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"content": "\u003cp>\u003cem>An earlier version of this story was originally published on May 6, 2022.\u003c/em>\u003c/p>\n\u003cp>You’ve probably heard of Bobby Seale and The Black Panthers, and Mario Savio and The Free Speech Movement. But California and the Bay Area also were a hotbed of radical South Asian activism that began more than 100 years ago.\u003c/p>\n\u003cp>Throughout the 20th century, immigrants from India, Pakistan, Bangladesh and other countries in the region — along with their children — laid the groundwork for social movements that still resonate in California today. And while this Desi legacy has largely been overlooked, two community historians in Berkeley have spent the last decade bringing these stories to life.\u003c/p>\n\u003cp>Barnali Ghosh and Anirvan Chatterjee run the \u003ca href=\"https://www.berkeleysouthasian.org/\">Berkeley South Asian Radical History Walking Tour\u003c/a>. The three-hour tour visits sites where there are often no plaques or markers. But the pair make the history come alive through photographs and props. The two even act out historical quotes and scenes.\u003c/p>\n\u003cp>They share tales of South Asians from California you probably know, like Vice President Kamala Harris, as well as those you may never have heard of, like freedom fighter Kartar Singh Sarabha. Below, we hit a handful of the stops on the in-depth tour and give you a taste of this little-known history. You also can listen to the full audio episode (above) for a deeper dive into the story.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[View a \u003ca href=\"https://uploads.knightlab.com/storymapjs/d62a4059f59eab8dbc86920af1aa79e4/the-berkeley-south-asian-radical-history-walking-tour/draft.html\">full-screen version of the interactive here\u003c/a>.]\u003c/p>\n\u003cdiv style=\"width: 100%\">\n\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://uploads.knightlab.com/storymapjs/d62a4059f59eab8dbc86920af1aa79e4/the-berkeley-south-asian-radical-history-walking-tour/draft.html\" frameborder=\"0\" width=\"1400\" height=\"800\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\n\u003c/div>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>An earlier version of this story was originally published on May 6, 2022.\u003c/em>\u003c/p>\n\u003cp>You’ve probably heard of Bobby Seale and The Black Panthers, and Mario Savio and The Free Speech Movement. But California and the Bay Area also were a hotbed of radical South Asian activism that began more than 100 years ago.\u003c/p>\n\u003cp>Throughout the 20th century, immigrants from India, Pakistan, Bangladesh and other countries in the region — along with their children — laid the groundwork for social movements that still resonate in California today. And while this Desi legacy has largely been overlooked, two community historians in Berkeley have spent the last decade bringing these stories to life.\u003c/p>\n\u003cp>Barnali Ghosh and Anirvan Chatterjee run the \u003ca href=\"https://www.berkeleysouthasian.org/\">Berkeley South Asian Radical History Walking Tour\u003c/a>. The three-hour tour visits sites where there are often no plaques or markers. But the pair make the history come alive through photographs and props. The two even act out historical quotes and scenes.\u003c/p>\n\u003cp>They share tales of South Asians from California you probably know, like Vice President Kamala Harris, as well as those you may never have heard of, like freedom fighter Kartar Singh Sarabha. Below, we hit a handful of the stops on the in-depth tour and give you a taste of this little-known history. You also can listen to the full audio episode (above) for a deeper dive into the story.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003ca href=\"https://bit.ly/3rbaumh\">\u003cem>Read a transcript of this episode. \u003c/em>\u003c/a>\u003c/p>\n\u003cp>One of the biggest stories in hip-hop right now is set to play out in a courtroom later this year, when \u003ca href=\"https://www.npr.org/2023/01/09/1147767380/rapper-young-thug-rico-trial-gunna\">Atlanta rapper Young Thug goes on trial\u003c/a> for gang-related activities. One of the key pieces of evidence cited in the indictment are his rap lyrics. [baycuriouspodcastinfo]\u003c/p>\n\u003cp>The phenomenon of rap songs being played in court dates back to the early ’90s, with an early example happening in the Bay Area during the trial of one of the region’s most famous rappers, Vallejo’s own Mac Dre.\u003c/p>\n\u003cp>There’s a lot of lore around what happened during Mac Dre’s trial, so as part of \u003ca href=\"https://www.kqed.org/bayareahiphop\">That’s My Word\u003c/a>, KQED’s yearlong project on \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop history\u003c/a>, Bay Curious set out to discover what really happened.\u003c/p>\n\u003ch2>A young career, derailed\u003c/h2>\n\u003cp>Before Mac Dre helped pioneer the \u003ca href=\"https://www.complex.com/music/a/steven-j-horowitz/hyphy-oral-history\">hyphy\u003c/a> movement and put the Bay Area’s hip-hop scene on the national map, he was a rising young rapper. He was barely out of high school and already had several hits to his name, like 1991’s “California Livin’,” a progenitor to the sun-soaked G-funk of Tupac’s later hit “California Love.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hQAJgOa2AlE\u003c/p>\n\u003cp>But in March 1992, that burgeoning career came to an abrupt halt. Mac Dre and two friends were arrested while they were driving back to Vallejo from a trip to Fresno. His friends were charged with attempted robbery and Dre was charged with conspiracy to rob a bank.\u003c/p>\n\u003cp>No bank was robbed while they were in Fresno, but the police were surveilling the men through a wired informant, and they arrested Mac Dre for planning to rob a bank. He was ultimately found guilty and sentenced to five years in prison.\u003c/p>\n\u003cp>It’s been reported and widely circulated that the lyrics to his anti-police song, “Punk Police,” were used against him in court, and that the song helped convict him. But there’s a nagging contradiction at the heart of that belief. Namely, in the song “Punk Police,” Mac Dre says multiple times that he’s not a criminal. The song includes the lyrics, “I’m a dope rhyme dealer, not a money stealer.” So how could this song be connected to the conspiracy charge?\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_jhexDAzoEM\u003c/p>\n\u003ch2>The song’s impact before the trial\u003c/h2>\n\u003cp>According to Wanda Salvatto, Mac Dre’s mother, to understand the role “Punk Police” played in Mac Dre’s trial, you need to go way back to the early ’80s when Mac Dre was a funny, optimistic kid who liked to rap.\u003c/p>\n\u003cp>“He kind of had the gift of gab. The gift of words and playing on words,” she said. “I’d say around 15, 16, 17, he always wrote rhymes and raps, and for Christmas that was stuff that he would ask for — a microphone, a keyboard.”\u003c/p>\n\u003cp>While in high school, Dre made some friends who liked to rap from another part of Vallejo called the Country Club Crest, or the Crest for short. Dre grew up in an upper middle-class neighborhood in Vallejo, but the Crest, on the northern edge of the city, was in decline. Across the nation, technological advancements and the outsourcing of jobs overseas decimated manufacturing industries such as steel, auto and meat-packing. Lower-paying service industry jobs replaced manufacturing ones, and this had a profound economic effect on Black neighborhoods like the Crest. For many people, employment and steady income became precarious, paving the way for crime and gang violence to take root.\u003c/p>\n\u003cp>Ray Luv, a rapper and close friend of Mac Dre’s at the time, remembers that period well, and living among the North Bay’s wealthy wine region.\u003c/p>\n\u003cp>“So you live in the ghetto in the middle of all of this wealth, but you don’t get to participate,” he said. “So drug dealing, prostitution, pimping, car thefts, jewelry store robberies, that became a thing. And most of the people that were doing it were in high school. They were kids, but they were kids that felt desperate. Felt hopeless. Felt like, ‘When I turn 18, what am I going to do?’”\u003c/p>\n\u003cp>Mac Dre’s friends started selling weed and crack cocaine to make money, and eventually Mac Dre got entangled in it.\u003c/p>\n\u003cp>“He would go there in the Crest and do it and come home,” Wanda remembered. “My whole thing was, ‘I’m going to work to provide, you know, there’s really no need for you to sell weed.’ Eventually, I understood he was doing it because of peer pressure.”\u003c/p>\n\u003cfigure id=\"attachment_11954264\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/062723-Wanda-Salvatto-06-RT-KQED-e1687903909324.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11954264\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/062723-Wanda-Salvatto-06-RT-KQED-e1687903909324-800x533.jpg\" alt=\"Paper photographs of young Black men lay on a table. In the top photo a man is pictured seated, wearing a dark grey sweat suit and a black Oakland Raiders cap.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/062723-Wanda-Salvatto-06-RT-KQED-e1687903909324-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/062723-Wanda-Salvatto-06-RT-KQED-e1687903909324-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/062723-Wanda-Salvatto-06-RT-KQED-e1687903909324-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/062723-Wanda-Salvatto-06-RT-KQED-e1687903909324-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/062723-Wanda-Salvatto-06-RT-KQED-e1687903909324.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Family photos of Mac Dre belonging to his mother, Wanda Salvatto, laid out on a table in Vallejo on Monday, June 26, 2023. \u003ccite>(Raphaël Timmons/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Dre got arrested and ended serving time in juvenile hall while he was still in high school. When he got out, he doubled down on his music. But now that he’d been in the system, he was being stopped and interrogated by the police more often.\u003c/p>\n\u003cp>“They were watching and harassing him, and it was just constant,” Wanda remembered.\u003c/p>\n\u003cp>Fed up with how the police were treating him, Mac Dre decided to use his music to air out his frustrations. In 1992, he released the song “Punk Police” detailing his relationship with the police at that time.\u003c/p>\n\u003cp>\u003cem>“Stop — I can’t take no mo’\u003c/em>\u003cbr>\n\u003cem>Why is the police steady knocking at my do’?\u003c/em>\u003cbr>\n\u003cem>24/7, the devils be trippin’\u003c/em>\u003cbr>\n\u003cem>They say some banks was robbed and I fit the description\u003c/em>\u003cbr>\n\u003cem>But that’s drama, so save it for your mama\u003c/em>\u003cbr>\n\u003cem>I’m not criminal minded, punk police, I’m a\u003c/em>\u003cbr>\n\u003cem>Dope rhyme dealer, not a money stealer”\u003c/em>\u003c/p>\n\u003cp>It might seem prescient that Mac Dre was rapping about being accused of robbing a bank before he actually faced charges. But what Mac Dre is referring to in the song is a spate of unsolved bank robberies that had been taking place in and around Vallejo. The police were suspicious of an alleged gang they called the Romper Room, which was the name Mac Dre and his friends gave themselves.\u003c/p>\n\u003cp>“The Romper Room crew is a circle of friends,” said Ray Luv. He says they got the name from a children’s show that ran on public television. “It was really about friendship and loyalty. The Romper Room were the first real supporters of Mac Dre.”\u003c/p>\n\u003cp>But in the eyes of the police, the Romper Room was not a crew of friends but a gang of criminals, and they routinely stopped them and conducted raids where they lived. So, at 21 years old, Mac Dre released “Punk Police” in response to what he saw as unwarranted harassment.\u003c/p>\n\u003cp>Professor and hip-hop historian Davey D remembers when the song came out.\u003c/p>\n\u003cp>[aside postID='arts_13923938']“Everybody loved it. It was our version of ‘F*** the Police.’ Knowing what the police were doing in Vallejo and going up to the Crest, I think most people could relate to it,” he said.\u003c/p>\n\u003cp>Wanda, however, remembers the backlash.\u003c/p>\n\u003cp>“My youngest son, who was 11 years [younger than Dre], he’d be outside playing or we’d be in the garage doing whatever and police would just be cruising through, just to let us know, they’re watching,” she said. “Before the song came out, police didn’t come in this neighborhood. There was really no reason to. But because of that, that’s when the real harassment really started.”\u003c/p>\n\u003ch2>The trial of Mac Dre\u003c/h2>\n\u003cp>The same year that the song was released, Mac Dre was arrested for conspiracy to rob a bank in Fresno. The trial lasted one week, and according to court transcripts, “Punk Police” was played, but it was not central to the prosecution’s case.\u003c/p>\n\u003cp>I spoke to one of the prosecuting attorneys and he confirmed that their case hinged on two main pieces of evidence: an audio recording from the informant, in which Mac Dre can be heard saying “shoot out the surveillance cameras,” and a gun that was found during a raid on Mac Dre’s apartment several months prior. They were able to trace the bullets of the gun to one of the prior unsolved bank robberies in Vallejo.\u003c/p>\n\u003cp>Mac Dre’s lawyer countered that most of the audio recording was hard to hear and that the clip of Mac Dre was taken out of context — it could have been a rap or a joke. (In his 2022 autobiography, J. Diggs, one of Mac Dre’s co-defendants, says that Dre was making a joke.) As for the gun, Mac Dre’s lawyer pointed out that the weapon was not registered in his name nor did it have Mac Dre’s fingerprints on it, emphasizing that it could belong to anybody as multiple people were sleeping at Mac Dre’s apartment at the time of the raid. [emailsignup newslettername=\"baycurious\" align=\"right\"]\u003c/p>\n\u003cp>“Punk Police” made a brief appearance in the trial. According to court transcripts, the prosecution played the song to establish that the police were not retaliating against Mac Dre because of it. One of the prosecutors called a detective to the stand and asked, “Was there and is there a campaign against Mr. Andre Hicks to prosecute him because of this song?” The detective responded, “No,” after which the prosecutor concluded his questioning.\u003c/p>\n\u003cp>After less than a day of deliberation, the jury came back with a guilty verdict.\u003c/p>\n\u003cp>“We were devastated,” Wanda said. “Andre didn’t rob any banks. We thought, you know, it would all work out. But it didn’t.”\u003c/p>\n\u003cp>Ray Luv wasn’t convinced by the evidence used against Dre.\u003c/p>\n\u003cp>“I think in most cases that probably would not stick. If he was a white kid from Mill Valley, Marin County, he would not have gone to prison on that evidence,” he said.\u003c/p>\n\u003cp>Despite the detective’s testimony at the trial, to those connected to the case and who saw it play out in real time, the connection between “Punk Police” and Mac Dre’s conviction is obvious.\u003c/p>\n\u003cp>“To this day, I will say that it was a clapback to the ‘Punk Police’ song,” said Davey D. “It’s kind of like, ‘Okay. We’ll find something on you. You’re going to slip up and we’re going to be there to catch you.’”\u003c/p>\n\u003cfigure id=\"attachment_11954280\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/Mac-Dre-1996.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11954280\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/Mac-Dre-1996-800x540.jpg\" alt=\"Interior of a recording studio, with 3 men standing side by side in the midfield. One man sits in the foreground with his back to the camera.\" width=\"800\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/Mac-Dre-1996-800x540.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/Mac-Dre-1996-1020x688.