlvh4o\">statement\u003c/a> that said all but one worker opposed the boycott.\u003c/p>\n\u003cp>“We are SPD workers writing to express our dismay at the recent calls to action made in our name. At this time, the Poets Union boycott does not align with our wishes or needs as workers. We are a fragile, overworked crew and fear coming forward publicly would expose us to online harassment, which is why we are writing to you anonymously,” the statement reads. It was signed “7 of 8 Current SPD Workers.”\u003c/p>\n\u003cfigure id=\"attachment_11883940\" class=\"wp-caption alignnone\" style=\"max-width: 717px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11883940\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/J-Worthen.jpg\" alt=\"\" width=\"717\" height=\"588\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/J-Worthen.jpg 717w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/J-Worthen-160x131.jpg 160w\" sizes=\"(max-width: 717px) 100vw, 717px\">\u003cfigcaption class=\"wp-caption-text\">J. Worthen during a reading. Worthen and other former workers at Small Press Distribution want to see working conditions improve. \u003ccite>(Photo courtesy of J. Worthen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Still Hoping for a Transformation\u003c/h3>\n\u003cp>SPD staff members recently completed mediation, a process where employees agree to changes in the workplace with the help of a third party. In an email sent to the small press community, Myers said details of that mediation are confidential. Board President Bernheimer did not comment when asked what the next steps are for improving practices at SPD now that mediation has ended.\u003c/p>\n\u003cp>That means many in the literary world and former employees will have to continue to wait and see what SPD will look like over the next few months from the outside.\u003c/p>\n\u003cp>About a month into the pandemic lockdowns, Worthen shared a fundraiser for SPD online. In that post, they asked people wanting to help with expenses related to their cancer treatment to instead donate to SPD. They said they could not imagine a literary world without it.\u003c/p>\n\u003cp>More than a year since then, Worthen said it’s hurtful that people now claim they’re a threat to the nonprofit’s future. They said former employees have the right to speak about harm experienced in the literary community, and about improving the situation at SPD.\u003c/p>\n\u003cp>Both Worthen and Malone say they still care about the future of SPD.\u003c/p>\n\u003cp>“I would love the closure of, like, ‘Cool, close this book. And SPD is going to be OK,” Malone said. “Instead of being like, ‘Cool, close this book, and everything’s on fire.'”\u003c/p>\n\u003cp>\u003cem>Disclaimer: Holly J. McDede volunteered at Small Press Distribution in 2013.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "Many consider Small Press Distribution, or SPD, vital to the nation's ecosystem of independent publications. But last December, an online post by a former employee forced a conversation about how the mission-based nonprofit treats its workers.",
"status": "publish",
"parent": 0,
"modified": 1721157581,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 88,
"wordCount": 4627
},
"headData": {
"title": "How Former Employees at a Berkeley Bastion for Literary Presses Ignited a Reckoning | KQED",
"description": "Many consider Small Press Distribution, or SPD, vital to the nation's ecosystem of independent publications. But last December, an online post by a former employee forced a conversation about how the mission-based nonprofit treats its workers.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "How Former Employees at a Berkeley Bastion for Literary Presses Ignited a Reckoning",
"datePublished": "2021-08-10T11:44:06-07:00",
"dateModified": "2024-07-16T12:19:41-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"audioUrl": "https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-41c5-bcaf-aaef00f5a073/bdeb628a-8348-406a-ad6e-ad9d011fa91c/audio.mp3",
"sticky": false,
"path": "/news/11883845/how-former-employees-at-a-berkeley-bastion-for-literary-presses-ignited-a-reckoning",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When J. Worthen was hired as a warehouse assistant at Small Press Distribution in Berkeley in 2014, they hoped to work there for the rest of their career. The mission of Small Press Distribution, or SPD, is to make writing by underrepresented communities more accessible. Worthen loved having a role in helping to make that happen.\u003c/p>\n\u003cp>But by 2018, Worthen said it became impossible to ignore the divide between the nonprofit’s mission and how they were being treated because of their sexual orientation and gender identity.\u003c/p>\n\u003cp>During a trip to Tampa, Florida, for the Association of Writers and Writing Programs conference that year, Worthen was eating dinner with their boss, Brent Cunningham, and Abigail Beckel, the founder of \u003ca href=\"https://rosemetalpress.com/\">Rose Metal Press\u003c/a>, one of SPD’s publishers.\u003c/p>\n\u003cp>Out of nowhere, according to Worthen and Beckel, Cunningham said Worthen was asexual, and went on to ask a series of intrusive questions. Worthen said at one point he asked whether they would still be asexual if they weren’t so close to their sister.\u003c/p>\n\u003cp>“I really was in escape mode. I didn’t know how to address it at the moment without jeopardizing my job,” Worthen said. “[Rose Metal Press] is one of SPD’s top publishers. He had no problem creating an uncomfortable situation for both of us.”\u003c/p>\n\u003cp>Beckel said she thought Cunningham’s behavior was “wildly inappropriate.”\u003c/p>\n\u003cp>A few months later, Worthen published an \u003ca href=\"https://www.vidaweb.org/body-of-a-poem-neither-here-nor-there-asexual-and-agender-in-the-literary-world/\">essay\u003c/a> that described the experience. While Worthen did not name anyone in their piece, they still expected to lose their job, or for there to be some sort of reaction from the organization.\u003c/p>\n\u003cp>Instead, Cunningham “liked” the essay on Facebook and after that, Worthen said, they never heard from members of the SPD board or leadership about the incident until Cunningham apologized over two years later.\u003c/p>\n\u003cp>“It felt like I didn’t exist. It just felt like the experience meant nothing to the people who played a part in it,” they said.\u003c/p>\n\u003cfigure id=\"attachment_11883911\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11883911\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/gQ-pw7hXa-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/08/gQ-pw7hXa-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/08/gQ-pw7hXa-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/08/gQ-pw7hXa-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/08/gQ-pw7hXa.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">J. Worthen, who started as a warehouse assistant at Small Press Distribution in 2014, says they loved playing a role in helping to make literature accessible. \u003ccite>(Photo courtesy of J. Worthen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cunningham, who left SPD in June, said in a statement that he “profoundly misread” the dinner and a number of situations with Worthen. Worthen said Cunningham referred to them as “my J.” and commented on their cheap lunches and “Midwestern work ethic.”\u003c/p>\n\u003cp>“I deeply apologize for any and all comments I made that were insensitive, and regret them. I never intended to hurt but now understand the unintended impact of my words. I have worked on and will continue to work on rooting out as much unconscious bias as I can in the hopes of being a better ally to marginalized people going forward,” Cunningham said in the statement.\u003c/p>\n\u003cp>Worthen said the issue was not just Cunningham’s behavior but the way the SPD board responded when employees came forward and denounced his behavior in posts \u003ca href=\"https://wearespd.medium.com/?p=21ce94bf25e0\">online\u003c/a>. In February 2021, Worthen says, they filed a harassment complaint when a different employee persistently misgendered them and sent them condescending messages. Cunningham was one of two people who determined whether that behavior violated SPD policies, emails shared with KQED show, even though a majority of SPD employees had previously penned an open letter that called for his termination or resignation. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "‘I really felt like this could kill me, staying in a situation with no end in sight, having to deal with the person who harmed me, while the people who should have been holding him accountable were protecting him.’",
"name": "pullquote",
"attributes": {
"named": {
"size": "medium",
"align": "right",
"citation": "J. Worthen, a former employee at SPD",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Alan Bernheimer, the president of the SPD board of directors, did not comment on the work dinner or respond to questions related to the complaint about Cunningham’s behavior or how the board responded. He also declined interview requests and declined to answer almost all questions sent to him with criticism or allegations about Cunningham or SPD.\u003c/p>\n\u003cp>SPD did, however, hire a law firm, Oppenheimer Investigations Group, to conduct an independent assessment of the nonprofit earlier this year.\u003c/p>\n\u003cp>“The OIG assessment concluded that SPD needed a reboot of its management, workplace policies, and relationship between staff and leaders,” Bernheimer wrote in a statement to KQED. “The OIG report was completed the first week in March, and we announced [Cunningham’s] departure as [executive director] on March 8.”\u003c/p>\n\u003cp>In response to a series of questions sent to him last month, Bernheimer wrote in an email sent to KQED seemingly by mistake, “For any response we provide, we should strongly consider aligning with what Brent [Cunningham] is telling her [KQED reporter Holly McDede].”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11884265\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/KQED-Response-800x314.png\" alt=\"\" width=\"800\" height=\"314\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/KQED-Response-800x314.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/KQED-Response-1020x401.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/KQED-Response-160x63.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/KQED-Response.png 1360w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>He did not answer any specific questions after that, writing instead, “No further comment.”\u003c/p>\n\u003cp>Worthen, who learned they had cancer in 2019, worried the stress of staying at SPD could affect their health. Soon after they filed the complaint, they decided to leave the organization.\u003c/p>\n\u003cp>“I really felt like this could kill me, staying in a situation with no end in sight, having to deal with the person who harmed me, while the people who should have been holding him accountable were protecting him,” they said. “I needed to get away from that so that I can heal from cancer and have a fighting chance.”\u003c/p>\n\u003cfigure id=\"attachment_11884059\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11884059\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/SPD-Warehouse-Overview-Better-800x456.jpeg\" alt=\"\" width=\"800\" height=\"456\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Warehouse-Overview-Better-800x456.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Warehouse-Overview-Better-1020x582.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Warehouse-Overview-Better-160x91.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Warehouse-Overview-Better-1536x876.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Warehouse-Overview-Better.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Small Press Distribution currently warehouses some 350,000 books. \u003ccite>(Photo courtesy of Sam Lefebvre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>A Reckoning for Literary Spaces\u003c/h3>\n\u003cp>Since its founding in 1969, Berkeley-based Small Press Distribution has distinguished itself as the place for indie publishers to get experimental, avant-garde works in the hands of booksellers and customers nationwide. The nonprofit has a staff of fewer than a dozen people and works with some 400 presses, and has distributed titles that have won prestigious awards, like Pulitzer in poetry winner “Olio” by Tyehimba Jess. On its website, SPD emphasizes this commitment: “Everything we do is aimed at helping essential but underrepresented literary communities participate fully in the marketplace and in the culture at large.”\u003c/p>\n\u003cp>But some former employees said that incidents like what Worthen experienced, and an overall lack of personal or professional boundaries, were part of a broader problem at SPD. They said management seemed to push the idea that employees were more like friends than co-workers. Workers said that contributed to a toxic environment where staff concerns were not taken seriously or addressed through formal mechanisms, and it felt impossible to hold people accountable.\u003c/p>\n\u003cp>Bernheimer said in a public statement that human resources departments were not commonplace when SPD was founded in 1969, particularly in small nonprofits.\u003c/p>\n\u003cp>“But it’s inexcusable that we failed to grow with the times and that SPD employees suffered as a result,” Bernheimer wrote. “We believe a holistic HR approach, run by specialized experts, will preclude recurrences, as well as foster a healthy workplace with interactional and procedural justice for all.” \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "‘For many years, long before me, SPD was a small group of poets trying to get books out … We were not HR professionals. We were artists running an arts organization. We were doing our best to learn and to institute HR processes. We, in many ways, did a good job, and failed a lot in our best efforts. I think that’s fair to say.’",
"name": "pullquote",
"attributes": {
"named": {
"size": "medium",
"align": "right",
"citation": "Jeffrey Lependorf, former executive director at SPD",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Nonprofits have a \u003ca href=\"https://www.theatlantic.com/business/archive/2016/08/the-plight-of-the-overworked-nonprofit-employee/497081/\">reputation\u003c/a> for low pay, burnout and high turnover. Some former employees said they expected disorganization or poor treatment at SPD because those issues are common in arts nonprofits, bookstores and other creative industries. Former employees said the SPD board, which included poets and publishers, was absent or out of touch when it came to working conditions at SPD.\u003c/p>\n\u003cp>Cunningham said in a written statement that the working conditions and the culture at SPD were not meaningfully different from or worse than those at any under-resourced nonprofit. He said the primary obstacle to any change was always a lack of resources rather than a lack of will, and that there was also a lack of agreement or articulation among the staff about the real, practical changes they wanted to see.\u003c/p>\n\u003cp>“For many years, long before me, SPD was a small group of poets trying to get books out,” said Jeffrey Lependorf, who was the executive director at SPD until 2020. “We were not HR professionals. We were artists running an arts organization. We were doing our best to learn and to institute HR processes. We, in many ways, did a good job, and failed a lot in our best efforts. I think that’s fair to say.”\u003c/p>\n\u003cp>Bernheimer said since allegations were first made online in December, the SPD board has invited staff to attend board meetings and created a staff-board liaison process to improve communication.\u003c/p>\n\u003cfigure id=\"attachment_11884055\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11884055 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/Clay-Banes-800x596.jpg\" alt=\"\" width=\"800\" height=\"596\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/Clay-Banes-800x596.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/Clay-Banes-1020x760.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/Clay-Banes-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/Clay-Banes.jpg 1180w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Clay Banes, a former Small Press Distribution employee, also worked at Pegasus Books in Berkeley, where he organized a reading series. \u003ccite>(Photo courtesy of Clay Banes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But while some of the longstanding problems at SPD may be common to many organizations, SPD holds a unique position as the only nonprofit literary distributor in the country. Small literary presses rooted in social justice and committed to bringing underrepresented voices to readers have few other distribution options.\u003c/p>\n\u003cp>“There’s pretty much no other. Whoever has existed, SPD is the one left standing. Even as we speak, everything is getting consolidated in the commercial distributing world,” Clay Banes, a former employee at SPD, said. “So many writers, so many publishers, so many poets, for the most part, none of these people want to get into the fray of this. No one wants to harm SPD, including me.”\u003c/p>\n\u003cp>But the pandemic caused workers all over the country to question not only their safety but also how they’re valued on the job — including at nonprofits and bookstores. Current and former Black and trans booksellers at Pegasus Books in Berkeley and Oakland created an \u003ca href=\"https://www.instagram.com/p/CEK89VTpFOC/\">anti-racist bookstore initiative\u003c/a> to demand better treatment. Booksellers at \u003ca href=\"https://twitter.com/moesbooksunion?lang=en\">Moe’s Books in Berkeley\u003c/a> and \u003ca href=\"https://twitter.com/bscworkers?lang=en\">Bookshop Santa Cruz\u003c/a> voted to form unions this year, a rare move for any independent bookstore.\u003c/p>\n\u003cfigure id=\"attachment_11883930\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11883930\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/RS50297_014_Berkeley_SmallPressStory_07192021-qut-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/RS50297_014_Berkeley_SmallPressStory_07192021-qut-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/RS50297_014_Berkeley_SmallPressStory_07192021-qut-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/RS50297_014_Berkeley_SmallPressStory_07192021-qut-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/RS50297_014_Berkeley_SmallPressStory_07192021-qut-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/RS50297_014_Berkeley_SmallPressStory_07192021-qut-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rows of books line the second floor at Moe’s Books in Berkeley on July 19, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I think there still is a perception that somehow these professions are special or have cultural capital,” said Amy Wilson, a poet, an organizer and a master’s student at the CUNY School of Labor and Urban Studies. “But what workers are saying is you can’t eat [or] can’t pay your rent with cultural capital.”\u003c/p>\n\u003ch3>Toxicity in the Workplace\u003c/h3>\n\u003cp>Many of the former workers who spoke to KQED said they had tried to fix the culture and structure at SPD internally, but not enough seemed to change. The environment became increasingly hostile in 2019, they said, when employees were told SPD was in the midst of a financial crisis.\u003c/p>\n\u003cp>“SPD is making available books that don’t make a lot of money,” said Jeffrey Lependorf, then-executive director of SPD. “And the book industry at that time was facing tough times. And we were a part of it.”\u003c/p>\n\u003cp>Employees said it seemed like workers who were vocal about changes they wanted to see at SPD were also under the most scrutiny during SPD’s financial challenges.\u003c/p>\n\u003cp>“It’s like SPD could fall apart at any moment, [so] we have to be hypervigilant and never change how we do anything,” said E Conner, who worked at SPD during that time.\u003c/p>\n\u003cfigure id=\"attachment_11883932\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11883932\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/E-Conner-800x672.jpg\" alt=\"\" width=\"800\" height=\"672\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-800x672.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-1020x857.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-160x134.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-1536x1291.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-2048x1721.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-1920x1614.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E Conner worked at Small Press Distribution until late last year. \u003ccite>(Photo courtesy of E Conner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Former employees said managers began an “efficiency audit” to identify redundancies. As part of that effort, staff said they were asked to describe in detail what they did during the day. But Conner said it felt like even when she explained how she spent her workday, the manager didn’t believe her.\u003c/p>\n\u003cp>“As I was explaining what I did, I was told, ‘But you don’t really do that, right?'” Conner said. “And I explained that ‘I’m just trying to tell you what I do.’ Everybody was terrified we were going to lose our jobs.”\u003c/p>\n\u003cp>Another former employee at SPD, Nich Malone, said he was outspoken about some of the issues at SPD, like the lack of clear job descriptions or the need for professional boundaries. But he said his suggestions only seemed to make some of his bosses uncomfortable, and the efficiency audit felt like an attempt to wear him down.\u003c/p>\n\u003cp>“It was literally, like, sitting in a room for an hour, not doing work, so you could justify your job,” Malone said. “It would sort of break you down so that you work harder so that you’d keep your job.”\u003c/p>\n\u003cp>While these audits were happening, Lependorf lived on the other side of the country — another issue that employees said they found frustrating as they, and their lower-paid co-workers, faced the threat of layoffs. “He lived and worked in Hudson, New York, while Small Press Distribution is in Berkeley, California,” Conner said. “The knowledge and the skill to navigate through this very chaotic organization was all on the lower-paid workers to do, and do well.”\u003c/p>\n\u003cp>Lependorf said the remote position made sense for years, considering that many valuable ties in the publishing industry are in New York. But he said his distance from the nonprofit seemed less practical as the climate at the workplace became more toxic.\u003c/p>\n\u003cp>“There were issues of misgendering, there were issues of gender bias, there were issues of crossing boundaries, and [it] became more difficult … it was certainly difficult for me not being present,” he said. “I was in a position of being a little helpless to deal with some of that.”\u003c/p>\n\u003cp>He said management was working hard to make sure employees could keep their jobs, but he could also understand how the financial issues made staff feel threatened.\u003c/p>\n\u003cp>“We were really, really trying to listen. We were out there trying to pull in pennies to keep everyone employed,” he said. “You don’t want to scare your staff, but you also don’t want to hide things from them. It’s a tricky balance.”\u003c/p>\n\u003cfigure id=\"attachment_11884456\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11884456\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/SPD-Kitchen-wall-800x472.jpeg\" alt=\"\" width=\"800\" height=\"472\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Kitchen-wall-800x472.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Kitchen-wall-1020x601.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Kitchen-wall-160x94.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Kitchen-wall-1536x906.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/SPD-Kitchen-wall.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Poetry covers the walls of the break room at Small Press Distribution in Berkeley. \u003ccite>(Photo courtesy of Sam Lefebvre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lependorf left SPD last year, and Cunningham said Lependorf’s departure was the solution to the financial challenges. (Lependorf said he was planning to leave within a year or two anyway.) Cunningham, who became executive director after Lependorf left, said he could not comment on personnel matters out of concern for privacy. Cunningham said of himself that he treated all employees fairly and equally, and that while in leadership at SPD, he did not witness any other SPD director treating any employee in a way he would call unfair, unequal or retaliatory.\u003c/p>\n\u003cp>Then around the time of the nonprofit’s financial issues, staff learned from management about errors related to payroll. SPD leadership said in a statement last year that a total of five employees had been underpaid, and that staff had also been given pay stubs that were not in compliance with the law; they did not show hourly wages or hours worked.\u003c/p>\n\u003cp>One person was underpaid a total of more than $4,000 throughout most of 2019, documents shared with KQED show.\u003c/p>\n\u003cp>The SPD board of directors, Cunningham and SPD Finance Director Andrew Pai released a statement saying that as soon as the payroll errors came to their attention, leaders apologized to staff, informed all staff of the error and remedied the mistakes — including paying missing wages with interest to those affected. They said they also switched to a different payroll processing company that complies with current regulations.\u003c/p>\n\u003cfigure id=\"attachment_11883934\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11883934 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/E-Conner-Desk-800x760.jpg\" alt=\"\" width=\"800\" height=\"760\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-Desk-800x760.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-Desk-1020x969.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-Desk-160x152.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-Desk-1536x1460.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-Desk-2048x1946.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/E-Conner-Desk-1920x1824.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E Conner’s desk at Small Press Distribution, where she worked until late 2020. She advocated for better working conditions while an employee there. \u003ccite>(Photo courtesy of E Conner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Former employee Malone said that these financial issues and mismanagement contributed to the hostile environment at SPD, where employees felt they had to justify their positions, and eventually it became too much. Malone decided to leave last March.\u003c/p>\n\u003cp>“I just figured, if I could leave the organization, that means my friend who is also on the chopping block, at least … they probably won’t lose their job,” he said. “I couldn’t still be part of something that I loved so much, watching it slowly die.”\u003c/p>\n\u003cp>More than 60% of employees who worked at SPD in September 2019 have since left the nonprofit. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch3>The Conversation Moves Online\u003c/h3>\n\u003cp>It took a Medium \u003ca href=\"https://damagedbookworker.medium.com/terrorized-by-spd-612014765e7c\">post\u003c/a> published last December by a former employee to force the conversation open about working conditions at SPD. Hundreds of writers, publishers and community members signed an \u003ca href=\"https://docs.google.com/document/d/1ZJKgNqaN_FZ7GWKiciKDFQQZgLZ1JI895b_Z3Apx5Ic/edit\">open letter calling for Cunningham to resign from his leadership position at SPD. \u003c/a>\u003c/p>\n\u003cp>We’re using a pseudonym — Marisela — to protect the identity of the former employee who wrote the post because of concern that being identified would put their safety or employment opportunities at risk.\u003c/p>\n\u003cp>In the post, Marisela described how management continued to ask them to perform intensive physical labor in the warehouse in spite of a reported physical disability.\u003c/p>\n\u003cp>They wrote that Cunningham would regularly “unload” to them about his personal life. They said he would approach their desk in the morning and begin complaining about personal issues with his family — emotional labor that Marisela, as well as several other former employees, said made them uncomfortable, particularly from a boss. Marisela described feeling like a “captive audience” as he overshared details about his life.\u003c/p>\n\u003cp>Marisela was also the employee who was underpaid more than $4,000 in 2019, documents shared with KQED show.\u003c/p>\n\u003cfigure id=\"attachment_11883938\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11883938\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/img_d1d3773d8182-1_edit-2-1-800x600.jpeg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/img_d1d3773d8182-1_edit-2-1-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/img_d1d3773d8182-1_edit-2-1-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/img_d1d3773d8182-1_edit-2-1-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/img_d1d3773d8182-1_edit-2-1.jpeg 1331w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A former employee at Small Press Distribution, who asked to be called Marisela, published a piece about working conditions at Small Press Distribution last December. \u003ccite>(Photo courtesy of Marisela and Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Marisela said over a month before first learning they were underpaid, they had to borrow money from a church to pay rent. They said their mental and physical health continued to decline, and the stress was making it impossible to work there. They felt like they had no choice but to leave.\u003c/p>\n\u003cp>In a statement, Cunningham said he apologizes for and regrets “any instance of sharing too much personal information with staff members.” He also said he responded to all safety and employee health concerns as soon as they came to his attention.\u003c/p>\n\u003cp>A few days after Marisela handed in their resignation, SPD offered them a $2,500 severance agreement. In order to receive the money, Marisela would also have to sign nondisclosure and nondisparagement clauses, requiring them to pay $500 for every instance they disparaged SPD or broke the agreement.\u003c/p>\n\u003cp>While Marisela did not sign it, and thus did not receive any severance pay, they said it made them afraid to talk about their experience at SPD for months.\u003c/p>\n\u003cp>“I didn’t have any other resources. I didn’t expect them to do that. It did what they wanted it to do. I felt like disappearing was my only option,” Marisela said.\u003c/p>\n\u003cp>SPD Board President Bernheimer said the nonprofit has “rarely but occasionally offered severance to departing employees and, like the vast majority of organizations, used agreements that provided for confidentiality and mutual non-disparagement.”\u003c/p>\n\u003cp>Then, less than a month after Marisela quit, the pandemic hit. Marisela was not only unemployed but even more isolated. By December 2020, they decided to come forward publicly. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "‘I felt like I physically needed to speak the truth, or my body was going to cave in … This whole thing has been an act of survival. I didn’t feel like I had any other choice.’",
"name": "pullquote",
"attributes": {
"named": {
"size": "medium",
"align": "right",
"citation": "Marisela, a former worker at SPD",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I felt like I physically needed to speak the truth, or my body was going to cave in,” Marisela said. “This whole thing has been an act of survival. I didn’t feel like I had any other choice.”\u003c/p>\n\u003cp>That post launched a reckoning at SPD that previous, internal demands for change had not. Bernheimer said after the post was published, SPD added a board member with HR experience, and brought in a law firm to conduct an assessment of employee concerns and the nonprofit’s culture.\u003c/p>\n\u003cp>The law firm found Cunningham was insensitive around issues related to gender identity and ethnicity, according to a portion of the assessment shared with KQED and publicly. The SPD board said he stepped down as executive director in March after the report was complete, though he continued to work for SPD in other roles for months afterward. The SPD board has not released that assessment, citing privacy concerns.\u003c/p>\n\u003ch3>A Boycott and Social Media Campaign\u003c/h3>\n\u003cp>But seeking accountability through social media has also been complicated and, at times, hostile. Since December, Marisela has been running Twitter and Instagram accounts aimed at keeping the pressure on SPD and and bringing attention to working conditions in the book industry. Then, in March, someone set up a Twitter account to mock them. Marisela said soon after that account was suspended, someone claiming to be a friend of Cunningham sent them an abusive and threatening email, which they shared with KQED, telling Marisela to “move on.”\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "instagramLink",
"attributes": {
"named": {
