window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13880810": {
"type": "attachments",
"id": "arts_13880810",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13880810",
"found": true
},
"parent": 13880799,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1.jpg",
"width": 2537,
"height": 1427
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-1-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1590080214,
"modified": 1590080269,
"caption": "Kathy Liang's self portrait",
"description": "Kathy Liang's self portrait",
"title": "Kathy Liang's self portrait",
"credit": "Tony Nguyen",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13879216": {
"type": "attachments",
"id": "arts_13879216",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13879216",
"found": true
},
"parent": 0,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/KQED-Coronavirus-Updates-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/KQED-Coronavirus-Updates-160x84.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 84
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/KQED-Coronavirus-Updates-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/KQED-Coronavirus-Updates.jpg",
"width": 1200,
"height": 628
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/KQED-Coronavirus-Updates-1020x534.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 534
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/KQED-Coronavirus-Updates-800x419.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 419
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/KQED-Coronavirus-Updates-768x402.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 402
}
},
"publishDate": 1587671244,
"modified": 1587671270,
"caption": null,
"description": "liveupdates",
"title": "KQED-Coronavirus-liveupdates",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13879589": {
"type": "attachments",
"id": "arts_13879589",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13879589",
"found": true
},
"parent": 13879577,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/0.jpg",
"width": 1686,
"height": 1124
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1588274585,
"modified": 1588274621,
"caption": "Mike Nicholls at work in his design lab",
"description": "Mike Nicholls at work in his design lab",
"title": "Mike Nicholls at work in his design lab",
"credit": "Michole Forks",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13879207": {
"type": "attachments",
"id": "arts_13879207",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13879207",
"found": true
},
"parent": 13879199,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Passwurdz-160x103.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 103
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Passwurdz-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Passwurdz.jpg",
"width": 800,
"height": 514
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Passwurdz-800x514.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 514
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Passwurdz-768x493.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 493
}
},
"publishDate": 1587662572,
"modified": 1713569001,
"caption": "Passwurdz mid-battle",
"description": "Passwurdz mid-battle",
"title": "Passwurdz mid-battle",
"credit": "\u003ca href=\"https://heartstringweddings.com/\">Huy Nguyen\u003c/a>",
"status": "inherit",
"altTag": "Passwurdz mid-battle",
"isLoading": false,
"fetchFailed": false
},
"arts_13879177": {
"type": "attachments",
"id": "arts_13879177",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13879177",
"found": true
},
"parent": 13879147,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/rebelgirls_bertha_wright-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/rebelgirls_bertha_wright-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/rebelgirls_bertha_wright-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/rebelgirls_bertha_wright.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/rebelgirls_bertha_wright-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/rebelgirls_bertha_wright-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/rebelgirls_bertha_wright-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/rebelgirls_bertha_wright-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1587597587,
"modified": 1636505072,
"caption": null,
"description": null,
"title": "rebelgirls_bertha_wright",
"credit": null,
"status": "inherit",
"altTag": "An attractive white woman wears small round spectacles and an old-fashioned nurse's uniform with puffy sleeves, very high collar and white net hat.",
"isLoading": false,
"fetchFailed": false
},
"arts_13877010": {
"type": "attachments",
"id": "arts_13877010",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13877010",
"found": true
},
"parent": 13876894,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/Paramount_1200-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/Paramount_1200-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/Paramount_1200-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/Paramount_1200.jpg",
"width": 1200,
"height": 800
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/Paramount_1200-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/Paramount_1200-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/Paramount_1200-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1584563318,
"modified": 1584576801,
"caption": "A bus drives by the Paramount Theatre, an art deco concert hall in Downtown Oakland, on March 17, 2020.",
"description": "A bus drives by the Paramount Theatre, an art deco concert hall in Downtown Oakland, on March 17, 2020.",
"title": "Paramount_1200",
"credit": "Beth LaBerge/KQED",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13879015": {
"type": "attachments",
"id": "arts_13879015",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13879015",
"found": true
},
"parent": 13878907,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/Graduation-1000x576.png",
"width": 1000,
"mimeType": "image/png",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/Graduation-160x108.png",
"width": 160,
"mimeType": "image/png",
"height": 108
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/Graduation-672x372.png",
"width": 672,
"mimeType": "image/png",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/Graduation.png",
"width": 1000,
"height": 678
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/Graduation-800x542.png",
"width": 800,
"mimeType": "image/png",
"height": 542
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/Graduation-768x521.png",
"width": 768,
"mimeType": "image/png",
"height": 521
}
},
"publishDate": 1587498559,
"modified": 1587573732,
"caption": "Author Pendarvis Harshaw at his high school graduation in 2005.",
"description": "Pendarvis H at high school graduation in 2005",
"title": "Pendarvis H at high school graduation in 2005",
"credit": "Pendarvis Harshaw",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13878771": {
"type": "attachments",
"id": "arts_13878771",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13878771",
"found": true
},
"parent": 13878711,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/Jacob-Felix-Heule-of-Voicehandler-by-Lenny-Gonzalez-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/Jacob-Felix-Heule-of-Voicehandler-by-Lenny-Gonzalez-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/Jacob-Felix-Heule-of-Voicehandler-by-Lenny-Gonzalez-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/Jacob-Felix-Heule-of-Voicehandler-by-Lenny-Gonzalez.jpg",
"width": 1920,
"height": 1280
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/Jacob-Felix-Heule-of-Voicehandler-by-Lenny-Gonzalez-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/Jacob-Felix-Heule-of-Voicehandler-by-Lenny-Gonzalez-1920x1280.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1280
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/Jacob-Felix-Heule-of-Voicehandler-by-Lenny-Gonzalez-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/Jacob-Felix-Heule-of-Voicehandler-by-Lenny-Gonzalez-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1587011649,
"modified": 1587011704,
"caption": "Jacob Felix Heule of Voicehandler was among the musicians to livestream a set as a part of Lockdown Festival.",
"description": "Jacob Felix Heule of Voicehandler was among the musicians to livestream a set as a part of Lockdown Festival.",
"title": "Jacob Felix Heule of Voicehandler was among the musicians to livestream a set as a part of Lockdown Festival.",
"credit": "Lenny Gonzalez/Courtesy of the artist",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13878239": {
"type": "attachments",
"id": "arts_13878239",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13878239",
"found": true
},
"parent": 13878162,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/RobertLopez.Main1_-160x100.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 100
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/RobertLopez.Main1_-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/RobertLopez.Main1_.jpg",
"width": 800,
"height": 500
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/RobertLopez.Main1_-800x500.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 500
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/04/RobertLopez.Main1_-768x480.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 480
}
},
"publishDate": 1586270456,
"modified": 1586270506,
"caption": "Shanna Sordahl, Robert Lopez and Bira Santos (L–R) in Brazil. ",
"description": "Shanna Sordahl, Robert Lopez and Bira Santos (L–R) in Brazil. ",
"title": "RobertLopez.Main1",
"credit": "Courtesy Robert Lopez",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13852477": {
"type": "attachments",
"id": "arts_13852477",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13852477",
"found": true
},
"parent": 13852456,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/0-3-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/0-3-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/0-3-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/0-3.jpg",
"width": 1616,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/0-3-1020x682.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 682
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/0-3-1200x802.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 802
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/0-3-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/0-3-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/0-3-800x535.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 535
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/0-3-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/0-3-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/0-3-768x513.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 513
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/0-3-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1551992987,
"modified": 1551993056,
"caption": "Aneesa Strings and an upright bass bond at Oaktown Jazz Workshops",
"description": "Aneesa Strings and an upright bass bond at Oaktown Jazz Workshops",
"title": "Aneesa Strings and an upright bass bond at Oaktown Jazz Workshops",
"credit": "Pendarvis Harshaw/ KQED",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13877528": {
"type": "attachments",
"id": "arts_13877528",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13877528",
"found": true
},
"parent": 13877498,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/DSC8527-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/DSC8527-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/DSC8527-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/DSC8527.jpg",
"width": 1616,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/DSC8527-1020x682.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 682
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/DSC8527-800x535.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 535
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/DSC8527-768x513.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 513
}
},
"publishDate": 1585237355,
"modified": 1585257953,
"caption": "Scid Howard in front of the Contra Loma Regional Trail in February 2020 (before shelter-in-place).",
"description": "Scid Howard in front of the Contra Loma Regional Trail in February 2020 (before shelter-in-place).",
"title": "Scid Howard in front of the Contra Loma Regional Trail in February 2020 (before shelter-in-place).",
"credit": "Pendarvis Harshaw",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13876766": {
"type": "attachments",
"id": "arts_13876766",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13876766",
"found": true
},
"parent": 13876714,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/RyanNicoleAustin_COVER-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/RyanNicoleAustin_COVER-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/RyanNicoleAustin_COVER.jpg",
"width": 750,
"height": 422
}
},
"publishDate": 1584385151,
"modified": 1608234627,
"caption": "RyanNicole Austin performing on stage at the 2020 Black Joy Parade in Oakland.",
"description": "RyanNicole Austin performing on stage at the Black Joy Parade in Oakland.",
"title": "RyanNicoleAustin_COVER",
"credit": "@jmalphotography",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife and daughter in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"administrator"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
},
"slefebvre": {
"type": "authors",
"id": "11091",
"meta": {
"index": "authors_1716337520",
"id": "11091",
"found": true
},
"name": "Sam Lefebvre",
"firstName": "Sam",
"lastName": "Lefebvre",
"slug": "slefebvre",
"email": "sdlefebvre@gmail.com",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Sam Lefebvre is an award-winning reporter at KQED Arts. He has worked as an editor and columnist at the \u003cem>East Bay Express\u003c/em>, \u003cem>SF Weekly \u003c/em>and Impose Magazine, and his journalism and criticism has appeared in \u003cem>The New York Times\u003c/em>, the Guardian and Pitchfork.",
"avatar": "https://secure.gravatar.com/avatar/49d39b42930b77fb13784ddd9fa63fe780666b71bf289368509dba576b64e69b?s=600&d=blank&r=g",
"twitter": "Lefebvre_Sam",
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "news",
"roles": [
"author"
]
}
],
"headData": {
"title": "Sam Lefebvre | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/49d39b42930b77fb13784ddd9fa63fe780666b71bf289368509dba576b64e69b?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/49d39b42930b77fb13784ddd9fa63fe780666b71bf289368509dba576b64e69b?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/slefebvre"
},
"ralexandra": {
"type": "authors",
"id": "11242",
"meta": {
"index": "authors_1716337520",
"id": "11242",
"found": true
},
"name": "Rae Alexandra",
"firstName": "Rae",
"lastName": "Alexandra",
"slug": "ralexandra",
"email": "ralexandra@kqed.org",
"display_author_email": true,
"staff_mastheads": [],
"title": "Reporter/Producer",
"bio": "Rae Alexandra is a Reporter/Producer for KQED Arts & Culture, and the creator/author of the \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\">Rebel Girls From Bay Area History\u003c/a> and \u003ca href=\"https://www.kqed.org/bizarrebayarea\">Bizarre Bay Area\u003c/a> series. Her debut book, \u003ca href=\"https://citylights.com/politics-current-events-history/unsung-heroines35-women-who-changed/\">Unsung Heroines: 35 Women Who Changed the Bay Area\u003c/a> was published by City Lights in March 2026. In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture. Rae was born and raised in Wales and subsequently — even after two decades in Northern California — still uses phrases that regularly baffle her coworkers.",
"avatar": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "news",
"roles": [
"subscriber"
]
},
{
"site": "pop",
"roles": [
"subscriber"
]
},
{
"site": "bayareabites",
"roles": [
"subscriber"
]
},
{
"site": "science",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "Rae Alexandra | KQED",
"description": "Reporter/Producer",
"ogImgSrc": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ralexandra"
},
"ogpenn": {
"type": "authors",
"id": "11491",
"meta": {
"index": "authors_1716337520",
"id": "11491",
"found": true
},
"name": "Pendarvis Harshaw",
"firstName": "Pendarvis",
"lastName": "Harshaw",
"slug": "ogpenn",
"email": "ogpenn@gmail.com",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Community Engagement Reporter",
"bio": "Pendarvis Harshaw is an educator, host and writer with KQED Arts.",
"avatar": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "ogpenn",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"author"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Pendarvis Harshaw | KQED",
"description": "Community Engagement Reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ogpenn"
}
},
"pagesReducer": {
"arts_tag_oakland": {
"type": "terms",
"id": "arts_1143",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1143",
"score": 6.8707943
},
"featImg": null,
"name": "Oakland",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oakland Archives | KQED Arts",
"ogDescription": null
},
"ttid": 692,
"slug": "oakland",
"isLoading": false,
"title": "Oakland",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 50
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?tag=oakland",
"seeMore": false,
"paginated": true,
"page": 50
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://hls.kqed.org/hls/kqed_app/playlist.m3u8",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13880799": {
"type": "posts",
"id": "arts_13880799",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13880799",
"score": null,
"sort": [
1590091912000
]
},
"guestAuthors": [],
"slug": "how-yuri-kochiyama-inspired-this-young-oakland-artist",
"title": "How Yuri Kochiyama Inspired this Young Oakland Artist",
"publishDate": 1590091912,
"format": "standard",
"headTitle": "How Yuri Kochiyama Inspired this Young Oakland Artist | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>This month Kathy Liang will graduate from Oakland Tech as a part of the class of 2020. She and her fellow seniors will walk out of their classrooms and into a world of uncertainty. Fortunately, at 18, Liang is already extremely focused on her path.\u003c/p>\n\u003cp>A small portion of Liang’s journey has been documented in the newly released short documentary film, \u003ca href=\"https://www.facebook.com/AsianHealthServices/videos/643476292870825/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>I See Me\u003c/em>\u003c/a>. The film focuses on one of Liang’s latest pieces, a mural inspired by a quote from the late civil rights leader Yuri Kochiyama.\u003c/p>\n\u003cp>“So, transform yourself first,” reads the Kochiyama quote, “because you are young and have dreams and want to do something meaningful, that in itself, makes you our future and our hope. Keep expanding your horizon, decolonize your mind, and cross borders.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2FAsianHealthServices%2Fvideos%2F643476292870825%2F&show_text=0&width=560\" width=\"560\" height=\"315\" style=\"border:none;overflow:hidden\" scrolling=\"no\" frameborder=\"0\" allowtransparency=\"true\" allowfullscreen=\"true\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Liang says the quote spoke to her because it “encompasses how adult allies should support youth, because when youth grow, they bloom and they thrive.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Liang is an artist-in-residence at \u003ca href=\"https://www.banteaysrei.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Banteay Srei\u003c/a>, an Oakland-based organization supporting Southeast Asian women and girls on the path to self-empowerment.\u003c/p>\n\u003cp>Through Banteay Srei, Liang was connected with the filmmaker Tony Nguyen. Nguyen is a vet on the Oakland film scene: he’s the organizer of the short film festival Oakland Shorties, and the director of \u003ca href=\"https://www.youtube.com/watch?v=6jDZ6TVI9dA\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Frozen \u003c/a>—a short documentary about the soul food restaurant Catered to You.\u003c/p>\n\u003cp>Nguyen says it was important to publish Liang’s story right now. For starters, May is Asian and Pacific Islander Heritage month; May 19th is also Yuri Kochiyama’s birthday. But also, Nguyen says that while the world is so wrapped up in COVID-19, he wanted to remind viewers that issues around gentrification and displacement persist in many urban cities, like Oakland. Lastly, Nguyen says he wanted to do something for the class of 2020. “A lot of students are graduating into a word of uncertainty, and Kathy is one of them,” says Nguyen. “What does their future look like?”\u003c/p>\n\u003cfigure id=\"attachment_13880812\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13880812\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-2-800x450.jpg\" alt=\"Kathy Liang painting an image of herself boxing\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-1920x1080.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kathy Liang painting an image of herself boxing. \u003ccite>(Tony Nguyen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Liang plans to take virtual classes this fall through Wesleyan University, during which she’ll focus on sociology, American studies and studio arts. And of course, she’ll continue to put out art with a message.\u003c/p>\n\u003cp>In fact, Liang currently works with UCLA’s Asian Pacific Coalition to illustrate stories of racism and bigotry during this pandemic; the pieces are published on \u003ca href=\"https://m.facebook.com/apcucla/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> and \u003ca href=\"https://www.instagram.com/apcucla/?igshid=yjgob7yhpekz\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram\u003c/a>.\u003c/p>\n\u003cp>Liang’s art is political in nature, and looks to fill a void in telling the stories of Asians and Pacific Islanders in America. “My work prioritizes the Asian experience in America,” says Liang.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Before graduating high school, she’s already making waves.\u003c/p>\n\n",
"blocks": [],
"excerpt": "Kathy Liang is part of Oakland Tech's graduating class of 2020—and she's already making waves.",
"status": "publish",
"parent": 0,
"modified": 1726762054,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 14,
"wordCount": 472
},
"headData": {
"title": "How Yuri Kochiyama Inspired this Young Oakland Artist | KQED",
"description": "Kathy Liang is part of Oakland Tech's graduating class of 2020—and she's already making waves.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "How Yuri Kochiyama Inspired this Young Oakland Artist",
"datePublished": "2020-05-21T13:11:52-07:00",