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/Mac-Dre-1996-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/Mac-Dre-1996.jpg 1199w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mac Dre (standing center) in the studio with some friends after being released from prison in 1996. \u003ccite>(Courtesy of Wanda Salvatto)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Dre’s legacy and rap lyrics on trial\u003c/h2>\n\u003cp>Mac Dre was released from prison in 1996 after serving four years of his five-year sentence. He hit the ground running and was more prolific in making music than ever, releasing 10 albums in less than 10 years. He introduced a style of party music, known as hyphy, that would become synonymous with the Bay Area and gain popularity across the country.\u003c/p>\n\u003cp>Then in 2004, while performing in Kansas City, he was \u003ca href=\"https://www.passionweiss.com/2021/05/11/who-killed-mac-dre/#:~:text=According%20to%20his%20story%2C%20Whitmill,and%20driving%20the%20black%20Infiniti.\">killed in a drive-by shooting\u003c/a>. The details around his death have remained murky, with various unofficial reports from media outlets pointing to different suspects. The official police investigation, however, came up empty, and no one was ever charged for his murder.\u003c/p>\n\u003cp>While his lyrics may not have convicted him, Mac Dre’s case was one of the first to introduce rap lyrics during criminal proceedings. His case contributed to the antagonistic relationship that exists between hip-hop and the criminal justice system — one where art, most often the art of Black men, can be taken as an admission of guilt. (Just a few years after Mac Dre’s trial, Sacramento rappers \u003ca href=\"http://www.kqed.org/bayareahiphop/timeline#c-bo-jailed-for-his-lyrics\">C-Bo\u003c/a> and \u003ca href=\"http://www.kqed.org/bayareahiphop/timeline#x-raided-sent-to-prison-after-his-lyrics-are-used-as-evidence-in-trial\">X-Raided\u003c/a> were both put behind bars after their lyrics were introduced as evidence in court.)\u003c/p>\n\u003cp>Charis Kubrin, a criminologist and UC Irvine professor, says the reason that the use of rap lyrics in trials is so concerning is because they could be used to exploit existing racial biases.\u003c/p>\n\u003cp>“What’s happening in the minds of jurors, we think, are that folks are saying, ‘gosh, if someone could write these kinds of lyrics, they could do these kinds of crimes,’” she said. “Now, nobody thinks that with other music genres, or nobody’s thinking Quentin Tarantino is doing that with his violent films. But when it comes to rap music, it’s much easier to make that leap. And that’s because of stereotypes and biases that we have about young men of color who are primarily making the music.”\u003c/p>\n\u003cp>There are signs of change, however. In 2022, California lawmakers passed \u003ca href=\"https://www.youtube.com/watch?v=1MuXzJx8T-A&ab_channel=CaliforniaGovernorGavinNewsom\">AB 2799\u003c/a>, becoming the first state to prohibit the use of rap lyrics in criminal trials. Kubrin says it’s a good first step, but more can be done.\u003c/p>\n\u003cp>As for Mac Dre, even in his absence his legacy continues to grow. Every year, on July 5, people come together to celebrate his birthday, “Mac Dre Day,” in San Francisco.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=NVR_kYZiPps\u003c/p>\n\u003cp>His old friend Ray Luv is currently the Chief Operating Officer of Thizz Entertainment, the label that Mac Dre founded to distribute his music, and he helps organize the yearly Mac Dre Day celebrations.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“In the beginning, when his career was taking off, he was sent to jail,” Ray Luv said. “Then he came home from jail and when his career starts taking off, he ended up getting killed. That’s a part of why I think we all toast him so much. The guy never really did too much wrong for what he received from this world. He was a good guy.”\u003c/p>\n\n",
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"excerpt": "There's a lot of lore around what happened during Mac Dre's trial, and whether his rap lyrics helped put him in prison. \r\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://bit.ly/3rbaumh\">\u003cem>Read a transcript of this episode. \u003c/em>\u003c/a>\u003c/p>\n\u003cp>One of the biggest stories in hip-hop right now is set to play out in a courtroom later this year, when \u003ca href=\"https://www.npr.org/2023/01/09/1147767380/rapper-young-thug-rico-trial-gunna\">Atlanta rapper Young Thug goes on trial\u003c/a> for gang-related activities. One of the key pieces of evidence cited in the indictment are his rap lyrics. \u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The phenomenon of rap songs being played in court dates back to the early ’90s, with an early example happening in the Bay Area during the trial of one of the region’s most famous rappers, Vallejo’s own Mac Dre.\u003c/p>\n\u003cp>There’s a lot of lore around what happened during Mac Dre’s trial, so as part of \u003ca href=\"https://www.kqed.org/bayareahiphop\">That’s My Word\u003c/a>, KQED’s yearlong project on \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop history\u003c/a>, Bay Curious set out to discover what really happened.\u003c/p>\n\u003ch2>A young career, derailed\u003c/h2>\n\u003cp>Before Mac Dre helped pioneer the \u003ca href=\"https://www.complex.com/music/a/steven-j-horowitz/hyphy-oral-history\">hyphy\u003c/a> movement and put the Bay Area’s hip-hop scene on the national map, he was a rising young rapper. He was barely out of high school and already had several hits to his name, like 1991’s “California Livin’,” a progenitor to the sun-soaked G-funk of Tupac’s later hit “California Love.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hQAJgOa2AlE'\n title='//www.youtube.com/embed/hQAJgOa2AlE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>But in March 1992, that burgeoning career came to an abrupt halt. Mac Dre and two friends were arrested while they were driving back to Vallejo from a trip to Fresno. His friends were charged with attempted robbery and Dre was charged with conspiracy to rob a bank.\u003c/p>\n\u003cp>No bank was robbed while they were in Fresno, but the police were surveilling the men through a wired informant, and they arrested Mac Dre for planning to rob a bank. He was ultimately found guilty and sentenced to five years in prison.\u003c/p>\n\u003cp>It’s been reported and widely circulated that the lyrics to his anti-police song, “Punk Police,” were used against him in court, and that the song helped convict him. But there’s a nagging contradiction at the heart of that belief. Namely, in the song “Punk Police,” Mac Dre says multiple times that he’s not a criminal. The song includes the lyrics, “I’m a dope rhyme dealer, not a money stealer.” So how could this song be connected to the conspiracy charge?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_jhexDAzoEM'\n title='//www.youtube.com/embed/_jhexDAzoEM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>The song’s impact before the trial\u003c/h2>\n\u003cp>According to Wanda Salvatto, Mac Dre’s mother, to understand the role “Punk Police” played in Mac Dre’s trial, you need to go way back to the early ’80s when Mac Dre was a funny, optimistic kid who liked to rap.\u003c/p>\n\u003cp>“He kind of had the gift of gab. The gift of words and playing on words,” she said. “I’d say around 15, 16, 17, he always wrote rhymes and raps, and for Christmas that was stuff that he would ask for — a microphone, a keyboard.”\u003c/p>\n\u003cp>While in high school, Dre made some friends who liked to rap from another part of Vallejo called the Country Club Crest, or the Crest for short. Dre grew up in an upper middle-class neighborhood in Vallejo, but the Crest, on the northern edge of the city, was in decline. Across the nation, technological advancements and the outsourcing of jobs overseas decimated manufacturing industries such as steel, auto and meat-packing. Lower-paying service industry jobs replaced manufacturing ones, and this had a profound economic effect on Black neighborhoods like the Crest. For many people, employment and steady income became precarious, paving the way for crime and gang violence to take root.\u003c/p>\n\u003cp>Ray Luv, a rapper and close friend of Mac Dre’s at the time, remembers that period well, and living among the North Bay’s wealthy wine region.\u003c/p>\n\u003cp>“So you live in the ghetto in the middle of all of this wealth, but you don’t get to participate,” he said. “So drug dealing, prostitution, pimping, car thefts, jewelry store robberies, that became a thing. And most of the people that were doing it were in high school. They were kids, but they were kids that felt desperate. Felt hopeless. Felt like, ‘When I turn 18, what am I going to do?’”\u003c/p>\n\u003cp>Mac Dre’s friends started selling weed and crack cocaine to make money, and eventually Mac Dre got entangled in it.\u003c/p>\n\u003cp>“He would go there in the Crest and do it and come home,” Wanda remembered. “My whole thing was, ‘I’m going to work to provide, you know, there’s really no need for you to sell weed.’ Eventually, I understood he was doing it because of peer pressure.”\u003c/p>\n\u003cfigure id=\"attachment_11954264\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/062723-Wanda-Salvatto-06-RT-KQED-e1687903909324.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11954264\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/062723-Wanda-Salvatto-06-RT-KQED-e1687903909324-800x533.jpg\" alt=\"Paper photographs of young Black men lay on a table. In the top photo a man is pictured seated, wearing a dark grey sweat suit and a black Oakland Raiders cap.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/062723-Wanda-Salvatto-06-RT-KQED-e1687903909324-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/062723-Wanda-Salvatto-06-RT-KQED-e1687903909324-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/062723-Wanda-Salvatto-06-RT-KQED-e1687903909324-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/062723-Wanda-Salvatto-06-RT-KQED-e1687903909324-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/062723-Wanda-Salvatto-06-RT-KQED-e1687903909324.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Family photos of Mac Dre belonging to his mother, Wanda Salvatto, laid out on a table in Vallejo on Monday, June 26, 2023. \u003ccite>(Raphaël Timmons/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Dre got arrested and ended serving time in juvenile hall while he was still in high school. When he got out, he doubled down on his music. But now that he’d been in the system, he was being stopped and interrogated by the police more often.\u003c/p>\n\u003cp>“They were watching and harassing him, and it was just constant,” Wanda remembered.\u003c/p>\n\u003cp>Fed up with how the police were treating him, Mac Dre decided to use his music to air out his frustrations. In 1992, he released the song “Punk Police” detailing his relationship with the police at that time.\u003c/p>\n\u003cp>\u003cem>“Stop — I can’t take no mo’\u003c/em>\u003cbr>\n\u003cem>Why is the police steady knocking at my do’?\u003c/em>\u003cbr>\n\u003cem>24/7, the devils be trippin’\u003c/em>\u003cbr>\n\u003cem>They say some banks was robbed and I fit the description\u003c/em>\u003cbr>\n\u003cem>But that’s drama, so save it for your mama\u003c/em>\u003cbr>\n\u003cem>I’m not criminal minded, punk police, I’m a\u003c/em>\u003cbr>\n\u003cem>Dope rhyme dealer, not a money stealer”\u003c/em>\u003c/p>\n\u003cp>It might seem prescient that Mac Dre was rapping about being accused of robbing a bank before he actually faced charges. But what Mac Dre is referring to in the song is a spate of unsolved bank robberies that had been taking place in and around Vallejo. The police were suspicious of an alleged gang they called the Romper Room, which was the name Mac Dre and his friends gave themselves.\u003c/p>\n\u003cp>“The Romper Room crew is a circle of friends,” said Ray Luv. He says they got the name from a children’s show that ran on public television. “It was really about friendship and loyalty. The Romper Room were the first real supporters of Mac Dre.”\u003c/p>\n\u003cp>But in the eyes of the police, the Romper Room was not a crew of friends but a gang of criminals, and they routinely stopped them and conducted raids where they lived. So, at 21 years old, Mac Dre released “Punk Police” in response to what he saw as unwarranted harassment.\u003c/p>\n\u003cp>Professor and hip-hop historian Davey D remembers when the song came out.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Everybody loved it. It was our version of ‘F*** the Police.’ Knowing what the police were doing in Vallejo and going up to the Crest, I think most people could relate to it,” he said.\u003c/p>\n\u003cp>Wanda, however, remembers the backlash.\u003c/p>\n\u003cp>“My youngest son, who was 11 years [younger than Dre], he’d be outside playing or we’d be in the garage doing whatever and police would just be cruising through, just to let us know, they’re watching,” she said. “Before the song came out, police didn’t come in this neighborhood. There was really no reason to. But because of that, that’s when the real harassment really started.”\u003c/p>\n\u003ch2>The trial of Mac Dre\u003c/h2>\n\u003cp>The same year that the song was released, Mac Dre was arrested for conspiracy to rob a bank in Fresno. The trial lasted one week, and according to court transcripts, “Punk Police” was played, but it was not central to the prosecution’s case.\u003c/p>\n\u003cp>I spoke to one of the prosecuting attorneys and he confirmed that their case hinged on two main pieces of evidence: an audio recording from the informant, in which Mac Dre can be heard saying “shoot out the surveillance cameras,” and a gun that was found during a raid on Mac Dre’s apartment several months prior. They were able to trace the bullets of the gun to one of the prior unsolved bank robberies in Vallejo.\u003c/p>\n\u003cp>Mac Dre’s lawyer countered that most of the audio recording was hard to hear and that the clip of Mac Dre was taken out of context — it could have been a rap or a joke. (In his 2022 autobiography, J. Diggs, one of Mac Dre’s co-defendants, says that Dre was making a joke.) As for the gun, Mac Dre’s lawyer pointed out that the weapon was not registered in his name nor did it have Mac Dre’s fingerprints on it, emphasizing that it could belong to anybody as multiple people were sleeping at Mac Dre’s apartment at the time of the raid. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Punk Police” made a brief appearance in the trial. According to court transcripts, the prosecution played the song to establish that the police were not retaliating against Mac Dre because of it. One of the prosecutors called a detective to the stand and asked, “Was there and is there a campaign against Mr. Andre Hicks to prosecute him because of this song?” The detective responded, “No,” after which the prosecutor concluded his questioning.\u003c/p>\n\u003cp>After less than a day of deliberation, the jury came back with a guilty verdict.\u003c/p>\n\u003cp>“We were devastated,” Wanda said. “Andre didn’t rob any banks. We thought, you know, it would all work out. But it didn’t.”\u003c/p>\n\u003cp>Ray Luv wasn’t convinced by the evidence used against Dre.\u003c/p>\n\u003cp>“I think in most cases that probably would not stick. If he was a white kid from Mill Valley, Marin County, he would not have gone to prison on that evidence,” he said.\u003c/p>\n\u003cp>Despite the detective’s testimony at the trial, to those connected to the case and who saw it play out in real time, the connection between “Punk Police” and Mac Dre’s conviction is obvious.\u003c/p>\n\u003cp>“To this day, I will say that it was a clapback to the ‘Punk Police’ song,” said Davey D. “It’s kind of like, ‘Okay. We’ll find something on you. You’re going to slip up and we’re going to be there to catch you.’”