"instagramUrl": "https://www.instagram.com/p/CMxzrjhB6AR/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Many of the people who have advocated for change at SPD say they’re doing so in spite of backlash from the literary community.\u003c/p>\n\u003cp>“For a lot of people, it’s not just a fear of losing their job. It’s a fear of losing social access,” said Conner, who left SPD last year. “And I will say I’ve lost a lot of friends. A lot of friends. There’s a lot bound up in why it was so hard for anybody to say anything publicly for so long. It’s work, it’s art, it’s this whole community and really important things for people, their livelihood, and what they’re trying to create.”\u003c/p>\n\u003cp>Since the issues at SPD have been shared online, a few presses have been trying to find other ways to distribute their books. But that hasn’t been an easy process.\u003c/p>\n\u003cp>“I don’t think there’s an awareness about how much the publishers have to lose, and the books they represent,” said KMA Sullivan, founder and publisher at Portland, Oregon-based \u003ca href=\"https://www.yesyesbooks.com\">YesYes Books\u003c/a>, which describes itself online as a publisher of provocative collections of poetry, fiction and experimental art. “Presses are just trying to survive. Does that mean we shouldn’t speak out for justice? Of course not, we should.”\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1393252835421085697"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Game Over Books, a Boston-based publishing company of emerging and marginalized writers, announced it was ending its ties with SPD last year. Founder Josh Savory said they are still searching for a distributor.\u003c/p>\n\u003cp>“What SPD does is [get] your books into bookstores, libraries, university bookstores. You can’t just go to most stores and say, ‘Please carry our books,'” he said. “And without distribution, I think that you’re doing a disservice to your writers and your authors and their work.”\u003c/p>\n\u003cp>It’s also not clear what impact the social media callouts have had on the willingness of the SPD board to adopt changes.\u003c/p>\n\u003cp>This tension all came to a head in June when members of a recently formed group of anti-capitalist writers and publishers called Poets Union weighed in. The group, which is not an actual union or tied to SPD, decided to boycott SPD. One SPD employee released a \u003ca href=\"https://docs.google.com/document/d/1IzIF2s2IZ5EXzkqfYNdLkQKvNbjiexW2rUpWcxmJu98/edit\">statement \u003c/a>anonymously supporting the boycott and saying that she had no faith in the SPD board and felt isolated.\u003c/p>\n\u003cp>In an email sent to staff, and later \u003ca href=\"https://drive.google.com/file/d/1I57aq8arehBdBjh4AVn2kYw28WKSytmw/view\">shared online\u003c/a>, the interim executive director of SPD Cindy Myers wrote in response: “Torpedoing your employer on social media is truly not acceptable, in any organization. What is really needed is a statement from staff that conveys confidence that SPD is solving its problems collaboratively and is not a hostile workplace. I can’t make that statement for you – and you don’t have to make that statement at all, it’s really up to you. But I am telling you, that is what is called for.”\u003c/p>\n\u003cp>Myers declined interview requests.\u003c/p>\n\u003cp>After the email was sent, SPD employees released a \u003ca href=\"https://myemail.constantcontact.com/SPD-Staff-Response-to-Poetry-Workers-Union-Boycott.html?soid=1103707940910&aid=P6F7nYlvh4o\">statement\u003c/a> that said all but one worker opposed the boycott.\u003c/p>\n\u003cp>“We are SPD workers writing to express our dismay at the recent calls to action made in our name. At this time, the Poets Union boycott does not align with our wishes or needs as workers. We are a fragile, overworked crew and fear coming forward publicly would expose us to online harassment, which is why we are writing to you anonymously,” the statement reads. It was signed “7 of 8 Current SPD Workers.”\u003c/p>\n\u003cfigure id=\"attachment_11883940\" class=\"wp-caption alignnone\" style=\"max-width: 717px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11883940\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2031/08/J-Worthen.jpg\" alt=\"\" width=\"717\" height=\"588\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/J-Worthen.jpg 717w, https://cdn.kqed.org/wp-content/uploads/sites/10/2031/08/J-Worthen-160x131.jpg 160w\" sizes=\"(max-width: 717px) 100vw, 717px\">\u003cfigcaption class=\"wp-caption-text\">J. Worthen during a reading. Worthen and other former workers at Small Press Distribution want to see working conditions improve. \u003ccite>(Photo courtesy of J. Worthen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Still Hoping for a Transformation\u003c/h3>\n\u003cp>SPD staff members recently completed mediation, a process where employees agree to changes in the workplace with the help of a third party. In an email sent to the small press community, Myers said details of that mediation are confidential. Board President Bernheimer did not comment when asked what the next steps are for improving practices at SPD now that mediation has ended.\u003c/p>\n\u003cp>That means many in the literary world and former employees will have to continue to wait and see what SPD will look like over the next few months from the outside.\u003c/p>\n\u003cp>About a month into the pandemic lockdowns, Worthen shared a fundraiser for SPD online. In that post, they asked people wanting to help with expenses related to their cancer treatment to instead donate to SPD. They said they could not imagine a literary world without it.\u003c/p>\n\u003cp>More than a year since then, Worthen said it’s hurtful that people now claim they’re a threat to the nonprofit’s future. They said former employees have the right to speak about harm experienced in the literary community, and about improving the situation at SPD.\u003c/p>\n\u003cp>Both Worthen and Malone say they still care about the future of SPD.\u003c/p>\n\u003cp>“I would love the closure of, like, ‘Cool, close this book. And SPD is going to be OK,” Malone said. “Instead of being like, ‘Cool, close this book, and everything’s on fire.'”\u003c/p>\n\u003cp>\u003cem>Disclaimer: Holly J. McDede volunteered at Small Press Distribution in 2013.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11883845/how-former-employees-at-a-berkeley-bastion-for-literary-presses-ignited-a-reckoning",
"authors": [
"11635"
],
"categories": [
"news_223",
"news_8"
],
"tags": [
"news_27626",
"news_21892",
"news_19904"
],
"featImg": "news_11883846",
"label": "news"
},
"news_11883780": {
"type": "posts",
"id": "news_11883780",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11883780",
"score": null,
"sort": [
1628244028000
]
},
"parent": 0,
"labelTerm": {},
"blocks": [],
"publishDate": 1628244028,
"format": "standard",
"title": "How Growing Up in Daly City Influenced Filmmaker Patricio Ginelsa",
"headTitle": "How Growing Up in Daly City Influenced Filmmaker Patricio Ginelsa | KQED",
"content": "\u003cp>I met up with \u003ca href=\"http://www.patricioginelsa.com/\">Patricio Ginelsa\u003c/a> at his alma mater, Jefferson High School in Daly City. There’s a flagpole out front, a big box of a gymnasium, and a central courtyard where Ginelsa said “the cool kids” hung out. From the outside, it looks like a lot of Bay Area high schools. But for Ginelsa, it’s more than that. It’s where he fell in love with filmmaking.\u003c/p>\n\u003cp>Ginelsa pointed to a ground-level outdoor walkway at the front of the school: “We definitely shot around this area here.” Ginelsa is best known for his feature-length film “Lumpia,” first filmed in 1996 when he was home for summer break from the University of Southern California’s film school and completed in 2003.\u003c/p>\n\u003cp>“This is where we first meet the protagonist, when he trips,” he said. “It does bring back memories.”\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>The film’s fictional Fogtown is Ginelsa’s hometown of Daly City, where \u003ca href=\"https://www.kqed.org/news/11883382/in-daly-city-the-bayanihan-spirit-is-alive-and-well\">about 30% of the population is Filipino\u003c/a>, like he is. “Lumpia,” a fun action-comedy, deals with discrimination against newer immigrants within the Filipino community.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I’m a nerd at heart and I just felt it would be so much cooler and wackier to have a Filipino American as the central hero in this comic book world,” Ginelsa said. “And also some of the things I tackle are very serious in tone and I wanted to kind of make it more lighthearted and fun.”\u003c/p>\n\u003cfigure id=\"attachment_11883795\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11883795\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/LUMPIA_MoviePoster-sm-1.jpg\" alt=\"A life-long comic book fan, Patricio Ginelsa featured a Filipino American hero in his first movie, making the weapon of choice the Filipino food staple lumpia.\" width=\"900\" height=\"1184\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/LUMPIA_MoviePoster-sm-1.jpg 900w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/LUMPIA_MoviePoster-sm-1-800x1052.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/LUMPIA_MoviePoster-sm-1-160x210.jpg 160w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003cfigcaption class=\"wp-caption-text\">A life-long comic book fan, Patricio Ginelsa featured a Filipino American hero in his first movie, making the weapon of choice the Filipino food staple lumpia. \u003ccite>(Courtesy Kid Heroes Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ginelsa said that, growing up in Daly City, he didn’t realize how special it was to be surrounded by such a large and vibrant Filipino community. All the student body officers he remembers were Filipino, and “the most popular person in high school was never the football jock — it was the Filipino deejay that would get you into the dance parties.”\u003c/p>\n\u003cp>It was only after Ginelsa left for film school that he understood what he’d taken for granted. At USC, he joined some Filipino student groups, something he’d never felt the need to do before, to try to build a similar community.\u003c/p>\n\u003ch3>Ginelsa’s Filmmaking Goes Way Back\u003c/h3>\n\u003cp>Ginelsa grew up near Hillside Park surrounded by other families with kids. He says that, more than any other place in his life, that park represents community. He and his friends would play baseball, then run to one of their houses for a snack. One summer, Ginelsa coordinated his friends to make a superhero movie they called “Kid Heroes.” Moviemaking soon became a summer tradition.\u003c/p>\n\u003cp>“And these superhero movies we would do during the summer started becoming popular,” Ginelsa said.\u003c/p>\n\u003cfigure id=\"attachment_11883799\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11883799\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/LumpiaVengeance_JeffersonHS.jpg\" alt=\"The cast and crew shot scenes at Ginelsa's alma mater, Jefferson High School in Daly City, for both the first "Lumpia" movie and "Lumpia With a Vengeance."\" width=\"1920\" height=\"1080\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/LumpiaVengeance_JeffersonHS.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/LumpiaVengeance_JeffersonHS-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/LumpiaVengeance_JeffersonHS-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/LumpiaVengeance_JeffersonHS-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/LumpiaVengeance_JeffersonHS-1536x864.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The cast and crew shot scenes at Ginelsa’s alma mater, Jefferson High School in Daly City, for both the first “Lumpia” movie and “Lumpia With a Vengeance.” \u003ccite>(\u003ca href=\"https://www.jdbcreativity.com/\">Jamison Boyer\u003c/a>/Courtesy Kid Heroes Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>They’d premier the movie on VHS at his house at the end of the summer and then pass it around to friends once school started in the fall. Each kid who watched had to sign a “slam book” where they wrote their favorite scenes and gave feedback on how Ginelsa and his friends could improve. By the end of the school year, everyone wanted to be in the next film.\u003c/p>\n\u003cp>So, when Ginelsa came home from USC, he and his friends decided to create a reunion summer movie — footage that was eventually added to the final cut of “Lumpia.”\u003c/p>\n\u003cp>“It started out with a bunch of Filipino kids in the neighborhood just making movies together. And now we’re playing on a playground that’s just a little bit bigger,” Ginelsa said.\u003c/p>\n\u003ch3>Fighting for Representation\u003c/h3>\n\u003cp>Ginelsa said that when he first showed up at USC, he felt pressure to make things that were more mainstream. It was hard to push back against critiques that no one would want to watch movies about Filipino characters.\u003c/p>\n\u003cp>“I didn’t find my voice until I got involved with the movie called ‘The Debut’,” he said. Ginelsa interned on the independent feature-length film starring Dante Basco (of “Hook” fame), the first Filipino American film to be released theatrically nationwide.\u003c/p>\n\u003cp>Working on that film, touring with it, meeting pockets of Filipino Americans around the country and selling the film to business people: “That was my real film school,” Ginelsa said. “Seeing what it takes to make a Filipino American film and getting it out there. And that gave me the confidence to put out this homemade movie I shot [“Lumpia”] and to finish it.”\u003c/p>\n\u003cp>Energized by what he’d learned on tour with “The Debut,” Ginelsa rewrote the third act of “Lumpia” and reconvened his friends and neighbors to shoot the end seven years after capturing the original scenes at Jefferson High.\u003c/p>\n\u003ch3>Infusing Filipino Heritage Into Other Projects\u003c/h3>\n\u003cp>“Lumpia” became a cult classic, and Ginelsa went on to work on some other big projects, including directing two music videos for the Black Eyed Peas, including “Bebot.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=sV_Jh51XyBo\u003c/p>\n\u003cp>“I set it in Stockton, California,” he said of “Bebot.” “There’s a whole history of this where, you know, back in the ’30s, that’s where asparagus farmers came in. I felt like even though it’s a commercial to sell music for the Black Eyed Peas, at least I feel like I did some part to shine a light on that history that you don’t normally read in history books.”\u003c/p>\n\u003cp>In 2013, to honor the 10-year anniversary of “Lumpia,” Ginelsa started crowdfunding to make a sequel — what would eventually become “Lumpia With a Vengeance.” He raised $50,000 to make the movie and started shooting it in 2017. Now, he’s touring the country screening it at film festivals and seeking a distributor.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=IjiRMHszDJk\u003c/p>\n\u003ch3>On His Daly City Roots\u003c/h3>\n\u003cp>Ginelsa has come a long way from the “Kid Heroes” summer movie project, but Daly City has left an indelible stamp on his identity and his art. He lives in Los Angeles now, but when he returns to Daly City to visit family, he revels in the fog and makes sure to visit his old stomping grounds — Hillside Park, Jefferson High, and, of course, the Serramonte mall.\u003c/p>\n\u003cp>“Growing up here, I just felt like it boosted my pride in terms of being Fil-Am,” Ginelsa said. “As a filmmaker, it became almost like a responsibility to use my platform to tell my stories.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1201,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": true,
"iframeSrcs": [],
"paragraphCount": 25
},
"modified": 1700588155,
"excerpt": "Patricio Ginelsa draws inspiration for his movies from his experiences growing up in Daly City's large Filipino community.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Patricio Ginelsa draws inspiration for his movies from his experiences growing up in Daly City's large Filipino community.",
"title": "How Growing Up in Daly City Influenced Filmmaker Patricio Ginelsa | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "How Growing Up in Daly City Influenced Filmmaker Patricio Ginelsa",
"datePublished": "2021-08-06T03:00:28-07:00",
"dateModified": "2023-11-21T09:35:55-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"guestAuthors": [],
"slug": "how-growing-up-in-daly-city-influenced-filmmaker-patricio-ginelsa",
"status": "publish",
"sourceUrl": "https://www.kqed.org/podcasts/baycurious",
"audioUrl": "https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/KQINC1406853302.mp3?updated=1627082759",
"source": "Bay Curious",
"path": "/news/11883780/how-growing-up-in-daly-city-influenced-filmmaker-patricio-ginelsa",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I met up with \u003ca href=\"http://www.patricioginelsa.com/\">Patricio Ginelsa\u003c/a> at his alma mater, Jefferson High School in Daly City. There’s a flagpole out front, a big box of a gymnasium, and a central courtyard where Ginelsa said “the cool kids” hung out. From the outside, it looks like a lot of Bay Area high schools. But for Ginelsa, it’s more than that. It’s where he fell in love with filmmaking.\u003c/p>\n\u003cp>Ginelsa pointed to a ground-level outdoor walkway at the front of the school: “We definitely shot around this area here.” Ginelsa is best known for his feature-length film “Lumpia,” first filmed in 1996 when he was home for summer break from the University of Southern California’s film school and completed in 2003.\u003c/p>\n\u003cp>“This is where we first meet the protagonist, when he trips,” he said. “It does bring back memories.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The film’s fictional Fogtown is Ginelsa’s hometown of Daly City, where \u003ca href=\"https://www.kqed.org/news/11883382/in-daly-city-the-bayanihan-spirit-is-alive-and-well\">about 30% of the population is Filipino\u003c/a>, like he is. “Lumpia,” a fun action-comedy, deals with discrimination against newer immigrants within the Filipino community.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’m a nerd at heart and I just felt it would be so much cooler and wackier to have a Filipino American as the central hero in this comic book world,” Ginelsa said. “And also some of the things I tackle are very serious in tone and I wanted to kind of make it more lighthearted and fun.”\u003c/p>\n\u003cfigure id=\"attachment_11883795\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11883795\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/LUMPIA_MoviePoster-sm-1.jpg\" alt=\"A life-long comic book fan, Patricio Ginelsa featured a Filipino American hero in his first movie, making the weapon of choice the Filipino food staple lumpia.\" width=\"900\" height=\"1184\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/LUMPIA_MoviePoster-sm-1.jpg 900w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/LUMPIA_MoviePoster-sm-1-800x1052.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/LUMPIA_MoviePoster-sm-1-160x210.jpg 160w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003cfigcaption class=\"wp-caption-text\">A life-long comic book fan, Patricio Ginelsa featured a Filipino American hero in his first movie, making the weapon of choice the Filipino food staple lumpia. \u003ccite>(Courtesy Kid Heroes Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ginelsa said that, growing up in Daly City, he didn’t realize how special it was to be surrounded by such a large and vibrant Filipino community. All the student body officers he remembers were Filipino, and “the most popular person in high school was never the football jock — it was the Filipino deejay that would get you into the dance parties.”\u003c/p>\n\u003cp>It was only after Ginelsa left for film school that he understood what he’d taken for granted. At USC, he joined some Filipino student groups, something he’d never felt the need to do before, to try to build a similar community.\u003c/p>\n\u003ch3>Ginelsa’s Filmmaking Goes Way Back\u003c/h3>\n\u003cp>Ginelsa grew up near Hillside Park surrounded by other families with kids. He says that, more than any other place in his life, that park represents community. He and his friends would play baseball, then run to one of their houses for a snack. One summer, Ginelsa coordinated his friends to make a superhero movie they called “Kid Heroes.” Moviemaking soon became a summer tradition.\u003c/p>\n\u003cp>“And these superhero movies we would do during the summer started becoming popular,” Ginelsa said.\u003c/p>\n\u003cfigure id=\"attachment_11883799\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11883799\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/LumpiaVengeance_JeffersonHS.jpg\" alt=\"The cast and crew shot scenes at Ginelsa's alma mater, Jefferson High School in Daly City, for both the first "Lumpia" movie and "Lumpia With a Vengeance."\" width=\"1920\" height=\"1080\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/08/LumpiaVengeance_JeffersonHS.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/LumpiaVengeance_JeffersonHS-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/LumpiaVengeance_JeffersonHS-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/LumpiaVengeance_JeffersonHS-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/08/LumpiaVengeance_JeffersonHS-1536x864.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The cast and crew shot scenes at Ginelsa’s alma mater, Jefferson High School in Daly City, for both the first “Lumpia” movie and “Lumpia With a Vengeance.” \u003ccite>(\u003ca href=\"https://www.jdbcreativity.com/\">Jamison Boyer\u003c/a>/Courtesy Kid Heroes Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>They’d premier the movie on VHS at his house at the end of the summer and then pass it around to friends once school started in the fall. Each kid who watched had to sign a “slam book” where they wrote their favorite scenes and gave feedback on how Ginelsa and his friends could improve. By the end of the school year, everyone wanted to be in the next film.\u003c/p>\n\u003cp>So, when Ginelsa came home from USC, he and his friends decided to create a reunion summer movie — footage that was eventually added to the final cut of “Lumpia.”\u003c/p>\n\u003cp>“It started out with a bunch of Filipino kids in the neighborhood just making movies together. And now we’re playing on a playground that’s just a little bit bigger,” Ginelsa said.\u003c/p>\n\u003ch3>Fighting for Representation\u003c/h3>\n\u003cp>Ginelsa said that when he first showed up at USC, he felt pressure to make things that were more mainstream. It was hard to push back against critiques that no one would want to watch movies about Filipino characters.\u003c/p>\n\u003cp>“I didn’t find my voice until I got involved with the movie called ‘The Debut’,” he said. Ginelsa interned on the independent feature-length film starring Dante Basco (of “Hook” fame), the first Filipino American film to be released theatrically nationwide.\u003c/p>\n\u003cp>Working on that film, touring with it, meeting pockets of Filipino Americans around the country and selling the film to business people: “That was my real film school,” Ginelsa said. “Seeing what it takes to make a Filipino American film and getting it out there. And that gave me the confidence to put out this homemade movie I shot [“Lumpia”] and to finish it.”\u003c/p>\n\u003cp>Energized by what he’d learned on tour with “The Debut,” Ginelsa rewrote the third act of “Lumpia” and reconvened his friends and neighbors to shoot the end seven years after capturing the original scenes at Jefferson High.\u003c/p>\n\u003ch3>Infusing Filipino Heritage Into Other Projects\u003c/h3>\n\u003cp>“Lumpia” became a cult classic, and Ginelsa went on to work on some other big projects, including directing two music videos for the Black Eyed Peas, including “Bebot.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sV_Jh51XyBo'\n title='//www.youtube.com/embed/sV_Jh51XyBo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“I set it in Stockton, California,” he said of “Bebot.” “There’s a whole history of this where, you know, back in the ’30s, that’s where asparagus farmers came in. I felt like even though it’s a commercial to sell music for the Black Eyed Peas, at least I feel like I did some part to shine a light on that history that you don’t normally read in history books.”\u003c/p>\n\u003cp>In 2013, to honor the 10-year anniversary of “Lumpia,” Ginelsa started crowdfunding to make a sequel — what would eventually become “Lumpia With a Vengeance.” He raised $50,000 to make the movie and started shooting it in 2017. Now, he’s touring the country screening it at film festivals and seeking a distributor.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/IjiRMHszDJk'\n title='//www.youtube.com/embed/IjiRMHszDJk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch3>On His Daly City Roots\u003c/h3>\n\u003cp>Ginelsa has come a long way from the “Kid Heroes” summer movie project, but Daly City has left an indelible stamp on his identity and his art. He lives in Los Angeles now, but when he returns to Daly City to visit family, he revels in the fog and makes sure to visit his old stomping grounds — Hillside Park, Jefferson High, and, of course, the Serramonte mall.\u003c/p>\n\u003cp>“Growing up here, I just felt like it boosted my pride in terms of being Fil-Am,” Ginelsa said. “As a filmmaker, it became almost like a responsibility to use my platform to tell my stories.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "baycuriousquestion",
"attributes": {
"named": {
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11883780/how-growing-up-in-daly-city-influenced-filmmaker-patricio-ginelsa",
"authors": [
"234"
],
"programs": [
"news_33523"
],
"series": [
"news_17986"
],
"categories": [
"news_223",
"news_8",
"news_33520"
],
"tags": [
"news_2567",
"news_5056",
"news_701"
],
"featImg": "news_11883786",
"label": "source_news_11883780"
},
"news_11882513": {
"type": "posts",
"id": "news_11882513",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11882513",
"score": null,
"sort": [
1627686006000
]
},
"parent": 0,
"labelTerm": {
"site": "news",
"term": 26731
},
"blocks": [],
"publishDate": 1627686006,
"format": "standard",
"disqusTitle": "'We're Not Stoic': Book Traces the History of Native Americans in Comedy",
"title": "'We're Not Stoic': Book Traces the History of Native Americans in Comedy",
"headTitle": "The California Report Magazine | KQED News",
"content": "\u003cp>Author Kliph Nesteroff has written about comedy for years. His new book, \"We Had a Little Real Estate Problem,\" takes a look at Native American comedians — a community that's been misunderstood, stereotyped and often erased in Hollywood.\u003c/p>\n\u003cp>The book's title is the punchline of a famous joke from pioneering Native American stand-up comedian, Charlie Hill, a member of the Oneida Nation of Wisconsin.\u003c/p>\n\u003cp>\"That was the crux of his joke,\" says Nesteroff. \"'My people are from Wisconsin. We used to be from New York, but we had a little real estate problem.'\"\u003c/p>\n\u003cp>https://youtu.be/545t5SvcyDo\u003c/p>\n\u003cp>In the mid-1970s, Hill was hot on the Los Angeles stand-up circuit. He worked clubs on the Sunset Strip along with Jay Leno, David Letterman and Jimmy Walker. He also appeared on \"The Tonight Show Starring Johnny Carson,\" the ultimate anointment for a comic during that period.\u003c/p>\n\u003cp>Hill's act tackled the absurd stereotype that Native Americans aren’t funny.\u003c/p>\n\u003cfigure id=\"attachment_11882635\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49634_WeHadaLittleRealEstateProblem_INS1_18_8ACharlieHillheadshot-2-qut-800x938.jpg\" alt=\"\" width=\"800\" height=\"938\" class=\"size-medium wp-image-11882635\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49634_WeHadaLittleRealEstateProblem_INS1_18_8ACharlieHillheadshot-2-qut-800x938.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49634_WeHadaLittleRealEstateProblem_INS1_18_8ACharlieHillheadshot-2-qut-1020x1196.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49634_WeHadaLittleRealEstateProblem_INS1_18_8ACharlieHillheadshot-2-qut-160x188.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49634_WeHadaLittleRealEstateProblem_INS1_18_8ACharlieHillheadshot-2-qut.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Charlie Hill. \u003ccite>(Photo courtesy Nasbah Hill)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"You know, a lot of you white people never seen an Indian do stand-up comedy before,\" said Hill in a 1977 appearance on the Richard Pryor Show. \"Like, for so long you probably thought Indians never had a sense of humor. We never thought you were too funny either.\"\u003c/p>\n\u003cp>Hill died in 2013, without ever reaching stardom and still doing his real estate joke. But his unique stature in the comedy world of four decades ago shows young Native comics and writers that taking their skills to Hollywood is not impossible. To this day, he’s still the only Native American comic to have made it to \"The Tonight Show.\"\u003c/p>\n\u003cp>Though Nesteroff’s book is named for Hill’s signature joke, the subtitle is no punchline: The Unheralded Story of Native Americans & Comedy. Nesteroff says the stereotype of the stoic Native American was a dehumanizing tactic. \u003c/p>\n\u003cp>\"It helped to justify federal policy that subjugated Native Americans,\" he says. \"They're unsmiling. They're unfeeling. And if somebody doesn't have feelings, it doesn't matter what you do to them.\"\u003c/p>\n\u003cp>Nesteroff’s past work is meticulous and deeply researched, but this book came with a particular challenge.\u003c/p>\n\u003cp>\"It's a very delicate situation being a non-Native author, diving into the realm of Indigenous studies of any kind,\" he says. \"There's a long history and a huge stigma of racist anthropology, of racist historians studying Native Americans like they’re an amoeba under a microscope. What I really tried to do was to let people speak for themselves.\"\u003c/p>\n\u003cfigure id=\"attachment_11882675\" class=\"wp-caption aligncenter\" style=\"max-width: 843px\">\u003cimg src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49635_Kliph-Nesteroff-credit-Jim-Herrington-qut.jpg\" alt=\"\" width=\"843\" height=\"591\" class=\"size-full wp-image-11882675\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49635_Kliph-Nesteroff-credit-Jim-Herrington-qut.jpg 843w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49635_Kliph-Nesteroff-credit-Jim-Herrington-qut-800x561.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49635_Kliph-Nesteroff-credit-Jim-Herrington-qut-160x112.jpg 160w\" sizes=\"(max-width: 843px) 100vw, 843px\">\u003cfigcaption class=\"wp-caption-text\">Author Kliph Nesteroff, whose new book, \"We Had a Little Real Estate Problem,\" examines the history of Native Americans in comedy.\u003cbr> \u003ccite>(Jim Herrington)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of those people is comedian and writer \u003ca href=\"http://www.joeyclift.com/\">Joey Clift\u003c/a>.\u003c/p>\n\u003cp>\"There's definitely a stereotype of the stoic Indian who's best friends with an eagle, and flute music plays whenever they're pontificating about whatever,\" says Clift. \"That's just not reality. Some of us are stoic. Some of us are also real funny.\"\u003c/p>\n\u003cp>Clift is a member of the Cowlitz Tribe and was raised on the Tulalip reservation just north of Seattle. He says the misconceptions about Native Americans aren’t confined to simply determining who’s funny or not.\u003c/p>\n\u003cp>\"I've had grown adults who went to college, live in Los Angeles, work in comedy—ask me if I was born in a teepee, if my reservation had electricity growing up,\" says Clift.\u003c/p>\n\u003cp>Clift is quick to point out that he was born in a hospital, and he grew up with not only electricity, but with a television set. He spent hours in front of it, soaking up \"The Simpsons,\" \"Family Guy\" and \"Late Night with Conan O’Brien.\" He saw his future in those shows, but how to make it happen — that was the problem.\u003c/p>\n\u003cp>\"Because I didn't necessarily see any Native American comedians on TV growing up, I didn't think I was allowed to work in comedy,\" he says. \"So, instead I went to school for what to me was the next best thing, which was to be a small market TV weather guy.\"\u003c/p>\n\u003cp>That’s exactly what he became, but it wasn’t enough. In 2010, at the urging of his college professors, Clift decided to take a stab at a life beyond predicting sunny skies.\u003c/p>\n\u003cp>\"When I moved to LA, one of the first things that I did was just Google Native American TV writers or Native American comedians and see if anything came up.\" \u003c/p>\n\u003cp>It did and Clift ended up at a Writers Guild diversity event that changed his life.\u003c/p>\n\u003cp>\"There was one Native American writer on the panel,\" Clift recalls. \"And he very quickly introduced me to Native Hollywood, the loose collection of Native people working in the entertainment industry.\"\u003c/p>\n\u003cp>Clift started doing stand-up in L.A. clubs. In 2018, he created the annual Native American Comedy Showcase for the Hollywood sketch comedy group Upright Citizens Brigade.\u003c/p>\n\u003cp>He’s currently writing for the animated Netflix series \"Spirit Rangers,\" created by Native American showrunner Karissa Valencia. The show’s entirely Native American writing staff is a Hollywood first.\u003c/p>\n\u003cp>\"Because I’ve been featured in this book, there are a lot of younger, up-and-coming Native comedians who have reached out to me and said, 'Hey, I read your chapter in Kliph’s book, it really resonated with me. We should do a Zoom and talk. And can you give me any advice?' says Clift. \"I think that it's a really good Bat-Signal for Native comedy, letting Native comedians know that we exist.\"\u003c/p>\n\u003cp>But Native Americans getting a legitimate foothold in show business — on and offscreen — is still new.\u003c/p>\n\u003cp>There's a history of casting non-Native actors in native roles in Hollywood. Anthony Quinn, Charles Bronson, Burt Lancaster, Rock Hudson, Audrey Hepburn, Johnny Depp, Burt Reynolds, Boris Karloff and Elvis Presley all portrayed Native Americans.\u003c/p>\n\u003cp>You might also recognize the late actor Iron Eyes Cody from the character he played known as \"the Crying Indian\" from a famous 1970s public service announcement on littering. He had a tear running down his cheek as he witnessed America being consumed by garbage.\u003c/p>\n\u003cp>In real life, Cody was an Italian American named Espera de Corti, who made a career wearing an eagle feather headdress. He posed as a Native in over 100 films, and maintained that identity offscreen, too.\u003c/p>\n\u003cp>https://youtu.be/h0sxwGlTLWw\u003c/p>\n\u003cp>For the better part of a century, Hollywood has gone out of its way to not only exclude Native Americans from serious acting roles, but to create and perpetuate negative stereotypes.\u003c/p>\n\u003cp>\"Westerns were among the first movies ever made,\" Nesteroff says. \"And by the year 1911, a contingent of Indigenous leaders were already registering formal complaints with the White House saying, 'Can you do something to stop the spread of racist misinformation appearing in silent movies?'\"\u003c/p>\n\u003cp>Those requests went ignored.\u003c/p>\n\u003cfigure id=\"attachment_11882633\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49631_WeHadaLittleRealEstateProblem_INS1_29_13AAdrianneChalepahjpg-qut-800x1000.jpg\" alt=\"\" width=\"800\" height=\"1000\" class=\"size-medium wp-image-11882633\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49631_WeHadaLittleRealEstateProblem_INS1_29_13AAdrianneChalepahjpg-qut-800x1000.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49631_WeHadaLittleRealEstateProblem_INS1_29_13AAdrianneChalepahjpg-qut-1020x1275.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49631_WeHadaLittleRealEstateProblem_INS1_29_13AAdrianneChalepahjpg-qut-160x200.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49631_WeHadaLittleRealEstateProblem_INS1_29_13AAdrianneChalepahjpg-qut-1229x1536.jpg 1229w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49631_WeHadaLittleRealEstateProblem_INS1_29_13AAdrianneChalepahjpg-qut-1638x2048.jpg 1638w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49631_WeHadaLittleRealEstateProblem_INS1_29_13AAdrianneChalepahjpg-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Stand up comic, writer and actor Adrianne Chalepah, a featured voice in Kliph Nesteroff's new book.\u003cbr> \u003ccite>(Matthew Williamson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"The stoic Indian is my favorite stereotype because there's nothing further from the truth,\" says comic \u003ca href=\"http://chalepah.com/\">Adrianne Chalepah\u003c/a>. She’s featured in Nesteroff’s book, and grew up on the Kiowa-Comanche-Apache Reservation in Oklahoma. As a kid, her father turned her on to Monty Python, Cheech & Chong and Mel Brooks.\u003c/p>\n\u003cp>\"I grew up in a very humorous family,\" she says. \"You can't go five minutes without someone making fun of someone. You know, culture’s cool, language is cool, tribal stuff is all cool, but humor is the foundation. That is what keeps us just thriving. Because without that humor? Man, you know, things get really dark.\"\u003c/p>\n\u003cp>After college, she was working a straight job at a bank when she finally decided to try stand-up in her early twenties.\u003c/p>\n\u003cp>\"It was a huge risk because I was actually about six months pregnant with my second child,\" says the mother of four. \"But the way that I looked at it is, it can't be any worse than what I've already been through. Because I grew up in so much poverty that, worst case scenario, I would tuck my tail between my legs and go live with my mom in a trailer park.\"\u003c/p>\n\u003cp>That didn’t happen. Chalepah moved to Albuquerque, maneuvering her comedy career around her young sons.\u003c/p>\n\u003cp>She gigged at tribal communities all over the country, from nighttime outdoor shows lit by car headlights to reservation casino stages. Pre-coronavirus, she was averaging four jobs a month.\u003c/p>\n\u003cp>\"I chased every stage, every opportunity. I had no ego and no pride in the matter. If they were like, 'Okay, you get five minutes in front of people who hate you,' I would've been like, great, I'll be there.\"\u003c/p>\n\u003cp>But, unlike Joey Clift, who came to Hollywood to carve out a career, Chalepah stayed away from the belly of the beast. \u003c/p>\n\u003cp>My opinion of the industry is that it is elitist because it's a pay-to-play thing,\" she explains. \"You’ve got to pay for training. You’ve got to pay for headshots. You’ve got to pay to live in LA. It's expensive. And then what ends up happening is you exclude middle America, and specifically the Natives on reservations get completely excluded because the idea is, 'No, you have to come to us.'\"\u003c/p>\n\u003cp>As the pandemic drags on, Chalepah is taking care of her kids and focusing on acting. The stand-up gigs are dead on the vine.\u003c/p>\n\u003cp>It’s still a struggle for Natives in Hollywood, but she says Nesteroff’s book is a positive step.\u003c/p>\n\u003cp>\"Really, my hope is that it will just open doors to more comedians, or at least let industry folks know that we're not a relic or we're not an antique. We have iPhones. We're not stoic.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"disqusIdentifier": "11882513 https://ww2.kqed.org/news/?p=11882513",