"dateModified": "2024-09-19T09:07:34-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13880799/how-yuri-kochiyama-inspired-this-young-oakland-artist",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This month Kathy Liang will graduate from Oakland Tech as a part of the class of 2020. She and her fellow seniors will walk out of their classrooms and into a world of uncertainty. Fortunately, at 18, Liang is already extremely focused on her path.\u003c/p>\n\u003cp>A small portion of Liang’s journey has been documented in the newly released short documentary film, \u003ca href=\"https://www.facebook.com/AsianHealthServices/videos/643476292870825/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>I See Me\u003c/em>\u003c/a>. The film focuses on one of Liang’s latest pieces, a mural inspired by a quote from the late civil rights leader Yuri Kochiyama.\u003c/p>\n\u003cp>“So, transform yourself first,” reads the Kochiyama quote, “because you are young and have dreams and want to do something meaningful, that in itself, makes you our future and our hope. Keep expanding your horizon, decolonize your mind, and cross borders.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2FAsianHealthServices%2Fvideos%2F643476292870825%2F&show_text=0&width=560\" width=\"560\" height=\"315\" style=\"border:none;overflow:hidden\" scrolling=\"no\" frameborder=\"0\" allowtransparency=\"true\" allowfullscreen=\"true\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Liang says the quote spoke to her because it “encompasses how adult allies should support youth, because when youth grow, they bloom and they thrive.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Liang is an artist-in-residence at \u003ca href=\"https://www.banteaysrei.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Banteay Srei\u003c/a>, an Oakland-based organization supporting Southeast Asian women and girls on the path to self-empowerment.\u003c/p>\n\u003cp>Through Banteay Srei, Liang was connected with the filmmaker Tony Nguyen. Nguyen is a vet on the Oakland film scene: he’s the organizer of the short film festival Oakland Shorties, and the director of \u003ca href=\"https://www.youtube.com/watch?v=6jDZ6TVI9dA\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Frozen \u003c/a>—a short documentary about the soul food restaurant Catered to You.\u003c/p>\n\u003cp>Nguyen says it was important to publish Liang’s story right now. For starters, May is Asian and Pacific Islander Heritage month; May 19th is also Yuri Kochiyama’s birthday. But also, Nguyen says that while the world is so wrapped up in COVID-19, he wanted to remind viewers that issues around gentrification and displacement persist in many urban cities, like Oakland. Lastly, Nguyen says he wanted to do something for the class of 2020. “A lot of students are graduating into a word of uncertainty, and Kathy is one of them,” says Nguyen. “What does their future look like?”\u003c/p>\n\u003cfigure id=\"attachment_13880812\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13880812\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/0-2-800x450.jpg\" alt=\"Kathy Liang painting an image of herself boxing\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/0-2-1920x1080.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kathy Liang painting an image of herself boxing. \u003ccite>(Tony Nguyen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Liang plans to take virtual classes this fall through Wesleyan University, during which she’ll focus on sociology, American studies and studio arts. And of course, she’ll continue to put out art with a message.\u003c/p>\n\u003cp>In fact, Liang currently works with UCLA’s Asian Pacific Coalition to illustrate stories of racism and bigotry during this pandemic; the pieces are published on \u003ca href=\"https://m.facebook.com/apcucla/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> and \u003ca href=\"https://www.instagram.com/apcucla/?igshid=yjgob7yhpekz\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram\u003c/a>.\u003c/p>\n\u003cp>Liang’s art is political in nature, and looks to fill a void in telling the stories of Asians and Pacific Islanders in America. “My work prioritizes the Asian experience in America,” says Liang.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Before graduating high school, she’s already making waves.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13880799/how-yuri-kochiyama-inspired-this-young-oakland-artist",
"authors": [
"11491"
],
"categories": [
"arts_1",
"arts_70"
],
"tags": [
"arts_820",
"arts_1143"
],
"featImg": "arts_13880810",
"label": "arts"
},
"arts_13880602": {
"type": "posts",
"id": "arts_13880602",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13880602",
"score": null,
"sort": [
1589834510000
]
},
"guestAuthors": [],
"slug": "625000-in-relief-announced-for-east-bay-artists-nonprofit-arts-workers",
"title": "$625,000 in Relief Announced for East Bay Artists, Nonprofit Arts Workers",
"publishDate": 1589834510,
"format": "standard",
"headTitle": "$625,000 in Relief Announced for East Bay Artists, Nonprofit Arts Workers | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>The City of Oakland has partnered with multiple private funders to launch the \u003ca href=\"https://www.cciarts.org/EastBayOaklandRelief.htm\" rel=\"noopener noreferrer\" target=\"_blank\">East Bay/Oakland Relief Fund for Individuals in the Arts\u003c/a>, which makes $625,000 available directly to artists, and cultural and nonprofit arts workers in Alameda County and Contra Costa County.\u003c/p>\n\u003cp>Individual grants are capped at $2,000 each, and are unrestricted, meaning the funds may be used in any way that alleviates financial burdens as a result of the COVID-19 pandemic. The application cycle runs from May 18–June 5. \u003c/p>\n\u003cp>“With this relief fund, we’re investing directly in our most vulnerable artists and culture workers, who have been incredibly hard-hit by the COVID-19 crisis,” Oakland Mayor Libby Schaaf said in a statement, adding, “I’m grateful to this public/private partnership of funders who’ve stepped forward to support our diverse artistic communities.”\u003c/p>\n\u003cp>The fund is led by the Kenneth Rainin Foundation together with the Akonadi Foundation; City of Oakland, Cultural Affairs Division; Richard Diebenkorn Foundation; Fleishhacker Foundation; Gerbode Foundation; William and Flora Hewlett Foundation; Nion McEvoy and Leslie Berriman; Oakland COVID-19 Relief Fund; Shuler-Heimburger Family Fund at East Bay Community Foundation; Phyllis C. Wattis Foundation; and individual donors.\u003c/p>\n\u003cp>Details on the fund and instructions for applying can be found \u003ca href=\"https://www.cciarts.org/EastBayOaklandRelief.htm\" rel=\"noopener noreferrer\" target=\"_blank\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>— Gabe Meline (\u003ca href=\"https://twitter.com/gmeline\" rel=\"noopener noreferrer\" target=\"_blank\">@gmeline\u003c/a>)\u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "Grants of up to $2,000 each are available for eligible residents of Alameda and Contra Costa Counties.",
"status": "publish",
"parent": 0,
"modified": 1726762074,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 8,
"wordCount": 225
},
"headData": {
"title": "$625,000 in Relief Announced for East Bay Artists, Nonprofit Arts Workers | KQED",
"description": "Grants of up to $2,000 each are available for eligible residents of Alameda and Contra Costa Counties.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "$625,000 in Relief Announced for East Bay Artists, Nonprofit Arts Workers",
"datePublished": "2020-05-18T13:41:50-07:00",
"dateModified": "2024-09-19T09:07:54-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"justInHeadline": "Oakland announces $625,000 in relief for East Bay artists",
"path": "/arts/13880602/625000-in-relief-announced-for-east-bay-artists-nonprofit-arts-workers",
"redirect": {
"type": "internal",
"url": "/coronavirusliveupdates/arts/13880602/625000-in-relief-announced-for-east-bay-artists-nonprofit-arts-workers"
},
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The City of Oakland has partnered with multiple private funders to launch the \u003ca href=\"https://www.cciarts.org/EastBayOaklandRelief.htm\" rel=\"noopener noreferrer\" target=\"_blank\">East Bay/Oakland Relief Fund for Individuals in the Arts\u003c/a>, which makes $625,000 available directly to artists, and cultural and nonprofit arts workers in Alameda County and Contra Costa County.\u003c/p>\n\u003cp>Individual grants are capped at $2,000 each, and are unrestricted, meaning the funds may be used in any way that alleviates financial burdens as a result of the COVID-19 pandemic. The application cycle runs from May 18–June 5. \u003c/p>\n\u003cp>“With this relief fund, we’re investing directly in our most vulnerable artists and culture workers, who have been incredibly hard-hit by the COVID-19 crisis,” Oakland Mayor Libby Schaaf said in a statement, adding, “I’m grateful to this public/private partnership of funders who’ve stepped forward to support our diverse artistic communities.”\u003c/p>\n\u003cp>The fund is led by the Kenneth Rainin Foundation together with the Akonadi Foundation; City of Oakland, Cultural Affairs Division; Richard Diebenkorn Foundation; Fleishhacker Foundation; Gerbode Foundation; William and Flora Hewlett Foundation; Nion McEvoy and Leslie Berriman; Oakland COVID-19 Relief Fund; Shuler-Heimburger Family Fund at East Bay Community Foundation; Phyllis C. Wattis Foundation; and individual donors.\u003c/p>\n\u003cp>Details on the fund and instructions for applying can be found \u003ca href=\"https://www.cciarts.org/EastBayOaklandRelief.htm\" rel=\"noopener noreferrer\" target=\"_blank\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>— Gabe Meline (\u003ca href=\"https://twitter.com/gmeline\" rel=\"noopener noreferrer\" target=\"_blank\">@gmeline\u003c/a>)\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/coronavirusliveupdates/arts/13880602/625000-in-relief-announced-for-east-bay-artists-nonprofit-arts-workers",
"authors": [
"185"
],
"categories": [
"arts_10797",
"arts_235"
],
"tags": [
"arts_10126",
"arts_3590",
"arts_10651",
"arts_1143"
],
"featImg": "arts_13879216",
"label": "arts"
},
"arts_13879577": {
"type": "posts",
"id": "arts_13879577",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13879577",
"score": null,
"sort": [
1588327251000
]
},
"parent": 0,
"labelTerm": {},
"blocks": [],
"publishDate": 1588327251,
"format": "audio",
"title": "Illustrating a Stutter with Umber Magazine",
"headTitle": "Illustrating a Stutter with Umber Magazine | KQED",
"content": "\u003cp>Mike Nicholls is the founder of \u003ca href=\"https://www.umbermagazine.net/\">\u003cem>Umber\u003c/em>\u003c/a> magazine, a publication dedicated to telling the stories of Black and Brown artists from the Bay Area. It’s so invested in those narratives, the pages are brown and the ink is black.\u003c/p>\n\u003cfigure id=\"attachment_13879588\" class=\"wp-caption alignright\" style=\"max-width: 255px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-13879588\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-1.jpg\" alt=\"Mike Nicholls\" width=\"255\" height=\"364\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/0-1.jpg 788w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/0-1-160x228.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/0-1-768x1095.jpg 768w\" sizes=\"(max-width: 255px) 100vw, 255px\">\u003cfigcaption class=\"wp-caption-text\">Mike Nicholls \u003ccite>(Michole Forks)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The magazine, which looks more like a graphic journal, publishes twice a year and is only available in print. The artsy publication is a product of Mike Nicholls’ love for typography, visual arts and music.\u003c/p>\n\u003cp>For the magazine’s third issue, which was released last summer, the theme was Sound. \u003ca href=\"https://thisismikenicholls.com/\">Nicholls\u003c/a>, who grew up with an intense stutter, says he’s always found it easier to express himself through the written word—hence his passion for the visual arts. But he’s interested in digging into sound as a method for overcoming stuttering.\u003c/p>\n\u003cp>Nicholls opens himself up in the magazine’s pages to write about overcoming his speech impediment. As Mike told me, “It’s like there’s a million words in my head, and I just want one!” He laughed, and continued by saying, “You know, I don’t stutter when I’m by myself.”\u003c/p>\n\u003cp>Now that we’re all at home, spending time alone, I thought it’d be a great opportunity to revisit this interview and explore Mike’s take on storytelling.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4192999748&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>While production on the fourth edition of the full magazine has been set back due to the COVID-19 related shut down, Mike Nicholls and the team at Umber have recently produced their third zine, called \u003cem>The Black and Brown Perspective. \u003c/em>You can find more information \u003ca href=\"https://www.umbermagazine.net/store/bbpzine3\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003ch5 id=\"embed-code\" class=\"inconsolata\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13879612\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/IMG_6399-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399.jpg 1253w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/h5>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": true,
"hasPolis": false,
"wordCount": 337,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1705020816,
"excerpt": "From stuttering box to artsy graphic journal creator, here's the story of Mike Nicholls, the man behind Umber. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "From stuttering box to artsy graphic journal creator, here's the story of Mike Nicholls, the man behind Umber. ",
"title": "Illustrating a Stutter with Umber Magazine | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Illustrating a Stutter with Umber Magazine",
"datePublished": "2020-05-01T03:00:51-07:00",
"dateModified": "2024-01-11T16:53:36-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "mike-nicholls",
"status": "publish",
"sourceUrl": "https://www.kqed.org/podcasts/rightnowish",
"audioUrl": "https://traffic.megaphone.fm/KQINC4192999748.mp3",
"sticky": false,
"source": "Rightnowish",
"path": "/arts/13879577/mike-nicholls",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mike Nicholls is the founder of \u003ca href=\"https://www.umbermagazine.net/\">\u003cem>Umber\u003c/em>\u003c/a> magazine, a publication dedicated to telling the stories of Black and Brown artists from the Bay Area. It’s so invested in those narratives, the pages are brown and the ink is black.\u003c/p>\n\u003cfigure id=\"attachment_13879588\" class=\"wp-caption alignright\" style=\"max-width: 255px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-13879588\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/0-1.jpg\" alt=\"Mike Nicholls\" width=\"255\" height=\"364\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/0-1.jpg 788w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/0-1-160x228.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/0-1-768x1095.jpg 768w\" sizes=\"(max-width: 255px) 100vw, 255px\">\u003cfigcaption class=\"wp-caption-text\">Mike Nicholls \u003ccite>(Michole Forks)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The magazine, which looks more like a graphic journal, publishes twice a year and is only available in print. The artsy publication is a product of Mike Nicholls’ love for typography, visual arts and music.\u003c/p>\n\u003cp>For the magazine’s third issue, which was released last summer, the theme was Sound. \u003ca href=\"https://thisismikenicholls.com/\">Nicholls\u003c/a>, who grew up with an intense stutter, says he’s always found it easier to express himself through the written word—hence his passion for the visual arts. But he’s interested in digging into sound as a method for overcoming stuttering.\u003c/p>\n\u003cp>Nicholls opens himself up in the magazine’s pages to write about overcoming his speech impediment. As Mike told me, “It’s like there’s a million words in my head, and I just want one!” He laughed, and continued by saying, “You know, I don’t stutter when I’m by myself.”\u003c/p>\n\u003cp>Now that we’re all at home, spending time alone, I thought it’d be a great opportunity to revisit this interview and explore Mike’s take on storytelling.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4192999748&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>While production on the fourth edition of the full magazine has been set back due to the COVID-19 related shut down, Mike Nicholls and the team at Umber have recently produced their third zine, called \u003cem>The Black and Brown Perspective. \u003c/em>You can find more information \u003ca href=\"https://www.umbermagazine.net/store/bbpzine3\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003ch5 id=\"embed-code\" class=\"inconsolata\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13879612\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/IMG_6399-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/IMG_6399.jpg 1253w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/h5>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13879577/mike-nicholls",
"authors": [
"11491"
],
"programs": [
"arts_8720"
],
"categories": [
"arts_1",
"arts_21759"
],
"tags": [
"arts_928",
"arts_1118",
"arts_1143",
"arts_6764"
],
"featImg": "arts_13879589",
"label": "source_arts_13879577"
},
"arts_13879199": {
"type": "posts",
"id": "arts_13879199",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13879199",
"score": null,
"sort": [
1587722401000
]
},
"parent": 0,
"labelTerm": {},
"blocks": [],
"publishDate": 1587722401,
"format": "audio",
"title": "The Sweet Release of Writing a Battle Rap",
"headTitle": "The Sweet Release of Writing a Battle Rap | KQED",
"content": "\u003cp>Oakland MC Passwurdz is a professional battle rapper. That means he gets paid to go on stage and publicly humiliate his opponents.\u003c/p>\n\u003cp>It’s an art form that dates back to the early days of Hip Hop and has been depicted in movies like \u003cem>8 Mile\u003c/em>. On top of being a competition of lyrical prowess, these battles provide comedic relief for audiences – and a cathartic release for artists, as well.\u003c/p>\n\u003cp>Passwurdz, aka \u003ca href=\"https://www.instagram.com/pass510/\" target=\"_blank\" rel=\"noopener noreferrer\">Pass\u003c/a>, is also part of the duo ANML PLNT (along with Jordan Jennings, aka Apes), which released an album earlier this year, called “The Box.”\u003c/p>\n\u003cp>Now that people are dealing with the emotions of daily uncertainty, I figured it’d be a good time to get some tips from a professional about how to use battle raps to constructively release some pent up emotions.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2595187587&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>\u003cbr>\nBelow is a lightly edited excerpt of my conversation with Passwurdz.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Pen: Do you find therapy in writing these raps and clowning people?\u003c/em>\u003c/p>\n\u003cp>Passwurdz: Yeah, definitely. It’s like when you’re punching a pillow or something. You know what I mean? Getting out that aggression in a different channel is kind of good for everybody. If that means we are not going to fight or do something crazy, instead we just yell at each other, we can do that. And yeah, honestly, just any exercise in writing for me is really therapeutic. Because it takes a lot of focus and it’s a lot of writing too.\u003c/p>\n\u003cfigure id=\"attachment_13879233\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/DE3038C7-979D-4AD4-AD17-B7669A5B9111.jpg\" alt=\"Passwurdz at a rap battle\" width=\"750\" height=\"1125\" class=\"size-full wp-image-13879233\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/DE3038C7-979D-4AD4-AD17-B7669A5B9111.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/DE3038C7-979D-4AD4-AD17-B7669A5B9111-160x240.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Passwurdz at a rap battle \u003ccite>(\u003ca href=\"https://heartstringweddings.com/\">Huy Nguyen\u003c/a>)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A three minute round is a whole song. But instead there’s no chorus, there’s no beats, you’re just rapping the whole time. There’s a lot of writing. But the process of putting that together, I treat this shit like a puzzle: What can I say here to connect this concept and dot to make the crowd go crazy?\u003c/p>\n\u003cp>\u003cem>Pen: So as people are listening to this, they’ve been domesticated for some time now, and while they’re in their house, I’m sure they’ve brewed up some anger. If they’re looking for a way to vent, a valve to get some heat off their chest and they’re looking to start battle rapping or just throw some bars out there, do you have any words of advice for them?\u003c/em>\u003c/p>\n\u003cp>Passwurdz: Absolutely. I do have words of advice. I would say watch some battles. I would say watch\u003ca href=\"https://www.youtube.com/watch?v=85lxWGUV_ZY\"> Loaded Lux, watch Aye Verb\u003c/a>, \u003ca href=\"https://www.youtube.com/channel/UCflIAeM03JFL9ml03LwYF-g\">URL\u003c/a>, \u003ca href=\"https://www.youtube.com/channel/UCIuFtIO8i_XqA8lM7q4B1FQ\">King of the Dot\u003c/a>. And I would use your mirror. I would rap to yourself. I’d write some things down. Record yourself battling an imaginary person. Pick a rapper, a famous rapper, and just battle him. You might destroy him.\u003c/p>\n\u003cp>\u003cem>Pen: Write 16 bars about your supervisor?\u003c/em>\u003c/p>\n\u003cp>Passwurdz: You feel me? All that! Straight up, but I’d definitely recommend filming yourself rapping… And figure out who you could send it to that might want to see you bar out.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": true,
"hasPolis": false,
"wordCount": 562,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 17
},
"modified": 1713569067,
"excerpt": "Got some pent up emotions? Passwurdz 510 tells us about using battle raps as a catharsis. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Got some pent up emotions? Passwurdz 510 tells us about using battle raps as a catharsis. ",
"title": "The Sweet Release of Writing a Battle Rap | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Sweet Release of Writing a Battle Rap",
"datePublished": "2020-04-24T03:00:01-07:00",
"dateModified": "2024-04-19T16:24:27-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the-sweet-release-of-writing-a-battle-rap",
"status": "publish",
"sourceUrl": "https://www.kqed.org/podcasts/rightnowish",
"templateType": "standard",
"audioUrl": "https://traffic.megaphone.fm/KQINC2595187587.mp3",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"source": "Rightnowish",
"articleAge": "0",
"path": "/arts/13879199/the-sweet-release-of-writing-a-battle-rap",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland MC Passwurdz is a professional battle rapper. That means he gets paid to go on stage and publicly humiliate his opponents.\u003c/p>\n\u003cp>It’s an art form that dates back to the early days of Hip Hop and has been depicted in movies like \u003cem>8 Mile\u003c/em>. On top of being a competition of lyrical prowess, these battles provide comedic relief for audiences – and a cathartic release for artists, as well.\u003c/p>\n\u003cp>Passwurdz, aka \u003ca href=\"https://www.instagram.com/pass510/\" target=\"_blank\" rel=\"noopener noreferrer\">Pass\u003c/a>, is also part of the duo ANML PLNT (along with Jordan Jennings, aka Apes), which released an album earlier this year, called “The Box.”\u003c/p>\n\u003cp>Now that people are dealing with the emotions of daily uncertainty, I figured it’d be a good time to get some tips from a professional about how to use battle raps to constructively release some pent up emotions.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2595187587&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>\u003cbr>\nBelow is a lightly edited excerpt of my conversation with Passwurdz.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Pen: Do you find therapy in writing these raps and clowning people?\u003c/em>\u003c/p>\n\u003cp>Passwurdz: Yeah, definitely. It’s like when you’re punching a pillow or something. You know what I mean? Getting out that aggression in a different channel is kind of good for everybody. If that means we are not going to fight or do something crazy, instead we just yell at each other, we can do that. And yeah, honestly, just any exercise in writing for me is really therapeutic. Because it takes a lot of focus and it’s a lot of writing too.\u003c/p>\n\u003cfigure id=\"attachment_13879233\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/DE3038C7-979D-4AD4-AD17-B7669A5B9111.jpg\" alt=\"Passwurdz at a rap battle\" width=\"750\" height=\"1125\" class=\"size-full wp-image-13879233\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/DE3038C7-979D-4AD4-AD17-B7669A5B9111.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/DE3038C7-979D-4AD4-AD17-B7669A5B9111-160x240.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Passwurdz at a rap battle \u003ccite>(\u003ca href=\"https://heartstringweddings.com/\">Huy Nguyen\u003c/a>)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A three minute round is a whole song. But instead there’s no chorus, there’s no beats, you’re just rapping the whole time. There’s a lot of writing. But the process of putting that together, I treat this shit like a puzzle: What can I say here to connect this concept and dot to make the crowd go crazy?\u003c/p>\n\u003cp>\u003cem>Pen: So as people are listening to this, they’ve been domesticated for some time now, and while they’re in their house, I’m sure they’ve brewed up some anger. If they’re looking for a way to vent, a valve to get some heat off their chest and they’re looking to start battle rapping or just throw some bars out there, do you have any words of advice for them?\u003c/em>\u003c/p>\n\u003cp>Passwurdz: Absolutely. I do have words of advice. I would say watch some battles. I would say watch\u003ca href=\"https://www.youtube.com/watch?v=85lxWGUV_ZY\"> Loaded Lux, watch Aye Verb\u003c/a>, \u003ca href=\"https://www.youtube.com/channel/UCflIAeM03JFL9ml03LwYF-g\">URL\u003c/a>, \u003ca href=\"https://www.youtube.com/channel/UCIuFtIO8i_XqA8lM7q4B1FQ\">King of the Dot\u003c/a>. And I would use your mirror. I would rap to yourself. I’d write some things down. Record yourself battling an imaginary person. Pick a rapper, a famous rapper, and just battle him. You might destroy him.\u003c/p>\n\u003cp>\u003cem>Pen: Write 16 bars about your supervisor?\u003c/em>\u003c/p>\n\u003cp>Passwurdz: You feel me? All that! Straight up, but I’d definitely recommend filming yourself rapping… And figure out who you could send it to that might want to see you bar out.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13879199/the-sweet-release-of-writing-a-battle-rap",