\u003c/p>\n\u003cfigure id=\"attachment_11954280\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/Mac-Dre-1996.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11954280\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/Mac-Dre-1996-800x540.jpg\" alt=\"Interior of a recording studio, with 3 men standing side by side in the midfield. One man sits in the foreground with his back to the camera.\" width=\"800\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/Mac-Dre-1996-800x540.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/Mac-Dre-1996-1020x688.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/Mac-Dre-1996-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/Mac-Dre-1996.jpg 1199w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mac Dre (standing center) in the studio with some friends after being released from prison in 1996. \u003ccite>(Courtesy of Wanda Salvatto)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Dre’s legacy and rap lyrics on trial\u003c/h2>\n\u003cp>Mac Dre was released from prison in 1996 after serving four years of his five-year sentence. He hit the ground running and was more prolific in making music than ever, releasing 10 albums in less than 10 years. He introduced a style of party music, known as hyphy, that would become synonymous with the Bay Area and gain popularity across the country.\u003c/p>\n\u003cp>Then in 2004, while performing in Kansas City, he was \u003ca href=\"https://www.passionweiss.com/2021/05/11/who-killed-mac-dre/#:~:text=According%20to%20his%20story%2C%20Whitmill,and%20driving%20the%20black%20Infiniti.\">killed in a drive-by shooting\u003c/a>. The details around his death have remained murky, with various unofficial reports from media outlets pointing to different suspects. The official police investigation, however, came up empty, and no one was ever charged for his murder.\u003c/p>\n\u003cp>While his lyrics may not have convicted him, Mac Dre’s case was one of the first to introduce rap lyrics during criminal proceedings. His case contributed to the antagonistic relationship that exists between hip-hop and the criminal justice system — one where art, most often the art of Black men, can be taken as an admission of guilt. (Just a few years after Mac Dre’s trial, Sacramento rappers \u003ca href=\"http://www.kqed.org/bayareahiphop/timeline#c-bo-jailed-for-his-lyrics\">C-Bo\u003c/a> and \u003ca href=\"http://www.kqed.org/bayareahiphop/timeline#x-raided-sent-to-prison-after-his-lyrics-are-used-as-evidence-in-trial\">X-Raided\u003c/a> were both put behind bars after their lyrics were introduced as evidence in court.)\u003c/p>\n\u003cp>Charis Kubrin, a criminologist and UC Irvine professor, says the reason that the use of rap lyrics in trials is so concerning is because they could be used to exploit existing racial biases.\u003c/p>\n\u003cp>“What’s happening in the minds of jurors, we think, are that folks are saying, ‘gosh, if someone could write these kinds of lyrics, they could do these kinds of crimes,’” she said. “Now, nobody thinks that with other music genres, or nobody’s thinking Quentin Tarantino is doing that with his violent films. But when it comes to rap music, it’s much easier to make that leap. And that’s because of stereotypes and biases that we have about young men of color who are primarily making the music.”\u003c/p>\n\u003cp>There are signs of change, however. In 2022, California lawmakers passed \u003ca href=\"https://www.youtube.com/watch?v=1MuXzJx8T-A&ab_channel=CaliforniaGovernorGavinNewsom\">AB 2799\u003c/a>, becoming the first state to prohibit the use of rap lyrics in criminal trials. Kubrin says it’s a good first step, but more can be done.\u003c/p>\n\u003cp>As for Mac Dre, even in his absence his legacy continues to grow. Every year, on July 5, people come together to celebrate his birthday, “Mac Dre Day,” in San Francisco.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NVR_kYZiPps'\n title='//www.youtube.com/embed/NVR_kYZiPps'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>His old friend Ray Luv is currently the Chief Operating Officer of Thizz Entertainment, the label that Mac Dre founded to distribute his music, and he helps organize the yearly Mac Dre Day celebrations.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“In the beginning, when his career was taking off, he was sent to jail,” Ray Luv said. “Then he came home from jail and when his career starts taking off, he ended up getting killed. That’s a part of why I think we all toast him so much. The guy never really did too much wrong for what he received from this world. He was a good guy.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "sf-pride-2023-marks-53-years-of-lgbtq-joy-freedom-and-defiance",
"title": "SF Pride 2023 Marks 53 Years of LGBTQ+ Joy, Freedom and Defiance",
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"headTitle": "SF Pride 2023 Marks 53 Years of LGBTQ+ Joy, Freedom and Defiance | KQED",
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"content": "\u003cp>Hundreds of thousands of spectators, members of the LGBTQ+ community and allies gathered to celebrate San Francisco Pride on Sunday for one of the largest and longest-running pride parades in the world. This weekend’s Pride Celebration marks the 53rd year of SF Pride.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Hector Topete, parade attendee\"]‘What I like about being right here, right now is I just see myself as a normal person. I don’t see myself as being different. I just feel like I’m someone who belongs.’[/pullquote]The parade, with over 200 contingents, began at Beale Street near the Embarcadero at 10:30 a.m. Sunday morning and continued up Market Street, leading to the Pride festival at Civic Center Plaza with music and activities, food and family areas, and a lot of partying. Nonstop pumping music blared from speakers and from various instruments in the streets as members of community organizations walked and activist groups chanted messages about anti-discrimination and civil rights. The music included a full marching band playing “California Love” and a performance from a Brazilian Carnaval dance and percussion company called Fogo Na Roupa.\u003c/p>\n\u003cfigure id=\"attachment_11954021\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954021 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED.jpg\" alt=\"Onlookers cheer for Queen Maisa Duke as the Pride parade passes down Market Street in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Onlookers cheer for Queen Maisa Duke as the Pride parade passes down Market Street. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year’s Pride parade took on added significance in the face of an unprecedented \u003ca href=\"https://www.aclu.org/legislative-attacks-on-lgbtq-rights\">spate of anti-LGBTQ+ bills\u003c/a> introduced in state legislatures across the country, increasingly \u003ca href=\"https://www.npr.org/2020/07/02/886285772/trump-and-mcconnell-via-swath-of-judges-will-affect-u-s-law-for-decades\">conservative federal judges\u003c/a>, and a U.S. Supreme Court that overturned Roe v. Wade last year — along with ongoing attacks on LGBTQ+ individuals nationwide that has been called a “\u003ca href=\"https://www.pbs.org/newshour/politics/lgbtq-americans-are-under-attack-human-rights-campaign-declares-in-state-of-emergency-warning\">state of emergency\u003c/a>” by \u003ca href=\"https://give.hrc.org/page/125646/donate/1?ea.tracking.id=dr_don_mr_searchFY24\">Human Rights Campaign\u003c/a>, the largest LGBTQ+ advocacy group in the U.S.\u003c/p>\n\u003cfigure id=\"attachment_11954017\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954017 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED.jpg\" alt=\"Pridegoers dressed as Emperor Norton and Countess Lola Montez pause for a photo as the Pride parade passes down Market Street in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Pride-goers dressed as Emperor Norton and Countess Lola Montez pause for a photo. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The shameful competition within one of America’s formerly great parties to see who can more dehumanize the trans community, is a grave danger and a damning statement about the state of our country,” said U.S. Rep. Adam Schiff (D-Burbank) regarding Republicans nationally targeting LGBTQ rights during the annual \u003ca href=\"https://www.alicebtoklas.org/pride-breakfast-2023\">Alice B. Toklas LGTBQ Democratic Club Pride Breakfast\u003c/a> on Sunday.\u003c/p>\n\u003cfigure id=\"attachment_11954009\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954009 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED.jpg\" alt=\"A marcher holds a sign reading “It should not be a crime to be queer” as the Pride parade gets underway in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED-1920x1282.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A marcher holds a sign reading ‘It should not be a crime to be queer’ as the Pride parade gets underway in downtown San Francisco. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Pride means more this year than ever,” said Gwenn Craig, former president of the \u003ca href=\"https://www.milkclub.org/\">Harvey Milk LGBTQ Democratic Club\u003c/a> who also was a campaign manager for Harvey Milk in the “\u003ca href=\"https://www.glbthistory.org/briggs\">No On 6\u003c/a>” campaign in 1978. “We didn’t expect a regression in our movement, in the civil rights that we had achieved. It’s enraging. We’re having to fight again. It’s really exasperating. But here we are still at it.”\u003c/p>\n\u003cfigure id=\"attachment_11954011\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954011 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED.jpg\" alt=\"Onlookers wave and take photos as the Pride parade passes down Market Street in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Onlookers wave and take photos as the Pride parade passes down Market Street. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sunday’s Pride parade is the traditional annual climax to Pride Celebration weekend, held on the final full weekend of June, also known as Pride Month in San Francisco, a four-week festival of conferences, shows, concerts, parties and political events dedicated to the celebration and advancement of LGBTQ+ rights and identity.[aside postID=news_11953672 hero='https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31561_62418_AW_Pride_09-qut-1180x787.jpg']Paul Aguilar is a Lifetime Achievement Grand Marshal of the San Francisco Pride parade, a recognition earned for his many years of advocacy for those — like him — who live with HIV and AIDS, to which he’s lost many friends. He’s been attending pride marches since the mid-70s, and says his first Pride experience was “life-changing.”\u003c/p>\n\u003cp>“There was one unmistakable feeling, and that was the feeling of acceptance. This was my tribe. This is what I’ve been looking for. These were my people,” said Aguilar. “We danced that pain away, and that insecurity away, and that anger away. And now we dance to remember those we’ve lost and to celebrate them. That’s also part of Pride.”\u003c/p>\n\u003cfigure id=\"attachment_11954006\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954006 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED.jpg\" alt=\"Tiffany Howard, 49, of Orange County closes her eyes during a paint job as she waits for the Pride parade to begin in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED-1920x1282.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tiffany Howard, 49, of Orange County closes her eyes during a paint job as she waits for the Pride parade to begin. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Pride Parade is not without its controversies, including the issue of corporate sponsorship, with many feeling that these have no place at a Pride celebration, and also because some corporations — like \u003ca href=\"https://apnews.com/article/target-lgbtq-pride-month-bathing-suits-21393e91a8eb6110b46623d17a3bf507\">Target\u003c/a> and \u003ca href=\"https://apnews.com/article/bud-light-transgender-dylan-mulvaney-nike-2fe1425ba09a3f0e271fda0ae4b67434\">Bud Light\u003c/a> — have backtracked on their support when faced with a backlash.\u003c/p>\n\u003cfigure id=\"attachment_11954022\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954022 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED.jpg\" alt=\"Henry Aho, 34, waves to onlookers as the Pride parade passes down Market Street in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Henry Aho, 34, waves to onlookers as the Pride parade passes down Market Street. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Amy Sueyoshi, who is provost and vice president of academic affairs at San Francisco State University and a former member of the SF Pride board, said she thinks the founders might indeed consider today’s Pride organizers to have “sold out” and said that even today, many who attend are shocked at the level of corporate sponsorship. However, she also thinks that the Pride celebration in San Francisco has really shown how the queer community and queer liberation “can be a mainstream movement,” and that it “demonstrates how corporations and cities can invest in queer liberation and in gay pride and not have any detrimental consequences.”\u003c/p>\n\u003cp>Sueyoshi warned against taking Pride for granted.\u003c/p>\n\u003cp>\u003cstrong>“\u003c/strong>As much as we all can be critical of pride … the truth is that so many people come to San Francisco not just for queer liberation, but for other types of home that the city provides as well,” Sueyoshi said. “And so it’s important, I think, to invest in that.”\u003c/p>\n\u003cfigure id=\"attachment_11954019\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954019 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED.jpg\" alt=\"Kit Lem, 47, a legislative aide for San Francisco Supervisor Joel Engardio, hands out bead necklaces as the Pride parade passes down Market Street in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kit Lam, 47, a legislative aide for San Francisco Supervisor Joel Engardio, hands out bead necklaces at the Pride parade. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Another controversial issue involves the police. Many in the LGBTQ+ community object to uniformed SFPD officers marching — even if they are LGBTQ+ — citing a history of abuses committed by law enforcement against the LGBTQ+ community. Nevertheless, \u003ca href=\"https://www.kqed.org/news/11917710/sfpd-officers-to-march-in-pride-amid-complicated-feelings-uniform-compromise\">the compromise reached between San Francisco Pride and the SFPD last year\u003c/a> held firm for 2023, whereby on-duty members of the SFPD Pride Alliance march in uniform while others march without uniforms.\u003c/p>\n\u003cfigure id=\"attachment_11954013\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954013 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED.jpg\" alt=\"State Senator Scott Weiner waves to onlookers from atop a truck as the Pride parade passes down Market Street in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">State Senator Scott Wiener waves to onlookers from atop a truck at the Pride parade. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But more than anything, Pride is about celebration and the joy of just letting loose and being who you are.\u003c/p>\n\u003cfigure id=\"attachment_11954007\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954007 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED.jpg\" alt=\"Cathy Webber, 66, waves a trans flag as she walks down Market Street in downtown San Francisco during the Pride parade on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Cathy Webber, 66, waves a trans flag as she walks down Market Street. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We support gay marriage, we support trans marriage, we support LGBTQ rights,” said Cathy Webber, a member of the\u003cb> \u003c/b>Church Ladies for Gay Rights group that marched in the parade. “A lot of churches don’t, and we believe that that’s wrong.”\u003c/p>\n\u003cp>Sam Douglas from Oakdale said the parade was an opportunity to push back against discrimination.\u003c/p>\n\u003cp>“With everything that’s been going on in the past few months, this is just another way to say s—- it, honestly, it’s for everyone else and saying, ‘you know, we can’t have this again,'” said Douglas. “I know there’s been a lot of hate towards LGBT and like I think that this [parade] is just the opposite of that and it’s nice to see that a lot of people are against [hate].”\u003c/p>\n\u003cfigure id=\"attachment_11954008\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954008 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED.jpg\" alt=\"Angel Vidaña kisses partner Hector Topete as they wait for the 2023 Pride parade to begin in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Angel Vidaña kisses partner Hector Topete as they wait for the Pride parade to begin. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hector Topete attended the parade for the first time with his partner Angel Vidaña.\u003c/p>\n\u003cp>“This is a very new experience for me. So I was very nervous at first, but within minutes, I just felt so comfortable being myself around [Angel],” said Topete. “What I like about being right here, right now is I just see myself as a normal person. I don’t see myself as being different. I just feel like I’m someone who belongs.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>KQED’s Rachael Vasquez, Annelise Finney, Kelly O’Mara, Lakshmi Sarah and Attila Pelit contributed reporting to this story.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Under this year's theme of 'Looking Back and Moving Forward,' the San Francisco Pride parade draws on a proud history as it continues to be a symbol for LGBTQ+ unity, love and resistance.",