"disqusUrl": "https://ww2.kqed.org/news/2021/07/30/were-not-stoic-book-traces-the-history-of-native-americans-in-comedy/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1688,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 45
},
"modified": 1627682988,
"excerpt": "Kliph Nesteroff's book, \"We Had a Little Real Estate Problem,\" looks at Native Americans in comedy. It's a community that Hollywood has misunderstood and stereotyped for decades.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Kliph Nesteroff's book, "We Had a Little Real Estate Problem," looks at Native Americans in comedy. It's a community that Hollywood has misunderstood and stereotyped for decades.",
"title": "'We're Not Stoic': Book Traces the History of Native Americans in Comedy | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "'We're Not Stoic': Book Traces the History of Native Americans in Comedy",
"datePublished": "2021-07-30T16:00:06-07:00",
"dateModified": "2021-07-30T15:09:48-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"guestAuthors": [],
"slug": "were-not-stoic-book-traces-the-history-of-native-americans-in-comedy",
"status": "publish",
"audioUrl": "https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/ec340a20-9956-4f43-a832-ad75014b5a4c/audio.mp3",
"path": "/news/11882513/were-not-stoic-book-traces-the-history-of-native-americans-in-comedy",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Author Kliph Nesteroff has written about comedy for years. His new book, \"We Had a Little Real Estate Problem,\" takes a look at Native American comedians — a community that's been misunderstood, stereotyped and often erased in Hollywood.\u003c/p>\n\u003cp>The book's title is the punchline of a famous joke from pioneering Native American stand-up comedian, Charlie Hill, a member of the Oneida Nation of Wisconsin.\u003c/p>\n\u003cp>\"That was the crux of his joke,\" says Nesteroff. \"'My people are from Wisconsin. We used to be from New York, but we had a little real estate problem.'\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/545t5SvcyDo'\n title='//www.youtube.com/embed/545t5SvcyDo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In the mid-1970s, Hill was hot on the Los Angeles stand-up circuit. He worked clubs on the Sunset Strip along with Jay Leno, David Letterman and Jimmy Walker. He also appeared on \"The Tonight Show Starring Johnny Carson,\" the ultimate anointment for a comic during that period.\u003c/p>\n\u003cp>Hill's act tackled the absurd stereotype that Native Americans aren’t funny.\u003c/p>\n\u003cfigure id=\"attachment_11882635\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49634_WeHadaLittleRealEstateProblem_INS1_18_8ACharlieHillheadshot-2-qut-800x938.jpg\" alt=\"\" width=\"800\" height=\"938\" class=\"size-medium wp-image-11882635\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49634_WeHadaLittleRealEstateProblem_INS1_18_8ACharlieHillheadshot-2-qut-800x938.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49634_WeHadaLittleRealEstateProblem_INS1_18_8ACharlieHillheadshot-2-qut-1020x1196.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49634_WeHadaLittleRealEstateProblem_INS1_18_8ACharlieHillheadshot-2-qut-160x188.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49634_WeHadaLittleRealEstateProblem_INS1_18_8ACharlieHillheadshot-2-qut.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Charlie Hill. \u003ccite>(Photo courtesy Nasbah Hill)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"You know, a lot of you white people never seen an Indian do stand-up comedy before,\" said Hill in a 1977 appearance on the Richard Pryor Show. \"Like, for so long you probably thought Indians never had a sense of humor. We never thought you were too funny either.\"\u003c/p>\n\u003cp>Hill died in 2013, without ever reaching stardom and still doing his real estate joke. But his unique stature in the comedy world of four decades ago shows young Native comics and writers that taking their skills to Hollywood is not impossible. To this day, he’s still the only Native American comic to have made it to \"The Tonight Show.\"\u003c/p>\n\u003cp>Though Nesteroff’s book is named for Hill’s signature joke, the subtitle is no punchline: The Unheralded Story of Native Americans & Comedy. Nesteroff says the stereotype of the stoic Native American was a dehumanizing tactic. \u003c/p>\n\u003cp>\"It helped to justify federal policy that subjugated Native Americans,\" he says. \"They're unsmiling. They're unfeeling. And if somebody doesn't have feelings, it doesn't matter what you do to them.\"\u003c/p>\n\u003cp>Nesteroff’s past work is meticulous and deeply researched, but this book came with a particular challenge.\u003c/p>\n\u003cp>\"It's a very delicate situation being a non-Native author, diving into the realm of Indigenous studies of any kind,\" he says. \"There's a long history and a huge stigma of racist anthropology, of racist historians studying Native Americans like they’re an amoeba under a microscope. What I really tried to do was to let people speak for themselves.\"\u003c/p>\n\u003cfigure id=\"attachment_11882675\" class=\"wp-caption aligncenter\" style=\"max-width: 843px\">\u003cimg src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49635_Kliph-Nesteroff-credit-Jim-Herrington-qut.jpg\" alt=\"\" width=\"843\" height=\"591\" class=\"size-full wp-image-11882675\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49635_Kliph-Nesteroff-credit-Jim-Herrington-qut.jpg 843w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49635_Kliph-Nesteroff-credit-Jim-Herrington-qut-800x561.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49635_Kliph-Nesteroff-credit-Jim-Herrington-qut-160x112.jpg 160w\" sizes=\"(max-width: 843px) 100vw, 843px\">\u003cfigcaption class=\"wp-caption-text\">Author Kliph Nesteroff, whose new book, \"We Had a Little Real Estate Problem,\" examines the history of Native Americans in comedy.\u003cbr> \u003ccite>(Jim Herrington)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of those people is comedian and writer \u003ca href=\"http://www.joeyclift.com/\">Joey Clift\u003c/a>.\u003c/p>\n\u003cp>\"There's definitely a stereotype of the stoic Indian who's best friends with an eagle, and flute music plays whenever they're pontificating about whatever,\" says Clift. \"That's just not reality. Some of us are stoic. Some of us are also real funny.\"\u003c/p>\n\u003cp>Clift is a member of the Cowlitz Tribe and was raised on the Tulalip reservation just north of Seattle. He says the misconceptions about Native Americans aren’t confined to simply determining who’s funny or not.\u003c/p>\n\u003cp>\"I've had grown adults who went to college, live in Los Angeles, work in comedy—ask me if I was born in a teepee, if my reservation had electricity growing up,\" says Clift.\u003c/p>\n\u003cp>Clift is quick to point out that he was born in a hospital, and he grew up with not only electricity, but with a television set. He spent hours in front of it, soaking up \"The Simpsons,\" \"Family Guy\" and \"Late Night with Conan O’Brien.\" He saw his future in those shows, but how to make it happen — that was the problem.\u003c/p>\n\u003cp>\"Because I didn't necessarily see any Native American comedians on TV growing up, I didn't think I was allowed to work in comedy,\" he says. \"So, instead I went to school for what to me was the next best thing, which was to be a small market TV weather guy.\"\u003c/p>\n\u003cp>That’s exactly what he became, but it wasn’t enough. In 2010, at the urging of his college professors, Clift decided to take a stab at a life beyond predicting sunny skies.\u003c/p>\n\u003cp>\"When I moved to LA, one of the first things that I did was just Google Native American TV writers or Native American comedians and see if anything came up.\" \u003c/p>\n\u003cp>It did and Clift ended up at a Writers Guild diversity event that changed his life.\u003c/p>\n\u003cp>\"There was one Native American writer on the panel,\" Clift recalls. \"And he very quickly introduced me to Native Hollywood, the loose collection of Native people working in the entertainment industry.\"\u003c/p>\n\u003cp>Clift started doing stand-up in L.A. clubs. In 2018, he created the annual Native American Comedy Showcase for the Hollywood sketch comedy group Upright Citizens Brigade.\u003c/p>\n\u003cp>He’s currently writing for the animated Netflix series \"Spirit Rangers,\" created by Native American showrunner Karissa Valencia. The show’s entirely Native American writing staff is a Hollywood first.\u003c/p>\n\u003cp>\"Because I’ve been featured in this book, there are a lot of younger, up-and-coming Native comedians who have reached out to me and said, 'Hey, I read your chapter in Kliph’s book, it really resonated with me. We should do a Zoom and talk. And can you give me any advice?' says Clift. \"I think that it's a really good Bat-Signal for Native comedy, letting Native comedians know that we exist.\"\u003c/p>\n\u003cp>But Native Americans getting a legitimate foothold in show business — on and offscreen — is still new.\u003c/p>\n\u003cp>There's a history of casting non-Native actors in native roles in Hollywood. Anthony Quinn, Charles Bronson, Burt Lancaster, Rock Hudson, Audrey Hepburn, Johnny Depp, Burt Reynolds, Boris Karloff and Elvis Presley all portrayed Native Americans.\u003c/p>\n\u003cp>You might also recognize the late actor Iron Eyes Cody from the character he played known as \"the Crying Indian\" from a famous 1970s public service announcement on littering. He had a tear running down his cheek as he witnessed America being consumed by garbage.\u003c/p>\n\u003cp>In real life, Cody was an Italian American named Espera de Corti, who made a career wearing an eagle feather headdress. He posed as a Native in over 100 films, and maintained that identity offscreen, too.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/h0sxwGlTLWw'\n title='//www.youtube.com/embed/h0sxwGlTLWw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>For the better part of a century, Hollywood has gone out of its way to not only exclude Native Americans from serious acting roles, but to create and perpetuate negative stereotypes.\u003c/p>\n\u003cp>\"Westerns were among the first movies ever made,\" Nesteroff says. \"And by the year 1911, a contingent of Indigenous leaders were already registering formal complaints with the White House saying, 'Can you do something to stop the spread of racist misinformation appearing in silent movies?'\"\u003c/p>\n\u003cp>Those requests went ignored.\u003c/p>\n\u003cfigure id=\"attachment_11882633\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49631_WeHadaLittleRealEstateProblem_INS1_29_13AAdrianneChalepahjpg-qut-800x1000.jpg\" alt=\"\" width=\"800\" height=\"1000\" class=\"size-medium wp-image-11882633\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49631_WeHadaLittleRealEstateProblem_INS1_29_13AAdrianneChalepahjpg-qut-800x1000.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49631_WeHadaLittleRealEstateProblem_INS1_29_13AAdrianneChalepahjpg-qut-1020x1275.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49631_WeHadaLittleRealEstateProblem_INS1_29_13AAdrianneChalepahjpg-qut-160x200.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49631_WeHadaLittleRealEstateProblem_INS1_29_13AAdrianneChalepahjpg-qut-1229x1536.jpg 1229w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49631_WeHadaLittleRealEstateProblem_INS1_29_13AAdrianneChalepahjpg-qut-1638x2048.jpg 1638w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/RS49631_WeHadaLittleRealEstateProblem_INS1_29_13AAdrianneChalepahjpg-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Stand up comic, writer and actor Adrianne Chalepah, a featured voice in Kliph Nesteroff's new book.\u003cbr> \u003ccite>(Matthew Williamson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"The stoic Indian is my favorite stereotype because there's nothing further from the truth,\" says comic \u003ca href=\"http://chalepah.com/\">Adrianne Chalepah\u003c/a>. She’s featured in Nesteroff’s book, and grew up on the Kiowa-Comanche-Apache Reservation in Oklahoma. As a kid, her father turned her on to Monty Python, Cheech & Chong and Mel Brooks.\u003c/p>\n\u003cp>\"I grew up in a very humorous family,\" she says. \"You can't go five minutes without someone making fun of someone. You know, culture’s cool, language is cool, tribal stuff is all cool, but humor is the foundation. That is what keeps us just thriving. Because without that humor? Man, you know, things get really dark.\"\u003c/p>\n\u003cp>After college, she was working a straight job at a bank when she finally decided to try stand-up in her early twenties.\u003c/p>\n\u003cp>\"It was a huge risk because I was actually about six months pregnant with my second child,\" says the mother of four. \"But the way that I looked at it is, it can't be any worse than what I've already been through. Because I grew up in so much poverty that, worst case scenario, I would tuck my tail between my legs and go live with my mom in a trailer park.\"\u003c/p>\n\u003cp>That didn’t happen. Chalepah moved to Albuquerque, maneuvering her comedy career around her young sons.\u003c/p>\n\u003cp>She gigged at tribal communities all over the country, from nighttime outdoor shows lit by car headlights to reservation casino stages. Pre-coronavirus, she was averaging four jobs a month.\u003c/p>\n\u003cp>\"I chased every stage, every opportunity. I had no ego and no pride in the matter. If they were like, 'Okay, you get five minutes in front of people who hate you,' I would've been like, great, I'll be there.\"\u003c/p>\n\u003cp>But, unlike Joey Clift, who came to Hollywood to carve out a career, Chalepah stayed away from the belly of the beast. \u003c/p>\n\u003cp>My opinion of the industry is that it is elitist because it's a pay-to-play thing,\" she explains. \"You’ve got to pay for training. You’ve got to pay for headshots. You’ve got to pay to live in LA. It's expensive. And then what ends up happening is you exclude middle America, and specifically the Natives on reservations get completely excluded because the idea is, 'No, you have to come to us.'\"\u003c/p>\n\u003cp>As the pandemic drags on, Chalepah is taking care of her kids and focusing on acting. The stand-up gigs are dead on the vine.\u003c/p>\n\u003cp>It’s still a struggle for Natives in Hollywood, but she says Nesteroff’s book is a positive step.\u003c/p>\n\u003cp>\"Really, my hope is that it will just open doors to more comedians, or at least let industry folks know that we're not a relic or we're not an antique. We have iPhones. We're not stoic.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11882513/were-not-stoic-book-traces-the-history-of-native-americans-in-comedy",
"authors": [
"11275"
],
"programs": [
"news_26731"
],
"categories": [
"news_223",
"news_8"
],
"tags": [
"news_29731",
"news_29733",
"news_21022",
"news_29730",
"news_29732",
"news_21512"
],
"featImg": "news_11882634",
"label": "news_26731"
},
"news_11882379": {
"type": "posts",
"id": "news_11882379",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11882379",
"score": null,
"sort": [
1627552812000
]
},
"parent": 0,
"labelTerm": {},
"blocks": [],
"publishDate": 1627552812,
"format": "image",
"title": "How Daly City Became One of the Most Densely Populated Cities in the Country",
"headTitle": "How Daly City Became One of the Most Densely Populated Cities in the Country | KQED",
"content": "\u003cp>In Daly City, looking down a block of manicured lawns and “cookie cutter houses,” it’s easy to feel like you’re in the heart of suburbia. That’s why listener Nick Crescenzi was surprised when a few years ago he read that Daly City is one of the densest cities in the country.\u003c/p>\n\u003cp>Nick, who works for the city’s parks and recreation department, wanted to know how this suburb, with its malls, cineplex and drive-through restaurants came to \u003ca href=\"https://www.census.gov/content/dam/Census/library/publications/2015/demo/p25-1142.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">rank alongside places like Boston, Chicago and, yes, San Francisco\u003c/a>, in terms of the number of residents per square mile. According to a 2015 analysis of U.S. cities with populations over 100,000 people, Daly City is the 6th most densely populated.\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>The answer leads to a history unknown to many who haven’t lived it, or to those who mistakenly choose to brush Daly City off like a B-side of a chart-topping single. And perhaps most importantly, the history shines light on some of America’s cruelest policies.\u003c/p>\n\u003ch2>Smaller Lots but Lots of Them\u003c/h2>\n\u003cp>Daly City came to be densely populated for four main reasons, says Tatum Mothershead, director of economic and community development for Daly City: A relatively high percentage of land in Daly City is used for housing; on average, families in Daly City have more people in them than families in other places; the average lot size in Daly City is small; and lastly, the architecture of the homes that were built.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The amount of land used in Daly City for residential purposes is apparent to anyone who has driven through the city. If you’re driving on the freeway or staring out a BART window, hill after hill reveals itself, each one dotted with lines of houses, like cars on an endless train. Those rows of houses are said to have inspired Malvina Reynolds’ anti-conformity song, “Little Boxes.”\u003c/p>\n\u003cp>The average lot size for a house in Daly City is well below that in the rest of San Mateo County. If you drive down Mission Street, through the neighborhood that long-time residents call “Top of the Hill” and take a left on any of the side streets, many of the houses you’ll see are either connected or within an arm’s length of one another. Most of those residences were built before World War II, and on lots around 2,500 square feet.\u003c/p>\n\u003cp>Even when Daly City expanded in the the post-World War II housing boom, Daly City’s parcel size stayed small, in large part because of the success of a housing developer named Henry Doelger.\u003c/p>\n\u003cfigure id=\"attachment_11882836\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11882836\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0333-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0333-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0333-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0333-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0333-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0333-2048x1366.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0333-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">For decades, a homeowners association enforced limits on the type of exterior changes that could be made to houses in Westlake, including what kind of trees could be planted. \u003ccite>((Sebastian Miño-Bucheli/KQED))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The Henry Ford of Housing\u003c/h2>\n\u003cp>If Daly City owes \u003ca href=\"https://youtu.be/DUiay1VPHUw\" target=\"_blank\" rel=\"noopener noreferrer\">its founding to John Daly\u003c/a>, it owes its expansion to Henry Doelger.\u003c/p>\n\u003cp>“Henry Doelger was a very smart man and he could see the World War II housing boom coming,” says Rob Keil, author of the book “Little Boxes: The Architecture of a Classic Midcentury Suburb,” which was also made into a movie.\u003c/p>\n\u003cp>Doelger built a lot of military housing — very quickly — in the Bay Area during World War II. He also built about 11,000 homes in San Francisco, largely in the Sunset and Richmond districts. There’s even a section deemed Doelger City, and Herb Caen, the former San Francisco Chronicle columnist, jokingly called the city’s western coast line “the white cliffs of Doelger.” But land in San Francisco was starting to be in short supply and Doelger was able to secure 1,350 acres of land just to the south of the city for a good price.\u003c/p>\n\u003cp>https://youtu.be/nsPO8-CXpM0\u003c/p>\n\u003cp>There, Doelger aimed to build Westlake, a city unto itself, that would be affordable for first-time homebuyers.\u003c/p>\n\u003cp>“From an economic standpoint, you obviously want to build as many homes on a piece of land as you can because you make money by selling homes,” says Keil. “However, he had to give people a reason to leave [San Francisco.]”\u003c/p>\n\u003cp>That reason for many customers was a yard and the opportunity to own a stand-alone house that didn’t share walls with the neighbors.\u003c/p>\n\u003cfigure id=\"attachment_11882845\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11882845\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/WestlakeConstruction-800x423.jpg\" alt=\"\" width=\"800\" height=\"423\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/WestlakeConstruction-800x423.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/WestlakeConstruction-160x85.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/WestlakeConstruction.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A view of Westlake while under construction, near the intersection of Higate Drive and Southdale Avenue. The undeveloped area would become Westmoor High School. \u003ccite>(OpenSFHistory / wnp25.6643)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In Westlake, Doelger gave people \u003cem>juuust\u003c/em> enough room for a lawn and a bit of privacy. But not much.\u003c/p>\n\u003cp>“The lotting size attributed to the homes that Doelger built … was 3,300 square feet, which is still significantly smaller than what we’re seeing in other communities down the peninsula,” says Mothershead. The tendency toward smaller parcels was continued by developers like the Gellert Brothers who began building in Daly City after Doelger.\u003c/p>\n\u003cp>As decades passed and Bay Area wealth grew, houses and their yards did, too.\u003c/p>\n\u003cp>“It’s pretty typical that some of our neighboring communities have lots that are 5,000 square feet or greater,” Mothershead said.\u003c/p>\n\u003cp>But 40% of Daly City’s housing stock was built before 1950, before a super-sized McMansion was even something one might aspire to.\u003c/p>\n\u003cfigure id=\"attachment_11882837\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11882837\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0427-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0427-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0427-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0427-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0427-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0427-2048x1366.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0427-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A house in Daly City’s Westlake neighborhood. \u003ccite>((Sebastian Miño-Bucheli/KQED))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The nickname “The Henry Ford of Housing” was given to Doelger because he created so many ways to streamline the building process, saving himself time and money. Those innovations, coupled with the small houses and yards, allowed Doelger to make high-quality houses that first-time buyers could afford … but that still made him a profit.\u003c/p>\n\u003cp>Doelger’s innovations ran the gamut, from process to plumbing.\u003c/p>\n\u003cp>Waiting for trucks to be fixed could stall operations, so Doelger included a car repair shop in his operations. He built with redwood, but to keep costs down, he put his own lumber mill on what is now John Daly Boulevard. That mill would cut wood into pre-labeled components that were delivered straight to the worksites, where workers could start framing houses right away. Doelger even manufactured his own windows and doors.\u003c/p>\n\u003cfigure id=\"attachment_11882838\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11882838\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0431-800x468.jpg\" alt=\"\" width=\"800\" height=\"468\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0431-800x468.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0431-1020x597.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0431-160x94.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0431-1536x899.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0431-2048x1198.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0431-1920x1124.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Today The Boulevard Cafe sits on the location where Henry Doelger built a former lumber yard to help streamline the construction of the Westlake subdivision. \u003ccite>((Sebastian Miño-Bucheli/KQED))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The quest for efficiency carried into the floor plans that Doelger created. He was one of the first West Coast developers to use sheetrock, and because sheetrock came in 8-foot pieces, Doelger rarely incorporated ceilings that were taller than 8 feet high.\u003c/p>\n\u003cp>Bathrooms shared walls with kitchens to centralize a house’s plumbing, a big cost cutter, says Keil. And the houses were “designed in such a way that they were easy to build.”\u003c/p>\n\u003cp>Those easy-to-build floor plans often put all of the living space upstairs while the downstairs remained open as a basement or a garage. That design, in turn, contributes to how Daly City became so densely populated (and to the city’s propensity for \u003ca href=\"https://www.kqed.org/arts/13812554/how-daly-citys-filipino-mobile-dj-scene-changed-hip-hop-forever\">garage parties\u003c/a>).\u003c/p>\n\u003cp>“Over time, people were finding that they could add habitable space at the ground floor level and they could do it for a very low cost,” says Mothershead. “You can drive by a modest-looking house in Daly City and, you know, it probably doesn’t look any different than a home you might see somewhere else that’s three bedrooms, two baths, but [in Daly City] you could easily have six bedrooms in that house.”\u003c/p>\n\u003cp>That’s space that families can use for bedrooms as they grow, or rent out for supplemental income.\u003c/p>\n\u003ch2>A City Within a City\u003c/h2>\n\u003cp>Doelger’s vision for Westlake was much grander than what he had built before; he imagined a city within a city, and in many ways delivered on that idea.\u003c/p>\n\u003cp>“There was a bank, there was a post office, there were grocery stores,” says Keil. “All the stuff was planned in advance so that the people who moved in right from the beginning had access to these things.”\u003c/p>\n\u003cp>Doelger planned for parks and schools, and an outdoor shopping mall, a novelty at the time.\u003c/p>\n\u003cp>“If you lived out there, you were not in no man’s land,” says Keil. “You could go out and buy things you needed and not have to travel into San Francisco.”\u003c/p>\n\u003cp>Soon, Daly City was getting noticed.\u003c/p>\n\u003cp>The Ladies’ Home Journal magazine put it on its list of Top Ten Suburbs in America in 1975. Its schools were designed by architect Mario Ciampi and were featured in LIFE magazine. Community gatherings were held at the mall. Though many architects derided Doelger’s designs, his attention to detail shone through — and still does — when one walks through Westlake. The corner windows, slanted roofs, detailed facades — buyers loved it all.\u003c/p>\n\u003cp>\u003cem>White\u003c/em> buyers that is.\u003c/p>\n\u003cfigure id=\"attachment_11882841\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11882841\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0376-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0376-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0376-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0376-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0376-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0376-2048x1366.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0376-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A Westlake entry sign near Eastgate Drive and John Daly Boulevard. Black, Indigenous and other people of color were banned from owning houses in Westlake, as in most suburbs built during the post-World War II housing boom. \u003ccite>((Sebastian Miño-Bucheli/KQED))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Discrimination by Law\u003c/h2>\n\u003cp>“The federal government required Doelger not only to refuse to sell homes to African Americans, but to put a clause in every deed that prohibited the owner from reselling to African Americans or renting to African Americans,” said Richard Rothstein, author of “The Color of Law,” on \u003ca href=\"https://www.kqed.org/forum/2010101866675/from-historical-redlining-to-modern-day-discrimination-how-race-affects-homeownership\">KQED’s Forum\u003c/a>.\u003c/p>\n\u003cp>A lot of “The Color of Law: A Forgotten History of How Our Government Segregated America” is devoted to housing policy, with post-war housing developments like New York’s Levittown and Daly City’s Westlake serving as Rothstein’s evidence that federal policy — not personal preference or economic differences — is largely what segregated America.\u003c/p>\n\u003cp>Rothstein focuses on African Americans in his book, because in a lot of places, that’s who racial covenants and deeds specified. But in Daly City, and across the Bay Area, it wasn’t just African Americans who were excluded — it was anyone who couldn’t pass as white. That included Filipinos — who make up about 30% of Daly City’s current population — as well as Latinos and Asians.\u003c/p>\n\u003cp>“The only way someone like Doelger could have gotten the capital to build that subdivision was by going to the federal government and getting a guarantee loan,” said Rothstein. And that was true for almost any developer who wanted to build on a large scale at that time.\u003c/p>\n\u003cp>In “The Color of Law,” Rothstein discusses two attempts to build integrated housing developments in the Bay Area, one by the writer Wallace Stegner and the other by a local union. Both failed, Rothstein writes, as just about all attempts to build integrated housing did.\u003c/p>\n\u003cp>Other than architect and developer \u003ca href=\"https://www.kqed.org/news/11635574/how-joseph-eichler-introduced-stylish-housing-for-the-masses\">Joseph Eichler (the subject of another Bay Curious episode\u003c/a>), Keil doesn’t know of a housing developer who would sell to buyers of color. He adds that discrimination was so prevalent that even Willie Mays, the beloved Say Hey Kid, was barred from buying a house in San Francisco.\u003c/p>\n\u003cp>Racist policies not only kept families of color out of suburban neighborhoods like Westlake, they blocked families of color from one of the most consistent ways to build wealth in America.\u003c/p>\n\u003cfigure id=\"attachment_11882843\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11882843\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0102-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0102-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0102-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0102-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0102-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0102-2048x1366.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0102-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Daly City is said to have inspired the singer Malvina Reynolds to write “Little Boxes.” \u003ccite>((Sebastian Miño-Bucheli/KQED))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rothstein notes that white families that bought homes in the mid-20th century used their equity and earnings to great advantage: “They used it to send their children to college. They use that to take care of emergencies and they use it to bequeath it to their children, who [use it for] down payments for their own homes. African Americans were explicitly denied those opportunities by federal government, not by banks, but by federal government in the mid-20th century.”\u003c/p>\n\u003cp>Eventually, in 1968, the Fair Housing Act outlawed denying housing to someone based on their race.\u003c/p>\n\u003cp>Next week on the Bay Curious podcast, we’ll look into how Daly City went from a predominantly whites-only population, to having a thriving Filipino community.\u003c/p>\n\u003cp>[baycuriousbug]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 2134,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": true,