"authors": [
"11491"
],
"programs": [
"arts_8720"
],
"categories": [
"arts_1",
"arts_69",
"arts_21759"
],
"tags": [
"arts_5540",
"arts_1118",
"arts_831",
"arts_1143",
"arts_6764"
],
"featImg": "arts_13879207",
"label": "source_arts_13879199"
},
"arts_13879147": {
"type": "posts",
"id": "arts_13879147",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13879147",
"score": null,
"sort": [
1587679256000
]
},
"guestAuthors": [],
"slug": "the-public-health-pioneer-who-founded-oaklands-first-childrens-hospital",
"title": "The Public Health Champion Who Founded Oakland's First Children's Hospital",
"publishDate": 1587679256,
"format": "standard",
"headTitle": "The Public Health Champion Who Founded Oakland’s First Children’s Hospital | KQED",
"labelTerm": {},
"content": "\u003cp>It all started in 1913, with a clinic housed inside an old donkey barn. The improvised medical practice was operated by a nurse so formidable and determined, not only did she provide all of the equipment needed to make the clinic functional, she worked without pay until it had sufficient donations to survive.\u003c/p>\n\u003cp>The nurse’s name was Bertha Wright and the clinic was all part of her larger mission to open a hospital dedicated to the care of babies and children in Oakland and Berkeley. Fifteen months after her practice in the barn opened its doors, Bertha’s hard work paid off with the opening of the area’s first children’s hospital — an institution that started in an old mansion, but continues to survive to this day as \u003ca href=\"https://localwiki.org/oakland/Children%27s_Hospital_Oakland\">UCSF’s Benioff Children’s Hospital\u003c/a>. (It was renamed in 2014, after decades as Children’s Hospital Oakland.)\u003c/p>\n\u003cp>[aside postid='arts_13877186']Bertha’s reputation as a dedicated and hardworking nurse was established far earlier than the hospital. Born in Piedmont, the middle child of three, she graduated from the California Women’s Hospital School of Nursing in San Francisco in 1901, at the age of 25. She went on to work both there and at the Nurses’ Settlement House in Potrero Hill, where she served a large population of struggling immigrants. After the 1906 earthquake, Bertha tended to the sick and wounded in refugee camps all over the city.\u003c/p>\n\u003cp>In 1907, as the Bay Area struggled to rebuild after the 1906 earthquake and subsequent fires, community groups and a variety of charities banded together to form the Charitable Organization Society of Berkeley. Wright was appointed Home Secretary and, while serving in that role, helped to establish the Berkeley Day Nursery, the first organization of its kind in California to offer subsidized childcare.\u003c/p>\n\u003cp>The nursery was funded by the City of Berkeley, the Berkeley Community Chest, the United Crusade, public donations and sliding scale payments from parents. Prior to the nursery opening, working women were forced to leave their children at local orphan asylums while they did their jobs. The nursery continued caring for local children until 1965.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In 1910, Bertha also became the first district nurse to serve underprivileged children in Alameda County. In her mission to get care to the needy by any means necessary, she went on to co-found the Public Health Nurses’ Association of Alameda County and also taught public health nursing at UC Berkeley. In her role as a visiting nurse, Bertha is said to have journeyed to hundreds of homes a week on her trusty horse and buggy. It was during these visits that Bertha became aware of the overwhelming need for hospital services that were dedicated specifically to the needs of children.\u003c/p>\n\u003cp>During one 1912 \u003ca href=\"https://berkhistory.org/wp-content/uploads/2022/02/2007_fall_newsletter.pdf\">meeting of the Berkeley Commission of Public Charities\u003c/a>, it was noted that:\u003c/p>\n\u003cblockquote>\u003cp>Ever since Miss Wright has been in Berkeley, she has [believed] that much of her effort has been wasted because of this lack of a proper place for sick children. The need of a hospital for the babies among whom we work is especially urgent because of the crowded home conditions, a certain ignorance on the part of the parents and their limited incomes, reasons which do not exist in the homes of those in more comfortable circumstances.\u003c/p>\u003c/blockquote>\n\u003cp>Wright was determined that children should not suffer due to the financial hardships of their parents. When the Baby Hospital first opened on September 16, 1914, the cost was supposed to be $1 a day for ward beds and $2.50 for private rooms, but fewer than 10 per cent of patients usually paid the full fee — if any fee at all. The hospital was able to stay open only because of a tireless group of local women who relentlessly fundraised at fairs, dinners, fashion shows and in their own communities.\u003c/p>\n\u003cp>[aside postid='arts_13955066']At the time of its opening, the hospital housed a 20-bed ward on the first floor, a 10-bed ward on the second, along with five private rooms. The staff was small: three nurses, a secretary, a cook and a houseboy. Doctors were summoned from other hospitals when their assistance was required.\u003c/p>\n\u003cp>In that first year, the Baby Hospital treated 611 children. That same year, Bertha’s smaller clinic on the property saw more than 6,000 patients. In 1916, the hospital established a dental clinic. But hospital growth happened quickly. Sheer demand forced the hospital to open new wings in 1928 and 1948. By 1945, it was treating 24,500 patients a year.\u003c/p>\n\u003cp>Even before the hospital had opened, Bertha had begun holding prenatal and baby hygiene classes at her clinic. She also helped organize the first “baby saving fairs” on the West Coast. A maternity clinic at the hospital helped to safely deliver newborns. But Bertha’s dedication to children did not stop in her working life.\u003c/p>\n\u003cp>During her time with the Charitable Organization Society, she met social worker Mabel Weed, who was also key in establishing and fundraising for the Baby Hospital. The women first moved in together in the early 1920s, and went on to lovingly raise three adopted children, Philip, Barbara and Jean. They also fostered a great many others. In fact, the 1940 census shows that, when Bertha was 62 and Mabel was 68, they were still fostering children in Palo Alto. Bertha even continued after Mabel’s death in 1957.\u003c/p>\n\u003cp>Bertha passed away in 1971 just one month shy of her 95th birthday, after a lifetime spent in the service of children, women and all those living on the margins. She was buried close to her beloved Mabel in Alto Mesa Cemetery, Palo Alto.\u003c/p>\n\u003cp>[aside postid='arts_13966861']It’s clear from both her work and personal history that Bertha Wright was blessed with an uncommon drive and an unconventional approach to life. She is also said to have been rather imposing. In 1967 book \u003cem>The Hospital Women Built for Children\u003c/em> by Murray Morgan, Bertha is described as: “Tall and rawboned, dedicated and undemure, she could face down a practical objection with a skeptical glance. A Berkeley businessman recalls fondly, ‘She could always make me feel as if I were unbuttoned.’”\u003c/p>\n\u003cp>Perhaps Bertha’s uniqueness can be attributed to what \u003cem>American Nursing: A Biographical Dictionary, Volume 3\u003c/em> describes as “her circle of progressive feminist women friends,” as well as her “bold and adventurous family of eccentrics and inventors. A family that never said ‘What will people think?’”\u003c/p>\n\u003chr>\n\u003cp>\u003cem>To learn about other Rebel Girls from Bay Area History, visit the \u003ca href=\"https://www.kqed.org/rebelgirls\">Rebel Girls homepage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>A book celebrating women from the Rebel Girls series, \u003ca href=\"https://citylights.com/politics-current-events-history/unsung-heroines35-women-who-changed/\">‘Unsung Heroines: 35 Women Who Changed the Bay Area,’\u003c/a> is available now from City Lights.\u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "Bertha Wright was a champion for children and women. With her partner Mabel Weed, she changed Bay Area healthcare forever. ",
"status": "publish",
"parent": 0,
"modified": 1769720798,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 20,
"wordCount": 1157
},
"headData": {
"title": "The Life of Bertha Wright, Bay Area Public Health Champion | KQED",
"description": "Bertha Wright was a champion for children and women. With her partner Mabel Weed, she changed Bay Area healthcare forever. ",
"ogTitle": "The Public Health Champion Who Founded Oakland's First Children's Hospital",
"ogDescription": "",
"ogImgId": "",
"twTitle": "The Public Health Champion Who Founded Oakland's First Children's Hospital",
"twDescription": "",
"twImgId": "",
"socialTitle": "The Life of Bertha Wright, Bay Area Public Health Champion %%page%% %%sep%% KQED",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Public Health Champion Who Founded Oakland's First Children's Hospital",
"datePublished": "2020-04-23T15:00:56-07:00",
"dateModified": "2026-01-29T13:06:38-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"primaryCategory": {
"termId": 7862,
"slug": "history",
"name": "History"
},
"source": "Rebel Girls",
"sourceUrl": "https://www.kqed.org/rebelgirls",
"audioUrl": "https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-41c5-bcaf-aaef00f5a073/7fbef794-b026-45a4-b083-ac7e0156863b/audio.mp3",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13879147/the-public-health-pioneer-who-founded-oaklands-first-childrens-hospital",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It all started in 1913, with a clinic housed inside an old donkey barn. The improvised medical practice was operated by a nurse so formidable and determined, not only did she provide all of the equipment needed to make the clinic functional, she worked without pay until it had sufficient donations to survive.\u003c/p>\n\u003cp>The nurse’s name was Bertha Wright and the clinic was all part of her larger mission to open a hospital dedicated to the care of babies and children in Oakland and Berkeley. Fifteen months after her practice in the barn opened its doors, Bertha’s hard work paid off with the opening of the area’s first children’s hospital — an institution that started in an old mansion, but continues to survive to this day as \u003ca href=\"https://localwiki.org/oakland/Children%27s_Hospital_Oakland\">UCSF’s Benioff Children’s Hospital\u003c/a>. (It was renamed in 2014, after decades as Children’s Hospital Oakland.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13877186",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Bertha’s reputation as a dedicated and hardworking nurse was established far earlier than the hospital. Born in Piedmont, the middle child of three, she graduated from the California Women’s Hospital School of Nursing in San Francisco in 1901, at the age of 25. She went on to work both there and at the Nurses’ Settlement House in Potrero Hill, where she served a large population of struggling immigrants. After the 1906 earthquake, Bertha tended to the sick and wounded in refugee camps all over the city.\u003c/p>\n\u003cp>In 1907, as the Bay Area struggled to rebuild after the 1906 earthquake and subsequent fires, community groups and a variety of charities banded together to form the Charitable Organization Society of Berkeley. Wright was appointed Home Secretary and, while serving in that role, helped to establish the Berkeley Day Nursery, the first organization of its kind in California to offer subsidized childcare.\u003c/p>\n\u003cp>The nursery was funded by the City of Berkeley, the Berkeley Community Chest, the United Crusade, public donations and sliding scale payments from parents. Prior to the nursery opening, working women were forced to leave their children at local orphan asylums while they did their jobs. The nursery continued caring for local children until 1965.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In 1910, Bertha also became the first district nurse to serve underprivileged children in Alameda County. In her mission to get care to the needy by any means necessary, she went on to co-found the Public Health Nurses’ Association of Alameda County and also taught public health nursing at UC Berkeley. In her role as a visiting nurse, Bertha is said to have journeyed to hundreds of homes a week on her trusty horse and buggy. It was during these visits that Bertha became aware of the overwhelming need for hospital services that were dedicated specifically to the needs of children.\u003c/p>\n\u003cp>During one 1912 \u003ca href=\"https://berkhistory.org/wp-content/uploads/2022/02/2007_fall_newsletter.pdf\">meeting of the Berkeley Commission of Public Charities\u003c/a>, it was noted that:\u003c/p>\n\u003cblockquote>\u003cp>Ever since Miss Wright has been in Berkeley, she has [believed] that much of her effort has been wasted because of this lack of a proper place for sick children. The need of a hospital for the babies among whom we work is especially urgent because of the crowded home conditions, a certain ignorance on the part of the parents and their limited incomes, reasons which do not exist in the homes of those in more comfortable circumstances.\u003c/p>\u003c/blockquote>\n\u003cp>Wright was determined that children should not suffer due to the financial hardships of their parents. When the Baby Hospital first opened on September 16, 1914, the cost was supposed to be $1 a day for ward beds and $2.50 for private rooms, but fewer than 10 per cent of patients usually paid the full fee — if any fee at all. The hospital was able to stay open only because of a tireless group of local women who relentlessly fundraised at fairs, dinners, fashion shows and in their own communities.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13955066",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>At the time of its opening, the hospital housed a 20-bed ward on the first floor, a 10-bed ward on the second, along with five private rooms. The staff was small: three nurses, a secretary, a cook and a houseboy. Doctors were summoned from other hospitals when their assistance was required.\u003c/p>\n\u003cp>In that first year, the Baby Hospital treated 611 children. That same year, Bertha’s smaller clinic on the property saw more than 6,000 patients. In 1916, the hospital established a dental clinic. But hospital growth happened quickly. Sheer demand forced the hospital to open new wings in 1928 and 1948. By 1945, it was treating 24,500 patients a year.\u003c/p>\n\u003cp>Even before the hospital had opened, Bertha had begun holding prenatal and baby hygiene classes at her clinic. She also helped organize the first “baby saving fairs” on the West Coast. A maternity clinic at the hospital helped to safely deliver newborns. But Bertha’s dedication to children did not stop in her working life.\u003c/p>\n\u003cp>During her time with the Charitable Organization Society, she met social worker Mabel Weed, who was also key in establishing and fundraising for the Baby Hospital. The women first moved in together in the early 1920s, and went on to lovingly raise three adopted children, Philip, Barbara and Jean. They also fostered a great many others. In fact, the 1940 census shows that, when Bertha was 62 and Mabel was 68, they were still fostering children in Palo Alto. Bertha even continued after Mabel’s death in 1957.\u003c/p>\n\u003cp>Bertha passed away in 1971 just one month shy of her 95th birthday, after a lifetime spent in the service of children, women and all those living on the margins. She was buried close to her beloved Mabel in Alto Mesa Cemetery, Palo Alto.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13966861",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>It’s clear from both her work and personal history that Bertha Wright was blessed with an uncommon drive and an unconventional approach to life. She is also said to have been rather imposing. In 1967 book \u003cem>The Hospital Women Built for Children\u003c/em> by Murray Morgan, Bertha is described as: “Tall and rawboned, dedicated and undemure, she could face down a practical objection with a skeptical glance. A Berkeley businessman recalls fondly, ‘She could always make me feel as if I were unbuttoned.’”\u003c/p>\n\u003cp>Perhaps Bertha’s uniqueness can be attributed to what \u003cem>American Nursing: A Biographical Dictionary, Volume 3\u003c/em> describes as “her circle of progressive feminist women friends,” as well as her “bold and adventurous family of eccentrics and inventors. A family that never said ‘What will people think?’”\u003c/p>\n\u003chr>\n\u003cp>\u003cem>To learn about other Rebel Girls from Bay Area History, visit the \u003ca href=\"https://www.kqed.org/rebelgirls\">Rebel Girls homepage\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>A book celebrating women from the Rebel Girls series, \u003ca href=\"https://citylights.com/politics-current-events-history/unsung-heroines35-women-who-changed/\">‘Unsung Heroines: 35 Women Who Changed the Bay Area,’\u003c/a> is available now from City Lights.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13879147/the-public-health-pioneer-who-founded-oaklands-first-childrens-hospital",
"authors": [
"11242"
],
"series": [
"arts_22303"
],
"categories": [
"arts_1",
"arts_7862"
],
"tags": [
"arts_9598",
"arts_2640",
"arts_1143",
"arts_21841"
],
"featImg": "arts_13879177",
"label": "source_arts_13879147"
},
"arts_13879146": {
"type": "posts",
"id": "arts_13879146",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13879146",
"score": null,
"sort": [
1587670557000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1587670557,
"format": "standard",
"title": "In Oakland, Plunging Hotel Tax Revenue Threatens to Gut Arts Funding",
"headTitle": "In Oakland, Plunging Hotel Tax Revenue Threatens to Gut Arts Funding | KQED",
"content": "\u003cp>In 2009, Oakland voters passed a ballot measure to increase arts funding as part of the city’s economic recovery from the Great Recession. [aside postID=arts_13878335,arts_13861153,arts_13873207]\u003c/p>\n\u003cp>Measure C raised the city’s hotel tax from 11 percent to 14 percent, with the added revenue supporting Oakland’s Cultural Funding Program, tourism agency Visit Oakland, festivals such as Art + Soul, and organizations including the Oakland Museum of California (OMCA) and Chabot Space and Science Center.\u003c/p>\n\u003cp>In the decade since, annual hotel tax revenue has more than tripled, reaching $33 million in 2019. Last year, roughly a third of the $1.2 million that Oakland granted to artists and small arts nonprofits derived from hotel taxes, and Oakland Museum of California received nearly $1 million from the fund.\u003c/p>\n\u003cp>Still, the benefits have been modest, outstripped by rising housing costs. Oakland arts figures have in recent years agitated elected officials for additional funding with mixed success—securing one time boosts only to see them dropped from subsequent budgets or diverted to other uses. \u003c/p>\n\u003cp>Now, a new economic crisis is erasing the limited gains and threatening to plunge public art support to historic lows.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>With the current shelter-in-place orders, Bay Area hotel occupancy rates have plummeted to below 20 percent, and in some cities, rates are in the single digits. Oakland’s budget director projects hotel tax revenue falling by $9 million to $18.01 million this fiscal year alone—part of a potential $80 million budget shortfall over the next 14 months.\u003c/p>\n\u003cp>“The size and scale of these revenue shortfalls is like nothing Oakland has ever before experienced,” reads the \u003ca href=\"https://oakland.legistar.com/LegislationDetail.aspx?ID=4420613&GUID=6DAD55FD-A354-4DE0-A6C0-E376CE95DDE2&Options=&Search=\">finance report\u003c/a> received by Oakland City Council on Tuesday.\u003c/p>\n\u003cfigure id=\"attachment_13875808\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/photo-by-Zoe-Mountain.jpg\" alt=\"The creation and erasure of a mural catalyzes an anti-gentrification coalition in 'Alice Street.'\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13875808\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-1020x574.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The creation and erasure of a mural catalyzes an anti-gentrification coalition in ‘Alice Street.’ \u003ccite>(Zoe Mountain/Courtesy of filmmaker)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Oakland Museum of California, the city’s largest cultural organization, has for the past two years relied on hotel tax allocation for approximately $70,000 per month in operations support.\u003c/p>\n\u003cp>“We’re anticipating that goes away completely for the foreseeable future,” Lori Fogarty, director of the museum, said in an interview. “That’s absolutely one of our biggest hits.”\u003c/p>\n\u003cp>The impact follows the cancellation of the museum’s annual gala March 14, which aimed to raise $350,000 (many supporters donated regardless), and comes atop the ongoing losses from ticket sales and programming. OMCA expects to lose $1.5 million through the summer.\u003c/p>\n\u003cp>The museum recently \u003ca href=\"https://www.kqed.org/arts/13878335/oakland-museum-of-california-announces-hours-reductions-affecting-106-workers\">reduced the hours\u003c/a> of 106 full-time employees, a measure meant to avoid layoffs. Only with the help of a federal loan was the museum able to temporarily restore them.\u003c/p>\n\u003cp>Fogarty noted the $2.5 million \u003ca href=\"https://www.kqed.org/arts/13877253/sf-pledges-2-5-million-to-new-arts-relief-program\">Arts Relief Program\u003c/a> in San Francisco, saying Oakland arts leaders could better organize to advocate for emergency relief from local government. But municipal budget crises tend to hasten privatization: The last recession spurred OMCA, for decades run by the City of Oakland, to reform as an independent nonprofit in 2011.\u003c/p>\n\u003cp>“There’s some parallels,” she said. “We were facing a decrease in funding then. But this is even more abrupt and far-reaching—I don’t know if there’s been a comparable moment.”\u003c/p>\n\u003cfigure id=\"attachment_13878341\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/OMCA-courtesy-OMCA.jpg\" alt=\"Plunging hotel tax revenue threatens an important funding source for the Oakland Museum of California.\" width=\"1920\" height=\"1116\" class=\"size-full wp-image-13878341\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-800x465.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-768x446.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-1020x593.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Plunging hotel tax revenue threatens an important funding source for the Oakland Museum of California. \u003ccite>(Courtesy OMCA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Roberto Bedoya, Oakland’s cultural affairs manager, said in a statement that the effects of city finances on his department will become clear in the coming months as officials reassess the budget.