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"title": "SF Pride 2023 Marks 53 Years of LGBTQ+ Joy, Freedom and Defiance | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hundreds of thousands of spectators, members of the LGBTQ+ community and allies gathered to celebrate San Francisco Pride on Sunday for one of the largest and longest-running pride parades in the world. This weekend’s Pride Celebration marks the 53rd year of SF Pride.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "‘What I like about being right here, right now is I just see myself as a normal person. I don’t see myself as being different. I just feel like I’m someone who belongs.’",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The parade, with over 200 contingents, began at Beale Street near the Embarcadero at 10:30 a.m. Sunday morning and continued up Market Street, leading to the Pride festival at Civic Center Plaza with music and activities, food and family areas, and a lot of partying. Nonstop pumping music blared from speakers and from various instruments in the streets as members of community organizations walked and activist groups chanted messages about anti-discrimination and civil rights. The music included a full marching band playing “California Love” and a performance from a Brazilian Carnaval dance and percussion company called Fogo Na Roupa.\u003c/p>\n\u003cfigure id=\"attachment_11954021\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954021 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED.jpg\" alt=\"Onlookers cheer for Queen Maisa Duke as the Pride parade passes down Market Street in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66595_230625-sf-pride-26-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Onlookers cheer for Queen Maisa Duke as the Pride parade passes down Market Street. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year’s Pride parade took on added significance in the face of an unprecedented \u003ca href=\"https://www.aclu.org/legislative-attacks-on-lgbtq-rights\">spate of anti-LGBTQ+ bills\u003c/a> introduced in state legislatures across the country, increasingly \u003ca href=\"https://www.npr.org/2020/07/02/886285772/trump-and-mcconnell-via-swath-of-judges-will-affect-u-s-law-for-decades\">conservative federal judges\u003c/a>, and a U.S. Supreme Court that overturned Roe v. Wade last year — along with ongoing attacks on LGBTQ+ individuals nationwide that has been called a “\u003ca href=\"https://www.pbs.org/newshour/politics/lgbtq-americans-are-under-attack-human-rights-campaign-declares-in-state-of-emergency-warning\">state of emergency\u003c/a>” by \u003ca href=\"https://give.hrc.org/page/125646/donate/1?ea.tracking.id=dr_don_mr_searchFY24\">Human Rights Campaign\u003c/a>, the largest LGBTQ+ advocacy group in the U.S.\u003c/p>\n\u003cfigure id=\"attachment_11954017\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954017 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED.jpg\" alt=\"Pridegoers dressed as Emperor Norton and Countess Lola Montez pause for a photo as the Pride parade passes down Market Street in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66590_230625-sf-pride-23-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Pride-goers dressed as Emperor Norton and Countess Lola Montez pause for a photo. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The shameful competition within one of America’s formerly great parties to see who can more dehumanize the trans community, is a grave danger and a damning statement about the state of our country,” said U.S. Rep. Adam Schiff (D-Burbank) regarding Republicans nationally targeting LGBTQ rights during the annual \u003ca href=\"https://www.alicebtoklas.org/pride-breakfast-2023\">Alice B. Toklas LGTBQ Democratic Club Pride Breakfast\u003c/a> on Sunday.\u003c/p>\n\u003cfigure id=\"attachment_11954009\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954009 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED.jpg\" alt=\"A marcher holds a sign reading “It should not be a crime to be queer” as the Pride parade gets underway in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66575_230625-sf-pride-07-ks-KQED-1920x1282.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A marcher holds a sign reading ‘It should not be a crime to be queer’ as the Pride parade gets underway in downtown San Francisco. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Pride means more this year than ever,” said Gwenn Craig, former president of the \u003ca href=\"https://www.milkclub.org/\">Harvey Milk LGBTQ Democratic Club\u003c/a> who also was a campaign manager for Harvey Milk in the “\u003ca href=\"https://www.glbthistory.org/briggs\">No On 6\u003c/a>” campaign in 1978. “We didn’t expect a regression in our movement, in the civil rights that we had achieved. It’s enraging. We’re having to fight again. It’s really exasperating. But here we are still at it.”\u003c/p>\n\u003cfigure id=\"attachment_11954011\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954011 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED.jpg\" alt=\"Onlookers wave and take photos as the Pride parade passes down Market Street in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66580_230625-sf-pride-13-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Onlookers wave and take photos as the Pride parade passes down Market Street. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sunday’s Pride parade is the traditional annual climax to Pride Celebration weekend, held on the final full weekend of June, also known as Pride Month in San Francisco, a four-week festival of conferences, shows, concerts, parties and political events dedicated to the celebration and advancement of LGBTQ+ rights and identity.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Paul Aguilar is a Lifetime Achievement Grand Marshal of the San Francisco Pride parade, a recognition earned for his many years of advocacy for those — like him — who live with HIV and AIDS, to which he’s lost many friends. He’s been attending pride marches since the mid-70s, and says his first Pride experience was “life-changing.”\u003c/p>\n\u003cp>“There was one unmistakable feeling, and that was the feeling of acceptance. This was my tribe. This is what I’ve been looking for. These were my people,” said Aguilar. “We danced that pain away, and that insecurity away, and that anger away. And now we dance to remember those we’ve lost and to celebrate them. That’s also part of Pride.”\u003c/p>\n\u003cfigure id=\"attachment_11954006\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954006 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED.jpg\" alt=\"Tiffany Howard, 49, of Orange County closes her eyes during a paint job as she waits for the Pride parade to begin in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66570_230625-sf-pride-04-ks-KQED-1920x1282.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tiffany Howard, 49, of Orange County closes her eyes during a paint job as she waits for the Pride parade to begin. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Pride Parade is not without its controversies, including the issue of corporate sponsorship, with many feeling that these have no place at a Pride celebration, and also because some corporations — like \u003ca href=\"https://apnews.com/article/target-lgbtq-pride-month-bathing-suits-21393e91a8eb6110b46623d17a3bf507\">Target\u003c/a> and \u003ca href=\"https://apnews.com/article/bud-light-transgender-dylan-mulvaney-nike-2fe1425ba09a3f0e271fda0ae4b67434\">Bud Light\u003c/a> — have backtracked on their support when faced with a backlash.\u003c/p>\n\u003cfigure id=\"attachment_11954022\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954022 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED.jpg\" alt=\"Henry Aho, 34, waves to onlookers as the Pride parade passes down Market Street in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66596_230625-sf-pride-27-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Henry Aho, 34, waves to onlookers as the Pride parade passes down Market Street. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Amy Sueyoshi, who is provost and vice president of academic affairs at San Francisco State University and a former member of the SF Pride board, said she thinks the founders might indeed consider today’s Pride organizers to have “sold out” and said that even today, many who attend are shocked at the level of corporate sponsorship. However, she also thinks that the Pride celebration in San Francisco has really shown how the queer community and queer liberation “can be a mainstream movement,” and that it “demonstrates how corporations and cities can invest in queer liberation and in gay pride and not have any detrimental consequences.”\u003c/p>\n\u003cp>Sueyoshi warned against taking Pride for granted.\u003c/p>\n\u003cp>\u003cstrong>“\u003c/strong>As much as we all can be critical of pride … the truth is that so many people come to San Francisco not just for queer liberation, but for other types of home that the city provides as well,” Sueyoshi said. “And so it’s important, I think, to invest in that.”\u003c/p>\n\u003cfigure id=\"attachment_11954019\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954019 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED.jpg\" alt=\"Kit Lem, 47, a legislative aide for San Francisco Supervisor Joel Engardio, hands out bead necklaces as the Pride parade passes down Market Street in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66593_230625-sf-pride-25-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kit Lam, 47, a legislative aide for San Francisco Supervisor Joel Engardio, hands out bead necklaces at the Pride parade. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Another controversial issue involves the police. Many in the LGBTQ+ community object to uniformed SFPD officers marching — even if they are LGBTQ+ — citing a history of abuses committed by law enforcement against the LGBTQ+ community. Nevertheless, \u003ca href=\"https://www.kqed.org/news/11917710/sfpd-officers-to-march-in-pride-amid-complicated-feelings-uniform-compromise\">the compromise reached between San Francisco Pride and the SFPD last year\u003c/a> held firm for 2023, whereby on-duty members of the SFPD Pride Alliance march in uniform while others march without uniforms.\u003c/p>\n\u003cfigure id=\"attachment_11954013\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954013 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED.jpg\" alt=\"State Senator Scott Weiner waves to onlookers from atop a truck as the Pride parade passes down Market Street in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66582_230625-sf-pride-14-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">State Senator Scott Wiener waves to onlookers from atop a truck at the Pride parade. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But more than anything, Pride is about celebration and the joy of just letting loose and being who you are.\u003c/p>\n\u003cfigure id=\"attachment_11954007\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954007 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED.jpg\" alt=\"Cathy Webber, 66, waves a trans flag as she walks down Market Street in downtown San Francisco during the Pride parade on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66573_230625-sf-pride-06-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Cathy Webber, 66, waves a trans flag as she walks down Market Street. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We support gay marriage, we support trans marriage, we support LGBTQ rights,” said Cathy Webber, a member of the\u003cb> \u003c/b>Church Ladies for Gay Rights group that marched in the parade. “A lot of churches don’t, and we believe that that’s wrong.”\u003c/p>\n\u003cp>Sam Douglas from Oakdale said the parade was an opportunity to push back against discrimination.\u003c/p>\n\u003cp>“With everything that’s been going on in the past few months, this is just another way to say s—- it, honestly, it’s for everyone else and saying, ‘you know, we can’t have this again,'” said Douglas. “I know there’s been a lot of hate towards LGBT and like I think that this [parade] is just the opposite of that and it’s nice to see that a lot of people are against [hate].”\u003c/p>\n\u003cfigure id=\"attachment_11954008\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11954008 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED.jpg\" alt=\"Angel Vidaña kisses partner Hector Topete as they wait for the 2023 Pride parade to begin in downtown San Francisco on June 25, 2023.\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66574_230625-sf-pride-01-ks-KQED-1920x1278.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Angel Vidaña kisses partner Hector Topete as they wait for the Pride parade to begin. \u003ccite>(Kori Suzuki/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hector Topete attended the parade for the first time with his partner Angel Vidaña.\u003c/p>\n\u003cp>“This is a very new experience for me. So I was very nervous at first, but within minutes, I just felt so comfortable being myself around [Angel],” said Topete. “What I like about being right here, right now is I just see myself as a normal person. I don’t see myself as being different. I just feel like I’m someone who belongs.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>KQED’s Rachael Vasquez, Annelise Finney, Kelly O’Mara, Lakshmi Sarah and Attila Pelit contributed reporting to this story.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>This Sunday, thousands of Bay Area residents will hit the streets as part of San Francisco’s annual Pride parade, one of the largest and longest running pride celebrations in the nation. In honor of Pride events happening throughout the Bay Area, KQED is digging into the history of the city’s Pride festivities and focusing on local efforts to celebrate and protect LGBTQ rights in the Bay Area.