"iframeSrcs": [],
"paragraphCount": 48
},
"modified": 1700588178,
"excerpt": "Daly City is one of the most densely populated places in the country. Bay Curious finds out why.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Daly City is one of the most densely populated places in the country. Bay Curious finds out why.",
"title": "How Daly City Became One of the Most Densely Populated Cities in the Country | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "How Daly City Became One of the Most Densely Populated Cities in the Country",
"datePublished": "2021-07-29T03:00:12-07:00",
"dateModified": "2023-11-21T09:36:18-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"guestAuthors": [],
"slug": "how-daly-city-became-one-of-the-most-densely-populated-cities-in-the-country",
"status": "publish",
"sourceUrl": "https://www.kqed.org/podcasts/baycurious",
"audioUrl": "https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/KQINC3758342445.mp3?updated=1627082817",
"source": "Bay Curious",
"path": "/news/11882379/how-daly-city-became-one-of-the-most-densely-populated-cities-in-the-country",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In Daly City, looking down a block of manicured lawns and “cookie cutter houses,” it’s easy to feel like you’re in the heart of suburbia. That’s why listener Nick Crescenzi was surprised when a few years ago he read that Daly City is one of the densest cities in the country.\u003c/p>\n\u003cp>Nick, who works for the city’s parks and recreation department, wanted to know how this suburb, with its malls, cineplex and drive-through restaurants came to \u003ca href=\"https://www.census.gov/content/dam/Census/library/publications/2015/demo/p25-1142.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">rank alongside places like Boston, Chicago and, yes, San Francisco\u003c/a>, in terms of the number of residents per square mile. According to a 2015 analysis of U.S. cities with populations over 100,000 people, Daly City is the 6th most densely populated.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The answer leads to a history unknown to many who haven’t lived it, or to those who mistakenly choose to brush Daly City off like a B-side of a chart-topping single. And perhaps most importantly, the history shines light on some of America’s cruelest policies.\u003c/p>\n\u003ch2>Smaller Lots but Lots of Them\u003c/h2>\n\u003cp>Daly City came to be densely populated for four main reasons, says Tatum Mothershead, director of economic and community development for Daly City: A relatively high percentage of land in Daly City is used for housing; on average, families in Daly City have more people in them than families in other places; the average lot size in Daly City is small; and lastly, the architecture of the homes that were built.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The amount of land used in Daly City for residential purposes is apparent to anyone who has driven through the city. If you’re driving on the freeway or staring out a BART window, hill after hill reveals itself, each one dotted with lines of houses, like cars on an endless train. Those rows of houses are said to have inspired Malvina Reynolds’ anti-conformity song, “Little Boxes.”\u003c/p>\n\u003cp>The average lot size for a house in Daly City is well below that in the rest of San Mateo County. If you drive down Mission Street, through the neighborhood that long-time residents call “Top of the Hill” and take a left on any of the side streets, many of the houses you’ll see are either connected or within an arm’s length of one another. Most of those residences were built before World War II, and on lots around 2,500 square feet.\u003c/p>\n\u003cp>Even when Daly City expanded in the the post-World War II housing boom, Daly City’s parcel size stayed small, in large part because of the success of a housing developer named Henry Doelger.\u003c/p>\n\u003cfigure id=\"attachment_11882836\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11882836\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0333-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0333-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0333-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0333-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0333-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0333-2048x1366.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0333-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">For decades, a homeowners association enforced limits on the type of exterior changes that could be made to houses in Westlake, including what kind of trees could be planted. \u003ccite>((Sebastian Miño-Bucheli/KQED))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The Henry Ford of Housing\u003c/h2>\n\u003cp>If Daly City owes \u003ca href=\"https://youtu.be/DUiay1VPHUw\" target=\"_blank\" rel=\"noopener noreferrer\">its founding to John Daly\u003c/a>, it owes its expansion to Henry Doelger.\u003c/p>\n\u003cp>“Henry Doelger was a very smart man and he could see the World War II housing boom coming,” says Rob Keil, author of the book “Little Boxes: The Architecture of a Classic Midcentury Suburb,” which was also made into a movie.\u003c/p>\n\u003cp>Doelger built a lot of military housing — very quickly — in the Bay Area during World War II. He also built about 11,000 homes in San Francisco, largely in the Sunset and Richmond districts. There’s even a section deemed Doelger City, and Herb Caen, the former San Francisco Chronicle columnist, jokingly called the city’s western coast line “the white cliffs of Doelger.” But land in San Francisco was starting to be in short supply and Doelger was able to secure 1,350 acres of land just to the south of the city for a good price.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nsPO8-CXpM0'\n title='//www.youtube.com/embed/nsPO8-CXpM0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There, Doelger aimed to build Westlake, a city unto itself, that would be affordable for first-time homebuyers.\u003c/p>\n\u003cp>“From an economic standpoint, you obviously want to build as many homes on a piece of land as you can because you make money by selling homes,” says Keil. “However, he had to give people a reason to leave [San Francisco.]”\u003c/p>\n\u003cp>That reason for many customers was a yard and the opportunity to own a stand-alone house that didn’t share walls with the neighbors.\u003c/p>\n\u003cfigure id=\"attachment_11882845\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11882845\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/WestlakeConstruction-800x423.jpg\" alt=\"\" width=\"800\" height=\"423\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/WestlakeConstruction-800x423.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/WestlakeConstruction-160x85.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/WestlakeConstruction.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A view of Westlake while under construction, near the intersection of Higate Drive and Southdale Avenue. The undeveloped area would become Westmoor High School. \u003ccite>(OpenSFHistory / wnp25.6643)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In Westlake, Doelger gave people \u003cem>juuust\u003c/em> enough room for a lawn and a bit of privacy. But not much.\u003c/p>\n\u003cp>“The lotting size attributed to the homes that Doelger built … was 3,300 square feet, which is still significantly smaller than what we’re seeing in other communities down the peninsula,” says Mothershead. The tendency toward smaller parcels was continued by developers like the Gellert Brothers who began building in Daly City after Doelger.\u003c/p>\n\u003cp>As decades passed and Bay Area wealth grew, houses and their yards did, too.\u003c/p>\n\u003cp>“It’s pretty typical that some of our neighboring communities have lots that are 5,000 square feet or greater,” Mothershead said.\u003c/p>\n\u003cp>But 40% of Daly City’s housing stock was built before 1950, before a super-sized McMansion was even something one might aspire to.\u003c/p>\n\u003cfigure id=\"attachment_11882837\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11882837\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0427-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0427-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0427-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0427-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0427-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0427-2048x1366.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0427-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A house in Daly City’s Westlake neighborhood. \u003ccite>((Sebastian Miño-Bucheli/KQED))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The nickname “The Henry Ford of Housing” was given to Doelger because he created so many ways to streamline the building process, saving himself time and money. Those innovations, coupled with the small houses and yards, allowed Doelger to make high-quality houses that first-time buyers could afford … but that still made him a profit.\u003c/p>\n\u003cp>Doelger’s innovations ran the gamut, from process to plumbing.\u003c/p>\n\u003cp>Waiting for trucks to be fixed could stall operations, so Doelger included a car repair shop in his operations. He built with redwood, but to keep costs down, he put his own lumber mill on what is now John Daly Boulevard. That mill would cut wood into pre-labeled components that were delivered straight to the worksites, where workers could start framing houses right away. Doelger even manufactured his own windows and doors.\u003c/p>\n\u003cfigure id=\"attachment_11882838\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11882838\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0431-800x468.jpg\" alt=\"\" width=\"800\" height=\"468\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0431-800x468.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0431-1020x597.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0431-160x94.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0431-1536x899.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0431-2048x1198.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0431-1920x1124.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Today The Boulevard Cafe sits on the location where Henry Doelger built a former lumber yard to help streamline the construction of the Westlake subdivision. \u003ccite>((Sebastian Miño-Bucheli/KQED))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The quest for efficiency carried into the floor plans that Doelger created. He was one of the first West Coast developers to use sheetrock, and because sheetrock came in 8-foot pieces, Doelger rarely incorporated ceilings that were taller than 8 feet high.\u003c/p>\n\u003cp>Bathrooms shared walls with kitchens to centralize a house’s plumbing, a big cost cutter, says Keil. And the houses were “designed in such a way that they were easy to build.”\u003c/p>\n\u003cp>Those easy-to-build floor plans often put all of the living space upstairs while the downstairs remained open as a basement or a garage. That design, in turn, contributes to how Daly City became so densely populated (and to the city’s propensity for \u003ca href=\"https://www.kqed.org/arts/13812554/how-daly-citys-filipino-mobile-dj-scene-changed-hip-hop-forever\">garage parties\u003c/a>).\u003c/p>\n\u003cp>“Over time, people were finding that they could add habitable space at the ground floor level and they could do it for a very low cost,” says Mothershead. “You can drive by a modest-looking house in Daly City and, you know, it probably doesn’t look any different than a home you might see somewhere else that’s three bedrooms, two baths, but [in Daly City] you could easily have six bedrooms in that house.”\u003c/p>\n\u003cp>That’s space that families can use for bedrooms as they grow, or rent out for supplemental income.\u003c/p>\n\u003ch2>A City Within a City\u003c/h2>\n\u003cp>Doelger’s vision for Westlake was much grander than what he had built before; he imagined a city within a city, and in many ways delivered on that idea.\u003c/p>\n\u003cp>“There was a bank, there was a post office, there were grocery stores,” says Keil. “All the stuff was planned in advance so that the people who moved in right from the beginning had access to these things.”\u003c/p>\n\u003cp>Doelger planned for parks and schools, and an outdoor shopping mall, a novelty at the time.\u003c/p>\n\u003cp>“If you lived out there, you were not in no man’s land,” says Keil. “You could go out and buy things you needed and not have to travel into San Francisco.”\u003c/p>\n\u003cp>Soon, Daly City was getting noticed.\u003c/p>\n\u003cp>The Ladies’ Home Journal magazine put it on its list of Top Ten Suburbs in America in 1975. Its schools were designed by architect Mario Ciampi and were featured in LIFE magazine. Community gatherings were held at the mall. Though many architects derided Doelger’s designs, his attention to detail shone through — and still does — when one walks through Westlake. The corner windows, slanted roofs, detailed facades — buyers loved it all.\u003c/p>\n\u003cp>\u003cem>White\u003c/em> buyers that is.\u003c/p>\n\u003cfigure id=\"attachment_11882841\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11882841\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0376-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0376-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0376-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0376-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0376-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0376-2048x1366.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0376-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A Westlake entry sign near Eastgate Drive and John Daly Boulevard. Black, Indigenous and other people of color were banned from owning houses in Westlake, as in most suburbs built during the post-World War II housing boom. \u003ccite>((Sebastian Miño-Bucheli/KQED))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Discrimination by Law\u003c/h2>\n\u003cp>“The federal government required Doelger not only to refuse to sell homes to African Americans, but to put a clause in every deed that prohibited the owner from reselling to African Americans or renting to African Americans,” said Richard Rothstein, author of “The Color of Law,” on \u003ca href=\"https://www.kqed.org/forum/2010101866675/from-historical-redlining-to-modern-day-discrimination-how-race-affects-homeownership\">KQED’s Forum\u003c/a>.\u003c/p>\n\u003cp>A lot of “The Color of Law: A Forgotten History of How Our Government Segregated America” is devoted to housing policy, with post-war housing developments like New York’s Levittown and Daly City’s Westlake serving as Rothstein’s evidence that federal policy — not personal preference or economic differences — is largely what segregated America.\u003c/p>\n\u003cp>Rothstein focuses on African Americans in his book, because in a lot of places, that’s who racial covenants and deeds specified. But in Daly City, and across the Bay Area, it wasn’t just African Americans who were excluded — it was anyone who couldn’t pass as white. That included Filipinos — who make up about 30% of Daly City’s current population — as well as Latinos and Asians.\u003c/p>\n\u003cp>“The only way someone like Doelger could have gotten the capital to build that subdivision was by going to the federal government and getting a guarantee loan,” said Rothstein. And that was true for almost any developer who wanted to build on a large scale at that time.\u003c/p>\n\u003cp>In “The Color of Law,” Rothstein discusses two attempts to build integrated housing developments in the Bay Area, one by the writer Wallace Stegner and the other by a local union. Both failed, Rothstein writes, as just about all attempts to build integrated housing did.\u003c/p>\n\u003cp>Other than architect and developer \u003ca href=\"https://www.kqed.org/news/11635574/how-joseph-eichler-introduced-stylish-housing-for-the-masses\">Joseph Eichler (the subject of another Bay Curious episode\u003c/a>), Keil doesn’t know of a housing developer who would sell to buyers of color. He adds that discrimination was so prevalent that even Willie Mays, the beloved Say Hey Kid, was barred from buying a house in San Francisco.\u003c/p>\n\u003cp>Racist policies not only kept families of color out of suburban neighborhoods like Westlake, they blocked families of color from one of the most consistent ways to build wealth in America.\u003c/p>\n\u003cfigure id=\"attachment_11882843\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11882843\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0102-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0102-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0102-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0102-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0102-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0102-2048x1366.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/10/2021/07/07272021_MinoBucheli_DalyCity-0102-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Daly City is said to have inspired the singer Malvina Reynolds to write “Little Boxes.” \u003ccite>((Sebastian Miño-Bucheli/KQED))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rothstein notes that white families that bought homes in the mid-20th century used their equity and earnings to great advantage: “They used it to send their children to college. They use that to take care of emergencies and they use it to bequeath it to their children, who [use it for] down payments for their own homes. African Americans were explicitly denied those opportunities by federal government, not by banks, but by federal government in the mid-20th century.”\u003c/p>\n\u003cp>Eventually, in 1968, the Fair Housing Act outlawed denying housing to someone based on their race.\u003c/p>\n\u003cp>Next week on the Bay Curious podcast, we’ll look into how Daly City went from a predominantly whites-only population, to having a thriving Filipino community.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n What do you wonder about the Bay Area, its culture or people that you want KQED to investigate?\n \u003ca href=\"/news/series/baycurious\">Ask Bay Curious.\u003c/a>\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "baycuriousquestion",
"attributes": {
"named": {
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11882379/how-daly-city-became-one-of-the-most-densely-populated-cities-in-the-country",
"authors": [
"70"
],
"programs": [
"news_33523"
],
"series": [
"news_17986"
],
"categories": [
"news_223",
"news_28250",
"news_8",
"news_33520",
"news_1397"
],
"tags": [
"news_17657",
"news_18426",
"news_27626"
],
"featImg": "news_11882808",
"label": "source_news_11882379"
},
"news_11881696": {
"type": "posts",
"id": "news_11881696",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11881696",
"score": null,
"sort": [
1626948012000
]
},
"guestAuthors": [],
"slug": "how-hyphy-came-to-define-bay-area-hip-hop",
"title": "‘It’s Pure Energy’: How Hyphy Came to Define Bay Area Hip-Hop",
"publishDate": 1626948012,
"format": "standard",
"headTitle": "‘It’s Pure Energy’: How Hyphy Came to Define Bay Area Hip-Hop | KQED",
"labelTerm": {},
"content": "\u003cp>When it comes to cultural exports of the Bay Area, hyphy is in a league of its own.\u003c/p>\n\u003cp>The subgenre of hip-hop has an up-tempo, hyperactive beat that makes you want to dance. In the early 2000s, artists like E-40 and Too Short had audiences around the world loving this distinctly Bay Area sound. But to locals who lived through the hyphy movement, it was much bigger than music.\u003c/p>\n\u003cp>“It’s an energy. It’s a culture. It’s a dance. It’s expression,” E-40 \u003ca href=\"https://www.youtube.com/watch?v=djs_t8MSvfw\">said in an interview posted by Artisan News Service\u003c/a>. “It’s cars. It’s the sideshows. It’s the swinging of donuts. It’s scraper cars — the Buick LeSabres, the Park Avenues, the old-school muscle cars … It’s the struggle. It’s the way we dress. It’s our lingo. It’s a culture, man.”\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/ogpenn\">Pendarvis Harshaw\u003c/a>, who is now host of \u003ca href=\"https://www.kqed.org/podcasts/rightnowish\">KQED’s Rightnowish podcast\u003c/a>, recalled growing up in the midst of the hyphy movement.\u003c/p>\n\u003cp>“The scrapers getting sideways, airbrushed T-shirts, big stunna shades, all of that — that was my teenage experience,” he said. “I remember being in Emeryville at the record release party for E-40’s “My Ghetto Report Card” … which was arguably the height of the hyphy movement.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He’s watched the culture and music evolve over the past 20 years. Now, young people who were just babies at the height of the hyphy movement are rediscovering it.\u003c/p>\n\u003cp>“To this new generation of young adults, what’s old is new again,” Harshaw said.\u003c/p>\n\u003cp>That’s also true for Bay Curious listener Lauren Tankeh. She grew up in San Carlos and remembers starting to listen to hyphy in high school. Now, she’s in college at Cal Poly and says when a hyphy song gets played at a party, all the Bay Area kids go crazy. She wants to know more about how the culture became so synonymous with the Bay.\u003c/p>\n\u003cp>\u003cem>Below is a conversation Pendarvis had with music producer Trackademicks for the Rightnowish podcast. They’ll answer Lauren’s question, taking us through the hip-hop legacy of Northern California, and dig in on the etymology of the word “hyphy.”\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11882076\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11882076\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/EJbsFORUEAApF9v-1020x680-1-800x533.jpeg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/07/EJbsFORUEAApF9v-1020x680-1-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/07/EJbsFORUEAApF9v-1020x680-1-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/07/EJbsFORUEAApF9v-1020x680-1.jpeg 1020w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jesus El stares into the camera as Pendarvis Harshaw does a video interview with E-40 at Youth Uprising in Deep East Oakland. \u003ccite>(Courtesy of Jacky Johnson.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> I think it’s time for a Bay Area history lesson on hyphy music, and who better to talk to than the cool collar scholar himself, the HNRL producer who has worked with J. Stalin, Kamaiyah, Mistah F.A.B. and more. His name is Trackademicks, and he knows a thing or two about hip-hop history in this region.\u003c/p>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> What’s the first hyphy song you ever heard?\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> I’d have to say that E-40 album … it had the song “Gasoline” with Turf Talk. That’s when I first started hearing like, ‘oh, this is an actual crazy sound.’ The hyphy sound. Turf Talk’s voice next to E-40’s voice, it just kind of created this crazy tone where it’s just unruly. It was in your face.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ySel0OB-TDw\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> The beat’s by Rick Rock.\u003c/p>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> Rick Rock was the Northern California producer behind classic old-school songs, contemporary hits, and a ton of songs from major hip-hop artists, like Tupac, Jay-Z … even \u003ca href=\"https://www.youtube.com/watch?v=WDaNJW_jEBo\">Busta Rhymes and Mariah Carey\u003c/a>. Rick Rock was one of the producers who laid the cornerstone to the hyphy sound — producing songs like \u003ca href=\"https://www.youtube.com/watch?v=oe7ohnlZhBc\">“Hyphy”\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=0vtZ0bYEW28\">“Go Dumb”\u003c/a> by The Federation, as well as E-40’s “Yay Area.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=K71IXLQpGss\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> Rick Rock was making crazy beats. He was making more uptempo songs with wacky, wacky sounds and crazy percussion. This is something different, it’s hyphy. I mean, we didn’t have the terminology yet. But it slapped.\u003c/p>\n\u003ch3>Where Did the Word “Hyphy” Come From?\u003c/h3>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> “Hyphy” the word was first said on record by East Oakland’s Keak Da Sneak in the mid-’90s. It gained popularity in the early 2000s. But in the early days when Keak started using it, “hyphy” didn’t mean what it means now.\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> He’s the one who created the hyphy terminology. In Oakland, hyphy … didn’t mean fun. Hyphy meant … “They hyphy over there.” Like I’m not trying to go over there. They might rob you. You never know what’s going on.\u003c/p>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> But, as language does, the term evolved to mean hyperactive — in a good way. Full of exuberant energy, the life of the party.\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> Hyphy is pure energy. It’s not a clap sound or ghostriding whips and all that … it’s pure energy.\u003c/p>\n\u003ch3>The Musical Lineage that Created Hyphy\u003c/h3>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> The hyphy sound in the mid-2000s didn’t come out of nowhere; it was a combination of the energy of the people and the evolution of music styles happening locally. To start us off, back in the day, there was funk music…\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=AoQ4AtsFWVM\u003c/p>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> The heavy bass and synthesizers from funk shifted into a darker tone… becoming \u003ca href=\"https://www.criticalminded.com/2016/11/27/bay-area-mobb-music/\" target=\"_blank\" rel=\"noopener noreferrer\">mobb music\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> In the ’80s, you had prehistoric mobb music. I call it prehistoric, Cro-Magnon mobb music, where it was influenced by East Coast rap like Whodini.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=qMnTawcUZLQ\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> Specifically here, it’s just the bass lines, and the ominous sounds … the Moog synths, and the different synthesizers that they were using back then. So that’s the first iteration, like that mobb, that ’80s, you know, Too Short.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=1b8kTV4VtKA\u003c/p>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> Everyone knows Short sampled Parliament Funkadelic and James Brown, but it’s the deep cuts that show how foundational the funk was. Tracks like the Conscious Daughters’ “\u003ca href=\"https://www.youtube.com/watch?v=p8KZ2CIpjto\">Somethin’ to Ride To (Fonky Expedition)\u003c/a>”. That song is built off a sample of the S.O.S. Band’s “\u003ca href=\"https://www.youtube.com/watch?v=JSEbDN49bYM\">No One’s Going to Love You\u003c/a>.”\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> As it went through the late ’90s, mobb music started re-interpolating a lot of things. Musicians like Ant Banks and Khayree were producing very lavish productions.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=v2QjOclOzkU\u003c/p>\n\u003cp>\u003cstrong>Pendarvis: \u003c/strong>That sound got juiced up and grew into what we know as hyphy — same bass, more tempo, not as dark, and a lot more fun. The mobb era came with different flavors from all across Northern California. Similarly, the hyphy movement had different flavors from different towns too. There was \u003ca href=\"https://www.youtube.com/watch?v=mLRCIja0Eb4\">Dem Hoodstarz\u003c/a> out of East Palo Alto. \u003ca href=\"https://www.youtube.com/watch?v=o6FDYlpKek0\">J. Stalin and Livewire Records\u003c/a> out of West Oakland, and \u003ca href=\"https://www.youtube.com/watch?v=oe7ohnlZhBc\">The Federation\u003c/a> out of Fairfield, to name a few. And many artists had careers that spanned both mobb music and the hyphy movement — like Too Short, E-40, and this one guy whose birth name is Andre Hicks. But you might know him as the Furly Ghost, Ronald Dregan, Thizzelle Washington, Andre Macassi, the Cold Crest Creeper, or simply: Mac Dre.\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> The thing that Mac Dre brought was the energy of hyphy, the caricature, the character of hyphy. He kind of set the groundwork of the fun aspect of it. And as the music started to catch up, with Rick Rock and E-40 bringing that actual sonic sound of hyphy, that connected with the characters that Mac Dre gave F.A.B in the 2000s. The baton from Mac Dre was kind of passed to Mistah F.A.B, and in that regard, everybody else.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=v37_C3WaTNk\u003c/p>\n\u003ch3>Music Today\u003c/h3>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> What’s going on right now in terms of the Bay Area sound?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> It’s all like a post-mobb and hyphy sound kind of mixed together. So you have a lot of the slap and kind of the general rhythmic disposition. We’re back to the ominous chords and the pianos. It’s undeniable that the sonic backdrop of it all is a direct descendant of the older Bay Area music. Even someone like Rexx Life Raj, where it’s almost like soulful mobb or soulful hyphy. It amazes me how much it stays ingrained in our music. And I believe that it’s going to stay, because it actually has influenced the whole landscape of music.\u003c/p>\n\n",
"blocks": [],
"excerpt": "Over 15 years ago, Bay Area rappers put hyphy music and culture on the map. How did hyphy get its start here? ",
"status": "publish",
"parent": 0,
"modified": 1721159098,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 31,
"wordCount": 1498
},
"headData": {
"title": "‘It’s Pure Energy’: How Hyphy Came to Define Bay Area Hip-Hop | KQED",
"description": "In the early 2000s, artists like E-40 and Too $hort had audiences around the world loving this distinctly Bay Area sound. But where did that sound come from? And what was Hyphy culture like more broadly?",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"socialDescription": "In the early 2000s, artists like E-40 and Too $hort had audiences around the world loving this distinctly Bay Area sound. But where did that sound come from? And what was Hyphy culture like more broadly?",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "‘It’s Pure Energy’: How Hyphy Came to Define Bay Area Hip-Hop",
"datePublished": "2021-07-22T03:00:12-07:00",
"dateModified": "2024-07-16T12:44:58-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"source": "Bay Curious",
"sourceUrl": "http://baycurious.org/",
"audioUrl": "https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/KQINC9455293592.mp3?updated=1626883508",
"sticky": false,
"nprByline": "Pendarvis Harshaw and Olivia Allen-Price",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"showOnAuthorArchivePages": "No",
"articleAge": "0",