\u003c/p>\n\u003cp>The Cultural Funding Program (CFP) regularly supports performing arts organizations such as Oakland Ballet, Lower Bottom Playaz and Ubuntu Theater; murals by Community Rejuvenation Project and Attitudinal Healing Connection; and has funded projects by metalworker \u003ca href=\"https://www.kqed.org/arts/13873207/the-hustle-karen-smith-metalsmith-oakland\">Karen Smith\u003c/a>, \u003cem>\u003ca href=\"https://www.kqed.org/arts/13875585/in-alice-street-oakland-artist-activists-build-power-by-bridging-communities\">Alice Street\u003c/a>\u003c/em> director Spencer Wilkinson and \u003cem>There, There\u003c/em> author Tommy Orange.\u003c/p>\n\u003cp>In 2018 the cultural affairs unit published Oakland’s first \u003ca href=\"https://www.kqed.org/arts/13875113/oakland-appoints-cultural-affairs-commissioners\">Cultural Plan\u003c/a> in decades, detailing proposals to alleviate cost-of-living pressures on local artists and sustain community identity. Recently staff also worked to revive Oakland’s long-dormant \u003ca href=\"https://www.kqed.org/arts/13875113/oakland-appoints-cultural-affairs-commissioners\">Cultural Commission\u003c/a>. But the unit has struggled to win additional funding above and beyond its hotel tax allocation to enact most of its policy goals.\u003c/p>\n\u003cp>Even assuming a continuing uptick in hotel tax revenue, the CFP’s grant-making budget was poised to \u003ca href=\"https://www.kqed.org/arts/13861153/its-criminal-cultural-funding-cuts-frustrate-oakland-artists\">shrink\u003c/a> this year as a one-time boost from the 2017 budget cycle lapses.\u003c/p>\n\u003cp>And there’s recent precedent for officials raiding arts funds: $100,000 set aside for murals in 2017 disappeared before it could be spent, Bedoya said at a committee hearing earlier this year, due to anticipated revenue shortfalls after council members voted to reduce cannabis taxes.\u003c/p>\n\u003cp>Eric Arnold, Community Rejuvenation Project spokesperson and a longtime observer of Oakland’s equity and culture initiatives, believes the CFP’s few gains since the recession are in serious jeopardy—especially without a grassroots campaign to advocate for the program.\u003c/p>\n\u003cp>“The one-time increases for arts funding that we have seen came directly from community pressure,” Arnold said. “Right now, who’s even organized to make a budget request?”\u003c/p>\n\u003cfigure id=\"attachment_13861187\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development.jpg\" alt=\"A panel of the disappearing "Universal Language" mural, showing the Congolese artist Malonga Casquelourd, in front of Oakland's changing skyline.\" width=\"1920\" height=\"1155\" class=\"size-full wp-image-13861187\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-800x481.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-768x462.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-1020x614.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-1200x722.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A panel of the disappearing “Universal Language” mural, showing the Congolese artist Malonga Casquelourd, in front of Oakland’s changing skyline. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The San Francisco Arts Commission and related entity Grants for the Arts also expect hotel tax funding for cultural programs—significantly boosted by the 2018 passage of \u003ca href=\"https://www.kqed.org/news/11702680/proposition-e-seeks-to-restore-s-f-s-arts-and-culture-funding-clout\">Proposition E\u003c/a>—to dwindle as city finance officials \u003ca href=\"https://www.documentcloud.org/documents/6821861-March-Joint-Report-Memo-ACTIVE.html\">project\u003c/a> staggering losses of up to $288 million this fiscal year.\u003c/p>\n\u003cp>But San Francisco has more diversified revenue sources for its arts support, and Proposition E actually limits the losses to the Hotel Tax for the Arts fund. Hence, allocations to the fund are expected to only decline by $4.6 million to $28.8 million, according to a March 31 finance report.\u003c/p>\n\u003cp>Brent Miller, co-founder of Center for New Music, a San Francisco venue supported by Grants for the Arts, expects the grant-maker’s reserves to delay the effects on small nonprofits. For now, he’s more concerned about missing rental income that normally subsidizes programming.\u003c/p>\n\u003cp>“I’m hearing Grants for the Arts funding next year is kind of set in stone,” said Miller. “We’re really going to see the impact of that the following year, and then I don’t know what we’ll do.”\u003c/p>\n\u003cp>Arts funders at the state level are also shuddering. At a livestreamed California Arts Council meeting on April 1, commissioners debated relief measures, such as loosening grant restrictions to let organizations cover immediate payroll and rent costs with awards meant for specific projects.\u003c/p>\n\u003cp>The council’s grant-making budget has multiplied in recent years, totaling $35 million in 2020. But when talk turned to the council’s financial outlook, commissioners seemed to brace for cuts.\u003c/p>\n\u003cp>Ayanna Kiburi, the council’s deputy director, showed doubts about additional funding for cultural districts included in Governor Gavin Newsom’s budget proposal from this past January. “That probably won’t—we don’t know what’s going to happen,” Kiburi said.\u003c/p>\n\u003cp>The state funder is in turn awaiting federal support. The $2 trillion federal aid package approved last month includes $75 million each for the national endowments for the humanities and the arts, with 40 percent reserved for state partners such as California Arts Council.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>But the money remains in limbo. Nashormeh Lindo, a council member based in Oakland, said the “amount, timing and mechanism” of the additional national endowment funding is unknown.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1303,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 31
},
"modified": 1705020857,
"excerpt": "A new economic crisis jeopardizes Oakland arts funding’s limited gains of the past decade.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A new economic crisis jeopardizes Oakland arts funding’s limited gains of the past decade.",
"title": "In Oakland, Plunging Hotel Tax Revenue Threatens to Gut Arts Funding | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "In Oakland, Plunging Hotel Tax Revenue Threatens to Gut Arts Funding",
"datePublished": "2020-04-23T12:35:57-07:00",
"dateModified": "2024-01-11T16:54:17-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "in-oakland-plunging-hotel-tax-revenue-threatens-to-gut-arts-funding",
"status": "publish",
"templateType": "standard",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13879146/in-oakland-plunging-hotel-tax-revenue-threatens-to-gut-arts-funding",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 2009, Oakland voters passed a ballot measure to increase arts funding as part of the city’s economic recovery from the Great Recession. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13878335,arts_13861153,arts_13873207",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Measure C raised the city’s hotel tax from 11 percent to 14 percent, with the added revenue supporting Oakland’s Cultural Funding Program, tourism agency Visit Oakland, festivals such as Art + Soul, and organizations including the Oakland Museum of California (OMCA) and Chabot Space and Science Center.\u003c/p>\n\u003cp>In the decade since, annual hotel tax revenue has more than tripled, reaching $33 million in 2019. Last year, roughly a third of the $1.2 million that Oakland granted to artists and small arts nonprofits derived from hotel taxes, and Oakland Museum of California received nearly $1 million from the fund.\u003c/p>\n\u003cp>Still, the benefits have been modest, outstripped by rising housing costs. Oakland arts figures have in recent years agitated elected officials for additional funding with mixed success—securing one time boosts only to see them dropped from subsequent budgets or diverted to other uses. \u003c/p>\n\u003cp>Now, a new economic crisis is erasing the limited gains and threatening to plunge public art support to historic lows.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With the current shelter-in-place orders, Bay Area hotel occupancy rates have plummeted to below 20 percent, and in some cities, rates are in the single digits. Oakland’s budget director projects hotel tax revenue falling by $9 million to $18.01 million this fiscal year alone—part of a potential $80 million budget shortfall over the next 14 months.\u003c/p>\n\u003cp>“The size and scale of these revenue shortfalls is like nothing Oakland has ever before experienced,” reads the \u003ca href=\"https://oakland.legistar.com/LegislationDetail.aspx?ID=4420613&GUID=6DAD55FD-A354-4DE0-A6C0-E376CE95DDE2&Options=&Search=\">finance report\u003c/a> received by Oakland City Council on Tuesday.\u003c/p>\n\u003cfigure id=\"attachment_13875808\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/photo-by-Zoe-Mountain.jpg\" alt=\"The creation and erasure of a mural catalyzes an anti-gentrification coalition in 'Alice Street.'\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13875808\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-1020x574.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The creation and erasure of a mural catalyzes an anti-gentrification coalition in ‘Alice Street.’ \u003ccite>(Zoe Mountain/Courtesy of filmmaker)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Oakland Museum of California, the city’s largest cultural organization, has for the past two years relied on hotel tax allocation for approximately $70,000 per month in operations support.\u003c/p>\n\u003cp>“We’re anticipating that goes away completely for the foreseeable future,” Lori Fogarty, director of the museum, said in an interview. “That’s absolutely one of our biggest hits.”\u003c/p>\n\u003cp>The impact follows the cancellation of the museum’s annual gala March 14, which aimed to raise $350,000 (many supporters donated regardless), and comes atop the ongoing losses from ticket sales and programming. OMCA expects to lose $1.5 million through the summer.\u003c/p>\n\u003cp>The museum recently \u003ca href=\"https://www.kqed.org/arts/13878335/oakland-museum-of-california-announces-hours-reductions-affecting-106-workers\">reduced the hours\u003c/a> of 106 full-time employees, a measure meant to avoid layoffs. Only with the help of a federal loan was the museum able to temporarily restore them.\u003c/p>\n\u003cp>Fogarty noted the $2.5 million \u003ca href=\"https://www.kqed.org/arts/13877253/sf-pledges-2-5-million-to-new-arts-relief-program\">Arts Relief Program\u003c/a> in San Francisco, saying Oakland arts leaders could better organize to advocate for emergency relief from local government. But municipal budget crises tend to hasten privatization: The last recession spurred OMCA, for decades run by the City of Oakland, to reform as an independent nonprofit in 2011.\u003c/p>\n\u003cp>“There’s some parallels,” she said. “We were facing a decrease in funding then. But this is even more abrupt and far-reaching—I don’t know if there’s been a comparable moment.”\u003c/p>\n\u003cfigure id=\"attachment_13878341\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/OMCA-courtesy-OMCA.jpg\" alt=\"Plunging hotel tax revenue threatens an important funding source for the Oakland Museum of California.\" width=\"1920\" height=\"1116\" class=\"size-full wp-image-13878341\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-800x465.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-768x446.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-1020x593.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Plunging hotel tax revenue threatens an important funding source for the Oakland Museum of California. \u003ccite>(Courtesy OMCA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Roberto Bedoya, Oakland’s cultural affairs manager, said in a statement that the effects of city finances on his department will become clear in the coming months as officials reassess the budget.\u003c/p>\n\u003cp>The Cultural Funding Program (CFP) regularly supports performing arts organizations such as Oakland Ballet, Lower Bottom Playaz and Ubuntu Theater; murals by Community Rejuvenation Project and Attitudinal Healing Connection; and has funded projects by metalworker \u003ca href=\"https://www.kqed.org/arts/13873207/the-hustle-karen-smith-metalsmith-oakland\">Karen Smith\u003c/a>, \u003cem>\u003ca href=\"https://www.kqed.org/arts/13875585/in-alice-street-oakland-artist-activists-build-power-by-bridging-communities\">Alice Street\u003c/a>\u003c/em> director Spencer Wilkinson and \u003cem>There, There\u003c/em> author Tommy Orange.\u003c/p>\n\u003cp>In 2018 the cultural affairs unit published Oakland’s first \u003ca href=\"https://www.kqed.org/arts/13875113/oakland-appoints-cultural-affairs-commissioners\">Cultural Plan\u003c/a> in decades, detailing proposals to alleviate cost-of-living pressures on local artists and sustain community identity. Recently staff also worked to revive Oakland’s long-dormant \u003ca href=\"https://www.kqed.org/arts/13875113/oakland-appoints-cultural-affairs-commissioners\">Cultural Commission\u003c/a>. But the unit has struggled to win additional funding above and beyond its hotel tax allocation to enact most of its policy goals.\u003c/p>\n\u003cp>Even assuming a continuing uptick in hotel tax revenue, the CFP’s grant-making budget was poised to \u003ca href=\"https://www.kqed.org/arts/13861153/its-criminal-cultural-funding-cuts-frustrate-oakland-artists\">shrink\u003c/a> this year as a one-time boost from the 2017 budget cycle lapses.\u003c/p>\n\u003cp>And there’s recent precedent for officials raiding arts funds: $100,000 set aside for murals in 2017 disappeared before it could be spent, Bedoya said at a committee hearing earlier this year, due to anticipated revenue shortfalls after council members voted to reduce cannabis taxes.\u003c/p>\n\u003cp>Eric Arnold, Community Rejuvenation Project spokesperson and a longtime observer of Oakland’s equity and culture initiatives, believes the CFP’s few gains since the recession are in serious jeopardy—especially without a grassroots campaign to advocate for the program.\u003c/p>\n\u003cp>“The one-time increases for arts funding that we have seen came directly from community pressure,” Arnold said. “Right now, who’s even organized to make a budget request?”\u003c/p>\n\u003cfigure id=\"attachment_13861187\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development.jpg\" alt=\"A panel of the disappearing "Universal Language" mural, showing the Congolese artist Malonga Casquelourd, in front of Oakland's changing skyline.\" width=\"1920\" height=\"1155\" class=\"size-full wp-image-13861187\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-800x481.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-768x462.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-1020x614.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-1200x722.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A panel of the disappearing “Universal Language” mural, showing the Congolese artist Malonga Casquelourd, in front of Oakland’s changing skyline. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The San Francisco Arts Commission and related entity Grants for the Arts also expect hotel tax funding for cultural programs—significantly boosted by the 2018 passage of \u003ca href=\"https://www.kqed.org/news/11702680/proposition-e-seeks-to-restore-s-f-s-arts-and-culture-funding-clout\">Proposition E\u003c/a>—to dwindle as city finance officials \u003ca href=\"https://www.documentcloud.org/documents/6821861-March-Joint-Report-Memo-ACTIVE.html\">project\u003c/a> staggering losses of up to $288 million this fiscal year.\u003c/p>\n\u003cp>But San Francisco has more diversified revenue sources for its arts support, and Proposition E actually limits the losses to the Hotel Tax for the Arts fund. Hence, allocations to the fund are expected to only decline by $4.6 million to $28.8 million, according to a March 31 finance report.\u003c/p>\n\u003cp>Brent Miller, co-founder of Center for New Music, a San Francisco venue supported by Grants for the Arts, expects the grant-maker’s reserves to delay the effects on small nonprofits. For now, he’s more concerned about missing rental income that normally subsidizes programming.\u003c/p>\n\u003cp>“I’m hearing Grants for the Arts funding next year is kind of set in stone,” said Miller. “We’re really going to see the impact of that the following year, and then I don’t know what we’ll do.”\u003c/p>\n\u003cp>Arts funders at the state level are also shuddering. At a livestreamed California Arts Council meeting on April 1, commissioners debated relief measures, such as loosening grant restrictions to let organizations cover immediate payroll and rent costs with awards meant for specific projects.\u003c/p>\n\u003cp>The council’s grant-making budget has multiplied in recent years, totaling $35 million in 2020. But when talk turned to the council’s financial outlook, commissioners seemed to brace for cuts.\u003c/p>\n\u003cp>Ayanna Kiburi, the council’s deputy director, showed doubts about additional funding for cultural districts included in Governor Gavin Newsom’s budget proposal from this past January. “That probably won’t—we don’t know what’s going to happen,” Kiburi said.\u003c/p>\n\u003cp>The state funder is in turn awaiting federal support. The $2 trillion federal aid package approved last month includes $75 million each for the national endowments for the humanities and the arts, with 40 percent reserved for state partners such as California Arts Council.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But the money remains in limbo. Nashormeh Lindo, a council member based in Oakland, said the “amount, timing and mechanism” of the additional national endowment funding is unknown.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13879146/in-oakland-plunging-hotel-tax-revenue-threatens-to-gut-arts-funding",
"authors": [
"11091"
],
"categories": [
"arts_1",
"arts_235"
],
"tags": [
"arts_820",
"arts_3560",
"arts_10126",
"arts_7819",
"arts_10278",
"arts_10422",
"arts_746",
"arts_596",
"arts_1143",
"arts_2755",
"arts_2628"
],
"featImg": "arts_13877010",
"label": "arts"
},
"arts_13878907": {
"type": "posts",
"id": "arts_13878907",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13878907",
"score": null,
"sort": [
1587582055000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1587582055,
"format": "standard",
"title": "This Year's High School Seniors Are a Class of Their Own",
"headTitle": "This Year’s High School Seniors Are a Class of Their Own | KQED",
"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>here’s this photo on my wall where I’m holding my niece. She’s in a white dress, precious. She’s three, my daughter’s current age. At the time of the picture, I was my niece’s current age: 17.\u003c/p>\n\u003cp>I’m in a cap and gown, celebrating my high school graduation.\u003c/p>\n\u003cp>My niece, Talyah, will never have a photo like that, and no ceremonial experience. Neither will a solid portion of the estimated \u003ca href=\"https://nces.ed.gov/fastfacts/display.asp?id=372\">3.7 million\u003c/a> other graduating high school seniors in America and millions more around the world. \u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>For my generation of high schoolers, there were a few significant events that tied us together. Most notably, here in America, the terrorist attacks of Sept. 11. Many of us remember exactly where we were when they happened. They played a significant part in shaping the society we stepped into as adults as well as the world we stand in today.\u003c/p>\n\u003cp>One can only imagine how this war on germs, like the War on Terror, will shape the future for all of us, especially the younger folks who walked out of their classrooms and into adulthood months earlier than expected.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>One thing is for sure: years from now, my niece will meet someone her age at a bar or cafe, and they’ll have that shared moment of, \u003cem>Damn, so you didn’t have a graduation either?\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span>ll around Oakland, there are young folks who were looking forward to that final celebration, an acknowledgement that they successfully completed their K-12 educations. Students from public schools, continuation schools, arts magnet schools and private schools are all dealing with the grief and confusion that come with experiencing something like this. \u003ca href=\"https://www.kqed.org/news/senioryear\" target=\"_blank\" rel=\"noopener noreferrer\">KQED\u003c/a> is asking seniors from around the Bay Area to submit videos and share their stories, and yesterday our show \u003ca href=\"https://www.kqed.org/forum/2010101877094/california-12th-graders-reflect-on-their-interrupted-senior-year\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Forum\u003c/em>\u003c/a> featured tales from a few students. To contribute to the effort, I got on the phone and called a few folks from Oakland.\u003c/p>\n\u003cp>Jayla D. is a standout player on the Bishop O’Dowd High School softball team. Her junior year stats show that she’s just outside of the top 50 ballers in California, and above the national average in every aspect of the game. But she won’t have a senior year stat line.\u003c/p>\n\u003cp>A career 3.5 GPA student, she’s looking to study kinesiology and get into sports medicine at San Diego State University in the fall. She hopes to walk onto the softball team. Her future is bright, but Jayla D. still says, “I can’t believe this ended like this. I just don’t know how to feel. It’s just hard to see people who’ve worked so hard, and had everything taken away from them—and there’s nothing that can be done about it.”\u003c/p>\n\u003cp>On the other side of town, is another Jayla—Jayla H. A talented drummer (part of the band \u003ca href=\"https://m.soundcloud.com/green-music/sets/the-black-tape\" target=\"_blank\" rel=\"noopener noreferrer\">Black Excellence\u003c/a>) who attended Oakland School for the Arts for middle school and high school.\u003c/p>\n\u003cfigure id=\"attachment_13879034\" class=\"wp-caption alignright\" style=\"max-width: 332px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-13879034\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Jayla-H.-800x789.png\" alt=\"Jayla H. on the drums\" width=\"332\" height=\"327\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Jayla-H.-800x789.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Jayla-H.-160x158.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Jayla-H.-768x757.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Jayla-H..png 1000w\" sizes=\"(max-width: 332px) 100vw, 332px\">\u003cfigcaption class=\"wp-caption-text\">Jayla H. on the drums. \u003ccite>(Jayla H.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She’s taken the blur of the last few weeks relatively well, spending time reading and \u003ca href=\"https://www.instagram.com/p/B-JCEkdBDDh/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">making music. \u003c/a>And even taking some time to step back from the rat race and learn about herself.\u003c/p>\n\u003cp>“In school, we’re always on the clock,” says Jayla H., referencing the rush from one period to the next. “Now that we’ve got this break, I can focus on doing both [academics and arts] on my own time and in my own space,” she says. “That’s been really helpful.”\u003c/p>\n\u003cp>But when it comes to forgoing ceremonies, Jayla H., who plans on attending the San Francisco Conservatory of Music in the fall, says, “I wanted to have my family and community see what I’ve been working towards. And now, that’s not happening anymore—it’s been heartbreaking.”\u003c/p>\n\u003cp>Another aspiring artist from Oakland is Fremont High School’s Jacob Hicks. This 18-year-old student has been drawing all his life, and now he’s looking to pursue a career in animation graphics.\u003c/p>\n\u003cp>But right now, he’s just getting a handle on this concept of “distance learning.” Hicks says, “People who learn in-person are struggling. … Emailing a teacher and waiting for a response doesn’t always work.”\u003c/p>\n\u003cfigure id=\"attachment_13879070\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13879070\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.13.13-AM-800x796.jpg\" alt=\"Jacob Hicks, future animator\" width=\"800\" height=\"796\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.13.13-AM-800x796.