\u003c/p>\n\u003cp>Tune in to our Pride radio special on Sunday morning to hear from experts, local leaders and community members about what makes this year’s Pride celebrations especially important.\u003c/p>\n\u003cp>\u003cstrong>Jump To: \u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#elders\">Elders speak: ‘It wasn’t a parade, it was a march’\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#travel\">Why California is considering tossing out its state-funded travel ban\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#skaters\">Queer skaters of Rockridge\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#laureate\">San Francisco’s first-ever drag laureate\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#aguilar\">Paul Aguilar: Lifetime Achievement Grand Marshal of San Francisco Pride\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#corporate\">The tension around corporate sponsorship\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#marriage\">The 10th anniversary of the end of Proposition 8 in California\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#story\">Drag King story time\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca id=\"#elders\">\u003c/a>Elders speak: ‘It wasn’t a parade, it was a march’\u003c/h2>\n\u003cp>The voices of two elder queer people and their memories of early Pride events, how the event has changed over the years, and how they understand the value of the parade today.\u003c/p>\n\u003cp>In the summer of 1970, gay activists commemorating the uprising at Stonewall in New York, marched down San Francisco’s Polk Street. There wasn’t really a planned route and no one had a permit.\u003c/p>\n\u003cp>“I heard about a march. And it’s very important to distinguish it wasn’t a parade, it was a march,” said former state Assemblymember Tom Ammiano, who was in his 30s at the time. He recalls how he had a little sign that said “gay teacher,” and they walked down the street with hardly anybody on the sidewalk.\u003c/p>\n\u003cp>Gwen Craigg, former president of the Harvey Milk LGBT Democratic Club, was in her twenties and had recently moved from Atlanta. Throughout the 1970s participation in the march grew, and in 1973 an estimated 42,000 people took part. Two years later that number almost doubled, and this year the City of San Francisco is expecting half a million people to participate in today’s Pride festivities.\u003c/p>\n\u003cp>[audio src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/EldersSpeak.mp3\" /]\u003c/p>\n\u003ch2>\u003ca id=\"travel\">\u003c/a>Why California is considering tossing out its state-funded travel ban\u003c/h2>\n\u003cp>At a time when nearly 300 anti-LGBTQ+ laws are being considered in state legislatures nationwide, California is considering doing away with its nearly seven-year-old ban on state-funded travel to states that discriminate against LGBTQ+ people.\u003c/p>\n\u003cp>Senator Toni Atkins introduced a bill in March proposing to undo that travel ban and replace it with something called the Bridge Project. Senator Atkins is openly lesbian and grew up in rural Virginia. She remembers what it was like growing up as a young person in a place that was hostile to gay and lesbian people. She proposes that rescinding this travel ban will enable people who support LGBTQ rights to go to these places and promote a positive message of inclusion. She adds that this would be more effective than trying to punish these states.\u003c/p>\n\u003cp>[audio src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/TravelBan.mp3\" /]\u003c/p>\n\u003ch2>\u003ca id=\"skaters\">\u003c/a>Queer skaters of Rockridge\u003c/h2>\n\u003cp>\u003ca href=\"https://www.lgbtmap.org/equality-maps/youth/sports_participation_bans\">In the last two years, 22 states in the U.S.\u003c/a> have passed legislation banning transgender students from participating in a sports team aligned with their gender identity. But here in the Bay Area, a community of queer and transgender people are using skateboarding as a form of queer expression. “It’s kind of the perfect place because you have this queer mecca and this skate mecca,” said Jackie Cotteril, a skater from Southern California who now lives and skates in Berkeley.\u003c/p>\n\u003cp>What was once a male-dominated sport has outgrown the gender binary in the Bay Area. Oakland-based skate collective Unity Skateboards hosts queer and trans skate meetups, while making skateboards that depict gay love.\u003c/p>\n\u003cp>Cotteril says the queer skate community she found when she moved here helped get her back into skating.\u003c/p>\n\u003cp>[audio src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/Queer-skaters-of-Rockridge.mp3\" /]\u003c/p>\n\u003ch2>\u003ca id=\"laureate\">\u003c/a>San Francisco’s first-ever drag laureate\u003c/h2>\n\u003cp>San Francisco made history last month by naming its first-ever drag laureate, D’arcy Drollinger, who has been doing drag shows since the 1990’s. As drag laureate of San Francisco — not only the first title of its kind in the city, but also the nation — Drollinger says he’ll serve as an ambassador for local drag artists and the city’s nightlife.\u003c/p>\n\u003cp>San Francisco’s drag scene is one that Drollinger, who was born here, has developed a deep affection for since returning to the city in 2011, because of how local artists have changed the face of drag. Drollinger is also owner and artistic director of OASIS, an internationally acclaimed drag nightclub and cabaret that’s home to a strong, inclusive community, which, during the height of the pandemic, organized services like \u003ca href=\"https://apnews.com/article/virus-outbreak-ap-top-news-ca-state-wire-entertainment-lifestyle-590ccabde9a3be69abdb18809742d984\">Meals on Heels\u003c/a>, a drag meal delivery service for those in need.\u003c/p>\n\u003cp>[audio src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/Drag_Laureate.mp3\" /]\u003c/p>\n\u003ch2>\u003ca id=\"aguilar\">\u003c/a>Paul Aguilar: Lifetime Achievement Grand Marshal of San Francisco Pride\u003c/h2>\n\u003cp>Paul Aguilar is the Lifetime Achievement Grand Marshal in this years Pride Parade. In this interview, he shares his early memories of Pride, his experience of being HIV+, of how he copes with the trauma of losing friends to the disease.\u003c/p>\n\u003cp>Aguilar has been going to Pride in San Francisco for decades and can still remember his first back in 1976. He delivered newspapers back then, and after he finished his shift he rode his bike all the way down to Golden Gate Park, where the march used to end.\u003c/p>\n\u003cp>“There was one feeling. One unmistakable feeling. And that was the feeling of acceptance. This was my tribe. This is what I’ve been looking for,” he said. “These were my people. It was a life-changing moment for me.”\u003c/p>\n\u003cp>This year’s Lifetime Achievement Grand Marshal recognition is in honor of his years of advocating for people living with HIV and AIDS.\u003c/p>\n\u003cp>[audio src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/PaulAguilar.mp3\" /]\u003c/p>\n\u003ch2>\u003ca id=\"corporate\">\u003c/a>The tension around corporate sponsorship\u003c/h2>\n\u003cp>After an ad for Bud Light featuring trans influencer Dylan Mulvaney caused a backlash that led to a dip in sales, the company put two marketing executives on leave. Then, Target faced its own boycott over a Pride product line. All this has had SF Pride and similar organizations thinking about the role of corporate sponsors.\u003c/p>\n\u003cp>Organizers of the parade say they’re facing mounting costs, so they’ve continued to draw on financial support from corporate sponsors. The practice isn’t new, but there’s a renewed debate over the role of corporate sponsors, which have been facing heavy criticism from both conservatives and the LGBTQ community.\u003c/p>\n\u003cp>“We’re always trying to make sure we survive to provide a great weekend for the city, but also to do the right thing. And that’s quite a difficult position sometimes,” said Suzanne Ford, Executive Director of SF Pride. She says costs for events have gone up 40 percent post-pandemic – to about $4 million – and more than half of their funding is generated by corporate contributions.\u003c/p>\n\u003cp>[audio src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/The-tension-of-corporate-sponsorship.mp3\" /]\u003c/p>\n\u003ch2>\u003ca id=\"marriage\">\u003c/a>The 10th anniversary of the end of Proposition 8 in California\u003c/h2>\n\u003cp>June 26th is the 10\u003csup>th\u003c/sup> anniversary of the day same-sex marriages were effectively legalized in California. The battle to overturn Proposition 8, a voter-approved measure which banned same-sex marriages in the state in 2008, was the subject of a long legal battle.\u003c/p>\n\u003cp>Shortly after it went into effect, two same-sex couples sued to block the law, in a battle that ultimately ended at the U.S. Supreme Court. Its reversal paved the way for marriage equality in the country, but the trial was contentious, and included intimate testimony from the couples.\u003c/p>\n\u003cp>We hear from the two same-sex couples who challenged Proposition 8 in the courts, as they reflect on the legacy of that trial.\u003c/p>\n\u003cp>[audio src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/Prop8Anniversary.mp3\" /]\u003c/p>\n\u003ch2>\u003ca id=\"story\">\u003c/a>Drag King story time\u003c/h2>\n\u003cp>Drag story hours — where drag performers read children’s books to families at libraries and bookstores — started in San Francisco in 2015 and grew into a global phenomenon. Performers say they hope to show children a world where everyone can be themselves. But in recent months, drag story hours in the Bay Area have been targeted by anti-LGBTQ protestors.\u003c/p>\n\u003cp>This story, Worm Loves Worm, written by JJ Austrian and illustrated by Mike Curto, is performed by Drag King VERA! co-director of Drag Story Hour Bay Area.\u003c/p>\n\u003cp>[audio src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/Drag-Storytime-Finney-Feature-cjbv2-1.mp3\" /]\u003c/p>\n\u003cp>\u003cem>This weekend radio special was produced by Azul Dahlstrom-Eckman, Rachael Vasquez, and Annelise Finney. This segment was mixed by Jim Bennett and Chris Beale. Digital production by Lakshmi Sarah and Attila Pelit.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This Sunday, thousands of Bay Area residents will hit the streets as part of San Francisco’s annual Pride parade, one of the largest and longest running pride celebrations in the nation. In honor of Pride events happening throughout the Bay Area, KQED is digging into the history of the city’s Pride festivities and focusing on local efforts to celebrate and protect LGBTQ rights in the Bay Area.\u003c/p>\n\u003cp>Tune in to our Pride radio special on Sunday morning to hear from experts, local leaders and community members about what makes this year’s Pride celebrations especially important.\u003c/p>\n\u003cp>\u003cstrong>Jump To: \u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#elders\">Elders speak: ‘It wasn’t a parade, it was a march’\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#travel\">Why California is considering tossing out its state-funded travel ban\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#skaters\">Queer skaters of Rockridge\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#laureate\">San Francisco’s first-ever drag laureate\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#aguilar\">Paul Aguilar: Lifetime Achievement Grand Marshal of San Francisco Pride\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#corporate\">The tension around corporate sponsorship\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#marriage\">The 10th anniversary of the end of Proposition 8 in California\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#story\">Drag King story time\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca id=\"#elders\">\u003c/a>Elders speak: ‘It wasn’t a parade, it was a march’\u003c/h2>\n\u003cp>The voices of two elder queer people and their memories of early Pride events, how the event has changed over the years, and how they understand the value of the parade today.\u003c/p>\n\u003cp>In the summer of 1970, gay activists commemorating the uprising at Stonewall in New York, marched down San Francisco’s Polk Street. There wasn’t really a planned route and no one had a permit.\u003c/p>\n\u003cp>“I heard about a march. And it’s very important to distinguish it wasn’t a parade, it was a march,” said former state Assemblymember Tom Ammiano, who was in his 30s at the time. He recalls how he had a little sign that said “gay teacher,” and they walked down the street with hardly anybody on the sidewalk.\u003c/p>\n\u003cp>Gwen Craigg, former president of the Harvey Milk LGBT Democratic Club, was in her twenties and had recently moved from Atlanta. Throughout the 1970s participation in the march grew, and in 1973 an estimated 42,000 people took part. Two years later that number almost doubled, and this year the City of San Francisco is expecting half a million people to participate in today’s Pride festivities.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca id=\"travel\">\u003c/a>Why California is considering tossing out its state-funded travel ban\u003c/h2>\n\u003cp>At a time when nearly 300 anti-LGBTQ+ laws are being considered in state legislatures nationwide, California is considering doing away with its nearly seven-year-old ban on state-funded travel to states that discriminate against LGBTQ+ people.\u003c/p>\n\u003cp>Senator Toni Atkins introduced a bill in March proposing to undo that travel ban and replace it with something called the Bridge Project. Senator Atkins is openly lesbian and grew up in rural Virginia. She remembers what it was like growing up as a young person in a place that was hostile to gay and lesbian people. She proposes that rescinding this travel ban will enable people who support LGBTQ rights to go to these places and promote a positive message of inclusion. She adds that this would be more effective than trying to punish these states.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca id=\"skaters\">\u003c/a>Queer skaters of Rockridge\u003c/h2>\n\u003cp>\u003ca href=\"https://www.lgbtmap.org/equality-maps/youth/sports_participation_bans\">In the last two years, 22 states in the U.S.\u003c/a> have passed legislation banning transgender students from participating in a sports team aligned with their gender identity. But here in the Bay Area, a community of queer and transgender people are using skateboarding as a form of queer expression. “It’s kind of the perfect place because you have this queer mecca and this skate mecca,” said Jackie Cotteril, a skater from Southern California who now lives and skates in Berkeley.\u003c/p>\n\u003cp>What was once a male-dominated sport has outgrown the gender binary in the Bay Area. Oakland-based skate collective Unity Skateboards hosts queer and trans skate meetups, while making skateboards that depict gay love.\u003c/p>\n\u003cp>Cotteril says the queer skate community she found when she moved here helped get her back into skating.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca id=\"laureate\">\u003c/a>San Francisco’s first-ever drag laureate\u003c/h2>\n\u003cp>San Francisco made history last month by naming its first-ever drag laureate, D’arcy Drollinger, who has been doing drag shows since the 1990’s. As drag laureate of San Francisco — not only the first title of its kind in the city, but also the nation — Drollinger says he’ll serve as an ambassador for local drag artists and the city’s nightlife.\u003c/p>\n\u003cp>San Francisco’s drag scene is one that Drollinger, who was born here, has developed a deep affection for since returning to the city in 2011, because of how local artists have changed the face of drag. Drollinger is also owner and artistic director of OASIS, an internationally acclaimed drag nightclub and cabaret that’s home to a strong, inclusive community, which, during the height of the pandemic, organized services like \u003ca href=\"https://apnews.com/article/virus-outbreak-ap-top-news-ca-state-wire-entertainment-lifestyle-590ccabde9a3be69abdb18809742d984\">Meals on Heels\u003c/a>, a drag meal delivery service for those in need.