"path": "/news/11881696/how-hyphy-came-to-define-bay-area-hip-hop",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When it comes to cultural exports of the Bay Area, hyphy is in a league of its own.\u003c/p>\n\u003cp>The subgenre of hip-hop has an up-tempo, hyperactive beat that makes you want to dance. In the early 2000s, artists like E-40 and Too Short had audiences around the world loving this distinctly Bay Area sound. But to locals who lived through the hyphy movement, it was much bigger than music.\u003c/p>\n\u003cp>“It’s an energy. It’s a culture. It’s a dance. It’s expression,” E-40 \u003ca href=\"https://www.youtube.com/watch?v=djs_t8MSvfw\">said in an interview posted by Artisan News Service\u003c/a>. “It’s cars. It’s the sideshows. It’s the swinging of donuts. It’s scraper cars — the Buick LeSabres, the Park Avenues, the old-school muscle cars … It’s the struggle. It’s the way we dress. It’s our lingo. It’s a culture, man.”\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/ogpenn\">Pendarvis Harshaw\u003c/a>, who is now host of \u003ca href=\"https://www.kqed.org/podcasts/rightnowish\">KQED’s Rightnowish podcast\u003c/a>, recalled growing up in the midst of the hyphy movement.\u003c/p>\n\u003cp>“The scrapers getting sideways, airbrushed T-shirts, big stunna shades, all of that — that was my teenage experience,” he said. “I remember being in Emeryville at the record release party for E-40’s “My Ghetto Report Card” … which was arguably the height of the hyphy movement.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He’s watched the culture and music evolve over the past 20 years. Now, young people who were just babies at the height of the hyphy movement are rediscovering it.\u003c/p>\n\u003cp>“To this new generation of young adults, what’s old is new again,” Harshaw said.\u003c/p>\n\u003cp>That’s also true for Bay Curious listener Lauren Tankeh. She grew up in San Carlos and remembers starting to listen to hyphy in high school. Now, she’s in college at Cal Poly and says when a hyphy song gets played at a party, all the Bay Area kids go crazy. She wants to know more about how the culture became so synonymous with the Bay.\u003c/p>\n\u003cp>\u003cem>Below is a conversation Pendarvis had with music producer Trackademicks for the Rightnowish podcast. They’ll answer Lauren’s question, taking us through the hip-hop legacy of Northern California, and dig in on the etymology of the word “hyphy.”\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11882076\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11882076\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/07/EJbsFORUEAApF9v-1020x680-1-800x533.jpeg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/07/EJbsFORUEAApF9v-1020x680-1-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/07/EJbsFORUEAApF9v-1020x680-1-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/07/EJbsFORUEAApF9v-1020x680-1.jpeg 1020w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jesus El stares into the camera as Pendarvis Harshaw does a video interview with E-40 at Youth Uprising in Deep East Oakland. \u003ccite>(Courtesy of Jacky Johnson.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> I think it’s time for a Bay Area history lesson on hyphy music, and who better to talk to than the cool collar scholar himself, the HNRL producer who has worked with J. Stalin, Kamaiyah, Mistah F.A.B. and more. His name is Trackademicks, and he knows a thing or two about hip-hop history in this region.\u003c/p>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> What’s the first hyphy song you ever heard?\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> I’d have to say that E-40 album … it had the song “Gasoline” with Turf Talk. That’s when I first started hearing like, ‘oh, this is an actual crazy sound.’ The hyphy sound. Turf Talk’s voice next to E-40’s voice, it just kind of created this crazy tone where it’s just unruly. It was in your face.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ySel0OB-TDw'\n title='//www.youtube.com/embed/ySel0OB-TDw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Trackademicks:\u003c/strong> The beat’s by Rick Rock.\u003c/p>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> Rick Rock was the Northern California producer behind classic old-school songs, contemporary hits, and a ton of songs from major hip-hop artists, like Tupac, Jay-Z … even \u003ca href=\"https://www.youtube.com/watch?v=WDaNJW_jEBo\">Busta Rhymes and Mariah Carey\u003c/a>. Rick Rock was one of the producers who laid the cornerstone to the hyphy sound — producing songs like \u003ca href=\"https://www.youtube.com/watch?v=oe7ohnlZhBc\">“Hyphy”\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=0vtZ0bYEW28\">“Go Dumb”\u003c/a> by The Federation, as well as E-40’s “Yay Area.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/K71IXLQpGss'\n title='//www.youtube.com/embed/K71IXLQpGss'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Trackademicks:\u003c/strong> Rick Rock was making crazy beats. He was making more uptempo songs with wacky, wacky sounds and crazy percussion. This is something different, it’s hyphy. I mean, we didn’t have the terminology yet. But it slapped.\u003c/p>\n\u003ch3>Where Did the Word “Hyphy” Come From?\u003c/h3>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> “Hyphy” the word was first said on record by East Oakland’s Keak Da Sneak in the mid-’90s. It gained popularity in the early 2000s. But in the early days when Keak started using it, “hyphy” didn’t mean what it means now.\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> He’s the one who created the hyphy terminology. In Oakland, hyphy … didn’t mean fun. Hyphy meant … “They hyphy over there.” Like I’m not trying to go over there. They might rob you. You never know what’s going on.\u003c/p>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> But, as language does, the term evolved to mean hyperactive — in a good way. Full of exuberant energy, the life of the party.\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> Hyphy is pure energy. It’s not a clap sound or ghostriding whips and all that … it’s pure energy.\u003c/p>\n\u003ch3>The Musical Lineage that Created Hyphy\u003c/h3>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> The hyphy sound in the mid-2000s didn’t come out of nowhere; it was a combination of the energy of the people and the evolution of music styles happening locally. To start us off, back in the day, there was funk music…\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/AoQ4AtsFWVM'\n title='//www.youtube.com/embed/AoQ4AtsFWVM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Pendarvis:\u003c/strong> The heavy bass and synthesizers from funk shifted into a darker tone… becoming \u003ca href=\"https://www.criticalminded.com/2016/11/27/bay-area-mobb-music/\" target=\"_blank\" rel=\"noopener noreferrer\">mobb music\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> In the ’80s, you had prehistoric mobb music. I call it prehistoric, Cro-Magnon mobb music, where it was influenced by East Coast rap like Whodini.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/qMnTawcUZLQ'\n title='//www.youtube.com/embed/qMnTawcUZLQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Trackademicks:\u003c/strong> Specifically here, it’s just the bass lines, and the ominous sounds … the Moog synths, and the different synthesizers that they were using back then. So that’s the first iteration, like that mobb, that ’80s, you know, Too Short.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1b8kTV4VtKA'\n title='//www.youtube.com/embed/1b8kTV4VtKA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Pendarvis:\u003c/strong> Everyone knows Short sampled Parliament Funkadelic and James Brown, but it’s the deep cuts that show how foundational the funk was. Tracks like the Conscious Daughters’ “\u003ca href=\"https://www.youtube.com/watch?v=p8KZ2CIpjto\">Somethin’ to Ride To (Fonky Expedition)\u003c/a>”. That song is built off a sample of the S.O.S. Band’s “\u003ca href=\"https://www.youtube.com/watch?v=JSEbDN49bYM\">No One’s Going to Love You\u003c/a>.”\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> As it went through the late ’90s, mobb music started re-interpolating a lot of things. Musicians like Ant Banks and Khayree were producing very lavish productions.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/v2QjOclOzkU'\n title='//www.youtube.com/embed/v2QjOclOzkU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Pendarvis: \u003c/strong>That sound got juiced up and grew into what we know as hyphy — same bass, more tempo, not as dark, and a lot more fun. The mobb era came with different flavors from all across Northern California. Similarly, the hyphy movement had different flavors from different towns too. There was \u003ca href=\"https://www.youtube.com/watch?v=mLRCIja0Eb4\">Dem Hoodstarz\u003c/a> out of East Palo Alto. \u003ca href=\"https://www.youtube.com/watch?v=o6FDYlpKek0\">J. Stalin and Livewire Records\u003c/a> out of West Oakland, and \u003ca href=\"https://www.youtube.com/watch?v=oe7ohnlZhBc\">The Federation\u003c/a> out of Fairfield, to name a few. And many artists had careers that spanned both mobb music and the hyphy movement — like Too Short, E-40, and this one guy whose birth name is Andre Hicks. But you might know him as the Furly Ghost, Ronald Dregan, Thizzelle Washington, Andre Macassi, the Cold Crest Creeper, or simply: Mac Dre.\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> The thing that Mac Dre brought was the energy of hyphy, the caricature, the character of hyphy. He kind of set the groundwork of the fun aspect of it. And as the music started to catch up, with Rick Rock and E-40 bringing that actual sonic sound of hyphy, that connected with the characters that Mac Dre gave F.A.B in the 2000s. The baton from Mac Dre was kind of passed to Mistah F.A.B, and in that regard, everybody else.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/v37_C3WaTNk'\n title='//www.youtube.com/embed/v37_C3WaTNk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch3>Music Today\u003c/h3>\n\u003cp>\u003cstrong>Pendarvis:\u003c/strong> What’s going on right now in terms of the Bay Area sound?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Trackademicks:\u003c/strong> It’s all like a post-mobb and hyphy sound kind of mixed together. So you have a lot of the slap and kind of the general rhythmic disposition. We’re back to the ominous chords and the pianos. It’s undeniable that the sonic backdrop of it all is a direct descendant of the older Bay Area music. Even someone like Rexx Life Raj, where it’s almost like soulful mobb or soulful hyphy. It amazes me how much it stays ingrained in our music. And I believe that it’s going to stay, because it actually has influenced the whole landscape of music.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11881696/how-hyphy-came-to-define-bay-area-hip-hop",
"authors": [
"byline_news_11881696"
],
"programs": [
"news_33523"
],
"series": [
"news_17986"
],
"categories": [
"news_223",
"news_8",
"news_33520"
],
"tags": [
"news_19133",
"news_26456",
"news_24374",
"news_27626",
"news_18477",
"news_1425"
],
"featImg": "news_11882075",
"label": "source_news_11881696"
},
"news_11879912": {
"type": "posts",
"id": "news_11879912",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11879912",
"score": null,
"sort": [
1625252448000
]
},
"guestAuthors": [],
"slug": "come-on-papi-la-vacuna-a-new-arts-campaign-aims-to-boost-vaccination-rates-in-san-joaquin-valley",
"title": "'Come on Papi, La Vacuna!': A New Arts Campaign Aims to Boost Vaccination Rates in San Joaquin Valley",
"publishDate": 1625252448,
"format": "standard",
"headTitle": "‘Come on Papi, La Vacuna!’: A New Arts Campaign Aims to Boost Vaccination Rates in San Joaquin Valley | KQED",
"labelTerm": {},
"content": "\u003cp>“Together, so many years,” writes \u003ca href=\"https://www.kqed.org/news/10683695/californias-juan-felipe-herrera-inaugurates-term-as-u-s-poet-laureate\">Juan Felipe Herrera, former U.S. poet laureate\u003c/a>, in his recent poem “\u003ca href=\"https://actaonline.org/wp-content/uploads/2021/06/Tantos-An%CC%83os-Juntos_Bilingual.pdf\">Tantos Años Juntos\u003c/a>,” created to encourage farmworkers to get vaccinated.\u003c/p>\n\u003cp>“I do not want you to leave my side.”\u003c/p>\n\u003cp>Herrera has performed this poem at events throughout the Central Valley as part of a new cultural campaign called ACTAvando Contra COVID that is bringing songs, poems and radio dramas to farmworkers and other Spanish-speaking audiences. It’s a collaboration between the \u003ca href=\"http://actaonline.org\">Alliance for California Traditional Arts\u003c/a> (ACTA) and \u003ca href=\"http://radiobilingue.org/en/\">Radio Bilingüe\u003c/a>, the national Latino public radio network.\u003c/p>\n\u003cp>“Take the vaccine, I do not want you to leave my side,” the poem continues. “Nothing is stronger than our family and our love.”\u003c/p>\n\u003cfigure id=\"attachment_11879938\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11879938 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-scaled.jpg\" alt=\"A person wearing a hat reads a poem and smiles in an open-air space.\" width=\"2560\" height=\"1680\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-800x525.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-1020x669.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-1536x1008.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-2048x1344.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-1920x1260.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Juan Felipe Herrera, former poet laureate of the United States, performs with Los Originarios del Plan at the Madera Flea Market on June 13, 2021. \u003ccite>(Courtesy of Jenn Emerling/ACTA.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Since the beginning of the pandemic, farmworkers throughout the Central Valley have been \u003ca href=\"https://www.cirsinc.org/phocadownload/farmworker_vulnerability_covid-19_research-report_final_villarejo_07-26-2020.pdf\">hard hit by COVID infections\u003c/a>.\u003c/p>\n\u003cp>“The farmworkers had to be out there,” said Hugo Morales, executive director and co-founder of Radio Bilingüe. “Because they had to eat, they had to feed their families. They had to earn an income. \u003cspan style=\"font-weight: 400\">Many of them are undocumented, so there was essentially no assistance for them.”\u003c/span>\u003c/p>\n\u003cp>[pullquote align=\"right\" size=\"medium\" citation=\"Hugo Morales, Radio Bilingüe\"]‘The farmworkers had to be out there … because they had to eat, they had to feed their families. They had to earn an income.’[/pullquote]But the vaccination rate among farmworkers still lags far behind the rest of the state.\u003c/p>\n\u003cp>Nearly\u003ca href=\"https://covid19.ca.gov/vaccination-progress-data/\"> 60% of \u003c/a>Californians are fully vaccinated, but health experts warn that some regions, like the San Joaquin Valley, still have dramatically low vaccination rates. In Kings County, for example, \u003ca href=\"https://covid19.ca.gov/vaccination-progress-data/\">nearly three-quarters of Latino residents have yet to get a shot.\u003c/a>\u003c/p>\n\u003cp>One of the key challenges for boosting vaccinations rates has been the spread of misinformation on social media platforms.\u003c/p>\n\u003cp>Morales explains that the historic mistreatment of migrant workers has led to a mistrust of Western medicine — like when migrants who arrived as part of the Bracero program in the 1950s and 1960s were \u003ca href=\"https://thebraceroprogram.weebly.com/dehumanization.html\">sprayed with DDT.\u003c/a>\u003c/p>\n\u003cp>[aside postID=\"news_10341616\" hero=\"https://ww2.kqed.org/app/uploads/sites/10/2014/09/morenocrop1.jpeg\"]“Unfortunately, [misinformation] plays on the fears,” he said. “There’s a history there that is very concrete.”\u003c/p>\n\u003cp>But Morales and the other organizers of the campaign hope that art can help address these concerns.\u003c/p>\n\u003cp>Along with Herrera, ACTA has commissioned other celebrated artists, like Carmencristina Moreno, known as the \u003ca href=\"https://www.kqed.org/news/10341616/the-chicana-first-lady-of-song\">Chicana First Lady of Song\u003c/a>, who has written original works encouraging vulnerable communities like farmworkers to stay safe by utilizing face masks, washing their hands and getting vaccinated.\u003c/p>\n\u003cp>https://youtu.be/9GFBkDwh9rY\u003c/p>\n\u003cp>The campaign is also relying on musicians with deep ties to the immigrant community, like Leonel Mendoza Acevedo. His acoustic string ensemble, \u003ca href=\"https://www.facebook.com/pages/category/Musician-Band/Originarios-del-Plan-149320349234548/\">Los Originarios del Plan,\u003c/a> has roots in the Mexican state of Michoacán.\u003c/p>\n\u003cp>“When we talked about what kind of song would they compose for this, Leonel immediately said, ‘We should we should use the form of a Valona,’ ” said Amy Kitchener, ACTA’s executive director. “It’s like lyric poetry, for expressing social concerns.”\u003c/p>\n\u003cfigure id=\"attachment_11879939\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11879939 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-scaled.jpg\" alt=\"A band, including a pair of violinists, a harpist and a guitarist, perform on a stage.\" width=\"2560\" height=\"1693\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-800x529.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-1020x675.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-1536x1016.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-2048x1354.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-1920x1270.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Los Originarios del Plan perform at the Madera Flea Market on June 13, 2021. \u003ccite>(Courtesy of Jenn Emerling/ACTA.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mendoza thought it was really important to use the very traditional form from his area because it was a way to call his community into action. “When people hear the Valona, they know I’m talking to them,” he said.\u003c/p>\n\u003cp>“We were all hit by the pandemic, with the death of two good friends,” added Mendoza. “We know how important it is to get vaccinated and we don’t want any more deaths. The longer it takes for us to all get vaccinated, death may be waiting for us around the corner.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dUR9R09a6wM\u003c/p>\n\u003cp>Meanwhile, artists like \u003ca href=\"https://www.facebook.com/Gruporecreacion\">Grupo Recreación Musical\u003c/a> are increasing messaging to Spanish and Mixteco-speaking communities by writing and composing songs in both languages.\u003c/p>\n\u003cp>“One of the communities that is most vulnerable to this pandemic has been the Indigenous community,” said Morales, a Mixteco immigrant himself who pioneered radio programming in Indigenous languages spoken in Mexico.\u003c/p>\n\u003cp>“Those that are dying under the age of 50 are often Mexican-Americans and Indigenous people,” he said. “So it’s not over for the essential workers.”\u003c/p>\n\u003cfigure id=\"attachment_11879937\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11879937 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014.jpg\" alt=\"A small child gets tested for COVID-19 by a nurse.\" width=\"2000\" height=\"1363\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-800x545.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-1020x695.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-1536x1047.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-1920x1308.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A child being tested for COVID-19 during an ACTAvando Contra COVID event at the Madera Flea Market on June 13, 2021. Visitors could get tested and sign up for vaccines while musicians played. \u003ccite>(Courtesy of Jenn Emerling/ACTA.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Radio drama is another tool artists are using to to get the word out.\u003c/p>\n\u003cp>Former Poet Laureate Herrera wrote and directed “¡Vacúnate Prudencio!,” a radio drama inspired by a weekly radio-comedy program from the 1930s called “La Familia Feliz” in Ciudad Juárez.\u003c/p>\n\u003cp>[aside postID=\"news_10683695\" hero=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/Herrera-1440x1080.jpg\"]“The style is similar to Teatro Campesino, and farmworkers’ theater,” said Herrera. “A beautiful form, because it is so familiar, funny, exaggerated and real all at the same time.”\u003c/p>\n\u003cp>“It’s for the people. With all our love. The actors are from the San Joaquin Valley, my former students. It is an embrace for our communities.”\u003c/p>\n\u003cp>The story follows Prudencio, a father and husband who refuses to get vaccinated out of pride.\u003c/p>\n\u003cp>“He’s fairly sure that he’s so strong,” Kitchener from ACTA explained. “He’s strong like iron and like a tree, like he’s not going to need the vaccine. So his son in middle school comes in and starts to urge him [to get vaccinated] based on his information.”\u003c/p>\n\u003cp>“Come on papi, la vacuna! Just a shot in the arm and a cool mask, dad,” says Prudencio’s son in the story. “Tenemos que usarla, papi.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "San Joaquin Valley musicians and poets launch a new campaign to push farmworkers to get the vaccine.",
"status": "publish",
"parent": 0,
"modified": 1721150596,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 29,
"wordCount": 1079
},
"headData": {
"title": "'Come on Papi, La Vacuna!': A New Arts Campaign Aims to Boost Vaccination Rates in San Joaquin Valley | KQED",
"description": "San Joaquin Valley musicians and poets launch a new campaign to push farmworkers to get the vaccine.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "'Come on Papi, La Vacuna!': A New Arts Campaign Aims to Boost Vaccination Rates in San Joaquin Valley",
"datePublished": "2021-07-02T12:00:48-07:00",
"dateModified": "2024-07-16T10:23:16-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"source": "The California Report Magazine",
"sourceUrl": "https://www.kqed.org/news/program/the-california-report-magazine",
"audioUrl": "https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-41c5-bcaf-aaef00f5a073/6d9715c5-bf18-46db-bac8-ad59017fd409/audio.mp3",
"sticky": false,
"path": "/news/11879912/come-on-papi-la-vacuna-a-new-arts-campaign-aims-to-boost-vaccination-rates-in-san-joaquin-valley",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Together, so many years,” writes \u003ca href=\"https://www.kqed.org/news/10683695/californias-juan-felipe-herrera-inaugurates-term-as-u-s-poet-laureate\">Juan Felipe Herrera, former U.S. poet laureate\u003c/a>, in his recent poem “\u003ca href=\"https://actaonline.org/wp-content/uploads/2021/06/Tantos-An%CC%83os-Juntos_Bilingual.pdf\">Tantos Años Juntos\u003c/a>,” created to encourage farmworkers to get vaccinated.\u003c/p>\n\u003cp>“I do not want you to leave my side.”\u003c/p>\n\u003cp>Herrera has performed this poem at events throughout the Central Valley as part of a new cultural campaign called ACTAvando Contra COVID that is bringing songs, poems and radio dramas to farmworkers and other Spanish-speaking audiences. It’s a collaboration between the \u003ca href=\"http://actaonline.org\">Alliance for California Traditional Arts\u003c/a> (ACTA) and \u003ca href=\"http://radiobilingue.org/en/\">Radio Bilingüe\u003c/a>, the national Latino public radio network.\u003c/p>\n\u003cp>“Take the vaccine, I do not want you to leave my side,” the poem continues. “Nothing is stronger than our family and our love.”\u003c/p>\n\u003cfigure id=\"attachment_11879938\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11879938 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-scaled.jpg\" alt=\"A person wearing a hat reads a poem and smiles in an open-air space.\" width=\"2560\" height=\"1680\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-800x525.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-1020x669.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-1536x1008.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-2048x1344.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera018-1920x1260.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Juan Felipe Herrera, former poet laureate of the United States, performs with Los Originarios del Plan at the Madera Flea Market on June 13, 2021. \u003ccite>(Courtesy of Jenn Emerling/ACTA.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Since the beginning of the pandemic, farmworkers throughout the Central Valley have been \u003ca href=\"https://www.cirsinc.org/phocadownload/farmworker_vulnerability_covid-19_research-report_final_villarejo_07-26-2020.pdf\">hard hit by COVID infections\u003c/a>.\u003c/p>\n\u003cp>“The farmworkers had to be out there,” said Hugo Morales, executive director and co-founder of Radio Bilingüe. “Because they had to eat, they had to feed their families. They had to earn an income. \u003cspan style=\"font-weight: 400\">Many of them are undocumented, so there was essentially no assistance for them.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "‘The farmworkers had to be out there … because they had to eat, they had to feed their families. They had to earn an income.’",
"name": "pullquote",
"attributes": {
"named": {
"align": "right",
"size": "medium",
"citation": "Hugo Morales, Radio Bilingüe",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>But the vaccination rate among farmworkers still lags far behind the rest of the state.\u003c/p>\n\u003cp>Nearly\u003ca href=\"https://covid19.ca.gov/vaccination-progress-data/\"> 60% of \u003c/a>Californians are fully vaccinated, but health experts warn that some regions, like the San Joaquin Valley, still have dramatically low vaccination rates. In Kings County, for example, \u003ca href=\"https://covid19.ca.gov/vaccination-progress-data/\">nearly three-quarters of Latino residents have yet to get a shot.\u003c/a>\u003c/p>\n\u003cp>One of the key challenges for boosting vaccinations rates has been the spread of misinformation on social media platforms.\u003c/p>\n\u003cp>Morales explains that the historic mistreatment of migrant workers has led to a mistrust of Western medicine — like when migrants who arrived as part of the Bracero program in the 1950s and 1960s were \u003ca href=\"https://thebraceroprogram.weebly.com/dehumanization.html\">sprayed with DDT.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "news_10341616",
"hero": "https://ww2.kqed.org/app/uploads/sites/10/2014/09/morenocrop1.jpeg",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“Unfortunately, [misinformation] plays on the fears,” he said. “There’s a history there that is very concrete.”\u003c/p>\n\u003cp>But Morales and the other organizers of the campaign hope that art can help address these concerns.\u003c/p>\n\u003cp>Along with Herrera, ACTA has commissioned other celebrated artists, like Carmencristina Moreno, known as the \u003ca href=\"https://www.kqed.org/news/10341616/the-chicana-first-lady-of-song\">Chicana First Lady of Song\u003c/a>, who has written original works encouraging vulnerable communities like farmworkers to stay safe by utilizing face masks, washing their hands and getting vaccinated.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/9GFBkDwh9rY'\n title='//www.youtube.com/embed/9GFBkDwh9rY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The campaign is also relying on musicians with deep ties to the immigrant community, like Leonel Mendoza Acevedo. His acoustic string ensemble, \u003ca href=\"https://www.facebook.com/pages/category/Musician-Band/Originarios-del-Plan-149320349234548/\">Los Originarios del Plan,\u003c/a> has roots in the Mexican state of Michoacán.\u003c/p>\n\u003cp>“When we talked about what kind of song would they compose for this, Leonel immediately said, ‘We should we should use the form of a Valona,’ ” said Amy Kitchener, ACTA’s executive director. “It’s like lyric poetry, for expressing social concerns.”\u003c/p>\n\u003cfigure id=\"attachment_11879939\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11879939 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-scaled.jpg\" alt=\"A band, including a pair of violinists, a harpist and a guitarist, perform on a stage.\" width=\"2560\" height=\"1693\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-800x529.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-1020x675.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-1536x1016.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-2048x1354.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera029-1920x1270.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Los Originarios del Plan perform at the Madera Flea Market on June 13, 2021. \u003ccite>(Courtesy of Jenn Emerling/ACTA.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mendoza thought it was really important to use the very traditional form from his area because it was a way to call his community into action. “When people hear the Valona, they know I’m talking to them,” he said.\u003c/p>\n\u003cp>“We were all hit by the pandemic, with the death of two good friends,” added Mendoza. “We know how important it is to get vaccinated and we don’t want any more deaths. The longer it takes for us to all get vaccinated, death may be waiting for us around the corner.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dUR9R09a6wM'\n title='//www.youtube.com/embed/dUR9R09a6wM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Meanwhile, artists like \u003ca href=\"https://www.facebook.com/Gruporecreacion\">Grupo Recreación Musical\u003c/a> are increasing messaging to Spanish and Mixteco-speaking communities by writing and composing songs in both languages.\u003c/p>\n\u003cp>“One of the communities that is most vulnerable to this pandemic has been the Indigenous community,” said Morales, a Mixteco immigrant himself who pioneered radio programming in Indigenous languages spoken in Mexico.\u003c/p>\n\u003cp>“Those that are dying under the age of 50 are often Mexican-Americans and Indigenous people,” he said. “So it’s not over for the essential workers.”\u003c/p>\n\u003cfigure id=\"attachment_11879937\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11879937 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014.jpg\" alt=\"A small child gets tested for COVID-19 by a nurse.\" width=\"2000\" height=\"1363\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-800x545.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-1020x695.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-1536x1047.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/ACTA_ContraCovid_Madera014-1920x1308.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A child being tested for COVID-19 during an ACTAvando Contra COVID event at the Madera Flea Market on June 13, 2021. Visitors could get tested and sign up for vaccines while musicians played. \u003ccite>(Courtesy of Jenn Emerling/ACTA.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Radio drama is another tool artists are using to to get the word out.\u003c/p>\n\u003cp>Former Poet Laureate Herrera wrote and directed “¡Vacúnate Prudencio!,” a radio drama inspired by a weekly radio-comedy program from the 1930s called “La Familia Feliz” in Ciudad Juárez.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "news_10683695",
"hero": "https://ww2.kqed.org/app/uploads/sites/10/2015/09/Herrera-1440x1080.jpg",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“The style is similar to Teatro Campesino, and farmworkers’ theater,” said Herrera. “A beautiful form, because it is so familiar, funny, exaggerated and real all at the same time.”\u003c/p>\n\u003cp>“It’s for the people. With all our love. The actors are from the San Joaquin Valley, my former students. It is an embrace for our communities.”\u003c/p>\n\u003cp>The story follows Prudencio, a father and husband who refuses to get vaccinated out of pride.\u003c/p>\n\u003cp>“He’s fairly sure that he’s so strong,” Kitchener from ACTA explained. “He’s strong like iron and like a tree, like he’s not going to need the vaccine. So his son in middle school comes in and starts to urge him [to get vaccinated] based on his information.”\u003c/p>\n\u003cp>“Come on papi, la vacuna! Just a shot in the arm and a cool mask, dad,” says Prudencio’s son in the story. “Tenemos que usarla, papi.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11879912/come-on-papi-la-vacuna-a-new-arts-campaign-aims-to-boost-vaccination-rates-in-san-joaquin-valley",
"authors": [
"11727"
],
"programs": [
"news_72",
"news_26731"
],
"categories": [
"news_223",
"news_8"
],
"tags": [
"news_19133",
"news_28519",
"news_311",
"news_18269",
"news_1425",
"news_1222",
"news_312"
],
"featImg": "news_11879940",
"label": "source_news_11879912"
},
"news_11879334": {
"type": "posts",
"id": "news_11879334",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11879334",
"score": null,
"sort": [
1624724923000
]
},
"guestAuthors": [],
"slug": "celebrating-queer-california-history",
"title": "Celebrating Queer California History",
"publishDate": 1624724923,
"format": "audio",
"headTitle": "Celebrating Queer California History | KQED",
"labelTerm": {
"term": 26731,
"site": "news"
},
"content": "\u003cp>\u003cem>\u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">Listen to this and more in-depth storytelling by subscribing to The California Report Magazine podcast.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003cem>To celebrate Pride month, we reprise our 2019 episode looking back at the early days of the LGBTQ+ rights movement, with a visit to the Oakland Museum of California’s exhibit \u003ca href=\"https://museumca.org/exhibit/queer-california-untold-stories\">“Queer California: Untold Stories.”\u003c/a> We explore the impact of that activism on young people today, and hear about a place that’s become a refuge for the LGBTQ+ community in rural California.\u003c/em>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.kqed.org/news/11757641/trans-man-finds-and-creates-refuge-in-his-familys-small-town-cafe\" target=\"_blank\" rel=\"noopener noreferrer\">Trans Man Finds – and Creates – Refuge in His Family’s Small Town Cafe\u003c/a>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">Jackson is a quaint Gold Rush-era town with brick buildings on its main street. It’s pretty quiet, except when you walk into Rosebud’s Cafe. Rosebud’s is a place that shouts its values from its bright green walls: huge family portraits, and tons of posters and flyers announcing programs for the arts, supporting local homeless initiatives, and advocating for LGBTQ rights. For the series California Foodways, Lisa Morehouse tells us this place has become a refuge for people who don’t always feel accepted. \u003c/span>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.kqed.org/news/11758014/meet-the-flower-guy-whos-watched-the-castro-change-over-38-years\" target=\"_blank\" rel=\"noopener noreferrer\">‘The Flower Guy’ A Constant in an Ever-Changing Castro District\u003c/a>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guy Clark has been selling flowers on the same corner in San Francisco’s Castro District for 40 years. Surrounded by peonies and sunflowers, reporter Asal Ehsanipour joins Guy on a sunny San Francisco morning. He recalls how the community “came through the catastrophe of AIDS,” and how he survived eviction and temporary homelessness, and he talks about his enduring relationships with his loyal customers.\u003c/span>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.kqed.org/news/11676014/letter-to-my-california-dreamer-finding-the-gay-mecca\" target=\"_blank\" rel=\"noopener noreferrer\">Letter to My CA Dreamer: Finding the Gay Mecca\u003c/a>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’ve been asking listeners to write a letter to one of the first people in your family who came to California with a dream for our series, “Letter to My California Dreamer.” This week’s letter comes from trailblazer, activist, and Vietnam War veteran Felicia A. Elizondo, AKA Felicia Flames, who passed away in May of this year at the age of 74. In this letter, she shared the story of her journey from Texas to San Francisco’s Tenderloin neighborhood in 1962, and recalled the aftermath of the Compton’s Cafeteria riot.\u003c/span>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.kqed.org/news/11707340/why-harvey-milk-still-matters-to-these-young-people\" target=\"_blank\" rel=\"noopener noreferrer\">Why Harvey Milk Still Matters to These Young People\u003c/a>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">One of California’s most well-known LGBTQ voices is Harvey Milk. Milk became the state’s first openly gay elected official when he won a seat on San Francisco’s Board of Supervisors in 1977. But his time in office was cut short when he was gunned down in City Hall a year later by one of his colleagues on the board. Milk is a seminal figure in queer history, but for many people coming of age today, their first exposure to Milk and his story was not from firsthand experience or even their history books, but from the 2008 Oscar-winning film Milk. We sent reporter Ryan Levi to City College of San Francisco to find out what Milk means to young people today.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "A Queer history lesson: pre-Spanish times, Compton's Cafeteria + trans rights in rural Amador County. ",