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.13.13-AM-160x159.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.13.13-AM-768x764.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.13.13-AM-1020x1014.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.13.13-AM.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jacob Hicks, future animator. \u003ccite>(Jacob Hicks)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hicks, who still plans on attending Berkeley City College in the fall, says he’s learning to navigate all of these changes. “We’re on the verge of graduating and living our lives. … I had everything planned out.” And now just about everything has changed.\u003c/p>\n\u003cp>About four miles up the hill from Fremont High, at the Head-Royce School, 17-year-old Caroline has been talking to her father about everything that’s transpiring. He’s a doctor, and she’s looking to become a pediatrician.\u003c/p>\n\u003cp>She’s planning on attending Case Western in Cleveland, Ohio next fall, but she laments what she’s missing out on this spring.\u003c/p>\n\u003cp>Caroline was one of the leaders of the dance program at her school. They had been working on the Fine Arts Dance Ensemble’s big show since September. “We sacrificed \u003cem>so many\u003c/em> lunches throughout the school year,” Caroline tells me. The show would have happened last week. [aside postid='arts_13876171']\u003c/p>\n\u003cp>Tayland, a senior from Castlemont High, was getting ready to work a shift at KFC when I called him. The 17-year-old is planning on attending Sacramento State University in the fall. He wants to play football and study public health—inspired by a former teacher, experiences in health classes and “issues in the world that need to be fixed.”\u003c/p>\n\u003cp>(Great time to jump into solving problems in the public health field, eh?)\u003c/p>\n\u003cp>On the topic of having a shortened senior year, Tayland told me that not having the opportunity to show your family the person you’re becoming is the worst thing about it. “Especially when you have people who’ve got out of institutions. Or the people you’ve been doing it for. You know, the faces you want to see and show them what you’ve done,” says Tayland. “It’s not a good feeling.”\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span>s for my niece, Talyah? She told me it hurts to cancel plans, but maybe it’s something she has to go through for something greater to come along.\u003c/p>\n\u003cp>She’s more bummed about prom than graduation. But over all, she’s not feeling set back. “I’ve always felt like I didn’t need high school. Next year when college starts, I’ll be fine,” says Talyah, a senior at Street Academy who plans on getting into the Peralta College system and focusing on interior design.\u003c/p>\n\u003cfigure id=\"attachment_13879072\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13879072\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.26.56-AM-800x810.png\" alt=\"Talyah Cole, future interior decorator\" width=\"800\" height=\"810\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.26.56-AM-800x810.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.26.56-AM-160x162.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.26.56-AM-768x777.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.26.56-AM.png 824w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Talyah Cole, future interior decorator. \u003ccite>(Talyah Cole)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When it comes to be being connected to the larger class of 2020, Talyah says, “Its kind of embarrassing, just to know that we’re the only class that didn’t finish—that can’t finish. It’s not like we can go back—nobody wants to go back to high school.”\u003c/p>\n\u003cp>I asked her about the photo, the one where I’m holding her as a toddler. “I thought about that, and you know, if anything, when May 29 comes around, I’ll buy my own cap and gown and take a selfie.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Seems like a lot of students are taking a bad situation and making the most of it. This final lesson of their high school careers is one that’s going to be useful in life, over and over again.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1351,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 29
},
"modified": 1705020862,
"excerpt": "Oakland students reflect on the grief, confusion and hope of a senior spring semester turned upside down.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Oakland students reflect on the grief, confusion and hope of a senior spring semester turned upside down.",
"title": "This Year's High School Seniors Are a Class of Their Own | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "This Year's High School Seniors Are a Class of Their Own",
"datePublished": "2020-04-22T12:00:55-07:00",
"dateModified": "2024-01-11T16:54:22-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "this-years-high-school-seniors-are-a-class-of-their-own",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"articleAge": "0",
"path": "/arts/13878907/this-years-high-school-seniors-are-a-class-of-their-own",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>here’s this photo on my wall where I’m holding my niece. She’s in a white dress, precious. She’s three, my daughter’s current age. At the time of the picture, I was my niece’s current age: 17.\u003c/p>\n\u003cp>I’m in a cap and gown, celebrating my high school graduation.\u003c/p>\n\u003cp>My niece, Talyah, will never have a photo like that, and no ceremonial experience. Neither will a solid portion of the estimated \u003ca href=\"https://nces.ed.gov/fastfacts/display.asp?id=372\">3.7 million\u003c/a> other graduating high school seniors in America and millions more around the world. \u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>For my generation of high schoolers, there were a few significant events that tied us together. Most notably, here in America, the terrorist attacks of Sept. 11. Many of us remember exactly where we were when they happened. They played a significant part in shaping the society we stepped into as adults as well as the world we stand in today.\u003c/p>\n\u003cp>One can only imagine how this war on germs, like the War on Terror, will shape the future for all of us, especially the younger folks who walked out of their classrooms and into adulthood months earlier than expected.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One thing is for sure: years from now, my niece will meet someone her age at a bar or cafe, and they’ll have that shared moment of, \u003cem>Damn, so you didn’t have a graduation either?\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span>ll around Oakland, there are young folks who were looking forward to that final celebration, an acknowledgement that they successfully completed their K-12 educations. Students from public schools, continuation schools, arts magnet schools and private schools are all dealing with the grief and confusion that come with experiencing something like this. \u003ca href=\"https://www.kqed.org/news/senioryear\" target=\"_blank\" rel=\"noopener noreferrer\">KQED\u003c/a> is asking seniors from around the Bay Area to submit videos and share their stories, and yesterday our show \u003ca href=\"https://www.kqed.org/forum/2010101877094/california-12th-graders-reflect-on-their-interrupted-senior-year\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Forum\u003c/em>\u003c/a> featured tales from a few students. To contribute to the effort, I got on the phone and called a few folks from Oakland.\u003c/p>\n\u003cp>Jayla D. is a standout player on the Bishop O’Dowd High School softball team. Her junior year stats show that she’s just outside of the top 50 ballers in California, and above the national average in every aspect of the game. But she won’t have a senior year stat line.\u003c/p>\n\u003cp>A career 3.5 GPA student, she’s looking to study kinesiology and get into sports medicine at San Diego State University in the fall. She hopes to walk onto the softball team. Her future is bright, but Jayla D. still says, “I can’t believe this ended like this. I just don’t know how to feel. It’s just hard to see people who’ve worked so hard, and had everything taken away from them—and there’s nothing that can be done about it.”\u003c/p>\n\u003cp>On the other side of town, is another Jayla—Jayla H. A talented drummer (part of the band \u003ca href=\"https://m.soundcloud.com/green-music/sets/the-black-tape\" target=\"_blank\" rel=\"noopener noreferrer\">Black Excellence\u003c/a>) who attended Oakland School for the Arts for middle school and high school.\u003c/p>\n\u003cfigure id=\"attachment_13879034\" class=\"wp-caption alignright\" style=\"max-width: 332px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-13879034\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Jayla-H.-800x789.png\" alt=\"Jayla H. on the drums\" width=\"332\" height=\"327\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Jayla-H.-800x789.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Jayla-H.-160x158.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Jayla-H.-768x757.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Jayla-H..png 1000w\" sizes=\"(max-width: 332px) 100vw, 332px\">\u003cfigcaption class=\"wp-caption-text\">Jayla H. on the drums. \u003ccite>(Jayla H.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She’s taken the blur of the last few weeks relatively well, spending time reading and \u003ca href=\"https://www.instagram.com/p/B-JCEkdBDDh/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">making music. \u003c/a>And even taking some time to step back from the rat race and learn about herself.\u003c/p>\n\u003cp>“In school, we’re always on the clock,” says Jayla H., referencing the rush from one period to the next. “Now that we’ve got this break, I can focus on doing both [academics and arts] on my own time and in my own space,” she says. “That’s been really helpful.”\u003c/p>\n\u003cp>But when it comes to forgoing ceremonies, Jayla H., who plans on attending the San Francisco Conservatory of Music in the fall, says, “I wanted to have my family and community see what I’ve been working towards. And now, that’s not happening anymore—it’s been heartbreaking.”\u003c/p>\n\u003cp>Another aspiring artist from Oakland is Fremont High School’s Jacob Hicks. This 18-year-old student has been drawing all his life, and now he’s looking to pursue a career in animation graphics.\u003c/p>\n\u003cp>But right now, he’s just getting a handle on this concept of “distance learning.” Hicks says, “People who learn in-person are struggling. … Emailing a teacher and waiting for a response doesn’t always work.”\u003c/p>\n\u003cfigure id=\"attachment_13879070\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13879070\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.13.13-AM-800x796.jpg\" alt=\"Jacob Hicks, future animator\" width=\"800\" height=\"796\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.13.13-AM-800x796.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.13.13-AM-160x159.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.13.13-AM-768x764.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.13.13-AM-1020x1014.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.13.13-AM.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jacob Hicks, future animator. \u003ccite>(Jacob Hicks)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hicks, who still plans on attending Berkeley City College in the fall, says he’s learning to navigate all of these changes. “We’re on the verge of graduating and living our lives. … I had everything planned out.” And now just about everything has changed.\u003c/p>\n\u003cp>About four miles up the hill from Fremont High, at the Head-Royce School, 17-year-old Caroline has been talking to her father about everything that’s transpiring. He’s a doctor, and she’s looking to become a pediatrician.\u003c/p>\n\u003cp>She’s planning on attending Case Western in Cleveland, Ohio next fall, but she laments what she’s missing out on this spring.\u003c/p>\n\u003cp>Caroline was one of the leaders of the dance program at her school. They had been working on the Fine Arts Dance Ensemble’s big show since September. “We sacrificed \u003cem>so many\u003c/em> lunches throughout the school year,” Caroline tells me. The show would have happened last week. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13876171",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Tayland, a senior from Castlemont High, was getting ready to work a shift at KFC when I called him. The 17-year-old is planning on attending Sacramento State University in the fall. He wants to play football and study public health—inspired by a former teacher, experiences in health classes and “issues in the world that need to be fixed.”\u003c/p>\n\u003cp>(Great time to jump into solving problems in the public health field, eh?)\u003c/p>\n\u003cp>On the topic of having a shortened senior year, Tayland told me that not having the opportunity to show your family the person you’re becoming is the worst thing about it. “Especially when you have people who’ve got out of institutions. Or the people you’ve been doing it for. You know, the faces you want to see and show them what you’ve done,” says Tayland. “It’s not a good feeling.”\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span>s for my niece, Talyah? She told me it hurts to cancel plans, but maybe it’s something she has to go through for something greater to come along.\u003c/p>\n\u003cp>She’s more bummed about prom than graduation. But over all, she’s not feeling set back. “I’ve always felt like I didn’t need high school. Next year when college starts, I’ll be fine,” says Talyah, a senior at Street Academy who plans on getting into the Peralta College system and focusing on interior design.\u003c/p>\n\u003cfigure id=\"attachment_13879072\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13879072\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.26.56-AM-800x810.png\" alt=\"Talyah Cole, future interior decorator\" width=\"800\" height=\"810\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.26.56-AM-800x810.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.26.56-AM-160x162.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.26.56-AM-768x777.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Screen-Shot-2020-04-22-at-9.26.56-AM.png 824w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Talyah Cole, future interior decorator. \u003ccite>(Talyah Cole)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When it comes to be being connected to the larger class of 2020, Talyah says, “Its kind of embarrassing, just to know that we’re the only class that didn’t finish—that can’t finish. It’s not like we can go back—nobody wants to go back to high school.”\u003c/p>\n\u003cp>I asked her about the photo, the one where I’m holding her as a toddler. “I thought about that, and you know, if anything, when May 29 comes around, I’ll buy my own cap and gown and take a selfie.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Seems like a lot of students are taking a bad situation and making the most of it. This final lesson of their high school careers is one that’s going to be useful in life, over and over again.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13878907/this-years-high-school-seniors-are-a-class-of-their-own",
"authors": [
"11491"
],
"categories": [
"arts_1",
"arts_2303"
],
"tags": [
"arts_2767",
"arts_10126",
"arts_10127",
"arts_10342",
"arts_4725",
"arts_10278",
"arts_1143",
"arts_7292"
],
"featImg": "arts_13879015",
"label": "arts"
},
"arts_13878711": {
"type": "posts",
"id": "arts_13878711",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13878711",
"score": null,
"sort": [
1587049247000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1587049247,
"format": "standard",
"title": "Isolation and Lost Income Rattle Struggling Experimental Musicians",
"headTitle": "Isolation and Lost Income Rattle Struggling Experimental Musicians | KQED",
"content": "\u003cp>When seven Bay Area counties announced shelter-in-place orders to stop the spread of coronavirus on March 16, concert cancellations cost Oakland guitarist and improviser \u003ca href=\"https://www.karlevangelista.com/\">Karl Evangelista\u003c/a> more than a thousand dollars in expected income. Then came the painful postponement of the San Francisco International Arts Festival. That derailed months of planning to convene an international quartet to perform his multimedia composition \u003cem>Apura\u003c/em> and mark its release on the Astral Spirits label. Evangelista had fronted thousands for flights alone. [aside postID=arts_13876535,arts_13876314,arts_13876893]\u003c/p>\n\u003cp>Evangelista, a busy member of the Bay Area experimental music scene, feels fortunate to have only been laid off from one of his teaching gigs, and has lately turned his attention to organizing—and trying to monetize—livestreamed performances. But he’s anxious about the disruption’s lasting effects on a community already challenged by Bay Area housing costs and dwindling venues, as well as the emotional toll of isolation and other creative constraints.\u003c/p>\n\u003cp>“Improvised music being collaborative in nature, this is having a severe psychological impact on musicians who are basically unable to create,” Evangelista says.\u003c/p>\n\u003cp>No corner of the local music scene is spared harm, but the pandemic restrictions uniquely threaten independent artists in the experimental, jazz and improvisation community. Many of them live gig-to-gig on teaching, performing and audio engineering opportunities, all of which are diminished. Few derive meaningful income from physical merchandise or streaming. Layoffs are also hitting their day jobs: \u003ca href=\"https://www.kqed.org/arts/13877653/sfmoma-to-lay-off-or-furlough-over-300-museum-staff\">arts administration\u003c/a>, \u003ca href=\"https://www.sfchronicle.com/business/article/Mass-layoffs-at-Yelp-Eventbrite-show-15190391.php#\">music technology\u003c/a>, \u003ca href=\"https://www.kqed.org/bayareabites/136828/bay-area-organizations-helping-the-local-food-industry\">food service\u003c/a>, \u003ca href=\"https://twitter.com/lefebvre_sam/status/1247592353738575872\">record stores\u003c/a>.\u003c/p>\n\u003cp>“There isn’t the audience to graduate your career like in some genres,” Brent Miller, composer and co-founder of the San Francisco venue \u003ca href=\"https://centerfornewmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Center for New Music,\u003c/a> explains. “There’s no clear path.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Now, the congregating and collaboration that usually justifies the struggle is outlawed.\u003c/p>\n\u003cp>Between earlier challenges and this indefinite period of economic freefall and creative frustration, experimental musicians are nearing a breaking point. “When will this end?” Evangelista wonders. “Not knowing is the most troubling thing.”\u003c/p>\n\u003cp>The results of a new Center for New Music survey, shared exclusively with KQED, show 425 respondents working in generally non-commercial styles have already lost an estimated $1.5 million in expected income, a number projected to grow to $4 million if restrictions persist through the summer. Many fear they’ll be forced to incur personal debt (44%) or pursue another career (33%). 20% of the respondents worry the crisis will force them to leave the Bay Area altogether.\u003c/p>\n\u003cfigure id=\"attachment_13878773\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878773\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/C4NM-survey-grab-1.png\" alt=\"An infographic from Center for New Music's survey of local experimental musicians.\" width=\"1920\" height=\"975\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/C4NM-survey-grab-1.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/C4NM-survey-grab-1-160x81.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/C4NM-survey-grab-1-800x406.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/C4NM-survey-grab-1-768x390.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/C4NM-survey-grab-1-1020x518.png 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">An infographic from Center for New Music’s survey of local experimental musicians. \u003ccite>(Center for New Music)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Most respondents to the survey, coordinated with InterMusic SF, Lisa Mezzacappa, \u003ca href=\"https://www.kqed.org/arts/13875256/a-solution-for-musicians-suffering-from-exposure-labor-organizing\" target=\"_blank\" rel=\"noopener noreferrer\">Jazz in the Neighborhood\u003c/a> and Bird & Beckett Books & Records, earn money as music educators and freelance performers. More than half of the 262 music teachers have lost significant income in the shift to online instruction, and more than half of the 125 teachers affiliated with a school believe they’re ineligible for unemployment benefits. Although the federal aid package expanded unemployment eligibility to independent contractors, Evangelista says some of his freelance musician friends have been denied without explanation. More than half of the self-employed survey respondents are unsure if they have enough documentation of lost wages to apply.\u003c/p>\n\u003cp>“I knew the survey would show fear,” says Miller. “But I was stunned to see more than 5,000 concerts canceled.” Miller also points out that though the respondents perform mostly in San Francisco, many of them live in other parts of the Bay Area. That means they are ineligible for San Francisco’s Arts Relief Program, and there’s no comparable fund from the cities of Berkeley or Oakland.\u003c/p>\n\u003cp>“Many of us were priced out of San Francisco but still do our work there, and now we’re not eligible,” he says. The Center for New Music, meanwhile, is struggling to make up for lost rental and co-working membership income, which it normally relies on to subsidize experimental music programming.\u003c/p>\n\u003cp>Many musicians with abundant time to practice now lack the space. The 34-unit Jack London Rehearsal in Oakland is closed to comply with the prohibition of non-essential businesses; tenants make appointments to retrieve instruments. \u003ca href=\"http://jordanglennmusic.com/\">Jordan Glenn\u003c/a>, an Oakland drummer and composer accustomed to a rotating cast of collaborators, has had about ten gigs and two recording dates canceled. He set up a dampened kit at home to continue giving lessons through the San Francisco Rock Project, but feels creatively constricted in unanticipated ways.\u003c/p>\n\u003cfigure id=\"attachment_13878774\" class=\"wp-caption alignright\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878774\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/PicbyHeikeLiss.jpeg\" alt=\"Drummer Jordan Glenn is unable to practice in his Oakland rehearsal space.\" width=\"750\" height=\"1000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/PicbyHeikeLiss.jpeg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/PicbyHeikeLiss-160x213.jpeg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Drummer Jordan Glenn is unable to practice in his Oakland rehearsal space. \u003ccite>(Heike Liss/Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Playing with people, all of my commitments, they’re a kind of practice,” he says. “Without that or the space to play without self-consciousness, I’m left with my head games—it’s getting tough.”\u003c/p>\n\u003cp>Oakland Music Complex, the largest rehearsal space in the Bay Area, is leaving artists to assess the safety of visiting the building, and has reduced April rent by half. Tom Ferguson, an Oakland bassist in bands including \u003ca href=\"https://www.kqed.org/arts/13843080/in-new-oakland-can-you-still-smash-a-piano-and-call-it-art\" target=\"_blank\" rel=\"noopener noreferrer\">Moe Staiano\u003c/a>’s avant-rock group Surplus 1980, says half of the 10 people in his space are full-time musicians, and they’re all avoiding the unit. His upcoming tour with songwriter Bill Baird is canceled, along with recording sound engineering dates. He’s also furloughed from his job at Keith McMillen Instruments.\u003c/p>\n\u003cp>“I miss the social aspect,” Ferguson says. “The reason I’m here is to contribute to the community of artists and musicians, so when there’s no gigs and no recording sessions I feel like a fish out of water.”\u003c/p>\n\u003cp>Experimental musicians, like others in the arts, are exploring livestreaming as an imperfect alternative to concerts. Earlier this month Evangelista organized \u003ca href=\"https://www.facebook.com/events/275032363670668/\">Lockdown Festival\u003c/a>, five hours of continuous performances by local musicians in different locations. It featured performers including Marshall Trammell, Scott Amendola and the duo \u003ca href=\"https://www.kqed.org/arts/13846432/the-10-best-bay-area-albums-of-2018-voicehandler-light-from-another-light\" target=\"_blank\" rel=\"noopener noreferrer\">Voicehandler\u003c/a>, comprising Jacob Felix Heule and Danishta Rivero Still, Evangelista said he found not all artists have the equipment required to livestream, and there’s little guarantee viewers are willing to pay the equivalent of a door fee to watch from home. Few are eager to embrace live video as an interim solution, let alone the new normal.\u003c/p>\n\u003cp>Still, some small venues are beginning to adapt. \u003ca href=\"https://birdbeckett.com/\">Bird & Beckett\u003c/a> in San Francisco is streaming performances from the closed shop on Facebook while collecting donations. \u003ca href=\"https://proartsgallery.org/\">Pro Arts\u003c/a> in Oakland, a nonprofit gallery that’s absorbed many of the experimental gigs displaced from underground venues in recent years, is similarly developing a livestream studio, and recently issued an open-call for digital media submissions to be shown as online events for a fee that benefits artists. Natalia Mount, director of Pro Arts, also wants the gallery to provide resources in other ways, for instance distributing toiletries.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“For us it’s just another day—we’re always on the precipice of closing,” she says. “So at least we can continue to experiment with the space.”\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1215,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 20