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca id=\"aguilar\">\u003c/a>Paul Aguilar: Lifetime Achievement Grand Marshal of San Francisco Pride\u003c/h2>\n\u003cp>Paul Aguilar is the Lifetime Achievement Grand Marshal in this years Pride Parade. In this interview, he shares his early memories of Pride, his experience of being HIV+, of how he copes with the trauma of losing friends to the disease.\u003c/p>\n\u003cp>Aguilar has been going to Pride in San Francisco for decades and can still remember his first back in 1976. He delivered newspapers back then, and after he finished his shift he rode his bike all the way down to Golden Gate Park, where the march used to end.\u003c/p>\n\u003cp>“There was one feeling. One unmistakable feeling. And that was the feeling of acceptance. This was my tribe. This is what I’ve been looking for,” he said. “These were my people. It was a life-changing moment for me.”\u003c/p>\n\u003cp>This year’s Lifetime Achievement Grand Marshal recognition is in honor of his years of advocating for people living with HIV and AIDS.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca id=\"corporate\">\u003c/a>The tension around corporate sponsorship\u003c/h2>\n\u003cp>After an ad for Bud Light featuring trans influencer Dylan Mulvaney caused a backlash that led to a dip in sales, the company put two marketing executives on leave. Then, Target faced its own boycott over a Pride product line. All this has had SF Pride and similar organizations thinking about the role of corporate sponsors.\u003c/p>\n\u003cp>Organizers of the parade say they’re facing mounting costs, so they’ve continued to draw on financial support from corporate sponsors. The practice isn’t new, but there’s a renewed debate over the role of corporate sponsors, which have been facing heavy criticism from both conservatives and the LGBTQ community.\u003c/p>\n\u003cp>“We’re always trying to make sure we survive to provide a great weekend for the city, but also to do the right thing. And that’s quite a difficult position sometimes,” said Suzanne Ford, Executive Director of SF Pride. She says costs for events have gone up 40 percent post-pandemic – to about $4 million – and more than half of their funding is generated by corporate contributions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca id=\"marriage\">\u003c/a>The 10th anniversary of the end of Proposition 8 in California\u003c/h2>\n\u003cp>June 26th is the 10\u003csup>th\u003c/sup> anniversary of the day same-sex marriages were effectively legalized in California. The battle to overturn Proposition 8, a voter-approved measure which banned same-sex marriages in the state in 2008, was the subject of a long legal battle.\u003c/p>\n\u003cp>Shortly after it went into effect, two same-sex couples sued to block the law, in a battle that ultimately ended at the U.S. Supreme Court. Its reversal paved the way for marriage equality in the country, but the trial was contentious, and included intimate testimony from the couples.\u003c/p>\n\u003cp>We hear from the two same-sex couples who challenged Proposition 8 in the courts, as they reflect on the legacy of that trial.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca id=\"story\">\u003c/a>Drag King story time\u003c/h2>\n\u003cp>Drag story hours — where drag performers read children’s books to families at libraries and bookstores — started in San Francisco in 2015 and grew into a global phenomenon. Performers say they hope to show children a world where everyone can be themselves. But in recent months, drag story hours in the Bay Area have been targeted by anti-LGBTQ protestors.\u003c/p>\n\u003cp>This story, Worm Loves Worm, written by JJ Austrian and illustrated by Mike Curto, is performed by Drag King VERA! co-director of Drag Story Hour Bay Area.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">\u003ci>The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/i>\u003c/a>\u003ci> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/i>\u003c/p>\n\u003cp>Singer-songwriter and guitarist Nico Peña studied music in college, but credits most of his skills to time spent at “YouTube University.”\u003c/p>\n\u003cp>The San Francisco-based musician’s latest project, Peña, began as a solo endeavor that later blossomed with a full band. \u003cem>En Vivo\u003c/em>, the project’s live EP, mingles jazz and bossa nova influences, creating what Peña calls “Latin lo-fi.” But he considers the song “Bella” a straight bossa nova song.\u003c/p>\n\u003cp>Peña, who’s originally from New Jersey, said he started out in rock ‘n’ roll and punk bands. “I was told in my earlier bands that I was a part of, that I didn’t sing loud enough or passionately enough,” he told KQED. “Then I heard these bossa nova artists singing so quietly and gently, and it felt like maybe this is for me.”\u003c/p>\n\u003cp>The musical transition has also reconnected him to his roots. “It got me closer to my culture in a sense that it’s Latin jazz technically, and I started singing Spanish,” he said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Bossa nova is a Brazilian music form traditionally sung in Portuguese. Peña says singing in Spanish to predominantly monolingual English speakers has inverted what he experiences when he listens to bossa nova songs.\u003c/p>\n\u003cp>“I don’t know Portuguese,” he said. “Other people don’t either, and they can still feel everything that’s going on … Classic love songs don’t need lyrics to be understood for it to feel impactful.”\u003c/p>\n\u003cp>Still, Peña hopes to build a following that does understand Spanish, and says that’s slowly beginning to happen. “It’s been great to like, put my hand out with this candy and they come and they’re like, ‘Oh, yeah! This is exactly what I’m looking for,’” he said of Spanish-speaking audience members. “That’s my other goal with this project, just to represent [Spanish speakers] in the community and be like, ‘We’re here and we’re loud.’”\u003c/p>\n\u003cp>Accompanying Peña on “Bella” and \u003cem>En Vivo\u003c/em> are Karina Alterman on saxophone, Max Bramer on drums, Lewis Gallardo (Sweet Lew) on guitar, Saam Khanzadeh on percussion and Sina Khanzadeh on bass.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Peña is working on an album of all new music, and hopes to have singles out later this year. He will be performing at \u003ca href=\"https://www.atasite.org/\">ATA Gallery\u003c/a> in San Francisco on June 30.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">\u003ci>The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/i>\u003c/a>\u003ci> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/i>\u003c/p>\n\u003cp>Singer-songwriter and guitarist Nico Peña studied music in college, but credits most of his skills to time spent at “YouTube University.”\u003c/p>\n\u003cp>The San Francisco-based musician’s latest project, Peña, began as a solo endeavor that later blossomed with a full band. \u003cem>En Vivo\u003c/em>, the project’s live EP, mingles jazz and bossa nova influences, creating what Peña calls “Latin lo-fi.” But he considers the song “Bella” a straight bossa nova song.\u003c/p>\n\u003cp>Peña, who’s originally from New Jersey, said he started out in rock ‘n’ roll and punk bands. “I was told in my earlier bands that I was a part of, that I didn’t sing loud enough or passionately enough,” he told KQED. “Then I heard these bossa nova artists singing so quietly and gently, and it felt like maybe this is for me.”\u003c/p>\n\u003cp>The musical transition has also reconnected him to his roots. “It got me closer to my culture in a sense that it’s Latin jazz technically, and I started singing Spanish,” he said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bossa nova is a Brazilian music form traditionally sung in Portuguese. Peña says singing in Spanish to predominantly monolingual English speakers has inverted what he experiences when he listens to bossa nova songs.\u003c/p>\n\u003cp>“I don’t know Portuguese,” he said. “Other people don’t either, and they can still feel everything that’s going on … Classic love songs don’t need lyrics to be understood for it to feel impactful.”\u003c/p>\n\u003cp>Still, Peña hopes to build a following that does understand Spanish, and says that’s slowly beginning to happen. “It’s been great to like, put my hand out with this candy and they come and they’re like, ‘Oh, yeah! This is exactly what I’m looking for,’” he said of Spanish-speaking audience members. “That’s my other goal with this project, just to represent [Spanish speakers] in the community and be like, ‘We’re here and we’re loud.’”\u003c/p>\n\u003cp>Accompanying Peña on “Bella” and \u003cem>En Vivo\u003c/em> are Karina Alterman on saxophone, Max Bramer on drums, Lewis Gallardo (Sweet Lew) on guitar, Saam Khanzadeh on percussion and Sina Khanzadeh on bass.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Peña is working on an album of all new music, and hopes to have singles out later this year. He will be performing at \u003ca href=\"https://www.atasite.org/\">ATA Gallery\u003c/a> in San Francisco on June 30.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "juneteenth-across-the-bay-a-celebration-of-heritage-and-reflections-on-injustice-past-and-present",
"title": "Juneteenth Across the Bay: A Celebration of Heritage and Reflections on Injustice Past and Present",
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"content": "\u003cp>On June 19, 1865, two months after Confederate General Robert E. Lee surrendered to end the Civil War, a Union general trotted into Galveston, Texas, to notify still-enslaved Black people that they were free. [aside label=\"Reparations in California\" link1=\"https://www.kqed.org/reparations,Explore why California launched the first-in-the-nation task force to study reparations for Black people\" hero=\"https://ww2.kqed.org/app/uploads/2022/02/RiCLandingPageGraphic-1020x574.png\"]\u003c/p>\n\u003cp>That was the beginning of Juneteenth — Black Independence Day, if you will. Juneteenth has been celebrated by Black people, many of whom are ancestors of enslaved Africans and Americans, for more than 150 years. And in 2021, President Biden made Juneteenth — June 19 — a federal holiday in the wake of nationwide protests over police killings of Black Americans. Federal observance of a day commemorating the emancipation of enslaved people should be a reminder that the United States continues to avert a true reckoning over the treatment of Black people. And instead of intentional policies to repair the harm caused by slavery and the systemic racism and discrimination that continues to emanate from more than two centuries of forced labor, most Americans get an extra day off of work.\u003c/p>\n\u003cp>But let’s not rain on a day when Black joy shines.\u003c/p>\n\u003cfigure id=\"attachment_11953313\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953313 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66364_20230617_Juneteenth_KQED_0028-KQED-800x533.jpg\" alt=\"Two Black women, one in Bantu knots and another in a bright yellow head wrap, both in long, flowing, colorful clothing, dance alongside a drum circle on an outdoor stage.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66364_20230617_Juneteenth_KQED_0028-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66364_20230617_Juneteenth_KQED_0028-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66364_20230617_Juneteenth_KQED_0028-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66364_20230617_Juneteenth_KQED_0028-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66364_20230617_Juneteenth_KQED_0028-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66364_20230617_Juneteenth_KQED_0028-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Women dance alongside a drum circle during the Juneteenth celebration in Oakland on Saturday. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Juneteenth in Oakland, which held its 14th annual Juneteenth festival Saturday, is a family affair. Known as \u003ca href=\"https://www.eventbrite.com/e/fam-bam-oaklands-14th-annual-juneteenth-festival-registration-596989340187\">Fam Bam\u003c/a>, the party honoring Black culture and held at Lake Merritt Amphitheater, was actually the kickoff of a weekend-long celebration.\u003c/p>\n\u003cp>As people celebrate freedoms granted in the past, some are thinking about California’s ongoing reparations efforts.\u003c/p>\n\u003cfigure id=\"attachment_11953318\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953318 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66373_20230617_Juneteenth_KQED_0022-KQED-800x533.jpg\" alt=\"Rows of people, mostly Black, sit outside on a green and brown lawn, with pitched white tents in rows behind them.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66373_20230617_Juneteenth_KQED_0022-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66373_20230617_Juneteenth_KQED_0022-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66373_20230617_Juneteenth_KQED_0022-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66373_20230617_Juneteenth_KQED_0022-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66373_20230617_Juneteenth_KQED_0022-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66373_20230617_Juneteenth_KQED_0022-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">People sit facing Lake Merritt during Saturday’s Juneteenth festival. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Oakland resident Michael Spender, reparations mean “more channels to economic wealth, more channels to health care, more channels to security, the things that we need to have a better life … There’s a lot of money that is passed down, but it never seems to get where it’s supposed to go.”\u003c/p>\n\u003cfigure id=\"attachment_11953321\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953321 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66377_20230617_Juneteenth_KQED_0019-KQED-800x533.jpg\" alt=\"Amid white and red vendor tents, two Black men in checkered shirts, jeans, and baseball caps sit atop horses on the asphalt, both stopped to talk to people below them dressed casually and carrying drinks.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66377_20230617_Juneteenth_KQED_0019-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66377_20230617_Juneteenth_KQED_0019-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66377_20230617_Juneteenth_KQED_0019-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66377_20230617_Juneteenth_KQED_0019-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66377_20230617_Juneteenth_KQED_0019-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66377_20230617_Juneteenth_KQED_0019-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">People look on as Black cowboys ride past festivalgoers. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The California Reparations Task Force will submit final recommendations to the Legislature at the end of this month.\u003c/p>\n\u003cp>Proposals will include how Black residents should be compensated for enduring oppression, and will suggest measures to repair decades of discriminatory policies in housing, education, health care, criminal justice and other areas.\u003c/p>\n\u003cfigure id=\"attachment_11953317\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953317 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66368_20230617_Juneteenth_KQED-33-KQED-800x533.jpg\" alt=\"A Black man with a wide grin and salt and pepper in his beard and mustache smiles into the sun beneath a woven cowboy hat.