"status": "publish",
"parent": 0,
"modified": 1721157006,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 8,
"wordCount": 521
},
"headData": {
"title": "Celebrating Queer California History | KQED",
"description": "A Queer history lesson: pre-Spanish times, Compton's Cafeteria + trans rights in rural Amador County. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Celebrating Queer California History",
"datePublished": "2021-06-26T09:28:43-07:00",
"dateModified": "2024-07-16T12:10:06-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"sourceUrl": "https://www.kqed.org/news/tag/tcrmag/ ",
"audioUrl": "https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/KQINC4671230970.mp3?updated=1624669272",
"sticky": false,
"path": "/news/11879334/celebrating-queer-california-history",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">Listen to this and more in-depth storytelling by subscribing to The California Report Magazine podcast.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003cem>To celebrate Pride month, we reprise our 2019 episode looking back at the early days of the LGBTQ+ rights movement, with a visit to the Oakland Museum of California’s exhibit \u003ca href=\"https://museumca.org/exhibit/queer-california-untold-stories\">“Queer California: Untold Stories.”\u003c/a> We explore the impact of that activism on young people today, and hear about a place that’s become a refuge for the LGBTQ+ community in rural California.\u003c/em>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.kqed.org/news/11757641/trans-man-finds-and-creates-refuge-in-his-familys-small-town-cafe\" target=\"_blank\" rel=\"noopener noreferrer\">Trans Man Finds – and Creates – Refuge in His Family’s Small Town Cafe\u003c/a>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">Jackson is a quaint Gold Rush-era town with brick buildings on its main street. It’s pretty quiet, except when you walk into Rosebud’s Cafe. Rosebud’s is a place that shouts its values from its bright green walls: huge family portraits, and tons of posters and flyers announcing programs for the arts, supporting local homeless initiatives, and advocating for LGBTQ rights. For the series California Foodways, Lisa Morehouse tells us this place has become a refuge for people who don’t always feel accepted. \u003c/span>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.kqed.org/news/11758014/meet-the-flower-guy-whos-watched-the-castro-change-over-38-years\" target=\"_blank\" rel=\"noopener noreferrer\">‘The Flower Guy’ A Constant in an Ever-Changing Castro District\u003c/a>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guy Clark has been selling flowers on the same corner in San Francisco’s Castro District for 40 years. Surrounded by peonies and sunflowers, reporter Asal Ehsanipour joins Guy on a sunny San Francisco morning. He recalls how the community “came through the catastrophe of AIDS,” and how he survived eviction and temporary homelessness, and he talks about his enduring relationships with his loyal customers.\u003c/span>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.kqed.org/news/11676014/letter-to-my-california-dreamer-finding-the-gay-mecca\" target=\"_blank\" rel=\"noopener noreferrer\">Letter to My CA Dreamer: Finding the Gay Mecca\u003c/a>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’ve been asking listeners to write a letter to one of the first people in your family who came to California with a dream for our series, “Letter to My California Dreamer.” This week’s letter comes from trailblazer, activist, and Vietnam War veteran Felicia A. Elizondo, AKA Felicia Flames, who passed away in May of this year at the age of 74. In this letter, she shared the story of her journey from Texas to San Francisco’s Tenderloin neighborhood in 1962, and recalled the aftermath of the Compton’s Cafeteria riot.\u003c/span>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.kqed.org/news/11707340/why-harvey-milk-still-matters-to-these-young-people\" target=\"_blank\" rel=\"noopener noreferrer\">Why Harvey Milk Still Matters to These Young People\u003c/a>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">One of California’s most well-known LGBTQ voices is Harvey Milk. Milk became the state’s first openly gay elected official when he won a seat on San Francisco’s Board of Supervisors in 1977. But his time in office was cut short when he was gunned down in City Hall a year later by one of his colleagues on the board. Milk is a seminal figure in queer history, but for many people coming of age today, their first exposure to Milk and his story was not from firsthand experience or even their history books, but from the 2008 Oscar-winning film Milk. We sent reporter Ryan Levi to City College of San Francisco to find out what Milk means to young people today.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11879334/celebrating-queer-california-history",
"authors": [
"236"
],
"programs": [
"news_72",
"news_26731"
],
"categories": [
"news_223"
],
"tags": [
"news_23414",
"news_20004",
"news_19345",
"news_3123",
"news_38",
"news_3181",
"news_2486"
],
"featImg": "news_11879335",
"label": "news_26731"
},
"news_11879038": {
"type": "posts",
"id": "news_11879038",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11879038",
"score": null,
"sort": [
1624529289000
]
},
"guestAuthors": [],
"slug": "is-the-bay-area-known-for-its-theater-scene-depends-on-who-you-ask",
"title": "Is the Bay Area Known for Its Theater Scene? Depends on Who You Ask",
"publishDate": 1624529289,
"format": "standard",
"headTitle": "Is the Bay Area Known for Its Theater Scene? Depends on Who You Ask | KQED",
"labelTerm": {},
"content": "\u003cp>Bay Curious listener Alan Kline loves theater. He grew up in Richmond and would often go to shows at the Berkeley Repertory Theatre with his family. Kline was a theater major and now works as a national arts consultant.\u003c/p>\n\u003cp>Before the pandemic he’d go see a show about once a week, favoring smaller theater companies like \u003ca href=\"https://shotgunplayers.org/Online/default.asp\">Shotgun Players\u003c/a>, \u003ca href=\"https://goldenthread.org/\">Golden Thread\u003c/a>, \u003ca href=\"http://www.crowdedfire.org/\">Crowded Fire\u003c/a> and \u003ca href=\"http://www.theatreofyugen.org/\">Theatre of Yugen\u003c/a>.\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>“You start to see the same faces at everything,” he said. “So I think there definitely is some insularness to audiences in the Bay Area.”\u003c/p>\n\u003cp>He can’t understand why Bay Area residents and tourists aren’t more excited about live theater here. The Bay Area has four Tony Award-winning companies (\u003ca href=\"https://www.act-sf.org/\">The American Conservatory Theater\u003c/a> in 1979, \u003ca href=\"https://www.sfmt.org/\">the San Francisco Mime Troupe\u003c/a> in 1987, \u003ca href=\"https://www.berkeleyrep.org/\">Berkeley Repertory Theatre\u003c/a> in 1997 and \u003ca href=\"https://theatreworks.org/\">TheatreWorks\u003c/a> in Palo Alto \u003ca href=\"https://datebook.sfchronicle.com/theater/theatreworks-wins-regional-theatre-tony-award\">in 2019\u003c/a>), so he’s curious why more people don’t think of San Francisco, and the whole area, as a theater destination. It’s a question that has nagged him for years.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“The Bay Area is getting notice, but you have to be in the industry. And I don’t understand why that hasn’t permeated more,” Kline said.\u003c/p>\n\u003cp>I ran the question — and its premise — by the San Francisco Chronicle’s theater critic, \u003ca href=\"https://twitter.com/LilyJaniak?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\">Lily Janiak\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11879132\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11879132\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/Bay-Area-Theater.jpg\" alt=\"The Orpheum Theater in San Francisco at night\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Bay-Area-Theater.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Bay-Area-Theater-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Bay-Area-Theater-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Bay-Area-Theater-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Bay-Area-Theater-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Orpheum Theater on Market Street in San Francisco. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I think there is some validity to that question,” Janiak said. “And I came up with a few hypotheses as to why that might be the case.”\u003c/p>\n\u003col>\n\u003cli>\u003cstrong>Competition for tourist interest.\u003c/strong> Janiak points out that San Francisco has beautiful scenery, some of the best food and wine in the world, tons of festivals and great natural areas to explore, not to mention interesting neighborhoods. It offers a lot to tourists, which means going to a show might not be at the top priority like in other cities. Janiak says as a Midwesterner, she knows the value of fun inside activities during the long, cold winter nights. San Francisco doesn’t really have that problem.\u003c/li>\n\u003cli>\u003cstrong>Competition for headlines. \u003c/strong>“We have Big Tech, so they kind of dominate how many headlines can be about the Bay Area in other media outlets around the country and around the world,” Janiak said. Companies like Facebook, Google and Salesforce are changing the ways we interact, work and do business, so they dominate the headlines. That means visitors aren’t necessarily aware of the theater scene here when they visit.\u003c/li>\n\u003cli>\u003cstrong>Redefining terms of success.\u003c/strong> “We as a local art scene need to redefine the terms of our success,” Janiak said. “If a show that originates here is only truly a big deal if it shifts to, and then succeeds financially, in New York, then New York will remain the center of theater.” Janiak recognizes the role her journalism plays in this dynamic. The musical “Ain’t Too Proud: The Life and Times of the Temptations” premiered at Berkeley Rep, got picked up by a New York theater company and was nominated for a Tony award in 2019. “You’d better believe that I’m going to report that news,” Janiak said. “But at the same time, I recognize that by doing so, I’m feeding into the same cycle I just described to you.”\u003c/li>\n\u003cli>\u003cstrong>The financial model.\u003c/strong> Janiak points out that most theater companies depend on loyal subscribers and donors who tend to be older and white. “They are reliable supports,” she said, and “we just don’t give the arts the kind of government support that could truly make theater of, by and for the entire population.Theater jobs also pay notoriously poorly and real estate costs are high. It’s hard for artists to afford the area, even with multiple acting gigs and side jobs. That can be a barrier to entry for new talent that might speak to the entire community, but it also means talent moves away. And theater companies often struggle to find performance spaces they can afford.\u003c/li>\n\u003cli>\u003cstrong>Funding for arts education.\u003c/strong> Janiak says when Proposition 13 passed and tax revenue fell, the state gutted funding for public education in California. “If we funded arts education in our public schools in proportion to how wealthy we are as a state, that would be training not only for future artists but future audiences,” she said. “You’re teaching a whole new generation of folks that theater is fun and thrilling and something for them.”\u003c/li>\n\u003c/ol>\n\u003ch3>Bay Area Artists Chart Their Own Course\u003c/h3>\n\u003cp>I turned to Sean San José, \u003ca href=\"https://www.kqed.org/arts/13898099/two-distinctly-san-francisco-theater-companies-announce-bold-leadership-changes\">the new creative director\u003c/a> for San Francisco’s \u003ca href=\"http://magictheatre.org/\">Magic Theatre\u003c/a> for his take on the question. San José grew up in San Francisco and co-founded Campo Santo in 1996. He’s spent his creative life as an actor, producer, director and playwright here in the Bay Area. He thinks answering Alan’s question depends on perspective and who’s defining “success.”\u003c/p>\n\u003cfigure id=\"attachment_11879135\" class=\"wp-caption aligncenter\" style=\"max-width: 1536px\">\u003ca href=\"https://www.kqed.org/arts/13898099/two-distinctly-san-francisco-theater-companies-announce-bold-leadership-changes\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11879135\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/BRUJA_SeanSanJose%CC%81_SabinaZunigaVarela_courtesy_MagicTheatre-1536x1024-1.jpeg\" alt=\"Sean San José and Sabina Zuniga Varela in Luis Alfaro's Bruja at Magic Theatre. \" width=\"1536\" height=\"1024\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/BRUJA_SeanSanJosé_SabinaZunigaVarela_courtesy_MagicTheatre-1536x1024-1.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/BRUJA_SeanSanJosé_SabinaZunigaVarela_courtesy_MagicTheatre-1536x1024-1-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/BRUJA_SeanSanJosé_SabinaZunigaVarela_courtesy_MagicTheatre-1536x1024-1-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/BRUJA_SeanSanJosé_SabinaZunigaVarela_courtesy_MagicTheatre-1536x1024-1-160x107.jpeg 160w\" sizes=\"(max-width: 1536px) 100vw, 1536px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sean San José and Sabina Zuniga Varela in Luis Alfaro’s Bruja at Magic Theatre. \u003ccite>((Courtesy of Magic Theatre))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s all elitist, classist, white supremacist-rooted thinking about what is classic, what is good, what is recognized,” San José said. “And clearly a place like the bay that is historically, culturally, aesthetically, so mixed, culturally, so rooted in ‘the other,’ we’re much more interested in plotting our own piece of land rather than sort of creating something so it fits into something to be accepted.”\u003c/p>\n\u003cp>San José says artists come to the Bay Area to push the limits. They’re interested in blurring the lines between types of performance to tell stories that speak to this particular community.\u003c/p>\n\u003cp>“Someone like me or our group, Campo Santo, we’re talking about a thing that responded to, hopefully neighbors and residents,” San José said.\u003c/p>\n\u003cp>He rejects the idea that “good theater” flows from New York or London to the Bay Area. He says that attitude is just more gatekeeping.\u003c/p>\n\u003cp>“The real thing that they’re saying is, ‘I don’t think we’re interested in your Chicano body. I don’t think we’re interested in your gay neighborhood. I don’t think we’re interested in your mixed population,’ ” San José said. “Well, that’s who we are; and those are the stories we’re going to tell.”\u003c/p>\n\u003cp>He says all artists want their work to be seen and appreciated. He’d love for audiences in other cities to see his plays, but that’s not the goal. He’s creating for his community and if the rest of the world doesn’t see the value, oh well. “I think we’re interested in something new and next and that should be celebrated, as opposed to crushed down into an old definition.”\u003c/p>\n\u003cp>And, he says, the creative freedom that happens here radiates out into the world, calling to artists everywhere. It’s impossible to know the impact that has on creators, the inspiration it brings, the haven it provides.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Fxe60GVW034\u003c/p>\n\u003ch3>Where Can You Find Out About Bay Area Performances?\u003c/h3>\n\u003cp>One reason Bay Area residents may not express pride in the theater scene here is simply that they don’t know what’s happening any given night. Many local newspapers have cut their arts coverage, making it even more difficult to find out what’s on stage. The big Broadway shows often grab headlines, but there’s tons going on at smaller independent theaters all over the Bay Area.\u003c/p>\n\u003cp>Here are some resources to stay informed as theaters start opening up again.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/arts/category/theater\">KQED’s theater coverage\u003c/a>\u003c/li>\n\u003cli>Follow Lily Janiak’s \u003ca href=\"https://www.sfchronicle.com/author/lily-janiak/\">coverage\u003c/a> and \u003ca href=\"https://twitter.com/LilyJaniak?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\">Twitter\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://sf.funcheap.com/\">FunCheapSF\u003c/a> has listings of events\u003c/li>\n\u003cli>\u003ca href=\"https://www.theatrebayarea.org/page/retakingthestage\">Theatre Bay Area\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.sfarts.org/\">SF/Arts\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.sfstation.com/theater-performance-arts/calendar/bay-area\">SF Station\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://dothebay.com/\">Do The Bay\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>If you want to support theater and actors as we emerge from the coronavirus pandemic into an uncertain world, Lily Janiak suggests that you pick one local theater company or actor or director that moves you and actively support their work. Go see their plays, donate money, maybe even write a fan letter.\u003c/p>\n\u003cp>“Those small acts of appreciation and devotion are what bolster our art scene,” Janiak said. “And they matter. Artists don’t get them as much as you might think. It will not only make their day, but help feed their next creation.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\n",
"blocks": [],
"excerpt": "Is the Bay Area recognized for its contribution to the performing arts? Depends on who you ask.",
"status": "publish",
"parent": 0,
"modified": 1721129863,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": true,
"hasPolis": false,
"paragraphCount": 23,
"wordCount": 1494
},
"headData": {
"title": "Is the Bay Area Known for Its Theater Scene? Depends on Who You Ask | KQED",
"description": "Is the Bay Area recognized for its contribution to the performing arts? Depends on who you ask.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Is the Bay Area Known for Its Theater Scene? Depends on Who You Ask",
"datePublished": "2021-06-24T03:08:09-07:00",
"dateModified": "2024-07-16T04:37:43-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"source": "Bay Curious",
"sourceUrl": "https://www.kqed.org/podcasts/baycurious",
"audioUrl": "https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/KQINC7395407184.mp3?updated=1624467917",
"sticky": false,
"path": "/news/11879038/is-the-bay-area-known-for-its-theater-scene-depends-on-who-you-ask",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Bay Curious listener Alan Kline loves theater. He grew up in Richmond and would often go to shows at the Berkeley Repertory Theatre with his family. Kline was a theater major and now works as a national arts consultant.\u003c/p>\n\u003cp>Before the pandemic he’d go see a show about once a week, favoring smaller theater companies like \u003ca href=\"https://shotgunplayers.org/Online/default.asp\">Shotgun Players\u003c/a>, \u003ca href=\"https://goldenthread.org/\">Golden Thread\u003c/a>, \u003ca href=\"http://www.crowdedfire.org/\">Crowded Fire\u003c/a> and \u003ca href=\"http://www.theatreofyugen.org/\">Theatre of Yugen\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“You start to see the same faces at everything,” he said. “So I think there definitely is some insularness to audiences in the Bay Area.”\u003c/p>\n\u003cp>He can’t understand why Bay Area residents and tourists aren’t more excited about live theater here. The Bay Area has four Tony Award-winning companies (\u003ca href=\"https://www.act-sf.org/\">The American Conservatory Theater\u003c/a> in 1979, \u003ca href=\"https://www.sfmt.org/\">the San Francisco Mime Troupe\u003c/a> in 1987, \u003ca href=\"https://www.berkeleyrep.org/\">Berkeley Repertory Theatre\u003c/a> in 1997 and \u003ca href=\"https://theatreworks.org/\">TheatreWorks\u003c/a> in Palo Alto \u003ca href=\"https://datebook.sfchronicle.com/theater/theatreworks-wins-regional-theatre-tony-award\">in 2019\u003c/a>), so he’s curious why more people don’t think of San Francisco, and the whole area, as a theater destination. It’s a question that has nagged him for years.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The Bay Area is getting notice, but you have to be in the industry. And I don’t understand why that hasn’t permeated more,” Kline said.\u003c/p>\n\u003cp>I ran the question — and its premise — by the San Francisco Chronicle’s theater critic, \u003ca href=\"https://twitter.com/LilyJaniak?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\">Lily Janiak\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11879132\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11879132\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/Bay-Area-Theater.jpg\" alt=\"The Orpheum Theater in San Francisco at night\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Bay-Area-Theater.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Bay-Area-Theater-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Bay-Area-Theater-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Bay-Area-Theater-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Bay-Area-Theater-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Orpheum Theater on Market Street in San Francisco. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I think there is some validity to that question,” Janiak said. “And I came up with a few hypotheses as to why that might be the case.”\u003c/p>\n\u003col>\n\u003cli>\u003cstrong>Competition for tourist interest.\u003c/strong> Janiak points out that San Francisco has beautiful scenery, some of the best food and wine in the world, tons of festivals and great natural areas to explore, not to mention interesting neighborhoods. It offers a lot to tourists, which means going to a show might not be at the top priority like in other cities. Janiak says as a Midwesterner, she knows the value of fun inside activities during the long, cold winter nights. San Francisco doesn’t really have that problem.\u003c/li>\n\u003cli>\u003cstrong>Competition for headlines. \u003c/strong>“We have Big Tech, so they kind of dominate how many headlines can be about the Bay Area in other media outlets around the country and around the world,” Janiak said. Companies like Facebook, Google and Salesforce are changing the ways we interact, work and do business, so they dominate the headlines. That means visitors aren’t necessarily aware of the theater scene here when they visit.\u003c/li>\n\u003cli>\u003cstrong>Redefining terms of success.\u003c/strong> “We as a local art scene need to redefine the terms of our success,” Janiak said. “If a show that originates here is only truly a big deal if it shifts to, and then succeeds financially, in New York, then New York will remain the center of theater.” Janiak recognizes the role her journalism plays in this dynamic. The musical “Ain’t Too Proud: The Life and Times of the Temptations” premiered at Berkeley Rep, got picked up by a New York theater company and was nominated for a Tony award in 2019. “You’d better believe that I’m going to report that news,” Janiak said. “But at the same time, I recognize that by doing so, I’m feeding into the same cycle I just described to you.”\u003c/li>\n\u003cli>\u003cstrong>The financial model.\u003c/strong> Janiak points out that most theater companies depend on loyal subscribers and donors who tend to be older and white. “They are reliable supports,” she said, and “we just don’t give the arts the kind of government support that could truly make theater of, by and for the entire population.Theater jobs also pay notoriously poorly and real estate costs are high. It’s hard for artists to afford the area, even with multiple acting gigs and side jobs. That can be a barrier to entry for new talent that might speak to the entire community, but it also means talent moves away. And theater companies often struggle to find performance spaces they can afford.\u003c/li>\n\u003cli>\u003cstrong>Funding for arts education.\u003c/strong> Janiak says when Proposition 13 passed and tax revenue fell, the state gutted funding for public education in California. “If we funded arts education in our public schools in proportion to how wealthy we are as a state, that would be training not only for future artists but future audiences,” she said. “You’re teaching a whole new generation of folks that theater is fun and thrilling and something for them.”\u003c/li>\n\u003c/ol>\n\u003ch3>Bay Area Artists Chart Their Own Course\u003c/h3>\n\u003cp>I turned to Sean San José, \u003ca href=\"https://www.kqed.org/arts/13898099/two-distinctly-san-francisco-theater-companies-announce-bold-leadership-changes\">the new creative director\u003c/a> for San Francisco’s \u003ca href=\"http://magictheatre.org/\">Magic Theatre\u003c/a> for his take on the question. San José grew up in San Francisco and co-founded Campo Santo in 1996. He’s spent his creative life as an actor, producer, director and playwright here in the Bay Area. He thinks answering Alan’s question depends on perspective and who’s defining “success.”\u003c/p>\n\u003cfigure id=\"attachment_11879135\" class=\"wp-caption aligncenter\" style=\"max-width: 1536px\">\u003ca href=\"https://www.kqed.org/arts/13898099/two-distinctly-san-francisco-theater-companies-announce-bold-leadership-changes\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11879135\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/BRUJA_SeanSanJose%CC%81_SabinaZunigaVarela_courtesy_MagicTheatre-1536x1024-1.jpeg\" alt=\"Sean San José and Sabina Zuniga Varela in Luis Alfaro's Bruja at Magic Theatre. \" width=\"1536\" height=\"1024\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/BRUJA_SeanSanJosé_SabinaZunigaVarela_courtesy_MagicTheatre-1536x1024-1.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/BRUJA_SeanSanJosé_SabinaZunigaVarela_courtesy_MagicTheatre-1536x1024-1-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/BRUJA_SeanSanJosé_SabinaZunigaVarela_courtesy_MagicTheatre-1536x1024-1-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/BRUJA_SeanSanJosé_SabinaZunigaVarela_courtesy_MagicTheatre-1536x1024-1-160x107.jpeg 160w\" sizes=\"(max-width: 1536px) 100vw, 1536px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sean San José and Sabina Zuniga Varela in Luis Alfaro’s Bruja at Magic Theatre. \u003ccite>((Courtesy of Magic Theatre))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s all elitist, classist, white supremacist-rooted thinking about what is classic, what is good, what is recognized,” San José said. “And clearly a place like the bay that is historically, culturally, aesthetically, so mixed, culturally, so rooted in ‘the other,’ we’re much more interested in plotting our own piece of land rather than sort of creating something so it fits into something to be accepted.”\u003c/p>\n\u003cp>San José says artists come to the Bay Area to push the limits. They’re interested in blurring the lines between types of performance to tell stories that speak to this particular community.\u003c/p>\n\u003cp>“Someone like me or our group, Campo Santo, we’re talking about a thing that responded to, hopefully neighbors and residents,” San José said.\u003c/p>\n\u003cp>He rejects the idea that “good theater” flows from New York or London to the Bay Area. He says that attitude is just more gatekeeping.\u003c/p>\n\u003cp>“The real thing that they’re saying is, ‘I don’t think we’re interested in your Chicano body. I don’t think we’re interested in your gay neighborhood. I don’t think we’re interested in your mixed population,’ ” San José said. “Well, that’s who we are; and those are the stories we’re going to tell.”\u003c/p>\n\u003cp>He says all artists want their work to be seen and appreciated. He’d love for audiences in other cities to see his plays, but that’s not the goal. He’s creating for his community and if the rest of the world doesn’t see the value, oh well. “I think we’re interested in something new and next and that should be celebrated, as opposed to crushed down into an old definition.”\u003c/p>\n\u003cp>And, he says, the creative freedom that happens here radiates out into the world, calling to artists everywhere. It’s impossible to know the impact that has on creators, the inspiration it brings, the haven it provides.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Fxe60GVW034'\n title='//www.youtube.com/embed/Fxe60GVW034'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch3>Where Can You Find Out About Bay Area Performances?\u003c/h3>\n\u003cp>One reason Bay Area residents may not express pride in the theater scene here is simply that they don’t know what’s happening any given night. Many local newspapers have cut their arts coverage, making it even more difficult to find out what’s on stage. The big Broadway shows often grab headlines, but there’s tons going on at smaller independent theaters all over the Bay Area.\u003c/p>\n\u003cp>Here are some resources to stay informed as theaters start opening up again.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/arts/category/theater\">KQED’s theater coverage\u003c/a>\u003c/li>\n\u003cli>Follow Lily Janiak’s \u003ca href=\"https://www.sfchronicle.com/author/lily-janiak/\">coverage\u003c/a> and \u003ca href=\"https://twitter.com/LilyJaniak?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\">Twitter\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://sf.funcheap.com/\">FunCheapSF\u003c/a> has listings of events\u003c/li>\n\u003cli>\u003ca href=\"https://www.theatrebayarea.org/page/retakingthestage\">Theatre Bay Area\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.sfarts.org/\">SF/Arts\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.sfstation.com/theater-performance-arts/calendar/bay-area\">SF Station\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://dothebay.com/\">Do The Bay\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>If you want to support theater and actors as we emerge from the coronavirus pandemic into an uncertain world, Lily Janiak suggests that you pick one local theater company or actor or director that moves you and actively support their work. Go see their plays, donate money, maybe even write a fan letter.\u003c/p>\n\u003cp>“Those small acts of appreciation and devotion are what bolster our art scene,” Janiak said. “And they matter. Artists don’t get them as much as you might think. It will not only make their day, but help feed their next creation.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "baycuriousquestion",
"attributes": {
"named": {
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11879038/is-the-bay-area-known-for-its-theater-scene-depends-on-who-you-ask",
"authors": [
"234"
],
"programs": [
"news_33523"
],
"series": [
"news_17986"
],
"categories": [
"news_223",
"news_28250",
"news_8",
"news_33520"
],
"tags": [
"news_19133",
"news_4731"
],
"featImg": "news_11879070",
"label": "source_news_11879038"
},
"news_11879024": {
"type": "posts",
"id": "news_11879024",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11879024",
"score": null,
"sort": [
1624529131000
]
},
"parent": 0,
"labelTerm": {},
"blocks": [],
"publishDate": 1624529131,
"format": "standard",
"title": "You've Heard Experimental Sounds From Mills College (Even If You Don't Realize It)",
"headTitle": "You’ve Heard Experimental Sounds From Mills College (Even If You Don’t Realize It) | KQED",