},
"modified": 1705020889,
"excerpt": "They've lost millions in income, and many are unsure how to adapt their non-commercial work to streaming.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "They've lost millions in income, and many are unsure how to adapt their non-commercial work to streaming.",
"title": "Isolation and Lost Income Rattle Struggling Experimental Musicians | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Isolation and Lost Income Rattle Struggling Experimental Musicians",
"datePublished": "2020-04-16T08:00:47-07:00",
"dateModified": "2024-01-11T16:54:49-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "isolation-and-lost-income-rattle-struggling-experimental-musicians",
"status": "publish",
"templateType": "standard",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13878711/isolation-and-lost-income-rattle-struggling-experimental-musicians",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When seven Bay Area counties announced shelter-in-place orders to stop the spread of coronavirus on March 16, concert cancellations cost Oakland guitarist and improviser \u003ca href=\"https://www.karlevangelista.com/\">Karl Evangelista\u003c/a> more than a thousand dollars in expected income. Then came the painful postponement of the San Francisco International Arts Festival. That derailed months of planning to convene an international quartet to perform his multimedia composition \u003cem>Apura\u003c/em> and mark its release on the Astral Spirits label. Evangelista had fronted thousands for flights alone. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13876535,arts_13876314,arts_13876893",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Evangelista, a busy member of the Bay Area experimental music scene, feels fortunate to have only been laid off from one of his teaching gigs, and has lately turned his attention to organizing—and trying to monetize—livestreamed performances. But he’s anxious about the disruption’s lasting effects on a community already challenged by Bay Area housing costs and dwindling venues, as well as the emotional toll of isolation and other creative constraints.\u003c/p>\n\u003cp>“Improvised music being collaborative in nature, this is having a severe psychological impact on musicians who are basically unable to create,” Evangelista says.\u003c/p>\n\u003cp>No corner of the local music scene is spared harm, but the pandemic restrictions uniquely threaten independent artists in the experimental, jazz and improvisation community. Many of them live gig-to-gig on teaching, performing and audio engineering opportunities, all of which are diminished. Few derive meaningful income from physical merchandise or streaming. Layoffs are also hitting their day jobs: \u003ca href=\"https://www.kqed.org/arts/13877653/sfmoma-to-lay-off-or-furlough-over-300-museum-staff\">arts administration\u003c/a>, \u003ca href=\"https://www.sfchronicle.com/business/article/Mass-layoffs-at-Yelp-Eventbrite-show-15190391.php#\">music technology\u003c/a>, \u003ca href=\"https://www.kqed.org/bayareabites/136828/bay-area-organizations-helping-the-local-food-industry\">food service\u003c/a>, \u003ca href=\"https://twitter.com/lefebvre_sam/status/1247592353738575872\">record stores\u003c/a>.\u003c/p>\n\u003cp>“There isn’t the audience to graduate your career like in some genres,” Brent Miller, composer and co-founder of the San Francisco venue \u003ca href=\"https://centerfornewmusic.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Center for New Music,\u003c/a> explains. “There’s no clear path.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Now, the congregating and collaboration that usually justifies the struggle is outlawed.\u003c/p>\n\u003cp>Between earlier challenges and this indefinite period of economic freefall and creative frustration, experimental musicians are nearing a breaking point. “When will this end?” Evangelista wonders. “Not knowing is the most troubling thing.”\u003c/p>\n\u003cp>The results of a new Center for New Music survey, shared exclusively with KQED, show 425 respondents working in generally non-commercial styles have already lost an estimated $1.5 million in expected income, a number projected to grow to $4 million if restrictions persist through the summer. Many fear they’ll be forced to incur personal debt (44%) or pursue another career (33%). 20% of the respondents worry the crisis will force them to leave the Bay Area altogether.\u003c/p>\n\u003cfigure id=\"attachment_13878773\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878773\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/C4NM-survey-grab-1.png\" alt=\"An infographic from Center for New Music's survey of local experimental musicians.\" width=\"1920\" height=\"975\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/C4NM-survey-grab-1.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/C4NM-survey-grab-1-160x81.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/C4NM-survey-grab-1-800x406.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/C4NM-survey-grab-1-768x390.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/C4NM-survey-grab-1-1020x518.png 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">An infographic from Center for New Music’s survey of local experimental musicians. \u003ccite>(Center for New Music)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Most respondents to the survey, coordinated with InterMusic SF, Lisa Mezzacappa, \u003ca href=\"https://www.kqed.org/arts/13875256/a-solution-for-musicians-suffering-from-exposure-labor-organizing\" target=\"_blank\" rel=\"noopener noreferrer\">Jazz in the Neighborhood\u003c/a> and Bird & Beckett Books & Records, earn money as music educators and freelance performers. More than half of the 262 music teachers have lost significant income in the shift to online instruction, and more than half of the 125 teachers affiliated with a school believe they’re ineligible for unemployment benefits. Although the federal aid package expanded unemployment eligibility to independent contractors, Evangelista says some of his freelance musician friends have been denied without explanation. More than half of the self-employed survey respondents are unsure if they have enough documentation of lost wages to apply.\u003c/p>\n\u003cp>“I knew the survey would show fear,” says Miller. “But I was stunned to see more than 5,000 concerts canceled.” Miller also points out that though the respondents perform mostly in San Francisco, many of them live in other parts of the Bay Area. That means they are ineligible for San Francisco’s Arts Relief Program, and there’s no comparable fund from the cities of Berkeley or Oakland.\u003c/p>\n\u003cp>“Many of us were priced out of San Francisco but still do our work there, and now we’re not eligible,” he says. The Center for New Music, meanwhile, is struggling to make up for lost rental and co-working membership income, which it normally relies on to subsidize experimental music programming.\u003c/p>\n\u003cp>Many musicians with abundant time to practice now lack the space. The 34-unit Jack London Rehearsal in Oakland is closed to comply with the prohibition of non-essential businesses; tenants make appointments to retrieve instruments. \u003ca href=\"http://jordanglennmusic.com/\">Jordan Glenn\u003c/a>, an Oakland drummer and composer accustomed to a rotating cast of collaborators, has had about ten gigs and two recording dates canceled. He set up a dampened kit at home to continue giving lessons through the San Francisco Rock Project, but feels creatively constricted in unanticipated ways.\u003c/p>\n\u003cfigure id=\"attachment_13878774\" class=\"wp-caption alignright\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878774\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/PicbyHeikeLiss.jpeg\" alt=\"Drummer Jordan Glenn is unable to practice in his Oakland rehearsal space.\" width=\"750\" height=\"1000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/PicbyHeikeLiss.jpeg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/PicbyHeikeLiss-160x213.jpeg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Drummer Jordan Glenn is unable to practice in his Oakland rehearsal space. \u003ccite>(Heike Liss/Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Playing with people, all of my commitments, they’re a kind of practice,” he says. “Without that or the space to play without self-consciousness, I’m left with my head games—it’s getting tough.”\u003c/p>\n\u003cp>Oakland Music Complex, the largest rehearsal space in the Bay Area, is leaving artists to assess the safety of visiting the building, and has reduced April rent by half. Tom Ferguson, an Oakland bassist in bands including \u003ca href=\"https://www.kqed.org/arts/13843080/in-new-oakland-can-you-still-smash-a-piano-and-call-it-art\" target=\"_blank\" rel=\"noopener noreferrer\">Moe Staiano\u003c/a>’s avant-rock group Surplus 1980, says half of the 10 people in his space are full-time musicians, and they’re all avoiding the unit. His upcoming tour with songwriter Bill Baird is canceled, along with recording sound engineering dates. He’s also furloughed from his job at Keith McMillen Instruments.\u003c/p>\n\u003cp>“I miss the social aspect,” Ferguson says. “The reason I’m here is to contribute to the community of artists and musicians, so when there’s no gigs and no recording sessions I feel like a fish out of water.”\u003c/p>\n\u003cp>Experimental musicians, like others in the arts, are exploring livestreaming as an imperfect alternative to concerts. Earlier this month Evangelista organized \u003ca href=\"https://www.facebook.com/events/275032363670668/\">Lockdown Festival\u003c/a>, five hours of continuous performances by local musicians in different locations. It featured performers including Marshall Trammell, Scott Amendola and the duo \u003ca href=\"https://www.kqed.org/arts/13846432/the-10-best-bay-area-albums-of-2018-voicehandler-light-from-another-light\" target=\"_blank\" rel=\"noopener noreferrer\">Voicehandler\u003c/a>, comprising Jacob Felix Heule and Danishta Rivero Still, Evangelista said he found not all artists have the equipment required to livestream, and there’s little guarantee viewers are willing to pay the equivalent of a door fee to watch from home. Few are eager to embrace live video as an interim solution, let alone the new normal.\u003c/p>\n\u003cp>Still, some small venues are beginning to adapt. \u003ca href=\"https://birdbeckett.com/\">Bird & Beckett\u003c/a> in San Francisco is streaming performances from the closed shop on Facebook while collecting donations. \u003ca href=\"https://proartsgallery.org/\">Pro Arts\u003c/a> in Oakland, a nonprofit gallery that’s absorbed many of the experimental gigs displaced from underground venues in recent years, is similarly developing a livestream studio, and recently issued an open-call for digital media submissions to be shown as online events for a fee that benefits artists. Natalia Mount, director of Pro Arts, also wants the gallery to provide resources in other ways, for instance distributing toiletries.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“For us it’s just another day—we’re always on the precipice of closing,” she says. “So at least we can continue to experiment with the space.”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13878711/isolation-and-lost-income-rattle-struggling-experimental-musicians",
"authors": [
"11091"
],
"categories": [
"arts_1",
"arts_69",
"arts_235"
],
"tags": [
"arts_3607",
"arts_10278",
"arts_3649",
"arts_746",
"arts_596",
"arts_1143"
],
"featImg": "arts_13878771",
"label": "arts"
},
"arts_13878162": {
"type": "posts",
"id": "arts_13878162",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13878162",
"score": null,
"sort": [
1586286366000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1586286366,
"format": "standard",
"title": "How Coronavirus Derailed a Fulbright Fellow’s Musicological Research in Brazil",
"headTitle": "How Coronavirus Derailed a Fulbright Fellow’s Musicological Research in Brazil | KQED",
"content": "\u003cp>Robert Lopez was only seven weeks into a nine-month Fulbright trip to Brazil, studying music of the syncretic religion Candomblé, when program officials told him to return to the United States.\u003c/p>\n\u003cp>The \u003ca href=\"https://robertlopezmusic.tumblr.com/bio\">Oakland percussionist\u003c/a> and \u003ca href=\"https://www.eastbayexpress.com/oakland/activemusic-series-provides-relaxed-atmosphere-for-strange-sounds/Content?oid=8276603\">improvised music scene fixture\u003c/a> was devastated. Lopez spent years pursuing the prestigious research grant, and he and his partner forfeited their jobs and rent-controlled apartment to move to Salvador, a center of the Afro-Brazilian spiritual practice. “I expected two or three months to plan re-entry,” Lopez said. “Instead it was a matter of days.”\u003c/p>\n\u003cp>Fulbright told Lopez and other grantees to leave Brazil on March 20 as the novel coronavirus escalated into a global pandemic, revoking his healthcare and withholding 41 percent of the $15,350 grant for living and travel expenses. Instead of enhancing safety, Lopez felt Fulbright actually heightened his exposure risk. “Flying back to the U.S., no one was screened,” he said.\u003c/p>\n\u003cp>It’s little consolation that Fulbright now considers Lopez a program alum. “That doesn’t mean anything to me right now,” he said. From temporary housing in the Southern California desert, where Lopez and his partner, experimental musician Shanna Sordahl, have self-quarantined, he’s joining with other Fulbrighters to write congresspeople, asking at least for the full stipend.\u003c/p>\n\u003cp>“But what I want more than anything is to go back to Brazil and finish this project,” Lopez said.\u003c/p>\n\u003cfigure id=\"attachment_13878169\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/IMG_20200223_164832-800x600.jpg\" alt=\"Atabaques, a type of hand drum used in Candomblé music, and yellow flowers symbolizing the deity Oxum.\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13878169\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/IMG_20200223_164832-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/IMG_20200223_164832-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/IMG_20200223_164832-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/IMG_20200223_164832-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/IMG_20200223_164832.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Atabaques, a type of hand drum used in Candomblé music, and yellow flowers symbolizing the deity Oxum. \u003ccite>(Robert Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lopez, 37, encountered the ensemble drumming of Candomblé, a religious expression borne of the Atlantic slave trade and Portuguese colonialism, as a Cal State Long Beach undergraduate on trips to Brazil with the World Percussion Project. He moved to the Bay Area in 2011 to pursue a graduate degree in the Mills College music department, and five years ago began studying independently with a master Candomblé percussionist and dancer in Oakland, \u003ca href=\"http://www.jorgealabe.com/about.html\">Jorge Alabê\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In a Candomblé ceremony, musicians lead dancers in tributes to unique deities, known as orixás. The ensemble generally includes a bell player, two support drummers and a lead drummer playing atabaques, hand drums akin to congas. Lopez was moved by the atabaque’s dynamic range and the music’s fluid feel, especially the improvisational lead drum. Studying with Alabê, he grew skilled enough to support Candomblé dancers for educational and ceremonial purposes.\u003c/p>\n\u003cp>Lopez was fortunate to meet Alabê. Unlike idioms such as samba, master percussionists in the Candomblé tradition are rare outside of Brazil. At the same time, he noticed the music receiving little scholarly attention. He felt the pull of Salvador, a port city in the Bahia state considered sacred in the Candomblé faith, to gain cultural context. “Otherwise it’s like studying jazz coordination patterns on drums without hearing musicians interact in the moment,” Lopez said.\u003c/p>\n\u003cfigure id=\"attachment_13878237\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/RobertLopez.Inline-800x1064.jpg\" alt=\"Robert Lopez and Shanna Sordahl parading during Carnaval.\" width=\"600\" height=\"798\" class=\"size-medium wp-image-13878237\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/RobertLopez.Inline.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/RobertLopez.Inline-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/RobertLopez.Inline-768x1021.jpg 768w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Robert Lopez and Shanna Sordahl parading during Carnaval. \u003ccite>(Courtesy Robert Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lopez first’s Fulbright application in 2017 was declined. He re-submitted in October of 2018, and was accepted last April. He learned conversational Portuguese, secured a university affiliation and made key inroads with practitioners in Salvador to prepare for the intensive ethnomusicological study. “I am on the cusp of having the knowledge and ability to take a leadership role in the transmission of Candomblé in the US,” he wrote in the project proposal.\u003c/p>\n\u003cp>For a short while, Lopez was on track to achieve his goals. He and Sordahl sublet the apartment of Rosangela Silvestre, a dancer he’d accompanied as a drummer in California. He received group and individual instruction most days at the Diáspora Art Center in Salvador and private studios from teachers including Nem Britto, Bira Santos, Iuri Passos, Ueslei “Totó” Cruz and Mario Pam. Lopez also developed a daily transcription practice, notating music traditionally taught by example.\u003c/p>\n\u003cp>[pullquote size='medium' align='right' citation='Robert Lopez']‘When you leave your place in the Bay Area, it’s hard to come back, especially as an artist.’[/pullquote]In mid-March, Fulbright notified Lopez and some 30 other fellows in Brazil that they could continue receiving medical coverage and their stipend if they signed a waiver releasing the \u003ca href=\"https://eca.state.gov/fulbright\" rel=\"noopener noreferrer\" target=\"_blank\">Department of State-funded program\u003c/a> from liability. Lopez signed it. Days later, though, Fulbright walked back the option. “The order on the 20th said you have days before your health coverage runs out, and you’re not getting funded,” Lopez said. “Fulbright was totally unprepared.”\u003c/p>\n\u003cp>Fulbright has called participants’ health and safety its highest priority in the unprecedented program cancellation, which affects hundreds of fellows worldwide. But many fellows believe they were needlessly exposed, especially now that the United States vastly outpaces other countries in the number of confirmed cases. “By far the greatest worry we had about returning to the United States…was contracting COVID-19 while traveling,” Maia Evrona, a writer and Fulbright fellow studying in Greece and Spain, wrote in an \u003ca href=\"https://lareviewofbooks.org/short-takes/fulbright-covid-19/\">account\u003c/a> for the \u003cem>Los Angeles Review of Books\u003c/em>.\u003c/p>\n\u003cp>Grantees such as Lopez, meanwhile, are now left to recover work and housing in a spiraling economy. “When you leave your place in the Bay Area, it’s hard to come back, especially as an artist,” said Lopez, who’s staying with Sordahl near Joshua Tree. “The next payment is barely a month’s rent.” Lopez previously taught at the Community Music Center and San Francisco Waldorf High School; the music center will rehire him, but the hours aren’t guaranteed, and classes have migrated online. As a musician, his prospects for paid gigs are next to none.\u003c/p>\n\u003cfigure id=\"attachment_13878170\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878170\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/MVIMG_20200216_124700.jpg\" alt=\"Oxum Square at the Candomblé temple Casa Branca, where Lopez's teacher Jorge Alabê was initiated.\" width=\"1920\" height=\"1362\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/MVIMG_20200216_124700.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/MVIMG_20200216_124700-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/MVIMG_20200216_124700-800x568.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/MVIMG_20200216_124700-768x545.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/MVIMG_20200216_124700-1020x724.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Oxum Square at the Candomblé temple Casa Branca, where Lopez’s teacher Jorge Alabê was initiated. \u003ccite>(Robert Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Because Fulbright is paying stipends through June, fellows whose trips correspond with the school year are receiving most of the grant. Lopez, however, is among the fellows who started later, putting him out $6,346. At the end of April, he’s anticipating a final payment of $2,254. Receiving the alum title also stings—it implies there’s no option for him to renew his studies. Not long after recalling 2020 fellows, Fulbright began approving a new round of grantees for 2021.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The experience in Brazil only steeled his resolve to return. Lopez’s interest in the dance of Candomblé, not previously a research focus, grew immensely. His daily transcription practice clarified connections between Candomblé and other Afro-Atlantic religions. He also felt privileged to play support atabaque in a ceremony for the deity Oxúm at the Terreiro Pilão de Prata, he said. “Experiencing the songs, the dance, the trance—that’s what I was there for.”\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1181,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 17
},
"modified": 1705020937,
"excerpt": "What Oakland percussionist Robert Lopez wants more than anything is to finish his project. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "What Oakland percussionist Robert Lopez wants more than anything is to finish his project. ",