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66368_20230617_Juneteenth_KQED-33-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66368_20230617_Juneteenth_KQED-33-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66368_20230617_Juneteenth_KQED-33-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66368_20230617_Juneteenth_KQED-33-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66368_20230617_Juneteenth_KQED-33-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66368_20230617_Juneteenth_KQED-33-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rapper Larussel poses for a portrait during Juneteenth in Oakland. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s more than just monetary,” said Fam Bam attendee Tonda Jackson from Oakland. “[It’s] education, housing, jobs.”\u003c/p>\n\u003cp>People gathered in cities across the Bay Area, including at Grace Bible Fellowship of Antioch for a Juneteenth celebration hosted by \u003ca href=\"https://www.gracearmsofantioch.org/\">Grace Arms of Antioch\u003c/a>, where there were bouncy houses, music and poetry performances, and wellness stations offering first aid and prayers.\u003c/p>\n\u003cp>Writer, poet and Antioch resident Ari Why said Juneteenth was open to everybody who’s ever been impoverished and “brought down by the system.”\u003c/p>\n\u003cfigure id=\"attachment_11953312\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953312 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66362_20230617_Juneteenth_KQED_0027-KQED-800x533.jpg\" alt=\"A wooden bookshelf with three rows of children's books, covers facing out, and a chalk sign at the top saying, "Oakland Public Library."\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66362_20230617_Juneteenth_KQED_0027-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66362_20230617_Juneteenth_KQED_0027-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66362_20230617_Juneteenth_KQED_0027-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66362_20230617_Juneteenth_KQED_0027-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66362_20230617_Juneteenth_KQED_0027-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66362_20230617_Juneteenth_KQED_0027-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Oakland Public Library booth at Saturday’s Juneteenth festival. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“\u003cb>\u003c/b>If you look into the history, African Americans are the only ones that haven’t received reparations for what they went through,” said Why, who also shared a poem on stage. “Every other nationality actually \u003cem>was\u003c/em> paid off. Even white Americans were paid off … Slave owners that lost slaves got reparations.”\u003c/p>\n\u003cfigure id=\"attachment_11953320\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953320 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66376_20230617_Juneteenth_KQED_0009-KQED-800x533.jpg\" alt='A young Black man with trim hair and goatee and tattoo sleeves, wearing a black T-shirt that says \"Retired Slave / In Honor & Memory and My Ancestors,\" raises his right fist and smiles slightly as he looks at the camera.' width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66376_20230617_Juneteenth_KQED_0009-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66376_20230617_Juneteenth_KQED_0009-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66376_20230617_Juneteenth_KQED_0009-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66376_20230617_Juneteenth_KQED_0009-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66376_20230617_Juneteenth_KQED_0009-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66376_20230617_Juneteenth_KQED_0009-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Cannon, outreach coordinator with Legal Services for Prisoners With Children, poses for a portrait. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Our country seems to be in denial about slavery. They don’t want to talk about things,” said Carrie Frazier, executive director for \u003ca href=\"https://www.villagekeeper.com/\">Village Keepers\u003c/a>, a nonprofit that supports Black families affected by poverty and systemic racism in East and Central Contra Costa County. “So for us to be able to know that our history is valid, it happened, and there was legislation to make it be freedom is important for us to know, because if we wait for the schools to teach it, we may never hear anything.”\u003c/p>\n\u003cfigure id=\"attachment_11953319\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953319 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66375_20230617_Juneteenth_KQED_0002-KQED-800x533.jpg\" alt=\"Three Black children tumble and smile in an open jumpy house that is bright yellow, with neighborhood scenes on it, as a Black woman with long black hair and sunglasses rests her right arm on the side and watches them.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66375_20230617_Juneteenth_KQED_0002-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66375_20230617_Juneteenth_KQED_0002-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66375_20230617_Juneteenth_KQED_0002-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66375_20230617_Juneteenth_KQED_0002-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66375_20230617_Juneteenth_KQED_0002-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66375_20230617_Juneteenth_KQED_0002-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lameir Moncrese, 6, Paris Moncrese, 5, and Legend Moncrese, 3, play. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11953325\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953325 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66384_20230617_Juneteenth_KQED_0030-KQED-800x533.jpg\" alt=\"A young Black girl turns her face, smiling, to the camera, red dots decorating the right side of her face, as a Black woman in an orange and green dress and sunglasses paints the left side of her face. They sit knee to knee on folding chairs.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66384_20230617_Juneteenth_KQED_0030-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66384_20230617_Juneteenth_KQED_0030-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66384_20230617_Juneteenth_KQED_0030-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66384_20230617_Juneteenth_KQED_0030-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66384_20230617_Juneteenth_KQED_0030-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66384_20230617_Juneteenth_KQED_0030-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Keena Romano (right) paints Leairah Lockett, 10. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11953324\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953324 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66382_20230617_Juneteenth_KQED_0029-KQED-800x533.jpg\" alt=\"A young Black girl, maybe 9, with yellow painted dots on her face sits smiling beside an older Black woman, wearing a colorful embroidered tunic with her head wrapped beneath matching white cotton with yellow dots painted across her forehead and nose, standing beside a Black man in sunglasses, a wide-brimmed hat, and a Tupac Shakur T-shirt, also smiling and holding two bubble hands in his left hand.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66382_20230617_Juneteenth_KQED_0029-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66382_20230617_Juneteenth_KQED_0029-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66382_20230617_Juneteenth_KQED_0029-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66382_20230617_Juneteenth_KQED_0029-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66382_20230617_Juneteenth_KQED_0029-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66382_20230617_Juneteenth_KQED_0029-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">From left, Saniyah Johnson, Bush Mama Africa and Rick Johnson pose for a portrait. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11953322\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953322 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66378_20230617_Juneteenth_KQED_0007-KQED-800x533.jpg\" alt=\"A young Black women with elaborate makeup -- pink and orange eye shadow, lined lips, '80s-style gold bamboo hoops, and a nose ring -- with long reflective blue-gray nails, holding a red parasol and wearing a black beanie with brooches on it, looks beyond the camera.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66378_20230617_Juneteenth_KQED_0007-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66378_20230617_Juneteenth_KQED_0007-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66378_20230617_Juneteenth_KQED_0007-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66378_20230617_Juneteenth_KQED_0007-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66378_20230617_Juneteenth_KQED_0007-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66378_20230617_Juneteenth_KQED_0007-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Keiyana Kemp poses for a portrait. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11953323\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953323 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66379_20230617_Juneteenth_KQED_0006-KQED-800x533.jpg\" alt=\"A close-up of a Black woman holding up her '80s-style bamboo earring, with the word "Oakland" across it. Her hand has long, dark gray-painted nails.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66379_20230617_Juneteenth_KQED_0006-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66379_20230617_Juneteenth_KQED_0006-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66379_20230617_Juneteenth_KQED_0006-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66379_20230617_Juneteenth_KQED_0006-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66379_20230617_Juneteenth_KQED_0006-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66379_20230617_Juneteenth_KQED_0006-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Keiyana Kemp shows her earrings. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11953326\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953326 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66386_20230617_Juneteenth_KQED_0011-KQED-800x533.jpg\" alt=\"Two Black woman pose, smiling at the camera. The woman on the left looks over her right shoulder, showing the graphic on the back of her T-shirt and holding her friend's shoulder with her right arm. Both have long braids; the woman on the right has red, green, and yellow braids, and wears a red crop top, also a graphic T with an image of a Black woman.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66386_20230617_Juneteenth_KQED_0011-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66386_20230617_Juneteenth_KQED_0011-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66386_20230617_Juneteenth_KQED_0011-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66386_20230617_Juneteenth_KQED_0011-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66386_20230617_Juneteenth_KQED_0011-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66386_20230617_Juneteenth_KQED_0011-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Fanna Jackson-Hill (left) and Sarah Morgan pose for a portrait . \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>KQED’s Otis R. Taylor Jr., María Fernanda Bernal, Billy Cruz, Amaya Edwards, Lakshmi Sarah and Attila Pelit contributed to this story.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "In 2021, President Biden made Juneteenth — June 19 — a federal holiday in the wake of nationwide protests over police killings of Black Americans. Here's how some people are celebrating in the Bay Area.",
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"title": "Juneteenth Across the Bay: A Celebration of Heritage and Reflections on Injustice Past and Present | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On June 19, 1865, two months after Confederate General Robert E. Lee surrendered to end the Civil War, a Union general trotted into Galveston, Texas, to notify still-enslaved Black people that they were free. \u003c/p>\u003c/div>",
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"link1": "https://www.kqed.org/reparations,Explore why California launched the first-in-the-nation task force to study reparations for Black people",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>That was the beginning of Juneteenth — Black Independence Day, if you will. Juneteenth has been celebrated by Black people, many of whom are ancestors of enslaved Africans and Americans, for more than 150 years. And in 2021, President Biden made Juneteenth — June 19 — a federal holiday in the wake of nationwide protests over police killings of Black Americans. Federal observance of a day commemorating the emancipation of enslaved people should be a reminder that the United States continues to avert a true reckoning over the treatment of Black people. And instead of intentional policies to repair the harm caused by slavery and the systemic racism and discrimination that continues to emanate from more than two centuries of forced labor, most Americans get an extra day off of work.\u003c/p>\n\u003cp>But let’s not rain on a day when Black joy shines.\u003c/p>\n\u003cfigure id=\"attachment_11953313\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953313 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66364_20230617_Juneteenth_KQED_0028-KQED-800x533.jpg\" alt=\"Two Black women, one in Bantu knots and another in a bright yellow head wrap, both in long, flowing, colorful clothing, dance alongside a drum circle on an outdoor stage.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66364_20230617_Juneteenth_KQED_0028-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66364_20230617_Juneteenth_KQED_0028-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66364_20230617_Juneteenth_KQED_0028-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66364_20230617_Juneteenth_KQED_0028-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66364_20230617_Juneteenth_KQED_0028-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66364_20230617_Juneteenth_KQED_0028-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Women dance alongside a drum circle during the Juneteenth celebration in Oakland on Saturday. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Juneteenth in Oakland, which held its 14th annual Juneteenth festival Saturday, is a family affair. Known as \u003ca href=\"https://www.eventbrite.com/e/fam-bam-oaklands-14th-annual-juneteenth-festival-registration-596989340187\">Fam Bam\u003c/a>, the party honoring Black culture and held at Lake Merritt Amphitheater, was actually the kickoff of a weekend-long celebration.\u003c/p>\n\u003cp>As people celebrate freedoms granted in the past, some are thinking about California’s ongoing reparations efforts.\u003c/p>\n\u003cfigure id=\"attachment_11953318\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953318 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66373_20230617_Juneteenth_KQED_0022-KQED-800x533.jpg\" alt=\"Rows of people, mostly Black, sit outside on a green and brown lawn, with pitched white tents in rows behind them.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66373_20230617_Juneteenth_KQED_0022-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66373_20230617_Juneteenth_KQED_0022-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66373_20230617_Juneteenth_KQED_0022-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66373_20230617_Juneteenth_KQED_0022-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66373_20230617_Juneteenth_KQED_0022-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66373_20230617_Juneteenth_KQED_0022-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">People sit facing Lake Merritt during Saturday’s Juneteenth festival. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Oakland resident Michael Spender, reparations mean “more channels to economic wealth, more channels to health care, more channels to security, the things that we need to have a better life … There’s a lot of money that is passed down, but it never seems to get where it’s supposed to go.”