"content": "\u003cp>Right in the middle of Oakland, a densely populated large urban city, sits Mills College. Originally a finishing school, the oldest women’s college on the West Coast moved to its current location in 1875. It sports architecture from notables like Bernard Maybeck and Julia Morgan and over time has grown into an identity rooted in inclusivity, social activism and female leadership. But many people don’t even know it’s there.\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>Bay Curious listener Sara Russell describes Mills as “an oasis of nature, architecture, art, history, activism, social impact and education.” She wants to know more about the school’s music program, which has produced dozens of famous musicians, including jazz legend Dave Brubeck and singer-songwriter Joanna Newsom.\u003c/p>\n\u003ch3>A Music Program of Possibility\u003c/h3>\n\u003cp>“The music program at Mills is \u003ca href=\"https://daily.bandcamp.com/features/mills-college-list\">legendary,” \u003c/a>says \u003ca href=\"https://www.kqed.org/author/gmeline\">Gabe Meline\u003c/a>, KQED’s Arts senior editor. “Some big names came out of there.”\u003c/p>\n\u003cp>People like Dave Brubeck, Roscoe Mitchell, Anthony Braxton, Steve Reich, Lou Harrison and Terry Riley all graduated from or taught at Mills. Meline says for most people these aren’t household names, but in certain circles they are revered for pushing the definition of jazz and for pioneering minimalism.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Gcl6dS4_HnU\u003c/p>\n\u003cp>“I mean, I think the best word to sum up Mills’ approach to teaching music is possibility,” Meline said. “Students were just encouraged to do whatever to explore their imaginations.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.mills.edu/academics/graduate-programs/music/center-contemporary-music/index.php\">Mills’ Center for Contemporary Music\u003c/a> is particularly famous for electronic music. Graduates include composers like \u003ca href=\"https://paulineoliveros.us/\">Pauline Oliveros\u003c/a>, \u003ca href=\"https://www.hollyherndon.com/\">Holly Herndon\u003c/a> and \u003ca href=\"https://sites.google.com/site/maggipayne/\">Maggi Payne\u003c/a> — a co-director of the center for 26 years.\u003c/p>\n\u003cp>“They developed modern electronic composition in a way that is revered in serious music circles all around the world,” Meline said.\u003c/p>\n\u003ch3>The Experimental Makes Its Way Into the Mainstream\u003c/h3>\n\u003cp>Decades later, as music production has migrated onto laptops, Meline hears echoes of the work done by Mills graduates in artists like Radiohead, Wilco, Tame Impala, Playboi Carti, Kanye West and even Justin Bieber.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=nntGTK2Fhb0\u003c/p>\n\u003cp>“There was a big hit song a few years ago by Justin Bieber, “Where Are You Now?,” that had this squeaky little kind of dolphin sound,” Meline said. “And that sound could be traced back absolutely to people pushing and pulling tape through old tape players at Mills.”\u003c/p>\n\u003cp>Mills composers were a little too experimental for many mainstream listeners of their time, but music has progressed since they were first experimenting in the ’50s. Each generation builds on the work of the one before, and over time sounds that seemed completely new have become commonplace.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=svwJTnZOaco\u003c/p>\n\u003ch3>An Uncertain Future\u003c/h3>\n\u003cp>Now the Mills music program is in jeopardy along with the rest of the college. Like many niche liberal arts schools, Mills has been struggling financially for years.\u003c/p>\n\u003cp>“We were shocked in 2019 when we learned that \u003ca href=\"https://www.kqed.org/arts/13871311/mills-college-to-sell-shakespeare-first-folio-mozart-manuscript-amid-budget-woes\">Mills was selling a Shakespeare “First Folio\u003c/a>,” which is essentially the first collected edition of Shakespeare’s plays,” Meline said. “It’s from 1623. They sold one at Christie’s for $10 million, which was a big sign that something was seriously amiss financially and that Mills needed money.”\u003c/p>\n\u003cp>Mills College President Elizabeth Hillman announced in \u003ca href=\"https://www.kqed.org/news/11865408/mills-college-to-stop-offering-degrees-cites-low-enrollment-financial-woes\">March 2021\u003c/a> that Mills College would stop admitting new students after the fall semester, and would likely stop granting degrees in 2023. Then, in June, she announced that the college is \u003ca href=\"https://www.mills.edu/announcement/index.php\">in negotiations with Northeastern University\u003c/a> to become a satellite campus.\u003c/p>\n\u003cfigure id=\"attachment_11879052\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11879052\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48239_001_Oakland_MillsCollege_03242021-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48239_001_Oakland_MillsCollege_03242021-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48239_001_Oakland_MillsCollege_03242021-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48239_001_Oakland_MillsCollege_03242021-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48239_001_Oakland_MillsCollege_03242021-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48239_001_Oakland_MillsCollege_03242021-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mills College President Elizabeth Hillman at the campus in Oakland on March 24, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We realized that all of this stuff is going on behind the scenes and the key core constituencies are not being consulted,” said David Bernstein, faculty chair of the music department after the original closure announcement. He and other faculty members have been fighting to be included in conversations about the college’s future.\u003c/p>\n\u003cp>Much of the \u003ca href=\"https://www.nytimes.com/2021/03/30/arts/music/mills-college-music.html\">press coverage about the music department\u003c/a> has focused on its archive, which he says includes an incredible collection of artifacts documenting the pioneering musical history of Mills students and famous composers who have come together to play on campus.\u003c/p>\n\u003cp>“It’s a documentation of the experimental music tradition at Mills College,” Bernstein said. “All kinds of incredible treasures. It’s a documentation of artistic activity at an institution that was a cauldron for all of these innovative ideas and different people working with one another.”\u003c/p>\n\u003cp>Bernstein understands how impressive the archive is — he’s used it in his research. But he’s more concerned about preserving the future of the program.\u003c/p>\n\u003cp>“There’s so much more institutionally that towers above the importance of the archive,” he said. “Yes, it has cultural significance, but actually the department itself is much more important than the archives. I don’t know that there are many places in the world that do what we do.”\u003c/p>\n\u003cp>He has been working to marshal the music program’s illustrious alumni to defend the Center for Contemporary Music and the department as a whole. He hopes that with more of the stakeholders involved, the Mills community can find a solution that allows the historic college to continue to exist in some form.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 921,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": true,
"iframeSrcs": [],
"paragraphCount": 23
},
"modified": 1700588239,
"excerpt": "While the fate of Mills College in Oakland is up in the air, many wonder what will happen its music program, which has produced many influential musicians.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "While the fate of Mills College in Oakland is up in the air, many wonder what will happen its music program, which has produced many influential musicians.",
"title": "You've Heard Experimental Sounds From Mills College (Even If You Don't Realize It) | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "You've Heard Experimental Sounds From Mills College (Even If You Don't Realize It)",
"datePublished": "2021-06-24T03:05:31-07:00",
"dateModified": "2023-11-21T09:37:19-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"guestAuthors": [],
"slug": "youve-heard-experimental-sounds-from-mills-college-even-if-you-dont-realize-it",
"status": "publish",
"sourceUrl": "https://www.kqed.org/podcasts/baycurious",
"audioUrl": "https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/KQINC7395407184.mp3?updated=1624467917",
"source": "Bay Curious",
"path": "/news/11879024/youve-heard-experimental-sounds-from-mills-college-even-if-you-dont-realize-it",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Right in the middle of Oakland, a densely populated large urban city, sits Mills College. Originally a finishing school, the oldest women’s college on the West Coast moved to its current location in 1875. It sports architecture from notables like Bernard Maybeck and Julia Morgan and over time has grown into an identity rooted in inclusivity, social activism and female leadership. But many people don’t even know it’s there.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Bay Curious listener Sara Russell describes Mills as “an oasis of nature, architecture, art, history, activism, social impact and education.” She wants to know more about the school’s music program, which has produced dozens of famous musicians, including jazz legend Dave Brubeck and singer-songwriter Joanna Newsom.\u003c/p>\n\u003ch3>A Music Program of Possibility\u003c/h3>\n\u003cp>“The music program at Mills is \u003ca href=\"https://daily.bandcamp.com/features/mills-college-list\">legendary,” \u003c/a>says \u003ca href=\"https://www.kqed.org/author/gmeline\">Gabe Meline\u003c/a>, KQED’s Arts senior editor. “Some big names came out of there.”\u003c/p>\n\u003cp>People like Dave Brubeck, Roscoe Mitchell, Anthony Braxton, Steve Reich, Lou Harrison and Terry Riley all graduated from or taught at Mills. Meline says for most people these aren’t household names, but in certain circles they are revered for pushing the definition of jazz and for pioneering minimalism.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Gcl6dS4_HnU'\n title='//www.youtube.com/embed/Gcl6dS4_HnU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“I mean, I think the best word to sum up Mills’ approach to teaching music is possibility,” Meline said. “Students were just encouraged to do whatever to explore their imaginations.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.mills.edu/academics/graduate-programs/music/center-contemporary-music/index.php\">Mills’ Center for Contemporary Music\u003c/a> is particularly famous for electronic music. Graduates include composers like \u003ca href=\"https://paulineoliveros.us/\">Pauline Oliveros\u003c/a>, \u003ca href=\"https://www.hollyherndon.com/\">Holly Herndon\u003c/a> and \u003ca href=\"https://sites.google.com/site/maggipayne/\">Maggi Payne\u003c/a> — a co-director of the center for 26 years.\u003c/p>\n\u003cp>“They developed modern electronic composition in a way that is revered in serious music circles all around the world,” Meline said.\u003c/p>\n\u003ch3>The Experimental Makes Its Way Into the Mainstream\u003c/h3>\n\u003cp>Decades later, as music production has migrated onto laptops, Meline hears echoes of the work done by Mills graduates in artists like Radiohead, Wilco, Tame Impala, Playboi Carti, Kanye West and even Justin Bieber.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nntGTK2Fhb0'\n title='//www.youtube.com/embed/nntGTK2Fhb0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“There was a big hit song a few years ago by Justin Bieber, “Where Are You Now?,” that had this squeaky little kind of dolphin sound,” Meline said. “And that sound could be traced back absolutely to people pushing and pulling tape through old tape players at Mills.”\u003c/p>\n\u003cp>Mills composers were a little too experimental for many mainstream listeners of their time, but music has progressed since they were first experimenting in the ’50s. Each generation builds on the work of the one before, and over time sounds that seemed completely new have become commonplace.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/svwJTnZOaco'\n title='//www.youtube.com/embed/svwJTnZOaco'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch3>An Uncertain Future\u003c/h3>\n\u003cp>Now the Mills music program is in jeopardy along with the rest of the college. Like many niche liberal arts schools, Mills has been struggling financially for years.\u003c/p>\n\u003cp>“We were shocked in 2019 when we learned that \u003ca href=\"https://www.kqed.org/arts/13871311/mills-college-to-sell-shakespeare-first-folio-mozart-manuscript-amid-budget-woes\">Mills was selling a Shakespeare “First Folio\u003c/a>,” which is essentially the first collected edition of Shakespeare’s plays,” Meline said. “It’s from 1623. They sold one at Christie’s for $10 million, which was a big sign that something was seriously amiss financially and that Mills needed money.”\u003c/p>\n\u003cp>Mills College President Elizabeth Hillman announced in \u003ca href=\"https://www.kqed.org/news/11865408/mills-college-to-stop-offering-degrees-cites-low-enrollment-financial-woes\">March 2021\u003c/a> that Mills College would stop admitting new students after the fall semester, and would likely stop granting degrees in 2023. Then, in June, she announced that the college is \u003ca href=\"https://www.mills.edu/announcement/index.php\">in negotiations with Northeastern University\u003c/a> to become a satellite campus.\u003c/p>\n\u003cfigure id=\"attachment_11879052\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11879052\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48239_001_Oakland_MillsCollege_03242021-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48239_001_Oakland_MillsCollege_03242021-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48239_001_Oakland_MillsCollege_03242021-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48239_001_Oakland_MillsCollege_03242021-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48239_001_Oakland_MillsCollege_03242021-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2021/06/RS48239_001_Oakland_MillsCollege_03242021-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mills College President Elizabeth Hillman at the campus in Oakland on March 24, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We realized that all of this stuff is going on behind the scenes and the key core constituencies are not being consulted,” said David Bernstein, faculty chair of the music department after the original closure announcement. He and other faculty members have been fighting to be included in conversations about the college’s future.\u003c/p>\n\u003cp>Much of the \u003ca href=\"https://www.nytimes.com/2021/03/30/arts/music/mills-college-music.html\">press coverage about the music department\u003c/a> has focused on its archive, which he says includes an incredible collection of artifacts documenting the pioneering musical history of Mills students and famous composers who have come together to play on campus.\u003c/p>\n\u003cp>“It’s a documentation of the experimental music tradition at Mills College,” Bernstein said. “All kinds of incredible treasures. It’s a documentation of artistic activity at an institution that was a cauldron for all of these innovative ideas and different people working with one another.”\u003c/p>\n\u003cp>Bernstein understands how impressive the archive is — he’s used it in his research. But he’s more concerned about preserving the future of the program.\u003c/p>\n\u003cp>“There’s so much more institutionally that towers above the importance of the archive,” he said. “Yes, it has cultural significance, but actually the department itself is much more important than the archives. I don’t know that there are many places in the world that do what we do.”\u003c/p>\n\u003cp>He has been working to marshal the music program’s illustrious alumni to defend the Center for Contemporary Music and the department as a whole. He hopes that with more of the stakeholders involved, the Mills community can find a solution that allows the historic college to continue to exist in some form.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "baycuriousquestion",
"attributes": {
"named": {
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11879024/youve-heard-experimental-sounds-from-mills-college-even-if-you-dont-realize-it",
"authors": [
"234"
],
"programs": [
"news_33523"
],
"series": [
"news_17986"
],
"categories": [
"news_223",
"news_28250",
"news_8",
"news_33520"
],
"tags": [
"news_6200",
"news_4142"
],
"featImg": "news_11879049",
"label": "source_news_11879024"
},
"news_11878995": {
"type": "posts",
"id": "news_11878995",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11878995",
"score": null,
"sort": [
1624528827000
]
},
"guestAuthors": [],
"slug": "preserving-the-legacy-of-beach-blanket-babylon-one-hat-at-a-time",
"title": "Preserving the Legacy of 'Beach Blanket Babylon' One Hat at a Time",
"publishDate": 1624528827,
"format": "standard",
"headTitle": "Preserving the Legacy of ‘Beach Blanket Babylon’ One Hat at a Time | KQED",
"labelTerm": {},
"content": "\u003cp>San Francisco is a town that prides itself on its quirkiness, sense of humor and colorful characters. Nothing captures that spirit quite like “Beach Blanket Babylon.” Created by Steve Silver in 1974, the musical revue tour de force featured parodies of celebrities and current events, poking fun at political figures on both sides of the spectrum and sparing no one. Tourists and locals alike loved the campy show that seemed to encapsulate some of San Francisco’s zany energy. Over its 45-year run, it became synonymous with the city.\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>“The locals would come and see it about 10 times and bring people, because it was never the same show twice,” said Jo Schuman Silver, owner and producer of “Beach Blanket Babylon.” Schuman Silver was married to the show’s creator, Steve Silver, who \u003ca href=\"https://www.nytimes.com/1995/06/14/obituaries/steve-silver-51-creator-of-revue-that-captivated-san-francisco.html\">died of AIDS in 1995\u003c/a>. Before he passed, Steve asked Jo to run the show and made her promise to keep it intact and true to his vision.\u003c/p>\n\u003cp>Schuman Silver said the audience was two-thirds local, one-third tourist, even though most people thought it was the other way around. When the British royal family visited San Francisco, they went to “Beach Blanket Babylon.” And numerous San Francisco figures, like former Mayors Willie Brown and Ed Lee, have made appearances in the show.\u003c/p>\n\u003cp>The musical revue’s first home was the \u003ca href=\"https://brokeassstuart.com/sf/2014/09/25/the-city-that-was-the-savoy-tivoli/\">Savoy Tivoli\u003c/a>, a North Beach club.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It was narrow, but very high,” said Schuman Silver. “And in order to fill the space [Steve] started building hats. Very small at first and they kept getting bigger and bigger and bigger.”\u003c/p>\n\u003cfigure id=\"attachment_11879015\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11879015\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-scaled.jpg\" alt=\"Sketch of Beach Blanket Babylon waitress hat next to the character on stage.\" width=\"2560\" height=\"1966\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-800x614.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-1020x783.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-160x123.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-1536x1180.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-2048x1573.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-1920x1475.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Steve Silver sketch of ‘Beach Blanket Babylon’ waitress costume next to the character on stage. \u003ccite>(Courtesy Beach Blanket Babylon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When the show moved to \u003ca href=\"https://datebook.sfchronicle.com/theater/new-circus-show-to-take-the-stage-in-club-fugazi-former-venue-of-beach-blanket-babylon\">Club Fugazi\u003c/a>, its home for decades, it had already become known for the \u003ca href=\"https://www.sfchronicle.com/chronicle_vault/article/Beach-Blanket-Babylon-Behind-the-scenes-14927676.php#photo-18765215\">fabulous costumes\u003c/a>, sense of humor and humongous hats. Steve Silver changed the musical numbers continuously, aided by a 6,000-foot San Francisco warehouse full of costumes that could be repurposed to create fresh-feeling content in record time.\u003c/p>\n\u003cp>“We were very, very current,” Schuman Silver said. “If something happened in the morning that we thought was relevant and our audience would care, we would get in the show by that night.”\u003c/p>\n\u003cp>When Jo Schuman Silver took over producing the show, she tried to run it the way Silver would have wanted. But she admits, the show became \u003ca href=\"https://www.kqed.org/arts/10137317/naughty-and-nice-forty-years-of-beach-blanket-babylon\">a bit more political during her time\u003c/a>. One of her most memorable skits was from 2003 when Arnold Schwarzenegger announced his run for governor of California. Schuman Silver happened to see him make the announcement on Jay Leno, “which was really unusual for me. I hardly ever saw that show,” she said.\u003c/p>\n\u003cp>She called a team member and told them to dig up the “Terminator” costume from the warehouse for a skit the next night. When Donald Trump got into politics, the “Beach Blanket Babylon” team already had the wigs and costumes to \u003ca href=\"https://www.kqed.org/news/11780183/from-schwarzenegger-to-trump-beach-blanket-babylon-has-stayed-on-top-of-headlines-for-45-years\">make him a central character of the show\u003c/a> almost every night, sometimes more than once.\u003c/p>\n\u003cfigure id=\"attachment_11879016\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11879016\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Hollywood-Hat-cropped.jpg\" alt=\"Steve Silver sketch of the Hollywood hat next to the on stage charcter.\" width=\"1920\" height=\"1485\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Hollywood-Hat-cropped.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Hollywood-Hat-cropped-800x619.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Hollywood-Hat-cropped-1020x789.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Hollywood-Hat-cropped-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Hollywood-Hat-cropped-1536x1188.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Steve Silver sketch of the Hollywood hat next to the on stage character. \u003ccite>(Courtesy of Beach Blanket Babylon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Schuman Silver announced that “Beach Blanket Babylon” would \u003ca href=\"https://datebook.sfchronicle.com/theater/sf-treasure-beach-blanket-babylon-to-close-after-45-years\">close at the end of 2019\u003c/a>, not because it was in financial trouble, but because she felt it was time. Little did she know the coronavirus pandemic would hit just a few months later, completely changing the theater landscape for the next year and a half.\u003c/p>\n\u003cp>“How lucky were we that I closed the show a month before COVID came? I cannot believe how fortunate we were,” she said.\u003c/p>\n\u003cp>Since the show closed, Schuman Silver and her team have been organizing their warehouse and fielding requests to either preserve “Beach Blanket” memorabilia or lend it out. Much of that work stopped when San Francisco shut down to prevent the spread of coronavirus, but now she is picking it back up again.\u003c/p>\n\u003cp>Looking back at all the props, crazy wigs, 300-pound hats and other ridiculous costumes, she says it’s like looking at a history of the later part of the 20th century into the 21st century. Preserving it is her “labor of love.”\u003c/p>\n\u003cp>The Smithsonian in Washington, D.C., wants a few pieces. The last time Schuman Silver spoke with them it seemed like they’d get a dancing Christmas tree, a Mr. Peanut dressed as Santa Claus and probably some royals stuff from when the show went on tour to London. They’re still finalizing the list. Other treasures will go to local museums, including the de Young.\u003c/p>\n\u003cp>“The thing about ‘Beach Blanket’ that made it so visually beautiful is that Steve Silver is an artist, so everything was drawn so beautifully,” Schuman Silver said. “He sketched everything; how he saw his show; how he saw numbers going in the show; and then we would give it to our makeup or costume designer and they would create what Steve had in mind.”\u003c/p>\n\u003cp>The famous \u003ca href=\"https://illustrationchronicles.com/al-hirschfeld-broadway-s-king-of-caricature\">sketch artist Al Hirschfeld\u003c/a> made several drawings of “Beach Blanket” characters. Those, Schuman Silver said, will go to the de Young Museum among other things.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=9mronRVvdmw\u003c/p>\n\u003cp>“We’re really careful where everything goes,” Schuman Silver said. She gets requests from all over the country, including local schools and theaters. She’s happy to help out by lending a hat or costume to a local group, but said when it comes to preserving the show’s legacy — and by extension Steve Silver’s legacy — she’s particular.\u003c/p>\n\u003cp>“It has to have a connection to the show, a connection to Steve Silver, a connection to the city. Everything in ‘Beach Blanket’ always had a reason why we did it. It looked like it didn’t have a reason, but everything has a meaning. So we have to decide where everything will go,” she said.\u003c/p>\n\u003cp>Young actors have approached her about reviving the show in some way, but she said no. She does, however, sometimes take requests for special performances at private events. Part of the reason “Beach Blanket Babylon” became so synonymous with the city was its inclusion of local celebrities and politicians. Steve Silver would often get requests for special musical numbers to commemorate an anniversary or wedding. Schuman Silver said if the cast who still live nearby want to do those types of events, she’s up for it.\u003c/p>\n\u003cp>“Steve always wanted the show intact. And that’s how we’re keeping it,” she said. “I don’t think the idea of ‘Beach Blanket’ will ever die. It will be in different incarnations. That’s how I figure it.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\n",
"blocks": [],
"excerpt": "Beach Blanket Babylon fans have been wondering what will happen to the show's signature costumes and hats. Jo Schuman Silver says some will go to the Smithsonian and other local museums.",
"status": "publish",
"parent": 0,
"modified": 1721154642,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": true,
"hasPolis": false,
"paragraphCount": 24,
"wordCount": 1184
},
"headData": {
"title": "Preserving the Legacy of 'Beach Blanket Babylon' One Hat at a Time | KQED",
"description": "Beach Blanket Babylon fans have been wondering what will happen to the show's signature costumes and hats. Jo Schuman Silver says some will go to the Smithsonian and other local museums.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Preserving the Legacy of 'Beach Blanket Babylon' One Hat at a Time",
"datePublished": "2021-06-24T03:00:27-07:00",
"dateModified": "2024-07-16T11:30:42-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"source": "Bay Curious",
"sourceUrl": "https://www.kqed.org/podcasts/baycurious",
"audioUrl": "https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/KQINC7395407184.mp3?updated=1624467917",
"sticky": false,
"subhead": "Pieces From Beach Blanket Babylon Will Be Preserved At The Smithsonian",
"path": "/news/11878995/preserving-the-legacy-of-beach-blanket-babylon-one-hat-at-a-time",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco is a town that prides itself on its quirkiness, sense of humor and colorful characters. Nothing captures that spirit quite like “Beach Blanket Babylon.” Created by Steve Silver in 1974, the musical revue tour de force featured parodies of celebrities and current events, poking fun at political figures on both sides of the spectrum and sparing no one. Tourists and locals alike loved the campy show that seemed to encapsulate some of San Francisco’s zany energy. Over its 45-year run, it became synonymous with the city.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“The locals would come and see it about 10 times and bring people, because it was never the same show twice,” said Jo Schuman Silver, owner and producer of “Beach Blanket Babylon.” Schuman Silver was married to the show’s creator, Steve Silver, who \u003ca href=\"https://www.nytimes.com/1995/06/14/obituaries/steve-silver-51-creator-of-revue-that-captivated-san-francisco.html\">died of AIDS in 1995\u003c/a>. Before he passed, Steve asked Jo to run the show and made her promise to keep it intact and true to his vision.\u003c/p>\n\u003cp>Schuman Silver said the audience was two-thirds local, one-third tourist, even though most people thought it was the other way around. When the British royal family visited San Francisco, they went to “Beach Blanket Babylon.” And numerous San Francisco figures, like former Mayors Willie Brown and Ed Lee, have made appearances in the show.\u003c/p>\n\u003cp>The musical revue’s first home was the \u003ca href=\"https://brokeassstuart.com/sf/2014/09/25/the-city-that-was-the-savoy-tivoli/\">Savoy Tivoli\u003c/a>, a North Beach club.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It was narrow, but very high,” said Schuman Silver. “And in order to fill the space [Steve] started building hats. Very small at first and they kept getting bigger and bigger and bigger.”\u003c/p>\n\u003cfigure id=\"attachment_11879015\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11879015\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-scaled.jpg\" alt=\"Sketch of Beach Blanket Babylon waitress hat next to the character on stage.\" width=\"2560\" height=\"1966\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-800x614.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-1020x783.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-160x123.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-1536x1180.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-2048x1573.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Waitress-Hat-1920x1475.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Steve Silver sketch of ‘Beach Blanket Babylon’ waitress costume next to the character on stage. \u003ccite>(Courtesy Beach Blanket Babylon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When the show moved to \u003ca href=\"https://datebook.sfchronicle.com/theater/new-circus-show-to-take-the-stage-in-club-fugazi-former-venue-of-beach-blanket-babylon\">Club Fugazi\u003c/a>, its home for decades, it had already become known for the \u003ca href=\"https://www.sfchronicle.com/chronicle_vault/article/Beach-Blanket-Babylon-Behind-the-scenes-14927676.php#photo-18765215\">fabulous costumes\u003c/a>, sense of humor and humongous hats. Steve Silver changed the musical numbers continuously, aided by a 6,000-foot San Francisco warehouse full of costumes that could be repurposed to create fresh-feeling content in record time.\u003c/p>\n\u003cp>“We were very, very current,” Schuman Silver said. “If something happened in the morning that we thought was relevant and our audience would care, we would get in the show by that night.”\u003c/p>\n\u003cp>When Jo Schuman Silver took over producing the show, she tried to run it the way Silver would have wanted. But she admits, the show became \u003ca href=\"https://www.kqed.org/arts/10137317/naughty-and-nice-forty-years-of-beach-blanket-babylon\">a bit more political during her time\u003c/a>. One of her most memorable skits was from 2003 when Arnold Schwarzenegger announced his run for governor of California. Schuman Silver happened to see him make the announcement on Jay Leno, “which was really unusual for me. I hardly ever saw that show,” she said.\u003c/p>\n\u003cp>She called a team member and told them to dig up the “Terminator” costume from the warehouse for a skit the next night. When Donald Trump got into politics, the “Beach Blanket Babylon” team already had the wigs and costumes to \u003ca href=\"https://www.kqed.org/news/11780183/from-schwarzenegger-to-trump-beach-blanket-babylon-has-stayed-on-top-of-headlines-for-45-years\">make him a central character of the show\u003c/a> almost every night, sometimes more than once.\u003c/p>\n\u003cfigure id=\"attachment_11879016\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11879016\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Hollywood-Hat-cropped.jpg\" alt=\"Steve Silver sketch of the Hollywood hat next to the on stage charcter.\" width=\"1920\" height=\"1485\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Hollywood-Hat-cropped.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Hollywood-Hat-cropped-800x619.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Hollywood-Hat-cropped-1020x789.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Hollywood-Hat-cropped-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Beach-Blanket-Babylon-Hollywood-Hat-cropped-1536x1188.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Steve Silver sketch of the Hollywood hat next to the on stage character. \u003ccite>(Courtesy of Beach Blanket Babylon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Schuman Silver announced that “Beach Blanket Babylon” would \u003ca href=\"https://datebook.sfchronicle.com/theater/sf-treasure-beach-blanket-babylon-to-close-after-45-years\">close at the end of 2019\u003c/a>, not because it was in financial trouble, but because she felt it was time. Little did she know the coronavirus pandemic would hit just a few months later, completely changing the theater landscape for the next year and a half.\u003c/p>\n\u003cp>“How lucky were we that I closed the show a month before COVID came? I cannot believe how fortunate we were,” she said.\u003c/p>\n\u003cp>Since the show closed, Schuman Silver and her team have been organizing their warehouse and fielding requests to either preserve “Beach Blanket” memorabilia or lend it out. Much of that work stopped when San Francisco shut down to prevent the spread of coronavirus, but now she is picking it back up again.\u003c/p>\n\u003cp>Looking back at all the props, crazy wigs, 300-pound hats and other ridiculous costumes, she says it’s like looking at a history of the later part of the 20th century into the 21st century. Preserving it is her “labor of love.”\u003c/p>\n\u003cp>The Smithsonian in Washington, D.C., wants a few pieces. The last time Schuman Silver spoke with them it seemed like they’d get a dancing Christmas tree, a Mr. Peanut dressed as Santa Claus and probably some royals stuff from when the show went on tour to London. They’re still finalizing the list. Other treasures will go to local museums, including the de Young.\u003c/p>\n\u003cp>“The thing about ‘Beach Blanket’ that made it so visually beautiful is that Steve Silver is an artist, so everything was drawn so beautifully,” Schuman Silver said. “He sketched everything; how he saw his show; how he saw numbers going in the show; and then we would give it to our makeup or costume designer and they would create what Steve had in mind.”\u003c/p>\n\u003cp>The famous \u003ca href=\"https://illustrationchronicles.com/al-hirschfeld-broadway-s-king-of-caricature\">sketch artist Al Hirschfeld\u003c/a> made several drawings of “Beach Blanket” characters. Those, Schuman Silver said, will go to the de Young Museum among other things.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/9mronRVvdmw'\n title='//www.youtube.com/embed/9mronRVvdmw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“We’re really careful where everything goes,” Schuman Silver said. She gets requests from all over the country, including local schools and theaters. She’s happy to help out by lending a hat or costume to a local group, but said when it comes to preserving the show’s legacy — and by extension Steve Silver’s legacy — she’s particular.\u003c/p>\n\u003cp>“It has to have a connection to the show, a connection to Steve Silver, a connection to the city. Everything in ‘Beach Blanket’ always had a reason why we did it. It looked like it didn’t have a reason, but everything has a meaning. So we have to decide where everything will go,” she said.\u003c/p>\n\u003cp>Young actors have approached her about reviving the show in some way, but she said no. She does, however, sometimes take requests for special performances at private events. Part of the reason “Beach Blanket Babylon” became so synonymous with the city was its inclusion of local celebrities and politicians. Steve Silver would often get requests for special musical numbers to commemorate an anniversary or wedding. Schuman Silver said if the cast who still live nearby want to do those types of events, she’s up for it.\u003c/p>\n\u003cp>“Steve always wanted the show intact. And that’s how we’re keeping it,” she said. “I don’t think the idea of ‘Beach Blanket’ will ever die. It will be in different incarnations. That’s how I figure it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "baycuriousquestion",
"attributes": {
"named": {
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11878995/preserving-the-legacy-of-beach-blanket-babylon-one-hat-at-a-time",
"authors": [
"234"
],
"programs": [
"news_33523"
],
"series": [
"news_17986"
],
"categories": [
"news_223",
"news_28250",
"news_8",
"news_33520"
],
"tags": [
"news_19133",
"news_4731"
],
"featImg": "news_11879009",
"label": "source_news_11878995"
},
"news_11878712": {
"type": "posts",
"id": "news_11878712",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11878712",
"score": null,
"sort": [