"title": "How Coronavirus Derailed a Fulbright Fellow’s Musicological Research in Brazil | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "How Coronavirus Derailed a Fulbright Fellow’s Musicological Research in Brazil",
"datePublished": "2020-04-07T12:06:06-07:00",
"dateModified": "2024-01-11T16:55:37-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "how-coronavirus-derailed-a-fulbright-fellows-musicological-research-in-brazil",
"status": "publish",
"templateType": "standard",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13878162/how-coronavirus-derailed-a-fulbright-fellows-musicological-research-in-brazil",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Robert Lopez was only seven weeks into a nine-month Fulbright trip to Brazil, studying music of the syncretic religion Candomblé, when program officials told him to return to the United States.\u003c/p>\n\u003cp>The \u003ca href=\"https://robertlopezmusic.tumblr.com/bio\">Oakland percussionist\u003c/a> and \u003ca href=\"https://www.eastbayexpress.com/oakland/activemusic-series-provides-relaxed-atmosphere-for-strange-sounds/Content?oid=8276603\">improvised music scene fixture\u003c/a> was devastated. Lopez spent years pursuing the prestigious research grant, and he and his partner forfeited their jobs and rent-controlled apartment to move to Salvador, a center of the Afro-Brazilian spiritual practice. “I expected two or three months to plan re-entry,” Lopez said. “Instead it was a matter of days.”\u003c/p>\n\u003cp>Fulbright told Lopez and other grantees to leave Brazil on March 20 as the novel coronavirus escalated into a global pandemic, revoking his healthcare and withholding 41 percent of the $15,350 grant for living and travel expenses. Instead of enhancing safety, Lopez felt Fulbright actually heightened his exposure risk. “Flying back to the U.S., no one was screened,” he said.\u003c/p>\n\u003cp>It’s little consolation that Fulbright now considers Lopez a program alum. “That doesn’t mean anything to me right now,” he said. From temporary housing in the Southern California desert, where Lopez and his partner, experimental musician Shanna Sordahl, have self-quarantined, he’s joining with other Fulbrighters to write congresspeople, asking at least for the full stipend.\u003c/p>\n\u003cp>“But what I want more than anything is to go back to Brazil and finish this project,” Lopez said.\u003c/p>\n\u003cfigure id=\"attachment_13878169\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/IMG_20200223_164832-800x600.jpg\" alt=\"Atabaques, a type of hand drum used in Candomblé music, and yellow flowers symbolizing the deity Oxum.\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13878169\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/IMG_20200223_164832-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/IMG_20200223_164832-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/IMG_20200223_164832-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/IMG_20200223_164832-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/IMG_20200223_164832.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Atabaques, a type of hand drum used in Candomblé music, and yellow flowers symbolizing the deity Oxum. \u003ccite>(Robert Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lopez, 37, encountered the ensemble drumming of Candomblé, a religious expression borne of the Atlantic slave trade and Portuguese colonialism, as a Cal State Long Beach undergraduate on trips to Brazil with the World Percussion Project. He moved to the Bay Area in 2011 to pursue a graduate degree in the Mills College music department, and five years ago began studying independently with a master Candomblé percussionist and dancer in Oakland, \u003ca href=\"http://www.jorgealabe.com/about.html\">Jorge Alabê\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In a Candomblé ceremony, musicians lead dancers in tributes to unique deities, known as orixás. The ensemble generally includes a bell player, two support drummers and a lead drummer playing atabaques, hand drums akin to congas. Lopez was moved by the atabaque’s dynamic range and the music’s fluid feel, especially the improvisational lead drum. Studying with Alabê, he grew skilled enough to support Candomblé dancers for educational and ceremonial purposes.\u003c/p>\n\u003cp>Lopez was fortunate to meet Alabê. Unlike idioms such as samba, master percussionists in the Candomblé tradition are rare outside of Brazil. At the same time, he noticed the music receiving little scholarly attention. He felt the pull of Salvador, a port city in the Bahia state considered sacred in the Candomblé faith, to gain cultural context. “Otherwise it’s like studying jazz coordination patterns on drums without hearing musicians interact in the moment,” Lopez said.\u003c/p>\n\u003cfigure id=\"attachment_13878237\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/RobertLopez.Inline-800x1064.jpg\" alt=\"Robert Lopez and Shanna Sordahl parading during Carnaval.\" width=\"600\" height=\"798\" class=\"size-medium wp-image-13878237\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/RobertLopez.Inline.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/RobertLopez.Inline-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/RobertLopez.Inline-768x1021.jpg 768w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Robert Lopez and Shanna Sordahl parading during Carnaval. \u003ccite>(Courtesy Robert Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lopez first’s Fulbright application in 2017 was declined. He re-submitted in October of 2018, and was accepted last April. He learned conversational Portuguese, secured a university affiliation and made key inroads with practitioners in Salvador to prepare for the intensive ethnomusicological study. “I am on the cusp of having the knowledge and ability to take a leadership role in the transmission of Candomblé in the US,” he wrote in the project proposal.\u003c/p>\n\u003cp>For a short while, Lopez was on track to achieve his goals. He and Sordahl sublet the apartment of Rosangela Silvestre, a dancer he’d accompanied as a drummer in California. He received group and individual instruction most days at the Diáspora Art Center in Salvador and private studios from teachers including Nem Britto, Bira Santos, Iuri Passos, Ueslei “Totó” Cruz and Mario Pam. Lopez also developed a daily transcription practice, notating music traditionally taught by example.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "‘When you leave your place in the Bay Area, it’s hard to come back, especially as an artist.’",
"name": "pullquote",
"attributes": {
"named": {
"size": "medium",
"align": "right",
"citation": "Robert Lopez",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>In mid-March, Fulbright notified Lopez and some 30 other fellows in Brazil that they could continue receiving medical coverage and their stipend if they signed a waiver releasing the \u003ca href=\"https://eca.state.gov/fulbright\" rel=\"noopener noreferrer\" target=\"_blank\">Department of State-funded program\u003c/a> from liability. Lopez signed it. Days later, though, Fulbright walked back the option. “The order on the 20th said you have days before your health coverage runs out, and you’re not getting funded,” Lopez said. “Fulbright was totally unprepared.”\u003c/p>\n\u003cp>Fulbright has called participants’ health and safety its highest priority in the unprecedented program cancellation, which affects hundreds of fellows worldwide. But many fellows believe they were needlessly exposed, especially now that the United States vastly outpaces other countries in the number of confirmed cases. “By far the greatest worry we had about returning to the United States…was contracting COVID-19 while traveling,” Maia Evrona, a writer and Fulbright fellow studying in Greece and Spain, wrote in an \u003ca href=\"https://lareviewofbooks.org/short-takes/fulbright-covid-19/\">account\u003c/a> for the \u003cem>Los Angeles Review of Books\u003c/em>.\u003c/p>\n\u003cp>Grantees such as Lopez, meanwhile, are now left to recover work and housing in a spiraling economy. “When you leave your place in the Bay Area, it’s hard to come back, especially as an artist,” said Lopez, who’s staying with Sordahl near Joshua Tree. “The next payment is barely a month’s rent.” Lopez previously taught at the Community Music Center and San Francisco Waldorf High School; the music center will rehire him, but the hours aren’t guaranteed, and classes have migrated online. As a musician, his prospects for paid gigs are next to none.\u003c/p>\n\u003cfigure id=\"attachment_13878170\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13878170\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/MVIMG_20200216_124700.jpg\" alt=\"Oxum Square at the Candomblé temple Casa Branca, where Lopez's teacher Jorge Alabê was initiated.\" width=\"1920\" height=\"1362\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/MVIMG_20200216_124700.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/MVIMG_20200216_124700-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/MVIMG_20200216_124700-800x568.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/MVIMG_20200216_124700-768x545.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/MVIMG_20200216_124700-1020x724.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Oxum Square at the Candomblé temple Casa Branca, where Lopez’s teacher Jorge Alabê was initiated. \u003ccite>(Robert Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Because Fulbright is paying stipends through June, fellows whose trips correspond with the school year are receiving most of the grant. Lopez, however, is among the fellows who started later, putting him out $6,346. At the end of April, he’s anticipating a final payment of $2,254. Receiving the alum title also stings—it implies there’s no option for him to renew his studies. Not long after recalling 2020 fellows, Fulbright began approving a new round of grantees for 2021.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The experience in Brazil only steeled his resolve to return. Lopez’s interest in the dance of Candomblé, not previously a research focus, grew immensely. His daily transcription practice clarified connections between Candomblé and other Afro-Atlantic religions. He also felt privileged to play support atabaque in a ceremony for the deity Oxúm at the Terreiro Pilão de Prata, he said. “Experiencing the songs, the dance, the trance—that’s what I was there for.”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13878162/how-coronavirus-derailed-a-fulbright-fellows-musicological-research-in-brazil",
"authors": [
"11091"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_10126",
"arts_10278",
"arts_596",
"arts_1143"
],
"featImg": "arts_13878239",
"label": "arts"
},
"arts_13852456": {
"type": "posts",
"id": "arts_13852456",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13852456",
"score": null,
"sort": [
1585908036000
]
},
"parent": 0,
"labelTerm": {},
"blocks": [],
"publishDate": 1585908036,
"format": "audio",
"title": "From East Oakland, Music for the Soul",
"headTitle": "From East Oakland, Music for the Soul | KQED",
"content": "\u003cp>Aneesa Strings has traveled the world playing the upright bass, but her story starts right here in Oakland.\u003c/p>\n\u003cp>Strings grew up playing in Oakland public schools and at a local nonprofit, Oaktown Jazz Workshops. She just released a single, called “\u003ca href=\"https://itunes.apple.com/us/album/lovealution-single/1454300709\">Lovealution\u003c/a>,” from her forthcoming second studio album. She says the song explores the validity of nature—the only thing, she likes to say, that’s not a scam.\u003c/p>\n\u003cp>Music is clearly Strings’ second nature, as she’s mastered the art of the upright bass, the piano and vocals. She’s performed as a background musician for L.A. rapper Ill Camille during \u003ca href=\"https://www.youtube.com/watch?v=OXPfeg09IOE\" target=\"_blank\" rel=\"noopener noreferrer\">an NPR Tiny Desk Concert last year\u003c/a>, and also played a major role in Duckwrth’s European tour in 2018. In 2109, Strings went on tour with jazz singer \u003ca href=\"http://www.josejamesmusic.com/#/tour\">José James.\u003c/a>\u003c/p>\n\u003cp>And Strings is scheduled to be in the SF Jazz collective this fall through spring 2021.\u003c/p>\n\u003cp>In between all of these movements, Strings was in Oakland for a stint, and I caught up with her to discuss her love for music and how she walks the tightrope between R&B and jazz. Click the link above to hear her story.\u003c/p>\n\u003cp>\u003cem>A shorter version of this episode was first broadcast on March 8, 2019\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 267,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705020955,
"excerpt": "She's been all over the world—but back home in Oakland, Pendarvis Harshaw catches up with the R&B and jazz musician.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "She's been all over the world—but back home in Oakland, Pendarvis Harshaw catches up with the R&B and jazz musician.",
"title": "From East Oakland, Music for the Soul | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "From East Oakland, Music for the Soul",
"datePublished": "2020-04-03T03:00:36-07:00",
"dateModified": "2024-01-11T16:55:55-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "rightnowish-bassist-aneesa-strings-love-for-music-started-in-oakland-schools",
"status": "publish",
"sourceUrl": "https://www.kqed.org/podcasts/rightnowish",
"templateType": "standard",
"audioUrl": "https://od1.kqed.org/anon.kqed/radio/rightnowish/2020/04/RightnowishEp24AneesaStrings.mp3",
"featuredImageType": "standard",
"sticky": false,
"audioTrackLength": 239,
"source": "Rightnowish",
"path": "/arts/13852456/rightnowish-bassist-aneesa-strings-love-for-music-started-in-oakland-schools",
"audioDuration": 698000,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Aneesa Strings has traveled the world playing the upright bass, but her story starts right here in Oakland.\u003c/p>\n\u003cp>Strings grew up playing in Oakland public schools and at a local nonprofit, Oaktown Jazz Workshops. She just released a single, called “\u003ca href=\"https://itunes.apple.com/us/album/lovealution-single/1454300709\">Lovealution\u003c/a>,” from her forthcoming second studio album. She says the song explores the validity of nature—the only thing, she likes to say, that’s not a scam.\u003c/p>\n\u003cp>Music is clearly Strings’ second nature, as she’s mastered the art of the upright bass, the piano and vocals. She’s performed as a background musician for L.A. rapper Ill Camille during \u003ca href=\"https://www.youtube.com/watch?v=OXPfeg09IOE\" target=\"_blank\" rel=\"noopener noreferrer\">an NPR Tiny Desk Concert last year\u003c/a>, and also played a major role in Duckwrth’s European tour in 2018. In 2109, Strings went on tour with jazz singer \u003ca href=\"http://www.josejamesmusic.com/#/tour\">José James.\u003c/a>\u003c/p>\n\u003cp>And Strings is scheduled to be in the SF Jazz collective this fall through spring 2021.\u003c/p>\n\u003cp>In between all of these movements, Strings was in Oakland for a stint, and I caught up with her to discuss her love for music and how she walks the tightrope between R&B and jazz. Click the link above to hear her story.\u003c/p>\n\u003cp>\u003cem>A shorter version of this episode was first broadcast on March 8, 2019\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13852456/rightnowish-bassist-aneesa-strings-love-for-music-started-in-oakland-schools",
"authors": [
"11491"
],
"programs": [
"arts_8720"
],
"categories": [
"arts_69",
"arts_21759"
],
"tags": [
"arts_1118",
"arts_1420",
"arts_596",
"arts_1143",
"arts_2356",
"arts_6764"
],
"featImg": "arts_13852477",
"label": "source_arts_13852456"
},
"arts_13877498": {
"type": "posts",
"id": "arts_13877498",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13877498",
"score": null,
"sort": [
1585303249000
]
},
"guestAuthors": [],
"slug": "snakes-tarantulas-and-geckos-oh-my",
"title": "Trap Nature with Scid the Snakeman",
"publishDate": 1585303249,
"format": "audio",
"headTitle": "Trap Nature with Scid the Snakeman | KQED",
"labelTerm": {},
"content": "\u003cp>Scid Howard is a self-taught wildlife scholar who documents his ventures on \u003ca href=\"https://www.instagram.com/officialtrapnature/\" target=\"_blank\" rel=\"noopener noreferrer\">social media.\u003c/a> He fell in love with animals as a youngster in East Oakland and that affection has only grown as he’s matured.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ixTRk3-n1fo\u003c/p>\n\u003cp>Now he has no problem with hiking off trails to find tarantulas. People call him to remove invasive snakes they find in or near their homes. And he is the owner of over 50 pets, including a handful of dogs, a few big snakes and a gecko named Nipsey.\u003c/p>\n\u003cfigure id=\"attachment_13877530\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13877530\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/DSC8513-800x535.jpg\" alt=\"Scid Howard and Nipsey the Gecko\" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DSC8513-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DSC8513-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DSC8513-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DSC8513-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DSC8513.jpg 1616w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Scid Howard and Nipsey the Gecko \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I’ve known him for a while, even \u003ca href=\"https://www.kqed.org/arts/13833979/the-snake-man-of-east-oakland\" target=\"_blank\" rel=\"noopener noreferrer\">interviewed him\u003c/a> in 2018. And a few weeks ago, we went out to Antioch, where Scid now lives. We got familiar with some of his animals as well as some of the nature that surrounds him.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cbr>\n\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "He's a nature-loving animal advocate who documents his journeys on social media. He's Scid \"The Snake man\" Howard. ",
"status": "publish",
"parent": 0,
"modified": 1726763998,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 6,
"wordCount": 179
},
"headData": {
"title": "Trap Nature with Scid the Snakeman | KQED",
"description": "He's a nature-loving animal advocate who documents his journeys on social media. He's Scid "The Snake man" Howard. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Trap Nature with Scid the Snakeman",
"datePublished": "2020-03-27T03:00:49-07:00",
"dateModified": "2024-09-19T09:39:58-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"source": "Rightnowish",
"sourceUrl": "https://www.kqed.org/podcasts/rightnowish",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/rightnowish/2020/03/RightnowishEp23Scid.mp3",
"sticky": false,
"path": "/arts/13877498/snakes-tarantulas-and-geckos-oh-my",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Scid Howard is a self-taught wildlife scholar who documents his ventures on \u003ca href=\"https://www.instagram.com/officialtrapnature/\" target=\"_blank\" rel=\"noopener noreferrer\">social media.\u003c/a> He fell in love with animals as a youngster in East Oakland and that affection has only grown as he’s matured.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ixTRk3-n1fo'\n title='//www.youtube.com/embed/ixTRk3-n1fo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Now he has no problem with hiking off trails to find tarantulas. People call him to remove invasive snakes they find in or near their homes. And he is the owner of over 50 pets, including a handful of dogs, a few big snakes and a gecko named Nipsey.\u003c/p>\n\u003cfigure id=\"attachment_13877530\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13877530\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/DSC8513-800x535.jpg\" alt=\"Scid Howard and Nipsey the Gecko\" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DSC8513-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DSC8513-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DSC8513-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DSC8513-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DSC8513.jpg 1616w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Scid Howard and Nipsey the Gecko \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I’ve known him for a while, even \u003ca href=\"https://www.kqed.org/arts/13833979/the-snake-man-of-east-oakland\" target=\"_blank\" rel=\"noopener noreferrer\">interviewed him\u003c/a> in 2018. And a few weeks ago, we went out to Antioch, where Scid now lives. We got familiar with some of his animals as well as some of the nature that surrounds him.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cbr>\n\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13877498/snakes-tarantulas-and-geckos-oh-my",
"authors": [
"11491"
],
"programs": [
"arts_8720"
],
"categories": [
"arts_21759"
],
"tags": [
"arts_5278",
"arts_5569",
"arts_1118",
"arts_10475",
"arts_2832",
"arts_1143",
"arts_974",
"arts_6764"
],
"featImg": "arts_13877528",
"label": "source_arts_13877498"
},
"arts_13876714": {
"type": "posts",
"id": "arts_13876714",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13876714",
"score": null,
"sort": [
1584385706000
]
},
"guestAuthors": [],
"slug": "an-online-open-mic",
"title": "An Online Open Mic Creates a New Way to Gather",
"publishDate": 1584385706,
"format": "standard",
"headTitle": "An Online Open Mic Creates a New Way to Gather | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>On Sunday evening, \u003ca href=\"https://twitter.com/GavinNewsom/status/1239309418497363968?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">California’s Governor Gavin Newsom\u003c/a> suggested people of this great state either shelter in place or move with caution in the coming days; that’s coupled with the \u003ca href=\"https://www.cdc.gov/coronavirus/2019-ncov/community/large-events/mass-gatherings-ready-for-covid-19.html\" target=\"_blank\" rel=\"noopener noreferrer\">CDC’s announcement\u003c/a> that “social distancing” is suggested for the next eight weeks.\u003c/p>\n\u003cp>When I heard that, I figured people would turn to the interwebs for connection, culture and creativity, but I didn’t imagine there’d be a whole online open mic session.\u003c/p>\n\u003cp>DJ and thespian Champagne Hughes will co-host \u003ca href=\"https://www.facebook.com/events/211032176973779/\" target=\"_blank\" rel=\"noopener noreferrer\">The Quarantine: Virtual Open Mic\u003c/a> with RyanNicole, an emcee, event host and, most recently, the understudy for the main character in the American Conservatory Theatre’s run of \u003cem>Toni Stone\u003c/em>. The play was canceled the day after it opened (along with \u003ca href=\"https://www.kqed.org/arts/13876622/what-we-lose-when-we-lose-the-arts-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">every other IRL event\u003c/a>) due to the spread of this virus.\u003c/p>\n\u003cp>What does a virtual open mic even look like?\u003c/p>\n\u003cp>“People should expect to find a healing environment,” says RyanNicole. It’ll be place where folks can “share the art they’ve been cultivating for events that have since been canceled, and art for the times,” she says, noting that performances aren’t limited to poetry. Songs, monologues, dances and more are welcomed, and expected.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The free event is scheduled to happen on March 18, 6–8pm, “or more if the spirit calls for it,” says RyanNicole. It’ll start with an opening set from DJ Champagne and then they’ll jump right into the show.\u003c/p>\n\u003cp>When asked about the importance of this kind of event, RyanNicole says she leans on sage wisdom from the late Toni Morrison as a guiding directive to aid her focus when feelings of hopelessness cloud her vision. The excerpt comes from \u003ca href=\"https://www.thenation.com/article/archive/no-place-self-pity-no-room-fear/\" target=\"_blank\" rel=\"noopener noreferrer\">a conversation\u003c/a> between the great writer and a friend during the depressive days right after the reelection of George W. Bush.\u003c/p>\n\u003cp>“This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal,” Morrison wrote.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I know the world is bruised and bleeding, and though it is important not to ignore its pain, it is also critical to refuse to succumb to its malevolence. Like failure, chaos contains information that can lead to knowledge—even wisdom. Like art.”\u003c/p>\n\n",