\u003c/p>\n\u003cfigure id=\"attachment_11953321\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953321 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66377_20230617_Juneteenth_KQED_0019-KQED-800x533.jpg\" alt=\"Amid white and red vendor tents, two Black men in checkered shirts, jeans, and baseball caps sit atop horses on the asphalt, both stopped to talk to people below them dressed casually and carrying drinks.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66377_20230617_Juneteenth_KQED_0019-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66377_20230617_Juneteenth_KQED_0019-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66377_20230617_Juneteenth_KQED_0019-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66377_20230617_Juneteenth_KQED_0019-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66377_20230617_Juneteenth_KQED_0019-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66377_20230617_Juneteenth_KQED_0019-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">People look on as Black cowboys ride past festivalgoers. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The California Reparations Task Force will submit final recommendations to the Legislature at the end of this month.\u003c/p>\n\u003cp>Proposals will include how Black residents should be compensated for enduring oppression, and will suggest measures to repair decades of discriminatory policies in housing, education, health care, criminal justice and other areas.\u003c/p>\n\u003cfigure id=\"attachment_11953317\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953317 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66368_20230617_Juneteenth_KQED-33-KQED-800x533.jpg\" alt=\"A Black man with a wide grin and salt and pepper in his beard and mustache smiles into the sun beneath a woven cowboy hat.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66368_20230617_Juneteenth_KQED-33-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66368_20230617_Juneteenth_KQED-33-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66368_20230617_Juneteenth_KQED-33-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66368_20230617_Juneteenth_KQED-33-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66368_20230617_Juneteenth_KQED-33-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66368_20230617_Juneteenth_KQED-33-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rapper Larussel poses for a portrait during Juneteenth in Oakland. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s more than just monetary,” said Fam Bam attendee Tonda Jackson from Oakland. “[It’s] education, housing, jobs.”\u003c/p>\n\u003cp>People gathered in cities across the Bay Area, including at Grace Bible Fellowship of Antioch for a Juneteenth celebration hosted by \u003ca href=\"https://www.gracearmsofantioch.org/\">Grace Arms of Antioch\u003c/a>, where there were bouncy houses, music and poetry performances, and wellness stations offering first aid and prayers.\u003c/p>\n\u003cp>Writer, poet and Antioch resident Ari Why said Juneteenth was open to everybody who’s ever been impoverished and “brought down by the system.”\u003c/p>\n\u003cfigure id=\"attachment_11953312\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953312 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66362_20230617_Juneteenth_KQED_0027-KQED-800x533.jpg\" alt=\"A wooden bookshelf with three rows of children's books, covers facing out, and a chalk sign at the top saying, "Oakland Public Library."\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66362_20230617_Juneteenth_KQED_0027-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66362_20230617_Juneteenth_KQED_0027-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66362_20230617_Juneteenth_KQED_0027-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66362_20230617_Juneteenth_KQED_0027-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66362_20230617_Juneteenth_KQED_0027-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66362_20230617_Juneteenth_KQED_0027-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Oakland Public Library booth at Saturday’s Juneteenth festival. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“\u003cb>\u003c/b>If you look into the history, African Americans are the only ones that haven’t received reparations for what they went through,” said Why, who also shared a poem on stage. “Every other nationality actually \u003cem>was\u003c/em> paid off. Even white Americans were paid off … Slave owners that lost slaves got reparations.”\u003c/p>\n\u003cfigure id=\"attachment_11953320\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953320 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66376_20230617_Juneteenth_KQED_0009-KQED-800x533.jpg\" alt='A young Black man with trim hair and goatee and tattoo sleeves, wearing a black T-shirt that says \"Retired Slave / In Honor & Memory and My Ancestors,\" raises his right fist and smiles slightly as he looks at the camera.' width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66376_20230617_Juneteenth_KQED_0009-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66376_20230617_Juneteenth_KQED_0009-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66376_20230617_Juneteenth_KQED_0009-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66376_20230617_Juneteenth_KQED_0009-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66376_20230617_Juneteenth_KQED_0009-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66376_20230617_Juneteenth_KQED_0009-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Cannon, outreach coordinator with Legal Services for Prisoners With Children, poses for a portrait. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Our country seems to be in denial about slavery. They don’t want to talk about things,” said Carrie Frazier, executive director for \u003ca href=\"https://www.villagekeeper.com/\">Village Keepers\u003c/a>, a nonprofit that supports Black families affected by poverty and systemic racism in East and Central Contra Costa County. “So for us to be able to know that our history is valid, it happened, and there was legislation to make it be freedom is important for us to know, because if we wait for the schools to teach it, we may never hear anything.”\u003c/p>\n\u003cfigure id=\"attachment_11953319\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953319 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66375_20230617_Juneteenth_KQED_0002-KQED-800x533.jpg\" alt=\"Three Black children tumble and smile in an open jumpy house that is bright yellow, with neighborhood scenes on it, as a Black woman with long black hair and sunglasses rests her right arm on the side and watches them.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66375_20230617_Juneteenth_KQED_0002-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66375_20230617_Juneteenth_KQED_0002-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66375_20230617_Juneteenth_KQED_0002-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66375_20230617_Juneteenth_KQED_0002-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66375_20230617_Juneteenth_KQED_0002-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66375_20230617_Juneteenth_KQED_0002-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lameir Moncrese, 6, Paris Moncrese, 5, and Legend Moncrese, 3, play. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11953325\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953325 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66384_20230617_Juneteenth_KQED_0030-KQED-800x533.jpg\" alt=\"A young Black girl turns her face, smiling, to the camera, red dots decorating the right side of her face, as a Black woman in an orange and green dress and sunglasses paints the left side of her face. They sit knee to knee on folding chairs.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66384_20230617_Juneteenth_KQED_0030-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66384_20230617_Juneteenth_KQED_0030-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66384_20230617_Juneteenth_KQED_0030-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66384_20230617_Juneteenth_KQED_0030-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66384_20230617_Juneteenth_KQED_0030-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66384_20230617_Juneteenth_KQED_0030-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Keena Romano (right) paints Leairah Lockett, 10. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11953324\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953324 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66382_20230617_Juneteenth_KQED_0029-KQED-800x533.jpg\" alt=\"A young Black girl, maybe 9, with yellow painted dots on her face sits smiling beside an older Black woman, wearing a colorful embroidered tunic with her head wrapped beneath matching white cotton with yellow dots painted across her forehead and nose, standing beside a Black man in sunglasses, a wide-brimmed hat, and a Tupac Shakur T-shirt, also smiling and holding two bubble hands in his left hand.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66382_20230617_Juneteenth_KQED_0029-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66382_20230617_Juneteenth_KQED_0029-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66382_20230617_Juneteenth_KQED_0029-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66382_20230617_Juneteenth_KQED_0029-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66382_20230617_Juneteenth_KQED_0029-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66382_20230617_Juneteenth_KQED_0029-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">From left, Saniyah Johnson, Bush Mama Africa and Rick Johnson pose for a portrait. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11953322\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953322 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66378_20230617_Juneteenth_KQED_0007-KQED-800x533.jpg\" alt=\"A young Black women with elaborate makeup -- pink and orange eye shadow, lined lips, '80s-style gold bamboo hoops, and a nose ring -- with long reflective blue-gray nails, holding a red parasol and wearing a black beanie with brooches on it, looks beyond the camera.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66378_20230617_Juneteenth_KQED_0007-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66378_20230617_Juneteenth_KQED_0007-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66378_20230617_Juneteenth_KQED_0007-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66378_20230617_Juneteenth_KQED_0007-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66378_20230617_Juneteenth_KQED_0007-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66378_20230617_Juneteenth_KQED_0007-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Keiyana Kemp poses for a portrait. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11953323\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953323 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66379_20230617_Juneteenth_KQED_0006-KQED-800x533.jpg\" alt=\"A close-up of a Black woman holding up her '80s-style bamboo earring, with the word "Oakland" across it. Her hand has long, dark gray-painted nails.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66379_20230617_Juneteenth_KQED_0006-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66379_20230617_Juneteenth_KQED_0006-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66379_20230617_Juneteenth_KQED_0006-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66379_20230617_Juneteenth_KQED_0006-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66379_20230617_Juneteenth_KQED_0006-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66379_20230617_Juneteenth_KQED_0006-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Keiyana Kemp shows her earrings. \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11953326\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11953326 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/06/RS66386_20230617_Juneteenth_KQED_0011-KQED-800x533.jpg\" alt=\"Two Black woman pose, smiling at the camera. The woman on the left looks over her right shoulder, showing the graphic on the back of her T-shirt and holding her friend's shoulder with her right arm. Both have long braids; the woman on the right has red, green, and yellow braids, and wears a red crop top, also a graphic T with an image of a Black woman.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66386_20230617_Juneteenth_KQED_0011-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66386_20230617_Juneteenth_KQED_0011-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66386_20230617_Juneteenth_KQED_0011-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66386_20230617_Juneteenth_KQED_0011-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66386_20230617_Juneteenth_KQED_0011-KQED-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/06/RS66386_20230617_Juneteenth_KQED_0011-KQED.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Fanna Jackson-Hill (left) and Sarah Morgan pose for a portrait . \u003ccite>(Amaya Edwards/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>KQED’s Otis R. Taylor Jr., María Fernanda Bernal, Billy Cruz, Amaya Edwards, Lakshmi Sarah and Attila Pelit contributed to this story.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Maya Elise and The Good Dream: 'Better Bird'",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Tanukichan is the indie rock project of San Francisco-raised and Oakland-based Hannah van Loon. Van Loon was inspired by the mythology of the tanuki, or the Japanese raccoon dog, a creature said to have shape-shifting abilities and a hedonistic love of drinking and partying.\u003c/p>\n\u003cp>“I felt like I was trying to do this music thing, and there’s a lot of me that felt super shy and scared, but I just had to go for it,” she explains. “I was always sort of a tomboy, so it just felt good to, like, claim that a little bit.”\u003c/p>\n\u003cp>Growing up as a classical musician studying piano and violin, van Loon took a liking to making music and using it as an outlet to help her to get through the low points of life. Her song “Been Here Before” ruminates on these inevitable low points, and how sometimes there isn’t much you can do besides hold on until they pass.\u003c/p>\n\u003cp>Her Bay Area upbringing also plays a role in her unique sound.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Driving around in the Bay, I listen to the radio a lot. And there’s a lot of ’90s hip-hop and R & B and stuff on. I just really love that stuff and I think it was also fun to kind of try to draw from that, like just the beats or melodies,” she says. “A couple of nights ago we had a show and there was someone in the audience who was like, ‘Yo, this is so Oakland. This is so the East Bay.’ I was like, cool. There’s something in there.”\u003c/p>\n\u003cp>She also credits the Bay Area’s abundance of artists for influencing her artistry. One notable Bay Area collaborator is Chaz Bear of Toro y Moi, whom van Loon met through a mutual friend while she was studying music at UC Berkeley. The two quickly hit it off, with Bear producing Tanukichan’s EP and albums, including her latest release, \u003cem>Gizmo\u003c/em>.\u003c/p>\n\u003cp>Tanukichan’s musical-production process usually begins with van Loon sketching out a beat and structure and writing out the lyrics and melody, then working with Bear to fill in the rest. \u003cem>Gizmo\u003c/em> is named after van Loon’s late dog, whom she adopted during the pandemic.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Tanukichan will be performing at Bottom of the Hill in San Francisco on Friday, May 19, 2023.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"tagline": "Art is where you find it",
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"soldout": {
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