1624215372000
]
},
"guestAuthors": [],
"slug": "this-is-who-we-are-the-black-liberation-walking-tour-launches-in-oakland",
"title": "'This Is Who We Are': Black Liberation Walking Tour Launches in Oakland",
"publishDate": 1624215372,
"format": "audio",
"headTitle": "‘This Is Who We Are’: Black Liberation Walking Tour Launches in Oakland | KQED",
"labelTerm": {
"site": "news"
},
"content": "\u003cp>About 150 people attended the official launch of the \u003ca href=\"https://www.blwt.org/tour\" target=\"_blank\" rel=\"noopener noreferrer\">Black Liberation Walking Tour\u003c/a> — a new walking tour of West Oakland’s Hoover Durant neighborhood — on Juneteenth.\u003c/p>\n\u003cp>The all-day event included singing, dancing, drums and West African music, in addition to food vendors and speeches. [pullquote size=\"medium\" align=\"right\" citation=\"Gene Anderson, lifelong Oakland resident\"]‘A lot of Black history has been erased and forgotten. … This is one way to help resurface that history, but also a way for the neighborhood to claim itself: This is who we are.’[/pullquote]\u003c/p>\n\u003cp>The self-guided tour was made out of a “burning desire to share the stories of so much that has happened in this neighborhood to others that live here now, [and] that will live here in the future,” said creator David Peters, a third-generation West Oaklander.\u003c/p>\n\u003cp>Peters said he wants to celebrate the neighborhood’s vibrant but sometimes forgotten history.\u003c/p>\n\u003cp>There are nine locations on the tour, which takes about an hour, but since it’s self-guided via mobile phone, individuals can go faster or slower as needed. Those taking the tour can \u003ca href=\"https://www.blwt.org/tour\" target=\"_blank\" rel=\"noopener noreferrer\">scan a QR code on a smartphone to follow along\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11878714\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11878714\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/Image-from-iOS-6-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Image-from-iOS-6-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Image-from-iOS-6-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Image-from-iOS-6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Image-from-iOS-6-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Image-from-iOS-6.jpg 1620w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Peters speaks about the Black Liberation Walking Tour during a launch party and Juneteenth Celebration at SPARC-it-Place in Oakland on June 19, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Each location has a different story to tell, Peters said, noting that with gentrification, displacement and families moving out “these stories become lost.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Some of the locations on the tour include St. Augustine’s Church, Flint’s Barbecue and the home of columnist \u003ca href=\"https://library.csun.edu/SCA/Peek-in-the-Stacks/delilah-beasley\" target=\"_blank\" rel=\"noopener noreferrer\">Delilah Beasley\u003c/a>, who was a columnist for the Oakland Tribune in 1923.\u003c/p>\n\u003cp>Peters said he felt it was important to bring the stories together “in order to build community cohesion, to build community power.”\u003c/p>\n\u003cp>The tour is grounded in the idea that if people who live in the area know more about where they live, they may be more respectful of its history and perhaps not so eager to “tear things down,” Peters said.\u003c/p>\n\u003cp>“A lot of Black history has been erased and forgotten,” said Gene Anderson, a lifelong resident of Oakland who helped conduct historical research for the walking tour. “This is one way to help resurface that history, but also a way for the neighborhood to claim itself: This is who we are.” [aside tag=\"juneteenth\" label=\"More Related Stories\"]\u003c/p>\n\u003cp>Husband and wife pair Susan Bodnar-Deren, a professor of sociology, and Dingani Mthethwa, a professor of history, both at Virginia Commonwealth University, attended the event and went on the self-guided walking tour. Learning about West Oakland’s history, both said they saw similarities to the struggles of Black people in Richmond, Virginia, and in South Africa, where Mthethwa is originally from. “Hearing this story brings in all those memories and parallels,” Mthethwa said.\u003c/p>\n\u003cp>“It is so nice to see Oakland as one of those places I’m proud to say I’m from,” said Tamika Nicole, a singer who grew up in Oakland and sang “\u003ca href=\"https://www.pbs.org/black-culture/explore/black-authors-spoken-word-poetry/lift-every-voice-and-sing/\" target=\"_blank\" rel=\"noopener noreferrer\">Lift Every Voice and Sing\u003c/a>” (also known as the Black National Anthem) at the event. She said she felt blessed to have had the opportunity to learn Black history and ethnic studies. “We have the opportunity to be around lots of other people and celebrate all of our contributions.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Despite the joy of celebrating Juneteenth, Nicole said there’s also much more to be done: “We did ask for us to stop being killed, but we got a holiday. So here we are.”\u003c/p>\n\n",
"blocks": [],
"excerpt": "'A lot of Black history has been erased and forgotten,' Gene Anderson said. 'This is one way to help resurface, that history, but also a way for the neighborhood to claim itself: This is who we are.'",
"status": "publish",
"parent": 0,
"modified": 1721157391,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 15,
"wordCount": 628
},
"headData": {
"title": "'This Is Who We Are': Black Liberation Walking Tour Launches in Oakland | KQED",
"description": "'A lot of Black history has been erased and forgotten,' Gene Anderson said. 'This is one way to help resurface, that history, but also a way for the neighborhood to claim itself: This is who we are.'",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "'This Is Who We Are': Black Liberation Walking Tour Launches in Oakland",
"datePublished": "2021-06-20T11:56:12-07:00",
"dateModified": "2024-07-16T12:16:31-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/2021/06/JohnsonJuneteenthWalkingTour20210619.mp3",
"sticky": false,
"path": "/news/11878712/this-is-who-we-are-the-black-liberation-walking-tour-launches-in-oakland",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>About 150 people attended the official launch of the \u003ca href=\"https://www.blwt.org/tour\" target=\"_blank\" rel=\"noopener noreferrer\">Black Liberation Walking Tour\u003c/a> — a new walking tour of West Oakland’s Hoover Durant neighborhood — on Juneteenth.\u003c/p>\n\u003cp>The all-day event included singing, dancing, drums and West African music, in addition to food vendors and speeches. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "‘A lot of Black history has been erased and forgotten. … This is one way to help resurface that history, but also a way for the neighborhood to claim itself: This is who we are.’",
"name": "pullquote",
"attributes": {
"named": {
"size": "medium",
"align": "right",
"citation": "Gene Anderson, lifelong Oakland resident",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The self-guided tour was made out of a “burning desire to share the stories of so much that has happened in this neighborhood to others that live here now, [and] that will live here in the future,” said creator David Peters, a third-generation West Oaklander.\u003c/p>\n\u003cp>Peters said he wants to celebrate the neighborhood’s vibrant but sometimes forgotten history.\u003c/p>\n\u003cp>There are nine locations on the tour, which takes about an hour, but since it’s self-guided via mobile phone, individuals can go faster or slower as needed. Those taking the tour can \u003ca href=\"https://www.blwt.org/tour\" target=\"_blank\" rel=\"noopener noreferrer\">scan a QR code on a smartphone to follow along\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11878714\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11878714\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/06/Image-from-iOS-6-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Image-from-iOS-6-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Image-from-iOS-6-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Image-from-iOS-6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Image-from-iOS-6-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/Image-from-iOS-6.jpg 1620w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Peters speaks about the Black Liberation Walking Tour during a launch party and Juneteenth Celebration at SPARC-it-Place in Oakland on June 19, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Each location has a different story to tell, Peters said, noting that with gentrification, displacement and families moving out “these stories become lost.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Some of the locations on the tour include St. Augustine’s Church, Flint’s Barbecue and the home of columnist \u003ca href=\"https://library.csun.edu/SCA/Peek-in-the-Stacks/delilah-beasley\" target=\"_blank\" rel=\"noopener noreferrer\">Delilah Beasley\u003c/a>, who was a columnist for the Oakland Tribune in 1923.\u003c/p>\n\u003cp>Peters said he felt it was important to bring the stories together “in order to build community cohesion, to build community power.”\u003c/p>\n\u003cp>The tour is grounded in the idea that if people who live in the area know more about where they live, they may be more respectful of its history and perhaps not so eager to “tear things down,” Peters said.\u003c/p>\n\u003cp>“A lot of Black history has been erased and forgotten,” said Gene Anderson, a lifelong resident of Oakland who helped conduct historical research for the walking tour. “This is one way to help resurface that history, but also a way for the neighborhood to claim itself: This is who we are.” \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"tag": "juneteenth",
"label": "More Related Stories "
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Husband and wife pair Susan Bodnar-Deren, a professor of sociology, and Dingani Mthethwa, a professor of history, both at Virginia Commonwealth University, attended the event and went on the self-guided walking tour. Learning about West Oakland’s history, both said they saw similarities to the struggles of Black people in Richmond, Virginia, and in South Africa, where Mthethwa is originally from. “Hearing this story brings in all those memories and parallels,” Mthethwa said.\u003c/p>\n\u003cp>“It is so nice to see Oakland as one of those places I’m proud to say I’m from,” said Tamika Nicole, a singer who grew up in Oakland and sang “\u003ca href=\"https://www.pbs.org/black-culture/explore/black-authors-spoken-word-poetry/lift-every-voice-and-sing/\" target=\"_blank\" rel=\"noopener noreferrer\">Lift Every Voice and Sing\u003c/a>” (also known as the Black National Anthem) at the event. She said she felt blessed to have had the opportunity to learn Black history and ethnic studies. “We have the opportunity to be around lots of other people and celebrate all of our contributions.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Despite the joy of celebrating Juneteenth, Nicole said there’s also much more to be done: “We did ask for us to stop being killed, but we got a holiday. So here we are.”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11878712/this-is-who-we-are-the-black-liberation-walking-tour-launches-in-oakland",
"authors": [
"11729"
],
"categories": [
"news_223",
"news_28250",
"news_8"
],
"tags": [
"news_29600",
"news_20519",
"news_20013",
"news_4613"
],
"featImg": "news_11878731",
"label": "news"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/news?category=arts-and-culture": {
"isFetching": false,
"latestQuery": {
"from": 396,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 2178,
"relation": "eq"
},
"items": [
"news_11885160",
"news_11883845",
"news_11883780",
"news_11882513",
"news_11882379",
"news_11881696",
"news_11879912",
"news_11879334",
"news_11879038",
"news_11879024",
"news_11878995",
"news_11878712"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"news_category_arts-and-culture": {
"isLoading": true
},
"news_223": {
"type": "terms",
"id": "news_223",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "223",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts and Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts and Culture Archives | KQED News",
"ogDescription": null
},
"ttid": 231,
"slug": "arts-and-culture",
"isLoading": false,
"link": "/news/category/arts-and-culture"
},
"source_news_11883780": {
"type": "terms",
"id": "source_news_11883780",
"meta": {
"override": true
},
"name": "Bay Curious",
"link": "https://www.kqed.org/podcasts/baycurious",
"isLoading": false
},
"source_news_11882379": {
"type": "terms",
"id": "source_news_11882379",
"meta": {
"override": true
},
"name": "Bay Curious",
"link": "https://www.kqed.org/podcasts/baycurious",
"isLoading": false
},
"source_news_11881696": {
"type": "terms",
"id": "source_news_11881696",
"meta": {
"override": true
},
"name": "Bay Curious",
"link": "http://baycurious.org/",
"isLoading": false
},
"source_news_11879912": {
"type": "terms",
"id": "source_news_11879912",
"meta": {
"override": true
},
"name": "The California Report Magazine",
"link": "https://www.kqed.org/news/program/the-california-report-magazine",
"isLoading": false
},
"source_news_11879038": {
"type": "terms",
"id": "source_news_11879038",
"meta": {
"override": true
},
"name": "Bay Curious",
"link": "https://www.kqed.org/podcasts/baycurious",
"isLoading": false
},
"source_news_11879024": {
"type": "terms",
"id": "source_news_11879024",
"meta": {
"override": true
},
"name": "Bay Curious",
"link": "https://www.kqed.org/podcasts/baycurious",
"isLoading": false
},
"source_news_11878995": {
"type": "terms",
"id": "source_news_11878995",
"meta": {
"override": true
},
"name": "Bay Curious",
"link": "https://www.kqed.org/podcasts/baycurious",
"isLoading": false
},
"news_457": {
"type": "terms",
"id": "news_457",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "457",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Health",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Health Archives | KQED News",
"ogDescription": null
},
"ttid": 16998,
"slug": "health",
"isLoading": false,
"link": "/news/category/health"
},
"news_28250": {
"type": "terms",
"id": "news_28250",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "28250",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Local",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Local Archives | KQED News",
"ogDescription": null
},
"ttid": 28267,
"slug": "local",
"isLoading": false,
"link": "/news/category/local"
},
"news_8": {
"type": "terms",
"id": "news_8",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "8",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED News",
"ogDescription": null
},
"ttid": 8,
"slug": "news",
"isLoading": false,
"link": "/news/category/news"
},
"news_27989": {
"type": "terms",
"id": "news_27989",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "27989",
"found": true
},
"relationships": {},
"featImg": null,
"name": "covid",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "covid Archives | KQED News",
"ogDescription": null
},
"ttid": 28006,
"slug": "covid",
"isLoading": false,
"link": "/news/tag/covid"
},
"news_27504": {
"type": "terms",
"id": "news_27504",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "27504",
"found": true
},
"relationships": {},
"featImg": null,
"name": "covid-19",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "covid-19 Archives | KQED News",
"ogDescription": null
},
"ttid": 27521,
"slug": "covid-19",
"isLoading": false,
"link": "/news/tag/covid-19"
},
"news_22044": {
"type": "terms",
"id": "news_22044",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "22044",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Cow Palace",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Cow Palace Archives | KQED News",
"ogDescription": null
},
"ttid": 22061,
"slug": "cow-palace",
"isLoading": false,
"link": "/news/tag/cow-palace"
},
"news_29644": {
"type": "terms",
"id": "news_29644",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "29644",
"found": true
},
"relationships": {},
"featImg": null,
"name": "delta variant",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "delta variant Archives | KQED News",
"ogDescription": null
},
"ttid": 29661,
"slug": "delta-variant",
"isLoading": false,
"link": "/news/tag/delta-variant"
},
"news_27626": {
"type": "terms",
"id": "news_27626",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "27626",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-news Archives | KQED News",
"ogDescription": null
},
"ttid": 27643,
"slug": "featured-news",
"isLoading": false,
"link": "/news/tag/featured-news"
},
"news_18543": {
"type": "terms",
"id": "news_18543",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "18543",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Health",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Health Archives | KQED News",
"ogDescription": null
},
"ttid": 466,
"slug": "health",
"isLoading": false,
"link": "/news/tag/health"
},
"news_29792": {
"type": "terms",
"id": "news_29792",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "29792",
"found": true
},
"relationships": {},
"name": "lowrider",
"slug": "lowrider",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "lowrider | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null,
"metaRobotsNoIndex": "noindex"
},
"ttid": 29809,
"isLoading": false,
"link": "/news/tag/lowrider"
},
"news_38": {
"type": "terms",
"id": "news_38",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "38",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Archives | KQED News",
"ogDescription": null
},
"ttid": 58,
"slug": "san-francisco",
"isLoading": false,
"link": "/news/tag/san-francisco"
},
"news_981": {
"type": "terms",
"id": "news_981",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "981",
"found": true
},
"relationships": {},
"name": "Vaccines",
"slug": "vaccines",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Vaccines | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 991,
"isLoading": false,
"link": "/news/tag/vaccines"
},
"news_21892": {
"type": "terms",
"id": "news_21892",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "21892",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Harassment",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Harassment Archives | KQED News",
"ogDescription": null
},
"ttid": 21909,
"slug": "harassment",
"isLoading": false,
"link": "/news/tag/harassment"
},
"news_19904": {
"type": "terms",
"id": "news_19904",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "19904",
"found": true
},
"relationships": {},
"name": "Labor",
"slug": "labor",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Labor | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 19921,
"isLoading": false,
"link": "/news/tag/labor"
},
"news_33523": {
"type": "terms",
"id": "news_33523",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33523",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Bay Curious",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Bay Curious Archives | KQED News",
"ogDescription": null
},
"ttid": 33540,
"slug": "bay-curious",
"isLoading": false,
"link": "/news/program/bay-curious"
},
"news_17986": {
"type": "terms",
"id": "news_17986",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "17986",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/10/2016/11/BayCuriousLogoFinal01-e1493662037229.png",
"name": "Bay Curious",
"description": "\u003ch2>A podcast exploring the Bay Area one question at a time\u003c/h2>\r\n\r\n\u003caside>\r\n\u003cdiv style=\"width: 100%; padding-right: 20px;\">\r\n\r\nKQED’s \u003cstrong>Bay Curious\u003c/strong> gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.\r\n\u003cbr />\r\n\u003cspan class=\"alignleft\">\u003ca href=\"https://itunes.apple.com/us/podcast/id1172473406\">\u003cimg width=\"75px\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\">\u003c/a> \u003ca href=\"https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&isi=691797987&ius=googleplaymusic&link=https://play.google.com/music/m/Ipi2mc5aqfen4nr2daayiziiyuy?t%3DBay_Curious\">\u003cimg width=\"75px\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\">\u003c/a>\u003c/span>\u003c/div>\r\n\u003c/aside> \r\n\u003ch2>What's your question?\u003c/h2>\r\n\u003cdiv id=\"huxq6\" class=\"curiosity-module\" data-pym-src=\"//modules.wearehearken.com/kqed/curiosity_modules/133\">\u003c/div>\r\n\u003cscript src=\"//assets.wearehearken.com/production/thirdparty/p.m.js\">\u003c/script>\r\n\u003ch2>Bay Curious monthly newsletter\u003c/h2>\r\nWe're launching it soon! \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSdEtzbyNbSQkRHCCAkKhoGiAl3Bd0zWxhk0ZseJ1KH_o_ZDjQ/viewform\" target=\"_blank\">Sign up\u003c/a> so you don't miss it when it drops.\r\n",
"taxonomy": "series",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "A podcast exploring the Bay Area one question at a time KQED’s Bay Curious gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers. What's your question? Bay Curious monthly newsletter We're launching it soon! Sign up so you don't miss it when it drops.",
"title": "Bay Curious Archives | KQED News",
"ogDescription": null
},
"ttid": 18020,
"slug": "baycurious",
"isLoading": false,
"link": "/news/series/baycurious"
},
"news_33520": {
"type": "terms",
"id": "news_33520",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "33520",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Podcast",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Podcast Archives | KQED News",
"ogDescription": null
},
"ttid": 33537,
"slug": "podcast",
"isLoading": false,
"link": "/news/category/podcast"
},
"news_2567": {
"type": "terms",
"id": "news_2567",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "2567",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Daly City",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Daly City Archives | KQED News",
"ogDescription": null
},
"ttid": 2582,
"slug": "daly-city",
"isLoading": false,
"link": "/news/tag/daly-city"
},
"news_5056": {
"type": "terms",
"id": "news_5056",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "5056",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Filipino Americans",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Filipino Americans Archives | KQED News",
"ogDescription": null
},
"ttid": 5077,
"slug": "filipino-americans",
"isLoading": false,
"link": "/news/tag/filipino-americans"
},
"news_701": {
"type": "terms",
"id": "news_701",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "701",
"found": true
},
"relationships": {},
"featImg": null,
"name": "movies",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "movies Archives | KQED News",
"ogDescription": null
},
"ttid": 710,
"slug": "movies",
"isLoading": false,
"link": "/news/tag/movies"
},
"news_26731": {
"type": "terms",
"id": "news_26731",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "26731",
"found": true
},
"relationships": {},
"featImg": null,
"name": "The California Report Magazine",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The California Report Magazine Archives | KQED News",
"ogDescription": null
},
"ttid": 26748,
"slug": "the-california-report-magazine",
"isLoading": false,
"link": "/news/program/the-california-report-magazine"
},
"news_21022": {
"type": "terms",
"id": "news_21022",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "21022",
"found": true
},
"relationships": {},
"featImg": null,
"name": "comedy",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "comedy Archives | KQED News",
"ogDescription": null
},
"ttid": 21039,
"slug": "comedy",
"isLoading": false,
"link": "/news/tag/comedy"
},
"news_21512": {
"type": "terms",
"id": "news_21512",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "21512",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Native American",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Native American Archives | KQED News",
"ogDescription": null
},
"ttid": 21529,
"slug": "native-american",
"isLoading": false,
"link": "/news/tag/native-american"
},
"news_1397": {
"type": "terms",
"id": "news_1397",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "1397",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Transportation",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Transportation Archives | KQED News",
"ogDescription": null
},
"ttid": 1409,
"slug": "transportation",
"isLoading": false,
"link": "/news/category/transportation"
},
"news_17657": {
"type": "terms",
"id": "news_17657",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "17657",
"found": true
},
"relationships": {},
"featImg": null,
"name": "architecture",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "architecture Archives | KQED News",
"ogDescription": null
},
"ttid": 17691,
"slug": "architecture",
"isLoading": false,
"link": "/news/tag/architecture"
},
"news_18426": {
"type": "terms",
"id": "news_18426",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "18426",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Bay Curious",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Bay Curious Archives | KQED News",
"ogDescription": null
},
"ttid": 18460,
"slug": "bay-curious",
"isLoading": false,
"link": "/news/tag/bay-curious"
},
"news_19133": {
"type": "terms",
"id": "news_19133",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "19133",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED News",
"ogDescription": null
},
"ttid": 19150,
"slug": "arts",
"isLoading": false,
"link": "/news/tag/arts"
},
"news_26456": {
"type": "terms",
"id": "news_26456",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "26456",
"found": true
},
"relationships": {},
"name": "Bay Curious Feature",
"slug": "bay-curious-feature",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Bay Curious Feature | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null,
"metaRobotsNoIndex": "noindex"
},
"ttid": 26473,
"isLoading": false,
"link": "/news/tag/bay-curious-feature"
},
"news_24374": {
"type": "terms",
"id": "news_24374",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "24374",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Bay Curious featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Bay Curious featured Archives | KQED News",
"ogDescription": null
},
"ttid": 24391,
"slug": "bay-curious-featured",
"isLoading": false,
"link": "/news/tag/bay-curious-featured"
},
"news_18477": {
"type": "terms",
"id": "news_18477",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "18477",
"found": true
},
"relationships": {},
"featImg": null,
"name": "hip-hop",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "hip-hop Archives | KQED News",
"ogDescription": null
},
"ttid": 18511,
"slug": "hip-hop",
"isLoading": false,
"link": "/news/tag/hip-hop"
},
"news_1425": {
"type": "terms",
"id": "news_1425",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "1425",
"found": true
},
"relationships": {},
"featImg": null,
"name": "music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "music Archives | KQED News",
"ogDescription": null
},
"ttid": 1437,
"slug": "music",
"isLoading": false,
"link": "/news/tag/music"
},
"news_72": {
"type": "terms",
"id": "news_72",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "72",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/10/2014/10/TCR-2-Logo-Web-Banners-03.png",
"name": "The California Report",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The California Report Archives | KQED News",
"ogDescription": null
},
"ttid": 6969,
"slug": "the-california-report",
"isLoading": false,
"link": "/news/program/the-california-report"
},
"news_28519": {
"type": "terms",
"id": "news_28519",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "28519",
"found": true
},
"relationships": {},
"featImg": null,
"name": "California Report Magazine",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "California Report Magazine Archives | KQED News",
"ogDescription": null
},
"ttid": 28536,
"slug": "california-report-magazine",
"isLoading": false,
"link": "/news/tag/california-report-magazine"
},
"news_311": {
"type": "terms",
"id": "news_311",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "311",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Central Valley",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Central Valley Archives | KQED News",
"ogDescription": null
},
"ttid": 319,
"slug": "central-valley",
"isLoading": false,
"link": "/news/tag/central-valley"
},
"news_18269": {
"type": "terms",
"id": "news_18269",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "18269",
"found": true
},
"relationships": {},
"featImg": null,
"name": "farmworkers",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "farmworkers Archives | KQED News",
"ogDescription": null
},
"ttid": 18303,
"slug": "farmworkers",
"isLoading": false,
"link": "/news/tag/farmworkers"
},
"news_1222": {
"type": "terms",
"id": "news_1222",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "1222",
"found": true
},
"relationships": {},
"featImg": null,
"name": "poetry",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "poetry Archives | KQED News",
"ogDescription": null
},
"ttid": 1234,
"slug": "poetry",
"isLoading": false,
"link": "/news/tag/poetry"
},
"news_312": {
"type": "terms",
"id": "news_312",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "312",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Joaquin Valley",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Joaquin Valley Archives | KQED News",
"ogDescription": null
},
"ttid": 320,
"slug": "san-joaquin-valley",
"isLoading": false,
"link": "/news/tag/san-joaquin-valley"
},
"news_23414": {
"type": "terms",
"id": "news_23414",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "23414",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Amador County",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Amador County Archives | KQED News",
"ogDescription": null
},
"ttid": 23431,
"slug": "amador-county",
"isLoading": false,
"link": "/news/tag/amador-county"
},
"news_20004": {
"type": "terms",
"id": "news_20004",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "20004",
"found": true
},
"relationships": {},
"featImg": null,
"name": "LGBTQ",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "LGBTQ Archives | KQED News",
"ogDescription": null
},
"ttid": 20021,
"slug": "lgbtq",
"isLoading": false,
"link": "/news/tag/lgbtq"
},
"news_19345": {
"type": "terms",
"id": "news_19345",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "19345",
"found": true
},
"relationships": {},
"featImg": null,
"name": "LGBTQ rights",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "LGBTQ rights Archives | KQED News",
"ogDescription": null
},
"ttid": 19362,
"slug": "lgbtq-rights",
"isLoading": false,
"link": "/news/tag/lgbtq-rights"
},
"news_3123": {
"type": "terms",
"id": "news_3123",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "3123",
"found": true
},
"relationships": {},
"featImg": null,
"name": "pride",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "pride Archives | KQED News",
"ogDescription": null
},
"ttid": 3141,
"slug": "pride",
"isLoading": false,
"link": "/news/tag/pride"
},
"news_3181": {
"type": "terms",
"id": "news_3181",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "3181",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Tenderloin",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Tenderloin Archives | KQED News",
"ogDescription": null
},
"ttid": 3199,
"slug": "tenderloin",
"isLoading": false,
"link": "/news/tag/tenderloin"
},
"news_2486": {
"type": "terms",
"id": "news_2486",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "2486",
"found": true
},
"relationships": {},
"featImg": null,
"name": "transgender",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "transgender Archives | KQED News",
"ogDescription": null
},
"ttid": 2501,
"slug": "transgender",
"isLoading": false,
"link": "/news/tag/transgender"
},
"news_4731": {
"type": "terms",
"id": "news_4731",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "4731",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Theater",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Theater Archives | KQED News",
"ogDescription": null
},
"ttid": 4750,
"slug": "theater",
"isLoading": false,
"link": "/news/tag/theater"
},
"news_6200": {
"type": "terms",
"id": "news_6200",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "6200",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Mills College",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Mills College Archives | KQED News",
"ogDescription": null
},
"ttid": 6224,
"slug": "mills-college",
"isLoading": false,
"link": "/news/tag/mills-college"
},
"news_4142": {
"type": "terms",
"id": "news_4142",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "4142",
"found": true
},
"relationships": {},
"featImg": null,
"name": "musicians",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "musicians Archives | KQED News",
"ogDescription": null
},
"ttid": 4161,
"slug": "musicians",
"isLoading": false,
"link": "/news/tag/musicians"
},
"news_29600": {
"type": "terms",
"id": "news_29600",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "29600",
"found": true
},
"relationships": {},
"featImg": null,
"name": "black history",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "black history Archives | KQED News",
"ogDescription": null
},
"ttid": 29617,
"slug": "black-history",
"isLoading": false,
"link": "/news/tag/black-history"
},
"news_20519": {
"type": "terms",
"id": "news_20519",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "20519",
"found": true
},
"relationships": {},
"featImg": null,
"name": "displacement",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "displacement Archives | KQED News",
"ogDescription": null
},
"ttid": 20536,
"slug": "displacement",
"isLoading": false,
"link": "/news/tag/displacement"
},
"news_20013": {
"type": "terms",
"id": "news_20013",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "20013",
"found": true
},
"relationships": {},
"featImg": null,
"name": "education",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "education Archives | KQED News",
"ogDescription": null
},
"ttid": 20030,
"slug": "education",
"isLoading": false,
"link": "/news/tag/education"
},
"news_4613": {
"type": "terms",
"id": "news_4613",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "4613",
"found": true
},
"relationships": {},
"featImg": null,
"name": "gentrification",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "gentrification Archives | KQED News",
"ogDescription": null
},
"ttid": 4632,
"slug": "gentrification",
"isLoading": false,
"link": "/news/tag/gentrification"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}