"blocks": [],
"excerpt": "DJ Champagne and RyanNicole host a virtual event for artists and performer to share share their work with audiences.",
"status": "publish",
"parent": 0,
"modified": 1726764096,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 11,
"wordCount": 416
},
"headData": {
"title": "An Online Open Mic Creates a New Way to Gather | KQED",
"description": "DJ Champagne and RyanNicole host a virtual event for artists and performer to share share their work with audiences.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "An Online Open Mic Creates a New Way to Gather",
"datePublished": "2020-03-16T12:08:26-07:00",
"dateModified": "2024-09-19T09:41:36-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"startTime": 1584579600,
"endTime": 1584597600,
"startTimeString": "Wednesday, March 18, 6pm",
"venueAddress": "Online",
"eventLink": "https://www.facebook.com/events/211032176973779/",
"path": "/arts/13876714/an-online-open-mic",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Sunday evening, \u003ca href=\"https://twitter.com/GavinNewsom/status/1239309418497363968?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">California’s Governor Gavin Newsom\u003c/a> suggested people of this great state either shelter in place or move with caution in the coming days; that’s coupled with the \u003ca href=\"https://www.cdc.gov/coronavirus/2019-ncov/community/large-events/mass-gatherings-ready-for-covid-19.html\" target=\"_blank\" rel=\"noopener noreferrer\">CDC’s announcement\u003c/a> that “social distancing” is suggested for the next eight weeks.\u003c/p>\n\u003cp>When I heard that, I figured people would turn to the interwebs for connection, culture and creativity, but I didn’t imagine there’d be a whole online open mic session.\u003c/p>\n\u003cp>DJ and thespian Champagne Hughes will co-host \u003ca href=\"https://www.facebook.com/events/211032176973779/\" target=\"_blank\" rel=\"noopener noreferrer\">The Quarantine: Virtual Open Mic\u003c/a> with RyanNicole, an emcee, event host and, most recently, the understudy for the main character in the American Conservatory Theatre’s run of \u003cem>Toni Stone\u003c/em>. The play was canceled the day after it opened (along with \u003ca href=\"https://www.kqed.org/arts/13876622/what-we-lose-when-we-lose-the-arts-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">every other IRL event\u003c/a>) due to the spread of this virus.\u003c/p>\n\u003cp>What does a virtual open mic even look like?\u003c/p>\n\u003cp>“People should expect to find a healing environment,” says RyanNicole. It’ll be place where folks can “share the art they’ve been cultivating for events that have since been canceled, and art for the times,” she says, noting that performances aren’t limited to poetry. Songs, monologues, dances and more are welcomed, and expected.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The free event is scheduled to happen on March 18, 6–8pm, “or more if the spirit calls for it,” says RyanNicole. It’ll start with an opening set from DJ Champagne and then they’ll jump right into the show.\u003c/p>\n\u003cp>When asked about the importance of this kind of event, RyanNicole says she leans on sage wisdom from the late Toni Morrison as a guiding directive to aid her focus when feelings of hopelessness cloud her vision. The excerpt comes from \u003ca href=\"https://www.thenation.com/article/archive/no-place-self-pity-no-room-fear/\" target=\"_blank\" rel=\"noopener noreferrer\">a conversation\u003c/a> between the great writer and a friend during the depressive days right after the reelection of George W. Bush.\u003c/p>\n\u003cp>“This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal,” Morrison wrote.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I know the world is bruised and bleeding, and though it is important not to ignore its pain, it is also critical to refuse to succumb to its malevolence. Like failure, chaos contains information that can lead to knowledge—even wisdom. Like art.”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13876714/an-online-open-mic",
"authors": [
"11491"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1"
],
"tags": [
"arts_1331",
"arts_10126",
"arts_10127",
"arts_10341",
"arts_831",
"arts_1143",
"arts_1334",
"arts_6713"
],
"featImg": "arts_13876766",
"label": "arts_140"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?tag=oakland": {
"isFetching": false,
"latestQuery": {
"from": 588,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 831,
"relation": "eq"
},
"items": [
"arts_13880799",
"arts_13880602",
"arts_13879577",
"arts_13879199",
"arts_13879147",
"arts_13879146",
"arts_13878907",
"arts_13878711",
"arts_13878162",
"arts_13852456",
"arts_13877498",
"arts_13876714"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_tag_oakland": {
"isLoading": true
},
"arts_1143": {
"type": "terms",
"id": "arts_1143",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1143",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Oakland",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oakland Archives | KQED Arts",
"ogDescription": null
},
"ttid": 692,
"slug": "oakland",
"isLoading": false,
"link": "/arts/tag/oakland"
},
"source_arts_13879577": {
"type": "terms",
"id": "source_arts_13879577",
"meta": {
"override": true
},
"name": "Rightnowish",
"link": "https://www.kqed.org/podcasts/rightnowish",
"isLoading": false
},
"source_arts_13879199": {
"type": "terms",
"id": "source_arts_13879199",
"meta": {
"override": true
},
"name": "Rightnowish",
"link": "https://www.kqed.org/podcasts/rightnowish",
"isLoading": false
},
"source_arts_13879147": {
"type": "terms",
"id": "source_arts_13879147",
"meta": {
"override": true
},
"name": "Rebel Girls",
"link": "https://www.kqed.org/rebelgirls",
"isLoading": false
},
"source_arts_13852456": {
"type": "terms",
"id": "source_arts_13852456",
"meta": {
"override": true
},
"name": "Rightnowish",
"link": "https://www.kqed.org/podcasts/rightnowish",
"isLoading": false
},
"source_arts_13877498": {
"type": "terms",
"id": "source_arts_13877498",
"meta": {
"override": true
},
"name": "Rightnowish",
"link": "https://www.kqed.org/podcasts/rightnowish",
"isLoading": false
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"arts_820": {
"type": "terms",
"id": "arts_820",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "820",
"found": true
},
"relationships": {},
"featImg": null,
"name": "art",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "art Archives | KQED Arts",
"ogDescription": null
},
"ttid": 838,
"slug": "art",
"isLoading": false,
"link": "/arts/tag/art"
},
"arts_10797": {
"type": "terms",
"id": "arts_10797",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10797",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Live Updates",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Live Updates Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10809,
"slug": "live-updates",
"isLoading": false,
"link": "/arts/category/live-updates"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_10126": {
"type": "terms",
"id": "arts_10126",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10126",
"found": true
},
"relationships": {},
"featImg": null,
"name": "coronavirus",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "coronavirus Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10138,
"slug": "coronavirus",
"isLoading": false,
"link": "/arts/tag/coronavirus"
},
"arts_3590": {
"type": "terms",
"id": "arts_3590",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3590",
"found": true
},
"relationships": {},
"featImg": null,
"name": "grants",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "grants Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3602,
"slug": "grants",
"isLoading": false,
"link": "/arts/tag/grants"
},
"arts_10651": {
"type": "terms",
"id": "arts_10651",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10651",
"found": true
},
"relationships": {},
"featImg": null,
"name": "liveupdates",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "liveupdates Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10663,
"slug": "liveupdates",
"isLoading": false,
"link": "/arts/tag/liveupdates"
},
"arts_8720": {
"type": "terms",
"id": "arts_8720",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "8720",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Rightnowish",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Rightnowish Archives | KQED Arts",
"ogDescription": null
},
"ttid": 8732,
"slug": "rightnowish",
"isLoading": false,
"link": "/arts/program/rightnowish"
},
"arts_21759": {
"type": "terms",
"id": "arts_21759",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21759",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Podcast",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Podcast Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21771,
"slug": "podcast",
"isLoading": false,
"link": "/arts/category/podcast"
},
"arts_928": {
"type": "terms",
"id": "arts_928",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "928",
"found": true
},
"relationships": {},
"featImg": null,
"name": "books",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 946,
"slug": "books",
"isLoading": false,
"link": "/arts/tag/books"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_6764": {
"type": "terms",
"id": "arts_6764",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6764",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Rightnowish-Link-for-Social.jpg",
"name": "Rightnowish",
"description": "Art is where you find it. Each week, follow lifelong Oaklander, Pendarvis Harshaw, on a brief but memorable trip through the Bay Area’s creative hubs. ",
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Art is where you find it. Each week, follow lifelong Oaklander, Pendarvis Harshaw, on a brief but memorable trip through the Bay Area’s creative hubs.",
"title": "Rightnowish Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6776,
"slug": "rightnowish",
"isLoading": false,
"link": "/arts/tag/rightnowish"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_5540": {
"type": "terms",
"id": "arts_5540",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5540",
"found": true
},
"relationships": {},
"featImg": null,
"name": "battle rap",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "battle rap Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5552,
"slug": "battle-rap",
"isLoading": false,
"link": "/arts/tag/battle-rap"
},
"arts_831": {
"type": "terms",
"id": "arts_831",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "831",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Hip Hop",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Discover rising stars, hidden gems, and live events that'll keep your head nodding. Find your next favorite local hip hop artist right here.",
"metaRobotsNoIndex": "index",
"title": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogDescription": null
},
"ttid": 849,
"slug": "hip-hop",
"isLoading": false,
"link": "/arts/tag/hip-hop"
},
"arts_22303": {
"type": "terms",
"id": "arts_22303",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22303",
"found": true
},
"relationships": {},
"name": "Rebel Girls from Bay Area History",
"slug": "rebelgirls",
"taxonomy": "series",
"description": null,
"featImg": null,
"headData": {
"title": "Rebel Girls from Bay Area History | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22315,
"isLoading": false,
"link": "/arts/series/rebelgirls"
},
"arts_7862": {
"type": "terms",
"id": "arts_7862",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7862",
"found": true
},
"relationships": {},
"featImg": null,
"name": "History",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "History Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7874,
"slug": "history",
"isLoading": false,
"link": "/arts/category/history"
},
"arts_9598": {
"type": "terms",
"id": "arts_9598",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9598",
"found": true
},
"relationships": {},
"featImg": null,
"name": "health",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "health Archives | KQED Arts",
"ogDescription": null
},
"ttid": 9610,
"slug": "health",
"isLoading": false,
"link": "/arts/tag/health"
},
"arts_2640": {
"type": "terms",
"id": "arts_2640",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2640",
"found": true
},
"relationships": {},
"featImg": null,
"name": "history",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "history Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2652,
"slug": "history",
"isLoading": false,
"link": "/arts/tag/history"
},
"arts_21841": {
"type": "terms",
"id": "arts_21841",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21841",
"found": true
},
"relationships": {},
"featImg": null,
"name": "rebelgirls",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "rebelgirls Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21853,
"slug": "rebelgirls",
"isLoading": false,
"link": "/arts/tag/rebelgirls"
},
"arts_21866": {
"type": "terms",
"id": "arts_21866",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21866",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts and Culture",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts and Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21878,
"slug": "arts-and-culture",
"isLoading": false,
"link": "/arts/interest/arts-and-culture"
},
"arts_21872": {
"type": "terms",
"id": "arts_21872",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21872",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Berkeley",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Berkeley Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21884,
"slug": "berkeley",
"isLoading": false,
"link": "/arts/interest/berkeley"
},
"arts_21860": {
"type": "terms",
"id": "arts_21860",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21860",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Oakland",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oakland Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21872,
"slug": "oakland",
"isLoading": false,
"link": "/arts/interest/oakland"
},
"arts_21859": {
"type": "terms",
"id": "arts_21859",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21859",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21871,
"slug": "san-francisco",
"isLoading": false,
"link": "/arts/interest/san-francisco"
},
"arts_3560": {
"type": "terms",
"id": "arts_3560",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3560",
"found": true
},
"relationships": {},
"featImg": null,
"name": "art grants",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "art grants Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3572,
"slug": "art-grants",
"isLoading": false,
"link": "/arts/tag/art-grants"
},
"arts_7819": {
"type": "terms",
"id": "arts_7819",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7819",
"found": true
},
"relationships": {},
"featImg": null,
"name": "eric arnold",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "eric arnold Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7831,
"slug": "eric-arnold",
"isLoading": false,
"link": "/arts/tag/eric-arnold"
},
"arts_10278": {
"type": "terms",
"id": "arts_10278",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10278",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10290,
"slug": "featured-arts",
"isLoading": false,
"link": "/arts/tag/featured-arts"
},
"arts_10422": {
"type": "terms",
"id": "arts_10422",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10422",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-news Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10434,
"slug": "featured-news",
"isLoading": false,
"link": "/arts/tag/featured-news"
},
"arts_746": {
"type": "terms",
"id": "arts_746",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "746",
"found": true
},
"relationships": {},
"featImg": null,
"name": "news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "news Archives | KQED Arts",
"ogDescription": null
},
"ttid": 764,
"slug": "news-2",
"isLoading": false,
"link": "/arts/tag/news-2"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_2755": {
"type": "terms",
"id": "arts_2755",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2755",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Oakland Museum of California",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oakland Museum of California Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2767,
"slug": "oakland-museum-of-california",
"isLoading": false,
"link": "/arts/tag/oakland-museum-of-california"
},
"arts_2628": {
"type": "terms",
"id": "arts_2628",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2628",
"found": true
},
"relationships": {},
"name": "Public Art",
"slug": "public-art",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Public Art | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 2640,
"isLoading": false,
"link": "/arts/tag/public-art"
},
"arts_2303": {
"type": "terms",
"id": "arts_2303",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2303",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Commentary",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2315,
"slug": "commentary",
"isLoading": false,
"link": "/arts/category/commentary"
},
"arts_2767": {
"type": "terms",
"id": "arts_2767",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2767",
"found": true
},
"relationships": {},
"featImg": null,
"name": "commentary",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2779,
"slug": "commentary",
"isLoading": false,
"link": "/arts/tag/commentary"
},
"arts_10127": {
"type": "terms",
"id": "arts_10127",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10127",
"found": true
},
"relationships": {},
"featImg": null,
"name": "covid-19",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "covid-19 Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10139,
"slug": "covid-19",
"isLoading": false,
"link": "/arts/tag/covid-19"
},
"arts_10342": {
"type": "terms",
"id": "arts_10342",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10342",
"found": true
},
"relationships": {},
"featImg": null,
"name": "editorspick",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "editorspick Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10354,
"slug": "editorspick",
"isLoading": false,
"link": "/arts/tag/editorspick"
},
"arts_4725": {
"type": "terms",
"id": "arts_4725",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4725",
"found": true
},
"relationships": {},
"featImg": null,
"name": "education",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "education Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4737,
"slug": "education",
"isLoading": false,
"link": "/arts/tag/education"
},
"arts_7292": {
"type": "terms",
"id": "arts_7292",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7292",
"found": true
},
"relationships": {},
"featImg": null,
"name": "OUSD",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "OUSD Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7304,
"slug": "ousd",
"isLoading": false,
"link": "/arts/tag/ousd"
},
"arts_3607": {
"type": "terms",
"id": "arts_3607",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3607",
"found": true
},
"relationships": {},
"featImg": null,
"name": "experimental music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "experimental music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3619,
"slug": "experimental-music",
"isLoading": false,
"link": "/arts/tag/experimental-music"
},
"arts_3649": {
"type": "terms",
"id": "arts_3649",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3649",
"found": true
},
"relationships": {},
"featImg": null,
"name": "galleries",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "galleries Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3661,
"slug": "galleries",
"isLoading": false,
"link": "/arts/tag/galleries"
},
"arts_1420": {
"type": "terms",
"id": "arts_1420",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1420",
"found": true
},
"relationships": {},
"featImg": null,
"name": "jazz",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "jazz Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1432,
"slug": "jazz",
"isLoading": false,
"link": "/arts/tag/jazz"
},
"arts_2356": {
"type": "terms",
"id": "arts_2356",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2356",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ogpenn",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ogpenn Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2368,
"slug": "ogpenn",
"isLoading": false,
"link": "/arts/tag/ogpenn"
},
"arts_5278": {
"type": "terms",
"id": "arts_5278",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5278",
"found": true
},
"relationships": {},
"featImg": null,
"name": "antioch",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "antioch Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5290,
"slug": "antioch",
"isLoading": false,
"link": "/arts/tag/antioch"
},
"arts_5569": {
"type": "terms",
"id": "arts_5569",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5569",
"found": true
},
"relationships": {},
"featImg": null,
"name": "east bay",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "east bay Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5581,
"slug": "east-bay",
"isLoading": false,
"link": "/arts/tag/east-bay"
},
"arts_10475": {
"type": "terms",
"id": "arts_10475",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10475",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Hiking",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Hiking Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10487,
"slug": "hiking",
"isLoading": false,
"link": "/arts/tag/hiking"
},
"arts_2832": {
"type": "terms",
"id": "arts_2832",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2832",
"found": true
},
"relationships": {},
"featImg": null,
"name": "nature",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "nature Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2844,
"slug": "nature",
"isLoading": false,
"link": "/arts/tag/nature"
},
"arts_974": {
"type": "terms",
"id": "arts_974",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "974",
"found": true
},
"relationships": {},
"featImg": null,
"name": "rap",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "rap Archives | KQED Arts",
"ogDescription": null
},
"ttid": 992,
"slug": "rap",
"isLoading": false,
"link": "/arts/tag/rap"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_1331": {
"type": "terms",
"id": "arts_1331",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1331",
"found": true
},
"relationships": {},
"featImg": null,
"name": "bay area",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "bay area Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1343,
"slug": "bay-area",
"isLoading": false,
"link": "/arts/tag/bay-area"
},
"arts_10341": {
"type": "terms",
"id": "arts_10341",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10341",
"found": true
},
"relationships": {},
"featImg": null,
"name": "dolist",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "dolist Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10353,
"slug": "dolist",
"isLoading": false,
"link": "/arts/tag/dolist"
},
"arts_1334": {
"type": "terms",
"id": "arts_1334",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1334",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the do list",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the do list Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1346,
"slug": "the-do-list",
"isLoading": false,
"link": "/arts/tag/the-do-list"
},
"arts_6713": {
"type": "terms",
"id": "arts_6713",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6713",
"found": true
},
"relationships": {},
"featImg": null,
"name": "toni morrison",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "toni morrison Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6725,
"slug": "toni-morrison",
"isLoading": false,
"link": "/arts/tag/toni-morrison"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
},
"navPromosReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": true,
"promos": {
"news": {
"name": "2026 Voter Guide",
"link": "/voterguide",
"imageURL": "https://cdn.kqed.org/wp-content/uploads/2026/10/Nav-News-Nov2026ElectionCoverage@2x-7bd4aad4.png",
"description": "Get informed in minutes with our Voter Guide for California’s November 3 election."
},
"podcasts-radio": {},
"video-tv": {},
"events": {},
"support": {}
}
}
}
